SciFi Weekend: True Blood Spoilers; Doctor Who; Batman; Star Trek; Continuum; Under The Dome; Agents of SHIELD; The Newsroom

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The sixth season of True Blood, while not without faults, was the best season in several years.  The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again.  Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.

There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal  nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.

If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:

Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner:
It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.

If vampires and humans are now working together, where does the tension come from?
Buckner:
I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.

Can you talk about the threat of the mutated Hep-V?
Buckner:
That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.

Have vampires essentially overrun the world at this point?
Buckner:
It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.

Presumably that means Season 7 picks up right where we left off?
Buckner:
That’s a fair presumption.

Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner:
In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!

Pretty sure he broke the internet after going full-frontal.
Buckner:
It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”

People thought it might be a body double.
Buckner:
Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.

Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner:
Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.

The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:

TVLINE | How do you explain the fact that some of those infected  — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.

TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.

I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.

In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.

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This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling

WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show?
MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].

WS: Was it ever intimidating, being responsible for such an iconic television franchise?
MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.

WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre?
MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.

WS: Why did you want to put Sherlock Holmes in a modern-day setting?
MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.

Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.

Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.

Some quicker questions for Moffat:

Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.

There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.

Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:

“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”

I will be looking forward to watching this in another 50 years.

Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil.  Twitter responses to the choice here and here.

Last week we looked at a few of the Star Trek technological advancements which are now a reality. There is a $10,000 prize for developing a Tricorder.

The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.

The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.

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Who will be the monarch on Under the Dome? From SpoilerTV:

So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”

The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.

Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.

New trailer for Agents of SHIELD above.

Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.

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All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:

“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they’re] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night” team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.

“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”

Related television and political comments yesterday on realistic versus unrealistic aspects of House of Cards, The West Wing, and Orange is the New Black.

SciFi Weekend: Star Wars; Batman; Battlestar Galactica; Who Killed JR?; Mad Men and Other Returning Shows; S.H.I.E.L.D.; Doctor Who Meets Inspector Spacetime

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The big science fiction news of the week is that J.J. Abrams will be directing the next Star Wars movie. I think it is a good idea for J.J. Abrams to direct the Star Wars movie. His tendency to destroy entire planets (Romulus, Vulcan) fits in better with Star Wars and Death Star than Star Trek.

There are reports that they might wait until 2017 to reboot Batman. There is also speculation that the cast of Justice League of America, scheduled for a 2015 release, will be cut down to five, leaving out Batman until he is rebooted in his own movie. Other rumors say that plans continue to reintroduce Batman in Justice League but possibly leave out Aquaman. Incidentally, if anyone is interested in getting the Michael Keaton Batman movies on Blu-Ray, I found they were much less expensive when purchased as part of a Michael Keaton Collection (recently discounted even further on Amazon) than as stand-alone Batman movies.

Battlestar Galactica: Blood and Chrome was turned into a web series after SyFy decided against picking it up as a weekly series. They will be televising this as a movie on February 10.

Dallas returns tomorrow night, starting with the final episodes filmed before the death of Larry Hagman. Considering all the publicity the show obtained in its original run with the mystery of Who Shot JR?, it only makes sense that JR Ewing will leave the series by being murdered as opposed to dying of natural causes. They should be able to keep this mystery, and other references to JR Ewing, part of the show for quite a long time.

Colin Morgan won the award for Best Drama Performance at the National Television Awards for his portrayal of Merlin.

Doctor Who returns on March 30 with Game of Thrones returning the following night.

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Mad Men returns on April 7 with a two hour season premier. More pictures like above here. The upcoming season will include more of Betty Draper but January Jones will not be returning as Emma Frost to X-Men Days of Futures Past . Elisabeth Moss was surprised her character left Sterling Cooper Draper Pryce last season and cannot say what Peggy will be doing in the upcoming season.

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While January Jones won’t be returning to X-Men, Anna Paquin (Rogue), Ellen Page (Kitty Pride) will be returning in these roles.

I was initially concerned that Person of Interest would be about independent stories every week, but over time an increasingly convoluted back story has developed. If you are having as much trouble as I am keeping track of everything, the chart here will either help or confuse matters further.

Filming is starting on S.H.I.E.L.D. Cobie Smulders will be reprising her role as Maria Hill despite continuing on How I Met Your Mother for another season.

Downton Abbey is casting for a new suitor for a character in Season 4. If you saw Season 3, or heard how it end, you will know who. If you do not know, don’t follow this link.

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After nine years the documentary crew is being introduced into the cast of The Office. Will they have a plausible explanation as to why they have been covering this office for nine years?

Emma Stone Nearly Naked.

Doctor Who meets Inspector Spacetime:

Doctor Who Meets Inspector Spacetime

 

 

SciFi Weekend: A Split Season for Doctor Who; Implications of Rita’s Death; Merlin Promo; Jessica Alba in Spy Kids

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In recent  years Doctor Who has concluded with big stories which are wrapped up in two episodes, but they have not concluded with big cliff hangers due to the long wait for the show to return. Steven Moffat had decided to change the schedule to have seven episodes with a big cliff hanger and then return three months later for the second half of the season:

“The split series is hugely exciting because viewers will be treated to two premieres, two finales and more event episodes. For the kids it will never be more than a few months to the next Doctor Who! Easter, Autumn, Christmas!!”

The BBC press office describe the split transmission as the result of a request from Steven Moffat to write a new Doctor Who story arc which involves a big plot twist in the middle of the series. “By splitting the series Moffat plans to give viewers one of the most exciting Doctor Who cliffhangers and plot twists ever, leaving them waiting, on the edge of their seats, until the autumn to find out what happens.”

The Guardian has a video of Moffat discussing this change. In another video Steven Moffat and Karen Gillan responded to accusations that the last season of Doctor Who was too sexy.

In other Doctor Who news, the first official picture from the Christmas special was released, but it doesn’t reveal any information.  Matt Smith was interviewed about an upcoming tour and other topics.  Sylvester McCoy is trying for a role in The Hobbit.

Above is the promo for Season 3 of Merlin.

The cast of Dexter talks about Rita’s death in this post at Buddy TV.  If you want to search for clues as to what happens next, Screen Rant has several pictures from the upcoming season.

Jessica Alba

Jessica Alba has been signed to star in Spy Kids 4.

The new movie centers on Alba as a retired spy who has been reactivated. The actress, mother of a toddler in real life, will be playing the mother of a baby and two preteen stepchildren.

The actors cast in the preteen roles will be the new Spy Kids.

Other roles seeking to be filled include Alba’s husband, a slightly nerdy investigative reporter, and the villain, known as the Time Keeper, whose goal it is to stop time.

I imagine this will be another unrealistic movie. A nerdy investigative reporter married to Jessica Alba? Not likely. I wonder if any of the movie takes place on MILF Island.

More actresses who have appeared in genre shows will appear in Scream 4 including Kristen Bell (Veronica Mars & Heroes), Anna Paquin (True Blood), and Hayden Panettiere (Heroes).

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Christina Hendricks of Mad Men appears in an ad campaign for London Fog (above). I bet Don Draper would approve. In response to the Japanese businessmen in last week’s episode, I won’t even try to explain what keeps her from falling over.

SciFi Weekend: Torchwood New World Synopsis; True Blood Gets Really Bloody (and Paquin & Moyer Wed); New Season Promos; And Sarah Palin Is No Lisbeth Salander

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Starz has released additional information is out on Torchwood: New World. Here is a synopsis and character descriptions:

Synopsis

When C.I.A. agent Rex Matheson investigates a global conspiracy, he finds himself unearthing a threat which challenges the entire human race.

The answers seem to lie within an old, secret British institute, known only as Torchwood. But Torchwood was destroyed, years ago, and the keys to the institute are held by its only two survivors – former Police Officer Gwen Cooper, who has long since disappeared along with her husband and child, and the mysterious Captain Jack Harkness, a man whose history seems to stretch back centuries.

With Rex under attack from all sides, in both the US and the UK, he soon discovers there are forces at work within every level of society, determined to stop Torchwood’s return. As a chain of events across the world links together the most disparate and unlikely individuals – including a surgeon, a killer, senators and CEOs – a new Torchwood team takes shape. But this time, the threat is much closer to home, as they realize that their greatest enemy is mankind itself…

CHARACTER DESCRIPTIONS

CAPTAIN JACK HARKNESS (John Barrowman)

  • Jack looks like a hero. But he’s so much more than that…
  • He’s American, handsome, with a killer smile and a classic coat. But you don’t expect heroes to be this much fun. He’s witty, fast, subversive and there’s a reason for that glint in his eye – he’ll sleep with women, he’ll sleep with men; if aliens invade, he’ll sleep with them too. Got a problem with that? Tough!
  • His dashing style hides a secret. There are mysteries about Jack – a man going under his name seems to have a history stretching back to World War 2, or even earlier, to the Nineteenth century, the Eighteenth…Truth is, Jack Harkness is immortal. A fixed point in time and space. The only one of his kind. For thousands of years, he has never been able to die. When killed, he comes back to life – seconds later. Though his tragedy is, he feels every death. It hurts – and so does the passage of time. He can never love anyone for too long, because he will always lose them. As a result, he’s lived many lives. He’s been a conman, a thief, an adventurer – though more a rogue than a villain, because his perspective on human life makes him appreciate this world all the more.
  • Jack once ran the Torchwood Institute, a British organization dedicated to fighting the strange and bizarre. He was king of his own little world for a while, the happiest he’d ever been. But Torchwood fell. His friends were killed. The Institute closed down, and Jack disappeared, to start yet another of his many new lives. And yet…
  • The only thing that could call Jack Harkness back is his unstated love for Gwen Cooper. And when a new, epic danger affects the whole planet, Jack finds himself back at the center of events, fighting not just for his own life, but for everyone on Earth. But this time, are the stakes too high?

GWEN COOPER (Eve Myles)

  • All Gwen wants is a quiet life. Honest.
  • She’sWelsh, lives in seclusion, far away from the city, on a cliff top in the wilds of South Wales with her devoted husband, and baby Anwen – it’s a rural idyll.
  • And it’s a lie. Gwen is in hiding, because she once lived the most extraordinary life. She was the heart and soul of an organization called Torchwood, a freelance band of fighters who fought the strange and unexplained. She was a defender of the human race.
  • But no more. Torchwood was destroyed. Her colleagues died, or fled. And Gwen hid herself away, for the rest of her life, to protect her loved ones. But knowing, just knowing, that one day trouble would come calling again.
  • She lives the ultimate double life: the funny, salty, earthy woman who loves home and family, combined with the tough, ruthless warrior, who loves the thrill of the fight. She’s both selfish and selfless. And never doubt it – when Gwen’s in a crisis, she is magnificent. Gun in both hands, baby strapped to her chest, she’ll run and fight and never give up.
  • It’s passion, in the end: Gwen’s all about passion. She loves her man, she loves her child, she loves this mad old world, and maybe she loves Captain Jack Harkness just a little too much. But when the events of this story push Gwen to the limit, she’ll need to call on resources she never knew she had, to take action and make the most terrible decisions, on behalf of all mankind.

REX MATHESON (Actor TBD)

  • He’s 28, the golden boy. Has been, all his life. Harvard education, fast-tracker in the C.I.A., destined for success. Though he’s never taken it easy – Rex hustles, seduces and campaigns to get where he is today. He can talk his way into anything, then charm his way out, fast.
    He’s made a lot of enemies, but his friends and lovers would defend him to death.
  • His choice of career is significant. Someone like Rex could make a fortune in Wall Street, or Hollywood. But choosing the C.I.A. says a lot about him: that for all his swagger, he does believe in justice. And will fight for it.
  • Slowly but surely, we see him make friends. He’s thrown together a bunch of people known as Torchwood, the only people who might have the answer to a global mystery. To Rex, at first, they’re a bunch of freaks. Welsh women and World War 2 Captains, what’s that about?! But as they race from one crisis to another, dodging assassins, blackmail, corruption and conspiracy, from Washington to Wales and the slums of Shanghai, Rex forges friendships in the heat of fire. He learns to trust his new colleagues. And they realize that this dangerous, dazzling, reckless man is the best friend they could ever have, in a world going to hell.
  • They frighten us, men like Rex. We wish we were him; we never will be.

True Blood Anna Paquin Bloody Nude Rolling Stone Cover

True Blood began last week with bloody vampire sex, possibly inspiring the upcoming Rolling Stone cover above,  and had what might be the best ending so far for an individual episode. All that stuff about vampire politics which so far wasn’t very interesting when thrown into previous episodes suddenly has some real meaning. While things got really messed up after Bill’s proposal to Sookie at the end of last season, in real life stars Anna Paquin and Stephen Moyer got married Saturday night.

IO9 has a guide to the upcoming television season with several trailers. Above is a trailer for No Ordinary Family with cast including Julie Benz.

Besides the many promos at the above link, there’s also a new trailer available for the upcoming season of Dexter (above).

Sarah Pallin No Lisbeth Salandar

Adam Bessie argues at Truthout that Lisbeth Salander (Girl With The Dragon Tatoo) is the real maverick, and Sarah Palin is no Lisbeth Salander. We might also be seeing far more of the actress who played her on screen. Noomie Rapace who played Lisbeth in the movie version from Denmark, is breaking into Hollywood.

SciFi Weekend: Doctor Who, Torchwood Returns; True Blood Returns With More Vampire Sex

There’s just a quickie edition of Scifi Weekend this week while I’m out of town. American viewers of Doctor Who saw the first of a two part story in which the Doctor met some beings from down under. The BBC had the doctor try to fit in among normal people, including a game of soccer. This was far more fun than the World Cup.

Next week (BBC): The Pandorica opens.

The big news of the week was reported in a separate post: Torchwood to return with a bigger budget as a joint venture between the BBC and Starz.

True Blood returns, meaning more hot vampire sex. Anna Paquin discussed her nude scenes with Entertainment Weekly:

Anna Paquin (who plays Sookie Stackhouse) is certainly used to getting naked on the show, but says the graphic love scenes are the least of her concerns. It doesn’t really bother me, she admits. “I’m really close with all of our cast, and we’ve all seen each other in various compromising and odd situations.” The actress is, of course, particularly close with fiance Stephen Moyer (who plays Sookie’s vampire lover Bill), and Moyer says their real-life romance definitely adds to their love scenes. Jokes the actor, “I think that one great bonus is we don’t need a fluffer.”

SciFi Weekend: Flashforward; V; Returning Shows and Shows in Trouble; Sookie’s Future; The Plan

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FlashForward didn’t continued to advance the mythology of the series with Dominic Monaghan becoming a series regular. While there are many gaps to fill in, we find that he knows Lloyd Simcoe and the nature of their relationship is hinted at when Lloyd says to Simon (Monaghan): “Our experiment killed 20 million people, Simon.”

Lloyd’s involvement with Olivia and her family took a major move forward as his autistic son, unable to separate future memories from the flash forward with past memories, remembers that Olivia’s home is his home too, and shows up there. It now is pretty clear that Charlie’s flash forward took place in the house where she saw both Simcoe and his son. She also saw something that makes her believe that “D. Gibbons is a bad man.” If she picked this up from Lloyd Simcoe during her flash forward it is not even certain if this is an accurate fact.

The meeting in their house, along with Oliva’s knowlege that Mark is drinking in his flash forward, exacerbated the conflict between the two and might be moving them towards the situation in their visions of the future.

In other developments, Janis survives so we don’t yet have a definite case of a vision not coming true. The blue hands of Mark’s board make an appearance. There was even another sighting of the kangaroo.

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The remake of V starts this week and reviews are coming out. Variety writes:

At least initially, the real breakout here is Baccarin, who might be TV’s coolest alien since the invention of the Vulcan nerve pinch. The idea, moreover, that extraterrestrials would come wrapped in an attractive package and shrewdly manipulate the media feels especially eerie given the state of our media today (though there is one unfortunately clunky line of dialogue about “universal health care”).

For the most part, though, writer Scott Peters and company — updating Kenneth Johnson’s original — have assembled an appealing and diverse cast that highlights the “We’re all in this together” aspect of dealing with such a fantastic threat. And the idea of being unsure who to trust deftly taps into the same vein of malevolent foes and “sleeper cells” hiding in plain sight that “Battlestar Galactica” mined.

The best science fiction always has something to say about the present, and the show does that without skimping on the soapy or dramatic elements. Whether the serialized storytelling can be sustained is potentially another matter (witness the growing pains experienced by ABC’s “FlashForward”), but at least in terms of the acrobatics that go into a polished launch, “V” sticks the landing.

The Hollywood Reporter writes:

This latest update, with a teleplay by Scott Peters, preserves the original framework but shifts the atmosphere to accommodate contemporary concerns. Based on the pilot, the militaristic notes will be more subdued. Instead, there will be more of a post-Sept. 11 emphasis on questions of trust and terror.

“V” is short for Visitors, which is what the aliens call themselves. They announce their presence while simultaneously hovering in huge unassailable spaceships above 29 of Earth’s major cities, including New York, where the series is set.

Alien leader Anna (Morena Baccarin), the very picture of sweetness and innocence, promises to share advanced technology and live in peace. Many Earthlings are eager to believe her, including young adults who sign up for the Peace Ambassador program (analogous to Hitler Youth).

But there are skeptics. These include FBI agent Erica Evans (Elizabeth Mitchell), whose son joins the Ambassador program, and Father Jack (Joel Gretsch). Complicating things is the wave of Visitors who came to Earth years earlier and are working incognito. At the same time, though, other secret Visitors have become disillusioned and join the resistance.

Somewhere in between is news anchor Chad Decker (Scott Wolf). In exchange for exclusive interviews with Anna, he makes an uncomfortable bargain to ask only softball questions.

It could be complicated, but Peters’ tightly written teleplay makes it easy to follow. In addition, the pilot raises provocative issues without getting didactic. That, combined with mythology less dense than, say, ABC’s “Lost,” should make this an attractive viewing option.

Kenneth Johnson, creator of the original series, sees the remake as a way to profit from his own movie version of the show.

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A couple of shows are coming back in December. Scrubs returns December 1 with hopes of  phasing into a new cast, which is generally risky for an established show. Better off Ted returns on December 8. In a move guaranteed to promote file sharing sites, The Waters of Mars, the next Doctor Who special, will air on the BBC on November 15. It will not air on BBC America until December 19. The two part final episode with David Tennant will probably air on the BBC on Christmas Day and sometime around New Year’s Day. Those wanting to see more of David Tennant can also see him on The Wedding of Sarah Jane Smith.

A couple more genre shows appear to be in trouble. I’ve already expressed skepticism whether Dollhouse will be picked up beyond thirteen episodes. Now NBC is telling the producers of Heroes to think about wrapping up the series. It might actually be better for the show to have an end point to work towards. Heroes would have been remembered far more fondly if the first season was produced as the complete series. The current season has been mixed. I am looking forwards to tomorrow night’s episode to see if Hiro can save Charlie, but it is not a good sign when they have to rely upon revisiting past events to keep the show interesting.

Fringe is also on the bubble according to TV Guide.

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Alan Ball was interviewed about upcoming plans for True Blood:

Bon Temps is going to be very crowded for True Blood’s third season, what with all the new vampires walking around. Executive producer Alan Ball, and several of True Blood’s writers and producers, sat down with fans of the show Wednesday at the Paley Center for Media to discuss the new residents of Bon Temps, Bill and Sookie’s future and a naked Alexander Skårsgard.

So where does the action pick up at the beginning of Season 3? “I believe [Eric] appears without most of his clothes in the very first episode,” jokes Ball. (But seriously, he says, fans of Eric’s amnesia story line from the books will have to wait until Season 4.)

“Sookie [Anna Paquin] is going to go off in search of Bill [Stephen Moyer], and she will find him,” Ball tells TVGuide.com. But Sookie is in search of much more than just Bill. “There will be more conjecture about what she is and she will be more driven to discover what she is,” said Ball. “She will get closer to the answer.”

Will her brother Jason (Ryan Kwanten) help her? Not likely, as Ball explains that he doesn’t share his sister’s magical gifts. “It’s a DNA thing, it’s a genetic thing and skips some people and gets in some others,” he says. “Jason has vestiges of it, in that he’s such a fantastic athlete and he’s a perfect shot, but he’s still human, whereas Sookie is definitely a half-human, half-something else that we’re waiting to reveal.”

Good news for Bill fans: He won’t be going away for an extended period of time, as he does in Charlaine Harris’ Sookie Stackhouse novels. Ball reports that the TV series won’t be telling the same story. “Stephen Moyer will not be marginalized. Bill and Sookie may go through some rough patches that last maybe a little longer than Team Bill fans might like, but Bill and Sookie have a connection that will never die.”

So what about Bill’s big secret, that he only went to Bon Temps and became close to Sookie on the orders of Queen Sophie-Anne? Will that ever be revealed? Ball says yes. “I can’t say when it will be discovered, but it definitely will be,” he says. “We are definitely aware of that as we’re breaking the stories, and have been from the beginning of the show.”

Ball says that marital bliss is not in the cards for Sookie and Bill. “There is somebody who wants a wedding, but it’s not who you think it is,” teases Ball. “I don’t think you’ll see that wedding actually happen.”

What you will see is another human-vampire romance, when Tara meets the still-to-be-cast Franklin Mott. Their relationship will be unlike any other on the show. “I don’t even think they’re in the same ballpark,” producer Raelle Tucker tells us. “He’s more dangerous than any of those other [vampires]. She’s definitely playing with something that’s a lot more deadly.”

And Mott won’t be alone. “You’ll find a range of vampires,” supervising producer Alexander Woo says. “The vampire world really opens up. You’ll see that there’s as much of a variety and diversity among vampires as there is among human beings. There’s going to be extremely cruel and extremely kind. I think you’ll see there isn’t one archetype; there is a panorama.”

We don’t know how long Sookie’s adventures will continue on HBO but they might come to an end in the novels. while promoting a current book of short stories, Charlaine Harris has said that her Sookie Stackhouse series might come to and end after three additional novels. This would make for a total of a dozen books.

Dexter Rita

I’ve already reported that Julie Benz, who play’s Dexter’s television wife, has warned about a shocking end for the season. Jennifer Carpenter, Michael C. Hall’s wife in real life (and sister on the show) has more:

Dexter fans should stop crying over the shocking October 18 death of Frank Lundy (Keith Carradine) and brace themselves for something far worse. “Everything changes at the end of this season,” Jennifer Carpenter (Deb) said at the 2009 Scream Awards. “Dexter will never be the same.”

The actress told me the Showtime series was so protective of its top-secret December 13 season finale that she had to sneak on set to witness the gruesome climax of John Lithgow’s bloody reign of terror as the Trinity Killer. “I was so curious that I showed up at 1:30 in the morning to see what they were shooting, so I know!” says Jennifer (who probably could have wrangled the secret out of her real-life husband and Dexter star, Michael C. Hall). “Let’s just say maybe all of our trailers won’t be there next year.”

The obvious speculation is over whether Rita, who does get in Dexter’s way this season, will be John Lithgow’s final victim this season.

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Edward James Olmos was interviewed by Io9 and about The Plan and discussed other questions which might be addressed in future Battlestar Galactica movies:

Simple questions, like what happened to the [final] five during this period of time? Where were they coming from 2,000 years ago? How could they be around for 2,000 years, and yet the understanding of Caprica is that the robotic trend on Caprica was started 57 years ago? How did that work? That question comes into play, and I would love to see how they answered it. That, to me, would be explosively unbelievable. I would love to have that question answered. I would also love to know what is going to happen to the people on the Earth. What is going to happen to Adama and all the different people? What happened to the Raptor that got them to the point of finding their dream space? That, to me, is just two simple ones I can think of off the top of my head…. To me, there’s still a lot of beautiful story that’s waiting to be unleashed in this world.

Olmos expressed displeasure about the degree to which The Plan was downloaded once it leaked out on line during the week before its release on DVD:

People don’t understand that if they want to see this universe again, they have to participate by voting, by casting their dollars. If they don’t cast their dollars, they won’t see any more of these.

That is understandable, but I also think that sales would be much better, regardless of whether copies were downloaded, if the product was better.  Many of those hard core fans who couldn’t wait to see the show would still purchase copies if this was a better product. Instead, many of us who viewed the episode early, both from downloads and early purchases, have been advising that there is really no need to get a copy now as opposed to waiting until it airs on television. I reviewed The Plan here. Unless they can do a better job, I would prefer to remember Battlestar Galactica for what has been done as opposed to having more second rate DVD and television movies.

SciFi Weekend: Dollhouse and FlashForward Picked Up For Season; Deaths on Heroes and True Blood; Trician Helfer, Grace Park, and Ashley Green

dollhouse

One frustrating thing about getting involved in a show on network television is that genre shows often do not do well in the ratings leading to early cancellation.  There was news this week about two shows which will at very least remain around for the season. Dollhouse, which almost was canceled after its first season, will have at least thirteen episodes aired this season. Any decision as to whether to renew the show or purchase more than thirteen episodes this year will not be made until after the first thirteen air.

Reached by phone, Joss Whedon (who has a terrible-sounding cold — feel better!) said he’s writing the 13th hour to give fans a degree of closure.

“We’ll definitely have closure, but will leave some doors open,” said Whedon, who’s currently shooting the eighth episode. “When we got our first numbers, which were bad, the first thing [Fox president of entertainment] Kevin Reilly said was, ‘You’ll have all 13,’ which was great. They’re not going to pull the rug out from under us.”

Beckman said DVR results have played a role in the show’s fate, though wasn’t surprised by today’s results.

“It’s one of the reasons that we brought it back; we knew it was DVR friendly,” Beckman said. “We expected to see this, and hopefully we’ll see [the overnight ratings] increase from week to week … with some shows, you have to look at the bigger picture.”

Beckman also humorously characterized deciding the show’s fate as a bit of no-win situation when it comes to dealing with Whedon’s passionate fans.

“If you cancel it, you’re an asshole; if you renew it and then don’t put it back on, you’re an asshole,” he said. “I’m still paying for ‘Terminator.’ ‘Dollhouse’ has a small rabid fan base that in the world of social media seems bigger than it is. We gave them another season knowing full well we were going to burn in hell if we pulled it.”

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Things are looking even better for FlashForward with ABC deciding pick up the series for the full season.

TV Guide interviewed Sonya Walger, who has roles on both Lost and FlashForward. She doesn’t have clue as to when or if she will be in the final episode of Lost. She had this comment on her role on Flashforward:

TVGuide.com: We haven’t seen all of Olivia’s flash-forward. What can you tease about what we haven’t seen?
Walger:
In the flash-forward, the bit that you have seen is that Lloyd [Jack Davenport] gets up from the bed and gets a text message from someone. The person he gets a text message from is very, very unexpected.

TVGuide.com: Can Mark and Olivia’s marriage survive this flash-forward?
Walger:
Who knows? I think it’s completely fascinating that just the ghost of this might be what undoes their marriage, or it might be what strengthens them and keeps them together. It might be the tension of it alone [that] drives Mark to drink. It’s such an interesting idea that just the threat of something might be what leads you towards it. It may well be that they get to a breaking point and then say, ‘No, this isn’t happening to us. We’re going to make this work.’

TVGuide.com: Do you have any personal belief in fate?
Walger:
I don’t really. The word fate doesn’t really mean much to me in some ways. I think we make our own. Minute by minute you decide who you are and who you’re likely to be. You make the choices hour by hour, just in the present. I don’t believe there’s some roadmap laid out that we’re headed towards.

TVGuide.com: Give us a nice tease for what’s coming up for Olivia.
Walger:
She’s going to be forced quite soon to deal with whether or not you can change the future. She keeps being reminded — evidence keeps being presented all around her — that you can’t change it. Every time she thinks she’s seen the last of Lloyd and that she’s managed to avoid it, he keeps coming back.

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Watch With Kristin reports that there will be a major death on Heroes. It will involve a male who was part of the original cast, and may or may not be one of the four in the picture above.

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True Blood has been picked up for a third season:

While the rollercoaster relationship of Sookie Stackhouse (Anna Paquin) and Bill Compton (Stephen Moyer) remains front and center, Ball revealed that several supporting characters will be sharing even more of the spotlight. “Definitely Eric has broken out and is a big important character now. Jessica and Hoyt are still trying to deal with everything that happened to them, and Arlene and Terry are going to have a little bit more of a life and more of a presence on the show.”

There’s also room for guest stars, like Evan Rachel Wood’s vampire queen of Louisiana. “She’ll be back,” promised Ball. “Maybe Zeljko Ivanek, who played the Magister in Season 1 – he might be back. And we do have a lot of fun new characters.”

Sam Trammell, who plays the hapless but heroic bar owner/changeling Sam Merlotte, added that Season 3 is “going to explore my relatives and the sort of sketchy, shapeshifter-y people in my family, and that’s going to be more torture for Sam. I’m sure they’re not going to be good people.” But will Sam’s still-burning torch for Sookie also be a source of torment? “Well, I hope he still has a shot with Sookie, but who knows? Probably not.”

Alan Ball has also told TV Guide that at least one character will die next season, which is hardly surprising considering the nature of the show.

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Tricia Helfer and Grace park are on the cover of Maxim prior to the upcoming release of the Battlestar Galactica movie, The Plan. With the movie being released on DVD prior to its showing on television it will be possible to have more explicit scenes as was done in the DVD release of Caprica. Rumor has it that the main nude scenes involve extras in a shower scene. Tricia Helfer will also be appearing in an upcoming episode of Two And A Half Men.

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There seems to be a lot of actresses from genre television shows in movies in magazines this month in addition to the above. For example, Ashley Green of Twilight has a photo shoot in Men’s Fitness.

SciFi Weekend: Hot Vampire Sex; SciFi on 30 Rock and Other Shows; Dr. Who Interview; Summer Glau on Dollhouse

The second season of True Blood is approaching its finale. Help is needed to defeat Maryann and they turn to the Vampire Queen of Louisiana. Reportedly this means more hot vampire sex–in this case between Queen Sophie and Sookie’s cousin, Hadley Hale (Lindsey Haun). Ausiello has additional spoilers about the season finale.


True Blood has been a success due to excellent writing, interesting characters, a compelling plot, and a lot of nude scenes with Anna Paquin. She discussed this in an interview with Nylon:

Anna Paquin, on her Nude Scenes:
“I don’t think a naked body is particularly shocking or interesting… It’s not the culture I was raised in.  I was not brought up in the United States.  I don’t share the [attitude] that you can have graphic violence, but – God forbid – you see someone’s nipples.”

On Going Blonde for Sookie:
“I don’t look like a Barbie doll, and probably never will.  People are incredibly literal in how they view you.  You have dark hair and pale skin?  You must be brooding.  The second you dye your hair blonde and get a spray tan, people treat you as if you’re a bit stupider and happier.  Suddenly, it’s like you’re hot and sexy.”

On TV Acting:
“It never occurred to me that one form of acting was better than another.  I think if you approach your career like that you’re limiting yourself to a very boring path.  For me, it’s about the material.”

Epilogue:  Stephen Moyer, on Vampire Sex:
“The thing about vampirism is that it taps into a female point of view – you have an old-fashioned gentleman with manners who is a fucking killer… it’s an interesting duality, because in our present society it would be an odd thing for a woman to say, ‘I want my man to be physical with me.’ How, as a modern man, can you fucking work that?  It’s one thing to be polite and gentle… But when do you know it’s OK to crawl out of the mud and rape her [as Bill does in one scene]?… It’s difficult stuff for a bloke, but a vampire gets away with it…. I think that’s the attraction of the show – it’s looking back at a romantic time when men were men, but they were still charming.”


Liz Lemon doesn’t do any nude scenes on 30 Rock, but she has frequently brought science fiction into the show. Io9 has put together a clip with the scifi scenes from the show. The post also includes scifi clips from other television shows including Veronica Mars, The Big Bang Theory, The Office and How I Met Your Mother.

IO9 Has also put out their list of The Top 100 Science Fiction/Fantasy Shows of All Time. The original Star Trek tops the list. Doctor Who is runner up.

BoingBoing interviewed David Tennant and Russel T. Davies following the filming of their last episode of Doctor Who together–video above.

Stills are being released from the second season of Dollhouse, with an example above. As expected, now that Summer Glau is available, she will have a recurring role in the show, along with a couple of actors from Battlestar Galactica. From the press release:

Summer Glau (“Firefly,” “Terminator: The Sarah Connor Chronicles”) reunites with Joss Whedon when the actress joins the cast of DOLLHOUSE this fall in a recurring role as BENNETT, a Dollhouse employee who shares a past with ECHO (Eliza Dushku). The second season of DOLLHOUSE premieres Friday, Sept. 25 (9:00-10:00 PM ET/PT) on FOX.

Additional guest stars appearing throughout the upcoming second season include Alexis Denisof (“Angel”), Jamie Bamber (“Battlestar Galactica”), Michael Hogan (“Battlestar Galactica”) and Keith Carradine (“Dexter”). DANIEL PERRIN (Denisof) is a U.S. senator leading a witch hunt to track down the underground organization. Mysterious, charismatic businessman MARTIN KLAR (Bamber) is Echo’s new husband. BRADLEY KARRENS (Hogan) comes to the Dollhouse hoping to stop a psychotic family member’s killing spree, while MATTHEW HARDING (Carradine), a nemesis of Dollhouse leader ADELLE DEWITT (Olivia Williams), stirs up trouble. Additionally, DR. CLAIRE SAUNDERS/WHISKEY (Amy Acker) and MADELINE/NOVEMBER (Miracle Laurie) return this season in multiple-episode arcs.

SciFi Weekend: Doctor Who Movie, Return of Sarah Connor, Premiers of Fringe and True Blood

Considering how rare it has been for me to get this out on Fridays since the political campaign has heated up, I’ve retitled this SciFi Weekend in place of SciFi Friday. Still I’ll begin with a story on a show from SciFi Channel’s SciFi Friday line up–Doctor Who.

So far David Tennant is only committed to return as The Doctor for some specials scheduled for next season, being too busy appearing in Hamlet to do a full season. Tennant has desired to continue to perform on the stage and to do movies, leading to fears he will not return for another full season. The BBC is now trying to entice him to return for a full fifth season of Doctor Who in 2010 by also adding a Doctor Who movie to the deal. Russell T. Davies said he would like Catherine Zeta Jones to play The Doctor’s companion in the movie.

Terminator: The Sarah Connor Chronicles returned for a second season last week creating questions as to whether Cameron can be trusted. Changes in Cameron will only be one aspect of the upcoming season. SciFi Wire has an interview with Josh Friedman, the creator and executive producer of the show, which reveals we will see more of the post-apocalyptic future and time travel will be used in again on the show. He discussed how using time travel helps the show:

One, is people can sit around and talk about it. Two, you can see future war stuff, and three, you can bring people back. … Last season, for a lot of people, I think, it really took off when Brian [as Derek Reese] came back. I think that’s, one, due to the fact that Brian was fantastic when he came back. … Two, the character that he’s playing, in terms of being a Reese and that kind of thing. But I also think that what he represents is he’s an embodiment of Judgment Day, of the war. And I think he comes back kind of traumatized in a way that really brings the future to the present in a really visceral way, makes people care about the stakes.

I think you see it on somebody. He’s a war veteran; you see it. So I think that it’s an important part of the show to bring people back sometimes, whether it’s another person or a Terminator. … You have to get used to the fact. It’s not a revolving door, but it definitely … opens more often than people are used to in the movies. But the movie only got to send two people back, and they were rolling around for two hours. I think our per-minute sending people back is actually much lower than the movies.

Two new genre shows premiered last week. In Fringe J.J. Abrams gives us a combination of Lost, The X-Files, and Alias. I wasn’t very impressed by the pilot but I’ve learned to give shows like this a little longer. For whatever it is worth, I stopped watching Alias soon after it started and ignored X-Files. Later I had go back and catch up on them after I found that as they developed there was far more to each than was apparent at the start. (Actually the conclusion of X-Files showed I might have been right about it at the start.) Fringe provides suggestions of lots of unusual things going on and, as with Lost, the success of the show will depend upon how well they create mysteries to keep viewers hooked while providing enough information to keep them satisfied. TV Guide provides some answers to questions viewers might have about the show while Popular Mechanics looks at the science.

Alan Ball, creator of Six Feet Under , has returned to HBO with True Blood and I quickly became more hooked on this one than Fringe. The premise, based upon the novels by Charlaine Harris, is that the Japenese have developed a synthetic blood which satisfies all the nutritional needs of vampires, allowing them to live out in the open. We see a vampire rights advocate being interviewed by Bill Maher and in the second episode there was a magazine cover announcing that Angelina is adopting a vampire baby.

The actual storyline centers around a waitress, Sookie Stackhouse (Anna Paquin) who becomes involved with vampire Bill Compton (Stephen Moyer). Sookie can read minds, which is one reason she is attracted to Bill. Being that she can read minds, she has trouble dating because she quickly realized what every guy around her is thinking (just as you are thinking as you view the picture of her above). She is unable to read Bill’s mind, which is far more peacful than overhearing the thoughts of everyone around her.