SciFi Weekend: Mid-Season Finales For Arrow (Is Oliver Dead?), The Flash, and Agents of SHIELD; Agent Carter; Spider-Man; Continuum Renewed; The Office In Middle Earth; Krypton; The Newsroom; Fargo

Arrow-Finale-Oliver-Killed-Explained

Arrow, The Flash, and Agents of SHIELD all had major revelations in the midseason finales aired last week. Needless to say, there are major spoilers following. Besides revealing who killed the Black Canary, Arrow had the biggest cliffhanger, except the lead character actually was shown falling off the cliff after getting killed by Ra’s al Ghul. Stephen Amell even played along with comments on Facebook and Twitter such as, “It was a good run.” The most common belief among fans is that Oliver might have really been killed, but he doesn’t stay dead. The most likely explanation is the Lazarus Pit, which is sort of the Genesis Planet for DC comics. I also noted that a drug used for mind control played a major part in the episode and wonder if this could also somehow plays  a part in how Oliver ultimately survives if he had managed to drug Ra’s al Ghul and influence his behavior and perception of the fight.

Oliver’s death, even if temporary, does provide an opportunity to highlight the show’s strong supporting cast. However Oliver won’t be gone long. Episode 13 is entitled The Return, but  Marc Guggenheim has said this does not refer to either Oliver or Slade Wilson (who will be returning at some point). This leaves open the question of who does return, which could be significant considering the large number of characters who have come and gone from the series. Set photos have appeared on line showing that the Arrow is back in that episode.

The revelation that Thea Queen (while drugged) killed the Black Canary was a bit of s surprise, but it did seem obvious that she was killed by someone we knew. I just wouldn’t have guessed Thea. Most likely she was about the last person most would have guessed, which is why the writers did make her the Canary’s killer.

Emily Bett Rickards engaged in bathroom therapy and answered questions about Arrow in a video filmed in her bathtub. (She is fully dressed, but really is in a bathtub in her video tweet.)

The Flash revealed the identity of Reverse Flash as Harrison Wells, as I predicted last week, but there remains much more to discover. It appears that Wells might not be described simply in terms of good or evil with his actions, presumably including killing Barry’s mother so that he becomes the Flash, and later protecting Barry, being motivated by doing what he thinks needs to be done for history to play out as it should.

Variety interviewed Andy Mientus about playing the openly gay villain Pied Piper in an episode airing January 27:

“With the gay thing, I feel like I’m representing a whole community,” Mientus, 28, told Variety at the “Into the Woods” premiere in New York on Monday night. “People are excited to see this character, so it is a lot of pressure. But I’m glad they are introducing the character to the show. It’s a huge step forward, and I’m thrilled to help make that happen. It’s awesome.”

Mientus, who is engaged to actor Michael Arden, admits he’s more nervous about pleasing the comicbook’s avid fans than addressing his character’s sexuality.

KYLE MACLACHLAN, CHLOE BENNET

Agents of SHIELD revealed that Skye is actually Daisy Johnson  and tied the show into Marvel Phase 3 and Avengers: Age of Ultron. Executive producers Jed Whedon and Maurissa Tancharoen explained much more about where the show is headed in an interview at Marvel.com:

Marvel.com: So I’m sure many fans are wondering what exactly that ending means for the future of the series?

Jed Whedon: We’ve dropped her name and it’s the origin of the new version of her.

Maurissa Tancharoen: Or the origin of the true version of herself, which is Daisy Johnson.

Marvel.com: When you were breaking these characters and first developing them, was this a discussion you had at the very beginning?

Jed Whedon: It was somewhat of a moving target early on, in that we knew Skye would be an orphan and would uncover secrets about her past. We had an idea of what we wanted some of those to be that found their ways into the storyline, but exactly who she was we landed on early last season, or midway through last season. We started setting it up early in the beginning of last season.

Marvel.com: We also get the reveal of her dad as Mister Hyde, or Cal. What does bringing him into the series give you guys?

Maurissa Tancharoen: As we always do, we pulled from what exists in the Marvel Universe and put our own spin on it. We had always had our eyes on Daisy Johnson, and therefore her father and her whole history. We sort of planted that throughout the first season and a half. You knew the story of her parents and the havoc they caused, the massacre in the Hunan province in China. We lay in things like that, and over time you put the pieces together. But of course Daisy’s powers aren’t really activated until that moment you see in the Winter Finale.

Jed Whedon: There are parts of it that move away from the story in the comics, but partially that’s because we’d invented our own way [of getting there]. We also wanted it to be a surprise to the people who are familiar with the comics, but [it’s] also because we’re tying it to a larger world. [It’s] not just her origin story, it’s the origin story of a bigger, other world.

Marvel.com: And that is a somewhat “inhuman” world, you could say?

Jed Whedon: It’s safe to say that.

Marvel.com: When did you hit upon the idea of introducing that Inhuman element into the Marvel Cinematic Universe for the first time?

Maurissa Tancharoen: It’s been a property in the Marvel Universe that we’ve been interested in since the beginning. Our tagline when we began the show was “not all heroes are super,” and we wanted to focus on that and highlight that for the first season. Now as we move forward we’re diving deeper into the Marvel Universe, and it’s our way of exploring a whole new world that may be comprised of people who have special abilities. We think that’s going to open everything up for us.

Jed Whedon: Not all heroes are super, but what happens to a hero when they become super?

Maurissa Tancharoen: Essentially what we’ve built since the beginning of the show is an extended origin story, and we’ll dive into that in the back half of Season 2.

There is a long hiatus until Agents of SHIELD returns, which will be filled with Agent Carter. The first two episodes of Agent Carter will air on January 6, with a clip from the series above. Here is the series description:

It’s 1946 and peace has dealt Agent Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field, putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers – a.k.a. Captain America. When old acquaintance Howard Stark finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy — the only person he can trust — to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis, to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for selling these weapons of mass destruction. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison – or worse.

The synopsis of the first episode:

“Peggy is contacted by old acquaintance Howard Stark when he is framed for unleashing his deadliest weapons and can trust no one else. To help Peggy clear Stark’s name, he insists his butler, Edwin Jarvis, be at her beck and call–whether she likes it or not. But the risk is great: If caught, Agent Carter could be targeted as a traitor and spend the rest of her days in prison…or worse.”

And the second episode:

“Howard Stark’s deadliest weapon has fallen into enemy hands, and only Agent Carter can recover it. But can she do so before her undercover mission is discovered by SSR Chief Dooley and Agent Thompson?”

Spider-Man Reboot

There have been reports that Sony, who owns the rights to Spider-Man, has denied requests to allow the use of  Spider-Man in the next Captain America movie, which was desired because Spider-Man did have a role in the storyline taken from the comics. There was also talk of Marvel Studies doing the next Spider-Man trilogy with Sony retaining “creative control, marketing and distribution.” Despite the last movie being a flop, Sony is looking at plans at continued use of the character, most likely as yet another reboot as opposed to a conclusion of a trilogy following the last two movies. Screen Rant looks at many of the ideas floating around. While I really don’t care if they do it with Spider-Man as a teenager or adult, I do agree with the idea of just jumping into a good story and not bothering with yet another origin movie. More at IGN and The Daily Beast.

Gotham shows life before Batman. Smallville showed Clark Kent’s earlier life. Now Syfy is going back even further with a planned show about Krypton.

Continnuum

Continuum was renewed by Showcase for a shortened six-episode final season.  Rachel Nichols responded, “All great stories deserve an end. I am excited and grateful to finish Continuum with the riveting conclusion it deserves … this series finale is dedicated to the devoted fans who have loyally supported us since day one.” Indiewire discussed the ending of the series with Simon Berry. Here are some of the questions and answers:

What went into the decision to make the fourth season the final season?

I’m obviously not privy to the conversations that happen inside the network, but I think from their perspective… whether it was an issue of internal profits or the money that gets recycled back into the broadcaster, to cover what they’re paying out or whether we’re simply making a creative decision, I think ultimately we were probably on the bubble in terms of how we were bringing money back in for the Canadian broadcaster. In terms of their decision-making process, we probably received the benefit of the doubt in terms of not being canceled, which a lot of shows are when they’re not performing to expectations. They wisely recognized there was an opportunity to service the fans, and also to make more of an event around this final season. It seemed like a lot of things lined up in our favor in that sense. Obviously, I’m speculating, because you never get to hear the inside information.

You seemed pretty confident, back in October, about the show getting picked up.

We definitely had indications early on. When there’s a delay and there’s no cancellation, you know people are working on finding a solution. That’s pretty clear. The delay is usually because somebody is working hard to find a solution that isn’t cancellation. The longer it went, the more I felt we had momentum, and I certainly started hearing things early on in terms of getting prepared for ideas and getting ready to present plans for Season 4, which gave me the indication that we had a final chance. But a lot of that has to do with how everything comes together, because we still have to do our jobs as producers to put together the mechanism by which the show gets made, which is the right people and the right budget, things like that that everyone has to agree on.

Every season on “Continuum,” we’ve had less money. One of the reasons we have less money is because when a show succeeds in its first season, usually the first season is the gamble season to launch it — much like opening a business. You put a lot of effort and a lot of energy and a lot of money into having a strong launch, then you kind of hope that the longer you last the more you can claw back that investment and the show can generate revenue in a positive sense.

It’s so hard to make time travel work narratively in just a two hour movie. For you, hitting Season 3 and going into Season 4, how do you handle every complication that you’ve created?It’s a good question. There was probably a time where we went into the show feeling like time travel had to be something that was touched on all the time. But we realized in the beginning, that once we’d set up the time travel event there was a ton of stuff to mine before we did time travel again. Really, for me, the challenge was how much of this story can we really exploit before I use this time travel trope, or that time travel device — I mean time travel device, literally and figuratively — to create more drama.We had an idea, at the beginning of Season 2, that we wanted to have another time travel event in the show, just as a component of our experience. The goal after Season 1 was let’s work toward a travel time moment, because we knew we hadn’t done it. We had really kind of avoided using time travel, because it does kind of get you in a ton of trouble. As you know, out of Season 2 and Season 3 that this one decision for Alec (Erik Knudsen) to go back in time reverberated in so many ways. I’m really glad we didn’t do more time travel. [laughs] Because it’s been so complicated dealing with that one end-of-Season-2 moment. Season 3 was incredibly complex as a result.

We had a great dramatic moment at the end of Season 2 with Alec going away, but I don’t think we appreciated, when we wrote that, all of the things we would have to deal with in Season 3. Season 3 became a really hard lesson — not a hard lesson in the sense that it was difficult, but a hard lesson in that we felt an obligation to pay off the results of that time travel choice. It was much more impactful than I realized, in terms of how it would affect the drama, how it would affect the characters. They were great opportunities, dramatically, but I think with the complexity of people trying to track it and follow it, we didn’t anticipate how hard it would be.

Did you always have, in your head, an idea for the series finale?

I’ve always known how the show ends, from day one. It was the first conversation I had with the writers — “Here’s how the show will end” — just so everyone knew where we were heading and that we understood that we couldn’t violate certain rules to get to that point. It wasn’t necessarily just how the show would end, it was like: “Here are the rules of time travel that I’m adhering to in the philosophy of time travel,” so that everyone kind of understood what we could hint at.

How close is what you’re planning for the finale to what you initially had planned?

Well, it’s certainly a shortcut to the original idea we had. I think we’re definitely staying true to the plan. We’ve had to adjust a little bit as to where we left off and where the story needs to go, so we’ve built a story bridge, if you will, to link the ending we wanted to where we left off. So I feel very good about how these things are connecting.

When you say shortcut, how many seasons were you expecting the show would last initially?

I always expected it to be cancelled every year! So it was less about what I expected and more about what I was hoping for. I was hoping we could get seven years to tell the full story and all the various chapters. There were certainly opportunities to tell half a dozen specific, episodic stories — we had chatted about it internally, but ultimately it’s still a linear story and I don’t think we’re compromising anything by getting to the ending in four seasons as opposed to seven. It’s maybe some other stories that won’t get told, but those, at the end of the day, didn’t make a difference as to how the show would end or not.

Given how complicated things got in Season 3, will Season 4 be scaling back or will it take all those threads and take them to the next level?

It’s hard to sort of qualify “complicated.” We’re definitely building off of Season 3 because that’s the natural evolution of storytelling. You’re always building off what you just did. But I would say that because we’re now dealing with a shorter season in six episodes, it’s also an opportunity to not deal with the reality of thirteen, which is to tend to want to have more layers of storytelling and multiple threads. Now with six, we’re actually more focused on one clear story, which means the show could be closer to more of a limited series than a traditional 13-episode series.

How different is the rhythm of a six-episode season?

Well, it’s naturally different because it’s shorter. But it also provides opportunities that the longer seasons don’t. I’m actually excited for the shorter number, in the sense that it allows for a different style of storytelling, which is more appropriate for finishing the story, rather than trying to service the balancing act of 13 hours, which tends to balance more serial and episodic.

Of course I wouldn’t expect him to say anything different about being able to finish the series in six episodes, but I can’t help but think it will result in a lesser story than planned. Individual seasons very well might have been better if shorter, but suddenly shortening the 4th season should be more difficult. They not only have to show the story planned for the season after the major changes shown in the third season finale, but also have to tie up the entire series in such a short amount of time. At least it is much better than having no conclusion at all.


Martin Freeman was guest host on Saturday Night Live last night. He appeared in the above skit as Bilbo Baggins in which an episode of The Office took place in Middle Earth.

The second season of Broadchurch starts on ITV on January 5. The US adaptation, Gracepoint, did have a different ending for the first season. The Guardian did think that the change in the ending was the one thing the US adaptation got right.

Tonight is the series finale of The Newsroom as yet another Aaron Sorkin television series ends way too early. (Yes, I know that The West Wing lasted seven seasons. For me, even that wasn’t long enough.) It looks like the death of Charlie Skinner  might be just one sign that ACN will end as we know it, plus Jim and Maggie look like they are finally getting together. Sorkin has discussed the recent rape storyline.

If you gave up on watching Homeland during the weak episodes to start the season, the show has become much better the last couple of weeks. Best line from Homeland: “It can’t be my belt.” It was also interesting to see the Ambassador’s reaction when her husband did not go through with his suicide plans.

Tony Stark is literally Iron Man in the parody video above.

Last week I expressed interest in the fan movement to bring in Jonathan Frakes to direct the next Star Trek movie. Reportedly Frakes is interested and has contacted JJ Abrams regarding this.

Kirsten Dunst and Jesse Plemons were the latest announced additions to the cast of the second season of Fargo.

Bill Cosby was asked about the recent rape accusations in a phone conversation with a reporter from The New York Post. He refused to respond to specifics and said, “Let me say this. I only expect the black media to uphold the standards of excellence in journalism and when you do that you have to go in with a neutral mind.”

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SciFi Weekend: Sleepy Hollow; Better Call Saul; Jessica Jones; Star Trek; Star Wars; Peter Pan Live; Into The Woods

Sleepy Hollow Irving

The networks have avoided new episodes around the holidays for a while, but they seem to be more formally dividing the seasons in recent years, including making the midseason finales a major event. Sleepy Hollow ended the fall season with major changes. This included the death of Frank Irving and Henry killing Moloch. This leads to questions as to whether we will see Irving again in some form and whether this suggests redemption for Henry, or will he now become the major big bad?

Variety interviewed executive producer Len Wiseman:

So, you just killed the show’s Big Bad halfway through the second season, which is a pretty bold move. Talk me through what went into that decision.
We were always leading up to wanting to [see how] Henry comes into his own. Henry has devoted his life to Moloch; he has served Moloch; and then to find out that he is just a servant, that another will take his place, and to see that he doesn’t have an importance to Moloch, is a big deal. We were always leading up to that fight within Henry. So where do we go from there, what happens? We also really wanted to present the idea that it’s not all about Moloch, and that’s why we decided that Moloch doesn’t die at the very end of the season, he dies at the midseason finale, because he’s not the endgame.

Obviously Ichabod (Tom Mison) and Katrina both want Henry to be redeemed, and killing Moloch seems like a step in the right direction, but is it as simple as that for Henry, or are there other motivations at play?
To your point, “is it?” That’s really the question: who is he doing that for, who is he trying to protect? Is he trying to protect his mother? Maybe. Is he trying to save himself? Maybe. What is the reason why he killed Moloch, ultimately? That’s what we’ll find out in terms of Henry in the rest of the season. And [that’s] what our characters are going to question. It’s not going to be clear to them why that move was made and how he benefits from killing Moloch.

The episode also said farewell to Frank Irving — what was the impetus behind that decision from a storytelling standpoint?
That decision, in terms of an ultimate sacrifice… He is controlled and he had sold his soul to evil, so that’s the one last power that he has — the fact that his soul is already taken — in having the power to wield the Sword of Methuselah. It gives him a strength and a power because he’s spent so much time regretting that choice that he made when he was tricked into selling his soul. He wants to be able to use that trick on Henry.

Since Henry was holding Frank’s soul, now that he’s dead, does that mean he can be raised by Henry in some way, or is he actually free?
It’s a pure sacrifice, it’s a soul for a soul, so it is a real sacrifice. He’s free, and where his soul goes may be something that we will find out and our characters will search out, but it’s definitely a sacrifice and he knows it is — it’s not a trick.

How does the second half of the season differ from the first 11 episodes, now that Moloch is gone?
What really takes a different turn is between Katrina and Crane, as well. There’s a lot of curiosity about why Katrina is struggling with her powers and her place in this war, and I’ve heard people say is her character underutilized — I would say there’s a difference between underutilized and not realized. When she discovers her full potential, things really get out of control.

Other fall finales coming up include Skye meeting her father on Agents of SHIELD and The Flash meeting Reverse Flash (will it be Harrison Wells?)

When we last saw Deathstroke on Arrow, he was locked up in Oliver’s island prison. He will be returning later this season.

Sneak peak of Better Call Saul,  in which Saul meets Mike in the video above. The Breaking Bad spin-off starts February 8.

Krysten Ritter, who also appeared in Breaking Bad, has been cast to star in Jessica Jones:

The Jessica Jones drama is one of four shows centering on Marvel heroes that Netflix has picked up straight to series. The streaming service has committed to a minimum of four 13-episode series, which will begin rolling out in 2015 and are slated to culminate in a miniseries about The Defenders, comprised of a dream team of heroic characters.

Ritter will play Jessica Jones, the cynical, sardonic and tough-as-nails, but innately cool and sexy, title character. Jones is described as a superhero suffering with post-traumatic stress disorder that leads to her hanging up her costume and opening up her own detective agency, where she ends up helping people and assisting other superheroes.

Jessica Jones Kristen Ritter

Netflix has also  announced that the third season of House of Cards will become available February 27.

The final season of Parks and Recreation will start on January 13 and the series will conclude on February 24.

January Jones has already landed a post-Mad Men role in The Last Man On Earth, a post-apocalyptic comedy on Fox.

Benedict Cumberbatch, already having major genre roles in Star Trek Into Darkness and Sherlock, now enters the Marvel universe as Doctor Strange. The looks like a good move. Doctor Strange does not have as large a following as many of the other Marvel characters, and with the large number of comics-based movies being planned, a big star such as Cumberbatch will help to keep this from getting lost among bigger name movies.

Robert Orci was called in to direct the upcoming Star Trek movie after J.J. Abrams left for Star Wars. It has been announced that Orci is no longer directing. Edgar Wright’s name is coming up the most often as probable replacement but some fans are pushing for Jonathan Frakes. Frakes might be a great choice as someone who (as opposed to Abrams) understands Gene Roddenberry’s vision for Star Trek.

The second season of Broadchurch doesn’t start until next month but it is rumored that a third season is already planned.

Stephen Colbert explains why the new style lightsabers in the next Star Wars movie are a good idea in the video above. It might take you two weeks to understand.

Allison Williams said we could not hate-watch Peter Pan Live, but what about snark-watching? The play was so much more fun to watch while following on Twitter. Some reviewers have said that NBC should have used actors more accustomed to acting in plays. Both these critics and Allison Williams missed the point. Sure we made fun of her at times, but that does not mean we wanted a better stage actress in the role or like Allison Williams any less even though she wasn’t perfect in the role. The point was the fun of the evening, including watching Allison Williams live out her childhood dream of playing Peter Pan, not to see a top notch Broadway-quality play on television.

There is only one actress I would have wanted to play Peter Pan other than Allison Williams, Jane Krakowski. Here is her leaked audition tape:

The highlight of the play was when Peter began to fight the pirates and declared himself to be an Avenger. I hope that most people did not turn off the show before the credits were over and miss the scene with Peter and Tony Stark going out for schwarma. My only complaint about the play was that, in order to be more topical, the “dead maid” in the closet should have shouted out, “I can’t breathe.” I also don’t understand how Wendy grew up to be Minnie Driver and didn’t look a day older.

Anna Kendrick was among the most prolific, and amusing, celebrities tweeting during Peter Pan Live. There is symmetry here as the play began with Wendy reading Cinderella to her younger brothers and Anna Kendrick is playing Cinderella in the movie version of the Broadway play,  Into The Woods. The movie doesn’t come out until December 25 but Disney has released the audio below of Anna Kendrick singing a modified version of the Broadway version of On the Steps of the Palace. Audio below:

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SciFi Weekend: Doctor Who; Dr. Cotton’s Bizarre Ideas, Boardwalk Empire & The Knick; DC and Marvel Movie Plans; Twin Peaks; The IT Crowd & Other British Adaptations

DoctorWho Flatline

Flatline managed to provide an episode of Doctor Who which successfully combined elements of both horror and humor. While not a totally original idea, it was something not seen on Doctor Who before, and realistically few television shows manage to come up with ideas which have not been influenced by other works. Think of it as if the residents of Flatland by Edwin Abbott Abbott were to invade earth, with a touch of The Adams Family thrown in.

Besides the idea of two dimensional beings invading, there was the added component of the TARDIS shrinking when the “structural integrity is compromised.” This did contradict The Name of the Doctor which showed such leaking to cause the TARDIS to swell in size, not shrink. The shrinking of the TARDIS, with the Doctor trapped inside, did enable Clara to take a leading role in this episode. This whole situation was quite difficult for the Doctor: “I mean this is just embarrassing. I’m from the race that built the TARDIS. Dimensions are kind of our thing.”

The Doctor did win out in the end. Ultimately the aliens from the two dimensional world were defeated by their inability to distinguish a two dimensional picture of a door from a real three dimensional door.

With the Doctor separated from the action for most of the episode, Clara took on the role of the Doctor, including taking on a companion, Rigsy, and calling herself the Doctor:

Rigsy: “What are you the doctor of?”
The Doctor: “Of lies.”
Clara: “Well, I’m usually quite vague about that. I think I just picked the title because it makes me sound important.”
The Doctor: “Why, ‘Doctor Oswald,’ you are hilarious.”

Clara did show Rigsy the inside of the shrunken TARDIS leading to the classic comment, “It’s bigger on the inside.” This set up the Doctor’s response:  “I don’t think that statement has ever been more true.”

Doctor Who Flatline1

Clara also showed that she can act like the Doctor, from using the Sonic Screwdriver to using his tactics:

Clara: “I just hope I can keep them all alive.”
The Doctor: “Ha. Welcome to my world. So, what’s next, ‘Doctor Clara’?”
Clara: “Lie to them.”
The Doctor: “What?”
Clara: “‘Lie to them.’ Give them hope. Tell them they’re all going to be fine. Isn’t that what you would do?”
The Doctor: “In a manner of speaking. It is true that people with hope tend to run faster, whereas people who think they’re doomed …”
Clara: “Dawdle. End up dead.”
The Doctor: “So, that’s what I sound like?”

Ultimately, when Clara asked if she did a good job, the Doctor did respond, “You were an exceptional Doctor, Clara. Goodness had nothing to do with it.” We still have the question from the start of the season as to whether the Doctor is a good man, and whether they are doing good.

The most amusing gag of all in the episode was seeing the Doctor’s full sized hand emerge from the tiny TARDIS to walk it away from an oncoming train.  The episode was very light on Danny Pink, but we did have another amusing scene with Clara talking on the phone with Danny, hiding the fact that she was in danger. The previews do show him taking an active part next week, but it still remains unclear whether we will ultimately see a return to two teachers from Coal Hill School being companions aboard the TARDIS as was teased last summer.

The ending scene with Missy took a different turn from her previous scenes, with Missy saying, “Clara, my Clara. I chose well.” It has already been suggested that it was Missy who gave Clara the Doctor’s phone number back in The Bells of Saint John, but we still have no idea as to what Missy’s overall plan is. Also uncertain is whether this has any connection to Clara’s role in The Name of the Doctor to become fragmented in time and have a role in each of the Doctor’s regenerations.

The writers this season do seem to be writing as if some of the past events have not taken place, almost starting fresh with Clara and the Peter Capaldi Doctor. Even going back to the season premiere in Deep Breath, the Clara who saw each regeneration in The Name of the Doctor should not have been as surprised by seeing the changes in the Doctor after his regeneration. Perhaps the events of The Time of the Doctor, with the Doctor gaining additional regenerations and not dying on Trenzalore, also mean there was never a giant TARDIS tomb for the Doctor and Clara never was fragmented in time. The Missy story line might wind up providing a completely different version of Clara’s life.

The Doctor Who Extra for Flatline is above.

While both the Doctor and now Clara having claimed to be a doctor without formal qualifications, there are some actual doctors who have done considerable harm despite having true medical degrees. One example, Dr. Henry Cotton, has appeared on cable television shows in the past week both on The Knick (at the start of his career and Boardwalk Empire (near the end). He was a real person. Henry Cotton believed that psychiatric problems were based upon infections and his treatment often began with pulling the teeth of psychiatric patients. If this did not provide a cure, then he would proceed to remove other organs which he believed were the cause of the infection. Needless to say, in an age before antibiotics, such unnecessary surgery could have catastrophic results. At one point during his career Cotton even had a nervous breakdown. He responded by pulling his own teeth, then proclaimed himself to be cured and returned to work.

Knowing the factual basis behind Dr. Cotton’s life leaves me concerned about Gillian Darmody’s fate after she told Dr. Cotton that she felt she was cured. We already saw another woman at the asylum undergo surgery, and Cotton would not be likely to accept Gillian’s assessment that she is cured without surgically removing what he believes to be the site of her infection. Being the final season,  Boardwalk Empire does have the ability to show tragic endings for its characters. This included the deaths of two long time characters last week. While Boardwalk Empire is ending, The Knick just ended its first season and has done an excellent job of showing what medical care was like back in 1900 and the development of new ideas such as transfusions.

News came in last week that a cable series which debut last summer, Manhattan, was renewed. While I have not seen the series, I feel comfortable in recommending this show about the development of the atomic bomb based upon several favorable reviews. (Although I have not seen Manhattan yet, do I get any points for reading Joseph Kanon’s novel, Los Alamos, several years ago?)

Still no news on whether Continuum will be renewed.

Episode 101

I would also recommend another new cable series which I did see the premiere of last weekend, The Affair. The main story involves an affair from the viewpoint of both parties, each telling their version for half the episode. We have narrators who are unreliable at least due to the faults in human memory. There might be additional reason for intentional deceit as we found that the stories are being told as part of a possible criminal investigation years afterwards, similar to in the first season of True Detective. It also reminds me of William Landay’s novel, Saving Jacob, in which there are glimpses of future questioning but we don’t know who the accused is or the crime until the end of the novel.

The creator of The Affair, Sarah Treem, discussed the dual narratives in an interview at The Hollywood Reporter:

With Noah and Alison remembering different accounts of the same stories, the series explores the notion of objective truth. Do you think there’s such a thing?

I think there is such a thing as objective truth. There are events that actually happen. As individuals our understanding of what happens is often quite limited. Sometimes the only way to get at objective truth is to have multiple people tell their own version of the same event. It is the job then of the interrogator, the therapist, the audience member, whomever, to basically try to find the commonality between the accounts in order to figure out what actually happened. That’s basically what we’re trying to do with this show. We’re not saying there’s no such thing as truth — there absolutely is — but we don’t think that one person is usually the arbiter of the truth. We think that it comes forward in conversation. There’s this quote, I think it’s from Hegel, but it’s the idea that all understanding is dialectic, meaning that nothing gets understood unless it’s as a result of a conversation. That’s how I think of the two sides of this show, that it’s a conversation from which the audience gains an understanding.

Will we see the perspectives of other characters besides Alison and Noah?

Not this season but maybe in subsequent seasons, if we get them.

We see a lot of overlapping stories that vary slightly depending on who’s telling them. What’s it like to have to regularly write two versions of the same event?

It’s a really fun exercise for a writer. It’s just about putting yourself in another character’s perspective, seeing the scene through the other character’s eyes. For the scene at the end of the pilot [where Alison and Cole have sex on their car], I was interested in writing a scene that looked like an attack on one side, and then coming back into it knowing more about what was actually happening to where all of the sudden the scene plays as a very different negotiation. Writers are trained at this because you’re always approaching the story through somebody’s eyes so it’s just a great, enjoyable exercise to go back and think, “Well, I wrote it this way the first time and now let me jump into a different character’s body and a different character’s mind and let me try it again and just see what happens.”

super-movies

Both Warner (DC) and the various studies which own the rights to Marvel characters have recently released news on their upcoming movie plans. Comics Alliance has more information and has put together the above infographic.

Here is an ambitious list from Warner Brothers:

  • “Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
  • “Suicide Squad,” directed by David Ayer (2016)
  • “Wonder Woman,” starring Gal Gadot (2017)
  • “Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
  • “The Flash,” starring Ezra Miller (2018)
  • “Aquaman,” starring Jason Momoa (2018)
  • “Shazam” (2019)
  • “Justice League Part Two,” directed by Zack Snyder (2019)
  • “Cyborg,” starring Ray Fisher (2020)
  • “Green Lantern” (2020)

Batman v Superman: Dawn of Justice producer Charles Roven recently gave an interview with more information on the movie, including the origin story for Wonder Woman which is being used.

Unlike Marvel, DC is keeping their movie and television universes separate. While Gotham will probably need to be kept in a separate world of its own, Green Arrow, The Flash, and next Supergirl are forming their own television universe. Many fans are angry that Stephen Amell and Grant Guston won’t be appearing as Green Arrow and The Flash in the  Justice League movie. While fans would probably prefer such continuity, it does make it easier to wrote both the television shows and the movies if there is not a need for consistency. We saw how Agents of SHIELD was harmed by a need to postpone mention of HYDRA taking over SHIELD until after Captain America: The Winter Soldier was released.

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Marvel fans are getting more excited by what appears to be planned. While Robert Downey, Jr. has not agreed to do another stand alone Iron Man movie, he may be appearing in Captain America 3, which reportedly involves the two being on opposing sides over the Superhero Registration Act. This could also be the end of Chris Evans as Steve Roberts. of There have also been rumors of Marvel making a deal with Sony, which owns the cinematic rights to Spider-Man, to allow him to appear, which sounds plausible as Spider-Man had a role in this storyline in the comics. Several other Marvel characters are also rumored to be appearing.

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Meanwhile Emma Stone, when not playing the role of Gwen Stacy in Spider-Man, will be playing Sally Bowles on Broadway in Caberet.

With Twin Peaks coming back we have twenty-five years to catch up on. Mark Frost is writing a book to fill in this gap. I am looking forward to see what they do with the series and which characters return. I do hope that Audrey Horne returns and has a daughter who can tie a knot in a cherry stem with her tongue.

The IT Crowd

NBC has commissioned Bill Lawrence (Scrubs) to do a remake of the fantastic British sit-com, The IT Crowd. I have mixed feelings about such attempts to remake UK shows here. NBC’s first attempt at a remake, with cast including Joel McHale, was reportedly a total flop and never aired. NBC also failed in adapting Coupling, another excellent British sit-com written by Steven Moffat.

Fox has  had their own problems in attempting to remake British shows, both with Gracepoint (a remake of Broadchurch) and Us and Them (a remake of Gavin and Stacey).

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SciFi Weekend: Doctor Who; You’re The Worst Renewed; Dallas Cancelled; Twin Peaks May Return; Marvel News; Arrow; Homeland; Community; Another Stephen King Novel To Television; Outlander; Short Skirts And Invented Languages In Genre

Doctor Who Kill The Moon

Kill the Moon could be seen both as one of many totally implausible and scientifically absurd episodes of Doctor Who along with another high concept episode with a major role in the series. Even if we accept that the moon could really be a giant egg, it makes no sense for the development of the space dragon to also lead to giving the moon more gravity. Doctor Who also has a strange cell phone technology on several episodes where cell phones seem to be connected to the time and place of their origin, in this case allowing Courtney to post to her Tumblr account (which has died out by 2049).

If you ignore its absurdity, which Doctor Who fans are accustomed to doing, the show does fill in a gap in the future history of mankind as presented on the show. The present earth of Doctor Who sees aliens as monsters and invaders. The far future has been shown with humans spread throughout space. At the time of this episode, mankind has given up on space exploration and even needed to restore an old museum shuttle to return to the moon. Thanks to Clara ignoring the input from humans at the time, earth was able to see space as a wonder and not threatening, encouraging mankind to start to look outwards.

The episode even answered the question raised during the episode of how the moon could be destroyed when they knew it was present in the  future. Now I’m wondering how the moon remained attached to the earth when the earth was dragged to elsewhere in the universe in The Stolen Earth/Journey’s End.

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The episode was originally written for Matt Smith, and must have had major rewrites in order to fit in so well with the story of the current Doctor as played by Peter Capaldi. The decision to go to the moon came about because the Capaldi Doctor couldn’t bring himself to tell Courtney that in some way she is special without actually making this true. The episode ended with Clara rejecting the Doctor, making me wonder if this is part of a planned arc. It certainly fits in with the personality changes in the Doctor since his last regeneration.

This might set up next week’s episode to be one without Clara, or show further advancement in their relationship. The entire lineup of companions is now in question. Danny Pink kept the possibility that Clara isn’t really done with the Doctor alive. Last summer we were teased with the idea of another couple in the TARDIS but Danny has yet to actually travel the the Doctor. Courtney has even beaten Danny in traveling in the TARDIS. If his relationship does not go further, I imagine it is debatable as to whether to consider Danny a (limited) companion. He is certainly involved with a continuing character, he is aware of what the Doctor is, and even did work with the Doctor at defeating an alien (after first messing up his plans) in The Caretaker.

Other continuity issues were touched upon. The doctor claimed he could regenerate forever. Did he really obtain an infinite number of lives, or is the Doctor who could not tell a white lie at the start of the episode now telling a lie? Was he lying when telling Courtney she would be the first woman on the moon? Polly traveled to the moon with the second Doctor in 1966 in Moonbase but it was set in 2070 while Courtney, from 2014, traveled to the moon of 2049. The Doctor could have been lying, could be using a timey wimey technicality, or could have just forgotten. At least he did remember his old catch phrase, “When I say run, run.”

There was not a scene with Missy and any of the astronauts who got killed during this episode.

The Doctor Who Extra video is above.

In other Doctor Who news, filming for the season concluded on October 3 with completion of the Christmas episode.

The best television news of the week is that You’re The Worst has been renewed. It is being moved to FXX and will be expanded to thirteen episodes. Married, which was paired with You’re The Worst, was also renewed and will remain on FX. The renewal and increase in number of episodes of You’re The Worst is no surprise considering the strong critical reaction to the show as people discovered it over the summer. If you haven’t seen it, the show is highly recommended. It would be easy to bing on as with only ten episodes the entire series only around three and a half hours after commercials are cut.

With all the late spring and summer television shows, there are probably several which we haven’t heard news on regarding renewals. In my opinion, the only one which we haven’t received word on yet which really matters is Continuum. Besides wanting to see this for several years to come, they just cannot end the show where it ended. In terms of ending a show with an unexplored change in the final episode, this would be reminiscent to the ending of Terminator: The Sarah Connor Chronicles.

As for shows I don’t care as much about, TNT has canceled their reboot of Dallas. Now we will never find out if Christopher Ewing, who died in the finale, will reappear in Elena’s shower, or if Nicolas is really the father of her baby.

Twin Peaks ended with Special Agent Dale Cooper disappearing for twenty-five years, and now that it is time for him to reappear there are rumors that the show might return. Update:  It was announced Monday that it is coming back as a limited series on Showtime.

mystique-xmen-first-class-jennifer-lawrence

Collider has information on X-Men: Apocalypse which opens in 2016 and concludes the current trilogy. The relationship between Mystique and Beast plays a large role in the movie:

Part of what’s really interesting about Mystique’s character is that she is, in some ways, the child of both Erik and Charles. She grew up with Charles and then she sort of became a woman with Erik, so her being the cross-pollination, if you will, of those two philosophies and those two men is something we can explore in the movie too.

Perhaps Mystique/Jennifer Lawrence will go after whoever  spread the  nude photos of her, without the body paint, around the Internet.

If you are having difficulty keeping track of all the mutants in the X-Men movies, Screen Rant has a guide.

Robert Downey, Jr. has said he will not appear in another Iron Man movie, but now says that Mel Gibson deserves another chance and would do so if Gibson directs it.

Adrianne Palacki, who will be playing Mockingbird on Agents of SHIELD, has said her character might also wind up appearing in a future Avengers movie.

It appears that the Fantastic Four comic might be canceled prior to the release of the upcoming Fantastic Four movie reboot. If true, this comes from the manner in which different Marvel Studios/Disney only have the movie rights to some of the Marvel characters. Other studies have the movie rights to characters including Spider-Man, Daredevil, The Fantastic Four, and X-Men as long as they are using the characters. This is one reason for the lack of cross overs of some of the characters with The Avengers, and also why some dreadful movies have been shoved out in order for other studios to maintain their movie rights.

Arrow returns this week–clip above. With Oliver losing the business it looks like everyone has to get new jobs, but Felicity is still helping him out. More at The  Hollywood Reporter.

Homeland returns tonight. TV Guide has some information on changes in the show now that they finally got away from the Brody storyline.

Yvette Nicole Brown (Shirley) won’t be continuing on Community when it returns on Yahoo! due to having to care for her sick father. She will have recurring roles on th CBS reboot of The Odd Couple and on a new USA Network show, Benched. With Jonathan Banks also leaving the show due to his commitment to Better Call Saul, two new characters will be added: “One is described as a woman who’s brought in as a consultant to help shape up the school. The other is a retired salesman who comes to Greendale to reinvent himself.”

The number of outlets for original programing has sure expanded. Beyond broadcast and cable television, both Netflix and Amazon have put out multiple shows. Yahoo! becomes far more significant with the addition of Community. Now Hulu is planning a miniseries based upon Stephen King’s time travel novel on the Kennedy assassination, 11/22/63. The show will be produced by J.J. Abrams and run for nine hours. This is certainly a far better way to do a book of its length as opposed to a movie adaptation. They have left open the possibility of doing additional seasons beyond the events of the book, which I am wary of after seeing what happened with Under the Dome.

Starz won’t have to worry about running out of material for Outlander if they want to continue the series for several more years. Diana Gabaldon has  signed a multi-million dollar book deal for the ninth book in the series. Thanks to the Starz series, the first Outlander novel from twenty-three years ago has jumped to the top of the bestseller lists.

Zoe Seldana’s short skirt while playing Uhura in the Star Trek movies was not very practical, unless flashing is encouraged in the J.J. Abrams universe. She discussed this problem, and other wardrobe malfunctions.

Wired looked at science fiction worlds and languages, such as the Klingon and Dothraki languages.

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SciFi Weekend: Tuesday Shows Go Dark (SHIELD and Person of Interest); Sleepy Hollow; Under The Dome (“Nothing But A Giant Suck Hole”); Doctor Who; Outlander; Arrow; Gotham; Shatner Star Trek Rumors; If Ayn Rand Wrote Buffy

Shield Go Dark

Tuesday night featured the return of two television shows which have both changed for the post-Snowden era, Agents of SHIELD and Person of Interest. On each show the heroes are now working in secret, or even greater secrecy than they had operated in the past.

The premiere of Agents of SHIELD was not as good as the final episodes of the first season following Captain America: The Winter Soldier but did show promise of setting up a far better second season than the first was.  A couple problems from the first season are now solved. No longer can the team theoretically call upon the vast resources of SHIELD. This group is also easier to root for in the post-Snowden era. There is no doubt that the old SHIELD would have been listening in on our phone calls, reading our email, and have no problem with extraordinary rendition or even torture. That SHIELD no longer exists. We can dislike General Talbot as the nominally good protagonist (wondering if Bruce Banner is also in the neighborhood) and root for SHIELD in opposing him.

The episode started with a flashback of Agent Carter, including a glimpse of a green being in a box, suggesting the alien which was used to save Coulson, and later Skye (who works far better as an agent rather than the outsider) along with connecting to Guardians of the Galaxy.The show now makes mention of multiple Marvel characters, and included a super-villain, which gives the show much more the feel of being in the Marvel universe than seen in the first season. Lucy Lawless made her appearance as Isabelle  Hartley and lost her arm if not her life. There is certainly the possibility of her return on a show where two characters have returned from death or near-death, and now we have Dr. Whitehall, who hasn’t aged since seen in 1945.

While we don’t know whether Lucy Lawless will return, there is news that Adrianne Palecki of Friday Night Lights (and who almost became Wonder Woman) will be guest starring as Mockingbird later this season.

There were additional consequences to the events of last season beyond the breakup of SHIELD. Fitz is more interesting than last season now that we found that he did not recover from the lack of oxygen to his brain, and is imagining that Simmons is with him after she left. I would anticipate some recovery on his part and probably a Fitzsimmons reunion down the road. Agent Ward is also a bit nuts compared to last season, and may or may not really know anything about Skye’s father. I suspect he really does, and we might be in store for some Hannibal/Clarice type scenes between Ward and Skye this season.

Person of Interest s04e01

Go Dark was the strategic order from Director Coulson on Agents of SHIELD, and also describes the strategy Root devised with the Machine to keep everyone alive and hidden from Samaritan on Person of Interest.  The increased concern over the dangers of the surveillance state has been fortuitous for the show. Initially the Machine’s surveillance was primarily a gimmick to get the heroes into the story of the week, but last season the show transitioned far more into a series about the dangers of government surveillance and artificial intelligence in the wrong hands. The show has largely been rebooted this season, and shows promise of being even better than previous seasons.

Series co-creator Greg Plageman compared artificial intelligence to the creation of the atomic bomb at San Diego Comic-Con:

I think when we started out this show we were answering a lot of questions about the Orwellian surveillance state and people asking us if that was science fiction and now, in a post-Snowden era, no one’s asking those questions anymore. So what does the show become now?

I think the most interesting question in terms of our show and technology that is emerging is artificial intelligence. We’re living in a world now where not just nation states—Israel, United States, the Russians, whoever—are trying to build an artificial intelligent. The thing closest to this was the Manhattan Project, the greatest existential risk the world has ever faced: the development of the atomic bomb, and the race to get it, and who was going to get it first and what that meant in terms of ending World War II.

We are now at a similar crossroads with artificial intelligence. The only difference is it’s not just DARPA. It’s not just nation states. It’s a bunch of billionaires in their 30s up in Silicon Valley who are buying up all the artificial intelligence companies. It’s fascinating. Look up ‘Deep Mind,’ see what’s going on. No one really knows.

Harold Finch built a machine, an artificial intelligence, that he supposed was sympathetic to humankind. But what if someone built one that didn’t take that into consideration at all? And I think we’re dealing with the next great existential risk to the world and I think that’s something our show can deal with in a really cool way.

The Blacklist was among other shows which returned, once again turning what would otherwise be a mediocre show into a hit due to the presence of James Spader. Mary Louise Parker makes an excellent addition as his ex-wife.

Sleepy Hollow also returned with a strong season premiere. This is a series which I am reluctant to write much about as any description of the show sounds absurd. They manage to pull off its absurdities very well (far better than Under the Dome does). It is always fun to see what they come up with to tie early American history into their mythology, such as revealing that they key used on Benjamin Franklin’s kite is used to unlock Purgatory. As I said, it sounds like it makes no sense, but the show is so much fun.

Under the Dome Season 2 Finale

Under the Dome ended and the series could be summed up by what Noreen said: “It’s nothing but a giant killer suck hole!” The giant suck hole appeared the previous week after Melanie, a character who came back from the dead, was apparently killed a second time. In other recent episodes there was a tunnel under the school in which people could jump off a cliff and appear in another city, until Big Jim messed that up. Recently it became cold and nobody in town had any warm clothes to put on. The Dome started contracting, and when they began to time the contractions I wondered if next they were going to say the Dome was pregnant.

In the second season, and hopefully series, finale, everyone in town who could make it went through a tunnel where the giant suck hole had appeared. The final moment showed Melanie once again back from the dead, saying “Follow me, we’re going home.”But isn’t Chester’s Mill their home? If the show returns next summer, we will presumably see where Melanie leads them. I wouldn’t be surprised if they follow her, perhaps to an intermediate destination, and they ultimately wind up back in Chester’s Mill, like Patrick McGoohan trying to leave The Village. I imagine that if it doesn’t return, we can just assume that they escape, possibly coming back to rescue those who didn’t make it.

Doctor Who The Caretaker

On Doctor Who, The Caretaker returned to its 1963 roots at Coal Hill School, and Gareth Roberts, writer of episodes such as The Lodger, once again showed the Doctor attempting to blend in with humans. The killer alien story was weak, and primarily existed as a vehicle to have the Doctor finally meet Danny Pink. Along the way the Doctor got mislead when seeing Clara speaking with a fellow school teacher wearing a bow tie, thinking that she had fallen for someone who looks like his previous regeneration. While we had long been led to believe we will have another couple in the TARDIS, with Clara and Danny replacing Amy and Rory, it now looks like there once again might be two schoolteachers and a student, with Courtney joining along, at least temporarily, despite being a disturbance:

Clara: “I would say, yes, I’m afraid Courtney is a disruptive influence.”

Response: “Yeah, but last year you said she was a very disruptive influence. So I suppose that counts as an improvement.”

Courtney discovered the TARDIS after ignoring the Doctor’s sign to keep out, or more precisely, “Go Away Humans.”

The meeting between the Doctor and Danny Pink didn’t go very well. The Doctor continues to object to soldiers, apparently forgetting all the time he spent with UNIT, along with many other individual soldiers over the centuries. Danny sees the Doctor as an arrogant aristocrat, concentrating on the Lord part of Time Lord. He also wondered about about Clara (“Are you a space woman?”).

The episode also introduced another gadget for the Doctor, an invisibility watch. This raises the question of why this was never used on many occasions when it could have come in handy in the past, and whether it will be used again. Another plot hole which we will just have to ignore.

Among other top lines of the episode:  “You’re running out of time.” “For what?” “Everything! Human beings have incredibly short lifespans. Frankly, you should all be in a constant state of panic. Tick tock, tick tock.”

After not seeing this in recent episodes, The Caretaker also showed a character who died in the episode wind up in the Nethersphere, or perhaps Heaven.

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Saturday night’s other time travel series, Outlander, got deeper into time travel in the mid-season finale. Frank heard of the possibility of time travel at Craig na Dun, and by the end of the  episode was willing to accept it as a possibility. In addition to seeing a poster with a reward for information related to Claire, there was another poster in Frank’s era seeking information about someone who sure looks like Jaime, suggesting that he might also wind up traveling in time.

It was surprising that a spy like Frank would fall into such an obvious trap when seeking information about Claire, but he was quite well prepared to take care of himself. He seemed to enjoy beating up his attackers too much, perhaps intending to show a comparison between the violence of his evil ancestor and Frank. Are we to question which husband Claire is really best off with?

The episode had a tease that Claire might return home. At very least she did hear Frank calling out to her through time, but it was intentionally left ambiguous as to whether Frank could hear Claire calling back. Just before getting a chance to return, she fell into the hands of Black Jack once again, with her attempts to deceive him failing. We don’t know  how Jaime managed to get into his window, but he came to attempt to save Claire just before she might have received an involuntary mastectomy. We will see what happens next when Outlander returns in April.

Arrow Oliver and Felicity

Arrow returns October 8 and Marc Guggenheim has discussed the upcoming season:

“He is going to get some new toys to play with,” Guggenheim said. “One of them is a new bow that looks identical to the old bow, but it does something that you’ve never seen before.” Guggenheim disclosed that the explanation behind Oliver’s new equipment will be detailed in DC Comics‘ currently unfolding digital-first series “Arrow: Season 2.5,” taking place between the second and third seasons.

While “Arrow” has traditionally been more grounded, the show’s second season embraced superpowers a bit more, both in laying the groundwork for spinoff “The Flash” and in Slade Wilson and his Mirakuru-fueld army that served as primary antagonists. With “The Flash” now its own series on The CW, Guggenheim stated that “Arrow” will return to a more realistic direction.

“We’re not really planning on revisiting superpowers or enhanced abilities during season three,” Guggenheim told Weiland. “We are really returning to the show’s roots of a very grounded world where it’s very realistic. We may take occasional artistic license with things, but for the most part, everything is pretty well and truly grounded in real-life things and real-life science.”

Another DC comic-based series began with the premiere of Gotham. I think we will need to see more to determine if is worth watching a show with Bruce Wayne before he became Batman. While it includes the origins of several villains, I think we will have to view this as another version of the legend, not connected chronologically with other Batman stories. While we think of the murder of Bruce’s parents as occurring years ago, Gotham appears to take place in the present (or a parallel universe were cell phones have been around a lot longer).

Syfy has renewed both Defiance and Dominion.

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There have been a number of rumors, denials, and perhaps an admission that J.J. Abrams has spoken to William Shatner about doing a cameo for his third Star Trek movie. I have my doubts as to whether it is a good idea, but it is more plausible now than in the first Abrams movie in which Spock from the original time line went back in time. Kirk could not do that because in that time line he was dead. However this doesn’t prevent a future Kirk from being seen from the Abrams time line.

There is yet another rumor that the next Avengers movie will be split into two parts.

If Ayn Rand wrote Buffy The Vampire Slayer

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SciFi Weekend: Arrow; The Flash; Agents of SHIELD; Gotham; Doctor Who; Hannibal; Daredevil; True Blood; The Leftovers; The Last Ship; 24; Penny Dreadful

Arrow Oliver Felicity

TV Guide interviewed Andrew Kreisberg about the third season of Arrow:

Can Arrow‘s consummate hero have it all?

The third season of The CW series will dare to answer that question when Oliver Queen (Stephen Amell) attempts to have his cake and eat it too — in this case, that means being a superhero that the residents of Starling City actually respect while also trying to have a personal life. It’s harder than it sounds — something that Ollie will learn fairly quickly into the season.

But Oliver’s love life won’t be the only thing that’s complicated this season, especially since two of his ladies will actually be getting love interests of their own! TVGuide.com tracked down executive producer Andrew Kreisberg to get the scoop on the new season, including a surprising return from the dead, the future for Team Arrow and new villains ahead:

Will there be a time jump when the show returns?
Andrew Kreisberg: 
We’re going to jump the same amount of time that we did last year. It’ll be real time. It’ll be seven or eight months later. For Oliver, things are good. As we like to say, everything is coming up Arrow. Crime is down. At the end of last year, there was victory. A lot of this season is about what happens when you win and how winning isn’t always as easy as it looks.

What does it mean for Oliver now that the city actually accepts him?
Kreisberg: 
In the premiere, Lance (Paul Blackthorne) actually disbands the anti-vigilante task force in his new role as Captain. The Arrow is free to do his thing and it’s different for Oliver. He spent the first two years being hunted and distrusted. Now, he’s starting to feel like he has this under control. And then, of course, as Joss Whedon taught us all, you let your characters have a moment of happiness and then you take it all away from them.

You seemed to be setting the stage for Ra’s al Ghul to be the villain in Season 3. Is he actually the villain? Can you say anything about the new villain?
Kreisberg: 
It’s big. I can say that he’s big and he’s bad. We’re still figuring that stuff out. As far as the Big Bad, there will be Big Bad. Even last year, everybody was a subset of Slade’s (Manu Bennett). Slade was the Big Bad. We will meet other villains along the way, as always. We’ll have recurring villains and new villains we’re starting with this year and people who are coming back from the previous two seasons.

Felicity (Emily Bett Rickards) and Oliver are going on a date in the season premiere. How do you avoid the TV trope that a hero can’t be with the woman he loves just because of his duty?
Kreisberg: 
When you see the premiere and you see how things shake out, you’ll come to a very sympathetic understanding of both of their positions. The premiere last year was a microcosm of what was happening for the whole year. In the same way that the premiere of last season was really about Oliver struggling with whether or not he should be the Arrow, in this season premiere it’s, “Can I have everything I want?” That quest is going to take up his entire year, and hers.

How much of a foil will Ray Palmer (Brandon Routh), Felicity’s new rumored love interest and head of Queen Consolidated, be to Oliver?
Kreisberg: 
A big foil. It’s Season 3, and Season 3 is typically when you add that game-changing character like Buffy did in adding Faith or Everwood did with adding Scott Wolf. First of all, getting Brandon — he couldn’t be nicer, he couldn’t be sweeter. It’s just such a different energy that he’s bringing to the show. A lot of what’s funny about Felicity and Oliver is that he’s so straight and she’s the funny one. With Brandon, you get somebody who’s as tall, square-jawed and handsome as he is [and] he’s a really funny comedian. He and Felicity can have that verbal repartee that we haven’t typically had on the show. As much as the show is getting darker, it’s gotten a lot funnier. It’s just such a different energy. He and Felicity are really cute together.

The second season ended with the Black Canary giving her black jacket to her sister Laurel. This fed speculation that Laurel will become the Black Canary as in the comics. Kreisberg has a good point that she is not ready for this  yet: “As always with all of these things, you can’t just put on a mask and go running around. You’ll get killed. Laurel is still just an attorney. She’s an attorney with a jacket. I think Katie Cassidy fans are going to be very, very excited about her trajectory this year. Laurel is going to have a new love interest this season.” Caity Lotz will be returning for three episodes next season. One of the many good things about Arrow is that there is now a huge supporting cast, and even more characters are to be introduced. This allows them to have a variety of characters for parts of a season as opposed to having exactly the same characters from week to week. There will also be a cross over with The Flash next season in the eighth episode of each show, and Felicity will appear in the fourth episode of The Flash.

There has been contradictory information as to whether The Flash and/or Arrow will cross over with the DC cinematic universe in the manner in which Agents of SHIELD does with Marvel. The latest story is that DC Entertainment Chief Creative Officer Geoff Johns says the television shows and movies will be kept separate. Presumably this will mean that the Flash seen in the Justice League of America movie would be a different character than on the television show. While it would be entertaining to have the television and movie universes combined, there are advantages of keeping them separate. This allows for greater flexibility with the television shows not being confined by the movie universe, avoiding the problems faced by SHIELD most of its first season.

BRETT DALTON

Agents of SHIELD executive producers Jeffrey Bell, Jed Whedon, and Maurissa Tancharoen were interviewed about plans for the second season, now that the show is no longer constrained by waiting for Captain America: The Winter Soldier to reveal HYDRA’s infiltration of SHIELD.

Will there be consequences for Grant Ward for all that he had done last year?

“I would assume so,” Maurissa Tancharoen said. “Let’s put it this way: They’re not gonna just drop him on a farm and let him run wild.” Jed Whedon added. “When last we left him, he was in our custody. What does that mean? You’ll have to see,” Maurissa teased.

What are you specifically excited about for Season 2?

“I think the fact that when we left them, S.H.I.E.L.D. had completely crumbled… so just the idea of Coulson and our team, sort of left with nothing, or limited resources… I think we’ll be rooting for them to rebuild S.H.I.E.L.D.,” Tancharoen said.

“It’s a lot harder to protect the world when you don’t have any resources. Last year we saw how giant and all-consuming S.H.I.E.L.D.’s reach was, and they don’t have that anymore, so it’s much more of a struggle. They’re much more the underdog this year, which we’re really excited about that, and the tone that it sets, and what it does to our characters.” Whedon added.

This “ragtag team” has Maria Hill as a contact and she’s working for Tony Stark. Couldn’t she talk to him to hook them up with some money?

“We hope so! That’d be so cool!” Whedon responded. “Maybe so,” Tancharoen said. “That’s a good question.”

“Tony Stark doesn’t know Coulson’s alive, so it might be really awkward. It’d be weird,” Jeffrey Bell chimed in. “They could set up a Coulson Memorial Fund and channel that into S.H.I.E.L.D.,” he joked.

So with Phil Coulson now being the head of S.H.I.E.L.D., the Avengers still don’t know he’s alive?

“That’s a complicated question. One might assume, but you can’t assume anything, and they have their own movie that exists…” Whedon said, with his brother, of course, directing Avengers 2: Age of Ultron to come out next year.

“At least on screen so far, that hasn’t happened,” Bell said.

Will we be seeing Fitz (Iain de Caestecker) sooner rather than later?

“That’s a good question. When last we left him, we didn’t know exactly what happened to him. We just know he’s alive,” Tancharoen teased.

Gotham

TV Guide has more information on Gotham:

There will be no cape. There will be no cowl. Nevertheless, Fox’s Gotham intends to stay true to the Batman comics that fans have come to know and love over more than seven decades.

Based on DC Comics characters, Gotham explores the origin stories of the Caped Crusader’s eventual ally James Gordon (Benjamin McKenzie), a detective with the Gotham City Police Department, and his battle with the villains who made the city famous.

“What we won’t do is break the canonical iron truths of the mythology,” executive producer Bruno Heller told reporters at the Television Critics Association’s fall previews on Sunday. “It’s not a whole new mythology. But issues of chronology, we will play with in a fun way.”

Instead of Bruce Wayne (David Mazouz) taking center stage in the effort to save Gotham, James Gordon will be the central focus as he fights the ever rampant corruption and crime alongside his partner and mentor Det. Harvey Bullock (Donal Logue). “Gordon is the lynchpin of the show,” Heller explains. “He’s the guy who creates Batman or gives permission for Batman to exist in this world. Gordon will still remain at the central, but it’s very much about [the origin stories of every character], but Gordon is the moral center that you can identify with.”

Though Heller said that Batman won’t appear on the series, he doesn’t believe that will drive the fanboys away. “I don’t think so because the really interesting parts of the stories is the origin stories,” Heller says. “As soon as you’re into the capes and the costumes, it’s less interesting than how the people got there.

“If there is a superhero in this show, it’s Gotham,” he continues. “That’s a larger than life character that’s a central part of the show. To me, heroes are more interesting than superheroes because precisely the difference is superheroes do the impossible, and drama is really about the physically possible. This is about people and people trying to overcome real problems as opposed to trying to learn how to fly.”

But where do Gothamites find hope when the city’s villains of are running free with nary a hero (or the hope of one) to stop them? After all, Bruce Wayne hasn’t even started shaving yet! “That’s the situation that the show is all about,” Heller says. “How do you deal with crime of this level when there are no superheroes? It’s as much about the hope and the struggle that they’re engaged in… It’s about men and women, not about superheroes.”

And those men and women truly will be overrun. Though the first season delves into the rise of the Penguin (Robin Lord Taylor), the series pilot introduces a fair amount of villains for the show to play with, including Catwoman (Camren Bicondova), The Riddler (Cory Michael Smith), Poison Ivy (Clare Foley) and Fish Mooney (Jada Pinkett Smith). “You have to front-load the pilot with the best that you’ve got because that’s the way that you’ve got to open big,” Heller says of introducing so many villains. “As the show rolls on, we’ll be far more … careful with how we roll out the villains and in what way.”

Trailers for the upcoming season of Doctor Who above (one official and one from a fan).

With Laurence Fishburne having a roll on a new show next season, Black-ish, there has been speculation that this might mean that he did not survive the massacre in the second season finale of Hannibal. Fishburne says he is returning, and will do both shows part time. He also says the third season of Hannibal will be very dark–as if the first two seasons were so light and cheerful.

Looking back quickly on some genre shows of the past week, I was happy to see True Blood end some of its weak plot lines and get rid of some of the superfluous characters. This almost gives them yet another fresh start going into the final episodes of the series, and I hope they take advantage of this to end with a better story line.

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The Leftovers dealt with Christopher Eccleston’s character. As we know that it will not deal with any sort of explanation of what  happened to the missing people, to be successful the show will need to get viewers interested in the characters and how they responded to the other people disappearing. So far they have not done the greatest job of introducing the characters and adequately explaining their motivations. Earlier episodes dealt heavily with the police chief and his family, but it is not clear why his family is so affected considering that nobody in their family disappeared. Entertainment Weekly compared The Leftovers to Battlestar Galactica in the way in which both shows dealt with a loss of a portion of the population. Both the disaster and the manner in which the response were handled was greater on BSG.

While The Leftovers does have that in common with Battlestar Galactica, The Last Ship has far more in common in dealing with a ship of people surviving after mass deaths. It remains more of an action/adventure show than hard science fiction, but remains entertaining summer television.

Under the Dome remains weak (to put it gently), yet somehow remains interesting to watch. The same problems persist with the Dome having powers with no apparent limits but no clear motivations for those using the power. Now it was able to bring a girl who died years ago back to life. Plus Junior’s mother was also confirmed to be alive after her reported suicide.

24: Live Another Day concluded its short season. A shorter season was a plus, but it would have been even better if it ended a few episodes earlier when the main terrorist plot was tied up. In the past, full seasons suffered from the need to move from one plot line to another to keep things going for an entire twenty-four episodes. Now that they were freed from those constraints it would have better to tell one single story well, regardless of how many episodes it took. Then they had to tag on yet another quick story at the end to put Chloe in danger to set up Jack’s fate. The producers of 24 have not yet said whether the show will return. I’m sure that depends upon a lot upon the ratings.

Extant remained interesting in its second episode. I still fear it will turn out to be a network television rehash of old science fiction (and Spielberg)  troupes but I’m willing to give it a chance to prove me wrong.

Penny Dreadful Eva Green

Penny Dreadful ended earlier this month and I should note that after seeing the entire first season that it was well worth watching. The plot was not the strong point but it did excel in creating its characters and a world where fictional characters including Dr. Frankenstein, Dorian Gray, and others interacted. The show had a strong cast including Timothy Dalton, Josh Hartnett, and Billy Piper, but by far the strongest was Eva Green. The actual story such as fights with vampires weren’t terrible significant except as ways to introduce the characters and set up future events. Early episodes showed some violent deaths and, while there were some clues, the probable identity of the killer wasn’t revealed until the finale, undoubtedly influencing the second season. The show also made good use of episodic television, both having continuing stories and using some episodes to reveal character back stories or past events.

James Gardner, star of shows including The Rockford Files and Maverick, died yesterday at 86. Reports from Variety and The New York Times.

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SciFi Weekend: Hannibal; Captain America and Agents of SHIELD; The Americans; Orphan Black; Continuum; Captain Janeway and Geocentrism; The Expanse

Hannibal Chilton

 Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.

It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.

Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.

Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:

AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?

BF: [Frank] Serpico survived a bullet to the face.

Fuller explained Will’s motivations:

AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?

BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.

AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?

BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.

He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:

AVC: How much do you sit around and figure out how he does all this stuff?

BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.

agents-of-shield-turn-turn-turn-2

Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.

It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.

The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.

As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.

Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.

Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.

Arpanet-The-Americans-3

The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.

The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.

Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.

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I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:

EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.

There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories.  This character relationship chart might help keep track of all of them.

Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.

Janeway

Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:

I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew

Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.

Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.

Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.

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SciFi Weekend: Black Widow; Arrow; Continuum; House of Cards; Fantastic Four; Hannibal; Man From UNCLE; The Americans; Two More US Remakes Of British Shows; Karen Gillan; If Ikea Sold A TARDIS

Black Widow

Variety reports that Black Widow will continue to have a major role in upcoming Marvel movies and then Scarlett Johansson will star in her own stand-alone movie:

According to Chris Evans, who plays Captain America, Black Widow’s storyline in “The Winter Soldier” revolves around “her coming to terms with her history, that she’s been a spy, and spies aren’t necessarily trustworthy,” he told Total Film.

That will be further explored in “The Avengers: Age of Ultron,” out in 2015. Film starts production in March.

“(Black) Widow’s part in that is very big,” Feige said. “We learn more about her past and learn more about where she came from and how she became in that film. The notion of exploring that even further in her own film would be great, and we have some development work with that. When we meet the Avengers at the top of ‘Age of Ultron,’ it’s a very different landscape than we left them at the end of the first film. Partially, that’s because we love the rhythm that the comicbooks have developed — each of the characters appear in their runs, occasionally they get together for a big event or crossover series, they part again, and then they come back together again.”

It’s unclear whether Marvel hopes to have a Black Widow movie become part of its third phase of films, which so far includes “Ant-Man,” “Doctor Strange” and the third installments of “The Avengers” and “Captain America.”

Phase two includes “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy” and “The Avengers: Age of Ultron.”

Bringing Sarah into Team Arrow raises questions as to Felicity’s role. That is answered with a Felicity-centered episode. Preview above. More about Arrow here.

After Arrow, I’m far more willing to take a show on CW seriously. They have ordered  pilots from the creators of Sleepy Hollow and Veronica Mars:

The CW has given pilot orders to dramas Identity, from Alex Kurtzman and Roberto Orci, Jane the Virgin, from Jennie Snyder Urman, and iZombie from Rob Thomas, TVGuide.com has learned.

In Identity, when a young woman in need of a transplant learns she is related to a powerful family whose son is her only hope for a donor organ, the CIA approaches her to investigate the family’s involvement in domestic terrorism and to infiltrate their rarified world.  Her loyalty, morality and ethics are tested as she’s forced to slowly build a case against the family who saved her life. Sleepy Hollow‘s Kurtzman and Orci will executive-produce with The Good Wife‘s Corinne Brinkerhoff, who will also write. Heather Kadin, Rob Golenberg and Alon Aranya are also attached as executive producers…

Based on DC Comics’ series, iZombie is a supernatural crime procedural about a med student-turned-zombie who takes a job in the coroner’s office to obtain the brains she must eat to maintain her humanity. However, with every brain she consumes, she also inherits the corpse’s memories. In order to silence those disturbing voices in her head, she solves homicide cases along with her medical examiner boss and a police detective. Veronica Mars‘ Thomas and Diane Ruggiero will write and executive-produce with Danielle Stokdyk and Dan Etheridge.

Showcase has released another trailer for the third season of Continuum. It returns on  March 16  or you can wait until April 4 and see cut episodes on SyFy. Guess which version I plan to watch.

If you haven’t seen the first episode of season two of House of Cards yet, you just better get off the Internet if you don’t want to see spoilers. It turns out that the shocking event from the first episode was planned from the start with a similar event in the season finale of the first season of the U.K. version. How realistic is the show? A star such as Robin Wright may or may not know very much about actual political life, but it is easy to have their opinion covered by being a bit titillating:

During a Q&A in the upcoming issue of Capitol File magazine, a reporter asked whether Wright’s White House source thought the fictional events depicted in the Netflix series were close to the mark.

“Did she think reporters sleeping with sources and members of Congress was factual?” the reporter asked.

“Oh, yeah,” the actress replied. “D.C. is more corrupt than Hollywood. It really is. It’s more sleazy than Hollywood… how much infidelity goes on.”

Kate Mara might soon become better known for another genre role. The cast has been announced for the Fantastic Four reboot, with Mara playing Sue Storm. Think how House of Cards might have turned out differently if Zoe Barnes also had Sue Storm’s power to turn invisible.

Orange Is The New Black returns on Netflix on June 6. No relation to Black Widow, Black Canary, or Orphan Black.

Hannibal returns on February 28, with the first season available to binge on Netflix and Amazon. Here is some more information on  the second season.

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Open Channel D. The Man From UNCLE movie opens on January 16, 2015. The movie stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant and Luca Calvani. One of the key things I remember from the original show was the use of cigarette cases and pens as communication devices. Is there any point in this with smart phones? But if these are not used, will the movie really feel like UNCLE? It might be fun to go back and look at some of the old episodes to see how they stand up today. My guess is that they would be better than SHIELD.

Actually Agents of SHIELD has improved. They did try experimenting with storytelling a little in the last episode, TRACKS, telling the same story from the perspective of different characters. I also enjoyed seeing a train heist as it reminded me of one of the first Joss Whedon shows I had ever seen, The Train Job episode of Firefly. (Yes, I have never seen Buffy). The episode ended with a cliff hanger but I doubt Skye is really dead considering how they appear in the midst of developing her back story. Besides, people on comic-based shows are rarely ever dead. A clue to this is that the next episode when SHIELD returns from hiatus will be entitled  TAHITI. Bill Paxton will be joining to assist in saving Skye.

Producer Joel Fields answered questions about the second season of The Americans, which returns this week. One of my favorite moments from the first season was when Reagan was shot and the Russians saw it as a coupe attempt by Alexander (“I am in control here”) Haig. Fields was asked if any real life events will be included in the second season:

Season two will begin in early 1982 and, as our show was last season, it will be informed – but not shaped – by real life events. Philip and Elizabeth will deal with threats ranging from the Soviet invasion of Afghanistan to the covert American assistance taking place in Nicaragua, and everything they do will happen under the specter of constant brinkmanship that was a hallmark of US-Soviet relations at that time.

Last year it was discovered that Robert Galbraith was really a pseudonym for J.K. Rowling. She has a second novel about Cormoran Strike coming out on June 19. With character names such as Cormoran Strike, we should have guessed who the author was.

Joel McHale of Community will be hosting the White House Correspondents Dinner on May 3.

Broadchurch US

The first pictures have been released from filming of Gracepoint, the US remake of Broadchurch. David Tennant reprises his staring role from the ITV version, along with Anna Gunn of Breaking Bad.

An American adaptation of Utopia is being planned by HBO and is to be written by Gone Girl author Gillian Flynn.

Both Broadchurch and Utopia have completed their first season in the U.K. and will be returning for a second season. The first season of each was excellent, but as accustomed as I have become to downloading shows from the U.K. I can’t help but wonder why they don’t just show the original versions here. Yes, there are references which Americans might not understand, and David Tennant’s accent was a bit thick in the ITV version, but I think American audiences can cope. Look how popular Downton Abbey and Call the Midwife are becoming here without need to remake them for American audiences.

The above trailer has been released for Marvel’s Guardians of the Galaxy.

Karen-Gillan-Joins-Selfie-Comedy

Doctor Who and Guardians of the Galaxy star Karen Gillan has been cast in an American sit-com, Selfie:

The actress, who next appears in Marvel’s Guardians of the Galaxy and Oculus, has been tapped to star in ABC’s Emily Kapnek comedy Selfie, The Hollywood Reporter has learned.

The modern take on My Fair Lady is inspired by the musical and tells the story of a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

The casting marks the Scotland native’s return to TV following Doctor Who – where she played the Doctor’s companion, Amy Pond, for more than 30 episodes on the show’s fifth through seventh seasons — and Adult Swim’s NTSF: SD: SUV

No word as to whether Karen Gillan will be doing any nude writing or baking as in  Not Another Happy Ending.

I’ve seen a number of posts about people building their own TARDIS. With so much interest, it is only a matter of time until Ikea comes up with a kit. This is what the experience might be like:

TARDIS Ikea

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SciFi Weekend: Valentine’s Day and Girls SciFi Geeks Love (About Time; Karen Gillan; Scarlett Johansson; Arrow; Almost Human)

SciFi Weekend is a weekly feature at Liberal Values, and is now being cross posted at The Moderate Voice. To introduce the feature to new readers, every week  this post generally deals with Science Fiction along with other topics. Sometimes, like last week, it is about a single topic (Sherlock Season 3). More often a variety of topics are discussed, typically starting with science fiction and genre television, but often including other topics in pop culture. Some weeks there is a theme. The theme this week is Valentine’s Day and Girls SciFi Geeks Love. Beware that there are frequently spoilers, especially for television shows which have aired in the United States. I do frequently leave out some details or only refer to them obliquely to limit this, and try to warn about spoilers when discussing movies or shows which have not aired yet in the U.S.

About TIme

This year we had not one but two major movies combining science fiction and romantic comedy. As I had already watched and blogged about Her, this left About Time to watch with my wife after we returned from dinner last night. About Time uses time travel much more like Groundhog Day than Doctor Who, except unlike Bill Murray in Groundhog Day, the protagonist of About Time can control which portions of his life he relives. The review does include spoilers.

On his twenty-first birthday Tim (Domhnall Gleeson)was told by his father (Bill Nighy) that the men in his family all have the ability to travel in time. There are limitations. You can only go back and revisit portions of your own life. As his father put it, you can’t kill Hitler or shag Helen of Troy. Tim asked about the butterfly effect and his father told him he hadn’t run into it. To add some drama later in the movie, it turns out he wasn’t entirely correct here.

There are other limitations, including one standing in the way of Tim’s number one interest, getting a girlfriend. You can’t make someone love you. He failed in his first attempt with a girl spending the summer with his sister. He did later manage to meet Mary (Rachel McAdams) but the meeting was erased from time when he went back in time to help out a crabby playwright who he was briefly living with. There was no butterfly effect which destroyed civilization as we know it, but it is possible to change one’s past. It should surprise nobody that he did manage to meet Mary again, but had to go back in time to dispense with the boyfriend she met because of not meeting Tim.

From there time travel continued to come in handy. No more awkward first times in bed when for Tim it became the second and then third time after going back in time. It wasn’t even necessary to keep his first awkward attempts at removing Mary’s bra or meeting her parents. Minor mistakes later in their life, such as choosing the wrong best man, were also easily fixed.

Some problems were not so easily fixed. Tim found a serious problem in going too far back in time to help reverse a poor decision made by his sister, Kit Kat. Fortunately for Tim, his mistake was easily reversed, but he had to find another way to help his sister. Tim learned that time travel cannot fix all problems. Sometimes something terrible in life must occur to get people to change. If he was truly trying to help Kit Kat, he might have also bought her a comb.

The relationship between Tim and his father became as important to the movie as the relationship between Tim and Mary, even leading the two to once again break the rules, but this time with no dire consequences. Over time, Tim preferred a simpler form of time travel, moving forward in time day to day and fully appreciating every day. “The truth is, now I don’t travel back at all, not even for the day. I just try to live everyday as if I’ve deliberately come back to this one day. To enjoy it. As if it was the full final day. Of my extraordinary, ordinary life.” About Time is far from a hard science fiction look at time travel, but it was an enjoyable movie.

Karen Gillan’s romantic comedy, Not Another Happy Ending, is being released in the U.K. on DVD this week but there are no current plans for a U.S. release. Trailer above.  Iain De Caestecker of Agents of SHIELD (Fitz) is also in the movie. The actress who formerly played Amy Pond does not do any time traveling during the movie, but she does write and bake in the nude (more of that scene here). Update: Not Another Happy Ending will be shown at the Cleveland International Film Festival on March 19.

Scarlett Johansson is becoming the go to girl for sexy female leads when she is not in The Avengers movies. When they needed an actress to make it seem realistic for a voice alone to seduce the male lead, it was Scarlett Johansson’s voice used in Her. She is also the female lead in Under The Skin, playing an alien female who seduces men for sexual experimentation. Trailer above. It reminds me a bit of an early episode of Torchwood, back before the show got to be too big and they messed it up.

Doctor Who Both Hearts

If you missed buying a card for Valentine’s Day you might have to use Tim’s trick from About Time to go back and fix that. Or you can go back in your TARDIS, perhaps to use one of these cards.  For the last four years I have posted Doctor Who Valentine’s Day cards, with the latest set posted here.  Cards from 2013 can be seen here. Older ones also available from  2012 and 2011.

Heir to the Demon

I had not initially watched Arrow during its first season believing it would just be more CW fluff with attractive people in glitzy backdrops. At times it is, but as I later found out, it is far more. With a rich playboy crime fighter, and now the League of Assassins, in many ways it is one of the best live action adaptations of Batman ever made. Plus there are flashbacks to an island which might remind viewers of Lost. Still, it is on CW, so there is plenty of romance and love triangles in this superhero soap opera.

Before going on a brief hiatus for the Olympics, Arrow looked back at the triangle Oliver had with Sara and Laurel Lance, but things became even more complicated. In Heir to the Demon, Ra’s al Ghul’s daughter managed to incapacitate airport security agents without any of the publicity and follow through which such an event would generate in our world. Her mission was to return Sara to the League of Assassins or to kill her, but it became clear that her mission would be more complicated when the two kissed upon first seeing each other. A discussion with the show’s producer over this turn of events can be read here:

With the introduction of Nyssa al Ghul (Katrina Law) — Ra’s al Ghul’s daughter — hunting down Sara Lance (Caity Lotz) to bring her back to the League of Assassins, the stakes would have been high enough. But the show added another, more emotional level to Nyssa’s journey: She was Sara’s ex and wanted to win her heart again.

Of course, Nyssa ended up releasing Sara from her duty to the League when it became clear Sara would rather die than leave her family again. But watching Nyssa deal with the pain of that revelation was what made her one of the series’ best villains so far — a fact with which executive producer Andrew Kreisberg wholeheartedly agrees.

“It’s been pointed out that sometimes our villains get short shrift and we don’t always do right by the villains,” Kreisberg tells Zap2it and a handful of other reporters. “We just don’t have enough time for them because our show is just so dense. We’ve gotten away with casting really cool people in the parts and asking our audience to just fill in the rest.”

Kreisberg and fellow showrunner Marc Guggenheim are glad that they were able to give Nyssa enough of a backstory to make her a sympathetic villain. “I actually feel bad for her. She really does seem like this broken-hearted person who got the shaft,” Kreisberg says. “She has the advantage of having an emotional and personal tie to one of our characters. She goes on a complete journey from start to end as opposed to someone who just wants to rob a bank.”

Guggenheim is quick to point out, however, that “Arrow” can’t have every villain be like that. “If every episode had a Nyssa, and didn’t have let’s say a Clock King, when the Nyssas of the world showed up it wouldn’t have any import,” Guggenheim says. “It would lack the weight that this kind of episode has. Because some episodes, yes, it’s just a guy bombing the city, but there’s other stuff in that episode that makes it worthwhile and worth watching. If everything becomes special, then nothing becomes special.”

Law was excited to portray Nyssa, but she wasn’t expecting her to have such a rich history with Sara. “I was surprised that I was going to be a lesbian,” Law says with a laugh. “When we did the chemistry read, I wasn’t quite understanding why I was [with Lotz].”

According to Kreisberg and Guggenheim, the decision to make Nyssa a lesbian came from the idea of what it could do for Sara. “We thought of this at the beginning of the season,” Kreisberg says. “If you watch [episode] 205 there’s a reference to ‘the beloved,’ and ‘You think that’s going to keep you safe.’ We talked about, ‘Well, does Ra’s al Ghul have a son?’ And then we were like, ‘Well, can it be Talia?'”

Since Talia al Ghul was portrayed recently in “The Dark Knight Rises,” the writers decided to go with the lesser-known story of Nyssa al Ghul.

“It just felt like something new and different,” Kreisberg says. “At the same time, we didn’t do it to be salacious, because it’s a pretty chaste relationship from what you see onscreen. It just touched on a couple interesting things, like the idea that Sara found one person who treated her with love and kindness. And then for Lance to be this hardened, tough cop and probably not the most progressive guy, even he was just like, ‘I’m glad you had someone who loved you and took care of you during those nightmare years.'”

Nyssa wasn’t the only one getting action with Sara in the episode though, as it ended with her and Oliver (Stephen Amell) hooking up in the Arrow lair.

“We were anxious to have in the same episode where we reveal that Sara had had this lesbian relationship, she was also sleeping with Oliver again,” Guggenheim says. “We wanted to be sensitive and realistic. We specifically avoid using the term ‘bisexual’ because we didn’t want to label her at all. Let her be her own person, and if the audience wants to label, fine. We didn’t want to do something just to shock

Before this was all resolved, Nyssa kidnapped Sara and Laurel’s mother, played by Alex Kingston. I had half expected the Doctor to save River Song. It now appears that Amy Pond is the Black Canary’s grandmother. There is yet another triangle, as Sara joined Team Arrow and Felicity can wonder once again about what was going on over on that island between Oliver and all those women.

almost-human-season-1-episode-10-dorian-kennex

During most of the first season, Almost Human‘s best moments were its humor and the buddy cop relationship between the two male leads (one being an android). Unfortunately the last two episodes before its Olympic hiatus lacked the humor of previous episodes, but both episodes (Unbound and Perception) did more to flesh out the world the show takes place in. Perception returned to the events of the pilot and the relationship between Kennex and his probably-evil ex-girlfriend. Now that we now she is still tracking Kennex, there is the increased likelihood this will be used to find her and shed more light on what happened.

The episode also expanded upon the back story of Stahl, who turns out to be a genetically enhanced Chrome. Minka Kelley seemed almost too perfect on Friday Night Lights. She seems more plausible on Almost Human as being more than human, a character whose intelligence and beauty are the product of genetic enhancement.

Amelia Clarke of Game of Thrones was voted the Most Desirable Woman by Ask Men magazine. Alison Brie of Community and Mad Men came in second, with many other women in genre roles also on the  list.

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Two recent Canadian science fiction shows feature strong female leads. Syfy has announced that  Continuum, staring Rachel Nichols will return in the United States on April 4. Unfortunately this is after it returns on Showcase in Canada on March 16, making it harder to cover on line as I will definitely get a hold of each episode as soon as possible rather than waiting for it to air on Syfy.

Tatiana Maslany does an amazing job playing multiple roles on Orphan Black. Maria Doyle Kennedy told Entertainment Weekly that season two is like season one on crack:

That was just one of the tidbits Kennedy dropped when she stopped by Entertainment Weekly Radio (SiriusXM, channel 105) to chat about the show as well as her music career. Another tidbit? Looks like we can expect more Mrs. S in season 2. “You’re going to see more of her,” says Kennedy. “I had a great time in season 1 and there were some great scenes, but there was also a lot of hovering. They just really liked me so wrote me more this time, so that’s great.”

But on which side will Mrs. S. land in the war between Sarah and Rachel (both played by Tatiana Maslany)? Kennedy says her character’s ultimate objective is protecting Sarah’s daughter, Kira, whose whereabouts are currently unknown. “In the war between Rachel and Sarah and the whole idea about the clones trying to find out about themselves, she keeps going through that and beyond it and goes, ‘Where does Kira land in all this? What’s happening with her? How safe is she? Are they close to her? Can they get her?’”

Okay, but we still don’t quite know where Mrs. S stands and her connection to the clone conspiracy. Is she good, bad, or somewhere in between? “She is an incredibly pragmatic woman with a strong moral compass,” says Kennedy. “That’s how I feel about her. She has definitely done bad things in the past. She came through an era of protest and squatting, so she’s not afraid to be anarchic or against the law, but she always has a strong proper reason for doing what she does.”

Sports Illustrated Swimsuit Cover 2014

Nina Agdal, Lily Aldridge, and Chrissy Teigen appear on the cover of this year’s Sports Illustrated Swimsuit Issue. Three girls would normally mean six bikini pieces, but apparently that would have put them above budget, forcing the models to pose topless. The theme is The Past, The Present and The Future. Is this another time travel magazine?

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SciFi Weekend: Doctor Who; Arrow; More Marvel on TV; Almost Human; S.; Batman vs. Superman; Better Call Saul; Downton Abbey

The BBC has released two trailers for The Day of the Doctor, with the longer version above. The 50th anniversary episode of Doctor Who will be simulcast internationally, starting at 2:50 EST in the United States on BBC America. (From my point of view, this is an awful time, interfering with both noon and 3:30 football games.) There is discussion of the trailers and images here and here. The official synopsis has also been released: “In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.”

The BBC America Trailer is above.

Steven Moffat has some major teases as to the meaning of the episode:

Moffat’s previous comments that the episode “will change the narrative in a big way” encouraged speculation that writers have found a solution to the fact that the Doctor can only regenerate twelve times. He has now further added to this by saying, “This should be the next step on the journey, guaranteeing the 100th anniversary”.

He said: “The story focuses on the most important thing that ever happened to the Doctor. We very rarely do that in Doctor Who as it’s usually about the people the Doctor meets or the companion that travels with him. This time it’s different.”

More from Moffat here.

McQ by Alexander McQueen

Jenna Coleman has been doing some modeling. The Guardian has more pictures.

Joanna Page (Stacey of the British sitcom Gavin and Stacey) will play Queen Elizabeth. She discussed kissing David Tennant.

BBC America has released their schedule of shows for the 50th anniversary (via TV Addict). Beyond Day of the Doctor, highlights include An Adventure in Space and Time about the initial development of Doctor Who. The cast includes Jessica Raine of Call the Midwife as producer Verity Lambert.

MONDAY, NOVEMBER 18
Doctor Who: The Doctors Revisited Marathon – 9:00am – 9:00pm ET
The First through Tenth Doctor

Doctor Who: Tales from the TARDIS – 9:00 –10:00pm ET
An all-new special, Doctor Who: Tales from the TARDIS, features the series’ actors and producers sharing their experiences and memories of the world’s longest-running sci-fi show. The special features exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Tom Baker, and Peter Davison, actors who have played companions: Jenna Coleman, Karen Gillan, Freema Agyeman, and William Russell, as well as the current lead writer and executive producer Steven Moffat. The discussion includes how the actors got cast, how the roles changed their lives, how a ‘regeneration’ is recorded, and how filming the show in the 60′s compares to today.

The Science of Doctor Who with Brian Cox – 10:00–11:00pm ET
A former rock star and Britain’s popular TV physicist, Professor Brian Cox explores the universe of the world’s favorite Time Lord when he takes the audience on a journey into the wonderful universe of Doctor Who, with the help of celebrity guests. In this exclusively recorded special from the lecture theatre of the Royal Institution of Great Britain, Brian reveals the science behind the spectacle and explains the physics that allows Doctor Who to travel through space and time. Fun, but filled with real science, it’s a special night for Who fans and anyone with a thirst for understanding.

TUESDAY, NOVEMBER 19
Doctor Who – The Ninth Doctor Marathon – 10:00am –11:00pm ET

WEDNESDAY, NOVEMBER 20
Doctor Who – The Tenth Doctor Marathon – 2:00am –11:00pm ET

THURSDAY, NOVEMBER 21
Doctor Who – The Eleventh Doctor Marathon Part I – 9:00am – 11:00pm ET
The Eleventh Doctor – Matt Smith

FRIDAY, NOVEMBER 22
Doctor Who – The Eleventh Doctor Marathon Part 2 – 9:00am – 8:00pm ET

Doctor Who Explained – 8:00pm – 9:00pm ET
An all-new special, Doctor Who Explained, explores the mysterious and two-hearted alien who is the Doctor. Through exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Peter Davison, and Tom Baker as well as actors who have played companions: Jenna Coleman, Karen Gillan, and Freema Agyeman, viewers get an insight to what happens behind-the-scenes of the award-winning sci-fi show.

An Adventure in Space and Time – 9:00pm ET
What do you get when you mix C.S. Lewis with H.G. Wells, and sprinkle in a bit of Father Christmas? An alien Time Lord exploring space and time in a Police Box spaceship called the “TARDIS” (Time And Relative Dimension in Space). Written by Mark Gatiss, the BBC AMERICA co-production, the film stars David Bradley (the First Doctor, William Hartnell), Brian Cox (BBC Head of Drama, Sydney Newman), Jessica Raine (Producer, Verity Lambert) and Sacha Dhawan (Director, Waris Hussein). An unlikely trio of misfits set out to create a genre series that all ages would love. William ‘Bill’ Hartnell, displeased with his career, was presented with a chance to break out of the hard-man roles he’d become known for. And with the instincts of first time producer, Verity Lambert and first time director, Waris Hussein, the Doctor was born. As the success of the show grew, William went from unhappy curmudgeon to beloved television star who relished his career resurgence and found a new lease on life. But all good things come to an end. How will Bill face leaving behind the part that has made him a hero to millions of children? And can the show survive without him? Journey back fifty years through space and time to witness the exciting beginning and untimely end of the First Doctor in this touching drama.

SATURDAY, NOVEMBER 23
Doctor Who – The Eleventh Doctor Marathon Part 3 – 1:00am – 2:00pm ET
The Eleventh Doctor – Matt Smith

Doctor Who: The Day of the Doctor – Global Simulcast – 2:50pm ET
The centerpiece of BBC AMERICA’s celebrations is the global simulcast of Doctor Who’s 50th Anniversary special, Doctor Who: The Day of the Doctor, written by Steven Moffat. The Doctors (Matt Smith and David Tennant) embark on their greatest adventure across space and time. In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him. Starring Matt Smith, David Tennant, Jenna Coleman, with Billie Piper and John Hurt. Last seen as the Doctor on January 1, 2010, this will be the first time David Tennant has reprised his role as the Tenth Doctor. During his reign as the Time Lord, Tennant appeared in three seasons as well as several specials. He was first revealed as the Doctor in the 2005 season finale, The Parting of the Ways. Meanwhile Billie Piper, who played companion Rose Tyler for two seasons following the reboot in 2005, will appear in the show for the first time since featuring in David Tennant’s last episode, The End of Time in 2010. The special is directed by Nick Hurran, executive produced by Steven Moffat, Faith Penhale and produced by Marcus Wilson.

Doctor Who: The Day of the Doctor encore primetime broadcast – 7:00pm ET.
BBC AMERICA will premiere exclusive Inside Look interviews with Matt Smith and David Tennant during the broadcast. The special will be followed by the premiere of new fantasy-adventure series Atlantis at 9:00pm ET.

The Graham Norton Show with guests Matt Smith and David Tennant – 10:00pm ET
Doctor Who stars Matt Smith and David Tennant make their first appearance together on BBC AMERICA’s hit talk show The Graham Norton Show. Emma Thompson, singer Robbie Williams and comedian Jimmy Carr will also be guests.

SUNDAY, NOVEMBER 24
Doctor Who – Matt Smith Countdown – 9:00am – 8:00pm ET
BBC AMERICA counts down the top 11 episodes from the Eleventh Doctor, Matt Smith, as voted on by fans.

Doctor Who: The Doctors Revisited –The Eleventh Doctor – 8:00pm –10:30pm ET
BBC AMERICA celebrates the Eleventh Doctor, Matt Smith, in a new special of Doctor Who: The Doctors Revisited. Matt Smith first stepped into the TARDIS in 2010 and, after starring in the 50th Anniversary Special on November 23, will regenerate in the Christmas special. The Doctors Revisited begins with Matt Smith, Jenna Coleman (companion Clara Oswald), Karen Gillan (companion Amy Pond), Arthur Darvill (companion Rory Williams), lead writer and executive producer Steven Moffat, among others, examining the human side of this Doctor and taking a look at how his extraordinarily long life has affected him. The special is followed by the Eleventh Doctor two-part story, The Impossible Astronaut and Day of the Moon, in which a strange summons reunites the Doctor, Amy (Karen Gillan), Rory (Arthur Darvill) and River (Alex Kingston) in the middle of the Utah desert and unveils a terrible secret the Doctor’s friends must never reveal to him. These were the first Doctor Who episodes to be filmed in the U.S

 

arrow-league-of-assassins-caity-lotz-navid-negahban

I’ve frequently said that Arrow is far better than SHIELD, regardless of any comparisons of the DC versus Marvel lines. After an especially strong episode this week, League of Assassins, I’ve seen reviews (including at The Hollywood Reporter) calling Arrow the best live action superhero television series ever. Considering the competition, and poor translation of superheroes to television, this is a fairly low bar. The question then is whether it is compared to Heroes season one, which was excellent, versus the entire run of Heroes.

There is criticism of the current story lines on Arrow which everyone seems to agree with. It is not plausible that Laurel would be involved in the prosecution considering the conflict of interest. We know we have to accept unrealistic sequences when a man with an bow and arrow can regularly win out against guns. We also must ignore how people do not see though secret identities of people they know well. While this is necessary for the show to exist, they should avoid unrealistic scenarios unnecessary for superhero shows such as Laurel being involved with the prosecution in this situation.

There is more Marvel coming to television (besides a second rumored show on ABC about Agent Carter). They are planning for a set of thirteen episode series on Netflix of Daredevil, Jessica Jones, Iron Fist, and Luke Cage. Just as the movies led to a joint movie in The Avengers, these Netflix individual series will be followed by a joint mini-series entitled The Defenders. Considering that they have not done all that great a job with Agents of SHIELD, I wonder if it is a good idea to go ahead with four more series. Maybe, not being limited by the constraints of a prime time network television series these could be better for genre fans.

SHIELD really teased viewers last week. How many others were hoping that Simmons was not rescued when she jumped off the plan, and Fitz would follow her?

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Spoiler TV has a lot of information on the upcoming television show, Almost Human in an interview with J.J. Abrams and J.H. Wyman:

The series is set in the year 2048 and stars Karl Urban as John Kennex, a cop who is forced to partner with an android (named Dorian) played by Michael Ealy after an increase in crime leads to all human law officers being accompanied by robots. J.J says that “The idea when Joel pitched it was that Dorian, who is a synthetic, was in some ways more human than his partner.” Wyman told reporters that Ealy heightened what was already on the page with “an incredible sense of thoughtfulness and compassion. He’s playing a character who is by design, literally, as brave and as knowledgeable and as strategic as you’d want your partner to be if you were riding along as a cop, but he’s also as sympathetic as you’d want. What Michael brings is that kind of depth and humanity.” His dubious partner, in turn, is “forced to kind of deal with the idea that his well-being now relies on this technology which he sort of holds in contempt.”

So what sets this latest series apart from the increasingly present action and sci-fi shows on networks today, let alone from the duo’s previous work in the genre? First of all, Wyman began, he wasn’t interested in presenting another dystopian vision of Earth’s future. “I hope that we’re not really in that territory and that we’re successful in that.” Often in the genre, the writer says, the outlook seems to be “‘Look what you humans have done!’ whereas what we’re talking about, I think, is a little more hopeful. There’s a sense of going forward. We’re resilient, we’re going to succeed.”

Abrams mentioned that unlike many of his past efforts this series has much less of an emphasis on mythology and will instead focus on a procedural case-of-the-week type format that will allow us to explore the characters as well as the unique complexities of navigating in an increasingly technology-reliant world. He also promised “a level of humor that is distinct from what we’ve done before” which backs up his partners talk of the series leaning towards a more ‘popcorn’ movie vibe than their previous collaboration. That’s not to say the show is all-action-all-the-time, as Wyman went on to explain his hopes to create a conversation about what these human-computers are at their core and how we should interact with them. “They’re thinking beings, so what are their rights? And where are those lines drawn? A lot of those things are sort of examined in our later stories: What is a robot? What is an android? What is a being?” Wyman, to be sure, did his homework. “J.J had set us up with some very brilliant people from MIT and one was a woman who studied robot ethics, which is pretty amazing, that they’re actually… real.”

The case also includes Minka Kelly of Friday Night Lights.

I haven’t had a chance to read J.J. Abrams’ new book, S., yet, but it looks intriguing. Besides a conversation in margin notes going along with the narrative of the book, there are many postcards, maps, and letters at various points in the book. Librarians are not very happy about this.

Alan Alda will be going up against James Spader’s character on The Blacklist later this season. I’m hoping for a reunion with William Shatner.

Adam Driver of Girls is being considered for the role of Dick Grayson/Nightwing in the upcoming Batman vs. Superman movie. It is scheduled for release July 17, 2015.

When news came out about plans for Better Call Saul it was being called a prequel to Breaking Bad. There remains interest in what will happen to Saul after going to Nebraska, and now Bob Odenkirk says the show might be both a prequel and sequel.  There has been speculation that the show might be more of a comedy but Odenkirk says, “It’s going to be 70% drama and 30% comedy.” He also played down the speculation that characters from Breaking Bad will pay a major role in Better Call Saul. If it is a sequel, they should at least work in Gus and Mike. It is also feasible that Saul would cross path with a certain DEA agent, and a high school science teacher could briefly appear as long as any contact with Saul is minimal.

With the success of The Girl With The Dragon Tattoo and other books by Stieg Larsson in the United States, HBO is planning an hour-long series based upon the works of another Scandinavian author, Jo Nesbø. They are planning an adaptation of his 2008 novel, The Headhunters.

Dan Stevens of Downton Abbey will play Lancelot in Night at the Museum 3. It is hard to believe that the season finale already aired tonight on ITV. I haven’t watched today’s season finale yet, but as of last week there were several loose ends. I wonder how many were tied up tonight, and how many will be extended to the Christmas episode. Thanks to British television, Christmas has become a big television day with episodes of Downton Abbey, Doctor Who, and Call the Midwife. Update: News came in shortly after this was posted that Downton Abbey has been renewed for a fifth season.

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