SciFi Weekend: Agent Carter; Mr. Robot; Supergirl and The Flash; TV Renewals; Malevolent

Agent Carter Hollywood Ending

Agent Carter recently concluded its second season, showing once again the advantage of telling a self-contained story over a short season. Whitney Frost made a great villain for the season, with the dark matter providing a strong science fiction aspect. Other highlights of the season include meeting Jarvis’s wife and the return of Dotty. Howard Stark was also used well, just appearing enough to spice up some episodes. Peggy’s love life also attracted a lot of buzz.

The season finale provided an excellent Hollywood Ending which tied up the plot lines of the season and, other than for a cliff hanger at the very end, would make a satisfactory series finale if it comes to this. Major spoilers ahead.

Entertainment Weekly discussed the finale, and some questions left open, with executive producers Michele Fazekas and Tara Butters:

ENTERTAINMENT WEEKLY: Why did you kill off Jack Thompson?!
MICHELE FAZEKAS:
We did not kill off Jack Thompson, we shot Jack Thompson.

In the chest!
FAZEKAS:
Yup, that was the intent. We shot him. Honestly, he might not be dead, and that’s what we as writers have said, and that’s what we told Chad. That’s the truth.

Let’s talk about the person who may or may not have killed Jack. Is it someone we know? Are they connected to the Council of Nine?
FAZEKAS:
It’s unrelated to the Council of Nine. It is not for the reasons that you’d expect. It’s unrelated to Council of Nine, Zero Matter, any of that.

Purely related to the file?
FAZEKAS:
Correct.

This file reveals Peggy’s exploits with the S.O.E. and some kind of massacre. Thompson thought it was too good to be true, ultimately, and it didn’t seem to affect Peggy when he mentioned it. What’s really going on here?
FAZEKAS:
You have to pay really close attention to what exactly we showed that was in the file. You see that there was some sort of massacre, and I would say, don’t make assumptions by what you see in that file. We were really specific about what information was given for a reason.

Later in the interview:

Turning to Whitney Frost, why did you ultimately decide to have her go crazy? And is that the last we’ve seen of her?
BUTTERS
: I hope not. I hope we get to bring her back. She was delicious.
FAZEKAS: We probably don’t exactly tell that story again, but I loved working with Wynn. We didn’t want to kill her off. The Zero Matter, all along, had this increasing affect on her, where it was driving her mad. That felt like the organic way to end that story, because we didn’t start out that way, but boy did she end up that way. That was a direct result of Zero Matter.
BUTTERS: There was a little Frances Farmer connection of Old Hollywood taking its toll. I like her being a rogue’s gallery for Agent Carter, people who can come back like Dottie (Bridget Regan).
FAZEKAS: I really like how sad I feel for Ken Marino. Oh, Manfredi still loves her!

In the closing moments of the episode, Peggy is torn between New York and Los Angeles. Are you already thinking about whether you would keep the show in L.A. or whether you’d move the setting back to New York in season 3?
FAZEKAS:
The nice thing is you can put the show anywhere, because it’s spies. We loved doing L.A. If I had a choice between doing New York and L.A. again, I’d pick L.A. But London has been dropped. It’s all going to be determined by what story we want to tell. I loved L.A. I loved how it looked, I loved how it looked on Peggy. We would be very happy to do another L.A. season, but we’re not married to it.

Haley Atwell Hollywood Ending

Haley Atwell has also discussed the finale, and the question of who Peggy Carter will ultimately marry:

ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL:
I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.

Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.

How do you think Peggy will handle Thompson’s potential death, especially since it’s happened because of that file?
She has an interesting relationship with Thompson. I think she deals with him with a bemused tolerance. I think she sees his façade and she understands why a lot of his bravado and his need to be liked and approved comes from, because he’s harboring a very guilty secret about his past that he confided in her in season 1. She’s not a dismissive person. She’s quite tolerant of people. She’s quite patient and wants to appeal to the good in him. Planting that seed in him is her hope that he will continue to be a good man. So to lose him, I think she would grieve, but it’s not the same. I don’t think she would regard him as a friend. He’s not someone that can be trusted. She suspects that he’s capable of making really bad decisions, but not malicious ones. I can imagine that he would get blinded by Vernon Masters, Whitney Frost and power, but she has sympathy toward that rather than sees that as something bad in him.

How much do you actually know about this file that discusses Peggy’s exploits with the S.O.E. and a massacre? Peggy seemed to dismiss it before, but do you know what’s really going on there?
James D’Arcy is so nosy, so he went sniffing around the writers’ room trying to figure it out. He finally found out what the secret was, and then on the last day he ran up to me and told me. I do know what that secret is. It’s really exciting, and it changes a lot. It basically gives us our core for season 3 if we were to go to a season 3. It’s really amazing, but I don’t want to get too excited about it in case we don’t get picked up again, so I can’t really say anything. Or it might get picked up in a couple years. I’m sworn to secrecy on it, but it’s really clever. Those clever writers!

Word as to whether there will be a third season is expected in May, but it appears Haley Atwell is interested despite working on another pilot. Even if she is busy with other projects, perhaps the series can be kept alive with fewer episodes to make it feasible.

Mr Robot s01e03

It appears that Mr. Robot will remain topical next season with encryption becoming a major subject. Deadline reports:

Mr. Robot showrunner Sam Esmail insisted at SXSW today that he’s no “fortune teller,” even though the show’s first season went into production just as a massive post-Snowden national debate about surveillance and the collusion between government and big business flared up. In any case, his luck continues, with the USA Network show’s second season heading into production with a storyline about privacy and encryption just as the FBI and Apple are having a very public fight about access to private iPhone user data.

“What’s weird is that we were really going into [Season 2] talking about encryption and privacy,” Esmail said during a SXSW show panel titled “Coding on Camera: Mr. Robot and Authenticity on TV.” “And then this whole thing with Apple and [CEO] Tim Cook happened.”

Esmail said he thinks the difficult-to-grasp real-life issue will play out over the next decade, with public discourse over the idea of a right to privacy. “Do we have that, do we not?,” he asked.

Is Mr. Robot meant to be a straight-up polemic? “I don’t know if it’s to make commentary, but it’s to bring it up and have a conversation,” Esmail explained later, offering as an example “the Apple/FBI thing. … We talked to our FBI consultants about this, and their view is that encryption should allow for this sort of third-party side-door thing.”

Esmail says he’s “totally opposed” to that. “I’m on Tim Cook’s side,” he said, a line that unsurprisingly got huge cheers from the SXSW room. Ultimately, he says, “if you keep breaking [the issue] down in a credible way and if you show both sides so that the audience can understand the debate, hopefully it gets people interested and invested in wanting to learn more about it. If our show contributes to that conversation, brings that conversation up again,” then he’s happy with the reception.

There will also be a lot more on Evil Corp. as two characters have been promoted to series regulars. From TVLine:

The acclaimed USA Network drama has promoted Stephanie Corneliussen (who recently guested on Legends of Tomorrow) and Michael Cristofer to series regular status for the sophomore run, as Joanna Wellick and Phillip Price. They join the previously announced Grace Gummer, who will be playing an FBI agent investigating the Evil Corp. hack.

Supergirl Flash

CBS has released the above promotional picture and a synopsis for the upcoming Supergirl/Flash crossover (and Glee reunion):

Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.

I can recall old DC covers with Superman racing the Flash but I’m not aware of whether Supergirl ever raced him. With CBS not having the television rights to Superman, several story lines and other aspects of Superman have been used in Supergirl–similar to how Arrow borrows from Batman.

The CW has renewed its lineup shows, including several genre shows. Renewed shows include:

Arrow (season five), Crazy Ex-Girlfriend (season two), Legends of Tomorrow (season two), The Flash (season three), iZombie (season three), Jane the Virgin (season three), The Originals (season four), Reign (season four), Supernatural (season 12), The Vampire Diaries (season eight) and The 100 (season four).

USA Network has announced that the eighth season of Royal Pains, which starts on May 18, will be the final season.

Netflix will release the second season of Daredevil on March 18 and Luke Cage will be released on September 30.

Malvolent

Malevolent is requesting assistance to get out this animated horror movie, which has quite an impressive cast:

  • Morena Baccarin (Deadpool, Gotham, Firefly)
  • Ray Wise (Twin Peaks, Robocop, Agent Carter)
  • Bill Moseley (The Devil’s Rejects, Texas Chainsaw Massacre II)
  • Rising star Dani Lennon (Bite Me)
  • William Shatner (Star Trek, Boston Legal)

MALEVOLENT is about a young woman named Miriam DeKalb (Dani Lennon, FearNet/Machinima’s BITE ME) who works for a non-profit which promotes global peace initiatives. When her billiionaire sociopath father Cyrus (Ray Wise) learns he is dying, Cyrus calls Miriam and her three siblings together to “discuss his will.” However, what he actually has planned is to pronounce judgment on them all. They are, in his view, traitors, and he has grisly death traps planned for each of them.

The wrinkle: a race of intergalactic gamblers, who wager on human conflicts as bloody sport, have chosen Miriam as their protagonist for this match. Thus the entire situation is being manipulated by the Gamemaster (Morena Baccarin,) who has the power to reverse time and reconfigure events as they play out. And so the playing field is constantly changing under Miriam’s feet — sometimes to her benefit, but usually, not. Through it all, The Overseer (William Shatner) calls the game.

SciFi Weekend: Mr. Robot; Jessica Jones; Kimmy Schmidt; Person of Interest; Homeland; 24; Heroes; The DC Superhero Shows; Orphan Black; Blacklist

Mr Robot Finale Bar

After Mr. Robot won two Golden Globes for Best TV Drama and Best Supporting Actor (Christian Slater), cast and crew discussed the show at the Television Critics Association press tour. Here are some excerpts via Vulture:

The first-season finale ended with everyone’s favorite hacker confronting his painful delusions. The new season will begin with that struggle. “The whole show has been about Elliot’s emotional journey, and I really wanted to focus on that and less about the plot,” Esmail said. “And so, for me, the headline of season two is: How does Elliot reconcile the fact that he’s aware that he’s been seeing this fantasy?” Even as the first season entertained viewers with several twists and turns, Esmail said he’s not interested in “gotcha moments … Rami brilliantly plays Elliot in a way that he drops you into his psyche. So you’re learning it with him. As long as that is organic and that feels real, then I think the twists will come from there. But it’s not my agenda to keep shocking you. It really isn’t.”

Elliot’s past — and when his delusions began, and whom they involve — will become clearer in the second season. “There will be a lot more backstory that we’re going to show,” Esmail shared. “The timeline is going to get a little clearer. Not 100 percent clearer, because what’s the fun in that? But a little clearer.” Malek said Esmail has shared “enough” with him to help him start preparing for his performance. With this character, I have to prepare for anything at any given moment. I go through every direction as to what possibly happened to someone like this because in his head we never know what has happened. And I think having to trace back the truth and discover the truth ultimately makes him more complex to play — just trying to decipher what he’s actually seen and where he’s actually been. When I think about that, it kind of haunts me as a human being, having to do that. And that’s the place he finds himself in approaching this next season.”

Elliot is an unreliable narrator, and yes, there are other things he’s shown viewers besides the identity of Mr. Robot that we shouldn’t trust. After Esmail revealed that during the panel, Malek asked him, “Do I know? Do we know?” The answer: “No.”

Jessica Jones Luke Cage

Krysten Ritter discussed the sex scenes in Jessica Jones during the press tour. Considering both the highly favorable reception for the show and discussion of season two in several years, I assumed that it was already decided. Apparently a second season was not official at the time, but Netflix has now made it official. Plus elsewhere there is talk about season two of Daredevil, and about  Iron Fist,

Netflix has also announced that Orange is the New Black will return on June 17, 2016 and Unbreakable Kimmy Schmidt returns for its second season on April 15th, 2016. Kimmy Schmidt has also been renewed for a third season.

Person of Interest season 5 will air this spring, and CBS President Glenn Geller left open the possibility that it could be renewed. Perhaps airing in the spring, when there aren’t as many new episodes of network shows, will result in high ratings to justify renewing it. On the other hand, the show has an extensive back-story and a lot of episodes to catch up on which makes it difficult for new viewers to get involved. It would be interesting if someone could put together the parts of episodes dealing just with the mythology of the show and cut all the number of the week stories.

Homeland will be coming back for a fifth season, taking place in New York. I finally gave in and completed watching the last season over the holidays. It was better than some recent seasons, but still far below the first season. There were also some vague references to Quinn’s fate:

The closest thing to a teaser came in the form of a cryptic update on Quinn, who was not having a good time at the end of last season. “Quinn is very damaged, no question about that,” the network’s president of programming, Gary Levine, said, according to Deadline. “If he should live, he won’t be in the shape and form he was.”

If this (and multiple other shows) don’t give you enough stories on fighting terrorism, Fox plans to reboot 24 with a new case.

Heroes Reborn will not be coming back for a second season, and there is no reason it should.

73rd ANNUAL GOLDEN GLOBE AWARDS -- Pictured: (l-r) Melissa Benoist, Grant Gustin, Presenters at the 73rd Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 10, 2016 -- (Photo by: Paul Drinkwater/NBC)

We sort of had a Supergirl/Flash crossover at the Golden Globes when Melissa Benoist and Grant Gustin presented an award together. (I wish they had the two race up the stage to see whether Supergirl or the Flash is faster.) There have been rumors and denials of a crossover on their television series for some time. CBS president Glenn Geller has now left an opening for such an event. I hope Arrow is included as I think that Kara and Felicity would get along very well together. More on the possibility of a crossover here.

The Flash and Arrow will be returning on CW, along with the premiere of DC’S Legends of Tomorrow. The producers have been denying internet rumors that Felicity will become Oracle. (I don’t think anyone really believes she was killed.)  Some news here, including that the remainder of the season on The Flash will deal with Zoom and the show’s multiverse.

The Americans, one of the best dramatic shows on television the last few years, returns on March 16. Some teasers on the upcoming season and future of the show here.

The above teaser has been released for season 4 of Orphan Black.

Blacklist appears to have wrapped up the Lizzie on the run storyline which dominated the first half of the season. The Director turned out to be less powerful that initially suggested as the Cabal literally had him dropped. Reddington has said it was time to “take down the Cabal” but it appears to remain alive and well (even if weaker). Things are much like before except it appears Lizzie will now be working with Reddington as an FBI asset as opposed to an agent. Plus it is not clear if Reddington is now a part of the cabal. If so, does that mean they are still an evil group trying to get us into World War III with Russia? Will Reddington still be helping the FBI capture people involved with the Cabal?Plus is Laurel Hitchen in charge, or just the highest ranking person we see, and how dangerous will she be now that everyone is on to her?

SciFi Weekend: The Top 20 New Shows of 2015

Once again, as I did last year, I’m concentrating, I’m concentrating on the top new shows of the past year (but will include some comments on returning shows below). This is for a few reasons:

  • Not having the time to devote professional time to television as professional television critics do, there are many shows I have not watched purely due to lack of time. Limiting to a single year reduces the impact of this.
  • Limiting to new shows eliminates the problem in many “best of” lists of including the same shows every year.
  • Talking about new shows could be of greater value. It is more likely that readers know about the top shows which have been on for the last several years, but might not be aware of some of the shows which started more recently.
  • If readers are inspired to catch up on a show from a list such as this, it is far more practical to catch up after one season than several. I know this from personal experience. This is why I cannot say much about the series finale of Justified, which has received great reviews, as I’m years behind. It was much easier to catch up on Manhattan and The 100 after missing the first season, allowing me to say more about them below.

Besides being limited to shows I have watched, this is also biased towards genre shows. Therefore, what might be the year’s biggest hit among new shows, Empire, is excluded from consideration on both counts. Rankings are also quite arbitrary, and some shows could easily be a few spots higher or lower if I were to redo this fifteen minutes later. Still, this gives a general idea of which I consider among the best as compared to those ranked lower. It is a sign of the increased number of good shows coming out, partially due to the increased influence of steaming video along with cable, that I have expanded from a top fifteen list last year to a top 20 list this year.

Top 20 New Shows Of 2015

Last Man On EarthCa

20. Last Man on Earth (ABC)

This would have ranked far higher if it could have maintained the quality of its original premiere, but adding new characters just led to it devolving into a number of more standard sitcom tropes. Still, while many gave up on the show, I continued to have interest in the first season finale and into the second season.

NUP_166495_0049.jpg

19. Childhood’s End (Syfy)

Adapting a novel from Arthur C. Clarke seemed like a sure winner, but there were problems I didn’t expect from doing this until I viewed the miniseries. It seemed far more dated in 2015 compared to when I read the novel in the 1960’s now that we have seen so many shows with alien visitation to earth. This story worked out much better as a novel as they could not capture important aspects of the story, including the magnitude of the ending, on television as compared to in prose. The show also failed to make the new world created in the miniseries seem believable, compared to the far better adaptations in a couple of other shows listed below. We heard about all the changes on earth, but rarely saw them, and what we did seem, such as mankind giving up science, didn’t seem believable.

Togetherness

18. Togetherness (HBO)

An excellent sitcom showing how cable and streaming have replaced the “must watch TV” from NBC and the other broadcast networks.

The Expanse

17.The Expanse (Syfy)

Syfy returns to space, with a mystery and quite a bit of world building in the series based upon the novels by James S. A. Corey. I have only seen the first two episodes so far, so my opinion of the show could change once I see more. It was just recently renewed for a second season.

Fresh off the Boat

16. Fresh Off The Boat (ABC)

Both Blackish last year and Fresh Off The Boat this year offer new variations on Modern Family. Constance Wu makes the show.

Casual

15. Casual (Hulu)

Yet another twist on a family sitcom, done far better by Hulu than the networks.

12Monkeys

14. 12 Monkeys (Syfy)

A time travel show which took aspects from the movie, but improved upon them for a weekly series. The series did an excellent job of building on its mythology, providing surprises, and moving in a new direction in the season finale.

Programme Name: Jonathan Strange & Mr Norrell - TX: n/a - Episode: Ep2 (No. 2) - Picture Shows: Mr Norrell (EDDIE MARSAN) - (C) JSMN Ltd - Photographer: Matt Squire

13. Jonathan Strange and Mr. Norell (BBC One/BBC America)

An excellent adaptation of Susanna Clarke’s novel, making a world in which magic exists seem real.

Supergirl-TV-Show-Actress-Melissa-Benoist

12. Supergirl (CBS)

Another show from the produces of Arrow and The Flash, with his being much closer to The Flash in style. The show had an excellent pilot, but for a while seemed like a weaker version of The Flash. It started getting more interesting toward the end of the fall season as the show had an opportunity to develop. Spoilers ahead: Major events before the hiatus included the revelation that Hank Henshaw is the Martian Manhunter. Calista Flockhart is excellent as Cat Grant, but considering her profession can she be trusted now that she figured out Supergirl’s secret identity? So far Supergirl doesn’t know about Hank, but it is inevitable that she learns who he is. A shape shifter could be useful to show both Supergirl and Kara in the same place to fool Cat.

Sense8 Will and Riley

11. Sense 8 (Netflix)

A very ambitious show, which took time to develop its story, but well worth the wait. Enjoy the scenery from around the world while trying to figure it out in the early episodes.

agent-carter_promo-cast-photos-616x462

10. Agent Carter (ABC)

This shows how much better a network show can be when limited to a single eight-episode story.  Maybe that is why it is the only network show which cracked the top ten. Of course a network still could not compete with streaming when entering the Marvel universe.

kimmy23f-6-web

9. The Unbreakable Kimmy Schmidt (Netflix)

This shows how the networks have surrendered quality sitcoms to streaming and cable. The show was originally produced by Tina Fey for NBC, but they passed on it and it was picked up by Netflix. It will be interesting to see if the show is even better when the second season is produced, knowing it will appear on Netflix rather than NBC.

Daredevil Matt and Karen

8. Daredevil (Netflix)

The first of a series of shows from the Marvel universe. Dardevil was darker, grittier, and more violent than any of the superhero shows before this. The series also took advantage of the streaming medium, often telling a continuous story, but sometimes including a more conventional single episode on a specific topic (which was still part of the greater story for the season).

Master of None

7. Master of None (Netflix)

Aziz Ansari shows how good a comedy could be on what I bet is a low budget if there is excellent writing. Besides comparisons to his character on Parks and Recreation, the show is often compared to Louie. I also see a lot of early Seinfeld in it.

Catastrophe

6. Catastrophe (Channel 4/Amazon)

The British show, also made available in the United States from Amazon Prime, was the best new sitcom of the year. It was this year’s, You’re The Worst, with Sharon Horgan playing what felt like could be an older version of Aya Cash’s chacter, and the nationalities of Jimmy and Gretchen’s nationalities reversed.

Man In The High Castle Poster

5. Man In The High Castle (Amazon)

While changes were made for the new version, Man In The High Castle was an excellent adaptation of the Philip K. Dick novel, providing a realistic look at what could have happened if Germany and Japan had won World War II and occupied the United States. Changes were made in some characters, and there were plot differences to turn this into an ongoing series. Hitler remaining alive in the 1960’s provides for a difference in the politics. Instead of a book with an alternate history in which the Allies won, using film reels worked better on television. While the main storyline was tied up, the finale raised new questions, making me very happy that it was renewed. Spoilers ahead: As happened earlier in the book, the finale did show a character crossing over into an alternate universe looking like ours, partially explaining the meaning of those news reels. I still have a lot of questions about them, and if the book gave any further hints, I read it too long ago to remember. The finale did wrap up the major storyline and led to an unexpected character living in a “high castle” who was interested in the news reels. Is he really the title character, and how is he connected to the films?

Humans

4. Humans (Channel 4/AMC)

Yet another British import on this list which was also shown in the United States presented a look at how robots (Synths) could change our society, along with a thriller storyline involving a small group of  Synths which were more than they seemed. I’m not sure if the second season could be as strong as the first now that all the secrets have been revealed, but they definitely left matters open to continue the story.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

3. Mr. Robot (USA)

A cyber-thriller which is totally different from what anyone would expect from a show on USA. The show gave a lot of hints about one element which was not confirmed until later in the season, but still came up with surprises along the way. The season finale also left room for a lot more.

Better Call Saul

2. Better Call Saul (AMC)

Better Call Saul greatly exceeded expectations, standing on its own in addition to being a prequel series to one of the greatest television series of all time, Breaking Bad.

Jessica Jones

1. Jessica Jones (Netflix)

Netflix exceeded what was accomplished on Daredevil with Jessica Jones, staring Kristin Ritter in the title role. The series, even more than Daredevil, was like a single long movie, with only brief breaks in the narrative to fill in viewers on the back stories of the major characters. This works as a stand alone story, but also has references to The Avengers, a character from Daredevil, and sets up future shows, especially Luke Cage.

Spoilers ahead. The show did so many things well.  While many super hero stories suffer from trying to create yet a bigger danger to the entire world to fight, Jessica Jones was a personal story between Jessica and the villain, with David Tennant doing a fantastic job playing Kilgrave. Without their powers, this is essentially the story of an abused woman who once again confronts the man who abused her. Add on the super powers, and it becomes a story of a man who can have whatever he wants and does not understand why Jessica does not love him when he is nice to her.

Most of the supporting cast was also excellent, including Mike Colter as Luke Cage and Rachel Taylor as Trish Walker. One neighbor initially seemed to be a stereotypical drug addict, but turned into a significant figure. The brother and sister also living in the same building were the weakest characters, but the sister was useful to allow Kilgrave to escape. The length of the story did require a series of  near-captures, captures, and escapes. Plus it was necessary to change the situation so that the ending could take place, when earlier Jessica had reason to not only capture Kilgrave alive, but provide proof of his powers.

Honorable Mention

Grace and Frankie Season 1 netflix handout .... Jane Fonda and Lily Tomlin in the Netflix Original Series "Grace and Frankie". Photo by Melissa Moseley for Netflix.Ê

Grace and Frankie (Netflix) Any show staring Lily Tomlin, Jane Fonda, Martin Sheen, and Sam Waterston has to be good, even if some of other new sitcoms were more consistent.

Blindspot (NBC) A fascinating premise made the early shows feel like something unique from network drama, but far too often it is just a gimmick to introduce the case of the week. Whether the show becomes a great will depend on whether the underlying mystery of the show remains compelling. Also on NBC, Blacklist almost felt like a new show with Lizzie now on the run, reminiscent of how Person of Interest evolved into more of a genre show last year on CBS.

Limitless (CBS) A lighter genre show which shows potential to be entertaining, but I doubt will rise to greatness.

Wet Hot American Summer: First Day of Camp (Netflix) A prequel to the movie.

The Late Show with Stephen Colbert (CBS) and The Nightly Show with Larry Wilmore (Comedy Central) were two excellent additions to light night television, a genre which I arbitrarily left out of the rankings. They help make up for the loss of David Letterman and Jon Stewart. I haven’t actually watched much of Larry Wilmore but he has been hilarious when I’ve seen clips. I’m looking forward to seeing him host the White House Correspondents’ dinner.

The Republican Debates have become an amusing reality show, featuring reality television star Donald Trump. His previous reality show had a similar format in gradually eliminating candidates vying for a job.

Besides the above changes on late night television,  this year marked the end of many excellent shows including Mad Men, Parks and Recreation, Hannibal, Parenthood, Continuum, and Justified. Downton Abbey concluded in the UK with the Christmas special, but the final season is just now beginning in the United States. (No spoilers, but the series ended well).

Last year I left out some shows only because I had not had a chance to see them yet. These included The 100 (CW) and Manhattan (WGN). These turned out to both be extremely high quality shows. and both would have made the top five if I had seen them when compiling last year’s list.

Among shows I’ve heard excellent things about, and very well might deserve to be ranked among the top shows but I have not had a chance to see so far are Narcos (Netflix), Wolf Hall (BBC Two/PBS), and The Jinx (HBO). While not as critically acclaimed, I have received a plug for another genre show, Wayward Pines (Fox).

SciFi Weekend: Mr Robot Season 1 Finale; Fall Trailers For Arrow, SHIELD, iZombie, & Doctor Who; Continuum Season 4 Premiere

Mr Robot

The first season finale of Mr. Robot took place after two weeks of big revelations including Darlene being Elliot’s sister and, not only was Mr. Robot imaginary as many suspected from the start of the season, he was based on Elliot’s real father. The hack planned by fsociety took back seat those two weeks, almost feeling like a McGuffin for the season, and it wasn’t clear if this was ever going to be completed. In the finale we never saw the completion of the plan. Instead Elliot awoke to find a changed world with his plan having been successfully completed. For a while I wondered if it was all going to be a dream, but if so it is a dream Elliot never woke up from.

It is often unclear as to what is real in this show, as captured by the return of Mr. Robot and Elliot’s reaction:

You’re not real.
What? And you are? Is any of it real?

The episode was notable for the return of Mr. Robot after confirming that he was not real, and  for the absence of Tyrell Wellick. The scenes with Mr. Robot take on a different meaning now that we know that it is all in Elliot’s imagination. Thus we saw the scene in which Mr. Robot provoked someone into beating him up, with Elliot winding up taking the beating.

Mr Robot Finale Suicide

The episode also has Angela not only working at Evil Corp, but appearing to have much more influence there than expected. Will she be on the opposing side to Elliott next season, or a major ally from within the enemy? Scenes involving Evil Crop also included the suicide scene which led the the finale being delayed a week. Plus the finale included a reference to Ashley Madison, which made it seem more like something really happening in the present.

Mr. Robot was renewed for a second season at the start of the first so we know we will be able to see the ramifications of the hack working, and the economic breakdown this appears to be leading to. Like Hannibal last week, the episode also ended with a surprising scene added on.

Mr Robot Times Square

Sam Esmail discussed the final scene and much more about the finale in an interview at The Hollywood Reporter:

That was a very surprising last scene, with the return of White Rose. What were you trying to illustrate with that very last scene?

The fact that it became a post-credit scene was more out of a negotiation on how to end the season. Do we end on Elliot? Do we end on this scene that sets up what the next season arc is going to be? The story has always been about Elliot, and it should continue to be about Elliot, so I felt weird ending the season on this other scene that had nothing to do with any of our main characters. I was trying to figure out structurally where to put it in the last episode, and because it does such a good job of queuing up our next season arc, I basically came up with the idea of putting it after the credits, which is something not typically done on television shows. I just thought, “OK, that’s a great way to use the classic strategy of creating a coda, which is exactly what it is, and allowing me to end the season properly on Elliot.”

Like you said, that’s not done a lot on TV. How receptive was USA to that idea?

When I wrote the script, I finished Elliot’s scene, and I wrote, “Fade to black, credits.” Then I wrote, “After end credits,” and then I put in the White Rose scene. Then when we got on the phone, their reaction to me was, “You can’t end a season on White Rose. You’ve got to end it on Elliot.” I said, “No, I agree, guys, but it’s after the credits. Don’t you think that would work?” They had no idea. They skipped those two lines, and then there was this moment where it clicked with everyone: “That’s f—ing perfect.” They were so into the idea that they figured out a way to do it.

How does that last scene set up next season and where you’re going with the show?

I’ve always said that the first season was the first act of my feature, so this is what I meant. I wanted the story of Mr. Robot to be Elliot actually accomplishing his goal, setting the world into chaos. What would happen to society if something like this occurred where, basically, if the consumer-debt industry were to be erased? What are the economics of that? What would the world look like? Would there be a revolution? Would governments take over? Would businesses take over? To me, that canvas was something I was interested in exploring, so, for me, that’s what that last scene sets up. We’re about to watch Rome burn. That’s the world Elliot’s going to enter next season…

I think once people figured out Mr. Robot’s real identity, they worried about how much Christian Slater would still be seen on the show. From what you just said, it sounds like he’ll be as much of a presence in season two as he was in season one.

It’s almost more so. It’s freeing because now Elliot is aware that Mr. Robot is this alter ego that he has to deal with. So it actually takes more of like a Jekyll and Hyde trajectory because now the audience is in on it, as well as Elliot, and now we’re going to basically go into that realm. But the story is really about the relationship that he has with his dead father, and how he could never reconcile the pain that caused him? How is he reconciling now as an adult male? Especially in the way that it’s manifesting itself.

It was very interesting to see how the outside world perceives Elliot when he’s having that confrontation with Mr. Robot in the restaurant and specifically Elliot holding himself up against a wall. Why was it important to show that?

Because I want to start stripping the subjectivity of Elliot’s world a little bit, giving us glimpses into what an objective version of this story might look like, even if it’s just slivers of that reality. Because I do think, in terms of telling a show that’s so deeply subjective into this unreliable narration, it can become untethered to a certain extent. As long we have those glimpses, I think that helps us keep track a little bit better and keeps the audience in check. But don’t forget, this is still in the eyes of Elliot, so we’ve started discovering these objective realities along with him. When Mr. Robot says that line, “This looks a little weird,” Elliot’s sort of realizing he’s doing this to himself. And then he proceeds on. So we’re still figuring this out with him, but I think that’s going to be part of this whole journey for Elliot, is trying to get into a more grounded reality…

It also was revealed recently that Darlene is Elliot’s sister, but we haven’t learned a lot about their relationship and why they weren’t close. How much will we learn in season two?

That goes into the whole idea of the emotional journey that Elliot [takes]. We haven’t even cracked the surface of his past. What were the court-appointed therapy sessions all about? What was his family history was all about? Why Darlene helped Elliot create fsociety? There’s a whole backstory. Going even further back to childhood and what his relationship with his father was and how did that devolve? We got a little taste of it at the beginning of episode nine. Not to mention their mother. All of that is still in the wheelhouse of what we’re going to explore in the next few seasons because that’s all going to inform Elliot’s journey and how he battles his demons, aka Mr. Robot.

Angela made a lot of big moves in the finale. Why do you think she chose the path that she did? What can you say is the next step of her evolution?

Because this show is really about identity and about change and about these young people who are trying to find themselves, who are trying to find who they are and how they fit in the world, Angela’s character arc is really fascinating because she’s the path of the American dream. She is the sort of person that has the mentality of, if you work hard enough, you’ll get the big job offers, you’ll get the big job promotions, and you’ll work your way up the ladder. If you want to affect change, you do it within the system because the system allows for that, allows the younger generation to come in and influence society, and the point is to have a bottom-up strategy of having change come from the younger generation. Angela has that levelheaded, American idealism of trying to affect change from within. That, to me, is a very interesting parallel to have running through the series in contrast with Elliot, who’s very much trying to affect change from outside the system. We never try and spell out what’s right and wrong and who the clear good guys are versus the bad guys, and I just think that both the approaches of Elliot and Angela, you can look at from both good and bad sides, and that, to me, is interesting. When those two parallels collide, I think that’s just going to make for great drama and great story.

Can you say how long after the events of the season finale the season-two premiere will pick up?

We will have a continuous storyline, meaning we won’t necessarily time-jump in story and not ever give you the gap. I don’t know where exactly season two will pick up.

Mr Robot Finale Darlene

More on the hack and other topics at Entertainment Weekly:

ENTERTAINMENT WEEKLY: For the finale, you skipped the hack and threw the audience into the deep end. What was the thinking behind that choice?
SAM ESMAIL: We’re shifting down gears into this new world where we’re aware, along with Elliot, that Mr. Robot is his alter ego and that he sort of is this demon that lives inside of him and that Elliot can’t account for all of his actions because of him. That opens up this whole interesting can of worms that we’re basically setting up for next season, one of them being this element of time loss. Let’s not forget that in episode 9, Darlene mentions that he was the one that created fsociety with her. We’re not even aware of that, neither is Elliot. There’s that to explore. Now we’re missing three days. In those three days, what happened? Where is Tyrell? What was the deal between him and Tyrell that allowed the hack to still continue? All of that sets up really interesting questions for the second season. One of the things that I love about the finale is that it’s essentially queueing up where we’re going to go and on top of that, shifting the direction of our story. Now it’s not about this mystery within himself that Elliot’s trying to resolve. Now it’s grown more external. He’s aware of what’s going on inside of him, and it’s leaking out. How’s he going to deal with that?

Is the mystery of those three days the immediate conflict once season two picks up, or is that something you’ll explore over time?
I think everything is going to be looked at over time. The whole backstory of fsociety, as well as those three days, is something that I think we’re going to delve into in the next season. I don’t know exactly when yet, but we’re definitely going to show it…

The finale also pivots Angela and the perspective we’re getting from her, which is from within Evil Corp. Is that something we’ll more of in season two?
Absolutely. The thing about Angela that I think is interesting is that she parallels Elliot in an interesting way because she’s actually embracing the more traditional route of the American dream. You work hard. You’ll get the job offers. You’ll get the promotions. If you really want to affect change, you do it by having a good work ethic and sticking to your principles. Maybe then you can influence and make changes from within the system, whereas Elliot is on the other side of it and trying to change from outside the system. I can see the good and bad of both. You can make arguments for both sides equally. It’s almost 50-50. That morally ambiguous gray area is where I love the show to be, especially where we see those paths collide. That makes for a really interesting story…

The Ashley Madison reference had me laughing. Was that a clever bit of ADR [automated dialogue replacement]?
It was. The weird thing is that in the pilot, Ashley Madison was one of his vices. When this whole thing happened, it was something that I was going to use in the season finale, when I wrote that scene, but then I was like, “Well, I already mentioned Ashley Madison. How many references can we have?” So I kind of edited it out. When we were reshooting it, this whole hack happened, so I thought this was perfect. In post, I thought, “I have to put this back in.”

mr-robot-season-finale-review

An additional interview at Vulture, including that final scene:

Is that why season one ends with that B.D. Wong single-take scene? To keep the audience truly guessing?
I always knew I wanted to end the first season like that. I didn’t want the audience to come away thinking FSociety had won because they took down the bad guys. Evil Corp is done, so the stakes are gone. But I always knew there was another layer. We’re not even half-peeling this whole thing off yet, and we are going to show you a little bit of it. I always had that scene in my head as the last scene of the season, because I wanted to tell the audience the stakes are going to go even higher.

But I felt weird ending the scene not on Elliot. It didn’t feel right to end on these two other characters we barely knew, and that’s when I came up with the idea of putting it in as a coda. It always kind of was a coda, and we put it in the post-credits. It wasn’t trying to break new ground, but it felt natural for that kind of scene.

You’ve spoken about Joanna Wellick having a larger role for season two, but are there any other hints you can give about what to expect next season?
The good thing about the show is that we surprise you. One thing people have been asking is if Christian [Slater] will be around for the second season, and I will say 100 percent. Maybe to add a bit more spice: We will explore a little bit of Elliot’s family life.

In terms of his mother?
His mother, and even Darlene. Also, this show is about this person discovering that he has this disorder. That was what the original feature was going to [be] about, that’s what this show is just about to scratch the surface of. What we are really setting up for the second season is what happens when you become self-aware of your own disorders

We are approaching the fall season with many trailers now coming out. Arrow Season 4 Trailer above. The season starts October 7.

Agents of SHIELD trailer, which returns September 29.

iZombie returns October 6.

Doctor Who returns September 19. The trailer is above and the other big news is that River Song will be returning for the Christmas Special.

Continuum Lost Hours

The first episode of season four of Continuum, Lost Hours, has aired on Showcase, and has been available for streaming for a while. It can even be seen on You Tube. As it has not aired in the United States I will avoid any spoilers. The episode does begin immediately after the season three finale and largely serves to reset things after the confusion of a new time line being established last season. It will be interesting to see how they both tie up the issues raised at the end of season three and conclude the entire season.

While Continuum has five remaining episodes to tie things up, Under the Dome ends for good after this week. A wise move on the part of CBS.

SciFi Weekend: Mr Robot; Hannibal; Yvonne Craig; Luke Cage; Manhattan; Mockingbird Spin-Off; Hugo Awards Controversy (And A Win For Orphan Black)

Mr Robot Mirroring

Mr. Robot continued with the revelations started last week. Once again, there are major spoilers for anyone who might be behind on the series. At the start of Mirroring, it was revealed that Elliot’s father did work as Mr. Robot, repairing 1990’s era computers. In a flashback to 1994, Elliot stole money from a customer. His father decided against punishing him saying, “Even though what you did was wrong, you’re still a good kid. And that guy was a prick. Sometimes that matters more.” This appears to have influenced Elliot’s moral code, providing justification for his current activities.

The story jumped ahead to present, and appeared to center around Elliot and his father. At the end, in a common television trope, Elliot wound up at his father’s grave. He was confronted by both  Angela and Darlene, and was forced to confront the truth. “You’re going to make me say it aren’t you? I am Mr. Robot.”

It was confirmed that his father really had died years previously, as previously stated on the show. Elliot and his sister Darlene had formed FSociety. Apparently at some point Elliot as seen in the show had forgotten all of this and created Mr. Robot in his head, looking like his dead father. The scenes in which Elliot interacted with Mr. Robot were all taking place in Elliot’s head.  It would now be interesting to go back to the rare scenes showing Mr. Robot actually interacting with others, most notably his recent conversation with Tyrell. Most likely this was Elliott speaking with Tyrell, but not having memory of this when seen as Elliott. I also wonder if some of the scenes with Tyrell, possibly including his conversation with Mr. Robot, were actually things imagined by Elliott.

The episode also included more on Angela and Tyrell, but it was Tyrell’s story which was more interesting. Tyrell has now lost his job, and at the end really is working with Elliot, but not how it was suggested at the start of the season.

Nerdist interviewed Carly Chaikin  (Darlene) after it was revealed that she was Elliot’s sister.

Nerdist: Speaking of controlled vision: the reveal in “White Rose” had everyone I know going “wait whaaaaaaaa—”

Carly Chaikin: Well I knew from the beginning that I was his sister. From the very, very beginning Rami [Malek, who plays Elliot] and I both knew—Christian [Slater], Portia [Doubleday] and I all knew, pretty much. All I knew, though, was that Sam [told me], “Yeah he tries to kiss you and then you’re like, ‘I’m your sister.’” So I didn’t know how that was going to play out, or any details or anything, so I’d been waiting for episode 8 to see how it happened. It was exciting to see it, for real, in the script. There’s so much craziness that happens and it’s so hard to keep it in. Especially with something like that. People would say to me, “OK how do you fit into the show? Why are you so weird?” and all I could say was, “Well, you’ll see.”

Nerdist: Was it hard to navigate that—leaving clues but not projecting that you knew the twist—while still bringing a fully realized Darlene to the scene?

CC: Really, the way I played it is like he’s my brother and he knows it. Because how could he not know it, you know? It was just a natural brother/sister relationship. Like in episode two when we’re on the subway and Elliot says, “How do you know where I live?” And I gave him a look like, “Why wouldn’t I know where you live?” But because nobody knew and were seeing it through a different set of eyes, it wasn’t something that necessarily read as that.

Now that we sort of know what is going on, there is one more episode this seasons to see what becomes of it. Fortunately the show was already renewed for a second season.

Hannibal The Number of the Beast

The Number of the Beast is leading towards the finale of the Red Dragon arc on Hannibal, and possibly the end of the series. As of now, next week’s episode is the series finale on NBC, with some speculation of the show continuing on a more irregular basis elsewhere. It was not a good week for Frederick Chilton, with Bedelia probably being right in telling Will, “Maybe you wanted to put Chilton at risk.” While the arc is showing the transformation of Francis Dolarhyde, Will Graham has been slowly undergoing a transformation of his own for the entire series.

Alana and Jack think they are in control when they devise the plan involving Chilton, Graham, and Freddie Lounds, but once again it is Hannibal who is really in control. This includes Hannibal getting Dolarhyde to burn Chilton’s body in the same way that Freddie Lounds’ body was apparently burned in a previous attempt to trap Hannibal.

The manner in which scenes were edited helped emphasize the message of the episode. Will asked Alana, as they devised their plan, “Are you volunteering?”  Alana replied, “No, I’d have to be a fool.” Then they cut to Chilton. We know the series is not ending well for Chilton, but I suspect that not many characters will come out in good shape after next week’s finale.

Yvonne_Craig_Star_Trek

Yvonne Craig, best known as Batgirl on the 1960’s Batman series, died last week of metastatic breast cancer. She also played an Orion slave girl on the Star Trek episode, Whom Gods Destroy.

Alfre Woodard has been cast in a major role on the upcoming Netflix series Luke Cage:

Woodard will play a lead character listed on the breakdown as Minetta, a powerful woman in local politics who will have an impact on Luke Cage’s life. No one is commenting, but I hear she may actually be playing a version of Marvel villain Black Mariah, a nemesis to Luke Cage as well as Iron Fist. In the comics, she is a professional criminal and a drug dealer.

The Manhattan season two trailer has been released by WGN. For those who have not seen the series, I recommend binging on the first season before the second starts in October, but do not watch the above trailer or continue reading here. For those who have watched the first season of this excellent series, the trailer does show a little of what becomes of Frank Winter after the season one finale. He is shown in prison, and this has me wondering if when he set himself up to be arrested he also left some contradictory evidence and had a plan to ultimately get out.

Molly’s carnival dream scenes in last week’s episode of Extant rank among the low points of the series. I’m really not sure why I continue to watch this show.

adrianne-palicki

Last year there were reports of an Agents of SHIELD spinoff staring Adrianne Palicki to be shown in the midst of the season like Agent Carter last year. Instead ABC renewed Agent Carter and this show was put on hold. Variety reports that it is back on:

Despite putting a halt on the “Marvel’s Agents of SHIELD” spinoff, which was proposed earlier this year, ABC is closing in on a deal to order a pilot for a project centered around MockingbirdVariety has learned exclusively.

Titled “Marvel’s Most Wanted,” the drama will focus on popular “SHIELD” characters Adrianne Palicki‘s Bobbi Morse (also known as Mockingbird) and Nick Blood’s Lance Hunter. The two actors will topline the pilot and prospective series.

“SHIELD” producers Jeffrey Bell and Paul Zbyszewski co-created the project for Marvel and ABC Studios, co-writing the pilot. They will serve as showrunners and exec producers together with Marvel’s head of television Jeph Loeb also exec producing.

Insiders say the series is not a spinoff, per se, but rather an entirely new project solely focused on the two characters to continue their story. Though plot details are scarce at this point, “Marvel’s Most Wanted” will follow the pair and their adventures together.

The 2015 Hugo Awards have been announced. The Three Body Problem by Cixin Liu won as best novel. Guardians of the Galaxy won for Best Dramatic Presentation, Long Form. An episode of Orphan Black, By Means Which Have Never Yet Been Tried, won for Best Dramatic Presentation, Short Form. The Orphan Black episode which won was the second season finale which I discussed here. This included the classic clone dance party scene (above).

There has been considerable controversy surrounding the Hugo Awards this year. Wired reports:

But in recent years, as sci-fi has expanded to include storytellers who are women, gays and lesbians, and people of color, the Hugos have changed, too. At the presentation each August, the Gods with the rockets in their hands have been joined by Goddesses and those of other ethnicities and genders and sexual orientations, many of whom want to tell stories about more than just spaceships.

Early this year, that shift sparked a backlash: a campaign, organized by three white, male authors, that resulted in a final Hugo ballot dominated by mostly white, mostly male nominees. While the leaders of this two-pronged movement—one faction calls itself the Sad Puppies and the other the Rabid Puppies—broke no rules, many sci-fi writers and fans felt they had played dirty, taking advantage of a loophole in an arcane voting process that enables a relatively few number of voters to dominate. Motivated by Puppygate, meanwhile, a record 11,300-plus people bought memberships to the 73rd World Science Fiction Convention in Spokane, Washington, where the Hugo winners were announced Saturday night.

Just before 8 PM, in a vast auditorium packed with “trufans” dressed in wizard garb, corsets, chain mail and the like, one question was on most everybody’s minds: Would the Puppies prevail?

Though voted upon by fans, this year’s Hugo Awards were no mere popularity contest. After the Puppies released their slates in February, recommending finalists in 15 of the Hugos’ 16 categories (plus the John W. Campbell Award for Best New Writer), the balloting had become a referendum on the future of the genre. Would sci-fi focus, as it has for much of its history, largely on brave white male engineers with ray guns fighting either a) hideous aliens or b) hideous governments who don’t want them to mine asteroids in space? Or would it continue its embrace of a broader sci-fi: stories about non-traditionally gendered explorers and post-singularity, post-ethnic characters who are sometimes not men and often even have feelings?

The Guardian also notes that this dispute led to a record five categories with no awards.

SciFi Weekend: Hannibal; Mr Robot; Jessica Jones; Patrick Stewart; DC Television Universe; Star Wars Expansion at Disney; The Last Ship; Person of Interest; Homeland

>Hannibal mask

…And The Beast From The Sea continued the portrayal of Red Dragon on Hannibal, and provided the first glimpse of Hannibal Lecter wearing the mask he is famous for in the movies. Hannibal remained in contact with the Tooth Fairy, and even joked about using personal ads or notes on toilet paper to facilitate this in a reference to the novel where this was a more substantial plot point. Hannibal suggested that Dolarhyde  kill Will’s family, leaving viewers uncertain if he would succeed in killing Molly or Walter. Instead a guy just happening to drive by became the victim. Dolarhyde presumably also poisoned the dogs, but fortunately they also survived.
In some ways Hannibal seemed even more evil in this episode, placing Will’s family in risk in this manner. (“They’re not my family, Will”). To Hannibal, perhaps Will is his family, but Molly and Walter are just in the way. Elsewhere in the episode,it was not surprising to see Dolarhyde’s relationship with Reba fall apart, despite how Hannibal characterized the relationship.

Jack and Alana showed again that they do not really understand Hannibal, thinking he would assist them in tracking a call to Dolarhyde. Hannibal played with them, and then tipped off Dolarhyde  with the warning that they were listening. Hannibal had previously given Alana the ominous warning, “I always keep my promises.” Now it was Alana’s turn: “You’re not the only one who keeps their promises, Hannibal.” In response to this latest betrayal. She had all the amenities removed which kept Hannibal so comfortable, “The toilet, too.” As these were removed from the cell, the mask was placed on Hannibal for the safety of those in there.

Mr Robot Darlene

On Mr. Robot, Elliot had a brief meeting with the time-obsessed White Rose, but it was the meetings and surprise interactions between older characters on the show which were of greater interest. There is a major spoiler ahead for those who have not seen this episode yet.

The first big surprise was that Angela and Darlene not only knew each other, but at yoga class both talked about Elliot, showing concern for him. Later there was the meeting between Tyrell Wellick and Mr. Robot, with the two apparently working together, even if not entirely comfortably. This seems to confirm that Mr. Robot is real, but raises major questions, especially for those who think that Mr. Robot and Elliot are the same person.

The biggest scene was when Darlene told Elliot that she loves him, Elliot kissed her, and Darlene recoiled in horror asking, “Did you forget who I am?” Soon it was revealed that Darlene is Elliot’s sister. It was as if Luke had kissed Lea, but is Mr. Robot now Darth Vader?

This led to memories flooding into Elliot’s head. Going meta, Elliot looked at the camera and asked us viewers, “Were you in on this the whole time?” and then“Were you?” Maybe to some degree we are in on it, but we are also quite confused at the moment, also looking for answers.

There was the suggestion that Mr. Robot is Elliot’s father, previously said to be dead. This has been interpreted differently by fans who think that Mr. Robot and Elliot are different manifestations of the same person, and those who think he is a separate and real individual. Mr. Robot showed up at Elliot’s apartment to supposedly explain, so maybe we will learn the answer next week. I wonder if the show will move onto a quite different path as it heads toward its second season.

jessicajones-netflix-509x480

Indiewire reports that Jessica Jones will be a psychological thriller, reporting statements from executive producer Jeph Loeb and showrunner Melissa Rosenberg at the TCA Press Tour. They also discussed a major role for David Tennant:

“When we first sat down and started talking about ‘Daredevil,’ what we said was, for all intents and purposes, it was a crime drama first and a superhero show second,” Loeb told the room. “One of the things we’ve talked a lot about is that ‘Jessica’ is in many ways a psychological thriller first and then a superhero show second.”

…Loeb then went on to say that Tennant’s role in the show would be a key part of what differentiates “Jessica Jones” from other superhero series: “What you get out of ‘Jessica’ is a sort of hold-your-breath tension as to what’s going to happen. When you see the dynamic between Krysten Ritter and David Tennant… that question of ‘What’s going to happen next?’ and ‘What could happen next?’ and how that’s driven by character is something that is so important to not just the scripts but also the way the show is shot, and the way that everyone reacts, and the way those two react with each other.”

Elsewhere in the Marvel universe, Professor X (Patrick Stuart) will have a substantial role in the third Wolverine movie.

white-canary-lazarus-pit

Moving on to DC, next season we will see the return of Sarah Lance on ArrowAusiello discussed how Lance responds to the return of Sarah:

Frankly, it could be the last thing Sara’s family needs! “Thanks to Laurel helping him see the light at the end of last season, Lance is back on the wagon for now, trying to keep on the straight and narrow,” Paul Blackthorne previews. “But that will of course be tested when Sara comes back from the dead. Because I think when your daughter’s coming back from the dead, she may not necessarily come back as quite the same person. Yeah, that’s going to be an issue for the family to deal with!’

Her return will also be in an episode with a cross over from Constantine, who assists with her return to life, which in turn leads into the origins of Legends of Tomorrow.

Despite previous reports to the contrary, CBS is now saying there will not be crossovers between Supergirl and Arrow or The Flash. Reportedly they are in the same universe, so this might be open to reconsideration if the right story is presented.

Disney has always provided synergy between their films, theme parks, and merchandise. Therefore it was no surprise to find that, with Star Wars expected to be a huge blockbuster film this December, there will be a fourteen acre expansion based upon Star Wars at Walt Disney World and Disneyland.

TNT has renewed The Last ship for a third season.

Sarah Shahi is returning to Person of Interest following her maternity leave. She will return early in the season and be present for eight or nine episodes of the upcoming thirteen episode season.

The firth season of Homeland sounds like it might be expanding its story lines, dealing with Edward Snowden, Putin, and ISIS.

Donald Trump told a boy on a helicopter ride in Iowa that he is Batman. That is about as ridiculous as Hillary Clinton claiming to be a liberal.

SciFi Weekend: Mr. Robot; Hannibal; The Flash; Sense8

Mr Robot Angela

Mr. Robot began with a flashback showing how Elliot first met the character who was killed last week, but overall the episode concentrated more on the other characters. (The initial scene did have me puzzled for a moment until I realized it was a flashback.) Angela is proceeding with her plan, but now must face the fact that it will put her friends out of work. Tyrell is increasingly looking like he is a far more warped character than Elliot, as one more character, although a minor one who was only introduced recently, has been  violently removed from the cast.

Earlier in the season there was a fan theory, suggested in the pilot, that Mr. Robot is an imaginary character, present only in Elliot’s head. Some have suggested that nobody was interacting with him other than Elliot, but more recent scenes have cast doubt on that theory. Another theory is that he is “real” but another manifestation of Elliot. For example, Alan Sepenwall noted:

Both of Mr. Robot’s scenes take place independently of Elliot, which can be read as a clear sign that he’s meant to be an independent character, or just more examples where we’re seeing Mr. Robot as an Elliot stand-in. And when Darlene and Trenton discuss what motivates the other members of the group, they don’t mention either Elliot or Mr. Robot, which makes more sense if they’re meant to be the same person — and the group’s leader — than if Elliot is just another guy recruited to fulfill Mr. Robot’s anarchic vision.

Hannibal Will and Hannibal

Hannibal continues the Red Dragon storyline, and returned Bedelia (Gillian Anderson) to the mix. During …And the Woman Clothed in the Sun, Will met with both her and Hannibal, and even had a chance encounter with Dolarhyde. While the Tooth Fairy doesn’t eat people as Hannibal does, he did show a strange appetite of his own. Hannibal is still locked up, but this is not enough to keep him with interacting with the outside world. Bedalia also was shown with a former patient of Dr. Lecter, played by Zachary Quinto, showing us the true story of the patient who died under her care. Plus there was a tiger–and we saw inside its mouth.

>The-Flash-Season-two

The Flash‘s new costume was displayed at Comic Com, and there is further news about the second season. Both Wally West and Jay Garrick have been cast, with Jay Garrick’s Flash foreshadowed in the first season finale. Entertainment Weekly also reports that we will not only see the Earth 2 Flash, but also see glimpses of the alternate Earth:

Well, it sounds like that singularity leads to a pretty familiar place. In speaking about the great care they took with making their version of time travel both easy to digest and complex enough to be exciting for the diehard fans in season 1, executive producer Andrew Kreisberg says, “We’re trying to do the same thing this year with Earth 2 and the concept of the multiverse and the concept of dopplegangers. We’ve been having a lot of fun with that and getting glimpses of Earth 2 probably sooner than people would’ve thought.”

Sense 8 Finale

Netflix finally announced that they are renewing Sense8 for a second season last week, which provides a good excuse to write a bit about the show. I’ll try to avoid significant spoilers, but those who want to go into the show without knowing anything about it might look away.

The story does develop slowly, with the first few episodes primarily being devoted to introducing the characters and setting matters up. The story centers around eight people from different part of the world: Nomi (Jamie Clayton) a transgender character played by the transgender actress, Will, a Chicago cop (Brian J. Smith), Lito, a telenovela star who is secretly gay (Miguel Ángel Silvestre),  Icelandic DJ Riley, who started out the series living in London (Tuppence Middleton), Korean business executive Sun (Bae Doona), Indian pharmacist Kala (Tina Desai) who is engaged to her boss, German safecracker Wolfgang (Max Riemelt), and Nairobi bus driver Capheus (Aml Ameen).

What is remarkable about the series is that each character has a life of their own, with supporting cast, and their scenes are actually filmed where they are said to occur. This includes former Doctor Who companion Freema Agyeman in rather explicit lesbian love scenes with Jamie Clayton, and a rather fun threesome in Mexico City. Plus there is ultimately an orgy involving most of the cast. Did I forget to mention that this is an R-rated series?

The combination of all these characters gets even more complicated as the characters find they are tied to each other and can interact with other Sensates in other parts of the world. A character involved in a fight might be helped out by another who is a better fighter, along with taking advantage of other skills processed by others. After watching the final episode it is worth watching the show on Netflix as to how the series was filmed. (I watched this immediately after watching the final episode as I was not ready to leave this world or these characters.) Rather than filming the show chronologically, the entire cast traveled together around the world.When a scene involved a connection between characters in two (or more ) parts of the world, the scene was filmed at separate times in each location and later put together as viewed.

The plotline might be simplified to a group of people with a special power who wind up being chased by an evil group. While this has done many times before, it has never been done like this. The show goes far beyond this concept in the development of each character and location. Instead of superpowers, the characters have normal abilities, other than their ability to connect with other Sensates. While sometimes slow, I found this to be definitely worth watching. If anyone is tempted to give up midway through because of some episodes which deal more with explanation than action,  the action does pick up tremendously in the last few episodes.

Sense8 Will and Riley

Just prior to the renewal news, J. Michael Straczynski was interviewed about plans for the second season, and working with the Wachowski brothers:

On whether the characters will take on each other’s abilities…

J. Michael Straczynski:
Yeah, we’re looking at expanding that as far as logic goes. What’s kind of fun about the characters is that what they’re sharing are not necessarily superpowers. They have ordinary abilities, and we’re trying to say that there is value and merit and power whether you’re an actor or you are a martial arts person or a bus driver. You have something to contribute. Some of the hardest parts of making that process work visually was in choreographing this entire thing. So, for instance, in the scenes with Sun, we had to stage her fights both in Korea and in Nairobi twice. She would literally start a punch in Korea and then finish that punch in Nairobi. That process of really making that work visually was very involved, very detailed, but sells the illusion of it…

On whether, if they are renewed for another season, there is a five-year plan for the show…

JMS: The way that the Wachowskis and I tend to work, as we created the show together, wrote it together, we are long-game kind of people. We look down the road to say, “Okay. We’re setting this up now. Where is this going to go?” That doesn’t guarantee we’re going to go five seasons, but for ourselves, for the writing process, we need to, kind of, know where we’re going, where this all pays off, what this means. So season 1 is like the origin story. Season 2 has its own particular arc. And we’ve figured it out from there. But to spoil that here would not be in the best interest of the surprises we have in mind.

On collaborating with the Wachowskis…

JMS: If they have their strengths, first it’s action and character, then plot and structure. I think they would agree that’s kind of their dynamic. I’m a structure demon, so I’m really focused on keeping the story going from here to here to here so it all makes sense in the end. Light on action, decent on plot. So the good thing is that you lay our two skills over one another, and it’s a perfect fit. So the collaboration process was a great deal of fun for all of us. We learned from each other’s strengths and compensated for each other’s weaknesses.

The full post includes also questions for some of the cast members.

SciFi Weekend: Hannibal, Jessica Jones, Humans Renewed, Defiance, Mr Robot, Under The Dome, Continuum Trailer, Utopia, Xena Reboot

Hannibal And Women Clothed With Sun

The Hannibal episode this week, And The Woman Clothed With The Sun…, continued with the Red Dragon storyline, and like last week, family was important. The family was the extended family which the main characters of the series have become, even including a Verger baby.

The episode included the “family reunion” between Will and Hannibal. When he surrendered, Hannibal made sure that he would always be where Will could find him. For Will the reunion was about getting Hannibal’s input into the Tooth Fairy. “I’m more comfortable the less personal we are,” said Will. Hannibal got more personal:  “You came here to have a look at me, to get that old scent again. Why don’t you just smell yourself?” Before Will left he added,  “You’re family.”

The episode also included flashbacks to the events leading to the season finale, filling in the gaps as to what happened with Abigail. Even this considered family:

Abigail: “How would you have killed me?”

Hannibal: “I would have cut your throat. Like your father did.”

Abigail was complicit in Hannibal making it appear she was killed, even asking, “Can I push the button?” I couldn’t help but wonder if Dexter Morgan would have been fooled by the spray of blood used to fake her death.

Hannibal is now following Red Dragon fairly faithfully, meaning that the structure of the series has changed, with each episode being more a piece of a book. This might leave less to say after each episode, but does not mean the show is any weaker.

jessica-jones_0

The success of Daredevil has many Marvel fans anxiously awaiting Jessica Jones. Executive Melissa Rosenberg told Entertainment Weekly that Jessica Jones will be different from Daredevil:

“Jessica Jones is a very, very different show than Daredevil,” Rosenberg said. “We exist in a cinematic universe, [and] the mythology of the universe is connected, but they look very different, tonally they’re very different… That was my one concern coming in: Am I going to have to fit into Daredevil or what’s come before? And the answer is no.”

But the contrasts don’t stop with tone. “My show’s called Jessica Jones,” Rosenberg said, noting that Cox may get a break during stunts. “There is no mask. Krysten Ritter is the hardest working woman in show biz.”

Jessica Jones is expected to be released in the fourth quarter. Netflix CCO Ted Sarandos discussed the plans for releasing the Marvel-based shows:

“I think ideally there will be a rhythm of about every six months you’ll get a new season or a new series from the Defenders group. And then they’ll crossover into a combined [Defenders] season once we’ve launched the first season of each of the four characters.”

He also said, “Some will selectively have multiple seasons as they come out of the gate. So they’ll probably be two launches a year.” It was previously announced that Daredevil has been renewed for a second season.

Episode 2.L-R Anita (Gemma Chan) and Toby Hawkins (Theo Stevenson)

Humans completed the first season in the U.K. tonight and is a couple of weeks behind in the U.S. I am holding off until I complete this post to watch the finale, but the show remained strong through the penultimate episode which I downloaded last Sunday. Channel 4 has announced that they are renewing the series for a second season, and AMC plans to once again show it in the United States.

I am also waiting to watch Friday’s episode of Defiance, but must note that last week’s episode, My Name Is Datak Tarr and I Have Come to Kill You, ended one storyline on a very strong point. At first I was a little disappointed in how they suddenly came up with a relatively easy way to destroy General Tahk’s camp, even if it probably involved a suicide mission for one character. I then became willing to overlook this in light of how well this tied into Datak’s story. I was really wondering what would happen as they showed flashbacks of Datak as a child. This often foreshadows a character’s death on television. Instead of killing him, or have him betray the plan to save himself, Datak managed to find a way, even if extreme, to both carry out the plan and save himself. I am now wondering if the loss of his arm will be a serious problem, or something easily replaced. Regardless, it was an unforgeable scene.

Mr. Robot had one of the stronger episodes of the season on Wednesday. The episode also had real consequences, and at the end spent quite a long time showing Elliot’s reaction.

Under the Dome continues to have serious flaws, but somehow remains interesting. Lately they have shifted into an Invasion of the Body Snatchers storyline, and appear to have shown the destruction of the world outside of the dome in an attempt to make it look like the random bits from the first season, like talk of pink stars falling, were actually part of a grand plan. Earlier in the season they hit a big resit switch, and I wouldn’t be surprised if this is done again. The statement from “Junior” about  the “destruction of our homeworld” does confirm alien involvement, but does not exclude the possibility that what we see outside the dome is either a trick, or not necessarily characteristic of what is happening in the rest of the world.

The final season of Continuum starts September 11 on Syfy and one week earlier on Space (which like so many foreign-made shows, will complicate covering it here.) The above trailer has been released.

Deadline reports that the planned remake of Utopia on HBO might not make it due to budget issues. I remain unclear as to why it is necessary to remake shows recently shown in the U.K. as opposed to running the originals here.

A Xena reboot might be coming, but without Lucy Lawless.

SciFi Weekend: Hannibal; Mr. Robot; Humans; Jonathan Strange; Sense8

hannibal-the-great-red-69441_big

The third season of Hannibal was initially to be about Hannibal Lecter as a fugitive in Europe, mirroring the Hannibal novel. With Bryan Fuller realizing that this would probably be the final season of Hannibal on NBC, with its future after that still unknown, he reduced this to about half the season so he could move on to Red Dragon. That has probably worked out for the better as the first half of this season was the weakest in the show’s run, and I don’t know if they could have stretched this out for an entire season.

The Great Red Dragon skips ahead three years, and doesn’t have a recipe as its title. Hannibal is locked up in the  psychiatric hospital, which is seen as a sort of victory for him as, at least in the mythology of the show, Hannibal Lecter is not insane. He is a monster who operates under his own moral code. He is shown to be living in his mind-palace, continuing to share meals with those visiting him. He is even allowed to make desserts, although presumably without human ingredients. He is open about the meals he previously served, as in this exchange after Hannibal asked Alana if she still drinks beer.

Alana: “I stopped drinking been when I found out what you were putting in mine.”

Hannibal “Who.”

Hannibal “Who.”

Will now has a family, which is important as it was the manner in which the Tooth Fairy kills regular families, as Will now has, which led to Will rejoining the FBI. (And yes, I’m sure that Hannibal is right that he does not like to be called the Tooth Fairy). Once Will is back investigating the Tooth Fairy’s murders, the series feels much more like the first season, even with Hannibal having surrendered, and no longer fooling anyone.

HANNIBAL -- "The Great Red Dragon" Episode 308 -- Pictured: Richard Armitage as Francis Dolarhyde -- (Photo by: Brooke Palmer/NBC)

Richard Armitage was introduced as the Tooth Fairy, or Red Dragon. Unlike so many characters who were notable for their intellectual banter, the Tooth Fairy is capable of saying very little. Richard Armitage discussed the role with TV Line:

TVLINE | The first impression we get of Francis is someone who is completely tortured and conflicted. Even in the moment where he’s exiting the crime scene covered in blood, the horror in his own eyes is palpable. How did you come to play him in that way?
It was an organic process. We always had the novel to refer to, so everything that I found really came from Thomas Harris’ books, Bryan [Fuller] and my own interpretation. One of the things in my first episode that I found so interesting is that this man is so alone in the world, so isolated. There was a rejection in his childhood because of his disfigurement and because his character was orphaned; he was raised by his grandmother and abused by step-siblings.

But when we find him in this world, he works in a very isolated environment in the film-processing laboratory, and he lives alone. Thomas Harris describes him as having only set foot in two other people’s houses in his entire life — and certainly no one has ever come into his world. But for someone that is so alone, his mind is so busy and full of things. He has the subject matter of the films that he’s studying. He has voices in his head. He’s haunted by so many different things, like his mind is so far from silent, and that to me was something which was fascinating.

TVLINE | Your first episode is essentially wordless — which means much of what we learn about Dolarhyde is in the initial sequence of him doing physical exercises and contorting his body. There’s a sense he’s transforming into something else in that moment. Walk me through all that.
Yes, it’s really interesting the way it takes a long time before you hear Francis speak. He’s a man who is so uncomfortable in his skin, who is somehow at odds with his outer body and is almost outgrowing his physical form. So you see that conversation happening physically before you hear it verbally. And actually, for someone that has such trouble speaking and forming words, the first time we hear him speak is in Episode 9, and it’s a struggle. It’s really like baby steps when he speaks. And as an audience, we see him before we hear him, so we have a real sense of who he is or who he’s becoming and what it is that he’s pressing against or running away from.

TVLINE | What did you have to do to transform your own physique and your own way of moving your body to get in touch with the character?
Obviously, I read the book, and he’s described as a bodybuilder. So, before I got up to Toronto, I was in the gym doing intense workout sessions, since we needed to fill him out in the way that Harris wanted. But I also found something in the book where he’s described as moving in a very stylized way. Harris describes him as a Balinese dancer, so when he’s committing his crimes, I understood to be something of a performance for himself, that he’s trying to somehow be theatrical in his approach.

I couldn’t work out what that was, but then I stumbled on a Japanese form of a physical expression, an artistic art form called Butoh, which is sometimes called the Dance of Death. It’s a biological observation of the body in extremis, which I thought was perfect for this scenario. And so I used a lot of that. I also used some stress positions that I’d been working with previously on The Crucible, because I felt like the character was putting himself through something rather than changing himself for vanity sake. He’s wanting to torture his own body.

What you see in the opening exercise sequence, though, I put a metronome on in the room and just worked for 20 to 30 minutes, distorting my body and doing these exercises, and the crew just kept on filming.

TVLINE | In this episode, we get to see Dolarhyde after his second murder, out in the snow, covered in blood splatter. And there’s also that twisted but sort of artful scene where your character gets wrapped up in a film reel and is in this intense state of panic. How much of those moments were actually filmed organically versus post-production manipulation?
The filming in the snow was actually one of my first shots in the entire series, and it was about 17 below outside, a very cold night shoot. Very little of that is post-production. They used a sugar blood that stains black and thankfully, they heated it beforehand.

The scene with the celluloid wrapped around Dolarhyde’s head is a combination of digital work and some practical stuff. They did create a fake head. And they also wrapped celluloid around my head and we filmed it again. It was a bit of an exploration of literally, physically getting tangled up in his world of celluloid. It’s Bryan’s imagination at work in the best way, you know.

TVLINE | Looking forward to the coming weeks, how freaky-scary should we expect this arc to get? And knowing Francis is about to embark on a romance of sorts with a character played by True Blood’s Rutina Wesley, how will that work? What can you tease?
You know what, we really do honor the book, and so you see the full extent of that tragic love story. To me, really, the crimes aside — and remember, I never actually had to portray any of the crimes, so I suppose I compartmentalized them — Dolarhyde and Reba represent a tragic, romantic love story, which really doesn’t end well and escalates into a Shakespearian opera of the proportions that Thomas Harris really explores in the novel.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

In other summer genre shows, Mr. Robot was better this week after its one-episode slide when it spent far too much time on Elliot’s drug trips last week. Remember, Mr. Robot is the show which has no robots–its entire cast is human. The other top new genre show of the summer, Humans, is about robots. This is by far has been the best of the genre shows of the summer (although Hannibal might compete now that it is moving onto the Red Dragon storyline).

Humans is highly recommended but I am not writing about the episodes to avoid any risk of spoiling the story. I am watching by downloading the episodes from the U.K. where the show is ahead of the US episodes. So much is revealed every week and I do not want to discuss episodes airing in the US with my knowledge of what is revealed in subsequent episodes.

Jonathan Strange and Mr. Norrell is in the same situation as I completed the series a couple of weeks ago from downloading UK episodes. It is also recommended.

Sense8

The same issue is present for shows on Netflex, which different people watch at different times. I held off on starting Sense8 due to variable reviews of the early episodes, but I did begin to watch after reliable sources advised that the first couple of episodes start slowly to introduce the characters, but the show becomes much more interesting once you get into it. I am quite intrigued by the story, which reminds me of the early episodes of Orphan Black, when viewers initially did not know what was going on at all. As I still have several episodes to go, I still wonder if they will satisfactorily explain what is happening.

The show was created and written by The Wachowskis and J. Michael Straczynski. Both have created excellent work with the first Matrix movie and Babylon 5. However after the initial setup, the two sequels to The Matrix were awful, and the explanation behind Babylon 5 was not entirely satisfactory. Complicating matters further, the show has a planned five year arc, and it is not known if Netflix will continue the show that long. At least there is a far better chance that Netflix will continue the show as long as there is interest than a network would.

SciFi Weekend: Hannibal; Summer Television Briefs Including Extant, Under The Dome,The Last Ship, Mr. Robot, Humans

HANNIBAL -- "Contorno" Episode 305 -- Pictured: (l-r) Fortunato Cerlino as Inspector Pazzi, Mads Mikkelsen as Hannibal Lecter -- (Photo by: Sophie Giraud/NBC)

This week’s episode of Hannibal, Contorno, has finally moved past set-up and it finally feels like the real action for the season has begun. Generally, when someone thinks they have the upper hand against Hannibal, in reality Hannibal is already several steps ahead of them.

Pazzi decided to seek a bounty for capturing Hannibal rather than have the authorities arrest him in a conventional manner. He wound up getting in touch with Mason Verger, who wanted a fingerprint to establish his identity. Alana predicted that Hannibal would kill Pazzi, and of course she was right.

Hannibal killed Pazzi in a gruesome manner, and let him hang out the window. By coincidence, Jack happened to come along at the same time, and for once Hannibal did not have the upper hand. He did show an amazing ability to remain alive and walk away regardless of the beating. The big question is whether next week’s episode will consist of Jack chasing after him.

In developments elsewhere, Will’s train ride with Chiyo to seek Hannibal did not turn out as Will expected. He will be delayed in joining the action, and I don’t know what Chiyo will do when she reaches Hannibal.

It remains to be seen whether Hannibal will be returning on another network now that it has been cancelled by NBC, but it was not a favorable sign that the cast has now been released from their contracts.

Hannibal is not the only genre show to make a major change this season. Extant started the second season with major changes. It remains to be seen whether an alien hunter storyline will be an improvement. I still have not had a chance to watch Under the Dome this season, but in contrast to the other shows I get the impression from what I have heard that they retconned last season’s finale and returned to a situation comparable to the previous season.

The Last Ship is more an action/adventure show despite the genre premise, but they are doing a good job if you are just looking for a summer escape show. I was glad last season when they found the cure, rather than dragging this out forever. The two-hour season premiere did a good job of resolving the cliff hanger from the first season. The next episode appears to have set up the situation for this season.

Mr. Robot got off to a terrific start in the pilot. My one concern in watching was whether the premise could be sustained for an entire series, with the show already renewed for a second season. The second episode was not as good as the pilot, but I still have hopes for the series. Some critics have praised the show for having an accurate view of hacker society (even if the story is taken to a higher level). I was also impressed by how it portrayed the dog, which looks like a cairn terrier. In most television shows, people don’t have to be bothered by mundane tasks like taking their dogs out for a walk, unless the walk is an excuse to get a character outside. This dog acted like a true cairn when its needs were not satisfied.

I have watched Humans through the third episode, and continue to recommend this show.