When word came out that Star Trek Discovery (officially abbreviated DSC, not STD) would take place about ten years before the original show, and it would feature a female lead who is not the Captain, many fans realized that this would put it around the era of The Cage (the original pilot which was re-cut into flashbacks on The Menagerie). Some also speculated that the female lead could be Number One from that episode if she transferred to a new ship. Bryan Fuller has told Ain’t It Cool News that the female lead will be know as Number One. It was not stated whether this will be the same character, or perhaps another character is being referred to in this manner (as Riker was on The Next Generation).
As for the other project upcoming from Bryan Fuller, I09 discussed plans for digital erections in American Gods.
Collider interviewed producer Andrew Kreisberg regarding plans for Supergirl’s second season:
With all of the great things that come with getting to continue the show on The CW, one of the things you lost was the ability to have Calista Flockhart on as a regular cast member. How often can we expect to see her?
KREISBERG: Well, she’s in the first two episodes and we’re talking to her about doing more. It’s funny because, from our perspective, we thought she wouldn’t do any. And it’s not because she doesn’t love the show. She’s such a huge fan of the show, but moving to Vancouver, we assumed that we would part as friends. But she’s so into the show and feels such an allegiance and a responsibility to it that she’s agreed to come back, so we’re very happy. We’re not focusing on what we don’t have. We’re focusing on what we do have, and it’s allowed us to have Ian Gomez, who’s playing Snapper Carr, come in, in a more supervisory capacity, which is fun. Kara has spent two years of her life learning to deal with Cat Grant’s idiosyncracies, foibles, short temper and mixed signals, and just when she finally got that down, she’s now introduced to a new boss who’s very different, has his own thing, and isn’t quite as impressed by her spunk as Cat always was, even if Cat wouldn’t admit it. It’s a journey, like any of us go on. We’ve all had different bosses, over the course of our careers. Just when you finally feel like you’ve nailed your job, you get promoted and you’re suddenly like, “I don’t know what I’m doing anymore!” That’s what’s going to happen to Kara this season…
What can you say about the addition of Christopher Wood and how his character will fit in with things?
KREISBERG: We don’t want to say too much because we’re doing our own version of Mon-El. Obviously, he’s a character from the comic books and he’s much beloved, and we’re putting our own spin on it. What’s interesting about Mon-El joining the show, from Kara’s perspective, is that Kara has spent her whole life as someone who’s been mentored, first by her mother, and then by the Danvers and Superman and Cat. She’s always been somebody who’s been taken care of, in a way. Now, with Mon-El, he’s fresh off the boat. As far as he’s concerned, living on another planet happened yesterday, and suddenly, he’s on Earth and everything he knew was lost, just the way it was for Kara, but she’s had 12 years to process it and he’s struggling with it. So, Kara is now the one in the mentor position. Ironically, she even says in an episode, “I was sent to Earth not to be a hero. I wasn’t sent here to be Supergirl. I was sent here to protect Clark and take care of Clark. Now, in an odd way, with Mon-El here, I’m getting to fulfill that original mission that I had.” So, it’s a big change and a big growing experience for Kara, this season.
How daunting was it to figure out how you wanted to portray Superman, what you wanted the dynamic between Clark and Kara to be, and finding the right actor to take all of that on?
KREISBERG: I think our take on him is probably something a little bit more traditional. There’s certainly a little bit of the “Aw shucks” about him, but he’s been Superman for awhile, so there’s a savviness about him as Superman and as Clark. If he’s been Superman for 12 years, that also means that he’s been Clark Kent for 12 years. He knows how to interview somebody. He knows how to get a story out of someone. As always, with any of these things, we’re never doing a direct adaptation of a specific comic book. We cherry pick the best parts and things that we love. So, there’s a little bit of the Christopher Reeve Superman in there, a healthy dose of the Superman animated series, which we’re huge fans of, a little bit of Lois & Clark, a little George Reeves, and a little Super Friends. And as far as finding the right guy, as soon as we said we were going to do Superman, Greg [Berlanti] mentioned Tyler [Hoechlin]. We’ve been fans of his for years, and when we sat down with him, he is Superman. Not just with the looks, but he’s such a good guy, such a nice guy, and he’s so open and forthright and brimming with life. You just feel better when you’re around him, which I think is part of the secret of Superman. He is that ideal, but not in an unattainable way. Superman should make you feel like you can do anything, even though he’s the one that can do anything. And Tyler just had all that in spades. So, it was less a question of us reaching out. It was more a question of hoping he would say yes. After Tyler, I’m not sure what we would have done…
What’s in store for J’onn J’onzz?
KREISBERG: Part of the reason we’re bringing on Miss Martian is to give J’onn his own story this year and his own emotional ride, meeting her and having this tie to his home world that he thought he would never have again. As he has to keep reminding people, he’s been here for 300 years and isolated for most of it. Last year, with his relationship with Alex and his relationship with Kara, he started to come out of his shell a little bit and wasn’t quite so afraid to show who he really was. So, in getting to interact with M’gann, he’s going to have a whole new person with which to share his martian experience. We think it’s going to be a great story.
On the weekends I often wear somewhat subtle genre t-shirts such as Stark Expo, Wayne Enterprises, or Nelson and Murdock, Avocados At Law. I have a lot of ties with hidden, and in some cases not so hidden Mickeys (and one with both Mickey and Goofy). Now it is possible to go all out with superhero themed suits. Fun Suits has put out a line of discrete Marvel and DC based suits. The Mary Sue provides a description. The downsides are that they are polyester, and won’t be available until November.
In other Marvel news, Marvel has revealed what Thor was busy doing during the events of Captain America: Civil War in the above video, which was shown at San Diego Comic Con.
Variety reports on Ron Moore’s comments about season 3 of Outlander:
“Outlander” showrunner Ronald D. Moore told an audience at the Edinburgh Intl. Television Festival on Thursday that in Season 3 the show would start in Scotland but would then be making a sea voyage in the 18th century.
“There’s an extended journey across the Atlantic and then the story eventually goes to Jamaica, the Caribbean and ending up in the New World,” he said. “Season 3 will be as different to Season 2 as Season 2 was to Season 1.”
These dramatic shifts threw up challenges for Moore, who said: “It’s exciting creatively; it’s very hard in terms of the production… You are doing a whole new series with every season. So that’s very difficult. Scouting new locations, building new sets, bringing in new cast members, new costumes, different eras. It increases the expense, it increases the time necessary to prep everything, to shoot everything… So it makes it more difficult and it also takes more mental energy having to crack new problems.”
…Moore underscored the differences between the novel and the show. “You are not capturing Diana’s voice in the show, so much as you are capturing her world and her story. Diana’s voice is there for you on the page. When you read the book, or any book, the author is speaking to you directly,” he said. “The TV show has a vision, feeling and vibe that is an entity unto itself. All these component pieces then combine into our voice.”
Ingrid Oliver says she knows the difference between the human and Zygon version of Osgood:
Discussing last year’s last year’s ‘The Zygon Invasion’ and ‘The Zygon Inversion’ episodes, Oliver told Doctor Who: The Fan Show: “In the script it simply said Osgood 1 and Osgood 2. Steven [Moffat] never said explicitly ‘This is Zygon Osgood and this is not Zygon Osgood – or Hybrid Osgood’, so I sort of made a choice, but I don’t know if it’s right!”
Asked if there were any tells to signify which Osgood is which, she revealed: “Yes, in my head there are some very small tells. But, having said that, it’s sort of open to interpretation – because I guess that’s the point of the episode. In my head, inevitably there are a couple of little things that I did.”
Oliver joked: “I don’t know if people have noticed it – probably not… the Zygon one strokes her chin a lot!”
You’re the Worst returns on Wednesday. Season three trailer above. I hear the first episode is rather Not Safe For Work, and the season also includes an episode entitled The Last Sunday Funday. TV Line has more on the season.
I am waiting to see what happens next on tonight’s episode of The Last Ship. Last week’s episode felt like a look at Donald Trump’s America with that wall going up.
The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?
The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.
Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”
The early reviews of Jessica Jones have been excellent. The show includes superpowers, hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on November 20.
Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.
CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.
I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.
AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.
Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.
Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious background stories.
I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.
When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.
Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.
Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.
Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.
The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.
I had fears that 12 Monkeys could settle on a simple formula of searching for the Night Room and the Army of the 12 Monkeys in our present, and a battle for the facility in the future. I no longer have such concerns about the direction of the show after this week’s episode, The Night Room. Major spoilers ahead for those who might be a week behind. The location of the Night Room was found (mostly off screen last week) and this week’s episode primarily took place there. The relationships between the main characters will not be exactly the same, especially after The Pallid Man told Cassandra that Cole killed Dr. Henri Toussaint in Haiti. There are also questions raised about Jones.
The episode was really interesting when the time travel implications of the virus are considered. Is the skeleton with the virus really Cole’s? Does he eventually develop the plague, despite his current immunity, or is he just a carrier? Does the repeated time travel play a part? Did Jones send his rotting body back in time, and for what reason? Did Jones (inadvertently?) cause the plague? If the answers are in the future which Cole came from, he won’t find them immediately. Although he failed in preventing the plague, he did enough to change the future. With West 7 and not Jones now in control of the time travel facility in the altered future, and with Cassie kidnapped in the past, Cole starts out next week with no allies in either time period beyond an insane girl.
The shows’s executive producers Terry Matalas and Travis Fickett discussed the impact on the mythology with The Hollywood Reporter:
“The Night Room is a big return to our mythology and the next big step in learning more not only about the virus, but the origin of this conspiracy,” Matalas says. “We learn quite a bit about the future, too. There is a very big storyline regarding Jones (Barbara Sukowa) in the Night Room. We get to learn what it took to get this time travel project up and running and the sacrifices she made. This episode is the one where we inhibit our skin a little bit more. The show gets a little bit more unique and a little more off-beat from what you may expect. We bring the weird a little bit here in a good way. It’s what makes it 12 Monkeys.”
The two creators have a bigger plan in mind for Jones, which began with the early and rare moment of levity from the character at the beginning of “The Night Room.” “It’s definitely building up to something. Jones becomes from here on out a more prominent character with more screen time. That is something we wanted to see, her among the other characters, but also her backstory is really important to the mythology of the show and that is the first hint of it,” Fickett said. “When Ramse (Kirk Acevedo) goes into her room and opens up that chest you see the baby blanket with the name Hannah on it. Suddenly we know there is a whole lot more to this woman and maybe she has deeply personal reasons for changing time as well.”
Matalas, however, notes that messing with time has its consequences both to Cole and time itself. Throughout the Night Room, Cole starts to experience debilitating headaches. “Keep in mind, this is a new process. Cole is the pilot program for this. No one has traveled as much as him. He does have a time clock on himself,” Matalas said.
The changes brought about from the destruction of the Precursor are a major according to Matalas. It’s big enough to break time. “We are not talking about multiple universes. We are talking about one singular timeline. Jones, in [episode] six, explains the difference between loops, or what’s called a jinn, and that’s basically the Sarah Connor. … How Reese had to come back in time to pregnate Sarah Connor so that she can give birth to John Connor who will send his father back in time. It’s one of the infinite loops. That’s called a jinn,” Matalas explains. “When there are more traumatic changes to the timeline, then you can break the change and that’s what happens in episode six.”
Among the big changes was The Pallid Man’s first mention of hierarchy within the Army of the 12 Monkeys by naming dropping someone called The Witness. When questioned about the character, Matalas and Fickett remained tight-lipped, promising only that the answer will not be what viewers expect. “It’s not the answer Cole is expecting either,” Matalas said. “Or any of our characters,” Fickett added.
“There is a lot going on with the Army of the 12 Monkeys and by episode eleven you’ll learn a lot more about them. Enough to make your brain explode,” Matalas said. “Releasing the virus could be one of their intended goals, but the end result may not be what you expect it to be. With time travel you’re playing the long game and if you’re dealing with the fate of the entire planet, destruction can be creative in the long run.”
Arrow showrunner Marc Guggenheim is not one of those who subscribe to the theory (mentioned last week) that John Diggle might be John Stewart, who succeeds Hal Jordan as the Green Lantern. I do think that Diggle plays such a key role on Arrow that it makes sense to keep him as he is, although it might be a way to give him a spin-off series in the future after Arrow ends.
We do know that Arrow is on the verge of introducing another superhero. Ray Palmer will put on the Advanced Technology Operating Mechanism (A.T.O.M.) suit, which so far we have only seen as a holograph, in episode 15, Nanda Parbat. His course as a superhero sounds a lot like Laurel’s. Guggenheim said, “He’s definitely a sloppy superhero in the sense of all of our characters don’t immediately have the easiest time fighting crime. I would say episode 19 really digs underneath what does it mean for Ray to be a hero. Is he a hero because of who he is? Or is he a hero because of the suit that he’s made?” He will not be shrinking initially but will fly:
For me, the most satisfying thing about the costume is, it looks like Brandon walked off of a movie set. I’ve never seen a TV show do a costume of this level of ambition before. He’s got a lot of cool tricks up his sleeve. People who are immediately expecting him to shrink are going to be disappointed. I will say that upfront.
We always say, we’re doing the “Arrow” version of The Atom. That said, there will be some flying involved, which looks remarkably amazing. He has a lot of little gadgets and tricks and abilities built into that suit. I don’t want to spoil exactly what they are, because I think part of the fun of watching is seeing what that suit’s going to do next.
After several weeks of rumors, it has now been announced that Spider-Man will become part of the Marvel cinematic universe. It is believed that this means that The Amazing Spider-Man trilogy will not be completed and Andrew Garfield is out as Spider-Man. The deal will allow Spider-Man to appear in an upcoming Marvel Studios movie, assumed to be the upcoming Captain America movie considering that in the comics Spider-Man played a role in the civil war storyline. Afterwards, while Sony will retain ownership and handle distribution, Marvel Studies will collaborate with Sony on the creative end. Considering that Sony has failed in two different attempts at a Spider-Man trilogy, this deal should help both Sony and Marvel. There is also talk of future Marvel cross overs in future Spider-Man movies.
While most fans seem to have been rooting for Marvel Studies to get creative control of Spider-Man, I recently discussed a contrary opinion that this would reduce exposure for some of the lesser comics characters which Marvel Studies has done an excellent job with. I think that, if necessary, it would be worth reducing the number of other Marvel movies in order to have a quality Spider-Man movie series. So far it appears that the only consequence will be to move back the releases dates of four of the planned phase 3 movies. The updated release schedule can be found here.
Hugh Jackman discussed future Wolverine and X-Men movies and the possibility of an X-Men cross-over with the Marvel cinematic universe.
“I like to think there’s that possibility for all of it, and I would even like to think more that it doesn’t happen out of necessity, y’know, when someone’s run it into the ground or something. I optimistically love the idea of “What the hell, Batman versus Iron Man versus Wolverine!” Let’s just chuck ‘em in.
We’ll see what happens, but maybe as these things go on more and more they’ll want to and need to do all that stuff. I’m optimistic, I’d think it’d be great, but hey, it’s not my billions of dollars behind this promise. [laughs] It’s easy for us to speculate, “Why did they do that?!”
Agent Carter has primarily tied into the Marvel cinematic universe with connections to Captain America and SHIELD. Another connection has been the revelation that Carter’s former neighbor Dottie was trained in the Black Widow program. Bridget Regan discussed her role with Comic Book Resources.
I was a bit skeptical when I first heard that the Thor comic was to change to feature a female version of the character, but I saw it more as an attempt to bring in female readers as opposed to anything political. As I do not read it I cannot judge it myself but it does seem from the blogs that comic fans are receiving this favorably. Some conservative see it differently, both disliking the comic and turning it into a political argument. An article on the comic at Breitbart has the title, Female Thor Is What Happens When Progressive Hand-Wringing And Misandry Ruin A Cherished Art-Form.Vox Populi says it is “exactly the same thing as a communist government taking over a capitalist society.”
BBC America has released a set of teasers for the upcoming season of Orphan Black, which returns on April 18.
Many people were predicting that Constantine would never make it to a second season after the decision to limit it to the first thirteen episodes this season. Now there are rumors that NBC might keep it alive, except move it to the Syfy network and renaming it Hellblazer. This would help with the goal of increasing the number of origianl shows on Syfy, and ratings expectations would be far lower. It is expected that if it does move to Syfy, it would also be able to concentrate more on the horror elements as opposed to trying to be a network procedural.
How To Get Away With Murder is really getting wild as it approaches its season finale. Despite all the flash backs earlier in the season regarding the attempts to burn Sam’s body, they now appear to be in serious danger of getting caught due to portions of his body being found. Didn’t any of them watch the first season of Breaking Bad? Knowing that the show will be coming back for a second season has major implications for any speculation as to how the season will end. Any of the students could conceivably get arrested but Annalise will have to continue with the show. Either she gets off, the mystery is dragged into next season, or perhaps they do a variation on the second season of Broadchurch in which she is arrested and next season deals with her trial. That would also spare them from having to either come up with a new season-long mystery or settle for case of the week episodes.
The Blacklist shows how great acting can save what otherwise would probably be a weak show. Repeatedly we get hope of really learning something and it turns out to be very little. We saw Elizabeth’s memories from the night of the fire, and then were told her memories might have been tampered with and are not accurate. There was more talk about the Fulcrum and it was ultimately found in Elizabeth’s bunny, but it is really just a McGuffin. I just could not imagine watching this show without James Spader.
The Americans remains the best drama which continues a story from season to season on television. (I used this awkward description to exclude Fargo and True Detective, two shows which some critics ranked above The Americans last season.) Personally I didn’t find packing Annelise into the suitcase all that cringe-worthy, but Elizabeth’s tooth-extractions were a different matter. Executive producers Joel Fields and Joe Weisberg discussed the creation of the scene in the video above, from Slate.
Frank Langella is also an excellent addition to the cast as their former and current handler Gabriel. Among the many history lessons from the series, the episode also showed today’s kids how television stations did not stay on around the clock, signing off for the night by playing The National Anthem and then running a test signal. I haven’t bothered to watch, but I hear that the NBC rip-off, Allegiance, is doing terribly in both reviews and ratings and is not expected to last very long.
A television version of The Casual Vacancy by J.K. Rowling airs tonight on BBC One. The Guardian has a review.
The Guardian reports that the creators of The IT Crowd are working on a sitcom set in space for Channel 4. Shows from Channel 4 have sometimes been made available in the United States over Hulu.
Parenthood concluded with one of the best television finales of all time. This was an easier show to conclude than some others. It did not have the problem of shows such as The X-Files and Lost, which became so burdened by its mythology that it was impossible for the finale to be satisfying without giving up hope that it would really make sense. The Parenthood finale remained true to the stories to date, not tempted to throw in a surprise which did not fit the series, like with How I Met Your Mother or Dexter.
The final episode concluded the major story lines of the season. Most were handled well, but the solution to Adam search for the job of his dreams was the most contrived, with Kristina suddenly having an opportunity at a non-profit which left the position of headmaster at Chamber’s Academy open for Adam. It made sense for Crosby to run The Luncheonette without Adam. Accountants and attorneys could provide some of the business advice he received when Adam was there full time, even if it didn’t make any sense when Crosby said he would be Adam and Amber would be Crosby. It was rather sudden for Julia and Joel to be offered the chance to adopt Victor’s sister, but such an offer coming suddenly did not seem as unnatural as Kristina’s sudden job opportunity.
There were two other story lines which were more important during the season, and which dominated the finale. Sarah’s wedding turned out to be a perfect way to end the series. Besides being a major event for Sarah, the wedding provided a way to get all the characters together as budget limitations required the absence of characters for parts of the season. Besides being the obvious ending for Sarah’s storyline, it provided a good end point for Max, who got the job as wedding photographer and was also “in the picture.” He even got to dance with a girl. Plus the scenes of Max taking the family pictures was a good way to just get a look at the cast members.
The other major storyline of the season was Zeek’s heart problems which, no matter how much fans tried to deny it, was inevitably going to lead to his death. Any lingering doubt that this would occur were eliminated when I read that it would jump ahead to show the Bravermans in the future. It would have been dishonest to not have Zeek die at some point. His death was handled well as he died peacefully at home a few months after he walked Sarah down the aisle, as can be seen in the video above.
Instead of a sad funeral we jumped ahead to see Zeek’s ashes spread at a baseball diamond, and then the Bravermans did what Zeke would have wanted them to do–play baseball, with the series theme song, Bob Dylan’s Forever Young playing. Then, in one of the greatest endings in television history, we had a combination of how Jason Katims ended his previous show, Friday Night Lights with the ending of Peter Krause’s previous show, Six Feet Under.
The show jumped ahead, also in the video above to show the broad outlines of what happens to the Bravermans. There was no ambiguity as in The Sopranos. Adam does become headmaster, eventually handing Max his high school diploma. Crosby does run The Luncheonette. Besides adopting a third child, Julia winds up becoming pregnant with a fourth, and even gets a puppy. Julia and Joel recreat the original structure of the Braverman family with a younger brother and sister and an older brother and sister. Camille makes it to to inn in France which Zeek had wanted to take her to.
Amber’s future is the most exciting. After having her child with Ryan, aka Luke Cafferty of Friday Night Lights (Matt Lauria), Amber winds up marrying Jason Street (Scott Porter). Ryan even gets his act together and is part of their lives. Scenes with their courtship were shot but got cut from the finale, with Scott Porter’s character named Peter:
“There’s a scene where they meet. Peter and his daughter are at what amounts to a Kidtown, like an indoor jungle gym playtime place. Peter has his daughter and Amber has Zeek. Zeek [named after his grandfather] gets lost in the ball pit and Peter goes bravely in to save him and brings him back to Amber.”
They clicked right away. “They have similar kinds of pasts,” Porter explains. “Both were a little bit wild at one point, and both have kids they maybe weren’t expecting but that were perfectly timed for them. They’re single parents who met and were immediately drawn together.”
While no wedding was actually shot, Porter had no problem imagining the nuptials.
“I imagine it was a very small, intimate wedding. These are two people who are very protective of their families. So pretty small, except for the Braverman side — they come in numbers that most families don’t come in anymore.”
This and other deleted scenes are bound to show up on the DVD set, and some deleted scenes can be found online here.
Matt Lauria and Scott Porter were just two of many former stars of Friday Night Lights who appeared on Parenthood over the years. Yahoo has a slide show, starting with Minka Kelly who both tutored Max and slept with Crosby.
This very well might be the end for quality dramas such as Friday Night Lights and Parenthood on network television as I discussed last week. Fortunately cable and streaming networks are doing more quality shows. This topic came up in an interview with Jason Katims at Variety:
It’s unique as a family drama on TV right now. Can you imagine trying to sell it today?
It would be a hard sell to go out and sell a family drama that doesn’t have some sort of twist. There are lot of shows about family, but they’re all couched in other things. This is a straight family drama. It’s unusual in that way. But honestly it was not easy to sell it five years ago. It’s not like anyone was saying let’s have it then. But the TV landscape is changing so rapidly. There’s so much opportunity now, so many different types of outlets — you never know. I’m hoping that there’ll still be a place for shows like this.
The finale provided a broad outline, but also leaves things open to return to their story in the future, either during the period seen or afterwards. Katims is interested, and the new outlets make this more likely in the future.
Given the wealth of platforms on the TV landscape, could you imagine ever revisiting the Bravermans down the road?
Yes, absolutely. Everyone who is doing the show — our writers, our actors, our directors, our producers — we all love doing the show. Everyone would want to do more. There is no one who is angling to get out of doing this thing. I personally would be interested in seeing what happens a few years down the road. I want to know what happens to these people, these characters. If you asked me three years ago, I would say it’s not going to happen. But now there are so many ways of doing things that it’s possible. I would very much be open to that.
He also discussed this with E! saying, “I love the idea of doing a reunion movie like Boyhood, where every year, everybody commits a week to doing this project.,” he said. “Maybe it’s not that crazy to think that we could pull something like that off.”
Of course the old episodes are all easily available, both on Netflix and Amazon. I rewatched the pilot later on Thursday night, and this provided a real feeling of going full circle in an episode which introduced the characters. The pilot both had major life events for members of Team Braverman and featured the family at baseball games.
The Bravermans are a fantasy family. It is a family nobody actually has, and it is hard to imagine how Adam and Kristina could have afforded to live in Berkeley, hire private tutors for Max, and afford to send Haddie to Cornell. This universe is still more grounded in reality than the Marvel cinematic universe, with both types of fantasy enjoyable to watch. Digital Spy has some spoilers regarding Avengers: Age of Ultron (trailer above) with more in the full post.
We won’t see the Avengers assemble again (which hopefully also means we’ll be spared a silly alternative UK title). “This movie starts off and the team is together, on a mission, they’re working in tandem, and there are new relationships between them,” explains producer Jeremy Latcham. “Time has passed, so you pick up right in the middle of an action sequence and start trying to catch up.
“I think that’s fun for an audience, to try and figure out, ‘Wait, those two are funny together now, there’s something going on with them, maybe there’s a little tension over there’. You’re showing up at a party when it’s already a little bit started.”
“Bigger” and “darker” are two of the most clichéd terms you can apply to a franchise sequel, but Age of Ultron looks set to earn both – according to Ruffalo, it “makes the first Avengers look like Waiting for Guffman“.
Latcham expands on this by reminding us that much of The Avengers was shot on a small soundstage in Albuquerque, and that its New York City was created “in an old abandoned train station where we’d hung green screen and built part of a bridge.”
Not only are the locations real this time – they’re also global. “The Avengers saved New York, but the Avengers aren’t just about America,” Latcham says. “They’re here to protect this blue rock that we all live on.”
Hence Age of Ultron‘s globe-trotting remit, which sees various strands of the gang show up in South Africa, Northern Italy (playing as Eastern Europe) and South Korea among other places. In preparation for one particularly spectacular set piece, producers asked the South Korean government for permission to shut down Seoul’s equivalent of the M1 for two weeks. They complied.
The movie adds Quicksilver and Scarlet Witch to the Avengers, but they start out on Ultron’s side.
New recruits Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) initially join forces with James Spader’s Ultron against the Avengers, creating a very different balance of power than solo villain Loki. “Instead of Ultron giving a lot of speeches so everybody knows what he’s thinking, it’d be nice if he had some allies,” Latcham explains.
“The story that Joss put together with these two kids is really sweet and poignant, and you really understand why they would start on this side of the line. It’s a great journey that they go on, from being these rough and tumble kids in Eastern Europe who blame the West, and the Avengers for the plight, the power structure of the world that keeps kids like them down. Over the course of it they realize maybe the Avengers are here for good reason.”
But the brother-sister duo have legitimate beef with one Avenger in particular. “Our characters have a lot of anger, especially towards Tony Stark, and we want revenge,” says Olsen. “We meet Ultron, and he’s someone who preaches peace and… believes what we believe, which is that the Avengers create destruction and that Tony Stark’s bomb is responsible for killing our parents.”
Unsurprisingly, their alliance with Ultron ends up turning sour, and Olsen reveals that “my character ends up really having to deal with her ignorance. A lot of problems that happen towards the end of the film are her responsibility.”
Age of Ultron also leads into the next Captain America movie and the situation leading to the upcoming civil war is explained:
Much of the Avengers’ problem boils down to their lack of a clear leader post-Winter Soldier. “SHIELD has fallen apart, so this movie becomes Tony Stark and Steve Rogers trying to put the Avengers together without a parental unit like Nick Fury hovering over them,” explains Latcham. “What you realize is that these are guys who work best with rules, and probably do need some adult supervision.”And as anybody who watched the first film can guess, Tony and Cap aren’t an ideal leadership pairing. “Tony has been paying for everything, designing stuff, building new toys, he’s the benefactor of the whole thing. But Steve Rogers is very much in charge of operations and missions, he’s the moral compass,” Latcham goes on. “But how long can Tony Stark have someone else be in charge?” In other words, groundwork is being distinctly laid for the Stark vs Rogers core of Civil War.
“I would never rule anything out, because I like working here. By the same token, the biggest thing for me is that I need to do something that I create myself. It’s been way too long since I created a universe. The last thing I did before The Avengers was [directing an episode of] Glee, and in between I did Much Ado About Nothing. So I haven’t created my own universe for over five years. That feels wrong.”
The Marvel universe is not limited to the Avengers and other movie series from Marvel Studios as other studios have the rights to some of the Marvel characters. Fox has the rights to X-Men and the Fantastic Four, and there is talk that their worlds will ultimately intersect. Information on the upcoming X-Men and Fantastic Four movies here and here respectively.
Sony owns the rights to Spider-Man and we learned during the recent leaks of their email that there was talk of Marvel Studios getting partial rights to the character. Blastr argues that it might have actually been a good thing that Marvel Studios did not own the rights to all of the Marvel characters:
It’s easy to forget that back in the mid-2000s, Marvel Studios was one heck of a risky proposition. After partnering with outside studios for years, the company finally decided that, if they wanted good movies based on their comics (and the winner’s share of the box-office bucks that come with them), they’d have to make ’em themselves. There was just one problem: They’d already sold off any franchise with obvious big-screen potential, most notably Spider-Man, X-Men and the Fantastic Four.
So Marvel decided to dig deep. The comic universe has always thrived on variety and a world populated with extremely interesting and damaged heroes, so they decided to apply that model to film. Iron Man and Hulk were arguably the most bankable heroes left on the bench, so Marvel pumped every dime it had into those two projects and prayed for a hit. Luckily for all of us, Robert Downey Jr. and Jon Favreau caught lighting in a bottle with Iron Man in 2008. More than $585 million later, we were well on our way toward The Avengers.
Since Marvel didn’t have the luxury of a sure-fire star like Spider-Man — who is currently the most lucrative comic-book character in existence, with more than $1.3 billion in licensing revenue in 2013 alone — they had to work with characters who might not have ever gotten a shot otherwise. Just think: If Marvel could have made splashy Spider-Man and X-Men movies, do you think we’d have ever gotten something as creatively quirky as Guardians of the Galaxy (or Ant-Man), or the risky period-set romp that was Captain America: The First Avenger? Maybe somewhere down the line, but a lot of the limited focus (and release slots) would almost certainly be eaten up by those larger properties.
Yes, Marvel would probably be making better movies than what’s out there now (especially on the Spider-Man front), but for me, I wouldn’t trade the epic Marvel Universe we have now for the chance at some better Spider-Man movies. Not by a long shot. The fact that Marvel didn’t have Spider-Man in its stable was the catalyst to bring characters like Iron Man and Thor to life, and gave Marvel the confidence to try something as seemingly insane as a film starring Rocket Raccoon and Groot. The only thing they could control was making the best movies possible, and since the characters were mid-tier, they had to be extremely good.
He has a good point that the way Marvel built the Avengers with characters starting with lesser characters like Iron Man worked out well. However, now that this has been established, Marvel Studios (as part of Disney) is probably big enough to hire the crew to put out an even larger number of movies. Plus it would be worth sacrificing some of the planned movies with minor characters if it meant having Spider-Man movies of the quality of other movies from Marvel Studios.
Briefly looking at other shows on last week, I was glad to see that the cast and crew of The 100 agree that the plan for Bellamy to infiltrate Mt. Weather “sucked.” I can accept writing a script with characters doing foolish things, as people do foolish things, as long as the writers are doing this intentionally. More on upcoming plans for The 100 in the linked interview.
I am also glad that it was intentional that Team Arrow was so weak without Oliver. It would be especially unrealistic if Laurel was suddenly an effective crime fighter like her sister, who had years of training. Marc Guggenheim discussed Arrow and The Flash in an interview with Assignment X. Guggenheim also tied Arrow into contemporary politics:
AX: How much do you weigh referencing ARROW as a modern-day Robin Hood?
GUGGENHEIM: There’s an interesting thing that’s happening in the country right now, where you’re talking about one percent versus ninety-nine percent, haves versus have-nots. Poverty and whatnot has become a political issue, which is interesting, because to me, it was always an issue on both sides of the aisle, how we distribute wealth in this country. It’s a little scary to me that it’s become this polarizing political thing. That’s not the country I grew up in, so it’s weird also to be writing on a show that’s clearly dealing with that issue head-on. Obviously, GREEN ARROW is inspired by Robin Hood and we’re playing around with those elements, but you go it’s more about social justice than it is about politics. At least, that’s what the show should be about.
AX: Aren’t social justice and politics sort of the same thing?
GUGGENHEIM: Well, the point I’m making actually is that social justice has become a political issue in a way that it never has been in this country. Obviously, yes, there’s always been a political divide, we’ve always had disagreements in terms of how to address these issues, but it just feels like the disagreements have become so vitriolic and the differences have become so severe that it’s taken on a different cast than it used to have.
NBC plans to air Allegiance on Thursday nights in place of Parenthood. It sure sounds like a rip off of The Americans, even if its producers deny it. I’m sure there will be differences, like on The Americans the Russians are after the daughter, but on Allegiance they want to turn the son into a spy. It seems better to place such a scenario with undercover Russian spies in the 1980’s, like The Americans, as opposed to present day.
The Americans started its season with another excellent episode, and is ranked by may critics as the top show currently on television. I doubt that Allegiance will be anywhere as good, either as a spy show or as a family drama. If you haven’t seen it, call in sick for the next two days and binge on the first two seasons on Amazon Prime to catch up.
And, finally, a nine year-old in Texas was suspended from school for threatening to make a classmate disappear. He had just watched The Hobbit: The Battle of Five Armies and claimed to have the one ring to rule them all.
Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.
It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.
Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.
Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:
AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?
BF: [Frank] Serpico survived a bullet to the face.
Fuller explained Will’s motivations:
AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?
BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.
AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?
BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.
He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:
AVC: How much do you sit around and figure out how he does all this stuff?
BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.
Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.
It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.
The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.
As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.
Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.
Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.
The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.
The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.
Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.
I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:
EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.
There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories. This character relationship chart might help keep track of all of them.
Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.
Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:
I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew
Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.
Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.
Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.
Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.
Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.
AX: Did you watch any of the earlier incarnations of Hannibal?
MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.
AX: Can you say what you’re bringing to Hannibal?
MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.
AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?
MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.
AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?
MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.
AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?
MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.
Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some initial reviews being very favorable. Entertainment Weekly has more on the show.
Gillian Anderson had a great response to a question posed on Reddit:
Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?
Gillian Anderson: Something so rich that he’d choke on it and die.
Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:
Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”
I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.
Spoiler TV has information (and video) on a new clone to be introduced in the second season:
A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.
Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.
Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:
From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.
Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.
The four part series will be divided into episodes on Robots, Space, Invasion, and Time.
Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.
The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:
The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.
Fox has released more information on their upcoming series, Gotham:
Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?
“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.
Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.
Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.
As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).
Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:
ABC has the script for the pilot but nothing is greenlit yet.
Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
Howard Stark would be a recurring character, not a series regular. This is assuming Dominic Cooper would be willing to continue to play the role. I’ve spoken to him about this and he seemed very interested. But this was a few months ago and things change.
The show would start in 1946, sort of in the middle of the timeline of the One Shot. McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast. We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season. McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome]. Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”
Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.
While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.
The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.
The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:
It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)
So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.
“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”
The story also touched on other roles, including genre movies such as Captain America and Her.
The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.
John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.
Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.
Variety reports that Black Widow will continue to have a major role in upcoming Marvel movies and then Scarlett Johansson will star in her own stand-alone movie:
According to Chris Evans, who plays Captain America, Black Widow’s storyline in “The Winter Soldier” revolves around “her coming to terms with her history, that she’s been a spy, and spies aren’t necessarily trustworthy,” he told Total Film.
That will be further explored in “The Avengers: Age of Ultron,” out in 2015. Film starts production in March.
“(Black) Widow’s part in that is very big,” Feige said. “We learn more about her past and learn more about where she came from and how she became in that film. The notion of exploring that even further in her own film would be great, and we have some development work with that. When we meet the Avengers at the top of ‘Age of Ultron,’ it’s a very different landscape than we left them at the end of the first film. Partially, that’s because we love the rhythm that the comicbooks have developed — each of the characters appear in their runs, occasionally they get together for a big event or crossover series, they part again, and then they come back together again.”
It’s unclear whether Marvel hopes to have a Black Widow movie become part of its third phase of films, which so far includes “Ant-Man,” “Doctor Strange” and the third installments of “The Avengers” and “Captain America.”
Phase two includes “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy” and “The Avengers: Age of Ultron.”
Bringing Sarah into Team Arrow raises questions as to Felicity’s role. That is answered with a Felicity-centered episode. Preview above. More about Arrowhere.
The CW has given pilot orders to dramas Identity, from Alex Kurtzman and Roberto Orci, Jane the Virgin, from Jennie Snyder Urman, and iZombie from Rob Thomas, TVGuide.com has learned.
In Identity, when a young woman in need of a transplant learns she is related to a powerful family whose son is her only hope for a donor organ, the CIA approaches her to investigate the family’s involvement in domestic terrorism and to infiltrate their rarified world. Her loyalty, morality and ethics are tested as she’s forced to slowly build a case against the family who saved her life. Sleepy Hollow‘s Kurtzman and Orci will executive-produce with The Good Wife‘s Corinne Brinkerhoff, who will also write. Heather Kadin, Rob Golenberg and Alon Aranya are also attached as executive producers…
Based on DC Comics’ series, iZombie is a supernatural crime procedural about a med student-turned-zombie who takes a job in the coroner’s office to obtain the brains she must eat to maintain her humanity. However, with every brain she consumes, she also inherits the corpse’s memories. In order to silence those disturbing voices in her head, she solves homicide cases along with her medical examiner boss and a police detective. Veronica Mars‘ Thomas and Diane Ruggiero will write and executive-produce with Danielle Stokdyk and Dan Etheridge.
Showcase has released another trailer for the third season of Continuum. It returns on March 16 or you can wait until April 4 and see cut episodes on SyFy. Guess which version I plan to watch.
If you haven’t seen the first episode of season two of House of Cards yet, you just better get off the Internet if you don’t want to see spoilers. It turns out that the shocking event from the first episode was planned from the start with a similar event in the season finale of the first season of the U.K. version. How realistic is the show? A star such as Robin Wright may or may not know very much about actual political life, but it is easy to have their opinion covered by being a bit titillating:
During a Q&A in the upcoming issue of Capitol File magazine, a reporter asked whether Wright’s White House source thought the fictional events depicted in the Netflix series were close to the mark.
“Did she think reporters sleeping with sources and members of Congress was factual?” the reporter asked.
“Oh, yeah,” the actress replied. “D.C. is more corrupt than Hollywood. It really is. It’s more sleazy than Hollywood… how much infidelity goes on.”
Kate Mara might soon become better known for another genre role. The cast has been announced for the Fantastic Four reboot, with Mara playing Sue Storm. Think how House of Cards might have turned out differently if Zoe Barnes also had Sue Storm’s power to turn invisible.
Orange Is The New Black returns on Netflix on June 6. No relation to Black Widow, Black Canary, or Orphan Black.
Hannibal returns on February 28, with the first season available to binge on Netflix and Amazon. Here is some more information on the second season.
Open Channel D. The Man From UNCLE movie opens on January 16, 2015. The movie stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant and Luca Calvani. One of the key things I remember from the original show was the use of cigarette cases and pens as communication devices. Is there any point in this with smart phones? But if these are not used, will the movie really feel like UNCLE? It might be fun to go back and look at some of the old episodes to see how they stand up today. My guess is that they would be better than SHIELD.
Actually Agents of SHIELD has improved. They did try experimenting with storytelling a little in the last episode, TRACKS, telling the same story from the perspective of different characters. I also enjoyed seeing a train heist as it reminded me of one of the first Joss Whedon shows I had ever seen, The Train Job episode of Firefly. (Yes, I have never seen Buffy). The episode ended with a cliff hanger but I doubt Skye is really dead considering how they appear in the midst of developing her back story. Besides, people on comic-based shows are rarely ever dead. A clue to this is that the next episode when SHIELD returns from hiatus will be entitled TAHITI. Bill Paxton will be joining to assist in saving Skye.
Producer Joel Fields answered questions about the second season of The Americans, which returns this week. One of my favorite moments from the first season was when Reagan was shot and the Russians saw it as a coupe attempt by Alexander (“I am in control here”) Haig. Fields was asked if any real life events will be included in the second season:
Season two will begin in early 1982 and, as our show was last season, it will be informed – but not shaped – by real life events. Philip and Elizabeth will deal with threats ranging from the Soviet invasion of Afghanistan to the covert American assistance taking place in Nicaragua, and everything they do will happen under the specter of constant brinkmanship that was a hallmark of US-Soviet relations at that time.
Last year it was discovered that Robert Galbraith was really a pseudonym for J.K. Rowling. She has a second novel about Cormoran Strike coming out on June 19. With character names such as Cormoran Strike, we should have guessed who the author was.
Joel McHale of Community will be hosting the White House Correspondents Dinner on May 3.
The first pictures have been released from filming of Gracepoint, the US remake of Broadchurch. David Tennant reprises his staring role from the ITV version, along with Anna Gunn of Breaking Bad.
An American adaptation of Utopia is being planned by HBO and is to be written by Gone Girl author Gillian Flynn.
Both Broadchurch and Utopia have completed their first season in the U.K. and will be returning for a second season. The first season of each was excellent, but as accustomed as I have become to downloading shows from the U.K. I can’t help but wonder why they don’t just show the original versions here. Yes, there are references which Americans might not understand, and David Tennant’s accent was a bit thick in the ITV version, but I think American audiences can cope. Look how popular Downton Abbey and Call the Midwife are becoming here without need to remake them for American audiences.
Doctor Who and Guardians of the Galaxy star Karen Gillan has been cast in an American sit-com, Selfie:
The actress, who next appears in Marvel’s Guardians of the Galaxy and Oculus, has been tapped to star in ABC’s Emily Kapnek comedy Selfie, The Hollywood Reporter has learned.
The modern take on My Fair Lady is inspired by the musical and tells the story of a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
The casting marks the Scotland native’s return to TV following Doctor Who — where she played the Doctor’s companion, Amy Pond, for more than 30 episodes on the show’s fifth through seventh seasons — and Adult Swim’s NTSF: SD: SUV
Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.
This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard. The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.
An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.
Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!
Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.
The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:
This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.
Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”
Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”
Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.
There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.
Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.
BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.
Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:
“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”
He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.
“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”
Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.
I don’t know if this is the official final storyline, but this synopsis (spoiler) of the Fantastic Four reboot leaked out from casting calls:
“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”
I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.
A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.
Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.
HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.
Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:
Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.
“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”
In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.
“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”
Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.
Parks and Recreationhas been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.
Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.
Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.
With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:
We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.
Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.
I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:
Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.
As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.
Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:
The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka, even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.
And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…
The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.
While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.
What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)
Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:
In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.
Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.
There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.
The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.
The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”
If you check out street view on Google Maps at Earlham Green, Greater London Nr5 8DQ, United Kingdom you will see a blue police call box on the left side of the street. Place the mouse near it and then click on the double lines which will appear. This will allow you to enter the TARDIS. You will find that it is smaller on the outside than on the inside. Once inside you will be able to move around the control room. Unfortunately you cannot go further inside the TARDIS but I assume Google Maps will be working on extending their coverage of interior spaces.
Arrow show runner Mark Guggenheim discussed introducing The Flash on Arrow:
“I feel like I’m just following Bilson and DeMeo. Whatever they do, I seem to follow in their footsteps,” Guggenheim laughed. The writer told CBR that from comics to TV, the goal of the “Arrow” production team is to expand out the DC Universe while keeping the tone and feel of their show its own unique story platform.
“Honestly, I’m just excited to help be a part of expanding the DC Universe,” he said. “I think one of the big thing that appeals to me about comics in general is the idea of the shared universe. It’s a lot of fun to be able to do that in television, and growing up one of the things I enjoyed was the ‘Six Million Dollar Man’ and ‘The Bionic Woman’ and the way those two shows would interact with each other. We’re at least a season away from ‘Arrow’ interacting with ‘The Flash,” but the potential for that is really exciting for me.”
Kreisberg, who serves as Guggenheim’s show running partner on “Arrow,” will develop Barry Allen’s character in writing each of those three episodes this season on “Arrow,” and Guggenheim said that is all part of a masterplan that stretches back before their recent run of announcements. “Andrew is taking the lead on ‘The Flash.’ This has been in the works for a while and had been in the works since before Comic-Con. But we made the decision, as these things are announced in a rollout, to take a strategy where we’d announce Black Canary, Bronze Tiger and Brother Blood at Comic-Con. We felt like, ‘That’s a lot for Comic-Con. Let’s save something back for when T.C.A. comes around.’ I want to disabuse anyone of the notion that we decided to do Flash after Comic-Con. We’re just capable of keeping secrets every now and again.”
And overall, the writer wanted to stress that an additional superhero – and one with some more super powers – won’t change the core of what “Arrow” is. In fact, Guggenheim leaned on a comparison with DC’s main competitor to explain how each series will develop over time. “I think a lot of people are justified in asking ‘What does this mean for Arrow in terms of its tone?’ And my answer is that the trick that we have – and this is a challenge we’ve discusses a lot and have an awareness of how to face it head on – is the fact that ‘Arrow’ is like ‘Iron Man’ where ‘The Flash’ will be ‘The Hulk.’ And just as ‘The Hulk’ coming out did not change the tone of the Iron Man movies, ‘The Flash’ will not change the tone of ‘Arrow.’ We’re very cognizant of what ‘Arrow’ is all about, and I think the Marvel movies demonstrate that each piece of a universe can have its own feel. ‘Thor’ is consistent with the tone of Thor while ‘Captain America’ is consistent with the tone of Captain America’s character. ‘Arrow’s’ tone will remain consistent much in the same way, and we are looking forward to expanding our canvass a bit. And judging from the announcement, I think the fans are looking forward to it as well.”
While Barry Allen will be on Arrow for a few episodes, he will not have his superpowers, at least not at the start. Despite not having true superpowers, Arrow does feel like a superhero show, including having the common problem of the hero being just too powerful. I just watched the first season of the show over the past week and found it to be entertaining as long as you ignore the multiple implausible aspects. On Arrow, a person with bow and arrows can easily defeat multiple people with guns. This includes not only Oliver Queen, but two other characters who use the same weapon. Oliver Queen does have fighting skills beyond this weapon. He also has an amazing ability to disappear. Typically when he is surrounded inside a closed area and anyone else would be captured, he gets away with no difficulty or even on-screen explanation. Arrow is not up to the quality of the most impressive new genre shows of the season on regular cable and broadcast television ( such as The Americans, Orphan Black, and Hannibal) but still worth watching.
There were aspects of the writing style of Arrow which makes me confident they will do a good job of gradually introducing characters. Rather than quickly giving an origin and then moving on to the main story, Arrow had flashbacks over the entire season to the island where Oliver Queen was stranded for five years and learned his skills. Rather than immediately introduce the sidekick and those who knew his secret identity, characters were gradually brought into Oliver Queen’s inner circle.
There are also a couple of reasons for Doctor Who fans to watch. John Barrowman is a recurring character all season and Alex Kingston was on a few episodes. I was hoping for the two to interact but that did not occur. Incidentally, most Barrowman fans probably know that Torchwood is an anagram with the same letters as Doctor Who. By coincidence, the name of the television show he appeared in last season is also in Barrowman’s name.
More on crossover characters from other DC comics here.
The Mandarin appears in this deleted scene from Iron Man 3.
I’m glad to see Under the Dome turn more to the mystery of the dome, not that I’m all that confident of a satisfactory resolution. Apparently when they say “the monarch will be crowned” they are speaking of an actual monarch within the small dome. I have read that one of the major differences between recent episodes and the book has been that Big Jim and Junior work together in the book. Last week’s episode may signal a reconciliation between the two.
Last week’s episode of True Blood contained the battle which we might have expected for the season finale. There are still questions. Will Sookie keep her promise to become Warlow’s vampire bride? (I bet she does not). Is the war between humans and vampires now over, or just beginning? Will those vampires who indirectly fed on ferry blood continue to be able to be out in daylight? Is Bill now returning to his normal self? Considering how poor recent seasons of the show had become, it is a good sign that, despite some ongoing problems, the show is now able to maintain interest in such questions.
Homeland writers revealed information on their plans during season two. I’ve been questioning since the end of season one how long they could plausibly continue to have Brody around. The writers may have been thinking the same thing:
Though the show’s creators already copped to plotting an untimely end for Lewis’ character way back in season one, that is until more merciful voices at Showtime prevailed, Gordon admitted that, going into season two, the writers intended to send Brody to the chopping block yet again, and were once more persuaded otherwise by the network. “We had sketched out this plan in the early parts of season two which called for Brody’s demise, which may have been premature, and they asked us to reconsider,” which Gordon credits as “the happy accident of having very good partners.”
If it seemed like a sudden reversal for Carrie to have decided not to leave the country with Brody, it was also a reversal of the writers’ plans:
According to Steihm, who has since left Homeland to run FX drama TheBridge, the writers all wanted Carrie (ClaireDanes) to go with Brody across the border in the season two finale instead of returning to the CIA. In fact, in the first draft, she did. After much debate, they ultimately decided it was more in character for Carrie to stay and carry out her mission with the Agency after helping Brody escape safely to an underground network.
Besides being a great show, Orange Is The New Black has supported science over religious fundamentalism, such as in the scene above with partial transcript below:
Piper: I can’t pretend to believe in something I don’t, and I don’t [believe in this]… I believe in science. I believe in evolution. I believe in Nate Silver, and Neil deGrasse Tyson, and Christopher Hitchens, although I do admit he could be kind of an asshole. I cannot get behind some Supreme Being who weighs in on the Tony awards while a million people get whacked by machetes. I don’t believe a billion Indians are going to hell. I don’t think that we get cancer to learn life lessons. And I don’t believe people die young because God needs another angel. I think it’s just bullshit. And on some level, I think we all know that.
There are a number of reports, along with a denial, that Laura Prepon will be leaving Orange is The New Black to work on a new show. If true, this would leave a major hole in the show. The reports claiming this do say that Prepon will still be present at the start of the season to tie up Alex’s storyline and she will be written out in a way which would allow her to return.
Two of the top television shows premiering in 2013, Orphan Black and Orange Is The New Black, have been combined in this mash-up giving us Orphan Is The New Black.
Fake Sherlock will be going to England in their opening episode. Maybe they will meet the “real” Holmes and Watson of Sherlock. (Ok, probably not). More news on the second season of Elementaryhere.
We expect The Newsroom to mix in major news stories with each episode. Last week they included plot elements reminiscent of other real events from The Today Show botching the editing on George Zimmerman’s 911 tape to the real life release of nude photos from Oliva Munn’s phone. The manner in which World Net Daily reported a rumor without any fact checking also is based on reality, along with being an excellent commentary on the unreliability of WND and the entire right wing noise machine.
William Shatner joins those arguing that Star Trek belongs on television in this interview:
Karl Urban, from the new Star Trek films said that “Star Trek, as envisioned, was about space exploration. And it would be really wonderful to harness the spirit of that and apply it to the next film”. Is that something that you would like to see? A greater focus on discovery in these films.
Shatner: I’m not goona second guess JJ Abrams, he’s a great director and he’s so talented. But I’ll tell you that I am going to the Lowell Observatory in a couple of weeks to deliver a speech that I wrote about Star Trek and its capacity to stir the imaginations of young people.
The idea is, that so many people’s lives have been touched by the imagination of Star Trek and children’s imaginations are so vital to the rest of their lives that… this is an aspect of Star Trek that I’m focused on.
Now let me ask you, trying to bring in new viewers, new younger viewers to expose that world to young kids and teenagers alike and really spur that imagination — is a TV show a more viable vehicle for that? Is it sad that we don’t have something like that right now, a Star Trek TV show that could really seize on the exploration part of the thing that the original series and Next Generation, that those things did?
Shatner: You know, I think you’re right. Because, JJ Abrams has found the key to getting a large audience into the movie theater, and that’s the ride. So you get a lot of the CGI effects, which is the epic movie making aspect of today, whereas in Cecile B. Demille’s time, you had to use real people. Now you don’t need to use real people and you can have infinity for God’s sake.
That’s in order to get you into the theater, because the majesty of the movie is shown by the large screen. But when you get into the small screen, you need stories… entertaining, interesting, vital stories that have a philosophy and also have an excitement about them, so that the viewer stays with it, but recieves the philosophy as a byproduct. Those were the best of Star Trek, those kinds of stories. And that kind of thing, there is always room for that. That kind of imaginative approach that stirs young people into wanting to be connected with science.