Chloe Bennet sets the stage for Daisy in the upcoming season of Agents of SHIELD, which returns this week:
In light of the Sokovia Accords, S.H.I.E.L.D. has gone legit.
When Marvel’s Agents of S.H.I.E.L.D. returns, there’s a new director (Jason O’Mara), who tasks Agent Coulson (Clark Gregg) & Co. with tracking down enhanced individuals — and that spells trouble for Daisy (Chloe Bennet), who has gone rogue after Lincoln’s death.
“Everyone she’s gotten close to has died,” Bennet tells EW. “Her way of protecting the people that she cares about — which is Coulson and the rest of the team — is to distance herself. She’s doing anything she can to help people and try to makeup for what she feels is her fault.”
But her self-imposed exile doesn’t necessarily make her a hero. “We know from the past that your power comes with a price,” EP Jed Whedon says. “It damaged her when she first used it and you have to learn to control it. Part of her nothing-to-lose attitude has allowed her to unleash her power on a level that’s much more aggressive, but also much more dangerous.”
“She’s in a place where she’s pushing herself beyond her limitations,” EP Maurissa Tancharoen adds. “Whether or not that’s being self-destructive or just trying to be her own version of her best self, we’ll explore that question.”
Spoiler TV also reports that season 4 will include a loose cross over with the upcoming Doctor Strange movie:
“Our ties are at times very direct and at times are more thematic,” EP Jed Whedon tells EW. “The tie this year will feel more of a reflection of the movie, less an interweaving plot. As that movie hits the world, it comes at the right time in our show, and you will see some of those same ideas being explored.”
“The same questions that our team is exploring leading up to the premiere of Doctor Strange, perhaps some of those concepts will be reflected in the movie and then carried through,” EP Maurissa Tancharoen says. Adds Whedon: “Hopefully some of the questions that we’re asking will be answered by it and then pose some new themes and ideas for us to explore.”
Originally January was going to be significant for both the inauguration of the next president and for the start of Star Trek: Discovery. CBS has delayed the premiere from January until May, 2017. StarTrek.com reports:
Star Trek: Discovery will now launch in May, 2017, it was announced this afternoon by CBS All Access. The new premiere date is driven by the creative team’s belief that this will give the show the appropriate time for delivery of the highest-quality, premium edition of the first new Star Trek television series in more than a decade.
“Bringing Star Trek back to television carries a responsibility and mission: to connect fans and newcomers alike to the series that has fed our imaginations since childhood,” executive producers Alex Kurtzman and Bryan Fuller said in a joint statement. “We aim to dream big and deliver, and that means making sure the demands of physical and post-production for a show that takes place entirely in space, and the need to meet an air date, don’t result in compromised quality. Before heading into production, we evaluated these realities with our partners at CBS and they agreed: Star Trek deserves the very best, and these extra few months will help us achieve a vision we can all be proud of.”
Personally I’d prefer that we get Discovery in January, and postpone the inauguration of Donald Trump or Hillary Clinton (indefinitely).
Luke Cage is the next installment of the Marvel Cinematic Universe on Netflix, teaser above. Showrunner showrunner Cheo Hodari Coker discussed the series in an interview with SciFiNow (via MCUExchange):
In an interview with science fiction website SciFiNow, Coker calls Luke Cage a show that is about “a man who moves to a new section of town, which has deteriorated over time.” He goes on to say, “Instead of a saloon, we have a club named Harlem’s Paradise. And inside this ‘saloon’ there is another strong man who is controlling vice and – to some extent – has an amount of control in law enforcement [this would be Mahershala Ali’s crime lord Cornell ‘Cottonmouth’ Stokes], so he gets away with everything.”
When asked about how Luke Cage compares to the other MCU Netflix properties, Coker had this to say:
“Luke Cage has a different feel to Jessica Jones and Daredevil,” explains the self-confessed comic-book fan. “Let’s talk about the elephant in the room right now; it’s a black show. However, at the same time, it’s a different genre to the other shows to some extent, because Daredevil is a crime drama with superhero elements, and Jessica Jones is a psychological thriller, even though it has some classic ‘Sam Spade’ noir moments.”
The promos for HBO’s adaptation of Westworld continue to make me far more interested in the series than I was when it was first announced. SciFi Now has a spoiler-free review of the first four episodes.
Sci-Fi Storm reports on three pilots at the Syfy channel. Here’s the one I find most interesting:
The Machine, based on the 2013 UK cult film, explores humanity through artificial intelligence when a sentient AI is created, but the military wants to use it for war. Caradog James, who directed the film, is an executive producer with Red & Black Films and John Giwa-Amu, the film’s producer.
You may be aware that John Barrowman has been saying, publicly, that I’ve been blocking a new series of Torchwood. To be very clear – I haven’t blocked it; I wouldn’t block it; I wouldn’t even be ABLE to block it. I didn’t even know a revival had been mooted till I read about it on the Internet. As John perfectly well knows, it’s not my show and I could no more prevent it happening that he could cancel Sherlock. I am bewildered, and a little cross, even to be included in this conversation. For the record, I really liked the show (especially the third series) and would be very happy to see more – monsters and mayhem, why not? But the fact is, it has nothing to do with me. Please pass this on to the anxious and the angry – I’ve had enough hate mail now.
Unlike the first season, we didn’t have to wait until the end of the season for the big reveal. (That should be a clue that a major spoiler is coming for those behind). Fans have speculated since the first episode that Eliot was really in prison or a psychiatric institution rather than living with his mother to provide more structure. This week, his psychiatrist asked Eliot where he believed he was. His mother’s townhouse faded away and he admitted to us that he had been suppressing the fact that he was in prison.
Where did the idea come from that you were going to disguise Elliot’s surroundings in this way?
Sam Esmail: It came from a two-prong approach. We knew exactly what the fate of Elliot was at the end of the last season, and we started breaking this season’s storyline. We’re always trying to stay as authentic to Elliot as possible, what he’s going through. Knowing Elliot, from the very first episode, he definitely has interesting coping mechanisms. Even from the pilot, he has this ability to reprogram his life: E Corp was turned into Evil Corp. When we thought about him being in prison, what would be that coping mechanism, this came to mind. The other approach was his relationship to us — to his “friend” — and how we left him at the end of the first season. He basically didn’t trust us anymore, he felt we were keeping things from him. So we wanted to develop that relationship as well. That was the one approach of, “This is what Elliot would do in this situation, to cope with being in prison,” and then the other of keeping it from us because he felt betrayed by us from the first season.
When we spoke at the end of season 1 about the Mr. Robot revelation, you said you would be hesitant in the future to do things that would leave people questioning the reality of the show. Did you have any concerns about doing another big, “This is what it really is!” reveal in that way?
Sam Esmail: I did. I remember bringing it up to the room. The one thing I also told you is I wanted to stay as authentic to Elliot as possible. And the truth of the matter is, the show is about mystery, and there will always be questions and we won’t actually see the full picture all of the time. Having said that, if we can’t invest in what is happening and what is going on, that would become very frustrating, to the point where you wouldn’t feel any stakes. That was the test we ran through with this idea: is this actually happening to him? Is what he’s experiencing still real? And can the audience still buy into this after the reveal? Those answers were obviously yes: the events that we saw were still very much real, and the consequences of them are real, and what Elliot went through is real. It’s just the coping mechanism he used was not exactly what he saw. To me, it was definitely one of those things that prompted a real conversation. Like I think I told you last year, we’re not in it for gotcha moments or shocking the audience, but we’re in it for interesting reveals and deepening and enriching Elliot’s experience. We felt that him going through his prison sentence in this way was more true to life to Elliot than actually having seen it as a prison.
But you understand how fandom works. Having done this two years in a row, you’ve now conditioned them to, whatever you do next, the fans will pick it apart frame-by-frame to explain what’s actually happening.
Sam Esmail: Yeah, well, truth be told, don’t you feel like it’s already happening this season?
True. How did you feel about people having this exact theory of prison after only the season premiere had aired?
Sam Esmail: It was weird. One thing that we always do is we never want to cheat the audience. We never want it to be some extraordinarily contrived thing where we’re basically lying to the audience and what they’re seeing isn’t actually happening, and we’re fooling them. In doing that, and being honest with what is going on, even though the surroundings aren’t actually what they are, we didn’t really hide it that well, right? I didn’t expect people to catch on from the very first episode, but I thought people would start to theorize and catch on. Look, a reveal is great when it’s surprising, but it’s terrible when it feels like a cheat. To me, the fact that some people who guessed it may not be surprised, it verifies that we didn’t cheat anybody, because it adds up and makes sense to them still.
I’m sure much of this will be explained in future episodes, in terms of why Elliot was in prison to begin with, but was Ray a guard in the prison? How much of Ray’s business involved prisoners versus the outside world?
Sam Esmail: That’s going to get revealed in a couple of episodes.
By sending Elliot to prison, you also spend the first half of the season with him physically separate from the other characters, give or take a brief visit by Gideon or Darlene. What did you see as the advantages and disadvantages of having him apart from the rest of the ensemble, other than Mr. Robot?
Sam Esmail: I’m glad you asked that question. Obviously, knowing we were doing this, it was very important for Elliot to address this incredibly internal conflict that sprung on him at the end of the first season: that he has an alter ego that he can’t control. That was the first and foremost issue that I wanted to tackle with Elliot. So of course the isolation of him being in prison really helped that. It meant that we get to basically do this deep dive into his internal battle with his demons. There is not much else for him to do. He couldn’t escape it. So it was great on that level. I knew it was going to be a polarizing choice to go in this direction with Elliot, but for whatever reason, it felt organic and natural. But when I took a step back and looked at the whole season, I realized that, when I think about the sequels that I really love, or second acts of movies or larger stories, they tend to do this: to go into this inward battle after accomplishing this big Herculean hero’s journey. The one uncanny similarity — which I only realized in hindsight — is Empire Strikes Back. At the end of the first movie, you take down the big band, the revolutionaries kind of win, but the second movie opens, they’re still battling, they’re still struggling, the Empire is rebuilding, and literally Luke goes off to another planet for most of that movie to learn to become a Jedi, while his sister is still out there fighting the good fight. This wasn’t something planned, but I looked at it and realized we were literally following that same pattern. And it’s not just with Empire Strikes Back. It’s Godfather Part II. There’s a lot of introspection that happens. That’s often the next stage after this huge external conflict comes to an end. Then it’s, “Well, then what?” It’s a hangover moment, of reflection and going inward. So that direction made sense for our story.
News also came out during the past week that Mr. Robot has been renewed for a third season.
In other genre news, Henry Cavill has teased what will happen to Superman when he returns for the Justice League movie, in light of what happened at the end of Batman v. Superman.
Agents of SHIELDwill be edgier with its move to 10 pm. It is a safe bet it will still be much tamer than the far better Marvel television adaptations on Netflix (one of which won a Hugo Award).
The 2016 Hugo Awards winners have been announced. The award for Best Novel went to The Fifth Season by N.K. Jemisin. The Martian won for Best Dramatic Presentation, Long Form. Jessica Jones: A.K.A. Smile won for Best Dramatic Presentation, Short Form. Unfortunately the awards continued to be tainted by conservative politics.
BBC America has announced that Doctor Who and other genre shows will be represented at New York Comic Con:
Mark your calendars: BBC AMERICA is coming to New York Comic Con in a big way this year. On Friday, October 7, the network will present a block of star-studded panels at The Theater at Madison Square Garden, featuring Doctor Who, with Peter Capaldi making his NYCC debut alongside new companion Pearl Mackie at her first-ever fan appearance. Ahead of its October 22, Dirk Gently’s Holistic Detective Agency will launch a world premiere screening followed by a panel with cast, showrunner, writer and executive producer. And the Doctor Who spinoff Class will have its first-ever U.S. panel with cast, executive producer, and creator of the series.
They included more on the panels including Doctor Who:
BBC AMERICA’s Doctor Who star Peter Capaldi will make his New York Comic Con debut along with the first ever fan appearance by new co-star Pearl Mackie, who joins the series as Bill, the Doctor’s new companion. When Pearl joined the cast, Emmy-winning lead writer and executive producer Steven Moffat teased “a new voyage is about to begin” and “this is where the story really starts.” Fans will get a sneak peek of what’s ahead including the upcoming Christmas Special this December on BBC AMERICA and hints on what’s in store for Steven Moffat’s final season as showrunner. The panel includes stars Peter Capaldi (The Thick of It) and Pearl Mackie (The Curious Incident of the Dog in the Night Time), as well as Steven Moffat (Sherlock) and executive producer Brian Minchin (Class, Torchwood). Doctor Who is a BBC Cymru Wales production for BBC One and a BBC AMERICA co-production.
The second season of 12 Monkeys concluded last week. The series demonstrated a problem with many series which start out with a good story which can be told in a season or two, but the economics of American television demand that they try to find a way to extend the series longer. The initial story line of going back in time to stop the plague would have made a great story if it could have been concluded over one or two years, but it could not be dragged out indefinitely. Continuum had a similar structure with characters who went back in time to change their future, but managed to keep it fresh every season while sticking to the same overall structure. 12 Monkeys instead changed the focus of the series.
While there were good moments, I just could not find the story this season to be as compelling as the first season. The finale did wrap up some of the events of the season, while leaving other matters open. After seeing such division between the main characters over two different strategies, both failed leaiving most of the characters either dead or stranded in the past going into the finale. It took another means of traveling through time to repair the damage, followed by the revelation of the identity of The Witness. It was also fun to see Madeline Stowe, who was in the movie version, have a significant role in the finale.
Show runner Terry Matalas discussed the finale with Blastr. Here is the start of the interview, which begins with a major spoiler if you anyone intends to watch this in the future:
Let’s start with the elephant in the room: We now know the identity of The Witness, and it’s the child of Cole and Cassie. What can you tell us about the big reveal?
Matalas: I knew from the outset that this is where our characters were heading – that the reveal of The Witness shouldn’t be just a surprising narrative revelation, but a hugely emotional one. We easily could have put a familiar face behind that mask and the moment might’ve been shocking – maybe even satisfying – but it ultimately would’ve felt like plot. Mind-blowing is fantastic, but it also needed to be heart-breaking; it needed to really challenge Cassie and Cole and pose these massive, emotional questions for Season 3.
How long have you been setting up this Witness reveal, and what hints might we have missed along the way? Was this the plan all along from the start of Season 1?
Matalas: Yes. In many ways, the biggest hint from the start is that Cassie and Cole are continually left alive. The Army of the 12 Monkeys – Pallid Man, Olivia, The Messengers –they’ve made no secret that these two characters are important in the grander cycle. Time and again, they’ve opted not to kill them – even when the opportunity was painfully clear.
Speaking a bit more thematically, if you look closely at Season One, it’s very much about fatherhood. Season Two is equally about motherhood. Season Three, it stands to reason, will focus on the children.
You obviously can’t give us the play-by-play for Season 3, but what can you tell us about how this reveal will inform the next chapter of the series for Cole and Cassie?
Matalas: If you knew that your child was destined to become the Destroyer of Worlds – that the gentle, loving child in your arms would one day murder billions – what would you really do? Or not do? The “Kill Hitler” scenario becomes much more complicated when you’re Hitler’s mom or dad. So a major part of Season Three for Cassie and Cole is that central question, the weight and responsibility of it all.
But Season 3 will also be a “Sympathy for the Devil” tale. What if you met The Witness, heard his story and actually understood why he’s done what he’s done? Maybe even agreed with it?
ENTERTAINMENT WEEKLY: How did you feel when you found out that Cassie was not only pregnant, but their child was the Witness? AMANDA SCHULL: [Executive producer Terry Matalas] told me fairly early on. I hadn’t had all of the moments with the Witness — understanding the gravity of how upset and just how violated she feels by the Witness — so it didn’t have the gravitas when he told me initially. Then, as we progressed throughout the season, every single interaction with the Witness, realizing how much she despises and how much it makes her despise herself for what she’s done and everything about it, that’s what is upsetting. It’s much more impactful knowing later on after having been able to reenact those scenarios from the page.
Then [with] the pregnancy [reveal], I don’t have a child, I’ve never been pregnant and I really loved being able to have the moment. We don’t say it, it’s all done through looks. I really liked the challenge. I really like having that interaction with Aaron. I work really comfortably with Aaron. I really enjoy everything that we get to do together. We shot those moments the final week of season 2, and it was just us in this tiny little set and we kind of had a skeleton crew. It was really special and I think they chose an even less emotional take of mine, because we did his coverage first and I just kept crying every time he opened the card. I’ve never told anybody that I’m pregnant, so I’ve never had that opportunity to tell somebody that. And his reaction, just everything that they’ve gone through up until that point really moved me.
What do you think that internal struggle will be like for Cassie between wanting to protect her child and considering other possibilities?
My initial reaction to that when we were talking about it was very un-[politically correct]. It was basically, “Get it out of me at any cost.” But then in thinking about that, it becomes a question of nature versus nurture: Is there a possibility that she could change it? She could rewrite history if she were able to undo this. If she’s never going to see Cole again, is she going to hang on to the very last bits of his DNA that she has and try to salvage the upbringing of this child in a way that isn’t destructive to all human kind? It is really a fascinating battle and I think will largely have to do with the certain circumstances in which she is being kept in the future with the Army.
We know that Cole is headed toward the future to try and save Cassie. With the concept of nature versus nurture in mind, do you think her choices about the Witness might put her at odds with Cole?
I think it will be really interesting and I think that it could perhaps put them at odds, but the fact is they seem to end up coming around to the same page. Of anyone’s partnership on this show, they seem to have the understanding of one another for whatever reason. They were sort of meant for each other. I think they would have an understanding. They might be at odds at first, but I have no idea how Terry and his evil genius brain wants to play that out.
There was a tremendous amount of news out of San Diego Comic Con over the past weekend. The above trailer both gives a better idea of how Flashpoint will be handled on The Flash and confirms earlier reports that Wally West will be seen as Kid Flash.
In other DC news, despite her character getting killed on Arrow, Katie Cassidy has become the latest to be made a regular across the entire line of DC shows on the CW Network.
Also on CW, there was news on the upcoming season of The 100:
“The Earth strikes back in season four—it is an unbeatable foe,” creator Jason Rothenberg teased regarding next season. “It quickly becomes about not how to stop it, because stopping it is not possible, but about: How do we survive? There aren’t enough lifeboats, so who gets to choose who lives?”
With total nuclear destruction on the way, getting her people to safety is something Clarke (Eliza Taylor) will have to deal with. In the exclusive clip shown off during the panel, we hear Clarke’s ominous narration: “Our enemy isn’t something that can be fought. It can’t be reasoned with. It can’t be killed. When all is lost, can hope survive? can we survive? After everything we’ve done, do we deserve to?”
After losing major characters like Lexa, Lincoln, and Pike last season, facing the impending apocalypse will be difficult for everyone. Octavia, for instance, will be traveling down a much darker road, channeling her inner assassin. She explained, “Octavia will take a really dark turn. She’s going to do what she does best, which is killing people. She really found her home within herself in becoming a warrior, and that’s thanks to Lincoln and Indra.”
More was seen of the future of DC’s cinematic universe with the above trailers for Wonder Woman and Justice League.
Batman v. Superman: Dawn of Justice came out on Blu-ray and DVD last week, also making this a good time for the above video of Easter Eggs in the movie.
An Honest Trailer was also released for Comic Con.
In other news, it has been confirmed thatDaredevilwill be back for a third season. While it was a complete story, a lot of personal matters for the characters were left hanging at the end of the second season.
Star Trek Beyond came out Friday and there was news at Comic Con on the upcoming television series. While the movie still had some of the flaws seen since revived by J.J. Abrams, it did feel the most like true Star Trek. I discuss both the movie and what we know about the television show together, and will hold off until next week to give more people a chance to see the movie.
Benedict Cumberbatch of Sherlock is involved in yet another franchise. A trailer for Doctor Strange is above.
In other potential big news in the Doctor Who universe, John Barrowman said he is working hard to bring Torchwood back, and he has a big telephone call related to this scheduled for Monday. Hopefully we will have some real news afterwards.
Steven Moffat is stepping down as show runner of Doctor Who after the upcoming tenth season (since the show’s revival) and Chris Chinball, best known for Broadchurch, will be taking over. Chinball is a long time fan of Doctor Who and also wrote these episodes: 42, The Hungry Earth/Cold Blood, Dinosaurs on a Spaceship and The Power of Three. He was also a producer and writer on Torchwood.
The tenth season of Doctor Who will not air until the spring of 2017, and the only episode to air in 2016 will be the annual Christmas special. I wonder if Moffat will introduce the next companion in the special or wait until the show returns on a regular schedule in 2017.
After Broadchurch, I also cannot help but wonder if, should David Tennant return for an episode of the show, if Chinball will have him talk in an often incomprehensible accent.
Following is the BBC press release:
BBC announces Steven Moffat’s next series of Doctor Who will be his last and confirms Chris Chibnall as new Head Writer and Executive Producer.
After six incredible series at the helm, the multi-award winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.
Steven took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the Eleventh and the Twelfth Doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory (Arthur Darvill) and the terrifying Weeping Angels. Plus, the smash hit 50th Anniversary special in 2013 which saw fans around the world celebrate the world’s longest running sci-fi series with the Doctors, Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature length episode. Steven’s final series will air on BBC One in Spring 2017 and there will be a Christmas Special in 2016.
Steven Moffat says: “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”
Like Steven, Chris Chibnall is also a lifelong Doctor Who fan and a multi-award winning writer and executive producer. He has most recently achieved huge success with the triple BAFTA winning hit ITV series Broadchurch. His other credits include BAFTA nominated The Great Train Robbery, United, Law & Order: UK, Life on Mars and Torchwood. Chris Chibnall’s debut series will launch in 2018.
Chris Chibnall, new Head Writer and Executive Producer : “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”
Charlotte Moore, Controller, BBC One says : “I want to thank Steven Moffat for everything he has given Doctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in Spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”
Polly Hill, Controller, BBC Drama Commissioning says : “Like Charlotte I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”
Variety discussed plans for season two of Jessica Jones with show runner Melissa Rosenberg and star Krysten Ritter:
Rosenberg shared that she doesn’t know when work on the new season will start, or whether she’ll be collaborating with writers from any of the other Marvel-Netflix series (“Daredevil,” “Luke Cage” and “Iron Fist”) leading up to “The Defenders” crossover, but said that she intends to continue utilizing story ideas from Brian Michael Bendis’ series of “Alias” comics, where Jessica Jones debuted.
“I will always use as much as I possibly can from the comic book,” Rosenberg said, noting that they’ll have to allow for deviations given the differences in the mythology between the Marvel comics and ongoing Marvel Cinematic Universe. “The MCU is very different in terms of its mythology. In the books, everyone knows superheroes are walking around, there’s a lot of things building toward Secret Wars. We’re probably not going to be able to do a totally parallel storylines. But I take every little piece I can because it’s so good.”
While Rosenberg admitted that it was both intimidating and exciting to think of having to come up with a villain to follow Kilgrave, she didn’t consider keeping him around past season one, since “the show is about Jessica Jones; the story is about Jessica’s arc,” and thus everything had to be in service to her journey.
When asked about Jessica’s mental state at the end of the season, given her final defeat of Kilgrave, star Krysten Ritter said, “For Jessica, that final moment, that victorious triumphant moment, I found that very conflicting in terms of her headspace. He’s the reason why she got up every day. He’s the reason why she went out in the world… it really gave her a purpose, and the past trauma doesn’t go away with his death.”
Legends of Tomorrow premiered this week and we found that there was some misdirection in both what the characters were told when recruited and in the trailers for the show. This might be for the better. If they really were already known to become legends, it would imply that they were successful and this was future history. The outcome of their mission would already be known. Of course with time travel a lot of questions can come up. For example, why not go after Vandal Savage when he was reduced to dust at the end of the Arrow/Flash episode and prevent him from being revived?
I suspect that this will turn out to be the sort of show which can be a lot of fun to watch as long as you don’t think too much about the time travel implications. It even has Rory (Arthur Darvill) as sort of a renegade Time Lord. Screen Rant has a list of additional Easter eggs.
Charlote Rampling, who appeared with David Tennant and Arthur Darvill in Broadchurch, has addressed the controversy over lack of diversity in the Academy Award nominees. Rampling had initially spoken about boycotting the awards, but has backed away from this:
In an interview with Europe 1 Radio earlier this week, Rampling said calls for a boycott of the Academy Awards because all of the nominees were white “was racist to white people.”
Today Rampling told CBS News’ “Sunday Morning”:
“I regret that my comments could have been misinterpreted this week in my interview with Europe 1 Radio. I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration. I am very honored to be included in this year’s wonderful group of nominated actors and actresses.”
Rampling also said:
“Diversity in our industry is an important issue that needs to be addressed. I am highly encouraged by the changes announced today by the Academy to diversify its membership.”
Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.
In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.
In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.
It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.
The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.
Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.
The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.
It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.
Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.
The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.
The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”
There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time. In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)
It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”
This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.
The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.
Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.
The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”
A couple other memorable lines from the episode:
Doctor: “I’m not actually the police, that’s just what it says on the box.”
Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”
Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.
Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.
Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.
Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.
One of the things which makes The Americans one of the top television shows now on is the manner in which several story lines involving different characters are carried out so well. Whether or not the different story lines become intertwined, one storyline often has lessons for another. On Dimebag, while Elizabeth and Phillip fought over whether Paige should become a spy, neither seemed to have thought that if Paige had been trained they could have used her to get information from Kimberly, the young daughter of the CIA’s Afghan group, instead of Phillip seducing her. Neither realized initially the degree to which they were in danger of losing Paige to her church–hardly acceptable if she were to be a good Communist. There is some similarity to how Pastor Tim is “recruiting” Paige to how Phillip is using Kimberly and the Russians want them to recruit Paige. Meanwhile in Russian, Nina might be saved due to Oleg’s family relationship to the future Russian oligarchs, and she went to work on her cell mate as Elizabeth would work on getting information. On top of this, the episode included a defector who might be double crossing them, an EST meeting, and a visit with an AA sponsor.
Keri Russell discussed the relationships with her character’s daughter and mother this season, and described the scene earlier this season in which Annelise’s body was packed into a suitcase:
IGN: I have to ask about that second episode and the scene of having to get rid of the body in that hotel room. First of all, there’s the “Oh my god!” of it all. And then also is it interesting for you to play a character who already had to compartmentalize everything, but this is a woman that her husband was sleeping with as a part of the job, and now she has the reality of that in front of her?
Russell: All I have to say is so many naked girls! Naked, beautiful actress, naked beautiful contortionist, yeah. Then on a second unit day of reshoots, a second naked beautiful girl. I was like, “There’s a lot of pretty, naked girls on this show!” Yeah, so bizarre! Really gruesome. I haven’t seen it. Does it play?
IGN: Oh yeah, it plays.
Last week The Flash was both a back door pilot for Firestorm and further advanced the idea of time travel for Barry Allen. We saw once again how far Harrison Wells is willing to go, and his motives remain unclear. We should be learning more when the show returns in March.
Also on CW, we saw a reversal on Arrow, as the flashback took place in Starling City while the present day action took place back on the island. It was strange to see Oliver from the period when he was missing back around his home. Seeing Oliver snooping around Queen Consolidated gave the feeling of a time travel story in which a character is in their past but cannot risk being seen. Meanwhile, on the island, there was a deliberate reference to Star Trek II, The Wrath of Kahn with Slade’s comment, “I’m going to leave you as you left me.”
Agents of SHIELD returns March 3. Marvel has released this synopsis of the episode:
After discovering an alien city with ties to his resurrection, Coulson and his team destroyed it before the forces of Hydra could claim its secrets, eliminating the villainous Whitehall (Reed Diamond) in the process. But new threats to the world have arisen, including Skye’s father, Cal (Kyle McLachlan), who now seeks retribution against Coulson for stealing his revenge against Whitehall; a disturbing alliance between former S.H.I.E.L.D. agent Ward (Brett Dalton) and Agent 33; the enigmatic Raina (Ruth Negga), who struggles with her transformation into something inhuman by the alien Obelisk and seeks vengeance; and Skye (Chloe Bennet), who developed mysterious new powers from the Obelisk but whose lack of experience with her new abilities may threaten the safety of those she loves.
Meanwhile, Bobbi (Adrianne Palicki) and Mack (Henry Simmons) begin the next phase of a plan which seems to have grave repercussions for Coulson and his team, who are unaware that there’s another mysterious force moving against them. And as Hunter (Nick Blood) is forced to make the biggest choice of his life, Coulson will find his mission threatened by this shocking endgame.
In the midseason premiere, “Aftershocks,” Coulson’s team must deal with the consequences of their war with Hydra as shocking revelations threaten to tear them apart, and Hydra makes a dangerous move that may involve a traitor in S.H.I.E.L.D.’s midst.
Adrianne Palicki has been promoted to a series regular on Agents of SHIELD, which probably means that Will will not be getting back together with Doctor Sam on About a Boy anytime soon.
The Doctor is dating Cinderella–Matt Smith has confirmed that he is dating Lily James. I don’t know if it has occurred yet in the US broadcasts of Downton Abbey so I won’t give any specifics, but I did like her character’s triumph in a late season episode. Of course anything is better than revisiting certain past events yet once again.
In other Doctor Who and related news, The BBC has announced that Michelle Gomez will return as Missy in a two part episode to open the next season of Doctor Who. Add Eve Myles to the list of those interested in another season of Torchwood.
Speaking of Lily James in Cinderella, Ellen DeGeneres has presented a mash-up of Cinderella and Fifty Shades of Grey. Video above.
I thought there was a chance that 12 Monkeys might be able to make it into the upper tier of genre shows with The Night Room last week but The Red Forest couldn’t keep up the same quality this week. Not that it was a bad episode, but it was too easy to fix the timeline when it simply came down to Cassie getting captured in our present, and saving her would fix things. There are still a number of questions raised last week which could provide interesting episodes. Plus they now know how important Cassie’s role is and will make sure that they do not change history involving her, ensuring that she can deliver the message for Cole before she dies.
Amazon has renewed Mozart in the Jungle (which I recommend watching, now about half way through the first season) and is going ahead with the adaptation of Philip K. Dick’s The Man in the High Castle. I have intentionally held off on watching the pilot, preferring to wait until Amazon shows are released in full as opposed to watching the pilot months earlier, but reviews have been excellent for the pilot.
Last week’s episode of The Big Bang Theory seemed to throw far too much into a single episode, including the reopening of Stuart’s comic book store, a cameo by Nathan Fillion, and (the most amusing part of the show), Sheldon telling Penny how Amy was doing experiments on her. Then we learned what the episode was really about–a tribute to Carol Ann Susi, the voice of Mrs. Wolowitz, who died in November. There is a toast to her in the video above, and there is an unseen tribute to her in every episode:
After we had that impromptu memorial the morning she passed away, Johnny and I were hugging—like everybody was—and right then we found our prop person and asked to get a little picture of Carol Ann and we put it on the refrigerator [in Leonard and Sheldon’s kitchen] so she’s there in every episode now. It’s so small you wouldn’t even see it, but on the fridge is this tiny little wallet-size picture of Carol Ann that’s been there since the day she passed away.
We are going into the final week of one of the best network sit-coms in recent years, Parks and Recreation. Last week we had the finale of Two And A Half Men, a multi-cam sit-com which over the last twelve years has shown everything wrong with the format. If anyone cares, Chuck Lorre explained his intentions for the finale. There were no apologies to the nation, but at least our great national nightmare is over.
Mad Men enters the 1970’s for its final half-season, and from the music playing in the trailer it might even be doing a time jump to the mid 70’s. After that, I’m looking forward to the inevitable spin-off. Better Call Sally. Just kidding but considering how good Better Call Saul has been so far as a spin-off of Breaking Bad, it wouldn’t surprise me a bit if AMC went that route again.
AMC purchased 49 percent of BBC America, and this has implications for the promotion of the third season of Orphan Black. The show probably has many less viewers than a show of this quality might otherwise have due to not being seen on BBC America. In the hopes of increasing exposure, the third season premiere will be shown on all of AMC’s channels, including AMC, Sundance TV, IFC and We TV. The one problem with this strategy is that Orphan Black is not a good show to come into late. Perhaps they should have been rerunning the first two seasons on some other channels prior to the start of the third season.
Forget any thoughts of John Oliver taking over for Jon Stewart. HBO, perhaps thinking along those lines and wanting to lock him in, has signed Oliver for two more seasons of This Week Tonight, with 35 episodes a year. Meanwhile Jon Stewart, after having to put out new shows daily, near year round, might envy Oliver’s deal.
Kristen Bell has no tolerance for anti-vaxxers, and won’t let them around her children. “It’s a very simple logic: I believe in trusting doctors, not know-it-alls.”
Morena Baccarin (of Gotham, Firefly, V, and Homeland) has been cast as the female lead in another superhero adaptation, this time the movie version of Deadpool. I don’t know if this will impact her work on Gotham, but we know that sooner or later Jim Gordon has to get back with Barbara, or else Batgirl will never be born.
BoingBoing has pointed out an example of Harry Potter fan fiction by Mallory Ortberg, written as if it was written by Ayn Rand. Thus there are passages such as, “It’s also why I never water my plants in Herbology. They must learn to survive with or without me. Self-sufficiency is not just a human virtue. It is the highest virtue.” Plus don’t miss the link to Mallory Ortberg’s reviews of children’s movies as if they were written by Ayn Rand. For example:
“Snow White and the Seven Dwarfs”
An industrious young woman neglects to charge for her housekeeping services and is rightly exploited for her naïveté. She dies without ever having sought her own happiness as the highest moral aim. I did not finish watching this movie, finding it impossible to sympathize with the main character. —No stars.
The biggest and the strongest are the fittest to rule. This is the way things have always been. —Four stars.
“101 Dalmatians”A wealthy woman attempts to do her impoverished school friend Anita a favor by purchasing some of her many dogs and putting them to sensible use. Her generosity is repulsed at every turn, and Anita foolishly and irresponsibly begins acquiring even more animals, none of which are used to make a practical winter coat. Altruism is pointless. So are dogs. A cat is a far more sensible pet. A cat is objectively valuable. —No stars.
Big Bird meets Birdman in the video spoof above. Birdman is considered a heavy favorite to win an Oscar for best movie.
When actors go on stage to accept Oscars tonight, many of them are contributing to the Democrats, and some to the Republicans. The Hill reports:
Democrats are the biggest winners when it comes to raking in political donations from Academy Award nominees.
Some of the Oscars’ most famous contenders — including this year’s hopefuls Reese Witherspoon, Edward Norton, Mark Ruffalo, Bradley Cooper, and Meryl Streep — are delivering big bucks for the left.
Norton plays an egotistical movie star in “Birdman,” — which snagged him a Best Supporting Actor nomination at Sunday’s awards — but the real-life film star is one of Hollywood’s biggest Democratic donor…
Witherspoon, who earned her second Best Actress nomination this year for “Wild,” has also donated generously to Democrats, according to Federal Election Commission records. The 2005 Oscar winner gave $1,500 to Warren’s camp in 2012. She’s also given in excess of $6,000 to Sen. Kirsten Gillibrand (D-N.Y.), and $1,500 to then-Sen. Hillary Clinton (D-N.Y.).
While Clint Eastwood, the director behind Best Picture nominee “American Sniper,” is known for his support of Republican candidates — famously delivering his “empty chair speech” at the 2012 Republican National Convention — the film’s star, Bradley Cooper, gave $750 to Hillary Clinton’s 2008 presidential bid. Cooper is vying for Best Actor for his portrayal of real-life Navy SEAL Chris Kyle in the record-breaking movie.
The article later discusses how Democrats often use celebrities in fund raising campaigns while “Republicans have capitalized on conservative celebrity activists by encouraging them to run for office.”
12 Monkeys got off to a great start this week. The second episode is also available for streaming here if you have a cable subscription but I am writing this after only having watched the pilot episode which aired Friday. It was a strange concept which actually works. It began with an idea for a time travel show named Splinters (also the name of the pilot) which was altered to be a re-imagining of the movie 12 Monkeys. It somehow did work, altering many aspects of the movie in ways which will probably work better than the movie did as a weekly series. Considering both the many changes to the movie, and the pilot staring out at the beginning of the story, there is no need to have watched the movie to enjoy the show.
The basic premise is the same as the movie in that a plague has wiped out most of the human race, but in the television movie Cole is trying to actually stop this from happening, and the Army of the 12 Monkeys will be an important aspect rather than a red herring. This means that the entire theory of time travel is different. In the movie, the plague happened, time cannot be altered, and the goal is to go back in time to find information to help develop a cure in the future.
In the television series time can be changed. Not only does Cole believe he can stop the plague, he believes that when he changes time he will cease to exist. This is of no concern to him as he doesn’t see anything about his future worth preserving, with the human race appearing doomed to extinction. There are some aspects of time travel reminiscent of how it worked in Looper, except instead of a character losing body parts, scratching the past version of a watch causes the same scratch to appear on the future version. This gets a bit more confusing when we find that a character saw Cole in his past but Cole has not yet made the trip to 1987 referenced. This might contradict what was shown with the watch, but trying too hard to think about this only leads to”making diagrams with straws.” (That’s another reference to Looper, which seems appropriate considering that Bruce Willis played a time traveler in both Looper and the movie version of 12 Monkeys.)
It is a safe prediction that Cole cannot be successful in changing history, at least until the series finale, so the show must stand on how compelling the ride is. As in the movie, his relationship Dr. Railly is an important aspect. In the television show, she has a different first name and is a virologist instead of a psychiatrist. The show started out with Cole kidnapping Dr. Railly, but their relationship did improve from there. At times their relationship had a feel reminiscent of Ichabod and Abbie on Sleepy Hollow. Both Cole and Ichabod are characters out of their time and on mission which is of vital importance to humanity. Despite the importance of their missions, the little things provide the fun, such as Cole discovering cheese burgers with a reaction similar to Ichabod when discovering the wonders of modern times. Cole also noted that Dr. Railly looks like the women he has only seen in magazines, making her wonder which magazines he was referring to.
The Hollywood Reporter discussed the changes from the movie and plans for the show with showrunner Natalie Chaidez.
In the 1995 film, the Army of the 12 Monkeys served as a red herring. Originally believed to have spread the virus that kills billions of people, the 12 Monkeys in truth were nothing more than an activist group, led by Leland’s son, Jeffrey, who freed zoo animals and locked Leland away in a cage for conducting experiments on animals.
With Leland dead, 12 Monkeys showrunner NatalieChaidez shed light on what the audience can expect from the television adaptation of the Army of the 12 Monkeys and the 2043 timeline.
“Who the 12 Monkeys are, what they are trying to accomplish, how they relate to time travel is the big question of the series,” Chaidez told The Hollywood Reporter. “Unraveling that mystery is our series journey. Knowing where Cole fits in their plan is a big part of it.”
The mysteries, however, are not only related to the 2015 arc. While the movie did not spend much time exploring the future dystopia, Chaidez is set to bring 2043 and the dangers that come with it to the forefront.
“In the series, we have the time to explore what was around those dark corners that we couldn’t peer around in the movie,” she said. “We really get to dig into how people survive in the future and how they are living. We have a group of people called Scavengers. They are the people who have survived but not always with the best morality. They’ve done what they’ve had to do.”
Opening up the world and traveling past the walls of the Temporal Facility also will be a big part of the series. “You will see a little bit of that in episode four, ‘Atari.’ It continues to build in the next few episodes, and we refer to it in a big way at the end of the season,” she noted.
No matter how deep the rabbit hole surrounding the mystery of the virus and the 12 Monkeys goes, Chaidez admits Cole’s struggle will not always be against one force.
“Are there other evil forces at play? Are there other collaborators? Certainly, but the 12 Monkeys are definitely the mysterious force that Cole wrestles with and battles against over the course of the series,” she explained.
Control-Alt-Delete concludes the current trilogy on Person of Interest. It was an unusual ending if truly viewed as a trilogy, but putting aside the trivial matter of the structure of the trilogy, it was another excellent episode in a continuing storyline transforming the show from a procedural to a true genre show. Unlike the previous episodes in the trilogy, it concentrated on the character Control, with very little of Finch, and provided a view of Samaritan from the government’s view which we have not seen before.
I suspect that the key role of this episode isn’t really in completing a trilogy but as starting a transformation for Control. We saw more clearly that Samaritan is both dishonest and evil in its operation, such as with the manner in which it eliminated programers it recruited when they were no longer of value by telling government agents that they were terrorists. One of them asked Control to at least entertain the idea she was being lied to. At the moment she did not and shot the programmer, but she then went to investigate the scene of the shoot out in last week’s episode. She did find evidence that he area was freshly painted, suggesting a cover-up.
We have already seen major changes in which side a character is on in the series, and this has set up a natural progression which I believe will turn Control from an opponent to an ally of Team Machine as she realizes the harm which Samaritan poses to the United States. The currently futile search for Shaw also continued after the events of last week, and the possibility of an alliance with Shaw’s old partner, or at least a cessation of hostilities, was also raised.
There was also the return of the child avatar. I think the idea worked the first time, but now that the goal is to confront the president directly I would find it more realistic for Samaritan to utilize a different manner of communication.
Marc Guggenheim spoke with Nerdist about plans for an Atom spin-off series:
NERDIST: You just mentioned you’ve given some consideration to an Atom spin-off series…
MARC GUGGENHEIM: The thing that we’ve been talking about is just how do we further expand the universe; and we love Brandon and we love having him on Arrow.
N: He brings a new dynamic to the show in his scenes with Emily Bett Rickards’ Felcity, a kind of screwball comedy vibe.
MG: He does. When we met with Brandon, the whole point of Ray Palmer for us — not the whole point but a big piece of Ray Palmer — was… Felicity’s voice is of a different show and we always say that Emily’s playing tennis against herself. [Laughs.] So we wanted to create a character that could vibrate at her frequency. And Ray really brings that and brings that energy and he’s so much fun to write. He’s a joy to write. Brandon’s so terrific and embodies the role so well that when we talk about how to further expand things, he’s a natural person to talk about. It’s like Brandon said on the panel, originally when we met with him we just wanted to bring a great character onto the show and we wanted a great actor to play him. That’s really how it always starts. With the exception of Grant Gustin on Arrow last year, there’s never been a [decision] to bring in a character with the intention to spin them off. It’s always, “What services the show the best?”
Fox has renewed Gotham for a second season in a move which some will be happy about and others will question. They are also considering even more controversial moves, including a remake bring back 24 without Jack Bauer and rebooting The X-Files.
Saturday at the Television Critics Association’s winter press tour, Fox confirmed that the network hopes to reboot The X-Files the way it did with 24. The followup would star the original duo David Duchovny and Gillian Anderson as Fox Mulder and Dana Scully. So far they’ve just been talking logistics, and trying to match up everyone’s schedules. The actors both have commitments to other shows, with Anderson in a recurring role on NBC’s Hannibal (and likely another season of The Fall) and Duchovny also starring in the peacock network’s show Aquarius.According to Deadline, Carter hinted that the show might return in the summer.
I think that the more important question that must be answered before getting the cast together is whether there is a coherent story they can tell after the mess the series wound up in.
The third season of Hannibal will be adding Will’s wife Molly as a character. She will not appear until the eighth episode, which will have a time jump to allow for the changes in Will’s personal life.
The Seattle Times has a review of Amazon’s television version of Philip K. Dick’s novel, Man In The High Castle. It sounds like the television series should go well beyond the novel in developing this alternate history in which Germany and Japan won World War II. If interested in reading such an alternate history, another novel I’d recommend is Fatherland by Robert Harris. In his novel, instead of being defeated and occupied by Germany and Japan as in Dick’s alternate history, the United States and Germany both developed nuclear weapons and were in a cold war while Germany controlled most of Europe. HBO has also made a movie version.
There was talk earlier in the week that Netflix would be losing BBC shows including Doctor Who. A deal has been reached to renew rights for multiple shows including Doctor Who and Torchwood, however Fawlty Towers, Blackadder, MI-5 and Red Dwarf will no longer be available on Netflix as of February 1.
In related news regarding a couple of these shows, filming has started on season nine of Doctor Who. John Borrowman is working on Torchwood radio plays. He says that Russell T Davies and executive producer Julie Gardner are involved: “It’s the team back together.” Hopefully this is a step towards reviving the television series, without making the same mistakes as in the final season.
Maureen Doud‘s column this weekend is about seeing Selma. She did praise the movie but did object to both the Oscar snubs and to its historical inaccuracies about Lyndon Johnson:
In an interview with Gwen Ifill on P.B.S., DuVernay dismissed the criticism by Joseph Califano Jr. and other L.B.J. loyalists, who said that the president did not resist the Selma march or let J. Edgar Hoover send a sex tape of her husband to Mrs. King. (Bobby Kennedy, as J.F.K’s attorney general, is the one who allowed Hoover to tap Dr. King.)
“This is art; this is a movie; this is a film,” DuVernay said. “I’m not a historian. I’m not a documentarian.”
The “Hey, it’s just a movie” excuse doesn’t wash. Filmmakers love to talk about their artistic license to distort the truth, even as they bank on the authenticity of their films to boost them at awards season.
John Lewis, the Georgia congressman who was badly beaten in Selma, has said that bridge led to the Obama White House. And, on Friday night, the president offset the Oscar dis by screening “Selma” at the White House. Guests included DuVernay, Lewis and Oprah Winfrey, who acts in the film and was one of its producers.
There was no need for DuVernay to diminish L.B.J., given that the Civil Rights Movement would not have advanced without him. Vietnam is enough of a pox on his legacy.
As I have written about “Lincoln,” “Zero Dark Thirty,” and “Argo,” and as The New York Review of Books makes clear about “The Imitation Game,” the truth is dramatic and fascinating enough. Why twist it? On matters of race — America’s original sin — there is an even higher responsibility to be accurate.
DuVernay had plenty of vile white villains — including one who kicks a priest to death in the street — and they were no doubt shocking to the D.C. school kids. There was no need to create a faux one.
With In The Forest of the Night, I feel that Doctor Who has gone overboard with preposterous solutions to problems this season. We had the golden arrow in Robot of Sherwood and then the mass of the moon growing because the moon is an egg in Kill The Moon. At least Robot of Sherwood was more a comedy, so I didn’t mind the ending as much. Kill The Moon did at least address the question of what would happen after the egg hatched, when they knew the moon still existed. In The Forest of the Night made bad science was made even worse with such a weak attempt to explain away what happened.
Once we found out that a solar flare was threatening to destroy earth it became predictable that the trees were acting to save us, not attack humans. Although the Doctor also figured this out, are we to really believe that government agencies working on attempts to clear out paths through the trees would stop based upon a child’s text message? We got an indication of how unlikely this was earlier in the episode when we learned how a child was ignored, and medicated, rather than be listened to.
It is implausible enough that the trees could quickly cover the earth, including the oceans based upon the pictures shown of the entire planet. It also implausible that the trees would be impervious to fire, and would be able to save the earth from the solar flare. However if this is possible, any chance that they removed the excess carbon dioxide from the planet and reversed global warming?
The worst aspect of all of this was to have something so major, which clearly everyone would remember and be talking about for a long time, be dismissed as something which humans will quickly forget about. If Torchwood was still around, perhaps they could have been called to Retcon the planet.
The episode did touch on other themes, and was actually enjoyable to watch despite being so implausible. There was self-mocking by the Doctor (“I am Doctor Idiot”) and sort of an acknowledgment that the Doctor solves far too many problems with his sonic screwdriver (“Not everything can be fixed with a screwdriver. It’s not a magic wand.”). Peter Capaldi had a good line when he first ran into a young girl looking for him: “Do you have an appointment? You need an appointment to see the Doctor.” There was also more on Clara’s relationship with Danny and the Doctor, and the Doctor’s relationship with the planet earth. Plus there was another appearance from Missy, who plays a major role in the two part season finale starting next week (with a Christmas episode to also follow). The synopsis for the finale, Death in Heaven, written by Steven Moffat:
With Cybermen on the streets of London, old friends unite against old enemies and the Doctor takes to the air in a startling new role. Can the mighty UNIT contain Missy? As the Doctor faces his greatest challenge, sacrifices must be made before the day is won.
The Doctor Who Extra is above.
Jesse Eisenberg, who plays Lex Luthor in Batman V Superman: Dawn Of Justice, might also play the same villain in the Suicide Squad movie.
The Marvel television and movie universe has already had appearances by Cobie Smulders of How I Met Your Mother. Now another cast member (even if rarely seen) joins the cast of Agent Carter. Lyndsy Fonseca, who played Ted Mosby’s daughter, will play Angie Martinelli, an aspiring actress who befriends Peggy (Hayley Atwell)
The TV Addict interviewed Neil Marshall, who has directed for Game of Thrones, and now directs Constantine, which premiered on Friday night.
Aaron Paul has responded to the decision of Toys R Us to not carry Breaking Bad toys.
Wait, so @ToysRUs pulled all of the Breaking Bad figures from their shelves and still sells Barbie? Hmmmm…I wonder what is more damaging?
We finally have an air date for second season of The Fall, an excellent mystery staring Gillian Anderson. It will air on an Irish television channel starting on November 9 and on BBC2 at approximately that time. Netflix released the entire first season on in the United States when it started to air internationally, and hopefully this will be the case with the second season.
Revolution creator Eric Kripke is still talking about continuing the story in some form and has discussed what he had planned for season three before it was canceled:
While he ruled out the show’s return to television, Kripke provided some insight into what a Revolution Season 3 would have looked like, “It was going to be great. It was gonna be this kind of treasure story where they were going to hear a legend of a very mythic treasure. It wasn’t gonna be gold, it was gonna be supplies.”
“It was gonna be this incredible stockpile of supplies. All the good guys and all the bad guys in the show were going to fight for this gold mine of material and supplies. It was going to be fun. It wasn’t going to be a war season. It was going to be a treasure hunt season, which would have fun and mixed up the show in a really interesting way. But, alas…”
Reading this does not have me very interested in seeing the story continue and still has me thinking that NBC was right in canceling the show.
Person of Interest had another episode dealing with Samaritan and artificial intelligence last week, showing Samaritan get involved in politics. I hope we see more of this.
Now that the Black Canary has been killed in the season premier of Arrow, everyone is convinced that Laurel will take on the role as in the comics. Katie Cassidy even discussed this:
“It’s so sad when somebody leaves,” Cassidy told reporters on the “Arrow” set in Vancouver last week. “Caity and I were really close, and she is a great actress, and we loved having her. It’s always sad when somebody leaves, but exactly like Colin Donnell, it’s like he took one for the team, because something drastic needed to happen, and he is an amazing an actor as well. It’s always tough when you lose an actor, but she seemed to be very supportive, and yes, of course I was excited to continue to see what was going to develop for Laurel and her journey, and hopefully one day becoming the Black Canary.”
The Flash, along with Jane the Virgin, have received full season orders from CW. Last week’s episode of The Flash, Things You Can’t Outrun, included flashbacks to the night of the particle accelerator launch, ending with a scene clearly showing that Harrison Wells knew what would happen to Barry Allen to turn him into The Flash. When he started the accelerator he said, “I feel like I’ve waiting for this day for centuries.” He clearly has knowledge of the future. Is he also a time traveler, and how long has he really been around for?
Time travel is clearly going to play a role in this series. I heard one reviewer (sorry, I don’t recall which), state that in the flash backs to the night of Barry’s mother’s death there are both yellow and red streaks present, speculating that the red streak was The Flash. It certainly is possible that Barry Allen at some point goes back in time to try to save his mother. I would go on from there to speculate that a rescue form his future self could be how young Barry suddenly appeared far from the murder scene.
There is a lot of speculation about where the series is going from those who have been following the comics. For example, Giant Freakin Robot speculates on another time traveling super hero who might wind up on the show.
SciFi Weekend is a weekly feature at Liberal Values, and is now being cross posted at The Moderate Voice. To introduce the feature to new readers, every week this post generally deals with Science Fiction along with other topics. Sometimes, like last week, it is about a single topic (Sherlock Season 3). More often a variety of topics are discussed, typically starting with science fiction and genre television, but often including other topics in pop culture. Some weeks there is a theme. The theme this week is Valentine’s Day and Girls SciFi Geeks Love. Beware that there are frequently spoilers, especially for television shows which have aired in the United States. I do frequently leave out some details or only refer to them obliquely to limit this, and try to warn about spoilers when discussing movies or shows which have not aired yet in the U.S.
This year we had not one but two major movies combining science fiction and romantic comedy. As I had already watched and blogged about Her, this left About Time to watch with my wife after we returned from dinner last night. About Time uses time travel much more like Groundhog Day than Doctor Who, except unlike Bill Murray in Groundhog Day, the protagonist of About Time can control which portions of his life he relives. The review does include spoilers.
On his twenty-first birthday Tim (Domhnall Gleeson)was told by his father (Bill Nighy) that the men in his family all have the ability to travel in time. There are limitations. You can only go back and revisit portions of your own life. As his father put it, you can’t kill Hitler or shag Helen of Troy. Tim asked about the butterfly effect and his father told him he hadn’t run into it. To add some drama later in the movie, it turns out he wasn’t entirely correct here.
There are other limitations, including one standing in the way of Tim’s number one interest, getting a girlfriend. You can’t make someone love you. He failed in his first attempt with a girl spending the summer with his sister. He did later manage to meet Mary (Rachel McAdams) but the meeting was erased from time when he went back in time to help out a crabby playwright who he was briefly living with. There was no butterfly effect which destroyed civilization as we know it, but it is possible to change one’s past. It should surprise nobody that he did manage to meet Mary again, but had to go back in time to dispense with the boyfriend she met because of not meeting Tim.
From there time travel continued to come in handy. No more awkward first times in bed when for Tim it became the second and then third time after going back in time. It wasn’t even necessary to keep his first awkward attempts at removing Mary’s bra or meeting her parents. Minor mistakes later in their life, such as choosing the wrong best man, were also easily fixed.
Some problems were not so easily fixed. Tim found a serious problem in going too far back in time to help reverse a poor decision made by his sister, Kit Kat. Fortunately for Tim, his mistake was easily reversed, but he had to find another way to help his sister. Tim learned that time travel cannot fix all problems. Sometimes something terrible in life must occur to get people to change. If he was truly trying to help Kit Kat, he might have also bought her a comb.
The relationship between Tim and his father became as important to the movie as the relationship between Tim and Mary, even leading the two to once again break the rules, but this time with no dire consequences. Over time, Tim preferred a simpler form of time travel, moving forward in time day to day and fully appreciating every day. “The truth is, now I don’t travel back at all, not even for the day. I just try to live everyday as if I’ve deliberately come back to this one day. To enjoy it. As if it was the full final day. Of my extraordinary, ordinary life.” About Time is far from a hard science fiction look at time travel, but it was an enjoyable movie.
Karen Gillan’s romantic comedy, Not Another Happy Ending, is being released in the U.K. on DVD this week but there are no current plans for a U.S. release. Trailer above. Iain De Caestecker of Agents of SHIELD (Fitz) is also in the movie. The actress who formerly played Amy Pond does not do any time traveling during the movie, but she does write and bake in the nude (more of that scene here). Update:Not Another Happy Ending will be shown at the Cleveland International Film Festival on March 19.
Scarlett Johansson is becoming the go to girl for sexy female leads when she is not in The Avengers movies. When they needed an actress to make it seem realistic for a voice alone to seduce the male lead, it was Scarlett Johansson’s voice used in Her. She is also the female lead in Under The Skin, playing an alien female who seduces men for sexual experimentation. Trailer above. It reminds me a bit of an early episode of Torchwood, back before the show got to be too big and they messed it up.
If you missed buying a card for Valentine’s Day you might have to use Tim’s trick from About Time to go back and fix that. Or you can go back in your TARDIS, perhaps to use one of these cards. For the last four years I have posted Doctor Who Valentine’s Day cards, with the latest set posted here. Cards from 2013 can be seen here. Older ones also available from 2012 and 2011.
I had not initially watched Arrow during its first season believing it would just be more CW fluff with attractive people in glitzy backdrops. At times it is, but as I later found out, it is far more. With a rich playboy crime fighter, and now the League of Assassins, in many ways it is one of the best live action adaptations of Batman ever made. Plus there are flashbacks to an island which might remind viewers of Lost. Still, it is on CW, so there is plenty of romance and love triangles in this superhero soap opera.
Before going on a brief hiatus for the Olympics, Arrow looked back at the triangle Oliver had with Sara and Laurel Lance, but things became even more complicated. In Heir to the Demon, Ra’s al Ghul’s daughter managed to incapacitate airport security agents without any of the publicity and follow through which such an event would generate in our world. Her mission was to return Sara to the League of Assassins or to kill her, but it became clear that her mission would be more complicated when the two kissed upon first seeing each other. A discussion with the show’s producer over this turn of events can be read here:
With the introduction of Nyssa al Ghul (Katrina Law) — Ra’s al Ghul’s daughter — hunting down Sara Lance (Caity Lotz) to bring her back to the League of Assassins, the stakes would have been high enough. But the show added another, more emotional level to Nyssa’s journey: She was Sara’s ex and wanted to win her heart again.
Of course, Nyssa ended up releasing Sara from her duty to the League when it became clear Sara would rather die than leave her family again. But watching Nyssa deal with the pain of that revelation was what made her one of the series’ best villains so far — a fact with which executive producer Andrew Kreisberg wholeheartedly agrees.
“It’s been pointed out that sometimes our villains get short shrift and we don’t always do right by the villains,” Kreisberg tells Zap2it and a handful of other reporters. “We just don’t have enough time for them because our show is just so dense. We’ve gotten away with casting really cool people in the parts and asking our audience to just fill in the rest.”
Kreisberg and fellow showrunner Marc Guggenheim are glad that they were able to give Nyssa enough of a backstory to make her a sympathetic villain. “I actually feel bad for her. She really does seem like this broken-hearted person who got the shaft,” Kreisberg says. “She has the advantage of having an emotional and personal tie to one of our characters. She goes on a complete journey from start to end as opposed to someone who just wants to rob a bank.”
Guggenheim is quick to point out, however, that “Arrow” can’t have every villain be like that. “If every episode had a Nyssa, and didn’t have let’s say a Clock King, when the Nyssas of the world showed up it wouldn’t have any import,” Guggenheim says. “It would lack the weight that this kind of episode has. Because some episodes, yes, it’s just a guy bombing the city, but there’s other stuff in that episode that makes it worthwhile and worth watching. If everything becomes special, then nothing becomes special.”
Law was excited to portray Nyssa, but she wasn’t expecting her to have such a rich history with Sara. “I was surprised that I was going to be a lesbian,” Law says with a laugh. “When we did the chemistry read, I wasn’t quite understanding why I was [with Lotz].”
According to Kreisberg and Guggenheim, the decision to make Nyssa a lesbian came from the idea of what it could do for Sara. “We thought of this at the beginning of the season,” Kreisberg says. “If you watch [episode] 205 there’s a reference to ‘the beloved,’ and ‘You think that’s going to keep you safe.’ We talked about, ‘Well, does Ra’s al Ghul have a son?’ And then we were like, ‘Well, can it be Talia?'”
Since Talia al Ghul was portrayed recently in “The Dark Knight Rises,” the writers decided to go with the lesser-known story of Nyssa al Ghul.
“It just felt like something new and different,” Kreisberg says. “At the same time, we didn’t do it to be salacious, because it’s a pretty chaste relationship from what you see onscreen. It just touched on a couple interesting things, like the idea that Sara found one person who treated her with love and kindness. And then for Lance to be this hardened, tough cop and probably not the most progressive guy, even he was just like, ‘I’m glad you had someone who loved you and took care of you during those nightmare years.'”
Nyssa wasn’t the only one getting action with Sara in the episode though, as it ended with her and Oliver (Stephen Amell) hooking up in the Arrow lair.
“We were anxious to have in the same episode where we reveal that Sara had had this lesbian relationship, she was also sleeping with Oliver again,” Guggenheim says. “We wanted to be sensitive and realistic. We specifically avoid using the term ‘bisexual’ because we didn’t want to label her at all. Let her be her own person, and if the audience wants to label, fine. We didn’t want to do something just to shock
Before this was all resolved, Nyssa kidnapped Sara and Laurel’s mother, played by Alex Kingston. I had half expected the Doctor to save River Song. It now appears that Amy Pond is the Black Canary’s grandmother. There is yet another triangle, as Sara joined Team Arrow and Felicity can wonder once again about what was going on over on that island between Oliver and all those women.
During most of the first season, Almost Human‘s best moments were its humor and the buddy cop relationship between the two male leads (one being an android). Unfortunately the last two episodes before its Olympic hiatus lacked the humor of previous episodes, but both episodes (Unbound and Perception) did more to flesh out the world the show takes place in. Perception returned to the events of the pilot and the relationship between Kennex and his probably-evil ex-girlfriend. Now that we now she is still tracking Kennex, there is the increased likelihood this will be used to find her and shed more light on what happened.
The episode also expanded upon the back story of Stahl, who turns out to be a genetically enhanced Chrome. Minka Kelley seemed almost too perfect on Friday Night Lights. She seems more plausible on Almost Human as being more than human, a character whose intelligence and beauty are the product of genetic enhancement.
Amelia Clarke of Game of Thrones was voted the Most Desirable Woman by Ask Men magazine. Alison Brie of Community and Mad Men came in second, with many other women in genre roles also on the list.
Two recent Canadian science fiction shows feature strong female leads. Syfy has announced that Continuum, staring Rachel Nichols will return in the United States on April 4. Unfortunately this is after it returns on Showcase in Canada on March 16, making it harder to cover on line as I will definitely get a hold of each episode as soon as possible rather than waiting for it to air on Syfy.
Tatiana Maslany does an amazing job playing multiple roles on Orphan Black. Maria Doyle Kennedy told Entertainment Weekly that season two is like season one on crack:
That was just one of the tidbits Kennedy dropped when she stopped by Entertainment Weekly Radio (SiriusXM, channel 105) to chat about the show as well as her music career. Another tidbit? Looks like we can expect more Mrs. S in season 2. “You’re going to see more of her,” says Kennedy. “I had a great time in season 1 and there were some great scenes, but there was also a lot of hovering. They just really liked me so wrote me more this time, so that’s great.”
But on which side will Mrs. S. land in the war between Sarah and Rachel (both played by Tatiana Maslany)? Kennedy says her character’s ultimate objective is protecting Sarah’s daughter, Kira, whose whereabouts are currently unknown. “In the war between Rachel and Sarah and the whole idea about the clones trying to find out about themselves, she keeps going through that and beyond it and goes, ‘Where does Kira land in all this? What’s happening with her? How safe is she? Are they close to her? Can they get her?’”
Okay, but we still don’t quite know where Mrs. S stands and her connection to the clone conspiracy. Is she good, bad, or somewhere in between? “She is an incredibly pragmatic woman with a strong moral compass,” says Kennedy. “That’s how I feel about her. She has definitely done bad things in the past. She came through an era of protest and squatting, so she’s not afraid to be anarchic or against the law, but she always has a strong proper reason for doing what she does.”
Nina Agdal, Lily Aldridge, and Chrissy Teigen appear on the cover of this year’s Sports Illustrated Swimsuit Issue. Three girls would normally mean six bikini pieces, but apparently that would have put them above budget, forcing the models to pose topless. The theme is The Past, The Present and The Future. Is this another time travel magazine?