SciFi Weekend: Hannibal; The Fall; Crisis; Orphan Black; Continuum; History of Science Fiction; HIMYM; Gotham; Agent Carter; SHIELD; The Americans; Under The Skin; Under The Dome

Hannibal-Season-2-Episode3

Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.

Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will  might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.

Assignment X has an interview with Mads Mikkelsen:

AX: Did you watch any of the earlier incarnations of Hannibal?

MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.

AX: Can you say what you’re bringing to Hannibal?

MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.

AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?

MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.

AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?

MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.

AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?

MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.

Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some  initial reviews being very favorable. Entertainment Weekly has more on the show.

Gillian Anderson had a great response to a question posed on Reddit:

Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?

Gillian Anderson: Something so rich that he’d choke on it and die.

EW Orphan Black

Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:

Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”

I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.

Spoiler TV has information (and video) on a new clone to be introduced in the second season:

A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.

Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.

Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:

From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.

Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.

The four part series will be divided into episodes on Robots, Space, Invasion, and Time.

Continuum - Episode 3.01 - Minute by Minute - Promotional Photos (5)_FULL

Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.

The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new  joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:

The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.

CBS has renewed The Big Bang Theory for three more seasons. Bazinga!

Cristin Milioti has called the theories that her character dies on How I Met Your Mother “some crazy conspiracy theories, which actually just makes me really love the fans more,” but never actually denied the rumors.  The show runners also dodged the question at PaleyFest. I wouldn’t be surprised if this is intentional misdirection, but if there is some other surprise at the end. The cast will also be appearing on Inside The Actors Studio later this month prior to the series finale on March 31.

Gotham

Fox has released more information on their upcoming series, Gotham:

Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.

Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.

As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).

Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.

captain-america Agent Carater
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel  about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:

  • ABC has the script for the pilot but nothing is greenlit yet.
  • Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
  • Howard Stark would be a recurring character, not a series regular.  This is assuming Dominic Cooper would be willing to continue to play the role.  I’ve spoken to him about this and he seemed very interested.  But this was a few months ago and things change.
  • The show would start in 1946, sort of in the middle of the timeline of the One Shot.  McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast.  We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
  • Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season.  McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome].  Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”

Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.

THE AMERICANS -- The Walk In -- Episode 3 (Airs Wednesday, March 12, 10:00 PM e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Patrick Harbron/FX

While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.

The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.

Scarlett Johansson

The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:

It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)

So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.

“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”

The story also touched on other roles, including genre movies such as Captain America and Her.

The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.

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John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.

Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.

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SciFi Weekend: Black Widow; Arrow; Continuum; House of Cards; Fantastic Four; Hannibal; Man From UNCLE; The Americans; Two More US Remakes Of British Shows; Karen Gillan; If Ikea Sold A TARDIS

Black Widow

Variety reports that Black Widow will continue to have a major role in upcoming Marvel movies and then Scarlett Johansson will star in her own stand-alone movie:

According to Chris Evans, who plays Captain America, Black Widow’s storyline in “The Winter Soldier” revolves around “her coming to terms with her history, that she’s been a spy, and spies aren’t necessarily trustworthy,” he told Total Film.

That will be further explored in “The Avengers: Age of Ultron,” out in 2015. Film starts production in March.

“(Black) Widow’s part in that is very big,” Feige said. “We learn more about her past and learn more about where she came from and how she became in that film. The notion of exploring that even further in her own film would be great, and we have some development work with that. When we meet the Avengers at the top of ‘Age of Ultron,’ it’s a very different landscape than we left them at the end of the first film. Partially, that’s because we love the rhythm that the comicbooks have developed — each of the characters appear in their runs, occasionally they get together for a big event or crossover series, they part again, and then they come back together again.”

It’s unclear whether Marvel hopes to have a Black Widow movie become part of its third phase of films, which so far includes “Ant-Man,” “Doctor Strange” and the third installments of “The Avengers” and “Captain America.”

Phase two includes “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy” and “The Avengers: Age of Ultron.”

Bringing Sarah into Team Arrow raises questions as to Felicity’s role. That is answered with a Felicity-centered episode. Preview above. More about Arrow here.

After Arrow, I’m far more willing to take a show on CW seriously. They have ordered  pilots from the creators of Sleepy Hollow and Veronica Mars:

The CW has given pilot orders to dramas Identity, from Alex Kurtzman and Roberto Orci, Jane the Virgin, from Jennie Snyder Urman, and iZombie from Rob Thomas, TVGuide.com has learned.

In Identity, when a young woman in need of a transplant learns she is related to a powerful family whose son is her only hope for a donor organ, the CIA approaches her to investigate the family’s involvement in domestic terrorism and to infiltrate their rarified world.  Her loyalty, morality and ethics are tested as she’s forced to slowly build a case against the family who saved her life. Sleepy Hollow‘s Kurtzman and Orci will executive-produce with The Good Wife‘s Corinne Brinkerhoff, who will also write. Heather Kadin, Rob Golenberg and Alon Aranya are also attached as executive producers…

Based on DC Comics’ series, iZombie is a supernatural crime procedural about a med student-turned-zombie who takes a job in the coroner’s office to obtain the brains she must eat to maintain her humanity. However, with every brain she consumes, she also inherits the corpse’s memories. In order to silence those disturbing voices in her head, she solves homicide cases along with her medical examiner boss and a police detective. Veronica Mars‘ Thomas and Diane Ruggiero will write and executive-produce with Danielle Stokdyk and Dan Etheridge.

Showcase has released another trailer for the third season of Continuum. It returns on  March 16  or you can wait until April 4 and see cut episodes on SyFy. Guess which version I plan to watch.

If you haven’t seen the first episode of season two of House of Cards yet, you just better get off the Internet if you don’t want to see spoilers. It turns out that the shocking event from the first episode was planned from the start with a similar event in the season finale of the first season of the U.K. version. How realistic is the show? A star such as Robin Wright may or may not know very much about actual political life, but it is easy to have their opinion covered by being a bit titillating:

During a Q&A in the upcoming issue of Capitol File magazine, a reporter asked whether Wright’s White House source thought the fictional events depicted in the Netflix series were close to the mark.

“Did she think reporters sleeping with sources and members of Congress was factual?” the reporter asked.

“Oh, yeah,” the actress replied. “D.C. is more corrupt than Hollywood. It really is. It’s more sleazy than Hollywood… how much infidelity goes on.”

Kate Mara might soon become better known for another genre role. The cast has been announced for the Fantastic Four reboot, with Mara playing Sue Storm. Think how House of Cards might have turned out differently if Zoe Barnes also had Sue Storm’s power to turn invisible.

Orange Is The New Black returns on Netflix on June 6. No relation to Black Widow, Black Canary, or Orphan Black.

Hannibal returns on February 28, with the first season available to binge on Netflix and Amazon. Here is some more information on  the second season.

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Open Channel D. The Man From UNCLE movie opens on January 16, 2015. The movie stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant and Luca Calvani. One of the key things I remember from the original show was the use of cigarette cases and pens as communication devices. Is there any point in this with smart phones? But if these are not used, will the movie really feel like UNCLE? It might be fun to go back and look at some of the old episodes to see how they stand up today. My guess is that they would be better than SHIELD.

Actually Agents of SHIELD has improved. They did try experimenting with storytelling a little in the last episode, TRACKS, telling the same story from the perspective of different characters. I also enjoyed seeing a train heist as it reminded me of one of the first Joss Whedon shows I had ever seen, The Train Job episode of Firefly. (Yes, I have never seen Buffy). The episode ended with a cliff hanger but I doubt Skye is really dead considering how they appear in the midst of developing her back story. Besides, people on comic-based shows are rarely ever dead. A clue to this is that the next episode when SHIELD returns from hiatus will be entitled  TAHITI. Bill Paxton will be joining to assist in saving Skye.

Producer Joel Fields answered questions about the second season of The Americans, which returns this week. One of my favorite moments from the first season was when Reagan was shot and the Russians saw it as a coupe attempt by Alexander (“I am in control here”) Haig. Fields was asked if any real life events will be included in the second season:

Season two will begin in early 1982 and, as our show was last season, it will be informed – but not shaped – by real life events. Philip and Elizabeth will deal with threats ranging from the Soviet invasion of Afghanistan to the covert American assistance taking place in Nicaragua, and everything they do will happen under the specter of constant brinkmanship that was a hallmark of US-Soviet relations at that time.

Last year it was discovered that Robert Galbraith was really a pseudonym for J.K. Rowling. She has a second novel about Cormoran Strike coming out on June 19. With character names such as Cormoran Strike, we should have guessed who the author was.

Joel McHale of Community will be hosting the White House Correspondents Dinner on May 3.

Broadchurch US

The first pictures have been released from filming of Gracepoint, the US remake of Broadchurch. David Tennant reprises his staring role from the ITV version, along with Anna Gunn of Breaking Bad.

An American adaptation of Utopia is being planned by HBO and is to be written by Gone Girl author Gillian Flynn.

Both Broadchurch and Utopia have completed their first season in the U.K. and will be returning for a second season. The first season of each was excellent, but as accustomed as I have become to downloading shows from the U.K. I can’t help but wonder why they don’t just show the original versions here. Yes, there are references which Americans might not understand, and David Tennant’s accent was a bit thick in the ITV version, but I think American audiences can cope. Look how popular Downton Abbey and Call the Midwife are becoming here without need to remake them for American audiences.

The above trailer has been released for Marvel’s Guardians of the Galaxy.

Karen-Gillan-Joins-Selfie-Comedy

Doctor Who and Guardians of the Galaxy star Karen Gillan has been cast in an American sit-com, Selfie:

The actress, who next appears in Marvel’s Guardians of the Galaxy and Oculus, has been tapped to star in ABC’s Emily Kapnek comedy Selfie, The Hollywood Reporter has learned.

The modern take on My Fair Lady is inspired by the musical and tells the story of a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

The casting marks the Scotland native’s return to TV following Doctor Who – where she played the Doctor’s companion, Amy Pond, for more than 30 episodes on the show’s fifth through seventh seasons — and Adult Swim’s NTSF: SD: SUV

No word as to whether Karen Gillan will be doing any nude writing or baking as in  Not Another Happy Ending.

I’ve seen a number of posts about people building their own TARDIS. With so much interest, it is only a matter of time until Ikea comes up with a kit. This is what the experience might be like:

TARDIS Ikea

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SciFi Weekend: Sleepy Hollow & Other Cliffhangers; Doctor Who & Sherlock Win At National Television Awards; The Americans; Arrow; Wonder Woman; Revolution; Hannibal; SHIELD

SLEEPY-HOLLOW-FINALE

Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.

This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard.  The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.

An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.

Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!

Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating  Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.

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The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:

This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.

Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”

Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”

Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.

There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.

Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.

BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.

Tremors

Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:

“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”

He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.

“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”

Gal Gadot2

Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.

I don’t know if this is the official final storyline, but this synopsis  (spoiler) of the Fantastic Four reboot leaked out from casting calls:

“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”

I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.

A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.

Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.

HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.

CHLOE BENNET

Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:

Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.

“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”

In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.

“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”

Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.

Parks and Recreation has been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.

Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.

Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.

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SciFi Weekend: New Director For Star Wars; JJ Abrams Book Out This Week; Doctor Who News; X-Men; Arrow; Agents of SHIELD; Thor

jj_abrams_star_wars_star_trek_crossovers

With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:

We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.

Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.

I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by  J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:

S by Abrams

Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.

As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.

Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:

The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka,  even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.

And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…

Doctor-Who-Day-of-The-Doctor-Teaser-Trailer

It appears there will be a mini-episode released, perhaps prior to The Day of the Doctor:

The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.

While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.

Cory Doctorow discussed Traversable Achronal Retrograde Domains In Spacetime, a physics paper on “the spacetime through which Doctor Who’s Tardis travels.” Note the acronym. There is also a version for non-physicists, The Blue Box White Paper,

What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)

Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:

In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.

Arrow Crucible Black Canary

Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.

There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.

The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.

The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”

Thor Agent Coulson

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SciFi Weekend: The TARDIS on Google Maps; Arrow Introducing More DC Characters; Iron Man 3; Under The Dome; True Blood; Homeland; Orange Is The New Black; Orphan Black; Thor; Elementary; The Newsroom; Interstellar; Star Trek Predicting The Future Since 1966

TARDIS in on Google Maps

If you check out street view on Google Maps at Earlham Green, Greater London Nr5 8DQ, United Kingdom you will see a blue police call box on the left side of the street. Place the mouse near it and then click on the double lines which will appear. This will allow you to enter the TARDIS. You will find that it is smaller on the outside than on the inside. Once inside you will be able to move around the control room. Unfortunately you cannot go further inside the TARDIS but I assume Google Maps will be working on extending their coverage of interior spaces.

arrow_on_cw

Arrow show runner Mark Guggenheim discussed introducing The Flash on Arrow:

“I feel like I’m just following Bilson and DeMeo. Whatever they do, I seem to follow in their footsteps,” Guggenheim laughed. The writer told CBR that from comics to TV, the goal of the “Arrow” production team is to expand out the DC Universe while keeping the tone and feel of their show its own unique story platform.

“Honestly, I’m just excited to help be a part of expanding the DC Universe,” he said. “I think one of the big thing that appeals to me about comics in general is the idea of the shared universe. It’s a lot of fun to be able to do that in television, and growing up one of the things I enjoyed was the ‘Six Million Dollar Man’ and ‘The Bionic Woman’ and the way those two shows would interact with each other. We’re at least a season away from ‘Arrow’ interacting with ‘The Flash,” but the potential for that is really exciting for me.”

Kreisberg, who serves as Guggenheim’s show running partner on “Arrow,” will develop Barry Allen’s character in writing each of those three episodes this season on “Arrow,” and Guggenheim said that is all part of a masterplan that stretches back before their recent run of announcements. “Andrew is taking the lead on ‘The Flash.’ This has been in the works for a while and had been in the works since before Comic-Con. But we made the decision, as these things are announced in a rollout, to take a strategy where we’d announce Black Canary, Bronze Tiger and Brother Blood at Comic-Con. We felt like, ‘That’s a lot for Comic-Con. Let’s save something back for when T.C.A. comes around.’ I want to disabuse anyone of the notion that we decided to do Flash after Comic-Con. We’re just capable of keeping secrets every now and again.”

And overall, the writer wanted to stress that an additional superhero – and one with some more super powers – won’t change the core of what “Arrow” is. In fact, Guggenheim leaned on a comparison with DC’s main competitor to explain how each series will develop over time. “I think a lot of people are justified in asking ‘What does this mean for Arrow in terms of its tone?’ And my answer is that the trick that we have – and this is a challenge we’ve discusses a lot and have an awareness of how to face it head on – is the fact that ‘Arrow’ is like ‘Iron Man’ where ‘The Flash’ will be ‘The Hulk.’ And just as ‘The Hulk’ coming out did not change the tone of the Iron Man movies, ‘The Flash’ will not change the tone of ‘Arrow.’ We’re very cognizant of what ‘Arrow’ is all about, and I think the Marvel movies demonstrate that each piece of a universe can have its own feel. ‘Thor’ is consistent with the tone of Thor while ‘Captain America’ is consistent with the tone of Captain America’s character. ‘Arrow’s’ tone will remain consistent much in the same way, and we are looking forward to expanding our canvass a bit. And judging from the announcement, I think the fans are looking forward to it as well.”

While Barry Allen will be on Arrow for a few episodes, he will not have his superpowers, at least not at the start.  Despite not having true superpowers, Arrow does feel like a superhero show, including having the common problem of the hero being just too powerful. I just watched the first season of the show over the past week and found it to be entertaining as long as you ignore the multiple implausible aspects. On Arrow, a person with bow and arrows can easily defeat multiple people with guns. This includes not only Oliver Queen, but two other characters who use the same weapon. Oliver Queen does have fighting skills beyond this weapon. He also has an amazing ability to disappear. Typically when he is surrounded inside a closed area and anyone else would be captured, he gets away with no difficulty or even on-screen explanation. Arrow is not up to the quality of the most impressive new genre shows of the season on regular cable and broadcast television ( such as The Americans, Orphan Black, and Hannibal) but still worth watching.

There were aspects of the writing style of Arrow which makes me confident they will do a good job of gradually introducing characters. Rather than quickly giving an origin and then moving on to the main story, Arrow had flashbacks over the entire season to the island where Oliver Queen was stranded for five years and learned his skills. Rather than immediately introduce the sidekick and those who knew his secret identity, characters were gradually brought into Oliver Queen’s inner circle.

There are also a couple of reasons for Doctor Who fans to watch. John Barrowman is a recurring character all season and Alex Kingston was on a few episodes. I was hoping for the two to interact but that did not occur. Incidentally, most Barrowman fans probably know that Torchwood is an anagram with the same letters as Doctor Who. By coincidence, the name of the television show he appeared in last season is also in Barrowman’s name.

More on crossover characters from other DC comics here.

The Mandarin appears in this deleted scene from Iron Man 3.

I’m glad to see Under the Dome turn more to the mystery of the dome, not that I’m all that confident of a satisfactory resolution. Apparently when they say “the monarch will be crowned” they are speaking of an actual monarch within the small dome. I have read that one of the major differences between recent episodes and the book has been that Big Jim and Junior work together in the book. Last week’s episode may signal a reconciliation between the two.

Last week’s episode of True Blood contained the battle which we might have expected for the season finale. There are still questions. Will Sookie keep her promise to become Warlow’s vampire bride? (I bet she does not). Is the war between humans and vampires now over, or just beginning? Will those vampires who indirectly fed on ferry blood continue to be able to be out in daylight? Is Bill now returning to his normal self? Considering how poor recent seasons of the show had become, it is a good sign that, despite some ongoing problems, the show is now able to maintain interest in such questions.

Homeland writers revealed information on their plans during season two. I’ve been questioning since the end of season one how long they could plausibly continue to have Brody around. The writers may have been thinking the same thing:

Though the show’s creators already copped to plotting an untimely end for Lewis’ character way back in season one, that is until more merciful voices at Showtime prevailed, Gordon admitted that, going into season two, the writers intended to send Brody to the chopping block yet again, and were once more persuaded otherwise by the network.  “We had sketched out this plan in the early parts of season two which called for Brody’s demise, which may have been premature, and they asked us to reconsider,” which Gordon credits as “the happy accident of having very good partners.”

If it seemed like a sudden reversal for Carrie to have decided not to leave the country with Brody, it was also a reversal of the writers’ plans:

According to Steihm, who has since left Homeland to run FX drama The Bridge, the writers all wanted Carrie (Claire Danes) to go with Brody across the border in the season two finale instead of returning to the CIA.  In fact, in the first draft, she did. After much debate, they ultimately decided it was more in character for Carrie to stay and carry out her mission with the Agency after helping Brody escape safely to an underground network.

Besides being a great show, Orange Is The New Black has supported science over religious fundamentalism, such as in the scene above with partial transcript below:

Piper: I can’t pretend to believe in something I don’t, and I don’t [believe in this]… I believe in science. I believe in evolution. I believe in Nate Silver, and Neil deGrasse Tyson, and Christopher Hitchens, although I do admit he could be kind of an asshole. I cannot get behind some Supreme Being who weighs in on the Tony awards while a million people get whacked by machetes. I don’t believe a billion Indians are going to hell. I don’t think that we get cancer to learn life lessons. And I don’t believe people die young because God needs another angel. I think it’s just bullshit. And on some level, I think we all know that.

There are a number of reports, along with a denial, that Laura Prepon will be leaving Orange is The New Black to work on a new show. If true, this would leave a major hole in the show. The reports claiming this do say that Prepon will still be present at the start of the season to tie up Alex’s storyline and she will be written out in a way which would allow her to return.

Orphan Is The New Black

Two  of the top television shows premiering in 2013, Orphan Black and Orange Is The New Black, have been combined in this mash-up giving us Orphan Is The New Black.

Natalie Portman expects there to be a Thor 3.

Fake Sherlock will be going to England in their opening episode. Maybe they will meet the “real” Holmes and Watson of Sherlock. (Ok, probably not). More news on the second season of Elementary here.

We expect The Newsroom to mix in major news stories with each episode. Last week they included plot elements reminiscent of other real events from The Today Show botching the editing on George Zimmerman’s 911 tape to the real life release of nude photos from Oliva Munn’s phone. The manner in which World Net Daily reported a rumor without any fact checking also is based on reality, along with being an excellent commentary on the unreliability of WND and the entire right wing noise machine.

Filming has begun on Christopher Nolan’s latest science fiction project, Interstellar.

William Shatner joins those arguing that Star Trek belongs on television in this interview:

Karl Urban, from the new Star Trek films said that “Star Trek, as envisioned, was about space exploration. And it would be really wonderful to harness the spirit of that and apply it to the next film”. Is that something that you would like to see? A greater focus on discovery in these films.

Shatner: I’m not goona second guess JJ Abrams, he’s a great director and he’s so talented. But I’ll tell you that I am going to the Lowell Observatory in a couple of weeks to deliver a speech that I wrote about Star Trek and its capacity to stir the imaginations of young people.

The idea is, that so many people’s lives have been touched by the imagination of Star Trek and children’s imaginations are so vital to the rest of their lives that… this is an aspect of Star Trek that I’m focused on.

Now let me ask you, trying to bring in new viewers, new younger viewers to expose that world to young kids and teenagers alike and really spur that imagination — is a TV show a more viable vehicle for that? Is it sad that we don’t have something like that right now, a Star Trek TV show that could really seize on the exploration part of the thing that the original series and Next Generation, that those things did?

Shatner: You know, I think you’re right. Because, JJ Abrams has found the key to getting a large audience into the movie theater, and that’s the ride. So you get a lot of the CGI effects, which is the epic movie making aspect of today, whereas in Cecile B. Demille’s time, you had to use real people. Now you don’t need to use real people and you can have infinity for God’s sake.

That’s in order to get you into the theater, because the majesty of the movie is shown by the large screen. But when you get into the small screen, you need stories… entertaining, interesting, vital stories that have a philosophy and also have an excitement about them, so that the viewer stays with it, but recieves the philosophy as a byproduct. Those were the best of Star Trek, those kinds of stories. And that kind of thing, there is always room for that. That kind of imaginative approach that stirs young people into wanting to be connected with science.

Star Trek Science

Via Techeblog

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SciFi Weekend: The 12th Doctor; The Next Batman; SHIELD And The Avengers; Captain America; Star Wars; Star Trek; Homeland; Dexter; The White Queen; Piracy

Last week white smoke emerged from the BBC and soon afterwards Peter Capaldi was introduced as the 12th Doctor on a show simulcast in the U.K., the United States, Canada, and Australia (video above). BBC America has a run down on the news coverage. The Guardian introduces Capaldi to non-Brits.

Every time there is a regeneration, there is speculation that the next Doctor might not someone other than a white male. Neil Gaiman claims that a black actor has turned down the role. Steven Moffat, Matt Smith, and Jenna Coleman discussed the transition in this interview. An excerpt:

Is writing that final story for Matt Smith’s Doctor the biggest pressure you’ve faced, in doing this show?

MOFFAT:  The biggest pressure will always be introducing a new Doctor.  And I can’t imagine it will ever be tougher than with “The Eleventh Hour” because everything changed.  It’s not an ideal way to run television.  It really isn’t.  That was mad.  All the execs left, the producer left, and all the stars left.  You think, “Christ, how do you get away with that?!”  We’re not in that situation this time, and it’s good that we’re not.  People say, “It must have been great and exciting and marvelous that you had all that new stuff,” but not really.  But, we got away with it.  I just remember thinking, “Are people going to buy that this is the same show, when it clearly is not?”

Do you wish that you could just introduce the new Doctor via the show, when he finally shows up?

MOFFAT:  I’d love to, but that’s physically impossible.  It was Russell’s plan not to tell anyone that Chris [Eccleston] was going to change in the last episode, but it leaked after one week.  I wish it were possible.   The fact is that those actors’ agents have to say that they’re available.  They have to take jobs.  It’s going to leak, so you have to take command of that story.  It’s annoying.  I’d far rather not tell anybody anything, seriously.  If you’re telling a joke, you don’t want anybody telling the punchline before you get to the end.  Sadly, I don’t think it’s possible now.  Everybody wanders around with cameras now.  A few years ago, no one had a camera on them.  Now, every little human being goes around with a camera on their phone.  How am I going to keep secrets with that?!  It’s tough.  It can be irritating, but what can you do?

Moffat started with a new cast with both Matt Smith and Karen Gillan. With Jenna Coleman still being relatively new to the series, the show with Peter Capaldi and Jenna Coleman will have a different feel than during most of Moffat’s tenure with Matt Smith and the Ponds.

Now that we know who will play the next Doctor, the next major succession is who will play Batman when he appears in the next Superman movie. Rumor has it that Orlando Bloom is the leading contender.

agents-of-shield-tv-show-teaser

Joss Whedon discussed synergy between Agents of S.H.I.E.L.D. and the universe of The Avengers:

Speaking at the recent TCAs, Whedon said fans will spot some synergy in the run-up to Captain America: The Winter Soldier and Thor: The Dark World. “There will be as much as we can allow,” he said. “We’re still working that out. It’s a fun opportunity, but it’s not the reason for the show. It’s not an Easter egg farm, we want people to come back.”

The pilot kicks off with Angel alumnus J August Richards as an “unregistered gifted” that the SHIELD agents must track down. Don’t expect a superhero-of-the-week show, though, “There could be a device, a mystery,” Whedon continued.

“There’s so many aspects as to what’s happened since everybody in the world found out there’s a superhero team and aliens invaded New York. We want to be able to change it up every week: spy stuff, hero stuff, heartfelt stuff. We want to make sure the humor is there, but every week, you get something that feels a little bit different.”

Disney has also released a full synopsis for Captain America: The Winter Soldier

After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk.

Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.

These Avengers-themed sex toys will definitely never be sold at the many stores around the Disney theme parks, even should the Avengers characters be moved from Universal to WDW in the future.

ABC is in talks to bring another genre show to television–a live action Star Wars show. I really hope this happens, not because I care whether there is a weekly Star Wars show but because maybe this would lead CBS (who appears to own the rights, but it is somewhat murky) to counter by returning Star Trek to television. Star Trek worked far better as a weekly series than intermittent movies which are forced by market demands to be big action movies.

After Disney purchased the rights to Star Wars, there was talk of expanding the Star Wars presence at the Disney’s Hollywood Studios theme park. I expressed skepticism over speculation that they would  get rid of Muppet Vision 3D and the Honey I Shrunk the Kids Playground for this expansion. Earlier in the week I was looking at the refurbishment schedule at Walt Disney World and noticed that Muppet Vision 3D is closed August 6 through September 2 for refurbishment. In addition, the Honey, I Shrunk the Kids Playground will be closed September 3 through November 19 for refurbishment. They might not be around forever, but it doesn’t appear likely that they plan to remove them in the near future. As is usually the case at WDW, other areas will also be closed during these times. The most significant is that Spaceship Earth will be closed August 18-24.

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On Orange is the New Black, Kate Mulgrew ran the prison kitchen instead of the Starship Voyager. She was interviewed by Vulture, and told about one Star Trek reference thrown into the show:

At one point Natasha Lyonne has a line, “I thought I was your Spock.”
Yes, they threw that in. I’m sure they’ll do some more of that. I think that was intentional and very clever!

Speaking of Star Trek, Blastr describes how the show was saved by Lucille Ball.

In 1965, Roddenberry got a pilot order from NBC and produced the original Star Trek pilot “The Cage.” It was rejected by the network, reportedly because it was “too cerebral,” and for most shows that’s where the story would have ended. Luckily for Roddenberry, he had Ball on his side. The story goes that she still thought the Star Trek idea had legs, and used her considerable influence in television to push for NBC to give Roddenberry a second chance. The network made the exceedingly rare move of ordering a second pilot from Roddenberry, who overhauled almost the entire cast of characters from “The Cage” and eventually produced “Where No Man Has Gone Before.” That pilot was accepted, the show was given a series order, and the rest is history.

Damian Louis interviewed about his role on Homeland in the video above.

Anna Torv returns to television following Fringe in a show expected to air on HBO next year. Torv will play a lesbian yoga instructor.

Yvonne Strahovski as Hannah McKay (Season 7, episode 6) - Photo: Randy Tepper/Showtime - Photo ID: dexter_706_0087

We don’t know yet how Dexter will end but executive producer Sara Colleton realizes that she can’t make everyone happy.

“This has been the ending that we have talked about for years,” she said. “So to us, it feels right for our show and how we feel about it. I hope fans will think it’s right [too].”

The exec conceded that there is no way to make “everybody happy” with the conclusion of the Michael C Hall series.

“At the end of the day, we know that you’re damned if you do and you’re damned if you don’t,” she said. “There will be people who hate it, but we can’t try to anticipate that or put it through the lens of any other show’s finale – because that was another show.

“This is our show. This is Dexter.”

It is hard to believe that things will end well for Dexter Morgan. Multiple routes to doom have arisen this season. So far this has included Dr. Vogel and Deb when she is in a crazy mood. Last week episode showed two additional threats. He has decided he wants to be a mentor to Zach Hamilton, but Zach appears unhinged enough to turn on Dexter. Then there was the return of Hannah McKay.

Having a hard time waiting until Game of Thrones returns? The White Queen on Starz might help.

Piracy drops when there are legal ways to view shows. It comes as no surprise that piracy has spiked in response to the Time Warner cable blackout of CBS.
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SciFi Weekend: Doctor Who; Star Trek Into Darkness; Revolution; Superman; Thor; Captain America; Elementary; Sherlock; New SciFi Series; The Newsroom; Veronica Mars

Doctor Who Ice Warriors

Doctor Who brought us to the Cold War and the return, after forty years of the Ice Warriors. The episode provided a good, suspenseful submarine/Aliens drama until the problems got wrapped up too easily. At least this time the Doctor didn’t solve everything with the Sonic Screwdriver alone. He also gave a speech like many that James T. Kirk used to convince aliens to play nice on Star Trek. The cold war backdrop and idea of mutually assured destruction did provide a good backdrop for the discussions with Grand Marshall Skaldac over whether he would destroy the earth. (Spoiler: Earth was spared.) Professor Grisenko provided a second surrogate Doctor.

Mark Gatiss showed us what is inside of the Ice Warrior’s suit and solved the perpetual problem which is present in many episodes of why the Doctor doesn’t use the TARDIS during a crisis to overcome a problem. There was some mumbo jumbo about the TARDIS’s Hostile Action Displacement System (not seen since the Patrick Troughton) has been reactivated to take the TARDIS elsewhere to remain safe. This raises two other problems. How does the TARDIS’s translation matrix continue to work after the TARDIS is gone and  how does the Doctor get to the South Pole, where the TARDIS rematerialized? Will there be reference to their adventures getting to the South Pole next week?  (I’m still wondering how Amy and Rory got back to earth after the Doctor left them behind at the end of A Good Man Goes to War.)

There were no clear clues to the Clara mystery but one exchange might be significant. When faced with the threat of World War III being set off Clara pointed out, “The world didn’t end in 1983, or I wouldn’t be here?” The Doctor responded, “History’s in flux, it can be unwritten.” Does that apply to the fate of the girl who died twice?

This week’s behind the scene video is available here.

Jenna-Louise Coleman had some hints on the Clara mystery in an interview with TV Guide:

In a way, Clara is connected with the 50th anniversary. We saw in the Christmas episode that her birthday is Nov. 23, the same date that Doctor Who first aired.
Coleman:
  In the Christmas episode, I didn’t know why that was the case. But again, we will find out by the end of this series. But it’s really exciting — [the season finale] is phenomenal.  My spine was tingling when I read it. Again, I’m teasing your so badly here, but there’s the beginning opening sequence, which [is]  kind of building up into the 50th. It’s just huge.

She also discussed her relationship with the TARDIS:

You get to pilot that TARDIS in one episode. What does driving it entail?

Coleman: There’s a certain part of the TARDIS you go to, that liftoff thing. But you know, the TARDIS and Clara have a relationship. Actually I don’t think we’ve talked about this in interviews before. It’s something that’s running through the series. Instead of it being like, “Does so-and-so like Clara?” The TARDIS and Clara have a bit of a face-off. So, the Doctor is obviously bringing back somebody new. I think we’ve done a whole additional content scene of me talking to the TARDIS, and the TARDIS is making fun of Clara. They kind of have an argument. They’ve got a relationship individual to the Doctor where they have a dialogue.

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Doctor Who is filming the 50th Anniversary episode in Trafalgar Square as pictured above. Another cast member  has been announced:

Jemma Redgrave will be returning to Doctor Who for the show’s fiftieth anniversary special. She previously appeared in 2012’s The Power of Three playing Kate Stewart, daughter of the legendary Brigadier Lethbridge-Stewart.

Jemma is part of a brilliant cast that is already known to include Matt Smith and Jenna-Louise Coleman who are joined by the returning David Tennant and Billie Piper plus screen legend John Hurt and Joanna Page. Filming is underway on the special which will be a 3D spectacular shown later this year.

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There’s a new poster for Star Trek Into Darkness and a new trailer will be out on Tuesday. There are still rumors that, while named John Harrison, Benedict Cumberbatch’s character will turn out to be Khan. Cumberbatch won’t respond to the rumors saying, “Umm, I play a character called John Harrison. I can’t say more.” Some fans who believe this will be a re-imagining of the Khan story are upset since the change in the timeline in the first J.J. Abram’s Star Trek movie wouldn’t account for a different version of the Khan story. Of course the same might be argued about many other changes from the Roddenberry universe.

On last week’s Revolution, after lots of hype, Juliet finally told Google Guy what was going on. Something about how they all died on the island and are in purgatory, with no explanation of the flash forward. Actually there was something about viruses which only eat electricity and reproduce, sort of like Tribbles. I’m not very hopeful about the show, seeing it take a trajectory closer to that of FlashForward than Lost.  I do wonder what type of genre show Elizabeth Mitchell will be in next and what type of doctor or scientist she will play.

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Man of Steel is featured on the cover of Entertainment Weekly, along with mention of other genre (and non-genre) movies:

This week’s cover story reveals how the new film (out June 14) attempts to humanize the superhuman by finding new flaws and vulnerabilities. The most common one, however, was off the table: “I’ll be honest with you, there’s no Kryptonite in the movie,” says director Zack Snyder (300, Watchmen) Those glowing green space rocks – Superman’s only crippling weakness – have turned up so often as a plot point in movies, the only fresh option was not to use it. Anyway, if you want to make an audience relate to a character, a galactic allergy isn’t the way to do it.

Henry Cavill (Immortals), the latest star to wear the red cape, instead plays a Superman who isn’t fully comfortable with that god-like title. This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.

That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”

Iron Man 3 will include a trailer for Thor: The Dark World. Screenrant has some information on Thor 2 along with Captain America 2.

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I gave up on watching Elementary earlier this season but might return to it after reading that Natalie Dormer of The Tudors and Game of Thrones will be playing Irene Adler in a three episode arc which begins May 9. It will be interesting to see how she compares to Lara Pulver’s (often nude) portrayal of her in Sherlock. Dormer has shown in The Tudors that she would have no qualms in topping Adler’s scenes if allowed on broadcast television. Henry Cavill, who is staring in Superman, also had a major role on The Tudors.

It was previously announced that the first episode of season 3 of Sherlock will be entitled The Empty Hearse. It has now been announced that the second episode will be entitled The Sign of Three.

Syfy has seven new series being considered, some of which are hard science fiction. These are in addition to Ron Moore’s upcoming series about a disease outbreak entitled Helix.

Orion
The space opera centers on Orion, an adventurous female relic hunter who tracks down valuable artifacts while trying to piece together her past. Set amid an intergalactic war pitting humans against a terrifying alien race, Orion must decide whether to use her abilities to save herself or commit to the cause and unearth long hidden artifacts that could free all of humanity from a horrible fate. Ron Milbauer and Terri Hughes Burton (Alphas) will write and executive produce, with George Krstic and Ryuhei Kitamura on board as co-executive producers. F.J. Desanto will serve as a supervising producer on the UCP project.

Sojourn
The first detective ever in space is tasked with investigating a murder on a starship — headed to colonize another planet –­ and instead becomes embroiled in a vast conspiracy involving a mysterious terrible crime dating back to the original launch of the ship 50 years ago. Phil Levens (Smallville) will write, with Blum (Paranormal Activity) on board to produce the Lionsgate entry.

Clandestine
After a clan of bandits are nearly destroyed and left for dead by Coalition forces, they take refuge in the nearest safe haven, a derelict Coalition starship floating in space. Once onboard, they masquerade as Coalition officers while continuing their criminal ways ­– until they stumble upon a shocking realization about the true nature of the Coalition. Todd Stashwick and Dennis Calero will write, with Hurd (The Walking Dead) and John Shiban (Hell on Wheels) attached to executive produce the UCP project.

Infinity
When an alien armada is sighted in the region of Pluto, the Earth government turns to a young billionaire industrialist — who has the only ship ready for interstellar travel — to greet the aliens and avoid a catastrophe. Powered by secret alien technology discovered on Earth in the 1960s, the ship engages in a firefight that sends them spinning through a wormhole into an uncharted region of space. Lost in the universe, the team struggles to survive as they encounter new planets and alien species, searching for a way back home. Javier Grillo-Marxuach (Lost) will write the Berman/Braun produced entry from Universal Television.

Silver Shields
When his father is slain by assassins connected to the government of the large nearby city of Pont Royal, farm boy Caymer journeys there to continue his father’s legacy as a member of the local police force — and to solve the mystery of his father¹s death. He discovers that his simple country view on life is at odds with the big city, filled with orcs and other magical creatures. Robert Hewitt Wolfe (Alphas) will write and executive produce the UCP effort alongside producer Aaron Kaplan.

Shelter  
A massive meteorite is headed toward Earth, forcing 30,000 hand-picked humans to live underground in a government-funded shelter in order to start a new society. What begins as a Utopia quickly succumbs to the old human faults and jealousies as certain members of society create alliances to gain favor and power. Meanwhile, things on the surface are not what they seem. Humans slowly realize that this event may have been fated and the survivors meant for a greater purpose in rebooting life on Earth. Bruce Joel Rubin (Deep Impact) will write and executive produce the UCP project with writer/co-executive producer/writer Ari Rubin.

Dominion (working title, formerly known as Legion)
The effort, based on the feature film Legion produced by Bold Films, is set 20 years after evil angels have descended from heaven to lay waste to the human souls they felt God had favored over them. A reluctant “savior” must arise to protect Vega, the last remaining stronghold of humanity. The savior has more to fear than just angels, as the elites of this new society conspire to gain power for themselves. Vaun Wilmott (Sons ofAnarchy) will write and co-executive the Sony Pictures TV project, with ScottStewart (Defiance) attached to direct and executive produce. David Lancaster will EP as well.

The reboot of Blake’s 7 has also been received a thirteen episode order. I’m surprised that it has taken this long to bring this classic back. A reboot does make more sense than continuing the original but I would have loved to see how they might have managed to continue after the events of the original show’s finale.

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Yvonne Strahovski will be reprising her role as Hannah McKay on the final season of Dexter. We can expect lots of flowers and murder.

HBO has announced that Aaron Sorkin’s show The Newsroom will return on July 14.

Last month I mentioned contributing to the Kickstart campaign to finance a Veronica Mars movie. They wound up raising 5.7 million. The bulk of this came from people other than myself.

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SciFi Weekend: Spoilers on Star Trek Into Darkness; Doctor Who News; Carrie Fisher and Star Wars VII; Joss Whedon on Superheroes; Ashley Judd Running For Senate

A new trailer has been released for Star Trek Into Darkness (video above). TrekMovie.com revealed several spoilers coming from an extended screening in Brazil:

From the extended beginning of the film…

  • Opening sequence (previewed at IMAX theaters in December) has been reordered to have Nibiru Volcano sequence now opens the film followed by title card and then the scenes in London and at the hospital

  • Nibiru mission ends with Kirk rescuing Spock by violating the prime directive by revealing the Enterprise to Nibiru natives so he can beam Spock out of the Volcano

  • Kirk has a scene in bed (back in San Francisco) in bed with two “cat women”

  • Kirk makes mention of hoping to get assigned to a “five year mission” (implying that the famed five year mission hasn’t started yet for the time he has been captain)

  • Kirk is demoted for violating prime directive on Nibiru, loses command of Enterprise with Pike to take over command Kirk as first officer

  • Pike wanted to send Kirk back to Academy but was convinced (possibly ordered?) to make Kirk first officer of Enterprise by Admiral Marcus (played by Peter Weller)

  • Spock assigned to another ship

  • The “father” character uses his Starfleet ring as a bomb (dropping it into water for a reaction) and destroys a facility (in London)

  • London attack leads to big meeting of Starfleet captains which itself is attacked by John Harrison, resulting in Pike being injured…Harrison transport away

Later scenes in the film….

  • Enterprise severely damaged falling to Earth with Spock in command ordering evacuation

  • Kirk and Scott seen in Engineering trying to stabilize ship

  • Later Spock scene beaming down to San Francisco and starting long chase with Harrions

  • Eventually Spock meets up with Harrison and engages in a fight

Doctor and Clara

The BBC has announced a three day convention at ExCeL London for the 50th anniversary of Doctor Who. Filming on the 50th Anniversary episode  begins on March 18. Presumably more information on the show, such as who is actually appearing, will be more likely to leak out when they are filming the episode. Peter Davison does not believe that the earlier Doctors played by older actors will appear:

Speaking at February’s MystiCon panel, he said: “I honestly don’t know very much. I know that Steven Moffat will have something planned. I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.

“I think we’ll be featured somewhere but I should think it’s probably footage lifted from older Doctor stories. I don’t know. We are doing some Big Finish audios. I know that there are events planned by the BBC. I’ve got a meeting with the head of BBC Wales when I get back to go through various things the BBC have got planned. I don’t think she’s going to offer me a part in it… I might be wrong.”

He adds: “I decided that if we weren’t going to be involved that I would get together with Colin [Baker] and Sylvester [McCoy] and make our own little special… If we can possible manage it, we’re going to get into the 50th anniversary special whether we’re invited or not!”

The Daily Beast has five facts about Jenna-Louise Coleman.

Matt Smith told The Mirror that his favorite moment on Doctor Who was kissing Jenna-Louise Coleman:

Clara and the Timelord snogged in the Christmas Day special and Matt said: “My favourite moment? I like our kiss, that was quite fun, even though it was hell to do. We actually did a couple of different versions there might be some outtakes.”

He also loves New York:

If I could film we’d film every episode of Doctor Who in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.

Doctor and Clara notebook

Matt might love New York, but he cannot go back in time to whenAmy and Rory are living. We have a definitive answer as to why the Doctor will never again meet up with Amy and Rory from this interview with Steven Moffat from BlogtorWho:

Last year friend of the blog Dan Martin took time to chat with Steven Moffat about the Doctor Who Series 7 Part 1 finale, The Angels Take Manhattan  – and more specifically, “The Washington Theory”. Dan asked the current showrunner why could Amy and Rory not just travel to Washington (or Boston, or anywhere for that matter) and meet The Doctor there? Had Moffat left a useful plot thread dangling to bring the beloved companions back in a couple of years? Not so, according to Moffat…

“New York would still burn. The point being, he can’t interfere. Here’s the ‘fan answer’ – this is not what you’d ever put out on BBC One, because most people watch the show and just think, ‘well there’s a gravestone so obviously he can’t visit them again’. But the ‘fan answer’ is, in normal circumstances he might have gone back and said, ‘look we’ll just put a headstone up and we’ll just write the book’. But there is so much scar tissue, and the number of paradoxes that have already been inflicted on that nexus of timelines, that it will rip apart if you try to do one more thing. He has to leave it alone. Normally he could perform some surgery, this time too much surgery has already been performed. But imagine saying that on BBC One!”
More on the  Ponds later in the interview:
And what about return to the show for The Ponds? Moffat said, “You could never eliminate the possibility of dream sequences and flashbacks, but will the Doctor see them again? No. When I was first talking to Karen and Arthur about it, we said ‘let’s make it the proper ending’. Bringing back things just gives you sequel-itis. Just end it and get out. Heaven knows if they’ll appear in some form of flashback – I have no plans to do that I have to say – but the story of Amy and The Doctor is definitively over.”
That’s the definitive answer. Not the Doctor Who equivalent of Star Trek technobabble about that nexus of timelines that might rip apart. Doctor Who has been utterly inconsistent when dealing with the laws of time travel. The real answer is that Moffat doesn’t want them to return. His point about “sequel-itis” is more grounded in reality than the “nexus of timelines.”
None of this stops a future showrunner from having the Doctor and Amy meet again. There’s also another way to conceivably involve Amy and Rory in a Doctor Who story should Moffat or a future showrunner decide to boost ratings with such an episode. The Doctor could go back in time to Washington or anywhere else during the time in which Amy and Rory are living out their lives in the past. A story could be written in which both the Doctor and the Ponds get caught up with the same menace but are working independently and never actually meet. If this is done after the Doctor regenerates it would be possible for Amy to get a glance of the Doctor without meeting him. If she actually had much contact with him she would probably recognize him as Sarah Jane Smith recognized the Doctor.

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Last week Carrie Fisher said she would be in Star Wars VII:

Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?

Yes.

What do you think Princess Leia is like today?

Elderly. She’s in an intergalactic old folks’ home [laughs].   I just think she would be just like she was before, only slower and less inclined to be up for the big battle.

And still wearing the bagel buns?

The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.

She subsequently said she was joking (in a statement which many have speculated Disney insisted she release). While she was undoubtedly joking about being in an old folks’ home, it does appear likely that she will appear. George Lucas told Business Week that Mark Hamill, Carrie Fisher and Harrison Ford have all been contacted:

Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”

Hulk Iron Man

Joss Whedon discussed topics including the difficulty in making movies about the Hulk and most of the DC Comics superheroes with Deadline Hollywood:

DEADLINE: What about speculation over potential Hulk spin-off stories? 
WHEDON: The Hulk is the most difficult Marvel property because it’s always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It’s always a dance. I don’t think the first two movies nailed it, but I don’t envy them the task. It was easier to have him in a group than to build everything around him. I don’t think there would be any problem getting a movie together that had enough Banner, even if there was also Hulk. But if he was only Hulk for the entire movie I think Mark [Ruffalo] at some point would go, why am I here? I would be less inclined to pursue a storyline where the Hulk is only ever the Hulk. Mark [Ruffalo] and I loved the Hulk and went over and over the concept of rage and how it should manifest, and that part of it was fascinating to both of us. But when it comes time for the Hulk he has to put on the silliest damn pajamas you ever saw, a tiara made of balls, and a bunch of dots on his face and growl around like an idiot. The real heart of the experience ultimately becomes playing Banner. And people fell in love with Banner because I think Mark has you from the first time he shows up.

DEADLINE: How much do you keep an eye on Warner Bros with their DC properties?
WHEDON: I don’t keep that close an eye on it. But I loved Batman Begins so much and thought Christopher Nolan nailed Batman in a way that nobody ever had. It couldn’t be more different from The Avengers, and the Marvel and DC universes are different animals. If they actually crack the code which has not been done in terms of creating a shared sensibilities where all the movies are interesting and come together, I’m going to be thrilled. I have no fear that we’re going to be stepping on each others’ turf.

DEADLINE: You’ve had a history with DC. Do you think anyone will ever pull off Wonder Woman?
WHEDON: It’s not easy. It’s not a simple trick. The Marvel properties with the exception of Batman who has often been described as the Marvel character in the DC universe are much easier to translate to a modern audience. Superman, Wonder Woman, Green Lantern are so far above us and their powers are amorphous and that makes it 10 times harder. Even when you’re doing a fight, it’s harder to write a fight for Thor than it is for Captain America because he’s that much stronger. I loved what I was doing on Wonder Woman. Clearly I was an excited party of one. I wrote the movie, I felt good about the characters, the structure needed work, I did another outline, they read it and were done. There wasn’t even a phone call.

The difficulties which Whedon raised in superhero stories are complicated even more when the viewer is aware that the hero has a bunch of other superheroes as friends to call on. Marvel President Kevin Feige does address the question as to why Tony Stark doesn’t call in the other Avengers for help in Iron Man 3:

It’s a good question, and it’s sort of half and half. I am betting that like the comics you don’t have to keep – if you are reading a standalone “Iron Man” comic, they don’t spend every page explaining where every other Marvel hero is. The audience kind of accepts that there are times when they’re on their own and there are times when they are together. I’m betting that movie audiences will feel the same way. That being said, there is a little bit of lip service here and there to that. There is also just the very nature of Tony wants to, once he barely survives that house attack you saw today, and even you saw it in the message he left for Pepper, he’s basically saying “I’m going off the grid to try to figure something out.”

Christopher Nolan says he does not want to return to Batman, but is involved with other superheroes, producing Man of Steel and possibly Justice League. His next movie about black holes, Interstellar, will be released on November 14, 2014.

Deadline Hollywood reports that a series by Ron Moore has been picked up by SyFy:

Syfy has finalized a 13-episode straight-to-series order to Helix, a dark thriller from Ronald D. Moore, marking Battlestar Galactica developer/executive producer’s return to the network. Steven Maeda (Lost, CSI: Miami) has come on board as showrunner of the project, written by Cameron Porsandeh. Helix, from Sony Pictures TV, where Moore and his Tall Ship Prods are under an overall deal, is about a team of scientists investigating a possible disease outbreak Hot In Cleveland) and Maeda executive produce, with Porsandeh serving as co-executive producer. “With its well-drawn characters, taut drama, and incredible production team, we couldn’t be more excited to see this intense thrill-ride of a series come to life,” said Syfy’s president of original content Mark Stern. Helix is expected to begin production early in 2013 to debut later this year. In addition to hit Battlestar Galactica, Moore also co-created and executive produced Syfy’s prequel series Caprica.

SyFy is moving the final five episodes of Merlin to May. And people wonder why fans often download genre shows as opposed to waiting five months or more to view them.

Ashley Judd has reportedly told advisers that she does plan to run for the Senate against Mitch McConnell. The actress, best known to Star Trek fans as Robin Lefler, has been attacked by the right wing for everything from her residency to nude scenes she as done. Attack of the Show chose Ashley Judd as the fourth Hottest Women of Star Trek (video above). She also has a master’s degree in public administration from Harvard’s Kennedy School of Government and has been a Democratic activist.

Nathan Stewart-Jarrett, one of the stars of Utopia, believes that continuing the story into a second season may or may not work:

Do you think there is scope for a second series of Utopia?
“I think there is scope for a second series, but I also think that it is self-contained. It really does depend. Sometimes you think things could have carried on or things aren’t resolved, and people can get annoyed by that.

“But some pieces of work don’t have a resolution and they leave you to figure it out, and that’s great. Utopia could carry on, but resolution isn’t always good.”

Io9 lists twenty things which Back To The Future got wrong about the future.

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Conservative Hysteria Over Obama and The Medical Profession Working Together To Reduce Gun Violence

Today’s announcement of plans by the Obama administration shows that 1) Barack Obama is paying attention to input from the medical profession, and 2) the right wing still has its problem with paranoid kooks seeing conspiracy theories in benign statements.

The conservative Weekly Standard posted the relevant passage under a fairly neutral headline, Obama Asks Doctors to Help Deal With Guns:

PRESERVE THE RIGHTS OF HEALTH CARE PROVIDERS TO PROTECT THEIR PATIENTS AND COMMUNITIES FROM GUN VIOLENCE: We should never ask doctors and other health care providers to turn a blind eye to the risks posed by guns in the wrong hands.

Clarify that no federal law prevents health care providers from warning law enforcement authorities about threats of violence: Doctors and other mental health professionals play an important role in protecting the safety of their patients and the broader community by reporting direct and credible threats of violence to the authorities. But there is public confusion about whether federal law prohibits such reports about threats of violence. The Department of Health and Human Services is issuing a letter to health care providers clarifying that no federal law prohibits these reports in any way.

Protect the rights of health care providers to talk to their patients about gun safety: Doctors and other health care providers also need to be able to ask about firearms in their patients’ homes and safe storage of those firearms, especially if their patients show signs of certain mental illnesses or if they have a young child or mentally ill family member at home. Some have incorrectly claimed that language in the Affordable Care Act prohibits doctors from asking their patients about guns and gun safety. Medical groups also continue to fight against state laws attempting to ban doctors from asking these questions. The Administration will issue guidance clarifying that the Affordable Care Act does not prohibit or otherwise regulate communication between doctors and patients, including about firearms.

These measures were requested by the American Medical Association. The government has strict regulations to protect the privacy of medical information. The rules govern both when information must be kept secret and when information might be revealed to others and HIPPA rules never prevented physicians from warning law enforcement about threats of violence. It is helpful to make this clear as many people do have misconceptions about the law. The protection of the rights of health care provides to talk about gun safety is in response to conservatives who have wanted to use government to intrude in the physician/patient relationship and prohibit such discussion.

Rational people would find nothing controversial here, but many conservatives are not rational. The Examiner is running this story with a headline making an absurd claim that Obama makes your doctor a spy for the federal government. The article makes a number of false claims, including those in this paragraph:

Thus, the inherent, traditional privacy that has characterized the doctor-patient relationship is now gone, unless Congress rescinds the executive orders in question. Obama stated in one of the executive orders that his new Obamacare law contains no requirement of privacy and supersedes the healthcare portability act of 1998 in which Congress strengthened the privacy of healthcare patients. Obamacare wiped out all legal protections of privacy.

This makes absolutely no change in in the HIPPA law they cite, which always included the right of physicians to release patient information under several specific situations, including to warn law enforcement about threats of violence. This does not wipe out a single legal protection of privacy. I would suggest reading the HIPPA disclosure which all medical facilities provide to patients. Such statements (including the one used in my office) typically inform patients that information regarding threats of violence can legally be released to law enforcement agencies. If someone told their doctor about a  plan to kill you, or to start shooting in a public school, do you really think the doctor should be forced to keep this information secret?

Misinformation such as this is contributing to the conservative calls to impeach Obama over his executive orders on gun control. Where were these people when Bush and Cheney actually did want to exceed the Constitutional limits on the power of the president?

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SciFi Weekend: Doctor Who; Merlin; Benedict Cumberbatch; Person of Interest; Thor; Building the Starship Enterprise

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Doctor Who TV has summarized many of the reports to date on the 50th anniversary of Doctor Who:

The format of the anniversary is still to be confirmed. Steven Moffat originally said: “Why talk in the singular?” Matt Smith also hinted at multiple episodes, but more recent rumours seem to suggest a feature-length outing.

In another interview Moffat said: “I’ve got various plans, but all I can say emphatically is it will be huge. It won’t be just one thing…. We’ll be doing lots of stuff. The plans are quite extensive, and changing all the time. Oh my God, we will hit that year very, very hard indeed.”

Moffat on multi-Doctor stories:

“It’s slightly difficult to do them all now. I’m not against it but I think as a gimmick it outlives its usefulness quite fast. “Doing Time Crash with 8 minutes of Peter [Davidson] and David [Tennant] was about right. If you have a really good story that motors on the fact that this is one man experiencing the same adventure at several different points of his life, that would be worth doing. But you can’t do a special or an episode as a reunion party. That’s not a story, that’s a party. Nothing wrong with parties but they’re not great fun to watch. But with a really good story, then yes.”

And in a later interview: “Possibly…. It’s so far in the future, it’s only a set of notions.”

Neil Gaiman wants The Eleven Doctors:

“The real dream story is the one you cannot do because technology is not there and people have died — It would be The Eleven Doctors,” he explained. They made The Three Doctors. They made The Five Doctors. It’s the 50th Anniversary, you’d make The Eleven Doctors and you’d have William Hartnell in it. The trouble is do you have actors playing these people? Do you have someone doing a Tom Baker? How do you do that? I trust in Moffat enough to think that whatever he’s going to give us, it will be worth it.”

A live episode?

Matt Smith: “It won’t just be a televised event, I think it will be a live event. The way it’s transmitted on TV will hopefully be an inventive thing–something different.”

More in the full post.

The BBC has announced a set of short stories will be written about the eleven Doctors.

The 11 tales, known as “eshorts”, will each be written by a well-known children’s author.

Each story will feature one of the various regenerations of the Doctor, starting with William Hartnell, who played the character from 1963-1966.

A paperback of the stories will be published by Puffin in November.

The first children’s author will be revealed on the BBC Worldwide Doctor Who Facebook page on Monday 7 January, followed by the first story on Wednesday 23 January.

A promotional video of each author will also be available each month on the BBC Worldwide YouTube channel starting on Friday 11 January.

There has been speculation that J.K. Rowling is one of these authors.

Billie Piper discussed the 50th anniversary on the Graham Norton Show (video available here). She denies rumors that she will be appearing: “No. I’ve not been asked. I think Matt Smith said something in passing or in jest like, ‘That would be nice,’ and it became something, but no.”

In an interview last night, David Tennant said he knew nothing about the 50th anniversary plans.

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It seems like Merlin and Downton Abbey just ended, and now they are starting up again in the United States.

TV Addict has an interview with the cast. This selection helps set up the final season:

Is there anything you can share about what’s upcoming in the 5th season?  Maybe just a few teasers?
BRADLEY:  Mordred’s back – I’m not sure what I can tell you without telling you what happens in the show!

We know there’s the 3-year gap.  You can surely talk about what happened during that time period for our heroes?
BRADLEY:  Yes, three years have gone by.  That’s what I can tell you.
KATIE:  I can tell you what happens with Morgana.  For two years of that period, Morgana has been held captive because of her magic and it is a very important storyline for her in season five is that everything she has feared her whole life about being persecuted for having magic has all come true.  She has been persecuted.  She has been tortured.  She’s been kept locked up.  I think that the fact that her fears have actually happened means that she feels vindicated in removing Arthur from power and in taking over because she’s protecting people like herself.

More from the cast at The Los Angeles Times and Blastr.

Parades End

Benedict Cumberbatch seems to be in everything these days. Besides Sherlock, The Hobbit, and Star Trek Into Darkness, Cumberbatch will be staring in Parade’s End, a five part mini-series on HBO in February:

From the reliable comforts of Edwardian England to the chaos and destruction of the First World War, the early 20th century was a defining era in history, a time of unprecedented change, when old certainties were being torn down. The long golden afternoons of the pre-war years would be shattered by the most destructive war the world had ever known, and countless lives would be changed forever.

Set against this backdrop of impending catastrophe is the story of English aristocrat Christopher Tietjens, trapped in a marriage to an unfaithful wife, and caught between his commitment to the values of Toryism and his unspoken love for a fearless young suffragette.

Spanning the glittering, shallow world of London high society, the trench-scarred battlefields of France, and the breathtaking English countryside, the sweeping five-part HBO Miniseries presentation PARADE’S END debuts TUESDAY, FEB. 26 (9:00-11:05 p.m. ET/PT), WEDNESDAY, FEB. 27 (9:00-11:05 p.m.) and THURSDAY, FEB. 28 (9:00-10:00 p.m.), exclusively on HBO. Adapted from Ford Madox Ford’s groundbreaking novels by Sir Tom Stoppard (Oscar®-winner for “Shakespeare in Love”), the drama was directed by Susanna White (HBO’s Emmy®-winning “Generation Kill”).

Benedict Cumberbatch (“Sherlock,” “War Horse”), Rebecca Hall (“Vicky Cristina Barcelona,” “The Town”) and Adelaide Clemens (“The Great Gatsby”) star in PARADE’S END, a Mammoth Screen production for the BBC in association with HBO Miniseries and Trademark Films and BBC Worldwide and Lookout Point; co-produced with BNP Paribas Fortis Film Fund and Anchorage Entertainment; filmed with the support of the Belgian federal government’s Tax Shelter Scheme. The executive producers areMichele Buck and Damien Timmer for Mammoth Screen, Ben Donald for BBC Worldwide, Simon Vaughan for Lookout Point TV, Judith Louis for ARTE France and Tom Stoppard. David Parfitt and Selwyn Roberts produce.

A spoiler-free review can be found here.

Firewall

Person of Interest returned with Reese in custody, but with a four-way complication for the FBI. Here is a portion of a press conference with executive producers Jonah Nolan and Greg Plageman, posted prior to Friday’s episode:

Do you ever come up with a storyline and then think, “No, we can’t go that far”?
JONAH:  Every day.  Our writers come up with incredibly bold and great and sometimes subversive and odd pitches.  There’s a heightened aspect to the show.  I talked a lot about THE X-FILES, in developing the pilot, and Greg and I have referred back to it frequently, because it had a great balance between the case-of-the-week and a serialized, larger mythology that they were telling.  But, what they also had was this great dove-tailing connectiveness between the case of the week and that mythology, in the way they interacted with each other.  So, we always want the show to reach out as far as it can, as far as jumping from one unexpected world to the next, but with a common thread that emerges from that and giving the sense of a larger, corrupt, weirder universe around them.  I was a huge fan of James Ellroy’s books, “American Tabloid” being one of them.  There’s a sense that you get from Ellroy’s universe that there are weird machinations at play underneath everything, with his dark gaze on the CIA, on the events of the 1960′s, and on the connection with heroin out of Vietnam.  The darker lens that our show takes, looking towards government surveillance and all those sorts of things, is not all that different from THE X-FILES.  THE X-FILES universe was a very dark one, in the direction of alien conspiracies.  Ours is really about surveillance technologies and the pending odd moment when a number of different entities know more about your life than you do, and I think we’re kind of there.  We keep being interested in the larger universe of that, and what impact that has upon our relationship to our government.
GREG:  A perfect case in point is that one of our writers saw an article about the massive new surveillance program uncovered by the Wall Street Journal, in terms of predictive pattern matching.  It’s a constant steady drumbeat of these types of stories.

Are you going to be returning to the issues with the machine’s growing artificial intelligence?
JONAH:  One of the problems we have with the show is that our incredible writers have come up with so many compelling storylines and villains, at least to me.  From the beginning, one of the ideas with the show was compelling villains.  I love writing villains, and we’ve embraced that.  It was one of the first questions J.J. [Abrams] had about the show because he wanted to have that tapestry of villains.  They’re so fun, in the way that they drive the plot forward.  We have an absolute wealth of them, at this point, with some amazing actors, like Enrico Colantoni, Robert John Burke, Clarke Peters and Amy Acker.  I want to keep exploring, and I know our writers want to keep exploring, all of those different storylines, to the degree that we can and to the degree that the audience is willing to go along for the ride.  We tend to tell our stories in chapters.  Not explicitly because we don’t draw attention to it, but the story keeps a steady simmer going, on some elements.  At this point, the A.I. of it all is poised to erupt back into view.  But, when you have fantastic actors playing great characters, you want to go back and service those storylines again.  None of our villains are ever too far from surfacing, but we like to keep the audience guessing, as to how all these storylines connect together.

For the first time, the characters were following their own divergent interests, even if it was to their own detriment.  Is that something that will continue to happen, in the second half of the season? 
JONAH:  It’s all falling apart.
GREG:  I think it’s fantastic that we have two characters who are largely cognizant of the machine and its capabilities, but more so Finch than Reese, obviously.  Carter and Fusco are a little bit on a need-to-know basis, and the collision that they have encountered, up to this point, has been more on a municipal level, with HR, Quinn and Simmons.  And then, there is the larger nemesis of Root (Amy Acker), who is interested in freeing the machine.  When we last saw her, she got away, but we will hear from her again.  The great part of all these characters is that they come and they coalesce in interesting ways, on our show, and bump up against each other, all in the fine city of New York.  It gives each of our characters their own dilemmas, but they often bump up against each other and need each other’s help.

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Jaimie Alexander discussed Thor: The Dark World.

“It’s going to be a bit of a darker feel, and obviously a lot more action. We get to explore the different Realms a lot more and you see a lot more Asgard, and you get to know the people of Asgard. We sort of explore the Thor-Sif relationship a little bit. It’s more like getting a feel of who these people are, and the way they are with each other. It was fun for me and fun for Chris. Again, he and I are almost like brother/sister types too, so I was like ‘maybe that translates into ooh they love each other on camera.’ [laughs] We had a good time making that movie.”

Many genre shows have started in the U.K. and later received followings in the United States. It sounds like Utopia might be a new show worth watching for.

Last month their was the petition to the White House to build the Death Star. Now there is a petition to build the Starship Enterprise:

An engineer is petitioning the White House to study the possibility of building a real-life starship Enterprise like the fictional vessel in television’s “Star Trek.”

The proposal was submitted through the White House’s official “We the People” channel, which promises an administration response to any petition that gathers at least 25,000 signatures. Just last month, a petition to build a Death Star like the spherical spaceship in the movie “Star Wars” garnered that critical mass, and is currently awaiting its official response.

The Enterprise proposal comes from an engineer who goes by the name BTE Dan, who detailed plans for constructing a life-size, flyable starship Enterprise on his website last year.

“We have within our technological reach the ability to build the 1st generation of the USS Enterprise,” BTE Dan wrote in the petition, viewable here.

As of this writing, the petition had 3,335 signatures, with more than 21,000 to go.

The project, BTE Dan maintains, wouldn’t be a vanity exercise, but rather a practical step forward for space exploration. [The Top 10 Star Trek Technologies]

“It ends up that this ship’s inspiring form is quite functional,” he wrote. “This will be Earth’s first gigawatt-class interplanetary spaceship with artificial gravity. The ship can serve as a spaceship, space station, and space port all in one. In total, one thousand crew members & visitors can be on board at once.”

Make it so.

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