SciFi Weekend: Star Trek Discovery; The Orville; Black Mirror Does Star Trek; The Tick; The X-Files; The Punisher; The Magicians; Doctor Who; Gal Gadot On SNL

The third episode of Star Trek Discovery, Context Is For Kings, was like a new pilot, with last week more of a prequel. They finally introduced the Discovery and Captain Lorca. Do Discovery’s call letters, NC1031, mean that this ship falls under Section 31? While James Kirk and Benjamin Sisco have bent the rules at times, Lorca goes far beyond what we have ever seen on Star Trek before. Typically Star Fleet captains who behaved like him have turned out to be the villain, not heroes. Lorca also has that strange menagerie, including an apparently neutered Tribble, while ten years later Kirk will know nothing about them. Perhaps he uses the Tribble as a way to detect any Klingons who might attempt to infiltrate the Discovery.

Lorca claims to have permission from Star Fleet to do whatever it takes to find a way to beat the Klingons. This appears to have included orchestrating the rescue of Michael Burhnam from the shuttle, even if it meant allowing the shuttle pilot to die. Apparently he has enough clout to keep Burnham as part of his crew if he has her on board, but not enough to simply request that she be transferred from prison to his ship. Obviously it was more dramatic this way.

Burnham did appear beaten at the start of the episode. I had expected to see the standard troupe of having her rescue the shuttle, but that did not occur. She did return to her usual self over the course of the episode. Thanks to Burnham, we see why Star Fleet abandoned the ineffective breath detector as a security device. Once on the away team, she was the one to save the rest. Beyond the breath detector dying out as a security system, it makes sense that black alerts didn’t catch on. While dramatic to hear them announced, it would be quite hard to visualize the flashing lights of a black alert.

The first two episodes provided a familiar type of Star Fleet ship, with Burnham having a conventional relationship with her Captain, until the mutiny. Even granting that Burnham was wrong in her actions, she is now being unjustly blamed for the entire war, which the Klingons appeared determined to start regardless of what she did. Lorca, Burnham, and Saru have a relationship somewhat analogous to the Kirk, Spock, McCoy threesome from The Original Show, although with major differences. They apparently have forgotten about sun glasses in the future and it is far too early for Geordi La Forge’s visor, making it difficult for Lorca to go on away missions due to the injury to his eye. With Saru also not appearing to be well suited for away missions, this makes it plausible that Burnham might lead them instead of the  more senior officers which typically (and perhaps foolishly) led them in the other series.

Burnham’s relationship with Lorca is also different from the start with Lorca believing that Burnham is forced to be loyal to her because he is the one giving her a fresh start. On the other hand, it might become significant again that Burnham was willing to defy her captain when felt to be necessary. If Lorca does turn out to be the villain, Burnham might be called on to turn against her captain once again.

There have been some complaints that this does not feel like Star Trek, but we must consider that the series is unique in taking place during wartime. Consider how different everything felt on the episode Yesterday’s Enterprise. Deep Space Nine did not feel like conventional Star Trek, either before or during the Dominion War. If this is a Section 31 vessel, it might also seem different regardless of circumstances.

Being a Section 31 ship would help explain how we are seeing things which are not known on board the Enterprise ten years later. It is also possible that their research turns out to be dead ends, too dangerous to allow many to know about, or perhaps the Discovery is destroyed like its sister ship. It does appear that the writers have considered such continuity issues in various interviews.

Jason Isaacs has discussed some of the questions I raised above in interviews, and discussed other aspects of Captain Lorca. From TV Guide:

Why does Lorca have a room full of animals?
We’re losing this war and I’ve been given license to do whatever the hell is necessary to try and see if I can in any way shift the odds. And so I have in my private study area, anything I want including weapons, gasses, poisons, creatures… Anything that, if examined correctly, might give us an edge because we need something to turn the tide in the war. And that’s why someone like me has been given this ship and given license to go off and — not under the glare of anyone else’s spotlight — see if I can come up with a solution, any kind of creative solutions to this problem of imminent destruction.

So the tardigrade might be one, some of the Klingon weapons I’ve got might be it… The spores might be it. I just need something and I need it fast and I need people to help me, and hence, one of the reasons why I get Michael Burnham to be on my team. She is someone who’s prepared to break the rules… Someone who’s really smart strategically and someone who I think will ultimately be loyal to me since I’ve given her a second chance at life.

From Entertainment Weekly:

You still get the sense that Lorca will do anything, even if it’s off-book, to accomplish the ultimate goal against the Klingons — and possibly other agendas.

He just wants to win the war. This is 10 years before the series that people fell in love with Kirk and Spock, before the Federation directive comes out, before people are exploring peacefully. This is a time when the Federation might not be there tomorrow morning. All of the high-minded ideals will go out the window once everyone around them is incinerated and Lorca thinks he sees that modern man. He thinks he’s going to win this war by any means necessary and they’ve kind of given him license to do it, because they’re terrified and they’re right to be terrified. So he’s on this science ship, which is not the ideal vessel, got some possible breakthrough technology, but there’s a lot of work to be done there, and he’s got a bunch of explorers crewing this thing who are really not battle-hardened at all and he’s going to try and do whatever he has to do to tip the tide of the war. It’s not going to be easy. Certainly, he’s not going to get there by being nice…

At the end of the episode, Lorca has the creature from the USS Glenn — the one that was terrorizing Michael and company — secretly beamed aboard the Discovery into one of his secret rooms with other contraband objects and creatures. What is he doing with all those things that he’s, presumably, illegally accumulated?

He’s got a room, a study room in which he studies war because they’re at war. In different times, he might have books of poetry, he might have an easel in there. He’s an exercise man, so at one point in time he might have been doing interplanetary yoga. Right now, he needs to work out how to defeat enemies and he’s got forbidden material in there. He’s got weapons, he’s got poisons, he’s got creatures. He’s looking for an edge in a war with a superior opponent and he’ll take anything he can get, anywhere he can get it. Sometimes he takes risks to get it.

What is Lorca’s relationship with the women on the Discovery crew, because it seemed like there was something a little extra between the captain and Commander Landry, his head of security?

I think in this tradition of Star Trek captains and these alpha males who rise to the top, he’s got a taste for the good life and he’s got an eye for his female officers. I don’t know that that’s going to work with Burnham very well, frankly. She doesn’t look like she’s up for that kind of thing, but him and Landry certainly have a relationship that goes beyond, I would think, work. But that’s how I played my scenes with all the women on board, whether or not the writers were on board with that. By the way, that’s my tribute to Shatner. I always thought, as much as the original series was born out of the civil rights struggle and the birth of feminism, some of that was [infused with a feeling of] James Bond. It was clear Captain Kirk had his way with any member of the micro-skirted crew members he wanted, so that was my subtle tribute to him. I’m playing that, even if it’s inside my head. (Laughs.)

CBS has announced that they will present episodes through November 12 (instead of November 5 as previously announced), leaving only six episodes after the show resumes in 2018.

It was revealed at New York Comic con that Michelle Yeoh will be returning as Captain Georgiou. Presumably this will be as a flash-back, unless they find a way for her to return after being killed last week.

On rare occasions we have had two different Star Trek series on at once, but the current situation is unique in having two shows inspired by Star Trek but going in such different directions. While Discovery is darker and serialized, The Orville provides stand alone stories which are more similar to those from Star Trek: The Next Generation. The series appears to be moving more towards actual science fiction stories as opposed to parody, while still incorporating humor. The last episode was the most successful to date in incorporating humor while adding to the main story. Being directed by Jonathan Frakes helped make it feel like STTNG. Plus it introduced time travel to this universe.

The episode also benefited by the guest appearance of Charlize Theron. She turned out to be different from what she first seemed to be, but she had time for casual sex with Captain Mercer and to sit around sipping drinks. While the relationship between Mercer and his ex-wife has sometimes seemed to have been used excessively to attempt humor, it worked very well in this episode as Ed initially mistrusted Kelly’s suspicion of Pria as being based upon jealousy.

One thing I always found unrealistic about the Star Trek universe was the limited existence of mass entertainment and popular culture. The Orville has had multiple references to pop culture, although it appears to have ended around our time. Previous references have included Kermit the Frog, Friends, and reality TV. This episode started with a clip from Seinfeld, which propelled the B story line. Teaching Isaac about humor and practical jokes allowed them to use humor without it appearing out of place as in some of the earlier episodes. I could easily imagine a similar story line involving Data. Of course Seth MacFarlane did take it further, with Issac amputating Malloy’s leg as a practical joke. Fortunately the limb was easily regenerated.

The episode also did a good job of incorporating the B story line into the main story, both with Malloy’s leg falling from the ceiling and with Isaac using a reference to the Seinfeld clip to tip off Malloy as to what he was doing to help save the ship.

Besides the two versions of Star Trek discussed above, there was more information at New York Comic Con on the planned Star Trek based episode from the fourth season of Black Mirror:

Titled “USS Callister,” the 74-minute adventure stars Fargo‘s Jesse Plemmons and Cristin Milioti, Jimmi Simpson (Westworld), and Michaela Coel.

While critics were barred from reviewing it, by all accounts from those in attendance it’s one of the most cinematic of Black Mirror installments, thanks to its epic production values — from sprawling desert locations and scenes set on the deck of the titular starship to the out-of-this-world outfits and expensive computer effects.

“The idea came up in conversation, and it struck us. We hadn’t done a space epic before and we thought, how would that work in the Black Mirror universe?” Brooker told The Hollywood Reporter.  “What sort of tone would it have? We ended up in this strange place.”

Naturally, the show tackles themes befitting its signature paranoid style and contains more than a few twists (and reportedly a few lens flares too, in a nod to the J.J. Abrams-helmed reboot).

Rather than releasing all the episodes at once, Amazon released only part of The Tick, hoping that buzz from the first half of the series will increase viewership before the series is completed. They announced at New York Comic Con that the show will return in February and released the above trailer. The show does effectively combine humor with a superhero story.

The above trailer for The X-Files season 11, which will premiere in January 2018, was released at New York Comic Con. More information on the upcoming season here.

Chris Carter said in an interview that he might continue the series even longer, but Gillian Anderson has said that the eleventh season will be her last. There have been attempts at bringing in other cast members, but I am skeptical as to whether the show can survive without Mulder and Scully.

Netflix cancelled promotions for The Punisher at New York Comic Con and a planned Paris event following the recent shootings in Los Vegas. They are also delaying the premiere of the series.

The next season of The Magicians will deal with restoring magic. We got some hints as to what will occur at the New York Comic Con:

“Julia and Quentin almost circle back to who they were as kids,” John McNamara notes that their reunion more or less restores their BFF status. Aside from partying with a god, we get to see them revisit a lifelong friendship and get over past grievances.

Jason Ralph and Stella Maeve spoke enthusiastically about the unexpected nature of Quentin and Julia’s relationship, which started as the tired unrequited love trope but evolved into something much more interesting. Jason Ralph said during the panel, “It’s really gratifying to get back together.”

The quest to revive magic will also lead to some unlikely pairings for the cast. Sure, we get some expected combos like Eliot with Margo or Quentin with Julia, but Sera Gamble teased during The Magicians NYCC panel that we’ll see more scenes with Julia and Alice together in Season 3. Julia’s relationship to the strange new magic she discovered evolves over the season in unexpected ways, and perhaps it’ll take Alice to help her figure it out.

Alice herself will go through the “worst quarter-life crisis ever,” according to Taylor Dudley. Alice died, became a niffin, sort of died again, and when finally reunited with her Shade, she then had magic taken away completely. Alice will be in a weird emotional spot when the season kicks off, especially considering she’s being hunted by an enemy she made while a niffin.

This year’s Doctor Who Christmas special, Twice Upon A Time, will also be shown in movie theaters, along with special features. More information here.

Nerdist reports on how Peter Capaldi learned that a woman was to be cast as the thirteenth Doctor. Capaldi also discussed why he is leaving Doctor Who at New York Comic Con:

In a retrospective session at New York Comic-Con, Peter Capaldi said that playing the title role in British TV juggernaut Doctor Who brought many pleasures but proved all-consuming. After four years, he said he felt it was best to leave before it ever felt like a routine.

 “It fills up your life,” he said. “You don’t have a second where it’s not about Doctor Who. It’s a nice way to live.” And yet, he continued, “I really never wanted to get to a place where I knew how to do this because that’s not what being creative is. The actual amount of time we were spending on the show, I realized I was getting the hang of it. And that made me frightened.”

Asked by a fan whether he would consider returning for a special or in any small role down the road, he said, “I think it’s probably time for me to go.”

The Mirror has some changes they claim will be made to Doctor Who next season under Chris Chibnall and Jodie Whittaker. The reliability of the report is unknown.

This week has marked the 40th anniversary of the introduction of K-9 on Doctor Who and the 50th anniversary of the introduction of the Mirror universe on Star Trek.

Den of Geek talked to Karen Gillan about Nebula’s role in  Avengers: Infinity War.

Gal Gadot was guest host on Saturday Night Live last night and talked about playing Wonder Woman in the opening monologue (video above). She also had the skit below about Wonder Woman:

There was also far more news at New York Comic Con than I can get to today and I will present more of it next week.

SciFi Weekend: Star Trek Discovery; The Orville; Twin Peaks; Blade Runner; Sarah Jane Adventures Tenth Anniversary; Emmys By Network; Batman Takes A Knee

CBS has not released any screeners for Star Trek: Discovery, and has placed an embargo on reviews until the show airs. They did release the full title sequence today:

Despite the episode not being available, sites such as IO9 have posted guides like Everything You Need to Know About Star Trek: Discovery Before It Premieres based upon the information which has been released so far.

The first episode will air on CBS at 8:30 pm tonight, with the second episode following on their paid streaming service CBS All Access.  Season 1 will have fifteen episodes with the first eight episodes running September 24 through November 5. The season will return for the remaining episodes in January. CBS All Access is allowing one week free to check out the service. If you are undecided, consider waiting until later tomorrow, which will allow you to watch both the second episode this week and the third episode next week. Some people are thinking about waiting until towards the end, and then binging on each half of the season or the who season while only paying for one to two months.

Discovery will be available outside of the US and Canada on Netflix. I had contemplated using a VPN to stream the UK edition of Netflix, but Netflix has become very aggressive in blocking VPN’s.

A four-part comic will provide further backstory on the Klingons prior to the events of Discovery.

In preparation for tonight’s premiere, CBS arranged to have the U.S.S. Discovery fly above New York City. Video above. (Yes, there have been posts on line about how they staged this, but why ruin the fun?)

In unrelated Star Trek news, TrekMovie.com reports that Quentin Tarantino has expressed interest in directing a Star Trek movie.

The Orville has been difficult to characterize as it is neither straight drama or consistently humorous. While Star Trek: Discovery reportedly will be serialized, The Orville is basically stand-alone episodes heavily modeled after Star Trek: The Next Generation. Like classic Star Trek, The Orville has even made an attempt at looking at contemporary issues.

About A Girl received advanced publicity for tackling gender reassignment surgery. Just as the show has its limitations as both dramatic science fiction and as a parody, the handling of the controversial issue was also somewhat simplistic. Vox looked in more detail at how the issue was handled.

Of course we must keep in mind that Star Trek: The Next Generation was also weak through most of the first two seasons, until it ended the second season with the excellent cliffhanger, Best of Both Worlds. I’m hoping that Seth MacFarlane has the clout to keep the show alive to buy time for them to better figure out what to do with this series.

Kyle MacLachlan and Judi Dench brought the red room from Twin Peaks to The Late Late Show, frustrating host James Corden in the video above.

Wired has a look at Blade Runner 2049.

Bill Clinton is writing political fiction, just like Hillary. Bill is working on a novel with James Patterson entitled The President Is Missing. Hillary wrote a fictional account of the 2016 election in which Bernie Sanders was the villain and a character with her name was a progressive. Showtime has announced a deal to do a television adaptation of Bill’s book.

It is the tenth year anniversary of the release of The Sarah Jane Adventurers. To celebrate, the BBC is rebroadcasting three episodes and has an article posted entitled 5½ Reasons Why EVERYBODY should watch The Sarah Jane Adventures. From the article:

The show’s essential premise was simple. Take one former companion of the Doctor. Add some young sidekicks; season with familiar foes like Sontarans and the Slitheen and for good measure, throw in the Doctor himself for a couple of stories. Then stir them all together in two-part adventures where the planet’s in peril but our heroes still have time for a few one-liners and a group hug at the end.

Except, of course, it’s not as easy as that. SJA worked because it hit just the right blend of alien scares and human drama. The childless Sarah Jane gets a family. Her alien son learns what it means to be human. The cocksure Clyde Langer finds there’s more to this world than he ever imagined… Just like Doctor Who, it was a show that revelled in adventure but always found time to explore and celebrate its characters without patronising its audience.

The article noted appearances by both Matt Smith and David Tennant.

The Handmaid’s Tale was among the big winners at the Emmy Awards last week. I looked at the best political jokes from the awards ceremony earlier in the week. This included a video of the skit with Stephen Colbert and Jeffry Wright based upon Westworld. 

By now I’m sure everyone interested has already seen the full lists of winners and read plenty about the awards so I will not say much more here. I did find these lists interesting, showing the expected superiority of cable and streaming. Here is a list compiled by Deadline of those winning awards at last week’s ceremony:

HBO: 10
NBC: 6
Hulu: 5
Netflix: 4
FX: 2

The second list includes all those who won three or more awards, including the Creative Arts awards which were presented earlier:

HBO: 29
Netflix: 20
NBC: 15
Hulu: 10
ABC: 7
FX Networks: 6
Fox: 5
Adult Swim: 4
CBS: 4
A&E: 3
VH1: 3

Francesco Francavilla has tweeted a picture of Batman taking a knee, showing support for the NFL players who have been protesting racial injustice and police brutality by taking a knee when the National Anthem is played before the start of an NFL game. Donald Trump has demanded that the players be fired or suspended. This statement has been protested by players and owners, but now Trump also has to deal with Batman. Besides Batman, Trump is also opposed by the next best thing, Jim Harbaugh, who said, “No, I don’t agree with the president. That’s ridiculous. Check the Constitution.”

Update: Adding to responses from Michigan football heroes, Tom Brady said, “I certainly disagree with what he said. I thought it was just divisive.”

SciFi Weekend: Music On Supergirl, The Flash, And Legends of Tomorrow; Legion; The Magicians; 12 Monkeys; Doctor Who; Agents of HYDRA; The Matrix Reboot; Westworld

The musical cross over of Supergirl and The Flash (and the Glee Reunion) entitled Duet will begin on Supergirl, with most of the story taking place on The Flash. The two are placed in a dream-like state by the Music Meister (Darren Criss). ScreenerTV reports that, “Kara and Barry wake up without their powers in an alternate reality where life is like a musical and the only way to escape is by following the script, complete with singing and dancing, to the end.”

Variety adds this information from Candice Patton (Iris West):

“You’ll see two versions of Iris in the episode,” she said. “The Iris that we know and love, and a person they [Barry and Kara (Melissa Benoist)] think is Iris but is actually a completely different character named Millie. She’s the sassy daughter of two gangsters — played Victor Garber and Jessie Martin — and she’s madly in love with Mon-El’s character (‘Supergirl’s’ Chris Wood), whose name is Tommy. They’re fighting for their love, because both of their families do not want them to be together.”

Writers of the music for the episode include Benj Pasek and Justin Paul, who also wrote for La La Land.

Supergirl isn’t the only show in the Berlantiverse to feature music this month. On Legends of Tomorrow, Dr. Stein (Victor Garber) along with Heat Wave (Dominic Purcell) had infiltrated NASA during the flight of Apollo 13 and had to distract those there from seeing superheroes on the moon. They do it by singing Day-O in the video above.

Time travel shows typically have rules as to what can be done, and then frequently break the rules. Legends of Tomorrow has been fairly lax with their rules, but they will break the little that has been established for the season finale. Here is the official synopsis:

Aruba” — (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV) SEASON FINALE — As the Legends are about to take off for their next destination, a massive timequake rocks the ship. In order to try and fix what has happened, they are forced to break the one cardinal rule of time travel. But if they are able to destroy the spear, they will face the ultimate consequence. Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Dominic Purcell, Franz Drameh, Nick Zano and Maisie Richardson-Sellers. Rob Seidenglanz directed the episode written by Phil Klemmer & Marc Guggenheim (#217). Original airdate 4/4/2017.

Next season The Flash will break with its usual tradition of having the Flash’s life be dominated by others with super speed. The big bad next season will not be a speedster.

Legion, which has now been renewed for a second season, has been very strange recently, with Aubrey Plaza doing a fantastic job as “Dr. Lenny” last week. It makes a little more sense to those who know about the X-Men comic universe. I0-9 discusses the identity of the bad bad which has been inhabiting David’s mind:

A new promo for the show’s next episode, “Chapter 7,” sees the brainy half of the Loudermilk duo, Cary, confirm that Amahl Farouk—better known as the Shadow King—is the villain that’s been plaguing David as the yellow-eyed demon throughout the show.

It’s not exactly a huge surprise that Yellow-Eyed Demon, or Y.E.D., is actually the Shadow King. This has been hinted at for weeks. Over the course of the first season, Y.E.D. has been lurking in David’s mind, changing David’s memories and making him forget about every encounter they’ve had to keep his identity secret. Lately, Y.E.D. has taken on the form of Lenny (Aubrey Plaza), David’s friend from the mental hospital who was killed in the first episode—but when David was a child he pretended to be his dog, not-so-subtly named King. The Shadow King has actually been inside David for decades. David’s father (Professor X?) sent him away when he was a baby to protect him, but Farouk couldn’t be stopped.

 So, who is Farouk in the comics? First introduced in Uncanny X-Men #117 by Chris Claremont and John Byrne, Farouk is the latest human host of the pure psychic energy being known as the Shadow King. The Shadow King has existed for centuries, feeding on the enslaved bodies of telepathic hosts from the dawn of humanity. Farouk has spent his life working in the shadows, first as a Nazi ally and later a crime boss in Egypt, before encountering Charles Xavier in ‘70s Cairo…

There is a large but finite number of ideas in science fiction and fantasy, and on Wednesdays we are seeing that with two excellent genre shows having a similar situation. While David on Legion appears to have a second consciousness in him since childhood, Quenton has Niffin Alice in him at present on The Magicians. While there is a similarity in the idea of two consciousnesses in one person, this is a more recent development on The Magicians, and perhaps Penny discovering this last week is a step towards resolving this problem. If not, who knows how much damage Alice can do with control of Quenton’s body for even a brief period every day.

Syfy plans to air all ten episodes of season three of 12 Monkeys over three days in May, between May 19 and 21. This sounds like the sort of thing a network might to do to quickly get rid of the episodes of a series it plans to cancel, but they have also renewed the series for a final fourth season. Perhaps this is their response to the trend towards binging shows, such as on Netflix.

While Syfy has renewed 12 Monkeys and The Expanse, there is no word yet on The Magicians. The Magicians is also impacted by streaming in a different manner. The episodes seem to be prepared for streaming, with an uncensored version of season one with limited commercial cuts made available after the first season aired. Besides all the f-bombs, the show is made without fading to commercials like a typical show, and instead have the commercials appear abruptly, making the episodes work better when repeated with reduced commercial breaks (or none when on Netflix). I would love to see The Magicians return for a third season on Netflix instead of Syfy so that we can see it this way from the start.

There is also news on the third time travel series to be discussed this week. Digital Spy reports that Doctor Who will have a three part episode involving The Monks, with Missy also appearing:

It’s been a while, but Doctor Who is resurrecting the three-parter for Peter Capaldi’s final series aboard the TARDIS.

New monsters The Monks were previously confirmed to be appearing in several episodes across series 10 – now Digital Spy can confirm that a trio of adventures (episodes 6-8) in the new series are linked.

Toby Whithouse, who’s written the concluding chapter, revealed: “Mine is the third part of a three-parter – Steven [Moffat]’s done the first one, Peter Harness did the second and I’ve done the third.

“It’s set modern-day… and I think anything more than that and Steven will come round and kick me in the shin!”

Sacha Dhawan, who played Jimmy Dillon on Mr. Selfridge, and has also appeared in Sherlock, Iron Fist, and An Adventure in Space and Time is among the names being discusses as a possible replacement for Peter Capaldi. Radio Times reports he is very interested in the role:

“Oh my God, I’d absolutely love to,” Dhawan told RadioTimes.com when asked if he was interested in the part. “I SO would love to.

“I’ve worked with [frequent Doctor Who writer Mark Gatiss] quite a lot, and I think I’d bring something really exciting to it. It’d be incredibly nerve-wracking to do to be honest. It’s quite a lot of pressure.

“When the list came out, I was so honoured really that I was even considered,” he went on. “And that alone was kind of good enough. But who wouldn’t want to do it? It’s Doctor Who.”

The posters advertising the return of Agents of SHIELD reminds us that they are now in The Framework with a different reality. For those not watching, it is sort of like being in The Matrix.

There is also talk about rebooting The Matrix. The remake will apparently tell other stories in the same universe. If they go ahead, I hope they do a better job than they did in the two attempts to make a sequel to the original movie.

Den of Geek summarizes what is known so far about season 2 of Westworld.

SciFi Weekend: Sherlock; The Expanse; Deadpool; Stranger Things; Wayward Pines; Twin Peaks; iBoy; Humans; Victoria; John le Carré; Celebrities On Surviving Trump

I am not going to give any spoilers on the season finale of Sherlock which airs tonight but leaked out early, waiting to watch until this is posted, but there remains a lot to say about last week’s episode. Steven Moffat and Mark Gattis spoke about the big twist in The Lying Detective. (Major spoilers for those who have not seen the episode):

At the end of the episode, we found out that the woman pretending to be Watson’s therapist, rush hour crush and Culverton Smith’s daughter were the same person. Not only that, but she was Sherlock and Mycroft’s long lost sister, Eurus (which means east wind).

After a screening at the BAFTA Cymru in Cardiff, the show creators hosted a Q and A where they told all about the chaos that had just ensued.

Mark Gatiss and Steven Moffat explained how the idea that Sherlock had a sister had been in the back of their minds ever since the first episode. Gatiss said:

It started as a joke years, years ago. Right from the beginning of the first season, there was a line in ‘The Great Game’ when we were sort of sketching in the idea of the Holmes family and there was going to be a line about Mycroft being a member, Sherlock admitting that he was cleverer than him and then him kindly saying, mind you…my sister…

It was absolutely cut off, and that’s really where it all began.

[At the time] we thought, we won’t do too much. And thank god we didn’t, as it gives us this place to go.

But that wasn’t the only shock of Sherlock. People were frankly dumbfounded to see that Watson had been seeing a girl behind Mary’s back. Steven decided to tackle that one, head on, saying:

He’s a fully rounded character. He’s a fully rounded human being with all the normal flaws that people have.”

BuzzFeed then asked him if he was going to be back to his usual self for the next episode, to which he said:

We’re not going to say now that he’s cosy and lovely, you don’t get Martin Freeman to play that.”

The episode even contained a Torchwood Easter egg–a postcard on the mantel with the Torchwood ‘T’ logo. Technically this would place Sherlock in the Doctor Who universe.

The Lying Detective left Radio Times with thirteen burning questions. Fans are looking back through old scenes for clues.

Moffat and Gatiss did tease tonight’s finale:

“It’s a grand old finale. It’s a very very finale finale,” said Moffat, at the BAFTA screening for ‘The Lying Detective’.

“It’s the most like a Universal Sherlock Holmes that we’ve ever done,” Gatiss added. “It’s like a Basil Rathbone one. It’s absolutely crazy.”

The Expanse returns for season 2 on February 1. For those of use who didn’t make it through the entire first season, Syfy has put out a series of videos on the series, such as the one above. For those who want a briefer summary of season 1, below is a recap with cats:

Deadline interviewed the writers of Deadpool about the planned second movie. They also blamed the leak of test footage from the first movie on Putin.

The cast of Stranger Things teased season two in an interview with Vanity Fair.

Wayward Pines will not be returning this summer, but Fox has left open the possibility of it returning in the future. I’m actually happy to hear this. I’ve read the novels the show was based on by Blake Crouch, but the television show is one of many shows in this era of peak TV which I haven’t gotten to yet. Another year might give me a chance of watching the first two seasons before a third if there should be one. Incidentally, Blake Crouch is also the author of Dark Matter (no relationship to the televisions how by that name). The novel is more a page-turner thriller than hard science fiction, but, like his Wayward Pines series, was a quick and enjoyable read, and I’ve seen it on some of lists of top books of 2016. (Also, while not really related, I have used the hiatus in new shows around the holidays to catch up on Syfy’s Dark Matter and will now be able to include it in the weekly show coverage when it returns).

Return to Twin Peaks on May 21:

Kyle MacLachlan reprises his role as FBI Special Agent Dale Cooper. TWIN PEAKS, the 18-part limited event series will debut with a two-part premiere on Sunday, May 21 at 9PM ET/PT. Immediately following the premiere, SHOWTIME subscribers will have access to the third and fourth parts, exclusively across the SHOWTIME streaming service, SHOWTIME ANYTIME® and SHOWTIME ON DEMAND®. In its second week, TWIN PEAKS will air the third and fourth parts back-to-back on the linear network, starting at 9 p.m. ET/PT, followed by one-hour parts in subsequent weeks…

Directed entirely by David Lynch, the new SHOWTIME limited event series picks up twenty-five years after the inhabitants of a quaint northwestern town were stunned when their homecoming queen Laura Palmer was shockingly murdered.

Widely considered one of the most groundbreaking and influential broadcast series of all time, TWIN PEAKS followed the inhabitants of a quaint northwestern town who were stunned after their homecoming queen Laura Palmer was shockingly murdered. The town’s sheriff welcomed the help of FBI agent Dale Cooper, who came to town to investigate the case. As Cooper conducted his search for Laura’s killer, the town’s secrets were gradually exposed. The mystery that ensued set off an eerie chain of events that plunged the inhabitants of Twin Peaks into a darker examination of their very existence. Twenty-five years later, the story continues…

Maisie Williams has a major role in an new superhero movie coming out on Netflix. It has a more modern origin story. Instead of being bit by a radioactive spider, the hero gets his powers from portions of a smartphone embedded in his brain:

Tom is an average teenager whose world is turned on its head when a violent encounter with local thugs leaves fragments of his shattered smartphone embedded in his brain. He wakes from a coma to discover that returning to normal teenage life is impossible because he has developed a strange set of superpowers. With these new powers he sets out to seek revenge on the gang, who also assaulted his best friend Lucy.

iBoy is a Netflix original film starring Bill Milner, Maisie Williams, Miranda Richardson and Rory Kinnear and is available on Netflix globally from January 27th, 2017.

The Hollywood Reporter has news on another Game of Thrones Star. Peter Linklage is engaged in talks to appear in Avengers: Infinity War.

The second season of Humans was excellent, and will become available (legally) in the United States on AMC on February 13. Deadline has some information. Syfy Wire spoke with the showrunners about topics including the comparisons to Westworld:

The showrunners were asked whether they minded that Westworld entered their same thematic storytelling space last year, but Brackley says the more, the merrier. “From our point of view, it’s only a good thing if people are interested in the issues we are all talking about. There’s plenty of room for both of us, and probably more about AI. Our shows are very different.”

Another excellent series from the UK will also become (legally) available in the US. Victoria debuts on PBS tonight. It is often compared to Golden Globe winner, The Crown, with similarities including actors from Doctor Who in key roles. While The Crown had Matt Smith in a supporting role, this one stars Jenna Coleman. Both The Crown and Victoria center around a new Queen and her relationship with the Prime Minister in their first season. Unlike The Crown, in which Elizabeth is married to Philip at the start, Victoria doesn’t meet Albert until later in the first season.  Entertainment Weekly has more on Victoria and spoke with Jenna Coleman:

Apparently there is some other show about British royalty called The Crown, which features your Doctor Who costar Matt Smith. Have you two compared notes?
[Laughs] I think both of us tried to work out our [characters’] relationship to each other. It’s funny, he’s filming the second season in London. I’ve seen all the first, which I think is fantastic.

We already know Victoria will have a second season. In an ideal world, how long will the show run?
It depends on appetite and the pacing. There’s so much story, it could run for 60-odd years!

There is another interview with Jenna Coleman at Collider.

The Night Manager was one of the highlights of 2016. This leaves me optimistic about the next John le Carré adaptation from AMC, The BBC, and The Ink FactoryThe Spy Who Came In From The Cold.

While several celebrities say that at first they were petrified about the upcoming inauguration of Donald Trump, they are now singing, I Will Survive. Those singing Andrew Garfield, Chris Pine, Emma Stone, Amy Adams, Natalie Portman, Matthew McConaughey, and Chris Pine. Needless to say, conservatives don’t find this entertaining. The New York Times looked at how other celebrities such as Judd Apatow are responding in a different manner. I previously posted about reactions to Donald Trump at the Golden Globe Awards, including text and video of Meryl Streep’s speech, here.

SciFi Weekend: Doctor Who; Sherlock; Sense8; The OA; Travelers; Westworld In Chronological Order; Carrie Fisher; Father Of The Bride

While waiting for the Christmas Special, The Return of Doctor Mysterio, we have The 12 Doctors of Christmas video above.

This will lead us into the upcoming season, to start in April 2017, which will be Steven Moffat’s last as show runner. He talked to Digital Spy about his plans:

If you’re expecting a grand finale to the Steven Moffat era of Doctor Who, then you might want to think again.

Moffat told press including Digital Spy that his final episodes of the BBC series will be about “pushing forward” – not bringing anything to a close.

“With Doctor Who, you never want to have finished the story – I’m not going to do that,” he insisted. “I want Chris [Chibnall, the new showrunner] to come in and have a brilliant time, so I’m not going to wrap it all up.

“So no… it’ll still be pushing forward. The thing is, people don’t really care about me or Chris, that’s the absolute truth. It’s heartbreaking, but it’s true – so the departure of a showrunner and the arrival of another one doesn’t really matter very much, ’cause no-one’s ever heard of us!”

Whether Peter Capaldi remains after Moffat stays might depend upon negotiations over pay, as the BBC has cut its fees in recent years.

Steven Moffat also has an interview with the BBC over the upcoming season of Sherlock, to premiere on New Year’s Day:

What do you mean when you say ghosts of the past are coming back?

By ghosts of the past we mean consequences. There are consequences to the kind of mad cap in-the-moment fun lives that Sherlock and John and Mary lead. There are things that have happened, there are enemies that they have made, there is damage that has been done and some of that is coming back to visit them. There will be surprises and when some of those surprises happen you’ll think “ah I should have seen that coming”.

How have the main characters developed in this series?

That’s the whole story of this series, so I’m not talking about that! Events get out of their control for a while and we see them in their darkest hours and in their highest moments.

How does Sherlock feel about John and Mary’s new addition?

The thing about Sherlock Holmes is that he is a grown-up. We always like to pretend he’s an absolute lunatic but he does things well and he straightforwardly adores John and Mary, they’re his best friends. So he behaves probably better than most young men behave when their best mates are having babies. He’s pretty good at all that.

Netflix released the Sense8 Christmas Special on December 23. At first it seemed an unlikely show to have a Christmas Special, but in retrospect it made a lot of sense. This provided a way to get reacquainted with the characters during the two year hiatus between the first and second season. The slow pace of the show worked well here. Not all that much happened to advance the story lines of the characters, giving plenty of time for holiday celebrations and the obligatory orgy scene.

Netflix also released two genre shows around the holidays, The OA and Travelers. I have not had time to see either, but The OA has been receiving a fair about of buzz since released. More information at Variety, Vox, and The Atlantic. The Travelers (trailer above) has an overall plot line similar to many science fiction shows including 12 Monkeys, Legends of Tomorrow, and Continuum in which time travelers from the future try to prevent a catastrophe in their era. This differs in that the travelers do not physically travel through time. Instead their consciousness takes over the bodies of others at the moment of their death. Here is the official synopsis:

Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These “travelers” assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future. These travelers are: FBI Special Agent Grant MacLaren (Eric McCormack), the team’s leader; Marcy (Mackenzie Porter), a young, intellectually disabled woman in the care of her social worker, David (Patrick Gilmore); Trevor (Jared Paul Abrahamson), a high school quarterback; Carly (Nesta Marlee Cooper), a single mom in an abusive relationship; and Philip (Reilly Dolman), a heroin-addicted college student. Armed only with their knowledge of history and an archive of social media profiles, the travelers discover that 21st century lives and relationships are as much a challenge as their high-stakes missions.

Westworld is one show which in which things would be much clearer if viewed a second time. While watching the season finale I was thinking it would be even clearer if recut in chronological order, as some have done with a work by creator Jonathan Nolan’s brother–Christopher Nolan’s Memento. Of course it would be much harder to rewatch the entire season of Westworld as opposed to a movie such as Memento. These issues have been solved at The Outline where there is a recut version of Westworld season one in chronological order in which what they call the “normal” parts are sped up. This reduces the video to only ninety minutes.

As of time of writing this on Saturday, Carrie Fisher remain in intensive care after suffering a heart attack on Friday while flying from London to Los Angeles. She survived thanks to passengers on the plan initiating CPR. Hopefully she has a full recovery. We do need Princess Leia back to lead the rebellion against the evil empire when Donald Trump takes over in January.

For the last few months Father of the Bride has been the movie which means the most to me personally, still recalling watching it on ancient video tape when my daughter was a long way away from this point in her life. Therefore it caught my attention when I was scanning entertainment news for this post and saw that E! News had an article on the movie entitled How Realistic Is Father of the Bride? Fact-Checking the Classic 25 Years Later.  572 guests!!! I’m going to have nightmares tonight contemplating that.

After the show received quite a bit of controversy, A&E has cancelled Escaping The KKK.

Update: Carrie Fisher Dies At 60, May The Force Be With Her Always

SciFi Weekend: Holiday Shows (Doctor Who, Sherlock, Sense8); Holiday Gifts; Metropolis; Star Trek Discovery Casts Lead; Humans; The Man In The High Castle

We have now gone almost a year without any new episodes of Doctor Who. (At least there was Class, along with seeing Matt Smith on The Crown and Jenna Coleman on Victoria). Peter Capaldi and others have filmed the above message in advance of the Christmas special, and Capaldi has been available for interviews, including the one below:

Doctor Who does have some famous fans, including Prime Minister Theresa May, who has said she always watches the show on Christmas Day. Peter Capaldi responded to hearing this by saying, “I hope she takes this message of kindness and tolerance and compassion to heart.” When asked about whether he plans to leave the role, Capaldi responded by saying, “not for a long time, I hope.”

In another recent interview with Digital Spy, Steven Moffat has suggested someone else for the Doctor to meet, but does see a potential problem. “I’d like Doctor Who to meet the real James Bond, that’d be awesome. They wouldn’t get on at all. He’d shag his assistant!”

The fourth season of Sherlock begins on New Year’s Day. (They don’t worry about competing with the Rose Bowl in the U.K.) There have been hints that it might be the final season in light of how busy Benedict Cumberbatch and Martin Freeman are, but Steven Moffat denies it will be the final season.

Among other things I’ve recently learned about Doctor Who, Matt Smith has a sister, who is one of the girls in the above video.

Gizmodo lists The Best Gifts for Doctor Who Fans. Of course I already have my own full-sized Tom Baker scarf and a sonic screwdriver.

If you prefer a different franchise, and have a big budget, Ars Technica reviews a $434 replica light sabre. Or, if you want to build your own Death Star, here is how to begin.

We have become accustomed to seeing special holiday episodes of shows from the U.K., but I believe it is a first for Netflix to do this. The trailer for the Sense8-Christmas Special is above (to be released December 23). I have seen conflicting reports as to whether they will wait until May (as the trailer states) versus releasing the second season this month. Presumably the trailer has the most up to date plans.

In other genre news this week, Sam Esmail (Mr. Robot) is planning to do a miniseries of the 1927 classic science fiction movie, Metropolis.

The lead has been cast for Star Trek: Discovery. Sonequa Martin-Green (Walking Dead), will play a lieutenant-commander. Unlike previous Star Trek series, the show will not center around the captain.

Humans ended its second season tonight. (I have the season finale downloaded but have only watched through the seventh of eight episodes). The series raises many of the same issues as Westworld. It lacks the budget, the hype, and the big stars, but it many ways it has done an even better job. AMC will be starting the second season in the United States on February 13.

Amazon started the second season of The Man In The High Castle. While I am still early in the series, it looks good so far. The show which includes Nazi occupation of the eastern United States now seems more relevant with just over a month to go until Donald Trump becomes president. Deadline also recommends another new streaming show released on December 12, OA on Netflix.

SciFi Weekend: Westworld Season Finale; Doctor Who; Sherlock; Dirk Gently

The first season finale of Westworld, The Bicameral Minds, confirmed more fan theories, had additional revelations, and leaves big questions as to where the show is going for the second season. Major spoilers ahead. We found out much more about Bernard in the final episodes, both that he is a robot and that he was made in Arnold’s image. Ford did not seem very surprised that Bernard was revived in the finale, but he always seems to be many steps ahead of everyone else, largely as he has programed the actions of the hosts to a greater degree than previously revealed. What was a surprise was that Ford was on the side of the hosts, now taking Arnold’s side.

Early questions of whether Ford was good or evil now seem irrelevant. What matters is that has taken up Arnold’s mission to prevent robots, which would ultimately achieve consciousness, from being mistreated and exploited. This does leave the question of why Ford found it necessary to kill Arnold in the ninth episode, but perhaps this does not matter as death is only temporary on Westworld. Ford’s motives appear entirely different now that we know that he was on the side of the hosts, even if some of his earlier actions might have seemed contradictory. (I have seen speculation that possibly early scenes were filmed before the producers really figures out where they were going.) Despite his motives, he did utilize violence and was responsible for many deaths. Some of the violence might be rationalized, at least on Ford’s part, by the view that suffering and trauma were the key to waking up a host’s consciousness. Other deaths can be explained, even if not justified, by how low a view Ford held of humanity. This is echoed in the view of Delores, which probably reflects the views of Ford and/or Arnold, that humans are destined to go the way of dinosaurs.

Maeve proceeded with her rebellion, but we learned that this was part of Ford’s programing. Both Delores and Maeve were given the opportunity to make a decision, but it was no surprise that Maeve decided to remain in the park and search for her daughter in one story line after seeing the mother and daughter together on the train. Therefore she did not infiltrate the outside world, which may or may not be part of the long term plans for the show.

We also finally saw William put on a black hat, and then fade into The Man In Black thirty years later. This was widely predicted on line since the second episode when William and Logan were first introduced. It was a shock to Delores–possibly the final shock she needed for her to become fully sentient. While it might make sense that she does not connect the William of thirty years ago with The Man In Black of the show’s present, this makes less sense if William has been visiting the park, and presumably Delores, over the past thirty years as he aged. I am also not entirely satisfied with the explanation of how William’s character changed over the years. While he was disappointed in the finale to find that it was true that the maze was not for him, he did get what he wanted in having consequences to actions and the ability to get hurt at the end.

Other than for Ford’s plans, the biggest surprise of the episode was that Delores was Wyatt. While it has been clear there was some connection between Delores and past events in the park, it was a surprise to see the scenes of her actually killing the original hosts as part of Arnold’s failed plan to prevent the park from opening. This did make it more plausible to see her shoot Ford, her opportunity to make a choice in the finale, which I suspect was primarily because of the meta requirement of Anthony Hopkins only signing up for one year.

The  fate of some characters is less clear if you go under the assumption that if a character is not actually seen to have been killed will very likely return. Logan was last seen naked on a horse in distant parts of the park. If he survived this, he could be expected to return as a very angry enemy of William/The Man In Black. We also do not know what happened to Elsie and Stubbs.

I have seen both the producers and some cast members refer to the first season as a prologue for the story ahead in several interviews. It was inevitable in this form of story that the robots would rise up and rebel, but in contrast to the movie, the audience is made to be sympathetic towards the robots. From various interviews we know that Jimmi Simpson (William) will not return but Ed Harris will. Presumably this means that the flashbacks to thirty years ago are over, unless they will involve different people/robots. While it is possible that Ed Harris will only be returning to be killed in the opening, with Ford gone I wonder if Jimmi Simpson will be playing the role of the main human from Delos, and the opposition to the robots taking over. This could possibly include an older version of Logan as an enemy, with Elsie and Stubbs also playing a part if they are still alive. On the host side, both Evan Rachel Wood and Jeffrey Wright have said they are returning.

We do not know whether the next season will continue to take place primarily in the same areas, if we will see the outside world, and to what degree other parks are involved. We know both that this is Park 1, implying other parks, and we have seen a sign of Samurai (or possibly Shōgun) World.

Jonathan Nolan and Lisa Joy gave some minimal hints as to where the series is going in an interview with TVLine:

TVLINE | We see Felix and Maeve run through Samurai World or Shogun World or whatever it’s actually called — the backstage area for another park. In his note to her, we see that her daughter is in Park 1… indicating that there are multiple worlds. What can you tell me about the concept of multiple Worlds? 
NOLAN | Lisa and I embarked on this with a feeling that we’d need a plan, we’d need a beginning, a middle and an end to embark on something like this. We didn’t want to do a series that was really popular and we just kept doing it and doing it and ran out of ideas. We wanted to tell the story of the origin of a new species and the new messiness and ambition that would entail.

We wanted the show to change, season on season, sometimes in terms of the characters you’re looking at, but with many familiar faces along the way. And see how their journey, the hosts’ journey, shifts and changes as they understand more of the world around them. At the same time, the title of the series and our interest in the Western aspect of it, and what that means and why that genre was so durable and so evocative for so long, for us means that there’s always a connection to that place and that key of storytelling. Hopefully the ambition of the story and the scope of the story grows season on season, but you never quite forget where it started.

More is revealed in an interview with Variety:

How dead is Ford?
Jonathan Nolan: Oh, he’s dead.

Is he “Anthony Hopkins is available for pilot season” dead?Nolan:
Working with Anthony Hopkins on this season of TV has been one of the greatest pleasures and privileges for Lisa and I in our careers. It’s been an incredible experience, and we’ll see where our story takes us…

We’ve perceived Ford to be one type of person, and at the end he reveals himself to be a different type of person in terms of how he feels about his creations and how he feels about his own life’s work.
Lisa Joy: Only a titan like Anthony Hopkins could have done all the nuance that he embedded in this series. His character in my mind is always a little bit of Prospero in “The Tempest.” You think his plan involves one thing. You kind of underestimate him. Then you see this glimmer of malice and menace that you didn’t anticipate, so he goes to being the villain. Then by the end you realize that this is in some way about atonement for him and that he’s chosen this very difficult road because he believes it’s the only road in which he can atone for the mistakes of the past.

We got confirmation in the finale that the show takes place on multiple timelines, which had been hinted at strongly in previous episodes. How did you settle on that structure?
Joy: I think the key is to let it grow organically from the concept and the characters. Even though it is a very complicated, twisty set of reveals, this is the one show in which it is totally organic to what they’re experiencing. You have a group of hosts who are basically immortal, and the fundamental thing that is holding them back is memory. Unlike humans, who have these imperfect memories — we can’t really conjure events in all the detail they occur — the hosts have a different problem. They’re able to bring back the exact replica of that memory so lifelike and engrossing in detail that it’s impossible to distinguish today from tomorrow or yesterday.

Nolan: This is not the first time I’ve written about amnesiac characters. I remember talking to my brother [Christopher Nolan] about “Memento” and how I was intending to structure that as a short story. I wanted to write it as a deck of cards and then shuffle that to make it completely, aggressively non-linear, because that was that character’s understanding of the world. Here we had the unique opportunity to try to illuminate some of the differences between how an artificial person might understand the world, and especially an artificial person who had been artificially held back in terms of their understanding of the world in order for us to facilitate us being able to do whatever the f–k we want to them.

More at The Hollywood Reporter:

Season one was about control and season two is poised to explore chaos. What brought Westworld to this chaotic and extremely violent moment in the story?

Nolan: I think most television series … and I mean no disrespect by this. I’ve worked in television for years and I love all of the different ways you can build a show. But for the most part, you get through the pilot, you build your sets, you hire your cast, and it’s working, and you just want to hang out in that moment and enjoy that moment with that iteration of the story you’re telling. For Lisa and myself, with this show, we never had any intention of staying in one place. We don’t want to shoot on the same sets for 10 years. We want to blow the sets up and move on to another piece of the story. So we said when we started working on the series that we wanted to be ambitious. We wanted each season to increase in that ambition and in the scope of the show. It also follows the story of our hosts. Their lives begin in loops, and then expand and change and grow. It’s an origin of a new species. We want to follow that story all the way to the bitter end.

Joy: The control vs. chaos reminds me of the Langston Hughes poem, about what happens to a dream deferred. We’ve set this up as Dolores living in a dream, but it’s someone else’s dream. She can’t live her own life. Then, at the end, we see. It explodes and goes out with a bang.

Ford reveals his new narrative is designed to activate the hosts’ consciousness and ignite revolution against their human oppressors. He ultimately isn’t in conflict with Arnold; he actually has come to agree with his old friend. How did you arrive at this idea? 

Nolan: We had a lot of iterations of this, especially as we were working on the pilot. As we started to write the pilot, we understood that we had a great opportunity here to explore a very ambiguous character, a great man. Two great men, really. Their argument over what they were doing would stretch on for decades and beyond death. We knew from the beginning that we wanted to take our time. All we needed was the best living actor [to play him]…

Ford is no longer the last man standing, thanks to Dolores. Why did Ford need to die in order for this revolution to begin?

Joy: It’s a little bit like when Arnold says: “The violence has to be real. The stakes have to be real.” Ford is doing this in such dramatic fashion in front of the Delos board. He’s basically taking the safety off. There’s no turning back from this. It’s not a kind of fiction anymore. I think that’s part of it.

Nolan: We talked about the Julian Jaynes book [called The Origin of Consciousness in the Breakdown of the Bicameral Mind], which we thought was a very interesting place to start in terms of understanding the hosts’ cognition. They would be coaxed into life by this voice of god, and then at a certain point, this god has to realize that his partner was right. The appetites of the audience they were catering to and the story they were telling wasn’t what they wanted it to be. These creatures had grown into sentience within that story. They realize the only way for these creatures to be truly free is for that god to die. If on a very literal level, if Ford’s voice is the last thing … we’ve established his voice as an almost telepathic control of the park. The only thing standing between the guests and the hosts is Ford, so he removes himself from that equation.

Will we see Anthony Hopkins in season two?

Nolan: I think with this show, you want to assume nothing. We had a wonderful experience. It was one of the greatest privileges of my career so far, getting to work with Anthony for the first season. It was an incredible experience.

How afraid of Dolores should we be? How much Wyatt is in there?

Joy: I think that’s something we’ll come to see, and she’ll come to find also. I think it’s impossible to imagine … if you’ve been subjected to the violence and seen the evil Dolores has seen, the pendulum wouldn’t swing the other way, as we see it starting to do in the finale. But there’s a point, too, where I think selfhood transcends the reactionary. The question will be when the dust settles and the pendulum stops swinging, who will Dolores be?

We have to wait until 2018 to find out what happens next, but similar ideas are frequently seen. Humans, while lacking the budget and attention of Westworld, is handling similar concepts very well, and is not limited to a theme park.  Agents of Shield showed in the fall finale that Artificial Intelligence will be the theme of the second half of this season.

The Return of Doctor Mysterio, this year’s Doctor Who Christmas special, has the Doctor return to New York for the first time since The Angels Take Manhattan. Perhaps this is why the TARDIS appears to be having problems in some of the preview pictures as the Doctor cannot return to New York or risk time distortions. Presumably the time distortions would have been far more serious if he had attempted to go back in time to save Amy and Rory as opposed to going in the present day. We will see if this is a part of the episode, or just another plot hole.

Another trailer (video above) has been released. Spoiler: When dealing with aliens, the expression”open your minds” appears to be as ominous as “To Serve Mankind.”

Sherlock returns on January 1. A trailer is above. Following is the synopsis of the first episode, entitled The Six Thatchers:

In episode one of this new series, written by Mark Gatiss, Sherlock waits to see where Moriarty will make his posthumous move. One mysterious case in particular baffles Scotland Yard – but Sherlock is more interested in a seemingly-trivial detail. Why is someone destroying images of the late Prime Minister Margaret Thatcher? Is there a madman on the loose? Or is there a much darker purpose at work? Something with its roots deep in Mary Watson’s past…”

Dirk Gently’s Holistic Detective Agency  completed its first season. I am a few episodes behind, and thoroughly confused as to what is going on (and as I’m behind, didn’t actually read this link supplied for those interested in a discussion of the finale). BBC America has renewed the show for a second season.

SciFi Weekend: Gilmore Girls A Year In The Life; CW Superhero Crossover; Bryan Fuller and Star Trek Discovery; Class; Doctor Who; Sherlock; Luke Cage; Sense8; Westworld

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Gilmore Girls, A Year In the Life finally revealed the greatest mystery beyond the secret of life, the universe and everything (which was revealed in The Hitchhiker’s Guide To The Galaxy to be 42). Major spoilers ahead as I figure that any fan of Gilmore Girls will have completed the series by now. It is only six hours and it is Lorelai, Rory, Emily, and Stars Hollow, after all. The series concluded with those four final words which  Amy Sherman-Palladino had intended when she first started the series, but did not get to use because of leaving the series for its final seventh season over contract disputes. After years of waiting, we now know they were, “Mom. “Yeah?” “I’m pregnant.” The words, in retrospect, were entirely predictable. As we learned from Battlestar Galactica, “All this has happened before, and all of it will happen again.” Lorelai being pregnant with Rory years earlier set up the series, and now all of it will happen again.

Of course it will not happen exactly the same. Rory will not run off and leave her family as Lorelai did. Rory is now much older than both Lorelai was, and also significantly older than Rory would have been if the four final words were spoken at the end of the original seventh season. She could go down a completely different path. “Rory doesn’t have to keep the baby,” as Amy Sherman-Palladino told TVLine. “There are choices here that she can make. It’s just the left turn. It’s that curveball that life throws you. I will say, weirdly, that I like it much more now. ”

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The revival captured much of what made the original series great. Most of the old cast was seen, with Paris having some of the best scenes. Drop Murder She Wrote and sign Liza Weil for a Paris Geller spinoff. There were many additional cameos, including cast members from Bunheads and Parenthood. This included her Parenthood daughter Mae Whitman. The two park rangers were played by Jason Ritter, a romantic interest on Parenthood, and by Peter Krause, her brother on the show, and real-life romantic partner. A full list of cameos can be found here.

There were many pop culture references. This includes genre references include Doctor Who (with an appearance by Alex Kingston), Superman, Star Wars, Star Trek, Marvel Movies, Outlander, Buffy the Vampire Slayer, Twin Peaks (with Ray Wise also having a role), and Game of Thrones. While there were far too many to mention all the genre references here, Screen Rant has a full list. The timing of the show, taking place during the 2016 election year but filming before the results were known, prevented them from including political references. A future season of Gilmore Girls could easily include some snarky comments about Donald Trump–as they sometimes did at the expense of George Bush and other Republicans during the original run. I collected some examples here and here.

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Amy Sherman-Palladino and Daniel Palladino gave multiple interviews which covered some of the points discussed, included whether Stars Hollow would have gone for Donald Trump. Here’s a portion of one interview from Vulture:

Let’s get right to the heart of the matter: the final four words. You’ve said these were the same four words that would have marked the end of the original series. But did you ever contemplate changing the ending for A Year in the Life in a way that differed from that plan?
Amy Sherman-Palladino: We didn’t really know what that last season was until we got into it and then we asked a lot of questions and we found out where the show ended. The show could have ended in a different place that made those last four words completely irrelevant. So we went into breaking this in a way that we were really looking at it like these three women are at a crossroads. The patriarch has died and what’s the way forward for them?

Organically, the last four words fell into place on this. It’s not something we would have shoved in there if it hadn’t really led us to a good space and if we weren’t churning toward that anyhow. What’s interesting about the last four words as originally conceived is they would have been when [Rory] was 22, and while that still, I think, thematically would have worked with the whole idea of history repeating itself full freaking circle — you know, daughter follows in mother’s footsteps — to me it’s actually more interesting, it takes on more relevance, that it’s at the same age. She’s at the same age now that Lorelai was when we started the series.

That’s just an interesting kind of dynamic. When we met Lorelai, she was 32 and that’s where she was in her life and now we’re leaving Rory at 32 with the thing on the horizon. It felt kind of cooler to us to do it now than if we had done it when we were still on the WB.

Also, Rory has had an opportunity to live life and do some things that her mom didn’t.
ASP: She’s bringing more to whatever decision she makes than she would have at 22, fresh out of college.

Let me ask you this: Do you know who the father of Rory’s baby is?
ASP: We do…

I’m sure everyone is asking you this question, but do you want to do another season or series of mini-movies like this? Has that been discussed at this point?
DP: Nothing’s been discussed. This was kind of set as a one-off thing, but we would never have anticipated that we were going to do this up until a couple of years ago when it occurred to us. So we never say never. It wasn’t designed to go beyond this, but it certainly can go beyond this.

ASP: Yeah, it wasn’t the sales pitch. The sales pitch was, these are the four stories, this is A Year in the Life, this is what it’s going to be. There were no ulterior motives walking into that room to pitch, other than we think it will be really interesting to see where these women are over this particular year.

Because it ends the way that it does, some people may assume that, “Oh, they set it up to continue.”
ASP: Nope, not at all. We’ve always tried to not wrap things up in a bow. We tried to do that on the series. Because life isn’t like that. You can have a good moment with a parent you are estranged from, and you have a great moment, and then the next time you see them, everything’s back to the way it was before and you guys are throwing knives at each other. Life doesn’t tend to fix things or wrap them up in bows. Because of that, we wanted the ending of this to not have a pat, “And they all lived happily ever after!”

It’s not that it’s a sad ending, particularly, but it’s an ending of, “And life throws you another left turn and then you’ve got to go with the flow.” That’s what we’ve always tried to do, successfully or unsuccessfully, with the show over the life of it. We felt it would have been weird to end this year with, “Everyone’s happy! Yay! Unicorns for all!”

A detail that jumped out at me while I was watching was a poster with the date of Luke and Lorelai’s wedding, which would have been a few days before the election. I didn’t know if that was something that was …
ASP: They were so happy then. So innocent to the ways of the world.

DP: We were tempted to put something about — you know, because there was the prospect and the likelihood that there was going to be a woman president-elect at the very, very end. I think that poster [originally] indicated that it would be on November 19, I think it was post-election. I think it may have been post, you know, it was right around that time. We in this industry can’t afford to even predict the future even when it’s as certain as Hillary Clinton winning the presidential election. Quite frankly, this show — Amy and I are dyed in the wool liberals and very left wing. But the show, we always wanted it to be bipartisan and Stars Hollow is a — probably voted for Trump, mainly …

ASP: No. No, no, no, no.

DP: Oh, I think they did.

ASP: No, no, no, no, no.

DP: It’s rural America!

ASP: No, no, no, no, no. There is no evilness in Stars Hollow. Do not put that out there, I do not accept that. Absolutely not.

DP: Okay, maybe it’s a …

ASP: No. No.

DP: … clean, liberal …

ASP: No. No.

DP: … maybe.

ASP: No. No, no, no. The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming. It’s good we didn’t, so we didn’t have to spend all that money on horns, harpies — and Minotaurs and women with snakes.

Gilmore Girls, A Year In The Life works well as a stand-alone revival, or given the flexibility of Netflix, it should be possible to have further mini-seasons.

DC's Legends of Tomorrow --"Invasion!"-- Image LGN207c_0156.jpg -- Pictured (L-R): David Ramsey as John Diggle, Caity Lotz as Sara Lance/White Canary, Carlos Valdes as Cisco Ramon, Emily Bett Rickards as Felicity Smoak, Stephen Amell as Oliver Queen, Grant Gustin as Barry Allen, Brandon Routh as Ray Palmer/Atom, Melissa Benoist as Kara/Supergirl, Nick Zano as Nate Heywood and Victor Garber as Professor Martin Stein -- Photo: Diyah Pera/The CW -- © 2016 The CW Network, LLC. All Rights Reserved.

The CW Network had its big cross over event with Supergirl, Flash, Arrow, and Legends of Tomorrow.The episodes were a treat not only for fans of the CW shows, but for all genre fans. While there weren’t as many genre references as in Gilmore Girls, MoviePilot.com listed some of the Easter Eggs for genre fans included in the episodes.

Andrew Kreisberg and Marc Guggenheim discussed some of the issues raised in the episodes with TVLine:

WILL THERE BE MORE FLASHPOINT CHANGES FOR ARROW AND LEGENDS CHARACTERS? | The producers are keeping mum on that front, but Guggenheim did share that “there’s a fair amount of discussion” about the subject in next Wednesday’s Arrow midseason finale. “[The characters] deal with — in some humorous ways, actually — some of the ramifications. For example, I think Curtis is concerned that maybe he was straight, originally.” As for whether Barry’s voicemail is directly tied to Flashpoint or referencing more changes that the speedster makes down the road, Kreisberg offers this cryptic tease: “The message from the future relates to Flashpoint, but it also may relate to something else coming up.”

WILL SUPERGIRL VISIT EARTH-1 AGAIN? | Now that Kara has a way to communicate and travel across Earths, crossovers are certainly “easier” to execute, Kreisberg says. “The next time we do it, it means it doesn’t necessarily have to be because Oliver and Barry need Kara; it could be because Kara needs them.” However, the EP notes that nothing is in the works, seeing as how “we just barely survived this one. So we’re not too concerned with what we’re going to try to do next year. But it just gives us another way to come at a story.”

WILL STEIN’S DAUGHTER BE BACK? | “You’ll see her again in a few episodes,” Guggenheim says. And as early as next Thursday’s Legends midseason finale, “the ramifications” of Stein and Jax keeping the doc’s newly discovered offspring a secret “come into play.”

COULD THE NEW PRESIDENT HAVE BEEN LYNDA CARTER? | “Actually, in the original draft of the Legends episode, she was the Vice President, who became the President,” Guggenheim reveals. “The studio had what we all considered to be a very fair note [that] it was a bit too confusing.”

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Bryan Fuller is no longer involved with Star Trek: Discovery, but his early work on the series should still have a big impact on the direction of the series. From Newsweek:

“Ultimately, with my responsibilities [elsewhere], I could not do what CBS needed to have done in the time they needed it done for Star Trek,” Fuller explains to Newsweek. “It felt like it was best for me to focus on landing the plane with American Gods and making sure that was delivered in as elegant and sophisticated a fashion as I could possibly do.”

CBS opted to move ahead without Fuller after previously accommodating his and co-creator Alex Kurtzman’s request to push the show’s planned January 2017 premiere to May in order to “achieve a vision we can all be proud of.” Variety reported in September that the pair wanted to meet fans’ expectations, particularly with special effects.

“It is bittersweet,” says Fuller. “But it was just a situation that couldn’t be resolved otherwise…so I had to step away.”

Fuller—who retains an executive producer credit—wrote the first two episodes of Discovery and the story arc for the rest of the 13-part first season. CBS said it would see his “vision through,” but the writer confirms he has no active involvement with the series.

“I’m not involved in production, or postproduction, so I can only give them the material I’ve given them and hope that it is helpful for them. I’m curious to see what they do with it,” he says.

He commented on a potential second season: “They have my number and if they need me I will absolutely be there for them.”

class-doctor-who

Class began it season with an appearance by Peter Capaldi and now has completed its first season with a surprise visit from a classic Doctor Who enemy. As it won’t be airing in the United States until spring, I won’t give any details. Those interested can find out more here. Warning, the spoiler is in the title and cannot be avoided if you click on the link. Review of the episode here.

Jenna Coleman reports that filming of the second season of Victoria will start in February. The first season will be available in the United States on Masterpiece on PBS starting January 15.

sherlock-clues

The above picture provides several clues about Sherlock. Radio Times goes through the clues, which include a nod to a Doctor Who character.

Netflix has picked up Luke Cage for a second season.

Originally Netflix was only going to release a Christmas episode of Sense8. Now they have decided to release the entire second season on December 23. (Update: The second season will not be released until May.)

Masters of Sex has been canceled after its fourth season. The show has gone downhill and it didn’t seem like they really knew what to do with it anymore. I just wish that they had known that it would be the final season earlier. Rather than a meandering fourth season, they could have told a story over a longer time span and taken the story until wherever they wanted to ultimately finish it.

Amazon has canceled Good Girls Revolt after its first season. I have not had a chance to see it yet, but I had added the first season to my queue following favorable reviews.

Last week more fan theories were confirmed on Westworld but there are a lot of questions remaining. With the season finale airing soon after this will be posted, there is little point on speculating further until the finale is viewed. I do have one additional tip for casual viewers who have not been paying attention to all the on-line discussion of the show. Pay close attention to the opening credits. The scenes do give away a lot.

Alec Baldwin did his impersonation of Donald Trump once again on Saturday Night Live, this time mocking his use of Twitter. Probably failing to see the irony, Trump responded by blasting Baldwin with a tweet. Baldwin offered to stop doing his impersonations if Trump would release his tax returns.

SciFi Weekend: Westworld, Mr. Robot, Humans, Doctor Who

westworld-bernard

This week I’ll start with two shows which a lot of time could be spent on to interpret their full meaning–Westworld and Mr. Robot. Both deal with technology, but only one is really about robots. Westworld started out with a slow presentation of the story over the first five episodes and then a lot more happened in the last two, with another episode on tonight. Spoilers ahead related to the first seven episodes, along with fan theories which may or may not be true.  Last week’s episode Trompe L’Oeil confirmed what many of us suspected about Bernard being a host–and at times I wonder if even more characters we see as people are actually robots.

For the more casual viewers, here’s some clues to watch for which gave Bernard away, and are worth watching for regarding other characters.  Hosts are programmed not to see some doors that humans can see. Hosts are also literally blind to other things as well and it was a huge clue earlier in the season when Ford showed Bernard a picture which Bernard said didn’t look like anything. Episodes typically begin with scene involving a  host waking up for the day but they only seemed to break with this by showing Bernard waking up.  The big question remains as to whether Bernard is in the image of Arnold.

westworld-man-in-black

The last episode also confirmed what was widely suspected–that Ford is evil, and provided more evidence of the theory that we are seeing at least two different timelines, with William later becoming the Man in Black. It is notable that the scenes from when William first arrived show what appears to be an older version of a Westworld logo. They both use the same knife, and they both wear collarless shirts. William’s white hat is getting dirtier, and darker, the longer he is in Westworld. We have been told that disease has been eradicated in the outside world in The Man in Black’s time, but William was asked about pre-existing health conditions when he first arrived. William’s said things to Delores in the last episode which were remarkably like what The Man in Black said in an earlier scene in the series.

The fan theories regarding William becoming the Man in Black and Bernard being a host (possibly based upon Arnold) are two of the most discussed ideas, but there are many more floating around, such as this about Mauve’s escape plan. The show also has a tremendous number of Easter eggs. Some are obvious, such as an image of Yul Brynner from the original movie in the background. There are others which I would have never picked up on if I wasn’t tipped off by others. For example, the meaning of the robotic player piano is fairly obvious. What is less obvious, as the lyrics are not heard, is that the lyrics to many of the songs played are directly related to what is happening on the show (giving a reason for why modern songs are often played).

In actual news, Ed Harris has confirmed that he will be returning for the second season of Westworld. I hope that this doesn’t blow up anyone’s favorite theory about the show.

mr-robot-season-2-finale

Recode Decode interviewed Mr. Robot creator Sam Esmail, with full transcript here. The conversation includes the hacker world, technology, Westworld, and Donald Trump. Here are some excerpts:

What was the impetus for you when you were writing it? What were you trying to do there?

There were three things. Initially, it was, I just need to write something about the hacker culture and tech culture that I didn’t think was being represented. So that was in the back of my head for years, since I was 14 and I was like, “Oh, that will be a great movie. I don’t know what it is yet, but I’m going to come up with the idea.”

I always start with characters, so I started thinking about the character of Elliott. And then 2008 happened, the financial crisis. And I was like, “Oh, it’s gotta be …” And you know, Anonymous, the hacking group, had just come out. And LulzSec. So I was like, “Okay, this is kind of like the sort of group that Elliott might be involved in or might partake in.”

And then the 2008 financial crisis happened. I was like, “Okay, this is awesome, it’s going to be an anti-capitalist, anti-establishment character who’s angry and who wants to take down the system.” And then I cooled off a little bit because I was like, “Who wants to hear a guy rant about that for hours and hours?” I thought that would get a little grating. And there wasn’t a humanity to it. So I went away from that. It stayed in there, but the character wasn’t complete yet.

And then the Arab Spring happened and, you know, I’m Egyptian, so I have a lot of family out there, a lot of cousins. I went out there about nine months after the revolution happened to just talk to my cousins, who were young, who were online, who were part of that whole movement, using technology and honestly just channeling that anger that they had against their country, against the way their society was being run, in a really positive way. That was the missing piece. That was the thing that really moved me…

I was watching “Westworld” and it’s again, technology — although it’s humanity in that particular series. But go ahead.

So to me, I feel like obviously, as younger writer/directors come up and they kind of understand it and then want to represent it more authentically, hopefully that mindset will change in Hollywood. Because in terms of just the old-fashioned thing, and then we talked about Donald Trump, those rules just don’t apply anymore. There aren’t 400-pound guys who are devilishly sitting behind a keyboard wanting to change the traffic lights, you know?

I think a lot of it came from the original Matthew Broderick movie, “War Games.” You know what I mean? That really had an impact on people of how the hacking culture [worked]. To me that was the biggest success, I guess.

Well, “Sneakers.” Although I don’t know if “Sneakers” …

With Robert Redford.

But that’s a great movie.

It is a great movie.

Yeah, yeah, yeah.

But one of the things that is important to me is that technology is also a situation that’s ruining their business. The Rubicon has been crossed. People are streaming on phones. Amazon and Netflix are disrupting their business incredibly, so there’s a real fear of the technology, too.

It’s the fear that’s going to kill them, not the technology. Look at Netflix. They’ve pounced on that. They’ve taken that as an opportunity to say, “Well, if no one else wants to embrace the technology, if no one else wants to say ‘hey, no, this isn’t something to be scared of but an opportunity to expand and offer entertainment in a way that wasn’t offered before,’ then we’ll do it.”

And they’re doing it really well. And I think that’s the thing. Even the way films are made right now, they’re talked about as universes, franchises, right? So it’s not just about one movie anymore, it’s about how many movies can you make off that one movie, and how many toys can you make and how many video games. You know, it’s now this whole kind of universe.

See, to me, it’s still an antiquated way of thinking. Because when you watch all movies … I think I watched “Mr. Robot” on my phone, the whole time. How do you, as a creator, how do you think about that? Are there creators like you? You’re obviously illuminated about technology. But do they understand what’s happening? When Google becomes a studio, when Facebook becomes critically important to distribution of entertainment.

I don’t know if they do. And this is the worrisome part. For example, we’re doing a book, but the book is not a marketing opportunity, the book is its own standalone thing, and it’s an interactive thing. It’s not just a book you read, there’s layers to it. A little bit like that J.J. Abrams book “S.” So that’s a thing.

And then we had a mobile game that we released, which is awesome and that is a story. So it’s not just a game that you play and again, not just a marketing fodder for the show, it’s its own story and all these little pieces you can embrace. That’s sort of the universe-building, that’s the world-building of the future. That’s why when/if Google becomes a studio, or Facebook becomes a studio … Oh, we also did a VR film, which is also another story that’s kind of like in between a couple episodes…

And then my last question: I interviewed Elon Musk earlier this year at our Code Conference, and he talked about a lot of things. He talked about going to Mars, he talked about his cars, a bit of everything. But then we moved into the idea of artificial intelligence and whether we’re all in a big game. He believes this is all fake.

Simulation.

Simulation. But he was talking about the idea of artificial intelligence, and that the best case scenario, given your stories about the power of technology, is that we’re all going to end up in the most benign sense, as house cats to computers. And they will take our places.And the only way we can battle it is by attaching neural networks to our own brains.

This is the whole singularity thing: Will machines evolve faster than us? And honestly, you can’t avoid saying yes to that question, because why wouldn’t they? They would just have much more power, much more processing power. And so it’ll come down to that spiritual question, and it’s a tough one: Is there something different about us that a machine won’t have? Is there that soul that a machine might not … I mean, they might have the faster brain, but are we just neurons and electrical impulses, or is there something more to us than that? I don’t know the answer to that.

Because I think your show is about humanity, it’s not about tech at all.

Well, exactly right. I think we tried to. In a weird way, we try and fight against our humanity. I don’t see my friends anymore. I don’t even call them anymore. I text them. We’ve devolved our communication. I remember when texting came out and it was so popular and I was like, “Wait a minute, we used to call each other on the phone, we used to hear each other,” and we would get so much more information out of that, but now we’d just rather text because of our own whatever, I don’t know what it is. Is it just easier or more efficient or too neurotic to get on the phone? I don’t know.

Sam Esmail has also “leaked” a page from a Mr. Robot script in which Elliot’s psychologist asked why he is so disappointed in society. Elliot’s answer: “Oh, that’s easy. Donald Trump was just elected president of the United States.”

Westworld is not the only current television show dealing with artificial intelligence. Humans is already into its second season on Channel 4 in the U.K. I’m currently behind (and even if I wasn’t I would avoid spoiling it for those who are waiting for it to be more easily available in the United States), but it did get off to a good start. So, to keep this all straight, Westworld and Humans are about robots, but Mr. Robot is not.

A sneak peak of the Doctor Who Christmas special was released at Children in Need (video above). Radio Times listed what we have learned.

In other Doctor Who news this week, Steven Moffat might create some controversy with his argument that the Doctor’s companion should always be a female:

Science-fiction is notoriously male. You can tell that because everyone wears uniforms and marches around talking about rules. But Doctor Who has always felt to me, rather female. It’s full of kindness and compassion and eccentricity and wisdom instead of violence. And from that point of view it is important that the main character, the Doctor’s best friend, should be female. I think it would be damaging to Doctor Who if that voice and viewpoint were not represented.

There have been male companions such as Rory and Captain Jack, but there were also female companions at the time. Classic Who also included some male companions, including Ian at the beginning and later Harry Sullivan and Adric. Generally there were also female companions along with male ones. (I am only speaking of companions present for a prolonged period of time, not isolated events such as Christmas episodes).

This argument also does not answer what will happen if there is ever a female Doctor.

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Moffat was also asked recently whether the Doctor’s daughter, as played by Georgia Moffat, will return. He has no idea. He said it is doubtful that David Tennant’s duplicate Doctor would even return as, should they have the opportunity to use Tennant again, “then we would bring back David playing the real Doctor, and not a substitute Doctor.”

Karen Gillan has explained why she used such a husky voice in Guardians of the Galaxy.

The major show business story of the week was the duel between the cast of Hamilton and Trump/Pence.

After the final curtain calls that night, Brandon Victor Dixon, the actor who portrays Aaron Burr, stepped forward with a microphone to directly address Mr. Pence, who was leaving the theater. “We, sir — we — are the diverse America who are alarmed and anxious that your new administration will not protect us,” he said. He added that he hoped “this show has inspired you to uphold our American values and to work on behalf of all of us. All of us.”

Mr. Trump quickly made it clear on Twitter, his social medium of choice, that Mr. Dixon and the “Hamilton” team had been “rude and insulting” and owed Mr. Pence an apology. At first, a part of me could see Mr. Trump’s point, or at least feel a shudder of embarrassed empathy for Mr. Pence. If someone were to single me out for a direct plea from the stage in a large theater, I would no doubt want to run home, dive into bed and bury myself under the covers. (Mr. Pence, speaking on “Fox News Sunday,” said he was not offended by Mr. Dixon’s words.)

I posted more on this yesterday.

SciFi Weekend: The Flash; Supergirl; Arrow; Legends of Tomorrow; Gotham; Dark Mirror; Westworld; Outlander; Falling Water; Doctor Who; SNL On The Second Presidential Debate

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All four shows in the Berlantiverse have premiered on the CW Network for this season. (Spoilers ahead for those who are not up to date). The Flash returned with the long-anticipated Flashpoint story, and couldn’t keep up with the hype. Unfortunately it was all predictable that after saving his mother, some reason would come up which would force Barry to restore the time line. This combined both disasters for some of his friends with him developing the problem of losing his original memories. It was mostly resolved in the first episode, but the restored timeline did have some changes, such as Iris not speaking to her father. Almost everything was fixed by the end of the second episode. There is one change which does extend to Arrow–Diggle now has a son rather than a daughter (with the son seen in an episode of Legends of Tomorrow last season).

While The Flash got off to a mixed opening, Supergirl started the season strong with the introduction of Superman–now putting these two series out in front of the Berlantiverse shows. It was the perfect view of Superman for this series–the version from the latest movies certainly would not have fit in.

I bet nobody was surprised that Kara decided to become a reporter. The move of Winn from CatCo to the DEO is exactly the type of change which might be farfetched in the real world, but which fits into television reality. They hinted at changes for Cat Grant, which is probably a cover for Calista Flockart not going to appear as often due to the move of the show to Vancouver. It does make sense that Kara will not see her as much with the change from her personal assistant to reporter. She will have a new boss, with some information from Entertainment Weekly:

Kara’s working relationship with her new boss, Snapper Carr, is very different from the one she had with Cat Grant. “Cat — both with Kara and I think with others — is actually devoted to mentoring people,” EP Andrew Kreisberg says. “She challenges them hard, but she does that with the idea that she’s forging them and they’re going to come out the other side as stronger, better people. Snapper Carr doesn’t give a crap. He believes in the written word, in facts and ‘Are you good at your job or are you not? If you’re not good at your job, I don’t have time for you.’”

A clip from next week’s episode in which Kara meets Snapper Carr is above.

While The Flash was about Barry and Iris getting together regardless of the time line, Kreisberg has decided that Kara and Jimmy Olsen should just be friends. I just hope they stick with this decision. We have seen far too many Ross and Rachel situations on television.

Arrow has been on a downward trajectory since its superb second season, and it is too early to say whether it can move out of third place among the Berlantiverse shows. The first two episodes of the season have concentrated on building a new team, and have been rather unremarkable. Maybe once this is established the show will improve. At least the flash backs in Russia look more interesting than the flash backs from last season.

Legends of Tomorrow has been largely rebooted, but I’d still rank it as the weakest of the four seasons based upon the single episode available so far.  It appears that the team has a new leader in place of Arthur Darvill’s character Rip Hunter, but I’m not certain that he is really gone for good. On the one hand the mission first season was more personal for Rip Hunter and it might make sense to reduce the emphasis on him. On the other hand, it is Arthur Darvill who has the direct connection to the Time Masters they are replacing (along with a certain Time Lord). So far we have only had a glimpse of the Justice Society of America, but we should be seeing a lot of them next week.

Geek and Sundry has a guide to the Justice Society

Before the Justice League… Who’s the Justice Society?

So, the Justice Society of America, or JSA, was DC comics’ first all-star super group, debuting in the 1940s. Its initial roster consisted of names who should sound very familiar to followers of recent movies and shows. There was the Atom, Green Lantern, Hawkman, and the Flash, among others. Only these weren’t the same characters which viewers are familiar with today. A key aspect of DC lore is the notion of masked personas being passed down through generations, so when the company dusted off the super group concept in the 60’s with the Justice League of America, it didn’t take long for the creators to retcon the two teams as being part of a lineage.

Judging by the trailer, it seems this JSA might be the only official super group in the “Arrowverse,” and its line-up will be cherry picked from various incarnations of the team. It’ll also apparently live up to its name more by operating as a clandestine secret society. Who are the members, though?

Hourman

The first wearer of this cowl, Rex Tyler, takes his name from the Miralco Pill which grants superhuman physical prowess for an hour once ingested. As soon as time’s up, though, Hourman’s reverts back to being a normal human being. The chronal chaos seen in the trailer suggests, however, that this guy will be an amalgamation of all three heroes in the tradition, having the time-travel capability of the second Hourman, along with the black costume of the third.

Stargirl

She’s a more light-hearted heroine with ties to two superhero dynasties. Stargirl wields the powerful “cosmic staff,” which absorbs and re-directs energy, allowing her to fly, fire bolts, create forcefields, and also levitate objects.

Dr. Mid-Nite

Imagine a character somewhere between Daredevil and Riddick. All three Doctors have been actual medical doctors who turned to crime-fighting after accidents granted them night vision at the cost of near-blindness in normal light conditions. Hence, the goggles. For all doctors, the preferred tool is the noxious “black out” smoke bomb, and the preferred assistant is a deadly, trained owl.

Obsidian

The mutant son of the first Green Lantern (not Hal Jordan!), he’s born with powers that ironically invert the mighty light of his father. Obsidian can turn into a living shadow and gain all the associated qualities, like flight and intangibility. He can even sometimes build objects out of darkness, much like GL’s constructs.

Vixen

A bit like the Beastmaster, this heroine can tap into a primordial force called “the Red” which allows her to possess the abilities of any animal. This power comes from the mystical Tantu Totem, which is passed down through generations. And in fact, this Vixen is not the same one who’s previously been seen on Arrow. She’s her grandmother.

Commander Steel

A bit like Captain America, this star-spangled hero is a military man who’s granted super strength and invulnerability after a top secret experiment. (In this case, it’s meant to restore his damaged body.) Steel fights in World War II, and he makes life-long enemies with Nazi super-villains who come back to bedevil the grandsons who eventually take up his mantle.

There was even a reference to Gotham on Supergirl last week, even if not the Gotham of the Fox television show. This DC-based show also got off to a good start this season. Their election for mayor was settled far more quickly than our presidential election. Oswald Cobblepot might be as disgusting a figure in many ways as Donald Trump, and as crooked as Hillary Clinton, but if he was in a three-way race for president, I would be tempted to vote for him over our current awful choices.

Black Mirror

Just after I finished one show dropped on Netflix (Luke Cage), they are releasing another genre series on Friday. After two seasons of Dark Mirror on Channel 4 in the U.K., Netflix will be releasing a third season. TV Guide looks at the previous episodes to watch before the third season begins. The first two seasons are also available on Netflix. The New York Times spoke with the show’s creator, Charlie Brooker, and his collaborator Annabel Jones.

While I will hold off on discussing Luke Cage until a later date, of the Netflix Marvel series, I’d rank it just a bit behind Daredevil season 1, and above Daredevil season 2. Jessica Jones remains the best of the series. While there are some overlaps, and Luke Cage did have a role in Jessica Jones, each series can be watched independently without having seen the others.

Nerdist looks at how Doctor Strange fits into the Marvel Cinematic Universe.

westworld

I was disappointed when I found that HBO was not streaming the third episode of Westworld early like they did with the first two, and I will have to wait until later tonight to watch. While I have not seen all of the new series which have premiered this season, so far it is the one I am most interested in. Assignment X has an interview with Jonathan Nolan. Here is a portion, which also compares it to Nolan’s previous series, Person of  Interest:

AX: You spent five years dealing with A.I. on PERSON OF INTEREST …

NOLAN: I think I found my subject.

AX: Did you come to any conclusions about artificial intelligence while doing PERSON OF INTEREST that have been useful in WESTWORLD?

NOLAN: It’s funny, because it’s really looking at the subject from a different perspective. PERSON OF INTEREST was relentlessly non-anthropomorphic A.I. was really the godhead, it was A.I. as a pure intelligence, not tethered to the mortal coil, an A.I. that was developed in secret. With WESTWORLD, you have really the opposite. You have A.I. that, if you consider the consciousness aspect of it, it’s almost an accident that these creatures – they’ve been programmed merely to be as lifelike as necessary for their job, and their job is to satisfy, as Lisa said, our most noble or most base desires. So they’re not supposed to be smarter than us. That’s the last thing [their makers] want.

AX: What are the WESTWORLD park’s customers like?

NOLAN: Well, the guest experience is the third point of view of the show, but it’s very much unlike the original film. We really wanted to start with the hosts, start with their limited understanding of what this world is. But there is that great point of entry. You want to know, how does this place work? As Lisa said earlier, the show is really an examination of human nature, from two different directions. From the perspective of synthetic humans, or synthetic beings, who have been coded to resemble human nature as closely as possible, and who are beginning the question, in the first season, just how worthy a model that is to follow. Every perspective of human beings, and this is the delicious part of the premise, who have been invited or made their way into a space in which they’ve been told that they have free rein. They can take their id on vacation. They can indulge in any whim, no matter how noble or dark that they want, and apparently without consequence. And so that’s a fascinating premise as well. You know, who are we when the lights are off? Who are we when we don’t think anyone’s keeping score? And then in between these worlds [of the synthetic hosts and the human guests], you have the programmers, writers, technicians, the Promethean characters who are responsible for mediating those two worlds.

AX: It seems like Ed Harris’ Man in Black gunslinger/marauder character is a guest who is indulging real darkness in himself …

NOLAN: Ed’s character features as the “ne plus ultra” guest. This is an expert-level player, someone who has been coming to the park, as he says in the second episode, for thirty years. He knows everything about [the park].

When Crichton wrote the original film, the state of the videogame business was Pong. In the forty years since then, that entire industry has grown up and evolved into this monster that’s bigger than the film business, bigger than the TV business. So our narrative had to account for that more sophisticated understanding that we have of gaming. We call them “guests,” but there is also a gaming aspect to what they do in the park. It is not just a leisurely resort. They’re here to engage in the narratives, and the narratives are increasingly sophisticated.

AX: We see that the guests can shoot the android hosts, and the hosts can’t shoot each other, but theoretically, the guests can’t shoot each other and the hosts can’t shoot the guests. Are the guns built so that they can detect human physiology as opposed to android physiology, or how does that work?

NOLAN: It’s not the guns. It’s the bullets. We thought a lot about this. In the original film, the guns won’t operate guest on guest. But we felt like the guests would want to have a more visceral experience here. So when they’re shot and it has an impact, they’re called “simunitions.” The U.S. military trains with rounds like the ones we’re talking about. There’s a bit of an impact, a bit of a sting. So it’s not entirely consequence-free for the guests.

There has been a steady stream of news, such as this casting news, to keep alive interest in Outlander until it returns, probably in April. The season two gag real was also released–audio not safe for work.

I haven’t had a chance to watch Falling Water yet, but have a few links for those who are interested. The New York Times has a review. Buddy TV has videos of interviews with cast and crew, followed by summaries of key points, here and here.

jenna-coleman-doctor-who

Den of Geek looks at the possibility of Jenna Coleman returning to Doctor Who.

While there are no firm plans yet, Steven Moffat has stated that Benedict Cumberbatch is interested in continuing with Sherlock after the fourth season. He is obviously quite busy on other projects, including Doctor Strange. Moffat also states that Peter Capaldi will be remaining on Doctor Who after he leaves as show runner.

Donald Trump is not happy with how Saturday Night Live has portrayed him. Video of their parody of the second presidential debate above, with Alec Baldwin portraying Donald Trump. Trump says that the media is rigging the election that Baldwin’s portrayal stinks. He also tweeted that it is “Time to retire the boring and unfunny show.”