This season forth episode of Hannibal, Aperitivo, dealt more with aftermath of the second season finale. The biggest surprise was that Dr. Chilton is alive, and out for revenge against Hannibal. It even turned out that many of the lines initially shown to occur between Will and Abigail earlier in the season actually happened when Chilton visited Will in the hospital. Chilton also compared notes with Mason Verger on making up their face–if you show yours I’ll show you mine. Jack and Alana are also both alive. Will confessed to Jack that he had called Hannibal hoping he would flee. Alana met with Verger, warned by Margot, “If my brother offers you chocolate, politely refuse.” Hannibal was not seen in the episode, but the the set up has now been completed to have each of these characters come after him.
This week NBC announced plans to cancel Hannibal after this season and there is a scramble to find a replacement network. There has been talk about both Netflix and Amazon but it does not sound likely that Netflix is much of a possibility due to the deal with Amazon to stream previous seasons. Hopefully Amazon will be interested in picking up the show. If not, The Food Network sounds like a good match.
Even if Hannibal is renewed, Bryan Fuller will have a reduced role due to becoming show runner of American Gods.
Humans premiers in the United States on AMC tonight but the first three episodes have already been shown on Channel 4 in the U.K. After downloading episodes I highly recommend it. Unlike far too much science fiction on television, this show is not satisfied with a clever idea. It handles both characters and plot well, and as a result is likely to be enjoyed even by people who do not normally watch science fiction. This review avoids major spoilers but those who want to be entirely surprised in watching the show might not want to read this before watching the first episode as some minor events are mentioned.
Humans looks at the implications of something which could really happen in the not so distant future. The premise is that synthetic humans, known as Synths, start doing our mundane work, both in industry and the homes. This leads to issues such as a wife, played by Katherine Parkinson, whose many television roles included Jen from the IT Crowd. I see a certain irony in her having played Jen, the computer-ignorant woman placed in charge of the IT Department, to now play a woman who is skeptical about the Synths. Her daughter questions the point in studying if Synths could do anything. A man with Alzheimer’s uses his Synth to help him remember the past. The twist is that his Synth is a first generation one, slated for replacement, which has memory problems of its own.
Naturally the sexual implications are also explored, including Synths used as prostitutes. In one scene Parkinson’s husband looked at the directions which came with their beautiful Synth for those 21+ , and in another scene his son received a warning about inappropriate touching.
Besides looking at the sociological ramifications of the Synths, the show is also a thriller. Some of the Synths are secretly self-aware and communicating with each other. Also, while most of the Synths act in a characteristic way, don’t be so certain that everyone who appears human really is.
Incidentally, besides Humans, another recent show from Channel 4 has become available in the United States. Catastrophe recently became available on Amazon. Think of it as if Welcome to Sweden took place in the U.K. and was written by the people who wrote You’re The Worst. While not genre, it did include one genre reference. In one scene a character is wearing a shirt saying, “Where is Jessica Hyde,” referring to a genre show on Channel 4, Utopia. I have also watched Jonathan Strange and Mr. Norrell from the BBC beyond what has been available in the United States and recommend this miniseries based upon the book.
In other summer television news, Extant returns this week, reportedly with major changes from the first season. Under the Dome returned last week, but I have not had time to watch the two-hour season premiere. I also have not had time to watch Mr. Robot yet. Apparently Humans is about robots, but Mr. Robot only has humans and no robots. I have held off on watching True Detective following poor reviews. The first season was only worth watching, despite a weak plot, due to the excellent work by Matthew McConaughey and Woody Harrelson.
Over on Syfy, Defiance is much better in its third season. I still couldn’t call it a must-watch show for science fiction fans, but if anyone has seen the first two seasons was undecided about watching the third I would say to go ahead. It is much better having eliminated some of the characters and bringing in a new big-bad for the season. I have not watched their other Friday night show, Dark Matter, after hearing from several people that it is awful.
The “original Avenger” has died. Patrick Macnee of the 1960’s British spy series, The Avengers, has died at 93. Initially the show is well known for the role played by Diana Rigg.
Marvel Studios and Warner Brothers might not be the only ones with a superhero universe including crossovers from other characters. Marvel Studios has The Avengers (obviously different from The Avengers pictured above. Warner has separate universes of DC superheroes both on television, and in with Justice League of America. 20th Century Fox, which owns the rights to X-Men and Fantastic Four, is rumored to be doing a crossover of these two franchises.
Emma Watson and Tom Hanks will be staring in the movie adaptation of The Circle, an excellent novel about current trends in social media going too far.
Joel McHale has been interviewed by Esquire, including about Community and his upcoming appearance on The X-Files. He has been predicting a Community movie but not a seventh season. #sixseasonsandamovie
The Flash was off to an excellent start last week. It looks like it will be a lighter version of Arrow but has started to set up an interesting back story. There’s the death of Barry’s mother in the past and the episode ended with a look into the future which raises the question if they plan their own version of the Crisis on Infinite Earths. We don’t know for certain that the future will play out as suggested:
“Time travel is going to play a big part in the overall series, but one of the things that we will discover is that time is mutable,” executive producer Andrew Kreisberg says. “As the good Doctor says, time can be rewritten, so not everything you see on the show is necessarily what’s going to come to pass and not necessarily everything that’s happened is fixed.” In other words, that newspaper’s headline could change.
Presumably their version will not include the death of Barry Allen. The final scene also revealed that Harrison Wells (Tom Cavanagh) can walk, contrary to what was previously suggested. Is his name supposed to bring H.G. Wells and time travel to mind? With Tom Cavanagh’s character able to walk, this also leaves open the possibility of returning to his bowling alley (Ed).
Returning genre shows such as Arrow, Sleepy Hollow, Agents of SHIELD, and Person of Interest have all returned to strong starts. Arrow returned with a very brief romance between Oliver and Felicity along with (major spoiler ahead) an unexpected death, which I bet will ultimately lead to Laurel taking over as Black Canary. Thanks to flashbacks, this won’t be the last we see of Sara. The episode also introduced Ray Palmer, who has now taken control of Queen Consolidated. While Gotham has premiered, Arrow remains by far the best television adaption of Batman ever aired.
While still early, Gotham does look promising. It essentially feels like a comic book world without the superhero. Jim Gordon serves as the superhero, even if lacking either superpowers of the special abilities of characters such as Batman or Green Arrow. In a city where virtually everyone else appears corrupt, just fighting for justice and being the rare good guy is enough. Hopefully the can continue to work in a storyline with young Bruce Wayne without it appearing too contrived.
What makes Sleepy Hollow so much fun is how theye can have both a conspiracy linking Judas, Benedict Arnold, and events in the current episode, mixed with such humorous scenes as last week with Ichabod learning about how our banks work and getting confused about men wearing hats indoors (but not gays).
Ichabod : Is that considered acceptable now? Abbie : Oh, lots of attitudes have changed since your days, not everyone’s but supreme court has upheld the constitutional right of same sex couples, and more and more states are even legalizing gay marriage Ichabod : I meant gentleman wearing hats indoors, I know about homosexuals thank you, I trained under Baron von Steuben. His affections for his own sex were well known. Also, I watches the finale of Glee.
Even when in the midst of the big conspiracy they still don’t take things too seriously, such as with Nick Hawley not getting too worried about the apocalypse they were trying to prevent. After all, every civilization has their own apocalypse story.
Last week had another strong episode of Agents of SHIELD with a new role for Simmons. They are making far better use of both Fitz and Simmons than last year. Presumably the real Simmons, as opposed to the one in Fitz’s head, will appear intermittently while undercover at HYDRA. It would probably appear too contrived if they run into her every episode.
Person of Interest is also off to a great start after a semi-reboot, placing the major characters in new situations. I am hoping they do more with the big issues of surveillance and artificial intelligence as the season progresses, rather than number of the week shows. There is the danger that the reboot won’t matter as they have quickly made things similar to before with the establishment of a means to communicate, a new base, and a new source of money.
Steven Moffat had a line in The Big Bang with a call about an escaped Egyptian goddess on the Orient Express in space. With the substitution of a mummy for the Egyptian goddess, this premise turned into this week’s episode of Doctor Who, Mummy On The Orient Express. Perhaps some of the plot holes and unanswered questions from Moffat’s stories will ultimately be answered if we wait long enough.
We don’t know who Gus, who masterminded the situation, really is, but perhaps this will be answered at a later date. I also wonder if there is more to Perkins, and if he will be seen again. I am also curious as to whether this episode was planned at the time of The Big Bang. I suspect that it might have just been an idea in Moffat’s mind, which he later altered because he could not resist the line, “Are you my Mummy?”
The episode also included themes from previous episodes, including jelly bellies and the Doctor talking to his previous regenerations. In keeping with themes from this season, the mummy was a soldier. There was progression in the Capaldi Doctor’s attitude. He still had no qualms about watching people he considered to already be doomed die in order to gain information, (“Old ladies die all the time.It’s practically in their job description.”). However, he also substituted himself for a potential victim. In the end, he used the TARDIS to save everyone.
The Clara storyline was handled in a strange manner. Last week it looked like she was done with the Doctor, leading to speculation that this might have been done to set up a solo adventure. Instead Clara was present, yet they teased that this might be their last trip together. If Clara was planning to leave the Doctor, why did she go with him on the Orient Express? After so much teasing that she would no longer travel with the Doctor, she changed her mind quite quickly at the end. I also continue to wonder what type of cell service the Doctor and his companions have which allows them to communicate not only with each other regardless of where they are, but back with earth in the present. Personally I can lose cell service if I wander too far from the cell extender I found necessary to purchase to set up a cellular hot spot in my own house.
The Doctor Who Extra is below:
I had mixed opinions from the pilot of Selfie but obviously I was going to give any show staring Karen Gillian and John Cho a second chance. I’m glad I did as the second episode was much better. Pilots can be a poor way to judge a series as the pilot has the burden of setting up the situations. In addition, changes for the better are sometimes made in shows between the time a pilot is shot and the show goes into regular production.
While there are some excellent genre shows in the fall, summer was weaker on broadcast television. CBS has shown a commitment to mediocre summer science fiction, renewing both Under the Dome and Extant.
Still no word from Showcase regarding Continuum.
ABC has given a full season pick up to two of their better new shows of the season, How to Get Away With Murder and Blackish.
IO9 reports that Syfy’s television version of 12 Monkeys, which begins in January, will be different from the movie, taking the aspects they like and changing others, like their previous reboot of Battlestar Galactica. It sounds like it might be an intelligent time travel series based upon their review of the pilot:
What the pilot really proved was that this is a show not afraid of the complications of time travel. It does not slow down and explain to the audience its fractured timeline, save for a few title cards in the beginning. Ivanek gives a speech at the end of the episode that wholly relies on the audience being quicker on the uptake about time travel tropes than the characters.
The pilot also builds in a lot of space in the characters’ backstories to fill in later. And you actually want to know about them. you want to know how Stanford got to be in a position where he was picked for his mission. You wonder endlessly about how Railly can get from where we meet her to where she ends up. There’s more than enough to carry more episodes.
An old CBS science fiction series us returning. Legendary TV is working on a rebooted series of Lost in Space. Hopefully they can improve upon the original with the reboot as Battlestar Galactica did.
Channel 4 has canceled Utopia after its second season, which was one of the better genre shows over the past summer. HBO is planning a remake with David Fincher directing. He is again working with Gillian Flynn (Gone Girl), who has written the scripts for the new series. While I often question making US remakes of recently aired British shows, such as with Broadchurch,I am curious to see Flynn’s take on this story.
As a consequence of lacking the time for all the genre and quality television shows now on (a welcome problem and change from the past), I have not watched Gracepoint, having already seen Broadchurch. For the benefit of others in this situation who are debating whether to watch, I have found that most reviewers are saying that the early episodes of Gracepoint are very similar to Broadchurch, and where they differed Broadchurch did it much better. Both version star David Tennant. Reviewers are also saying Gracepoint begins to diverge from Broadchurch in the seventh episode. The producers have teased that the ending might be different, so at this point the reviewers I have read (who have not seen beyond this point) do not know how significant the difference from the seventh episode will be.
A new study published in the journal Archives of Sexual Behavior, produced by researchers from Canadian Universities, found American states that identify as more religious and conservative are also more apt to search for sex online. Of course, the study makes a point of separating the religiously conservative from the politically conservative. The latter is more likely to look for sex specific terms, such as “gay sex, free porn and xxx,” whereas those that consider themselves religious were looking for generalized sex terms that could’ve theoretically fallen under the “health and wellness” category.
In heavily religious states, abstinence is often pushed as the only safe sex, with very little to offer in the way of sexual education. Unfortunately, that leaves a growing number of people with questions about sex but no answers. Enter Google: the best way to find an answer to personal, possibly embarrassing questions without calling attention to yourself. So of course the study finds that religious communities have a higher percentage of sex-related searches. That’s what happens when you can’t find it elsewhere.
This picture of the cast of Arrow might very well be the best selfie to come out of Comic-Con last weekend. The latest news on Arrow is that Charlotte Ross has been cast as Felicity’s mother. Last week Collider asked Stephen Amel about topics including the Justice League and Oliver’s true love at Comic-Con:
Are you happy you don’t have to answer any more Justice League questions?
Stephen Amell: Yes — and by the way, there’s a The Flash show, we have Firestorm, we have Canary, we have The Atom… The actual Justice League film — I don’t know when that’s coming out. You can watch The Justice League on television now. But the reason I’m happy to not have to answer the question anymore is because I think it undersold what we did on TV. I would put our degree of difficulty – having to produce twenty-two episodes of television every year, spinning off the show, giving people the confidence to green-light other DC properties — up there with producing a two hundred million dollar film. They’re very different things. I never want to feel as though our existence is only going to be justified by being part of the cinematic universe. That has nothing to do with anything. We are stamping out our own spot.
[What is the romantic situation like for Oliver this season?]
Stephen Amell: There’s one lady in Oliver’s life.
Stephen Amell: Just one. There’s one woman in Oliver’s life this year.
Is that his sister?
Stephen Amell: No — it’s Felicity.
It just seems he’s got Sarah out there and Laurel…
Stephen Amell: The ship has sailed on those romances. I don’t think we’ll ever see Oliver & Sarah or Oliver & Laurel together again. I mean – they’ll be together but just not ‘together-together’. They’ll be teammates. We discover in the premiere the way that Oliver feels about Felicity. Because of that — if we just introduced random love interests, it would undersell what we do in the premiere.
How aware are you of the direction of the character throughout this season and for future seasons as well?
Stephen Amell: I really do think we are moving to a spot where we will refer to my character as ‘The Green Arrow’. We are moving to a spot where we will continue to embrace the fundamental classic elements of the character. Because we have that license now. We’re 46 episodes in. People like it. They buy into it. But unless this character is evolving — The Hood to Arrow to The Green Arrow — then people are going to lose interest. So I always want there to be a journey for him. And this year’s journey is really interesting.
Does that evolution involve the goatee?
Stephen Amell: No.
There’s more information on Agent Carter in the above interview with Hayley Atwell. The show is being described as being like Fargo or True Detective in being like an eight hour movie, and it sounds like it takes place before the formation of SHIELD. It might also contain one major Marvel villain who is unnamed. Also above is the full Agent Carter panel from Comic-Con.
After True Blood, Under the Dome has to be the worst show I watch. Among its many faults, anything can happen with no apparent rules. In one recent episode there was reason to have a character get a message from outside to propel the plot so for an unknown reason email briefly went through, and then stopped again. Last week they checked out the locker at the site of the death of a character and found that there was a tunnel coming out of the locker. Does it go deep enough underground to get under the dome?
I’ve also wondered since the start of the show why there is not major activity going on outside the dome to try to both figure out what it is and how to get through it, including an effort to tunnel underneath from outside.
Despite all the implausible things which happen, the show somehow remains interesting to watch. On the other hand, I primarily stick with True Blood because I’ve gone on this long and want to see the ending. I had hoped that with this being the final season they would come up with a better storyline to end the series, but so far they have not done this. I can’t even blame Sarah Palin for her snub of the show in response to attacks such as calling her type of people (even if more monstrous than many of the characters on True Blood) Republic*nts.
Utopia has been the best summer genre show on, but as it has not aired in the United States I will avoid any spoilers. I was concerned by the end of the first season whether they could keep up the quality of the show once they began to reveal the secrets behind the conspiracy. They are pulling this off well in the second season. The first episode was a flash back which fills in may of the details about the conspiracy and how the major characters are interconnected. From there, instead of being a mystery about what is going on, the series has done an excellent job of moving on with the story now that we understand the full setup.
New trailer for season two of Sleepy Hollow above. More videos here.
Back in July, 2012Doctor Who made news by being the first British television show to make the cover of Entertainment Weekly. The show has returned several more times as it has become a bigger hit in the United States, including this week as we head towards the introduction of a new Doctor.
On August 23, Peter Capaldi will begin his first season starring in Doctor Who when the long-running British science-fiction show returns to BBC America. But it wasn’t so long ago that the Scottish actor and lifelong Who fan was certain he would never get his hands on the controls of the Time Lord’s TARDIS. “I wouldn’t have thought I would be the guy,” Capaldi says. “I wouldn’t have thought it would be me.” Why not? “Because of my age. I would have thought they were automatically heading younger.”
It was a reasonable assumption to make. At 56, Capaldi is roughly the same age as William Hartnell when he originated the role of the two-hearted, monster-battling alien way back in 1963. But since the BBC relaunched Doctor Who in 2005 after a lengthy hiatus, the actors playing the lead role have all been younger than Capaldi—and have gotten younger over time. The first of the new Doctors, Christopher Eccleston, was 41 when he first appeared on the show, while his successor David Tennant was 34. Capaldi’s immediate predecessor Matt Smith was just 26 when he was cast in the role.
But what Capaldi saw as a barrier to him playing the Doctor was actually an asset as far as Doctor Who executive producer and head writer Steven Moffat was concerned. “I did say, ‘No, we probably won’t end up with another quirky young man,’” says Moffat. “I didn’t think there was any space around Matt to have another Doctor of that kind, because he sort of sums up what you could do with that. I very very quickly, very quickly just thought about Peter. There is no right age to be the Doctor.”
Capaldi agrees. “I’m technically too young for the part,” chuckles the actor. “Because he’s over 2,000 years old.”
Incoming Doctor WhoPeter Capaldi has revealed there will be no flirting with co-star Jenna Coleman in the new series.
The previous Doctor was engaged in a close relationship with his sidekick Clara that even led to a passionate kiss.
But Capaldi, 56, insisted his Time Lord would not be following in Matt Smith’s footsteps by getting intimate with 28-year-old Coleman’s character.
“There’ll be no flirting, that’s for sure,” he told the Sunday Times Magazine. “It’s not what this Doctor’s concerned with. It’s quite a fun relationship, but no, I did call and say, ‘I want no Papa-Nicole moments’. I think there was a bit of tension with that at first, but I was absolutely adamant.”
The Papa-Nicole comment relates to a series of 1990s Renault Clio car adverts which hinted at a romance between an older man and a younger woman, before they were revealed to be father and daughter.
Capaldi also had good news for those Doctor Who purists who believe the show’s storylines have become over the top.
“It’s going to be a bit different from what we’ve seen over recent years. A bit more gravity,” he said. “Some situations are more sombre and I think there are more rooted dramatic scenes. Over the past two or three years, which I’ve loved, there has often been a breathless vigour; we still have that attack, but we have another level of drama, another tone. And the scenes are longer.”
There’s optimistic news that the contracts will be settled with the cast of The Big Bang Theory. While filming has been postponed due to the lack of a contract, I don’t think anyone doubts that it is has just been a matter of haggling over exact dollar amounts and this will ultimately be settled, whether or not the stars get the full one million dollars per episode they are demanding. Both sides have have good reason to eventually come to an agreement.
NBC is following up their live broadcast of The Sound of Music with Peter Pan. Allison Williams of Girls has been cast in the title role. She says she has wanted to play Peter Pan since she was three years old. While she very well might have obtained the role without any help, it might not have hurt to have some major connections with NBC. While excited about the role, Williams wonders, “what could go wrong in a live televised production with simultaneous flying, sword fighting and singing?”
The second season finale of Orphan Black, officially titled By Means Which Have Never Yet Been Tried, will probably be forever remembered as the Clone Club Dance Party episode by fans. The happy reunion was in the midst of an episode which started with Dyad being more horrifying than ever and major revelations at the end.
It was obvious that things were not going to go well when Sarah offered her unconditional surrender in hopes of being able to see Kira after her abduction by Rachel. This did not work out so well, with Dyad moving from consent (while handcuffed) to harvesting her eggs to wheeling her in for a forced oophorectomy. Fortunately Sarah did escape due to a combination of science and new allies, with Kira playing a part in both.
The reunion and dance party, reminiscent of Sarah and Helena singing Sugar, Sugar earlier in the season, provided a needed lighter moment in the midst of the episode. Tatiana Maslany must have been exhausted in playing all four clones together, and the scenes took two days to film.
Marian appears to be a valuable ally, but on this show you can never be certain where anyone stands. As if there aren’t already enough factions involved, now there is Topside. I always assumed that Project Leda was a mythological reference to twins, meaning Sarah and Helana, but the naming means far more with the revelation that Project Castor involves making male clones as soldiers. The importance of Rachel watching the old videos of herself as a child became clear when we saw Charlotte, who was identical to Rachel (and the other clones) at a younger age. She was the only one of over four hundred attempts to repeat the project. Clearly Dyad is lacking needed information.
The episode ended well for Sarah who recovered Kira and escaped from Dyad, but poorly for Rachel who had a pencil propelled into her eye at high velocity, after seeing the second death of a father. We don’t know if she is dead, had brain or other damage, or will return appearing well next season with either a genetically engineered replacement eye or an eye patch. (I vote for the eye patch, and give her a parrot). We finally know the truth about Paul, as well as how far Mrs. S will go when she enabled the kidnapping of Helena in exchange for Paul’s assistance in rescuing Kira and Sarah. Things are more hopeful for Cosima, who I suspect will find her own cure from the notes from Dr. Duncan in the copy of The Island of Dr. Moreau which Kira pulled out. I also wonder if the container of her eggs left behind by Helena will provide needed genetic material.
We also have a new set of clones to watch. It is doubtful that Mark realizes he is a clone, and certain that the Proletheans did not realize it, or they would have certainly treated him differently. There are also the clones now in the military (with at least one seen after Helena’s capture) as well as the one (a defective one?) hidden in Helena’s house.
Orphan Black co-creators Graeme Manson and John Fawcett gave numerous interviews. At times they were flippant, such as in giving the Death Star in response to a question as to where Helena was taken, or saying that Dr. Duncan’s notes were the Colonel’s secret recipe. Other answers did provide interesting information as to how they got to the finale, and possibly what is to come. They told The Hollywood Reporter about their plans to introduce male clones, the decision for it to be Prolethean Mark, and how this changed the original plans for the scene when Mark and Paul met in the bar.
Let’s start with the introduction of the male clone. When did you decide that that would be the season-two endgame?
Graeme Manson: It was a plan that we had at the end of the first season. We thought it was a pretty good way to open a big door to a whole new dimension of the conspiracy and a nice throw to a new season.
Was there any serious thought over making the male clone someone other than Prolethean Mark?
John Fawcett: We knew that we wanted to introduce a male side to the conspiracy. To some degree, we talked a lot about what the possibilities would be for that. It was important that the right decision was made, and we talked about everyone. We had crazy conversations about who the male clone could be. Ultimately, the decision was made that the story thread that made the most sense was the male clone would be Prolethean Mark.
Manson: And for a few reasons. One, it really doubled the end of the season back on the beginning nicely.
Fawcett: It’s a bookend. To be honest, the character of Mark wasn’t supposed to live beyond episode six. There was a whole plan for him to die quite violently.
Manson: At the hand of Paul!
Fawcett: There was a scene at the end of episode six where Paul and Mark meet up in the bar while Helena meets Jesse. We know that both these men are on Sarah and Helena’s trail respectively, and it was going to be a mano-a-mano showdown between the two of them in which Paul is going to murder, or kill, Mark. But through the first few episodes of the season, we realized that Ari [Millen] playing Mark was not a character we wanted to kill. He was doing such interesting work, and so we made the decision to save him, and right about that time, we were actually also making the decision on who we wanted to see the male clone be at the end of the film. A further little bit of interest in that, Ari actually, we kept that a secret from Ari, and he didn’t find that out until just before the finale scripts were passed up. Graeme had to call him and tell him.
They also said that, “Marion is apparently a new ally, so she’s important going forward. And Cal is pretty important going forward too.” Note the word “apparently.”
The finale of Fargo provided a degree of redemption for some of the characters. Early on my assessment of the show was that pretty much everyone on the show is an idiot except for Malvo and Molly. I did revise this to include Mollie’s father among the intelligent characters, but for most of the series he only had a small part. He was at his best in the finale sitting out on the porch to protect his granddaughter by marriage.
With the jump ahead one year Lester was supposed to have ceased being the loser, but he still made major mistakes in confronting Malvo, not taking his advice to walk away, saying yes to him, and finally in guaranteeing Malvo would be an enemy by hitting him but leaving him alive in last week’s episode.I’m not certain if Malvo’s plans from the start was to kill Lester after he helped dispose of the bodies. It is also possible that Malvo did see Lester as sort of an amusing friend and had no plans yet to kill him. Regardless, you cannot hit someone like Malvo, leave him alive, and then return to your home town.
In the finale it appears Lester was intended to portrayed as being smarter at figuring out how things will work in different scenarios. He figured out the FBI agent’s riddle, and more impressively out smarted Malvo at his home. Being shown as smarter than the loser at the start of the series was as close to redemption that Lester could receive. It was bad enough that he killed his first wife and later framed his brother and put a gun in a child’s back pack. The final straw was the manner in which he set up his second wife to get killed. Although portrayed as smarter in the end, he still was not smart enough to figure out what would happen when he ran out on the thin ice, although he was doomed regardless of whether he ran.
It was obvious what was going to happen to Lester when he ran out onto the ice, and I had a similar sense of dread when Gus went into Malvo’s cabin. I though he was smart the first time he encountered Malvo by backing away and remaining alive, and that going into Malvo’s cabin was as foolish as Lester confronting Malvo last week. Fortunately for Gus, Malvo returned wounded after his confrontation with Lester, giving Gus the upper hand. This was clearly intended to be his redemption for his cowardice the first time he ran into Malvo, but I initially didn’t see things working out this way as I saw Gus as being smart rather than a coward, not requiring redemption. Fortunately for Gus, nobody questioned how he shot an unarmed and injured man. We know that doing anything else would be unsafe, and Gus gets extra points for being smart enough to shoot him immediately, announcing that he figured out Malvo’s riddle but not taking any more time to explain. How many people have died in similar television confrontations due to not putting the opponent away immediately?
While the show centered around the anti-heroes Lester and Malvo, Molly was the hero of the story. Some reviewers have expressed disappointment that Molly wasn’t the one to take down Malvo, but that was really Gus’s story line. There was also some justice to Malvo’s demise being a combination of actions by both Lester and Gus. To Molly, Malvo was someone on the periphery regarding Lester’s story that she had virtually no actual contact with. I was a little disappointed that Molly didn’t come up with the definitive proof of both Lester and Malvo’s guilt by her own detective work as opposed to Malvo’s tapes providing the final proof. Still, Molly was proved right, and vindicated when told that she was to be made chief. The television show now paralleled the movie with having the pregnant police chief, even if Molly might not become chief until after she has her baby. Like Jerry Lundegaard in the movie, Lester Nygaard was confronted by the police in the jurisdiction each fled to, giving symmetry between the two in not having Molly be the one to capture Lester.
All in all it was a satisfactory conclusion to a self-contained story. Like Breaking Bad, the finale followed directly from the set up for the show with no surprises or gimmicks. The anti-hero met his expected doom in each case. As another example of how minor points were wrapped up in a tidy manner, the used car salesman who became Malvo’s final victim was seen earlier in the season. He wound up not buying life insurance despite Lester’s warning that you never know what might happen. On the other hand, we never did learn the fate of some minor characters, such as Lester’s brother who presumably would have been released from prison when the truth about the murder of Lester’s life was discovered. The money remains buried, as in the movie, and I suspect that it will turn up again if there is another season of Fargo.
Speakeasy interviewed show writer Noah Hawley. Here are his comments on a possible future season and Lester’s fate:
I’d love to hear what you have in mind for the next installment.
Well, you never want to overstay your welcome. The question is, if there were another chapter to this story, what’s next and how do you do it? We wrapped production a week before we premiered. I literally just wrapped post-production on the final episode last week. So I’m excited to take a couple weeks and not think about it, and then come back and see if I can do something as good or better, which is really the only reason to do it, and FX agrees with me. They bought this as a miniseries and would be quite happy if this is it. That said, if I could find a way to turn this into something that continues to bring in revenue, everyone would be happy with that. But we’re all proud of the work we’ve done.
What was the significance of Lester getting swallowed up by frozen lake?
Nature corrected. That ending was in place at the end of the outline process. In the movie Bill Macy is arrested across state lines, not by Marge but by whatever random cops found him. I like the idea that Lester met his end somewhere that was totally unconnected to Molly or anyone who would take his death personally. We shot the show up in Calgary and we spent six months or so pointing the cameras away from the mountains, then we turned around and went up into the Rockies.
The season finale of Continuum airs tonight on Showcase (Friday on Syfy) but a lot more happened in last week’s episode, The Dying Minutes. Both Sonya and Kiera had complicated plans to pull off. I totally believe that the tech guy at Piron would have fallen for Sonya’s geek girl act. I can’t help but wonder if there will be another reset tonight, or at the start of next season, with a jump to another timeline following the certain death of Sonya, the possible death of Dillon, and the Freelancer blood bath. Or perhaps the action will shift up north, with Alec and Emily, Kiera and Brad, and at least part of Liber8 heading in that direction. The introduction of the Traveler adds yet more complexities. Does that mean that Wesley Crusher shows up next?
In an interview with TV Guide Canada, Simon Bary sounds like he is saying that Sonya’s death might be permanent, along with a conclusion of the Liber8 story line. He was also asked about the Traveler:
TVGuide.ca: Another huge episode. Following up on last week’s realization that nothing Liber8 could do would change history, Sonya allowed herself to be arrested and then detonated a bomb in the police precinct, killing herself and grievously injuring Dillon. Was her exit an homage to Kagame?
Simon Barry: In light of what had happened, this was one of the few plays that she had left, to be a martyr in the way that Kagame was.
TVGC: What was Lexa’s reaction when you told her what was going to happen to Sonya?
SB: Lexa is a real pro, and she understood that the only thing worse than being killed as a character is not being used well as a character, and I think that because we were in the position that we were coming to a conclusion in the Liber8 story that the opportunities for her going forward were not as interesting. When I mentioned it to her the first time, she was pretty clear that the opportunity to go out in a blaze of glory was something she not only thought was possible, but she liked it.
TVGC: I’ve enjoyed Sonya’s back story this season; learning about her past and how she became part of Liber8 has been really interesting.
SB: We knew early on that we wanted to fill in some bits and pieces and that this was one of our options. We definitely felt like, in Episode 7 for example where we see the Sonya back story, was one way for us to kind of honour the Sonya storyline. Now, that doesn’t mean we don’t have more opportunities to tell Sonya’s story. As you know on this show if somebody dies in the present, it just means that storyline may or may not be over. We certainly have many more stories about Liber8, before they went back in time, that we want to pursue in Season 4.
TVGC: You introduced another new character last night in The Traveler. Is he the first Freelancer? What can you tell us?
SB: The speculation, at least from Kiera’s perspective, is that the original Freelancer that she had been told about by Catherine, was sent back 1,000 years to set up this safety net and it had to start with one person. In The Traveler we thought it would be interesting to take that journey. And obviously given the technology that he has to be able to bring Curtis back, we are alluding to the fact that there is technology embedded within him that is related to time travel.
The show runners discussed the season finale and plans for the fifth season of Game of Thrones with Entertainment Weekly.
I also felt like the season finale of Orange is the New Black aired this week as this is when I finished the season on Netflix. No spoilers, but it was a very satisfying conclusion for several plot lines.
Defiance stated its second season with the season premiere primarily setting things up following all the changes in the first season finale, with little actual story. I have not decided yet whether I will continue to watch. Last year I finally gave in and watched later in the summer, after being underwhelmed initially, and did get somewhat more interested as the season went on.
AMC has already renewed Better Call Saul for a thirteen episode second season. The first season, to air in 2015, contains ten episodes.
The second season of Utopia finally appears on the U.K.’s Channel 4 in July. A trailer is above.
Ok, I admit that when I received this link to the nude scenes of Scarlett Johansson in Under The Skin I couldn’t resist clicking.
Variety reports that Black Widow will continue to have a major role in upcoming Marvel movies and then Scarlett Johansson will star in her own stand-alone movie:
According to Chris Evans, who plays Captain America, Black Widow’s storyline in “The Winter Soldier” revolves around “her coming to terms with her history, that she’s been a spy, and spies aren’t necessarily trustworthy,” he told Total Film.
That will be further explored in “The Avengers: Age of Ultron,” out in 2015. Film starts production in March.
“(Black) Widow’s part in that is very big,” Feige said. “We learn more about her past and learn more about where she came from and how she became in that film. The notion of exploring that even further in her own film would be great, and we have some development work with that. When we meet the Avengers at the top of ‘Age of Ultron,’ it’s a very different landscape than we left them at the end of the first film. Partially, that’s because we love the rhythm that the comicbooks have developed — each of the characters appear in their runs, occasionally they get together for a big event or crossover series, they part again, and then they come back together again.”
It’s unclear whether Marvel hopes to have a Black Widow movie become part of its third phase of films, which so far includes “Ant-Man,” “Doctor Strange” and the third installments of “The Avengers” and “Captain America.”
Phase two includes “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy” and “The Avengers: Age of Ultron.”
Bringing Sarah into Team Arrow raises questions as to Felicity’s role. That is answered with a Felicity-centered episode. Preview above. More about Arrowhere.
The CW has given pilot orders to dramas Identity, from Alex Kurtzman and Roberto Orci, Jane the Virgin, from Jennie Snyder Urman, and iZombie from Rob Thomas, TVGuide.com has learned.
In Identity, when a young woman in need of a transplant learns she is related to a powerful family whose son is her only hope for a donor organ, the CIA approaches her to investigate the family’s involvement in domestic terrorism and to infiltrate their rarified world. Her loyalty, morality and ethics are tested as she’s forced to slowly build a case against the family who saved her life. Sleepy Hollow‘s Kurtzman and Orci will executive-produce with The Good Wife‘s Corinne Brinkerhoff, who will also write. Heather Kadin, Rob Golenberg and Alon Aranya are also attached as executive producers…
Based on DC Comics’ series, iZombie is a supernatural crime procedural about a med student-turned-zombie who takes a job in the coroner’s office to obtain the brains she must eat to maintain her humanity. However, with every brain she consumes, she also inherits the corpse’s memories. In order to silence those disturbing voices in her head, she solves homicide cases along with her medical examiner boss and a police detective. Veronica Mars‘ Thomas and Diane Ruggiero will write and executive-produce with Danielle Stokdyk and Dan Etheridge.
Showcase has released another trailer for the third season of Continuum. It returns on March 16 or you can wait until April 4 and see cut episodes on SyFy. Guess which version I plan to watch.
If you haven’t seen the first episode of season two of House of Cards yet, you just better get off the Internet if you don’t want to see spoilers. It turns out that the shocking event from the first episode was planned from the start with a similar event in the season finale of the first season of the U.K. version. How realistic is the show? A star such as Robin Wright may or may not know very much about actual political life, but it is easy to have their opinion covered by being a bit titillating:
During a Q&A in the upcoming issue of Capitol File magazine, a reporter asked whether Wright’s White House source thought the fictional events depicted in the Netflix series were close to the mark.
“Did she think reporters sleeping with sources and members of Congress was factual?” the reporter asked.
“Oh, yeah,” the actress replied. “D.C. is more corrupt than Hollywood. It really is. It’s more sleazy than Hollywood… how much infidelity goes on.”
Kate Mara might soon become better known for another genre role. The cast has been announced for the Fantastic Four reboot, with Mara playing Sue Storm. Think how House of Cards might have turned out differently if Zoe Barnes also had Sue Storm’s power to turn invisible.
Orange Is The New Black returns on Netflix on June 6. No relation to Black Widow, Black Canary, or Orphan Black.
Hannibal returns on February 28, with the first season available to binge on Netflix and Amazon. Here is some more information on the second season.
Open Channel D. The Man From UNCLE movie opens on January 16, 2015. The movie stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant and Luca Calvani. One of the key things I remember from the original show was the use of cigarette cases and pens as communication devices. Is there any point in this with smart phones? But if these are not used, will the movie really feel like UNCLE? It might be fun to go back and look at some of the old episodes to see how they stand up today. My guess is that they would be better than SHIELD.
Actually Agents of SHIELD has improved. They did try experimenting with storytelling a little in the last episode, TRACKS, telling the same story from the perspective of different characters. I also enjoyed seeing a train heist as it reminded me of one of the first Joss Whedon shows I had ever seen, The Train Job episode of Firefly. (Yes, I have never seen Buffy). The episode ended with a cliff hanger but I doubt Skye is really dead considering how they appear in the midst of developing her back story. Besides, people on comic-based shows are rarely ever dead. A clue to this is that the next episode when SHIELD returns from hiatus will be entitled TAHITI. Bill Paxton will be joining to assist in saving Skye.
Producer Joel Fields answered questions about the second season of The Americans, which returns this week. One of my favorite moments from the first season was when Reagan was shot and the Russians saw it as a coupe attempt by Alexander (“I am in control here”) Haig. Fields was asked if any real life events will be included in the second season:
Season two will begin in early 1982 and, as our show was last season, it will be informed – but not shaped – by real life events. Philip and Elizabeth will deal with threats ranging from the Soviet invasion of Afghanistan to the covert American assistance taking place in Nicaragua, and everything they do will happen under the specter of constant brinkmanship that was a hallmark of US-Soviet relations at that time.
Last year it was discovered that Robert Galbraith was really a pseudonym for J.K. Rowling. She has a second novel about Cormoran Strike coming out on June 19. With character names such as Cormoran Strike, we should have guessed who the author was.
Joel McHale of Community will be hosting the White House Correspondents Dinner on May 3.
The first pictures have been released from filming of Gracepoint, the US remake of Broadchurch. David Tennant reprises his staring role from the ITV version, along with Anna Gunn of Breaking Bad.
An American adaptation of Utopia is being planned by HBO and is to be written by Gone Girl author Gillian Flynn.
Both Broadchurch and Utopia have completed their first season in the U.K. and will be returning for a second season. The first season of each was excellent, but as accustomed as I have become to downloading shows from the U.K. I can’t help but wonder why they don’t just show the original versions here. Yes, there are references which Americans might not understand, and David Tennant’s accent was a bit thick in the ITV version, but I think American audiences can cope. Look how popular Downton Abbey and Call the Midwife are becoming here without need to remake them for American audiences.
Doctor Who and Guardians of the Galaxy star Karen Gillan has been cast in an American sit-com, Selfie:
The actress, who next appears in Marvel’s Guardians of the Galaxy and Oculus, has been tapped to star in ABC’s Emily Kapnek comedy Selfie, The Hollywood Reporter has learned.
The modern take on My Fair Lady is inspired by the musical and tells the story of a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
The casting marks the Scotland native’s return to TV following Doctor Who — where she played the Doctor’s companion, Amy Pond, for more than 30 episodes on the show’s fifth through seventh seasons — and Adult Swim’s NTSF: SD: SUV
The BBC has released the above poster for the 50th anniversary episode of Doctor Who, to be named The Day of The Doctor. It will be the second from last episode staring Matt Smith, also staring David Tennant and John Hurt.
Steven Moffat discussed filming the final episode with Matt Smith at the TV Choice Awards, where Doctor Who won for Best Drama Series. David Tennant won the Best Actor award for his role on Broadchurch. Miranda Hart of Call the Midwife won for Best Actress. (Jessica Raine,who plays Jennie Lee on Call the Midwife, played Emma Grayling in the Doctor Who episode Hide and has a role in the upcoming movie on the development of the series, An Adventure In Space And Time.)
Peter Davison will be appearing in the 50th Anniversary episode of Doctor Who. While he has confirmed the appearance, he states he is unable to give any specifics. My suspicion is that he has a cameo role in the special but does not reprise his role as the Doctor unless the story can give a plausible explanation for showing a former version of the Doctor who has also aged. Pictures appeared on line of Tom Baker in his scarf starting rumors that he would also appear but it turns out it was to film a skit for another show.
In follow-up of the controversy I mentioned last week, TrekMovie.com has posted another opinion arguing that Star Trek is Not Broken. Those who are not happy with how J.J. Abrams is handling Star Trek might be happy to hear that he will not be directing the next Star Trek movie now that he will be busy with Star Wars. I fear that this won’t change many of the problems cited by fans but at least it might mean less lens flare.
There has been even more controversy over the choice of Ben Afflect to play Batman in the Man of Steel sequel. The CEO of Warner Brothers defended the choice, describing this Batman as “kind of tired and weary and seasoned and been doing it for a while.”
Besides the upcoming Star Wars trilogy, Disney is going to take advantage of buying the rights by putting out additional movies. Variety reports that they will be origin movies. There will be a lot of Star Wars as “one ‘Star Wars’ trilogy film or ‘origin story film’ would also appear on the release schedule each year, starting with the seventh installment in the ‘Star Wars’ saga that J.J. Abrams will direct and Disney releases in 2015.”
Warner Brothers is returning to a recent major source of income for the studio. J.K. Rowling is going to write a new movie series taking place in the Harry Potter universe. After recently reading The Cuckoo’s Calling, I think she does have a better future in writing such movies then detective novels, although the two aren’t mutually exclusive. It’s not that I didn’t like the book, but I read several far more entertaining novels over the summer, and there are plenty of similar mystery series already out there.
Grant Gustin of Glee will play The Flash on Arrow, and potentially on a spinoff show.
Cult Box has a spoiler-free review of Agents of S.H.I.E.L.D. Gawker reports that some of the scripts were not very good and Joss Whedon had to rewrite them. The web site for the series is now on line.
ABC is working on an alternate reality series which sounds interesting. The show, entitled The Thirteen, takes place in an alternative present day in which the colonies did not win independence from England and are still fighting the English for independence.
Utopia writer Dennis Kelly has discussed conspiracy theories, over population, and the second season of the series:
There’s going to be a second series of Utopia isn’t there?
There is. It’s currently being written. It’s being filmed in two months [speaking on the 22nd of August]. I’ve got two months before the first block. You film it in two blocks so episodes one, two and three, and then four, five and six. Marc Munden who directed one, two and three, and really set up the look for Utopia – and that’s what people talk about a lot when they talk about Utopia – he’s a brilliant director, more like a filmmaker than a TV director really, and he’s fantastic to work with. He’s come back and he’s going to do the first block again. He has a much more involved role in the whole series, which is great.
Can you give us any ideas about what series two might contain?
We’ve got a very odd first episode, which people are either going to really like or really say ‘what the fuck did you do that for?’ and I’ve got no idea what the reaction’s going to be. Some of the characters are coming back, you’ll definitely see Arby again, and Jessica. There’s a lot of people dead unfortunately and a lot of people will die [laughs].
Do you have a finite end for Utopia in mind?
I think I do, I think so, yeah. Not necessarily a good one. [Laughs].
Luc Besson is interested in doing another movie in the world of The Fifth Element.
Joking Bad, Jimmy Fallon’s parody of Breaking Bad, can be viewed above. The series ends this month. A spinoff is being considered based upon Saul Goodman before he became Walt’s lawyer. The Hollywood Reporterlists Saul’s top moments.
A new trailer has been released for Star Trek Into Darkness (video above). TrekMovie.com revealed several spoilers coming from an extended screening in Brazil:
From the extended beginning of the film…
Opening sequence (previewed at IMAX theaters in December) has been reordered to have Nibiru Volcano sequence now opens the film followed by title card and then the scenes in London and at the hospital
Nibiru mission ends with Kirk rescuing Spock by violating the prime directive by revealing the Enterprise to Nibiru natives so he can beam Spock out of the Volcano
Kirk has a scene in bed (back in San Francisco) in bed with two “cat women”
Kirk makes mention of hoping to get assigned to a “five year mission” (implying that the famed five year mission hasn’t started yet for the time he has been captain)
Kirk is demoted for violating prime directive on Nibiru, loses command of Enterprise with Pike to take over command Kirk as first officer
Pike wanted to send Kirk back to Academy but was convinced (possibly ordered?) to make Kirk first officer of Enterprise by Admiral Marcus (played by Peter Weller)
Spock assigned to another ship
The “father” character uses his Starfleet ring as a bomb (dropping it into water for a reaction) and destroys a facility (in London)
London attack leads to big meeting of Starfleet captains which itself is attacked by John Harrison, resulting in Pike being injured…Harrison transport away
Later scenes in the film….
Enterprise severely damaged falling to Earth with Spock in command ordering evacuation
Kirk and Scott seen in Engineering trying to stabilize ship
Later Spock scene beaming down to San Francisco and starting long chase with Harrions
Eventually Spock meets up with Harrison and engages in a fight
The BBC has announced a three day convention at ExCeL London for the 50th anniversary of Doctor Who. Filming on the 50th Anniversary episode begins on March 18. Presumably more information on the show, such as who is actually appearing, will be more likely to leak out when they are filming the episode. Peter Davison does not believe that the earlier Doctors played by older actors will appear:
Speaking at February’s MystiCon panel, he said: “I honestly don’t know very much. I know that Steven Moffat will have something planned. I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.
“I think we’ll be featured somewhere but I should think it’s probably footage lifted from older Doctor stories. I don’t know. We are doing some Big Finish audios. I know that there are events planned by the BBC. I’ve got a meeting with the head of BBC Wales when I get back to go through various things the BBC have got planned. I don’t think she’s going to offer me a part in it… I might be wrong.”
He adds: “I decided that if we weren’t going to be involved that I would get together with Colin [Baker] and Sylvester [McCoy] and make our own little special… If we can possible manage it, we’re going to get into the 50th anniversary special whether we’re invited or not!”
Matt Smith told The Mirror that his favorite moment on Doctor Who was kissing Jenna-Louise Coleman:
Clara and the Timelord snogged in the Christmas Day special and Matt said: “My favourite moment? I like our kiss, that was quite fun, even though it was hell to do. We actually did a couple of different versions there might be some outtakes.”
He also loves New York:
If I could film we’d film every episode of Doctor Who in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.
Matt might love New York, but he cannot go back in time to whenAmy and Rory are living. We have a definitive answer as to why the Doctor will never again meet up with Amy and Rory from this interview with Steven Moffat from BlogtorWho:
Last year friend of the blog Dan Martin took time to chat with Steven Moffat about the Doctor Who Series 7 Part 1 finale, The Angels Take Manhattan – and more specifically, “The Washington Theory”. Dan asked the current showrunner why could Amy and Rory not just travel to Washington (or Boston, or anywhere for that matter) and meet The Doctor there? Had Moffat left a useful plot thread dangling to bring the beloved companions back in a couple of years? Not so, according to Moffat…
“New York would still burn. The point being, he can’t interfere. Here’s the ‘fan answer’ – this is not what you’d ever put out on BBC One, because most people watch the show and just think, ‘well there’s a gravestone so obviously he can’t visit them again’. But the ‘fan answer’ is, in normal circumstances he might have gone back and said, ‘look we’ll just put a headstone up and we’ll just write the book’. But there is so much scar tissue, and the number of paradoxes that have already been inflicted on that nexus of timelines, that it will rip apart if you try to do one more thing. He has to leave it alone. Normally he could perform some surgery, this time too much surgery has already been performed. But imagine saying that on BBC One!”
More on the Ponds later in the interview:
And what about return to the show for The Ponds? Moffat said, “You could never eliminate the possibility of dream sequences and flashbacks, but will the Doctor see them again? No. When I was first talking to Karen and Arthur about it, we said ‘let’s make it the proper ending’. Bringing back things just gives you sequel-itis. Just end it and get out. Heaven knows if they’ll appear in some form of flashback – I have no plans to do that I have to say – but the story of Amy and The Doctor is definitively over.”
That’s the definitive answer. Not the Doctor Who equivalent of Star Trek technobabble about that nexus of timelines that might rip apart. Doctor Who has been utterly inconsistent when dealing with the laws of time travel. The real answer is that Moffat doesn’t want them to return. His point about “sequel-itis” is more grounded in reality than the “nexus of timelines.”
None of this stops a future showrunner from having the Doctor and Amy meet again. There’s also another way to conceivably involve Amy and Rory in a Doctor Who story should Moffat or a future showrunner decide to boost ratings with such an episode. The Doctor could go back in time to Washington or anywhere else during the time in which Amy and Rory are living out their lives in the past. A story could be written in which both the Doctor and the Ponds get caught up with the same menace but are working independently and never actually meet. If this is done after the Doctor regenerates it would be possible for Amy to get a glance of the Doctor without meeting him. If she actually had much contact with him she would probably recognize him as Sarah Jane Smith recognized the Doctor.
Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?
What do you think Princess Leia is like today?
Elderly. She’s in an intergalactic old folks’ home [laughs]. I just think she would be just like she was before, only slower and less inclined to be up for the big battle.
And still wearing the bagel buns?
The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.
She subsequently said she was joking (in a statement which many have speculated Disney insisted she release). While she was undoubtedly joking about being in an old folks’ home, it does appear likely that she will appear. George Lucas told Business Week that Mark Hamill, Carrie Fisher and Harrison Ford have all been contacted:
Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”
Joss Whedon discussed topics including the difficulty in making movies about the Hulk and most of the DC Comics superheroes with Deadline Hollywood:
DEADLINE: What about speculation over potential Hulk spin-off stories? WHEDON: The Hulk is the most difficult Marvel property because it’s always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It’s always a dance. I don’t think the first two movies nailed it, but I don’t envy them the task. It was easier to have him in a group than to build everything around him. I don’t think there would be any problem getting a movie together that had enough Banner, even if there was also Hulk. But if he was only Hulk for the entire movie I think Mark [Ruffalo] at some point would go, why am I here? I would be less inclined to pursue a storyline where the Hulk is only ever the Hulk. Mark [Ruffalo] and I loved the Hulk and went over and over the concept of rage and how it should manifest, and that part of it was fascinating to both of us. But when it comes time for the Hulk he has to put on the silliest damn pajamas you ever saw, a tiara made of balls, and a bunch of dots on his face and growl around like an idiot. The real heart of the experience ultimately becomes playing Banner. And people fell in love with Banner because I think Mark has you from the first time he shows up.
DEADLINE: How much do you keep an eye on Warner Bros with their DC properties? WHEDON: I don’t keep that close an eye on it. But I loved Batman Begins so much and thought Christopher Nolan nailed Batman in a way that nobody ever had. It couldn’t be more different from The Avengers, and the Marvel and DC universes are different animals. If they actually crack the code which has not been done in terms of creating a shared sensibilities where all the movies are interesting and come together, I’m going to be thrilled. I have no fear that we’re going to be stepping on each others’ turf.
DEADLINE: You’ve had a history with DC. Do you think anyone will ever pull off Wonder Woman? WHEDON: It’s not easy. It’s not a simple trick. The Marvel properties with the exception of Batman who has often been described as the Marvel character in the DC universe are much easier to translate to a modern audience. Superman, Wonder Woman, Green Lantern are so far above us and their powers are amorphous and that makes it 10 times harder. Even when you’re doing a fight, it’s harder to write a fight for Thor than it is for Captain America because he’s that much stronger. I loved what I was doing on Wonder Woman. Clearly I was an excited party of one. I wrote the movie, I felt good about the characters, the structure needed work, I did another outline, they read it and were done. There wasn’t even a phone call.
The difficulties which Whedon raised in superhero stories are complicated even more when the viewer is aware that the hero has a bunch of other superheroes as friends to call on. Marvel President Kevin Feige does address the question as to why Tony Stark doesn’t call in the other Avengers for help in Iron Man 3:
It’s a good question, and it’s sort of half and half. I am betting that like the comics you don’t have to keep – if you are reading a standalone “Iron Man” comic, they don’t spend every page explaining where every other Marvel hero is. The audience kind of accepts that there are times when they’re on their own and there are times when they are together. I’m betting that movie audiences will feel the same way. That being said, there is a little bit of lip service here and there to that. There is also just the very nature of Tony wants to, once he barely survives that house attack you saw today, and even you saw it in the message he left for Pepper, he’s basically saying “I’m going off the grid to try to figure something out.”
Christopher Nolan says he does not want to return to Batman, but is involved with other superheroes, producing Man of Steel and possibly Justice League. His next movie about black holes, Interstellar, will be released on November 14, 2014.
Syfy has finalized a 13-episode straight-to-series order to Helix, a dark thriller from Ronald D. Moore, marking Battlestar Galactica developer/executive producer’s return to the network. Steven Maeda (Lost, CSI: Miami) has come on board as showrunner of the project, written by Cameron Porsandeh. Helix, from Sony Pictures TV, where Moore and his Tall Ship Prods are under an overall deal, is about a team of scientists investigating a possible disease outbreak Hot In Cleveland) and Maeda executive produce, with Porsandeh serving as co-executive producer. “With its well-drawn characters, taut drama, and incredible production team, we couldn’t be more excited to see this intense thrill-ride of a series come to life,” said Syfy’s president of original content Mark Stern. Helix is expected to begin production early in 2013 to debut later this year. In addition to hit Battlestar Galactica, Moore also co-created and executive produced Syfy’s prequel series Caprica.
SyFy is moving the final five episodes of Merlin to May. And people wonder why fans often download genre shows as opposed to waiting five months or more to view them.
Ashley Judd has reportedly told advisers that she does plan to run for the Senate against Mitch McConnell. The actress, best known to Star Trek fans as Robin Lefler, has been attacked by the right wing for everything from her residency to nude scenes she as done. Attack of the Show chose Ashley Judd as the fourth Hottest Women of Star Trek (video above). She also has a master’s degree in public administration from Harvard’s Kennedy School of Government and has been a Democratic activist.
Nathan Stewart-Jarrett, one of the stars of Utopia, believes that continuing the story into a second season may or may not work:
Do you think there is scope for a second series of Utopia?
“I think there is scope for a second series, but I also think that it is self-contained. It really does depend. Sometimes you think things could have carried on or things aren’t resolved, and people can get annoyed by that.
“But some pieces of work don’t have a resolution and they leave you to figure it out, and that’s great. Utopia could carry on, but resolution isn’t always good.”
Io9 lists twenty things which Back To The Future got wrong about the future.
Steven Moffat discussed the 50th Anniversary of Doctor Who in a recent interview. Doctor Who returns March 30 with the final eight episodes of the season. Next fall we will have the 50th Anniversary episode (which will also be in 3D and released at movie theaters). In addition there will be the usual Christmas episode and An Adventure in Space and Time about the making of Doctor Who. This would still leave us with less Doctor Who than last fall, but Moffat does say there will be even more than these shows.
Ray Cusick who designed the look of the Daleks in 1963, died at last week at age 84.
The video above has an interview with Jenna-Louise Coleman on The Last Leg.
Last week’s episode of Community featured a trip to an Inspector Spacetime convention and ended with how an American version of this Doctor Who parody would appear, after the producers received advice from Pierce. Here’s another take on how an American version of Doctor Who might have turned out.
Angela Taratuta has re-imagined Sherlock as a cartoon series with pictures such as the one above.
Revolution returns on March 25. NBC is launching a prequel web series tomorrow which starts eleven years after the blackout:
In this webseries, premiering Feb. 25 on NBC.com, we flashback to 11 years after the blackout and the night Miles (Billy Burke) first tried to assassinate Gen. Monroe (David Lyons). The story will follow Capt. Neville (Giancarlo Esposito) on a mission to hunt down and kill and those who had a hand in the attempt to assassinate Monroe. While on his journey, however, Neville will apparently stumble “upon an even greater conspiracy that could change the course of the Republic forever,” according to a description.
Person of Interest had an excellent episode, Relevance, in which we saw the machine used as intended. There was another team receiving numbers from the machine to fight actual terrorist threats, but they believed the information came from more conventional sources. They went after people found by the machine to be relevant, as opposed to the cases investigated by Finch and Reese not involving terrorism, and therefore considered irrelevant. One member of the team started to get too close to what is actually going on so both were set up to be killed. The female member of the team, Shaw, survived, with a little help from Reese after Shaw and her partner came up as the new numbers for Finch and Reese.
Shaw is quite a fighter on her own, and stated she has an “Axis II personality disorder,” meaning she “doesn’t really feel anything” when she kills people. Her best moment was when she showed she was still a loyal soldier in fighting terrorism and also remained determined to avenge the killing of her partner. “A good soldier does both.” She initially refused to take Finch’s card, but later agreed after they saved her from poisoning, leaving her old superiors believing she was dead.
Shaw will make a welcome addition to the reoccurring cast of Person of Interest (assuming this as she was too good a character to only use once). Making the episode even better, Amy Acker returned to reprise her role as Root (actually starting in the final moments of last week’s episode). Now, besides the team of Finch and Reese, we have the group involved in using the machine to fight terrorism as part of the show, with these people portrayed as both being engaged in an important task and as being somewhat evil. Having them infiltrated by Root will make matters even more interesting.
FX has renewed The Americans for a second season. The series is about Soviet spies embedded in the United States during the Reagan years. Last week was their best episode to date, taking place at the time of the assassination attempt on Ronald Reagan. The Russians were worried about whether the attempt would be pinned on the KGB. Some of the Russians also were concerned that generals led by Alexander Haig were carrying out a coup following Haig’s “I am in control” statement.
Utopia completed its first season last week, and hopefully will receive a second season. While not reducing my recommendations to watch the entire series or my hope for a second season, the first season finale was not up to the level of previous episodes. It was probably harder to write this episode because it had less mystery many of the secrets of the first season already revealed but also having to keep some things unresolved for second season. Major spoiler in the rest of this paragraph: I did have one problem with the explanations in the finale. If the manuscript didn’t really matter and the search was all to get Jessica out in the open, what were they doing with the interrogation of Grant and what did that chemical diagram mean? Perhaps the explanation to Jessica wasn’t entirely honest and there was information on recreating Janus to be found in case Jessica wasn’t captured.
The BBC has canceled The Hour after its second season. Hypable explains why you should watch the show despite being cancelled.
As expected following the Christmas episode of Downton Abbey, Lily James will become a regular member of the cast next season. With two members of the cast dying last season, her addition serves much the same purpose of Lesley Anne-Down joining Upstairs Downstairs as Miss Georgina. Vulture gave several reasons why ITV and PBS won’t both broadcast the show at the same time. I was especially interested in this point:
Editing episodes for PBS more quickly would also be more costly. The version of Downton that airs in the U.K. is slightly different than the one that airs in the U.S. ITV is a commercial network that ran season three over eight installments, while commercial-free PBS ran the same season in just six. That requires some “stitching together and filling out” for the American version, Hoppe says. And because the editing is done entirely by the creative team in the U.K., “what it would mean in order for us to go simultaneously with them is that we’d have to have two editing rooms going at the same time during postproduction, one for our version and one for theirs,” Hoppe says. “It’s not one of the main factors in the decision, but it’s not an insignificant financial implication.”
I downloaded the series when it first aired on ITV and then, based upon following media stories, the series seemed to go by much faster when aired on PBS. This explains that it really did go by faster, with fewer episodes in the US. I wonder if some things were taken out of the US version. For example, there hasn’t been much discussion in the United States about the arc involving the Dalek invasion of Downton.
Batwoman is entering into a same-sex marriage but Alyssa Rosenberg says this portrayal of a gay marriage is not enough to make up for DC hiring homophobe Orson Scott Card:
Something I wish I’d said more clearly the first itme I wrote about DC’s decision to hire Card to write Superman is that calls to fire him don’t appeal to me that strongly because it separates out his hiring from DC’s other hiring practices, which among other things, have produced a staff with very few women and no lead African-American writers on any comics titles. A decision by comics stores not to stock the title, demonstrating that Card’s values turn them off from a product that otherwise might have been profitable for them, makes more sense. And what would be most interesting to me is an explanation from DC about what process lead to Card’s selection. What made his pitches’ stronger than other writers? How did they weigh the likely publicity challenges from his employment against what appears to be a larger institutional imperative to modernize the brand by telling stories about committed gay couples? If DC Comics wants its image to be gay-friendly, then it should have been expected to be evaluated for consistency. More same-sex engagements doesn’t eliminate the appearance of a glaring contradiction in DC’s image.
If all DC wants is our money, rather than our social approval, that’s fine. But it needs to recognize that fishing for money on the grounds that it’s producing progressive and game-changing content is going to be a more difficult task if there’s a disconnect between what the content is, and who the money spent on it ends up going to.
The next Captain America movie, The Winter Soldier, will differ from the first, and from The Avengers, in being more of a political thriller according to Kevin Feige of Marvel Studios:
The challenge is not the number of projects but rather making sure that each is a fresh take on the genre. Being able to populate the films with rich, three-dimensional characters and employing a wealth of storylines that have been developed over the decades in print makes it much easier to pull off, Feige says.
And when it all comes together, the results are boffo: “The Avengers” was one of 2012’s most popular pics, according to Rottentomatoes.com, and with more than $620 million in ticket sales it was the year’s box office champ by a large margin.
As long as Marvel stays on its game, Feige believes its pics will continue to do well in a genre that is far from a passing trend.
“If it is a fad, it’s one that lasts 30 to 40 years, as the Western did, because each one is so different,” he says. “There’s an opportunity to graft almost sub-genres onto them. Our first Captain America film was a World War II picture, and the next is a political thriller. They all have their own textures and patinas, and that’s what is exciting about it.”
The Dalek invasion of London from 1964 is being recreated for Doctor Who, An Adventure in Space and Time. I have moved the video under the fold as it begins running automatically.
A quote from Steven Moffat is keeping rumors alive that all eleven Doctors will be in the 50th Anniversary episode. From The Mirror:
Seven of the surviving actors are set to return in cameo roles on the 3D episode to mark the 50th anniversary of the sci-fi favourite.
And chiefs also want to involve the first three Doctors – William Hartnell, Patrick Troughton and Jon Pertwee – who have died since the first episode screened back in 1963.
They would be included in the feature-length special using computer generated images and old footage.
Doctors of old Tom Baker, 79, Peter Davison, 61, Colin Baker, 69, Sylvester McCoy, 69, Paul McGann, 53, Christopher Eccleston, 48, and David Tennant. 41, are thought to have agreed to take part alongside current star Matt Smith, 30.
This week writer and producer Steven Moffat – who is notoriously secretive – admitted: “Getting the other Doctors involved would be very fitting for the anniversary episode, wouldn’t it?”
He is still writing the special, which is due to be filmed this spring.
The plot is a fiercely-guarded secret, but Moffat said the fact the original show was delayed by more than a minute by an extended news bulletin would be referenced.
The first episode with Hartnell as The Doctor was broadcast on November 23 – the day after President Kennedy was shot.
The special episode is likely to provide the exit point for Smith, who is expected to regenerate into the 12th Time Lord.
Smith, set to star in movie How to Catch a Monster, admitted he would love to work with his predecessors. “How amazing would it be to see Tom Baker? Can you imagine seeing him back in the scarf? That would be so cool,” he said.
“Paul McGann is a great Doctor – I say bring back Chris and Dave too.”
If bosses manage to pull off the coup, it will be the biggest gathering of Doctors since 1983, when five were reunited for the 20th anniversary.
That quote is hardly a clear cut answer without full context and, besides, it is well known that Moffat lies. Both the details of the anniversary episode and how long Matt Smith will remain on the TARDIS remain unknown.
Before we get to the anniversary episode, it has been confirmed that the Ice Warriors will return after 40 years in an episode written by Mark Gatiss.
Utopia concludes its first season this week in the UK and is widely considered one of the top shows on television. While not involving aliens, it has the feel of Torchwood at its best–and shows the advantage of not dragging out a season beyond what the story justifies. While I cannot be specific to avoid major spoilers, the goal of those behind the conspiracy was revealed in the fifth episode last week in a manner which almost made it sound justifiable. One problem with the plan was pointed out by a character later in the episode. Things looked pretty grim at the end of last week’s episode. I wonder to what degree they will resolve the problems versus leaving things open for a potential second season.
I doubt Utopia will air in the United States anytime soon in light of the violence in the series, which has included children as targets. At least Utopia, while often very graphic in showing violence against adults, has left deaths of children off screen.
There are more rumors that Benedict Cumberbatch’s character in Star Trek Into Darkness is really Khan based upon the Entertainment Weekly cover story on the movie. At one point (since changed) the listing for sales of back issues described the cover featuring Kirk and Cumberbatch’s character as Kirk and Khan. (A second cover has Kirk and Spock). This hardly proves anything as whoever set up the orders page might have simply been influenced by the rumors as opposed to having any inside information.
There initially was a lot of speculation that the villain of the second movie under Abrams (as with the second movie of the original movie series) would center around Khan. When initial previews came out, further similarities to Gary Mitchell were noticed. It is certainly possible that the movie might be influenced by one or both stories from the original series, or perhaps neither. If the Khan stories are used as an influence for this movie, the story would most likely be more along the lines of Space Seed, when Khan was first found during the original series, than Star Trek II: The Wrath of Khan. There probably would be some major changes from the original story to reconcile the original Khan story and what we have seen in the clips so far.
Regardless of whether the character is based upon Khan and the aftermath of the Eugenics War, we can be certain that J.J. Abrams will be more careful in not tying himself to a history of the near future. When the original series was released in the mid 1960’s, it did not seem likely that people would still be watching Star Trek in the 1990’s and beyond when the Eugenics Wars were written to occur. (I have not read the books, but I have heard that they do attempt to reconcile this inconsistency between the Star Trek history and what we have observed by having the Eugenics War be more clandestine than the open all-out war I previously imagined). Abrams has already taken large steps to free himself from Star Trek canon by having a time line independent of the previous shows and movies. I question whether he would want to tie himself to a back story of a war in the 1990’s making me suspect that even if the character is modeled on Khan the back story will be different.
It was only in response to questions on the subject, but Joss Whedon has kept speculation alive about a return for Firefly:
Cancelled by Fox in 2002 before its first season had even run its course, the sci-fi western Firefly frequently lands on lists of TV shows that fans would love to see resurrected. But more than a decade on, there’s obviously no hope Firefly will return. Is there?
“I’ll never really accept it,” Whedon said of the end of Firefly, when I spoke to him during his stop in Toronto a while back. “And I always, in the back of my head, think, ‘What if I could get the old gang back together?’ ”
OK, you’ve got my attention now. Get the Firefly gang back together? Do go on.
“Well, you know, it’s something I would love to do,” Whedon said. He even admits to being a sucker for this sort of punishment: “When I made Serenity (2005’s feature film continuation of Firefly’s storyline), I said here’s one thing I’ll never do again — a movie based on something that some people know about and some people don’t, with tons of characters who all know each other and who you have to introduce.
“And then my second movie was The Avengers.”
Of course, there are all kinds of obstacles preventing any television or film resurrection of Firefly. Not the least of which is — spoiler alert! — fan-favourite character Wash (Alan Tudyk) was unceremoniously killed in Serenity. (One diehard fan recently analyzed Wash’s death in an attempt to prove the Reaver harpoon that impaled him could never have penetrated Serenity’s hull. Unfortunately, the movie math held up)…
Firefly’s flame has not been fully, irrevocably extinguished — “Part of me is like, ‘God, it would be great when I finish Avengers 2 to do that,’ ” Whedon said — but given the mountains of exhausting work Whedon already has on his plate, the odds don’t look good for Capt. Mal and company.
The BBC is talking about offering episodes of some shows on line on their iPlayer before the shows are aired. This is yet another reason to get the Hola Unblocker add on for Firefox or Chrome which, among other things, allows people outside of the UK to access iPlayer. It also allows people to view Netflix in countries where it is not available. Yes, there are other ways to do this, but this appears to be the simplest.
I don’t know which shows will be available ahead of the broadcast date, but the latest BBC genre show worth getting (whether by downloading or iPlayer) is Utopia. I don’t want to give anything away (and I’ve only seen some of the episodes) but it involves a graphic novel which appears to contain secret information and a government conspiracy to get more information about it, among other evil activities.
Community returned this week, once again up against The Big Bang Theory, showing why VCR’s and DVR’s are essential. The two questions coming into the season were whether the show would be turned into a more conventional sitcom and whether it would suffer quality-wise without Dan Harmon. The answer to the first question appears to be no, with the first episode even including a safe place in Abed’s head which showed the difference between Community and conventional sitcoms.
The show is still filtered by different show runners and it will be necessary to see more to determine how the show stands up to Dan Harmon’s work. One difference from the start of the season is that there is now a relationship between Britta and Troy. The lack of such relationships between main characters did differentiate Community from most other sitcoms, but this does not mean that continuing this absence is essential. What matters is how the relationship is handled, and whether it does open new avenues for stories this season without looking like every other sitcom relationship. I was glad to see that Chang was just seen briefly at the end. His character works best in small doses.
New show runners Moses Port and David Guarascio were interviewed by The Hollywood Reporter. They are hopeful that Community might get a fifth season since NBC is losing 30 Rock and The Office. They did find the delay in airing to be a disadvantage since all the episode are now filmed and they could not take fan reaction into account, which might have been helpful with the changes this season.
TWoP: It’s been fun to watch how Britta and Annie’s friendship has evolved over the course of the show. Has that been equally enjoyable for you both to play?
Gillian: I like that it flipped at a certain point and Annie started mentoring Britta.
Allison: Yeah, it’s always been a sisterly relationship. It was a bit competitive at first with Jeff, but we got that out of the way very quickly and then it was always Annie looking up to Britta. And now it’s flipped around and it’s like, “Maybe I can give her some advice.”
Gillian: Yeah, it took Annie a little too long to realize that Britta didn’t know what the hell was going on. I really enjoyed the “Blade” episode last season where she was calling me a lying junkie and locking me in her bedroom. And it’s interesting to see that dynamic play out this season with Britta joining the Troy/Abed/Annie household sometimes.
TWoP: Community is a big target for ‘shippers, who have paired up pretty much every study group partner at this point. Have you ever seen any Annie/Britta shipping?
Alison: Oh yeah.
Gillian: Yeah, definitely. Alison and I did a photo shoot for GQ that probably prompted a lot of that shipping. I think we’ve seen every possible fan combination. Donald [Glover] sent me some fan porn of Troy and Britta that someone had sent to him.
Alison: I saw some with Troy and Abed.
TWoP: So you do read Community fan fic?
Alison: Just the porn. [Laughs]
Gillian: I read enough to know what it was and then I was like, “Oh my!”
Alison: I just saw pictures! Mine was like pornographic cartoons.
Gillian: Oh, mine was a written-out thing. I just scanned it.
TWoP: Maybe someone can go through and change all the names, publish it and it can become the next 50 Shades of Grey.
Gillian: Yup — Seven Shades of Weird.