SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Agents of SHIELD; Gracepoint; Blacklist; Arrow; Supergirl; The DC Cinematic Universe; Revenge; How I Met Your Mother Alternate Ending

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Doctor Who‘s third episode of the Capaldi era, Robot of Sherwood, was the lightest of the season. The episode, written by Mark Gatiss, almost seemed to be outside of the continuity of the season, being a story which could be watched at any time and which could easily have happened under Matt Smith or an earlier Doctor. The episode begins with Clara on the TARDIS, showing nothing of her home life, ignoring the recent addition of Danny Pink to the show. There are no scenes of Missy, but there was a brief reference to a space ship searching for the Promised Land.

The episode does have several references to classic Doctor Who. For example, the black and white still of Robin Hood from the TARDIS database is from a 1953 BBC show in which Patrick Troughton played Robin.

Despite the Doctor’s insistence that “I am totally against bantering,” the episode is amusing for its banter between the Doctor, Clara, and Robin Hood, along with its mocking of the traditional tropes of the action/adventure show. This was best seen in the dungeon scene as the Doctor and Robin discussed their plans to escape. They  included the classics: “get interrogated and turn the tables” and “pretend to be sick so the jailer will come in.” Clara excluded one Doctor Who solution which is utilized too often: “Can you explain your plan without using the words ‘sonic screwdriver'”? For once, an enemy took the sonic screwdriver away.

The Doctor had his own unique answer to the hero who fights but carries no weapon: “I don’t need a sword. Because I am the Doctor. And this is my spoon.” There was also a look at the nature of legends and heroism. Instead of being compared to the Daleks in Into the Dalek, this week the Doctor was compared to Robin Hood, even if it took a while for the Doctor to acknowledge Robin’s”reality” within this universe. We knew from the title that robots were involved, but it was not clear until the end as to who would be real and who would be robots.

Above is the Doctor Who Extra for Robot of Sherwood. While I posted the Doctor Who Extra for Into the Dalek with last week’s review, I initially did not post the video for Deep Breath as initially it was available for view within the U.K. only. Doctor Who Extra has since been made available internationally. The video for Deep Breath can be viewed here.

One scene was cut from the broadcast episode involving a decapitation in response to the recent decapitation of two journalists by ISIS. DoctorWhoTV described the cut scene:

In the original version of the final sword fight, the Sheriff gets the upper hand on Robin disarming him and putting his sword to his neck. Robin looks doomed but the Doctor throws a cloth tapestry over the Sheriff blinding him. Robin picks back up his sword and decapitates the Sheriff. His head rolling across the floor.

Clara congratulates Robin on his apparent victory, but the Sheriff’s severed head suddenly starts talking! He reveals that the skyship fell on him and the knights made him half-robot.

Behind Clara the Sheriff’s body gets back up and puts a sword to her throat ordering the Doctor and Robin to surrender. Robin picks up the Sheriff’s head and throws it back to the Sheriff’s headless body. He puts his head back on. And the fight scene resumes as was shown.

In total about a minute of footage was lost and of course the reveal that the Sheriff was a robot.

Next week’s episode, Listen, sounds much darker, despite reportedly containing Clara and Danny’s first date. The episode is being compared to perhaps Steven Moffat’s greatest episode so far, Blink. Trailer above.

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Sleepy Hollow had poor timing with their National Headless Day promotion, and did not manage to get this canceled before seen as Doctor Who did with its beheading scene. For more mundane promotion, here is the official synopsis of the first episode of season two:

Episode 2.01 – This Is War (22-Sep-2014)
In Sleepy Hollow, it would seem as though the status quo has been restored, but things in the formerly quaint town are never truly as they appear. Even now, how Crane managed to escape being betrayed and buried alive by his son, Jeremy (aka Henry Parish, aka the newly minted Horseman of War), or how Abbie freed herself from Purgatory, remains a mystery… even to them. What appears certain however is that while both Katrina and Jenny have apparently been lost, the Two Witnesses have not abandoned their quest to fight tirelessly against Moloch and his minions. Meanwhile, Moloch’s malevolent forces use all the powers at their disposal in an attempt to locate a key – once belonging to Founding Father Benjamin Franklin – which is capable of unlocking the gates of Purgatory. After using his unique skills on an unanticipated prisoner, Sin-Eater Henry Parish discovers a clue which points him in the direction of the valuable artifact, but Crane is intent on finding it first. While in Purgatory, Moloch works to raise a demonic army in preparation for his invasion, but those who would prevent the hoard’s advent get help from an unexpected source. Meanwhile, we learn that Jenny and Katrina are both still alive, though each is being held prisoner for vastly different reasons, and Crane takes the inadvisable action of re-entering Purgatory in order to fulfill a promise.

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Doctor Who is no longer the only time travel show on Saturdays. Even before Outlander began, critics who received the first six episodes were saying the sixth was by far the best. With the cliff hanger last night,next week’s episode, The Garrison Commander does look like it could be a major episode.

Claire was left with a big decision. She could tell the Red Coats that she was willingly with Dougal and stick with the enemy she knows, knowing she does have Jamie to protect her, or risk the unknown of seeing whether the British would really treat her any better. From the previews it looks like she does wind up with the Red Coats, but that doesn’t explain the situation under which this occurs or what her answer is. The episode also had added interest when Claire understood that Dougal’s motives were more noble than she first thought, but that he and his clan were ultimately doomed. She experienced the  frustration of being a time traveler and being unable to do anything about the future.

ABC has released a synopsis for the second season of Agents of SHIELD:

Marvel’s Agents of S.H.I.E.L.D.” returns for a dynamic, action-packed second season, with newly appointed Director Phil Coulson (Clark Gregg) – now the keeper of the secrets — charged with rebuilding and restoring government and public trust in S.H.I.E.L.D. in the wake of the events of “Marvel’s Captain America: The Winter Soldier,” where it was revealed evil Hydra agents had infiltrated the organization. Ever since the existence of super heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Agent Phil Coulson, who had died at the hands of Loki during the battle, was resuscitated and brought back into action, assembling a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But the biggest threat was growing from within, as S.H.I.E.L.D.’s old enemy, Hydra – a dangerous extremist group Captain America fought against in World War II – had secretly infiltrated and infected the organization at the highest levels. Once revealed to the public, S.H.I.E.L.D., including Coulson and his team, was discredited and made to look like the enemy. The world now views S.H.I.E.L.D. as untrustworthy, and it’s Coulson’s job to change that opinion.

After helping to thwart Hydra, Coulson was appointed as Director and tasked with rebuilding the agency. This won’t be an easy job to accomplish with the majority of S.H.I.E.L.D. agents either killed, secretly working for Hydra or free agents. Agent Melinda May (Ming-Na Wen), expert pilot, martial artist and longtime friend, will continue to look after Coulson in the wake of the mysterious etchings he’s been carving into walls. What do these etchings mean, and can Coulson be trusted? Grant Ward (Brett Dalton), highly trained in combat and espionage, was found to be a Hydra mole and a traitor to S.H.I.E.L.D. and locked up away from the world and his former teammates. But this isn’t the last we’ve seen of him… After being left to die in the middle of the ocean by Ward, Agent Leo Fitz (Iain De Caestecker), brilliant engineer, and Agent Jemma Simmons (Elizabeth Henstridge), genius bio-chemist, found a way to escape their watery grave. But all did not go well for Fitz, who was left in a coma and may never regain his full cognitive functions; a devastating blow to Simmons. And computer hacker Skye (Chloe Bennet), now a full-fledged S.H.I.E.L.D. agent, discovered her origins as a 0-8-4 — an object of unknown origin – and that her parents were considered “monsters.” Could Skye have darkness lying dormant inside of her? Also joining Coulson’s core team is Lance Hunter (Nick Blood), a dashing mercenary sharp shooter with a quick wit. Since he didn’t rise up through the ranks, does he have an ulterior motive for helping out the team?

Who can Coulson trust?

Fox has released a teaser for Gracepoint, staring David Tennant and Anna Gunn. It just feels like Broachchurch where they got things wrong.

There are some spoilers for season two of The Blacklist here.

Arrow has cast Matt Nable in the role of Ra’s Al Ghul. Thea will also have a new love interest.

Supergirl might be the next DC character to get her own television series.

The Nerdist has a look at what is known about the planned DC cinematic universe which follow Superman, Batman, and Green Lantern. Future movies include the Justice League of America, Shazam, Wonder Woman, and Aquaman. AV Club has more on Shazam on how it will differ from other DC movies.

There’s further talk about a movie version of 24.

Syfy is planning a six part miniseries adaptation of Arthur C. Clarke’s Childhood’s End. If done well, this could be one of the network’s greatest features to date.

Revenge tried to drag out the storyline from its first season way too long, and it looks like they are making the right decision in changing the show around. BuddyTV has some spoilers as to what will change next season:

With David Clarke’s name cleared, will Emily’s quest for revenge be over? Conrad was imprisoned and is now presumably dead and the great Victoria Grayson has been left to rot in a mental institution. Plus, Emily’s father is actually alive!

That will be an awkward reunion. Emily went against her father’s wishes and left the sweet Amanda Clarke behind and became a ruthless killer instead. Her life will be turned upside-down with the news.

Executive Producer Gretchen J. Berg teased, “The drive of season four will be Emily discovering who Amanda Clarke is and Emily figuring out her new life with her father in it. I don’t want to say when she’s going to discover that, but that’s going to be our arc for the season.”

In addition to Emily unraveling her true identity, it looks like she’ll have to contend with being the target of someone else’s revenge. The tides have turned!

Victoria does the voice over for the first Revenge Season 4 Trailer, “My name is Victoria Grayson and I have a story to tell. Over the past three years my family was destroyed, the love of my life murdered, my freedom taken away. When everything you love has been stolen from you, someone has to pay. Emily Thorne, I’m coming for you.”

…When we last saw Jack, he was being arrested for Charlotte’s kidnapping. He’ll take the cuffs off and become the one putting them on others when he becomes a cop. Yes, Jack likely will be donning a uniform!

What will happen when Emily and Victoria find out David’s alive? Executive Producer Aaron Harberts told EOnline, “He may not be the most emotionally and psychologically stable and if Victoria is the first person to get to David, she might be in control of that guy, which sort of presents her power running through the season,”

Copies of the promised alternate ending to How I Met Your Mother have been appearing on line but have been taken down. I don’t know how long it will be here, but at the time of posting I have found the above video of the entire final episode, with alternate ending to the finale starting around 37 minutes in. The options are somewhat limited as it can only contain what was already filmed, but it does have new narration from Bob Saget. While the alternate ending therefore could not show any new scenes of Ted and Tracy in the future, it was still a far better ending for the series than the one that aired.

As I discussed in my review of the finale, the ending made sense when first filmed early in the series run, but no longer made sense from where the show ultimately wound up. Viewers had too much invested in Tracy in the final season to just see her quickly die. Having Ted and Robin ultimately get together was the obvious ending during the first season, but it no longer made sense to have Robin and Barney break up for this to occur after spending so much time making this implausible relationship make sense, and spending the entire final season at their wedding.

While we were denied more scenes of Ted and Tracy leading up to the moment when Ted was telling the story to his children, there remains the opportunity to see Cristin Miloti alive, but in a different relationship, on the upcoming sit-com, A to Z. The pilot has been released for early viewing.

SciFi Weekend: Continuum; Orphan Black; Fargo; Game of Thrones; Sin City; DC Movie Schedule Rumors; HBO Passes on American Gods; Casey Kassem Dies

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Continuum, Orphan Black, and Fargo are all heading towards their season finales and all had major events this week. Continuum had a real game changer with 3 Minutes To Midnight. While the most significant revelations happened at the end, a lot also happened earlier in the episode. The storyline about Halo raises further questions about both the abuse of technology and as to whether Kiera chose the right Alec. We saw the other Alec still alive in one of those Freelancer glass cages. They make for interesting scenes, but they don’t look all that practical for long term incarceration. How do the prisoners even go to the bathroom? Jason went out in search of the time travel device from the Alex from the original time line, but how did he know where to look? Julian, now the Vice President of Social Responsibility at PIRON, finally learns about all the time travel going on. I loved how Kellog thought Brad was a car jacker when it turned out that Brad was turning to Kellog for help–as it turned out that a future Kellog had sent Brad back in time. Kiera ultimately caught up with Brad when he went to a hiding place at an old home and saw his younger self, apparently with no negative repercussions. He did confess to Kiera how he shot the other Kiera, and was fortunate that at this point she didn’t really seem to mind.

The climax was set up with, as Travis described it, “It’s like Wylie Coyote finally catches the roadrunner.”  There are further comparisons to the Terminator series. It is not clear as to why Liber8 was going after capturing Kiera at this point, or if they even knew about Brad. Once captured, Brad’s story did become the main matter of interest. Liber8 learned that they were successful in preventing the development of the Corporate Congress, but the result was worse in the time line which Brad came from. They also found that they were all pawns. Garza was working for Sadler, Kellog had his own agenda, and Chen was working for the Freelancers.

Simon Berry gave a clue as to what this might all mean in this interview with the Canadian TV Guide. The second paragraph is essential in considering  how time travel plays into the story:

TV Guide Canada: Last week you told us this Sunday’s episode was going to have people talking and you were absolutely right. When did you guys decide you were going in this direction and have no one able to control the future?
Simon Barry: When we were breaking Season 3, the idea that this new timeline–were it to be exposed beyond just Kiera and Alec to Liber8 would kind of create an existential crisis–was something we loved the idea of as a concept. We realized as Kiera was coming around and waking up about her reality that at the same time she was able to sort of come to terms with the truth about where she came from, we could also allow Liber8 to learn the truth about their circumstances so that everyone would at the same time go through this mental reality check. Here’s what the rules really are, here’s what is actually going on.

In terms of time travel, when you believe that you’re the last time traveler, you have this assumption that you’re in control of the situation. When you discover that someone else has actually time-traveled after you, you realize you’re a pawn in someone else’s game. It can be a profound and very disturbing realization that your efforts have been trumped essentially. The time travel trump card is whoever has traveled most recently. [Laughs.] For Liber8, it was important for them to have a catharsis and for reasons that will be revealed in Episodes 12 and 13, this moment of realization fundamentally shifts Liber8′s perspective.

So where do we go from here? Does Kiera and/or Liber8 try to fix this time line? Can that even be done? If it is the last time traveler who is in control of the situation, it is not clear if Kiera or Brad is the last. Will next season move on to yet another time line where Kiera or someone else is in control of the situation? This week’s episode opened up so many possibilities.

Orphan Black Bone Marrow

On Things Which Have Never Yet Been Done, Orphan Black advanced the story lines for most of the clones (although no sight of Tony, who was introduced last week). It appears that Alison watched Dexter but not Breaking Bad when she discussed the disposal of Dr. Leekie’s body. She rejected Donnie’s idea of dumping him under water (“Do we have a boat?! Have you ever seen Dexter? Random scuba divers are finding everything!”). She didn’t consider destroying the body with acid. She decided upon burying him in their garage, but this does mean that the evidence will always be around and there should also be a difference in the concrete the shape of a burial plot. Just when it looked like Donnie was of little value, he suddenly grew up and took on both Vic and Angie.

Helena remains a psychopathic killer, but this season has been a psychopathic killer for the good guys/clones. I almost feel sorry for Henrick, and we don’t know the fate of most of the people at the Prolethian compound. Helena certainly would not have left the kids to die, and reportedly there was a scene which was cut for time in which she did help them escape. We also don’t know for sure whether Helena, Gracie, or both really are pregnant, and if they will keep the babies if they are.

Back at Dyad, Rachel continues to manipulate Delphine (the new Leekie) and Cosima. Poor Delphine tried to help Sarah but turned out to have been manipulated by Rachel (who has an awesome media room). There was yet another scene in which one clone impersonated another–this time Rachel playing Sarah to kidnap poor Kira following the bone marrow donation. In a way the penultimate episode placed us where we incorrectly assumed we were at the end of season one with Kira captured by Dyad.

John Fawcett answered some questions for Entertainment Weekly heading into the season finale:

ENTERTAINMENT WEEKLY: This episode was very heavy on insemination and people in stirrups. What’s up with that?
JOHN FAWCETT: It wasn’t something that we were purposely trying to do, but there is a nice mirroring thing of Helena at the beginning and then kind of matching that and having Gracie have the same procedure happen. It just gets to this creepy ongoing saga of the Proletheans and their grand plans for Helena.

EW: Speaking of people in stirrups, I suppose it’s time to offer a eulogy for the dearly departed Henrik. Why decide to take him out and in such a painful fashion?
FAWCETT: He kinda got what we deserved, don’t you think? Listen, it’s a fun and a sick way to dispatch one of your villains. And I think Helena has had a little revenge on her brain for a while.

EW: The Proletheans have been such a big part of this story for the first two seasons. With Helena torching that place and taking out their leader, are they now not going to be a big part of the show? Are we sort of done with them, or will they continue to be a part of this saga?
FAWCETT: We have not seen the last of the Proletheans. What this represents is a kind of a win for our team. But it’s definitely not a “we’re done with them.” It’s not the end of the empire. Darth Vader’s still spinning off into space.

EW: Is this kidnapping a case of Rachel trying to recreate her lost childhood and have the family unit she felt she never did?
FAWCETT: Rachel’s a little creepy, there’s no question. That could be an aspect of it. It seems to me from all the conversations that Kira is very important to Dyad, from a biological point of view. But also, this has become personal between Rachel and Sarah, and we begin the season with a war between Sarah and Rachel and this war is basically coming to a head with Rachel taking Kira. So you can imagine that this is not going to go well at this point. Especially considering that this ongoing war is really the framework and A story of season 2.

EW: Okay, now’s your chance to tease the finale. We still have a lot of balls in the air. What can we expect next week?
FAWCETT: Sarah is obviously going to have to deal with Rachel. We know who took Kira. It’s not like we’re trying to figure out who took her. We know who took her. So this is going to come to a bit of a showdown between Sarah and Rachel and that’s going to be the exciting thing to watch next week.

EW: There are some people we have not seen in a while. We haven’t seen much of Paul, who is off somewhere. Might he pop back up again?
FAWCETT: We’ve done a lot to bring all the storylines all together for the season finale, so there’s a chance you might see him.

Fargo s01e09 Malvo

Fargo’s penultimate episode, A Fox, A Rabbit, and a Cabbage, sets up what is billed as a bloody finale. Lester both remain foolish and ethically descends into a full Heisenberg. Flashbacks brought us up to date on why Malvo was pretending to be a dentist in order to track down the brother of a dentist in witness protection. His plan was disrupted when Lester appeared, insisting he knew  him. Malvo gave him the same choice he gave him in the first episode: “Yes or no?” Lester showed he learned nothing in answering “Yes,” leading Malvo to kill everyone else in the elevator. “That’s on you.” Lester made another foolish mistake in making a dangerous enemy out of Malvo by hitting Malvo but leaving him alive. This led  Malvo to warn him, “See you later, Lester. See you soon.”

Until this point it appeared that Lester could get away with everything he did a year earlier. Of course, unknown to him, there was again danger from Molly solving the case now that the two FBI agents were taking her seriously. Plus there were new suspicions with Lester having been in Los Vegas at the time of the murders in the elevator.

Lester returned home, hoping to leave the country with his wife Linda. After hearing Linda tell Lester how she always loved him and felt like Cinderella, it was obvious that she was doomed. Suspecting that Malvo was waiting for him at his office, where their passports were stored, Lester had Linda wear his parka with hood up. I doubt that Malvo really confused Linda for Lester when he shot her. If there was any doubt that Lester deserves to either be captured by Molly or killed by Malvo, this resolved it.

In comparing the television adaptation with the movie, I initially saw Lester as more being the victim of circumstances and, despite killing his wife in a fit of rage, not being evil in the sense that William H. Macy’s Jerry Lundegaard was. While things got totally out of hand for both Lester and Jerry, the difference was that Jerry had planned a crime from the start. Lester, like Walter White, became more evil as the series went on, previously framing his brother for his wife’s murder, and now setting up poor Linda.

Lester’s fate might have been determined by the poor decision he made in this episode. Poor decisions often wind up influencing the direction of television shows. For example, tonight we will probably learn the fate of Tyrion on tonight’s season finale of Game of Thrones. He has been sentenced to death after Oberyn was killed by the Mountain in the trial by combat two weeks ago (but I wonder if he gets off on a technicality if both are dead). It was clear that Oberyn would be killed when he made the terrible decision not to kill the Mountain when he had him down, instead demanding a confession. While Oberyn was a fool in that episode, it was good to see Sansa mature, and finally act in control of her fate (somewhat similar to how Donnie acted on Orphan Black).

The above trailer has been released for Sin City: A Dame to Kill For.

Current rumors regarding upcoming DC superhero movies:

May 2016 – Batman v Superman
July 2016 – Shazam
Xmas 2016 – Sandman
May 2017 – Justice League
July 2017 – Wonder Woman
Xmas 2017 – Flash and Green Lantern team-up
May 2018 – Man Of Steel 2

HBO decided that an adaptation of Neil Gaiman’s book American Gods was too much to take on:

I think we’re all huge fans of the book, and I think the script just didn’t — we couldn’t craft the script as good as we needed it to be. I think we knew going in that it would be a challenge; every good book is a challenge to adapt it and find the level you need for it. The bar is high now for great dramas. And to find that bar — we tried. So it was a huge disappointment […] We tried three different writers, we put a lot of effort into it. Some things just don’t happen. We have to trust at the end of the day, if you don’t have a star with a great script, you’re just not going to go through with it.

In other entertainment news, Casey Kasem has died at age 82.

SciFi Weekend: Sleepy Hollow & Other Cliffhangers; Doctor Who & Sherlock Win At National Television Awards; The Americans; Arrow; Wonder Woman; Revolution; Hannibal; SHIELD

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Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.

This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard.  The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.

An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.

Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!

Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating  Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.

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The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:

This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.

Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”

Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”

Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.

There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.

Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.

BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.

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Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:

“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”

He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.

“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”

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Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.

I don’t know if this is the official final storyline, but this synopsis  (spoiler) of the Fantastic Four reboot leaked out from casting calls:

“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”

I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.

A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.

Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.

HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.

CHLOE BENNET

Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:

Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.

“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”

In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.

“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”

Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.

Parks and Recreation has been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.

Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.

Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.

SciFi Weekend: Arrow; Agents of SHIELD; Daredevil; Terminator And Other Dangers of Artificial Intelligence; Orphan Black; Continuum; Doctor Who; Veronica Mars; Superman; Batman; Wonder Woman and More

Arrow_S02E08_Scientist_The_Whole_Gang

Arrow is in the middle of a two-part story which introduces Barry Allen, who will later become The Flash. The steady introduction of new characters, who then leave before they have overstayed their welcome, has been a strong point of the series. There is also a potential reversal in Oliver’s relationship with Felicity. I just hope they don’t turn this into another Laurel storyline. There are some pictures and minor spoilers from next week’s episode posted here.

While the show is far from perfect, and sometimes lapses into CW-style soap opera, it has been an admirable attempt to portray a super hero story in live action. The show has received considerable notice this season, including a recent article in The New York Times which refers back to another excellent review which I mentioned in a previous post:

There is a consensus, among fans, critics and network executives that with “Arrow,” Mr. Berlanti seems to have found the right formula for making a comic book hero work as a television protagonist. (A headline in The Hollywood Reporter asked, “Is Arrow the Best Live-Action Superhero Show Ever?”) The episodes are peppered with references from the comic books — adversaries with names like Deathstroke and Count Vertigo — but not so many as to confuse viewers who might not know the source material.

“Greg does not tend to do projects he does not really believe in,” said the CW president, Mark Pedowitz. “‘Arrow,’ in a way, was contrary. It’s not ‘Smallville.’ It’s a much darker, grittier version of a comic book character. That was not normal CW programming.”

When he pitched “Arrow” two years ago, Mr. Berlanti, who got involved with DC in 2007, when he wrote the original draft of the “Green Lantern” feature film, said he envisioned the series less as a superhero tale than a “Bourne Identity” type thriller: a continuing story of a privileged playboy who finds himself shipwrecked, held captive and tortured on a remote island, where he must acquire new skills — and a new sense of himself — to survive. That playboy, Oliver Queen (played by Stephen Amell) returns to Starling City five years later a different, better but still in some ways tortured man. And he’s become really good with a bow and arrow.

“The story of that transformation” — told through flashbacks to the island — “will continue through the whole series,” Mr. Berlanti said. “The beginning of the show (Oliver being rescued and returning to civilization) will be the end of the show as well. That was always the pitch.”

The article also compares the show to Agents of SHIELD, with The Guardian being clearer in the difference between the two with an article under the headline: Superhero TV: Agents of SHIELD could learn a lot from Arrow.

Agents of SHIELD will be introducing two new characters:

Episode 14 will introduce two recurring characters: an African-American agent who specializes in combat/weapons, and a high-level S.H.I.E.L.D. agent/munitions expert who has past ties to both Coulson and Ward.

Any hope that this means they will be eliminating two (or more) of the current weak characters?

While the Daredevil movie had terrible reviews, Blastr provides considerable hope that the Daredevil television show will be far better:

The pattern of Whedon-adjacent creators taking on Marvel properties continues. Not that we’re complaining.

Daredevil is slated to be the first Marvel character that Netflix will be releasing into the wild world of instant streaming sometime in 2015. If you were wondering who the boss is going to be, wonder no more — it’s Drew Goddard.

Just in case the name doesn’t immediately fire off all your geeky synapses, let’s run through his credits — Buffy the Vampire Slayer, Angel, Alias, Lost, Cabin in the Woods, World War Z, and the list goes on. Goddard is the one-man link between the two most powerful men in sci-fi — Joss Whedon and J.J. Abrams. And now he’ll be writing and directing the Daredevil pilot in addition to executive-producing it.

As choices go, that’s about as good as both Netflix and we can hope for. What his vision is? That remains to be seen.

Based on his body of work, though, we’d say Daredevil is in good hands.

Terminator-Sarah-Connor-Chronicles-reboot

Not only is there planned reboot of the Terminator movies. The Hollywood Reporter has a story on a planned television series based upon the upcoming movie:

The producers behind the upcoming fifth installment have tapped Thor and X-Men: First Class writers Zack Stentz and Ashley Miller to write and executive produce a new Terminator television series that will be a companion piece to the rebooted trilogy.

The TV series will follow a critical moment from the first Terminator film (1984), and where the film’s story goes one way, the upcoming series will take the same moment in a completely different direction. As the rebooted film trilogy and the new TV series progress, the two narratives will intersect with each other in surprising and dramatic ways.

I wish they would have produced a conclusion for the cliffhanger which ended The Sarah Connor Chronicles before going on to a new series. Still, the idea of following different time lines in the continuation of the series does sound intriguing if done well.

The Drudge Retort has an interesting discussion on the potential risk of artificial intelligence:

Documentarian James Barrat, author of Our Final Invention: Artificial Intelligence and the End of the Human Era, is worried about robots too. Only he’s not worried about them taking our jobs. He’s worried about them exterminating the human race. In Barrat’s telling, we are on the brink of creating machines that will be as intelligent as humans. Specific timelines vary, but the broad-brush estimates place the emergence of human-level AI at between 2020 and 2050. “intelligence explosion” — an onrushing feedback loop where an intelligence makes itself smarter thereby getting even better at making itself smarter. This is, to be sure, a theoretical concept, but it is one that many AI researchers see as plausible, if not inevitable. Through a relentless process of debugging and rewriting its code, our self-learning, self-programming AGI experiences a “hard take off” and rockets past what mere flesh and blood brains are capable of.

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The first new picture from season 2 of Orphan Black teases us with some girl on girl action, with Tatiana Maslany in both positions. Entertainment Weekly spoke with show’s creators John Fawcett and Graeme Manson about the second season and the pictured conflict between Sarah Manning and Rachel Duncan, the clone seen at the end of season one who was working with the Neolutionists:

EW: What else, if anything, can you tell us about this image here and what it means for season 2?
MANSON: Probably that if Rachel launched the first volley in this war, this is one of Sarah’s steps in this war.

FAWCETT: Our launching framework for season 2 is really the war between Sarah and Rachel.

EW: You guys just scratched the surface with what we saw with Rachel last season. She’s clearly not a clone we’re not rooting for at this point, nor are we really sympathetic toward her, as we became somewhat sympathetic to Helena over the course of season 1. Where are you planning to go with her in season 2?
FAWCETT: For us, using Helena as an example, it was very interesting to draw a character that began really as one thing — for example, a serial killer — and then through the course of a few episodes become able to add layers and add flesh to the point where you could understand her and be sympathetic to her. So, to me, that was about creating a really dynamic deep interesting character that wasn’t just a cartoon. And I think we feel the same about Rachel. I think you could probably tell from the end of season 1 that Rachel’s got a little bit of heavy to her. And I think what’s interesting to us is that we’re having fun creating a new character this season who isn’t just a heavy. There’s other aspects to her. And that’s been a really fun developing a new girl.

MANSON: No one is just who they seem on Orphan Black. That’s the most important thing. Maybe things get set up as kind of a cliché or as one thing, but we’re always trying to bend it and find the layers to keep it fresh and original.

FAWCETT: Even as a villain, Rachel is going to hold a lot of surprises for us. She’s been a really fun nemesis for Sarah.

EW: Season 1 on any show is all about introducing the story and the characters, and it’s essentially setting the table. And if you do it right, a lot people want to come sit down at that table. But now, in season 2 what do you do to keep them sitting there?
MANSON: Right off the bat we’ve really hit the ground running. We left a lot up in the air, so it’s been a lot of fun figuring out how and when and where those balls land and how they land in unexpected ways. As for Rachel, we did leave last season knowing that Rachel was a child of Neolution, therefore much connected to the origins of the experiment. So I think Rachel is going to help to open a window for us and we ’re going to begin to understand a lot more about the conspiracy.

FAWCETT: Plus, I also think one of the big things we’re going to have to deal with in season 2, which is finding its own twists and turns, is Cosima’s illness. And that is a very pressing bit of drama that is not just straight ahead. It’s got a lot of mystery to it. It’s got a lot of twists and turns to it and it is thematically a big part of season 2 also.

MANSON: It’s a genetic mystery. It’s a genetic biological mystery and it feeds into some of our body horror and it feeds into our science mystery.

Season two of Orphan Black returns on BBC America and on Space on April 19, 2014.

rachel_nichols_continuum_3

Showcase has announced that filming has begun and they will air the third season of Contiuum starting in March, 2014. More from their press release:

In season three of Continuum, Kiera Cameron (Rachel Nichols; Criminal Minds, Alias) faces the immediate consequences of Alec Sadler’s (Erik Knudsen; Jericho, Scream 4) betrayal at the end of season two – when he disappeared in a flash of light with the time travel device Kiera hoped might send her home. Alec’s impulsive decision sets in motion a chain of events, which pushes Kiera into a shocking alliance with a former enemy.

Kiera must also contend with a newly strategic Liber8 organization, and a growing darkness in her police partner, Carlos Fonnegra (Victor Webster; Castle, MelrosePlace). Ultimately, all roads lead through young Alec Sadler, and with his genius never having been more tested, his choices force Kiera – and everyone – to examine all they hold dear.

“Season three of Continuum will raise the stakes and expand the universe of our show in ways that will surprise and engage our fans,” said creator/executive producer Simon Barry. “Kiera’s journey brings her experiences that test her beliefs and challenge her resolve. The future is not what it used to be.”

“We could not be happier about the phenomenal success of the show over the first two seasons, with a very loyal and enthusiastic fan base that continues to expand worldwide,” said Reunion Pictures’ Tom Rowe.  “The third season, under the creative direction of Simon Barry, along with fellow Executive Producer/Director Patrick Williams, the first-rate writing team and our exceptional cast, again promises to exceed all expectations.”

New to the cast this season is Rachael Crawford (Alphas,The Firm) who joins as a guest star in a multiple episode arc. Returning cast include Stephen Lobo (Smallville, Little Mosque On The Prairie), Lexa Doig (V, Stargate SG-I), Omari Newton (Blue Mountain State, Sophie), Luvia Petersen (The L Word) and Terry Chen (Bates Motel, Combat Hospital).

SyFy has the rights to air the show in the United States. An air date has not been announced. I hope that they start when Showcase does in Canada. However, SyFy has several shows starting in mid-January and I wouldn’t be surprised if they wait until their thirteen-week runs end before starting another series. Such delays cause a real problem with blogging about shows after downloading upon airing when most US fans have not viewed the show yet.

Disney has bought the rights to Indiana Jones, with a fifth movie now planned. Disney has already been using Indiana Jones themed exhibits in their theme parks and we can assume there will be far more synergistic use of the characters with other Disney marketing.

Jenna Coleman-death-comes-to-pemberley

Jenna Coleman seen above as Lydia Wickham in Death Comes to Pemberley  “BBC One’s Pride and Prejudice follow-up – based on the novel by PD James – is a murder mystery set six years after the events of Jane Austen’s classic.” It will air in the UK later this month with US air date not set yet.

Moffat and Gatiss plan to release a mini-episode of Sherlock on December 25, taking place two years after Sherlock’s “death” in The Reichenbach Fall. The series returns in the UK on New Year’s Day and later in January in the US.

The BBC has announced the air time for the Doctor Who Christmas Special–The Time of the Doctor. It will be on at 7:30 pm. BBC America won’t be airing it until 9 pm in the US, meaning that with the difference in time zones it will be available for download several hours before it airs in the US.

Rebecca Mader, Charlotte on Lost, will join other former actors from Lost as the new villain on Once Upon A Time. Unfortunately they dragged on the Peter Pan plot line for too long. Meanwhile, there sure were a lot of daddy issues this week on Once Upon A Time in Wonderland (which I currently find to be the better of the two).


The Veronica Mars movie will be released on March 14, 2014, about a year after the Kickstart campaign made it a reality. The above video shows the ten-year reunion at Neptune High.

NBC has renewed The Blacklist for a second season.

Netflix has announced that they will be releasing season two of House of Cards on February 14.

Three Breasted Woman Total Recall

ComicBookMovie.com looks at various designs for the three-breasted hooker from Total Recall.

Wonder Woman, played by Gal Gadot, will be appearing in the upcoming Man of Steel sequel, scheduled for release in 2015.

I have questioned whether there was any point in having a show about Gotham City before Batman but Fox apparently is interested in airing Gotham, a show about “the origin stories of Commissioner James Gordon and the villains that made Gotham famous.” Now there are reports that Bruce Wayne will appear–but as a ten-year-old.

Is Superman a Fascist? Andrew Sullivan posted all sides of the debate.

***STRICTLY EMBARGOED FOR ALL USAGE IN PRINT AND ONLINE UNTIL 00.01 ON 5 DECEMBER, 2013, GMT*** DOCTOR WHO XMAS 2013

And, finally, another tease for the upcoming Christmas Special, The Time of the Doctor

SciFi Weekend: Spoilers on Star Trek Into Darkness; Doctor Who News; Carrie Fisher and Star Wars VII; Joss Whedon on Superheroes; Ashley Judd Running For Senate

A new trailer has been released for Star Trek Into Darkness (video above). TrekMovie.com revealed several spoilers coming from an extended screening in Brazil:

From the extended beginning of the film…

  • Opening sequence (previewed at IMAX theaters in December) has been reordered to have Nibiru Volcano sequence now opens the film followed by title card and then the scenes in London and at the hospital

  • Nibiru mission ends with Kirk rescuing Spock by violating the prime directive by revealing the Enterprise to Nibiru natives so he can beam Spock out of the Volcano

  • Kirk has a scene in bed (back in San Francisco) in bed with two “cat women”

  • Kirk makes mention of hoping to get assigned to a “five year mission” (implying that the famed five year mission hasn’t started yet for the time he has been captain)

  • Kirk is demoted for violating prime directive on Nibiru, loses command of Enterprise with Pike to take over command Kirk as first officer

  • Pike wanted to send Kirk back to Academy but was convinced (possibly ordered?) to make Kirk first officer of Enterprise by Admiral Marcus (played by Peter Weller)

  • Spock assigned to another ship

  • The “father” character uses his Starfleet ring as a bomb (dropping it into water for a reaction) and destroys a facility (in London)

  • London attack leads to big meeting of Starfleet captains which itself is attacked by John Harrison, resulting in Pike being injured…Harrison transport away

Later scenes in the film….

  • Enterprise severely damaged falling to Earth with Spock in command ordering evacuation

  • Kirk and Scott seen in Engineering trying to stabilize ship

  • Later Spock scene beaming down to San Francisco and starting long chase with Harrions

  • Eventually Spock meets up with Harrison and engages in a fight

Doctor and Clara

The BBC has announced a three day convention at ExCeL London for the 50th anniversary of Doctor Who. Filming on the 50th Anniversary episode  begins on March 18. Presumably more information on the show, such as who is actually appearing, will be more likely to leak out when they are filming the episode. Peter Davison does not believe that the earlier Doctors played by older actors will appear:

Speaking at February’s MystiCon panel, he said: “I honestly don’t know very much. I know that Steven Moffat will have something planned. I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.

“I think we’ll be featured somewhere but I should think it’s probably footage lifted from older Doctor stories. I don’t know. We are doing some Big Finish audios. I know that there are events planned by the BBC. I’ve got a meeting with the head of BBC Wales when I get back to go through various things the BBC have got planned. I don’t think she’s going to offer me a part in it… I might be wrong.”

He adds: “I decided that if we weren’t going to be involved that I would get together with Colin [Baker] and Sylvester [McCoy] and make our own little special… If we can possible manage it, we’re going to get into the 50th anniversary special whether we’re invited or not!”

The Daily Beast has five facts about Jenna-Louise Coleman.

Matt Smith told The Mirror that his favorite moment on Doctor Who was kissing Jenna-Louise Coleman:

Clara and the Timelord snogged in the Christmas Day special and Matt said: “My favourite moment? I like our kiss, that was quite fun, even though it was hell to do. We actually did a couple of different versions there might be some outtakes.”

He also loves New York:

If I could film we’d film every episode of Doctor Who in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.

Doctor and Clara notebook

Matt might love New York, but he cannot go back in time to whenAmy and Rory are living. We have a definitive answer as to why the Doctor will never again meet up with Amy and Rory from this interview with Steven Moffat from BlogtorWho:

Last year friend of the blog Dan Martin took time to chat with Steven Moffat about the Doctor Who Series 7 Part 1 finale, The Angels Take Manhattan  – and more specifically, “The Washington Theory”. Dan asked the current showrunner why could Amy and Rory not just travel to Washington (or Boston, or anywhere for that matter) and meet The Doctor there? Had Moffat left a useful plot thread dangling to bring the beloved companions back in a couple of years? Not so, according to Moffat…

“New York would still burn. The point being, he can’t interfere. Here’s the ‘fan answer’ – this is not what you’d ever put out on BBC One, because most people watch the show and just think, ‘well there’s a gravestone so obviously he can’t visit them again’. But the ‘fan answer’ is, in normal circumstances he might have gone back and said, ‘look we’ll just put a headstone up and we’ll just write the book’. But there is so much scar tissue, and the number of paradoxes that have already been inflicted on that nexus of timelines, that it will rip apart if you try to do one more thing. He has to leave it alone. Normally he could perform some surgery, this time too much surgery has already been performed. But imagine saying that on BBC One!”
More on the  Ponds later in the interview:
And what about return to the show for The Ponds? Moffat said, “You could never eliminate the possibility of dream sequences and flashbacks, but will the Doctor see them again? No. When I was first talking to Karen and Arthur about it, we said ‘let’s make it the proper ending’. Bringing back things just gives you sequel-itis. Just end it and get out. Heaven knows if they’ll appear in some form of flashback – I have no plans to do that I have to say – but the story of Amy and The Doctor is definitively over.”
That’s the definitive answer. Not the Doctor Who equivalent of Star Trek technobabble about that nexus of timelines that might rip apart. Doctor Who has been utterly inconsistent when dealing with the laws of time travel. The real answer is that Moffat doesn’t want them to return. His point about “sequel-itis” is more grounded in reality than the “nexus of timelines.”
None of this stops a future showrunner from having the Doctor and Amy meet again. There’s also another way to conceivably involve Amy and Rory in a Doctor Who story should Moffat or a future showrunner decide to boost ratings with such an episode. The Doctor could go back in time to Washington or anywhere else during the time in which Amy and Rory are living out their lives in the past. A story could be written in which both the Doctor and the Ponds get caught up with the same menace but are working independently and never actually meet. If this is done after the Doctor regenerates it would be possible for Amy to get a glance of the Doctor without meeting him. If she actually had much contact with him she would probably recognize him as Sarah Jane Smith recognized the Doctor.

214804-mark-hamill-carrie-fisher-luke-leia-skywalker-star-wars-episode-vii

Last week Carrie Fisher said she would be in Star Wars VII:

Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?

Yes.

What do you think Princess Leia is like today?

Elderly. She’s in an intergalactic old folks’ home [laughs].   I just think she would be just like she was before, only slower and less inclined to be up for the big battle.

And still wearing the bagel buns?

The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.

She subsequently said she was joking (in a statement which many have speculated Disney insisted she release). While she was undoubtedly joking about being in an old folks’ home, it does appear likely that she will appear. George Lucas told Business Week that Mark Hamill, Carrie Fisher and Harrison Ford have all been contacted:

Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”

Hulk Iron Man

Joss Whedon discussed topics including the difficulty in making movies about the Hulk and most of the DC Comics superheroes with Deadline Hollywood:

DEADLINE: What about speculation over potential Hulk spin-off stories? 
WHEDON: The Hulk is the most difficult Marvel property because it’s always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It’s always a dance. I don’t think the first two movies nailed it, but I don’t envy them the task. It was easier to have him in a group than to build everything around him. I don’t think there would be any problem getting a movie together that had enough Banner, even if there was also Hulk. But if he was only Hulk for the entire movie I think Mark [Ruffalo] at some point would go, why am I here? I would be less inclined to pursue a storyline where the Hulk is only ever the Hulk. Mark [Ruffalo] and I loved the Hulk and went over and over the concept of rage and how it should manifest, and that part of it was fascinating to both of us. But when it comes time for the Hulk he has to put on the silliest damn pajamas you ever saw, a tiara made of balls, and a bunch of dots on his face and growl around like an idiot. The real heart of the experience ultimately becomes playing Banner. And people fell in love with Banner because I think Mark has you from the first time he shows up.

DEADLINE: How much do you keep an eye on Warner Bros with their DC properties?
WHEDON: I don’t keep that close an eye on it. But I loved Batman Begins so much and thought Christopher Nolan nailed Batman in a way that nobody ever had. It couldn’t be more different from The Avengers, and the Marvel and DC universes are different animals. If they actually crack the code which has not been done in terms of creating a shared sensibilities where all the movies are interesting and come together, I’m going to be thrilled. I have no fear that we’re going to be stepping on each others’ turf.

DEADLINE: You’ve had a history with DC. Do you think anyone will ever pull off Wonder Woman?
WHEDON: It’s not easy. It’s not a simple trick. The Marvel properties with the exception of Batman who has often been described as the Marvel character in the DC universe are much easier to translate to a modern audience. Superman, Wonder Woman, Green Lantern are so far above us and their powers are amorphous and that makes it 10 times harder. Even when you’re doing a fight, it’s harder to write a fight for Thor than it is for Captain America because he’s that much stronger. I loved what I was doing on Wonder Woman. Clearly I was an excited party of one. I wrote the movie, I felt good about the characters, the structure needed work, I did another outline, they read it and were done. There wasn’t even a phone call.

The difficulties which Whedon raised in superhero stories are complicated even more when the viewer is aware that the hero has a bunch of other superheroes as friends to call on. Marvel President Kevin Feige does address the question as to why Tony Stark doesn’t call in the other Avengers for help in Iron Man 3:

It’s a good question, and it’s sort of half and half. I am betting that like the comics you don’t have to keep – if you are reading a standalone “Iron Man” comic, they don’t spend every page explaining where every other Marvel hero is. The audience kind of accepts that there are times when they’re on their own and there are times when they are together. I’m betting that movie audiences will feel the same way. That being said, there is a little bit of lip service here and there to that. There is also just the very nature of Tony wants to, once he barely survives that house attack you saw today, and even you saw it in the message he left for Pepper, he’s basically saying “I’m going off the grid to try to figure something out.”

Christopher Nolan says he does not want to return to Batman, but is involved with other superheroes, producing Man of Steel and possibly Justice League. His next movie about black holes, Interstellar, will be released on November 14, 2014.

Deadline Hollywood reports that a series by Ron Moore has been picked up by SyFy:

Syfy has finalized a 13-episode straight-to-series order to Helix, a dark thriller from Ronald D. Moore, marking Battlestar Galactica developer/executive producer’s return to the network. Steven Maeda (Lost, CSI: Miami) has come on board as showrunner of the project, written by Cameron Porsandeh. Helix, from Sony Pictures TV, where Moore and his Tall Ship Prods are under an overall deal, is about a team of scientists investigating a possible disease outbreak Hot In Cleveland) and Maeda executive produce, with Porsandeh serving as co-executive producer. “With its well-drawn characters, taut drama, and incredible production team, we couldn’t be more excited to see this intense thrill-ride of a series come to life,” said Syfy’s president of original content Mark Stern. Helix is expected to begin production early in 2013 to debut later this year. In addition to hit Battlestar Galactica, Moore also co-created and executive produced Syfy’s prequel series Caprica.

SyFy is moving the final five episodes of Merlin to May. And people wonder why fans often download genre shows as opposed to waiting five months or more to view them.


Ashley Judd has reportedly told advisers that she does plan to run for the Senate against Mitch McConnell. The actress, best known to Star Trek fans as Robin Lefler, has been attacked by the right wing for everything from her residency to nude scenes she as done. Attack of the Show chose Ashley Judd as the fourth Hottest Women of Star Trek (video above). She also has a master’s degree in public administration from Harvard’s Kennedy School of Government and has been a Democratic activist.

Nathan Stewart-Jarrett, one of the stars of Utopia, believes that continuing the story into a second season may or may not work:

Do you think there is scope for a second series of Utopia?
“I think there is scope for a second series, but I also think that it is self-contained. It really does depend. Sometimes you think things could have carried on or things aren’t resolved, and people can get annoyed by that.

“But some pieces of work don’t have a resolution and they leave you to figure it out, and that’s great. Utopia could carry on, but resolution isn’t always good.”

Io9 lists twenty things which Back To The Future got wrong about the future.

SciFi Weekend: The Doctor’s Wife; Canceled and Renewed Shows

Fans have been anxious to see a continuation of the storyline  started in the first two episodes of Doctor Who this season. Many were disappointed by The Curse of The Black Spot which repeated the ambiguity over Amy being pregnant and showed the woman with the eye patch, but did not really advance the storyline. There was far greater anticipation for this week’s episode, The Doctor’s Wife, written by Neil Gaiman. Instead of advancing this season’s arc, the story went back to the origins of the entire series.

The Doctor’s Wife is his constant companion and perhaps true love- the TARDIS.  The actual story was merely a device to have the TARDIS appear in the form of a woman. Karen Gillan had one of the best lines of the episode, asking the Doctor, “Did you wish really hard?” At the conclusion of the episode it was clear that the Doctor wanted her back.

Idris, also known as Sexy, revealed more about the origins of the Doctor, who “borrowed” a TARDIS which he found unlocked. From Idris’ account, it was she who picked the Doctor because she wanted to see the universe. While it might be the case that the TARDIS doesn’t always go where the Doctor wants, Idris pointed out that she always takes the Doctor where he needs to go. Most importantly, Idris finally got the opportunity to say “hello” to the Doctor.

As the story was primarily a mechanism to have the Doctor and Idris interact, it was necessary to work in an excuse to have Amy and Rory elsewhere. They spend most of the episode running through the corridors of the TARDIS, including yet another sequence in which Rory appeared to die and return.  It was also amusing to see Idris be unaware of which companion was which, ultimately identifying the pretty one, which she believed to be Rory.  It is a shame that the budget only allowed them to run through corridors as opposed to actual rooms during the bulk of the episode. Gaiman had wanted to have a view of the swimming pool but they didn’t have the budget for this. At least the old TARDIS set from the David Tennant era still exists, allowing them to say that the TARDIS has archives of all these old control rooms.

While this was primarily a stand-alone episode, there was on line which appears to pertain to the current story line. Idris told the Doctor, “The only water in the forest is the river.” Would this mean River Song, and does the forest refer to the forest in The Forest of The Dead?  That was part of the two part story in which the Doctor first met River, and the last time River saw the Doctor due to their crossed time lines.

Neil Gaiman will be taking questions about the story on Monday.

Also this week we received news on which shows were renewed or canceled. Cancellations include The Event, V, and No Ordinary Family. All of these were expected.  Cancellations of non-genre shows include Brother’s and Sisters, which ended the season with an episode which worked well as a series finale. Two of the female stars of Friday Night Lights, Minka Kelly and Adrianne Palicki appeared in pilots (Charlie’s Angels and Wonder Woman). The first was picked up but the second was not.  Parenthood, which Minka Kelly had a recurring role in, was also renewed.

There is speculation that Netflix might pick up The Event out of a desire to have their own shows with a following. In principle this does make sense as there are so many ways to watch movies. If not for their original shows, I probably would have dropped HBO, Showtime, and Starz by now. While it makes sense in principle, I’m not sure that The Event is the best choice for Netflix to go with. If it returns on Netflix I will probably watch it, but if I didn’t already have a Netflix account I doubt having The Event would be enough to sell me.

In addition to the announcements this week, The Cape, Dollhouse, Terminator: The Sarah Connor Files and FlashForward also failed to survive. While genre shows have generally done poorly on television the last couple of years, there have been multiple blockbuster genre movies, such as Thor this week. I wonder why genre titles are doing so much better at the movies than on television. Some of these genre shows suffered from mediocre writing, but an excellent show such as Fringe is also failing to do all that well in the ratings.  Perhaps it is partially the higher budgets for movies. Maybe there is a larger audience for intermittent blockbuster events as opposed to following a show weekly. Regardless of the reason, I still find the support for genre movies as reason to hope that a well-done genre television show can still be successful on network television.

SciFi Weekend: Supermoon; Doctor Who Mini-Episodes Time & Space; Anna Torv as William Bell; Girls of Dillon Texas In New Roles; V Season (Series?) Finale; Being Human Renewed

Just went outside to see supermoon. I am a little disappointed that nobody put a giant S and a cape on it.  This week we start with a mini installment of Doctor Who prepared for Comic Relief charity fund-raising, which explains the problem with Amy Pond’s short skirts,plus a lot of timey wimey stuff:

In other Doctor Who news, a fan is suing the BBC claiming he first came up with the character of Davros for a competition at age 13.

Anna Torv spent this week’s episode of Fringe with William Bell possessing her body. TV Line interviewed Torv about playing this third role on the show:

Make no mistake, Anna Torv herself was agog when she first learned of the twist – one that forced into her repertoire a third Fringe characterization. “This is not one I had been asking for!” the actress admits with a laugh. “I was in shock for the first day, and then I think I hyperventilated, and then I called John Noble to say, ‘Can you please help me?’”

Torv’s reasons for turning to Walter’s portrayer were twofold. “When you are about to do something you’re kind of freaked out about, you want to be able to look up and know there’s a safe place to go to – and it’s there in John’s eyes,” she explains. And because Noble was in most of Leonard Nimoy’s scenes as “Belly,” Torv says, “I wanted to know what that relationship was like.”

Because she is Australian and already affecting an American accent for her portrayal of Olivia/”Bolivia,” Torv studied tapes of Nimoy’s Fringe work as well as consulted with the show’s dialect coach. Ultimately, though, she had to just jump in with both feet. “I’m no good at doing voices, mimicking people, so once I realized, ‘S—t, I can’t do this,’ you just take a deep breath and go for it.”

Bell’s most unexpected and equally unorthodox “return” promises to have a significant impact on the “machine” storyline that has Peter fretting over his fate as well as that of this universe. As Torv notes, the late genius “has a lot of information that we don’t have, so he’s an awesome resource for the team. And for Walter to have someone to work with is another [advantage].” Or could it be a liability…?

And as one might imagine, Olivia’s “possession” puts a pin in her nascent romance with Peter. “Well, yeah,” Torv confirms with a laugh. “I don’t think Peter is going to want to go to bed with William Bell!”

In other words, it’s business as usual for that oft-interrupted relationship. “Every time they sort of get it together,” Torv says, “something gets in the way.”

The episode was also significant for first showing this universe’s version of Lincoln Lee. There are also plans to add a new female FBI agent. Next week returns to the alternate universe, and the hotter version of Olivia.

The first picture of Adrianne Palicki as Wonder Woman has been released. Another Friday Night Lights star, Minka Kelly, is seen below, with costars Annie Ilonzeh and Rachael Taylor, in the remake or Charlie’s Angels.

The final two episodes of V were among the best the show has aired. Of course there continued to be many holes in the plot, and they dragged some things out of nowhere to make it work. This included Anna having a new egg to quickly replace Lisa, suddenly finding out about project Aries, and Amy having the ability to bliss the entire earth. (Besides, wasn’t the Aries project from Life on Mars?)

If V returns for a third season there will be major differences after the season finale. Presumably the Aries project will replace the Fifth Column, which was never very believable as a force to fight the alien invaders, and at least three characters are dead. While it is not uncommon for characters to return for the dead, and the quick shots of characters post-death left open the possibility they might be saved by alien technology, I’ve seen a few interviews which make it clear they really are dead. V producer Scott Rosenbaum is also hoping for a chance to continue the storyline further:

That choice, to end V with a cliffhanger despite being very much on the bubble for a renewal, was made back in October. In the middle of production, ABC told Rosenbaum that the show’s order was being reduced to 10 episodes, leaving the writer-producer with little time to figure out how to finish up Season 2.

“We had been given an initial episode order of 13, so I had planned a 22-episode season,” Rosenbaum tells EW, referring to the usual “back 9″ pickup that most shows receive if they’re delivering strong ratings. “When they reduced the order, I had to make a decision. I didn’t feel like it was possible to wrap the show in that amount of time, so I said, ‘You know, I’m going to hope there’s another season, because I’ve pushed the story too far [and] it won’t make sense [to conclude it this soon]. I don’t feel like the audience will feel like we’ve earned those moments.’ So I’m going to keep my fingers crossed and leave it organically where I think the show should end after 10 episodes. I went with hope, and tried to make it feel like a satisfying conclusion.”

The result, Mother’s Day, features several character deaths and a guest appearance by Marc Singer, who starred in the 1980s original V mini-series.

Though some fans have been impatient for all-out war to break out between the Resistance and the Visitors, Rosenbaum says he’s always wanted at least one full season to properly set up the conflict — something the show never received (the first season was only 12 episodes). If he does get a third round, Rosenbaum promises to deliver fireworks. “What’s so interesting,” Rosenbaum says, “is I feel like the best of the show is ahead of itself.”

If  the show doesn’t return, this version of V will always be remembered for one line:  “Now that’s how you kill your mother.”

Syfy has renewed Being Human (US version) for a second season and the BBC has renewed Being Human for a fourth season. I haven’t watched either version yet. Anyone have any comments as to whether they are worth watching, and if so which is better?

SciFi Weekend: Fringe; Trinity & Barney; Toy Story Returns; Tyra Collette is Wonder Woman, Alessandra Torresani As Princess Leia Slave Girl

This week’s Fringe was not one of the greatest episodes in the show’s history but it did move the story forwards slightly. We saw  signs that the problems faced by the alternate universe are beginning on this side and the relationship between Peter and Olivia move forwards. The episode also served to demonstrate that the conflict between the two universes is not one of good versus evil but each side taking the steps felt necessary to protect itself.

The story probably did work best with Mr. and Mrs. Merchant letting go, realizing they were seeing alternate versions of their spouses and not their actual dead spouses, so that the rift would close. It might have been more interesting, however, if they could have had one cross over to the other side. While neither would really be united with their dead spouse, having the version from the alternate universe would have been the next best thing. Could they have continued their former relationships in this manner, somewhat analogous to Peter unknowingly having a relationship with Fauxlivia instead of Olivia?

Apparently Peter was always intended to become involved with our Olivia, with next week’s episode showing them together as children.

Spoiler TV has more from a conference call with Fringe executive producers Jeff Pinkner and J.H. Wyman:

When it comes to Olivia and Peter:
Things “will get worse and better,” said Pinkner. “Since Olivia returned and their relationship sort of shattered, they’ve been trying to pick up the pieces. They’ve been getting closer and they will continue to, but the problems that they’re dealing with are going to continue to complicate … We’re throwing a whole bunch of things at them.” That includes last week’s revelation that Faulivia (aka Bolivia or the alternate Olivia) is pregnant with Peter’s child.

“We’re always trying to get deeper, more complex emotions because we find that’s a really rich area for us to investigate in,” said Wyman. “There are so many facets to a real relationship, and these are incredible circumstances that they’re going through. But we try and make it as deep as we can. So you’ll see a whole bunch of shifting still to come in the entire rest of the season.”

As far as Peter’s shape-shifter killing ways:
Peter’s been killing shape-shifters and keeping it a secret from Olivia and the Fringe team. But “there’s a reason,” said Wyman.

And “Peter will come clean soon enough,” added Pinkner.

Peter has been more concerned about what the shape-shifters are up to “than anybody else on our show. There’s a drawing of him standing inside that machine. So he’s got questions, and by nature he’s a character who for years has only relied on himself,” he said.

“This season was always going to be a season about self-actualization for a lot of the characters. So this is the beginning of those steps,” said Wyman.

There’s still two of almost everything:
“We get to do two shows about one show. So that turned into a great thing,” said Wyman. And that allowed them to explore things like the murder of alternate Broyles “and having our Broyle actually stand next to his own dead body.”

“I think we knew how much there was to discover with Walternate and Bolivia and how much those two characters would provide a counterpoint and shed light on their alter egos that we’ve known for going on three seasons now.” said Pinkner. “I think one of the things that’s been really fun for us [was] the dynamic between Lincoln and Charlie and Bolivia and the energy of the stories on the other side. It feels like a different version of our show that just has a different inherent rhythm and different inherent chemistries in those characters, and that’s been really joyful for us.”

And speaking of the joy of the Other Side:
“What we discovered was that the energy of Lincoln and Charlie and Bolivia made up for the lack of Walter,” said Pinkner. “Obviously Walternate’s John Noble was in the episodes, but energetically and rhythmically it made up for missing Walter, so rather than recognizing or discovering that, it became a creative challenge. The discovery for us that was really wonderful was that it was a joy to go to the other side, and it was really a joy to explore another version of our show with cases that affected everything happening on our side with characters that we, as writers, had come to love.”

While Pinkner admits that fans started out “inclined to hate Bolivia, slowly over time they’ve started to … whether or not people want Peter to be with Olivia or Bolivia is a separate issue. But at least as far as we can tell, people are finding the relationship between the characters on the other side and the stories we’re telling on the other side charming and also really intriguing. It’s just deepening everything that’s happening over here. So rather than a challenge, we actually found it to be a really great creative outlet.”

Extinct sheep, myth-a-lones and the dangerously out of control Over There:
“The other side gives us an opportunity to do some pretty wild things, as you can imagine, because things are dangerously out of control there,” said Wyman. “So we’re fascinated enough with the notion that things we take for granted, like sheep for example, don’t exist over there because they were killed out by this beetle.”

Pinkner and Wyman continue to embrace what they call myth-a-lones, “where you’re watching the freak of the week type of concept, but it’s connected to our mythology. You’re going to see a lot of things … taking things and tropes that we know in our world and sort of turning them on their head,” said Wyman.

When it comes to Sam Weiss:
The mysterious bowling dude who has helped both Nina Sharp and Olivia, could be a good guy or a bad one. According to Wyman, “You know, don’t trust that Weiss.”

“If anybody unfurled the anagram that was on the chalkboard in Walter’s lab on the other side, it said, ‘Don’t trust Sam Weiss,'” said Pinkner.

“Sam is a character that I feel safe in saying that he still has many, many, many, many layers to reveal, and his motivations will become clearer and you’ll get a better understanding. I’m saying that we’re not going to keep pushing it down the line and not answering it, because that frustrates everyone. You’re going to find out about him. Hopefully it will be something that you don’t see coming,” said Wyman.

If you’ve been paying attention, things will fit together:
“If you go back into season one and you see the bus … There was a pattern episode that the bus had amber on it. I don’t know if you remember that, but the truth is the people here didn’t really know what amber was. They really didn’t understand what it was, but we knew,” said Wyman.

“So it’s like you can really set things up and they can pay off in really great ways. I think there’s a lot of that stuff coming up that will demonstrate the forethought, and the keen viewer will be able to say, ‘Oh, my gosh. Oh, I remember that.’ Now that’s taken on a whole different meaning. The only way that we can do that is if we know where we’re going.”

“The truth is we’ve been setting up season four in brush strokes very early on in season two, and we’ve been setting up what we imagine, with luck and grace and hoping we stay on the air this far, we’ve been sort of setting up season five since season one. It’s just a matter of whether we have the good fortune of getting to tell these stories,” said Pinkner.

“We need more time, and we’re trying to tell thematic stories,” said Wyman. “The multiple levels that we like takes time. I’m sure that we fall short of our goals all the time, but there’s enough fear every week, and like okay, what story are we going to tell this week … We have kind of a blue print.”

Joshua Jackson (Peter Bishop) has also discussed the show recently, including his thoughts on the First People.

While the major quest on  How I Met  Your Mother is Ted’s prolonged personal journey before meeting his eventual wife, there is also Barney’s quest to find his father. Imagine the shock when it turns out to be the Trinity killer. Well, not really, but Barney’s father, Jerome Whitaker, will be played by John Lithgow in two episodes. This is Lithgow’s first television role since playing Trinity on DexterHIMYM co-creator Carter Bays joked that there are some similarities between Jerome and Trinity:

“[Jerome] is [also] a family man who lives in the suburbs [but] he’s not going to be naked in the bathtub strangling someone,” he quipped.

Toy Story Barbie Ken

Toy Story 3 wasn’t the end of the toys. Pixar is going to release at least two shorts with the Toy Story characters, with the storyline of only one of them having been released:

The short that will be shown in front of ‘Cars 2’ will focus on the characters of Barbie and Ken after their exploits in ‘Toy Story 3’. After being left behind for their Hawaii vacation, Buzz Lightyear and Woody attempt to recreate a Hawaii paradise to please the disappointed Barbie and Ken.

In a follow-up of last week’s story, it now looks hopeful that a Robocop statue will be built in Detroit with private donations.

Taylor Kitsch Adrianne Palicki Wonder Woman Friday Night Lights

Adrianne Palicki, Tyra Collette on Friday Night Lights has been signed to play Wonder Woman in a remake which NBC finally picked up after all the networks had rejected it. I’m sure Tim Riggins and Landry Clarke agree in considering her a Wonder Woman. There are also rumors that Oliva Wilde will play Laura Croft in a movie remake.

I’ve had a number of posts with pictures of actresses in the old Princess Leia Slave Girl costume. The video above, Nerding Out – Tonight I’m Frakking You, features Alessandra Torresani of Caprica in the outfit along with multiple other science fiction references.

Previous pictures here (Kelly Brook) and  here (Kristen Bell & Olivia Munn), with a picture of the original is here. Interviews with the stars of Tonight I’m Frakking You in the video below:

SciFi Weekend: Torchwood: The New Earth; Doctor Who; Two New Versions of Superman; Wil Wheaton & Lesbian Sex on Big Bang Theory; Lost

IGN has interviewed Russell T. Davies and Julie Gardner about the upcoming Torchwood Series, The New World. The discussion also included questions about future cross over episodes of Torchwood and Doctor Who now that they no  longer have the same show runner.  Here is a portion of the interview:

IGN: We’ve heard this new CIA character, Rex, is somewhat the entry point of The New World. Will we get to Jack and Gwen pretty quickly?

Davies: Too soon to say, but I’m very aware of that. I will enjoy playing with that and I can see already that a slight myth is going to build up of sorts, saying that Rex is our only entry point. When we first see Gwen, you will see what it essentially was in the series [before]. There are no super powers, there’s no credits, no money, no special privileges. You’ll see an ordinary woman whose life is about to take an extraordinary turn. So there will be an awful lot of new viewers where if you’ve never seen Gwen Cooper in your life, you will see a woman with a husband, a baby, thrown into a threat and you’ll latch onto her immediately. Even the way that Captain Jack is introduced is written so that you’ll latch onto that as well.

IGN: What is the dynamic with Rex and the other new character, Ester? What kind of sensibilities do they bring to Torchwood?

Davies: I don’t want to give away too much. Rex certainly brings dynamism and energy and hostility towards Torchwood. He wants to know who the hell they are and why the hell they’re so important and they can get out of his way… at first. There’s a great, fun, sparky, sexy sort of antagonism to the whole thing. Ester is much calmer, but through the course of the story, she suffers some great, powerful, emotional stories as it goes on. In some ways, she’s a bit of an innocent abroad and soon learns not to be. And that plays off Gwen’s experience with these things. The fact that Gwen still is the most ordinary woman in the world, and Jack’s huge perspective of things, having lived for thousands of years… Just telling Rex that he can’t die is a hilarious scene. There’s a lot of fresh material there that we’ll mine, but again the new story will always move us forward.

IGN: Are you looking at this as Series 4 or Season 4 of Torchwood? Or is it a new project with characters we know?

Russell T. Davies: It’s funny, you can’t deny it’s Series 4. There’s a whole fan base and a whole legacy and a whole mythology that I would hate to contradict. Fortunately I have sort of done this before with Doctor Who, when I re-launched that in 2005. It was absolutely imperative to keep everyone who loved Doctor Who on board and to bring in a new audience – it was an even bigger task than this, to be honest. And frankly, I think that went very successfully. I’m an old hand at this. I do know how to do it.

I think these subtitles help, because we don’t actually refer to it as series 4. And we didn’t actually refer to Children of Earth as Series 3. We referred to it as Children of Earth. Now this is The New World, so that takes the curse off of it sounding old. Obviously, you know your stuff – you know your television and I imagine your readership knows their stuff, so we can freely talk about the past. If this was an interview with, say, a more general and generic site, I would avoid talking about the past. So you [move] in-between those points. Because there’s nothing worse than reading an interview and thinking, “Well, I won’t watch that, because it’s on Series 4.”

Gardner: Also, if you look at the history of Torchwood in the UK, it’s moved three channels in three years. It started on the digital channel BBC3 and moved to BBC2 and finally Children of Earth moved to BBC1 which is like the UK’s network channel. Each time, particularly with Children of Earth, Russell reinvented it for a new audience. We didn’t go into Children of Earth thinking that everyone had seen what had gone on before, but very much with that title, it would reward the audience that was there before. There would be references and nuances that they would pick up on that a new audience wouldn’t, but it was done very very much to welcome in people.

Davies: Frankly, it’s gotten bigger and better with every series, and if we ever get to a Series 10, mankind would have to live on the moon to make room for it. So it’s a good plan. [Laughs]

IGN: Now that Doctor Who has done its latest big reinvention with Matt Smith, do you think the two series have completely split off at this point, or do you think another crossover is possible?

Davies: Steven [Moffat] knows the plot of The New World. As a courtesy, I sent him a synopsis and said, “Is that going to clash with anything you’re doing?” We both have enough awareness of each other’s worlds to avoid that. And I still executive produce The Sarah Jane Adventures in Britain. I’m still working on that, and that works in synch with Doctor Who. So we are still very much aware of each plans, without spoiling each other’s news. We’re very careful to make sure that we behave within the Doctor Who world, while still being completely free to tell our own stories.

IGN: I think the curiosity fans have is how Jack would react to this Doctor, since he had a specific relationship with the previous one.

Davies: Well, Steven said he’d love to see Jack in Doctor Who. So if Steven says that, Steven will make it happen, I would think. That’s not inside information, but I bet one day it will happen. I’d love to see it. It would be marvelous.

New York Magazine had a recent interview with Steven Moffat on topics including sex in the Tardis following the selection of a bad girl like Amy Pond to be the current companion. Moffat also reports he will be revealing more about River Song’s identity. He is currently working on an episode in which The Doctor finds out who she is. I previously posted excerpts from the interview here.

Deadline has some casting news, including that Arlene Tur of Crash will join the cast as as a surgeon named Vera Juarez (picture above).

The title for this year’s Doctor Who Christmas Special has been announced: A Christmas Carol.

There are a couple of new interpretations of Superman. J. Michael Straczynski is giving up regular writing for the Superman and Wonder Woman comic books to concentrate on graphic novels following the success of his recent Superman graphic novel. I09 has a review of Straczynski’s version of Superman:

Every time the Superman franchise jumps to a new media, we inevitably get some iteration of his origin story (i.e. baby Kryptonian crash-lands on the Kent farm, is raised to be a homespun demigod). Given that it’s a modern update of the Superman story, Superman: Earth One doesn’t stray wildly from this formula. When artwork of the hoodie-clad Clark Kent hit the internet, there was chatter that the picture (top) portended a gritty or emo Superman. Luckily, the Earth One Clark Kent is a good guy, and the book makes a strong case that the Kents are the reason he doesn’t grow up to be like that creepy god-child from The Twilight Zone.

How does the origin story in Superman: Earth One diverge from traditional portrayals of the hero? First off, Clark’s powers manifest the minute he crawls out of his escape pod. The Kents also hide Clark to protect themselves. They discover his downed spaceship while camping and hightail it once black helicopters begin investigating the vessel. This book is the diametric opposite of Straczynski’s 2003 Marvel series Supreme Power, which starred an alien infant pressganged into superheroics by the US government. The Kents encourage their son to be an übermensch, but he’s raised without any knowledge of Kryptonian heritage — he knows he’s an alien, but being human is all he’s got.

Straczynski’s emphasis on Clark’s alienness is the book’s strongest point, and artist Shane Davis rightly gives the book a photorealistic look to drive home that this is more science fiction than superhero romp. There are no pastels, other heroes, undulating bosoms, or juiced deltoids. Clark is a lithe guy in a gray and brown world, and he only dons the S as an emergency. There’s a certain amount of disbelief that must be suspended here (a.k.a. Clark’s a humanoid), but this is a Superman story — he’s not going to look like a space walrus or lion

Zack Snyder also plans for some changes in his upcoming Superman movie. Digital Spy reports:

Zack Snyder has promised that his Superman movie will be “different” from previous Man of Steel incarnations, yet stay true to tradition.

In an interview with Empire, the Watchmen director said that David Goyer’s script doesn’t alter the DC Comics “canon”.

“It’s a different story,” Snyder said. “I won’t say there’s a break from the canon or anything like that, but there is definitely an approach that makes you go, ‘Okay, that’s a way to get at it.'”

He continued: “David is very respectful of the canon and stuff like that. It has its roots in the canon and again, like I say, it has a point of view about who he is. I’m being cryptic, I know, but it’s the best I can do.”

Asked if his movie will track the Man of Steel’s early years, Snyder replied: “I think it’s early to say. I don’t know.”

The director also described rumors of the comic book hero facing General Zod as “just wrong”, adding that “the internet has no idea what’s going on”.

Wil Wheaton returned to The Big Bang Theory this week (clip above). Big Bang Theory also almost matched the recent oil fight between Britta and Annie on Community. While the guys were trying to get into a showing of Indiana Jones, the girls were having a slumber party as Kaley Cuoco, Melissa Raunch, and Mayim Bialik  had a pillow fight, and Mayim Bialik decided to experiment with lesbian sex.

In its worst decision since running the awful remake of The Prisoner, AMC has decided not to renew Rubicon. I was looking forward to a second season to see the aftermath of the unraveling of the conspiracy. There were many loose ends, such as whether Spangler would commit suicide after receiving the clover, or whether he would survive to fight both those who were exposing him and his former associates.

Apparently Spangler is still alive and tweeting about API being shut down from the screen grab above. Several other characters from the show also are on Twitter.

Gregg Sutter has an interview with Carlton Cruse of Lost. Here’s a portion:

Gregg: For you personally, what was LOST about?

Carlton: On the surface, LOST was a show about a group of people who survive a plane crash and find themselves lost on a mysterious island. But much more importantly, it was a show about how these people were metaphorically lost in their lives and searching for redemption. Viewers talked a lot about the mythology but for us making the show, it was always first and foremost about the characters.

Gregg: Early on, did you feel like you were doing something special, something that had never been done before?

Carlton: Absolutely. Internally we all thought we were onto something cool. We were shattering a lot of the commonly held beliefs about what you could or couldn’t do on TV and that was an exciting feeling. Of course at that point, no one else believed the show would work as a series, so we talked a lot about how if the show did bomb after the 12 episode initial order, it would hopefully become a cool classic like Twin Peaks, which ran for 30 episodes — or The Prisoner, which ran for 17. We hoped, worse case scenario, that LOST would be the kind of show that gets passed around from geek to geek with people saying, “Hey, have you ever seen this show LOST?”

So with the idea that failure was okay, Damon and I asked ourselves one fundamental question to start: If someone handed us the DVD of the 12 episodes of LOST what would we want it to look like? We decided we’d make a show that the two of us thought would be cool.

Gregg: And you ended up breaking a lot of the traditional rules of narrative in TV.

Carlton: Yes. We did. We showed that it was possible on network TV to tell a highly complex, serialized narrative with intentional ambiguity — leaving the audiences room to debate and discuss the meaning and intentions of the narrative – and still find a large audience. This made it a game-changer, in my opinion.

SciFi Weekend: Star Trek & Lost Trailers; Beyoncé as Wonder Woman; Whoopie on Mars; and the Future History of the Obama Administration

Ain’t It Cool News has a couple of reports on a new trailer for the upcoming Star Trek movie to be released next Friday. From one of the descriptions:

We start out with a muscle car tearing ass down a dirt road. Eventually it careens off a cliff, but not before the driver jets himself out – he’s a young boy, couldn’t be older than 11. Suddenly what I can only describe as a space-cop asks him, “what is your name sir?” The young boy replies, “James Tiberius Kirk.”

Then Chris Pine takes over as we see him being angsty, driving down the road on a motorcycle. We hear some voice over from someone else that confirms his angst saying things like, “You’ve never really been happy have you?” and etc. Then we see him drive up what looks like a smelting factory – probably more of that ship construction we got in the earlier trailer.

Then we really kick into trailer mode as we get quick images of Spock as a kid. Spock all grown up. Leonard Nimoy. A vulcan council. Space cadets. And the crew alone with some quick, flashy space fighting.

There is a financial cost to new and better technology. After first buying all the previous Star Trek movies on videocassettes and then on DVD’s it might be hard to resist getting them in Blue-ray. Reportedly they might come out on Blue-ray in 2009. At least the Blue-ray HD-DVD war is long over so there is no doubt as to which format to buy.

A new Lost trailer was also broadcast during the election night coverage on ABC. IO9 has the video.

The Los Angeles Times reports that Beyoncé is interested in playing Wonder Woman:

Beyoncé is ready for an Amazon-sized challenge — the pop superstar wants to be the first actress to wear Wonder Woman’s famed red, white and blue bathing suit on the silver screen.

“I want to do a superhero movie and what would be better than Wonder Woman? It would be great. And it would be a very bold choice. A black Wonder Woman would be a powerful thing. It’s time for that, right?”

Beyoncé says that she has met with representatives of DC Comics and Warner Bros. to express her interest in a major role in one of the many comic-book adaptations now in the pipeline following the massive success of “The Dark Knight,” “Iron Man” and the “Spider-Man” and “X-Men” franchises. Beyoncé’s acting to career to date has included a comedic role in “Austin Powers in Goldmember” and two notable music world roles, the first as a quasi-Diana Ross character in “Dreamgirls” and as the defiant and heroin-addicted Etta James in the upcoming “Cadillac Records.”

I’ve previously noted that the ABC version of Life on Mars might not be using the same explanation as on the BBC series as to why Sam Tyler is in the 1970’s. The initial episode seemed to have people from the present talking around him, suggesting that possibly he is in a coma dreaming of life in the 1970’s. We’ve seen robots with no clear explanation.  From time to time the 1970’s and the present have blurred, such as with newspapers fluctuating between pictures of Richard Nixon and George Bush. This week’s episode, Things to Do in New York When You Think You’re Dead, suggests that Sam could be dead or in purgatory. While this has been entertaining so far I fear that they might be putting in different possible explanations without a clear idea as to where the show is going.

In the episode, Sam meets both his future mentor and Whoopie Goldberg. It is a shame that Whoopie wasn’t playing Guinan from Star Trek: The Next Generation. She showed in Yesterday’s Enterprise an ability to sense problems involving time and might be able to figure out what is going on with Sam.

This week included an election of great historical significance. Some with an interest in both politics and techniques of science fiction have already been looking at the “future history” of the Obama administration. Nerve takes a “look back” at the Obama administration:

Obama’s election marked the moment in American history when a human being could be judged not for the color of his or her skin, but for the content of his or her character. Not coincidentally, it also marked the moment when the United States turned definitively from a fortress of self-interest to a peaceful emissary of freedom and human rights. These are the principles that the pax Americana has been built on, and an inheritance that we hope to keep as a legacy for our children.

Future Blogger looks back on How the Nanobama Administration Accelerated Technology, but I believe he will reverse George Bush’s ban on federal funding of embryonic stem cell research soon after taking office as opposed to 2010 as in this post. The post looks back on the tremendous changes to come as a result, including nanotechnology, concluding:

Now, in 2013, as the Nanobama Administration embarks on its second term, it is clear that the benefits of nanotech have already greatly changed the lives of every human, and for the better. Still, the ethical and existential implications continue to boggle the mind.

In particular, the primary neo-luddite argument against the pursuit of nanotechnological development is the fear that intelligent machines will one day spell the doom of mankind. There could come a point, critics continue to warn, where tech ceases to be an extension of humanity, or worse, turns against it’s maker, a possibility made more dangerous by the likelihood that, by the time it happened, humans will have become complacent and helpless.

Still, it looks as thought the Nanobama forces will continue to embrace acceleration, sticking to the critical path laid out by Bucky Fuller. The argument is that the knowledge base of any intelligent species must expand proportionately to the growth of its population, to survive past a critical survival threshold (a potential confrontation with rogue AI?). It’s evolve or die, though that same evolution is likely to bring about the forces that could bring us to the brink.

While many are optimistic about a better world with Obama replacing the Republicans, Focus on the Family released a Letter from 2012 in Obama’s America prior to the election with scare stories of “Terrorist strikes on four U.S. cities. Russia rolling into Eastern Europe. Israel hit by a nuclear bomb. Gay marriage in every state. The end of the Boy Scouts.”

Pushing Daisies is rumored to be at risk of cancellation. I think the idea would have worked far better as a movie than a weekly television series. I tried it both last season and then again at the start of this season. While somewhat entertaining I just couldn’t get into it enough to watch week after week. Rumor also has it that if the show is canceled Bryan Fuller will return to work on Heroes.

It was bound to be considered after the success of the first movie, and there are far more product placements to sell. Kim Cattrall has said in an interview that a sequel to the Sex And The City movie is planned. While possible, it doesn’t look like the other stars are on board yet. If they are to continue playing these roles it is a shame that they couldn’t have done an additional television season for HBO. The movie lacked much of what I found entertaining in the television show, but then I wasn’t the intended audience for the movie.