SciFi Weekend: Doctor Who, Extremis; Agents of SHIELD Season Finale; Legends of Tomorrow; The Flash; Arrow; Star Trek Discovery; Seth MacFarlane’s Spoof, The Orville; Gotham; The Magicians; Twin Peaks

Extremis was the best episode of Doctor Who so far this season, and it is just the first part of a three part story. There was a lot of misdirection in the episode, which is part of what made it so interesting.

The episode appeared to have two different story lines, but the conclusion revealed there were actually three. There were the flashbacks to the execution and the scenes with the Doctor outside the vault. It wasn’t reveled until the end that all of the other events were actually taking place in the shadow world, their version of the Matrix.

Even the execution scene had misdirection, as it was unclear whether the Doctor was intended to be the victim or executioner. Once it finally became clear that it was Missy to be executed, things did not turn out as planned. This gave plenty of opportunity for Missy to be Missy: “Please, I’ll do anything. Let me live. Teach me how to be good. I’m your friend.” She also had some words for her captors: “Get off, I’ve just been executed. Show a little respect” and “Knock yourself out. Actually, do that. Knock yourself right out.”

I am glad that they didn’t drag out the reveal as to who is in the vault any longer as pretty much everyone probably realizes by now that it is one of the versions of the Master. The Doctor is keeping his word to watch over her body, even if he mislead Missy’s captors in not going through with executing her. His decision to spare her life is consistent with the relationship which as developed between the two.

Any episode in which the events are in some way not real is vulnerable to criticism, but I was willing to accept it here. Being only the first part of a three part story helps minimize the problem the events being in the shadow world. There is also a legitimate pay off to the situation in which the Doctor outsmarted the Monks and got out a warning by email to the “real” Doctor. Or as the Doctor in the shadow world put it, “I’m doing what everybody does when the world’s in danger. I’m calling the Doctor.”

This reveal also allowed for some other genre references. This included the second Star Trek reference in two weeks, this time with Nardole saying the shadow world is like “like the Holodeck on Star Trek, or a really posh VR without a headset.” I also liked the explanation of people seeming to commit suicide when they realized the truth: “it’s like Super Mario figuring out what’s going on, deleting himself from the game, because he’s sick of dying.” There was also a reference to Harry Potter and portions of the episode felt like they were out of a Dan Brown novel.

Besides the simulation leading to the Doctor getting the warning about the invasion, it also gave the Doctor reason to encourage Bill to ask Penny out, reassuring her that she is not out of her league, knowing how it worked in the shadow world. While it only happened in the shadow world, presumably this accurately reflected the real world with Bill’s foster mother not realizing she is a lesbian, and therefore not realizing what was going on between the two girls. This included the exchange with Bill’s foster mother telling her “I have very strict rules about men” and Bill replying, “Probably not as strict as mine.”

The shadow world also gave us scenes at the Vatican, briefly at the Pentagon, at CERN, and with a dead president. This led the Doctor to wonder, “Particle physicists and priests–What could scare them both?” Plus there was the Pope in Bill’s bedroom: “Doctor, here’s a tip. When I’m on a date, when that rare and special thing happens in my real life, do not, do not under any circumstances put the Pope in my bedroom.”

There is plenty of additional grounds to nitpick, such as questioning whether a simulation so complex could not come up with a better random number generator. I am far more willing to accept potential plot holes which come up with thinking about an episode as opposed to glaring ones which cause a distraction while watching, such as with Knock Knock.

Continuity was also handled fairly well in this episode. They might have initially had the Doctor regain his vision at the end of Oxygen, but it worked out better to extend his blindness into this episode. This could also play into the upcoming regeneration, but I can’t help but wonder what would happen if he encountered the Weeping Angels while unable to see.

The episode also showed how Nardole remained with the Doctor following the events of The Husbands of River Song, with him there at River’s request to prevent the Doctor from taking extreme actions following her death. Nardole even used a passage from her diary to influence the Doctor. While not seen on camera, Steven Moffat has said that one of the stories in his mind that he will not get a chance to tell is of the Doctor having Nardole going to the library after the events of The Forest of the Dead to recover River’s diary. There are also rumors that River will be returning this season. If so, this, along with her pictures on the Doctor’s desk, provides a good set up.

Agents of SHIELD also spent a lot of time in a version of the Matrix this season before the framework was destroyed in the season finale. IGN spoke with the producers about that space cliff hanger and that new role for Coulson:

IGN: Going back to the cliffhanger, that diner scene at first very much reminded me of the shawarma scene at the end of Avengers. Was there ever version of that sequence that didn’t have the cliffhanger, in case for whatever reason you didn’t get picked up?

Bell: It’s what it is. There was not a nice quiet shawarma version of it where they go, “Oh, it’s nice to be together.” It was always supposed to be, “Oh look, we’re finally together. Oh no, something bad happens.”

IGN: Which is sort of how it always goes for these guys, right?

Bell: It is!

Whedon: Man, SHIELD is not the coziest place to work, you know? I think they have a pretty good health plan, but other than that, it’s kind of up in the air all the time.

IGN: Well I hope so. They do keep coming back from the dead or near death at all points. I am excited we’re going back to space, though! Can you say how long it’s been in the show between when the team gets taken and when we pick back up with Coulson at the end?

Whedon: [silence] We can’t say.

Bell: We acknowledge there’s a time jump…

IGN: Going back a little bit, how long have you been planning for Coulson to be the Ghost Rider — and what was Clark Gregg’s reaction to finding out that news?

Bell: To say he was happy, it would be an understatement.

Whedon: I think what he said when we told him was, “I didn’t think I could geek out more,” but he was like, “It seems I can.”

Bell: Yeah, that was what he said.

IGN: Can you clarify: did Coulson make a deal with the devil to take on the Ghost Rider identity, or will we find out a bit more of the logistics of that deal that’s alluded to soon?

Whedon: We’ll find out more about it, but I think it’s safe to say he made a deal with the Ghost Rider, or the powers behind him. We’ll see what it all means, but it didn’t come for free. It wasn’t like, “Hey bro, can I borrow that? Can I just borrow that Ghost Rider thing for a second?”

Bell: Right, like borrowing a T-shirt.

IGN: Are you leaving the door open for more Ghost Rider?

Whedon: Well, first of all, he’s not dead — not that that means anything in our world. He also has shown that he has the ability to move in and out of realms and dimensions or planets or wherever he’s going. He’s a threat to pop up at any moment. Whether or not he will, I can’t say, but he’s out there…

IGN: I want to talk a bit about Fitz and Simmons. You’ve put them through the wringer over the past couple seasons, and my working theory is it’s because Iain De Caestecker and Elizabeth Henstridge always deliver such fantastic performances of those traumatizing events. Considering what they’ve gone through this year, are you considering them as a couple who will remain rocks for each other, or are you still planning to throw a bunch more terrible things at them?

Whedon: First of all, it’s the nature of the world. I think even this year with the flashbacks of May and Coulson and the rules we’ve stated through many seasons, that there are rules about agents not getting together for this very reason. Your love will be tested. That’s sort of the nature of the business. I think it’s safe to say from these past two episodes that they love each other and won’t love anyone else, but that doesn’t mean that they’ll be able to repair their relationship and all that pain in between. One would hope that they could because everybody roots for FitzSimmons and the fans do and we do. We love the two actors, and so I think that seeing them together is a reward that the audience deserves, but how that happens, we’ll have to wait and see if it does.

Bell: I think the thing is people can have the forever love, but that doesn’t necessarily mean they get to end up together. They might, but you don’t know.

Whedon: But theirs is a forever love.

The CW Network has released a synopsis for the third season of Legends of Tomorrow, including the return of Rip Hunter and establishment of the Time Bureau, after they fractured time in the season finale:

After the defeat of Eobard Thawne and his equally nefarious Legion of Doom, the Legends face a new threat created by their actions at the end of last season. In revisiting a moment in time that they had already participated in, they have essentially fractured the timeline and created anachronisms – a scattering of people, animals, and objects all across time! Our team must find a way to return all the anachronisms to their original timelines before the time stream falls apart. But before our Legends can jump back into action, Rip Hunter (Arthur Darvill) and his newly established Time Bureau call their methods into question. With the Time Bureau effectively the new sheriffs in town, the Legends disband – until Mick Rory (Dominic Purcell) discovers one of them in the middle of his well-deserved vacation in Aruba. Seeing this as an opportunity to continue their time traveling heroics, Sara (Caity Lotz) wastes no time in getting the Legends back together.  We reunite with billionaire inventor Ray Palmer (Brandon Routh), the unconventional historian-turned-superhero [Nate] Heywood (Nick Zano), and Professor Martin Stein (Victor Garber) and Jefferson “Jax” Jackson (Franz Drameh), who together form the meta-human Firestorm. Once reunited, the Legends will challenge the Time Bureau’s authority over the timeline and insist that however messy their methods may be, some problems are beyond the Bureau’s capabilities. Some problems can only be fixed by Legends.

Last week’s episode of The Flash appeared to show that Iris did die in the scene we’ve been seeing all season. It might have been premature for The CW Network to release this synopsis of season four, which appears to have a major spoiler as to  how the season ends (not that I’m all that surprised considering how this show has involved changing timelines, not to mention the imaging tool used):

Barry Allen (Grant Gustin) lived a normal life as a perpetually tardy C.S.I. in the Central City Police Department.  Barry’s life changed forever when the S.T.A.R. Labs Particle Accelerator exploded, creating a dark-matter lightning storm that struck Barry, bestowing him with super-speed and making him the fastest man alive — The Flash.  But when Barry used his extraordinary abilities to travel back in time and save his mother’s life, he inadvertently created an alternate timeline known as Flashpoint; a phenomenon that gave birth to the villainous speed god known as Savitar, and changed the lives of Caitlin Snow (Danielle Panabaker) and Wally West (Keiyan Lonsdale) forever.  With the help of his adoptive father, Joe West (Jesse L. Martin), his lifelong best friend and love interest Iris West (Candice Patton), and his friends at S.T.A.R. Labs — Cisco Ramon (Carlos Valdes), C.S.I Julian Albert (Tom Felton), and an Earth-19 novelist named H.R. Wells (Tom Cavanaugh) — Barry continues to protect the people of Central City from the meta-humans that threaten it.  Based on the characters from DC, THE FLASH is from Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (“Arrow,” “Supergirl”), Andrew Kreisberg (“Arrow,” “The Flash”), Sarah Schechter (“Arrow,” “DC’s Legends of Tomorrow”) and Todd Helbing (“Black Sails”).

They have also released the synopsis of Arrow season six:

After a violent shipwreck, billionaire playboy Oliver Queen (Stephen Amell) was missing and presumed dead for five years before being discovered alive on a remote island in the North China Sea.  He returned home to Star City, bent on righting the wrongs done by his family and fighting injustice.  As the Green Arrow, he protects his city with the help of former soldier John Diggle (David Ramsey), computer-science expert Felicity Smoak (Emily Bett Rickards), his vigilante-trained sister Thea Queen (Willa Holland), Deputy Mayor Quentin Lance (Paul Blackthorne), brilliant inventor Curtis Holt (Echo Kellum), and his new recruits, street-savvy Rene Ramirez (Rick Gonzalez) and meta-human Dinah Drake (Juliana Harkavy).  Oliver has finally solidified and strengthened his crime-fighting team only to have it threatened when unexpected enemies from his past return to Star City, forcing Oliver to rethink his relationship with each member of his “family”.  Based on the characters from DC, ARROW is from Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (“The Flash,” “Supergirl”), Marc Guggenheim (“DC’s Legends of Tomorrow,” “Eli Stone”), Wendy Mericle (“Desperate Housewives,” “Eli Stone”), Andrew Kreisberg (“The Flash,” “Eli Stone,” “Warehouse 13”) and Sarah Schechter (“The Flash,” “DC’s Legends of Tomorrow”).

CBS has released the above trailer for Star Trek Discovery, which is to premiere this fall. Breakdown at TrekMovie. com and at Cult Movie News. Producer Ted Sullivan has reassured fans that it is definitely a prequel to TOS, and not a reboot or re-imagining.

The trailer for Seth MacFarlane’s spoof of Star Trek for Fox The Orville, is far more amusing.

Bruce Wayne’s transition to become Batman finally starts in season four of Gotham.

Trevor Einhorn (Josh) and Brittany Curran (Fen) have been promoted to regulars for the third season of The Magicians.

Twin Peaks returns tonight. The New York Times has a guide to where everyone was left after the original series. There’s another guide at Vulture.

Netflix has confirmed a fifth season of Arrested Development.

A revival of How I Met Your Mother in some form also continues to look possible.

SciFi Weekend: Doctor Who; Hannibal; Avengers; Under the Dome; Defiance; Bunheads; Renewed and Canceled Shows; Gone Girl Cast; Cookoo’s Calling

https://www.youtube.com/watch?feature=player_embedded&v=junIpG20vFA

Matt Smith appeared on Craig Ferguson’s show on July 24. Video above.

Steven Moffat says he will clear up some of the hanging plot threads in Doctor Who this year in an interview with I09:

When we caught up with Moffat last weekend at Comic-Con, we asked him, “Do you feel like you owe viewers some closure on the big questions, like who blew up the TARDIS? Or what the Silence was up to?”

And he responded, “Well, we are going to do it all. It’s going to end at Christmas. Yeah, [there will be closure]. But ‘owe them’? I don’t know about ‘owing.’ But yeah, there’s a plan, and we will end the Eleventh Doctor’s run with the answers to some of those questions.”

And what about the biggest dangling plotline in Doctor Who history? Back in 1986, the Doctor met a dark alternate future version of himself known as the Valeyard, who put him on trial and tried to steal his remaining lives. And the Valeyard was never mentioned again — until the most recent Who story, “The Name of the Doctor,” when his name came up.

How does the mention of the Valeyard tie in with the trend of the Doctor acting more dark? Are we going to see him again? We asked Moffat, and he responded,

Well, I couldn’t resist saying ‘The Valeyard,’ because we haven’t mentioned him in the new series. [Laughs] So I thought, ‘I’ll just put that one in.’ I never quite understood, in ‘Trial of a Time Lord,’ what he was meant to be. I never understood if he was a real Doctor, or [something else]. But in a story where we are hinting that the Doctor has a hidden chapter to his life, it was irresistible to mention the Valeyard. But you know, he’ll only ever get so dark, let’s be honest. He’s the Doctor. I think a man who worries about going bad is never really going to go bad. Maybe not.

As for the Doctor’s wife, River Song, she is not a dangling plot any longer — and in fact Moffat seems pretty happy with how he left her in “The Name of the Doctor.” At this point, he seems to feel as though he’s told the story he wanted to tell about her.

He adds that he’s “not quite sure” if we’ll see her again. We could, because we’re seeing her out of sequence in the past, “and clearly the implication is that she’s met more than two Doctors. But the question is whether or not we should” revisit her. He adds that “it’ll now be story-driven”: If he has the perfect idea for a story that involves River Song, she’ll be back. “But I quite liked where we got to at the end of ‘The Name of the Doctor,’ with him saying goodbye to her. So we’ll see.”

It doesn’t sound from this that the theories of the John Hurt Doctor being the Valeyard are correct, but this could also be misdirection on Moffat’s part. There are also rumors that a scene is being filmed showing the regeneration from Paul McGann’s Doctor to John Hurt’s Doctor, which might be shown as a prequel.

The BBC has figured out how to prevent spoilers from getting out after the initial airing of the 50th anniversary episode. It will be aired worldwide at the same time. (Unfortunately November 23 is a football Saturday and I still might wind up putting off watching until later in the day, depending upon the football schedule.)

Hannibal

Bryan Fuller discussed Hannibal with A.V. Club. Some of the question and answers from the four-part interview follow:

AVC: This is a prequel to stories we’ve already seen, and you’ve been very open about your plan for the series going forward. How do you keep the suspense? How do you keep overriding tension when we know where this is going?

BF: Well, we know that Hannibal is going to get caught and that he’s going to end up in the Baltimore State Hospital For The Criminally Insane, but a lot can happen to get there. I think the big move in there was to frame Will Graham and have him take the fall for a lot of these murders, which, right off the bat, introduced a completely new concept to the backstory, but also gave us a way to hold off incarcerating Hannibal Lecter for a while, because we have such a new twist to the story, where Jack Crawford is going to be bonding more with Hannibal Lecter, which really informs his distrust and disdain for this character when we get to the Silence Of The Lambs or Red Dragon era of the story. So it felt like we have now all of this opportunity to tell the specific details of a story that only existed between the lines of the book.

AVC: This episode really starts the relationship with Will and Hannibal together in therapy. You’re really interested in both presenting Hannibal as a credible therapist and in the process of seeing two people in a room talking together, which is different for a crime procedural. How did those two elements come to enter the show’s world?

BF: Well, there’s a certain amount of budgetary restraints with the show, because we are not a big-budget show. In the path we had gone down initially, we laid out a version of the show for the network, and the network said that it wanted it to be much more case oriented and procedural. So we laid out that version of the show, and it was very, very expensive. And nobody wanted to increase the budget, so it was really a matter of going back to… fortunately the budget was our friend in that way, because I did want to tell a psychological horror story, and I didn’t want to spend a lot of time at crime scenes when I could be finding out what characters are going through. And the best, simplest way for that was for people to sit down and talk about it. We fortunately are dealing with psychiatrists, so [Laughs.] it’s a great platform to have people say what they mean and what they feel and have it feel relatively natural, given the context of where they’re having those conversations. So it was initially a budgetary thing, but I think for the benefit of the show—and the stories I was interested in telling—were much more psychological and could sustain sitting down and talking about them.

Before I was going to be a writer, I was going to be a psychiatrist, so I’m fascinated with psychiatry and how it can go wrong and how it can be incredibly helpful for the patient. So I thought it was a great opportunity to tell a story about psychiatrists. And we have a lot of psychiatrist characters on the show. [Laughs.] It felt like that’s our world and these are our characters, so they are going to be talking about psychiatry. And we tried to get the psychiatry to be as honest as possible, given what we needed to tell, story-wise.

AVC: Will she be able to be in future seasons? She has a new show at midseason on NBC.

BF: We absolutely want her to be. She absolutely wants to be. It’s going to be working out the schedule with the other show, and we know that it’s about the schedule. We were very flexible with her last year. Actually, she was in five episodes, and we filmed all of her material over three days. We got her for three days, got her in, did the five episodes, and got her out, because she has a family in London that she wants to spend time with. She’s very interested in coming back. Right now, she’s in the first episode of the second season, but we have to work out schedules and see if we can actually pull it off.

AVC: This episode brings Abigail’s arc to an end. Was she always going to die?

BF: We made that decision about halfway through the season. She wasn’t always going to die. It was one of those where we were going to kill off one of the regular characters, and the character that we were going to kill off, we felt like it wouldn’t be as devastating for that person to die, because we hadn’t fully serviced that character. Someone had said, “I don’t really care about that character dying, but if you’re going to kill somebody that’s going to make me upset, then Abigail Hobbs,” and I was like, “Yeah, that’s who we have to kill, isn’t it?” [Laughs.] It’s kind of as simple as, “Whose death would mean the most?” and it was Abigail’s.

AVC: Can you reveal who you were originally going to kill?

BF: No. Because we may kill them in the second season.

AVC: How important to you was it that he have that moment of realization somewhere in this season?

BF: Very important. Because the audience knows from the first frame, before Hannibal is even onscreen that we are telling the story of Hannibal Lecter, who is going to be caught by Will Graham and incarcerated, Will had to figure Hannibal out in the first season. Otherwise, it would feel like we were treading water and artificially distending the story to accommodate a television schedule, and I wanted each of these seasons to feel like a novel, as opposed to episodic television. It felt like, what a great way to begin the story and then end the story at that point. And end it iconographically with the Silence Of The Lambs shot of coming down the corridor of the Baltimore State Hospital For The Criminally Insane, to that last cell on the left and finding, not Hannibal Lecter, but Will Graham. And know that we are now taking a turn away from the canon that will somehow get us back into canon. But right now, we are departing from the literature into uncharted territory that will be unique to the television show. Then when we circle back into the timeline of the books and get to Red Dragon again, so much will have happened between these characters that will further inform their uniqueness to this show.

AVC: Will is incarcerated right now, and if you’re able to go on and do the later seasons, Hannibal will be incarcerated. How do you approach that question of writing a character who’s confined to a room, yet has to be one of the protagonists of the series?

BF: That’s the great thing about imagination is that Will’s imagination can transport him out of that room and into places, cinematically, that will allow him to continue being a pivotal part of the story, even though he’s locked up. One of the things that was really interesting in the books, is the concept of Hannibal’s memory palace, the place where he goes to survive incarceration with the virtual-reality system that exists between his ears. We’ll be seeing Will create his own version of the mind palace over the course of the second season.

AVC: How intricately did you think out Hannibal’s framing of Will? 

BF: It was pretty meticulously plotted. We knew that there were certain changes along the way, like we were originally going to deal with both the copycat killer and the Chesapeake Ripper in the first season, and then it felt like, as we got further into this season, that the story should be about the copycat killer primarily, and that the Chesapeake Ripper should serve to complicate Jack Crawford’s character. Then we could spike that ball in the second season.

Vulture outlines what we know, and what is being rumored, about the next Avengers movie, Age of Ultron. The story won’t be based upon the recent comic arc with this name, and there will be a new origin story. Quicksilver and the Scarlet Witch will be joining The Avengers. Joss Whedon also says that Black Widow will have a larger role in this movie.

under_the_dome_blue_on_blue

Under the Dome was disappointing last week (with the entire series so far not living up to my hopes for it). Did anyone really doubt that the mother of all bombs would hit the dome and nothing would happen inside? I could see where the inhabitants would be worried, but I would expect them to see the failure of the bomb to affect the dome as a possible outcome. I was not surprised to see Big Jim question whether to release Angie, and not all that surprised to see her back with Junior. The Hollywood Reporter conducted an interview with producer Brian K. Vaughan which answers some minor questions.

I’m glad I stuck with Defiance and finished the first season last week.  It is not the best science fiction around, but the show did become more interesting at the end of the season with the lives of so many main characters getting shook up. Amanda is no longer mayor and Nolan is now a free agent, leaving the two characters with fewer limitations and more potential. Bastr has more:

But it sounds like the Tarr Family will be the major source of drama for Season Two. Murphy expressed that they are what he’s looking forward to the most, having left them in a precarious position at the end of season one after Datak was arrested after winning the election, leaving the Tarrs broken. He will be missing in the beginning of the season (as will be Irisa).

“The family is constantly changing because the balance of power keeps changing.” Curran explained. “As the second season starts and progresses, if Datak is to survive, wherever he is, he has to learn not to be such a hot head. He has to be more pliable instead of brittle. Like steel when it’s brittle, it snaps. He needs to be more manipulative in his approach. His attack, kill and ask questions later obviously isn’t working for him. You can’t demand respect, you have to earn it. Unfortunately his way is very demanding and the future is going to get him in trouble again.”

Curran has read a few scripts from the second season and shared his excitement for the interesting stuff within the Tarr family that he found to be especially compelling. “It’s a sci-fi show set within this immigrant drama, and a lot of it puts the mirror up to society in many ways for immigrants around the world. I have a wife who’s Vietnamese, she was an immigrant from French-Bosnia-Serbia. So many ways there’s a lot of similarities in a lot of those aspects that I find compelling in the sci fi world as it pertains to our society. I think we’re going to touch on that with a lot of back story.”

Amy Sherman-Palladino’s show Bunheads has officially been canceled.David Weigel had previously called the best show on television. I wouldn’t go that far, but nobody other than Aaron Sorkin can write better dialog than her when she is hot. Unfortunately the show didn’t last long enough to rival Gilmore Girls.

John Williams is going to score the next three Star Wars movies. They wouldn’t be the same without his music .

Netflix is rapidly turning into a major source for new television material. Arrested Developmentwill return for another season. Netflix has also renewed Orange Is The New Black. It appears that HBO will be renewingThe Newsroom, perhaps with an official announcement coming soon.

It is looking like Rosamund Pike and Ben Affleck will be playing the leads in the movie adaptation of Gone Girl.

J.K. Rowling says a sequel to Cuckoo’s Calling should be out next year.

SciFi Weekly: Doctor Who; SHIELD; JK Rowling Exposed as Mystery Writer; Star Trek3; Summer Glau; Kristen Bell; The Newsroom

A prom apparently has a different meaning in the U.K. than in the United States. There were rumors that the identity of the next Doctor would be revealed at a prom this weekend. That didn’t occur, but there was an appearance by Matt Smith and Jenna Coleman in the video above.

Entertainment Weekly interviewed Steven Moffat. Following are some of the more interesting/news worthy answers:

Are you hoping the new Doctor will appear in this year’s Christmas special?
Yes. That’s not the hope — that’s the plan. It’ll be the traditional regeneration. You know, the eleventh will fall and the twelfth shall rise. And you’ll see that in the closing moments of the show. I mean, you sometimes sit and think, “Are there better ways of doing it? Is there a different way of doing it?” But quite honestly what could be better than that? It’s just too exciting. [Laughs]

Am I right in thinking that the new series—the first post-Matt shows—will be broadcast in late summer 2014?
I think that’s probably right. But these things change so often.

What can you tell us about this November’s Doctor Who 50th anniversary show?
[Laughs] Oh, well, very, very little. It will feature of course Matt and Jenna Coleman, but in addition there’ll be Billie Piper and David Tennant and John Hurt. But we’ve been really quite careful. We have a philosophy that anything we shot outside we had to own up to but the rest of it…You’re just going to have to wait until November to find out about.

What is the format of the 50th anniversary special? Is it movie-length?
It’s a special episode. I think you could call it movie-length, yeah. I mean, I’m saying that with a slight hint of vagueness because I don’t know the finished running time. [Laughs] It’s certainly well over an hour.

How much longer do you yourself intend to stay with the show?
I think a year at a time. I’ve signed up for this next year, with the new Doctor. It’s one of those jobs when you know when you’ve had enough. At the moment I haven’t had enough and I’m thoroughly enjoying it. I’m very excited for the challenge of the new Doctor and establishing that new Doctor. So, no plans to leave as yet. But that doesn’t mean I’ll be here for 20 years. There will come that day when I think it’s time someone else had a go and it’s time I did something else.

You’re also the executive producer of Sherlock. Have you finished shooting the new series yet?
Oh, I wish! We’ve done two. But we’ve now got a small gap — a small gap? A large gap! — while Martin (Freeman) goes back to New Zealand to film a bit more of the Hobbit and then he’ll return to us. Hopefully, by that time, I’ll actually have finished the Sherlock script I’m writing and we’ll make another one.

shield-interrogation

Entertainment Weekly has picked up some news on Agents of S.H.I.E.L.D. in preparation for their Comic-Con panel. Here are a couple of the top items:

1. The pilot hints at how mild-mannered kick-ass bureaucrat Agent Coulson (Clarke Gregg) was resurrected  to lead the team after being killed off in The Avengers (his S.H.I.E.L.D. colleagues say he must “never know the truth” about his death). Yet you’ll have to keep watching to learn the full story. “We can’t wait to pull the curtain back on that,” says co-creator Jed Whedon. “[But] we’re going to take our time.”

2. The S.H.I.E.L.D. story will work in tandem with the Marvel films, both past and upcoming. In fact, the first episode will pick up a storyline that’s familiar from one of the Marvel hits — and it’s not The Avengers. “We plan on trying to weave in between the films and try to make them more rewarding on both ends,” says Jed Whedon, who points out the trick is to make the audience not ask a certain fanboy-bar-fight-style question: “In any of these [episodes], you can always ask: ‘Why don’t they just call Iron Man?’” Yeah, that would be annoying! So our next question is: Why don’t they just call Iron Man? “They are aware of each other,” Whedon says of the S.H.I.E.L.D. team and the metal-suited Malibu playboy, “but they do have to have their own lives.”

Cuckoo Calling

J.K. Rowling had a detective novel published under the name of Robert Galbraith earlier this year, with her identity leaking out this week. io9 has a rundown of reviews of the novel, which sound quite favorable. Conveniently, the book is scheduled for paperback release later this month.

Zachary Quinto has this speculation regarding the next Star Trek movie:  “Star Trek 3 should be filming, I suppose, next year. It’s going to be made a lot quicker than the last one. That’s the plan, although nothing is confirmed yet.” That would make it difficult for J.J. Abrams to direct as he will be busy with Star Wars. Presumably they will want to release the next movie for the 50th Anniversary in 2016.

With J.J. Abrams directing movies for both franchises, and with the recent Star Trek movies in many ways being more Star Wars than classic Star Trek, the old Star Wars vs. Star Trek fan wars seem to have died out. George Lucas provides more reason for peace between the two:

The documentary “Trek Nation” chronicles Rod Roddenberry’s personal journey to explore the importance of the legendary sci-fi franchise dreamed up by his father Gene.

The film comes to DVD on Tuesday, and among the bonus materials included in the release is an interview with “Star Wars” creator George Lucas talking about the important role “Star Trek” played in paving the way for his own space opera.

“‘Star Trek’ softened up the entertainment arena so that ‘Star Wars’ could come along and stand on its shoulders,” Lucas said in an interview.

While Star Trek worked far better as a weekly show than as movies, it also must be kept in mind that Star Trek probably would have never been released as a movie, reviving the franchise, if not for the success of Star Wars.

Summer Glau

Summer Glau has been cast for a recurring role on Arrow:

Glau, who has amassed plenty of genre street cred in TV series like Joss Whedon’s Firefly and Dollhouse, Terminator: The Sarah Connor Chronicles and most recently as a recurring on Syfy’s Alphas, is set to play the dangerous Isabel Rochev, Vice President of Acquisitions of Stellmoor International, a company looking to take over Queen Consolidated.

Entertainment Weekly reports that Kristen Bell (currently busy filming the Veronica Mars movie) will have a guest appearance on Parks and Recreations next season, in an episode to air in early October:

After shooting the Veronica Mars movie, Kristen Bell will guest-star in an episode of NBC’s Parks and Recreation as Ingrid, a snooty City Councilwoman from Eagleton. “She’s Leslie’s equivalent, but richer and better dressed,” executive producer Michael Schur tells EW. The two will first meet up at the annual Pawnee-Eagleton high school basketball game. Bell and Parks actor Adam Scott previously worked together on Party Down and Veronica Mars, and she currently stars with frequent Parks guest Ben Schwartz on House of Lies.

A lot happened in last week’s True Blood–the type of changes and revelations we might not have expected until towards the end of past seasons. The show certainly has its flaws, and I almost gave up on it a few times, but enough is happening this season to keep my interest.

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The Newsroom returns for a second season tonight. Oliva Munn discussed preparation for her role on The Newsroom with Vanity Fair:

“I write a lot of notes in my scripts,” she explains. “It’s important for me to have them there as a reference so I can keep on track for what I’m wanting to convey. Sometimes, no matter how much I prepare, I can let my emotions of the day affect my choices in a scene, so I like to have my notes with me to remind myself of what track I should be on. And with scripts as complicated and rich as Sorkin’s, it’s vital for me. My notes become my sheet music.”’

Netflix is quickly establishing itself as a service worth subscribing to for its original content now that there are multiple choices for on-demand movies. Orange Is The New Black premiered this week and is up to premium cable standards, and they are negotiating for a second season of Arrested Development. Besides their original series, Netflix recently released the excellent BBC2 series The Fall before it completed its run in the UK.

Amazon To Produce Garry Trudeau’s Alpha House

Alpha House

Cable television has been increasingly producing their own dramas and situation comedies, competing successfully with the networks in terms of quality if not ratings. Additional sources of original programming have been popping up. DirectTV kept Friday Night Lights alive, showing the show before NBC in its last few seasons. Netflix realized that there are many sources for old movies and television shows and that they had to produce their own shows to attract new subscribers. This year they put out shows including House of Cards and a revival of Arrested Development. This was done in a unique manner of releasing the entire season at a time so subscribes could view them at their own pace, similar to watching old shows on Netflix. Amazon Prime is trying to compete with Netflix, providing a combination of pay-for-view shows and shows available without additional charge to subscribers to the service which began as a way to get free or reduced shipping with an annual fee.

Amazon let subscribers chose among over a dozen pilots, airing those which attracted the most support. Yesterday Amazon announced that they will produce Alpha House, which received the most attention due to being created and written by Garry Trudeau, best known for “Doonesbury” and staring John Goodman. There are also cameo roles by Bill Murray and Stephen Colbert in the pilot.

The show, based on a real property in the District that has housed a rotation of various Democratic senators for years, has been the brainchild of Trudeau since about 2008. Inspired by a New York Times story about the house, Trudeau originally wrote the pilot for network television, but things didn’t pan out.

Last January, Alter, a close friend of Trudeau’s, brought up the idea of resurrecting the abandoned pilot. Trudeau’s response, Alter said, was something along the lines of, “Well, be my guest.” Although Trudeau was unsure about pitching the script to Amazon Studios, Alter said, Alter convinced him that an online series was the way to go…

Goodman plays Gil John Biggs, a brash, unfiltered senator from North Carolina who seems to be the leader of the alpha house. When he’s not making fun of his roommate-colleagues, he’s on the phone with his wife, back in his home district, who’s telling him to step up his game, because the beloved Duke basketball coach is planning to run against him in the next election. Goodman is joined by Clark Johnson, Matt Malloy and Mark Consuelos, who also play Republican senators.

(Trudeau went against the political affiliations of the actual house because, he said in a Washington Post interview, Democrats are currently pretty boring, while Republicans “are tearing themselves apart and will be for the foreseeable future.”)

The pilot skewers various aspects of Washington, cracking jokes at the expense of both conservatives and liberals. In one exciting coincidence, Trudeau penned a scene about an epic filibuster years before the 13-hour speech in March by Sen. Rand Paul (R-Ky.). At first, the writers of the show were worried that an all-night filibuster might seem unrealistic; after Paul’s performance, truth proved stranger than fiction, and the scene stayed.

SciFi Weekend: Star Trek Into Darkness; Doctor Who; Hannibal; Arrested Development; Game of Thrones; Sherlock and Fake Sherlock; Roaring ’20s Cocktails

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As I discussed last week, Star Trek Into Darkness was a enjoyable action movie which hopefully serves to keep Star Trek alive in some form, but does not live up to the quality of the show. The producers ignored plot development to deliver a series of action scenes, while using the gimmick of an alternative timeline to avoid the need for consistency. Major spoilers do follow. Startrek.com interviewed Star Trek Into Darkness co-writers and co-producers Roberto Orci and Alex Kurtzman. One question dealt with the alternative timeline:

Zoe Saldana has been quoted in interviews as saying that the Uhura (Saldana)-Spock (Zachary Quinto) romance will not work in the long run because that’s not what ultimately happened inThe Original Series. Given the alternate timeline, can’t this relationship go anywhere? Can’t you do… anything, really, with any and all of the characters?

Roberto Orci talk about Star Trek Into Darkness

ORCI: If she says that, I think she’s wrong. We can do whatever we want. However, the rule that we have for ourselves is that it has to harmonize with canon. This is going to get way too geeky, and I apologize ahead of time… Quantum mechanics, which is how we based our time travel, is not just simple time travel. Leonard Nimoy didn’t just go back and change history (as Spock Prime in the 2009 film), and then everything is like Back to the Future. It’s using the rules of quantum mechanics, which means it’s an alternate universe where there is no going back. There is no fixing the timeline. There’s just another reality that is the latest and greatest of time travel that exist. So, on the one hand we’re free. On the other hand, these same rules of quantum mechanics tell us that the universes that exist, they exist because they are the most probable universe.

Star Trek actually dealt with alternative timelines in different ways. Frequently when something changed history, as in The City On The Edge of Forever, members of the Enterprise crew would go back in time and would fix the timeline. The mirror universe which featured in several episodes did continue on its own with major differences. In Parallels, Worf saw several parallel realities which varied in how different each was for his original reality. This came closest to the timelines of quantum mechanics which Orci discussed but the specific situation of one person changing history was more commonly treated as having a single timeline which can be changed and later repaired.

Now that we have the situation of Spock and Uhura having a romance, there is no reason it cannot continue despite this not occurring in the original timeline. The bigger question is why this romance ever could start at all. Saying the timeline has changed has been an easy way to keep what they want in Star Trek and change other things. We have a Spock who handles emotions differently, but it is not clear why that is the case. One of the advantages of a weekly television show over movies is that they could have episodes detailing how this Spock handles emotions as compared to the original Spock. The emotions and  humanity of Spock, Data, and the Voyager Holodeck Doctor were common themes of three of the series which would not work in the action movies.

My biggest fear in this new timeline is that nothing seems to have consequences and there are no limits. Vulcan was destroyed and now they are developing New Vulcan, as if an entire planet can be easily repopulated. If they have questions, future-Spock has the answers. There no real need for Starships as it is possible for Khan to transport himself from Earth to Kronos. If there are battles to be fought, the Entreprise is bigger than the one in the Roddenberry universe. If that isn’t enough, even bigger Starships can be built. Distance is not an issue in space as it takes no time to travel back from Kronsos to Earth, and Kirk has no difficulty communicating with Scotty from light years away. Kirk dies and is quickly brought back to life with blood from Khan, and there is a tremendous supply remaining with Khan and the others who are frozen. Theoretically there is  no limit to a cure synthesized from Khan’s blood. The television shows certainly took liberties with what is scientifically possible, and would show abilities in some episodes which were forgotten when they might have been used again, but not as flagrantly as this movie.

If they were not content with a series of action scenes they might have placed some limits to keep this and future stories more plausible. Perhaps the curative powers of the blood are not present immediately upon awakening from suspended animation, which would also explain why Khan needed to be captured as opposed to awakening another. We could also imagine the Federation, which has always had lots of restrictions (primarily to promote drama and limit easy solutions), banning the awakening of Khan and the others. Unfortunately such explanations would results in breaks in the action which would not be consistent with the all-action type of movie being produced, but which made the television shows far better.

Alex Kurtzman and Bob Orci discussed the various Easter eggs placed in Star Trek Into Darkness in this interview.

Bob: The biggest addition was Benedict Cumberbatch. He was so compelling on the set that the other actors brought extra energy and extra attention to their roles. He was a force of nature. In terms of his character, we wanted to make sure that the audience did not need any previous knowledge to understand him. So the big debate was: should he or shouldn’t he be Khan?

Alex: We agreed he can be Khan as long as the audience doesn’t have to know that back story. Our challenge was to define a story that doesn’t rely on previous knowledge, or love of Khan or “Star Trek 2.” We thought if we can do that, then we can think of using that great character Khan.

Bob: Once we had that standalone story, we wondered: are there details from Khan’s history that fit? We returned to our Easter eggs at the back of the fridge: there were those seventy-two torpedoes that happened to house his crew. If we can use the details of Khan’s back story given our structure to make the movie more specific and more relevant, then that works.

Alex: We couldn’t use Khan just as a gimmick, as an excuse to get fans into the theaters. Once we developed the story, suddenly the details of Khan’s life became an even better way to tell it. Only when we decided that Khan really does fit here – and the fans know that Khan is to the series what The Joker is to “Batman” – that’s when we decided we earned it.

Bob: And that’s when we went for it. Khan is the ultimate Easter egg.

I saw them more as dropping a few lines to tie the movie into Star Trek’s past without really trying to do what made Star Trek great. Khan is hardly to the series what The Joker is to Batman. Khan appeared in exactly one episode of the original series and one movie. Plus each of these did a far better job of presenting Khan as a person with motives.

Cumberbatch Shower

While Star Trek fans might be concerned about the types of issues I raised, the media has paid more attention to controversy over the scene with Alice Eve in her underwear which I posted last week. In interviews, Alice Eve didn’t seem terribly concerned. After all, as Seth MacFarlane would put it, we saw her boobs in movies such as Crossing Over (pictures not safe for work). Putting aside the arguments of sexism, tamer scenes such as in Star Trek Into Darkness have been common throughout the history of Star Trek from Kirk’s conquests in the original show, Seven of Nine’s “Borg enhancements” on Voyager, and those scenes of T’Pol in the Decon Chamber on Enterprise. Hoshi Sato also had difficulty keeping her clothes intact on Enterprise. Scenes of sexual exploitation aren’t all one-sided. Kirk was seen with his shirt off and  J.J. Abrams showed a cut  scene had been filmed with Benedict Cumberbatch in the shower while on Conan.

Steven Moffat shows far more attention to plotting than in the new version of Star Trek. He will show little things in many episodes of Doctor Who which don’t become important to a later date. Unfortunately he also leaves some questions unanswered. Some of these questions actually do have answers but wind up on the cutting room floor. One of many questions from The Name of the Doctor is how Clarence came about the information which saved his life and directed his friends towards Trenazlore. This is explained in the deleted scene above.

Hannibal Family Dinner

I had previously called The Americans the best new show of the season, but must revise that view after watching the first several episodes of Hannibal. Here are seven reasons you should be watching.  Bryan Fuller was interviewed about the show he created based upon novels by Thomas Harris:

I want to ask about the level of gore and violence on Hannibal. Let’s start at the beginning when you first starting thinking about the show. How did you figure out its tone?

Bryan Fuller: What was always interesting about Thomas Harris’ books is they were a wonderful hybridization of a crime thriller and a horror movie. So I felt like we had to be true to that. Because Silence of the Lambs and Manhunter and Red Dragon have a certain pedigree of crime horror/thriller, in order to be true to that genre, we had to have a certain amount of graphic content to honor the source material, and also honor the expectations of the audience who are approaching the material realizing this is a horror icon. If we didn’t have certain ingredients for that dish, then it really wouldn’t be that dish.

What did you think were the keys there?

BF: Well, what was always fascinating with the villains of Thomas Harris’ books is they have this purple, operatic quality to them. They were also strikingly visual and cinematic. I think it was always our goal to honor the source material, because as a fan of the Thomas Harris books — I read Red Dragon in high school — I wanted to make sure that the loyalist in me and the loyalists out there were being delivered what they were being promised in calling the show Hannibal.

Fuller was later asked about network restrictions:

In terms of how you decided how to show the dead bodies in the pilot, was NBC fine with it? Did it get edited at all?

BF: The only restrictions were mostly nudity. Then other things would be a matter of frames and trimming: a concise method of delivering the imagery that didn’t rely on overt gore. There were times that were like, “OK, you can see the intestines, and you can see the abdominal wound, but you can’t see the intestines coming out of the abdominal wound.” Which, to me, felt perfectly reasonable! There were never any huge battles about gore. The conversations that we had were very much about, “These few frames here tip it, so can you remove those shots?” Or “Can you limit that shot?” They let us go a good distance at having striking visual imagery that wasn’t exploitive porn violence but actually had a great psychological impact to them.

Other than for the absence of nudity, Hannibal does feel much more like a cable show than a network television show. It does follow the pattern used successfully by many other shows in both having a continuing storyline and having each episode deal with a monster/crime of the week. Fuller begins with characters from Thomas Harris’s book  Red Dragon, making significant changes in some of the characters for the television series.  Besides Hannibal, the other major figure is Will Graham, who has the ability to see crimes from the killer’s point of view. So far they have used this to provide information to propel episodes without giving away too much to make investigation unnecessary.

Fuller has planned stories taking place over seven thirteen-episode seasons, taking Hannibal from a psychiatrist who is helping solve murders (while commuting some of his own) to the incarcerated mad genius of Silence of the Lambs. It is questionable if the show can last for seven years on network television, and Fuller’s track record is not very good in terms of getting his series renewed.  The show is receiving excellent reviews from the critics but not spectacular ratings. If NBC decides not to renew the show, both cable channels and Amazon have expressed interest in continuing it. Amazon has already purchased exclusive rights to reshow first season episodes. They might find it beneficial to add new episodes to those of the first season, as Netflix is doing with Arrested Development.

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Netflix just released fifteen new episodes of Arrested Development. It has been seven years since the third season ended (with many of us watching a little more recently on DVD, and others even more recently on Netflix). Den of Geek brings us up to date on the story lines. Popwatch recommended five episodes to rewatch to prepare for the new episodes.  Watch With Kristen tells us a little bit about what we will be seeing. More interviews here and here.

Game of Thrones producer Frank Doelger is also looking at a seven year series:

Speaking backstage at the Baftas – where Game of Thrones was also nominated in the International category – Doelger said: “[The number of series] is being discussed as we speak. The third season was the first half of book three, season four will be the second part of book three. George RR Martin has written books four and five; six and seven are pending.

“I would hope that, if we all survive, and if the audience stays with us we’ll probably get through to seven seasons.”

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The second episode of season three of Sherlock. The Sign of Three, has completed filming:

Filming has completed today on the second block of Sherlock filming – largely comprising Sherlock S3E2: The Sign of Three – after four weeks of work which began on Monday April 22 2013. The second episode of the third series is written by Stephen Thompson and directed by Colm McCarthy.

Filming of The Sign of Three has taken place in cities in England and Wales familiar to the Sherlock production team, including an extensive period of work in Bristol at the beginning of the schedule. London also once again paid host to the series towards the end of the shoot, while filming itself wrapped on stage in Cardiff just before 20:00BST this evening.

Additional material for S3E1: The Empty Hearse was also shot during the latter stages of this second block of filming, under the direction of Jeremy Lovering.

Production on Sherlock Series Three will now take a scheduled break, to allow cast and crew to fulfil other long planned obligations.

Cast and crew are due to fully reconvene in late July 2013 for filming on the third episode of the series, written by Steven Moffat.

I included the full text of the post primarily to give the feeling of how much time and effort goes into each episode of Sherlock, as compared to an American network television series. I stopped watching CBS’s Fake Sherlock series early in the season, feeling that Elementary, as they call it, was simply an average network crime of the week series which applied the names of Holmes and Watson. After reading that Natalie Dormer would be playing Irene Adler and the final episodes would include Moriarty I decided to watch the last few episodes of the season. The back story, for those who have not been watching, is that Sherlock Holmes fell in love with Irene Adler, who was apparently captured and killed by Moriarty. Sherlock got hooked on drugs. He received treatment, moved to New York where he was quickly trusted by the NYPD, and a female version of Watson became his caregiver. Over the course of the season it appears that Watson moved on to become a detective as opposed to caregiver, and Moriarty was behind some of the criminals they apprehended.

The final episodes of the season dealt with Moriarty having Sherlock work on a case, with information to be provided in return. This led to Sherlock finding Irene Adler alive, and their story was told in flashbacks. There were more twists involving Moriarty but I will not spoil those in case others decide to watch these now that most network shows have concluded. The twist would not be acceptable if this was a more definitive retelling of the Sherlock Holmes stories in modern times, as with the BBC version, but for a series which is only loosely based upon Sherlock Holmes this provided an interesting new story. Needless to say, the quality was what we would expect from most network television shows (not up to that of Hannibal) and far below that of Sherlock.

Daleks Trespassing

This sign should keep trespassers out.

Great Gatsby

And finally, in honor of the release of a new movie adaptation of The Great Gatsby, E! has recipes for ten top roaring ’20s cocktails.

SciFi Weekend: Doctor Who; Merlin; Iron Man 3; Avengers; SHIELD; True Blood; Gillian Anderson; Person of Interest; The Americans; Firefly

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The Crimson Horror is perhaps the sweetest episode of Doctor Who ever, and starts out without the Doctor. The episode provides a vehicle for two sets of characters: 1) Jenny, Vastra & Strax and 2) characters played by Diana Rigg and her real-life daughter Rachael Stirling. This is the first time that the mother-daughter combination have ever worked together. Bringing back Jenny, Vastra, and Strax also helps with the continuity of the season. Jenny even had a scene which reminded me of Diana Rigg’s old  character Emma Peal from The Avengers, combining the two sets. Victorian England episodes tend to have the most realistic look of episodes taking place in different places or times. Undoubtedly appropriate sets and costumes are easiest to obtain.

The Doctor, and even later Clara, don’t become involved until later, but their absence in the early portions of the episode is handled well. There was a far better payoff to find that the Doctor was the monster when we did not see what happened to him until later. We were brought up to date by a sepia-toned sequence which gives the information viewers need without taking  time to provide excess detail.  Going through the earlier aspects of the Doctor’s involvement in a condensed manner was also helpful because Mark Gatiss had so much going on this episode that he already had to wrap it up too quickly. This would have worked better as a Sherlock-length story.

Being Doctor Who, there are invariably some things which seem unbelievable even if we believe in the Time Lords and the rest of the mythology surrounding the Doctor. It is hard to believe that a rocket of this type could have been built back in that era. The kid, Thomas, who sounded like my phone’s GPS raising further questions. I suspect this one might be cleared up in the season finale when we return to the Doctor’s friends. (As I also went to see Iron Man 3 Saturday night after watching Doctor Who, it was a big night for kids getting into the action.)

The reference to past Doctors was more subtle this week. When the Doctor wound up in Yorkshire instead of London he mentioned his past difficulties in making it to the right place, including problems getting an  Australian to Heathrow, referring to the fifth Doctor and Tegan. I suspect that I missed the meaning of some of the references to Yorkshire versus London which would mean more to those living in the U.K.

When Clara returned home, the kids she cares for had found old pictures of her, demonstrating her travels in time. It is highly unlikely for either these pictures to exist and for the kids to realize they are of Clara (as opposed to someone who might look like her) but this was probably done for two reasons. First Clara was surprised by seeing a picture of her from London where this Clara has not been. Secondly this was probably done to lead into next week’s episode, Nightmare in Silver, which includes the kids. I wouldn’t be all that upset if the kids wind up being assimilated by the Cybermen (who have been looking increasingly like the Borg). Nightmare in Silver will reportedly also include stock footage of William Hartnell and Jon Pertwee.

Quote of the episode: “I’m the Doctor, you’re nuts, and I’m going to stop you.”

The Behind the Scenes video is above

Jenny, Vastra & Strax will be returning in the season finale, The Name Of The Doctor. The episode will also include River Song, post-library. Here’s the official synopsis:

“Every journey taken by a time-traveller tears a wound in the fabric of reality, and the Doctor has time-travelled more than anyone. But the trail runs cold in Trenzalore, the one place in all of time and space that he should never go. The most dangerous place in the universe…

This quote from the episode was also released:

“The path I carved through time and space, from Gallifrey to Trenzalore. My own personal time tunnel, leading back to every moment I ever lived. Every step, every tear, every kiss. Even the days I haven’t lived yet. Which is why I shouldn’t be here. The paradoxes… very bad…”

Trenzalore has been linked with the fall of the eleventh and thought to mean the time when the eleventh Doctor regenerates. If we are to see the fall of the eleventh it must mean something different. Moffat says someone will die in the episode. As they are only seen occasionally, they could easily kill off one of the three Victorian detectives. As this is a p0st-library River, she can also die. Considering that the Doctor and River meet in a mixed up order, this wouldn’t prevent the Doctor from running into River in the future, at an earlier point in her time line.

David Tennant will be the only former Doctor on the 50th Anniversary episode but there will be an  homage to the very first episode of the series, An Unearthly Child.

The Guardian has an interview with Steven Moffat here.

One of the more implausible scenes in The Angels Take Manhattan was having the Statue of Liberty, as a Weeping Angel, travel across Manhattan. Among the many problems raised by this scene is the question of how the Statue of Liberty could make it very far since Angels freeze if anyone is watching. Most fans probably just let this pass as a good scene regardless of whether plausible. Steven Moffat has now provided an explanation (but I’m not sure this is any more plausible):

“The Angels can do so many things. They can bend time, climb inside your mind, hide in pictures, steal your voice, mess with your perception, leak stone from your eye… New York in 1938 was a nest of Angels and the people barely more than farm animals. The abattoir of the lonely assassins!

“In those terrible days, in that conquered city, you saw and understood only what the Angels allowed, so Liberty could move and  hunt as it wished, in the blink of an eye, unseen by the lowly creatures upon which it preyed. Also, it tiptoed.”

I’ll go with “it tiptoed.”

It has been ages since I finished watching Merlin by downloading episodes, but they have just resumed broadcasting the final episodes in the United States. While much of the final season was weaker than earlier seasons, the final few episodes did provide an excellent finale for the series. There has been talk of a movie version of MerlinColin Morgan is moving on to other projects and isn’t interested in playing Merlin again.

As Iron Man 3 breaks box office records, there is lots of attention on the future of the Marvel movie universe. There are conflicting reports as to whether there will be an Iron Man 4. I don’t think I am spoiling anything by saying that Iron Man 3 could easily serve as a conclusion of a trilogy, or the lead in for the probable future movies.   Robert Downey, Jr. has even left open the possibility of appearing in Agents of S.H.I.E.L.D. and will most likely return to The Avengers 2. The next Avengers movie reportedly will add Quicksilver and Scarlet Witch. These reports must be taken cautiously as there is the possibility of characters winding up on the cutting room floor at this stage.

http://www.youtube.com/watch?feature=player_embedded&v=tGgt_jllHcA

Above is the trailer for True Blood Season 6 which returns on June 16. Humans are fighting back, which provides for a change from previous seasons. I hope that this, plus a new show runner, solves some of the problems plaguing recent seasons.

Gillian Anderson of The X-Files is appearing in a five part thriller for the BBC 2 entitled The Fall. A review can be found here.

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I’ve been undecided as to whether to consider Person of Interest true science fiction or a mystery series with a science fiction element. The two-part season finale, which we are in the middle of, moves the series much further towards science fiction as the machine takes on a more active role beyond spitting out the numbers. Plus there’s the return of Amy Acker.

The Americans ended the season well. I’m glad they avoided a true cliff hanger. As we can assume Elizabeth will recover from her injuries, the finale leads us back pretty close to how the series began. Besides the danger of being exposed by their FBI agent neighbor, their daughter Paige is becoming suspicious. After having viewers root for having Claudia reassigned, I bet most changed their mind during the finale. Margo Martindale has been cast in a comedy pilot so the episode leaves open the options of her leaving or Philip and Elizabeth plausibly requesting that the decision be reversed. Show runners Joel Fields and Joe Weisberg discussed the finale with Salon.

With Netflix bringing back Arrested Development, there has been hope that they might bring back some genre shows such as Firefly which didn’t survive more conventional television runs.   Netflix chief content officer, Ted Sarandos, gave this reason for not remaking Firefly:

“Let me give you one broad statement about these recovery shows. In almost every case the cult around the show gets more intense and smaller as time goes by. Arrested Development was the rarest of birds in that the audience of the show grew larger than the original broadcast audience because people came to discover it years after it was canceled. The Firefly fan is still the Firefly fan from when it was on TV and there’s fewer of them and they’re more passionate every year. Whereas with Arrested Development we’re going to be serving a multiple of the original audience. Any of the other shows we could bring back would be a fraction of the original audience.”A

Arrested Development probably would have more viewers than Firefly, but I don’t buy his explanation. I think that many others interested in this are more like me. I didn’t watch Firefly when it was on, but did buy the CD’s due to all the buzz after it was off the air.  I’m not super-passionate about the show, but I did enjoy it and if Firefly came back I would watch. I bet many other people have become fans after the initial run ended, providing for a larger audience in a remake than was present when on the air. Besides, Joss Whedon is now one of the hottest (perhaps the hottest) names in entertainment right now. I don’t think anything with his name attached should be ignored.

Other possibilities I’d suggest would be The Sarah Connor Chronicles, which ended at a point which begs for a conclusion, and Jericho which has some similarities to Revolution but did it much better.

SciFi Weekend: Sherlock Returns In the US; Doctor Who News; Merlin to be Darker; The Avengers; Awake; Fringe; Gratuitous Sex on Game of Thrones; Jericho; Lost; Friday Night Lights;

With Doctor Who now filming and the second season of Sherlock premiering in the United States tonight, there has been a lot of news about both shows. For those who have not seen it, Steven Moffat’s version of Sherlock is fantastic, regardless of whether you are a fan of the original Sherlock Holmes stories. It is definitely worth watching for the next three weeks on Masterpiece Mystery on PBS.  I think that the second season was even better than the first. While all three episodes were excellent, like the first season the first and third episodes are the most significant.

Steven Moffat was interviewed in the United States by Fresh Air prior to the start of the second season of Sherlock on PBS. The interview was primarily directed towards American audiences who are not familiar with Sherlock and Doctor Who. Several of the questions involved casting, and one item of interest was that Matt Smith had interviews for the role of Watson before being chosen to play the Doctor. Moffat also had this to say about casting Matt Smith:

Everything else about a show, other than casting — however great or admirable or excellent it is — can only sort of really be admired. People don’t really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it. What people fall in love with, oddly enough, is other people. The difference between a beautifully made failure and a beautifully made hit is who you’ve got playing the leads. It really, seriously is. Is a nation going to fall in love with those people and want to see them week after week? And making that decision is tough. But it’s easier if you’ve got a great casting director. … In the case of Matt Smith as The Doctor, I’d be very, very adamant that we have an older Doctor — that he’d be in his 40s. I wasn’t going to have any young Doctors on my watch. And on the very, very first day — the very, very first day — he was the third one through the door. His audition was so perfect, any fool would have cast him. It was dead easy. And I remember asking, ‘What age is he?’ And he was 26 and instantly the perfect Doctor because he does do that thing of combining the old man and a young man. He looks like a young man assembled by old men from memory.”

On the importance of Watson:

“If you look at any good version of Sherlock Holmes, Dr. Watson is every bit as important as Sherlock Holmes, and some would argue more so, because he’s our conduit to Sherlock Holmes. He’s the person to whom, in a way, the story happens. We are more emotionally resonant with Dr. Watson than with Sherlock Holmes because Sherlock Holmes is a hard man to empathize with.”

In contrast, the show is largely from Sherlock’s perspective:

“We always wanted it to be stylish. We didn’t want it to be like other television. We wanted it to have a film sense. Everybody says that about their TV show. Everyone says that. But then my wife got a hold of [director] Paul McGuigan, and he’s the one who brought the tremendous beauty to it. One of the things he said was, ‘You want to think Sherlock Holmes is behind the camera, too.’ You want to see the world as Sherlock Holmes sees it. And that informs his work on an awful lot of the show, to give you the Sherlock’s eye view of the world all the time.”

Moffat had this to say about his childhood:

“I’m a geek. I’m a writer. I spent all of my time in my childhood obsessing about Sherlock Holmes and Doctor Who. I was alone, I was an outsider — what do you expect? I was that bullied kid at the back of the class weeping for loneliness. I don’t think, generally speaking, people become writers because they were the really good, really cool, attractive kid in class. I’ll be honest. This is our revenge for people who were much better looking and more popular than us. I was a bit like that, I suppose.”

Even though Benedict Cumberbatch and Martin Freeman are becoming big stars, Moffat is confident that they will return for future series of Sherlock. The three episode a year formula gives them plenty of time for other projects and, just to be safe, Moffat has their families locked up in his basement. Cumberbatch, now filming on Star Trek, does not share Moffat’s objection to Elementary:

“As we already know with the Downey Jr movie franchise that there’s room enough for two [Sherlock Holmes projects], so why not three?” the actor said at a Q&A session in New York to promote Sherlock series two airing on PBS.

Cumberbatch added that he considers Trainspotting star Miller – with whom he starred in the play Frankenstein at the National Theatre – a “friend”.

“[Elementary will] be different and I don’t think it’ll take away the love for ours, and there’s no reason to be churlish or bitter about them or what they’re trying to do,” he said.

It appears that River (aka Melody Pond) will pose as a gangster named Melody Malone. More pictures (and spoilers) from the upcoming season can be seen here.Doctor Who TV also gathered items of interest from an interview with Steven Moffat in Doctor Who Magazine:

  • Rory and Amy are no longer regular travelers with the Doctor: “If he thinks he needs them, he just pops in on them,” but, “Each time they’ll get a little older.”
  • Moffat on killing off companions: “Even if I don’t think I’ll do it…maybe I will do it!”
  • Moffat ponders, “If we did a UNIT story, would Martha be there?”
  • The Special Weapons Dalek will definitely appear in the opener
  • Moffat reiterates that the New Paradigm Daleks are an “officer class”
  • Can the question “Doctor Who?” be answered? “Wait and see”
  • We will find out exactly what Trenzalore is all about
  • “The Fall of the Eleventh” will also be resolved (perhaps not in Series 7 though)
  • Moffat is very keen that the order of the episodes can be swapped around this time
  • There will still be a story arc, but it will be “the opposite” of Series 6
  • Even though he said no more two-parters, they are still possible if the story requires them
  • Jenna-Louise’s companion will be different to the others and is “going to be a shock”
  • Filming will continue throughout the rest of 2012 and further into 2013 and beyond

Bond director Sam Mendes compared the James Bond franchise to Doctor Who in this interview:

The first time I saw the movie, I was like, “You’ve got to be joking! You can’t do that to the poor man!” But it was too…they were playing almost embarrassment, almost apologized for having a new Bond and I thought that was wrong, and I thought what they got right was Casino Royale. There was a kind of “We don’t need Q, we don’t need Moneypenny. We’ve got this character. We’re going right back to basics. He’s real, he’s in a real situation. Let’s start all over again.”  I thought that was very refreshing.

That’s why I mentioned the word in the press conference, “regeneration” rather than “evolving,” because I feel it is like, you know, we have Doctor Who…there’s a geek answer…we have Doctor Who and I was brought up on the idea of Doctor Who, who at the end of his final episode, he dissolves and a new actor pops up and he regenerates and it’s a whole other character: sometimes it’s an old man, sometimes it’s a young man, but he just changes.  I’ve always loved that idea.

Julian Murphy says that Season 5 of Merlin will be darker. Time will have passed showing the established court of Arthur, and there will be an older Mordred.

Combine Marvel characters and Joss Whedon and we had a formula where The Avengers really did live up to all the hype. An interview with Joss Whedon is above. The movie sets up conditions for further movies centered around Iron Man, Captain America and Thor.  Mark Ruffalo did a much better job of playing Bruce Banner than Edward Norton did , and now there are reports that further Hulk movies might be made, possibly along with a movie centered around Scarlett Johansson as the Black Widow. As has been the case with the previous Marvel movies, it is important to stay in the theater during the credits for an extra scene. In this case there are two extra scenes. One during the credits is probably significant in terms of a future threat for Thor and/or The Avengers. The second, at the very end of the credits, is not important but was still fun to watch.

As many watch movies long after the initial release date I tend to avoid saying much about the plot of movies in posts here. Those wanting to avoid even a minor spoiler might want to skip the end of this paragraph. In movies of this type it is necessary to accept a lot which is unrealistic, but I was bothered a little with the inconsistency in the portrayal of the Hulk. The first time Banner became the Hulk he was more destructive and showed less understanding of his situation as compared to his final appearance in the second Hulk movie. Then, when he became the Hulk for a second time, he acted with complete understanding of working as part of the Avengers team.

As usual with Awake, the personal events involving Britten in this week’s episode, Slack Water, were more interesting than the criminal cases. Once again the possible clues as to whether the two different worlds for Britten are both real are also contradictory. In some episodes there is real information obtained in one world which is helpful to solve a crime in the other. Other episodes were more like this week, were the house which is the scene of the crime in one reality was the name of a video game played by a murder victim in another, leading to Britten finding out information which helped solve the crime. Having the house be real in one reality but a video game in the other suggests that only one, or perhaps neither, reality experienced by Britten is real and his mind (or some other source) is supplying this information.

The more important story line came out of the revelation last week that Rex’s girl friend Emma was pregnant, with Emma having a miscarriage in the world where Rex survived the auto crash and continuing to carry Rex’s child in the world where Rex was killed. It was rather obvious that Emma did not agree with the decision of her parents to have a closed adoption, even if only Hannah recognized this during most of the episode. A theme of the show has been for Michael Britten to replace his loses in both realities. Where Hannah died, he keeps the older partner and has a female psychiatrist. In the reality where Rex was killed, Michael has a young male psychiatrist and is given a new, younger male partner.  (I did find it strange that the older former partner was not seen at Michael’s going away party in the other reality where Michael was given new partner.) Now things have worked out in the reality where Rex died that Michael not only has the prospect of adopting Rex’s child, but events have also worked out that they have a new teen-aged child in the home.

One implication of this is that Britten is no longer planning to move to Oregon and the person responsible for the earlier attempt on his life is now likely to act again. The back story was further developed as we learned that this involves a heroin shipment, and we learned that the police Captain  had been a narcotics cop in the past, providing some explanation as to how she might have become involved.

The previews for next week’s episode suggest that we might learn more about Britten’s situation. For at least part of the episode he ceases to go into the Rex universe. Could this mean that over there he is dead (unlikely), unconsciousness, or perhaps because he has to solve the mystery of his attempted murder in the other universe in order to protect himself in the other before returning. A voice over in the preview has Britten saying,  “There was no accident. They were trying to kill me.” Unfortunately Britten is off screen, so we cannot tell if he is wearing the typical white shirt of the Hannah universe or blue shirt of the Rex universe and we cannot be certain if the murder attempt, so far only mentioned in the Rex universe, is now becoming a factor in the Hannah universe.

While there has been suspicion that Leonard Nimoy was going to return to play William Bell on Fringe, they still managed to keep Nimoy’s actual appearance on this week’s episode of Fringe a secret. As an example of the misdirection used, in an interview shortly before the last episode aired, Jeff  Pinkner had this to say about the possibility of Nimoy returning: “We basically erected a sign outside of Leonard’s house which said, “Please come back to Fringe,” and we are hoping that by season five he says yes.” In the interview Pinkner also said we will again see the world of 2036 but avoided answering a question as to whether we will see the alternative universe again.

I09 looked at the gratuitous sex and violence on Game of Thrones.

There has been talk this week that Netflix might revive Jericho. It makes sense for Netflix to revive shows which have a strong following (such as with Arrested Development) even if off the air for several years considering they are shows which significant numbers of Netflix subscribers are currently watching. As more companies start to compete with Netflix for streaming older shows, providing new episodes will give subscribers reason to stick with Netflix.

Speaking of streaming providers, there was a major update to the Android versions of HBO Go and Max Go this week so that they finally work with Ice Cream Sandwich.

If Netflix might bring back Jericho, there has been speculation as to other old shows which might return. Damon Lindelof leaves open the idea of more Lost, but is not interested in personally being involved:

Lindelof has no interest in revisiting “Lost” anytime soon.

“It’s been two years (since the series wrapped) and we told the story we wanted to tell,” Lindelof said. But he admits ABC might look for ways to bring back “Lost” in some form. “I do feel like the world has not seen the end of ‘Lost,’ but I’m not going to have any involvement,” he said.

Lindelof isn’t bitter about the idea, however.

“It would be hypocritical for me to say I’m going to do ‘Star Trek’ but I don’t want anyone to touch ‘Lost,’ ” he said.

It is also looking like the plans to bring back Friday Night Lights as a movie are really going forward.

Scifi Weekend: Awake; Doctor Who; Game of Thrones Previews; Mad Men; Terra Nova Cancelled; Sherlock; Emily Blunt On Superhero Movies

The second episode of Awake, The Little Guy, gave more hints as to the direction the show might be moving in. Like last week’s episode, much of the show involved slightly different events in each reality. In one, Hannah (the wife who survived in one reality and died in the other) investigated mail to their dead son and found that Rex had been secretly building a motorcycle with a friend. In the other world, Rex and his friend were still working on the motorcycle without Michael realizing it until Hannah told him about it in the other reality. Hannah of one reality also helped Michael with the information needed to wash Rex’s clothes in the other.

This episode provided clear examples of Michael finding out something in one reality which was pertinent to the other. This could be the case if everything was imaginary in Mikael’s head or if we are dealing with two different realities which split apart at the time of the accident.

There were some key differences between the two worlds. One is in the reaction of the psychiatrist in each to how Michael used information from one to help in the other, including in solving crimes. Dr. Evans was impressed by the manner in which (to her perspective) Michael was using his subconscious to solve problems. In contrast, Dr. Lee saw this as negative, believing the subconscious thoughts were unreliable.

Information from one reality did help Michael solve the murder of fertility specialist Benjamin Mackenzie by a teen (a little guy) who found that Mackenzie impregnated his mother with his own sperm. (Isn’t this always the case when a fertility specialist is seen on a crime show?) . In the other reality (where Dr. Lee questioned the use of the supposedly subconscious information) Mackenzie’s murder was not solved. In this world, Mackenzie had been murdered a month before (by a little guy) but Mackenzie was a homeless drug addict instead of a doctor.

While there are similarities between the two worlds with Mackenzie being murdered in each, it is a major finding that Mackenzie had a different life in each universe which would have begun before the auto accident. This could occur if everything is taking place in Michael Britten’s mind. This could not arise out of a situation where things split into two parallel worlds at the time of the accident as if this was the explanation Mackenzie would be the same in each reality at the time of the accident. Another possibility is that the accident is causing Michael to move back and forth between two parallel universes which were already in existence but where not everything was the same. (Perhaps one even has the twin towers still intact as on Fringe.)

In another major development, Laura Innes, who plays Michael Britton’s superior in the police department, met with another man who was revealed to have been responsible for the car crash which was intended to result in the death of Britton’s entire family. The actual accident was set up by a little man. Beyond revealing that the accident was not really a accident, this answers another question about the show–whether it is possible to have scenes showing events that Britton is unaware of. (This was not the only example, but is by far the most significant to reveal that there is a world beyond Britton’s thoughts). This meeting appears to take place in the Red World where his wife is still alive and the murder of Mackenzie was not solved, but could it possibly be taking place in a different “real world” if the two worlds we see with Michael Britton are both taking place in his mind? The reasons for trying to kill Britton provides another mystery which, while not as interesting as the underlying question of how there are two different realities, is an ongoing mystery which a reasonable story could be written about.

The third episode of the upcoming season of Doctor Who is being filmed in Spain. It is reportedly a western episode in  which a “half-human half-robot Terminator-style beast which patrols a Victorian-era western town”. Ben Browder of Farscape will be appearing and there are also unconfirmed rumors that Sophia Myles (also rumored to replace Karen Gillan) appears. (Myles previously appeared in The Girl In The Fireplace, an episode written by Steven Moffat.)

The episode was written by Being Human creator Toby Whithouse and directed by Saul Metzstein of  Upstairs Downstairs. There is also another connection between Doctor Who and Upstairs Downstairs. Alex Kingston, in addition to being in the second season of Upstairs Downstairs, plays an archeologist. Seeing “River Song” in pre-World War II England is certainly not implausible.

Two new trailers have been released for The Game of Thrones (videos above).

Mad Men

A long time has passed since we last saw Mad Men. The cast helps us catch up in the above video.

Terra Nova has been officially cancelled by Fox but there are reports that Netflix might be interested in continuing the show. Until Netflix develops a following for original programming, I think it does make sense to try to take advantage of the existing audience of shows which had reasonable ratings but didn’t survive on network television, as it is doing with Arrested Development. While I (and many others) have become accustomed to watching original programing on HBO, Showtime, AMC, and now even Starz, I would be far less likely to click on an original show on Netflix unless I heard a lot of favorable buzz. I think that I, and many other potential viewers, would be far more likely to watch a show we were already in the habit of watching before picked up by Netflix.

If Netflix really is interested, they better act quickly while the cast is still available. Christine Adams has already received a role in a pilot for ABC entitled Americana.

I hope that the announcement of the cancellation of Terra Nova means that this increases the chances that there will be a spot on next year’s schedule for Fringe and Alcatraz. There are reports that Fox might give Fringe a shortened season next year to wrap up the series as a short season would extend the series to at least one-hundred episodes, which is preferred for syndication.

http://www.youtube.com/watch?feature=player_embedded&v=2N90ezHF-GI

The above video envisions the Benedict Cumberbatch version of Sherlock to the theme of Batman: The Brave and the Bold.

Emily Blunt, who appeared last year in The Adjustment Bureau, passed up on some other genre roles in superhero movies. She was asked about this in an interview in New York Magazine:

At one point, you were up for parts in Iron Man 2 and Captain America, but you passed. Would you ever want to do a superhero movie?
Usually the female parts in a superhero film feel thankless: She’s the pill girlfriend while the guys are whizzing around saving the world. I didn’t do the other ones because the part wasn’t very good or the timing wasn’t right, but I’m open to any kind of genre if the part is great and fun and different and a challenge in some way. I would love to do a comic-book movie or a science-fiction film that would scare the bejesus out of me. Maybe I need to be James Bond! I just did Looper, because it’s so original and breathtakingly cool. The time-travel aspect is just a backdrop to visit this heightened world, where you’re atoning for something and attempting to be more than you’ve been.

Carlton Cuse, show runner from Lost, is joining The Bate’s Motel, a prequel to the Alfred Hitchcock movie Psycho being prepared by A&E.

Stephen Hawking will be appearing on the April 5 episode of The Big Bang Theory. Will Sheldon try to tell Hawking about the physics errors he has made? Community returns this week!!!

SciFi Weekend: Trailer For The Doctor Who Christmas Special; Lost Episodes; Doctor Who And Other Movies; Downton Abbey; Arrested Development; 24; Community; Trek Nation; Catwoman at OWS

A trailer has been released for this year’s Doctor Who Christmas Special--The Doctor, The Widow And The Wardrobe. The title gives away the story which this year’s special is inspired by.

http://www.youtube.com/watch?feature=player_embedded&v=uVnSD1M3-CA

The trailer was presented during the skit above at Children In Need.

Wired has a story on Richard Molesworth’s search for lost episodes of Doctor Who.

There have been rumors of making another Doctor Who movie for quite a while, and there was a report from Variety which has obtained considerable attention this week:

“Harry Potter” director David Yates is teaming up with the BBC to turn its iconic sci-fi TV series “Doctor Who” into a bigscreen franchise.

Yates, who directed the last four Potter films, told Daily Variety that he is about to start work on developing a “Doctor Who” movie with Jane Tranter, head of L.A.-based BBC Worldwide Prods.

“We’re looking at writers now. We’re going to spend two to three years to get it right,” he said. “It needs quite a radical transformation to take it into the bigger arena.”

Unlike some of the earlier rumors, this story involves a new take on the character:

Yates made clear that his movie adaptation would not follow on from the current TV series, but would take a completely fresh approach to the material.

“Russell T. Davies and then Steven Moffat have done their own transformations, which were fantastic, but we have to put that aside and start from scratch,” he said.

Yates and Tranter are looking for writers on both sides of the Atlantic.

“We want a British sensibility, but having said that, Steve Kloves wrote the Potter films and captured that British sensibility perfectly, so we are looking at American writers too,” he explained.

The validity of this is unclear, including a denial from the BBC. The prospect of such a movie has some Doctor Who fans worried. Despite these concerns, I imagine that viewers could keep straight the fact that there are two different Doctor Who stories, keeping the television show and movie series separate. I don’t see much of a point in a single stand-alone Doctor Who movie which is not connected to the television series.  It would be a different matter if this results in both a successful television and movie series, but it will be harder to succeed as a movie. As was clear with Star Trek, a movie might have bigger production values, and bigger stories, but with a continuing television series it is often all the small stories presented over time which are more important. Without writers connect to the show, it may or may not manage to capture what makes Doctor Who great. StevenMoffat expressed his skepticism with this sarcastic tweet: “Announcing my personal moonshot, starting from scratch. No money, no plan, no help from NASA. But I know where the moon is – I’ve seen it.”

Moffatt has also commented on the move of Doctor Who to the fall:

“Very soon now, Doctor Who is going to enter production for the longest sustained period we’ve ever attempted, and the biggest and best and maddest time ever to be a fan of this wonderful old show is rumbling towards us. And yes, you got me. We needed a little more time to prepare for everything we’ve got planned. That, above all, is why we needed this tiny gap. Just be a tiny bit patient, and trust me, we’ll make it up to you.”

There are some other movies of interest which look like they are going to be made. This includes Arrested Development, but the bigger news is that prior to the movie there will be additional episodes of the show which will be available over Netflix in 2013. Exclusive streaming of new episodes of Arrested Development could bring back some of the subscribers who abandoned Netflix after their price hike for combined streaming and DVD rentals. It also looks like they really are going ahead with the movie version of 24.

Downton Abbey won’t be released at the movie theaters, but the Christmas special will be feature-length. The first photo from the special has been released (above). The special will bring the show into 1920, with a third season having been announced with eight additional episodes taking place over the next eighteen months. Personally I wish ITV and the BBC could get together for a combined special. If the Doctor is already going back to World War II for the Christmas special, why not go back another generation and have the TARDIS wind up at Downton? I think  Lady Mary would make an excellent companion if Amy Pond isn’t around. Downton Abbey already has ties to fantasy and to Doctor Who. Maggie Smith, who plays the Dowager Countess, has also played Professor McGonagall in the Harry Potter movies. Hugh Bonneville has appeared in two episodes of Doctor Who, The Curse of the Black Spot and A Good Man Goes to War, as the pirate Captain Avery.

NBC is making changes to its line up in January. 30 Rock returns but Community goes on hiatus with return date not set. Why not just dump some junk such as Whitney and keep Community on the schedule? If there is no Community, that means no Inspector Spacetime.

Showtime has announced that Dexter has been renewed for two additional seasons:

“The series is bigger than it’s ever been in its sixth season, both in terms of audience and its impact on the cultural landscape,” said Showtime topper David Nevins. “Together with Michael, the creative team on the show has a very clear sense of where they intend to take the show over the next two seasons and, as a huge fan, I’m excited to watch the story of Dexter Morgan play out.”

I wonder if this means they are working towards a conclusion of the series over the next two seasons.

Trek Nation will premier on the Science Channel on November 30 (trailer above).

The documentary “Trek Nation” explores “Star Trek” creator Gene Roddenberry’s vision and its impact on viewers’ lives through the eyes of his son Eugene “Rod” Roddenberry, Jr. When the legendary Gene Roddenberry passed away almost 20 years ago, his son was only 17 years old. Now director Scott Colthorp takes us along as he follows Rod on a very personal quest: through startling and revelatory conversations with actors, fans, NASA personnel, politicians and celebrities, Rod seeks to finally understand the man he barely knew: his father.

Catwoman turned out at an Occupy Wall Street Rally. The presence of wealthy actress Anne Hathaway wound up freaking out many right wing bloggers who have no understanding (and I doubt have the mental capacity to understand) what Occupy Wall Street is actually all about. (Hint: it is not about opposition to having wealth or making money. Many in the top one-percent realize the dangers of an economic system rigged to help only them which is acting to destroy the middle class in this country).

SciFi Weekend: Torchwood: Miracle Day Episode 2; Ricky Gervais In A TARDIS, Dexter Trailer, Friday Night Lights Movie Proposed, Kinky Sex From The Girls of Community

Torchwood: Miracle Day Episode 2, Rendition, continued where the first episode ended. Major spoilers for UK readers who won’t receive the episode on the BBC until Thursday. (I wonder how many really wait as opposed to downloading. Despite talk of different scenes in each version, the first episode was the same on both Starz and the BBC. The only difference is that the BBC had a longer trailer for upcoming episodes.)

While the first episode had bigger movie-type action scenes, possibly using up more than its share of the show’s budget, this episode had more  of the feeling of a television show such as 24 (although not limited to twenty-four hours). The episode established that the same group which was after Torchwood, and presumably behind the “miracle,” has infiltrated the CIA. They handled the attempted poisoning of Jack by Dichen Lachman from Dollhouse very well, requiring some ingenuity to come up with an antidote. This helped make up for some of the other junk science introduced in the episode.  I’ll let them get away with this because, face it, the show would not be possible if they stuck to established science.

The episode also introduced Jilly Kitzenger, played by Lauren Ambrose of Six Feet Under.  So far it looks like Oswald Danes is doing fine on his own without her help. I did not find it realistic that one appearance on television would have been so effective in changing public opinion of him.

Best scene of the episode was seeing Gwen Cooper explain that, “I’m Welch.”  (Included in the extended trailer above). Rex Matheson also did well, after warned about the conspiracy by Esther Drummond, using some bullshit to distract the rogue CIA agents in order to set Jack and Gwen free. The episode made it clear how the four will turn into the new Torchwood (at least for this season) while being on the run.

The first episode raised the question of how they investigate intangible such as nobody dying, which is like investigating nothing. I would assume that the conspiracy involving the CIA would provide something to begin investigating. In  order to investigate “nothing,” they might check out a character who previously appeared in a show about “nothing.” The conspiracy at the CIA is led by Wayne Night, who played Newman on Seinfeld

Following is the synopsis released for Episode 3:

Torchwood goes on the run – and finds a new enemy. But as they launch a raid on PhiCorp headquarters, Jack must confront the mysterious Oswald Danes.

Episode three includes guest stars Wayne Knight (Jurassic Park, Seinfeld), Dillon Casey (The Vampire Diaries) and Richard Gilliland (Desperate Housewives).

Will Ricky Gervais be the next Doctor, or just steal a Tardis. Check out this report.

A new trailer for Season Six of Dexter. The next season is going to skip ahead so that Dexter can be past the death of Rita and Lumen moving away, allowing him to get back to being Dexter.

Friday Night Lights concluded its series, but now there is talk (and tweets) of filming a movie. Sometimes that works (Firefly/Serenity) and other times such movies have failed to materialize (Arrested Development and Veronica Mars).  The idea is to continue from where the series left off. This would work well with Kyle Chandler and Connie Britton, and it would be easy to work in some other characters, but unless the movie shows the Taylors moving back to Dillon, it would be hard for it to be a direct continuation of the series.

Last  season  Thursday night featured two genre comedies up against each other. Alison Brie and Gillian Jacobs of Community got kinky for Esquire in the video above.  What will Kaley Cuoco and Melissa Raunch of Big Bang Theory do to match this? For more on the sex life of Alison Brie (of both Community and Mad Men) check out this essay she wrote.