SciFi Weekend: Star Trek Discovery; Digital Erections; Supergirl; The Flash; What Thor Was Doing During Captain America: Civil War; Outlander; Doctor Who; You’re The Worst

Star Trek The Cage

When word came out that Star Trek Discovery (officially abbreviated DSC, not STD) would take place about ten years before the original show, and it would feature a female lead who is not the Captain, many fans realized that this would put it around the era of The Cage (the original pilot which was re-cut into flashbacks on The Menagerie). Some also speculated that the female lead could be Number One from that episode if she transferred to a new ship. Bryan Fuller has told Ain’t It Cool News that the female lead will be know as Number One. It was not stated whether this will be the same character, or perhaps another character is being referred to in this manner (as Riker was on The Next Generation).

As for the other project upcoming from Bryan Fuller, I09 discussed plans for digital erections in American Gods.

Supergirl Martian Manhunter

Collider interviewed producer Andrew Kreisberg regarding plans for Supergirl’s second season:

With all of the great things that come with getting to continue the show on The CW, one of the things you lost was the ability to have Calista Flockhart on as a regular cast member. How often can we expect to see her?

KREISBERG: Well, she’s in the first two episodes and we’re talking to her about doing more. It’s funny because, from our perspective, we thought she wouldn’t do any. And it’s not because she doesn’t love the show. She’s such a huge fan of the show, but moving to Vancouver, we assumed that we would part as friends. But she’s so into the show and feels such an allegiance and a responsibility to it that she’s agreed to come back, so we’re very happy. We’re not focusing on what we don’t have. We’re focusing on what we do have, and it’s allowed us to have Ian Gomez, who’s playing Snapper Carr, come in, in a more supervisory capacity, which is fun. Kara has spent two years of her life learning to deal with Cat Grant’s idiosyncracies, foibles, short temper and mixed signals, and just when she finally got that down, she’s now introduced to a new boss who’s very different, has his own thing, and isn’t quite as impressed by her spunk as Cat always was, even if Cat wouldn’t admit it. It’s a journey, like any of us go on. We’ve all had different bosses, over the course of our careers. Just when you finally feel like you’ve nailed your job, you get promoted and you’re suddenly like, “I don’t know what I’m doing anymore!” That’s what’s going to happen to Kara this season…

What can you say about the addition of Christopher Wood and how his character will fit in with things?

KREISBERG: We don’t want to say too much because we’re doing our own version of Mon-El. Obviously, he’s a character from the comic books and he’s much beloved, and we’re putting our own spin on it. What’s interesting about Mon-El joining the show, from Kara’s perspective, is that Kara has spent her whole life as someone who’s been mentored, first by her mother, and then by the Danvers and Superman and Cat. She’s always been somebody who’s been taken care of, in a way. Now, with Mon-El, he’s fresh off the boat. As far as he’s concerned, living on another planet happened yesterday, and suddenly, he’s on Earth and everything he knew was lost, just the way it was for Kara, but she’s had 12 years to process it and he’s struggling with it. So, Kara is now the one in the mentor position. Ironically, she even says in an episode, “I was sent to Earth not to be a hero. I wasn’t sent here to be Supergirl. I was sent here to protect Clark and take care of Clark. Now, in an odd way, with Mon-El here, I’m getting to fulfill that original mission that I had.” So, it’s a big change and a big growing experience for Kara, this season.

How daunting was it to figure out how you wanted to portray Superman, what you wanted the dynamic between Clark and Kara to be, and finding the right actor to take all of that on?

KREISBERG: I think our take on him is probably something a little bit more traditional. There’s certainly a little bit of the “Aw shucks” about him, but he’s been Superman for awhile, so there’s a savviness about him as Superman and as Clark. If he’s been Superman for 12 years, that also means that he’s been Clark Kent for 12 years. He knows how to interview somebody. He knows how to get a story out of someone. As always, with any of these things, we’re never doing a direct adaptation of a specific comic book. We cherry pick the best parts and things that we love. So, there’s a little bit of the Christopher Reeve Superman in there, a healthy dose of the Superman animated series, which we’re huge fans of, a little bit of Lois & Clark, a little George Reeves, and a little Super Friends. And as far as finding the right guy, as soon as we said we were going to do Superman, Greg [Berlanti] mentioned Tyler [Hoechlin]. We’ve been fans of his for years, and when we sat down with him, he is Superman. Not just with the looks, but he’s such a good guy, such a nice guy, and he’s so open and forthright and brimming with life. You just feel better when you’re around him, which I think is part of the secret of Superman. He is that ideal, but not in an unattainable way. Superman should make you feel like you can do anything, even though he’s the one that can do anything. And Tyler just had all that in spades. So, it was less a question of us reaching out. It was more a question of hoping he would say yes. After Tyler, I’m not sure what we would have done…

What’s in store for J’onn J’onzz?

KREISBERG: Part of the reason we’re bringing on Miss Martian is to give J’onn his own story this year and his own emotional ride, meeting her and having this tie to his home world that he thought he would never have again. As he has to keep reminding people, he’s been here for 300 years and isolated for most of it. Last year, with his relationship with Alex and his relationship with Kara, he started to come out of his shell a little bit and wasn’t quite so afraid to show who he really was. So, in getting to interact with M’gann, he’s going to have a whole new person with which to share his martian experience. We think it’s going to be a great story.

The Flash will be lighter in tone next season, despite dealing with two villains along with Flashpoint.

avengers-suit-secret-identity

On the weekends I often wear somewhat subtle genre t-shirts such as Stark Expo, Wayne Enterprises, or Nelson and Murdock, Avocados At Law. I have a lot of ties with hidden, and in some cases not so hidden Mickeys (and one with both Mickey and Goofy). Now it is possible to go all out with superhero themed suits. Fun Suits has put out a line of discrete Marvel and DC based suits. The Mary Sue provides a description. The downsides are that they are polyester, and won’t be available until November.

In other Marvel news, Marvel has revealed what Thor was busy doing during the events of Captain America: Civil War in the above video, which was shown at San Diego Comic Con.

Outlander

Variety  reports on Ron Moore’s comments about season 3 of Outlander:

“Outlander” showrunner Ronald D. Moore told an audience at the Edinburgh Intl. Television Festival on Thursday that in Season 3 the show would start in Scotland but would then be making a sea voyage in the 18th century.

“There’s an extended journey across the Atlantic and then the story eventually goes to Jamaica, the Caribbean and ending up in the New World,” he said. “Season 3 will be as different to Season 2 as Season 2 was to Season 1.”

These dramatic shifts threw up challenges for Moore, who said: “It’s exciting creatively; it’s very hard in terms of the production… You are doing a whole new series with every season. So that’s very difficult. Scouting new locations, building new sets, bringing in new cast members, new costumes, different eras. It increases the expense, it increases the time necessary to prep everything, to shoot everything… So it makes it more difficult and it also takes more mental energy having to crack new problems.”

…Moore underscored the differences between the novel and the show. “You are not capturing Diana’s voice in the show, so much as you are capturing her world and her story. Diana’s voice is there for you on the page. When you read the book, or any book, the author is speaking to you directly,” he said. “The TV show has a vision, feeling and vibe that is an entity unto itself. All these component pieces then combine into our voice.”

Osgoods

Ingrid Oliver says she knows the difference between the human and Zygon version of Osgood:

Discussing last year’s last year’s ‘The Zygon Invasion’ and ‘The Zygon Inversion’ episodes, Oliver told Doctor Who: The Fan Show: “In the script it simply said Osgood 1 and Osgood 2. Steven [Moffat] never said explicitly ‘This is Zygon Osgood and this is not Zygon Osgood – or Hybrid Osgood’, so I sort of made a choice, but I don’t know if it’s right!”

Asked if there were any tells to signify which Osgood is which, she revealed: “Yes, in my head there are some very small tells. But, having said that, it’s sort of open to interpretation – because I guess that’s the point of the episode. In my head, inevitably there are a couple of little things that I did.”

Oliver joked: “I don’t know if people have noticed it – probably not… the Zygon one strokes her chin a lot!”

You’re the Worst returns on Wednesday. Season three trailer above. I hear the first episode is rather Not Safe For Work, and the season also includes an episode entitled The Last Sunday Funday. TV Line has more on the season.

I am waiting to see what happens next on tonight’s episode of The Last Ship. Last week’s episode felt like a look at Donald Trump’s America with that wall going up.

SciFi Weekend: Star Trek Beyond & Star Trek Discovery; Sherlock & Doctor Who News; Adrianne Palacki Cast On Seth MacFarlane SF Show; Gilmore Girls Trailer; Sense8

Star Trek Beyond

Star Trek Beyond is the third installment since J.J. Abrams took over Star Trek. Like the first two movies, it is fun to watch, and in this one there is more of an effort (only partially successful) to make this movie actually be Star Trek. There will be some spoilers here, but not to the point of giving away anything which isn’t becoming obvious in the first half of the movie.

The movie has a lot of action, but also makes an effort to get a feel for the characters early in the movie. The Enterprise is now on the third year of its mission in deep space which began at the end of Star Trek Into Darkness. This work mean that, although James Kirk took over the Enterprise at an earlier point in his life, that they have been in deep space for approximately as long as the crew on the original show. (The original series ended in its third season, but they had already been on their five year mission for some time when the show began). In this universe, we also know that they have encountered Tribbles and Khan earlier.

Whatever they have experienced, Kirk now feels that “things have started to feel episodic” and is contemplating a desk job. It should be no spoiler to say that he doesn’t go through with it. There was a reference to the original when he complained that his shirt got torn on an away mission. There was also time for Kirk and the rest of the crew to take  break when they traveled to a space station. Again, it should be no spoiler that something happened there which pulled the Enterprise into an adventure.

Before going off to fight another villain, and meet another memorable character, Spock also had to deal with both romantic problems with Uhura and learning of the death of Ambassador Spock, his future self from the origianl Star Trek universe. That is obviously an homage to the death of Leonard Nimoy. The ending of the movie also had a tribute to the death of Anton Yelchin, who plays Chekov. While a fourth movie has already been approved, a decision has been made to not replace Yelchin. Chris Hemsworth will reprise his role as Kirk’s father in the fourth movie, despite having died in the first movie. No word whether that will involve time travel, a revelation that he somehow survived, or some other means.

Spock contemplated leaving Star Fleet to continue Ambassador Spock’s work and his people following the destruction of Vulcan. This provided no more drama than Kirk contemplating taking a desk job. While at this star base we also learned that a ship even bigger and more powerful than the Enterprise was being built. Do I need to label it a spoiler to say that this guaranteed the repeat of what didn’t occur to the Enterprise in the prime universe until its third movie?

While no longer directed by J.J. Abrams, his influence was seen. I have some of the same nit picks as I did with Star Trek Into Darkness. Everything must be bigger, including getting yet a bigger and better version of the Enterprise and the incredible size of the space station out in deep space (which seemed partially modeled on Epcot). Once again, distance did not seem to matter. The Enterprise has gone where no one has gone before, but is not far from a station of this magnitude, and right around the corner from an almost unexplored nebula.

The most important thing about the Star Trek movies is that they have kept Star Trek around in some form. Star Trek has always worked better as a television show than movie series, and it will return to television early in 2017. Bryan Fuller announced at Comic Con that the next series will be named Star Trek Discovery, (referred to as DSC rather than the initials STD). The series will premiere on CBS television but subsequently be shown on CBS All Access, a paid streaming service. Episodes will also be available internationally on Netflix within twenty-hours making me wonder if it will be accessible in the US if using a VPN. With such limited availability, I bet it will also be heavily pirated.

Star Trek Discovery will tell a single story in thirteen chapters, with episodes released weekly. The series will take place in the prime timeline, but it has not been announced when. There has been speculation that the registry number of NCC-1031 for the Starship Discovery suggests it could take place before the original show, but that is far from definitive.

The above trailer for Sherlock season 4 was presented at San Diego Comic Con.

That naturally leads to recent news related to that other show run by Steven Moffat. Moffat predicts that Peter Capaldi will be remaining with the show after he leaves as show runner in 2017.

Karen Gillan has been cast as the female lead in All Creatures Here Below, an indie drama written by and starring David Dastmalchian. (I just thought of Amy Pond earlier today when I was walking by a house with a small angel on its lawn. I did not blink).

Jenna Coleman will be playing Queen Victoria for ITV. She has not ruled out returning to Doctor Who some day, but told Collider she will probably not return “for a good while”  if she ever does.

Adrianne-Palicki

Adrianne Palacki has been cast in Seth MacFarlane’s upcoming show for Fox:

Set 300 years in the future, the untitled show — MacFarlane’s first live-action TV series — follows the adventures of the Orville, a not-so-top-of-the-line exploratory ship in Earth’s interstellar fleet. Facing cosmic challenges from without and within, this motley crew of space explorers will boldly go where no comedic drama has gone before.

MacFarlane plays Ed, captain of Orville. Palicki plays Kelly Grayson, Ed’s ex-wife and the newly appointed First Officer of the Orville. Grimes plays Gordon, Ed’s best friend whom he hires to pilot the Orville.

This should answer the question as to whether Palacki will return to Agents of SHIELD after ABC decided against picking up the proposed spin-0ff which she was to star in. While she was written out of SHIELD, the manner in which it was done did not make it too difficult to have her return.

The Last Ship has been renewed by TNT for a fourth season. It has taken a different approach for the third season, reminding me of previous post-apocalyptic shows such as Jericho and Revolution. It is like rebuilding society in Revolution, with a recent plague being far more plausible than the loss of electricity on Revolution.

There is no question I will be binging on Gilmore Girls Thanksgiving weekend until I hear the four final words which Amy Sherman-Palladino has always planned to end the series with. She had hoped to have the show released in individual episodes to avoid spoiling the ending, but Netflix insisted on releasing all four episodes on November 25. I can’t think of any better place than Stars Hollow to spend Thanksgiving weekend. Trailer above. John Oliver did respond to Lorelei’s question while appearing on Stephen Colbert’s show:

Then on Christmas we can get more of Sense8 as opposed to watching it for the eighth time. ONTD has these items from the J. Michael Straczynsk’s panel at Comic Con:

– He confirms they’re filming in more cities because the Sense8 will be meeting more Sensates and some of them might be evil.
– There’s a lot more action than in Season 1.
– They’re gonna dig a lot deeper into the company searching for Sensates.
– Kala/Wolfgang storyline evolves a lot from S1.
– He confirms Sun gets out of jail ‘but not in the way you’d expect’.
– They’re working more like a group and having more scenes together.
– Netflix revealed that most Netflix shows are re-watched once at most. Sense8’s rewatchability index is off the charts. People rewatch Sense8 up to 7 times in average (end to end).
– Season2 is more ‘hopeful’ about LGTB people, privacy and relationships
– Riley’s gonna be the one leading the agenda to meet more sensates and she uses her DJ concerts to do so.
– Christmas movie airs on Christmas Day and the rest of the season shortly after in 2017.

SciFi Weekend: Hannibal; Mr Robot; Jessica Jones; Patrick Stewart; DC Television Universe; Star Wars Expansion at Disney; The Last Ship; Person of Interest; Homeland

>Hannibal mask

…And The Beast From The Sea continued the portrayal of Red Dragon on Hannibal, and provided the first glimpse of Hannibal Lecter wearing the mask he is famous for in the movies. Hannibal remained in contact with the Tooth Fairy, and even joked about using personal ads or notes on toilet paper to facilitate this in a reference to the novel where this was a more substantial plot point. Hannibal suggested that Dolarhyde  kill Will’s family, leaving viewers uncertain if he would succeed in killing Molly or Walter. Instead a guy just happening to drive by became the victim. Dolarhyde presumably also poisoned the dogs, but fortunately they also survived.
In some ways Hannibal seemed even more evil in this episode, placing Will’s family in risk in this manner. (“They’re not my family, Will”). To Hannibal, perhaps Will is his family, but Molly and Walter are just in the way. Elsewhere in the episode,it was not surprising to see Dolarhyde’s relationship with Reba fall apart, despite how Hannibal characterized the relationship.

Jack and Alana showed again that they do not really understand Hannibal, thinking he would assist them in tracking a call to Dolarhyde. Hannibal played with them, and then tipped off Dolarhyde  with the warning that they were listening. Hannibal had previously given Alana the ominous warning, “I always keep my promises.” Now it was Alana’s turn: “You’re not the only one who keeps their promises, Hannibal.” In response to this latest betrayal. She had all the amenities removed which kept Hannibal so comfortable, “The toilet, too.” As these were removed from the cell, the mask was placed on Hannibal for the safety of those in there.

Mr Robot Darlene

On Mr. Robot, Elliot had a brief meeting with the time-obsessed White Rose, but it was the meetings and surprise interactions between older characters on the show which were of greater interest. There is a major spoiler ahead for those who have not seen this episode yet.

The first big surprise was that Angela and Darlene not only knew each other, but at yoga class both talked about Elliot, showing concern for him. Later there was the meeting between Tyrell Wellick and Mr. Robot, with the two apparently working together, even if not entirely comfortably. This seems to confirm that Mr. Robot is real, but raises major questions, especially for those who think that Mr. Robot and Elliot are the same person.

The biggest scene was when Darlene told Elliot that she loves him, Elliot kissed her, and Darlene recoiled in horror asking, “Did you forget who I am?” Soon it was revealed that Darlene is Elliot’s sister. It was as if Luke had kissed Lea, but is Mr. Robot now Darth Vader?

This led to memories flooding into Elliot’s head. Going meta, Elliot looked at the camera and asked us viewers, “Were you in on this the whole time?” and then“Were you?” Maybe to some degree we are in on it, but we are also quite confused at the moment, also looking for answers.

There was the suggestion that Mr. Robot is Elliot’s father, previously said to be dead. This has been interpreted differently by fans who think that Mr. Robot and Elliot are different manifestations of the same person, and those who think he is a separate and real individual. Mr. Robot showed up at Elliot’s apartment to supposedly explain, so maybe we will learn the answer next week. I wonder if the show will move onto a quite different path as it heads toward its second season.

jessicajones-netflix-509x480

Indiewire reports that Jessica Jones will be a psychological thriller, reporting statements from executive producer Jeph Loeb and showrunner Melissa Rosenberg at the TCA Press Tour. They also discussed a major role for David Tennant:

“When we first sat down and started talking about ‘Daredevil,’ what we said was, for all intents and purposes, it was a crime drama first and a superhero show second,” Loeb told the room. “One of the things we’ve talked a lot about is that ‘Jessica’ is in many ways a psychological thriller first and then a superhero show second.”

…Loeb then went on to say that Tennant’s role in the show would be a key part of what differentiates “Jessica Jones” from other superhero series: “What you get out of ‘Jessica’ is a sort of hold-your-breath tension as to what’s going to happen. When you see the dynamic between Krysten Ritter and David Tennant… that question of ‘What’s going to happen next?’ and ‘What could happen next?’ and how that’s driven by character is something that is so important to not just the scripts but also the way the show is shot, and the way that everyone reacts, and the way those two react with each other.”

Elsewhere in the Marvel universe, Professor X (Patrick Stuart) will have a substantial role in the third Wolverine movie.

white-canary-lazarus-pit

Moving on to DC, next season we will see the return of Sarah Lance on ArrowAusiello discussed how Lance responds to the return of Sarah:

Frankly, it could be the last thing Sara’s family needs! “Thanks to Laurel helping him see the light at the end of last season, Lance is back on the wagon for now, trying to keep on the straight and narrow,” Paul Blackthorne previews. “But that will of course be tested when Sara comes back from the dead. Because I think when your daughter’s coming back from the dead, she may not necessarily come back as quite the same person. Yeah, that’s going to be an issue for the family to deal with!’

Her return will also be in an episode with a cross over from Constantine, who assists with her return to life, which in turn leads into the origins of Legends of Tomorrow.

Despite previous reports to the contrary, CBS is now saying there will not be crossovers between Supergirl and Arrow or The Flash. Reportedly they are in the same universe, so this might be open to reconsideration if the right story is presented.

Disney has always provided synergy between their films, theme parks, and merchandise. Therefore it was no surprise to find that, with Star Wars expected to be a huge blockbuster film this December, there will be a fourteen acre expansion based upon Star Wars at Walt Disney World and Disneyland.

TNT has renewed The Last ship for a third season.

Sarah Shahi is returning to Person of Interest following her maternity leave. She will return early in the season and be present for eight or nine episodes of the upcoming thirteen episode season.

The firth season of Homeland sounds like it might be expanding its story lines, dealing with Edward Snowden, Putin, and ISIS.

Donald Trump told a boy on a helicopter ride in Iowa that he is Batman. That is about as ridiculous as Hillary Clinton claiming to be a liberal.

SciFi Weekend: Hannibal; Summer Television Briefs Including Extant, Under The Dome,The Last Ship, Mr. Robot, Humans

HANNIBAL -- "Contorno" Episode 305 -- Pictured: (l-r) Fortunato Cerlino as Inspector Pazzi, Mads Mikkelsen as Hannibal Lecter -- (Photo by: Sophie Giraud/NBC)

This week’s episode of Hannibal, Contorno, has finally moved past set-up and it finally feels like the real action for the season has begun. Generally, when someone thinks they have the upper hand against Hannibal, in reality Hannibal is already several steps ahead of them.

Pazzi decided to seek a bounty for capturing Hannibal rather than have the authorities arrest him in a conventional manner. He wound up getting in touch with Mason Verger, who wanted a fingerprint to establish his identity. Alana predicted that Hannibal would kill Pazzi, and of course she was right.

Hannibal killed Pazzi in a gruesome manner, and let him hang out the window. By coincidence, Jack happened to come along at the same time, and for once Hannibal did not have the upper hand. He did show an amazing ability to remain alive and walk away regardless of the beating. The big question is whether next week’s episode will consist of Jack chasing after him.

In developments elsewhere, Will’s train ride with Chiyo to seek Hannibal did not turn out as Will expected. He will be delayed in joining the action, and I don’t know what Chiyo will do when she reaches Hannibal.

It remains to be seen whether Hannibal will be returning on another network now that it has been cancelled by NBC, but it was not a favorable sign that the cast has now been released from their contracts.

Hannibal is not the only genre show to make a major change this season. Extant started the second season with major changes. It remains to be seen whether an alien hunter storyline will be an improvement. I still have not had a chance to watch Under the Dome this season, but in contrast to the other shows I get the impression from what I have heard that they retconned last season’s finale and returned to a situation comparable to the previous season.

The Last Ship is more an action/adventure show despite the genre premise, but they are doing a good job if you are just looking for a summer escape show. I was glad last season when they found the cure, rather than dragging this out forever. The two-hour season premiere did a good job of resolving the cliff hanger from the first season. The next episode appears to have set up the situation for this season.

Mr. Robot got off to a terrific start in the pilot. My one concern in watching was whether the premise could be sustained for an entire series, with the show already renewed for a second season. The second episode was not as good as the pilot, but I still have hopes for the series. Some critics have praised the show for having an accurate view of hacker society (even if the story is taken to a higher level). I was also impressed by how it portrayed the dog, which looks like a cairn terrier. In most television shows, people don’t have to be bothered by mundane tasks like taking their dogs out for a walk, unless the walk is an excuse to get a character outside. This dog acted like a true cairn when its needs were not satisfied.

I have watched Humans through the third episode, and continue to recommend this show.

SciFi Weekend Part 2: The Best of 2014

Part 1 of SciFi Weekend looked at shows from the past week, including Last Christmas, this year’s Doctor Who Christmas special. Part II lists some of the top and most improved shows of the year. The point is not really to rank them so much as to highlight shows worth watching. Really, how do you compare Cosmos to Penny Dreadful? I am at a disadvantage compared to professional television critics as I have neither the professional obligation nor time to watch nearly everything. Therefore this is limited to the shows I have actually watched, and I will address this after the first list.

Rather than list the overall best shows, as most sites are doing, my first list will be limited to shows which premiered in 2014. Lists of all the best shows drive out most of the new shows, and I’m sure you are aware of Game of Thrones by now. I have limited this to shows available in the United States, including a couple which were primarily British shows but available here on cable or streaming. This list is not limited to genre but is biased by my preferences.Therefore Jane the Virgin (CW), listed by many television critics among the best of the year, did not make the list as, regardless of its quality, I still stopped watching after a few weeks due to the large number of quality shows which I’m more interested in.

Top 15 New Shows Of 2014

About A Boy

15.  About A Boy (NBC)

Family friendly sitcoms (or actually sitcoms of any nature) have not done very well on the networks recently. For that matter, relatively few network shows made this list at all. About A Boy, the second attempt to adapt the Nick Hornby novel, finally gets it right, also being a rare case of the television version being better than the movie version. The shows combines saccharin and snark, and can be highly entertaining in episodes where it gets the right percentage of each. Besides an excellent regular cast, Adrianne Palicki of Friday Night Lights and Agents of SHIELD has had a recurring role.

14. The Knick (Cinemax)
Think of this Steven Soderbergh show as being like ER, except set early in the 20th century. I don’t know if they got all the facts right, but it is an authentic look at medicine of the era.

13. Black-ish (ABC)
Another of the rare successful sitcoms premiering recently. It came along at just the right time, when Bill Cosby is no longer on his pedestal

12. Penny Dreadful (Showtime)
Imagine if the main characters of classic horror novels all lived in the same city and interacted with each other. I am  hopeful of an even better second season now that the main characters and situations were introduced.

11. Silicon Valley (HBO)
Comedy is doing much better on cable than network television these days. Silicon Valley does a great job of mocking the tech industry.

The Honorable Woman

10. The Honorable Woman (BBC Two/Sundance)
The original story has the feeling of what it might be like if John le Carré were to write a spy novel on the middle east directly for television.

9. Cosmos: A Spacetime Odyssey (Fox)
Neil deGrasse Tyson was inspired by Carl Sagan as a student. Now he tries to cure some of the scientific-illiteracy which has become a serious problem in this country.

8. True Detective (HBO)
The story had moments of brilliance, and moments when it dragged, but the performance by Matthew McConaughey earned it a spot on most top ten lists.

Transparent

7. Transparent (Amazon Prime)
Jeffrey Tambor leads an excellent cast in a story about an already dysfunctional Jewish family which now must deal with the father coming out as trans-gender. This is the story which Jill Soloway has been wanting to do since Six Feet Under, and she does an excellent job.

6 .Last Week Tonight (HBO)
This new comedy take on the news came along at the right time, with Saturday Night Live’s Weekend Update being awful with the loss of Seth Meyers and Stephen Colbert ending his show. John Oliver has done a better job than many others who have attempted to satirize the news with in-depth segments which are likely influence opinions.

5. The Flash (CW)
The best of this year’s attempts to enter the superhero genre. Lighter than Arrow but so far this season more compelling with its ongoing story line.

4. Happy Valley (BBC One/Netflix)
This British crime mystery does a far better job than most of the American counterparts, being far more successful than most other attempts at combining  the personal story of the main character with the mystery.

3. The Affair (Showtime)
Showing the events before the murder from the perspective of two people involved in an affair is a gimmick which works well for the story. When their stories differ are we seeing failings in memory, one or both characters lying, or even the plot of one of the protagonist’s novels?

Youre-The-Worst-690

2. You’re The Worst (FX)
The best new comedy in ages, with an often hilarious look at a couple of flawed individuals, frequently skewering millennials. The show is especially impressive in both gradually developing the supporting characters and telling a story over the course of the season. The season can easily be watched in one or two sittings as one of the best romantic comedies to come along in years, even by those who normally don’t like romantic comedies. It might also be worth rewatching this time of the year as a reminder of how good television can also be educational, showing why it is not a good idea to plug a vibrator into a string of Christmas lights. The more you know.

Billy Bob Thornton stars as Lorne Malvo in the Emmy award-winning series Fargo

1. Fargo (FX)
A dark comedy and crime drama which does justice to the movie which inspired it, and easily stands on its own. There is both outstanding writing and an excellent cast led by Martin Freeman, Billy Bob Thornton, Allison Tolman, and Colin Hanks.

Honorable Mention:
Among shows which did not make this list, and which aren’t mentioned elsewhere in this post, there are a some other good shows with a genre element: Gotham (Fox), Outlander (Starz),  How To Get Away With Murder (ABC), The Last Ship (TNT), Leftovers (HBO) (which has made many lists of both best and worst of the year), and Resurrection (ABC).

Some of the new genre shows which were left off this list were intentionally omitted.  Extant (CBS) might have made at least honorable mention if they stuck to the story of the AI child and stayed away from the ludicrous alien plot. Some shows couldn’t be ranked as I have not seen them, but reliable sources have recommended others to me which very well deserve to be highly ranked, and which I will hopefully catch up on later. These include The 100 (CW) and Manhattan (WGN). There are also two limited run shows which I have recorded and have heard excellent things about but have not seen yet: Olive Kitteridge (HBO)  and The Roosevelts: An Intimate History (PBS).

Most Improved Shows Of 2014

Some shows do better in their first year, often due to first raising a situation, but are not able to sustain the quality for a second season. Sleepy Hollow (Fox) has not been able to maintain the quality of the first season, but perhaps it will improve now that they appear ready to move on to a  new storyline. Orphan Black (BBC America) also couldn’t maintain the quality of the first season, when everything was still a mystery, but still remains better than most shows on television. House of Cards (Netflix) also did not have as great a second season as first but remains worth watching.

There are six shows which many consider better in their second season, or at very least did not deteriorate a bit going into their second season, listed in alphabetical order:

Agents of SHIELD (ABC)
The show was mediocre until Captain America: The Winter Soldier was released. It became much better late in the first season as it mirrored the movie developments, and has become even better this season as it is now ahead of planned Marvel releases.

the-americans-fx

The Americans (FX)
This was one of the best television shows of 2013 when it premiered, and was even better in its second season. The season was successful for both its season-long mystery and for how it combined the personal and professional lives of the main characters. It did one thing far better than other shows such as Homeland: making good use of a teen-aged daughter.

Arrow (CW)
The second season of Arrow started in 2013 but extended into 2014, allowing the show onto this list.  The second season surpassed the second season. The third season, starting in fall 2014, isn’t as good, but I’m still hoping it will return to the level of the second season.

Hannibal (NBC)
It is just amazing that a show of this quality can be shown on network television.

Masters of Sex (Showtime)
Actually a close call between the first and second season, with both worth watching.

Orange Is The New Black (Netflix)
Another example of a great show becoming even better in its second year, as the show successfully went beyond Piper to tell major stories with other characters.

Once again this list is limited to shows I have actually watched. Based upon recommendations from others, I hear that Rectify (Sundance) was another show with an excellent first season and an even better second season in 2014.

There are a couple shows which might not make a list of the best of the year, but these two shows which improved tremendously from their pilots in 2014:

Selfie Karen Gillan John Cho

Selfie (ABC)
The pilot was awful and the show never recovered, but it has gotten much better over the course of the season. Unfortunately this wasn’t soon enough as the show was canceled. The remaining episodes are being shown on Hulu and, with one left to go, have been worth watching.

Married (FX)
This show initially received more hype than You’re The Worst which followed it, but it was soon apparent that this was by far the weaker of the two. Still Married did manage to improve after a weak pilot and, being on cable during the summer when low ratings were expected, was able to survive to get renewed for a second season.

While I concentrated on second season shows in order to provide more coverage to relatively new shows in the list above, there are a few longer-running shows which have improved this season which are worth noting, also in alphabetical order:

Homeland (Showtime)
The show was at its best with the Brody storyline of the first season and they managed to stretch it out through a second season. The third season was just too much, and they finally let it go. The fourth season was mixed as they tried to reestablish the show with only a cameo from Damian Lewis in a hallucination. Some episodes dragged, including the season finale, but there were also some excellent moments during the season. Homeland not only must contend with the loss of Brody. Now it being criticized by Pakistani officials who are furious about how their country was portrayed.

New Girl (Fox)
I had stopped watching around the time that Nick and Jess were getting together, but heard it is much better with the two broken up but saying dumb things to each other, and I have resumed watching.

Person of Interest (CBS)
This was a good show from the start but every season gets better as the show has successfully transitioned from a procedural mystery of the week with a genre gimmick to a true genre show, which is also topical with current controversies over surveillance.

I added the networks to the show listings after I compiled these lists and find it notable that FX has the top two new shows along with one of the best shows of 2013. As expected, HBO and Showtime are well represented, with CW also doing quite well. Amazon has joined Netflix as a valuable streaming service with original shows. The broadcast networks are represented, partially due to having some successes among the larger quantity of original programing than any other source, but are frequently being beaten in quality by cable and streaming sources, which in some cases are owned by the broadcast networks. Showtime and CW now have better shows than CBS as FX has better shows than Fox.

SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more

Doctor-Who--Into-the-Dalek

Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”

sopranos2

I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

SciFi Weekend: Arrow; The Flash; Agents of SHIELD; Gotham; Doctor Who; Hannibal; Daredevil; True Blood; The Leftovers; The Last Ship; 24; Penny Dreadful

Arrow Oliver Felicity

TV Guide interviewed Andrew Kreisberg about the third season of Arrow:

Can Arrow‘s consummate hero have it all?

The third season of The CW series will dare to answer that question when Oliver Queen (Stephen Amell) attempts to have his cake and eat it too — in this case, that means being a superhero that the residents of Starling City actually respect while also trying to have a personal life. It’s harder than it sounds — something that Ollie will learn fairly quickly into the season.

But Oliver’s love life won’t be the only thing that’s complicated this season, especially since two of his ladies will actually be getting love interests of their own! TVGuide.com tracked down executive producer Andrew Kreisberg to get the scoop on the new season, including a surprising return from the dead, the future for Team Arrow and new villains ahead:

Will there be a time jump when the show returns?
Andrew Kreisberg: 
We’re going to jump the same amount of time that we did last year. It’ll be real time. It’ll be seven or eight months later. For Oliver, things are good. As we like to say, everything is coming up Arrow. Crime is down. At the end of last year, there was victory. A lot of this season is about what happens when you win and how winning isn’t always as easy as it looks.

What does it mean for Oliver now that the city actually accepts him?
Kreisberg: 
In the premiere, Lance (Paul Blackthorne) actually disbands the anti-vigilante task force in his new role as Captain. The Arrow is free to do his thing and it’s different for Oliver. He spent the first two years being hunted and distrusted. Now, he’s starting to feel like he has this under control. And then, of course, as Joss Whedon taught us all, you let your characters have a moment of happiness and then you take it all away from them.

You seemed to be setting the stage for Ra’s al Ghul to be the villain in Season 3. Is he actually the villain? Can you say anything about the new villain?
Kreisberg: 
It’s big. I can say that he’s big and he’s bad. We’re still figuring that stuff out. As far as the Big Bad, there will be Big Bad. Even last year, everybody was a subset of Slade’s (Manu Bennett). Slade was the Big Bad. We will meet other villains along the way, as always. We’ll have recurring villains and new villains we’re starting with this year and people who are coming back from the previous two seasons.

Felicity (Emily Bett Rickards) and Oliver are going on a date in the season premiere. How do you avoid the TV trope that a hero can’t be with the woman he loves just because of his duty?
Kreisberg: 
When you see the premiere and you see how things shake out, you’ll come to a very sympathetic understanding of both of their positions. The premiere last year was a microcosm of what was happening for the whole year. In the same way that the premiere of last season was really about Oliver struggling with whether or not he should be the Arrow, in this season premiere it’s, “Can I have everything I want?” That quest is going to take up his entire year, and hers.

How much of a foil will Ray Palmer (Brandon Routh), Felicity’s new rumored love interest and head of Queen Consolidated, be to Oliver?
Kreisberg: 
A big foil. It’s Season 3, and Season 3 is typically when you add that game-changing character like Buffy did in adding Faith or Everwood did with adding Scott Wolf. First of all, getting Brandon — he couldn’t be nicer, he couldn’t be sweeter. It’s just such a different energy that he’s bringing to the show. A lot of what’s funny about Felicity and Oliver is that he’s so straight and she’s the funny one. With Brandon, you get somebody who’s as tall, square-jawed and handsome as he is [and] he’s a really funny comedian. He and Felicity can have that verbal repartee that we haven’t typically had on the show. As much as the show is getting darker, it’s gotten a lot funnier. It’s just such a different energy. He and Felicity are really cute together.

The second season ended with the Black Canary giving her black jacket to her sister Laurel. This fed speculation that Laurel will become the Black Canary as in the comics. Kreisberg has a good point that she is not ready for this  yet: “As always with all of these things, you can’t just put on a mask and go running around. You’ll get killed. Laurel is still just an attorney. She’s an attorney with a jacket. I think Katie Cassidy fans are going to be very, very excited about her trajectory this year. Laurel is going to have a new love interest this season.” Caity Lotz will be returning for three episodes next season. One of the many good things about Arrow is that there is now a huge supporting cast, and even more characters are to be introduced. This allows them to have a variety of characters for parts of a season as opposed to having exactly the same characters from week to week. There will also be a cross over with The Flash next season in the eighth episode of each show, and Felicity will appear in the fourth episode of The Flash.

There has been contradictory information as to whether The Flash and/or Arrow will cross over with the DC cinematic universe in the manner in which Agents of SHIELD does with Marvel. The latest story is that DC Entertainment Chief Creative Officer Geoff Johns says the television shows and movies will be kept separate. Presumably this will mean that the Flash seen in the Justice League of America movie would be a different character than on the television show. While it would be entertaining to have the television and movie universes combined, there are advantages of keeping them separate. This allows for greater flexibility with the television shows not being confined by the movie universe, avoiding the problems faced by SHIELD most of its first season.

BRETT DALTON

Agents of SHIELD executive producers Jeffrey Bell, Jed Whedon, and Maurissa Tancharoen were interviewed about plans for the second season, now that the show is no longer constrained by waiting for Captain America: The Winter Soldier to reveal HYDRA’s infiltration of SHIELD.

Will there be consequences for Grant Ward for all that he had done last year?

“I would assume so,” Maurissa Tancharoen said. “Let’s put it this way: They’re not gonna just drop him on a farm and let him run wild.” Jed Whedon added. “When last we left him, he was in our custody. What does that mean? You’ll have to see,” Maurissa teased.

What are you specifically excited about for Season 2?

“I think the fact that when we left them, S.H.I.E.L.D. had completely crumbled… so just the idea of Coulson and our team, sort of left with nothing, or limited resources… I think we’ll be rooting for them to rebuild S.H.I.E.L.D.,” Tancharoen said.

“It’s a lot harder to protect the world when you don’t have any resources. Last year we saw how giant and all-consuming S.H.I.E.L.D.’s reach was, and they don’t have that anymore, so it’s much more of a struggle. They’re much more the underdog this year, which we’re really excited about that, and the tone that it sets, and what it does to our characters.” Whedon added.

This “ragtag team” has Maria Hill as a contact and she’s working for Tony Stark. Couldn’t she talk to him to hook them up with some money?

“We hope so! That’d be so cool!” Whedon responded. “Maybe so,” Tancharoen said. “That’s a good question.”

“Tony Stark doesn’t know Coulson’s alive, so it might be really awkward. It’d be weird,” Jeffrey Bell chimed in. “They could set up a Coulson Memorial Fund and channel that into S.H.I.E.L.D.,” he joked.

So with Phil Coulson now being the head of S.H.I.E.L.D., the Avengers still don’t know he’s alive?

“That’s a complicated question. One might assume, but you can’t assume anything, and they have their own movie that exists…” Whedon said, with his brother, of course, directing Avengers 2: Age of Ultron to come out next year.

“At least on screen so far, that hasn’t happened,” Bell said.

Will we be seeing Fitz (Iain de Caestecker) sooner rather than later?

“That’s a good question. When last we left him, we didn’t know exactly what happened to him. We just know he’s alive,” Tancharoen teased.

Gotham

TV Guide has more information on Gotham:

There will be no cape. There will be no cowl. Nevertheless, Fox’s Gotham intends to stay true to the Batman comics that fans have come to know and love over more than seven decades.

Based on DC Comics characters, Gotham explores the origin stories of the Caped Crusader’s eventual ally James Gordon (Benjamin McKenzie), a detective with the Gotham City Police Department, and his battle with the villains who made the city famous.

“What we won’t do is break the canonical iron truths of the mythology,” executive producer Bruno Heller told reporters at the Television Critics Association’s fall previews on Sunday. “It’s not a whole new mythology. But issues of chronology, we will play with in a fun way.”

Instead of Bruce Wayne (David Mazouz) taking center stage in the effort to save Gotham, James Gordon will be the central focus as he fights the ever rampant corruption and crime alongside his partner and mentor Det. Harvey Bullock (Donal Logue). “Gordon is the lynchpin of the show,” Heller explains. “He’s the guy who creates Batman or gives permission for Batman to exist in this world. Gordon will still remain at the central, but it’s very much about [the origin stories of every character], but Gordon is the moral center that you can identify with.”

Though Heller said that Batman won’t appear on the series, he doesn’t believe that will drive the fanboys away. “I don’t think so because the really interesting parts of the stories is the origin stories,” Heller says. “As soon as you’re into the capes and the costumes, it’s less interesting than how the people got there.

“If there is a superhero in this show, it’s Gotham,” he continues. “That’s a larger than life character that’s a central part of the show. To me, heroes are more interesting than superheroes because precisely the difference is superheroes do the impossible, and drama is really about the physically possible. This is about people and people trying to overcome real problems as opposed to trying to learn how to fly.”

But where do Gothamites find hope when the city’s villains of are running free with nary a hero (or the hope of one) to stop them? After all, Bruce Wayne hasn’t even started shaving yet! “That’s the situation that the show is all about,” Heller says. “How do you deal with crime of this level when there are no superheroes? It’s as much about the hope and the struggle that they’re engaged in… It’s about men and women, not about superheroes.”

And those men and women truly will be overrun. Though the first season delves into the rise of the Penguin (Robin Lord Taylor), the series pilot introduces a fair amount of villains for the show to play with, including Catwoman (Camren Bicondova), The Riddler (Cory Michael Smith), Poison Ivy (Clare Foley) and Fish Mooney (Jada Pinkett Smith). “You have to front-load the pilot with the best that you’ve got because that’s the way that you’ve got to open big,” Heller says of introducing so many villains. “As the show rolls on, we’ll be far more … careful with how we roll out the villains and in what way.”

Trailers for the upcoming season of Doctor Who above (one official and one from a fan).

With Laurence Fishburne having a roll on a new show next season, Black-ish, there has been speculation that this might mean that he did not survive the massacre in the second season finale of Hannibal. Fishburne says he is returning, and will do both shows part time. He also says the third season of Hannibal will be very dark–as if the first two seasons were so light and cheerful.

Looking back quickly on some genre shows of the past week, I was happy to see True Blood end some of its weak plot lines and get rid of some of the superfluous characters. This almost gives them yet another fresh start going into the final episodes of the series, and I hope they take advantage of this to end with a better story line.

The_Leftovers_65223

The Leftovers dealt with Christopher Eccleston’s character. As we know that it will not deal with any sort of explanation of what  happened to the missing people, to be successful the show will need to get viewers interested in the characters and how they responded to the other people disappearing. So far they have not done the greatest job of introducing the characters and adequately explaining their motivations. Earlier episodes dealt heavily with the police chief and his family, but it is not clear why his family is so affected considering that nobody in their family disappeared. Entertainment Weekly compared The Leftovers to Battlestar Galactica in the way in which both shows dealt with a loss of a portion of the population. Both the disaster and the manner in which the response were handled was greater on BSG.

While The Leftovers does have that in common with Battlestar Galactica, The Last Ship has far more in common in dealing with a ship of people surviving after mass deaths. It remains more of an action/adventure show than hard science fiction, but remains entertaining summer television.

Under the Dome remains weak (to put it gently), yet somehow remains interesting to watch. The same problems persist with the Dome having powers with no apparent limits but no clear motivations for those using the power. Now it was able to bring a girl who died years ago back to life. Plus Junior’s mother was also confirmed to be alive after her reported suicide.

24: Live Another Day concluded its short season. A shorter season was a plus, but it would have been even better if it ended a few episodes earlier when the main terrorist plot was tied up. In the past, full seasons suffered from the need to move from one plot line to another to keep things going for an entire twenty-four episodes. Now that they were freed from those constraints it would have better to tell one single story well, regardless of how many episodes it took. Then they had to tag on yet another quick story at the end to put Chloe in danger to set up Jack’s fate. The producers of 24 have not yet said whether the show will return. I’m sure that depends upon a lot upon the ratings.

Extant remained interesting in its second episode. I still fear it will turn out to be a network television rehash of old science fiction (and Spielberg)  troupes but I’m willing to give it a chance to prove me wrong.

Penny Dreadful Eva Green

Penny Dreadful ended earlier this month and I should note that after seeing the entire first season that it was well worth watching. The plot was not the strong point but it did excel in creating its characters and a world where fictional characters including Dr. Frankenstein, Dorian Gray, and others interacted. The show had a strong cast including Timothy Dalton, Josh Hartnett, and Billy Piper, but by far the strongest was Eva Green. The actual story such as fights with vampires weren’t terrible significant except as ways to introduce the characters and set up future events. Early episodes showed some violent deaths and, while there were some clues, the probable identity of the killer wasn’t revealed until the finale, undoubtedly influencing the second season. The show also made good use of episodic television, both having continuing stories and using some episodes to reveal character back stories or past events.

James Gardner, star of shows including The Rockford Files and Maverick, died yesterday at 86. Reports from Variety and The New York Times.

SciFi Weekend: Extant, The Last Ship, and other Summer Shows; Community and other Genre Comedy; Arrow; Doctor Who Leaks; Harry Potter; Time Travel Lover

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We were spoiled by the high quality of television shows airing in late spring, including Orphan Black, Continuum, Hannibal, Fargo, and Game of Thrones. The summer season does not look like it will come close, but at least we have come a long way from the days in which we were limited to the major networks which only aired reruns. So far Extant appears to be the most promising. Sure, being a network science fiction show it is bound to degenerate into all the standard cliches, but the first episode was interesting and well made. If nothing else, it looks better than Under the Dome and True Blood (which I’m only sticking with because it is the last season). It might help that Mickey Fisher, who wrote the pilot, says he was inspired by Steven Moffat and Doctor Who.  Spoiler TV lists seven facts  you need to know about Extant.

My next show on my list of new summer shows worth viewing (of those which have actually started) is The Last Ship. It is certainly not a must-see genre show at this point, but it has been entertaining. The show does have a little of the early Battlestar Glactica feel in which one military ship is on their own. Instead of Cylons, they are being chased by a Russian ship which is after the research they have so far, and the scientist working on it, regarding the plague which has killed off most of the planet. Sure, one would think that with the possibility of the crews of only two ships left alive on earth (along with some isolated people elsewhere) they might realize there is no point in fighting and that they can work together, but that would leave out most of the drama. Besides, ultimately the surviving humans and Cylons did learn to work together. With 24 concluding tomorrow, The Last Ship might be a good replacement for fairly mindless action. The shorter season of 24 has certainly helped the storyline on 24, with it not dragging events out for weeks (or hours on the show) as was often the case in the past.

After watching the premiere of The Almighty Johnsons I plan to pass on the show unless I hear more favorable reports on it. This is a show from New Zealand now carried by Syfy about a family in which the members learn they are reincarnations of Norse gods when they turn twenty-one. Their powers are rather limited, sort of matching the low-budget feel of the show. One brother has the power to convince people to believe his stories, and uses it to get women into bed. Another has the power to turn things hot or cold, and uses it to make a woman’s nipples become erect under her shirt. That’s hardly enough to sell me on the show so far, but the pilot does suggest a more serious storyline is beginning.

In other upcoming shows, SpoilerTV has an advanced look at The Strain. The Wall Street Journal also reviews the show. BBC America will premiere The Intruders on August 23.

Based upon last season, the best show of the summer is probably returning tonight, Masters of Sex. Hitflix reports that the second season is better than ever.

Community Renewed

The fate of genre comedy for the upcoming year is now becoming clearer. The Big Bang Theory has been renewed for three years. Community will no longer air opposing The Big Bang Theory but was saved by Yahoo last week, and Joel McHale sounds happy about the opportunity of setting Dan Harmon free without the constraints of network television:

McHale told The Hollywood Reporter that the show’s fans will be pleased by Community‘s shift from NBC, where it has aired for the past five seasons, to Yahoo Screen. “I’m so excited because now there will be no commercial breaks, the restraints I’m assuming will be way less and it’s like this just playground now for [show creator] Dan[Harmon].” Added McHale: “Unencumbered Dan Harmon is very exciting.”

The actor said that Yahoo Screen execs “really believe in the show” and have the marketing muscle required to spread the word about the show’s new home. He doesn’t have trepidation about airing new episodes on an unproven original-content provider, given how much success Netflix has had with its original programming. “I think Community fans have proven that they will find the show,” he said.

Sony Pictures Television has committed to 13 new episodes of the series, launching this fall, although McHale said that more episodes could get made “if [the first batch] goes well.” The entire cast will appear in all 13 episodes, and as far as the contracts are concerned, McHale said he won’t be making less money from Sony per episode than he was from NBCUniversal. “I really like money, so it works out great,” McHale joked.

According to McHale, all of his co-stars are looking forward to bringing the show back. “I know the cast is excited because it’s a whole new frontier, and we wont be up against Big Bang Theory, and we know Yahoo’s really excited to get us out there, and that is incredibly helpful when the people who are paying for you to make it are excited about it,” he added.

Now that Community fans are getting their sixth season, what about that movie? “People are already talking about” the possibility of streaming the much-hoped-for film on Yahoo Screen, McHale said. He added that Harmon and executive producer Chris McKenna plan to make the movie “epic” and not just “like an episode,” although McHale doesn’t think that anyone has started working on the film’s script yet.

Selfie - Episode 1.01 - Pilot - Promotional Photo

Of potential new comedy shows with a genre connection which I have preciously discussed, one was picked up to air in the fall and the other wasn’t. The Amy Pond Show, officially called Selfie, was picked up by ABC. I’ve heard questions regarding its quality, but of course I’ll check out any show staring Karen Gillan and John Cho.

How I Met Your Dad, the spin off of How I Met Your Mother, was not picked up, with CBS insisting upon some changes in the pilot. Initially there were reports that rather than changing the pilot, Thomas and Bays planned to try selling it elsewhere.  It looks like it is dead for now, with the possibility that they might revive plans to try to sell the show in the future. I wonder if it might not be better to develop a new comedy with a new idea rather than rehashing what they already did.

Arrow Olicity

The synopsis for the first episode of season three of Arrow reveals that Detective Lance remains alive, and that Oliver finally asks Felicity out on a date:

In the aftermath of this victory, Season 3 opens with Arrow now a hero to the citizens of Starling. Crime is down, people feel safer, and Captain Lance even calls off the Anti-Vigilante Task Force. Basking in his success, Oliver believes he can finally have a private life and asks Felicity out on a date. But the second Oliver takes his eye off the ball, a deadly villain reappears in Starling, forcing Oliver to realize that he can never be Oliver Queen — not as long as the city needs The Arrow.

There may be more superheroes in season three, including the casting of Brandon Routh (who played Superman in Man of Steel) as Ray Palmer, The Atom.

An unparalleled scientist and inventor, Ray will play an unexpected role in the lives of Oliver and (rumored love interest) Felicity as the new owner of Queen Consolidated. Palmer’s plans for Queen Consolidated’s Applied Sciences Division will be shrouded in mystery.

News came  out last week that Orphan Black has officially been renewed for a third season. We also found that Tatiana Maslany was snubbed for an Emmy award a second time.

TrekMovie.com looks at How Seinfeld Influenced Star Trek’s Legacy

Besides having a movie versions of Gone Girl coming out in October, earlier books by Gillian Flynn are being filmed. Dark Places will be released as a movie in September and her first novel, Sharp Objects is now being made into a television series.

Five scripts of episodes of the upcoming season of Doctor Who have leaked on line. Steven Moffat called this, “‘horrible, miserable and upsetting’. Since then unfinished black and white versions of the first two episodes of the season have also leaked on line.

First we heard that Better Call Saul would be a prequel to Breaking Bad. Next there were reports that it would take place over different eras. Now it reportedly will be a prequel series taking place in 2002. Now we might never learn if Jesse made it to Alaska.

J.K. Rowling has posted a short story about Harry Potter set during the Quidditch world cup final at the Pottermore site. Apparently there might be some marital problems between Harry and Ginny.

If you miss Continuum now that it is finished for the season, here’s another time travel story, Time Travel Lover: It is about a guy about to hook up with a girl who is then visited by his future self: