I’m primarily using Facebook (and am trying to remember to keep these posts open for everyone to read–I know I missed several). Some comments are also on Twitter–see the box on the left. I’ll also try to periodically update here, but there is far more on Facebook when the comments are included.
I’m really shocked that Buzz Lightyear didn’t show up to the Oscars to pick up the award.
Everybody get ready. If Social Network wins as best movie, everyone on Facebook is expected to go up on the stage.
What happens if Inception wins as best movie, and then everyone wakes up and finds the entire Academy Awards show is a dream?
The Social Network guys are asking “Is this really happening?” They must have confused their movie with Inception.
Inception beat King’s Speech and other movies for Sound Mixing. I agree that the sound in Inception was better than listening to stuttering.
I see Anne Hathaway got out of her tux. When is she going to put on her new Catwoman outfit?
Republicans disagree with Obama’s view on “As Time Goes By.” Their favorite song is “If You Could Turn Back Time”
At least one good thing about the Academy Awards compared to the Golden Globes. There’s no way Glee will win as best comedy tonight.
Yes it is wrong that not a single financial executive has gone to jail. It is also wrong that nobody who was involved with the two sequels to The Matrix has ever gone to jail.
Michael Moore on Twitter: Thank u Charles Ferguson 4 pointing out not a single Wall St crook has gone 2 jail! And to the audience for applauding!
Inception is winning so many awards that I now suspect that someone planted an idea in the minds of the voters.
A win for Social Network (film editing). Everyone on Facebook, start walking up to the stage.
Makes sense that best song came from Toy Story and not the guy cutting off his arm in 127 Hours.
It’s getting late. I might just look up the rest of the Oscar winners on Wikileaks.
As I feared, now that we are getting to bigger awards like Director, Inception’s run is ending and King’s Speech won. When they planted ideas in the minds of voters, those behind Inception should have taken it to another couple of levels.
Idea for shortening the Oscars: Only allow winners to make acceptance speeches which they can fit on their hands. (I can’t believe I’m taking an idea from Sarah Palin).
I was ambivalent about Fringe during the first season when there were primarily stand-alone stories, but have grown to love the show as it got more into its mythology and a continuing story line. Friday’s episode brought about one major change as we saw in Reciprocity that Peter’s connection to the Doomsday Machine has also changed Peter. Finding that Peter was the one killing the shape shifters was a surprise. It was also amusing to see the effects of Walter injecting the chimpanzee DNA and I was happy to see some movement on Peter’s relationship with Olivia.Dumping a boyfriend because he had sex with your identical counterpart from an alternative universe is the lamest reason since Rachel dumping Ross for messing around when they were on a break.
While an excellent episode, I do miss the alternative universe. We’ve been promised that the show will return there, and there was some more news on this last week. John Noble has hinted about his roles:
In a recent conference call, the actor told reporters that the brain-damaged scientist will begin to “put his life back together”.
“He finally comes to face up to his limitations, but also his strength,” said Noble. “[That is] more than enough to deal with the problems. It’s a wonderful journey for Walter this season and he gets to go through all the stages.”
Noble also promised that viewers will begin to see a more human side to Walter’s doppelganger, the sinister Walternate.
“You will learn more of what made Walternate what he is, and you will see some humanisation of the man behind that steel exterior,” he explained. “He has to make some difficult decisions. We’ve done some terrific things that don’t soften him, but help to understand that he is man, not a machine.”
He added: “I hope that there is a resolution between Walter and Walternate, because I don’t see either of them as bad men.”
I am especially looking forward to the February 25 episode which goes back to Peter’s abduction:
“Peter,” the season two episode that brilliantly chronicled how Walter Bishop accidentally abducted the alternate universe’s Peter, was such a fan favorite that producers are headed back to 1985 in an upcoming episode of “Fringe.”
Slated to air February 25, the installment will serve as a companion piece to “Peter,” according to star Jasika Nicole. “It’s going to pick up right where ‘Peter’ left off and it’s better than the first one,” she told PopWrap.
But unlike the season two edition, “this flashback is going to take place in the alternate universe as well as this universe. That’s why it’s so good, you’ll see the repercussions stealing Peter has for Walter and Walternate,” she adds.
A huge part of the fallout will involve Elizabeth Bishop. “As we’ve seen, Walternate is still with his wife and there’s a reason for that. You see all these consequences that happened as a result of that [abduction] and what that means for his relationship with Elizabeth. It’s a really heartbreaking story.”
The biggest Fringe news is that Leonard Nimoy has tweeted that he might be returning as William Bell. The actual tweet states, “Plans developing for a William Bell return to Fringe. Stay Tuned. LLAP.” As long as Nimoy is willing to return, it is hard to believe that the producers of Fringe will not take advantage of this.
I wasn’t paying any attention to the prospect of an other remake of Charlie’s Angels until Minka Kelly of Friday Night Lights was cast in the movie last week.(Kelly also has a recurring role in Parenthood this season and played Autumn in 500 Days of Summer).
ABC’s Charlie’s Angels has its trio female leads: Former Friday Night Lights star Minka Kelly’s will play a former Marine and weapons expert and Transformers star Rachael Taylor will play a con artist.
The duo have been near-deals for the roles this week and are now official on the Sony Pictures TV project. Kelly and Taylor join the previously cast General Hospital star Annie Ilonzeh.
Friday Night Lights is down to only two more episodes. I won’t give any details as many are waiting until it airs on NBC this spring, but I think this was the best of the shorter, and lower-budget, seasons done jointly with Direct TV.
In other casting news, Henry Cavill of The Tudors will play Superman.
Colin Firth says he’d like to play a bad guy on Doctor Who or Torchwood, especially Doctor Who.
Keanu Reeves has created a stir in the blogosphere by stating two more sequels to The Matrix are in the works. Perhaps we could start a fund to pay them not to do this. I’m not sure where they would go after the two terrible sequels to a great movie. Would it be feasible to just pretend the two sequels don’t exist and remake a good pair to replace them?
Luke Pasqualino will play William Odama on the upcoming Battlestar Galactica prequel, Blood and Chrome. IO9 has a larger version of the above map of the Twelve Colonies of Kobol.
Not only is this map a thing of great beauty, but it’s totally official — Grazier was science advisor for Battlestar Galactica from the very beginning, and helped to define a lot of the show’s concepts. And Espenson, as the original showrunner for the prequel series Caprica, had to do a lot of thinking about exactly how the Twelve Colonies were laid out. This info comes straight from the creators — and from the showrunner’s bible for BSG and Caprica. And Grazier, who works at NASA’s Jet Propulsion Laboratory, verifies that the info in this map is “scientifically plausible.” It was created by Hollywood graphic designer Geoffrey Mandel, who made countless adjustments as the technical data underwent scrutiny…
We asked Espenson and Grazier some questions about the map, and they ended up telling us a lot more about the science and backstory of Battlestar Galactica:
I didn’t realize there were four different stars in the Cyrannus star system. I had always wondered if there were just 12 habitable planets clustered around a single sun. Where did the idea of four different stars come from? Was this in the show bible someplace? I’m especially curious about Leonis, the “heart of the colonies,” which I don’t think we ever heard about. Also, Scorpion, the “playground of the colonies.” Is that the colonial version of Risa?
Jane: Even back before Caprica the show existed, I believe Kevin and I had talked a bit about the configuration of the colonies. All the work on that is his. I instinctively loved the idea of a star cluster. The idea of 12 habitable planets all orbiting one star just seemed unworkable. And crowded. This group of stars makes so much sense. Kevin was at work on the configuration of stars and planets long before we shot a single frame.
More on the “science” of Battlestar Galactica in the full post.
The season finale of Dexter was largely predictable, but predicable in a good way. Actions and decisions made were as anticipated as they were set up in previous episodes. We knew it would end with Jordan Chase getting killed. We also knew that Lumen would leave and, while it was always a consideration, I think most fans predicted she would not get killed. Killing Lumen after Rita’s death last year would have been too depressing. There have also been hints in post-season interviews that Lumen might return.
It was also predicable that Deb would wind up at the camp, although she sure did figure out the location quickly. It would have been more plausible if Dexter had left around a paper trail regarding Jordan Chase’s ownership of the camp. The only real question here was whether Deb would arrive to save them from Jordan or, as it turned out, to find Jordan’s dead body. Once the scene was set up with Dexter and Lumen behind the plastic I had no doubt about the ending. It was obvious that this would be the way that Deb could set them free without seeing their faces. The writers had been preparing Deb all season to make the decision for her to sympathize with the unknown (to her) vigilantes. While I wasn’t very fond of the Carlos Fuentes arc earlier in the season, it did lead to Deb believing that there were people who deserved to die and change her view of killing.
Dexter’s decision to save Quinn was also not surprising. He might have let Quinn take the blame for Liddy’s death but even if Dexter saw some benefit in this he would be taking a risk that he would be a suspect once it came out that Quinn had hired Liddy to spy on Dexter. The most important factor might have been Dexter saving Quinn for the sake of his sister. At the moment Quinn is grateful to Dexter, but there is no guarantee he won’t go back to suspecting Dexter sometime in the future, especially should he break up with Deb.
There are still a number of loose ends in the conclusion. Why is Deb given credit for breaking the case when, as far as everyone knows, Jordan Chase is still alive. (I assume she didn’t tell anyone that she saw his dead body when she made the call or there would have been lots of questions when his body wasn’t there). Nobody appears to be questioning why one bullet was shot from her gun. Quinn isn’t necessarily off the hook for Liddy’s death considering all the other evidence implicating him. These include all the phone calls and the faked signature for the surveillance equipment. The hunt for Kyle Butler was also never resolved, and could still create problems for Dexter in the future.
The season ended leaving the writers a free hand as to where to go next season. They could deal with some of these loose ends from the past or move on. The problems between Dexter and Rita’s children were also resolved, with Astor and Cody planning to spend the summer with him. This leaves the writers free to set the next season with the kids living with Dexter or still living with their grandparents.
While Deb did not find out Dexter’s secret this year, they are likely setting this up for a future season. Deb did find out at the end of the first novel, which was very similar to the first season in most respects. This would be a plausible way to shake up the series and maintain continued interest. This is also suggested in an interview with executive producer Sarah Colleton:
A huge moment for Deb: She chooses not to pull back the curtain to discover the identity of Victim 13 and her partner, allowing Lumen and Dexter to go free. Why did you decide to go that way with the story?
Deb has had a really interesting growth over the past five years. If you remember her from year 1, her energy was all over the place and she was coltish and insecure—this delightful unfocused character who slowly over the years has learned to focus all of that energy and she has become a formidable detective. But part of becoming a detective and pursuing the dark side is an awareness that anyone who takes a walk on the wild side never comes back all the way. What may have started out as a rigid sense of what’s right and wrong—what’s good and evil—starts to turn into a bit of gray. And when Deb finally brings down Carlos Fuentes earlier in the season, she’s surprised that she feels nothing—and is intrigued by that sensation. And one of the most subtle conversations between Dexter and his sister takes place over a beer in Dexter’s apartment when she’s going on about how she didn’t feel anything, and Dexter gives her this look and goes, “Dad once told me there are people who deserve to die.” And she looks at him and goes, ‘Do you think there are people that deserve to die?” It’s this moment where Dexter has floated out this little trial balloon. So you see Deb starting to make that turn. And based on her experience with Rudy and in episode 10 when she sees all of those [Barrel Girl] tapes—it’s traumatizing yet strengthening for her—she comes up with the vigilante theory. When she finally gets to the camp and realizes that she has stumbled upon “13” and her helpmate, it’s not until the very end of her speech where she makes that change. And Jennifer Carpenter did a brilliant piece of acting because the character doesn’t know until that very moment that she’s going to do something. It’s a huge, defining moment for Deb. That’s a new Deb who says, “The place is going to be crawling with police in an hour,” and sails up the stairs and goes to Quinn and says, “I don’t care what happened—I love you.” It’s wonderful—and it also opens the door because eventually, some season is going to have to deal with Deb finding out about Dexter.
This would result in a tremendous change in the relationship between Deb and Dexter. In real life there has also been a big change as it was announced last week that Jennifer Carpenter and Michael C. Hall are getting divorced. Apparently it doesn’t work to marry your TV sister. Perhaps Michael C. Hall should warn his former co-star from Six Feet Under as Peter Krause is now dating his TV sister from Parenthood, Lauren Graham.
Moving Fringe to Fridays, where Fox genre shows often go to die, has raised a number comparisons to Firefly–especially as the first episode back in January is named Firefly. The above video takes the opening to Firefly and replaces it with the characters from Fringe.
Even Fox has responded to the concerned raised by moving the show to Fridays in the above promo.
As far back as 1989 we had the fan fiction The Doctor and the Enterprise placing The Doctor in the Star Trek universe. In more recent years video mash ups have become more popular. Above we have a combination of the Doctor Who and Star Wars universes. This gives us eleven Doctors, Amy Pond, Rory, and River Song, including Amy Pond fighting Darth Vader with a lightsaber.
There have been numerous interviews and promotional videos released in preparation for Doctor Who: A Christmas Carol on December 25. This includes an interview with Karen Gillan in ShortList which geeks might find encouraging. Den of Geek has a spoiler-free review based on an early screening of the Christmas special. Life of Wylie has highlights from a Q&A session with Steven Moffat and the stars.
If you prefer an alternative to Doctor Who for your holiday entertainment, The Wall Street Journal has a review of A Klingon Christmas Carol.
Across the country this week, productions of Charles Dickens’ “A Christmas Carol” are warming hearts. In this city, one version poses this question: What if Charles Dickens were a Trekkie?
The answer runs an hour and 20 minutes and includes three fight scenes, 17 actors with latex ridges glued to their foreheads and a performance delivered entirely in Klingon—a language made up for a Star Trek movie.
“It’s like an opera,” says Christopher O. Kidder, the director and co-writer. “You know what’s happening because you already know the story.”
For those not fluent in Klingon, English translations are projected above the stage.
The arc of “A Klingon Christmas Carol” follows the familiar Dickens script: An old miser is visited on a hallowed night by three ghosts who shepherd him through a voyage of self-discovery. The narrative has been rejiggered to match the Klingon world view.
For starters, since there is neither a messiah nor a celebration of his birth on the Klingon planet of Kronos, the action is pegged to the Klingon Feast of the Long Night. Carols and trees are replaced with drinking, fighting and mating rituals. And because Klingons are more concerned with bravery than kindness, the main character’s quest is for courage.
Carrie-Anne Moss, who stared in the fantastic movie The Matrix, and the dreadful movies The Matrix II and The Matrix III, has been signed to star in a Lifetime pilot as a celebrity psychologist.
Thursdays from 8:00 to 8:30 is the best hour of genre comedy television. Big Bang Theory has had lots of major guest stars. Now Community is getting LeVar Burton, who will play himself.