SciFi Weekend: Breaking Bad; Dexter; Hannibal; The Blacklist; Sleepy Hollow; The Americans; Community; True Blood; Broadchurch; Doctor Who

Breaking Bad Series Finale Elliot and Gretchen 1

Vince Gilligan ended Breaking Bad just as most would have predicted if not for feeling that this was too obvious and trying to throw in a twist. In the end, Walt killed the Nazis, rescued Jesse and then died. Jesse escaped, Lydia was killed, and plans were made to get money to Walt’s family. Realistically Walt’s death was the most probable end-point for the series since the first episode. Initially it might have been from the cancer. Events since then changed how it most likely to occur. It became inevitable that he would face a violent death, but also achieve some measure of victory.

The only surprises in the finale were the details in how everything would be accomplished, such as threatening Elliott and Gretchen with assassination by “the two best hitmen west of the Mississippi” who were really Skinny Pete and Badger armed only with laser pointers. There was no need for a surprise ending, and certainly not a gimmick such as a dream or fading to black. Breaking Bad feels more like a continuous story in a novel, leading to the most likely conclusion. The finale has received universal praise, showing that no gimmicks were needed. Hopefully writers of future series will learn from this.

The success of the finale of Breaking Bad led to inevitable comparisons to other finales. To be fair to other show runners who fell short, the structure of Breaking Bad lent itself to coming to such a definite and obvious conclusion. While I was not satisfied with the ending to The Sopranos, an ambiguous ending was more in line with that show than Breaking Bad. After the full run of the series, it was realistic that Tony Soprano had made enough enemies that one would just walk up to him and shoot him in a diner. It would similarly be realistic to interpret this otherwise and see Tony Soprano continuing as he had for years, as with Sam Malone on Cheers. Breaking Bad had a clear storyline leading to an inevitable conclusion.

Damon Lindelof was blasted on Twitter during the Breaking Bad finale for not providing such a satisfactory conclusion to Lost. While I think they could have done better with Lost, a key difference here is that Lost had developed such a complex mythology that there was no realistic way to end the series. Lindelof defended his ending in The Hollywood Reporter, which was more a plea for everyone to stop talking about it.

The remaining questions are trivial compared to the questions raised by Lost. There was no question to the motivations of the main character. Walt revealed to Skyler that he was doing this all for himself. Did Walt initially plan to kill Jesse, and then change his mind when he saw how he was enslaved? That change in motivation is suggested in several interviews where Vince Gilligan compared the ending to The Searchers:

On the story inspiration for Walt, who was hellbent on killing Jesse, saving his ex-partner out of sudden instinct 
“A lot of astute viewers who know their film history are going to say, ‘It’s the ending to The Searchers.’ And indeed it is. The wonderful western The Searchers has John Wayne looking for Natalie Wood for the entire three-hour length of the movie. She’s been kidnapped by Indians and raised as one of their own, and throughout the whole movie, John Wayne says, ‘I need to put her out of her misery. As soon as I find her, I’m going to kill her.’ The whole movie Jeffrey Hunter is saying, ‘No, we’re not — she’s my blood kin, we’re saving her,’ and he says, ‘We’re killing her.’ And you’re like, ‘Oh my god, John Wayne is a monster and he’s going to do it. You know for the whole movie that this is the major drama between these two characters looking for Natalie Wood. And then at the end of the movie, on impulse, you think he’s riding toward her to shoot her, and instead he sweeps her up off her feet and he carries her away and he says, ‘Let’s go home.’ It just gets me every time — the ending of that movie just chokes you up, it’s wonderful. In the writers room, we said, ‘Hey, what about the Searchers ending?’ So, it’s always a matter of stealing from the best. [Laughs]“

Did Walt have any plan for after he killed the neo-Nazis if he survived? It did not appear that he did. If not for the last-second decision to save Jesse, I wonder if he had planned to jump to the floor, or remain standing and die with everyone else in the room.

We know Jesse is free but from there it is all speculation:

“We always felt like the viewers desired Jesse to get away. And it’s up to the individual viewer to decide what happens next for Jesse. Some people might think, ‘Well, he probably got two miles down the road before the cops nailed him.’ But I prefer to believe that he got away, and he’s got a long road to recovery ahead, in a sense of being held prisoner in a dungeon for the last six months and being beaten to within an inch of his life and watching Andrea be shot. All these terrible things he’s witnessed are going to scar him as well, but the romantic in me wants to believe that he gets away with it and moves to Alaska and has a peaceful life communing with nature.”

Unfortunately it wasn’t realistic to have Jesse wind up raising Brock, providing him with a true happy ending.

What was going through Jesse’s mind when he didn’t shoot Walt? Was this the outcome of Jesse previously saying he would never do what Walt told him to do again, a desire to be done with killing, or did a remnant of his old respect for Walt prevent him from pulling the trigger? Would he have shot Walt if he didn’t see that Walt already had a gunshot wound?

Will Walt’s scheme work and will Gretchen and Elliott really get the money to Walt, Jr.? There’s no way to know. On this show many elaborate schemes have worked well. It was quite fortunate for Walt that Lydia kept to her old schedule and was the one to take the pack of poisoned Stevia. Everything also had to go right for his plan to kill the neo-Nazis to succeed. While throughout the series many elaborate plans were successful, not everything went right for Walt. Most notably, Walt ruined his plans by leaving the Walt Whitman book out in his bathroom, and easily fell for Jesse’s plan to lead the DEA to the money. We also do not know if his plan for Skyler to negotiate with the coordinates of  Hank and Gomez’s bodies will save her, with his previous phone call not appearing to have helped her very much.

In comparing the recent finales of Breaking Bad and Dexter, it seems like the Breaking Bad finale was planned from the start while Dexter‘s finale decided late in the series. The opposite turns out to be true. Vince Gilligan had no idea about some major aspects of the ending, and has revealed other endings under consideration.

Dexter and Hannah

It was the opposite for Dexter. While Clyde Phillips, the original show runner, had a different idea, current show runner Scott Buck and longtime executive producer Sara Colleton told Entertainment Weekly that this ending had been planned for years:

Before the season started, you said the core idea behind this finale has been in the works for years. What was the original concept?
BUCK: The kernel idea were the last few scenes. They were what I pitched a few years ago. The main idea was Dexter is forced to kill Debra. And there are many ways that could happen. But those final scenes were pretty much unchanged.
SARA COLLETON: From the very beginning the paradox was here’s a guy who doesn’t feel he’s a human being, who has to fake it. But in faking it, he’s a better brother, boyfriend, colleague that most real people. People think of him as a monster, but he yearns to be human. We’ve seen him go forward on this journey every year. Now we found out what the final price was. What sums up the entire journey was the scene on balcony of his apartment before going on the boat to put Deb down — that’s horrible to say aloud. The voiceover: “For so long all I wanted was to feel like other people … now that I do just want it to stop.” It’s the horrible awareness of what it was to be a human being and how overwhelming that is for him. His punishment is banishment. He sends himself into exile. Killing himself is too easy. When he turns and looks into the camera at the end he’s stripped everything away.

Were there any other versions of the ending that you rejected?
BUCK: The only real variation was what he would be doing. I knew he would be in a self-imposed prison that would be as far from Miami as possible. We’d find him working in some solitary environment where even if other people were around he would make no contact and not talk to anyone. We would follow him home and he would have no human contact.

In a way that’s his new code — avoiding human contact.
BUCK: Yes. For us, that’s the tragedy. The one thing we felt Dexter wanted more than anything was human connections. Even in the first season we see him trying to get with Rudy. Now that he’s finally made that journey and he’s almost poised to have a real human life, he has to give all that up to save Harrison and Hannah.
COLLETON: He went into an absolute shutdown. He no longer has even his voiceover.

 Hannibal Season 2

The above poster was released for the second season of Hannibal. Bryan Fuller explains: “After a horrifying descent into madness in season 1, this image ironically represents the perspective of a scrappier, clearer-minded Will Graham in season 2.  The scales have fallen from his eyes and he finally sees Hannibal Lecter for the monster he is.”

The Blacklist remains the best new network show so far, and has become the first to receive a full 22-episode pick-up.

Sleepy Hollow will remain with a thirteen episode run this year, and has been renewed for a second 13-episode season.

The Americans was one of the best new shows last year. Creator/executive Joe Weisberg and executive producer Joel Fields discussed the show at PaleyFest.

Nathan Fillion will guest star on Community, making Firefly references inevitable.

Rob Kazinsky says True Blood “kind of ran out of ideas and now they’ve got an idea again and they’re trying to finish stronger than ever… which they’re going to do next season!”

David Tennant will reprise his role as star of Broadchurch for a US adaptation from Fox. It was an excellent show, but I’m not sure why we need a second version. I imagine that many US viewers neither have a way to  pick up British shows and don’t watch BBC America, leaving an untapped audience for Fox.

David Tennant will also be staring in Day of the Doctor, the 50th Anniversary episode of Doctor Who. Current plans include simulcasting the show in 75 countries.  Steven Moffat has also discussed the upcoming regeneration from Matt Smith to Peter Capaldi:

If you haven’t seen it, there is a particularly fine interview Steven Moffat has given to Nerd3 in which he discusses, well, a lot of things you don’t often hear Steven Moffat discuss.

One section is devoted to regeneration, and the fact that it would not be a break with Whovian tradition for the Twelfth Doctor to look a lot like someone the Doctor has already met. In fact Peter Capaldi has been in Doctor Who (as Lucius Caecilius Iucundus in “The Fires of Pompeii”) and Torchwood: Children of Earth, and Steven has already had a chat with Russell T Davies over how this will all work.

He said: “We are aware that Peter Capaldi’s played a part in Doctor Who before and we’re not going to ignore the fact. I’ll let you in on this. I remember Russell told me he had a big old plan as to why there were two Peter Capaldis in the Who universe, one in Pompeii and one in Torchwood. When I cast Peter, [Russell] got in touch to say how pleased he was, I said ‘Okay, what was your theory and does it still work?’ and he said ‘Yes it does, here it is’. So I don’t know if we’ll get to it… we’ll play that one out over time. It’s actually quite neat.”

If they try to be too clever I  suspect they might run into problems analogous to explaining why the Klingons look different in different versions of Star Trek. There’s a simple explanation–the same actor played three different roles. Sure, you could come up with an explanation which includes the Doctor taking the form of people he encountered in the past when regenerating. Then how do we explain Karen Gillan’s appearance, as she also appeared in The Fires of Pompeii as a different character before playing Amy Pond?

J.J. Abrams has apologized for all the lens flairs in Star Trek Into Darkness.

And finally, this video on the finale and a farewell video from the cast of Breaking Bad:

SciFi Weekend: True Blood Spoilers; Doctor Who; Batman; Star Trek; Continuum; Under The Dome; Agents of SHIELD; The Newsroom

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The sixth season of True Blood, while not without faults, was the best season in several years.  The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again.  Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.

There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal  nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.

If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:

Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner:
It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.

If vampires and humans are now working together, where does the tension come from?
Buckner:
I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.

Can you talk about the threat of the mutated Hep-V?
Buckner:
That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.

Have vampires essentially overrun the world at this point?
Buckner:
It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.

Presumably that means Season 7 picks up right where we left off?
Buckner:
That’s a fair presumption.

Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner:
In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!

Pretty sure he broke the internet after going full-frontal.
Buckner:
It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”

People thought it might be a body double.
Buckner:
Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.

Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner:
Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.

The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:

TVLINE | How do you explain the fact that some of those infected  — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.

TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.

I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.

In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.

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This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling

WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show?
MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].

WS: Was it ever intimidating, being responsible for such an iconic television franchise?
MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.

WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre?
MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.

WS: Why did you want to put Sherlock Holmes in a modern-day setting?
MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.

Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.

Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.

Some quicker questions for Moffat:

Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.

There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.

Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:

“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”

I will be looking forward to watching this in another 50 years.

Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil.  Twitter responses to the choice here and here.

Last week we looked at a few of the Star Trek technological advancements which are now a reality. There is a $10,000 prize for developing a Tricorder.

The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.

The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.

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Who will be the monarch on Under the Dome? From SpoilerTV:

So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”

The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.

Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.

New trailer for Agents of SHIELD above.

Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.

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All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:

“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they’re] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night” team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.

“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”

Related television and political comments yesterday on realistic versus unrealistic aspects of House of Cards, The West Wing, and Orange is the New Black.

SciFi Weekend: The TARDIS on Google Maps; Arrow Introducing More DC Characters; Iron Man 3; Under The Dome; True Blood; Homeland; Orange Is The New Black; Orphan Black; Thor; Elementary; The Newsroom; Interstellar; Star Trek Predicting The Future Since 1966

TARDIS in on Google Maps

If you check out street view on Google Maps at Earlham Green, Greater London Nr5 8DQ, United Kingdom you will see a blue police call box on the left side of the street. Place the mouse near it and then click on the double lines which will appear. This will allow you to enter the TARDIS. You will find that it is smaller on the outside than on the inside. Once inside you will be able to move around the control room. Unfortunately you cannot go further inside the TARDIS but I assume Google Maps will be working on extending their coverage of interior spaces.

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Arrow show runner Mark Guggenheim discussed introducing The Flash on Arrow:

“I feel like I’m just following Bilson and DeMeo. Whatever they do, I seem to follow in their footsteps,” Guggenheim laughed. The writer told CBR that from comics to TV, the goal of the “Arrow” production team is to expand out the DC Universe while keeping the tone and feel of their show its own unique story platform.

“Honestly, I’m just excited to help be a part of expanding the DC Universe,” he said. “I think one of the big thing that appeals to me about comics in general is the idea of the shared universe. It’s a lot of fun to be able to do that in television, and growing up one of the things I enjoyed was the ‘Six Million Dollar Man’ and ‘The Bionic Woman’ and the way those two shows would interact with each other. We’re at least a season away from ‘Arrow’ interacting with ‘The Flash,” but the potential for that is really exciting for me.”

Kreisberg, who serves as Guggenheim’s show running partner on “Arrow,” will develop Barry Allen’s character in writing each of those three episodes this season on “Arrow,” and Guggenheim said that is all part of a masterplan that stretches back before their recent run of announcements. “Andrew is taking the lead on ‘The Flash.’ This has been in the works for a while and had been in the works since before Comic-Con. But we made the decision, as these things are announced in a rollout, to take a strategy where we’d announce Black Canary, Bronze Tiger and Brother Blood at Comic-Con. We felt like, ‘That’s a lot for Comic-Con. Let’s save something back for when T.C.A. comes around.’ I want to disabuse anyone of the notion that we decided to do Flash after Comic-Con. We’re just capable of keeping secrets every now and again.”

And overall, the writer wanted to stress that an additional superhero – and one with some more super powers – won’t change the core of what “Arrow” is. In fact, Guggenheim leaned on a comparison with DC’s main competitor to explain how each series will develop over time. “I think a lot of people are justified in asking ‘What does this mean for Arrow in terms of its tone?’ And my answer is that the trick that we have – and this is a challenge we’ve discusses a lot and have an awareness of how to face it head on – is the fact that ‘Arrow’ is like ‘Iron Man’ where ‘The Flash’ will be ‘The Hulk.’ And just as ‘The Hulk’ coming out did not change the tone of the Iron Man movies, ‘The Flash’ will not change the tone of ‘Arrow.’ We’re very cognizant of what ‘Arrow’ is all about, and I think the Marvel movies demonstrate that each piece of a universe can have its own feel. ‘Thor’ is consistent with the tone of Thor while ‘Captain America’ is consistent with the tone of Captain America’s character. ‘Arrow’s’ tone will remain consistent much in the same way, and we are looking forward to expanding our canvass a bit. And judging from the announcement, I think the fans are looking forward to it as well.”

While Barry Allen will be on Arrow for a few episodes, he will not have his superpowers, at least not at the start.  Despite not having true superpowers, Arrow does feel like a superhero show, including having the common problem of the hero being just too powerful. I just watched the first season of the show over the past week and found it to be entertaining as long as you ignore the multiple implausible aspects. On Arrow, a person with bow and arrows can easily defeat multiple people with guns. This includes not only Oliver Queen, but two other characters who use the same weapon. Oliver Queen does have fighting skills beyond this weapon. He also has an amazing ability to disappear. Typically when he is surrounded inside a closed area and anyone else would be captured, he gets away with no difficulty or even on-screen explanation. Arrow is not up to the quality of the most impressive new genre shows of the season on regular cable and broadcast television ( such as The Americans, Orphan Black, and Hannibal) but still worth watching.

There were aspects of the writing style of Arrow which makes me confident they will do a good job of gradually introducing characters. Rather than quickly giving an origin and then moving on to the main story, Arrow had flashbacks over the entire season to the island where Oliver Queen was stranded for five years and learned his skills. Rather than immediately introduce the sidekick and those who knew his secret identity, characters were gradually brought into Oliver Queen’s inner circle.

There are also a couple of reasons for Doctor Who fans to watch. John Barrowman is a recurring character all season and Alex Kingston was on a few episodes. I was hoping for the two to interact but that did not occur. Incidentally, most Barrowman fans probably know that Torchwood is an anagram with the same letters as Doctor Who. By coincidence, the name of the television show he appeared in last season is also in Barrowman’s name.

More on crossover characters from other DC comics here.

The Mandarin appears in this deleted scene from Iron Man 3.

I’m glad to see Under the Dome turn more to the mystery of the dome, not that I’m all that confident of a satisfactory resolution. Apparently when they say “the monarch will be crowned” they are speaking of an actual monarch within the small dome. I have read that one of the major differences between recent episodes and the book has been that Big Jim and Junior work together in the book. Last week’s episode may signal a reconciliation between the two.

Last week’s episode of True Blood contained the battle which we might have expected for the season finale. There are still questions. Will Sookie keep her promise to become Warlow’s vampire bride? (I bet she does not). Is the war between humans and vampires now over, or just beginning? Will those vampires who indirectly fed on ferry blood continue to be able to be out in daylight? Is Bill now returning to his normal self? Considering how poor recent seasons of the show had become, it is a good sign that, despite some ongoing problems, the show is now able to maintain interest in such questions.

Homeland writers revealed information on their plans during season two. I’ve been questioning since the end of season one how long they could plausibly continue to have Brody around. The writers may have been thinking the same thing:

Though the show’s creators already copped to plotting an untimely end for Lewis’ character way back in season one, that is until more merciful voices at Showtime prevailed, Gordon admitted that, going into season two, the writers intended to send Brody to the chopping block yet again, and were once more persuaded otherwise by the network.  “We had sketched out this plan in the early parts of season two which called for Brody’s demise, which may have been premature, and they asked us to reconsider,” which Gordon credits as “the happy accident of having very good partners.”

If it seemed like a sudden reversal for Carrie to have decided not to leave the country with Brody, it was also a reversal of the writers’ plans:

According to Steihm, who has since left Homeland to run FX drama The Bridge, the writers all wanted Carrie (Claire Danes) to go with Brody across the border in the season two finale instead of returning to the CIA.  In fact, in the first draft, she did. After much debate, they ultimately decided it was more in character for Carrie to stay and carry out her mission with the Agency after helping Brody escape safely to an underground network.

Besides being a great show, Orange Is The New Black has supported science over religious fundamentalism, such as in the scene above with partial transcript below:

Piper: I can’t pretend to believe in something I don’t, and I don’t [believe in this]… I believe in science. I believe in evolution. I believe in Nate Silver, and Neil deGrasse Tyson, and Christopher Hitchens, although I do admit he could be kind of an asshole. I cannot get behind some Supreme Being who weighs in on the Tony awards while a million people get whacked by machetes. I don’t believe a billion Indians are going to hell. I don’t think that we get cancer to learn life lessons. And I don’t believe people die young because God needs another angel. I think it’s just bullshit. And on some level, I think we all know that.

There are a number of reports, along with a denial, that Laura Prepon will be leaving Orange is The New Black to work on a new show. If true, this would leave a major hole in the show. The reports claiming this do say that Prepon will still be present at the start of the season to tie up Alex’s storyline and she will be written out in a way which would allow her to return.

Orphan Is The New Black

Two  of the top television shows premiering in 2013, Orphan Black and Orange Is The New Black, have been combined in this mash-up giving us Orphan Is The New Black.

Natalie Portman expects there to be a Thor 3.

Fake Sherlock will be going to England in their opening episode. Maybe they will meet the “real” Holmes and Watson of Sherlock. (Ok, probably not). More news on the second season of Elementary here.

We expect The Newsroom to mix in major news stories with each episode. Last week they included plot elements reminiscent of other real events from The Today Show botching the editing on George Zimmerman’s 911 tape to the real life release of nude photos from Oliva Munn’s phone. The manner in which World Net Daily reported a rumor without any fact checking also is based on reality, along with being an excellent commentary on the unreliability of WND and the entire right wing noise machine.

Filming has begun on Christopher Nolan’s latest science fiction project, Interstellar.

William Shatner joins those arguing that Star Trek belongs on television in this interview:

Karl Urban, from the new Star Trek films said that “Star Trek, as envisioned, was about space exploration. And it would be really wonderful to harness the spirit of that and apply it to the next film”. Is that something that you would like to see? A greater focus on discovery in these films.

Shatner: I’m not goona second guess JJ Abrams, he’s a great director and he’s so talented. But I’ll tell you that I am going to the Lowell Observatory in a couple of weeks to deliver a speech that I wrote about Star Trek and its capacity to stir the imaginations of young people.

The idea is, that so many people’s lives have been touched by the imagination of Star Trek and children’s imaginations are so vital to the rest of their lives that… this is an aspect of Star Trek that I’m focused on.

Now let me ask you, trying to bring in new viewers, new younger viewers to expose that world to young kids and teenagers alike and really spur that imagination — is a TV show a more viable vehicle for that? Is it sad that we don’t have something like that right now, a Star Trek TV show that could really seize on the exploration part of the thing that the original series and Next Generation, that those things did?

Shatner: You know, I think you’re right. Because, JJ Abrams has found the key to getting a large audience into the movie theater, and that’s the ride. So you get a lot of the CGI effects, which is the epic movie making aspect of today, whereas in Cecile B. Demille’s time, you had to use real people. Now you don’t need to use real people and you can have infinity for God’s sake.

That’s in order to get you into the theater, because the majesty of the movie is shown by the large screen. But when you get into the small screen, you need stories… entertaining, interesting, vital stories that have a philosophy and also have an excitement about them, so that the viewer stays with it, but recieves the philosophy as a byproduct. Those were the best of Star Trek, those kinds of stories. And that kind of thing, there is always room for that. That kind of imaginative approach that stirs young people into wanting to be connected with science.

Star Trek Science

Via Techeblog

SciFi Weekend: SDCC Part 2–Avengers; Karen Gillan Bald for Guardians of the Galaxy; Captain America; X-Men; Superman and Batman; Doctor Who; Matt Smith as Bart Simpson; True Blood; Person of Interest; Revolution; Community; How I Met Your Mother; Veronica Mars

There was lots of news on the Marvel Cinematic Universe out of San Diego Comic Con–video of panel above. This includes the name of the next Avengers movie, Age of Ultron, and a bald Karen Gillan (head shaved for Guardians of the Galaxy).

Comic-Con International 2013 - Day 3

Co-directors Joe and Anthony Russo were interviewed, explaining how Captain America: The Winter Soldier will bridge the two Avengers movies. Among other news is the report of star Chris Evans kissing Scarlett Johansson.

News on X-Men: Days of Futures Past is here.

The rumors of a combined Batman and Superman movie have been confirmed.

Matt Smith walked on the floor at Comic Con disguised at Bart Simpson (video above).

Steven Moffat says “we’re likely never going to see that final date night on Darillium with the Doctor and River Song, the one where he cries because he knows she’s going to die/get digitized on a library planet.”

The reason: Moffat’s too prude to put the Doctor and River in a room alone together. That said he might change his mind.

”I always felt that there were certain things between the Doctor and River that we should never see. So, I don’t know. He sort of said his goodbye in ‘The Name of the Doctor.’ There’s always the possibility, because it’s always out of sequence and you can do anything you like with that. It’s a tough one. I remember I wrote some extra scenes for the DVDs and all that we had available were Alex (actress Alex TK] and Matt, so I had to write scenes for the Doctor and River alone in the T.A.R.D.I.S. and I go, ‘Dear God, that’s the situation I’m always tring to avoid for obvious reasons.’ What does that woman do to him the moment the door is shut? What were they doing that night in Durillion. There are somet things surely the Time Lord must keep to himself.

“The implication is that she had met many more Doctors than just the two of them, so it’s always possible. But I quite liked the good bye in “The Name of the Doctor” and I think there should always be stuff that we never saw, and I don’t just mean that as a laugh.”

The above preview of the remainder of this season of True Blood was shown. There has been talk for a while that a major character would die this season and there does appear to be a funeral in these clips. Cast secrets revealed in these videos. The show has been renewed for another season. While the show has had its problems (including too many characters and story lines), I do see hope for improvement:

Executive Producer, Brian Buckner wants to bring the show back to its roots. While he acknowledges True Blood has a large cast, he wants to condense the number of stories they are telling and  “really come home.” And as for bringing in new creatures, right now he thinks no. He believes the show is about vampires, humans and the town. And wants to bring that back.

The big news on Person of Interest is that, as I had been rooting for, Amy Acker will become a regular next season. Cast interviews here.

Despite all its flaws, Revolution keeps me curious enough to keep watching. A trailer for the second season is above. The cast and crew revealed spoilers regarding the cliff hanger at the end of the first season. From Tracy Spiradakos (Charlie):

“I can tell you that the bombs do drop, so there’s an aftermath to dealing with that.” Holy moly! Randall completed his mission in destroying Atlanta and Philadelphia, apparently, and the destruction of those cities will completely change the feel of the show. The militias will be broken up, the show that was once all about being on the road will now settle into a particular spot near Texas, characters will be more consistent, and the stories will have some room to breathe since people won’t be as busy running from Point A to Point B. Additionally, even though the power went on in the finale, there will be a time-jump of about three months, and you can expect that it will be shut off again pretty soon.”

More spoilers from this, and other reports: The power is off permanently and the Tower is no longer functional. The Patriots supporting the old United States government represent a serious threat which forces Miles and Monroe to work together.

Ronald Moore on Helix and Battlestar Galactica.

Dan Harmon interviewed about season 5 of Community in the video above. News includes the departure of Donald Glover.

News on the final season of How I Met Your Mother posted here. More news here including comments from the kids.

Kristen Bell suggests that Veronica Mars might continue after the upcoming movie, possibly on Netflix as a way to get around contractual restrictions on appearing in two television shows:

CNN: Is this film finally going to give you a sense of closure on “Veronica Mars”?

Bell: No. This could be my whole life. And by the way, what a lucky life it would be if it were. There’s no formula for it, because it just has never been done before. Except — and I’m just throwing it out there — “Star Trek” did it. They did a TV show and then nine movies. Who knows? Why can’t we make a couple films? Or continue to produce content of “Veronica Mars”? It gets tricky because television contracts legally only allow you to do one episode of a different show. They purchase you. I am now the face of “House of Lies.” So the only way I would be able to reprise Veronica Mars (on TV) is in movie form.

CNN: What about if it were on Netflix?

Bell: There are some loopholes that we are already investigating.

Earlier news from San Diego Comic Con was posted here.

SciFi Weekly: Doctor Who; SHIELD; JK Rowling Exposed as Mystery Writer; Star Trek3; Summer Glau; Kristen Bell; The Newsroom

A prom apparently has a different meaning in the U.K. than in the United States. There were rumors that the identity of the next Doctor would be revealed at a prom this weekend. That didn’t occur, but there was an appearance by Matt Smith and Jenna Coleman in the video above.

Entertainment Weekly interviewed Steven Moffat. Following are some of the more interesting/news worthy answers:

Are you hoping the new Doctor will appear in this year’s Christmas special?
Yes. That’s not the hope — that’s the plan. It’ll be the traditional regeneration. You know, the eleventh will fall and the twelfth shall rise. And you’ll see that in the closing moments of the show. I mean, you sometimes sit and think, “Are there better ways of doing it? Is there a different way of doing it?” But quite honestly what could be better than that? It’s just too exciting. [Laughs]

Am I right in thinking that the new series—the first post-Matt shows—will be broadcast in late summer 2014?
I think that’s probably right. But these things change so often.

What can you tell us about this November’s Doctor Who 50th anniversary show?
[Laughs] Oh, well, very, very little. It will feature of course Matt and Jenna Coleman, but in addition there’ll be Billie Piper and David Tennant and John Hurt. But we’ve been really quite careful. We have a philosophy that anything we shot outside we had to own up to but the rest of it…You’re just going to have to wait until November to find out about.

What is the format of the 50th anniversary special? Is it movie-length?
It’s a special episode. I think you could call it movie-length, yeah. I mean, I’m saying that with a slight hint of vagueness because I don’t know the finished running time. [Laughs] It’s certainly well over an hour.

How much longer do you yourself intend to stay with the show?
I think a year at a time. I’ve signed up for this next year, with the new Doctor. It’s one of those jobs when you know when you’ve had enough. At the moment I haven’t had enough and I’m thoroughly enjoying it. I’m very excited for the challenge of the new Doctor and establishing that new Doctor. So, no plans to leave as yet. But that doesn’t mean I’ll be here for 20 years. There will come that day when I think it’s time someone else had a go and it’s time I did something else.

You’re also the executive producer of Sherlock. Have you finished shooting the new series yet?
Oh, I wish! We’ve done two. But we’ve now got a small gap — a small gap? A large gap! — while Martin (Freeman) goes back to New Zealand to film a bit more of the Hobbit and then he’ll return to us. Hopefully, by that time, I’ll actually have finished the Sherlock script I’m writing and we’ll make another one.

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Entertainment Weekly has picked up some news on Agents of S.H.I.E.L.D. in preparation for their Comic-Con panel. Here are a couple of the top items:

1. The pilot hints at how mild-mannered kick-ass bureaucrat Agent Coulson (Clarke Gregg) was resurrected  to lead the team after being killed off in The Avengers (his S.H.I.E.L.D. colleagues say he must “never know the truth” about his death). Yet you’ll have to keep watching to learn the full story. “We can’t wait to pull the curtain back on that,” says co-creator Jed Whedon. “[But] we’re going to take our time.”

2. The S.H.I.E.L.D. story will work in tandem with the Marvel films, both past and upcoming. In fact, the first episode will pick up a storyline that’s familiar from one of the Marvel hits — and it’s not The Avengers. “We plan on trying to weave in between the films and try to make them more rewarding on both ends,” says Jed Whedon, who points out the trick is to make the audience not ask a certain fanboy-bar-fight-style question: “In any of these [episodes], you can always ask: ‘Why don’t they just call Iron Man?’” Yeah, that would be annoying! So our next question is: Why don’t they just call Iron Man? “They are aware of each other,” Whedon says of the S.H.I.E.L.D. team and the metal-suited Malibu playboy, “but they do have to have their own lives.”

Cuckoo Calling

J.K. Rowling had a detective novel published under the name of Robert Galbraith earlier this year, with her identity leaking out this week. io9 has a rundown of reviews of the novel, which sound quite favorable. Conveniently, the book is scheduled for paperback release later this month.

Zachary Quinto has this speculation regarding the next Star Trek movie:  “Star Trek 3 should be filming, I suppose, next year. It’s going to be made a lot quicker than the last one. That’s the plan, although nothing is confirmed yet.” That would make it difficult for J.J. Abrams to direct as he will be busy with Star Wars. Presumably they will want to release the next movie for the 50th Anniversary in 2016.

With J.J. Abrams directing movies for both franchises, and with the recent Star Trek movies in many ways being more Star Wars than classic Star Trek, the old Star Wars vs. Star Trek fan wars seem to have died out. George Lucas provides more reason for peace between the two:

The documentary “Trek Nation” chronicles Rod Roddenberry’s personal journey to explore the importance of the legendary sci-fi franchise dreamed up by his father Gene.

The film comes to DVD on Tuesday, and among the bonus materials included in the release is an interview with “Star Wars” creator George Lucas talking about the important role “Star Trek” played in paving the way for his own space opera.

“‘Star Trek’ softened up the entertainment arena so that ‘Star Wars’ could come along and stand on its shoulders,” Lucas said in an interview.

While Star Trek worked far better as a weekly show than as movies, it also must be kept in mind that Star Trek probably would have never been released as a movie, reviving the franchise, if not for the success of Star Wars.

Summer Glau

Summer Glau has been cast for a recurring role on Arrow:

Glau, who has amassed plenty of genre street cred in TV series like Joss Whedon’s Firefly and Dollhouse, Terminator: The Sarah Connor Chronicles and most recently as a recurring on Syfy’s Alphas, is set to play the dangerous Isabel Rochev, Vice President of Acquisitions of Stellmoor International, a company looking to take over Queen Consolidated.

Entertainment Weekly reports that Kristen Bell (currently busy filming the Veronica Mars movie) will have a guest appearance on Parks and Recreations next season, in an episode to air in early October:

After shooting the Veronica Mars movie, Kristen Bell will guest-star in an episode of NBC’s Parks and Recreation as Ingrid, a snooty City Councilwoman from Eagleton. “She’s Leslie’s equivalent, but richer and better dressed,” executive producer Michael Schur tells EW. The two will first meet up at the annual Pawnee-Eagleton high school basketball game. Bell and Parks actor Adam Scott previously worked together on Party Down and Veronica Mars, and she currently stars with frequent Parks guest Ben Schwartz on House of Lies.

A lot happened in last week’s True Blood–the type of changes and revelations we might not have expected until towards the end of past seasons. The show certainly has its flaws, and I almost gave up on it a few times, but enough is happening this season to keep my interest.

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The Newsroom returns for a second season tonight. Oliva Munn discussed preparation for her role on The Newsroom with Vanity Fair:

“I write a lot of notes in my scripts,” she explains. “It’s important for me to have them there as a reference so I can keep on track for what I’m wanting to convey. Sometimes, no matter how much I prepare, I can let my emotions of the day affect my choices in a scene, so I like to have my notes with me to remind myself of what track I should be on. And with scripts as complicated and rich as Sorkin’s, it’s vital for me. My notes become my sheet music.”’

Netflix is quickly establishing itself as a service worth subscribing to for its original content now that there are multiple choices for on-demand movies. Orange Is The New Black premiered this week and is up to premium cable standards, and they are negotiating for a second season of Arrested Development. Besides their original series, Netflix recently released the excellent BBC2 series The Fall before it completed its run in the UK.

SciFi Weekend: Hannibal Finale; Matt Smith Says Good By; Marvel Movies; Veronica Mars; True Blood Sex Scenes; James Gandolfini; Disney Princesses and the Doctor

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Those who haven’t watched Hannibal may want to skip down below as there are some major spoilers here. The first season of Hannibal ended with a scene which was sort of a reverse image from Silence of the Lambs with Will in the prison for the criminally insane. Looking back, this ending seemed almost inevitable, but I am glad we didn’t actually see Abigail’s death. As for Will, it appears that having been framed for her murder is a problem which will not be resolved quickly. Bryan Fuller gave some hints as to where next season will go:

Jack conveniently comes in after Will accuses Hannibal of all the murders. Would Jack have been swayed if he had heard Will’s thoughts?
Fuller: In Season 2, Jack will be investigating those accusations. I think after Will woke up from getting shot by Jack and before he was put into the institution, he shared his theories about Hannibal. Now it’s up to those characters and Hannibal Lecter to either support or deny those accusations in a properly investigated way.

Do you intend to keep Will locked up for a while?
Fuller:
He will be incarcerated, and we will be dealing with all of the threads of that. We need to see all of the things happen that would happen in that scenario. Will Graham needs to go on trial for the murders that he may or may not have committed. Jack has to be brought before a review board for his participation in what happened to Will, and Hannibal, as Will’s psychiatrist, is going to continue to try to help Will see the truth that Hannibal wants him to see. The ball is up in the air in so many ways for Jack and Hannibal and Will. The fun of Season 2 will be spiking those balls…

From the beginning, you made it clear you were telling your own story, but do you fear that this choice will alienate some of the diehard Red Dragon fans?
Fuller:
If you look at the scant two pages that talk about Will Graham’s back story, they tell us that Will was so psychologically compromised from investigating the Minnesota Shrike that he had to become institutionalized. So, I feel like I’ve got a car jack and I’ve wedged it in between those lines. I’ve just opened them up for room to tell more between the lines than what you may have anticipated. But we’re also sticking to the canon. We will deliver what we’ve come to expect in Red Dragon of Will Graham, but he’ll just have a longer, harder journey to get there. I gave myself room to wiggle, so we’re going to see some wiggling in the next two seasons.

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Bryan Fuller revealed his seven year plan for Hannibal, getting into the novels by season four. Beware, this contains spoilers for the books as well as future seasons.

AX: How many seasons do you have plotted?

FULLER: I can see pretty clearly seven seasons. I think that there are always shifts and alterations and course corrections that you have to take, because you’ll be cruising along and then you’ll hit an idea and go, “Oh, wow, that’s a great idea, we have to do that now.” That being said, I can see the structure for a seven-season arc for the show, but then I also am very open to course corrections along the way to adapt to changes.

AX: If you don’t get to run for seven seasons, are you going to make available to the public in some form what the unaired seasons would have been?

FULLER: Well, when you get into Season Four, you get into the literature. And so Season Four would be RED DRAGON, Season Five would be the SILENCE OF THE LAMBS era, Season Six would be the HANNIBAL era, and then Season Seven would be a resolve to the ending of that book. HANNIBAL ends on a cliffhanger. Hannibal Lecter has bonded with Clarice Starling and brainwashed her and they are now quasi-lovers and off as fugitives, and so that’s a cliffhanger. It might be interesting to resolve that in some way and to bring Will Graham back into the picture. So once we get two more seasons, say, of the television show, those are the aren’t-novelized stories, and then we would get into expansions of the novels after that and kind of using the novels as a backbone for season arcs that would then be kind of enhanced.

AX: Assuming you cover the eras of SILENCE OF THE LAMBS and HANNIBAL, when Will Graham isn’t a character in the books, what do you do with Hugh Dancy for those two seasons?

FULLER: Well, it would be about incorporating him in a way that he hasn’t been incorporated in the books, because Will Graham was only mentioned in SILENCE OF THE LAMBS, he was not seen, and so I would be curious to see what happens to Will Graham after RED DRAGON. By the time of RED DRAGON, he’s married to Molly and has her son from a previous marriage, but doesn’t have any children of his own. And then that relationship is more complicated by Francis Dolarhyde and there were suggestions that there was a not-so-happy ending for Will Graham after RED DRAGON because he has his face carved up and you wonder what’s going to happen to Will now, and I’m curious to see what happens to Will after that.

More from Fuller here.

Matt Smith says thank you in the video above. Interested in tea at the Ritz with him? Check it out here.

Jenna-Louise Coleman will be appearing in Death Comes To Pemberley:

Last month, BBC One set Matthew Rhys to play Mr. Darcy in Death Comes To Pemberley, the three-part serial based on P.D. James’ suspense novel which revisits Jane Austen’s most iconic characters. A vast lineup of British TV talent has now been added to the cast, including Doctor Who star Jenna-Louise Coleman as Lydia Wickham, the sister of Austen’s Pride And Prejudice heroine Elizabeth Bennett. As previously announced, Anna Maxwell Martin is playing Bennett and Matthew Goode is George Wickham, Lydia’s husband. The story picks up six years into Elizabeth and Darcy’s marriage as they prepare for their annual ball. When Lydia arrives, she brings a shocking halt to the proceedings and a murder investigation unfolds.

It looks like there may be no truth to the rumors reported last week of finds of more lost episodes of Doctor Who. They are being described as destroyed rather than lost, which doesn’t sound very encouraging.

Joss Whedon says Loki won’t be appearing in The Avengers 2. More importantly, Robert Downey, Jr. will be back for The Avengers 2 and 3. Like we really thought there was any chance they would do it without Tony Stark, or anyone else could replace him. At present chances don’t look good for another Iron Man movie. More Marvel movie news here.

Shailene Woodley’s role as Mary Jane Watson has been cut from The Amazing Spider-Man 2 and MJ won’t appear until the third film. Maybe this means that the rumors that Gwen doesn’t get killed off in the second movie are true.

Veronica Mars

Filming on the Veronica Mars movie has begun. I’m looking forward to getting my digital copy when the movie opens due to contributing to the Kickstart campaign.

Secrets of True Blood sex scenes here.

Dan Harmon didn’t like season 4 of Community any more than we did.

Sopranos Diner

The scene went to black for James Gandolfini in the past week. It looks like he was way too busy to die. Here’s a list of his unfinished work. Apparently the Grim Reaper isn’t a fan. Some of Tony Soprano’s best quotes can be found here.

Last week we looked at the combination of Disney and Marvel characters. This week we’ll look back at prints by Karen Hallion combining Doctor Who and Disney princesses and other stories. (More here). Incidentally, Disney recently had a coronation for their eleventh princess. Eleven Disney princesses. Eleven Doctors. Sounds suspicious to me. Glenn Beck has devised elaborate conspiracy theories based upon less.

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SciFi Weekend: Star Wars at Disney World; Lost Doctor Who Stories; Game of Thrones; Obama Cut From One Genre Show And Influenced Another; Emma Watson; Mad Men; True Blood; Dexter; Hannibal; Man of Steel

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Disney makes it profits by using each of its holdings to promote its business. The theme parks promote the television shows, movies, and merchandise and vice versa. Disney has long  had an arrangement with Lucasfilms  with Star Tours at the Walt Disney Studios at Walt Disney World. Now that Disney owns the rights to the upcoming Star Wars movies, it is likely that there will be even more promotion in the parks. The latest rumors are of the addition of a Star Wars Land:

The logical places for that expansion would be on either side of the existing Star Tours ride. From what I’ve heard, it appears that the expansion would take out the area between Star Tours and the auto stunt show stadium, including the Muppet theater and Honey, I Shrunk the Kids play area. But I’ve also heard of consideration of going in the opposite direction, which would place the new land on the site of the Backlot Express restaurant and Indiana Jones stunt show theater. Given that the Indy theater’s used for several other events throughout the year, and that both the Muppets and Honey I Shrunk the Kids attractions long ago passed the height of their popularity, I’m hearing more forceful arguments for the first option.

This appears to be a five-year project, putting completion in 2018, though Disney could choose to throw money at it and accelerate it by a year.

I wonder if they will really disrupt much of what is already there as opposed to mixing more Star Wars throughout the park. It is common for Disney to mix up different things from different movies throughout their parks. Will they really get rid of Muppet Vision 3D and the Honey I Shrunk the Kids park? While perhaps not as major as The Great Movie Ride or Tower of Terror, I’ve always seen Muppet Vision 3D as one of the icons of the park. Besides, Disney still has plans for those Muppets, such as a live stage show. We are long past the prime for the movie version of Honey I Shrunk the Kids and I could see them remove this exhibit, but it is the best item at the Walt Disney Studios Park for small children.

A Star Wars Cantina would probably be the major addition, but this could be added at various places if there is not room near Star Tours. Increased character involvement in parades and character meets would not require removal of older attractions.  Increased use of Star Wars might not even be limited to Disney Studios.  I wouldn’t put it past Disney to create an exhibit at Animal Kingdom with creatures from the Star Wars Universe or turn Spaceship Earth at Epcot into a replica of the Death Star in time for the release of Star Wars VII. There’s little doubt that the monorail will be used to promote the movies.

In case you are wondering why characters from the Marvel movies are not flooding the Disney theme parks, Universal still owns the theme park rights to these characters. In addition, the movie rights to some Marvel comic characters, such as Spiderman, are owned by other studios. Of course we sort of got to see Iron Man at Epcot in Iron Man 2. The Stark Expo was clearly built in the image of Epcot and the film of Tony’s father looked considerably like old footage of Walt Disney discussing his idea for Epcot.

Joss Whedon isn’t “going Nolan” with Avengers 2.

Bleeding Cool reports on rumors of more lost Doctor Who stories which have been found–an added surprise for the 50th anniversary. This might include the lost first regeneration story. (Update: This may be a hoax. Awaiting further information).

Den of Geek gives a round up of this week Matt Smith replacement rumors.

Jaime Graphic

Now that Game of Thrones has concluded its third season, here are some amusing info-graphics to help explain what is going on. One example above.

Here’s an update to the relationship chart from Person of Interest. While I was initially fearful the show would just use the Machine as a gimmick for a crime of the week show, they have certainly developed a complicated mythology over time.

UNDER THE DOME

An adaptation of Steven King’s novel, Under the Dome, sounds like it might be the biggest genre television show of the summer. Barack Obama was initially heard on the first episode but the scene was cut. They had used a clip from Obama’s speech following Hurricane Sandy but decided against using real life events:

President Obama has been left on the cutting room floor of CBS’ new summer series “Under the Dome.”

An audio clip of the president that was in the first hour of the series that CBS sent to critics earlier this month will be cut from the episode that will ultimately air, a CBS spokesman said. The show, based on a Stephen King book, is about a small town that for mysterious reasons becomes enclosed under a huge transparent dome.

In the scene, which comes at the end of the first hour, Obama is heard amid a slew of fake reports talking about what is going in the town. The audio of the president is actually from his remarks following Hurricane Sandy when he said the nation feels “profoundly for all the families whose lives have been upended. The most important message I have for them is that America is with you. We are standing behind you and we are going to do everything we can…”

Although the standards and practices department at CBS had approved the use, a decision was made to cut it anyway on Thursday. While use of audio from actual news events for a fictional TV show is not unusual, the network and producer Amblin Television decided that having these remarks from a real tragedy inserted in an entertainment show was inappropriate.

Emma Watson at the premiere of The Bling Ring in Los Angeles

 Emma Watson returns to fantasy movies, and Barack Obama’s name comes up once again:

Harry Potter star Emma Watson is returning to fantasy cinema after signing on to play the lead in “Game of Thrones-style” saga Queen of the Tearling, reports Variety.

Watson will play 19-year-old idealistic princess Kelsea Glynn, created by Erika Johansen after the author heard a 2007 speech by a pre-presidential Barack Obama. Johansen signed a seven-book deal in February and the first novel in the series is due next year. It is set three centuries after an environmental catastrophe, when a malevolent Red Queen reigns over the kingdom of the Tearling. Glynn must defeat the monarch to reclaim her deceased mother’s crown, and publishers have compared the tone of the series with that of George RR Martin’s A Song of Ice and Fire saga, which is being adapted by US network HBO as Game of Thrones.

Despite the comparisons between Megan Draper and Sharon Tate, Matthew Weiner says that Megan will not die this season. After last week’s episode, the question has now become whether/when Megan will find out what Sally saw and how she will react.

True Blood returns tonight with a new show runner. This might be better because the show really needed a change in direction. On the other hand, we might wind up with the same show but with a show runner who isn’t as good as Alan Ball and have an even worse show.

Dexter returns June 30 and we meet the woman who helped Harry develop The Code. Will bringing in someone who could figure out what Dexter has been up to lead to his end?

Just one more episode to go this season on Hannibal. Lase week we saw how a comb could be turned into a murder weapon, and the murder of another recurring character looks likely. For those who haven’t been watching from the start, it was a very good show for binge watching and highly recommended.

Da Vinci’s Demons is less compelling but I have now made it through the second from last episode and will try to catch the finale this week. I might give up on Defiance after four episodes. Even though SyFy had hoped this would be the next big thing after Battlestar Galactica,  there is little in the show so far to promote any long term interest in what happens to the new town. Moving beyond genre, I just finished the first season of Mr. Selfridge from ITV, also broadcast by PBS on Masterpiece Classic. It is more soap opera than serious historical fiction and fans of Downton Abbey should enjoy it. The show was light and entertaining to watch, and did an excellent job of utilizing plot threads from throughout the season to set up its finale.

I couldn’t make it to Man of Steel this weekend and will limit coverage to this link on the movie (which also gets back to Chris Nolan’s Batman, as in one of the links above).

Have a Happy Captain Picard Day

SciFi Weekend: Doctor Who; Merlin; Iron Man 3; Avengers; SHIELD; True Blood; Gillian Anderson; Person of Interest; The Americans; Firefly

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The Crimson Horror is perhaps the sweetest episode of Doctor Who ever, and starts out without the Doctor. The episode provides a vehicle for two sets of characters: 1) Jenny, Vastra & Strax and 2) characters played by Diana Rigg and her real-life daughter Rachael Stirling. This is the first time that the mother-daughter combination have ever worked together. Bringing back Jenny, Vastra, and Strax also helps with the continuity of the season. Jenny even had a scene which reminded me of Diana Rigg’s old  character Emma Peal from The Avengers, combining the two sets. Victorian England episodes tend to have the most realistic look of episodes taking place in different places or times. Undoubtedly appropriate sets and costumes are easiest to obtain.

The Doctor, and even later Clara, don’t become involved until later, but their absence in the early portions of the episode is handled well. There was a far better payoff to find that the Doctor was the monster when we did not see what happened to him until later. We were brought up to date by a sepia-toned sequence which gives the information viewers need without taking  time to provide excess detail.  Going through the earlier aspects of the Doctor’s involvement in a condensed manner was also helpful because Mark Gatiss had so much going on this episode that he already had to wrap it up too quickly. This would have worked better as a Sherlock-length story.

Being Doctor Who, there are invariably some things which seem unbelievable even if we believe in the Time Lords and the rest of the mythology surrounding the Doctor. It is hard to believe that a rocket of this type could have been built back in that era. The kid, Thomas, who sounded like my phone’s GPS raising further questions. I suspect this one might be cleared up in the season finale when we return to the Doctor’s friends. (As I also went to see Iron Man 3 Saturday night after watching Doctor Who, it was a big night for kids getting into the action.)

The reference to past Doctors was more subtle this week. When the Doctor wound up in Yorkshire instead of London he mentioned his past difficulties in making it to the right place, including problems getting an  Australian to Heathrow, referring to the fifth Doctor and Tegan. I suspect that I missed the meaning of some of the references to Yorkshire versus London which would mean more to those living in the U.K.

When Clara returned home, the kids she cares for had found old pictures of her, demonstrating her travels in time. It is highly unlikely for either these pictures to exist and for the kids to realize they are of Clara (as opposed to someone who might look like her) but this was probably done for two reasons. First Clara was surprised by seeing a picture of her from London where this Clara has not been. Secondly this was probably done to lead into next week’s episode, Nightmare in Silver, which includes the kids. I wouldn’t be all that upset if the kids wind up being assimilated by the Cybermen (who have been looking increasingly like the Borg). Nightmare in Silver will reportedly also include stock footage of William Hartnell and Jon Pertwee.

Quote of the episode: “I’m the Doctor, you’re nuts, and I’m going to stop you.”

The Behind the Scenes video is above

Jenny, Vastra & Strax will be returning in the season finale, The Name Of The Doctor. The episode will also include River Song, post-library. Here’s the official synopsis:

“Every journey taken by a time-traveller tears a wound in the fabric of reality, and the Doctor has time-travelled more than anyone. But the trail runs cold in Trenzalore, the one place in all of time and space that he should never go. The most dangerous place in the universe…

This quote from the episode was also released:

“The path I carved through time and space, from Gallifrey to Trenzalore. My own personal time tunnel, leading back to every moment I ever lived. Every step, every tear, every kiss. Even the days I haven’t lived yet. Which is why I shouldn’t be here. The paradoxes… very bad…”

Trenzalore has been linked with the fall of the eleventh and thought to mean the time when the eleventh Doctor regenerates. If we are to see the fall of the eleventh it must mean something different. Moffat says someone will die in the episode. As they are only seen occasionally, they could easily kill off one of the three Victorian detectives. As this is a p0st-library River, she can also die. Considering that the Doctor and River meet in a mixed up order, this wouldn’t prevent the Doctor from running into River in the future, at an earlier point in her time line.

David Tennant will be the only former Doctor on the 50th Anniversary episode but there will be an  homage to the very first episode of the series, An Unearthly Child.

The Guardian has an interview with Steven Moffat here.

One of the more implausible scenes in The Angels Take Manhattan was having the Statue of Liberty, as a Weeping Angel, travel across Manhattan. Among the many problems raised by this scene is the question of how the Statue of Liberty could make it very far since Angels freeze if anyone is watching. Most fans probably just let this pass as a good scene regardless of whether plausible. Steven Moffat has now provided an explanation (but I’m not sure this is any more plausible):

“The Angels can do so many things. They can bend time, climb inside your mind, hide in pictures, steal your voice, mess with your perception, leak stone from your eye… New York in 1938 was a nest of Angels and the people barely more than farm animals. The abattoir of the lonely assassins!

“In those terrible days, in that conquered city, you saw and understood only what the Angels allowed, so Liberty could move and  hunt as it wished, in the blink of an eye, unseen by the lowly creatures upon which it preyed. Also, it tiptoed.”

I’ll go with “it tiptoed.”

It has been ages since I finished watching Merlin by downloading episodes, but they have just resumed broadcasting the final episodes in the United States. While much of the final season was weaker than earlier seasons, the final few episodes did provide an excellent finale for the series. There has been talk of a movie version of MerlinColin Morgan is moving on to other projects and isn’t interested in playing Merlin again.

As Iron Man 3 breaks box office records, there is lots of attention on the future of the Marvel movie universe. There are conflicting reports as to whether there will be an Iron Man 4. I don’t think I am spoiling anything by saying that Iron Man 3 could easily serve as a conclusion of a trilogy, or the lead in for the probable future movies.   Robert Downey, Jr. has even left open the possibility of appearing in Agents of S.H.I.E.L.D. and will most likely return to The Avengers 2. The next Avengers movie reportedly will add Quicksilver and Scarlet Witch. These reports must be taken cautiously as there is the possibility of characters winding up on the cutting room floor at this stage.

Above is the trailer for True Blood Season 6 which returns on June 16. Humans are fighting back, which provides for a change from previous seasons. I hope that this, plus a new show runner, solves some of the problems plaguing recent seasons.

Gillian Anderson of The X-Files is appearing in a five part thriller for the BBC 2 entitled The Fall. A review can be found here.

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I’ve been undecided as to whether to consider Person of Interest true science fiction or a mystery series with a science fiction element. The two-part season finale, which we are in the middle of, moves the series much further towards science fiction as the machine takes on a more active role beyond spitting out the numbers. Plus there’s the return of Amy Acker.

The Americans ended the season well. I’m glad they avoided a true cliff hanger. As we can assume Elizabeth will recover from her injuries, the finale leads us back pretty close to how the series began. Besides the danger of being exposed by their FBI agent neighbor, their daughter Paige is becoming suspicious. After having viewers root for having Claudia reassigned, I bet most changed their mind during the finale. Margo Martindale has been cast in a comedy pilot so the episode leaves open the options of her leaving or Philip and Elizabeth plausibly requesting that the decision be reversed. Show runners Joel Fields and Joe Weisberg discussed the finale with Salon.

With Netflix bringing back Arrested Development, there has been hope that they might bring back some genre shows such as Firefly which didn’t survive more conventional television runs.   Netflix chief content officer, Ted Sarandos, gave this reason for not remaking Firefly:

“Let me give you one broad statement about these recovery shows. In almost every case the cult around the show gets more intense and smaller as time goes by. Arrested Development was the rarest of birds in that the audience of the show grew larger than the original broadcast audience because people came to discover it years after it was canceled. The Firefly fan is still the Firefly fan from when it was on TV and there’s fewer of them and they’re more passionate every year. Whereas with Arrested Development we’re going to be serving a multiple of the original audience. Any of the other shows we could bring back would be a fraction of the original audience.”A

Arrested Development probably would have more viewers than Firefly, but I don’t buy his explanation. I think that many others interested in this are more like me. I didn’t watch Firefly when it was on, but did buy the CD’s due to all the buzz after it was off the air.  I’m not super-passionate about the show, but I did enjoy it and if Firefly came back I would watch. I bet many other people have become fans after the initial run ended, providing for a larger audience in a remake than was present when on the air. Besides, Joss Whedon is now one of the hottest (perhaps the hottest) names in entertainment right now. I don’t think anything with his name attached should be ignored.

Other possibilities I’d suggest would be The Sarah Connor Chronicles, which ended at a point which begs for a conclusion, and Jericho which has some similarities to Revolution but did it much better.

SciFi Weekend Part II: More News from San Diago Comic Con

Above is the Season Five Trailer for Fringe, which begins immediately after the events in last season’s episode, Letters of Transit. Here is more on the Fringe Panel:

It’s official: Season Five will take place in the future we saw in the episode “Letters of Transit,” where the Observers have taken over and the Fringe team, after being encased in amber for 20 years, is freed by Henrietta “Etta” Bishop, Peter and Olivia’s daughter (played by Georgina Haig) and Simon Foster (Henry Ian Cusick). We saw the proof-of-concept reel that the production team made as a pitch to the network, featuring the Fringe team, Leonard Nimoy’s William Bell, our new FBI agents, and plenty of Observers. Walter delights in firing some futuristic weapons; Olivia says that Etta is “Everything I ever hoped for;” Peter says, “Let’s create some Fringe events of our own.” At one point, Walter, looking up from his research in a much more brightly lit lab than we’re used to seeing, says, “I know how to get rid of the Observers.” At the end of the reel, Walter sets, and an Observer happens upon, what appears to be an antimatter bomb.

Executive producer J. H. Wyman revealed that Season Five picks up the day after “Letters in Transit.” We’ll learn much more about the Observers, who may not be as bad as we think. When asked if we’ll see any female Observers this season, Wyman replied that we’ll get the answer to that question fairly early on, and “the reason will become apparent.” He also announced that an Observer book is in the works, exploring the series from September’s point of view. We’ll learn about his feelings and views on the characters, and we may be surprised.

The actors spent much of the panel reflecting on the last four seasons. Jasika Nicole expressed immense relief that her character hasn’t been killed off, a fate she’s feared from the beginning. Anna Torv became teary-eyed when describing her favorite scenes in the series, Nicole’s performance in “Making Angels.” Lance Reddick actually became so choked up as he discussed Astrid’s conversation with her alt-universe version before returning home to her father that he almost couldn’t describe it. Joshua Jackson took a different tack when describing his favorite moment, a scene in “Snakehead” where Walter pulls a long, wormy creature from a body. The effects were so convincing that Jackson hadn’t realized the body was a mockup and not a real person, and nearly lost his lunch during the initial take.

The cast also spoke about the possibility of a Fringe movie. #fiveseasonsandamovie

The Doctor Who panel is above. For those just looking for Karen Gillan’s Dalek inpression, the clip is below:

More information on the Doctor Who panel here and here.

News on True Blood here.

 

 

 

 

 

 

 

 

 

 

Ben Kingsley is playing the Mandarin in Iron Man 3.  More on Iron Man here. Release date is May 3, 2013.  The title of  Thor 2 will be Thor: The Dark World with a planned release date of November 8, 2013. Captain America 2 will be titled Captain America: The Winter Soldier, suggesting Bucky will be brought back. Target date for release is April 4, 2014.

Notes from the Batman panel can be found here.

NPR’s Weekend Edition gives an audio tour of Comic Con here.

Earlier news from Comic Con can be found here.

SciFi Weekend: Doctor Who; Sherlock; Star Trek; Spider-Man; Fundamentalist Vampires on True Blood; Med in Black Catch Up With The Doctor

The BBC has released the above picture of Matt Smith and Jenna-Louise Coleman on the set of Doctor Who.

http://www.youtube.com/watch?feature=player_embedded&v=Jv1Wr34WY54#

Above is a fan-made trailer for the 50th Anniversary of Doctor Who which has a lot of memorable scenes.

DreamWorks is interested in Glimmer, a movie with time travel elements.

Andrew Scott won a Bafta for his role as Moriarty on Sherlock. Following is a portion of an interview with him:

You just won the best supporting actor Bafta for playing Moriarty in Shrlxok. Did you find the Baftas fun or terrifying?
Terrifying. I’m shy. I remember at my 21st birthday party, I had to make a speech and was so nervous I sounded like I was giving a eulogy at a funeral. So I did genuinely hope that I didn’t have to get up. But of course there’s a little part of you that wants to win.

We’re you surprised at the colossal success of Sherlock?
I kind of knew- I think we all knew- it was going to be really special. I feel very proud that it’s a Sherlock of our age. I really appreciated being allowed to play Moriarty a little left of centre.

How much freedom did you have?
I experimented daily and there were incredibly supportive of that. That’s what you Rally want as an actor: someone saying, ‘Go for it!’ not ‘What are you doing?’

What makes you angry?
Bland television. I don’t like drama that’s just a version of something we’ve already seen. If you’ve been given money and an opportunity to be in front of an audience, why not say something new and original?

The same site has an interview with Louise Brealey, who plays Molly on Sherlock.
TrekMovie.com interviewed Damon Lindelof on the upcoming Star Trek sequel along with the future of the series:

TrekMovie.com: You talked about the characters, their relationships and conflict. The last film was all about this family coming together, especially with Kirk and Spock starting out hating each other and growing to, if not like each other, respect each other. This new film is four years later in real time, but not sure in movie time. Are we jumping in to a new spot on their character arcs? Or are we picking up where we left off?

Damon Lindelof: That is a very clever way of asking how much time has elapsed between the movies and that is not something we are commenting on at this point. What we can say is that the big difference with the fundamental crew dynamics as they existed in the first movie and as they roll into this one is the promise at the end of the first movie with James T. Kirk in his yellow shirt is now sitting in the captain’s chair. We have not seen Kirk as the captain of the Enterprise yet. We will see him be the captain in this movie and that changes the dynamic.

TrekMovie.com: Two years ago, before you even started scripting, [producer] Bryan Burk told me you guys were going for something larger in scope. Is it right to say this is a bigger movie?

Damon Lindelof: Sometimes I feel that bigger is not necessarily better. You are just saying “Oh my god this movie is just epic in scale and epic in scope and epic, epic, epic.” But at the end of the day I feel that Trek is at its best when it is intimate and human and relatable. And when I say human, that can include aliens too. But all the things that we view as emotional touchstones: love, loss, and courage and all those themes that are the core of Trek. You sometimes when you want to make a movie too big for its own good, it loses some of those essential values. So we didn’t want that to happen. That being said, JJ’s decision to shoot a lot of the movie in IMAX, definitely makes the film seem a lot bigger and definitely the sequences he directed in IMAX I feel have tremendous scale and energy, without sacrificing any of things that I talked about on an emotional level…

TrekMovie.com: When we talked about Prometheus  (see my Movies.com interview with Damon) you mentioned that moving forward you want to challenge yourself with doing original stories and away from more sequels, prequels and comic book adaptations. Does that preclude your working on a third Star Trek movie?

Damon Lindelof: It would be very hard to not be involved in Trek moving forward. We certainly don’t feel that a third movie is a foregone conclusion. Hopefully the second movie turns out well and we are really happy about everything so far. So three movies, again not to do everything that Christopher Nolan does, but if you do it right it’s a good model. But that idea, whether you want to call it a trilogy or not, although I reserve the right to when we are talking four years from now to say “this is the third movie in our trilogy,” but it does feel that three movies is the right responsibility for us to have the baton for before we then pass it off to the people who are take Trek to wherever they want to take it. So if this movie turns out well, would I be writing on the third movie? Who knows? But, we did talk a lot in the writing of this movie and during production about what the next movie might be and started getting excited about some of the ideas, so it would be hard to say no to that. This is a once in a lifetime experience…

Here is a interesting infographic on The Science of Star Trek

Two clips from The Amazing Spider-Man above.

Now there is even talk of a Spider-Man and Avengers crossover.

It hasn’t been a good year for genre shows on network television, with only six of twelve returning according to the count here. Once Upon A Time was the most successful. Several of the shows which are not returning were flawed but did show promise such as Awake, Terra Nova, and Alcatraz.

Genre has done better on cable than on network television. True Blood returns tonight and reportedly this season will be more satirical. The target will be Vampire fundamentalists who take their bible too seriously, but presumably this is also pointed at their human counterparts.

Men in Black catch up with the Doctor

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