SciFi Weekend: Star Trek Discovery; Digital Erections; Supergirl; The Flash; What Thor Was Doing During Captain America: Civil War; Outlander; Doctor Who; You’re The Worst

Star Trek The Cage

When word came out that Star Trek Discovery (officially abbreviated DSC, not STD) would take place about ten years before the original show, and it would feature a female lead who is not the Captain, many fans realized that this would put it around the era of The Cage (the original pilot which was re-cut into flashbacks on The Menagerie). Some also speculated that the female lead could be Number One from that episode if she transferred to a new ship. Bryan Fuller has told Ain’t It Cool News that the female lead will be know as Number One. It was not stated whether this will be the same character, or perhaps another character is being referred to in this manner (as Riker was on The Next Generation).

As for the other project upcoming from Bryan Fuller, I09 discussed plans for digital erections in American Gods.

Supergirl Martian Manhunter

Collider interviewed producer Andrew Kreisberg regarding plans for Supergirl’s second season:

With all of the great things that come with getting to continue the show on The CW, one of the things you lost was the ability to have Calista Flockhart on as a regular cast member. How often can we expect to see her?

KREISBERG: Well, she’s in the first two episodes and we’re talking to her about doing more. It’s funny because, from our perspective, we thought she wouldn’t do any. And it’s not because she doesn’t love the show. She’s such a huge fan of the show, but moving to Vancouver, we assumed that we would part as friends. But she’s so into the show and feels such an allegiance and a responsibility to it that she’s agreed to come back, so we’re very happy. We’re not focusing on what we don’t have. We’re focusing on what we do have, and it’s allowed us to have Ian Gomez, who’s playing Snapper Carr, come in, in a more supervisory capacity, which is fun. Kara has spent two years of her life learning to deal with Cat Grant’s idiosyncracies, foibles, short temper and mixed signals, and just when she finally got that down, she’s now introduced to a new boss who’s very different, has his own thing, and isn’t quite as impressed by her spunk as Cat always was, even if Cat wouldn’t admit it. It’s a journey, like any of us go on. We’ve all had different bosses, over the course of our careers. Just when you finally feel like you’ve nailed your job, you get promoted and you’re suddenly like, “I don’t know what I’m doing anymore!” That’s what’s going to happen to Kara this season…

What can you say about the addition of Christopher Wood and how his character will fit in with things?

KREISBERG: We don’t want to say too much because we’re doing our own version of Mon-El. Obviously, he’s a character from the comic books and he’s much beloved, and we’re putting our own spin on it. What’s interesting about Mon-El joining the show, from Kara’s perspective, is that Kara has spent her whole life as someone who’s been mentored, first by her mother, and then by the Danvers and Superman and Cat. She’s always been somebody who’s been taken care of, in a way. Now, with Mon-El, he’s fresh off the boat. As far as he’s concerned, living on another planet happened yesterday, and suddenly, he’s on Earth and everything he knew was lost, just the way it was for Kara, but she’s had 12 years to process it and he’s struggling with it. So, Kara is now the one in the mentor position. Ironically, she even says in an episode, “I was sent to Earth not to be a hero. I wasn’t sent here to be Supergirl. I was sent here to protect Clark and take care of Clark. Now, in an odd way, with Mon-El here, I’m getting to fulfill that original mission that I had.” So, it’s a big change and a big growing experience for Kara, this season.

How daunting was it to figure out how you wanted to portray Superman, what you wanted the dynamic between Clark and Kara to be, and finding the right actor to take all of that on?

KREISBERG: I think our take on him is probably something a little bit more traditional. There’s certainly a little bit of the “Aw shucks” about him, but he’s been Superman for awhile, so there’s a savviness about him as Superman and as Clark. If he’s been Superman for 12 years, that also means that he’s been Clark Kent for 12 years. He knows how to interview somebody. He knows how to get a story out of someone. As always, with any of these things, we’re never doing a direct adaptation of a specific comic book. We cherry pick the best parts and things that we love. So, there’s a little bit of the Christopher Reeve Superman in there, a healthy dose of the Superman animated series, which we’re huge fans of, a little bit of Lois & Clark, a little George Reeves, and a little Super Friends. And as far as finding the right guy, as soon as we said we were going to do Superman, Greg [Berlanti] mentioned Tyler [Hoechlin]. We’ve been fans of his for years, and when we sat down with him, he is Superman. Not just with the looks, but he’s such a good guy, such a nice guy, and he’s so open and forthright and brimming with life. You just feel better when you’re around him, which I think is part of the secret of Superman. He is that ideal, but not in an unattainable way. Superman should make you feel like you can do anything, even though he’s the one that can do anything. And Tyler just had all that in spades. So, it was less a question of us reaching out. It was more a question of hoping he would say yes. After Tyler, I’m not sure what we would have done…

What’s in store for J’onn J’onzz?

KREISBERG: Part of the reason we’re bringing on Miss Martian is to give J’onn his own story this year and his own emotional ride, meeting her and having this tie to his home world that he thought he would never have again. As he has to keep reminding people, he’s been here for 300 years and isolated for most of it. Last year, with his relationship with Alex and his relationship with Kara, he started to come out of his shell a little bit and wasn’t quite so afraid to show who he really was. So, in getting to interact with M’gann, he’s going to have a whole new person with which to share his martian experience. We think it’s going to be a great story.

The Flash will be lighter in tone next season, despite dealing with two villains along with Flashpoint.

avengers-suit-secret-identity

On the weekends I often wear somewhat subtle genre t-shirts such as Stark Expo, Wayne Enterprises, or Nelson and Murdock, Avocados At Law. I have a lot of ties with hidden, and in some cases not so hidden Mickeys (and one with both Mickey and Goofy). Now it is possible to go all out with superhero themed suits. Fun Suits has put out a line of discrete Marvel and DC based suits. The Mary Sue provides a description. The downsides are that they are polyester, and won’t be available until November.

In other Marvel news, Marvel has revealed what Thor was busy doing during the events of Captain America: Civil War in the above video, which was shown at San Diego Comic Con.

Outlander

Variety  reports on Ron Moore’s comments about season 3 of Outlander:

“Outlander” showrunner Ronald D. Moore told an audience at the Edinburgh Intl. Television Festival on Thursday that in Season 3 the show would start in Scotland but would then be making a sea voyage in the 18th century.

“There’s an extended journey across the Atlantic and then the story eventually goes to Jamaica, the Caribbean and ending up in the New World,” he said. “Season 3 will be as different to Season 2 as Season 2 was to Season 1.”

These dramatic shifts threw up challenges for Moore, who said: “It’s exciting creatively; it’s very hard in terms of the production… You are doing a whole new series with every season. So that’s very difficult. Scouting new locations, building new sets, bringing in new cast members, new costumes, different eras. It increases the expense, it increases the time necessary to prep everything, to shoot everything… So it makes it more difficult and it also takes more mental energy having to crack new problems.”

…Moore underscored the differences between the novel and the show. “You are not capturing Diana’s voice in the show, so much as you are capturing her world and her story. Diana’s voice is there for you on the page. When you read the book, or any book, the author is speaking to you directly,” he said. “The TV show has a vision, feeling and vibe that is an entity unto itself. All these component pieces then combine into our voice.”

Osgoods

Ingrid Oliver says she knows the difference between the human and Zygon version of Osgood:

Discussing last year’s last year’s ‘The Zygon Invasion’ and ‘The Zygon Inversion’ episodes, Oliver told Doctor Who: The Fan Show: “In the script it simply said Osgood 1 and Osgood 2. Steven [Moffat] never said explicitly ‘This is Zygon Osgood and this is not Zygon Osgood – or Hybrid Osgood’, so I sort of made a choice, but I don’t know if it’s right!”

Asked if there were any tells to signify which Osgood is which, she revealed: “Yes, in my head there are some very small tells. But, having said that, it’s sort of open to interpretation – because I guess that’s the point of the episode. In my head, inevitably there are a couple of little things that I did.”

Oliver joked: “I don’t know if people have noticed it – probably not… the Zygon one strokes her chin a lot!”

You’re the Worst returns on Wednesday. Season three trailer above. I hear the first episode is rather Not Safe For Work, and the season also includes an episode entitled The Last Sunday Funday. TV Line has more on the season.

I am waiting to see what happens next on tonight’s episode of The Last Ship. Last week’s episode felt like a look at Donald Trump’s America with that wall going up.

SciFi Weekend: Mr Robot’s Big Reveal; Superman; Agents of SHIELD; Hugo Awards; Doctor Who

mr-robot-elliott_ef1cfm

Unlike the first season, we didn’t have to wait until the end of the season for the big reveal. (That should be a clue that a major spoiler is coming for those behind). Fans have speculated since the first episode that Eliot was really in prison or a psychiatric institution rather than living with his mother to provide more structure. This week, his psychiatrist asked Eliot where he believed he was. His mother’s townhouse faded away and he admitted to us that he had been suppressing the fact that he was in prison.

Alan Sepinwall interviewed Sam Esmail about this development:

Where did the idea come from that you were going to disguise Elliot’s surroundings in this way?

Sam Esmail: It came from a two-prong approach. We knew exactly what the fate of Elliot was at the end of the last season, and we started breaking this season’s storyline. We’re always trying to stay as authentic to Elliot as possible, what he’s going through. Knowing Elliot, from the very first episode, he definitely has interesting coping mechanisms. Even from the pilot, he has this ability to reprogram his life: E Corp was turned into Evil Corp. When we thought about him being in prison, what would be that coping mechanism, this came to mind. The other approach was his relationship to us — to his “friend” — and how we left him at the end of the first season. He basically didn’t trust us anymore, he felt we were keeping things from him. So we wanted to develop that relationship as well. That was the one approach of, “This is what Elliot would do in this situation, to cope with being in prison,” and then the other of keeping it from us because he felt betrayed by us from the first season.

When we spoke at the end of season 1 about the Mr. Robot revelation, you said you would be hesitant in the future to do things that would leave people questioning the reality of the show. Did you have any concerns about doing another big, “This is what it really is!” reveal in that way?

Sam Esmail: I did. I remember bringing it up to the room. The one thing I also told you is I wanted to stay as authentic to Elliot as possible. And the truth of the matter is, the show is about mystery, and there will always be questions and we won’t actually see the full picture all of the time. Having said that, if we can’t invest in what is happening and what is going on, that would become very frustrating, to the point where you wouldn’t feel any stakes. That was the test we ran through with this idea: is this actually happening to him? Is what he’s experiencing still real? And can the audience still buy into this after the reveal? Those answers were obviously yes: the events that we saw were still very much real, and the consequences of them are real, and what Elliot went through is real. It’s just the coping mechanism he used was not exactly what he saw. To me, it was definitely one of those things that prompted a real conversation. Like I think I told you last year, we’re not in it for gotcha moments or shocking the audience, but we’re in it for interesting reveals and deepening and enriching Elliot’s experience. We felt that him going through his prison sentence in this way was more true to life to Elliot than actually having seen it as a prison.

But you understand how fandom works. Having done this two years in a row, you’ve now conditioned them to, whatever you do next, the fans will pick it apart frame-by-frame to explain what’s actually happening.

Sam Esmail: Yeah, well, truth be told, don’t you feel like it’s already happening this season?

True. How did you feel about people having this exact theory of prison after only the season premiere had aired?

Sam Esmail: It was weird. One thing that we always do is we never want to cheat the audience. We never want it to be some extraordinarily contrived thing where we’re basically lying to the audience and what they’re seeing isn’t actually happening, and we’re fooling them. In doing that, and being honest with what is going on, even though the surroundings aren’t actually what they are, we didn’t really hide it that well, right? I didn’t expect people to catch on from the very first episode, but I thought people would start to theorize and catch on. Look, a reveal is great when it’s surprising, but it’s terrible when it feels like a cheat. To me, the fact that some people who guessed it may not be surprised, it verifies that we didn’t cheat anybody, because it adds up and makes sense to them still.

I’m sure much of this will be explained in future episodes, in terms of why Elliot was in prison to begin with, but was Ray a guard in the prison? How much of Ray’s business involved prisoners versus the outside world?

Sam Esmail: That’s going to get revealed in a couple of episodes.

By sending Elliot to prison, you also spend the first half of the season with him physically separate from the other characters, give or take a brief visit by Gideon or Darlene. What did you see as the advantages and disadvantages of having him apart from the rest of the ensemble, other than Mr. Robot?

Sam Esmail: I’m glad you asked that question. Obviously, knowing we were doing this, it was very important for Elliot to address this incredibly internal conflict that sprung on him at the end of the first season: that he has an alter ego that he can’t control. That was the first and foremost issue that I wanted to tackle with Elliot. So of course the isolation of him being in prison really helped that. It meant that we get to basically do this deep dive into his internal battle with his demons. There is not much else for him to do. He couldn’t escape it. So it was great on that level. I knew it was going to be a polarizing choice to go in this direction with Elliot, but for whatever reason, it felt organic and natural. But when I took a step back and looked at the whole season, I realized that, when I think about the sequels that I really love, or second acts of movies or larger stories, they tend to do this: to go into this inward battle after accomplishing this big Herculean hero’s journey. The one uncanny similarity — which I only realized in hindsight — is Empire Strikes Back. At the end of the first movie, you take down the big band, the revolutionaries kind of win, but the second movie opens, they’re still battling, they’re still struggling, the Empire is rebuilding, and literally Luke goes off to another planet for most of that movie to learn to become a Jedi, while his sister is still out there fighting the good fight. This wasn’t something planned, but I looked at it and realized we were literally following that same pattern. And it’s not just with Empire Strikes Back. It’s Godfather Part II. There’s a lot of introspection that happens. That’s often the next stage after this huge external conflict comes to an end. Then it’s, “Well, then what?” It’s a hangover moment, of reflection and going inward. So that direction made sense for our story.

Esmail was also interviewed by The Hollywood Reporter.

News also came out during the past week that Mr. Robot has been renewed for a third season.

Superman Black

In other genre news, Henry Cavill has teased what will happen to Superman when he returns for the Justice League movie, in light of what happened at the end of Batman v. Superman.

Agents of SHIELD will be edgier with its move to 10 pm. It is a safe bet it will still be much tamer than the far better Marvel television adaptations on Netflix (one of which won a Hugo Award).

The 2016 Hugo Awards winners have been announced. The award for Best Novel went to The Fifth Season by N.K. Jemisin. The Martian won for Best Dramatic Presentation, Long Form. Jessica Jones: A.K.A. Smile won for Best Dramatic Presentation, Short Form. Unfortunately the awards continued to be tainted by conservative politics.

Doctor Who Capaldi and Pearl Mackie

BBC America has announced that Doctor Who and other genre shows will be represented at New York Comic Con:

Mark your calendars: BBC AMERICA is coming to New York Comic Con in a big way this year. On Friday, October 7, the network will present a block of star-studded panels at The Theater at Madison Square Garden, featuring Doctor Who, with Peter Capaldi making his NYCC debut alongside new companion Pearl Mackie at her first-ever fan appearance. Ahead of its October 22, Dirk Gently’s Holistic Detective Agency will launch a world premiere screening followed by a panel with cast, showrunner, writer and executive producer. And the Doctor Who spinoff Class will have its first-ever U.S. panel with cast, executive producer, and creator of the series.

They included more on the panels including Doctor Who:

BBC AMERICA’s Doctor Who star Peter Capaldi will make his New York Comic Con debut along with the first ever fan appearance by new co-star Pearl Mackie, who joins the series as Bill, the Doctor’s new companion. When Pearl joined the cast, Emmy-winning lead writer and executive producer Steven Moffat teased “a new voyage is about to begin” and “this is where the story really starts.” Fans will get a sneak peek of what’s ahead including the upcoming Christmas Special this December on BBC AMERICA and hints on what’s in store for Steven Moffat’s final season as showrunner. The panel includes stars Peter Capaldi (The Thick of It) and Pearl Mackie (The Curious Incident of the Dog in the Night Time), as well as Steven Moffat (Sherlock) and executive producer Brian Minchin (ClassTorchwood). Doctor Who is a BBC Cymru Wales production for BBC One and a BBC AMERICA co-production.

The Time Travel Question of the Week:

Hitler Time Travelers

SciFi Weekend: 12 Monkeys; San Diego Comic Com Top News; Batman v. Superman; Torchwood

12 monkeys season two finale

The second season of 12 Monkeys concluded last week. The series demonstrated a problem with many series which start out with a good story which can be told in a season or two, but the economics of American television demand that they try to find a way to extend the series longer. The initial story line of going back in time to stop the plague would have made a great story if it could have been concluded over one or two years, but it could not be dragged out indefinitely. Continuum had a similar structure with characters who went back in time to change their future, but managed to keep it fresh every season while sticking to the same overall structure.  12 Monkeys instead changed the focus of the series.

While there were good moments, I just could not find the story this season to be as compelling as the first season. The finale did wrap up some of the events of the season, while leaving other matters open. After seeing such division between the main characters over two different strategies, both failed leaiving most of the characters either dead or stranded in the past going into the finale. It took another means of traveling through time to repair the damage, followed by the revelation of the identity of The Witness. It was also fun to see Madeline Stowe, who was in the movie version, have a significant role in the finale.

12 MONKEYS -- "Memory of Tomorrow" Episode 213 -- Pictured: (l-r) Madeleine Stowe as Dr. Kathryn Railly, Aaron Stanford as James Cole -- (Photo by: Steve Wilkie/Syfy)

Show runner Terry  Matalas discussed the finale with Blastr. Here is the start of the interview, which begins with a major spoiler if you anyone intends to watch this in the future:

Let’s start with the elephant in the room: We now know the identity of The Witness, and it’s the child of Cole and Cassie. What can you tell us about the big reveal? 

Matalas: I knew from the outset that this is where our characters were heading – that the reveal of The Witness shouldn’t be just a surprising narrative revelation, but a hugely emotional one. We easily could have put a familiar face behind that mask and the moment might’ve been shocking – maybe even satisfying – but it ultimately would’ve felt like plot. Mind-blowing is fantastic, but it also needed to be heart-breaking; it needed to really challenge Cassie and Cole and pose these massive, emotional questions for Season 3.

How long have you been setting up this Witness reveal, and what hints might we have missed along the way? Was this the plan all along from the start of Season 1?

Matalas: Yes.  In many ways, the biggest hint from the start is that Cassie and Cole are continually left alive. The Army of the 12 Monkeys – Pallid Man, Olivia, The Messengers –they’ve made no secret that these two characters are important in the grander cycle. Time and again, they’ve opted not to kill them – even when the opportunity was painfully clear.

Speaking a bit more thematically, if you look closely at Season One, it’s very much about fatherhood. Season Two is equally about motherhood. Season Three, it stands to reason, will focus on the children.

You obviously can’t give us the play-by-play for Season 3, but what can you tell us about how this reveal will inform the next chapter of the series for Cole and Cassie?

Matalas: If you knew that your child was destined to become the Destroyer of Worlds – that the gentle, loving child in your arms would one day murder billions – what would you really do? Or not do? The “Kill Hitler” scenario becomes much more complicated when you’re Hitler’s mom or dad. So a major part of Season Three for Cassie and Cole is that central question, the weight and responsibility of it all.

But Season 3 will also be a “Sympathy for the Devil” tale. What if you met The Witness, heard his story and actually understood why he’s done what he’s done? Maybe even agreed with it?

12Monkeys_gallery_212Recap_16

More questions are answered in the full interview, and in an interview with Entertainment Weekly. Plus Entertainment Weekly also  interviewed Amanda Schull:

ENTERTAINMENT WEEKLY: How did you feel when you found out that Cassie was not only pregnant, but their child was the Witness?
AMANDA SCHULL: [Executive producer Terry Matalas] told me fairly early on. I hadn’t had all of the moments with the Witness — understanding the gravity of how upset and just how violated she feels by the Witness — so it didn’t have the gravitas when he told me initially. Then, as we progressed throughout the season, every single interaction with the Witness, realizing how much she despises and how much it makes her despise herself for what she’s done and everything about it, that’s what is upsetting. It’s much more impactful knowing later on after having been able to reenact those scenarios from the page.

Then [with] the pregnancy [reveal], I don’t have a child, I’ve never been pregnant and I really loved being able to have the moment. We don’t say it, it’s all done through looks. I really liked the challenge. I really like having that interaction with Aaron. I work really comfortably with Aaron. I really enjoy everything that we get to do together. We shot those moments the final week of season 2, and it was just us in this tiny little set and we kind of had a skeleton crew. It was really special and I think they chose an even less emotional take of mine, because we did his coverage first and I just kept crying every time he opened the card. I’ve never told anybody that I’m pregnant, so I’ve never had that opportunity to tell somebody that. And his reaction, just everything that they’ve gone through up until that point really moved me.

What do you think that internal struggle will be like for Cassie between wanting to protect her child and considering other possibilities?
My initial reaction to that when we were talking about it was very un-[politically correct]. It was basically, “Get it out of me at any cost.” But then in thinking about that, it becomes a question of nature versus nurture: Is there a possibility that she could change it? She could rewrite history if she were able to undo this. If she’s never going to see Cole again, is she going to hang on to the very last bits of his DNA that she has and try to salvage the upbringing of this child in a way that isn’t destructive to all human kind? It is really a fascinating battle and I think will largely have to do with the certain circumstances in which she is being kept in the future with the Army.

We know that Cole is headed toward the future to try and save Cassie. With the concept of nature versus nurture in mind, do you think her choices about the Witness might put her at odds with Cole?
I think it will be really interesting and I think that it could perhaps put them at odds, but the fact is they seem to end up coming around to the same page. Of anyone’s partnership on this show, they seem to have the understanding of one another for whatever reason. They were sort of meant for each other. I think they would have an understanding. They might be at odds at first, but I have no idea how Terry and his evil genius brain wants to play that out.

There was a tremendous amount of news out of San Diego Comic Con over the past weekend. The above trailer both gives a better idea of how Flashpoint will be handled on The Flash and confirms earlier reports that Wally West will be seen as Kid Flash.

In other DC news, despite her character getting killed on Arrow, Katie Cassidy has become the latest to be made a regular across the entire line of DC shows on the CW Network.

Also on CW, there was news on the upcoming season of The 100:

“The Earth strikes back in season four—it is an unbeatable foe,” creator Jason Rothenberg teased regarding next season. “It quickly becomes about not how to stop it, because stopping it is not possible, but about: How do we survive? There aren’t enough lifeboats, so who gets to choose who lives?”

With total nuclear destruction on the way, getting her people to safety is something Clarke (Eliza Taylor) will have to deal with. In the exclusive clip shown off during the panel, we hear Clarke’s ominous narration: “Our enemy isn’t something that can be fought. It can’t be reasoned with. It can’t be killed. When all is lost, can hope survive? can we survive? After everything we’ve done, do we deserve to?”

After losing major characters like Lexa, Lincoln, and Pike last season, facing the impending apocalypse will be difficult for everyone. Octavia, for instance, will be traveling down a much darker road, channeling her inner assassin. She explained, “Octavia will take a really dark turn. She’s going to do what she does best, which is killing people. She really found her home within herself in becoming a warrior, and that’s thanks to Lincoln and Indra.”

More was seen of the future of DC’s cinematic universe with the above trailers for Wonder Woman and Justice League.

Batman v. Superman: Dawn of Justice came out on Blu-ray and DVD last week, also making this a good time for the above video of Easter Eggs in the movie.

An Honest Trailer was also released for Comic Con.

In other news, it has been confirmed that Daredevil will be back for a third season. While it was a complete story, a lot of personal matters for the characters were left hanging at the end of the second season.

Star Trek Beyond came out Friday and there was news at Comic Con on the upcoming television series. While the movie still had some of the flaws seen since revived by J.J. Abrams, it did feel the most like true Star Trek. I discuss both the movie and what we know about the television show together, and will hold off until next week to give more people a chance to see the movie.

Benedict Cumberbatch of Sherlock is involved in yet another franchise. A trailer for Doctor Strange is above.

In other potential big news in the Doctor Who universe, John Barrowman said he is working hard to bring Torchwood back, and he has a big telephone call related to this scheduled for Monday. Hopefully we will have some real news afterwards.

SciFi Weekend: The Americans Season 4 Finale; New Director At SHIELD; The Flash; Supergirl; Gotham; You’re The Worst; Peter Capaldi Teases Reunion With Clara Oswald;

The Americans Season 4 Finale

The Americans concluded its fourth season  (spoilers ahead) with the death of another charter, and presumably the end of the biological weapons story line. Technically William had not died by the end of the episode, but if he should survive into the next season it will only be briefly. This was a season which included the deaths of some characters, and the possible loss of others to the show. Notable deaths include Nina and Gantt, dying in quite different manners. Plus the finale introduced another character which was mentioned previously–Philip’s long lost son from before he began working with Elizabeth.

With The Americans renewed for two more seasons, we can safely predict that Elizabeth and Philip will not be discovered in the near future, but this has been a major theme since Paige revealed their secret to Pastor Tim. Over the course of the season, Paige has developed into a reluctant but effective junior spy. The risk from Pastor Tim and his wife now seems much lower, but it will always hang in the background.

While William didn’t seek to betray Elizabeth and Philip, he did provide Stan with a small amount of information: “couple of kids…American dream. You’d never suspect them. She’s pretty. He’s lucky.” This fits far too many people for Stan to suddenly think of his neighbors across the street, but if he is ever given stronger reason to suspect them, he is bound to remember this.

Gabriel did strongly advise Elizabeth and Philip to leave the country, but left the ultimate decision up to them. If they are at risk, I think the greater risk would be that Philip might reach the point where he cannot go on. EST might help him, or it might lead him to question  what he is doing even more. Of course he couldn’t fully explain his difficulties in leaving his job when he had to go with the travel agent cover. Plus the world will change for him with the Soviet Union heading closer to its collapse and the introduction of his son.

Instead of Elizabeth and Philip deciding to leave, Oleg made that decision to help his mother. Arkady appears to be leaving involuntarily. Martha has been in the Soviet Union for months. We may or may not see these characters again.

The Americans William Palm

Joe Weisberg and Joel Fields were interviewed at Speakeasy:

The finale seemed to set a lot up for the fifth season, but at the same time, a lot of stories were left in a cliffhanger-y spot. So did you know when you wrote and shot the finale that the show had been renewed?

Joel Fields: Yes. FX is very generous and communicative about that stuff. They really helped us as we were turning a corner from the end of this season toward the last couple of seasons by putting the creative choice of how to end the show in our hands. And I think in a lot of ways we were able to be thinking through that as we were finishing up Season 4.

Was any of what happened to William in the finale based on a true story, the way he infected himself with the lethal Lassa virus to get out of the mission (and to get out of spending the rest of his life in jail)? There’s got to be tons of stories about spies like William getting disgruntled after all those years.

JF: We did a lot of research into disgruntled spies, into biological weapons. We never saw a story of someone intentionally infecting himself, but, there are stories of people who actually worked on these biological-weapons programs getting accidentally infected, and the horrible, horrible way that they died. So I think that that would be the closest thing to it being based on something real.

How long had you been planning to introduce the Philip’s son plotline?  

Joe Weisberg: It’s funny, because we were reminiscing about season 1, when, in fact, [you didn’t know] whether or not Philip actually had a son. It was ambiguous. Was Irina making that up? Or was it true? And we didn’t have an answer to that, ourselves. We liked that ambiguity. We thought that was really interesting. So, introducing that plotline meant making a final decision that that was a real person and a real character, which is probably more satisfying.

JF: Yeah, and that’s that case where much of the time you really plan these things out years in advance, seasons in advance. But this part of the story unfolded organically, as the story was told, like in that first episode with Irina when she mentioned the son? That was something that blossomed out of the script, and these other pieces fell into place over the course of the seasons.

The Americans Finale

More at Vulture:

The most surprising development in the entire season for me was the relationship between the family and Pastor Tim. I’m surprised that he made it out of the season alive. But I’m even more surprised that he seems to actually be their friend now!
JF: I don’t think we ever considered killing him off. As much as everybody was speculating that he was about to go, we were really exploring the question of how these characters would deal with being in this box, and how would that [situation] unfold?

Also, Tim is a character with whom we had a lot of sympathy. He really does, on some level, want to do the right thing — that’s been his whole problem all along. And the Pastor Tim thing also was an opportunity to explore a lot in terms of these character dynamics.

JW: It was pretty apparent to us early on that [the Soviets] couldn’t kill Tim because of the effect it would have on Paige. It would destroy her parents’ relationship with her. And that was it. The question then became, with that constraint of not being able to kill him off, what else could we do? The fact that he ends up being actual friends with them did take us a little bit by surprise, but [once we figured that out], that changed our sense of who this guy was, and how we would always see him from the moment we got to know him. And so we followed that through the season, and throughout the story, he just could not open his heart up to them.

JF: But it also led to one of my favorite lines in the season, which was in episode ten, when Paige was convinced that her parents had something to do with his disappearance, and Elizabeth says, “God, why would we do something as stupid as leave Allison, and, God, she thinks we would do that? If she only knew everything we did to not kill him!”

Are we ever going to see Martha again?
JW: We’re not going to answer that!

JF: What kind of a spoiler-y question is that, Matt?

I’m sorry I disappointed you with that question, guys! I have no idea why I asked that.
JW: Come on! Why don’t you just go ahead and ask us what the last scene of the show is going to be?  [Laughs.]

Okay: So you have two more seasons to go after this one. Is two a number that FX gave you, a number that you asked for? And are you happy with it?
JF: We’re thrilled with it. They came to us some time ago and said, “As you start thinking about the end of season four, we’re all thinking about how the show’s going to wrap up. What do you need? How do you want to tell the story?” That was something they really put on our end, which was generous and allowed us creatively to figure out what we thought would be best.

The Americans William

At TV Line:

TVLINE | We’ve seen Elizabeth have some hesitation this season about the things she has to do, specifically with regards to Young-Hee. Is she starting to understand Philip’s point of view about the job?
JOEL FIELDS | Philip has gone through a major personal transformation over the course of the show, [which] on a deep level is about marriage. When you’re in a marriage with somebody, you can’t help but be affected if your partner changes. She’s started to go through her own changes, although much smaller and at a much different pace than Philip. We’ll see how all of that plays out for them as a couple, her as a mother and her as an individual.

TVLINE | We’ve said goodbye to a lot of characters recently —Nina, Martha, Gaad, Arkady and possibly Oleg now. All the departures almost made it feel like you were reaching the end of the series. But then there was a two-season renewal.
WEISBERG | We did not have any particular intention or idea [like], “Oh, let’s gets rid of a lot of characters. Oh, it’s supposed to end. Oh, let’s start over.” There was no thinking like that at all. Every bit of this is just following stories where they were going. The two major storylines of Nina and Martha were coming to their end, and they happened to be coming to their end at the same time, which is fundamentally coincidental. There is no reason one of them might not have come to an end in a different season, [but] they happened to come to an end in the same season. It is probably less coincidental, in terms of storytelling, that the Gaad storyline ended soon after the Martha storyline, but there’s certainly a world where we could have kept Gaad or not killed Gaad. But ultimately, after what happened with Martha, he just wasn’t going to survive any longer in that job. The choice to have him die and how that was going to impact other people and other elements in the story seemed like a better choice to us.

TVLINE | Martha wasn’t killed off, and you’ve had scenes in Russia with Nina and various other characters. Will we see her in that setting at some point?
FIELDS | She’s not dead. So on The Americans, that’s something to hold on to.

TVLINE | What about Oleg? What can you say about his status?
FIELDS | Also not dead.

TVLINE | But he’s leaving America? He hasn’t changed his mind?
FIELDS | We’ll see. He was pretty clear on that

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Clark Gregg has discussed his thoughts on the next Director of SHIELD, but does not seem to know very much about this and how it will play into the Marvel Cinematic Universe. From Entertainment Weekly:

“Since it’s clear that Coulson is Team Cap, Jed [Whedon] and Maurissa [Tancharoen] have fiendishly put Coulson on the spot, because Hive [Brett Dalton] turned out to be the living embodiment of all the reasons why you would be afraid of Inhumans,” Gregg says. “He was the greatest argument that the people who support the Sokovia Accords could ever have for locking them all up. Coulson had to ride the line where he was trying to respect these new iterations of humanity as friends and allies, and at the same time stop Hive at all costs.” Fortunately, S.H.I.E.L.D. was able to stop Hive, but it certainly came at a steep price with Lincoln’s death, Daisy’s disappearance and Coulson’s demotion.

So, who is the new director of S.H.I.E.L.D.? The executive producers played coy ahead of the finale, which means Gregg is in the dark, too. “I was not given a clear answer,” he says. “I don’t know that it’s been determined. I thought I was going to find out when I saw Civil War, but it’s not at all clear. It all depends when the glorious Nick Fury [Samuel L. Jackson] returns from the cold and the shadows. I suspect, in the wake of the Sokovia Accords and the end of Civil War, the people involved in choosing who the director of S.H.I.E.L.D. will be are other than in-house S.H.I.E.L.D. people. If I know my government bureaucracies, I have a feeling it will be someone somewhat less qualified than Coulson to run S.H.I.E.L.D.”

Screen Rant has information on a new character being added on The Flash. Supergirl has had a casting call for five new characters including Lex Luthor’s sister, plus they are finally going to show Superman. Vicki Vale is being added on Gotham. As for the comics, Bleeding Cool looks at the relationship between Batwoman and Rachel Madow (who once discussed the character on Seth Meyers’ show).

FXX has announced that You’re The Worst will return on Wednesday, August 31.

The CMT has picked up Nashville following its cancellation by ABC. It sounds like a good fit. Cable and streaming services have provided multiple ways for canceled shows to return. I still haven’t given up hope that The Food Network will revive Hannibal.

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Screen Rant reports that Peter Capaldi has teased the possibility of the Doctor and Clara meeting again:

Speaking at a Doctor Who panel at Awesome Con in Washington, D.C., Capaldi hinted that there might be more to the Clara situation than what we saw at the end of season 9. While Clara won’t be returning as the Doctor’s companion, she may not be completely forgotten either. Capaldi stopped himself before he revealed too much, however:

“I think that the thing about the Doctor is that he’s quite mysterious – hence the name, Doctor Who – um, and I’m not sure how successfully Clara was able to wipe his mind. And in fact, I just did a… I was about to tell you something I can’t tell you yet.”

While Amy Sherman-Paladino is finishing up work on the Netflix revival of Gilmore Girls, Amazon has picked up a new pilot from her:

Sherman-Palladino’s dramedy The Marvelous Mrs. Maisel, which she wrote and executive produces, is about a 1950s housewife who decides to be one of the first female standup comics. Sherman-Palladino is currently in post-production on the four Gilmore Girls movies for Netflix, which serve as a sequel to her signature dramedy series.

Related genre post from earlier in the week: A Lanister Always Pays His Debts–But Not Donald Trump. Plus chart of which Game of Thrones character is most like 2016 candidates.

SciFi Weekend: New Companion Announced For Doctor Who; Supergirl Finale; Krypton; The Girl On The Train; Person of Interest; Mr Robot; The Blacklist; The Night Manager; Catastrophe; Mick Jagger

The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:

Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
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Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”

Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.

Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.

Supergirl finale

Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.

Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:

ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG:
Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.

Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.

Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
[Crickets.]

Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.

Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…

Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.

What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.

What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.

Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.

The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.

The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:

A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”

Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”

After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.

Some additional brief thoughts on the past week which will be kept brief due to limited time this week:

Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.

Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.

The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.

Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.

In other entertainment news, Mick Jagger is not portrayed very well in a new book:

Rich Cohen delivers the unflattering portrayal of Jagger in “The Sun & the Moon & the Rolling Stones.”

“There’s something monstrous about Mick Jagger,” Cohen writes after exhuming details from the band’s dark past.

“The Stones had been shedding people from the start. Use ’em up, toss ’em aside,” Cohen continues. “It’s a machine that runs on bodies.”

Prince was honored in this week’s Saturday Night Live, hosted by Jimmy Fallon.

SciFi Weekend: World’s Finest, Supergirl and The Flash; Another Death on The 100; Gilmore Girls; Studios vs. Religious Liberty Law; Gilmore Girls; Bernie Sanders on Colbert; Donald Trump Heroin

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When I was younger and reading comics in the 1960’s, World’s Finest featured a team up between Superman and Batman in every issue, and at other times in its history it included other DC superheroes. While Superman and Batman are together in the same movie this month, television teamed up Supergirl and The Flash instead. Lacking the rights to Superman, ideas from the comics are often adapted to Supergirl (as Batman story lines have been adapted for Arrow).

I also clearly recalled the classic Superman cover with Superman racing The Flash. Supergirl used a similar poster to promote the show, and TV Addict has put the two together in the graphic above.

Melissa Benoist and Grant Gustin had terrific chemistry together in this Glee reunion. I don’t know if them having worked together in the past helped, and it certainly helped that both characters are similarly light. I doubt we would have seen the same chemistry with an Arrow/Supergirl crossover, unless Supergirl became a Felicity-substitute for Oliver.

Their awkward meeting can be seen in the video above.

The premise was actually explained further on Tuesday’s episode of The Flash in which Barry traveled back in time to seek ways to become faster to fight Zoom. Fortunately the show kept technobabble to a minimum and concentrated on the chemistry between the characters–although I do wonder how Barry would be able to get back to his original earth. I can envision this as a Barry from yet another earth who is spending years traveling from one earth to another in search of home. While there was a brief discussion of parallel earths, it was pretty much limited to Winn’s “That’s cool.”

The show had many other great lines. Supergirl was still trying to regain the support of the people of National City after the episode in which she was exposed to red kryptonite and briefly became a menace. She expressed her frustration and the drastic measures she was utilizing: “I saw that winning the people back wasn’t going so well. I have tried everything I can think of. Last night, I helped a family assemble their IKEA table!” The Flash demonstrated his super speed to Supergirl by quickly running out for ice cream. Supergirl’s response was perfect: “That’s cool.”

Cat might have been fooled by Supergirl’s secret identity (although now that she knows there is a shape shifter around, I’d would expect her to figure out how she was tricked). She had no difficulty figuring out that Barry was the new speedster in town, but she did not like the name of The Flash: “The Flash sounds like someone whose only super-power is jumping out of an alley in a trench coat.”

There was a reference to  CW, which The Flash is on: “All four of you, standing there, doing nothing. You look like the attractive yet non-threatening, racially diverse cast of a CW show.”

While I could have easily spent the hour just watching Supergirl and The Flash hanging out together, there was even a plot to the story. If there were two superheroes, there had to be too super villains working together, Siobhan (Italia Ricci) and Livewire (Brit Morgan):

Siobhan: “You want to kill Cat Grant and Supergirl, and I want to kill Cat’s assistant, who’s protected by them both. Figured we could team up.”

Livewire: “Like an evil Taylor Swift squad?”

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Nerdist has information from Greg Berlanti and Andrew Kreisberg on the repercussions of the cross over episode:

“We always wanted to do it,” says Berlanti of the crossover. “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] or someday maybe, in the best of all worlds, with Stephen [Amell] as well…it’s exciting to think of them on screen together. And there was a similar tonality to the shows. But a few things had to go right. We were introducing this notion of Earth-2 and the Multiverse on Flash, and that had to work for us. We always said very openly that Flash and Arrow exist in a universe where there’s no Superman, or you would have heard about him. They would have had at least one conversation about him, and certainly Supergirl as well. And he exists on this show.”

But the multiverse would prove the easier hurdle of the two shows converging—even though they live on different networks (CW for The Flash and CBS for Supergirl. “It was more challenging in that way because it’s not so convenient. It’s two separate cites that they shoot in. You wanted the show to work and stand on its own, and CBS has its own audience. We thought we might wait until the second season,” explained Berlanti. “But after Christmas we came back and we were planning out the final third of the year and we saw a way that we thought we could do it; and it felt like the right time for him to enter her world and help her out. So it all came together. We went to all the powers that be and said, ‘I think we had indicated maybe we’d wait a little longer. But we’d really like to do this now.’”

…But will there ever come a day where Kara returns the favor and visit Barry on The Flash”

“We would love that,” said Berlanti. “Just like we love this and are excited about this. I think we want to wait and see the audience reaction to something like this. But just as storytellers and fans of the actors, obviously. We love it when we can figure out a way to do it creatively and hopefully everybody enjoys it.”

Of course, the Multiverse does add a tiny wrinkle to this: wouldn’t that mean a Kara already exists on Barry’s Earth? And if so, what might a version of her look like there?

“I would think that any Kara that exists on Earth-1 would also have to have been an alien,” explained Kreisberg. “There can’t just be Kara Danvers from Poughkeepsie. That’s the fun of the Multiverse. We have a really exciting, fun doppelgänger coming up on the penultimate episode of The Flash that we haven’t announced yet. That’s just another one of those ‘Oh, that would be really cool…’ It’s surprisingly easy to justify any of these decisions. Usually when we’re in the writers room, and arguing the merits of doing something or not doing something, it really comes down to ‘Is it cool? Is it fun?’ The logic of how we get to it we find we can make work, especially if you don’t dwell too much on it. Because at the end of the day the audience wants to see the fun thing, they want to see the Flash and Supergirl together. So getting them across—he ran a little too fast with his tachyon drive—it wasn’t a lot of shoe leather to make it happen. Then you get forty-two minutes of the fun stuff.”

As a lifelong fan of the DCU, we posited the idea of Melissa Benoist appearing on The Flash as the Power Girl of Earth-2 to Kreisberg. His thoughts? “Sure,” he laughs. “[It’s] a different costume, but sure!”

As for why the two iconic heroes are first meeting on Supergirl as opposed to The Flash, Berlanti explained that it was “because it was his capacity to come this way,” adding that they “never really considered it the other way” and that “it’s maybe a little bit more fun at first to bring the veteran from that show to the chemistry of a new show.”

As for whether or not the time-traveling heroes of the Flash spinoff Legends of Tomorrow could appear on Supergirl via their ship the Waverider, Kreisberg got our hopes way up, saying that, “The Waverider can go anywhere.”

That last line also explains how Rip Hunter once said, “I’ve seen Men of Steel die and Dark Knights fall. Your entire 21st century world will suffer.” Superman and Batman apparently do not exist in the Arrow/Flash world but did exist in Rip’s past. Does this mean that the characters picked up by Rip are actually working to save a different earth?

"Worlds Finest" -- Kara gains a new ally when the lightning-fast superhero The Flash suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home, on SUPERGIRL, Monday, March 28 (8:00-9:00 PM, ET/PT) on the CBS Television Network. Pictured left to right: Jeremy Jordan, Grant Gustin, Mehcad Brooks and Melissa Benoist Photo: Robert Voets/Warner Bros. Entertainment Inc. © 2016 WBEI. All rights reserved.

More at TV Line, including some comments related to what I wrote above about Supergirl’s secret identity:

In discussing this crossover’s genesis, Berlanti also hints at the idea of Supergirl and Green Arrow interacting, saying, “From the day we cast Melissa [Benoist], the notion of her in scenes with Grant [Gustin] – or someday maybe in the best of all worlds with [Arrow star] Stephen [Amell], as well – it’s exciting to think of them on screen together.”

…If Cat was so easily able to decipher that Barry is The Flash, then how can she still be in the dark about her assistant’s secret identity? “There’s a number of people that assume that she does know and just doesn’t say anything,” Berlanti notes. “Both are safe bets. We haven’t firmed up if and when we [will] clarify that point. I think it’s kind of enjoyable to appreciate the show both ways.”

The 100 Steaiing Fire

When watching most television shows and a character’s life is in danger, the assumption is that they will survive. (Spoilers ahead). The opposite is true on The 100–especially when the character is played by an actor who has a role lined up on another television show, such as with Ricky Whittle. This is the second major death in a short time. Lincoln’s death has not been met with as much controversy as Lexa’s, but there has been some protests over how he died.

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Amy Sherman-Palladino never got the chance to use the four final word she planned for The Gilmore Girls as she left the show in its final season due to a contract dispute.  She kept them secret in case she ever had a chance to use them, and it has been verified they will be used in the Netflix revival. There are many possibilities from, “Luke, I love you” to “Mother, you are insane” to “Rory, you were adopted.”

I recently posted on how Marvel Studios and others protested the “religious liberties” bill in Georgia. The loss of potential income to the state appears to have been more important than appeasing the religious right as Governor Deal has vetoed the measure.

Dave Schilling gave his ideas on who different television characters would vote for at The Guardian. For example:

Mulder & Scully

Mulder’s naturally rebellious, so he’d have to be for Bernie Sanders. All the revolutionary rhetoric would appeal to his lack of trust in government. Scully, on the other hand, is highly religious and less prone to seditious behavior. Still, I don’t think she’d ever vote for any of the Republicans because of their denial of climate change science and anti-choice policies. I’m going to guess Hillary on this one.

Bernie Sanders played Wheel of News on The Late Show with Stephen Colbert on Friday. The segment ended with Sanders shooting the T-shirt cannon. Video above.

After the Michigan and Missouri primaries, Donald Trump put on an infomercial and talked about all the products with his name on them, even if not very truthfully. Now there is a new product to add to the Donald Trump line, Donald Trump Heroin. Mediaite reports:

A New Hampshire woman was arrested a few days ago for selling heroin with the name of none other than Donald Trump branded on the bags.

According to the Union Leader Correspondent, Darcie Hall was busted after a confidential informant managed to organize two heroin buys––one at a McDonald’s, another at a mini-mart. She had been under investigation by the police and the state attorney general’s drug task force.

And the detective who saw the heroin bundles wrote in his affidavit, “I also observed that each wax bag was stamped with a ‘Donald Trump’ logo.” (Make Heroin Great Again was probably too on-the-nose.)

Plus The New York Post reports on women who not only support Donald Trump, but are stripping down or him. Pictures included.

SciFi Weekend: Doctor Who; Supergirl; Agents of SHIELD; Renewals; DC Movie News; Schwarzenegger Refuses To Talk About Trump

Capaldi First Image

Peter Capaldi had previously suggested he would leave Doctor Who after the upcoming season, when Chris Chibnall will replace Steven Moffat as show runner. He has now told Radio Times that he has been asked to stay on but has not made up his mind. He also states that the new companion to replace Jenna Coleman has been cast and will be named soon.

Capaldi has told Newsweek that he is not happy with how the BBC handles the series:

Perhaps, as is the fate of so many seemingly happy marriages, the BBC has taken the Doctor for granted? “Undoubtedly,” he says. “The BBC is an incredible organization, but…sometimes people there think, That’s looking after itself. And it’s not being looked after. I think maybe their eye was taken off the ball, or the show was seen as a thing they could just push around. It’s not. It’s a special thing.”

The later time slot prompted tabloid hyperbole of a “ratings crisis,” something the star admits he begrudgingly keeps tabs on. “I have to pay attention to ratings—I’d rather not—but it’s the way the business is,” he says. “I think overnight ratings are a thing of the past. You can’t really measure the success of the show by its overnight ratings, which is what the papers do. But there’s still a place for families to sit down and watch the show—that’s still a great, fun thing to do. That’s what the show’s success has been based on. That has to be protected.”

Mandatory Credit: Photo by Rob Latour/REX/Shutterstock (5613187u) Melissa Benoist, Calista Flockhart and Chyler Leigh 'Supergirl' TV series screening, Inside, PaleyFest 2016, Los Angeles, America - 13 Mar 2016

The cast and crew of Supergirl discussed feminism, and the upcoming Supergirl/Flash crossover episode at PaleyFest:

Much of the discussion centered on feminism, particularly on the impact of having a female superhero on television in a male-dominated field. Leigh said that’s what motivated her to take on the Alex Danvers role. “I have two girls, and right before taking this job my husband was really challenging me in the sense of like ‘think about what this opportunity is and think about what it means to you and look at our little girls and if you don’t have a resounding yes [about being on Supergirl] then you’re crazy. For little girls, there’s so much on TV that is influential especially towards the younger ages. To be a part of something that’s telling a very powerful story in many different ways from many different perspectives, especially from a women’s standpoint but also from little girl’s standpoint … is rewarding.” Added Adler, “And that’s not just confined to little girls or women. I think the most exciting thing for me is the feeling that everyone feeling the strength of Supergirl regardless of gender.”

…On why he chose The Flash to be the first comic book crossover character on Supergirl, Berlanti said: “We needed to create a way to do it. We had to introduce Superman since you’ve heard about him and you’ve heard about Supergirl, but in worlds of Arrow and Flash, they didn’t exist in that world. We introduced the multiverse in The Flash this year, and that was always our way in.” But fans shouldn’t hold their breath for a visit from the Man of Steel. “We’re so thrilled that Supergirl is our point of view,” Adler said. “We’re thrilled to continue to tell her story.”

Supergirl has been renewed for a second season.

marvels-agents-of-shield-shield

Agents of SHIELD will once again be affected by the Marvel Cinematic Universe:

After Captain America: The Winter Soldier delivered the game-changing twist that Hydra had infiltrated SHIELD from the inside, completely destroying the government organization that makes up the very core of Agents of SHIELD, the ABC Marvel drama became a completely new show in season one. Agent Coulson (Clark Gregg) became Director Coulson of the real SHIELD, working in the shadows to take down the Hydra agents who betrayed them, including their former friend Grant Ward (Brett Dalton). The show was never the same after that revelation, and it was clear from both critical and fan response that the series was better for it.

With Captain America: Civil War only weeks away from its box-office bow, Agents of SHIELD is set to change yet again as a result of whatever happens in the Marvel Cinematic Universe.

“It will definitely have a ripple effect,” executive producer Jed Whedon says. “It is one world, so if there is a giant event, it will definitely have a ripple effect on our world.”

SHIELD Palicki and Blood

There is also more information on the spinoff being considered staring Adrianne Palicki and Nick Blood:

After spawning low-rated but critical darling period drama Agent Carter, ABC’s first Marvel series is laying the groundwork for pilot Marvel’s Most Wanted. Centering on the newest additions to SHIELD, Bobbi Morse aka Mockingbird (Adrianne Palicki) and Lance Hunter (Nick Blood), the potential series would follow the two former spies and ex-spouses who are on the run with no friends, no SHIELD and a long list of enemies looking to claim a bounty on their heads.

Without any allies except each other, Bobbi and Hunter will be forced to form an uneasy alliance with Dominic Fortune (Delroy Lindo), a rogue adventurer with a wealth of resources and even more adversaries, who agrees to protect them so long as they help him with his own agenda. These two heroes will help anyone in need, all while trying to uncover the conspiracy that put their own lives in jeopardy.

They will continue to work with SHIELD this season and decisions as to Marvel’s Most Wanted and Agent Carter will probably be made in May.

Fox has renewed Gotham for a third season. In other news on the show,  Brian McManamon has been cast as  Clayface.

Person of Interest returns on May 5 with two episodes to air per week, airing on Monday and Tuesday. This is to be the final season.

Amber Herd has been cast to play Mera in the upcoming Justice League and stand-alone Aquaman movie. Both the stand-alone Aquaman movie and Flash movie will be new stories following their appearance in Justice League and will not be origin stories. Following are the planned release dates for the DC movies:

Batman v Superman: Dawn of Justice March 25, 2016

Justice League: Part One November 17, 2017

The Flash March 16, 2018

Aquaman following July 27, 2018

Arnold Schwarzenegger, who is about to take over as host of Celebrity Apprentice, walked out of an interview and refused to answer questions about Donald Trump’s presidential campaign when asked on Australia’s Weekend Sunrise. Schwarzenegger has endorsed John Kasich for the GOP nomination. Meanwhile Trump’s campaign continues like a bad reality show or movie, with more violence reported, involving his campaign manager.

SciFi Weekend: Agent Carter; Mr. Robot; Supergirl and The Flash; TV Renewals; Malevolent

Agent Carter Hollywood Ending

Agent Carter recently concluded its second season, showing once again the advantage of telling a self-contained story over a short season. Whitney Frost made a great villain for the season, with the dark matter providing a strong science fiction aspect. Other highlights of the season include meeting Jarvis’s wife and the return of Dotty. Howard Stark was also used well, just appearing enough to spice up some episodes. Peggy’s love life also attracted a lot of buzz.

The season finale provided an excellent Hollywood Ending which tied up the plot lines of the season and, other than for a cliff hanger at the very end, would make a satisfactory series finale if it comes to this. Major spoilers ahead.

Entertainment Weekly discussed the finale, and some questions left open, with executive producers Michele Fazekas and Tara Butters:

ENTERTAINMENT WEEKLY: Why did you kill off Jack Thompson?!
MICHELE FAZEKAS:
We did not kill off Jack Thompson, we shot Jack Thompson.

In the chest!
FAZEKAS:
Yup, that was the intent. We shot him. Honestly, he might not be dead, and that’s what we as writers have said, and that’s what we told Chad. That’s the truth.

Let’s talk about the person who may or may not have killed Jack. Is it someone we know? Are they connected to the Council of Nine?
FAZEKAS:
It’s unrelated to the Council of Nine. It is not for the reasons that you’d expect. It’s unrelated to Council of Nine, Zero Matter, any of that.

Purely related to the file?
FAZEKAS:
Correct.

This file reveals Peggy’s exploits with the S.O.E. and some kind of massacre. Thompson thought it was too good to be true, ultimately, and it didn’t seem to affect Peggy when he mentioned it. What’s really going on here?
FAZEKAS:
You have to pay really close attention to what exactly we showed that was in the file. You see that there was some sort of massacre, and I would say, don’t make assumptions by what you see in that file. We were really specific about what information was given for a reason.

Later in the interview:

Turning to Whitney Frost, why did you ultimately decide to have her go crazy? And is that the last we’ve seen of her?
BUTTERS
: I hope not. I hope we get to bring her back. She was delicious.
FAZEKAS: We probably don’t exactly tell that story again, but I loved working with Wynn. We didn’t want to kill her off. The Zero Matter, all along, had this increasing affect on her, where it was driving her mad. That felt like the organic way to end that story, because we didn’t start out that way, but boy did she end up that way. That was a direct result of Zero Matter.
BUTTERS: There was a little Frances Farmer connection of Old Hollywood taking its toll. I like her being a rogue’s gallery for Agent Carter, people who can come back like Dottie (Bridget Regan).
FAZEKAS: I really like how sad I feel for Ken Marino. Oh, Manfredi still loves her!

In the closing moments of the episode, Peggy is torn between New York and Los Angeles. Are you already thinking about whether you would keep the show in L.A. or whether you’d move the setting back to New York in season 3?
FAZEKAS:
The nice thing is you can put the show anywhere, because it’s spies. We loved doing L.A. If I had a choice between doing New York and L.A. again, I’d pick L.A. But London has been dropped. It’s all going to be determined by what story we want to tell. I loved L.A. I loved how it looked, I loved how it looked on Peggy. We would be very happy to do another L.A. season, but we’re not married to it.

Haley Atwell Hollywood Ending

Haley Atwell has also discussed the finale, and the question of who Peggy Carter will ultimately marry:

ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL:
I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.

Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.

How do you think Peggy will handle Thompson’s potential death, especially since it’s happened because of that file?
She has an interesting relationship with Thompson. I think she deals with him with a bemused tolerance. I think she sees his façade and she understands why a lot of his bravado and his need to be liked and approved comes from, because he’s harboring a very guilty secret about his past that he confided in her in season 1. She’s not a dismissive person. She’s quite tolerant of people. She’s quite patient and wants to appeal to the good in him. Planting that seed in him is her hope that he will continue to be a good man. So to lose him, I think she would grieve, but it’s not the same. I don’t think she would regard him as a friend. He’s not someone that can be trusted. She suspects that he’s capable of making really bad decisions, but not malicious ones. I can imagine that he would get blinded by Vernon Masters, Whitney Frost and power, but she has sympathy toward that rather than sees that as something bad in him.

How much do you actually know about this file that discusses Peggy’s exploits with the S.O.E. and a massacre? Peggy seemed to dismiss it before, but do you know what’s really going on there?
James D’Arcy is so nosy, so he went sniffing around the writers’ room trying to figure it out. He finally found out what the secret was, and then on the last day he ran up to me and told me. I do know what that secret is. It’s really exciting, and it changes a lot. It basically gives us our core for season 3 if we were to go to a season 3. It’s really amazing, but I don’t want to get too excited about it in case we don’t get picked up again, so I can’t really say anything. Or it might get picked up in a couple years. I’m sworn to secrecy on it, but it’s really clever. Those clever writers!

Word as to whether there will be a third season is expected in May, but it appears Haley Atwell is interested despite working on another pilot. Even if she is busy with other projects, perhaps the series can be kept alive with fewer episodes to make it feasible.

Mr Robot s01e03

It appears that Mr. Robot will remain topical next season with encryption becoming a major subject. Deadline reports:

Mr. Robot showrunner Sam Esmail insisted at SXSW today that he’s no “fortune teller,” even though the show’s first season went into production just as a massive post-Snowden national debate about surveillance and the collusion between government and big business flared up. In any case, his luck continues, with the USA Network show’s second season heading into production with a storyline about privacy and encryption just as the FBI and Apple are having a very public fight about access to private iPhone user data.

“What’s weird is that we were really going into [Season 2] talking about encryption and privacy,” Esmail said during a SXSW show panel titled “Coding on Camera: Mr. Robot and Authenticity on TV.” “And then this whole thing with Apple and [CEO] Tim Cook happened.”

Esmail said he thinks the difficult-to-grasp real-life issue will play out over the next decade, with public discourse over the idea of a right to privacy. “Do we have that, do we not?,” he asked.

Is Mr. Robot meant to be a straight-up polemic? “I don’t know if it’s to make commentary, but it’s to bring it up and have a conversation,” Esmail explained later, offering as an example “the Apple/FBI thing. … We talked to our FBI consultants about this, and their view is that encryption should allow for this sort of third-party side-door thing.”

Esmail says he’s “totally opposed” to that. “I’m on Tim Cook’s side,” he said, a line that unsurprisingly got huge cheers from the SXSW room. Ultimately, he says, “if you keep breaking [the issue] down in a credible way and if you show both sides so that the audience can understand the debate, hopefully it gets people interested and invested in wanting to learn more about it. If our show contributes to that conversation, brings that conversation up again,” then he’s happy with the reception.

There will also be a lot more on Evil Corp. as two characters have been promoted to series regulars. From TVLine:

The acclaimed USA Network drama has promoted Stephanie Corneliussen (who recently guested on Legends of Tomorrow) and Michael Cristofer to series regular status for the sophomore run, as Joanna Wellick and Phillip Price. They join the previously announced Grace Gummer, who will be playing an FBI agent investigating the Evil Corp. hack.

Supergirl Flash

CBS has released the above promotional picture and a synopsis for the upcoming Supergirl/Flash crossover (and Glee reunion):

Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.

I can recall old DC covers with Superman racing the Flash but I’m not aware of whether Supergirl ever raced him. With CBS not having the television rights to Superman, several story lines and other aspects of Superman have been used in Supergirl–similar to how Arrow borrows from Batman.

The CW has renewed its lineup shows, including several genre shows. Renewed shows include:

Arrow (season five), Crazy Ex-Girlfriend (season two), Legends of Tomorrow (season two), The Flash (season three), iZombie (season three), Jane the Virgin (season three), The Originals (season four), Reign (season four), Supernatural (season 12), The Vampire Diaries (season eight) and The 100 (season four).

USA Network has announced that the eighth season of Royal Pains, which starts on May 18, will be the final season.

Netflix will release the second season of Daredevil on March 18 and Luke Cage will be released on September 30.

Malvolent

Malevolent is requesting assistance to get out this animated horror movie, which has quite an impressive cast:

  • Morena Baccarin (Deadpool, Gotham, Firefly)
  • Ray Wise (Twin Peaks, Robocop, Agent Carter)
  • Bill Moseley (The Devil’s Rejects, Texas Chainsaw Massacre II)
  • Rising star Dani Lennon (Bite Me)
  • William Shatner (Star Trek, Boston Legal)

MALEVOLENT is about a young woman named Miriam DeKalb (Dani Lennon, FearNet/Machinima’s BITE ME) who works for a non-profit which promotes global peace initiatives. When her billiionaire sociopath father Cyrus (Ray Wise) learns he is dying, Cyrus calls Miriam and her three siblings together to “discuss his will.” However, what he actually has planned is to pronounce judgment on them all. They are, in his view, traitors, and he has grisly death traps planned for each of them.

The wrinkle: a race of intergalactic gamblers, who wager on human conflicts as bloody sport, have chosen Miriam as their protagonist for this match. Thus the entire situation is being manipulated by the Gamemaster (Morena Baccarin,) who has the power to reverse time and reconfigure events as they play out. And so the playing field is constantly changing under Miriam’s feet — sometimes to her benefit, but usually, not. Through it all, The Overseer (William Shatner) calls the game.

SciFi Weekend: Bryan Fuller Named Star Trek Showrunner; Valentines Day For Marvel Heroes; Agent Carter; Gilmore Girls; Flash & Supergirl; Outlander; 11/22/63; Better Call Saul; House of Cards; Bernie Sanders & Hillary Clinton As Comic Book Leads

Bryan Fuller Star Trek
Bryan Fuller has been named to be the showrunner for the upcoming Star Trek television series on the CBS All Access streaming service starting in January 2017. Fuller has certainly demonstrated his skills in running a first class genre series with his work on Hannibal. He is also a long time Star Trek fan:

“My very first experience of ‘Star Trek’ is my oldest brother turning off all the lights in the house and flying his model of a D7 Class Klingon Battle Cruiser through the darkened halls. Before seeing a frame of the television series, the ‘Star Trek’ universe lit my imagination on fire,” said Fuller. “It is without exaggeration a dream come true to be crafting a brand new iteration of ‘Star Trek’ with fellow franchise alum Alex Kurtzman and boldly going where no ‘Star Trek’ series has gone before.

Fuller also has experience with Star Trek, including writing two episodes of Deep Space Nine (which he has called his favorite Star Trek series) and twenty episodes of Star Trek: Voyager.

Variety reports that “The creative plan is for the series to introduce new characters and civilizations, existing outside of the mythology charted by previous series and the current movie franchises.” This still leaves open whether it will occur in the Roddenberry or Abrams time line, at what point it time it will occur, and whether it will encompass the entire Star Trek universe or be more limited as Voyager was.

For Valentines Day we have a special edition of Marvel Super Heroes in the video above.

Elsewhere in the Marvel universe, there is now a question as to whether Agent Carter will return as Haley Atwell has been cast in a pilot for an ABC drama entitled Conviction. It sounds doubtful that she will return to Agent Carter if the pilot is picked up, although this is a series which might return at any point in the future as time allows.

Girlmore Girls Rory Jess

Being Valentines Day, it is also significant that yet another of Rory’s old boyfriends has been cast for the Gilmore Girls revival, now adding Milo Ventimiglia. In an unexpected addition, Sutton Foster has also been cast. Will she reprise her role as Michelle and make this a Gilmore Girls/Bunheads cross over episode, will Foster play another Lorelei stand-in, or will she have an entirely different part.

Supergirl Flash Instragram

Grant Gustin has uploaded the first picture of himself and Melissa Benoist in this Glee reunion and Flash/Supergirl cross over.

The latest trailer for Outlander deals with attempting to change the future due to Claire’s knowledge of history. Outlander returns on Saturday, April 9th at 9pm ET.

11.22.63 also deals with attempts to change historical events. It premiers tomorrow and it is disappointing that USA Today gives it a very poor review, advising to just watch the final episode if you are curious as to what happens. The New York Times and IGN have more mixed reviews. Adaptations of Stephen King novels do not have the greatest track record on television, as with Under The Dome.

The New York Times has a much better review for Better Call Saul, which returns for its second season tomorrow.

The latest trailer above for Batman v Superman: Dawn of Justice which premiers on March 25th, 2016.

Syfy has renewed The Magicians for a second season.

Aniz Ansari’s Master of None has been renewed by Netflix for a second season.

House of Cards  returns to Netflix on March 4th. Trailer above.

Amazon has renewed Mozart in the Jungle for a third season. The show recently Best Musical or Comedy at the Golden Globe awards and Gael Garcia Bernal won for Best Performance in a Television Series – Musical or Comedy.

Bernie Sanders Comic

Both Bernie Sanders and Hillary Clinton are the stars of their own comics. More on the comics here.

SciFi Weekend: The Flash To Meet Supergirl After Visit To Earth-2; Captain America: Civil War; Doctor Who; Manhattan; Gilmore Girls Casting; Bernie Sanders & Larry David on SNL; Gloria Steinem Insults Women Supporting Sanders On Bill Maher

The-Flash-Earth-2-Joe-Barry-and-Iris

Barry travels to Earth-2 on next week’s episode of The Flash and, from the pictures released, some things are quite different over there.

After many stories going both ways, it now looks official that he will also visit Supergirl.  With the manner in which The Flash deals with alternative universes, this is leading to a lot of speculation on line that Supergirl (and therefore her cousin Superman) are from a different universe from Arrow and The Flash. If so, being able to travel between universes might provide a way for the DC television universe to continue to tell stories which are unrelated to each other, but still have an occasional cross over episode. The same idea could extend to the movie DC universe, and could even be used to encompass the various versions of Superman and Batman seen on television and in the movies.

The Captain America: Civil War promo to be shown during the Super Bowl has been released prior to the game

Steven Moffat has confirmed that series ten of Doctor Who will have fourteen episodes. Presumably this means that there will be the 2016 Christmas episode, thirteen episodes in the spring of 2017, and Moffat’s final episode will be the 2017 Christmas episode. That might also be a regeneration episode if Peter Capaldi leaves with Moffat.

Manhattan has been canceled by WGN after its second season. It is a shame as it was one of the best shows on television. For those who have not seen it (which is most people) it remains well worth watching the first two seasons, even if the show was canceled. It is about the Manhattan Project. We don’t need another season to see how it ends, although I would like to see what happens to the fictitious characters on the show.

Colony has been renewed for a second season. Orange Is The New Black has been renewed by Netflix for three seasons.

I haven’t seen it yet, but the Deadpool movie is getting excellent reviews.

Liza Weil and Matt Czuchry have both signed on to be in the Gilmore Girls revival. (That’s Paris and Logan). Melissa McCarthy so far hasn’t been cast in revival based upon limited availability, but Amy Sherman-Palladino does say she will write her into a scene if she makes it to the set.

Bernie Sanders appeared on Saturday Night Live last night, with guest host Larry David. The show opened by mocking Ted Cruz. Then Larry David had one of the best opening segments on the show in recent memory, not needing the other cast members to get him through it, as many guest hosts to. He was later in an excellent per-filmed skit entitled  Bern Your Enthusiasm which had the feeling of an episode of Curb Your Enthusiasm with typical Larry David-type predicaments, except it dealt with Bernie Sanders and the Iowa primary. This included Bernie not wanting to shake a woman’s had after she had first coughed into it, two-percent milk.

Another skit dealt with a Titanic-like situation, in which Larry David played a rich man demanding that he get one of the seats in a life boat. Then Bernie Sanders appeared with a version of his stump speech:

Sanders: Hold on! Hold on! Wait a second! I am so sick of the one percent getting this preferential treatment! Enough is enough! We all need to unite if we’re going to get through this!

David: Sounds like socialism to me.

Sanders: Democratic socialism.

David: What’s the difference.

Sanders: Huge difference.

Previous impersonations of Bernie Sanders by Larry David can be seen here and here.

Also on light night television, Gloria Steinem received a lot of criticism for suggesting on Bill Maher that young women are supporting Sanders because that’s where the boys are, as if they can’t think for themselves. Steinem later apologized for her comments on Facebook.