SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.

SciFi Weekend: 12 Monkeys and Better Call Saul Season Finales; The Americans; Daredevil; iZombie; SNL on Clinton’s Announcement


I had been wondering where 12 Monkeys would go after a first season. The season finale, Arms of Mine, doesn’t give the answer but does show that they are probably heading in new directions. Some of the minor questions from previous episodes were answered but far more was left open.

Time travel has become messy, as it should be. Ramse turned out to have been the one responsible for the time travel device after he went back in time. “It took time travel to create time travel. That’s how it works, brother. There are no straight lines.”

The episode ended with Jennifer Goines going on a 12 city tour, and we know the outcome of that. What is not clear is if there is any way to change this. During the episode Olivia said,  “There is nothing more powerful than fate.” Even Dr. Jones said,  “I can’t change the past. Nobody can. All that matters is what happens here.” Yet there might still be wild cards, such as Cassie splintering into 2043. It appears that this is significant from this teaser for season 2:

An interview with the new show runners at The Hollywood Reporter  also indicates that Jones was wrong:

While Jones’ belief in changing the past to save humanity has been shaken, new showrunnerTerry Matalas says the character “is about to be proven wrong.”

“Jones above all else is a scientist,” fellow showrunner Travis Fickett explained. “She’s going to take evidence into account and that will change her assumptions about things. She’s going to get some new evidence, but the mission for her next season will become even more personal.”

Meanwhile, Cole (Aaron Stanford) and Cassie (Amanda Schull) finally come face-to-face with Ramse (Kirk Acevedo) at the Temporal Facility in 2015. Ramse tries to explain that he is not The Witness — the mysterious leader of the 12 Monkeys — during a standoff, but Cassie doesn’t buy a word he’s saying. That results in a firefight that ends with both Cassie and Ramse shot.

In order to save Cassie’s life, Ramse then offers Cole the time travel serum he planned on using to return to 2043. Cole injects Cassie with the serum and sends her to Jones in 2043. Cole leaves Ramse to bleed out, but in a change of heart returns to save his former best friend.

“He’s still his brother. Ultimately everything that has transpired between these guys doesn’t undo the bond they have and share,” Matalas explained. “Even the Striking Woman’s last line in the finale is, ‘There is nothing more powerful than fate,’ and Cole proves there is something more powerful than fate and that’s love. He goes back to save his brother.”

But don’t expect everything to be patched up. “They have a whole lot to sort out in season two,” Fickett adds.

The relationship between Cole and Ramse isn’t the only one the showrunners are aiming to explore in season two.

“We’re going to lean a lot more into the relationships” Matalas says. “Season one was more about setting the dynamics between Cole and Ramse, Cole and Cassie, Jones and Ramse, Jones and Cole, Jennifer and Cole. We’re going to spend a lot more exploring those relationships and delving a lot deeper. We plan on taking a breath or two next season to sit with our characters more and let them talk.”

Time traveling will also see a change of scenery next season. Matalas noted the Syfy series will explore new time periods as well “an exploration into a deeper past.”

When it comes to the identity of The Witness, Fickett assures fans will learn the truth of who is behind the mask next season along with more about the mysterious Red Forest. “You’ll know exactly what the Red Forest is and what it means for the whole world in season two.”

“The second season is definitely a more emotional season,” Matalas noted, with Fickett adding: “And maybe a bit scarier. Things are going to get a lot worse before they get better, but there is still hope.”

Better Call Saul Marco

Many critics were skeptical about Better Call Saul before it premiered, but the first season did exceed expectations. In response to Chuck’s betrayals, Saul returned to his old haunts and went through through petty scam after petty scam as Slippin’ Jimmy.  (An expert in cons discussed them with Esquire). Remember back in season 3 of Breaking Bad when Saul told Walter than he he convinced a woman he was Kevin Costner? We saw the con in which Saul (still going as Jimmy) actually did trick a woman into going to bed with him by claiming to be Kevin Costner:

When he returned home it appeared for a moment that he might have Slippin’ Jimmy out of his system and get an actual job with a law firm from Santa Fe. Instead he decided against the interview, thinking about how much bigger scams Slippin’ Jimmy could accomplish with a law degree. He thought back about returning stolen money earlier in the season: “I know what stopped me. And you know what? It’s never stopping me again.” He is clearly on the path towards turning into Saul Goodman.

It was an excellent season, and we knew from Breaking Bad which direction Jimmy would go in. I did feel that Jimmy’s decision in the parking lot came too quickly. I assume that the writers had Jimmy make the decision after receiving a legitimate job offer to show that it was a decision based upon who he was deep down, as opposed to out of desperation, but I thought more was needed to justify showing such an abrupt change of mind.

HitFlix interviewed Peter Gould:

How does the show change now that he’s decided he’s going to be Slippin’ Jimmy again? How are Chuck and the other HHM characters still involved?Peter Gould: That’s a good question. Has he decided to be? I’m interested that you say that he’s decided to be Slippin’ Jimmy. He drives off, and he’s definitely got a new idea, and it’s pleasing him an awful lot. It might be about Slippin’ Jimmy. I don’t want to be coy, but I don’t want to assume anything. We spent a lot of time as we opened up season 2 thinking about what the ending of season 1 meant, and all the implications of that. I will say that Chuck is his brother, and the connection between these two guys has been disrupted. Their relationship has been changed forever. But they are still brothers, and Jimmy says to Marco in the finale, “I have to go back, because he’s my brother.” These guys are not finished with each other.

If the emotional arc of the first season involves a bad man trying to be good and discovering that the universe has no interest in that, what is Jimmy’s arc going forward? And how far away is he from being the Saul Goodman we met on “Breaking Bad”?

Peter Gould: I love the way you put that. I wish we had had that synopsis when we started season 1. It could have saved us a couple of months. In my mind, he’s got a ways to go before he’s Saul Goodman. The question is, is Saul Goodman just the person that Jimmy McGill was going to be at any moment, and all that was restraining him was Chuck? Or is Jimmy McGill someone else? I have to say, watching Jimmy throughout season 1, I don’t think the only reason he’s a decent guy is he’s got Chuck in his life. Chuck might think so, and Jimmy might even think so. But when I see Jimmy give the money back in episode 7, when I see how he is with his elderly clients, I think this is a guy who has fundamentally got a decent streak. Maybe deciding to be a bad guy, or deciding to be unleashed ethically, maybe that’s not going to be as straightforward as it seems.

Can you say at this point when Gus might become part of this series? Or could the show end before Mike begins that relationship?

Peter Gould: Everything’s on the table. Obviously, we love the character of Gus, and love Giancarlo Esposito. But think about where Mike is right now. Yes, he killed two police officers in Philadelphia, but that was motivated by revenge, and a sense of vigilante justice over the death of his son. But what crimes has he committed in Albuquerque so far? So far, he facilitated one drug deal armed with a pimento sandwich. He is a long way from being Gus Fring’s right hand man and hired gunman. Just like Jimmy’s journey has a lot of twists and turns to it, so does Mike’s. It’s a challenge, because Mike is a character who is fundamentally not materialistic. This is a guy, when we meet him in “Breaking Bad,” he lives in a modest house, drives a lousy car, doesn’t seem to have a lot of expenses. How much money do you really need to earn in order to take care of one little girl? It’s a real challenge for us to think about Mike’s journey. Boy, let me tell you, though, we would love to see Gus, and would love to have Giancarlo on the show. The question is, when is Mike going to be ready for that? And why would Gus hire Mike at this point? He doesn’t really seem to be the man he will be later.

Well, Walter White was never as likable as Jimmy is this season, but in that first season he was a relatively sympathetic character, and you eventually turned him into the biggest monster in the history of the medium. Peter Gould: That’s true. When you say it that way, it sounds familiar. But to us, it’s a big surprise. We, on “Breaking Bad,” this is one case where the writers room saw the character very differently from the audience, and from the way the cast saw him. Very early on “Breaking Bad,” we started to see this was a portrait of a man with a raging ego. And we would go back and forth between empathizing with him and marveling with his ability to fool himself about why he was doing what he was doing. Maybe the answer is that we’re buying Jimmy’s bullshit better, but Jimmy is ultimately a more sincere character than Walt. He’s also a character who knows himself a little bit better. Walt really did have this mist of self-deception that didn’t part until the very end of the show. Jimmy, I think is a little bit more honest with himself, although not as honest with himself as Mike is. He’s openly on a quest to find out who he should be in this world. You know, the more I talk about it, the more similar it sounds, which surprises me. Because I have to say, I find Jimmy likable in a way that I never found Walt likable. But your memory of it may be better than mine.
The Hollywood Reporter looked at Breaking Bad Easter Eggs you might have missed.

The Americans One Day In The Life

There were no shocking scenes in this week’s episode of The Americans but the show was sure reinvigorated by Paige finding out that her parents are Soviet spies. The episode did what the show does so well–gradually move several different plot lines forward. Martha has acquiesced to her situation for now, with Clarke giving her advice for handling questions. In contrast, Lisa’s husband figured out what is going on, and decides to capitalize on this to make money. Nina both betrayed Anton when, following orders, she searched his room, and also protected him, saying she will not expose his writings. Most likely only Nina will survive this.

Assignment X interviewed Joe Weisberg on the third season:

AX: Does Elizabeth view the possibility of recruiting Paige into the KGB the way someone from an American military family might think, “Well, we’re Navy SEALs, and she should have the opportunity to be a Navy SEAL”?

JOE WEISBERG: I’ve said that a hundred times. Nobody judges a guy when he wants to have his son join the military. That’s the most accepted thing in America, that a father is proud to have a son who’s also proud to join the military. Some people think, “Well, that’s not great,” but mostly, that’s completely accepted in this society. She wants her daughter to be of service.

AX: Also, it seems like Elizabeth genuinely believes what she’s saying when she talks about trying to make the world a better, more peaceful place through what she and Philip are doing …

WEISBERG: That’s right. That is the ambition, the goal. Also very high-minded.

AX: Since some of the audience doesn’t seem to understand how Elizabeth views the situation, do you ever feel like you want to be any more didactic about that aspect of the show, just so people understand what you’re talking about?

WEISBERG: Well, I feel like, yes, but no. Because you can’t. You’d kill it. And I also feel in a way it’s part of Elizabeth’s character, I don’t mean as a television character, I mean as part of who she is, to be misunderstood, that she’s not in the world. In the television world she inhabits, it’s part of who she is, it’s her cross to bear to be misunderstood a little bit. So I think it’s okay.

AX: She holds these things to be self-evident, so when people don’t get it, she thinks they’re being perverse?

WEISBERG: Exactly. And she’s behind enemy lines. But then when her husband doesn’t get it, that hurts more, because he’s supposed to get it. And so it’s in synch with that if there’s a portion of the audience that doesn’t understand her.

AX: What do you think Philip actually thinks of Martha?

WEISBERG:  I think he probably, A, has probably a very realistic and similar assessment of her, more than any of us would have, but B, I think that she’s been very good to him and that he’s developed real feelings for her. I don’t mean that he’s madly in love with her, but I think he’s developed real feelings. She’s been very good to him, taken care of him, comforted him, and he’s been bad to her. And I think he’s come to really care for her.

AX: Can Stan stay in the show if he finds out that Elizabeth and Philip are KGB?

WEISBERG: We could come up with endless stories where he did or didn’t know and stay.

AX: How are you enjoying playing with the 80s technology?

JOEL FIELDS: This year, we’re going to have the first mobile phone. We’re going to have one of those handheld Mattel electronic phones – remember, with the blinking LED? We’ve got some other good stuff, too, this year. Sony Walkman, of course, you’ve got those orange headphones – “Just listen to this,” [Philip] says, and he puts it on [Kimberly’s] ears.

Daredevil Matt and Karen

Daredevil was released on Netflix on Friday. I’ll avoid any spoilers, but the show is well worth watching. Think of Arrow, but much darker, without the CW glitz, and in a much poorer part of town. Of course it isn’t entirely without attractive women, including Deborah Ann Woll as Karen Page. I am having some difficulty accepting scenes of her out in the light after True Blood.

I’m also enjoying iZombie. Rose McIver gets to do a little of what Tatiana Maslany does on Orphan Black (which returns next Saturday). While she does not play multiple clones, she takes on characteristics of people after eating their brain, giving her the opportunity to alter her character each week.

Saturday Night Live began with a  parody of Clinton’s announcement. I have posted the video here. My comments on Clinton’s actual announcement are here. A street artist in Brooklyn also has expressed an opinion.

Update: A study shows that men are more likely than women to go back in time to kill Hitler.

SciFi Weekend: Doctor Who; Sleepy Hollow; Outlander; Star Trek TOS In Wide Screen; You’re The Worst; Married; An Honourable Woman; Gilmore Girls; SHIELD; Agent Carter; The Hulk; Supergirl; Teen Titans; The Leftovers

Doctor Who Listen

Listen was an ambitious episode of Doctor Who, even if it does fall short of Blink, which it has been compared to. The episode deals with the character and origin of the Doctor, the further importance of the impossible girl in the development of the Doctor, along with Danny Pink’s (and presumably Clara’s) family tree. The episode begins with the Doctor writing on his chalk board (chalk boards are cool) and seeming to be talking directly to the audience about an idea he has come up with:

Listen! Question, why do we talk out loud when we know we’re alone? Conjecture: because we know we’re not. Evolution perfects survival skills. There are perfect hunters There is perfect defense. Question,  why is there no such thing as perfect hiding? Answer: how would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how would you know it existed? It could be with us every second and we would never know. How would you detect it? Even sense it? Except in those moments when for no clear reason, you choose to speak aloud. What would such a creature want? What would it do? Well? What would you do?

In many ways this is a repeat of previous Moffat ideas. The Weeping Angels, introduced in Blink, are a terror which can be hidden in plain site, only moving when you aren’t looking at them. The Silence took this further, with people losing all memory of seeing them. Now the Doctor postulates a creature which cannot be detected at all. However, while we learned about the nature of the Weeping Angels and the Silence, at the end of the episode it is not clear whether these beings even exist.

If the exist, they could mean that a common nightmare is really about something which has actually occurred:

I think everybody at some point in their lives has the exact same nightmare. You wake up, or you think you do, and there’s someone in the dark, someone close. Or you think there might be. So you sit up, turn on the light, and the room looks different at night. It ticks, creaks, and breathes. And you tell yourself there’s nobody there. Nobody watching, nobody listening, nobody there, naturally. And you very nearly believe it. You really, really try.


For the Doctor it was real, but instead of being a creature whose existence was unknown, it turned out to be Clara, back in time to the Doctor’s childhood on Gallifrey.  Seeing the Doctor’s childhood in the barn does provide a connection to The Day of the Doctor, providing a reason as to why the War Doctor chose this place to decide whether to detonate the Moment. The scene also provides background to the Doctor’s antipathy towards soldiers (at this season, ignoring his past work with UNIT) and reused a line from 1963: “Fear makes companions of us all.”

It is questionable whether Clara could really control the TARDIS at all (even putting aside Sexy’s dislike of Clara, as revealed in The Doctor’s Wife), and even more questionable whether she it could have gone to Gallifrey, which was time locked, but whose status is no longer clear after the events of The Time of The Doctor. However these minor questions of continuity are outweighed by the manner in which Moffat ties in the entire history of the Doctor and the show.

Besides Gallifrey, the TARDIS traveled along Danny Pink’s timeline, presumably due to the importance to Clara’s. This included a visit to him as a young child, then called Rupert, to literally the end of the universe where a time-traveling descendant was stranded. If the implications are correct that Orson Pink is a descendant of both Danny and Clara, it looks like time travel is the Pink/Oswald family business on Doctor Who just as it is for Alec’s family on Continuum. Clara also has both influenced Danny’s decision to be a soldier and has made Dan the Soldier Man not only an important part of Danny’s life, but a family heirloom. Clearly, “A soldier so brave, he doesn’t need a gun” also refers to the Doctor.

Listen isn’t limited to other times ranging from the Doctor’s childhood on Gallifrey to the end of the universe. Moffat also took advantage of his experience from Coupling to present Clara and Danny’s first date. Things did not work out very well, but Clara ultimately figured out that she had to make it right.

One of the scenes of the date included an astronaut walking through the restaurant to get Clara. Using the astronaut suit made no sense, but this, along with the minor questions of continuity, can easily be overlooked. A more serious problem with the episode is that the initial question as to whether the creature which the Doctor speculated about does exist is never answered. Learning that Clara was the creature under the Doctor’s bed suggested that there was no need for such a complicated explanation for the nightmare. The noises in Orson’s ship could have been these creatures, or perhaps just noises from the ship. It is harder to explain what wrote on the Doctor’s chalkboard, and what was under Rupert’s sheets.

Above is the Doctor Who Extra for Listen.

Last week I posted the synopsis for the first episode of season two of Sleepy Hollow. Fox has released the synopsis for the second:


Ichabod Crane and Lt. Abbie Mills concoct a daring plan to try to rescue Ichabod’s wife, Katrina, from the Headless Horseman by resurrecting a Frankenstein-like monster created by Benjamin Franklin. Meanwhile, Frank Irving faces new trouble after revealing the true details of his encounter with a demon, and Jenny Mills finds herself at odds with the new sheriff in town in the all-new “The Kindred” episode of SLEEPY HOLLOW airing Monday, Sept. 29 (9:00-10:00 PM ET/PT) on FOX. (SLH-202) (TV-14 L, V)

OUTLANDER Garisson Commander

While sometimes Outlander seems to move too slowly, The Garrison Commander does advance the plot considerably. It seems to be a safe prediction that Jack Randall does not just forget about Claire following her marriage. The Hollywood Reporter interviewed Tobias Menzies, who plays both Jack Randall and, back in the 20th century, Clarie’s husband Frank. The interview does have some major spoilers as to future events from the novels:

Because Outlander is primarily Claire’s story, we don’t get to see Frank’s internal monologue while she’s in 1743 Scotland. Have you filled in the blanks in terms of Frank’s state of mind and what he’s dealing with back in England?

We see Frank still struggling to come to terms with what happened, and be at loggerheads with the authorities and the police. Basically, they tell him to go home and that his wife has eloped with someone else. He won’t believe it. Through the episodes, we see him coming to accept the version of events that people are saying to him. I suppose he does know Claire better than the others, and in a way, he’s right. She isn’t a woman who would run off with someone else, and he’s forced to give up. I think it’s a good episode.

At the end of the episode, Dougal proposes that Claire marry Jamie. How do you think Frank would react to that?

I think he would be pretty understanding. My understanding is that Claire, later on in the novels, reappears and is taken back by Frank, even though she’s pregnant and she tells this story of time travel. And for whatever reason, he chooses to accept it and raise a child together, which I think is a pretty big gesture on his part. What’s interesting about Frank is that he’s thoughtful. It’s not the great, most ostentatious of loves. In that respect, he’s overshadowed by Jamie and Claire. But I think [Frank and Claire’s relationship is] deep and meaningful and speaks volumes.

This was a big episode for Black Jack and Claire. Let’s talk about the interrogation scene.

It’s only a page and half in the book. It was a great decision on the part of the writers to explode that moment. In the book, there’s a lot of Jack being referred to and not a lot of him being there. You need him onscreen. I’m really happy with where it ended up. It gave us the time to go back and understand where the backstory with Jamie and Jack began and also to understand the emotions that are driving Jack, so he isn’t just a two-dimensional thug. Compared to the rest of the season, it’s a change of gear. It’d be interesting to see how people find it.

Star Trek Wide Screen.

Star Trek Wide Screen 2

Here are some great examples of what Star Trek, the original show, could have looked if filmed in wide screen. Here is creator Nick Acosta’s description of this project:

Forty eight years ago this week Star Trek debuted its first episode on NBC. The show, like all other shows at the time, was broadcast in the old style 4×3 aspect ratio. Using HD screen caps from my friends at, I created this project of what the show would have looked like in Cinerama widescreen. As a kid the show always felt bigger and more epic than it appears to me as an adult. I was able to create these shots by waiting for the camera to pan and then I stitched the separate shots together. The result is pretty epic. It reminds me of the classic science fiction movies of the 50’s and 60’s. Suddenly the show has a “Forbidden Planet” vibe. Other shots remind me of how director Robert Wise would use a camera technique to keep the foreground and background elements in focus.

Youre The Worst

Major television events of the upcoming week include the season finale of the best new sit-com to come around in a long time, You’re The Worst. Gretchen and Jimmy might be “the worst” but that is what makes them so fun to watch. If the season is a ten episode version of a warped romantic comedy movie, the eighth episode was the required portion in which the couple temporarily break up based upon a misunderstanding. Last week was somewhat of an origin episode with flash backs to before they met, as shown in the pilot. Hopefully this Thursday will end the season with the two back together, and ready for many seasons to come. The other summer sit-com from FX, Married, also ends this week. If it returns I will probably watch it, but it is You’re The Worst which I will really miss if it does not return.

You’re the Worst would also be a great show to binge watch if you haven’t seen it, with only ten episodes for the season and all highly entertaining. Another show to binge watch if  you missed it (as I did until binging over the past week) is An Hounorable Woman. Certainly there are unrealistic aspects, but watching it for eight hours was like reading a highly entertaining novel, and the portions which might not be realistic in the real world can easily be ignored while following the events surrounding Nessa Stein and her family.

Binge watchers are also getting excited to hear that the full seven seasons of The Gilmore Girls will be available on Netflix starting October 1. In 2006 I posted some of the political lines from the show. USA Today has listed five top episodes to watch once they are available.

If you want to stick with science fiction, Vulture has listed the best science fiction movies on Netflix.

Nurse Jackie is to end after the upcoming seventh season. It is probably the right decision. We can’t keep going through cycles of Jackie getting off drugs and then relapsing year after year.

Community, on the other hand, deserves at least one more year and a movie–preferably far more. I am glad to hear that Dan Harmon is denying the rumors that Alison Brie is not returning.

Hayley Atwell, star of the upcoming series Agent Carter, will appear on the second season premiere of Agents of SHIELD. I don’t know if this will be a flash-back or Agent Carter at an older age. In other Marvel news, there is talk that the Hulk might return both for a television series and movie. New DC projects being considered include Supergirl and Teen Titans.

While the show has had its ups and downs, The Leftovers did end with a satisfying season finale (far more than I can say for True Blood). While the show will probably never really explain what happened, at least we have the view of some characters as for the reason only some disappeared, along with finally learning what The Guilty Remnant was up to. The show has now caught up with the end of the novel, making next season even more of an unknown.

SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more


Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”


I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

SciFi Weekend: Doctor Who; Matt Smith and Benedict Cumberbatch Take Ice Bucket Challenge; Gotham; True Blood; Minority Report; Dating Naked; Richard Attenborough

Doctor Who Deep Breath

We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.

While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”

Next week: Daleks.

There is a rumor that Jenna Coleman will be leaving Doctor Who in the Christmas episode. Peter Capaldi denies this.

There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American  Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at

Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.

Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.

A four-part You Tube series with background on Gotham has been released. The first part is above.

True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.

My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.

Steven Spielberg is developing a television series based upon the movie Minority Report.

Dating Naked

The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.

Richard Attenborough has died at age 90.

Lord Attenborough was one of Britain’s leading actors, before becoming a highly successful director.

In a career that spanned six decades, he appeared in films including Brighton Rock, World War Two prisoner of war thriller The Great Escape and later in dinosaur blockbuster Jurassic Park.

As a director he was perhaps best known for Gandhi, which won him two Oscars.

SciFi Weekend: Arrow; Agent Carter; Under The Dome; True Blood (vs. Sarah Palin); Utopia; Sleepy Hollow; Doctor Who (and flirting); Big Bang Theory;Allison Williams as Peter Pan

Arrow Selfie

This picture of the cast of Arrow might very well be the best selfie to come out of Comic-Con last weekend. The latest news on Arrow is that Charlotte Ross  has been cast as Felicity’s mother. Last week Collider asked Stephen Amel about topics including the Justice League and Oliver’s true love at Comic-Con:

Are you happy you don’t have to answer any more Justice League questions?

Stephen Amell: Yes — and by the way, there’s a The Flash show, we have Firestorm, we have Canary, we have The Atom… The actual Justice League film — I don’t know when that’s coming out. You can watch The Justice League on television now. But the reason I’m happy to not have to answer the question anymore is because I think it undersold what we did on TV. I would put our degree of difficulty – having to produce twenty-two episodes of television every year, spinning off the show, giving people the confidence to green-light other DC properties — up there with producing a two hundred million dollar film. They’re very different things. I never want to feel as though our existence is only going to be justified by being part of the cinematic universe. That has nothing to do with anything. We are stamping out our own spot.

[What is the romantic situation like for Oliver this season?]

Stephen Amell: There’s one lady in Oliver’s life.

Just one?

Stephen Amell: Just one. There’s one woman in Oliver’s life this year.

Is that his sister?

Stephen Amell: No — it’s Felicity.

It just seems he’s got Sarah out there and Laurel…

Stephen Amell: The ship has sailed on those romances. I don’t think we’ll ever see Oliver & Sarah or Oliver & Laurel together again. I mean – they’ll be together but just not ‘together-together’. They’ll be teammates. We discover in the premiere the way that Oliver feels about Felicity. Because of that — if we just introduced random love interests, it would undersell what we do in the premiere.

How aware are you of the direction of the character throughout this season and for future seasons as well?

Stephen Amell: I really do think we are moving to a spot where we will refer to my character as ‘The Green Arrow’. We are moving to a spot where we will continue to embrace the fundamental classic elements of the character. Because we have that license now. We’re 46 episodes in. People like it. They buy into it. But unless this character is evolving — The Hood to Arrow to The Green Arrow — then people are going to lose interest. So I always want there to be a journey for him. And this year’s journey is really interesting.

Does that evolution involve the goatee?

Stephen Amell: No.

There’s more information on Agent Carter in the above interview with Hayley Atwell. The show is being described as being like Fargo or True Detective in being like an eight hour movie, and it sounds like it takes place before the formation of SHIELD. It might also contain one major Marvel villain who is unnamed. Also above is the full Agent Carter panel from Comic-Con.

Under the Locker

After True Blood, Under the Dome has to be the worst show I watch. Among its many faults, anything can happen with no apparent rules. In one recent episode there was reason to have a character get a message from outside to propel the plot so for an unknown reason email briefly went through, and then stopped again. Last week they checked out the locker at the site of the death of a character and found that there was a tunnel coming out of the locker. Does it go deep enough underground to get under the dome?

I’ve also wondered since the start of the show why there is not major activity going on outside the dome to try to both figure out what it is and how to get through it, including an effort to tunnel underneath from outside.

Despite all the implausible things which happen, the show somehow remains interesting to watch. On the other hand, I primarily stick with True Blood because I’ve gone on this long and want to see the ending. I had hoped that with this being the final season they would come up with a better storyline to end the series, but so far they have not done this. I can’t even blame Sarah Palin for her snub of the show in response to attacks such as calling her type of people (even if more monstrous than many of the characters on True Blood) Republic*nts.

Utopia has been the best summer genre show on, but as it has not aired in the United States I will avoid any spoilers. I was concerned by the end of the first season whether they could keep up the quality of the show once they began to reveal the secrets behind the conspiracy. They are pulling this off well in the second season. The first episode was a flash back which fills in may of the details about the conspiracy and how the major characters are interconnected. From there, instead of being a mystery about what is going on, the series has done an excellent job of moving on with the story now that we understand the full setup.

New trailer for season two of Sleepy Hollow above. More videos here.

Doctor Who Entertainment Weekly Capaldi

Back in July, 2012 Doctor Who made news by being the first British television show to make the cover of Entertainment Weekly. The show has returned several more times as it has become a bigger hit in the United States, including this week as we head towards the introduction of a new Doctor.

On August 23, Peter Capaldi will begin his first season starring in Doctor Who when the long-running British science-fiction show returns to BBC America. But it wasn’t so long ago that the Scottish actor and lifelong Who fan was certain he would never get his hands on the controls of the Time Lord’s TARDIS. “I wouldn’t have thought I would be the guy,” Capaldi says. “I wouldn’t have thought it would be me.” Why not? “Because of my age. I would have thought they were automatically heading younger.”

It was a reasonable assumption to make. At 56, Capaldi is roughly the same age as William Hartnell when he originated the role of the two-hearted, monster-battling alien way back in 1963. But since the BBC relaunched Doctor Who in 2005 after a lengthy hiatus, the actors playing the lead role have all been younger than Capaldi—and have gotten younger over time. The first of the new Doctors, Christopher Eccleston, was 41 when he first appeared on the show, while his successor David Tennant was 34. Capaldi’s immediate predecessor Matt Smith was just 26 when he was cast in the role.

But what Capaldi saw as a barrier to him playing the Doctor was actually an asset as far as Doctor Who executive producer and head writer Steven Moffat was concerned. “I did say, ‘No, we probably won’t end up with another quirky young man,’” says Moffat. “I didn’t think there was any space around Matt to have another Doctor of that kind, because he sort of sums up what you could do with that. I very very quickly, very quickly just thought about Peter. There is no right age to be the Doctor.”

Capaldi agrees. “I’m technically too young for the part,” chuckles the actor. “Because he’s over 2,000 years old.”

In contrast to Matt Smith and David Tennant, Peter Capaldi will not be flirting with his companion:

Incoming Doctor Who Peter Capaldi has revealed there will be no flirting with co-star Jenna Coleman in the new series.

The previous Doctor was engaged in a close relationship with his sidekick Clara that even led to a passionate kiss.

But Capaldi, 56, insisted his Time Lord would not be following in Matt Smith’s footsteps by getting intimate with 28-year-old Coleman’s character.

“There’ll be no flirting, that’s for sure,” he told the Sunday Times Magazine. “It’s not what this Doctor’s concerned with. It’s quite a fun relationship, but no, I did call and say, ‘I want no Papa-Nicole moments’. I think there was a bit of tension with that at first, but I was absolutely adamant.”

The Papa-Nicole comment relates to a series of 1990s Renault Clio car adverts which hinted at a romance between an older man and a younger woman, before they were revealed to be father and daughter.

Capaldi also had good news for those Doctor Who purists who believe the show’s storylines have become over the top.

“It’s going to be a bit different from what we’ve seen over recent years. A bit more gravity,” he said. “Some situations are more sombre and I think there are more rooted dramatic scenes. Over the past two or three years, which I’ve loved, there has often been a breathless vigour; we still have that attack, but we have another level of drama, another tone. And the scenes are longer.”

Big Bang Theory Cast

There’s optimistic news that the contracts will be settled with the cast of The Big Bang Theory. While filming has been postponed due to the lack of a contract, I don’t think anyone doubts that it is has just been a matter of haggling over exact dollar amounts and this will ultimately be settled, whether or not the stars get the full one million dollars per episode they are demanding. Both sides have have good reason to eventually come to an agreement.

Allison Williams

NBC is following up their live broadcast of The Sound of Music with Peter Pan. Allison Williams of Girls has been cast in the title role. She says she has wanted to play Peter Pan since she was three years old. While she very well might have obtained the role without any help, it might not have hurt to have some major connections with NBC. While excited about the role, Williams wonders, “what could go wrong in a live televised production with simultaneous flying, sword fighting and singing?”

SciFi Weekend: Arrow; Constantine; SHIELD; Hannibal; Big Bang Theory; Community; Orphan Black; True Blood; Fargo; Sleepy Hollow

There’s a lot of news coming out of San Diego Comic-Con. The Arrow panel is above, followed by the season three trailer. Ra’s al Ghul  will be the main villain next season. Flashbacks next season will include characters who died earlier on the show, and will deal with characters beyond Oliver.  Thea will be back (but changed) and there will be a flashback to when she first got into Malcolm’s limo. John Barrowman will be a regular as Malcolm Merlyn. Brandon Routh will join the show as The Atom, and will also be the new head at Queen Consolidated and there will be a triangle between his character, Oliver, and Felicity. There will be cross over episodes with The Flash, with the other CW show being lighter than Arrow.

The Constantine preview above was unveiled at Comic-Con. There has also been a lot of talk this week about a change in the female lead.

Patton Oswalt discussed Agents of SHIELD as Agent Koenig x2 n the above video. Lucy Lawless will be joining the cast. There will also be a another new character, code name Mockingbird. More at the Marvel panel, video below, which includes Director Coulson:

Bryan Fuller reports that the third season of Hannibal will get into the plot of Red Dragon. The first half of the season will primarily deal with Hannibal, with Gillian Anderson also a regular. The second half will deal more with Will. The Hannibal panel is above.

Penny Gorilla Big Bang

Among the things learned about The Big Bang Theory, Sheldon getting on the train doesn’t necessarily mean disaster for Sheldon and Amy. Despite the fact that he died, Bob Newhart’s character Professor Proton  could be back. The elevator will probably never be fixed. It’s unlikely that we will ever see Penny’s (Kaley Cuoco-Sweeting) movie Serial Ape-ist 2: Monkey See, Monkey Kill  but there was a sneak peek of the trailer at Comic-Con  which included the line, “This film is not yet rated, but don’t worry, she gets naked in it.” There will be a comic book store to hang out at despite Stuart’s store burning down. Penny and Leonard will have a very long engagement: “They are engaged, but the wedding is sometime off in the future. Penny’s first goal is to put the date far enough in the future so everyone knows that she’s not pregnant.” The real challenge for the writers will be getting through the ceremony without revealing Penny’s last name. Bernadette and Howard will have babies, not not anytime soon.

Community probably won’t return until late 2014 or in 2015 and there will probably not be any holiday episodes this year so we don’t wind up having a Halloween episode showing in the winter. It does not sound like much will be different despite the increased freedom of being off network television, but there is talk of an orgy episode. There might be more paintball, and Dan Harmon says he will do anything to get Donald Glover back. Interview with Dan Harmon in the video above.

Part I of the Orphan Black panel is above, with links available there to the rest of the panel.

Information on the final five episodes of True Blood here, which will deal more with Bill and Sookie.

Fargo was renewed for a a second season and information was revealed at the Television Critics Association fall previews. The second season will take place in 1979 around  Luverne, Minnesota, Fargo, and Sioux Falls, showing events which were alluded to in the first season

In the first season, cop-turned-diner owner Lou Solverson (Keith Carradine) often mysteriously referred to a major incident that occurred back in Sioux Falls. At the time, he was 33-years-old and recently back from the Vietnam War. “Lou Solverson is a state police officer. His wife Betsy, her dad is the sheriff of Rock County,” Hawley said. “[Lou’s] father-in-law is a character in this next go-round. I don’t know if we see any other Solversons… I’m excited to spend time with Molly’s mom.” He also added that Molly did not get her plucky spirit only from her dad

News from earlier in the week on Sleepy Hollow here.

SciFi Weekend: Arrow; The Flash; Agents of SHIELD; Gotham; Doctor Who; Hannibal; Daredevil; True Blood; The Leftovers; The Last Ship; 24; Penny Dreadful

Arrow Oliver Felicity

TV Guide interviewed Andrew Kreisberg about the third season of Arrow:

Can Arrow‘s consummate hero have it all?

The third season of The CW series will dare to answer that question when Oliver Queen (Stephen Amell) attempts to have his cake and eat it too — in this case, that means being a superhero that the residents of Starling City actually respect while also trying to have a personal life. It’s harder than it sounds — something that Ollie will learn fairly quickly into the season.

But Oliver’s love life won’t be the only thing that’s complicated this season, especially since two of his ladies will actually be getting love interests of their own! tracked down executive producer Andrew Kreisberg to get the scoop on the new season, including a surprising return from the dead, the future for Team Arrow and new villains ahead:

Will there be a time jump when the show returns?
Andrew Kreisberg: 
We’re going to jump the same amount of time that we did last year. It’ll be real time. It’ll be seven or eight months later. For Oliver, things are good. As we like to say, everything is coming up Arrow. Crime is down. At the end of last year, there was victory. A lot of this season is about what happens when you win and how winning isn’t always as easy as it looks.

What does it mean for Oliver now that the city actually accepts him?
In the premiere, Lance (Paul Blackthorne) actually disbands the anti-vigilante task force in his new role as Captain. The Arrow is free to do his thing and it’s different for Oliver. He spent the first two years being hunted and distrusted. Now, he’s starting to feel like he has this under control. And then, of course, as Joss Whedon taught us all, you let your characters have a moment of happiness and then you take it all away from them.

You seemed to be setting the stage for Ra’s al Ghul to be the villain in Season 3. Is he actually the villain? Can you say anything about the new villain?
It’s big. I can say that he’s big and he’s bad. We’re still figuring that stuff out. As far as the Big Bad, there will be Big Bad. Even last year, everybody was a subset of Slade’s (Manu Bennett). Slade was the Big Bad. We will meet other villains along the way, as always. We’ll have recurring villains and new villains we’re starting with this year and people who are coming back from the previous two seasons.

Felicity (Emily Bett Rickards) and Oliver are going on a date in the season premiere. How do you avoid the TV trope that a hero can’t be with the woman he loves just because of his duty?
When you see the premiere and you see how things shake out, you’ll come to a very sympathetic understanding of both of their positions. The premiere last year was a microcosm of what was happening for the whole year. In the same way that the premiere of last season was really about Oliver struggling with whether or not he should be the Arrow, in this season premiere it’s, “Can I have everything I want?” That quest is going to take up his entire year, and hers.

How much of a foil will Ray Palmer (Brandon Routh), Felicity’s new rumored love interest and head of Queen Consolidated, be to Oliver?
A big foil. It’s Season 3, and Season 3 is typically when you add that game-changing character like Buffy did in adding Faith or Everwood did with adding Scott Wolf. First of all, getting Brandon — he couldn’t be nicer, he couldn’t be sweeter. It’s just such a different energy that he’s bringing to the show. A lot of what’s funny about Felicity and Oliver is that he’s so straight and she’s the funny one. With Brandon, you get somebody who’s as tall, square-jawed and handsome as he is [and] he’s a really funny comedian. He and Felicity can have that verbal repartee that we haven’t typically had on the show. As much as the show is getting darker, it’s gotten a lot funnier. It’s just such a different energy. He and Felicity are really cute together.

The second season ended with the Black Canary giving her black jacket to her sister Laurel. This fed speculation that Laurel will become the Black Canary as in the comics. Kreisberg has a good point that she is not ready for this  yet: “As always with all of these things, you can’t just put on a mask and go running around. You’ll get killed. Laurel is still just an attorney. She’s an attorney with a jacket. I think Katie Cassidy fans are going to be very, very excited about her trajectory this year. Laurel is going to have a new love interest this season.” Caity Lotz will be returning for three episodes next season. One of the many good things about Arrow is that there is now a huge supporting cast, and even more characters are to be introduced. This allows them to have a variety of characters for parts of a season as opposed to having exactly the same characters from week to week. There will also be a cross over with The Flash next season in the eighth episode of each show, and Felicity will appear in the fourth episode of The Flash.

There has been contradictory information as to whether The Flash and/or Arrow will cross over with the DC cinematic universe in the manner in which Agents of SHIELD does with Marvel. The latest story is that DC Entertainment Chief Creative Officer Geoff Johns says the television shows and movies will be kept separate. Presumably this will mean that the Flash seen in the Justice League of America movie would be a different character than on the television show. While it would be entertaining to have the television and movie universes combined, there are advantages of keeping them separate. This allows for greater flexibility with the television shows not being confined by the movie universe, avoiding the problems faced by SHIELD most of its first season.


Agents of SHIELD executive producers Jeffrey Bell, Jed Whedon, and Maurissa Tancharoen were interviewed about plans for the second season, now that the show is no longer constrained by waiting for Captain America: The Winter Soldier to reveal HYDRA’s infiltration of SHIELD.

Will there be consequences for Grant Ward for all that he had done last year?

“I would assume so,” Maurissa Tancharoen said. “Let’s put it this way: They’re not gonna just drop him on a farm and let him run wild.” Jed Whedon added. “When last we left him, he was in our custody. What does that mean? You’ll have to see,” Maurissa teased.

What are you specifically excited about for Season 2?

“I think the fact that when we left them, S.H.I.E.L.D. had completely crumbled… so just the idea of Coulson and our team, sort of left with nothing, or limited resources… I think we’ll be rooting for them to rebuild S.H.I.E.L.D.,” Tancharoen said.

“It’s a lot harder to protect the world when you don’t have any resources. Last year we saw how giant and all-consuming S.H.I.E.L.D.’s reach was, and they don’t have that anymore, so it’s much more of a struggle. They’re much more the underdog this year, which we’re really excited about that, and the tone that it sets, and what it does to our characters.” Whedon added.

This “ragtag team” has Maria Hill as a contact and she’s working for Tony Stark. Couldn’t she talk to him to hook them up with some money?

“We hope so! That’d be so cool!” Whedon responded. “Maybe so,” Tancharoen said. “That’s a good question.”

“Tony Stark doesn’t know Coulson’s alive, so it might be really awkward. It’d be weird,” Jeffrey Bell chimed in. “They could set up a Coulson Memorial Fund and channel that into S.H.I.E.L.D.,” he joked.

So with Phil Coulson now being the head of S.H.I.E.L.D., the Avengers still don’t know he’s alive?

“That’s a complicated question. One might assume, but you can’t assume anything, and they have their own movie that exists…” Whedon said, with his brother, of course, directing Avengers 2: Age of Ultron to come out next year.

“At least on screen so far, that hasn’t happened,” Bell said.

Will we be seeing Fitz (Iain de Caestecker) sooner rather than later?

“That’s a good question. When last we left him, we didn’t know exactly what happened to him. We just know he’s alive,” Tancharoen teased.


TV Guide has more information on Gotham:

There will be no cape. There will be no cowl. Nevertheless, Fox’s Gotham intends to stay true to the Batman comics that fans have come to know and love over more than seven decades.

Based on DC Comics characters, Gotham explores the origin stories of the Caped Crusader’s eventual ally James Gordon (Benjamin McKenzie), a detective with the Gotham City Police Department, and his battle with the villains who made the city famous.

“What we won’t do is break the canonical iron truths of the mythology,” executive producer Bruno Heller told reporters at the Television Critics Association’s fall previews on Sunday. “It’s not a whole new mythology. But issues of chronology, we will play with in a fun way.”

Instead of Bruce Wayne (David Mazouz) taking center stage in the effort to save Gotham, James Gordon will be the central focus as he fights the ever rampant corruption and crime alongside his partner and mentor Det. Harvey Bullock (Donal Logue). “Gordon is the lynchpin of the show,” Heller explains. “He’s the guy who creates Batman or gives permission for Batman to exist in this world. Gordon will still remain at the central, but it’s very much about [the origin stories of every character], but Gordon is the moral center that you can identify with.”

Though Heller said that Batman won’t appear on the series, he doesn’t believe that will drive the fanboys away. “I don’t think so because the really interesting parts of the stories is the origin stories,” Heller says. “As soon as you’re into the capes and the costumes, it’s less interesting than how the people got there.

“If there is a superhero in this show, it’s Gotham,” he continues. “That’s a larger than life character that’s a central part of the show. To me, heroes are more interesting than superheroes because precisely the difference is superheroes do the impossible, and drama is really about the physically possible. This is about people and people trying to overcome real problems as opposed to trying to learn how to fly.”

But where do Gothamites find hope when the city’s villains of are running free with nary a hero (or the hope of one) to stop them? After all, Bruce Wayne hasn’t even started shaving yet! “That’s the situation that the show is all about,” Heller says. “How do you deal with crime of this level when there are no superheroes? It’s as much about the hope and the struggle that they’re engaged in… It’s about men and women, not about superheroes.”

And those men and women truly will be overrun. Though the first season delves into the rise of the Penguin (Robin Lord Taylor), the series pilot introduces a fair amount of villains for the show to play with, including Catwoman (Camren Bicondova), The Riddler (Cory Michael Smith), Poison Ivy (Clare Foley) and Fish Mooney (Jada Pinkett Smith). “You have to front-load the pilot with the best that you’ve got because that’s the way that you’ve got to open big,” Heller says of introducing so many villains. “As the show rolls on, we’ll be far more … careful with how we roll out the villains and in what way.”

Trailers for the upcoming season of Doctor Who above (one official and one from a fan).

With Laurence Fishburne having a roll on a new show next season, Black-ish, there has been speculation that this might mean that he did not survive the massacre in the second season finale of Hannibal. Fishburne says he is returning, and will do both shows part time. He also says the third season of Hannibal will be very dark–as if the first two seasons were so light and cheerful.

Looking back quickly on some genre shows of the past week, I was happy to see True Blood end some of its weak plot lines and get rid of some of the superfluous characters. This almost gives them yet another fresh start going into the final episodes of the series, and I hope they take advantage of this to end with a better story line.


The Leftovers dealt with Christopher Eccleston’s character. As we know that it will not deal with any sort of explanation of what  happened to the missing people, to be successful the show will need to get viewers interested in the characters and how they responded to the other people disappearing. So far they have not done the greatest job of introducing the characters and adequately explaining their motivations. Earlier episodes dealt heavily with the police chief and his family, but it is not clear why his family is so affected considering that nobody in their family disappeared. Entertainment Weekly compared The Leftovers to Battlestar Galactica in the way in which both shows dealt with a loss of a portion of the population. Both the disaster and the manner in which the response were handled was greater on BSG.

While The Leftovers does have that in common with Battlestar Galactica, The Last Ship has far more in common in dealing with a ship of people surviving after mass deaths. It remains more of an action/adventure show than hard science fiction, but remains entertaining summer television.

Under the Dome remains weak (to put it gently), yet somehow remains interesting to watch. The same problems persist with the Dome having powers with no apparent limits but no clear motivations for those using the power. Now it was able to bring a girl who died years ago back to life. Plus Junior’s mother was also confirmed to be alive after her reported suicide.

24: Live Another Day concluded its short season. A shorter season was a plus, but it would have been even better if it ended a few episodes earlier when the main terrorist plot was tied up. In the past, full seasons suffered from the need to move from one plot line to another to keep things going for an entire twenty-four episodes. Now that they were freed from those constraints it would have better to tell one single story well, regardless of how many episodes it took. Then they had to tag on yet another quick story at the end to put Chloe in danger to set up Jack’s fate. The producers of 24 have not yet said whether the show will return. I’m sure that depends upon a lot upon the ratings.

Extant remained interesting in its second episode. I still fear it will turn out to be a network television rehash of old science fiction (and Spielberg)  troupes but I’m willing to give it a chance to prove me wrong.

Penny Dreadful Eva Green

Penny Dreadful ended earlier this month and I should note that after seeing the entire first season that it was well worth watching. The plot was not the strong point but it did excel in creating its characters and a world where fictional characters including Dr. Frankenstein, Dorian Gray, and others interacted. The show had a strong cast including Timothy Dalton, Josh Hartnett, and Billy Piper, but by far the strongest was Eva Green. The actual story such as fights with vampires weren’t terrible significant except as ways to introduce the characters and set up future events. Early episodes showed some violent deaths and, while there were some clues, the probable identity of the killer wasn’t revealed until the finale, undoubtedly influencing the second season. The show also made good use of episodic television, both having continuing stories and using some episodes to reveal character back stories or past events.

James Gardner, star of shows including The Rockford Files and Maverick, died yesterday at 86. Reports from Variety and The New York Times.

SciFi Weekend: Extant, The Last Ship, and other Summer Shows; Community and other Genre Comedy; Arrow; Doctor Who Leaks; Harry Potter; Time Travel Lover


We were spoiled by the high quality of television shows airing in late spring, including Orphan Black, Continuum, Hannibal, Fargo, and Game of Thrones. The summer season does not look like it will come close, but at least we have come a long way from the days in which we were limited to the major networks which only aired reruns. So far Extant appears to be the most promising. Sure, being a network science fiction show it is bound to degenerate into all the standard cliches, but the first episode was interesting and well made. If nothing else, it looks better than Under the Dome and True Blood (which I’m only sticking with because it is the last season). It might help that Mickey Fisher, who wrote the pilot, says he was inspired by Steven Moffat and Doctor Who.  Spoiler TV lists seven facts  you need to know about Extant.

My next show on my list of new summer shows worth viewing (of those which have actually started) is The Last Ship. It is certainly not a must-see genre show at this point, but it has been entertaining. The show does have a little of the early Battlestar Glactica feel in which one military ship is on their own. Instead of Cylons, they are being chased by a Russian ship which is after the research they have so far, and the scientist working on it, regarding the plague which has killed off most of the planet. Sure, one would think that with the possibility of the crews of only two ships left alive on earth (along with some isolated people elsewhere) they might realize there is no point in fighting and that they can work together, but that would leave out most of the drama. Besides, ultimately the surviving humans and Cylons did learn to work together. With 24 concluding tomorrow, The Last Ship might be a good replacement for fairly mindless action. The shorter season of 24 has certainly helped the storyline on 24, with it not dragging events out for weeks (or hours on the show) as was often the case in the past.

After watching the premiere of The Almighty Johnsons I plan to pass on the show unless I hear more favorable reports on it. This is a show from New Zealand now carried by Syfy about a family in which the members learn they are reincarnations of Norse gods when they turn twenty-one. Their powers are rather limited, sort of matching the low-budget feel of the show. One brother has the power to convince people to believe his stories, and uses it to get women into bed. Another has the power to turn things hot or cold, and uses it to make a woman’s nipples become erect under her shirt. That’s hardly enough to sell me on the show so far, but the pilot does suggest a more serious storyline is beginning.

In other upcoming shows, SpoilerTV has an advanced look at The Strain. The Wall Street Journal also reviews the show. BBC America will premiere The Intruders on August 23.

Based upon last season, the best show of the summer is probably returning tonight, Masters of Sex. Hitflix reports that the second season is better than ever.

Community Renewed

The fate of genre comedy for the upcoming year is now becoming clearer. The Big Bang Theory has been renewed for three years. Community will no longer air opposing The Big Bang Theory but was saved by Yahoo last week, and Joel McHale sounds happy about the opportunity of setting Dan Harmon free without the constraints of network television:

McHale told The Hollywood Reporter that the show’s fans will be pleased by Community‘s shift from NBC, where it has aired for the past five seasons, to Yahoo Screen. “I’m so excited because now there will be no commercial breaks, the restraints I’m assuming will be way less and it’s like this just playground now for [show creator] Dan[Harmon].” Added McHale: “Unencumbered Dan Harmon is very exciting.”

The actor said that Yahoo Screen execs “really believe in the show” and have the marketing muscle required to spread the word about the show’s new home. He doesn’t have trepidation about airing new episodes on an unproven original-content provider, given how much success Netflix has had with its original programming. “I think Community fans have proven that they will find the show,” he said.

Sony Pictures Television has committed to 13 new episodes of the series, launching this fall, although McHale said that more episodes could get made “if [the first batch] goes well.” The entire cast will appear in all 13 episodes, and as far as the contracts are concerned, McHale said he won’t be making less money from Sony per episode than he was from NBCUniversal. “I really like money, so it works out great,” McHale joked.

According to McHale, all of his co-stars are looking forward to bringing the show back. “I know the cast is excited because it’s a whole new frontier, and we wont be up against Big Bang Theory, and we know Yahoo’s really excited to get us out there, and that is incredibly helpful when the people who are paying for you to make it are excited about it,” he added.

Now that Community fans are getting their sixth season, what about that movie? “People are already talking about” the possibility of streaming the much-hoped-for film on Yahoo Screen, McHale said. He added that Harmon and executive producer Chris McKenna plan to make the movie “epic” and not just “like an episode,” although McHale doesn’t think that anyone has started working on the film’s script yet.

Selfie - Episode 1.01 - Pilot - Promotional Photo

Of potential new comedy shows with a genre connection which I have preciously discussed, one was picked up to air in the fall and the other wasn’t. The Amy Pond Show, officially called Selfie, was picked up by ABC. I’ve heard questions regarding its quality, but of course I’ll check out any show staring Karen Gillan and John Cho.

How I Met Your Dad, the spin off of How I Met Your Mother, was not picked up, with CBS insisting upon some changes in the pilot. Initially there were reports that rather than changing the pilot, Thomas and Bays planned to try selling it elsewhere.  It looks like it is dead for now, with the possibility that they might revive plans to try to sell the show in the future. I wonder if it might not be better to develop a new comedy with a new idea rather than rehashing what they already did.

Arrow Olicity

The synopsis for the first episode of season three of Arrow reveals that Detective Lance remains alive, and that Oliver finally asks Felicity out on a date:

In the aftermath of this victory, Season 3 opens with Arrow now a hero to the citizens of Starling. Crime is down, people feel safer, and Captain Lance even calls off the Anti-Vigilante Task Force. Basking in his success, Oliver believes he can finally have a private life and asks Felicity out on a date. But the second Oliver takes his eye off the ball, a deadly villain reappears in Starling, forcing Oliver to realize that he can never be Oliver Queen — not as long as the city needs The Arrow.

There may be more superheroes in season three, including the casting of Brandon Routh (who played Superman in Man of Steel) as Ray Palmer, The Atom.

An unparalleled scientist and inventor, Ray will play an unexpected role in the lives of Oliver and (rumored love interest) Felicity as the new owner of Queen Consolidated. Palmer’s plans for Queen Consolidated’s Applied Sciences Division will be shrouded in mystery.

News came  out last week that Orphan Black has officially been renewed for a third season. We also found that Tatiana Maslany was snubbed for an Emmy award a second time. looks at How Seinfeld Influenced Star Trek’s Legacy

Besides having a movie versions of Gone Girl coming out in October, earlier books by Gillian Flynn are being filmed. Dark Places will be released as a movie in September and her first novel, Sharp Objects is now being made into a television series.

Five scripts of episodes of the upcoming season of Doctor Who have leaked on line. Steven Moffat called this, “‘horrible, miserable and upsetting’. Since then unfinished black and white versions of the first two episodes of the season have also leaked on line.

First we heard that Better Call Saul would be a prequel to Breaking Bad. Next there were reports that it would take place over different eras. Now it reportedly will be a prequel series taking place in 2002. Now we might never learn if Jesse made it to Alaska.

J.K. Rowling has posted a short story about Harry Potter set during the Quidditch world cup final at the Pottermore site. Apparently there might be some marital problems between Harry and Ginny.

If you miss Continuum now that it is finished for the season, here’s another time travel story, Time Travel Lover: It is about a guy about to hook up with a girl who is then visited by his future self:

SciFi Weekend: Doctor Who; Sherlock; Orphan Black; Almost Human; Arrow; The Doctor Meets Superman & Batman For Coffee


Pictures, such as the one above, and an official synopsis have been released for the Christmas episode of Doctor Who, The Time of the Doctor:

Orbiting a quiet backwater planet, the massed forces of the universe’s deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them – the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.

Could this also involve saving Gallifrey after the events of The Day of the Doctor?

Despite the revelation of John Hurt as the War Doctor, Steven Moffat is sticking with the current numbering:

“He’s just The Doctor, Matt Smith’s Doctor is the 11th Doctor, however there is no such character as the 11th Doctor – he’s just the Doctor – that’s what he calls himself. The numbering doesn’t matter, except for those lists that you and I have been making for many years. So I’ve given you the option of not counting John Hurt numerically – he’s the War Doctor.”

If the numbering was only being done by fans it wouldn’t matter, but the numbering has appeared during the shows. On the one hand there has been talk of “the fall of the eleventh”, while on the other hand there was reference to “all thirteen” Doctors during The Day of the Doctor. The number of Doctors, if not how they are referred to, is important if there is a regeneration limit, and in this context we cannot leave out a regeneration. Moffat is separating the reference of number to Doctors from actual regenerations–sort of like the Big 10 having twelve teams and expanding to fourteen.

I previously had thought that the regeneration from Matt Smith’s Doctor to Peter Capaldi’s would be the twelfth and final regeneration, speculating that the limit might be exceeded by having the next Doctor find Gallifrey and be rewarded with a new set of regenerations. Steven Moffat has made matters even more complicated in an interview with Radio Times:

As Whovians will know, ever since the 1976 episode The Deadly Assassin it has been taken as fact that a Doctor can only regenerate twelve times in a cycle, allowing thirteen incarnations.

Officially until now, Matt Smith has been the 11th Doctor, meaning fans have started to wonder what will happen in 5-10 years time when we reach 13 after Peter Capaldi.

But Moffat has moved the goalposts, or perhaps more aptly stuck his own sonic screwdriver into the history of the show and given it a big twist.

On Saturday he told me Matt is actually the 13th and final doctor. John Hurt is officially now a doctor and David Tennant used up an extra regeneration during his stay.

In essence, the end of Matt at Christmas should mean the end of Doctor Who.

Where this leaves Peter Capaldi is unclear. But what Moffat would say is: “The 12 regenerations limit is a central part of Doctor Who mythology – science fiction is all about rules, you can’t just casually break them.

Everything changes if we consider the events of Journey’s End as showing David Tennant’s Doctor using up a regeneration (and ignoring the regeneration energy given to the Doctor by River Song in Let’s Kill Hitler). While we know that Moffat lies, or at least loves to cause misdirection with regards to speculations on future events on the show, this does force an update to previous predictions. The issue becomes more urgent to prevent Matt Smith from playing the last Doctor, which we know will not occur. Now it appears possible that Matt Smith’s Doctor might find Gallifrey and receive extra regenerations in The Time of the Doctor. Reportedly the episode will also tie up several of the loose ends Moffat has left since taking over regarding predictions of the fall of the eleventh, The Silence, The crack in time, and the Weeping Angels. There are also rumors that the Doctor will lose a limb before being regenerated.

During the above interview, Steven Moffat discussed further minisodes following the success of The Night Of The Doctor (posted here).

“I think this will usher in not so much a Paul McGann mini-series but usher in more minisodes, and I think we should take them more seriously than we used to. Night was the first one we’ve actually said, ‘Let’s make a high production value belter and let’s give them a surprise!’”

He teased: “You can count on us doing something like that again, but we won’t tell you when! I’ve actually told the BBC, ‘if we do it again we’re doing it in Cardiff and we’re not even telling you what we’re doing and we’ll give you it on the day…’

With Doctor Who Confidential no longer on the air, the BBC has released a series of brief videos giving an Inside Look on the 50th anniversary and the making of The Day of The Doctor, such as the video above. More of these videos have been  posted at Geeks of Doom.

We have a long wait after the Christmas episode. Doctor Who begins filming in January but the next season will not be aired until fall. There have been reports that the full season will air in the fall instead of being split but I’m not sure how official this is.

A new source for Doctor Who news–The Doctor Who Cuttings Archive

Sherlock Lives

Sherlock resumes on January 19 in the United States but many of us will be downloading copies earlier now that it has been announced that season 3 will begin on January 1. The BBC spread news of  the date for the first episode, The Empty Hearse, by having the above hearse drive around London.  The Sign of Three airs on January 5 and the finale, His Last Vow is on January 12. For those in other countries, Sherlockology has a lengthy list of broadcast dates. It also appears that there will be sort of a triangle.Martin Freeman’s real-life wife Amanda Abbington will also star as John Watson’s love interest Mary Morstan.

The Weinsteins are looking into several television projects, including some genre shows. This includes a television version of Sin City and an adaptation of the movie version of Steven King’s The Mist. Hopefully this works out better than Under the Dome (and there is no reason to believe that different people will make the same mistakes with a different story).

Orphan Black‘s second season will begin on April 19 in the United States on BBC America and in Canada on Space. I have not heard of a date being set in the UK but last year the show aired well after it aired in the United States. The season 2 trailer is above, which unfortunately contains no new footage even though the series has been filming for a while.


I watched the first three episodes of Almost Human over the holiday weekend. It does have promise. The premise appears to be that male cops are teamed with androids while hot female cops (as played by Minka Kelly) wear loose, low-cut shirts (which looks better on the show than in the picture above).

Ronald D. Moore’s new show Helix will begin on January 10. More premiere dates from SyFy here.

Barry Allen (The Flash) will appear on the next episode of Arrow. Initially the appearances on Arrow were to be a back-door pilot for a new show, but now CW has decided to film a conventional pilot for The Flash. There has been a lot of speculation as to whether the DC universe being created around Arrow will tie into the Justice League movie which will be developed out of the upcoming Superman vs. Batman movie. Arrow showrunner Greg Berlanti says the two universes will not be connected as Agents of SHIELD is connected to the Marvel cinematic universe.

Oliver will also be getting a mask like the one worn by the Green Arrow in the comics. I’m not sure that it is needed. If Laurel hasn’t figured out that Oliver is the vigilante yet, wearing the hood has been unrealistically sufficient.  (It was a more realistic change from the old comics to have Lois Lane quickly figure out who Clark Kent was in Man of Steel.)

Nothing has spoiled True Blood more than bad writing, too many characters who nobody cares about, and weak plot lines. Compared to these problems, the season seven spoilers posted here are rather trivial.

And, finally, the Doctor is sort of like a superhero, so there’s no reason why he shouldn’t go out for coffee with Superman and Batman (unless he’s afraid of their tough questions).