SciFi Weekend: Star Trek Discovery; The Orville; Doctor Who Reveals Jodie Whittaker’s Costume; Disney Plans And Genre; Mr. Robot; Felecia Day On The Magicians; Supergirl; Legends Of Tomorrow

Si Vis Pacem, Para Bellum was an episode of Star Trek: Discovery which hopefully satisfied those who complain that Discovery doesn’t feel like Star Trek to them. The bulk of the episode centered around an away mission which could have been on either TNG or the original show. Probably the most similar episode was the original series episode This Side of Paradise.

There are further references to Star Trek history with Ash Tyler using Vulcan pick up lines on Michael Burnham, with a variation of “The needs of the many outweigh the needs of the few.” Tyler was so smooth that I was questioning if he was really a Klingon spy per the fan theory I have discussed in previous posts. Seeing the away team receive physical exams in sick bay with their internal organs showing on the screen also casts doubt about the theory. Presumably he was also examined when he first came aboard the Discovery after being a Klingon prisoner. Lorca would have been in a better position to refuse such a scan.

Saru wound up being in a position analogous to Burnham in the pilot in being the mutineer, even if under alien influence. We also learned that Saru is both fast and strong, unless the communicators are extremely flimsily built. If Saru is a member of the prey species, just imagine what the predictor species must have been like.

Stamets came out of the spore drive calling Tilly “Captain.” Was this momentary confusion on his part or was Stamets seeing into the future? We already know that Tilly aspires to be the Captain. Alternatively, was he seeing the Mirror universe where somehow a Mirror version of Tilly already is the captain aboard a version of the Discovery where advancement is based upon assassination?

The Klingon side story was also getting more interesting last week. L’Rell tried to free Admiral Cornwell and defect with the specific goal of getting to Discovery. Was this an attempt to join up with Ash Tyler if he really is Voq? She was certainly not telling the full truth when she referred to him as being gone. If Tyler is Voq then they would be revealing this on air at some point. A meeting between L’Rell and Tyler might reveal something. On the other hand, if Tyler is not Voq, he would not be all that happy to see L’Rell if he was truly her abused prisoner. Similarly, if the counter-theory that Voq replaced Lorca is true, there could also be some clue regarding that if L’Rell comes aboard. (It is curious that the Tribble has not been seen on Lorca’s desk anymore.)

Cornwell appears to be dead, which would make it impossible for her to take the command of the Discovery away from Lorca as she threatened. Of course it is not uncommon in genre for apparently dead characters to return. There is an interview with Jayne Brook, who played Admiral Cornwell here.

Tonight we have the midseason finale with some teases about the episode at Radio Times. Star Trek: Discovery is returning on January 7.  The official synopsis says, “In Chapter 2, while in unfamiliar territory, the U.S.S. Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.” I wonder whether this is intended for the opening of Chapter 2 or if the entire second half of the season will be a Voyager/Lost In Space scenario. Alternatively, instead of being elsewhere in space, could they be in the Mirror universe, which we do know will play a part in the series?

The bickering between Ed Mercer and Kelly Grayson over Kelly’s infidelity was a highly over-used attempt at humor in early episodes of The Orville. There was finally some degree of pay-off in Cupid’s Dagger. Darulio, the alien Kelly slept with, was aboard the Orville, and we now know that her infidelity could have been because of pheromones she could not resist. Will this knowledge change the relationship between Ed and Kelly in the future?

The Orville has had mixed success in combining humor with science fiction. Their most successful attempts have been when the humor wasn’t forced and they were not just throwing in jokes at times when it made no sense in the story. Their best successes have included a couple of episodes with Isaac trying to understand humans. The humor worked again on Cupid’s Dagger after Darulio’s pheromones caused Ed to fall in love with him, with Ed’s actions being both humorous and fitting into the plot of the story. There was a parallel story with Dr. Finn and Yaphit (who has also been a frequent source for comedy on the series). The fairly explicit sex scene between the two was unforgettable.

While it was karaoke, the episode did show an improvement in musical taste from Barry Manilow last week. Unfortunately we did not get to hear Bortis sing.

The BBC has released a picture showing how Jodie Whittaker will look as the 13th Doctor, along with some minor modifications to the exterior of the TARDIS. Elements of the outfit have been compared to previous Doctors as wall as to Mork on Mork and Mindy. While the stripes most likely come from Tom Baker’s scarf, they are also similar to a shirt worn by Wesley Crusher. I wonder if the change in color of the TARDIS is real or just a matter of the lighting in this picture.

Incoming companion Bradley Walsh has discussed how he obtained the role without having to audition with the Sunday Express.

Netflix has released the official trailer for season two of The Crown, staring Claire Foy and Matt Smith. Season 2 premieres December 8th, 2017.

There has been a tremendous amount of news about Disney recently which impacts genre. They probably intend to make money off of Star Wars forever, now announcing yet another trilogy. From the Star Wars web site:

For director Rian Johnson, Star Wars: The Last Jedi was just the beginning of his journey in a galaxy far, far away.

Lucasfilm is excited to announce that Johnson will create a brand-new Star Wars trilogy, the first of which he is also set to write and direct, with longtime collaborator Ram Bergman onboard to produce. 

As writer-director of The Last Jedi, Johnson conceived and realized a powerful film of which Lucasfilm and Disney are immensely proud. In shepherding this new trilogy, which is separate from the episodic Skywalker saga, Johnson will introduce new characters from a corner of the galaxy that Star Wars lore has never before explored.

Disney is also moving ahead with their plans to start their own streaming service. They certainly have a far more impressive library than CBS, which is citing its library, along with new shows such as Star Trek:Discovery, in promoting CBS All Access. However one ramification is that new Marvel shows like the ones on Netflex such as Jessica Jones and Daredevil are more likely to appear on Disney’s own streaming service. If this is the case, I hope that Disney doesn’t decide to tone them down to fit in better with other shows on the service.

Disney has also been in talks to buy Fox. While the creation of such a huge studio has massive repercussions, one being discussed by genre fans is that this means that the X-Men and Fantastic Four franchises will be under the same ownership as Disney’s other Marvel characters. This opens the way for cross-over movies between the Avengers and the X-Men, but also might mean that these franchises will receive less attention.

Mr. Robot has been mixed in its second and third season, but last week’s episode was one of the better ones. The episode include significant progress for the plot. More on the episode at Vulture.

Felecia Day has been cast in a key role on The Magicians season three.

We will be seeing the Legion of Superheroes later this season on Supergirl. Laurie Metcalf will also have a guest appearance later this season, playing Winn’s mother.

Damien Darhk has returned to life on Legends of Tomorrow. Screen Rant explained his rather convoluted time line.

SciFi Weekend: Star Trek Discovery; The Orville; Black Mirror Does Star Trek; The Tick; The X-Files; The Punisher; The Magicians; Doctor Who; Gal Gadot On SNL

The third episode of Star Trek Discovery, Context Is For Kings, was like a new pilot, with last week more of a prequel. They finally introduced the Discovery and Captain Lorca. Do Discovery’s call letters, NC1031, mean that this ship falls under Section 31? While James Kirk and Benjamin Sisco have bent the rules at times, Lorca goes far beyond what we have ever seen on Star Trek before. Typically Star Fleet captains who behaved like him have turned out to be the villain, not heroes. Lorca also has that strange menagerie, including an apparently neutered Tribble, while ten years later Kirk will know nothing about them. Perhaps he uses the Tribble as a way to detect any Klingons who might attempt to infiltrate the Discovery.

Lorca claims to have permission from Star Fleet to do whatever it takes to find a way to beat the Klingons. This appears to have included orchestrating the rescue of Michael Burhnam from the shuttle, even if it meant allowing the shuttle pilot to die. Apparently he has enough clout to keep Burnham as part of his crew if he has her on board, but not enough to simply request that she be transferred from prison to his ship. Obviously it was more dramatic this way.

Burnham did appear beaten at the start of the episode. I had expected to see the standard troupe of having her rescue the shuttle, but that did not occur. She did return to her usual self over the course of the episode. Thanks to Burnham, we see why Star Fleet abandoned the ineffective breath detector as a security device. Once on the away team, she was the one to save the rest. Beyond the breath detector dying out as a security system, it makes sense that black alerts didn’t catch on. While dramatic to hear them announced, it would be quite hard to visualize the flashing lights of a black alert.

The first two episodes provided a familiar type of Star Fleet ship, with Burnham having a conventional relationship with her Captain, until the mutiny. Even granting that Burnham was wrong in her actions, she is now being unjustly blamed for the entire war, which the Klingons appeared determined to start regardless of what she did. Lorca, Burnham, and Saru have a relationship somewhat analogous to the Kirk, Spock, McCoy threesome from The Original Show, although with major differences. They apparently have forgotten about sun glasses in the future and it is far too early for Geordi La Forge’s visor, making it difficult for Lorca to go on away missions due to the injury to his eye. With Saru also not appearing to be well suited for away missions, this makes it plausible that Burnham might lead them instead of the  more senior officers which typically (and perhaps foolishly) led them in the other series.

Burnham’s relationship with Lorca is also different from the start with Lorca believing that Burnham is forced to be loyal to her because he is the one giving her a fresh start. On the other hand, it might become significant again that Burnham was willing to defy her captain when felt to be necessary. If Lorca does turn out to be the villain, Burnham might be called on to turn against her captain once again.

There have been some complaints that this does not feel like Star Trek, but we must consider that the series is unique in taking place during wartime. Consider how different everything felt on the episode Yesterday’s Enterprise. Deep Space Nine did not feel like conventional Star Trek, either before or during the Dominion War. If this is a Section 31 vessel, it might also seem different regardless of circumstances.

Being a Section 31 ship would help explain how we are seeing things which are not known on board the Enterprise ten years later. It is also possible that their research turns out to be dead ends, too dangerous to allow many to know about, or perhaps the Discovery is destroyed like its sister ship. It does appear that the writers have considered such continuity issues in various interviews.

Jason Isaacs has discussed some of the questions I raised above in interviews, and discussed other aspects of Captain Lorca. From TV Guide:

Why does Lorca have a room full of animals?
We’re losing this war and I’ve been given license to do whatever the hell is necessary to try and see if I can in any way shift the odds. And so I have in my private study area, anything I want including weapons, gasses, poisons, creatures… Anything that, if examined correctly, might give us an edge because we need something to turn the tide in the war. And that’s why someone like me has been given this ship and given license to go off and — not under the glare of anyone else’s spotlight — see if I can come up with a solution, any kind of creative solutions to this problem of imminent destruction.

So the tardigrade might be one, some of the Klingon weapons I’ve got might be it… The spores might be it. I just need something and I need it fast and I need people to help me, and hence, one of the reasons why I get Michael Burnham to be on my team. She is someone who’s prepared to break the rules… Someone who’s really smart strategically and someone who I think will ultimately be loyal to me since I’ve given her a second chance at life.

From Entertainment Weekly:

You still get the sense that Lorca will do anything, even if it’s off-book, to accomplish the ultimate goal against the Klingons — and possibly other agendas.

He just wants to win the war. This is 10 years before the series that people fell in love with Kirk and Spock, before the Federation directive comes out, before people are exploring peacefully. This is a time when the Federation might not be there tomorrow morning. All of the high-minded ideals will go out the window once everyone around them is incinerated and Lorca thinks he sees that modern man. He thinks he’s going to win this war by any means necessary and they’ve kind of given him license to do it, because they’re terrified and they’re right to be terrified. So he’s on this science ship, which is not the ideal vessel, got some possible breakthrough technology, but there’s a lot of work to be done there, and he’s got a bunch of explorers crewing this thing who are really not battle-hardened at all and he’s going to try and do whatever he has to do to tip the tide of the war. It’s not going to be easy. Certainly, he’s not going to get there by being nice…

At the end of the episode, Lorca has the creature from the USS Glenn — the one that was terrorizing Michael and company — secretly beamed aboard the Discovery into one of his secret rooms with other contraband objects and creatures. What is he doing with all those things that he’s, presumably, illegally accumulated?

He’s got a room, a study room in which he studies war because they’re at war. In different times, he might have books of poetry, he might have an easel in there. He’s an exercise man, so at one point in time he might have been doing interplanetary yoga. Right now, he needs to work out how to defeat enemies and he’s got forbidden material in there. He’s got weapons, he’s got poisons, he’s got creatures. He’s looking for an edge in a war with a superior opponent and he’ll take anything he can get, anywhere he can get it. Sometimes he takes risks to get it.

What is Lorca’s relationship with the women on the Discovery crew, because it seemed like there was something a little extra between the captain and Commander Landry, his head of security?

I think in this tradition of Star Trek captains and these alpha males who rise to the top, he’s got a taste for the good life and he’s got an eye for his female officers. I don’t know that that’s going to work with Burnham very well, frankly. She doesn’t look like she’s up for that kind of thing, but him and Landry certainly have a relationship that goes beyond, I would think, work. But that’s how I played my scenes with all the women on board, whether or not the writers were on board with that. By the way, that’s my tribute to Shatner. I always thought, as much as the original series was born out of the civil rights struggle and the birth of feminism, some of that was [infused with a feeling of] James Bond. It was clear Captain Kirk had his way with any member of the micro-skirted crew members he wanted, so that was my subtle tribute to him. I’m playing that, even if it’s inside my head. (Laughs.)

CBS has announced that they will present episodes through November 12 (instead of November 5 as previously announced), leaving only six episodes after the show resumes in 2018.

It was revealed at New York Comic con that Michelle Yeoh will be returning as Captain Georgiou. Presumably this will be as a flash-back, unless they find a way for her to return after being killed last week.

On rare occasions we have had two different Star Trek series on at once, but the current situation is unique in having two shows inspired by Star Trek but going in such different directions. While Discovery is darker and serialized, The Orville provides stand alone stories which are more similar to those from Star Trek: The Next Generation. The series appears to be moving more towards actual science fiction stories as opposed to parody, while still incorporating humor. The last episode was the most successful to date in incorporating humor while adding to the main story. Being directed by Jonathan Frakes helped make it feel like STTNG. Plus it introduced time travel to this universe.

The episode also benefited by the guest appearance of Charlize Theron. She turned out to be different from what she first seemed to be, but she had time for casual sex with Captain Mercer and to sit around sipping drinks. While the relationship between Mercer and his ex-wife has sometimes seemed to have been used excessively to attempt humor, it worked very well in this episode as Ed initially mistrusted Kelly’s suspicion of Pria as being based upon jealousy.

One thing I always found unrealistic about the Star Trek universe was the limited existence of mass entertainment and popular culture. The Orville has had multiple references to pop culture, although it appears to have ended around our time. Previous references have included Kermit the Frog, Friends, and reality TV. This episode started with a clip from Seinfeld, which propelled the B story line. Teaching Isaac about humor and practical jokes allowed them to use humor without it appearing out of place as in some of the earlier episodes. I could easily imagine a similar story line involving Data. Of course Seth MacFarlane did take it further, with Issac amputating Malloy’s leg as a practical joke. Fortunately the limb was easily regenerated.

The episode also did a good job of incorporating the B story line into the main story, both with Malloy’s leg falling from the ceiling and with Isaac using a reference to the Seinfeld clip to tip off Malloy as to what he was doing to help save the ship.

Besides the two versions of Star Trek discussed above, there was more information at New York Comic Con on the planned Star Trek based episode from the fourth season of Black Mirror:

Titled “USS Callister,” the 74-minute adventure stars Fargo‘s Jesse Plemmons and Cristin Milioti, Jimmi Simpson (Westworld), and Michaela Coel.

While critics were barred from reviewing it, by all accounts from those in attendance it’s one of the most cinematic of Black Mirror installments, thanks to its epic production values — from sprawling desert locations and scenes set on the deck of the titular starship to the out-of-this-world outfits and expensive computer effects.

“The idea came up in conversation, and it struck us. We hadn’t done a space epic before and we thought, how would that work in the Black Mirror universe?” Brooker told The Hollywood Reporter.  “What sort of tone would it have? We ended up in this strange place.”

Naturally, the show tackles themes befitting its signature paranoid style and contains more than a few twists (and reportedly a few lens flares too, in a nod to the J.J. Abrams-helmed reboot).

Rather than releasing all the episodes at once, Amazon released only part of The Tick, hoping that buzz from the first half of the series will increase viewership before the series is completed. They announced at New York Comic Con that the show will return in February and released the above trailer. The show does effectively combine humor with a superhero story.

The above trailer for The X-Files season 11, which will premiere in January 2018, was released at New York Comic Con. More information on the upcoming season here.

Chris Carter said in an interview that he might continue the series even longer, but Gillian Anderson has said that the eleventh season will be her last. There have been attempts at bringing in other cast members, but I am skeptical as to whether the show can survive without Mulder and Scully.

Netflix cancelled promotions for The Punisher at New York Comic Con and a planned Paris event following the recent shootings in Los Vegas. They are also delaying the premiere of the series.

The next season of The Magicians will deal with restoring magic. We got some hints as to what will occur at the New York Comic Con:

“Julia and Quentin almost circle back to who they were as kids,” John McNamara notes that their reunion more or less restores their BFF status. Aside from partying with a god, we get to see them revisit a lifelong friendship and get over past grievances.

Jason Ralph and Stella Maeve spoke enthusiastically about the unexpected nature of Quentin and Julia’s relationship, which started as the tired unrequited love trope but evolved into something much more interesting. Jason Ralph said during the panel, “It’s really gratifying to get back together.”

The quest to revive magic will also lead to some unlikely pairings for the cast. Sure, we get some expected combos like Eliot with Margo or Quentin with Julia, but Sera Gamble teased during The Magicians NYCC panel that we’ll see more scenes with Julia and Alice together in Season 3. Julia’s relationship to the strange new magic she discovered evolves over the season in unexpected ways, and perhaps it’ll take Alice to help her figure it out.

Alice herself will go through the “worst quarter-life crisis ever,” according to Taylor Dudley. Alice died, became a niffin, sort of died again, and when finally reunited with her Shade, she then had magic taken away completely. Alice will be in a weird emotional spot when the season kicks off, especially considering she’s being hunted by an enemy she made while a niffin.

This year’s Doctor Who Christmas special, Twice Upon A Time, will also be shown in movie theaters, along with special features. More information here.

Nerdist reports on how Peter Capaldi learned that a woman was to be cast as the thirteenth Doctor. Capaldi also discussed why he is leaving Doctor Who at New York Comic Con:

In a retrospective session at New York Comic-Con, Peter Capaldi said that playing the title role in British TV juggernaut Doctor Who brought many pleasures but proved all-consuming. After four years, he said he felt it was best to leave before it ever felt like a routine.

 “It fills up your life,” he said. “You don’t have a second where it’s not about Doctor Who. It’s a nice way to live.” And yet, he continued, “I really never wanted to get to a place where I knew how to do this because that’s not what being creative is. The actual amount of time we were spending on the show, I realized I was getting the hang of it. And that made me frightened.”

Asked by a fan whether he would consider returning for a special or in any small role down the road, he said, “I think it’s probably time for me to go.”

The Mirror has some changes they claim will be made to Doctor Who next season under Chris Chibnall and Jodie Whittaker. The reliability of the report is unknown.

This week has marked the 40th anniversary of the introduction of K-9 on Doctor Who and the 50th anniversary of the introduction of the Mirror universe on Star Trek.

Den of Geek talked to Karen Gillan about Nebula’s role in  Avengers: Infinity War.

Gal Gadot was guest host on Saturday Night Live last night and talked about playing Wonder Woman in the opening monologue (video above). She also had the skit below about Wonder Woman:

There was also far more news at New York Comic Con than I can get to today and I will present more of it next week.

SciFi Weekend: The Defenders; David Tennant Returning To Jessica Jones; Krysten Ritter on Season 2 of Jessica Jones; Karen Gillan; Sense8; Dick Gregory And Jerry Lewis Die

The Defenders was the big event of the week. Considering what a major event it was, along with only being eight episodes and being released in the summer without much competition, I am going to assume that most who are interested have already viewed it and will vary from my usual practice of holding off on spoilers about Netflix shows until after they have been out for a while. Before getting into spoilers in the rest of the review, I will say that the series was mixed in terms of plotting and pace, but certainly worthwhile to see all four stars of the Netflix Marvel series together. Just hearing Krysten Ritter’s wise cracks made up for slow moments. I would advise those who held off on watching Iron Fist due to its weak reviews to watch this first. The villains in The Defenders are from the Hand, with this story being largely a continuation of Iron Fist. While it therefore has some of the weaknesses of Iron Fist, it is improved by the character interactions of the other characters.

The Defenders starts with Danny Rand and rapidly makes the final scene at K’un-Lun almost irrelevant, at least for now, as he quickly returned to New York. Even worse, they quickly dispensed with the ending of Luke Cage as he was quickly released from prison. The show had all four leads in New York City, and there were enough connections between the four shows to make it plausible for their paths to begin to cross. Still, it wasn’t until the fourth episode that all four were together as a team.

The series did benefit from cutting down from thirteen to eight episodes, but there were still problems with the plot. Dealing with the Hand did not feel entirely like a rehash of Iron Fist by bringing in Sigourney Weaver along with the other heroes. There was also good use of the supporting characters from the other series, most significantly with a resurrected Electra. It was surprising to see Sigourney Weaver’s character only lasting through the first six episode, similar to the change in villain midway through Luke Cage.

The final fifteen minutes took place after the main event with the apparent death of Matt Murdock becoming the focus. This did not work very well as, even if it wasn’t already know that at third Daredevil series was planned (including news earlier in the week of plans to start shooting in October),they would not be likely to kill off the most well known member of the team. Plus fans of the genre know that if  you don’t see a body, the character is undoubtedly alive–and in this series even being seen as dead is no guarantee that this state will persist. Finally, Matt Murdock was seen in the final seconds, likely setting up matters for the next series.

The belief that Matt Murdock was dead also placed Iron Fist in a situation where he was asked to protect the city, and he did appear like Daredevil in his final scene. We don’t know for sure if the Hand is really destroyed, but this does provide for an alternative type of story line for his second season in a more traditional super hero role.

Being Marvel, there was even a scene after the credits (which I had to search for as my setup of Netflix on a Roku tried to skip past the credits). The scene involved Frank Castle, the Punisher. More on that scene at Screen Rant.

Entertainment Weekly interviewed Defenders showrunner Marco Ramirez:

Let’s start not at the beginning, where Jessica likes to begin her interrogations, but at the ending. Is this the definitive end to the Hand? What can you tell me about the status of everybody in the organization who didn’t get decapitated? That includes Gao, Murakami, and Elektra.
Well, in the Marvel world — and as Jeph Loeb, the Marvel TV head, would say — in the comic-book world, you can always find a way. The story finds a way, so who knows? But we definitely felt like we wanted this to be the end of this specific show, so while I don’t know if it’s the end of the Hand forever — who knows what will happen in the future — it just felt like it’s the end of this story in the lore. Particularly for Iron Fist, we wanted to close that chapter [of the Hand’s story]. I don’t know what the future holds. That’s a Jeph Loeb question [laughs] but for me and for the writers’ room, it felt right to end the story here.

That dragon skeleton — that wasn’t Shou-Lao the Undying’s, is it? It’s just a pile of bones implying that there had been dragons all over the world and one wound up buried under New York?
Yeah, it’s the second one. The idea of that was that there had always been this kind of mystery that the Hand can bring people back from the dead, but we never knew exactly how, and it made sense to connect the life-force idea of the chi in the Iron Fist to the idea of the life force [the Hand members] use for various purposes, so we’re just saying it’s dragon bone that they use, that that’s the substance. That felt like the cleanest way to tie everything in.

And it’s been set up since Daredevil season 1; Gao operates in the background of New York with drugs made from that ground into powder. It felt like we could make back alley drug deals in New York and dragon mythology all part of the same story, so that was my way of trying to tie them all in.

But then, do we know where the city of K’un-Lun went? A part of me thought that was Shou-Lao only because K’un-Lun disappeared, and New York did have a conveniently huge hole in the middle of it.
That’s a question for the Iron Fist showrunner, not me. Honestly, I don’t know where they’re going with that…

I’m running with it. Moving on to Matt’s near-death, why did he find it so important to stay behind to fight Elektra, knowing that he would probably not make it out alive?
To me, Matt and Elektra always felt like Edward Norton’s character and Tyler Durden in Fight Club except with a more overt sexual dynamic. [Laughs] And so, in the end, it felt more like the end of Fight Club…  Emotionally, Matt knows and has to embrace the fact that she’s his burden to deal with, and though he’s fought for three episodes alongside Luke, Jessica, and Danny, Elektra is his problem, his cross to bear. That’s very Matt Murdock to say “Don’t worry about it, I’ll do this. I’m going to die for this.”

How exactly did he make it out alive in the end? Can you tell me?
I can’t. I can’t say anything.

You’re back to keeping secrets!
I know, I know.

Well, can you confirm for me that the Maggie mentioned at the end of the series is Matt’s mom?
[Laughs] I can’t confirm anything! I can say that visually that shot at the end of Daredevil’s story was definitely an homage, as were a couple of other scenes, to the comics. That’s one of my favorite Daredevil images, so regardless of who any of the characters are, I went to the production meeting saying this is the image we’re going for, we’re going to feel like this, and that came from that image that I purposely borrowed from the comics.

Let’s go back to The Defenders. Before the Midland Circle showdown, Elektra brutally murdered Sigourney Weaver’s Alexandra, literally stabbing her in the back with her preferred sai. Why did you kill off who we thought was the Big Bad of the entire series at the end of episode 6?
Well, part of it was just about giving the audience a little something unexpected. Audiences I think sometimes expect that a major storyline or major character is going to end in the ultimate or penultimate episode so they go, “Oh all right, something’s going to happen here at the end of the story,” so it just felt like a jolt, and it was exciting to write. The second part was really in a way we introduced Sigourney’s character a little bit to highlight Elektra’s story. I like to think that we wrote a really fun cool character for Sigourney but really it was also a way for us to say this is the journey that Elektra is going on…

Back when the series was still filming, Jeph Loeb had said this series could end with these characters telling each other they never want to see each other again. So to you, at the end of this season, what would you call the Defenders? Are they teammates? Friends? Acquaintances?
I think of them mostly as like people who were on the same bus when it got in an accident, and then they all filled out paperwork together, and they all went to the hospital together, and now they’re going home. And it’s kind of like, “This was a great adventure to have with you, I’d be okay with seeing you again, I’d also be okay with never seeing you again.” It’s more like a bond that happens in a crisis. People are intimate now, but it’s not like you’ll be inviting them over for dinner every Tuesday. [Laughs] We designed it so they could go back to their individual worlds, but it’s not like they’re apart permanently in any way.

This week’s Doctor Who news overlaps with characters involved in The Defenders. David Tennant was the best of a handful of strong villains in the Netflix shows, and I had wondered if a second season of Jessica Jones will be as strong without him. There was surprise news this week that David Tennant will be returning to the second season, with no word as to the specifics. It is possible it could be as flashbacks or as something in Jessica’s head. I also wonder if perhaps he only made Jessica (and the audience) think he was killed, or if surviving a broken neck is another one of his abilities.

David Tennant is also going to star with Michael Sheen (Masters of Sex) in an adaption of the Neil Gaiman/Terry Pratchett novel Good Omens on Amazon.

As I noted last week, David Tennant has been speaking out in favor of Jodie Whittaker being cast as the thirteenth Doctor. The Sunday Express also looked at that, along with the news on how her father was kept in the dark about the role.

Krysten Ritter discussed the second season of Jessica Jones with Bustle:

Ritter emphasizes that the key topic of the second season will be exploring “more of why Jessica is the way she’s is” (which could also lend itself to some therapy sessions). She argued we shouldn’t assume that the superhero’s personality is just about Kilgrave: “Even in the source material, so much stuff has happened to her. You feel for her … Every time, you’re just like, ‘Ugh, she’s been through so much.’ Yet she still fights. Which is what we love about her.”

And if you’ve been wondering what could have led to the character’s pessimism and cynicism, it sounds like this is going to be the season we’ll get plenty of answers. Which is a lottery win of a plot development, right? But the actor also warns audiences that while she has been hoping to recreate Season 1, that this is a radically different beast, summarizing the evolution in where each installment took place. “The first season was in her head and the second season is in her heart,” offers Ritter.

Karen Gillan already has a character in the Marvel Universe in the Guardians of the Galaxy movies, and she has a definite role which she desires in the DC universe–The Joker. From ComicBook.com:

karen Gillan is best known across the pop culture landscape for her roles as Doctor Who‘s Amy Pond and Guardians of the Galaxy‘s Nebula. But if she had a chance to lend her talents to another corner of geek culture – the live-action DC Comics universe – there’s one character she would like to play.

During a panel at Florida SuperCon, Gillan was asked what character she would be willing to play in another fandom. And to the surprise of comic fans, she had a noteworthy DC Comics antagonist – The Joker – in mind.

“Oh, can I say something DC?” Gillain asked. “Okay, I’m going to say something DC, and I’m going to play the Joker. Maybe a female Joker.”

A fan then informed Gillan that there is comic precedent for a female Joker, with Martha Wayne taking on the mantle in DC’s 2011 event Flashpoint.

“This is my calling!” Gillan said with a gasp. “Somebody make a call for me and let them know I’m available.”

…At the end of the day, Gillan might not end up playing the DCEU’s version of Flashpoint Joker, largely because she’s busy filming Marvel’s Avengers: Infinity WarAvengers 4, and Guardians of the Galaxy Vol. 3. But you have to admit that it’s pretty easy to picture her playing the fan-favorite role in some capacity.

In other cross-genre casting news, Susie Abromeit, who played Jeri Hogarth’s girlfriend Pam in Jessica Jones, has been cast to play Ray Palmer’s mother on Legends of Tomorrow. The episode goes back to Ray’s childhood in the 1980’s

Last week I noted that Lana Wachowski is writing a third season of Sense8 in the hopes that it will be picked up somewhere. The porn site xHamster has made an offer to continue the series in a letter posted here. I have my doubts as to whether having fans go to a porn site will be an acceptable option, but maybe that would mean that the annual orgy scenes would be more explicit.

Two comedians who were otherwise quite different now have one thing in common–having died this weekend. Dick Gregory died yesterday. The Washington Post reports:

The comedian Dick Gregory rose to national prominence in the early 1960s as a black satirist whose audacious style of humor was biting, subversive and topical, mostly centered on current events, politics and above all, racial tensions. His trademark was the searing punchline.

“A Southern liberal?” he once said. “That’s a guy that’ll lynch you from a low tree.” Another: “When I get drunk, I think I’m Polish. One night I got so drunk I moved out of my own neighborhood.” On segregation: “I know the South very well. I spent 20 years there one night.”

Mr. Gregory, 84, died Aug. 19 in Washington. His son, Christian Gregory, announced the death on Mr. Gregory’s official social media accounts. The cause was not reported.

Jerry Lewis died this morning. Variety reports:

Jerry Lewis, the brash slapstick comic who became a pop culture sensation in his partnership with Dean Martin and then transformed himself into an auteur filmmaker of such comedic classics as “The Nutty Professor” and “The Bellboy,” has died in Las Vegas. He was 91.

Lewis died at his home in Las Vegas at about 9:15 a.m. Sunday morning, his agent confirmed.

For most of his career, Lewis was a complicated and sometimes polarizing figure. An undeniable comedic genius, he pursued a singular vision and commanded a rare amount of creative control over his work with Paramount Pictures and other studios. He legacy also includes more than $2.5 billion raised for the Muscular Dystrophy Association through the annual Labor Day telethon that he made an end-of-summer ritual for decades until he was relieved of the hosting job in 2011.

But Lewis’ brand of humor did not always wear well as times and attitudes changed. Over the last 10 years of his life, his reputation soured slightly as he was forced to apologize for making a gay slur on camera during the 2007 telethon, continued to make racist and misogynistic jokes, and didn’t hesitate to share his right-wing political views.

SciFi Weekend: Doctor Who, Extremis; Agents of SHIELD Season Finale; Legends of Tomorrow; The Flash; Arrow; Star Trek Discovery; Seth MacFarlane’s Spoof, The Orville; Gotham; The Magicians; Twin Peaks

Extremis was the best episode of Doctor Who so far this season, and it is just the first part of a three part story. There was a lot of misdirection in the episode, which is part of what made it so interesting.

The episode appeared to have two different story lines, but the conclusion revealed there were actually three. There were the flashbacks to the execution and the scenes with the Doctor outside the vault. It wasn’t reveled until the end that all of the other events were actually taking place in the shadow world, their version of the Matrix.

Even the execution scene had misdirection, as it was unclear whether the Doctor was intended to be the victim or executioner. Once it finally became clear that it was Missy to be executed, things did not turn out as planned. This gave plenty of opportunity for Missy to be Missy: “Please, I’ll do anything. Let me live. Teach me how to be good. I’m your friend.” She also had some words for her captors: “Get off, I’ve just been executed. Show a little respect” and “Knock yourself out. Actually, do that. Knock yourself right out.”

I am glad that they didn’t drag out the reveal as to who is in the vault any longer as pretty much everyone probably realizes by now that it is one of the versions of the Master. The Doctor is keeping his word to watch over her body, even if he mislead Missy’s captors in not going through with executing her. His decision to spare her life is consistent with the relationship which as developed between the two.

Any episode in which the events are in some way not real is vulnerable to criticism, but I was willing to accept it here. Being only the first part of a three part story helps minimize the problem the events being in the shadow world. There is also a legitimate pay off to the situation in which the Doctor outsmarted the Monks and got out a warning by email to the “real” Doctor. Or as the Doctor in the shadow world put it, “I’m doing what everybody does when the world’s in danger. I’m calling the Doctor.”

This reveal also allowed for some other genre references. This included the second Star Trek reference in two weeks, this time with Nardole saying the shadow world is like “like the Holodeck on Star Trek, or a really posh VR without a headset.” I also liked the explanation of people seeming to commit suicide when they realized the truth: “it’s like Super Mario figuring out what’s going on, deleting himself from the game, because he’s sick of dying.” There was also a reference to Harry Potter and portions of the episode felt like they were out of a Dan Brown novel.

Besides the simulation leading to the Doctor getting the warning about the invasion, it also gave the Doctor reason to encourage Bill to ask Penny out, reassuring her that she is not out of her league, knowing how it worked in the shadow world. While it only happened in the shadow world, presumably this accurately reflected the real world with Bill’s foster mother not realizing she is a lesbian, and therefore not realizing what was going on between the two girls. This included the exchange with Bill’s foster mother telling her “I have very strict rules about men” and Bill replying, “Probably not as strict as mine.”

The shadow world also gave us scenes at the Vatican, briefly at the Pentagon, at CERN, and with a dead president. This led the Doctor to wonder, “Particle physicists and priests–What could scare them both?” Plus there was the Pope in Bill’s bedroom: “Doctor, here’s a tip. When I’m on a date, when that rare and special thing happens in my real life, do not, do not under any circumstances put the Pope in my bedroom.”

There is plenty of additional grounds to nitpick, such as questioning whether a simulation so complex could not come up with a better random number generator. I am far more willing to accept potential plot holes which come up with thinking about an episode as opposed to glaring ones which cause a distraction while watching, such as with Knock Knock.

Continuity was also handled fairly well in this episode. They might have initially had the Doctor regain his vision at the end of Oxygen, but it worked out better to extend his blindness into this episode. This could also play into the upcoming regeneration, but I can’t help but wonder what would happen if he encountered the Weeping Angels while unable to see.

The episode also showed how Nardole remained with the Doctor following the events of The Husbands of River Song, with him there at River’s request to prevent the Doctor from taking extreme actions following her death. Nardole even used a passage from her diary to influence the Doctor. While not seen on camera, Steven Moffat has said that one of the stories in his mind that he will not get a chance to tell is of the Doctor having Nardole going to the library after the events of The Forest of the Dead to recover River’s diary. There are also rumors that River will be returning this season. If so, this, along with her pictures on the Doctor’s desk, provides a good set up.

Agents of SHIELD also spent a lot of time in a version of the Matrix this season before the framework was destroyed in the season finale. IGN spoke with the producers about that space cliff hanger and that new role for Coulson:

IGN: Going back to the cliffhanger, that diner scene at first very much reminded me of the shawarma scene at the end of Avengers. Was there ever version of that sequence that didn’t have the cliffhanger, in case for whatever reason you didn’t get picked up?

Bell: It’s what it is. There was not a nice quiet shawarma version of it where they go, “Oh, it’s nice to be together.” It was always supposed to be, “Oh look, we’re finally together. Oh no, something bad happens.”

IGN: Which is sort of how it always goes for these guys, right?

Bell: It is!

Whedon: Man, SHIELD is not the coziest place to work, you know? I think they have a pretty good health plan, but other than that, it’s kind of up in the air all the time.

IGN: Well I hope so. They do keep coming back from the dead or near death at all points. I am excited we’re going back to space, though! Can you say how long it’s been in the show between when the team gets taken and when we pick back up with Coulson at the end?

Whedon: [silence] We can’t say.

Bell: We acknowledge there’s a time jump…

IGN: Going back a little bit, how long have you been planning for Coulson to be the Ghost Rider — and what was Clark Gregg’s reaction to finding out that news?

Bell: To say he was happy, it would be an understatement.

Whedon: I think what he said when we told him was, “I didn’t think I could geek out more,” but he was like, “It seems I can.”

Bell: Yeah, that was what he said.

IGN: Can you clarify: did Coulson make a deal with the devil to take on the Ghost Rider identity, or will we find out a bit more of the logistics of that deal that’s alluded to soon?

Whedon: We’ll find out more about it, but I think it’s safe to say he made a deal with the Ghost Rider, or the powers behind him. We’ll see what it all means, but it didn’t come for free. It wasn’t like, “Hey bro, can I borrow that? Can I just borrow that Ghost Rider thing for a second?”

Bell: Right, like borrowing a T-shirt.

IGN: Are you leaving the door open for more Ghost Rider?

Whedon: Well, first of all, he’s not dead — not that that means anything in our world. He also has shown that he has the ability to move in and out of realms and dimensions or planets or wherever he’s going. He’s a threat to pop up at any moment. Whether or not he will, I can’t say, but he’s out there…

IGN: I want to talk a bit about Fitz and Simmons. You’ve put them through the wringer over the past couple seasons, and my working theory is it’s because Iain De Caestecker and Elizabeth Henstridge always deliver such fantastic performances of those traumatizing events. Considering what they’ve gone through this year, are you considering them as a couple who will remain rocks for each other, or are you still planning to throw a bunch more terrible things at them?

Whedon: First of all, it’s the nature of the world. I think even this year with the flashbacks of May and Coulson and the rules we’ve stated through many seasons, that there are rules about agents not getting together for this very reason. Your love will be tested. That’s sort of the nature of the business. I think it’s safe to say from these past two episodes that they love each other and won’t love anyone else, but that doesn’t mean that they’ll be able to repair their relationship and all that pain in between. One would hope that they could because everybody roots for FitzSimmons and the fans do and we do. We love the two actors, and so I think that seeing them together is a reward that the audience deserves, but how that happens, we’ll have to wait and see if it does.

Bell: I think the thing is people can have the forever love, but that doesn’t necessarily mean they get to end up together. They might, but you don’t know.

Whedon: But theirs is a forever love.

The CW Network has released a synopsis for the third season of Legends of Tomorrow, including the return of Rip Hunter and establishment of the Time Bureau, after they fractured time in the season finale:

After the defeat of Eobard Thawne and his equally nefarious Legion of Doom, the Legends face a new threat created by their actions at the end of last season. In revisiting a moment in time that they had already participated in, they have essentially fractured the timeline and created anachronisms – a scattering of people, animals, and objects all across time! Our team must find a way to return all the anachronisms to their original timelines before the time stream falls apart. But before our Legends can jump back into action, Rip Hunter (Arthur Darvill) and his newly established Time Bureau call their methods into question. With the Time Bureau effectively the new sheriffs in town, the Legends disband – until Mick Rory (Dominic Purcell) discovers one of them in the middle of his well-deserved vacation in Aruba. Seeing this as an opportunity to continue their time traveling heroics, Sara (Caity Lotz) wastes no time in getting the Legends back together.  We reunite with billionaire inventor Ray Palmer (Brandon Routh), the unconventional historian-turned-superhero [Nate] Heywood (Nick Zano), and Professor Martin Stein (Victor Garber) and Jefferson “Jax” Jackson (Franz Drameh), who together form the meta-human Firestorm. Once reunited, the Legends will challenge the Time Bureau’s authority over the timeline and insist that however messy their methods may be, some problems are beyond the Bureau’s capabilities. Some problems can only be fixed by Legends.

Last week’s episode of The Flash appeared to show that Iris did die in the scene we’ve been seeing all season. It might have been premature for The CW Network to release this synopsis of season four, which appears to have a major spoiler as to  how the season ends (not that I’m all that surprised considering how this show has involved changing timelines, not to mention the imaging tool used):

Barry Allen (Grant Gustin) lived a normal life as a perpetually tardy C.S.I. in the Central City Police Department.  Barry’s life changed forever when the S.T.A.R. Labs Particle Accelerator exploded, creating a dark-matter lightning storm that struck Barry, bestowing him with super-speed and making him the fastest man alive — The Flash.  But when Barry used his extraordinary abilities to travel back in time and save his mother’s life, he inadvertently created an alternate timeline known as Flashpoint; a phenomenon that gave birth to the villainous speed god known as Savitar, and changed the lives of Caitlin Snow (Danielle Panabaker) and Wally West (Keiyan Lonsdale) forever.  With the help of his adoptive father, Joe West (Jesse L. Martin), his lifelong best friend and love interest Iris West (Candice Patton), and his friends at S.T.A.R. Labs — Cisco Ramon (Carlos Valdes), C.S.I Julian Albert (Tom Felton), and an Earth-19 novelist named H.R. Wells (Tom Cavanaugh) — Barry continues to protect the people of Central City from the meta-humans that threaten it.  Based on the characters from DC, THE FLASH is from Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (“Arrow,” “Supergirl”), Andrew Kreisberg (“Arrow,” “The Flash”), Sarah Schechter (“Arrow,” “DC’s Legends of Tomorrow”) and Todd Helbing (“Black Sails”).

They have also released the synopsis of Arrow season six:

After a violent shipwreck, billionaire playboy Oliver Queen (Stephen Amell) was missing and presumed dead for five years before being discovered alive on a remote island in the North China Sea.  He returned home to Star City, bent on righting the wrongs done by his family and fighting injustice.  As the Green Arrow, he protects his city with the help of former soldier John Diggle (David Ramsey), computer-science expert Felicity Smoak (Emily Bett Rickards), his vigilante-trained sister Thea Queen (Willa Holland), Deputy Mayor Quentin Lance (Paul Blackthorne), brilliant inventor Curtis Holt (Echo Kellum), and his new recruits, street-savvy Rene Ramirez (Rick Gonzalez) and meta-human Dinah Drake (Juliana Harkavy).  Oliver has finally solidified and strengthened his crime-fighting team only to have it threatened when unexpected enemies from his past return to Star City, forcing Oliver to rethink his relationship with each member of his “family”.  Based on the characters from DC, ARROW is from Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (“The Flash,” “Supergirl”), Marc Guggenheim (“DC’s Legends of Tomorrow,” “Eli Stone”), Wendy Mericle (“Desperate Housewives,” “Eli Stone”), Andrew Kreisberg (“The Flash,” “Eli Stone,” “Warehouse 13”) and Sarah Schechter (“The Flash,” “DC’s Legends of Tomorrow”).

CBS has released the above trailer for Star Trek Discovery, which is to premiere this fall. Breakdown at TrekMovie. com and at Cult Movie News. Producer Ted Sullivan has reassured fans that it is definitely a prequel to TOS, and not a reboot or re-imagining.

The trailer for Seth MacFarlane’s spoof of Star Trek for Fox The Orville, is far more amusing.

Bruce Wayne’s transition to become Batman finally starts in season four of Gotham.

Trevor Einhorn (Josh) and Brittany Curran (Fen) have been promoted to regulars for the third season of The Magicians.

Twin Peaks returns tonight. The New York Times has a guide to where everyone was left after the original series. There’s another guide at Vulture.

Netflix has confirmed a fifth season of Arrested Development.

A revival of How I Met Your Mother in some form also continues to look possible.

SciFi Weekend: Sherlock; The Expanse; Deadpool; Stranger Things; Wayward Pines; Twin Peaks; iBoy; Humans; Victoria; John le Carré; Celebrities On Surviving Trump

I am not going to give any spoilers on the season finale of Sherlock which airs tonight but leaked out early, waiting to watch until this is posted, but there remains a lot to say about last week’s episode. Steven Moffat and Mark Gattis spoke about the big twist in The Lying Detective. (Major spoilers for those who have not seen the episode):

At the end of the episode, we found out that the woman pretending to be Watson’s therapist, rush hour crush and Culverton Smith’s daughter were the same person. Not only that, but she was Sherlock and Mycroft’s long lost sister, Eurus (which means east wind).

After a screening at the BAFTA Cymru in Cardiff, the show creators hosted a Q and A where they told all about the chaos that had just ensued.

Mark Gatiss and Steven Moffat explained how the idea that Sherlock had a sister had been in the back of their minds ever since the first episode. Gatiss said:

It started as a joke years, years ago. Right from the beginning of the first season, there was a line in ‘The Great Game’ when we were sort of sketching in the idea of the Holmes family and there was going to be a line about Mycroft being a member, Sherlock admitting that he was cleverer than him and then him kindly saying, mind you…my sister…

It was absolutely cut off, and that’s really where it all began.

[At the time] we thought, we won’t do too much. And thank god we didn’t, as it gives us this place to go.

But that wasn’t the only shock of Sherlock. People were frankly dumbfounded to see that Watson had been seeing a girl behind Mary’s back. Steven decided to tackle that one, head on, saying:

He’s a fully rounded character. He’s a fully rounded human being with all the normal flaws that people have.”

BuzzFeed then asked him if he was going to be back to his usual self for the next episode, to which he said:

We’re not going to say now that he’s cosy and lovely, you don’t get Martin Freeman to play that.”

The episode even contained a Torchwood Easter egg–a postcard on the mantel with the Torchwood ‘T’ logo. Technically this would place Sherlock in the Doctor Who universe.

The Lying Detective left Radio Times with thirteen burning questions. Fans are looking back through old scenes for clues.

Moffat and Gatiss did tease tonight’s finale:

“It’s a grand old finale. It’s a very very finale finale,” said Moffat, at the BAFTA screening for ‘The Lying Detective’.

“It’s the most like a Universal Sherlock Holmes that we’ve ever done,” Gatiss added. “It’s like a Basil Rathbone one. It’s absolutely crazy.”

The Expanse returns for season 2 on February 1. For those of use who didn’t make it through the entire first season, Syfy has put out a series of videos on the series, such as the one above. For those who want a briefer summary of season 1, below is a recap with cats:

Deadline interviewed the writers of Deadpool about the planned second movie. They also blamed the leak of test footage from the first movie on Putin.

The cast of Stranger Things teased season two in an interview with Vanity Fair.

Wayward Pines will not be returning this summer, but Fox has left open the possibility of it returning in the future. I’m actually happy to hear this. I’ve read the novels the show was based on by Blake Crouch, but the television show is one of many shows in this era of peak TV which I haven’t gotten to yet. Another year might give me a chance of watching the first two seasons before a third if there should be one. Incidentally, Blake Crouch is also the author of Dark Matter (no relationship to the televisions how by that name). The novel is more a page-turner thriller than hard science fiction, but, like his Wayward Pines series, was a quick and enjoyable read, and I’ve seen it on some of lists of top books of 2016. (Also, while not really related, I have used the hiatus in new shows around the holidays to catch up on Syfy’s Dark Matter and will now be able to include it in the weekly show coverage when it returns).

Return to Twin Peaks on May 21:

Kyle MacLachlan reprises his role as FBI Special Agent Dale Cooper. TWIN PEAKS, the 18-part limited event series will debut with a two-part premiere on Sunday, May 21 at 9PM ET/PT. Immediately following the premiere, SHOWTIME subscribers will have access to the third and fourth parts, exclusively across the SHOWTIME streaming service, SHOWTIME ANYTIME® and SHOWTIME ON DEMAND®. In its second week, TWIN PEAKS will air the third and fourth parts back-to-back on the linear network, starting at 9 p.m. ET/PT, followed by one-hour parts in subsequent weeks…

Directed entirely by David Lynch, the new SHOWTIME limited event series picks up twenty-five years after the inhabitants of a quaint northwestern town were stunned when their homecoming queen Laura Palmer was shockingly murdered.

Widely considered one of the most groundbreaking and influential broadcast series of all time, TWIN PEAKS followed the inhabitants of a quaint northwestern town who were stunned after their homecoming queen Laura Palmer was shockingly murdered. The town’s sheriff welcomed the help of FBI agent Dale Cooper, who came to town to investigate the case. As Cooper conducted his search for Laura’s killer, the town’s secrets were gradually exposed. The mystery that ensued set off an eerie chain of events that plunged the inhabitants of Twin Peaks into a darker examination of their very existence. Twenty-five years later, the story continues…

Maisie Williams has a major role in an new superhero movie coming out on Netflix. It has a more modern origin story. Instead of being bit by a radioactive spider, the hero gets his powers from portions of a smartphone embedded in his brain:

Tom is an average teenager whose world is turned on its head when a violent encounter with local thugs leaves fragments of his shattered smartphone embedded in his brain. He wakes from a coma to discover that returning to normal teenage life is impossible because he has developed a strange set of superpowers. With these new powers he sets out to seek revenge on the gang, who also assaulted his best friend Lucy.

iBoy is a Netflix original film starring Bill Milner, Maisie Williams, Miranda Richardson and Rory Kinnear and is available on Netflix globally from January 27th, 2017.

The Hollywood Reporter has news on another Game of Thrones Star. Peter Linklage is engaged in talks to appear in Avengers: Infinity War.

The second season of Humans was excellent, and will become available (legally) in the United States on AMC on February 13. Deadline has some information. Syfy Wire spoke with the showrunners about topics including the comparisons to Westworld:

The showrunners were asked whether they minded that Westworld entered their same thematic storytelling space last year, but Brackley says the more, the merrier. “From our point of view, it’s only a good thing if people are interested in the issues we are all talking about. There’s plenty of room for both of us, and probably more about AI. Our shows are very different.”

Another excellent series from the UK will also become (legally) available in the US. Victoria debuts on PBS tonight. It is often compared to Golden Globe winner, The Crown, with similarities including actors from Doctor Who in key roles. While The Crown had Matt Smith in a supporting role, this one stars Jenna Coleman. Both The Crown and Victoria center around a new Queen and her relationship with the Prime Minister in their first season. Unlike The Crown, in which Elizabeth is married to Philip at the start, Victoria doesn’t meet Albert until later in the first season.  Entertainment Weekly has more on Victoria and spoke with Jenna Coleman:

Apparently there is some other show about British royalty called The Crown, which features your Doctor Who costar Matt Smith. Have you two compared notes?
[Laughs] I think both of us tried to work out our [characters’] relationship to each other. It’s funny, he’s filming the second season in London. I’ve seen all the first, which I think is fantastic.

We already know Victoria will have a second season. In an ideal world, how long will the show run?
It depends on appetite and the pacing. There’s so much story, it could run for 60-odd years!

There is another interview with Jenna Coleman at Collider.

The Night Manager was one of the highlights of 2016. This leaves me optimistic about the next John le Carré adaptation from AMC, The BBC, and The Ink FactoryThe Spy Who Came In From The Cold.

While several celebrities say that at first they were petrified about the upcoming inauguration of Donald Trump, they are now singing, I Will Survive. Those singing Andrew Garfield, Chris Pine, Emma Stone, Amy Adams, Natalie Portman, Matthew McConaughey, and Chris Pine. Needless to say, conservatives don’t find this entertaining. The New York Times looked at how other celebrities such as Judd Apatow are responding in a different manner. I previously posted about reactions to Donald Trump at the Golden Globe Awards, including text and video of Meryl Streep’s speech, here.

SciFi Weekend: Captain America; Agents of Shield; Legends of Tomorrow & The Justice Society of America; DC Four-Way Crossover; Star Trek; Mr Robot; Limitless

captain-america-civil-war

Captain America: Civil War, like the previous movie in the series, made major changes in the Marvel Cinematic Universe which also extend to Agents of SHIELD on television. Spoilers ahead for both the movie and television series. Civil War showed a continuation of what was seen in Captain America: Winter Soldier, which led to moving SHIELD underground. It ends not with Captain America being killed as in the comics, but with both giving up his shield and going underground. Other members of the Avengers are in similar situations. Collider summarizes how the MCU has changed, with major spoilers for those who have not seen the movie and recent episodes of Agents of SHIELD.

It did seem strange that Nick Fury was not involved, and his role since the changes in SHIELD remain unclear. Civil War writers Christopher Markus and Stephen McFeely were asked about this by The Los Angeles Times:

I’m curious. Where was Fury? 

Stephen McFeely: I’m curious too!

Christopher Markus: We called him, but he let the line blink. Primarily it felt like one too many possible opinions. We didn’t want him to take one side or the other, because that’s not his place in the universe. And then we didn’t want another, “Is he still with the government? Is he opposed to the government but supporting the government?” It got to be the potential for a lot more polemic discussion that the movie did not have room for.

He’s the guy who put it together. He’s been the sort of parent figure to the Avengers. Let the parent go away, and see if the kids can handle this. See if the kids can be who they’re supposed to be without that governing voice. Um… and they didn’t do that good of a job.

Are we going to see him in “Infinity Wars?”

McFeely: I would think.

Markus: It’s probably all hands on deck.

McFeely: Don’t you assume you’ll see everybody in the “Infinity Wars?”

You heard it here first: Everybody is in “Infinity Wars.” Hopefully that includes Sam Rockwell’s Justin Hammer and Whiplash’s bird.

Captain America: Civil War acted as the origin story for Black Panther, and introduced Spider-Man to the rest of the MCU. Iron Man will be appearing in Spider-Man’s upcoming solo movie, Spider-Man: Homecoming. There is also speculation that there is yet another connection, with “homecoming” being one of the trigger words used by Hydra in brainwashing Bucky Barnes.

Deadline has a long interview with  Kevin Feige. One of the many items discussed included the possibility of  Black Widow getting a solo movie in the future:

DEADLINE: You’ve got a bunch of characters in this movie from Falcon and War Machine and Black Widow and Hawkeye, who have so far guest starred in movies with another characters title above the fold. Is there one destined to get a solo movie down the line?
FEIGE: We’ve announced the next nine movies, 10 counting Civil War, through the end of 2019. Where we go beyond that are ongoing discussions that we’ll focus on in the next few years because we have a lot to do before then. Of the characters that you’ve just mentioned I would say certainly the one creatively and emotionally that we are most committing to doing is Black Widow.

DEADLINE: Why?
FEIGE: We think she’s an amazing character. We think Scarlett Johansson’s portrayal of her is amazing. She’s a lead Avenger and has amazing stories in her own right to tell that we think would be fun to turn into a stand-alone franchise.

Agents-of-SHIELD-Cover-04272016

Agents of SHIELD also worked in the Sokovia Accords, the movie version of the Superhero Registration Act, and ended the season with some deaths. Even Daisy now appears to be on the run, and who is this new Director of SHIELD? There was a second death for a Brett Walton villain, first Grant Ward, and now Hive. It looks like he might finally be finished with the series.  Jed Whedon and Maurissa Tancharoen spoke with Comic Book Resources about the finale.

CBR News: How difficult was it to say goodbye to Brett Dalton and Lincoln Mitchell?

Maurissa Tancharoen: It was so, so hard. There were many tears. It was very emotional. Even in the process of developing their arcs and breaking the season, it was a decision we struggled to finalize. We knew that we had to, though. We had to close a chapter with Ward. To sustain an antagonist for this long or to go beyond three seasons — we just didn’t want it to lose any steam. At our wrap party, there were several emotional speeches being made for both of those guys.

Jed Whedon: One of the things about television is that it’s fluid. You always have to generate a lot of different stories. Sometimes you eliminate a character and it’s easy, because you either don’t like the person or you don’t like the character. This was a situation where we didn’t have that. Both of these actors are just great guys, they’re great to work with and are pros. It was a very emotional end of the season for everybody.

Tancharoen: A week before we wrapped, we were here at home. I was thinking of Brett and Luke. They are such great people, and so talented and so handsome. “Oh, my God. What have we done?”

After watching Ward evolve from a member of S.H.I.E.L.D., to Hydra agent, to Hive, why did it feel that this was the time to let him go?

Whedon: One of the reasons we closed that chapter was to start a very different, very new chapter next year. We’re very excited about it, but that’s as specific we can get.

Now that viewers have seen the finale, what were the most important aspects, to you, about the send-off you gave Ward/Hive?

Whedon: Hive revealed his motivation: “I want a connection.” That’s a fitting end to his story. Also, to Ward’s story, he wanted that with Skye. Now, here he is, sitting with Lincoln, the one person who had that with Skye/Daisy. There’s some poetry to the simplicity and the quietness in that moment that we loved. It was a fitting end for someone with [goals of] world domination, and to our buddy Grant Ward, who we managed to maintain as an antagonist for three seasons, which is a lot for one character.

While some themes from the movies are reflected in Agents of SHIELD, the two are also disconnected, especially with Coulson being alive in the television show but still considered dead in the movies. It is also strange that nobody from The Avengers got caught up in the battle against Hive. Chloe Bennet talked about this last week. When asked if she would like to show up in the movie universe she replied, “The Marvel Cinematic Universe loves to pretend that everything is connected, but then they don’t acknowledge our show at all. So, I would love to do that, but they don’t seem to keen on that idea.”

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The Berlanti shows on CBS and the CW Network are almost completed for the season, with Arrow and The Flash presumably to complete their story lines related to Zoom and Damian Dahrk next week. Legends of Tomorrow remains the weakest of the four, but did improve in its final episodes. The good news was that it got more timey wimey. The bad news is that it handled their rules of time travel much more poorly than other genre shows such as Continuum and 12 Monkeys. As time travel does not really exist (which I assume as I have never received a list of winning lottery winners from my future self), a show can get away with their own rules, but they should be internally consistent and make sense. Screen Rant has more on the plot holes. More spoilers ahead.

It should help the show in the future to have Vandal Savage defeated. Having them spend the season getting close to him but not killing him led to many unsatisfactory episodes. Some old members of the cast will be gone. Ciara Renée is leaving as a series regular, but the manner in which Hawkgirl and Hawkman flew off certainly leaves open for the possibility of their return, even without using time travel. Wentworth Miller’s character Leonard Snart (Captain Cold) sacrificed his life on Legends of Tomorrow. In the Berlanti universe, death is not a permanent change (except for the Earth 1 Laurel Lance), and Miller will be a recurring character in various shows in the universe. Presumably time travel or effects from the destruction of the Oculus will  provide the explanation.

While some characters are gone, the ending suggested the introduction of the Justice Society of America. Collider has background information on this. Marc Guggenhein also discussed this with The Hollywood Reporter:

The CW’s Legends of Tomorrow used Thursday’s season one finale to reveal that Rex Tyler aka Hourman (Patrick J. Adams), along with the JSA, would be a major part of the Arrow/Flash spinoff’s sophomore run. He arrived on a Waverider as the Legends team intended to take off as Time Masters, warning them that they would all die if they did.

“With his final words in the finale, he planted a pretty deep flag about where we’re headed in season two, which is not just introducing Hourman but introducing his teammates in the Justice Society of America,” executive producer Marc Guggenheim tells The Hollywood Reporter. “For comic book fans, everyone knows the Justice Society is really the precursor to the Justice League, so it’s a pretty big move in our DC universe here on TV.”

Although the DC Comics franchise keeps its film and television projects separate (unlike rival Marvel, which connects its film and TV projects in one shared universe), it’s interesting to note that it’s the newest — rather than the highest-rated DC show (Flash) — that is going to be the one introducing the iconic superhero team…

The introduction of Hourman and the JSA won’t be the only reason Legends of Tomorrow will look different in season two. Along with some casting shakeups, the elimination of the Time Council and the set timeline takes away a huge part of the story and the rules that were established all season long.”One of the other big things we’ve done in the season finale is we planted another flag in the form of Rip’s [Arthur Darvil] statement. Because the Time Masters are essentially gone and the Legends have destroyed the Oculus, that all means that someone else has to do the job of the Time Masters,” Guggenheim says. “Our Legends take that on as their new responsibility. It’s sort of like, you break it, you buy it.”

“That’s really exciting to us, that our team of Legends, our misfits, are going to be responsible for the preservation of the timeline and protection of history,” he adds. “As we’ve seen, our team, our guys are not always the most responsible people around so maybe time has got some new troubles. But it will provide a lot of fodder, a lot of fun story for season two.”

With Supergirl getting picked up by the CW Network, they didn’t waste any time in announcing  plans for a four way crossover with Arrow, The Flash, and Legends of Tomorrow. This is facilitated by all four now being on the same network and all being filed in Vancouver starting next season. These matters are far more important then the logistics of getting Supergirl involved with characters who are on a different earth.

Above is a trailer for the movie Star Trek Beyond. It also looks like Paramount has been convinced that it is not a good idea to sue fans over copyright infringements in fan-made movies. JJ Abrams made this announcement:

A few months back there was a fan movie, Axanar that was being fan made, and there was this lawsuit between the studio and these fans. And Justin was sort of outraged by this as a longtime fan. And, we started talking about it and realized this was not an appropriate way to deal with the fans. The fans should be celebrating this thing, we all [as] fans are part of this world. So he went to the studio and pushed them to stop this lawsuit and now within the last few weeks it will be announced that this is going away and the fans will be able to [continue] their productions.

Hopefully they realize that it has been the fans who have kept interest in Star Trek alive, enabling them to make money from continued movies and soon a new television series.

CBS also released the above teaser for the upcoming Star Trek television series, which does not really provide any information. There has been some speculation that the statement of “new crews” in pleural might suggest more than one crew, possibly taking place in different eras.

The above trailer was released for season two of Mr. Robot which begins on July 13. We see that Christian Slater’s character is still around, and don’t know how much of anything else is real or in someone’s head.

With it doubtful that CBS will renew Limitless (but no cancellation announcement either), there is now talk of trying to sell it to another network. I don’t know if the finances would work, but it seems like it might be a good fit at USA Network. Supergirl has already moved from CBS to the CW Network, and I’m still hoping attempts to keep Person of Interest alive at anther network are successful.

Moving from science fiction to science, Mars is appearing as it biggest in over a decade:

Mars comes into opposition — the point when Mars and the Sun are on directly opposite sides of the Earth — once every two years.

But on Sunday night, as the Red Planet edged towards its closest point to Earth in 11 years, it appeared much bigger and brighter in the night sky than usual.

Amateur astronomer Dr Ian Musgrave, from the University of Adelaide, said it would trump Venus as the brightest object in the sky, aside from the Sun and the Moon.

SciFi Weekend: The Marvel Television & Movie Universe; The Night Manager; Mads Mikkelsen On The Possible Return of Hannibal; Wet Hot American Summer; Hugo Nominees; Top Jokes From White House Correspondence Dinner

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Not long after Supergirl used a classic comic book cover to promote the Supergirl/Flash cross over, Agents of SHIELD is also using a classic comic cover to promote an upcoming episode.

Agents of S.H.I.E.L.D. is sliding into its last few episodes for the season three finale, and they’re going for the hype by promising someone is going to die in promo art. The illustration is an homage to the cover of Amazing Spider-Man #121; that’s the one hinting at the death of you-know-who. Uh-oh. The art by Greg Land will actually be available as a variant cover in comic book shops, too. It will be a rare catch for Civil War II #0.

The official synopsis for the penultimate episode of the season ties into Captain America: Civil war, as the first season tied into Captain America: The Winter Soldier.

With only two episodes left before S.H.I.E.L.D. loses one of their own, Daisy’s prophecy ticks closer towards a major loss, as the aftermath of the events of “Marvel’s Captain America: Civil War” force S.H.I.E.L.D. to register the Inhumans, on “Marvel’s Agents of S.H.I.E.L.D.,” TUESDAY, MAY 10 (9:00-10:00 p.m. EDT), on the ABC Television Network.

Joe and Anthony Russo have also discussed how Captain America will lead into the Infinity War storyline.

Besides appearing in the Captain America and Avengers movies. Robert Downey, Jr. will be appearing in Spider-Man Homecoming. He is now teasing the possibility of a fourth Iron Man movie.

Marvel is now developing a series for Netflix about The Punisher, presumably in response to the response to his charter in Daredevil season 2.

John le Carré discussed how his con-man father inspired Richard Roper (Hugh Laurie) in The Night Manager in the video above.

Mads Mikkelsen gave an interview to the Sunday Express which sounds encouraging for the return of Hannibal:

Fans of the television adaptation of Thomas Harris’ novels about psychopathic psychiatrist Hannibal Lecter were left outraged last year when broadcaster NBC unceremoniously axed the show after just three seasons.

Nonetheless, in an exclusive interview with Express.co.uk, Mikkelsen has revealed that the story is far from over – and that there is hope for a reboot yet. When asked whether the series still has the potential to be picked up by another network, the actor revealed that the ball is firmly in show creator Bryan Fuller’s court.

“It all depends on Bryan. He is the key, the base, the heart,” Mikkelsen said. “We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.”

But will Fuller be up for it?

“He loved it. It was his baby. Let’s wait and see,” the 50-year-old actor teased, a knowing glint in his eye.

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After a successful prequel, Netflix is returning to Wet Hot American Summer once again with  Wet Hot American Summer: Ten Years Later. This time the cast will look more like the ages they are playing, but it was amusing during First Day of Camp to see the adult actors playing themselves as teenagers in the original. That’s except for Paul Rudd, who seemed to have barely aged, possibly due to a painting in the attic.

The Hugo Award nominees are out. Here are the nominees for television shows and movies:

BEST DRAMATIC PRESENTATION (LONG FORM)
  • Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  • Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  • Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  • The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  • Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM)
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)


Barack Obama had his final appearance at the White House Correspondents’ Dinner (full video above).  He said that “if this material works well, I’m going to use it at Goldman Sachs next year,” mocking Clinton’s paid speeches. He also made fun of her attempts to appeal to young voters:  “Look, I’ve said how much I admire Hillary’s toughness, her smarts, her policy chops, her experience. You’ve got admit it though, Hillary trying appeal to young voters is a little bit like your relative who just signed up for Facebook. Dear America, did you get my poke? Is it appearing on your wall? I’m not sure I’m using this right. Love, Aunt Hillary.’”

Obama also mocked Donald Trump: “There’s one area where Donald’s experience could be invaluable, and that’s closing Guantanamo. Because Trump knows a thing or two about running waterfront properties into the ground.” Plus he praised his foreign policy experience: “They say Donald lacks the foreign policy experience to be president, but in fairness, he has spent years meeting with leaders from around the world — Miss Sweden, Miss Argentina, Miss Azerbaijan.”

Some of Obama’s top jokes can be read here and here.

Bored with the current set of presidential candidates? Take a look at Andrew Basiago, who claims to have traveled back in time and to have teleported to Mars in the 1980’s  with a young Barack Obama. It is surprising that Obama has never mentioned this.

Update: Larry Wilmore At The White House Correspondents’ Dinner

SciFi Weekend: The Top 20 New Shows of 2015

Once again, as I did last year, I’m concentrating, I’m concentrating on the top new shows of the past year (but will include some comments on returning shows below). This is for a few reasons:

  • Not having the time to devote professional time to television as professional television critics do, there are many shows I have not watched purely due to lack of time. Limiting to a single year reduces the impact of this.
  • Limiting to new shows eliminates the problem in many “best of” lists of including the same shows every year.
  • Talking about new shows could be of greater value. It is more likely that readers know about the top shows which have been on for the last several years, but might not be aware of some of the shows which started more recently.
  • If readers are inspired to catch up on a show from a list such as this, it is far more practical to catch up after one season than several. I know this from personal experience. This is why I cannot say much about the series finale of Justified, which has received great reviews, as I’m years behind. It was much easier to catch up on Manhattan and The 100 after missing the first season, allowing me to say more about them below.

Besides being limited to shows I have watched, this is also biased towards genre shows. Therefore, what might be the year’s biggest hit among new shows, Empire, is excluded from consideration on both counts. Rankings are also quite arbitrary, and some shows could easily be a few spots higher or lower if I were to redo this fifteen minutes later. Still, this gives a general idea of which I consider among the best as compared to those ranked lower. It is a sign of the increased number of good shows coming out, partially due to the increased influence of steaming video along with cable, that I have expanded from a top fifteen list last year to a top 20 list this year.

Top 20 New Shows Of 2015

Last Man On EarthCa

20. Last Man on Earth (ABC)

This would have ranked far higher if it could have maintained the quality of its original premiere, but adding new characters just led to it devolving into a number of more standard sitcom tropes. Still, while many gave up on the show, I continued to have interest in the first season finale and into the second season.

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19. Childhood’s End (Syfy)

Adapting a novel from Arthur C. Clarke seemed like a sure winner, but there were problems I didn’t expect from doing this until I viewed the miniseries. It seemed far more dated in 2015 compared to when I read the novel in the 1960’s now that we have seen so many shows with alien visitation to earth. This story worked out much better as a novel as they could not capture important aspects of the story, including the magnitude of the ending, on television as compared to in prose. The show also failed to make the new world created in the miniseries seem believable, compared to the far better adaptations in a couple of other shows listed below. We heard about all the changes on earth, but rarely saw them, and what we did seem, such as mankind giving up science, didn’t seem believable.

Togetherness

18. Togetherness (HBO)

An excellent sitcom showing how cable and streaming have replaced the “must watch TV” from NBC and the other broadcast networks.

The Expanse

17.The Expanse (Syfy)

Syfy returns to space, with a mystery and quite a bit of world building in the series based upon the novels by James S. A. Corey. I have only seen the first two episodes so far, so my opinion of the show could change once I see more. It was just recently renewed for a second season.

Fresh off the Boat

16. Fresh Off The Boat (ABC)

Both Blackish last year and Fresh Off The Boat this year offer new variations on Modern Family. Constance Wu makes the show.

Casual

15. Casual (Hulu)

Yet another twist on a family sitcom, done far better by Hulu than the networks.

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14. 12 Monkeys (Syfy)

A time travel show which took aspects from the movie, but improved upon them for a weekly series. The series did an excellent job of building on its mythology, providing surprises, and moving in a new direction in the season finale.

Programme Name: Jonathan Strange & Mr Norrell - TX: n/a - Episode: Ep2 (No. 2) - Picture Shows: Mr Norrell (EDDIE MARSAN) - (C) JSMN Ltd - Photographer: Matt Squire

13. Jonathan Strange and Mr. Norell (BBC One/BBC America)

An excellent adaptation of Susanna Clarke’s novel, making a world in which magic exists seem real.

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12. Supergirl (CBS)

Another show from the produces of Arrow and The Flash, with his being much closer to The Flash in style. The show had an excellent pilot, but for a while seemed like a weaker version of The Flash. It started getting more interesting toward the end of the fall season as the show had an opportunity to develop. Spoilers ahead: Major events before the hiatus included the revelation that Hank Henshaw is the Martian Manhunter. Calista Flockhart is excellent as Cat Grant, but considering her profession can she be trusted now that she figured out Supergirl’s secret identity? So far Supergirl doesn’t know about Hank, but it is inevitable that she learns who he is. A shape shifter could be useful to show both Supergirl and Kara in the same place to fool Cat.

Sense8 Will and Riley

11. Sense 8 (Netflix)

A very ambitious show, which took time to develop its story, but well worth the wait. Enjoy the scenery from around the world while trying to figure it out in the early episodes.

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10. Agent Carter (ABC)

This shows how much better a network show can be when limited to a single eight-episode story.  Maybe that is why it is the only network show which cracked the top ten. Of course a network still could not compete with streaming when entering the Marvel universe.

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9. The Unbreakable Kimmy Schmidt (Netflix)

This shows how the networks have surrendered quality sitcoms to streaming and cable. The show was originally produced by Tina Fey for NBC, but they passed on it and it was picked up by Netflix. It will be interesting to see if the show is even better when the second season is produced, knowing it will appear on Netflix rather than NBC.

Daredevil Matt and Karen

8. Daredevil (Netflix)

The first of a series of shows from the Marvel universe. Dardevil was darker, grittier, and more violent than any of the superhero shows before this. The series also took advantage of the streaming medium, often telling a continuous story, but sometimes including a more conventional single episode on a specific topic (which was still part of the greater story for the season).

Master of None

7. Master of None (Netflix)

Aziz Ansari shows how good a comedy could be on what I bet is a low budget if there is excellent writing. Besides comparisons to his character on Parks and Recreation, the show is often compared to Louie. I also see a lot of early Seinfeld in it.

Catastrophe

6. Catastrophe (Channel 4/Amazon)

The British show, also made available in the United States from Amazon Prime, was the best new sitcom of the year. It was this year’s, You’re The Worst, with Sharon Horgan playing what felt like could be an older version of Aya Cash’s chacter, and the nationalities of Jimmy and Gretchen’s nationalities reversed.

Man In The High Castle Poster

5. Man In The High Castle (Amazon)

While changes were made for the new version, Man In The High Castle was an excellent adaptation of the Philip K. Dick novel, providing a realistic look at what could have happened if Germany and Japan had won World War II and occupied the United States. Changes were made in some characters, and there were plot differences to turn this into an ongoing series. Hitler remaining alive in the 1960’s provides for a difference in the politics. Instead of a book with an alternate history in which the Allies won, using film reels worked better on television. While the main storyline was tied up, the finale raised new questions, making me very happy that it was renewed. Spoilers ahead: As happened earlier in the book, the finale did show a character crossing over into an alternate universe looking like ours, partially explaining the meaning of those news reels. I still have a lot of questions about them, and if the book gave any further hints, I read it too long ago to remember. The finale did wrap up the major storyline and led to an unexpected character living in a “high castle” who was interested in the news reels. Is he really the title character, and how is he connected to the films?

Humans

4. Humans (Channel 4/AMC)

Yet another British import on this list which was also shown in the United States presented a look at how robots (Synths) could change our society, along with a thriller storyline involving a small group of  Synths which were more than they seemed. I’m not sure if the second season could be as strong as the first now that all the secrets have been revealed, but they definitely left matters open to continue the story.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

3. Mr. Robot (USA)

A cyber-thriller which is totally different from what anyone would expect from a show on USA. The show gave a lot of hints about one element which was not confirmed until later in the season, but still came up with surprises along the way. The season finale also left room for a lot more.

Better Call Saul

2. Better Call Saul (AMC)

Better Call Saul greatly exceeded expectations, standing on its own in addition to being a prequel series to one of the greatest television series of all time, Breaking Bad.

Jessica Jones

1. Jessica Jones (Netflix)

Netflix exceeded what was accomplished on Daredevil with Jessica Jones, staring Kristin Ritter in the title role. The series, even more than Daredevil, was like a single long movie, with only brief breaks in the narrative to fill in viewers on the back stories of the major characters. This works as a stand alone story, but also has references to The Avengers, a character from Daredevil, and sets up future shows, especially Luke Cage.

Spoilers ahead. The show did so many things well.  While many super hero stories suffer from trying to create yet a bigger danger to the entire world to fight, Jessica Jones was a personal story between Jessica and the villain, with David Tennant doing a fantastic job playing Kilgrave. Without their powers, this is essentially the story of an abused woman who once again confronts the man who abused her. Add on the super powers, and it becomes a story of a man who can have whatever he wants and does not understand why Jessica does not love him when he is nice to her.

Most of the supporting cast was also excellent, including Mike Colter as Luke Cage and Rachel Taylor as Trish Walker. One neighbor initially seemed to be a stereotypical drug addict, but turned into a significant figure. The brother and sister also living in the same building were the weakest characters, but the sister was useful to allow Kilgrave to escape. The length of the story did require a series of  near-captures, captures, and escapes. Plus it was necessary to change the situation so that the ending could take place, when earlier Jessica had reason to not only capture Kilgrave alive, but provide proof of his powers.

Honorable Mention

Grace and Frankie Season 1 netflix handout .... Jane Fonda and Lily Tomlin in the Netflix Original Series "Grace and Frankie". Photo by Melissa Moseley for Netflix.Ê

Grace and Frankie (Netflix) Any show staring Lily Tomlin, Jane Fonda, Martin Sheen, and Sam Waterston has to be good, even if some of other new sitcoms were more consistent.

Blindspot (NBC) A fascinating premise made the early shows feel like something unique from network drama, but far too often it is just a gimmick to introduce the case of the week. Whether the show becomes a great will depend on whether the underlying mystery of the show remains compelling. Also on NBC, Blacklist almost felt like a new show with Lizzie now on the run, reminiscent of how Person of Interest evolved into more of a genre show last year on CBS.

Limitless (CBS) A lighter genre show which shows potential to be entertaining, but I doubt will rise to greatness.

Wet Hot American Summer: First Day of Camp (Netflix) A prequel to the movie.

The Late Show with Stephen Colbert (CBS) and The Nightly Show with Larry Wilmore (Comedy Central) were two excellent additions to light night television, a genre which I arbitrarily left out of the rankings. They help make up for the loss of David Letterman and Jon Stewart. I haven’t actually watched much of Larry Wilmore but he has been hilarious when I’ve seen clips. I’m looking forward to seeing him host the White House Correspondents’ dinner.

The Republican Debates have become an amusing reality show, featuring reality television star Donald Trump. His previous reality show had a similar format in gradually eliminating candidates vying for a job.

Besides the above changes on late night television,  this year marked the end of many excellent shows including Mad Men, Parks and Recreation, Hannibal, Parenthood, Continuum, and Justified. Downton Abbey concluded in the UK with the Christmas special, but the final season is just now beginning in the United States. (No spoilers, but the series ended well).

Last year I left out some shows only because I had not had a chance to see them yet. These included The 100 (CW) and Manhattan (WGN). These turned out to both be extremely high quality shows. and both would have made the top five if I had seen them when compiling last year’s list.

Among shows I’ve heard excellent things about, and very well might deserve to be ranked among the top shows but I have not had a chance to see so far are Narcos (Netflix), Wolf Hall (BBC Two/PBS), and The Jinx (HBO). While not as critically acclaimed, I have received a plug for another genre show, Wayward Pines (Fox).

SciFi Weekend: Doctor Who, Face the Raven; Jessica Jones; Arrow Flash Crossover; 11/22/63; Lost In Space; New Show From Bays and Thomas

Doctor Who Face the Raven

Only four companions had previously died in the long history of Doctor Who, with none in the new series. This changed on Face the Raven with the death of Clara Oswald.  The episode took place on Trap Street, a hidden street in London like something out of Harry Potter, except in this case Maise Williams’ immortal character returned as mayor, providing sanctuary for aliens. Clara’s friend Rigsy (previously seen in Flatline, when Clara was acting as the Doctor) was sentenced to die, with a Chronolock tattooed on his neck, counting down the minutes until his death. The Doctor tried, unsuccessfully, to turn to his index cards to express his condolences, but Clara pushed him to try to save him.

Unfortunately it turned out to be Clara who saved him by transferring the Chronolock from Rigsy to herself. Maise Williams’ character, Me,  had already guaranteed Clara’s safety on Trap Street, so she thought this would buy them time. What Clara did not know is that Me never really intended for Rigsy to die. However, once the Chronlock was transferred from Rigsy to Clara, the terms of Me’s deal with the quantum shade, which controlled the execution, were changed and Me could not save her.

Clara assumed the Doctor could save her once again, but he could not, and the two said their dramatic farewells. It did seem  questionable that the Doctor couldn’t at least try to save her. After all, it was already established that there was a stasis machine nearby. If that couldn’t work, there was also a teleport bracelet, not to mention the TARDIS, which might take Clara to safety.

Clara’s death was actually guaranteed by the decision for Jenna Coleman to leave the series. Steven Moffat discussed writing Clara out in an interview with Blogtor Who:

“What we’re gonna do with Clara’s departure was ‘Plan A’. This is what I wanted to with Clara from very, very early on in Clara’s run but Jenna said that she wanted to leave at the end of Series 8. And I sort of knew she didn’t really want to leave, I think she just felt she ought to leave at the end of Series 8, despite my various attempts to tell her what she was thinking – which never goes down well I find with human beings! [Laughs]

She decided to leave so I wrote her out of the end of Death In Heaven, that was her last episode. I was halfway through Christmas [Last Christmas] without Jenna and she said, ‘Actually, I’d like to be in Christmas,’ so I discreetly threw away the script I was writing and started again. [Laughs] Never told her that – should’ve.

I wrote her out of the end of Christmas but this time I sniffed a wind and wrote two endings; one version where she actually is the old lady and we last see her going up the spiral staircase. At the read through we did the big heart-rending departure and she changed her mind.

Peter and I did perform every form of emotional manipulation known to people on the world tour, badly and ineptly I might add. I like to think in the sheer ineptitude of out apparent subterfuge we were charming.

But what we’re doing now is the right way for her to go, in my view.”

Doctor Who Face The Raven Clara

There might theoretically be a way in which Clara did not die and could return for some of the final episodes of the season, but now that Jenna Coleman had her big exit scene it would be better to leave her character dead. That does not mean that Jenna Coleman might not show up again. A form of Clara has been involved with all Doctors we have seen so far, and the way in which she was fragmented should mean that she will also be involved with future Doctors, although that does not mean that either the Doctor or the audience will see her

The Doctor has met Clara in different forms. He met Oswin Oswald, the soufflé girl, in Asylum of the Daleks, and met the Victorian barmaid and governess Clara Oswin Oswald  in The Snowmen.  He also came close to meeting Clara as a child but did not recognize her.

There are still questions left from Face the Raven. The Doctor was teleported off, and is on his own, leading into the final episodes of the season (which will be extended length). Will he return to face Me, after warning her “You’ll find that it’s a very small universe when I’m angry with you”? Who was Me working with? It was apparently someone who knew about the Confession Dial, which might mean Davros, or Missy. Incidentally, it was Missy who put Clara in touch with the Doctor in The Bells of St. John, so it might be fitting that she was also indirectly involved in her death. (Incidentally Michelle Gomez, who plays Missy, also appeared on Gotham last week).

The portion of the season prior to the Christmas episode will end with another two-parter. Heaven Sent will air on November 28th and run fifty-five minutes.  Hell Bent will air on December 5th and run sixty-five minutes.

Behind the scenes videos of Face the Raven can be seen here.

Marvel's Jessica Jones

It was a tough decision with both Jessica Jones and The Man in The High Castle both becoming available for streaming on Friday night. Ultimately a show staring Krystin Ritter, David Tennant, and Carrie-Ann Moss won out. In addition to these three, Rachel Taylor does an excellent job as  Trish Walker and Mike Colter is excellent as Luke Cage. Besides appearing in Jessica Jones prior to appearing in his own show, Luke Cage has been teased in a trailer for the second season of Daredevil.

While I have not finished the series yet, I have seen enough to say that this is excellent. It is possibly the best superhero show ever on television, and possibly the best television show or movie with the Marvel Cinematic Universe. Vulture has a collection of excerpts from the many excellent reviews of the series. I will have no spoilers of the individual episodes in discussing the series.

Jessica Jones has started out even stronger than Daredevil. While set in the same Hell’s Kitchen background, it is not entirely as dark and gritty, with more of New York City seen. There are brief mentions of other events in the Marvel universe, but it is not necessary to have seen any as long as you are just aware that New York City was under attack in The Avengers movie.

Krystin Ritter is excellent as the damaged superhero. She plays a strong female lead, but the tone of the show is entirely different from the other superhero series with a female lead, Supergirl. Ritter’s dramatic acting abilities were clear in Breaking Bad, and she showed she could handle being the lead for a show in Don’t Trust the B—- in Apartment 23. She further shows her acting talent as the lead in this complex dramatic role in which her character underwent a traumatic experience in the past, leading to the season-long arc with the big-bad Killgrave, played by David Tennant.

Jessica Jones Trish Walker

Krystin Ritter discussed playing Jessica Jones at Speakeasy:

Unlike a lot of superhero shows, she doesn’t seem to rely on her superpowers that often.

That’s how I always approach the character. Just a woman and a girl first, with her feet on the ground and with real issues. Her struggle is so personal and so relatable and so grounded. I just focused on that and the superpower thing second. I just felt like it was an extension of who she is – because internally, she’s so strong.

What unique issues are being explored in “Jessica Jones”?

I felt like it was groundbreaking material in how it handles some of the darker stuff that happens to her. We never actually see, literally, [her] history with [villain] Kilgrave. But we see the effects of it. Ultimately, this is a story about coming to terms with something internally with yourself. I also enjoyed that she wasn’t sexualized. She’s never putting on high heels and the tight skirt to seduce somebody like your typical P.I. So there were all these things in there that felt a lot bigger. I felt like it was a great conversation starter. It has the potential to be an iconic character.

The Los Angeles Times spoke with Kristin Ritter and showrunner Melissa Rosenberg, who was also head writer on early seasons of Dexter:

“[For Jessica] the superpowers are just a matter of fact. She doesn’t advertise them, but she doesn’t deny them. She doesn’t hide them,” show runner Melissa Rosenberg explains. “What I love about this character is she’s so unapologetically who she is. She’s unapologetic about her sexuality, about her powers, about her drinking, about just about anything. She is who she is.”

Her sexuality, and drinking, along with other aspects of Jessica Jones, are certainly not hidden. While there is no nudity, this is not a superhero series for children.

I have also been bookmarking material on The Man In The High Castle but will wait until I have hopefully had time to start the series.

An extended promo has been released for this season’s crossover episodes of The Flash and Arrow, starting December  1 (video above).

The season finale of The Flash is part of the crossover event with Arrow and introduces Wally West. There has been speculation this season that when Iris’s mother turned up and there was mention of another child, this would be Wally West. The following synopsis has been released.

“Running to Stand Still” — MARK HAMILL, WENTWORTH MILLER AND LIAM MCINTYRE RETURN; KEIYNAN LONSDALE JOINS THE CAST AS WALLY WEST — When Mark Mardon AKA The Weather Wizard (guest star Liam McIntyre) returns to break Leonard Snart AKA Captain Cold (guest star Wentworth Miller) and James Jesse AKA The Trickster (guest star Mark Hamill) out of Iron Heights, Barry (Grant Gustin) must stop these rogues from taking over Central City during Christmas. Meanwhile, Joe (Jesse L. Martin) and Iris (Candice Patton) meet Wally West (Keiynan Lonsdale). Kevin Tancharoen directed the episode written by Andrew Kreisberg (#209). Original airdate 12/8/2015.

We have already seen the first glimpses of Hawkgirl on The Flash, as the various characters for Legends of Tomorrow have been put place on Arrow and The Flash. Legends of Tomorrow will debut on Thursday, January 21. In addition to bringing back old characters on Arrow in preparation for this, Roy will be returning to Arrow in episode 412.

The above teaser has been released from 11/22/63 from J.J. Abrams, based upon the book by Stephen King. It is to be released on Hulu on Presidents Day, 2016.

Danger Will Robinson: Netflix is planning a reboot of Lost in Space.

CBS has signed a deal with Carter Bays and Craig Thomas to produce another comedy set in New York. Deadline reports that the show, named New York Mythological, “centers on a Midwestern girl who moves to Manhattan and experiences firsthand the magic of New York.” It sound like quite a few other shows done over the years but it is the execution which matters. There have also been a lot of shows about friends in New York City, but few did them as well as Bays and Thomas did with How I Met Your Mother.

SciFi Weekend: Doctor Who; Sherlock; Age of Ultron; Jessica Jones; The Flash; Arrow; Supergirl; Back To The Future (Bernie Sanders Meets Doc Brown); Gilmore Girls; Maureen O’Hara

Doctor Who The Woman Who Lived

The Woman Who Lived works as a stand alone episode of Doctor Who which did not really need to fall directly after last week’s episode, The Girl Who Died. Maise Williams’ character is seen eight hundred years later. It was strange that she remembered the Doctor and Clara and not her own name or village. She also had a colder attitude which can be seen in this exchange:

The Doctor: Anyone is that village would have died for you
Ashildr: Well, they’re all dead and here I am. I guess it all worked out

The show described the problems with immortality, and Ashildr’s frustration: “I have waited longer than I should ever have lived. I have lost more than I can even remember. Please Doctor, just get me out of this. I want more than this. I deserve more than this.”

While her life span was increased her memory was not so she had to resort to her journals, tearing out the pages of things she wanted to forget. She did keep the pages about her children dying of the plague, as a reminder to never have children again.

The Doctor did not take her with her, but did tell her , “I travelled with another immortal once. Captain Jack Harkness.” Will she ever meet up with Captain Jack (John Borrowman)? Plus Sam Swift may or may not also be immortal.

Nerdist reports that Maise Williams will return to Doctor Who:

Over the weekend, at London’s MCM Comic-Con, “Face the Raven” writer Sarah Dollard confirmed that Ashildr/Me would be back for her episode. During “The Woman Who Lived,” we find out that the character decided to be there for the people the Doctor leaves following his swoop-in/swoop-out style of day-saving. “Someone has to look out for the people you abandon, who better than me? I’ll be the patron saint of the Doctor’s leftovers,” she told him. She also says, “While you’re busy protecting this world, I’ll get busy protecting it from you.” When the Doctor expresses that he thinks he’s very glad he saved her life, she replies, rather ominously, “I think everyone will be.”

This could make her an interesting recurring character, and provides job security should she be killed off on Game of Thrones.  She is present in the background of a picture at Clara’s school shown at the end of the episode. I’ll accept the coincidence that she is present in the first picture that Clara showed him after this encounter, but what about all the companions prior to Clara? While that probably cannot be shown on screen, she could be an interesting addition to books or fan fiction. With Jenna Coleman reportedly leaving after this season, possibly Maise Williams will play a part.

The above trailer announces that the long-awaited Victorian version of Sherlock will air on January 1 in both the UK and the Unites States and will be named The Abominable Bride.

I’m going to post this link without reading the article. I haven’t looked at the deleted scenes on the Blu Ray of Avengers: Age of Ultron yet, and will do so before reading this, but Den of Geek has a detailed description for those who might want to read about them without viewing.

After a bunch of teasers, Netflix has released a full trailer for Jessica Jones (video above).

I avoid watching Amazon pilots until a series is about to be released in full, but I am really looking forward to The Man In The High Castle. Reviews of the pilot have been fantastic. Now Amazon is going to make the first two episodes available, even to non-prime members, here  from 12am Pacific on Friday, October 23rd until 11:59pm Pacific on Sunday, October 25th. The first two episodes will remain available to Prime members, with full release on November 20. While I already had an Amazon Prime membership for the free shipping, with streaming becoming a huge player, I now consider Amazon Prime, Hulu (commercial free subscription), and Netflix all essential (with HBO Go and comparable services from the other pay cable networks  also available due to cable subscriptions). Many evenings I do not go beyond my Roku box for watching television.

This raised another thought. When traveling I prefer either a Roku box, or my Roku stick to travel more lightly, as it has all the streaming services I use set up conveniently. It includes Amazon Prime, while some competing devices do not. I also do have both a Google Chromecast and an Amazon Fire Stick. (This comes in handy when staying in friends’ condos in Florida which have televisions in the bedroom and living room).  I have also found the Amazon Fire Stick essential when traveling to hotels which require a sign on to use their WiFi. Only the Amazon Fire Stick can handle this without resorting to making a hot spot with a travel router.

Danielle Panabaker of The Flash was on The Talk (video above). She discussed her transformation to the villain, Killer Frost.

All of the DC comic based shows have been off to a good start this season. Arrow, which just brought back Sara Lance to lead into Legends of Tomorrow, is much stronger this season, including a much bigger big bad. The flash backs are also more interesting with the return to the island. Plus someone will die in six months. Supergirl officially starts this upcoming week. The pilot, which has been available for months, was excellent and those who like The Flash and Arrow should also like this show. Over at Fox, Gotham has turned much darker, and is showing more potential than in the first season.

Also notable in the past week, You’re The Worst, while it has not been as  good as the first season, has had many excellent moments. This included the revelation of  what is wrong with Gretchen last week.

Hulu has renewed Casual for a second season. I highly recommend that show. I have not watched The Whispers, but I note that ABC has canceled it. CBS has ordered a full season pick up of Limitless. It is a lighter but entertaining show with a genre element.

Bernie Sanders Back To The Future

I previously posted the video of Bernie Sanders on Jimmy Kimmel Live last week. Christopher Lloyd (Doc Brown) was also a guest, along with Michael J. Fox,  for an opening skit for the date he came into the future in Back To The Future 2. Bernie Sanders posted the picture along with this caption on his web page:

“Tell me, future boy, who’s President of the United States in 2017?”
Bernie Sanders.
“Bernie Sanders?! From Vermont?”

So this our destiny. I think this is a fixed point in time which cannot be changed.  The skit with Christopher Lloyd and Michael J. Fox is below:

Speaking of time travel, Simon Berry has provided some information following the  Continuum finale. I will hold off a little longer to discuss the finale a second time to allow more time to see if further material of interest becomes available.

Gilmore Girls revival

Plus we have something else from the past to look forward to. Netflix is planning a revival of Gilmore Girls. The current plans are for four episodes, ninety minutes each, which take place in real time, eight years after the finale. We will finally see the final four words planned for the show by Amy Sherman Palladino.  While not finalized, Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson, along with many of Rory’s suitors, are expected to appear. Edward Herrmann obviously will not appear but perhaps the funeral for Richard Gilmore, taking place after the actor actually died, could be a good point at which to reunite the other characters. The series ended with Rory Gilmore covering Barack Obama’s campaign in Iowa. Might she now be covering  Bernie Sanders?

This will not be the only case of Lauren Graham being united with a star from a previous show. She will reunite with Mae Whitman of Parenthood in an adaption of the The Royal We, a book on the courthouse of Prince William and Kate Middleton.

Maureen O’Hara died at age 95. From The New York Times:

Maureen O’Hara, the spirited Irish-born actress who played strong-willed, tempestuous beauties opposite all manner of adventurers in escapist movies of the 1940s and ’50s, died on Saturday at her home in Boise, Idaho. She was 95…

Ms. O’Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film “Comanche Territory” with the sentiment “Framed in Technicolor, Miss O’Hara somehow seems more significant than a setting sun.” Even the creators of the process claimed her as its best advertisement.

Yet many of the films that made the young Ms. O’Hara a star were in black and white. They included her first Hollywood movie, “The Hunchback of Notre Dame” (1939), in which she played the haunted Gypsy girl Esmeralda to Charles Laughton’s Quasimodo; the Oscar-winning “How Green Was My Valley” (1941), in which she was memorable as a Welsh mining family’s beautiful daughter who marries the wrong man; “This Land Is Mine” (1943), a war drama in which she was directed by Jean Renoir; and “Miracle on 34th Street” (1947), the holiday classic in which she played a cynical, modern Macy’s executive who tries to prevent her daughter from believing in Santa Claus…