SciFi Weekend: Hannibal; Orphan Black; Person of Interest; The Blacklist; Arrow; Agents of SHIELD; The Americans; Revenge; Alison Brie; Emelia Clarke; Porn Stars in Game of Thrones; Billie Piper; Nebula and BAFTA Award Winners

Hannibal Mason Face

The penultimate episode of Hannibal for the season, Tome-wan, wrapped up the current Mason Verger storyline and set the stage for next week’s confrontation between Jack and Hannibal, already shown in the season premiere. The scene in which a drugged Mason Verger was feeding his own face to Will’s dogs was among the more gruesome of the series. The episode also included fantasies of Hannibal being fed to Mason’s pigs.

Last week we learned that Will was working with Jack and was not really a murderer under Hannibal’s spell. This week they walked this back a bit, leaving Jack not entirely clear as to whose side Will was really on. I suspect that Will is still interested in helping take Hannibal down, but is not above keeping things from Jack, and was willing to work with Hannibal to see Mason Verger receive the punishment he felt he deserved after what he did to Margot. I also wonder if questions over Will’s loyalties leads to Jack setting himself up as bait and is the reason the two wind up fighting, as opposed to an organized FBI arrest.

The episode also included the brief return of Dr. Bedelia Du Maurier. Gillian Anderson managed to come in for six hour for filming between plains concluding Crisis and leaving to begin filming on The Fall. As a consequence, it was necessary to only briefly have her tell about her back story in which Hannibal persuaded her to kill a patient (partially in self-defense) as opposed to actually showing this, and it appears she has a much smaller role in the final take down of Hannibal than I previously predicted. While I wish we could see more of her on Hannibal, it was good news that she was finally going to film the second season of The Fall.

Fortunately Hannibal has been renewed for a third season and it won’t be necessary to shop the show around to other networks which might consider it, such as the Food Network.

Bryan Fuller discussed the conclusion of the Mason Verger storyline for this season, and the motivations of the characters involved:

Let’s talk about Mason’s drug trip. How was that conceived?
Fuller: 
It was directed by Michael Rymer, and it was fascinating to sit down and figure out how we were going to film this enhanced state of mind. Michael Pitt’s performance is so infectiously fun. I find it immensely enjoyable and very f—ed up in a thoroughly giddy way. I think the thing that Michael Rymer brought to the scene was a similar infectious sense of fun. He wanted it to be a carnival of sorts. He wanted to light sparklers in the room to create the things your retinas do when you’re under that much chemical oppression. He was the right guy to bring the drug trip to life and has the humor to make sure it is as fun onscreen as it can be.

Mason certainly seemed to be enjoying himself even though he was cutting off his own face!
Fuller:
 [Laughs] Michael Pitt was having the time of his life with this performance. And there’s something between Hannibal and Will in that moment that is very playful, which is perhaps a strange word to use in that context. But there’s a gamesmanship afoot because Hannibal essentially says, “I got him to cut off his face. Your turn.”

However, Will needs Hannibal to commit this murder so they can arrest him, but Hannibal only breaks Mason’s neck. Is Hannibal on to Will or is he keeping Mason alive because of Margot’s financial dilemma?
Fuller:
  Hannibal’s response is all of those things. It’s a gesture toward Margot to give her some control in her life. And also, he doesn’t kill him completely because, as he has said and will say again to Margot, the best therapy for her is to kill her brother.

And I assume Mason doesn’t tell Jack the truth because he too has some of his own twisted plans for Hannibal.
Fuller:
 Mason does not want Jack Crawford to deliver justice to Hannibal. He wants to deliver justice his own way. This is all now a very particular game for Mason, which I am hoping to explore much more of in Season 3. Episode 12 completes the Verger arc for Season 2 and sets up the Verger arc for Season 3.

Orphan Black Sarah Helena

Ipsa Scientia Potestas provided more information on the development of the clones and, as usual for an episode of Orphan Black, raised more questions than it answered. Rachel joined characters on shows including Agents of SHIELD, Revenge, and The Blacklist with presumed dead fathers who are or might be alive. We found that Rachel has a monitor just like the other clones, but she is in a special position giving her more power. Paul, after not being seen much this season, has become more important after Rachel chose him to replace Daniel as her monitor, among other things. While Orphan Black doesn’t compete with Game of Thrones in terms of rape scenes, the scene in which she forced Paul into having sex with her will remain one of the more memorable scenes of the series. Paul does now have three notches in his clone belt. I’m hoping they manage to find a way to get him involved with Alison next (who was totally absent from this week’s episode). Paul’s motivations remain unclear as he is being blackmailed into cooperating. This week he went along with the plan to frame Felix for murder in order to gain control over Sarah but in future episodes it would not be surprising to see him help Sarah against Rachel if the opportunity were to present itself.

You can never be certain as to which side a character is on. Helena has been transformed from crazy murder to crazy murderer who does care about her twin sister Sarah. Leekie looks far more like an ally for the Clone Club, even being at odds with Rachel over some matters, compared to last season. I suspect that he intentionally sent Delphine the email on the stem cell tests to help Cosima, contrary to Rachel’s view of Cosima as expendable. It has become clear that, as suspected, Cal is hiding something after we saw his stash of weapons, cash, and fake ID. However, for the moment I trust Kira’s intuition and if she trusts him I will assume for now that he can turn out to be helpful to Sarah.

On the other hand, the Proletheans are clearly evil. If there was any doubt, this was eliminated when they sewed Gracie’s mouth closed for telling a lie. Now it looks like Gracie will become the surrogate mother following Helena’s escape.

The Hollywood Reporter interviewed Bruce Dylan (Paul) about his character’s motivations and the sex scene with Rachel:

The episode’s big “wow” moment was Rachel and Paul’s sex scene.

When I read it on the page, I had never seen anything like this on television before. It’s amazing how quickly Tatiana [Maslany] jumps into all these different characters and how immersed she is in each character she’s playing. Our director for this last episode, Helen Shaver, she’s very good in the realm of sexuality. She knows how to bring the sexy out of her actors. A lot of the moving parts in that scene were added by her. It’s almost like Rachel’s inspecting Paul like he’s a derby horse — looking at his teeth, making sure that he’s clean and worthy of her. It seems like she has a lot of suppressed sexual energy and very kinky as well. I was anticipating that they’d have whips and chains in the room. (Laughs.) I called her Fifty Shadesof Rachel. I thought she would have some sort of sex room with a swing or something. That scene was absolutely brilliant. It’s very sexy on a completely different level than other sex scenes that I’ve seen on television. It’s weird and sexy at the same time.

How is Paul adjusting to his new role as Rachel’s monitor? Will he be taking advantage of his current position?

He’s in a situation right now where it’s definitely to his advantage. The fact that Daniel is out of the picture, Paul’s not a disposable asset anymore. Now he can become a usable force. That helps him out and helps him progress his own cause. It seems like he’s being blackmailed into doing this, but there is something much bigger that this guy is involved with. That’s about all I can say about that. He would want nothing more than to burn the Dyad corporation to the ground, I think.

There’s an interesting power struggle between Dr. Leekie and Rachel and Paul’s stuck in the middle of it. Out of the two, who does he have more allegiance to?

Neither. This is another great thing for him. He can answer to two masters. That allows him to play both of them at the same time, but it’s a slippery slope. He has to walk that tightrope between the two of them. It’s almost like he’s waiting to see who comes out on top. He’s maintaining that guise where he’s tied to both of them, but in reality, his allegiance is going to lie with the one who wins in the end. He’s not going to pick a losing team, that’s for sure.

Speaking more specifically about the Felix matter. Does Paul have any ounce of guilt over putting him in jail?

When I read [the scene], I thought “Oh my god, this is going to be really hard to play with Jordan [Gavaris]” because I love Jordan so much and I love the character of Felix. The way I was playing it, I was trying to show the least amount of emotion because Paul’s a pretty stoic character. [Paul] was not pleased at all with having to do what he had to do. That was a necessity to do that. When he takes the gun out of the bag and Felix is like “What are you doing Paul?” it was more like an air of disappointment. If Paul didn’t do it, [Rachel] would have gotten rid of him herself.

It was dropped in that Paul has slept with three clones: Beth, Sarah and now Rachel. Is that notable?

When he slept with Beth, he was blackmailed into being her monitor and her boyfriend, or he could have faced military trial or the death sentence or life in prison or who knows what. When he slept with Sarah, she initiated the intimacy and now he sleeps with Rachel, she again initiates the intimacy. So he’s definitely not a prude but he’s definitely not the aggressor in the situation. (Laughs.) I don’t know how much you can say “Paul gets around” because it seems these clones are the aggressor in these situations. It’s so empowering because we have a brilliant female lead and all these brilliant female characters, it’s almost like a role reversal.

You’ve hinted several times that Paul has an agenda. How soon before what he’s been plotting is revealed?

You’ll find out this season tidbits, just snippets of it. That will [lead] to the next season. He’s very mysterious, isn’t he?

Another interview with Bruce Dylan at TV Line gave more evidence of Tatiana Maslany’s acting talents:

TVLINE | What was it like to film that scene? You’ve worked with Tatiana [Maslany] before, but it was as Sarah. Now you’re working with her as Rachel, and she’s this completely different animal.
You’re absolutely right. We all know how brilliant Tatiana is and how great she is. But when she is in these characters, she is firmly immersed in that character. You don’t feel as an actor, acting opposite of her, that she’s Tatiana playing a different character. She is Rachel. She is Sarah. It’s very easy to act opposite her because she is 100 percent into her character at that time. It’s a wonderful thing for an actor to do, because she’s so easy to react off and she’s so spontaneous.

That scene, how it was written on the page was actually different than how we performed it. Our director, Helen Shaver, she’s wonderful and she’s very good at bringing the sexy out of her actors with wonderful notes and directions. There were a lot of moving parts to that scene that she added in for both Tatiana and me. It made the scene a lot creepier than how it was on the page. And it made it a lot steamier at the same time. I’ve never seen a scene like that on television before.

TVLINE | Is it bizarre having love scenes with the same actress, but as two different characters?
She’s so good – that’s the first time anybody’s asked me that question, which is amazing – that has never once entered my mind. She is so into that character, it’s so easy to differentiate between the two. I don’t feel like it’s Tatiana playing a character. I actually feel like “Oh, this is really a person. [Laughs] This is really Rachel.” It wasn’t hard at all.

While Tatiana Maslany deserves most of the credit for making each clone seem like a distinct character, she does get some help. Yahoo interviewed the makeup and hair stylists for Orphan Black who explained how they make each clone seem different. Rachel takes the longest, and they use the most expensive cosmetics on her. As I had expected, it is intentional that Helena’s dark roots show despite her bleached hair.

Deus Ex Machina

There were several season finales last week. Person of Interest has totally changed the character of the show. Instead of achieving a true victory, Root had to settle for creating seven blind spots in Samaritan for herself, Shaw, Reese, Finch, and the three tech nerds. They had to separate, but Samaritan could not identify them. Presumably some of them will find a way to reunite to work together in some way next season. It is more questionable if they will continue to have episodes based upon a number of the week received from the Machine. Carter was already killed off last season when the show became less of a police procedural, and there also appears to be less of a role for Fusco. He was at the center of the stories related to HR, but he is not even aware of the existence of the Machine which drove so many of the cases he was involved with.

I wasn’t completely surprised, but was somewhat disappointed, that Vigilance turned out to have been created by Decima to create a false crisis to convince the government to go ahead with Samaritan. Greer might be deceitful, and his actions dangerous, but his motivations are not totally evil. Rather than seeking power for himself, he seems to truly think that it would be a good thing to place a super computer in charge of humanity. At the end, rather than giving Samaritan his orders, he told Samaritan it was about what it commanded. Clearly nothing good could come out of this.

Over the course of the first few seasons of Person of Interest, the real world caught up with the show as we learned about NSA surveillance. Now the show has leaped ahead of where we currently are, enabling it to provide a warning about where we might wind up.

In an interview with IO9, Jonathan Nolan talked about plans for next season and explained why New York is actually a good place to avoid surveillance:

In the first two and a half seasons of the show, New York and the city’s politics were a big part of the narrative. We had HR and the deputy mayor, and Elias and the gangs. Are we ever going to circle back to that? Are we going to get back to the politics of New York in this new surveillance dystopia you’ve created? Is Elias going to be back?

JN: Absolutely. We’ve always — hopefully in a good way — vacillated back and forth between the more metropolitan storyline and the Machine, or kind of global, storyline. Because the great thing about New York is that it’s both. It’s the kind of center of the world, in so many ways. But it’s also its own rich kind of arena. And Finch and Reese and Shaw, and now Root, and Fusco, are going to continue to be inveigled into local politics, and certainly local crime, every bit as much as they have up to this point. The people they’re trying to save every week. That storyline continues. That Machine still spits out numbers. And it’s going to be spitting out even more of them. So we’re doubling down on both fronts. We’ve always taken with, and fascinated by, the idea that within New York City, you have a bounded infinity of stories. So we never want to step away from that. We just want to keep raising the stakes on both levels.

And in this new A.I.-enabled world, whoever rules the big cities like New York has more power, because the big cities are where the infrastructure and the intelligencia are. So it becomes even more of a microcosm of the global power struggle.

JN: Yeah, absolutely. And ironically, New York, which is the most heavily surveiled place in the world, becomes one of the few places in the world to hide from surveillance. There was this awful but fascinating story from three years ago, when we were shooting the pilot in New York. There was a serial killer operating out on Long Island — in fact, I think this was the same one who was dumping his bodies not far from where we were shooting a stunt sequence. And this is awful, but he was making phone calls to some of the victims’ relatives using their cellphones, but doing it from Times Square. Because he or she, or whoever this villain was, understood that Times Square is one of the few places in the whole wide world where you can make a phone call on a cell phone that’s being trace. And when the authorities try to match up that phone call to surveillance footage to see who made the call — and try to match a person to a phone call, essentially — it’s impossible. Times Square is filled with hundreds of thousands of people on any given afternoon, all of whom have a cellphone. So it’s that hiding in plain sight. New York ironically becomes the only place in the world where you can hide from the surveillance state, even while being the very epicenter of it. So for us, the perfect arena for this fight that’s going to take place.

I was less excited by the first season finale of The Blacklist as it essentially reset the show back to where we were, with a new villain. There was little drama in Lizzie saying she would no longer work with Reddington as I had no doubt that she would not hold to that. Besides, why was she so surprised to learn that Red is a monster when he was telling her that he is one all along? The show is entertaining and worth watching due to the terrific job done by James Spader, which more than makes up for the weak job done by Megan Boone. The scenes with Alan Alda are an additional plus, even if it is not clear who exactly he is and why he was able to order that Reddington be allowed to escape in the finale.

ARROW

Arrow had the spectacular comic book ending that was expected, managing to bring back many of the characters seen over the course of the series. They did add some questionable drama to an already difficult situation by having ARGUS threaten to blow up the city to contain Slade’s army. As there were only fifty of them, and Oliver did ultimately get the cure, it would have seemed more reasonable to guard the exits to prevent any from leaving, and then moving in with enough force to overpower them should the cure fail.

Previously when we learned that Oliver had a cure back on the island, there was speculation that Oliver’s decision to kill as opposed to try to cure Slade might have been the real motivation for his vendetta against Oliver. In the flashbacks it was clear that by the time this occurred Slade’s views were already set, and this really was all about Shado.

The cure did work on Roy in the present, leaving him in a situation to work with the Arrow next season. When he had super powers, even before going insane, I had questioned how it could have worked to have the sidekick be more powerful than the lead. This will no longer be a problem. Sarah left with the League of Assassins. She might return, but she also left her leather jacket with Laurel. Is this the first step in her becoming the Black Canary as in the comics? Their father was restored to the rank of Detective, but it is not clear if he will survive into next season.

The flashbacks on the island seemed to have concluded their story, but the episode ended by showing how this will be handled next season. Oliver woke up in Hong Kong to be greeted by Amanda Waller. This could provide for some interesting stories in flashbacks. Eventually we know that Oliver has to wind up alone on the island to be rescued as on the pilot. Perhaps he really became stranded there again, or perhaps this was set up to allow for him to be rescued without any ties to ARGUS.

Felicity has become a huge favorite among fans since she was added to the show during the first season. The two of them tricked Slade, taking advantage of the cameras he hid in the Queen mansion earlier in the season to have him see Oliver say that Felicity is the one he really loves. Both Stephen Amell and Emily Bett Rickards have told E! Online that they don’t think this was entirely an act. Of course there is little doubt that they will drag this out for a long time before ever having the two get together.

Agents-of-SHIELD-Season-1-Finale-Coulson-Writing-on-Wall

I was glad that there was no redemption scene for Ward, as many feared would occur in the season finale of Agents of SHIELD. While he couldn’t bring  himself to outright kill Fitz and Simmons last week, like he couldn’t kill the dog he was stranded with, he did leave them in a situation which Fitz may or may not survive from. My bet is that Fritz will survive considering how Coulson and Skye came back after being in even worse shape. Their rescue once they got off the bottom of the ocean was too simple, but I doubt that many viewers cared at that point once distracted by the appearance of Nick Fury. There was no explanation as to where Fury got that medical team.

I wonder where the show will go next season with SHIELD disbanded. Nick Fury did  make Coulson the new head with instructions to restore the organization, but it is not clear how much that really means with Fury no longer having any authority (and presumed dead). At least the group has a new base, already supplied with a new Koenig, played again by Patton Oswalt. Is he a twin or a Life Model Decoy?

Much of the back story about TAHATI has now been explained, but there are still mysteries with Marvel fans tying the alien blood into other areas of the Marvel universe including the Kree and Inhumans. We will have to wait until next season to learn the meaning of what Coulson was drawing. Syke’s back story should also be explored more, especially now that it appears her father is alive.

The Americas s02e12

On The Americans, it is not entirely clear why Larrick is after Jared but he is close to finding him. Most likely he knows that the last tie to Emmet and Leanne will either allow him to find those helping him or be useful bait for those he is really after. Regardless of Larrick’s plans, there is no doubt to Elizabeth and Phillp that Jared is in danger because of his parents, potentially placing their own children in the same type of danger.

It is rare to have a show where the storyline involving secondary characters can be every bit as interesting as when the leads are on screen. This is the case with Stan and Nina. Instead of turning to Stan to save her, we learned that Nina was still working with the Russians to trick Stan into turning over the Echo program. If Nina was smarter, and not currently as loyal to Russia, she might have immediately told Stan that he had to get her elsewhere to hide as opposed to allowing Arkady to put on his show. Contrary to how he initially appeared, Oleg has turned out to be the one most concerned with saving Nina. If Stan doesn’t turn over Echo, it is questionable if the Russians would give her an opportunity to get away with the money which Oleg gave her.

Other characters were very perceptive this week. Henry was right to be concerned about how The Wrath of Kahn would turn out after the first Star Trek movie, but he will learn there was nothing to worry about. Two other characters showed that they aren’t completely fooled. Paige questioned what type of emergency Elizabeth could have as a travel agent requiring her to run out at night. It is hard to believe that she won’t eventually figure out what is going on. Will she accept what her parents are doing as Jared has regarding his parents? Martha figured out that Clark wears a toupee, even if she is foolish enough to turn all those documents over to him. Perhaps she will ultimately take the blame for the documents which Stan gave to Oleg, helping Stan to remain above suspicion.

Revenge

Revenge did a reboot as major as that on Person of Interest. It was about time, as they had dragged out the storyline about Emily seeking revenge on the Graysons for framing her father for far too long. Reducing the number of characters should also help as things have become far too convoluted. It will take a good story to explain how Emily’s father has been alive all these years, and it will be interesting to see her reaction to finding that he is alive. He better have a good explanation for not contacting her before now. E! Online has an answer to the bigger question as to where the show is going next season:

That #Revenge finale was INSANITY! Is the show really going to be Victoria as the revenge-seeker now?
From what we know, yes. Emily will be living in Grayson Manor and Victoria will be the one narrating the show and out for revenge, wanting to take down Emily/Amanda and make her pay for everything she lost. Pretty big game-changer! And by the way, we hear another main character will be written out next season. Perhaps the biggest cast departure yet.

Of course Emily will still have reason to see revenge after the murder of Aiden, and it is hard to imagine a bigger departure than Conrad (assuming he is really dead). More on Revenge at The Hollywood Reporter.

Alison-Brie

There is a huge amount of other news this week regarding renewals, cancellations, and new shows in addition to all the finales. I’ll hold off on news related to next season for another week when there isn’t so much other material to write about and end with just a few briefs.

Unless they manage to revive Community for a sixth season on another network, it appears we will not see more of Alison Brie on television now that it appears that Pete Campbell moved on to California without her on Mad Men. Alison Brie will be staring with others better known for their television roles in an upcoming movie Sleeping With Other People:

Former “SNL” star Jason Sudeikis, “Community’s” Alison Brie and “Parks and Recreation’s” Adam Scott are assembling for the upcoming comedy from Sidney Kimmel Entertainment.

Amanda Peet, Jason Mantzoukas and Natasha Lyonne will also star in the film from producers Adam McKay and Will Ferrell.

“Sleeping” centers on two chronic cheaters — played by Sudeikis and Brie — who attempt a non-sexual relationship in order to conquer their lustful ways. The press release says it’s “in the vein of ‘When Harry Met Sally’…but with assholes.

Update: Pete Campbell made a trip to New York this week and Alison Brie did appear.

Emilia Clarke of Game of Thrones and Nicholas Hoult of X-Men: Days of Future Past  will play Bonnie and Clyde in Go Down Together.

A former porn star writing at The Daily Beast gave some reasons why Game of Thrones might like to use porn stars:

1. A porn star is always willing to take off her clothes and there will never be a nudity clause in her contract.

2. They’ve put in their 10,000 hours and know how to fake passionate sex with the best of ‘em.

3. It’s sad but true: porn stars work cheap! Since nude is their norm, they won’t ask to be paid extra to be naked.

4. In a way that mainstream actresses sometimes fail to capture, porn stars always look very comfortable sitting around nude for the duration of a scene.

5. With all of that skin-on-skin action, things, well, pop up. Porn stars aren’t squeamish about their fellow actors getting aroused. They tend to be very understanding.

billie-piper-penny-dreadful-460x624

In somewhat related news from another premium cable network, former Doctor Who star Billie Piper promises “loads of sex” in Penny Dreadful.

The winners of the 2013 Nebula Award winners have been announced. Ancillary Justice by Ann Leckie won as best novel. Gravity won the Ray Bradbury Award for Outstanding Dramatic Presentation. While Gravity beat The Day of the Doctor for this award, the episode of Doctor Who did win a BAFTA Television Award for Radio Times Audience Award (Voted For By Members Of The Public). Broadchurch won a BAFTA as Best Drama. Richard Ayoade and Katherine Parkinson won awards for their roles in The IT Crowd.

Terra Nova was one of many science fiction shows which did not survive long on Fox (including Almost Human this season). Those interested in dinosaurs in the real world as opposed to the fictional world of Terra Nova might be interested in this report on the biggest dinosaur ever.

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SciFi Weekend: Hannibal; Orphan Black; The Americans; Agents of SHIELD; Community; Arrow; Continuum

Hannabal s02e11

Ko No Mono is the beginning of the end for Hannibal, now providing a clear path to the scene in the season premier with Jack and Hannibal fighting. Alana Bloom has been terribly under utilized this season but played a key role in this episode. She represented the audience, expressing the same questions I had from the perspective of a character on the show.

Last week’s episode left two possibilities. Either Will had killed Freddie Lounds and Hannibal has succeeded in turning him into a monster, or there is an elaborate scheme to expose and capture Hannibal. My view of the show would be forever changed if it turned out that Will has become like Hannibal and no longer a sympathetic protagonist.  Alana’s question was limited to wondering if Will had killed Freddie, and the answer to that would provide the viewer with the answer to what we were wondering.

It is a common axiom in reviewing genre shows that if there is no body the victim very well might still be alive. Bryan Fuller really played with the audience on that one.  We got funeral, and saw a burning body which could not be confirmed as Freddie’s visually by the audience, but which provided possible confirmation to those aware of her fate in the novels. Of course Fuller has displayed a tendency to take aspects from the novels but alter them or have them occur at different times to keep things interesting. Once Jack “verified” that the body was Freddie’s from dental records it became even more clear that Freddie was dead or there was a very elaborate scheme, which would have to include Jack along with Will, to fake Freddie’s death.

This question was answered with another question, with Freddie asking Alana, “How was my funeral?” Alena seemed so distraught over the situation that it was hard for Jack not to let her in on the secret, but this might be a big mistake. Even assuming that Alana doesn’t intentionally give away the secret, there is too great a risk that Hannibal will sense that something is wrong. Perhaps that is why the season ends in a fight as opposed to a more organized arrest.

The other theme of the episode was parenthood and surrogate parenthood. This included a look back at Abigail, Hannibal’s perception of fathering a new Will who has adopted his views on killing, and sadly Margot’s terminated pregnancy. Mason Verger is turning into the even bigger villain of the season.

Hannibal freddie-lounds1

Bryan Fuller discussed the revelation that Freddie was alive and Margot’s desire for children:

AVC: So the end of this episode reveals that Freddie’s alive. Jack is in on the plan somehow. How cognizant are you of not letting those story points stretch out too long?

BF: We had originally talked about, gosh, how long can we keep Freddie dead? Because we wanted to make sure that the audience felt that she was dead, and that’s why we used the flaming wheelchair. Those who are close to the material know that is how Freddie Lounds goes out, so we wanted to make sure that the audience felt that she was dead, and that the funeral was a real funeral. Also, telling the story through Alana’s eyes as she’s like, “What the hell is going on with everybody?! Everybody’s lost their minds!” and to really feel that kind of mounting panic and dread that she’s experiencing. We felt like to clear the path for episode 12 to really be the final episode with the arc between the triangle of Will, Mason, and Hannibal, we really needed to wrap that up by the end of 11 and put all of our cards on the table at that point. What I think is really fun about using the wheelchair death is it tells the audience that, oh gosh, Freddie very well may be dead, because they used the actual way that she dies. But in a fun way, I loved forecasting the moment between Hannibal Lecter and Francis Dolarhyde in the Red Dragon story where Hannibal Lecter is part of Freddie’s demise and says, “If you’re going to kill Freddie Lounds, this is exactly how she has to go out, because she faked it once and I’m not particularly happy with her for that.”

AVC: Why does Margot want to have a child with Will?

BF: That was a big element of the novel, was Margot’s desire to have a child and I thought, “Well, wouldn’t it be interesting if Will Graham became the device to achieve that goal?” That way, we had elements of the future story that we had recombined with other stories so they felt distinct from the novel but reflective of the novel at the same time. I think it goes back to that Thomas Harris mash-up DJ aesthetic that we have with this show, where we’re pulling elements that suit us for any given story and then mixing them in as needed. It also felt like a clever way for Margot to get back at her brother. We knew from the book that Margot had been cut out of her father’s will for being a lesbian and not being able to breed, and the stipulation had been put into the will that only an heir proven to be of the blood of the Verger clan would be deemed legitimate. So it set into motion a very crafty plan of Margot’s, “Well, I’ll get pregnant and once the baby is born I’ll kill my brother, and I will not have to deal with him anymore or his evil ways.” It felt like she was being very crafty, and she’s waving her uterus around like a loaded weapon. So that felt like it was part of the new Margot and part of her new agenda for dealing with her brother and also giving her a little bit more strength. Also, it puts her clearly on the chessboard as one of Hannibal Lecter’s pawns, and he is now influencing and moving her piece around to suit his greater agenda.

Fortunately Hannibal was renewed for another season. NBC sadly canceled Community, giving us the darkest timeline, with fans hoping someone else will pick up the show. SpoilerTV doesn’t think it is likely to happen. At least the show went out with an excellent season with Dan Harmon back. I think NBC did make the right move in deciding to permanently turn out the lights on Revolution. There is a lot of other news regarding cancellations, renewals, and new shows picked up, but being a holiday weekend I’ll hold off on most of the other news until a later post. I’ll also be brief in looking at the other shows this week.

ORPHAN-BLACK Helena

In other genre shows of the week, Orphan Black provided more information on Mrs. S. and Project Leda. Alison is in rehab, we learned whether Helena could have children, and there was a reunion of sisters. Orphan Black c0-creator Graeme Manson discussed the reunion scene:

ENTERTAINMENT WEEKLY: Let’s start with what has to be the creepiest sisterly reunion ever — one in a bloody white wedding dress and the other bleeding and in handcuffs in the bathroom. You’re a sicko, Graeme.
GRAEME MANSON: Homage to Carrie, all the way. The director did a great job with that scene and it’s right up the alley of what John Fawcett and I really like. It really slips into horror mode there and we like that the show has that elastic tone that we can do that. We expect a lot of Helenas in bloody wedding dresses at Comic-Con this year. It’s a truly freaky and wonderful scene, and just the fact that it has that horror and its broken by the sisterhood and by forgiveness is one of the great clone-on-clone scenes we’ve done, I think.

EW: You can feel and read the terror on Tatiana’s face as Sarah in that scene. Just an unbelievable job she does in that moment.
MANSON: It was. And it was a really hard scene for the crew to watch, because Tatiana really went there. It was scary. She was scaring the whole crew. And then you yell “Cut!” and everyone just has this ball in the pit of their stomach and Tatiana recovers immediately and is immediately smiling and laughing.

Americans Stealth

Larrick  has turned into the big bad for the season on The Americans, and is getting closer to Elizabeth and Phillip. With no progress finding out who murdered Emmet and Leanne, I wonder if Larrick’s earlier denial should be believed. Of course there are still two episodes in which to advance that storyline.

I was  sad to see Kate go, but she was clearly over her head. Now I wonder what the deal was with Jared, between Kate meeting him with no disguise and her encoded note to “Get Jared out.” I suspect he knows about his parents, and possibly realizes who Elizabeth is. Is he already working as a spy with Kate his handler?

Nina made the obvious move of turning to Stan for help in avoiding a forced return to Russia to stand trial. Will she take the next step in convincing him to get the information on Echo for her so that the two can remain together, as opposed to Nina going into hiding?

CLARK GREGG, MING-NA WEN

Agents of SHIELD presented Grant’s back story, and it was rather disappointing. Being left out in the woods was not the type of training I expected. Just because he spared the dog should not mean that he gets to be redeemed as a good guy in the end, but I suspect that that might be where the show is going. Sparing Fitz and Simmons is also not enough (and might be considered two points against him). Besides, evil Grant is a much more interesting character than the Grant we saw most of the season.

Skye has also improved as a character in recent episodes, actually showing that she has some skills. The story with Cybertek was also weak, but I suspect this was set up for the season finale, in which Nick Fury returns. After a run of excellent episodes I can forgive this one, although if they didn’t have a better back story for Grant it might have been better just to leave it out.

It looks like Arrow is getting ready for a comic book style big battle with Malcolm Merlin and the League of Assassins joining up with Team Arrow to take down Slade.

It also looks like Person of Interest and The Blacklist will have big season finales this week.

For those watching Continuum on Syfy, it might seem like things aren’t moving very fast this season, but big things happen on the next two episodes which have aired in Canada. No spoilers.

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SciFi Weekend: Hannibal; Orphan Black; Agents of SHIELD; Arrow; The Americans; Fargo; The Big Bang Theory

Hannibal - Season 2

Nako-Choko began as an extension of last week’s episode of Hannibal in which Will Graham was placed in a position where he was forced to kill. There were other events including first seeing Mason Verger and viewing parallel sex scenes. One involved Will and Margot Verger and the other was between Hannibal and Alana Bloom, morphed into a threesome.

Freddie Lounds was convinced that Hannibal Lecter is the Chesapeake Ripper and Chilton was framed, but Freddie saw too much. For a moment I thought she was better off to have been discovered by Will instead of Hannibal in a scene which reminded me of Grace’s final scene before she was killed. Instead it appears that Will has morphed into Hannibal, including bringing a part of her to be prepared by Hannibal for dinner.

There was a strong suggestion that this occurred but we did not actually see Will kill Freddie, raising some suspicion that she is actually alive and Will is engaged in a plan to trap Hannibal. Interviews with Bryan Fuller suggest that Will did kill Freddie, but it is possible the is engaging in misdirection to avoid spoiling future events on the show. First from TV Guide:

But he seems to be enjoying the killing. Is he still playing the long con?
Fuller:
 In order to really seduce Hannibal and also blur the lines between who Will is and what he needs to become in order to catch Hannibal, he’s sacrificing his humanity in some ways to get the truth. Up until the end of Episode 10, Hannibal has said nothing that is actionable and has not been demonstrative in any way with his own murders. He’s not going to put himself out there until Will makes it a safe bet. We needed Will to take a life. And of all the characters Will might want to kill, Freddie was the first one to get what was coming to her in Will’s mind.

Are Will and Hannibal definitely eating Freddie? I was hoping otherwise until Will referred to the meet as longpig, which is a phrase I wasn’t familiar with.
Fuller:
 [Laughs] I guess you’re not hanging around the right cannibals.

So, in your mind that makes it clear what Will has done to Freddie?
Fuller:
 It’s pretty clear. Will has gone to the dark side and we should be fearing for him. It is very much a slippery slope for Will Graham because he is taking lives and that changes the way you think and interact with the world. We set up the theme of rebirth in Episode 8, and in 10 and 11 we’re very much exploring the child that has been born out of this unholy union between Hannibal and Will. How are they going to foster and feed it?

They discussed the sex scene:

Let’s talk about that “foursome.” That has to be the weirdest sex scene I’ve seen on TV in some time.
Fuller:  
I wanted to have a Dead Ringers moment where you have two Jeremy Irons flanking Geneviève Bujold. And I wanted to have this triangle between two heterosexual men who are getting so intimate with each other, but because they’re heterosexual, they have to make love via proxy. I wanted Alana to be kissing Hannibal and the camera would follow her as she turned her head and she’d be kissing Will all in a single shot. The lines between the two sex scenes would blur. Our director, Vincenzo Natali, came to me a day before and said, ‘Can I put the Stag-Man in there or is that too weird?’ I said, ‘[Deadpans] Not too weird. Do it.’ [Laughs]

What did you want it to mean for the characters?
Fuller:
 I felt like it was an interesting opportunity for us to reestablish that Will was still pining for Alana [Caroline Dhavernas]. Even though he was having sex with Margot [Katherine Isabelle], he was still fantasizing that he was having sex with Alana. Intercutting that with Alana having sex with Hannibal, and the lines between those two sex scenes blurring so Hannibal and Will would be sharing a bed together, felt like it was representative of where we were psychologically with these three characters. Even though it’s primarily in Will’s head, it felt like it was where the characters needed to be to express the disturbing quality of their relationships.

What is behind Margo’s attraction to Will?
Fuller:
 She sees herself in Will and Will seems himself in her. We have two characters who are in similar situations finding themselves in need of a friend that is not Hannibal because neither of them trust that guy. With Margo and Will, there’s a trust. These are two characters who are keeping each other’s confidence from Hannibal.

Hannibal - Season 2

The other key aspect of the episode was the introduction of Mason Verger:

We finally met Michael Pitt’s Mason Verger in this episode. How did you approach creating that character?
Fuller:
 We wanted him to be the Joker to Hannibal Lecter’s Batman. With Michael Pitt, I found his take on Mason to be charming and despicable, and yet I liked him as a person. And I needed to like Mason in order to write him because I didn’t want to necessarily write the character in the book who raped his sister repeatedly her entire life. I can’t get excited about sitting down and writing that character if that’s the core of him. So, we changed his pedophilia and serial raping into a general sadism and curiosity of mankind that could more closely parallel Hannibal’s curiosity with mankind. Mason is constantly introducing choices for the people that he manipulates that hold a little more curiosity. He loves to push buttons and see how people will react to various stimuli in their lives.

The antagonism between Mason and Hannibal was almost instantaneous. Will you tell the story of their relationship fully this season, or do you expect to see Mason back in Season 3?
Fuller:
 The story line with Margot and Mason and Will and Hannibal crescendos in Episode 11, and it leaves way for Mason and Will and Hannibal to deal with each other more directly. These characters are outside of the psychobabble world that we’re usually contained in and give us this — I was going to say breath of fresh air, but it’s not exactly fresh;  it’s rotten — different energy for the second half of the season. We will deliver how Gary Oldman ended up looking the way he did in the Ridley Scott movie playing Mason Verger, but I would love, love, love to have more of Michael Pitt and Mason Verger in Season 3.

There were questions on Twitter regarding Will and Margot sleeping together considering that Margot is a lesbian. Bryan Fuller had no problem with this from Will’s perspective: “I asked straight men on the crew if they would sleep with a hot lesbian if she came knocking on their door and they said yes.”

Hannibal the-threesome-found-it

More on the sex scene in an interview with AV Club:

AVC: Where did the idea to throw Margot and Will together come from?

BF: Well, actually, the idea of throwing Margot and Will together came very early on. When we started talking about Margot’s character in the writers’ room, there was a faction of the writers’ room that was like, “She should be heterosexual, and we should write this stormy love affair with Will and Margot,” and I was like, “That is so diametrically opposed to who she is in the book.” You know, there’s a bit of an affair with Barney and a dalliance, so I got it in some way. But the pitch that kept on getting thrown around the writers’ room is that she was heterosexual, and this was an opportunity to get a lot of sex in the show between Will and Margot and I just thought, “I hear you on the sex part.” [Laughs.] “But let’s make it more in line with who the character is and what the character’s agenda is.”

One of her agendas in the novel Hannibal was to have a child. She couldn’t have a child, because her uterus was destroyed by steroids, and she was barren as a result, and that was all kind of a byproduct of her brother’s abuse of her, that she destroyed her femininity as a result of that. There was this miasma of elements between Margot wanting to have a child and the inability to have a child at that stage of the story that we were kind of combining in various ways. It also seemed like it was a good place to remind the audience of this rebirth and how Will Graham has been descending into this very dark place that has to do so much with death.

AVC: The sex scene takes up the bulk of an act of the show and seems to showcase how the boundaries are blurring between all of these people. What was the impetus behind that being a centerpiece of the episode?

BF: The first sex scene that we had in episode eight, the simple one between just two people, Hannibal and Alana, was something that I’d been wanting to do since episode six. We actually had a couple of directors who were terrified of it, because what I was describing was taking a sex scene that was as innovative as, say, the sex scene in Fight Club and finding a way to produce it on a television budget. Because the Fight Club sex scene, between Helena Bonham Carter and Brad Pitt, was wackadoodle and a combination of CG naked bodies and all sorts of fantastic, elaborate controlled camera movements that I think took two or three weeks to shoot because of how detailed it was.

So every time I talked about the sex scene and how I wanted it to have that out-of-body, ethereal feel to it, one director flat-out [said], “I don’t know how to shoot that,” and another director was like, “That’s going to take forever to shoot the way you want it,” and then Vincenzo came along and was like, “I know how to shoot that.” And he did a beautiful job. Then, of course, coming around to episode 10, Vincenzo Natali was back up to bat and was so excited about doing an expansion of his Hannibal sex-scene vocabulary by just throwing more people into it.

I knew that I wanted the barriers between all of these characters to come down in a way that they are very intimately involved in the conspiracies that are afoot and that the sex scene is very much a psychological one. That was important to me: to have a deeply psychological sex scene that blurred the barriers between whose bedroom we were currently in. Also, it felt like Will Graham, in order to really engage Margot in sex, had to have some sort of ulterior motive, and him fantasizing that he was having sex with Alana felt like it was honest. I think it’s not uncommon to be in a sexual circumstance and be fantasizing about somebody who’s not in the room with you at that point, so it felt like it was an interesting use of Will’s imagination in a completely different way. And we get to have a five-way.

Orphan Black Sarah and Cal

Mingling Its Own Nature With It introduced both another clone and a new character to the Clone Club on Orphan Black. Cosima saw a video of a clone dying of the same illness she has and later assisted in the autopsy. Sarah hid out in a cabin owned by someone who is apparently Kira’s father. The Hollywood Reporter has an interview with Michael Huisman, who played Cal, getting to some of the questions raised about this new character:

What did the producers tell you early on about who they wanted this guy to be?

He opens up a little about his past to Felix. Cal is a smart guy, who has a tech background and is a successful entrepreneur. He founded a company that started as a great cause creating mini drones and pollinators, but his partners sold out from underneath him to the military. That made him bitter. That made him more anti-corporation, maybe even more anti-government involvement than he already was. I always imagined that he was there [at the cabin] to get inspired for a new plan and a new adventure. I do think he made a lot of money but he wants to press the reset button. If it were up to him, he would start something else, but this crazy girl he met eight years ago, who he was in love with and left without any announcement, shows up again and completely messes up his life.

There were scenes where Sarah, Kira and Cal acted like a normal, happy family. Do you think they could ever achieve that?

Yes, I think so — if it was on another show with the three of them. (Laughs.) I think they could be a really happy family. But to be serious, although Cal is completely shocked when he finds Sarah there and when he finds out he [fathered] a daughter she never bothered telling him about, it’s this love-hate thing. He really cared so much for Sarah that even though she did this terrible [thing] to him, he finds it hard to kick her out right away especially since he’s finding out he has a daughter with her. Maybe for a split second after the initial shock has come down, maybe he thinks, “Wow, maybe this is something that would be an option for us to be some sort of family.” But of course, it turns out there’s a lot more going on. They’re not going to be a happy family any time soon.

There’s a lot of mystery surrounding Cal. Intentional?

It’s one of the main themes within Orphan Black. Who are these monitors, these people who have seemingly normal relationships with the clones but turn out to be working for Project LEDA or whatever? Without giving away too much, I can imagine the audience not accepting right away of Cal not being involved.

What is the road going to be like for Cal as he attempts to be a father to Kira?

First of all, he never really seems to doubt the fact that she is his daughter because the timing makes sense. But it doesn’t [confirm] 100 percent that she is his daughter. There’s something in her that he really connects with. Her instinct is stronger than his but he also has that [trait]. I wouldn’t call it a sixth sense or anything like that but that quality of reading people and being able to go by your gut, Kira has that so he easily feels connected to her. He’s convinced this is his child. At the same time though, he has no idea how to do this. I remember when my wife [Tara Elders] and I had our child [in 2007] I had no idea how to do anything, how to be a father, but at least I had time to grow into it and slowly ease into the role. I could totally imagine what a complete shock it is to all of a sudden be responsible for an eight-year-old girl who’s supposedly your daughter.

In other developments, Allison learned that pills and alcohol don’t mix, especially when in front of an audience. The police are going undercover, both Art and his partner. Allison saw through Angie, but thought she was a new monitor rather than police. Art is snooping around the Promethians, who held a very strange wedding and an even more disturbing wedding night for Helena.

agents-of-shield-season-1-episode-20-coulson-hill

There might be a lot of plot holes in Agents of SHIELD, but the show has become much more fun to watch, including the inclusion of Cobie Smulders as Maria Hill this week. Everyone now knows that Ward is HYDRA, with next week going more into his back story. They managed to come up with a surprise revelation on TAHITI to keep this season long story line interesting.

Arrow is heading into what looks like a second season finale which places Starling City in peril. Felicity was great as the interrogator and Bitch with WiFi.

Amy Acker’s role has evolved considerably on Person of Interest, with her character Root almost becoming the new leader with Harold captured.

Billy Bob Thornton and Martin Freeman continue to put on excellent performances as the leads on Fargo, with the supporting cast also doing a great job. Lester Nygaard is increasingly getting caught up in his lies. He would have been better off telling the truth while withholding some of the significant details as opposed to telling outright lies such as that his car was in the shop and denying that conversation in the hospital waiting room. How long can he hide that bullet?

Also on FX, The Americans continues to do an excellent job of mixing weekly stories with the season-long storyline on the murder of the agents (with Stan and the FBI now involved) along with multiple other story lines.  Bringing back Annelise from a season one episode added additional continuity. Besides the risk of the FBI closing in with their investigation, there is now Larrick to contend with, with Elizabeth and Philip also having to devote more time to dealing with Paige and her church.

Once again, Fox is not a safe place for science fiction. Almost Human has been canceled.

Big Bang Theory Professor Proton Star Wars Day

The Big Bang Theory combined the funeral of Professor Proton (Bob Newhart) with the celebration of Star Wars Day. May the Fourth be with you.

FHM has named Jennifer Lawrence as the sexist woman in the world for 2014. Perhaps going around nude (but painted) in the X-Men movies as Mystique helps while falling at the Oscars doesn’t hurt.

Tricia Helfer will star in Ascension, a six hour series for Syfy.

Matt Smith will join Amelia Clarke in the upcoming Terminator movie.

Joel McHale of Community spoke at the White House Correspondents’ Dinner this year. More, including video and the top jokes from both McHale and President Obama, posted here.

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SciFi Weekend: Arrow; Orphan Black; Hannibal; Agents of SHIELD; The Blacklist; The Americans; Fargo; Mad Men; How I Met Your Mother/Dad; Game of Thrones; The Newsroom

Arrow Moira

This week’s Arrow, Seeing Red, deserves the lead for including a change to the show almost as significant as the recent change on Agents of SHIELD and for  psychological horror inflicted upon the main character as disturbing as what we would expect from Hannibal. Initially viewers probably thought that the red in the episode title referred to Roy’s red hood as the Mirakuru had him go on a rampage. Instead the significance of the episode was how it ended with blood.

In retrospect it is clear the episode was both providing a farewell to Moira Queen and making her sacrifice plausible by concentrating on her love for her children. Susanna Thompson will certainly be missed. She dealt with Oliver getting a girl pregnant in a flashback, and in the main story almost dropped out of the race for mayor to try to repair her relationship with Thea. The only reason she remained in the race was the thought that it might help Thea more by being in the role of someone helping the city.

Late in the episode I thought the cliff hanger was going to be the secret Moira was about o tell about Malcolm Merlin when their car was hit, but the real drama of this week’s episode was still to come. Slade recreated the scene in the island with Sara and Shado, this time demanding that Oliver decide between Moira and Thea. Moira spared Oliver from making the decision in sacrificing herself. Slade ran his sword through her heart, telling her that he respected her courage, and saying that one more person still had to die. Is Felicity now in danger?

While Moira’s death was the major change in the show, there were others, such as the change to Roy. Now that it is established that Oliver has a son in Central City, there is no doubt that this will come up again, perhaps creating another connection to The Flash. I found it surprising that Sara would leave Oliver at a time of such danger and perhaps this will cause her to return, hopefully with reinforcements among her assassin friends. I wouldn’t be surprised if Sara dies in the final battle against Slade, or as his final planned last victim, leaving the way open for Laurel to become the Black Canary as in the comics (or perhaps they will differ from the comics on this matter indefinitely).

arrow seeing-red-moira-dead

The Hollywood Reporter spoke with executive producer Andrew Kreisberg about Moira’s death:

“It wasn’t something we were talking about last year. I don’t want to give the impression that [it was like] ‘Welp! Somebody has to die; let’s spin the wheel. And, bad luck, Moira,’ ” he further explained. “Susanna has been with the show since the beginning, and she was one of our big gets early on that really signaled to the audience and to reviewers that this wasn’t your average CW show, it wasn’t your average superhero show. Like with Colin Donnell [whose character Tommy died in the season-one finale], these last episodes are her pinnacle.”

At the end of the day, the decision came down to the finite number of directions Moira’s story could go. From the producers’ perspectives, it seemed they had exhausted nearly all their options. After all, Moira was a part of the Undertaking, went to jail as punishment, ran for Starling City mayor, kept the identity of Thea’s biological father a secret and knew of Oliver’s Arrow life. And that’s just the half of it. “When we were talking about the future, knowing that it was only going to be powerful if Slade was going to change the game by doing something truly monstrous — if Moira wins the mayorship, if she makes up with her kids, what is Moira without a giant secret?” Kreisberg said. “If they all forgive her, and then there’s some other giant secret, for us it felt like we were becoming a soap opera.”

By allowing Moira the opportunity to sacrifice herself for her kids, “she could die a hero’s death,” he said. Even though she’s attempted to turn over a new leaf, just seconds before the car accident, Moira was about to reveal yet another secret. “You can’t change her. She literally goes to the grave despite the fact that she sacrifices herself for her children,” Kreisberg said, hinting that Moira’s final secret plays out “sooner than you think.”

Next week’s episode, “City of Blood,” opens with Moira’s funeral — and Oliver is missing. “There’s a line in the next episode where Walter says to Thea, ‘Your mother showed you how much she loved you in ways few parents can,’ and yet she was still lying,” Kreisberg previewed. “Ending it at this time left you with that great feeling of what a great character she was rather then let her become a caricature.”

As Oliver and Thea head into the thick of the storm, their personal loss drives them for the rest of the series. “That was the math — it was horrible math, it was tearful math but her death has a profound impact on everyone on the series,” Kreisberg promised. “It’s certainly what’s going to drive Oliver in these last three episodes. It’s going to drive Thea, not only in these last three episodes, but also into [season] three. Sometimes the worst thing you can do personally is the best thing you can do professionally.”

But it was Moira’s surprising admission that she knew of Oliver’s secret life as the vigilante that was eyebrow-raising. “We had always talked about the idea that Moira knew Oliver was the Arrow,” Kreisberg said, revealing that there were “a couple of other places” where the producers thought Moira should inform Oliver. But he pointed to a pivotal scene in “Sacrifice,” where Oliver essentially talks to his mother as the Arrow amid the Undertaking, as her moment of revelation. “She’d be borderline low IQ if she wasn’t like, ‘Wait a minute!’ We liked that she had never told him, and everything just felt like it came together in this one episode.”

Arrow wasn’t done with the bombshells. It was revealed in flashbacks that Oliver had fathered a child before his time on the island and that Moira paid the woman $1 million to disappear and lie about losing the baby. “The seeds for season two were planted in season one and again, the best part of the success that the show has had is knowing that we were going to make more and knowing that we could drop these things in and pay them off later,” Kreisberg said. “This is something that will be paid off in season three.”

Orphan_Black_Episode_2_Donnie_Allison

Watching Orphan Black is essentially a matter of finding answers to questions and then having still more questions. Governed by Sound Reason and True Religion had Sarah searching for Kira, Alison looking into the identity of her monitor, and Cosima looking into their genome for explanations about her illness and why Sarah is the only one of the clones who can have children. We also learned more about Helena and the Prolethians.

I was happy to see that Sarah’s search for Kira was resolved without dragging it out for several weeks. They made good use of the relationship between Sarah and Kira by having Kira make the final decision to run after Kira told her things did not feel right. The episode included the return of Mrs. S, who we were given reason to be suspicious of late in the first season. Mrs. S’s motivations appeared questionable at one point, but ultimately it was her “friends” from the old network who previously helped them disappear who were deceiving them and at it does look like Mrs. S really has been on Sarah’s side as she claimed.

Allison looked like she might fall apart after realizing she was mistaken in thinking Aynsley was her monitor and not acting to save her from choking. She wound up working far better with Felix than we would have guessed from Allison’s initial introduction first season. They managed to trap Donnie, who isn’t the brightest of Leekie’s people, by having him overhear a conversation about meeting Sarah, who turned out to be a different Sarah from her community play. I’m not sure about a play with lines such as “We must heed the call, picking the brains off the wall,” but remain glad that it is not Cats.

While Cosima’s major role is to look into the science, her most notable scene was meeting Rachel, who was assaulted by Sarah pretending to be Cosima last week. “I’m Cosima. The real Cosima. Not the one who kicked your ass or whatever.” Rachel acknowledged seeing Cosima kiss Delphine by saying  “So, you’re gay?” with Cosima responding, “My sexuality is not the most interesting thing about me.”

Orphan Black henrik

We also learned that Helena survived a shot to the heart thanks to dextrocardia, or in her case being a mirror image of her twin Sarah. We have a new sect of Prolethians who have a different view of the clones, and no qualms about killing those who do not follow their views. The Hollywood Reporter interviewed Peter Outerbridge, who plays new Prolethian leader Henrik Johansson:

Henrik has a line in this episode where he says Helena’s existence is “God opening a whole new door,” which seems to sum up his motivations, his beliefs and his desires pretty well.

Exactly. He doesn’t see the clones as an abomination at all. He thinks they’re fascinating. In fact, perhaps the next phase in evolution. If that’s the case, it’s all part of God’s plan and he’s going to a part of it.

Is Henrik’s assessment of the clones correct? Is this a question that toggles between right and wrong for much of the season, or is there a gray area?

That’s always the case when you’re talking about big issues like this. The idea of cloning human beings has been on the decade for at least a decade now and the ethics behind it are questionable. Bottom line, if you were to clone a human being in a laboratory, does that constitute a soul? Does that constitute a human being? Or because it’s created by humans it’s a manufactured thing that we can [use] to do whatever we want? Is the clone property because the laboratory made it or once its born, does it have free will and is it its own thing? That’s what the show is exploring. Henrik has cut through the ethics by saying, “Look, the clones are here on the planet, so I’m going to embrace that and I’m going to say that it’s part of the whole plan and I’m going to be its chief advocate.”

We learn at the end of the episode that Henrik’s prime reason for wanting Helena is simple: He believes she can conceive, like Sarah.

One of the definitions of life is something that is able to recreate itself. Something like a rock can’t recreate itself so we say we say a rock doesn’t have a life force to it. But as soon as an organism is able to replicate and duplicate, and recreate itself, we define that as having some sort of life to it in terms of organic life. That gets even stranger when you get into species because in order for it to be a species, it has to be able to procreate. If a clone can’t procreate, it’s not a legitimate species, ergo it’s not really a part of the planet. Henrik is fascinated with the idea that if he can find another clone that is capable of conceiving like Sarah — the whole question is, is Sarah the clone or is Sarah the original and the fact she has a daughter suggests she’s the original — then it’s a legitimate species and a legitimate creation. That’s what he becomes fascinated with and that’s what he finds with Helena.

What is Henrik’s ultimate end goal if Helena can do that?

There is an endgame, but it’s simpler, it’s not so sinister as world domination. It’s more megalomaniac than that. He wants to be a part of the new wave of humanity. Once he finds a clone that’s capable of conceiving — he thinks that’s the spiritual movement — he is going to be the father of all of these children.

Hannibal - Season 2

This week’s episode of Hannibal, Shiizakana, dealt with how Hannibal dehumanizes and manipulates other people, including making them kill. Thanks to this episode I also learned that dire wolves are extinct animals which actually existed, and not just creations of Game of Thrones. Besides manipulating Randall Tier, the protagonist in the case of the week, we saw Hannibal manipulating Margo, who then compared notes with fellow Hannibal victim Will Graham.

Hannibal told Randall Tier what to say to avoid arrest by the FBI and then sent him to his death by having him attack Will. Will saw this as Hannibal repeating his attempt to hill him while Will was in prison. “I sent someone to kill you. You sent someone to kill me. Even Stevens.”I thought that Hannibal’s goal was not to actually have Will killed but to force Will to kill, perhaps to further bring out the monster in Will. Bryan Fuller had this to say about the scene in which Hannibal nods after Will gave the above line, appearing to acknowledge his actions to Will”

AVC: When Hannibal makes that tiny nod at the end of the episode, do you see that as a tacit admission of guilt or is it just him saying, “That’s certainly one theory”?

BF: [Episode] nine really starts an arc that will reach a crescendo in 12, which is one of our best episodes of the season. I just think it’s fantastic and bonkers and hilarious and deeply disturbing. So the end of nine is sort of the beginning of 10, and it’s answered very quickly at the top of the next episode, but it absolutely is an acknowledgment, “Yeah, I sent him to do this. Yeah, you did exactly what I thought you were going to do. And now we can have a conversation,” which we will have at the beginning of the next episode.

The Backlot interviewed Bryan Fuller about descriptions of the show as homoerotic, rooting for the villain on television, and prospects of returning for a third season.

SHIELD Skye Ward

Agents of SHIELD wasted Amy Acker’s talents in a (super) villain of the week storyline, with this mainly serving the purpose of getting a few members of the team away so that Ward and Skye would be alone after Ward killed Koenig (Patton Oswalt). Fortunately Person of Interest makes much better use of Amy Acker.

Ward faked his way through a lie detector exam by doing far more than Nina did in squeezing her anus to pass a more primitive polygraph exam on a recent episode of The Americans. We also learned what each cast member would want if stranded on an island. Simmons had the best idea with the TARDIS. Chloe Bennet did the strongest acting in the episode, quickly progressing from being terrified when she learned about Ward to deceiving him, and setting up the cliff hanger of the two flying off together.

While only half of this episode really worked, the series might be off to a strong finish for the season. Cobie Smulders returns next week as Maria Hill, and is expected to be seen more regularly assuming the show returns next season now that she is no longer busy on How I Met Your Mother. TV Guide summarized the season finale which airs May 13:

Now that Hydra has revealed themselves and S.H.I.E.L.D. has been disbanded, Coulson and his team are on their own to take down the now-missing Clairvoyant. But how will they react when they learn Ward is actually a member of Hydra planted in their group? The finale will address Ward’s true allegiances as well as answer questions about Skye’s lineage, who’s controlling Deathlok and what the Clairvoyant wants with Coulson. “We think the audience is waiting for a showdown between Coulson’s team and Garrett’s team and they’re going to get a satisfying payoff to that epic conclusion,” executive producer Jeffrey Bell says, hinting there could be other sleepers. “If they win, it comes at a price.” Plus: Nick Fury returns!

Blacklist Lizzie Knows

I was happy to see the story advance more rapidly on The Blacklist. Once it was definitely revealed to the audience that Lizzie’s husband is not what he seems, it didn’t take long for Lizzie to figure it out. This week he realized that Lizzie knows, and the episode ended with a major cliff hanger. Speakeasy has some theories as to what Lizzie found in the safe deposit box.

The Americans went to the Contra training base and received so much assistance from Oliver North on the episode that he received a writing credit. Philip also took on the church which Paige has been attending, but I questioned if it was wise for an undercover agent to risk drawing attention to himself in such a manner. There was more of Martha at work. Stan’s biggest scene was in asking American scientists about their secrets to prevent them from being compromised, unaware of how he has become compromised.

I wouldn’t expect the second episode of Fargo to be as good as the first, considering all that happened, but it still left me optimistic that this will be an excellent series.

I did like the second episode of the season of Mad Men better than the first. While Don Draper has his faults, I do hope he recovers, and was happy to see him improve his relationship with Sally by being honest with her.

Last Forever Part One

Alyson Hannigan described a cut scene from the finale of How I Met Your Mother (which I reviewed here):

Speaking with TVLine at Friday night’s Taste for a Cure event in Los Angeles, HIMYM vet Alyson Hannigan said that the finale that aired last month was some 18 minute shorters than the script they worked off of at a “perfect” table read. “But [the full script] was also much more heart-wrenching,” she shared, “which maybe people wouldn’t have liked.”

Among the deleted scenes was what Hannigan described as a “one-second” montage of title character Tracy’s funeral. Instead, viewers only learned from Narrator Ted that the kids’ mother had become ill, then passed away — some time before he decided to rekindle things with their “Aunt” Robin.

“Honestly, if you saw [that] cut, it would be even more heart-wrenching than what the finale was,” Hannigan noted. “They were like, ‘No. It’s just too gut-wrenching.’ And I was like, ‘That’s what I want. I want my heart ripped out and slammed on the floor and, like, stomped on!’”

Hannigan also believes that missing moment “would have been better for the audience, so that then they can process, ‘Oh, [Ted] mourned. He got closure’ — and then they’d be happy that [he and Robin] got together. Rather than be like, ‘Oh, wait. She died? What? They’re together, huh?’ And credits. That’s what I think was too fast.”

Meg Ryan has been cast to be the future voice of the lead character in the spin off, How I Met Your Dad. I’m not sure of the point of a different person playing the narrator. Ted Mosby still had the same voice in the final scene of How I Met Your Mother which took place after telling the story to his kids.

The rape scene by Joffrey’s body in last week’s Game of Thrones was controversial, between the circumstances and the manner in which the scene was changed from consensual sex in the book to rape. I discussed this further in a separate post.

Aaron Sorkin has apologized to those who misinterpreted a decision he made on The Newsroom:

“I think you and I got off on the wrong foot with The Newsroom and I apologize and I’d like to start over,” Sorkin told the audience at a Tribeca Film Festival event Monday, referencing the criticism over his choice to set the show in the recent past. “I think that there’s been a terrible misunderstanding. … I wasn’t trying to and I’m not capable of teaching a professional journalist a lesson. That wasn’t my intent and it’s never my intent to teach you a lesson or try to persuade you or anything.”

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SciFi Weekend: Orphan Black; Hannibal; Arrow; Agents of SHIELD; The Americans; Fargo; Continnum; Game of Thrones; The Newsroom; Hugo Nominees

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Orphan Black returned for a second season following several days of receiving a considerable amount of publicity for being such a high quality show, even if few knew about it when it aired last season. Nature Under Constraint and Vexed picked up right where the show left off last season, but BBC America did run a show last week which might help new viewers catch up, and has been rerunning the entire first season. It is definitely worth watching the full season before starting the second season.

The initial moments, while not as dramatic as the first moments of the first season, when Sarah saw someone who looks just like herself jump in front of a train, did have a similar feel. Sarah was on the run, and initially could not contact anyone else. Subsequently Sarah did reunite with Felix and then with some of her clones. Tatiana Massany has been widely praised for her work as multiple female lead characters in roles far more challenging than those faced by Patty Duke.This includes the following characters mentioned here: Sarah, Beth, Allison, Cosima, Helena, and Rachel.

Last season Sarah did frequently pretend to be Beth, taking her place after her suicide, and briefly impersonated Allison last season. Beyond this they did not take advantage of the fact that Sarah and her clones are even more alike than identical cousins. I liked that Sarah did use this to her advantage twice this week, both with using Alison as a decoy and impersonating the lesbian scientist Cosima, even fooling Delphine when she kissed her. They were also less concerned about hiding their existence, but it hardly matters that Ramone saw someone identical to Allison.

Orphan Black Sarah as Cosima

The episode made excellent use out of the supporting characters. Felix’s performance, and clothing, were most notable, but other characters were also important. I’m glad that Art is now in on what is going on and expect to see him help Sarah more in the future. Paul is at least partially under the control of Dyad, but does seem to want to help Sarah. Delphine seemed to have sided with Cosima, then betrayed her by doing the one thing Cosima told her not to do-give a sample of her blood to Dr. Aldous Leekie. Even Leekie’s motivations are not entirely clear, and in the end I can see him acting to protect the clones.

Besides the clones on one side and Leekie and the Dyad Institute on the other, it looks like other people, another branch of  the anti-clone religious extremists of Proleatheans, will have a major role in the second season. It appears that they have Kira and possibly Mrs. S, and the biggest surprise of the episode was that the presumed-dead Helena is still alive. A lesser surprise, but still unexpected, was how little interest Rachel seemed to have in Kira, except as bait to capture Sarah.

The location of the show remains purposely ambiguous. The show films in Toronto but unlike Continuum doesn’t actually state its Canadian location. They have not tried especially hard to hide this, with Canadian money and license plates visible in some scenes. The federal agency brought in to investigate was intentionally not named, while mention of a Supreme Court decision on genetic material suggests an American background. The show is written to seem like any city, including one surrounded by suburbia with big box stores (where an employee had guns and other items to sell out of his trunk) and a community theater, which fortunately is not putting on a new production of Cats.

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On the surface Su-zakana was like a first season episode of Hannibal, with Jack, Will, and Hannibal working together to solve the  murder of the week. The three even started out the episode having dinner together, except with the Chesapeake Ripper supposedly out of commission, Hannibal served fish instead of red meat. I could even imagine yet another fish in the episode–Richard Fish of Ally McBeal saying “bygones.” When speaking around others, Hannibal explained overlooking Will’s attempts at killing him as being because of Will believing that Hannibal was a killer. This included telling Alana that Will was acting to protect her.

Under the surface, both Will and Hannibal knew that Hannibal really is the killer, and they were more honest when alone. Hannibal might have revealed his own code in saying, “Doing bad things to bad people makes you feel good.” If this is his motivation for killing, he is far less consistent in sticking to his code than Dexter Morgan was to sticking with his.

The murder of the week story was also a bizzaro recreation of the Will/Hannibal dynamic. Peter Bernardorne was a crazier version of Will who was  manipulated by Chris Diamantopoulos, playing a weaker version of Hannibal. We also saw that Will remains damaged, even if not as much as Peter, by Hannibal’s manipulations. Will even considered killing Chris as a substitute for Hannibal, until Hannibal warned him that it wouldn’t feel the same.

The episode also introduced Margot and Mason Verger, who should become more significant in future episodes.

The Man Under the Hood

On Arrow, Laurel has learned more about The Man Under The Hood but took the news far better than expected, deciding against letting Oliver know she knows his secret. That should be the subject for a future episode. The writers have often had difficulty in deciding what to do with her character, and in this episode she appeared far stronger than before. The producers had also been undecided as to whether to ultimately make Isabelle an ally or villain, deciding in last week’s episode that she would be a villain working with Slade. She appeared to be dead, but we learned that Mirakuru is as effective as alien blood on Agents of SHIELD at bringing people back from the dead. While we are not certain as to all the effects of the alien blood, we do know on Arrow that Mirakuru both gives superpowers and makes people go crazy. I wonder if Slade will regret creating an army of crazy super-villains who might be more difficult to control than herding cats.

We did learn that there is a cure to Mirakuru, which might turn out to be the way that the new army is ultimately defeated, and perhaps be used to keep Roy from going insane. The back story makes more sense in giving Slade additional motivation beyond the death of Shado to want to destroy Oliver. Back on the island, Oliver had chosen to kill rather than cure Slade. The episode also introduced characters from the upcoming Flash spin-off.

Collider spoke with producer/writer Andrew Kreisberg about Oliver’s relationship with Laurel and the ramifications of the Queens’ financial problems now that Isabelle has taken control of Queen Industries:

Where are Oliver and Laurel at now, romantically?

KREISBERG:  It’s Oliver and Laurel.  It’s Lois and Clark.  They can break up, get together, sleep together, break up, get married, get divorced, and she can forget him.  The best part about the success of the show is that it’s always our desire to speed through story.  The fans appreciate that.  We just blow through things.  We’re not like, “Well, we’ll do that in Season 4.”  No, we’ll just do that now.  On the other hand, success has enabled us to slow play some things.  We’ve really adopted this mantra of, “We’ll give people what they need, even if that’s not what they want.”  Having Oliver and Laurel get together in Season 1 is what people needed then.  But then, they needed them to go on a break, so Oliver could have his storyline with Sara for this season.  That’s what felt right to us.  Oliver has women in his life.  He has Laurel.  He has Felicity.  Helena is doing a 10 to 20 stretch.  But Laurel will always be one of the closest people to him, whether that’s romantic or not.  That’s why it’s so powerful to us that, in his darkest hour, Laurel is the one who pulls him out of it.  There has been a subset of fans who have questioned our sanity and our talent, for making some of the decisions we’ve made, over the course of last year and this year, but somebody is always going to be upset.  A lot of the things we have done have been leading up to what we’re doing in the finale, and then moving that forward to Season 3.

How long-running are the ramifications of the Queens’ financial problems?

KREISBERG:  We’re gonna make it a thing.  That plays out in the last five episodes.  We’re gonna start Season 3 with Oliver in very different circumstances than he’s been before.  Obviously, him being in different circumstances changes the circumstances of his paid bodyguard and paid assistant, since he can no longer pay them.  For Season 3, you’ll see that some of our familiar standing sets from Season 1 and 2, that you’ve come to know and love as being Arrow, are gonna be retired for reasons that will become apparent, as you see these last episodes.  We have already seen designs for some of the new sets for Season 3, which are amazing.  We want the show to feel like it’s constantly evolving, changing and growing.  If this year is the sequel, then next year is Arrow 3.  As different as 2 is from 1, in 3, they got Ewoks.

BRETT DALTON, BILL PAXTON

Providence continues the story of Agents of SHIELD after the infiltration by Hydra destroyed the organization, at least as we knew it. The have a secret base, Coulson learned that Director Fury is alive, and they are determined to remain Agents of SHIELD rather than Agents of Nothing. Last week there was a lot of speculation as to whether Ward had been brainwashed like the Winter Soldier or was faking allegiance to Garrett.  Anything is possible in this series, but the exchanges between Ward and Garrett suggest that Ward was recruited as a teenager and really has been working with Garrett from the start, with many of his actions designed to obtain trust from Coulson and his team. It appears that the only way that this could not be real would be if false memories were implanted into Ward, or if Ward spying on Garrett was intentionally withheld from Coulson. Such explanations would seem extremely contrived, and I hope that they just keep Ward the villain. Besides he is more interesting that way, although his feelings for Skye might complicate matters, especially as Ward’s allegiance so far seems more personal with Garrett as opposed to Hydra as an organization.

Besides the direct continuity in the recent episodes to Captain America: The Winter Soldier, there is further continuity with the Marvel universe with the Hulk’s old enemy, Colonel Talbot. Next episode Amy Acker visits as Coulson’s cellist girlfriend.

The Americans - Episode 2.08 - New Car - Promotional Photos (3)_FULL

The Americans maintained its usual quality with New Car. Once again Elizabeth and Philip had to deal with questions as to who to kill, or allow to be killed, and hand child rearing problems. Unfortunately for Lucia, it turns out that Larrick was far more important to the Russian plans than she was.  Plus Elizabeth really hates Ronald Reagan. The big surprise of the episode was to see Vasili alive along with Anton in the Soviet Union.

Fargo was off to an excellent start. It does remind me a little of Breaking Bad with over the top events portrayed as plausible in an area where I would not want to live. You would have to combine both Martin Freeman’s Lester Nygaard and Billy Bob Thornton’s Lorne Malvo to have a Walter White. While the premiere episode had a few murders, it looks like the series will be more about the consequences of the actions than a traditional detective series to uncover the identity of the murders.

I continue to avoid writing too much about Continnum as I’m a few weeks ahead of the American schedule by downloading from Showcase and I want to avoid any spoilers. The third episode, Minute To Win It, aired in the United States this week. The sequence taking place in the future revealed Kiera as being less blood thirsty than her superiors, but perfectly willing to ignore what they do. This week it was the future police shooting someone unnecessarily. Next week look forward to seeing Kiera’s take on a shooting which really has occurred in our history.

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Major Spoiler if you have not seen last week’s Game of Thrones: I make a point of not posting predictions about Game of Thrones as many people know far more than I do about the series if they have read the books. I would have never predicted that Joffrey would be killed off until late in the series. This should create a lot of interesting situations, ranging from speculation as to the murderer, effects on various characters, and a new fight for power. Natalie Dormer discussed the impact on Margaery in this interview. George R.R. Martin discussed the death here.

There is a little more news on the script being worked on for a Farscape movie which will follow the son of John and Aeryn.

Laura Pepon is only returning for four episodes of the second season of Orange Is The New Black but will return full time assuming there is a third season.

Aaron Sorkin only plans to write six episodes for the probable third and probable final season of The Newsroom. As he writes every episode of the series, I imagine it is better that he limit this to what he can handle if this leads to better scripts. HBO has not let the cast out of their contracts in case Sorkin decides to do more according to an interview with Olivia Munn.

The Hugo Award Nominees for 2014 are out. Doctor Who dominates the nominations for Dramatic Presentation (short form) with two episodes of the show, Adventures in Space and Time, a documentary about the origin of the television show, and The Five(ish) Doctors about the former Doctors who did not make it into the 50th Anniversary episode. An episode of Game of Thrones and Orphan Black complete the nominations in that category.

BEST DRAMATIC PRESENTATION (LONG FORM)

  • Frozen Screenplay by Jennifer Lee; Directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Gravity Written by Alfonso Cuarón & Jonás Cuarón; Directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • The Hunger Games: Catching Fire Screenplay by Simon Beaufoy & Michael Arndt; Directed by Francis Lawrence (Color Force; Lionsgate)
  • Iron Man 3 Screenplay by Drew Pearce & Shane Black; Directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • Pacific Rim Screenplay by Travis Beacham & Guillermo del Toro; Directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)

BEST DRAMATIC PRESENTATION (SHORT FORM)

  • An Adventure in Space and Time Written by Mark Gatiss; Directed by Terry McDonough (BBC Television)
  • Doctor Who: “The Day of the Doctor” Written by Steven Moffat, Directed by Nick Hurran (BBC)
  • Doctor Who: “The Name of the Doctor” Written by Steven Moffat, Directed by Saul Metzstein (BBC)
  • The Five(ish) Doctors Reboot Written & Directed by Peter Davison (BBC Television)
  • Game of Thrones: “The Rains of Castamere” Written by David Benioff & D.B. Weiss; Directed by David Nutter (HBO Entertainment)
  • Orphan Black: “Variations under Domestication” Written by Will Pascoe; Directed by John Fawcett (Temple Street Productions; Space/BBC America)
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SciFi Weekend: Hannibal; Captain America and Agents of SHIELD; The Americans; Orphan Black; Continuum; Captain Janeway and Geocentrism; The Expanse

Hannibal Chilton

 Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.

It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.

Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.

Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:

AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?

BF: [Frank] Serpico survived a bullet to the face.

Fuller explained Will’s motivations:

AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?

BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.

AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?

BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.

He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:

AVC: How much do you sit around and figure out how he does all this stuff?

BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.

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Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.

It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.

The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.

As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.

Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.

Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.

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The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.

The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.

Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.

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I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:

EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.

There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories.  This character relationship chart might help keep track of all of them.

Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.

Janeway

Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:

I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew

Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.

Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.

Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.

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SciFi Weekend: Hannibal; Arrow; Continuum; Doctor Who; 12 Monkeys; The Wil Wheaton Project; The Americans; The Big Bang Theory Does Star Wars; How I Met Your Mother Ends In The Darkest Timeline

hannibal6

With Futamono, we are about half way through the second season of Hannibal, and some people are beginning to suspect that bad things are happening to people around the title character. We know that he will be exposed by the end of the season, but at the moment he is a sort of Superman who is able to outsmart almost everyone and evade detection. He can even manage to get Abel Gideon out of the psychiatric institution in order to have him over for what is probably his last meal. (“You intend me to be my own last supper?”)Fortunately for Gideon, he is insane himself and can be witty while being served his own leg. Bryan Fuller explained why Gideon suffered this type of fate:

 I think part of the reason he meets the horrible fate that he does was the symmetry. Here he is, a guy who claimed to be the Chesapeake Ripper and was the grand pretender to the throne. For him to both become the Chesapeake Ripper and the Chesapeake Ripper’s victim felt like there was a certain poetry that Hannibal would appreciate. We see in episode five, Abel Gideon really goes out of his way to save Hannibal Lecter from Will Graham, but more importantly, save Will Graham from Will Graham by preventing Will from taking a life out of malice. We see that there is a humanity to him and an understanding and even a sympathy for Will Graham and his plight. So as Beverly Katz has carved the path for all of those who believe Will Graham in any capacity, he had to go down the same chute.

It appeared that Jack might obtain some evidence about Hannibal when he finally paid attention to Will’s theories: “If the Ripper is killing, you can bet Hannibal Lecter is having a dinner party. You and I probably sipped wine while swallowing the people who who we were trying to give justice, Jack.” Jack took some food from one of Hannibal’s dinner parties to be tested. Hannibal outsmarted Jack that night as the beef really was wagyu beef (which really is delicious).

While there was not conclusive evidence against Hannibal, there was evidence showing that both the Chesapeake Ripper and the alleged copycat who continued after Will’s incarceration were the same killer, proving it could not be Will. I did not expect to see Will go free until much later in the season. (Can I still wear my Free Will Graham t-shirt?) There was also a piece of rare tree bark which led to the discovery of Miriam Lass, the young FBI agent who figured out Hannibal’s secret in a first season flash back. Surprisingly she is still alive, but is missing an arm.  From the interspersed scenes with Hannibal, I suspect that the discovery of Miriam was a planned move on his part and there is not enough of her mind left after all these years to incriminate him. Coincidentally, Anna Chlumsky returns to Hannibal the same weekend she also returns to television on a new season of Veep.

Hannibal - Season 2

Seeing Hannibal seduce and drug Alana was as chilling as the scenes with Gideon. While her fate (so far) is not as terrible, we have far more invested in her character. For the purposes of this episode, sleeping with Alana provided an alibi for Hannibal capturing Gideon. Television sedatives work wonderfully, with the victim being guaranteed to neither wake up or realize anything was unusual during the night. Next we presumably will see the consequences of a newly freed Will finding that while Jack might now be open to his theories, Alana is almost literally sleeping with the devil.

Dr. Chilton seems to be the smartest one after Will in Hannibal’s circles. He both figured out the rhyme (“They’ll call him Hannibal the Cannibal; he does fit the profile”) and revealed that he only eats salads when dining with Dr. Lecter. He also theorized that Hannibal “is attracted to medical and psychological fields because they offer power over man. Cannibalism…cannibalism is one act of dominance.”

Seeing Hannibal wink at Chilton was enough to suggest he may be doomed, but there would also be some justice in keeping him alive to see Hannibal’s downfall. There has to be someone left to begin treatment of Hannibal once he takes Will’s place in the hospital for the criminally insane. Besides, unlike Miriam Lass and Beverly Katz, Chilton is not likely to allow himself to be alone with Hannibal Lecter.

Arrow Deathstroke

Arrow had yet another strong episode with Deathstroke. It was a key episode for Thea, who is now angry at Oliver after Slade revealed that Oliver was keeping secret the fact that Malcolm Merlyn (John Barrowman) was really her father. I had expected the secret was going to be about Oliver on the island and now being the Arrow. We never saw how Slade also knew about Malcolm Merlyn, but it does not contradict anything we have seen for him to have discovered this on his own.

Poor Oliver, now being blamed by Thea for keeping the same secret which he was now become estranged from his mother over. Speaking of secrets, if she knew the full story, Thea would also have good reason to be angry at Oliver for not warning anyone about how dangerous Slade was. If Oliver had said something when he showed up in their home, Thea might not have gotten into the car with him.  Having released Thea, it no longer appears that Slade has any interest in keeping his actions a secret. It seems like after this week, most of the secrets are out in the open.

Arrow Queen Industries

Not only has Oliver lost Thea, he has also lost control over his company as we learned that Isabel Rochev (Summer Glau),  who he had only planned to make CEO pro tempore, was also working with Slade.This is all part of Slade’s plan to take away everything from Oliver.

The episode ended with yet another cliff hanger. While he didn’t tell the secret I had expected him to tell to Thea, Slade did visit Laurel at the end to tell her that Oliver Queen is the Arrow.  Most likely this will change things, especially as her father’s freedom now depends upon him revealing the Arrow’s identity, but there is no guarantee she will believe Slade. After all, as I pointed out last week, she couldn’t even tell that her own sister was the Black Canary when sitting right next to her. Although common in the comics for a mask to be sufficient to hide one’s identity, the mask did very little to hide her face. If Laurel had encountered Sara at the beach wearing large sunglasses, which would cover as much of her face as the mask, would she be unable to recognize her? Just how much alcohol and drugs did that girl consume?

Continuum minute-by-minute

Continuum season three finally aired in the United States on Syfy with resolution of last season’s cliff hanger, answering some questions and raising new ones. Alec has gone back in time a week in hopes of saving Emily, creating a new timeline. I feel like I’m in yet another time jump, being three weeks ahead of where the show is in the United States by downloading the episodes after airing on Showcase. I will limit spoilers to the episode which aired in the United States and will avoid mentioning events of subsequent episodes which have aired.

Minute By Minute began with action scenes with Kiera (Rachel Nichols) and Garza working together to escape, but things got far more complicated with the timeline collapsing and the Freelancers sending Kiera (who has now joined up with them) to the new timeline created by Alec going back into the past. The episode deals with some of the central questions of the series regarding time travel but hardly settles anything.  If traveling in time creates a new timeline, does this mean that Kiera cannot ever return to the time she left? Perhaps the fact that the Freelancers could send her to the same timeline Alec had created suggests some ability to move between timelines and presents a mechanism by which Kiera could ultimately return to both the same time and timeline she came from.

The episode does suggest that the problems and paradoxes from time travel occur if one encounters another version of the same person. They eliminated one possibility of problems here by having the Kiera of the new timeline get killed, leaving only the problem of two Alecs. The suggestion is that one will lead to the future we saw while the other must be eliminated–not that it appears to be a desirable future. Kiera wants to return to her family, and fails to understand many of the problems of her own time. The Freelancers don’t have any interest in choosing which future is best, only wanting time to run its course as it should, but is there really one correct future timeline from the perspective of people in our time? (Might future Freelancers intervene to correct the timeline in the J.J. Abrams Star Trek movies?)

Possibly actions by people from the future might give some insight into how time travel works if we can assume that they really understood it. Now we know why Kagame made sure he died on the day he was born, understanding the consequences should he ever meet himself. I think the real key is that future Alec Sadler, having his memories of what happened in the past, must have had some master plan in sending both Liber8 and Kiera back in time. Presumably he had some goals based upon changing the conditions he created. However, will this really change the future he lives in, or just create a second and hopefully better timeline?

There are already some key changes in the new timeline with Escher dead, although now any death might not be permanent if there is the possibility of the show moving to yet another timeline. We no longer know Emily’s fate. Can Alec succeed in saving her, or must she be allowed to die to save the future, like Edith Keeler in the classic Star Trek episode, City on the Edge of Forever?  The final scene from last season with Carlos deciding to join Julian will probably never occur.  Hopefully changing timelines doesn’t turn into an easy cosmic reset switch.

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Steven Moffat has sort of given an answer to another time paradox–how the Doctor’s tomb can be on Trenzalore when he escaped his fate and wound up not dying there in The Time of the Doctor:

Moffat replies: “I’ve often wondered about that. Fortunately, late one night, the Doctor turned up in person and explained it to me:

“THE DOCTOR: Changing time is tricky. It’s a bit like a detective story: so as long there isn’t an actual body, you’ve got a certain amount of wiggle room – for instance, if the body has, rather conveniently, been burned on a boat in Utah.

“Here’s the thing: I can change the future so long as the future has not already been established as part of my own past. I can’t rescue Amy and Rory because I already know that I didn’t.

“But what do I know about Trenzalore? There’s a big monument that looks very like my TARDIS. There’s a temporal fissure leading to my timeline. Maybe it’s my grave. Maybe, one day, it’s my burial ground. Maybe it is something else entirely, and we got it all wrong. Don’t know. Don’t plan to find out for as long as possible. The main thing is, Clara still jumped into my time stream, and ended up helping me through all of my life. All that is established, unchanged – but there’s wiggle room!”

There will be additional time travel coming on Syfy. The network has picked up an adaptation of 12 Monkeys:

The cable network on Friday announced that its adaptation of the Brad Pitt and Bruce Willis feature film has been picked up to series with a 13-episode order for a January 2015 premiere.

Nikita’s Aaron Stanford and Suits’ Amanda Schull star in the drama based on Universal Pictures’ Terry Gilliam film. In Plain Sight’s Natalie Chaidez serves as showrunner on the drama about a time traveler from the post-apocalyptic future who appears in the present day on a mission to locate and eradicate the source of a deadly plague that will eventually decimate the human race.

Chris Hardwick's A Celebration Of "The Nerdist Way"

In addition, Syfy has picked up The Wil Wheaton Project:

Syfy has picked up 12 episodes of The Wil Wheaton Project (working title), which the actor-blogger has dubbed “sort of like Talk Soup for geeks.” The half-hour show, hosted by Wheaton, will allow the geek hero to dissect the week’s biggest stories in sci-pop culture with the witty commentary that has made him a social media star.

In his own words, Wheaton describes the show as a “weekly roundup of the things I love on television and on the Internet, with commentary and jokes, and the occasional visit from interesting people who make those things happen.” In a blog post, Wheaton gives a charming behind-the-scenes account of the year-long process that led to the series being greenlit; his enthusiasm for genre entertainment and insider status serve his audience well. ”We discovered that nobody was doing a show like this that was just focused on the genre shows that nerds like us love, and we decided that we’d make that show,” he writes.

The Wil Wheaton Project premieres May 27 at 10 p.m. ET on Syfy.

The Americans Behind the Red Door

The Americans remain on the trail of the murders of the other spy couple in Behind The Red Door.  We learned why this is personal for Claudia, who might have let some information slip out while dating. There’s historical references to Reagan’s actions in Nicaragua. There’s also both discussion of the heroin overdose of John Belushi and a young agent using poisoned heroin to kill the Congressional aide to eliminate the risk of stolen material leading back to her.

The strongest scene of the episode might have been the aftermath of last week’s visit from Elizabeth to Martha. Elizabeth couldn’t get past  Martha’s talk of how wild Clark was in bed and wound up regretting forcing Philip to remain in the Clark role. Initially it seemed that what Martha found wild was the usual for Elizabeth, but then Phillip went further when Elizabeth seemed disappointed.

Meanwhile Oleg is making matters far more complicated for Stan and Nina, trying to turn Stan into a double agent. This week we saw primitive 1980′s technology, a dot matrix printer, used to print out reports. Next week we will see if Nina can fool 1980′s lie detector technology.

Big Bang Star Wars

The Big Bang Theory will be airing a Star Wars themed episode which also includes the return of Bob Newhart as Professor Proton:

CBS’ The Big Bang Theory is teaming with Lucasfilm for an epic Star Wars episode timed to Star Wars Day, The Hollywood Reporter has learned.

In “The Proton Transmogrification” — the episode set to air May 1 and timed to the annual May 4 Star Wars Day — the gang gets together to celebrate the annual geek holiday, while Sheldon (Jim Parsons) is guided by visions of his childhood idol and mentor, Professor Proton (Emmy winner Bob Newhart), who appears to the socially challenged genius as his own Jedi master.

For those not in the know, Star Wars Day is recognized every year on May 4, with the traditional celebratory greeting being “May the fourth be with you” — a play on Star Wars’ famed “May the Force be with you” line. Fans across the globe celebrate the film franchise with screenings and special events.

For the episode, the CBS comedy teamed with a group of special effects technicians from Lucasfilm’s Industrial Light & Magic to re-create Dagobah — the remote world of swamps and forest that served as a refuge for Yoda during his exile — and provide props for the episode, including a light saber. Lucasfilm experts consulted on the episode and visited the Big Bang Theory set to oversee the production, with the final touches completed at its San Francisco headquarters.

Last Forever Part One

How I Met Your Mother was a remarkable sitcom. It was the best ensemble show of young people in New York despite multiple attempts at this theme following the end of Friends. It did a far better job of telling a story by jumping around in time like Lost than any of the more explicit genre attempts to follow Lost. Unfortunately, instead of being, wait for it, legendary, the finale was a huge disappointment to most fans. If this was Community, the series would have ended in the Darkest Timeline.Fortunately the shock of Tracy’s death was made bearable by advance warnings in fan theories which turned out to be true.

We knew that Carter Bays and Craig Thomas would have some twist planned considering how the series began, but hoped they had something tricker planned than having the Mother die leaving Ted free to wind up with Aunt Robin. Upon reading that they had filmed the ending with the children during the second season so that they wouldn’t appear too old when the series ended, I feared that this is how they would end the show, but still held out hope that they understood the changes in their own show and would come up for a better ending.

During the second season, when the scene was filmed, this certainly made sense. For years the show centered around Ted and Robin and during that time I did suspect that the twist at the end of the pilot was a diversion and that the two really did wind up together, even if someone else was the mother of Ted’s children. The final scene, with Ted going over to Robin’s apartment carrying the Blue French Horn, with Robin’s dogs in the window, was a recreation of a scene from the pilot when Ted returned to Robin’s apartment after failing to kiss her goodnight the first time. (He also missed the signs and failed to kiss her whens he returned–but just  rewatch it on Netflix if you don’t remember the details).

himym blue french horn

However, over the course of nine years the characters changed. If they had stayed the same, it would have been fine if they used this ending. It is also fine that the people changed, but that required a different ending for the show. By the end, Ted and Robin were no longer Ross and Rachel.

Sure there were plenty of clues in the final episodes as Robin had moments when she said Ted was the one she should have wound up with while Ted finally looked ready to move on. However the final season was more about the couples of Ted/Tracy and Barney/Robin. The Mother was no longer just a MacGuffin to propel the story of Ted and Robin. Thomas and Bays did too good a job of making the fans fall in love with Tracy (whose name we didn’t learn until the final episode), and see that she was really the perfect girl for Ted. They also made us accept and welcome the implausible marriage of Barney and Robin.

If the show ended a year or more earlier, as expected, and an unknown woman, or perhaps Victoria, had married Ted but died after having their children, we could have accepted that as a plausible ending and might have been happy that Ted wound up with Robin. Killing off Tracy was a totally different matter. Thomas and Bays should have realized that the evolution in their characters required a different ending than had been planned back in the second season.

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Besides being the wrong ending for where the characters had evolved to, the timing for the show now felt wrong. We spent the entire final season seeing the weekend when Robin and Barney got married, and then their marriage fell apart in a quick sequence in the final moments of the finale (which was a huge clue as to where they were going). They left us wanting to see so much more of Tracy and Ted but all too quickly she became sick, and that was that. She pretty much died off screen just as she spent most of her life. If they were going to have her die, she at least deserved a longer exit. It was as if Love Story was all about Ryan O’Neil and past girl friends and then Ali MacGraw appeared in the final five minutes and stole the movie.

Being television, an ending is not necessarily the absolute end. I had thought earlier in the week that if this was the ending they originally filmed, the smarter thing would have been to film a new ending which was consistent with where the show was this season, and then add the original ending as an extra on the season DVD. Instead the went with the wrong ending but reportedly they cut a happier ending to add as a DVD extra. There is also a spin off of the series planned, but I suspect the ending to HIMYM will always haunt Thomas and Bays as fans will now fear that the new series might turn out to be How I Killed Your Dad.

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SciFi Weekend: Hannibal; Sleepy Hollow; Arrow; SHIELD; DC Movie Plans; The Americans; The Blacklist; Scarlett Johansson Gets Superpowers; Groundhog Day;Death of the Rani; How I Met Your Mother Finale

Hannibal Murkozuke

This week’s episode of Hannibal, Mukozuke, had Jack Crawford viewing Beverly’s sliced body. Bryan Fuller described Hannibal breaking her down as being like how Beverly would break down a crime scene. Her murder had major effects on several characters, especially Will Graham who was driven to have Hannibal killed in revenge. He found a clever way to attempt this despite being incarcerated, finding his admirer who killed the bailiff (in an attempt to provide evidence that Will was not the Chesapeake Ripper) using Freddy Lounds.

This was a dangerous move on Will’s part as it could reinforce the idea held by others that Will is the murderer and Hannibal has been the victim of his slurs. I suspect that Will’s vision of dripping blood might represent realization that he was wrong to attempt murder. At least he was unsuccessful and does not actually have blood on his hands. Will didn’t even bother to tell others this week that Hannibal killed Grace, even when viewing her body in the restraints we were more accustomed to seeing Hannibal wearing in Silence of the Lambs,  presumably preferring that they figure it out for themselves. The preview from next week’s episode does suggest that Jack is starting to investigate Hannibal, and we saw in the season premiere how that will turn out.

I wonder if Hannibal will actually have more respect for Will for taking this action, and if he will take pride in being successful in driving Will to attempt murder (even if it had to be by proxy).

I was fearful that having Will in the asylum all season would limit his role, but episodes such as this show how he can remain fully part of the show. Having Abel Gideon as his asylum mate now presents yet another way for Jack to have significant dialog beyond being limited to FBI visitors.

There have been accusations of racism and sexism raised against Bryan Fuller due to the manner in which Beverly Katz was treated as an expendable character. Hetteinne Park, who played Beverly, defended Fuller here.

Sleepy Hollow Cast

News on the second season of Sleepy Hollow from PaleyFest can be found here. Among the news, it sounds like one of the cliff hangers at the end of the first season will not  be settled quickly:

There’s a New Sheriff in Town: Literally Orci teases, “There’s a new sheriff in town. Obviously, Irving has been discredited and now he’s been taken Upstate, so the Sleepy Hollow Police Department still has to be run by somebody and that person may not be as open as Irving was by the end of the season with Abbie and Crane. So somebody may be making their life very difficult.”

Orlando Jones is definitely not down with the new Sheriff, even making his own t-shirt, which said, “Free Frank Irving.” (Yes, he’s the best.)

There will also be fifteen or more episodes next season.

Arrow Birds of Prey

Jessica de Gouw returned as Helena Bertinelli/The Huntress on Arrow, tying up the storyline of the relationship between Helena and her father, leaving the character free to move in other directions. Caity Lotz was a second Bird of Prey as the Black Canary.

It appears that Laurel’s drug use has affected the powers of observation in Katie Cassidy’s character. Despite the two speaking while sitting as closely together as in the picture above, Laurel did not recognize that Black Canary is her sister Sara. It is a theme taken from the comics to have a tiny mask be enough to hide a superhero’s identity, but this was hard to believe in this scene. I also wonder if having the two meet is a first step towards Laurel ultimately becoming the Black Canary as in the comics, or if this something which the comics and television show will always differ on.

The episode also ended with quite a cliff hanger. More here, including why they killed off Helena’s father:

On why they killed Helena’s father:
Guggenheim: We definitely went into this with, “We’ve got to wrap up the whole Helena and her father storyline.” The one thing we were agreed upon in the writer’s room from the get-go was that Frank could not survive the episode. We had to end that story and close that chapter of Helena’s life so we could start a new chapter for her. … We definitely have an idea for a season 3 episode with the Huntress.

De Gouw: I think how this episode ends just puts her into a completely different headspace…and I think it’s opened up a whole new set of possibilities for her because she was so set on one path and now that it has been realized that that’s not what she wanted, it just frees her up for an entirely different life.

On whether The Huntress is redeemable:
De Gouw: I think most people are. And I think the place she’s at at the end of this episode, she’s certainly in a place where she can be redeemed…I think that it will be very interesting to explore her fighting for good or for very different reasons. But I think [she] definitely [is].

Amy Acker SHIELD The Cellist

The addition of Amy Acker as a regular has greatly strengthened Person of Interest, including on this week’s episode. Hopefully her presence, even if more limited, can also help Agents of S.H.I.E.L.D. improve. Acker has been cast as Agent Coulson’s former cellist girlfriend, Audrey.

DC might have the best superhero television series on the air, but is far behind Marvel in big screen success. The New York Times interviewed Warner CEO Kevin Tsujihara, who wants to be more aggressive in taking on Marvel:

The studio has been painfully slow to establish a slate of films based on DC Comics characters like Wonder Woman and the Flash, watching as Disney’s Marvel Entertainment churns out one superhero hit after another…

As for DC Entertainment, cross-studio collaboration to make better use of its comic book characters appears to have accelerated considerably since Mr. Tsujihara took over, in part because he eliminated some management layers. (He has not named a chief operating officer and did not replace Mr. Rosenblum and Mr. Robinov, choosing instead to divide up their duties and assume some himself.) Two new television shows are coming to the CW and Fox, including one based on the Flash and another on a young Batman, and a film series will be announced in the near future, Mr. Tsujihara said. It is expected to include a “Justice League” movie.

Underscoring his aggressive approach to the DC Comics universe, Mr. Tsujihara and Dan Fellman, Warner’s domestic film distribution chief, recently moved the studio’s untitled Batman-Superman movie — a hotly anticipated follow-up to last year’s “Man of Steel” — to a release date in May 2016 previously claimed by Marvel for one of its own films. It created an industry dust-up, and Marvel retaliated with a date change of its own. But the move sent a blunt message: Warner takes a back seat to no one.

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In other notable television moments of the week, Philip seemed really evil on The Americans when he sent the poor physicist home while Elizabeth did a great job smoothing over things with Martha. I do think that Phillip and the Mossad agent did have mutual respect for each other as each did what they knew they would do if in the position of the other.

On The Blacklist I was glad to see that once they revealed to the audience what we already suspected about Tom, they didn’t wait long to have Lizzie also figure out the truth about him.

Lucy

Scarlett Johansson gets superpowers in Lucy. From Entertainment Weekly:

Don’t do drugs, kids…unless said drugs transform your neurological makeup to give you superhero-level mind powers. That’s what happens in Luc Besson’s action thriller 
Lucy (out Aug. 8), starring Scarlett Johansson as a young woman who turns the tables on those exploiting her when experimental drugs give her hyperpowered ass-kicking abilities. “I love to see a woman as a very strong character,” says Besson (The Professional and La Femme Nikita). “It’s like cooking: sugar with a 
 bit of salt, and Lucy definitely can get salty.” Keep your eyes peeled for the trailer, which is scheduled to hit iTunes on April 2.

Groundhog Day

I don’t agree with all of Charles Murray’s Advice For A Happy Life, but I do agree with watching Groundhog Day:

The movie “Groundhog Day” was made more than two decades ago, but it is still smart and funny. It is also a brilliant moral fable that deals with the most fundamental issues of virtue and happiness, done with such subtlety that you really need to watch it several times.

An egocentric TV weatherman played by Bill Murray is sent to Punxsutawney, Pa., to cover Groundhog Day. He hates the assignment, disdains the town and its people, and can’t wait to get back to Pittsburgh. But a snowstorm strikes, he’s stuck in Punxsutawney, and when he wakes up the next morning, it is Groundhog Day again. And again and again and again.

The director and co-writer Harold Ramis, whose death last month was mourned by his many fans, estimated that the movie has to represent at least 30 or 40 years’ worth of days. We see only a few dozen of them, ending when Bill Murray’s character has discovered the secrets of human happiness.

Without the slightest bit of preaching, the movie shows the bumpy, unplanned evolution of his protagonist from a jerk to a fully realized human being—a person who has learned to experience deep, lasting and justified satisfaction with life even though he has only one day to work with.

You could learn the same truths by studying Aristotle’s “Ethics” carefully, but watching “Groundhog Day” repeatedly is a lot more fun.

Kate O’Mara, The Rani, died today. There was no regeneration. Above is a scene from Doctor Who: The Mark of the Rani from 1985. Besides her role on Doctor Who as a renegade Time Lady, she is also known for her roles on Dynasty and Absolutely Fabulous. She has had other cult television appearances on two British shows,  The Avengers and The Saint.

https://www.youtube.com/watch?v=WC8Lmg28DX8

Barney and Robin actually did get married last week and tomorrow we will find out if the fan theories about Ted and the Mother are true. I suspect we are in for a different surprise, which will be legendary. Above is the video of the cast of How I Met Your Mother on Inside The Actors Studio with the series finale airing tomorrow night.

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SciFi Weekend: Arrow; Hannibal; Orphan Black; Doctor Who; Star Trek; Person of Interest; The Americans; Continuum; Fox vs. Kristen Bell; Mad Men; Lost; Creationists vs. Cosmos

Arrow Suicide Squad

I must admit I was a bit underwhelmed by this week’s episode of Arrow, not because it was a bad episode (it wasn’t) but my expectations had been raised so high by all the hype over the introduction of the Suicide Squad. I did like how they tied it to Dingle and his ex-wife, but beyond them there was little time for anyone else other than Deadshot and Amanda Waller. Of course Shrapnel didn’t last very long. (Are we certain he is really dead–we never saw the body.) They probably could have used more time to flesh out the story further, perhaps as a two-part show. Dingle was definitely able to carry the episode as lead and if limited to one episode it also might have been better to just give him the entire episode. Most of the scenes with Oliver and Felicity, other than the final scene, were pretty much filler anyways. I know it is unconventional to leave out two of the biggest stars, but it would have made a stronger episode.

There were two scenes with Oliver worth noting. I have no idea how Slade could have had video of Shadow from the island and suspect this was a case of the writers going for a more dramatic scene at the expense of reality (even within the parameters of this series). I did like the ending, tying into not only Dingle but Oliver, and having a potential new ally against Slade. While she was introduced to the DC world long after I stopped reading Batman comics, I understand that the cameo by Harley Quinn is a huge deal for many fans. Collider spoke with producer Marc Guggenheim about the series and potential appearances from characters from the Batman universe:

How much of the Batman universe can you plug into this show, especially now with Gotham out there?

GUGGENHEIM:  That’s part of the ongoing relationship and discussions that we have with DC.  Things have not really changed with Gotham.  It’s the same thing that it always is, which is that we have an idea, we go to DC, we talk about it, and we find out where the lines are and which characters are available or not available.  I want to manage expectations with respect to Harley Quinn.  She was always intended to be an Easter egg.  I don’t want people to go in with incorrect expectations and walk away from Episode 16 disappointed.  But there is an element to the Easter egg that was not spoiled by the promo, that I think people will find a lot of fun. 

The Arrow’s secret identity was also discussed:

Question: There are a lot of people who know Oliver’s secret now.  Is that number going to go down, before the end of this season, or are more people going to find out?
MARC GUGGENHEIM:  I would say that that number is going to go up, before the end of the year.  By the finale, more people will know than currently do.

Is that a good thing or a bad thing?

GUGGENHEIM:  We talk in the writers’ room a lot about, are there too many characters that know and does it diminish the secret identity?  Where we have come from is the philosophy that, when members of our cast of characters know, it draws them into Oliver’s world and it draws them into the show more.  So, we tend to get more story out of people knowing than people not knowing.  You could say that too many people know, but we always use The Dark Knight trilogy as our compass, and a lot of people knew that Bruce Wayne was Batman, particularly by the third movie, and it doesn’t diminish my enjoyment of watching those stories unfold.  Obviously, there are different philosophies and different points of view.  For us, as writers, we always go towards whatever gives us more story, and more interesting story.  For now, at least, certain people knowing is more interesting than certain people not knowing. 

Quentin Lance used to be a detective.  How has he not figured out that Oliver is Arrow?

GUGGENHEIM:  Episode 19 pretty definitively answers that question, as far as Lance is concerned.  And the answer to that will surprise you.  It’s not something that you would expect.

I’m happy to hear they are addressing Lance. After a recent episode in which Lance saw Sara with Oliver and with the Arrow in a couple scenes I could not believe that he did not figure out that they were the same person.

More characters from The Flash will also be introduced in episode 19, The Man Under the Hood.

Hannibal Takiawase

Hannibal stressed a couple of themes this week which are pertinent to the series as a whole: death as an escape and unconventional psychiatric therapy. The first involved both the motives of the killer of the week (well played by Amanda Plummer) and a second storyline in which Hannibal was the villain not for committing a murder but for thwarting Bella’s attempt to die on her own terms. If the coin toss went the other way, would he have had Bella for dinner?

For a moment I thought that perhaps Will was going to win over a new ally but instead it is clear that Hannibal is going to have Beverly for dinner. If only she had taken Will’s claims more seriously, refrained from relating any suspicions to Hannibal, had passed on her suspicions to Jack, and had thought to have backup before falling into his trap.

Will might have lost one potential ally, but he is still not powerless despite being locked up, and now better able to play detective with the return of lost memories. As he does every week, Bryan Fuller discussed the episode with AV Club. Here is an excerpt about Will:

AVC: Will is getting his memories back, and you’re filling in some of the gaps in season one. Was that always the plan? Did you have thoughts of what had actually happened when you were writing last season?

BF: There was, once Will says, “The answers are in my head, and I’m going to find them,” I felt like we were obligated to tell that story and to keep peeling back the onion of his memory, or the pomegranate, as it were, peeling back membranes and finding these clusters of bloody seeds that he has to deal with. We did that with the intubation of the ear, and then we did that with the reveal of, on some level of consciousness, he was aware what was going on in Hannibal’s dining room when Gideon was there, and is able to access that it causes him to seek out Chilton, to see if he can help him answer some of the mysteries that are locked away in his mind. It felt like it was a way to keep Will active. He can’t actually go out to investigate things, as much as he can go in and investigate things, so we needed to have some device for him to continue his investigation. To be active while he’s incarcerated and going inside his mind felt like a really strong way to do that.

AVC: Did you struggle with finding ways for Will to be active?

BF: It was always part of the conversations when we were story-breaking. “Okay, Will’s not active enough. Will has to be driving this.” We are telling Will Graham’s story, so it was very important to seek out those ways to keep him active when he’s incarcerated. That was the big thing: We need to get outdoors and see him in his mind palace fishing to give us a sense of the power of his imagination and also the transportive power of imagination in general. I think we hear from survivors of terrible atrocities, and how they survive is their imagination. It’s such a wonderful gift, and there was a line that we cut from an episode where they talk about how imagination is the greatest virtual-reality machine known to man, and it’s between our ears. It’s that kind of, almost, masturbatory transportation where you can go someplace and make it as real as you need it to be in your mind, even though you’re locked in a cage.

Orphan Black insider video with Tatiana Maslany above. We already have a strong set of genre shows airing now with Arrow, Hannibal, Continuum, and The Americans. Orphan Black might be the best of them all.

Mark Gatiss has discussed the return of the Time Lords of Gallifrey to Doctor Who.

Blastr has the first hints about the third Star Trek movie since the J.J. Abrams reboot. I’m still waiting for a movie in which the original Spock recruits the Enterprise crew to fix the time line and save Vulcan.

The Americans had another great episode. Claudia is back, and they are trying to track down the killer from the first episode. I would assume that the couple who intervened in the final scene were involved. Last week Elizabeth used fear to get information from the poor janitor. This week she used other more womanly techniques for interrogation. Paige created problems again, this time by going to church and getting caught reading a Bible. Plus Nina might be in danger because of Oleg, and Martha might place Philip’s identity at risk. Arrow shows what a superhero show should be and The Americans sets a new bar for spy shows. This makes Agents of SHIELD look so weak in both genres.

Person of Interest Root2

I’ve also highly enjoyed the last couple of episodes of Person of Interest. The first was almost entirely flashback, filling in some major holes to date in the back story. It ended with Root in the present, leading into this week’s episode which was more centered around Amy Acker’s character. She can easily carry the show, just as Dingle could carry an episode of Arrow. I was happy to read in this interview that she will probably be in the remaining episodes this season.  It looks like she has her own team to rival Harold’s, with root more connected to the Machine.

In many ways Person of Interest is increasingly reminding me of Fringe. Both started by concentrating more on monster or case of the week episodes, but overtime the mythology of the show took over. The characters have become increasingly compelling as people beyond operatives. Root is by far my favorite to watch, and I enjoy seeing her developing relationship with Shaw (“I love it when you play doctor.”) At least the two get along better than Root gets along with Fusco, who constantly calls her “Cuckoo’s Nest.”

I am trying hard to avoid any major spoilers on the season premiere of Continuum. Alec’s decision to use time travel has major repercussions, and is moving the show in a new direction. There is finally an answer to the central question of the show, as to whether the time line can be changed.

Now Fox (the network which says it might take a long time to find Malaysia Airlines Flight 370 because it took us 2000 years to find Noah’s Arc ) is attacking Kristen Bell for saying rich people should pay more because they can afford it. Incidentally, I received my copy of the script and digital download of the Veronica Mars movie last week after donating to the Kickstarter campaign, but have not had time to watch yet.

mad-men-season-6

Matt Weiner isn’t going to let much out about the upcoming season of Mad Men, but there was a little information at PaleyFest. Here’s what they said about Don Draper:

Don is even more aimless without his job.
Don Draper has had some dark moments, but he’s always had his job to fall back on and obsess over. “His marriage is in trouble, his relationship with his kids is tricky at best, and now work isn’t there,” said Hamm. “Don is trying to process his life and his place in his job, his career, his family, everything.” And he’s made some uncharacteristic mistakes of late, including the disastrous Hershey’s pitch. “That was a completely honest moment for him. He thought, I’m going to try this because it’s a step in the right direction,” said Hamm. “But it was a step in the exact opposite direction.” Don’t dismay, though. Hamm ended on a hopeful note: “There’s one principle to Don: He’s a survivor. He rises to the challenge.”

The Lost show runners discussed the finale at PaleyFest. No, the fan theory which I never believed that they were dead the whole time is not true.

Creationists are angry about Cosmos as Neil deGrasse Tyson isn’t providing them with equal time to deny science. Last week’s episode did an excellent job showing how evolution is the foundation of modern biology. As there is tremendous evidence for evolution and zero for creationism, there is no reason to grant the creationists a moment of time (other than perhaps to further debunk their claims).

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SciFi Weekend: Hannibal; The Fall; Crisis; Orphan Black; Continuum; History of Science Fiction; HIMYM; Gotham; Agent Carter; SHIELD; The Americans; Under The Skin; Under The Dome

Hannibal-Season-2-Episode3

Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.

Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will  might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.

Assignment X has an interview with Mads Mikkelsen:

AX: Did you watch any of the earlier incarnations of Hannibal?

MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.

AX: Can you say what you’re bringing to Hannibal?

MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.

AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?

MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.

AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?

MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.

AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?

MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.

Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some  initial reviews being very favorable. Entertainment Weekly has more on the show.

Gillian Anderson had a great response to a question posed on Reddit:

Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?

Gillian Anderson: Something so rich that he’d choke on it and die.

EW Orphan Black

Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:

Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”

I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.

Spoiler TV has information (and video) on a new clone to be introduced in the second season:

A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.

Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.

Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:

From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.

Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.

The four part series will be divided into episodes on Robots, Space, Invasion, and Time.

Continuum - Episode 3.01 - Minute by Minute - Promotional Photos (5)_FULL

Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.

The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new  joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:

http://www.youtube.com/watch?v=wbdOVrqHuCU

The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.

CBS has renewed The Big Bang Theory for three more seasons. Bazinga!

Cristin Milioti has called the theories that her character dies on How I Met Your Mother “some crazy conspiracy theories, which actually just makes me really love the fans more,” but never actually denied the rumors.  The show runners also dodged the question at PaleyFest. I wouldn’t be surprised if this is intentional misdirection, but if there is some other surprise at the end. The cast will also be appearing on Inside The Actors Studio later this month prior to the series finale on March 31.

Gotham

Fox has released more information on their upcoming series, Gotham:

Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.

Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.

As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).

Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.

captain-america Agent Carater
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel  about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:

  • ABC has the script for the pilot but nothing is greenlit yet.
  • Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
  • Howard Stark would be a recurring character, not a series regular.  This is assuming Dominic Cooper would be willing to continue to play the role.  I’ve spoken to him about this and he seemed very interested.  But this was a few months ago and things change.
  • The show would start in 1946, sort of in the middle of the timeline of the One Shot.  McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast.  We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
  • Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season.  McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome].  Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”

Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.

THE AMERICANS -- The Walk In -- Episode 3 (Airs Wednesday, March 12, 10:00 PM e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Patrick Harbron/FX

While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.

The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.

Scarlett Johansson

The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:

It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)

So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.

“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”

The story also touched on other roles, including genre movies such as Captain America and Her.

The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.

john_cho

John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.

Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.

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