SciFi Weekend: Doctor Who; You’re The Worst Renewed; Dallas Cancelled; Twin Peaks May Return; Marvel News; Arrow; Homeland; Community; Another Stephen King Novel To Television; Outlander; Short Skirts And Invented Languages In Genre

Doctor Who Kill The Moon

Kill the Moon could be seen both as one of many totally implausible and scientifically absurd episodes of Doctor Who along with another high concept episode with a major role in the series. Even if we accept that the moon could really be a giant egg, it makes no sense for the development of the space dragon to also lead to giving the moon more gravity. Doctor Who also has a strange cell phone technology on several episodes where cell phones seem to be connected to the time and place of their origin, in this case allowing Courtney to post to her Tumblr account (which has died out by 2049).

If you ignore its absurdity, which Doctor Who fans are accustomed to doing, the show does fill in a gap in the future history of mankind as presented on the show. The present earth of Doctor Who sees aliens as monsters and invaders. The far future has been shown with humans spread throughout space. At the time of this episode, mankind has given up on space exploration and even needed to restore an old museum shuttle to return to the moon. Thanks to Clara ignoring the input from humans at the time, earth was able to see space as a wonder and not threatening, encouraging mankind to start to look outwards.

The episode even answered the question raised during the episode of how the moon could be destroyed when they knew it was present in the  future. Now I’m wondering how the moon remained attached to the earth when the earth was dragged to elsewhere in the universe in The Stolen Earth/Journey’s End.

Dr-Who-Kill-The-Moon-alien1

The episode was originally written for Matt Smith, and must have had major rewrites in order to fit in so well with the story of the current Doctor as played by Peter Capaldi. The decision to go to the moon came about because the Capaldi Doctor couldn’t bring himself to tell Courtney that in some way she is special without actually making this true. The episode ended with Clara rejecting the Doctor, making me wonder if this is part of a planned arc. It certainly fits in with the personality changes in the Doctor since his last regeneration.

This might set up next week’s episode to be one without Clara, or show further advancement in their relationship. The entire lineup of companions is now in question. Danny Pink kept the possibility that Clara isn’t really done with the Doctor alive. Last summer we were teased with the idea of another couple in the TARDIS but Danny has yet to actually travel the the Doctor. Courtney has even beaten Danny in traveling in the TARDIS. If his relationship does not go further, I imagine it is debatable as to whether to consider Danny a (limited) companion. He is certainly involved with a continuing character, he is aware of what the Doctor is, and even did work with the Doctor at defeating an alien (after first messing up his plans) in The Caretaker.

Other continuity issues were touched upon. The doctor claimed he could regenerate forever. Did he really obtain an infinite number of lives, or is the Doctor who could not tell a white lie at the start of the episode now telling a lie? Was he lying when telling Courtney she would be the first woman on the moon? Polly traveled to the moon with the second Doctor in 1966 in Moonbase but it was set in 2070 while Courtney, from 2014, traveled to the moon of 2049. The Doctor could have been lying, could be using a timey wimey technicality, or could have just forgotten. At least he did remember his old catch phrase, “When I say run, run.”

There was not a scene with Missy and any of the astronauts who got killed during this episode.

The Doctor Who Extra video is above.

In other Doctor Who news, filming for the season concluded on October 3 with completion of the Christmas episode.

The best television news of the week is that You’re The Worst has been renewed. It is being moved to FXX and will be expanded to thirteen episodes. Married, which was paired with You’re The Worst, was also renewed and will remain on FX. The renewal and increase in number of episodes of You’re The Worst is no surprise considering the strong critical reaction to the show as people discovered it over the summer. If you haven’t seen it, the show is highly recommended. It would be easy to bing on as with only ten episodes the entire series only around three and a half hours after commercials are cut.

With all the late spring and summer television shows, there are probably several which we haven’t heard news on regarding renewals. In my opinion, the only one which we haven’t received word on yet which really matters is Continuum. Besides wanting to see this for several years to come, they just cannot end the show where it ended. In terms of ending a show with an unexplored change in the final episode, this would be reminiscent to the ending of Terminator: The Sarah Connor Chronicles.

As for shows I don’t care as much about, TNT has canceled their reboot of Dallas. Now we will never find out if Christopher Ewing, who died in the finale, will reappear in Elena’s shower, or if Nicolas is really the father of her baby.

Twin Peaks ended with Special Agent Dale Cooper disappearing for twenty-five years, and now that it is time for him to reappear there are rumors that the show might return. Update:  It was announced Monday that it is coming back as a limited series on Showtime.

mystique-xmen-first-class-jennifer-lawrence

Collider has information on X-Men: Apocalypse which opens in 2016 and concludes the current trilogy. The relationship between Mystique and Beast plays a large role in the movie:

Part of what’s really interesting about Mystique’s character is that she is, in some ways, the child of both Erik and Charles. She grew up with Charles and then she sort of became a woman with Erik, so her being the cross-pollination, if you will, of those two philosophies and those two men is something we can explore in the movie too.

Perhaps Mystique/Jennifer Lawrence will go after whoever  spread the  nude photos of her, without the body paint, around the Internet.

If you are having difficulty keeping track of all the mutants in the X-Men movies, Screen Rant has a guide.

Robert Downey, Jr. has said he will not appear in another Iron Man movie, but now says that Mel Gibson deserves another chance and would do so if Gibson directs it.

Adrianne Palacki, who will be playing Mockingbird on Agents of SHIELD, has said her character might also wind up appearing in a future Avengers movie.

It appears that the Fantastic Four comic might be canceled prior to the release of the upcoming Fantastic Four movie reboot. If true, this comes from the manner in which different Marvel Studios/Disney only have the movie rights to some of the Marvel characters. Other studies have the movie rights to characters including Spider-Man, Daredevil, The Fantastic Four, and X-Men as long as they are using the characters. This is one reason for the lack of cross overs of some of the characters with The Avengers, and also why some dreadful movies have been shoved out in order for other studios to maintain their movie rights.

Arrow returns this week–clip above. With Oliver losing the business it looks like everyone has to get new jobs, but Felicity is still helping him out. More at The  Hollywood Reporter.

Homeland returns tonight. TV Guide has some information on changes in the show now that they finally got away from the Brody storyline.

Yvette Nicole Brown (Shirley) won’t be continuing on Community when it returns on Yahoo! due to having to care for her sick father. She will have recurring roles on th CBS reboot of The Odd Couple and on a new USA Network show, Benched. With Jonathan Banks also leaving the show due to his commitment to Better Call Saul, two new characters will be added: “One is described as a woman who’s brought in as a consultant to help shape up the school. The other is a retired salesman who comes to Greendale to reinvent himself.”

The number of outlets for original programing has sure expanded. Beyond broadcast and cable television, both Netflix and Amazon have put out multiple shows. Yahoo! becomes far more significant with the addition of Community. Now Hulu is planning a miniseries based upon Stephen King’s time travel novel on the Kennedy assassination, 11/22/63. The show will be produced by J.J. Abrams and run for nine hours. This is certainly a far better way to do a book of its length as opposed to a movie adaptation. They have left open the possibility of doing additional seasons beyond the events of the book, which I am wary of after seeing what happened with Under the Dome.

Starz won’t have to worry about running out of material for Outlander if they want to continue the series for several more years. Diana Gabaldon has  signed a multi-million dollar book deal for the ninth book in the series. Thanks to the Starz series, the first Outlander novel from twenty-three years ago has jumped to the top of the bestseller lists.

Zoe Seldana’s short skirt while playing Uhura in the Star Trek movies was not very practical, unless flashing is encouraged in the J.J. Abrams universe. She discussed this problem, and other wardrobe malfunctions.

Wired looked at science fiction worlds and languages, such as the Klingon and Dothraki languages.

Please Share

SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more

Doctor-Who--Into-the-Dalek

Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”

sopranos2

I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

Please Share

SciFi Weekend: Hannibal; Orphan Black; Person of Interest; The Blacklist; Arrow; Agents of SHIELD; The Americans; Revenge; Alison Brie; Emelia Clarke; Porn Stars in Game of Thrones; Billie Piper; Nebula and BAFTA Award Winners

Hannibal Mason Face

The penultimate episode of Hannibal for the season, Tome-wan, wrapped up the current Mason Verger storyline and set the stage for next week’s confrontation between Jack and Hannibal, already shown in the season premiere. The scene in which a drugged Mason Verger was feeding his own face to Will’s dogs was among the more gruesome of the series. The episode also included fantasies of Hannibal being fed to Mason’s pigs.

Last week we learned that Will was working with Jack and was not really a murderer under Hannibal’s spell. This week they walked this back a bit, leaving Jack not entirely clear as to whose side Will was really on. I suspect that Will is still interested in helping take Hannibal down, but is not above keeping things from Jack, and was willing to work with Hannibal to see Mason Verger receive the punishment he felt he deserved after what he did to Margot. I also wonder if questions over Will’s loyalties leads to Jack setting himself up as bait and is the reason the two wind up fighting, as opposed to an organized FBI arrest.

The episode also included the brief return of Dr. Bedelia Du Maurier. Gillian Anderson managed to come in for six hour for filming between plains concluding Crisis and leaving to begin filming on The Fall. As a consequence, it was necessary to only briefly have her tell about her back story in which Hannibal persuaded her to kill a patient (partially in self-defense) as opposed to actually showing this, and it appears she has a much smaller role in the final take down of Hannibal than I previously predicted. While I wish we could see more of her on Hannibal, it was good news that she was finally going to film the second season of The Fall.

Fortunately Hannibal has been renewed for a third season and it won’t be necessary to shop the show around to other networks which might consider it, such as the Food Network.

Bryan Fuller discussed the conclusion of the Mason Verger storyline for this season, and the motivations of the characters involved:

Let’s talk about Mason’s drug trip. How was that conceived?
Fuller: 
It was directed by Michael Rymer, and it was fascinating to sit down and figure out how we were going to film this enhanced state of mind. Michael Pitt’s performance is so infectiously fun. I find it immensely enjoyable and very f—ed up in a thoroughly giddy way. I think the thing that Michael Rymer brought to the scene was a similar infectious sense of fun. He wanted it to be a carnival of sorts. He wanted to light sparklers in the room to create the things your retinas do when you’re under that much chemical oppression. He was the right guy to bring the drug trip to life and has the humor to make sure it is as fun onscreen as it can be.

Mason certainly seemed to be enjoying himself even though he was cutting off his own face!
Fuller:
 [Laughs] Michael Pitt was having the time of his life with this performance. And there’s something between Hannibal and Will in that moment that is very playful, which is perhaps a strange word to use in that context. But there’s a gamesmanship afoot because Hannibal essentially says, “I got him to cut off his face. Your turn.”

However, Will needs Hannibal to commit this murder so they can arrest him, but Hannibal only breaks Mason’s neck. Is Hannibal on to Will or is he keeping Mason alive because of Margot’s financial dilemma?
Fuller:
  Hannibal’s response is all of those things. It’s a gesture toward Margot to give her some control in her life. And also, he doesn’t kill him completely because, as he has said and will say again to Margot, the best therapy for her is to kill her brother.

And I assume Mason doesn’t tell Jack the truth because he too has some of his own twisted plans for Hannibal.
Fuller:
 Mason does not want Jack Crawford to deliver justice to Hannibal. He wants to deliver justice his own way. This is all now a very particular game for Mason, which I am hoping to explore much more of in Season 3. Episode 12 completes the Verger arc for Season 2 and sets up the Verger arc for Season 3.

Orphan Black Sarah Helena

Ipsa Scientia Potestas provided more information on the development of the clones and, as usual for an episode of Orphan Black, raised more questions than it answered. Rachel joined characters on shows including Agents of SHIELD, Revenge, and The Blacklist with presumed dead fathers who are or might be alive. We found that Rachel has a monitor just like the other clones, but she is in a special position giving her more power. Paul, after not being seen much this season, has become more important after Rachel chose him to replace Daniel as her monitor, among other things. While Orphan Black doesn’t compete with Game of Thrones in terms of rape scenes, the scene in which she forced Paul into having sex with her will remain one of the more memorable scenes of the series. Paul does now have three notches in his clone belt. I’m hoping they manage to find a way to get him involved with Alison next (who was totally absent from this week’s episode). Paul’s motivations remain unclear as he is being blackmailed into cooperating. This week he went along with the plan to frame Felix for murder in order to gain control over Sarah but in future episodes it would not be surprising to see him help Sarah against Rachel if the opportunity were to present itself.

You can never be certain as to which side a character is on. Helena has been transformed from crazy murder to crazy murderer who does care about her twin sister Sarah. Leekie looks far more like an ally for the Clone Club, even being at odds with Rachel over some matters, compared to last season. I suspect that he intentionally sent Delphine the email on the stem cell tests to help Cosima, contrary to Rachel’s view of Cosima as expendable. It has become clear that, as suspected, Cal is hiding something after we saw his stash of weapons, cash, and fake ID. However, for the moment I trust Kira’s intuition and if she trusts him I will assume for now that he can turn out to be helpful to Sarah.

On the other hand, the Proletheans are clearly evil. If there was any doubt, this was eliminated when they sewed Gracie’s mouth closed for telling a lie. Now it looks like Gracie will become the surrogate mother following Helena’s escape.

The Hollywood Reporter interviewed Bruce Dylan (Paul) about his character’s motivations and the sex scene with Rachel:

The episode’s big “wow” moment was Rachel and Paul’s sex scene.

When I read it on the page, I had never seen anything like this on television before. It’s amazing how quickly Tatiana [Maslany] jumps into all these different characters and how immersed she is in each character she’s playing. Our director for this last episode, Helen Shaver, she’s very good in the realm of sexuality. She knows how to bring the sexy out of her actors. A lot of the moving parts in that scene were added by her. It’s almost like Rachel’s inspecting Paul like he’s a derby horse — looking at his teeth, making sure that he’s clean and worthy of her. It seems like she has a lot of suppressed sexual energy and very kinky as well. I was anticipating that they’d have whips and chains in the room. (Laughs.) I called her Fifty Shadesof Rachel. I thought she would have some sort of sex room with a swing or something. That scene was absolutely brilliant. It’s very sexy on a completely different level than other sex scenes that I’ve seen on television. It’s weird and sexy at the same time.

How is Paul adjusting to his new role as Rachel’s monitor? Will he be taking advantage of his current position?

He’s in a situation right now where it’s definitely to his advantage. The fact that Daniel is out of the picture, Paul’s not a disposable asset anymore. Now he can become a usable force. That helps him out and helps him progress his own cause. It seems like he’s being blackmailed into doing this, but there is something much bigger that this guy is involved with. That’s about all I can say about that. He would want nothing more than to burn the Dyad corporation to the ground, I think.

There’s an interesting power struggle between Dr. Leekie and Rachel and Paul’s stuck in the middle of it. Out of the two, who does he have more allegiance to?

Neither. This is another great thing for him. He can answer to two masters. That allows him to play both of them at the same time, but it’s a slippery slope. He has to walk that tightrope between the two of them. It’s almost like he’s waiting to see who comes out on top. He’s maintaining that guise where he’s tied to both of them, but in reality, his allegiance is going to lie with the one who wins in the end. He’s not going to pick a losing team, that’s for sure.

Speaking more specifically about the Felix matter. Does Paul have any ounce of guilt over putting him in jail?

When I read [the scene], I thought “Oh my god, this is going to be really hard to play with Jordan [Gavaris]” because I love Jordan so much and I love the character of Felix. The way I was playing it, I was trying to show the least amount of emotion because Paul’s a pretty stoic character. [Paul] was not pleased at all with having to do what he had to do. That was a necessity to do that. When he takes the gun out of the bag and Felix is like “What are you doing Paul?” it was more like an air of disappointment. If Paul didn’t do it, [Rachel] would have gotten rid of him herself.

It was dropped in that Paul has slept with three clones: Beth, Sarah and now Rachel. Is that notable?

When he slept with Beth, he was blackmailed into being her monitor and her boyfriend, or he could have faced military trial or the death sentence or life in prison or who knows what. When he slept with Sarah, she initiated the intimacy and now he sleeps with Rachel, she again initiates the intimacy. So he’s definitely not a prude but he’s definitely not the aggressor in the situation. (Laughs.) I don’t know how much you can say “Paul gets around” because it seems these clones are the aggressor in these situations. It’s so empowering because we have a brilliant female lead and all these brilliant female characters, it’s almost like a role reversal.

You’ve hinted several times that Paul has an agenda. How soon before what he’s been plotting is revealed?

You’ll find out this season tidbits, just snippets of it. That will [lead] to the next season. He’s very mysterious, isn’t he?

Another interview with Bruce Dylan at TV Line gave more evidence of Tatiana Maslany’s acting talents:

TVLINE | What was it like to film that scene? You’ve worked with Tatiana [Maslany] before, but it was as Sarah. Now you’re working with her as Rachel, and she’s this completely different animal.
You’re absolutely right. We all know how brilliant Tatiana is and how great she is. But when she is in these characters, she is firmly immersed in that character. You don’t feel as an actor, acting opposite of her, that she’s Tatiana playing a different character. She is Rachel. She is Sarah. It’s very easy to act opposite her because she is 100 percent into her character at that time. It’s a wonderful thing for an actor to do, because she’s so easy to react off and she’s so spontaneous.

That scene, how it was written on the page was actually different than how we performed it. Our director, Helen Shaver, she’s wonderful and she’s very good at bringing the sexy out of her actors with wonderful notes and directions. There were a lot of moving parts to that scene that she added in for both Tatiana and me. It made the scene a lot creepier than how it was on the page. And it made it a lot steamier at the same time. I’ve never seen a scene like that on television before.

TVLINE | Is it bizarre having love scenes with the same actress, but as two different characters?
She’s so good – that’s the first time anybody’s asked me that question, which is amazing – that has never once entered my mind. She is so into that character, it’s so easy to differentiate between the two. I don’t feel like it’s Tatiana playing a character. I actually feel like “Oh, this is really a person. [Laughs] This is really Rachel.” It wasn’t hard at all.

While Tatiana Maslany deserves most of the credit for making each clone seem like a distinct character, she does get some help. Yahoo interviewed the makeup and hair stylists for Orphan Black who explained how they make each clone seem different. Rachel takes the longest, and they use the most expensive cosmetics on her. As I had expected, it is intentional that Helena’s dark roots show despite her bleached hair.

Deus Ex Machina

There were several season finales last week. Person of Interest has totally changed the character of the show. Instead of achieving a true victory, Root had to settle for creating seven blind spots in Samaritan for herself, Shaw, Reese, Finch, and the three tech nerds. They had to separate, but Samaritan could not identify them. Presumably some of them will find a way to reunite to work together in some way next season. It is more questionable if they will continue to have episodes based upon a number of the week received from the Machine. Carter was already killed off last season when the show became less of a police procedural, and there also appears to be less of a role for Fusco. He was at the center of the stories related to HR, but he is not even aware of the existence of the Machine which drove so many of the cases he was involved with.

I wasn’t completely surprised, but was somewhat disappointed, that Vigilance turned out to have been created by Decima to create a false crisis to convince the government to go ahead with Samaritan. Greer might be deceitful, and his actions dangerous, but his motivations are not totally evil. Rather than seeking power for himself, he seems to truly think that it would be a good thing to place a super computer in charge of humanity. At the end, rather than giving Samaritan his orders, he told Samaritan it was about what it commanded. Clearly nothing good could come out of this.

Over the course of the first few seasons of Person of Interest, the real world caught up with the show as we learned about NSA surveillance. Now the show has leaped ahead of where we currently are, enabling it to provide a warning about where we might wind up.

In an interview with IO9, Jonathan Nolan talked about plans for next season and explained why New York is actually a good place to avoid surveillance:

In the first two and a half seasons of the show, New York and the city’s politics were a big part of the narrative. We had HR and the deputy mayor, and Elias and the gangs. Are we ever going to circle back to that? Are we going to get back to the politics of New York in this new surveillance dystopia you’ve created? Is Elias going to be back?

JN: Absolutely. We’ve always — hopefully in a good way — vacillated back and forth between the more metropolitan storyline and the Machine, or kind of global, storyline. Because the great thing about New York is that it’s both. It’s the kind of center of the world, in so many ways. But it’s also its own rich kind of arena. And Finch and Reese and Shaw, and now Root, and Fusco, are going to continue to be inveigled into local politics, and certainly local crime, every bit as much as they have up to this point. The people they’re trying to save every week. That storyline continues. That Machine still spits out numbers. And it’s going to be spitting out even more of them. So we’re doubling down on both fronts. We’ve always taken with, and fascinated by, the idea that within New York City, you have a bounded infinity of stories. So we never want to step away from that. We just want to keep raising the stakes on both levels.

And in this new A.I.-enabled world, whoever rules the big cities like New York has more power, because the big cities are where the infrastructure and the intelligencia are. So it becomes even more of a microcosm of the global power struggle.

JN: Yeah, absolutely. And ironically, New York, which is the most heavily surveiled place in the world, becomes one of the few places in the world to hide from surveillance. There was this awful but fascinating story from three years ago, when we were shooting the pilot in New York. There was a serial killer operating out on Long Island — in fact, I think this was the same one who was dumping his bodies not far from where we were shooting a stunt sequence. And this is awful, but he was making phone calls to some of the victims’ relatives using their cellphones, but doing it from Times Square. Because he or she, or whoever this villain was, understood that Times Square is one of the few places in the whole wide world where you can make a phone call on a cell phone that’s being trace. And when the authorities try to match up that phone call to surveillance footage to see who made the call — and try to match a person to a phone call, essentially — it’s impossible. Times Square is filled with hundreds of thousands of people on any given afternoon, all of whom have a cellphone. So it’s that hiding in plain sight. New York ironically becomes the only place in the world where you can hide from the surveillance state, even while being the very epicenter of it. So for us, the perfect arena for this fight that’s going to take place.

I was less excited by the first season finale of The Blacklist as it essentially reset the show back to where we were, with a new villain. There was little drama in Lizzie saying she would no longer work with Reddington as I had no doubt that she would not hold to that. Besides, why was she so surprised to learn that Red is a monster when he was telling her that he is one all along? The show is entertaining and worth watching due to the terrific job done by James Spader, which more than makes up for the weak job done by Megan Boone. The scenes with Alan Alda are an additional plus, even if it is not clear who exactly he is and why he was able to order that Reddington be allowed to escape in the finale.

ARROW

Arrow had the spectacular comic book ending that was expected, managing to bring back many of the characters seen over the course of the series. They did add some questionable drama to an already difficult situation by having ARGUS threaten to blow up the city to contain Slade’s army. As there were only fifty of them, and Oliver did ultimately get the cure, it would have seemed more reasonable to guard the exits to prevent any from leaving, and then moving in with enough force to overpower them should the cure fail.

Previously when we learned that Oliver had a cure back on the island, there was speculation that Oliver’s decision to kill as opposed to try to cure Slade might have been the real motivation for his vendetta against Oliver. In the flashbacks it was clear that by the time this occurred Slade’s views were already set, and this really was all about Shado.

The cure did work on Roy in the present, leaving him in a situation to work with the Arrow next season. When he had super powers, even before going insane, I had questioned how it could have worked to have the sidekick be more powerful than the lead. This will no longer be a problem. Sarah left with the League of Assassins. She might return, but she also left her leather jacket with Laurel. Is this the first step in her becoming the Black Canary as in the comics? Their father was restored to the rank of Detective, but it is not clear if he will survive into next season.

The flashbacks on the island seemed to have concluded their story, but the episode ended by showing how this will be handled next season. Oliver woke up in Hong Kong to be greeted by Amanda Waller. This could provide for some interesting stories in flashbacks. Eventually we know that Oliver has to wind up alone on the island to be rescued as on the pilot. Perhaps he really became stranded there again, or perhaps this was set up to allow for him to be rescued without any ties to ARGUS.

Felicity has become a huge favorite among fans since she was added to the show during the first season. The two of them tricked Slade, taking advantage of the cameras he hid in the Queen mansion earlier in the season to have him see Oliver say that Felicity is the one he really loves. Both Stephen Amell and Emily Bett Rickards have told E! Online that they don’t think this was entirely an act. Of course there is little doubt that they will drag this out for a long time before ever having the two get together.

Agents-of-SHIELD-Season-1-Finale-Coulson-Writing-on-Wall

I was glad that there was no redemption scene for Ward, as many feared would occur in the season finale of Agents of SHIELD. While he couldn’t bring  himself to outright kill Fitz and Simmons last week, like he couldn’t kill the dog he was stranded with, he did leave them in a situation which Fitz may or may not survive from. My bet is that Fritz will survive considering how Coulson and Skye came back after being in even worse shape. Their rescue once they got off the bottom of the ocean was too simple, but I doubt that many viewers cared at that point once distracted by the appearance of Nick Fury. There was no explanation as to where Fury got that medical team.

I wonder where the show will go next season with SHIELD disbanded. Nick Fury did  make Coulson the new head with instructions to restore the organization, but it is not clear how much that really means with Fury no longer having any authority (and presumed dead). At least the group has a new base, already supplied with a new Koenig, played again by Patton Oswalt. Is he a twin or a Life Model Decoy?

Much of the back story about TAHATI has now been explained, but there are still mysteries with Marvel fans tying the alien blood into other areas of the Marvel universe including the Kree and Inhumans. We will have to wait until next season to learn the meaning of what Coulson was drawing. Syke’s back story should also be explored more, especially now that it appears her father is alive.

The Americas s02e12

On The Americans, it is not entirely clear why Larrick is after Jared but he is close to finding him. Most likely he knows that the last tie to Emmet and Leanne will either allow him to find those helping him or be useful bait for those he is really after. Regardless of Larrick’s plans, there is no doubt to Elizabeth and Phillp that Jared is in danger because of his parents, potentially placing their own children in the same type of danger.

It is rare to have a show where the storyline involving secondary characters can be every bit as interesting as when the leads are on screen. This is the case with Stan and Nina. Instead of turning to Stan to save her, we learned that Nina was still working with the Russians to trick Stan into turning over the Echo program. If Nina was smarter, and not currently as loyal to Russia, she might have immediately told Stan that he had to get her elsewhere to hide as opposed to allowing Arkady to put on his show. Contrary to how he initially appeared, Oleg has turned out to be the one most concerned with saving Nina. If Stan doesn’t turn over Echo, it is questionable if the Russians would give her an opportunity to get away with the money which Oleg gave her.

Other characters were very perceptive this week. Henry was right to be concerned about how The Wrath of Kahn would turn out after the first Star Trek movie, but he will learn there was nothing to worry about. Two other characters showed that they aren’t completely fooled. Paige questioned what type of emergency Elizabeth could have as a travel agent requiring her to run out at night. It is hard to believe that she won’t eventually figure out what is going on. Will she accept what her parents are doing as Jared has regarding his parents? Martha figured out that Clark wears a toupee, even if she is foolish enough to turn all those documents over to him. Perhaps she will ultimately take the blame for the documents which Stan gave to Oleg, helping Stan to remain above suspicion.

Revenge

Revenge did a reboot as major as that on Person of Interest. It was about time, as they had dragged out the storyline about Emily seeking revenge on the Graysons for framing her father for far too long. Reducing the number of characters should also help as things have become far too convoluted. It will take a good story to explain how Emily’s father has been alive all these years, and it will be interesting to see her reaction to finding that he is alive. He better have a good explanation for not contacting her before now. E! Online has an answer to the bigger question as to where the show is going next season:

That #Revenge finale was INSANITY! Is the show really going to be Victoria as the revenge-seeker now?
From what we know, yes. Emily will be living in Grayson Manor and Victoria will be the one narrating the show and out for revenge, wanting to take down Emily/Amanda and make her pay for everything she lost. Pretty big game-changer! And by the way, we hear another main character will be written out next season. Perhaps the biggest cast departure yet.

Of course Emily will still have reason to see revenge after the murder of Aiden, and it is hard to imagine a bigger departure than Conrad (assuming he is really dead). More on Revenge at The Hollywood Reporter.

Alison-Brie

There is a huge amount of other news this week regarding renewals, cancellations, and new shows in addition to all the finales. I’ll hold off on news related to next season for another week when there isn’t so much other material to write about and end with just a few briefs.

Unless they manage to revive Community for a sixth season on another network, it appears we will not see more of Alison Brie on television now that it appears that Pete Campbell moved on to California without her on Mad Men. Alison Brie will be staring with others better known for their television roles in an upcoming movie Sleeping With Other People:

Former “SNL” star Jason Sudeikis, “Community’s” Alison Brie and “Parks and Recreation’s” Adam Scott are assembling for the upcoming comedy from Sidney Kimmel Entertainment.

Amanda Peet, Jason Mantzoukas and Natasha Lyonne will also star in the film from producers Adam McKay and Will Ferrell.

“Sleeping” centers on two chronic cheaters — played by Sudeikis and Brie — who attempt a non-sexual relationship in order to conquer their lustful ways. The press release says it’s “in the vein of ‘When Harry Met Sally’…but with assholes.

Update: Pete Campbell made a trip to New York this week and Alison Brie did appear.

Emilia Clarke of Game of Thrones and Nicholas Hoult of X-Men: Days of Future Past  will play Bonnie and Clyde in Go Down Together.

A former porn star writing at The Daily Beast gave some reasons why Game of Thrones might like to use porn stars:

1. A porn star is always willing to take off her clothes and there will never be a nudity clause in her contract.

2. They’ve put in their 10,000 hours and know how to fake passionate sex with the best of ‘em.

3. It’s sad but true: porn stars work cheap! Since nude is their norm, they won’t ask to be paid extra to be naked.

4. In a way that mainstream actresses sometimes fail to capture, porn stars always look very comfortable sitting around nude for the duration of a scene.

5. With all of that skin-on-skin action, things, well, pop up. Porn stars aren’t squeamish about their fellow actors getting aroused. They tend to be very understanding.

billie-piper-penny-dreadful-460x624

In somewhat related news from another premium cable network, former Doctor Who star Billie Piper promises “loads of sex” in Penny Dreadful.

The winners of the 2013 Nebula Award winners have been announced. Ancillary Justice by Ann Leckie won as best novel. Gravity won the Ray Bradbury Award for Outstanding Dramatic Presentation. While Gravity beat The Day of the Doctor for this award, the episode of Doctor Who did win a BAFTA Television Award for Radio Times Audience Award (Voted For By Members Of The Public). Broadchurch won a BAFTA as Best Drama. Richard Ayoade and Katherine Parkinson won awards for their roles in The IT Crowd.

Terra Nova was one of many science fiction shows which did not survive long on Fox (including Almost Human this season). Those interested in dinosaurs in the real world as opposed to the fictional world of Terra Nova might be interested in this report on the biggest dinosaur ever.

Please Share

SciFi Weekend: Hannibal; Orphan Black; Agents of SHIELD; Arrow; The Americans; Fargo; The Big Bang Theory

Hannibal - Season 2

Nako-Choko began as an extension of last week’s episode of Hannibal in which Will Graham was placed in a position where he was forced to kill. There were other events including first seeing Mason Verger and viewing parallel sex scenes. One involved Will and Margot Verger and the other was between Hannibal and Alana Bloom, morphed into a threesome.

Freddie Lounds was convinced that Hannibal Lecter is the Chesapeake Ripper and Chilton was framed, but Freddie saw too much. For a moment I thought she was better off to have been discovered by Will instead of Hannibal in a scene which reminded me of Grace’s final scene before she was killed. Instead it appears that Will has morphed into Hannibal, including bringing a part of her to be prepared by Hannibal for dinner.

There was a strong suggestion that this occurred but we did not actually see Will kill Freddie, raising some suspicion that she is actually alive and Will is engaged in a plan to trap Hannibal. Interviews with Bryan Fuller suggest that Will did kill Freddie, but it is possible the is engaging in misdirection to avoid spoiling future events on the show. First from TV Guide:

But he seems to be enjoying the killing. Is he still playing the long con?
Fuller:
 In order to really seduce Hannibal and also blur the lines between who Will is and what he needs to become in order to catch Hannibal, he’s sacrificing his humanity in some ways to get the truth. Up until the end of Episode 10, Hannibal has said nothing that is actionable and has not been demonstrative in any way with his own murders. He’s not going to put himself out there until Will makes it a safe bet. We needed Will to take a life. And of all the characters Will might want to kill, Freddie was the first one to get what was coming to her in Will’s mind.

Are Will and Hannibal definitely eating Freddie? I was hoping otherwise until Will referred to the meet as longpig, which is a phrase I wasn’t familiar with.
Fuller:
 [Laughs] I guess you’re not hanging around the right cannibals.

So, in your mind that makes it clear what Will has done to Freddie?
Fuller:
 It’s pretty clear. Will has gone to the dark side and we should be fearing for him. It is very much a slippery slope for Will Graham because he is taking lives and that changes the way you think and interact with the world. We set up the theme of rebirth in Episode 8, and in 10 and 11 we’re very much exploring the child that has been born out of this unholy union between Hannibal and Will. How are they going to foster and feed it?

They discussed the sex scene:

Let’s talk about that “foursome.” That has to be the weirdest sex scene I’ve seen on TV in some time.
Fuller:  
I wanted to have a Dead Ringers moment where you have two Jeremy Irons flanking Geneviève Bujold. And I wanted to have this triangle between two heterosexual men who are getting so intimate with each other, but because they’re heterosexual, they have to make love via proxy. I wanted Alana to be kissing Hannibal and the camera would follow her as she turned her head and she’d be kissing Will all in a single shot. The lines between the two sex scenes would blur. Our director, Vincenzo Natali, came to me a day before and said, ‘Can I put the Stag-Man in there or is that too weird?’ I said, ‘[Deadpans] Not too weird. Do it.’ [Laughs]

What did you want it to mean for the characters?
Fuller:
 I felt like it was an interesting opportunity for us to reestablish that Will was still pining for Alana [Caroline Dhavernas]. Even though he was having sex with Margot [Katherine Isabelle], he was still fantasizing that he was having sex with Alana. Intercutting that with Alana having sex with Hannibal, and the lines between those two sex scenes blurring so Hannibal and Will would be sharing a bed together, felt like it was representative of where we were psychologically with these three characters. Even though it’s primarily in Will’s head, it felt like it was where the characters needed to be to express the disturbing quality of their relationships.

What is behind Margo’s attraction to Will?
Fuller:
 She sees herself in Will and Will seems himself in her. We have two characters who are in similar situations finding themselves in need of a friend that is not Hannibal because neither of them trust that guy. With Margo and Will, there’s a trust. These are two characters who are keeping each other’s confidence from Hannibal.

Hannibal - Season 2

The other key aspect of the episode was the introduction of Mason Verger:

We finally met Michael Pitt’s Mason Verger in this episode. How did you approach creating that character?
Fuller:
 We wanted him to be the Joker to Hannibal Lecter’s Batman. With Michael Pitt, I found his take on Mason to be charming and despicable, and yet I liked him as a person. And I needed to like Mason in order to write him because I didn’t want to necessarily write the character in the book who raped his sister repeatedly her entire life. I can’t get excited about sitting down and writing that character if that’s the core of him. So, we changed his pedophilia and serial raping into a general sadism and curiosity of mankind that could more closely parallel Hannibal’s curiosity with mankind. Mason is constantly introducing choices for the people that he manipulates that hold a little more curiosity. He loves to push buttons and see how people will react to various stimuli in their lives.

The antagonism between Mason and Hannibal was almost instantaneous. Will you tell the story of their relationship fully this season, or do you expect to see Mason back in Season 3?
Fuller:
 The story line with Margot and Mason and Will and Hannibal crescendos in Episode 11, and it leaves way for Mason and Will and Hannibal to deal with each other more directly. These characters are outside of the psychobabble world that we’re usually contained in and give us this — I was going to say breath of fresh air, but it’s not exactly fresh;  it’s rotten — different energy for the second half of the season. We will deliver how Gary Oldman ended up looking the way he did in the Ridley Scott movie playing Mason Verger, but I would love, love, love to have more of Michael Pitt and Mason Verger in Season 3.

There were questions on Twitter regarding Will and Margot sleeping together considering that Margot is a lesbian. Bryan Fuller had no problem with this from Will’s perspective: “I asked straight men on the crew if they would sleep with a hot lesbian if she came knocking on their door and they said yes.”

Hannibal the-threesome-found-it

More on the sex scene in an interview with AV Club:

AVC: Where did the idea to throw Margot and Will together come from?

BF: Well, actually, the idea of throwing Margot and Will together came very early on. When we started talking about Margot’s character in the writers’ room, there was a faction of the writers’ room that was like, “She should be heterosexual, and we should write this stormy love affair with Will and Margot,” and I was like, “That is so diametrically opposed to who she is in the book.” You know, there’s a bit of an affair with Barney and a dalliance, so I got it in some way. But the pitch that kept on getting thrown around the writers’ room is that she was heterosexual, and this was an opportunity to get a lot of sex in the show between Will and Margot and I just thought, “I hear you on the sex part.” [Laughs.] “But let’s make it more in line with who the character is and what the character’s agenda is.”

One of her agendas in the novel Hannibal was to have a child. She couldn’t have a child, because her uterus was destroyed by steroids, and she was barren as a result, and that was all kind of a byproduct of her brother’s abuse of her, that she destroyed her femininity as a result of that. There was this miasma of elements between Margot wanting to have a child and the inability to have a child at that stage of the story that we were kind of combining in various ways. It also seemed like it was a good place to remind the audience of this rebirth and how Will Graham has been descending into this very dark place that has to do so much with death.

AVC: The sex scene takes up the bulk of an act of the show and seems to showcase how the boundaries are blurring between all of these people. What was the impetus behind that being a centerpiece of the episode?

BF: The first sex scene that we had in episode eight, the simple one between just two people, Hannibal and Alana, was something that I’d been wanting to do since episode six. We actually had a couple of directors who were terrified of it, because what I was describing was taking a sex scene that was as innovative as, say, the sex scene in Fight Club and finding a way to produce it on a television budget. Because the Fight Club sex scene, between Helena Bonham Carter and Brad Pitt, was wackadoodle and a combination of CG naked bodies and all sorts of fantastic, elaborate controlled camera movements that I think took two or three weeks to shoot because of how detailed it was.

So every time I talked about the sex scene and how I wanted it to have that out-of-body, ethereal feel to it, one director flat-out [said], “I don’t know how to shoot that,” and another director was like, “That’s going to take forever to shoot the way you want it,” and then Vincenzo came along and was like, “I know how to shoot that.” And he did a beautiful job. Then, of course, coming around to episode 10, Vincenzo Natali was back up to bat and was so excited about doing an expansion of his Hannibal sex-scene vocabulary by just throwing more people into it.

I knew that I wanted the barriers between all of these characters to come down in a way that they are very intimately involved in the conspiracies that are afoot and that the sex scene is very much a psychological one. That was important to me: to have a deeply psychological sex scene that blurred the barriers between whose bedroom we were currently in. Also, it felt like Will Graham, in order to really engage Margot in sex, had to have some sort of ulterior motive, and him fantasizing that he was having sex with Alana felt like it was honest. I think it’s not uncommon to be in a sexual circumstance and be fantasizing about somebody who’s not in the room with you at that point, so it felt like it was an interesting use of Will’s imagination in a completely different way. And we get to have a five-way.

Orphan Black Sarah and Cal

Mingling Its Own Nature With It introduced both another clone and a new character to the Clone Club on Orphan Black. Cosima saw a video of a clone dying of the same illness she has and later assisted in the autopsy. Sarah hid out in a cabin owned by someone who is apparently Kira’s father. The Hollywood Reporter has an interview with Michael Huisman, who played Cal, getting to some of the questions raised about this new character:

What did the producers tell you early on about who they wanted this guy to be?

He opens up a little about his past to Felix. Cal is a smart guy, who has a tech background and is a successful entrepreneur. He founded a company that started as a great cause creating mini drones and pollinators, but his partners sold out from underneath him to the military. That made him bitter. That made him more anti-corporation, maybe even more anti-government involvement than he already was. I always imagined that he was there [at the cabin] to get inspired for a new plan and a new adventure. I do think he made a lot of money but he wants to press the reset button. If it were up to him, he would start something else, but this crazy girl he met eight years ago, who he was in love with and left without any announcement, shows up again and completely messes up his life.

There were scenes where Sarah, Kira and Cal acted like a normal, happy family. Do you think they could ever achieve that?

Yes, I think so — if it was on another show with the three of them. (Laughs.) I think they could be a really happy family. But to be serious, although Cal is completely shocked when he finds Sarah there and when he finds out he [fathered] a daughter she never bothered telling him about, it’s this love-hate thing. He really cared so much for Sarah that even though she did this terrible [thing] to him, he finds it hard to kick her out right away especially since he’s finding out he has a daughter with her. Maybe for a split second after the initial shock has come down, maybe he thinks, “Wow, maybe this is something that would be an option for us to be some sort of family.” But of course, it turns out there’s a lot more going on. They’re not going to be a happy family any time soon.

There’s a lot of mystery surrounding Cal. Intentional?

It’s one of the main themes within Orphan Black. Who are these monitors, these people who have seemingly normal relationships with the clones but turn out to be working for Project LEDA or whatever? Without giving away too much, I can imagine the audience not accepting right away of Cal not being involved.

What is the road going to be like for Cal as he attempts to be a father to Kira?

First of all, he never really seems to doubt the fact that she is his daughter because the timing makes sense. But it doesn’t [confirm] 100 percent that she is his daughter. There’s something in her that he really connects with. Her instinct is stronger than his but he also has that [trait]. I wouldn’t call it a sixth sense or anything like that but that quality of reading people and being able to go by your gut, Kira has that so he easily feels connected to her. He’s convinced this is his child. At the same time though, he has no idea how to do this. I remember when my wife [Tara Elders] and I had our child [in 2007] I had no idea how to do anything, how to be a father, but at least I had time to grow into it and slowly ease into the role. I could totally imagine what a complete shock it is to all of a sudden be responsible for an eight-year-old girl who’s supposedly your daughter.

In other developments, Allison learned that pills and alcohol don’t mix, especially when in front of an audience. The police are going undercover, both Art and his partner. Allison saw through Angie, but thought she was a new monitor rather than police. Art is snooping around the Promethians, who held a very strange wedding and an even more disturbing wedding night for Helena.

agents-of-shield-season-1-episode-20-coulson-hill

There might be a lot of plot holes in Agents of SHIELD, but the show has become much more fun to watch, including the inclusion of Cobie Smulders as Maria Hill this week. Everyone now knows that Ward is HYDRA, with next week going more into his back story. They managed to come up with a surprise revelation on TAHITI to keep this season long story line interesting.

Arrow is heading into what looks like a second season finale which places Starling City in peril. Felicity was great as the interrogator and Bitch with WiFi.

Amy Acker’s role has evolved considerably on Person of Interest, with her character Root almost becoming the new leader with Harold captured.

Billy Bob Thornton and Martin Freeman continue to put on excellent performances as the leads on Fargo, with the supporting cast also doing a great job. Lester Nygaard is increasingly getting caught up in his lies. He would have been better off telling the truth while withholding some of the significant details as opposed to telling outright lies such as that his car was in the shop and denying that conversation in the hospital waiting room. How long can he hide that bullet?

Also on FX, The Americans continues to do an excellent job of mixing weekly stories with the season-long storyline on the murder of the agents (with Stan and the FBI now involved) along with multiple other story lines.  Bringing back Annelise from a season one episode added additional continuity. Besides the risk of the FBI closing in with their investigation, there is now Larrick to contend with, with Elizabeth and Philip also having to devote more time to dealing with Paige and her church.

Once again, Fox is not a safe place for science fiction. Almost Human has been canceled.

Big Bang Theory Professor Proton Star Wars Day

The Big Bang Theory combined the funeral of Professor Proton (Bob Newhart) with the celebration of Star Wars Day. May the Fourth be with you.

FHM has named Jennifer Lawrence as the sexist woman in the world for 2014. Perhaps going around nude (but painted) in the X-Men movies as Mystique helps while falling at the Oscars doesn’t hurt.

Tricia Helfer will star in Ascension, a six hour series for Syfy.

Matt Smith will join Amelia Clarke in the upcoming Terminator movie.

Joel McHale of Community spoke at the White House Correspondents’ Dinner this year. More, including video and the top jokes from both McHale and President Obama, posted here.

Please Share

SciFi Weekend: New Director For Star Wars; JJ Abrams Book Out This Week; Doctor Who News; X-Men; Arrow; Agents of SHIELD; Thor

jj_abrams_star_wars_star_trek_crossovers

With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:

We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.

Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.

I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by  J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:

S by Abrams

Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.

As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.

Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:

The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka,  even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.

And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…

Doctor-Who-Day-of-The-Doctor-Teaser-Trailer

It appears there will be a mini-episode released, perhaps prior to The Day of the Doctor:

The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.

While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.

Cory Doctorow discussed Traversable Achronal Retrograde Domains In Spacetime, a physics paper on “the spacetime through which Doctor Who’s Tardis travels.” Note the acronym. There is also a version for non-physicists, The Blue Box White Paper,

What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)

Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:

In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.

Arrow Crucible Black Canary

Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.

There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.

The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.

The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”

Thor Agent Coulson

Please Share

SciFi Weekend: Doctor Who; Sherlock; Atlantis; SHIELD; Arrow; Last Week’s Revelation on Homeland; The Blacklist; Once Upon A Time In Wonderland; Star Trek; Star Wars; American Blackout; X-Men; Time Travel; Dealing With A Zombie Apocalypse

doctorwho50th1

Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:

Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.

“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.

“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”

However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.

“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”

Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:

“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?'”

Moffat has also discussed the return of the Zygons:

Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.

“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’

“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”

The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.

Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:

Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!

“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”

Peter Salus looked at the history of computers in Doctor Who.

Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.

Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.

black canary arrow

Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see  how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.

Arrow, while well-done and quite entertaining  for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.

Anastasia and Will Wonderland

I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US.  Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s  castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.

I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:

Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!

Episode 304

Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:

In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa:
 I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.

So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.

There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa:
 One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.

Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: 
Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.

There’s more at The Hollywood Reporter, including how Brody will fit into the storyline:

How will Brody figure in to all of this?

I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.

Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?

It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.

I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.

I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.

The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:

As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.

Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.

Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.

This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.

What Culture has ten alcoholic drinks from Mad Men which you must try.

Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine

Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.

Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.

Please Share

SciFi Weekend: Under the Dome; Hannibal; Continuum Special Effects; Star Trek Broken?; Doctor Who; Arrow; Same-Sex Marriage and DC; Westworld; X-Men and More

UNDER THE DOME

Under the Dome got a little darker, and less believable, last week. There have essentially been three major story lines: Barbie/Julia, Big Jim, and the teens with the mini-dome. The Big Jim and Barbie story lines have now merged, with events surrounding both being rather unrealistic, or at least poorly developed.

Barbie was introduced as a killer, but since then has been the closest we have to a hero on the series. Initially the acceptance of him was difficult to believe. Nobody knew anything about him, but the town made him their hero. Was there nobody else who had been living there who could step up in time of crisis? Eventually Julia did discover the fact that Barbie killed her husband but there were no consequences. Barbie had to promise not to lie again, and their relationship continued. Finding out that Peter Shumway manipulated Barbie to kill him so that his life insurance would pay out hardly exonerates Barbie of his crimes.

Big Jim has been a more interesting character due to both being portrayed as a murderer and legitimately having concern about the people in Chester’s Mill. I would anticipate that if these goals conflicted, Jim would support his own interests. Just as I wonder why there is nobody else in the town to who is as heroic as Barby, I wonder why Big Jim is the only one left from the town’s government. It is not realistic that everyone else was on the other side of the dome.

Things changed suddenly for Barbie and Big Jim last week. Linda was on the verge of discovering Big Jim’s crimes. Then Jim framed Barbie for Maxine’s murder and suddenly Linda forgot both all her suspicions about Jim and ignored her trust in Barbie. Even if the degree of trust in Barbie was somewhat realistic, it doesn’t help matters to ignore what went on before. Besides, Linda did see how Barbie called in Julia’s shooting and Barbie ultimately saved her live. Jim’s claim that Barbie was responsible for her shooting, or the shooting of Maxine, should not have been accepted so easily.

The other story line with the teens gets to the central mystery of the show regarding the dome, but I do fear there will never be a satisfactory answer. Now the dome appears to have told the kids to kill Big Jim. Apparently it does have a sense of justice, or opposition to a questionable story line, but with all its power I would think the dome could do something more directly to take out Jim if that was its goal.

Hannibal-4-NP

Mads Mikkelsen discussed his role on Hannibal. Here is a portion of the interview, concentrating on speculation as to where the series is going:

How much of his real self do you think Hannibal reveals to Gillian Anderson’s character Bedelia Du Maurier?
“It’s very interesting because he doesn’t have to reveal anything… so who’s he doing this for? For her? She’s no threat. For the audience? No – he doesn’t know there is an audience.

“He likes it – he needed to get it out. He needs to get some emotions out and he uses that little session to get it out, even though in the normal world, that would be very f**ked up what he’s doing!

“At the same time, he could be doing it because he wanted to manipulate someone, but I don’t think that is the case right now with Gillian Anderson’s character. But it remains to be seen, because I don’t know where that [situation] is going yet!”

Were you surprised that Will discovered the truth about Hannibal in season one’s finale? Other shows might have dragged that plot out for longer…
“Again, it remains to be seen exactly what he found out. As I see it, we have three opportunities here – three possibilities. One is that Will can’t remember anything because he’s sick, the other one is that he does remember everything and he tells me, and the third one is that he does remember everything but he plays that he can’t remember… and then the table is turned, right?

“So it’s going to be very interesting to see how [Bryan] wants to start the episodes in the new season, but I would be surprised if Hannibal doesn’t know that he knows that he knows! (laughs) Hannibal’s a smart guy!”

Where do you think Hannibal will go in season two? The main threat to him – Will – now seems to have been neutralised…
“Yes, but Hannibal has never had a master-plan – he’s able to change his ‘master-plan’ every day and, as I said before, he just wants to enjoy life and have a wonderful day!

“I still believe that Will is part of his future – one way or the other – and I don’t believe that Hannibal has a master-plan to take over the FBI. He likes the game and he likes the people around him, and he will just see how far he can go with them, I guess.”

Continuum is notable for telling a very compelling science fiction story with a low budget. That doesn’t mean they don’t do impressive things with special effects, as can be seen in the video above. I discussed both the entire series and the season two finale last week. As expected special effects are used for the  high tech world of 2077 along with the expansion of the Vancouver coastline. From the above video we also see how many of the dramatic scenes, including near collisions with trains and cars, also are computer generated.

The J.J. Abrams Star Trek movies were of value in reviving interest in Star Trek and both were fun blockbuster films. Unfortunately they were not really what we think of as Star Trek. TrekMovie.com generated a lot of interest in a recent post arguing that Star Trek is broken. They gave several suggestions as to how to fix Star Trek. Robert Orci responded and overreacted in the comments:

“I think the article above is akin to a child acting out against his parents,” he said. “Makes it tough for some to listen, but since I am a loving parent, I read these comments without anger or resentment, no matter how misguided.

“Having said that, two biggest Star Treks in a row with best reviews is hardly a description of ‘broken.’ And frankly, your tone and attitude make it hard for me to listen to what might otherwise be decent notions to pursue in the future. Sorry, Joseph. As I love to say, there is a reason why I get to write the movies, and you don’t.”

Orci later apologized, tweeting “not my finest moment. agreed. what can I say? i’m more than half human.”

capaldiinterview

There has been speculation on line that Matt Smith’s Doctor might actually regenerate in the 50th Anniversary episode. One piece of weak evidence cited for this was that Matt Smith cut his hair off for a movie before filming the Christmas episode. That theory has fallen apart. It has been announced that filming is to begin September 8 with Matt Smith wearing a wig. We will then have a long wait as the next season of Doctor Who with Peter Capaldi as the Doctor will not air until the following fall.

Before the regeneration into Peter Capaldi, we still have the 50th anniversary episode. The Guardian interviewed John Hurt with the discussion eventually getting to Doctor Who:

It’s your 50th year in the business and you are about to appear as the Doctor in the 50th anniversary of Doctor Who. Both of you have had lots of reinventions. Is there a neat link there?

I’d never thought of that, but let’s use it! Oh yes, there’s a huge link definitely. But I had no idea that Doctor Who had got so huge; I just thought, “Brilliant, I’ll be a Doctor!” I was suddenly – what do they call it? You start “trending”. This is all new to me!

Is it a relief you can talk about your role, now that the costume designer let slip to the Prince of Wales that you play a “dark Doctor”?

Of course you have to remember that the Doctors are all one person, so I’m not outside of that. I can’t talk about it, but I will say I was really impressed when I did it. Both the previous doctors – Matt Smith and David Tennant – boy, are they good at it. Whoa-wee! They are so quick, and there’s a huge amount of learning and no time to learn it in. All that fake scientific nonsense. Terribly difficult to learn.

Have you met the Whovians?

I’ve done a couple of conferences where you sit and sign autographs for people and then you have photographs taken with them and a lot of them all dressed up in alien suits or Doctor Who whatevers. I was terrified of doing it because I thought they’d all be loonies, but they are absolutely, totally charming as anything. It’s great fun. I’m not saying it’s the healthiest thing – I don’t know whether it is or isn’t – but they are very charming.

Arrow Season 2 Poster

Back in the days of the Soviet Union, along with in China, observers would pay attention to material such as photos of Politburo members to decide who was in and who was out. I had a similar feeling reading analysis of the season two poster for Arrow. Apparently Laurel might not be as important and, as has been confirmed in other reports, Felicity has a bigger role.  Buddy TV has more on the second season including the relationship between Oliver and Laurel, new characters, pirates on the island, and a sidekick for the Dark Archer.

DC Comics has forbid portrayal of the planned same-sex marriage for Batwoman leading to the creative staff leaving. This has led to a global backlash.

J.J. Abrams, Jonathan Nolan and Jerry Weintraub are developing a television version of Westworld for HBO:

“Westworld” explores a futuristic theme park split into three distinct areas — West World, Medieval World and Roman World. However, things soon go wrong as the robots built to interact with human customers malfunction, attacking and killing anyone they see. A sequel, “Futureworld,” was released in 1976, and a television series aired on CBS in 1980. It was canceled after airing only three episodes.

Now, HBO is set to tackle the property again on the small screen. The pilot script will be co-written by Nolan and Lisa Joy (“Burn Notice”), and directed by Nolan. Jonathan Nolan, of course, worked with his brother Christopher Nolan on projects such as the Dark Knight series and “Memento.”

This marks HBO’s first real foray into science-fiction territory, which is known for modern and historical dramas, and with the recent success of “Game of Thrones,” fantasy.

Abrams’ and Nolan’s version of “Westworld” is described as “a dark odyssey about the dawn of artificial consciousness and the future of sin.”

2901205-mystique_x_men_the_last_stand_26644121_440_637

Jennifer Lawrence explains why Mystique is nude in much of  X-Men: Days of Future Past:

“I’m naked,” says X-Men: Days Of Future Past’s Jennifer Lawrence, putting it bluntly. “But when I do get to wear clothes, I love the ’70s outfits.” She will be reprising her role as Mystique in the sequel to First Class, which is set 10 years later.

Lawrence’s costume is a little different this time around. She’s wearing a body suit rather than being covered in body paint, and it’s a darker shade of blue than in First Class. It looks more like Rebecca Romijn’s version of Mystique, but that’s not the only change to the character, as Lawrence explains:

“Some of the Mystique look is a little different, but we’re still using the same paint. But she’s different in this film too,” she tells SciFiNow exclusively. “She was struggling – like a lot of normal humans – with the way she looked, and she was covered up a lot in the first movie, but this time she is Mutant and proud.”

Stargate is to be rebooted in a movie trilogy.

PBS will be airing Superheroes: A Never-Ending Battle, a three hour documentary, on October 15.

Trailer for Gravity above.

Please Share

SciFi Weekend: Star Trek Into Darkness; J.J. Abrams on the Mystery Box; Iron Man 3; X-Men: Days of Futures Past; Robots Trailer

A behind the scenes look at Star Trek: Into Darkness

Update: Star Trek Into Darkness Super Bowl Ad

In this TED Talks clip from 2007, J.J. Abrams explains that it is all about the Mystery Box.

rebecca-hall-iron-man-3

ComicBookMovie.com on Rebecca Hall’s role as Maya Hansen in Iron Man 3:

‘Maya Hansen’ was created by Warren Ellis and Adi Granov. and she plays a pivotal role in the creation of “Extremis”. “I’m now slightly converted,” laughed Rebecca Hall in a recent interview with Empire Magazine when asked about her newfound love of comic books. “Some of the artwork is astonishing. I’m kind of into it.” The actress is perhaps best known for starring in the likes of The Awakening and The Town, so love of comics notwithstanding, why now make a transition to the movie? “I’ve never had a huge desire to be a massive Hollywood actor. Yet this is the third instalment of a series I’ve really enjoyed, I really like Downey as an actor, and it looked like it would be fun. And it was. It was a very smart set, Iron Man. There’s a whole game of wits going on all the time between Downey and Shane.”

The “Shane” she refers to is of course writer and director Shane Black. This is what he had to say about the role of ‘Maya Hansen’ in the highly anticipated threequel. “It’s one thing we loved about the comic book, which was that it’s someone Tony meets in one capacity at one point in his life, and he proves to be touched by that encounter. We needed a snappy and exciting actor to play the part, and not make it this ‘female scientist who takes off her glasses and suddenly she’s beautiful!’ There’s a certain element about her being the female Robert Downey Jr in a way.” Marvel Studios President Kevin Feige adds, “Maya is a scientist who makes a pretty astounding discovery that leads her to places – and some are healthier than others. It’s not dissimilar to what Tony’s been through, and it’s a great parallel.”

It looks like X-Men: Days of Future Past takes place in 1973, ten years after X-Men First Class. That would explain why January Jones isn’t around any longer. Based upon what we see in Mad Men, she is probably quite obese by 1973.

Want to start your own superheroes franchise? Get a good lawyer first. It appears that D.C. and Marvel jointly hold a patent on the word superhero.

I’m working on getting through as many Academy Award nominated movies as possible before the Awards show. I was a bit disappointed in Lincoln–he didn’t kill a single vampire. I saw Silver Lining Playbook last night. While I did enjoy it, for some reason I expected the dance contest which Jennifer Lawrence entered to be a battle to the death.

I haven’t had time to watch yet, but there are two new shows of interest I plan to check out: The Americans and the new series on Netflix, House of Cards. Or, how about this show:

This is the trailer for Robots, about twenty-something robots living in New York City (actually a parody of Girls).

Please Share

SciFi Weekend: Star Wars; Batman; Battlestar Galactica; Who Killed JR?; Mad Men and Other Returning Shows; S.H.I.E.L.D.; Doctor Who Meets Inspector Spacetime

abrams darth vader 615

The big science fiction news of the week is that J.J. Abrams will be directing the next Star Wars movie. I think it is a good idea for J.J. Abrams to direct the Star Wars movie. His tendency to destroy entire planets (Romulus, Vulcan) fits in better with Star Wars and Death Star than Star Trek.

There are reports that they might wait until 2017 to reboot Batman. There is also speculation that the cast of Justice League of America, scheduled for a 2015 release, will be cut down to five, leaving out Batman until he is rebooted in his own movie. Other rumors say that plans continue to reintroduce Batman in Justice League but possibly leave out Aquaman. Incidentally, if anyone is interested in getting the Michael Keaton Batman movies on Blu-Ray, I found they were much less expensive when purchased as part of a Michael Keaton Collection (recently discounted even further on Amazon) than as stand-alone Batman movies.

Battlestar Galactica: Blood and Chrome was turned into a web series after SyFy decided against picking it up as a weekly series. They will be televising this as a movie on February 10.

Dallas returns tomorrow night, starting with the final episodes filmed before the death of Larry Hagman. Considering all the publicity the show obtained in its original run with the mystery of Who Shot JR?, it only makes sense that JR Ewing will leave the series by being murdered as opposed to dying of natural causes. They should be able to keep this mystery, and other references to JR Ewing, part of the show for quite a long time.

Colin Morgan won the award for Best Drama Performance at the National Television Awards for his portrayal of Merlin.

Doctor Who returns on March 30 with Game of Thrones returning the following night.

MMS6_MAIL_0073_RGB_V2_html

Mad Men returns on April 7 with a two hour season premier. More pictures like above here. The upcoming season will include more of Betty Draper but January Jones will not be returning as Emma Frost to X-Men Days of Futures Past . Elisabeth Moss was surprised her character left Sterling Cooper Draper Pryce last season and cannot say what Peggy will be doing in the upcoming season.

x-men-emma-frost-dofp

While January Jones won’t be returning to X-Men, Anna Paquin (Rogue), Ellen Page (Kitty Pride) will be returning in these roles.

I was initially concerned that Person of Interest would be about independent stories every week, but over time an increasingly convoluted back story has developed. If you are having as much trouble as I am keeping track of everything, the chart here will either help or confuse matters further.

Filming is starting on S.H.I.E.L.D. Cobie Smulders will be reprising her role as Maria Hill despite continuing on How I Met Your Mother for another season.

Downton Abbey is casting for a new suitor for a character in Season 4. If you saw Season 3, or heard how it end, you will know who. If you do not know, don’t follow this link.

Office Documentary Crew

After nine years the documentary crew is being introduced into the cast of The Office. Will they have a plausible explanation as to why they have been covering this office for nine years?

Emma Stone Nearly Naked.

Doctor Who meets Inspector Spacetime:

Doctor Who Meets Inspector Spacetime

 

 

Please Share

SciFi Weekend: A Timelord Wedding; Torchwood: Miracle Day; Dollhouse Stars on Torchwood & Community; Caprica; Mad Men to Return; January Jones as Emma Frost

David Tennant and Georgia Moffet are engaged with plans to get married next New Year’s Day. This sounds like a Timelord Wedding. Not only did Tennant play the tenth doctor, but Moffet has two ties to Doctor Who. She played The Doctor’s Daughter in a 2008 episode and Moffet is also the real life daughter of Peter Davison, who played the fifth Doctor from 1981 to 1984. (For those missing the old episodes, the BBC has announced the opening of a Classic Doctor Who channel on YouTube.)

David Tennant is also going to be working with another character from his days at Doctor Who. Tennant and Catherine Tate will be appearing together in a production of  Shakespeare’s Much A Do About Nothing.

The upcoming season of Torchwood has a tentative starting date of July 1 and a new title: Miracle Day.

As Davies explained, “The premise is a miracle that happens to the world. That one day, on Earth, no one dies. Not a single person on Earth dies. The next day, no one dies. The next day, no one dies. And on and on and on. Now, the sick stay sick, the old keep getting older, the dying keep dying, but no one quite dies.”

And at first, this seems a wonderful thing, “But globally, it’s an instant overnight population boom. The Earth relies on people dying.”

Davies understandably didn’t want to offer too many details on how and why “Torchwood” hero Captain Jack Harkness (John Barrowman, who couldn’t appear at the press tour session because he was acting in a play in England) comes back to our planet after running away at the end of the “Torchwood: Children of Earth” miniseries. But he did say that the notion of a world where no one can die would prove very intriguing to a man who suffers from immortality.

There is more information on the show and cast here. Dichen Lachman, who played Sierra on Dollhouse, who will play an FBI agent. Another cast member from Dollhouse will have a role on Community:

Enver Gjokaj, who played Victor during Dollhouse‘s brief life, will guest star on Community in episode 17, “Custody Law and Foreign Entanglements,” as Lukka, a love interest for Gillian Jacobs‘ Britta.

The character of Lukka is an “attractive, accent-y, oily Eastern European” fella who uses his finer points to seduce our girl Britta, but Lukka obviously is not exactly as delightful as he appears to be on first meeting.

The episode will most likely air sometime in March.

Miss the final episodes of Caprica last week? SyFy is streaming them online for free. As I’ve mentioned before, the concluding episodes were excellent, while the series as a whole was of mixed quality. Den of Geek! interviewed Eric Stoltz about some of the problems with the series.

Do you think that the show fell on the wrong side of a double-edged sword, following Battlestar?

I don’t think it was what the majority of Battlestar fans wanted, for the most part. It probably would’ve served us all better to have not even been connected to it.

It’s rare to find characters so instantly complex as we got in Caprica. How do you balance the many levels of Daniel Graystone? How do you set about giving the audience a way into a character like that?

That’s a very thick question, one which really requires a three page answer, which I won’t bore you with. The levels of the character were largely in the scripts, and usually left to the directors’ control: a little bit more malice here, a little more loving there.

That being said, there were certain relationships, like Greystone and his wife, that seemed to take on a life of their own, even beyond Paula Malcomson and myself. And that was wonderful to be a part of.

It was always a fascinating show to watch, and clearly the narrative had many, many threads to it. In hindsight, though, do you think the show was slightly off balance? Or wouldn’t you change a thing about it?

It’s rare for a show to find itself in the first season. There are exceptions, of course, but a lot of shows take two or three years to find the right ingredients. I’m sure we were off balance at times, and I’m sure I would change a few things if I had that power, but I’ve moved on.

It comes as little surprise, but it has been officially announced that Mad Men will return for a fifth season. No date for the season has been announced yet. January Jones will also be appearing in X Men: First Class, which will be a prequel story which, like Mad Men, takes place in the 1960’s. Jones will play the scantily mutant telepath Emma Frost. It would take an actress with the looks of January Jones to pull off the role.

”The costumes are insane,” Jones said.

“It’s a lot of very body-conscious stuff. If you look at the comic book, she’s barely dressed. She’s got quite the bod, which is very intimidating.”

I do think January Jones can handle the costumes.

Please Share