Steven Moffat give some hints (or perhaps misleads) about Jenna-Louise Coleman’s role as the new companion on Doctor Who during a recent radio interview:
The new companion will, again, be a human from contemporary earth. This is necessary for audience identification and a ‘jumping on’ point for new viewers
How the companion gets where she is and what that means for the character is what will make her utterly different and fascinating
The new companion will not have any links to any previous characters
Her ‘journey’ will be shocking and intriguing. The Doctor has never met anyone quite like her before
Her very presence in the TARDIS will change the Doctor and there’s something different about her that will have a knock-on effect for the Doctor/companion dynamic
Or how about Jon Luc Picard as a companion? Above is from the comic miniseries Star Trek: The Next Generation and Doctor Who: Assimilation².
The two greatest science-fiction properties of all time cross over for the first time in history, in STAR TREK: THE NEXT GENERATION/DOCTOR WHO: ASSIMILATION²! Captain Jean-Luc Picard faces one of the most difficult decisions of his life, but the fate of the galaxy may depend on it! Can the Doctor convince him to make the correct choice?
Another example of cover art from the miniseries can be seen here.
There was controversy this week when it was revealed on the DVD extras that one of the heads used on Game of Thrones during the first season was that of George Bush. It sounds like it was just a matter of using materials which were handy and nobody would have noticed if this was not mentioned during the commentary. From the DVD commentary:
“The last head on the left is George Bush. George Bush’s head appears in a couple of beheading scenes. It’s not a choice, it’s not a political statement. We just had to use whatever head we had around.”
The full scene is above.
This was an interesting bit of trivia about the show which apparently nobody noticed when it aired, but once revealed HBO really had no choice but to have this edited out. In a nation split near 50:50 it is understandable that a media company would not want to alienate a large percentage of the country in such a manner. The season finale was taken down and DVD sales stopped to allow for digital removal of Bush’s head–which would create a problem for those desiring to watch the first season. I just checked HBO GO and found that the episode is back up. The scene with Bush’s head is unchanged except that there is now hair digitally inserted over much of the face making it unrecognizable.
One of the biggest puzzles about the first season of Once Upon A Time is why they didn’t use Meghan Ory more often. The producers apparently agreed and are making her a regular for the second season, along with adding new characters.
The two top writers of rapid-paced dialogue are back on the air this summer–Aaron Sorkin with The Newsroom and Amy Sherman-Paladino with Bunheads. Sorkin discussed his work in an interview here–but I would give higher grades to Sorkin’s previous shows than he gives himself. Another interview with Sorkin touches on science fiction as well as politics:
In one episode of Newsroom, we hear Will say, “I’m a registered Republican—I only seem liberal because I believe that hurricanes are caused by high barometric pressure and not by gay marriage.” So—
Your question is “Are hurricanes caused by high barometric pressure or low barometric pressure?” The answer is both. Hurricanes are caused when a high-pressure system surrounds a low-pressure system. That wasn’t your question, though. Your question is, why is Will a Republican?
No. My question is, if he really is a Republican with moderate-to-liberal beliefs, when did you become interested in science fiction?
You’ve answered the question I thought you were asking, which is, why is he a Republican? There are several reasons, but the biggest is: I haven’t seen this guy on TV.
Or anywhere, lately.
For the last year or so, but really since Obama got elected, I’ve found the most interesting op-ed political writing to be from Republicans who are looking at the extreme right and saying, “Those guys aren’t with us. I don’t know what happened here, but they’ve kind of co-opted our brand name. But these aren’t Republican values.” Guys like David Frum, Mark McKinnon, Andrew Sullivan. Even George Will. I hadn’t seen that guy on television. There’s CNN, which tries very, very hard either to not be anything or to be both things. And then, of course, there’s Fox and there’s MSNBC, on either side.
Amy Sherman-Paladino’s new show Bunheads premiered last week, with many similarities to Gilmore Girls. Inevitably interviews about the new show led to questions about Gilmore Girls, including the mysterious four words which she had intended to conclude the series with:
You always said you knew the four words that were going to end the last Gilmore Girls episode, and you obviously never got to have them said. Any chance you’d share them now? To me, because I didn’t have control of that last year and [whispers]I still haven’t seen the last year … Here’s the deal. All the people who ran the last year, David Rosenthal, I hired him, he’s good people, he’s a good writer, I really like him. I don’t think he thought Dan and I were going to leave. We didn’t think we were going to leave. Everyone was caught unaware. It was literally a situation of bad negotiating. Our interests were in staying and keeping the show going. Once the CW bought it, we called Warner Bros. and said the CW is going to need this show to launch new product for the next couple of years. You don’t want the show to go down this year. We instigated that. When the negotiations got so crazy we thought, Maybe we’re high? Maybe they don’t want it for the next couple of years. But by not having control of that, it shifts the focus of what my last words would have been. I was also holding on to it for a long time because I was thinking if we did do a movie, I would be able to use it there. I don’t think that’s ever going to happen so, I don’t know. Maybe I’ll eventually say the four words. I feel like now I’ll let people down because it’s been so built up. “Really? That’s what we waited all these twelve years for? Well, thanks so much.”
Maybe the four final words were, “Rory, you were adopted.” Doubtful, but amusing speculation.
Alexis Bledel’s appearance on Mad Men this season also came up:
I’m sure you know a very grown-up Alexis Bledel was on Mad Men a few weeks ago. We have a place in Brooklyn and she lives right around the corner from us. I have to say she is taking a very thoughtful, interesting approach to her career post-Gilmore. She’s being very particular. I think it’s very smart. She’s not rushing. I applaud it. She did have her shirt open, however, and her boobs hanging out. I was behind. I’m behind on everything that’s not Game of Thrones. And then I read some headline that said, “Most Boring Mad Men Ever Except for Rory Gilmore Getting Naked!” I thought, Holy shit, is she naked? She wasn’t. She had a fur and some underwear. When you’re young and your boobs look like that? Why not?
Speaking of Mad Men, I noticed that critics were generally dissatisfied with the season finale last week. I disagree. Certainly there was more drama in the previous episode in which Lane committed suicide, but the finale did an excellent job of tying up some loose ends and presumably setting the stage for next season. They might have saved the suicide for the finale, but handling it this way allowed viewers to see the aftermath of the act.
The finale included Pete Campbell getting punched, not once but twice, making this twice as good as the previous episode in which this occurred. Pete seemed to becoming too successful at SCDP, but we learned of his dissatisfaction with his life during his visit to the hospital. Perhaps he was demonstrating even more self-understanding when he told the conductor, “I’m president of the Howdy Doody Circus Army.” There was an Eternal Sunshine Of Spotless Mind conclusion to the Rory Gilmore storyline. We saw that SCDP has become a successful firm, suggesting an end to the new company struggling to survive story lines which can become tedious. Most importantly, we may have seen the beginning of the end of Don and Megan. The episode contained clues, such as Don telling Peggy, “That’s what happens when you help someone. They succeed and move on.” Don warned Megan against taking help from him, telling her she would be better off being “someone’s discovery than someone’s wife.” Don might now believe that Megan will move on as Peggy did. Now that Don has helped Megan get the role in the ad, she has become too much like Betty when they met, and might ultimately suffer the same fate. The episode ended with what might be the old Don Draper going into the bar to order a highball. We don’t know how he answered the question, “are you alone” but things will never be the same between Don and Megan.
The Avengers ended with the heroes going out to a shawarma restaurant after saving New York. When watching this scene (at the end of the credits) did you wonder where Loki was? The answer is above.
Above is the Doctor Who mini-episode, Good as Gold.
Pictures have been spread on line of filming for season seven of Doctor Who. Unconfirmed but apparently reliable reports claim Jenna-Louise Coleman’s character will be named Clara. Steven Moffat has said in a recent interview that he hasn’t completed the script for the Christmas episode which Jenna’s character first appears in. Presumably the reports of filming are of episodes from later in the season.
Steven Moffat continues to object to Elementary copying his idea of a television show based upon a modern day version of Sherlock Holmes.
A remake of Room at the Top has been sitting on the BBC’s shelf for a while but perhaps now that Jeanna-Louise Coleman has become a major actress throughout space and time there are finally plans for BBC4 to air the show. Jenna plans Susan Brown in the dramatization of the novel. Apparently the release has been delayed due to contractual problems.
DC comics are relaunching the concept of an Earth 2 with the original versions of its super heroes, but with some changes. Alan Scott, the original Green Lantern, will be gay. I wonder if the new origin story will include a scene where Mitt Romney pins Alan Scott down and tries to cut off his ring.
Above is a new trailer for The Amazing Spider-Man
A common storyline in science fiction has time travelers change the past. I09 considers the question as to how we know whether our own past has been changed.
Kathryn Joosten, who has died at least three times on television (Mrs. Landingham on West Wing and Mrs. McCluskey on Desperate Housewives and on Scrubs) actually died on June 2 of lung cancer.
Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.
Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.
Killen described it this way:
Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”
One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:
The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”
Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:
The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”
Killan went on to describe how the second season would have picked up the story:
“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”
At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:
“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”
If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:
“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”
Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.
I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’
Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.
Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.
House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall originally aired on the BBC.
It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.
J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.
Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.
Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.
If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.
As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.
Apparently great show runners are treated better Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.
An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award. Among Others by, Jo Walton won the Award for Best Novel.
The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.
The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”
Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.
Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.
TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:
“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036? J.H. Wyman: Yes.
Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman: Well, let’s say that basically 2036 is extremely important to Season 5.It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.
Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman: At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason. We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are. Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work. Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed. Wyman: They don’t know if anything is over. So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?
Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman: Basically, when Walter was going through the Nanites.From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.
Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.
Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman: You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.
Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman: We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them. Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad. I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.” She said, “I was so wrong.” Wyman: Everything is a possibility on Fringe.
Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman: We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.
Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.
Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman: You’re very perceptive. Let’s just say you will understand the hesitation.
There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker: You will see changes, but you will see things that are familiar, as well. I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.
Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman: We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.
The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.
Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.
Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.
There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.
Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over. Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:
TVLINE | What other drama is going on in Storybrooke outside of the Henry thing? KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling. HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.
TVLINE | How is August doing? Is he flipping through termite control ads? HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.
TVLINE | What is Mr. Gold’s particular take on the Henry situation? KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.
TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own? KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well…. HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]
TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm? HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new. KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?” HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”
TVLINE | Will the finale introduce any new players to the canvas? KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced. HOROWITZ | And there may be some old characters seen in a new way.
TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds? KITSIS |All of them. HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise. KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”
The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960′s, it makes sense to pay what it takes to include the Beatles, considering how important they were to music of the era.
The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.
The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:
In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.
For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.
Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.
“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”
KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.
“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”
Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”
Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.
Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:
Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.
“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”
Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”
This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.
With only two more episodes of Fringe this season, Worlds Apart made huge advances in this year’s arc. Fortunately the show has been renewed for a thirteen episode season next year, most likely so that there will be more than one-hundred episodes for syndication. Knowing that there are thirteen episodes to go will allow the writers to provide a meaningful ending for the show as opposed to a rushed conclusion added to the end of this season. Here is a promo for the final season:
In Worlds Apart we learned more about David Robert Jones’ plans to create a new world with the collapse of the two earths upon each other. The episode also brought back Nick Lane, who was in the Cortexiphan trials with Olivia. Knowledge of the back stories on Fringe was necessary to appreciate this episode. We’ve seen intermittent flash backs to the days when Walter and William Bell were doing experiments, which were apparently motivated to create soldiers to defend our earth in an anticipated war between the two earths. Shape shifters were developed on the other side with the same motivation. While I am not entirely satisfied with how it happened, this season showed that the use of the machine (also intended by Walternate to destroy our earth) led to a situation in which the alternate earth is healing and there is no longer conflict between the two sides. Jones, however, has now taken advantage of the weapons developed in this preparation for war for his own ends. Presumably Jones remains a threat which will be dealt with in the two-part season finale.
When the initial attempts to stop Jones failed, a decision was made to turn off the machine and sever the connection between the two earths. This raises questions as to whether turning off the machine will leave each side the same except without this means of crossing over, or if there will be other changes. Walter and Walternate questioned if this might make Peter disappear again. I doubt the would make major changes this late in the season, but another possibility might be that everything would return to how it was before the machine was turned on last season, with both earths on the brink of war.
The episode did wrap up a subplot from this season. Lincoln Lee was clearly infatuated with Olivia, and when she reunited with Peter, Lincoln got the opportunity to meet Altlivia. He decided to go to the alternate universe to be with Altlivia, a decision Peter clearly understood. I wonder if we will see the two of them again in the alternate universe. While the Fringe team lost their easy means of getting there, other means of crossing over were present in past episodes, so this might not be the last time we wee the alternate Fringe team. It is also possible to have scenes on the other side without anyone crossing over. I do hope that we do see more of the alternate earth.
Awake is at its weakest as a police procedural show. The two police cases this week on Game Day were not terribly compelling. The importance of the cases was that they showed Britten how there can be slight differences between the two realities leading to different results. In football, a field goal attempt may or may not be successful, leading to different winners (and different crimes). The ramifications of this became important in his personal life. He learned that Rex’s girlfriend Emma got pregnant before the accident killing his wife, and subsequently had a miscarriage. Back in the other world, Britten realized that although Rex was dead, Emma could still be pregnant with his child, and it was possible that there was no miscarriage. Finding that Emma was still pregnant with Rex’s child will certainly change things for the Brittens, most likely ending their plans to move to Oregon.
I hesitate to speculate too much on questions as to whether one or the other reality is actually real as I’m not convinced the writers have a real game plan for the show. Different arguments can be made based upon different episodes. This episode suggests that both realities are equally valid as once again information from one is carried over into the other. On the other hand, there have been episodes in which things occurring before the accident were different in each reality, suggesting that only one could be the real one which Britten had lived in. A Life on Mars type explanation in which noting is real might be the easiest way to settle such contradictions.
If Britten does not move to Oregon, the plans to call off the hit on him by the people responsible for the accident appears to be back on, providing further drama. However, why was this never an issue in the world where Rex remains alive and Britten never planned to move to Oregon? Perhaps the reality in which his life lived is the “real” world in which he was set up for the accident, but he also jumps to another pre-existing reality where some things were different, and perhaps the accident really was an accident.
This picture is not a fake. It appears to show the Doctor (Matt Smith) with the Beatles. Is Matt Smith actually a time traveler? Steven Moffat’s reaction to the picture on Twitter: “Bloody hell!!! Clearly we’re going to make that episode!! Wonder what it will be like.”
How’s this video for mixing up the robots from Doctor Who and Star Wars?
People who interpret the Mayan calendar as indicating the end of the world in December 2012 are mistaken. It is now clear that the Mayans were just noting the transition from Karen Gillan to Jenna-Louise Coleman on Doctor Who. We have some more information about the process of casting Jenna. Material has been posted on line from part of the audition of Jenna-Louise Coleman for her role as the new companion. The material, taken from Doctor Who Magazine, appears to be Jenna acting out a scene with Matt Smith:
The Doctor and Jasmine are investigating a haunted house.
DOCTOR: So you saw it coming in here? What did it look like?
JASMINE: Grey. Sort of dusty. Like it was made of spider webs.
D: And it came through the wall.
J: Yeah, that wall there.
D: But you don’t think it was a ghost. Why not?
J: Because there’s no such thing as ghosts.
D: You know, a lot of people who saw what you saw wouldn’t still think that.
J: Obviously. Otherwise there wouldn’t be idiots who believe in ghosts.
D: What were you doing here?
J: I love this place. It’s… beautiful.
D: It’s falling apart.
J: It’s old. I love old things, they make me feel sad.
D: What’s good about sad?
J: It’s happy for deep people. You’d know.
D: I’m not sad.
J: Oh, you are though. Under all that talking and leaping about. Takes one to know one.
D: So you come here for… recreational sadness?
J: Yeah. In a way. Okay, why are you looking at me like that?
D: You remind me of an old friend of mine. Someone I lost a long time ago.
J: Down boy. I’m not her.
D: Oh, I know you’re not – I don’t believe in ghosts either.
J: Oh my God, what’s that?
D: Okay, just stay calm.
J: But that’s the thing I saw before.
D: Yep, and it’s coming towards us. I expect you noticed that. Say it with me – I don’t believe in ghosts!
J: I don’t believe in ghosts!
D: Louder! I don’t believe in ghosts!
J: I don’t believe in ghosts!! Will this work?
D: No idea, never met a ghost before.
Whatever this is, Moffat has said that Jasmine won’t be the character’s actual name on the show:
“Two things before you read it. Her name is NOT Jasmine. I don’t like the name Jasmine (sorry all Jasmines, I didn’t mean you) so I knew I’d never use it for real. And also, you might notice there’s a line snuck in from Blink. One of those self-consciously clever, writer-showing-off lines that anyone stuck working with me better get used to.
“So here’s a spoiler from a future that is never going to happen. This is the scene we saw Matt and Jenna perform in a dull little room in the basement of the BBC, which changed the future of Doctor Who. Now remember, this is nonsense, none of this is going to happen, no clues or hints. Think of it as series of hurdles we placed in front of an actress to check her jumping skills.”
After months of rumors (spread by Steven Moffat and Sophia Myles via Twitter), Sophia Myles now says she is not returning to Doctor Who, at least in the near future:
“Steven [Moffat] and I did talk about Doctor Who and I honestly feel – and I think he feels the same – that The Girl in the Fireplace was so special, I really doubt we could do something better together on that show. It was just so perfect and I would rather leave it at that, ” she explains in the latest Doctor Who Magazine.
“If I was to come back to Doctor Who, I don’t think it should be as [Madame de Pompadour]… but it would just ruin it to come back as anything else.”
However, Myles doesn’t completely rule out another role.
“Maybe when I’m old and don’t look anything like her. I’d like to come back in 20 or 30 years’ time as a baddy, and cause some trouble! But as for anything imminently? No. I think that would be inappropriate.
This might be a major spoiler (or perhaps major misdirection) from the first episode of the next season of Doctor Who: Reportedly a prop was seen of divorce papers for Amy and Rory. There are also reports of them getting along well in scenes from episode 3, so if true early-season conflict between the two might get resolved.
The big thing we learned about the alternate universe on Fringe is that they have different superheroes, and no Batman. It was obvious that Agent Lee was interested in Olivia in our universe. Now that she is reunited with Peter, is he heading into a relationship with Fauxlivia?
On Awake, Britten wound up working with Dr. Lee on a police case (although part of their contact was real, and part induced by a drug–or was Britten having hallucinations and losing his mind?). It might have been more interesting if they had Britten run into Dr. Lee in the time line where he sees the other psychiatrist and Dr. Lee doesn’t know that Britten knows him. Of course we’ve seen that sometimes things are quite closely the same in both time lines, and sometimes individual’s lives are quite different, so Dr. Lee may or may not be around as a police psychiatrist in the other time line. From the previews, it looks like next week gets back to the conspiracy around the auto accident which precipitated events.
Las Vegas considered building a full sized replica of the Enterprise in 1992. The story came out last week and can be seen here.
The Hugo Award nominees have been announced. Nominees for Best Dramatic Presentation (Short Form) include three episodes of Doctor Who and one episode of Community.
Best Dramatic Presentation (Short Form) (512 ballots) “The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales) “The Drink Tank‘s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation) “The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales) “A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales) “Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)
Television shows typically are recognized by the Hugo Awards based upon individual episode. Game of Thrones misses out under that criteria. The entire first season was actually one long story, but it is hard to pick an individual episode. Instead the first season was nominated under Best Dramatic Presentation (Long Form):
Best Dramatic Presentation (Long Form) (592 ballots) Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel) Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO) Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.) Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount) Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)
It is difficult to compare an entire season of a television show to a single movie. Perhaps they should divide into three categories, one for individual episodes of television shows and other short form presentations, one for movies, and a new category for genre television shows.
Marvel Studios isn’t waiting to see how “The Avengers” does in theaters later this year. Following in the footsteps of “Thor,” the studio Friday announced it’s moving forward with a sequel to its 2011 hit “Captain America,” prepping it for a 2014 release.
Keeping the film canon with “The Avengers,” Chris Evans will take on the title role in the present, and not during World War II like the previous film. The events at the end of the first “Captain America” film, along with some storyline in the upcoming “Avengers” movie, bring super soldier Steve Rogers to the present.
The first Captain America film is of increased interest being the film debut of Jenna-Louise Coleman. A picture of her in the movie was previously posted here.
Although not airing in the United States until next weekend, I did get a hold the first two episodes of Titanic. Some of the information posted about the mini-series on line was incorrect. Some reports claimed that Jenna-Louise Coleman doesn’t appear until the third episode but actually she was present in the first two. Perhaps she has a larger role in the third. Some early reviews also described the mini-series as each episode involving different characters, leading up to the ship sinking at the end of each hour. It is correct that each episode leads up to the Titanic sinking, but there is tremendous overlap between the characters. The second episode introduced new characters and didn’t include all the characters from the first episode, but it did provide more information about some of the major characters from the first episode.
The mini-series, written by Julian Fellowes, does have much of the same style as Fellowes’ show Downton Abbey. One difference is that the some among the wealthy are far less sympathetic characters–and in some cases their servants are even nastier.
As for Downton Abbey, there are spoilers for the third season:
What can “Downton Abbey” fans expect when the PBS series starts its third season in January?
“Matthew and Mary do get married,” ”Masterpiece” executive producer Rebecca Eaton said Wednesday at a Winter Park party. She previewed the British drama, which is in production, for supporters of WUCF TV, Central Florida’s new PBS station.
In the new “Downton” season, everyone is waiting for the arrival of the mother of Cora (Elizabeth McGovern), a character played by Oscar-winner Shirley MacLaine. They’re waiting for MacLaine’s character because the British family, especially Violet (Oscar-winner Maggie Smith), needs money again, Eaton said.
“There are some wonderful scenes between Maggie and Shirley MacLaine — Shirley MacLaine being as ditsy as ever,” Eaton said. “And Maggie barely restraining her sneer in having to deal with this American. Maggie Smith is a handful, it’s true. She’s very difficult. She knows her worth, and she’s tricky on the set, but she delivers when the time comes.”
Eaton supplied more teases: “Somebody will be born, and somebody will die, somebody pretty key in the cast, unfortunately not going to make it. It’s the 1920s now.”
The obvious speculation is that the birth will be a child for Matthew and Mary, especially as it is confirmed that they will marry. There are other possibilities. Perhaps Bates makes it out of prison and starts a family with Anna. It is also possible that Lady Sybel might be having a child. Those interested in seeing Jessica Brown Findley in other roles might click here to see her in Albatros. (Beware, the scene is not safe for work, and the Crawley family would really be shocked to see her flashing in this scene).
The cast of Downton Abbey includes Hugh Bonneville, who has appeared on Doctor Who. Alex Kingston has a role on the second season of the remake of Upstairs, Downstairs (coincidentally also playing an archeologist). I was aware that Jean Marsh, who has been on the original and remake of Upstairs, Downstairs, has appeared in Doctor Who and was curious as to whether many other actors have appeared on both shows. I was surprised by the length of the list, which can be seen here.
The second season of Upstairs, Downstairs won’t air in the United States until 2013 and is well worth watching. The season takes place as conflict escalates between Germany and Great Britain just before World War II, giving it a much more modern feel compared to the original, or compared to Downton Abbey.
There was a lot of secrecy surrounding the choice of Jenna-Louise Coleman to become the next companion on Doctor Who. They also love anagrams, such as coming up with Torchwood, which is an anagram of Doctor Who. Jenna had to tell people she was auditioning for a show called Men on Waves, an anagram of Woman Seven (for seventh series):
“I wasn’t allowed to say it was Doctor Who at any point – not talking to my agent, not when I arrived at the audition, and I certainly couldn’t tell anyone at all what I was up to next,” the 25-year-old actress says, admitting that she was surprised at how good a fibber she became.
“When she was auditioning, Karen Gillan had been given a codename – Panic Moon, which is an anagram of Companion – so I worked out that Men on Waves is an anagram of Woman Seven, because this is the seventh series. Weirdly, seven is my lucky number and this is my seventh job.”
Jenna also told RadioTimes that she was named after Jenna Wade from Dallas.
Steven Moffat says another Doctor Who spin-off is unlikely at present. That isn’t very surprising as there aren’t any current situations which would make good spin-offs, and Moffat is already busy with two shows. Perhaps if both Amy and Rory survive their final encounter with the Weeping Angels, which doesn’t sound likely, he could write a sit-com similar to Coupling about them. No, not very likely to happen.
MCN: Is there anything more out of the Torchwood camp. I know you’re close with the people there…
CA: You know, Russell [Davies] is so busy. Obviously, we’re in touch with the BBC all the time. They are our partners on DaVinci’s Demons and the Harem project that you just mentioned. We told them, we stand by ready for any news, but I think it would be a while before Russell came back to Torchwood.
Nothing As It Seems returned to an old episode of Fringe in which things play out differently. Olivia is strangely unconcerned about losing her memories of the timeline she is actually living in, but the FBI wasn’t as complacent. In the end, they realized that an Olivia without much of her memory is still a more useful agent than most. Of course her memories of the other timeline could also provide valuable information if they continue to face the same menaces.
I have been disappointed in the current season because it seems to be ignoring the way in which the previous season played out, with the existence of both universes in jeopardy. The season concluded with Peter bringing the two universes together, presumably to work together, but this idea, along with Peter’s existence, was quickly forgotten. Next week returns to the alternative universe to investigate the shape shifters and show more of the hotter Altlivia. Perhaps at some point they will remember the major problem (or did changing the time lines make this less urgent?).
More importantly, Fringe‘s ratings rebounded on Friday. Most likely ratings were down the previous week due to a combination of having been on hiatus and coming back against the NCAA Tournament. Fox is also joining the twitter campaign to keep Fringe alive.
Netflix has decided against saving Terra Nova and the future of Fox’s other genre shows remains in doubt. Alcatraz completed its first, and possibly only, season. We learned some things such as that the Warden appears to be behind things (no surprise) and that the lead infusions are to track the prisoners who came from 1963. Rebecca appeared to die, but there is little doubt that she will come back to life should the series return. If the series does not return, I bet fans will be far more frustrated by the lack of more information about what is going on.
Disney often decorates their monorails for big events, and currently the monorail promotes the upcoming Avengers movie (video above). This is only being done on the Magic Kingdom monorails and not the monorail to Epcot. This might be because the Epcot Monorail takes a loop through the park. While Disney has purchased Marvel, currently Universal has the license to use Marvel characters within their theme parks.
The first ever official Doctor Who convention took place this weekend, and Steven Moffat discussed the event in the video above. More videos can be found here, here, and here.
The biggest news out of the convention is that the fifth episode next season, which has the final encounter with the Weeping Angels (and final appearance of Amy and Rory) will take place and be filmed in New York City. While in New York, the cast might feel at home in this TARDIS-themed bar which Karen Gillan mentioned in an interview.
Low-quality versions of trailer for the new season, taken while shown at the convention, have also been posted on many sites, as above. Hopefully we will have an official release early next week. Steven Moffat’s promotion of the season: “Amy and Rory leaving, tragedy, heartbreak and a Western, what more do you want out of Television. Come on Downton take that on!”
The biggest Doctor Who news of the week came on Wednesday before the convention with the naming of Jenna-Louise Coleman as the next assistant, beginning with the Christmas 2012 episode. The initial announcement, along with news on the upcoming season, were first posted here. In a follow-up post later in the day I had interviews with Jenna and Steven Moffat. A post on Thursday concentrated on her roles in Captain American and Titanic, along with advice from Matt Smith. On Friday we had the first official BBC picture of Jenna in front of the TARDIS, information on another series she is appearing in, Dancing on the Edge, and a report of links to an alleged sex tape with Jenna-Louise Coleman which actually lead to a malicious site. There’s also a brief video of what Matt Smith might say to people searching for sex tapes of Jenna.
Steven Moffat spoke toRadio Times about Doctor Who and Sherlock. He dismissed internet rumors that Benedict Cumberbatch will be playing the Master and reports that he has not started writing season three of Sherlock yet:
Doctor Who showrunner Steven Moffat has dismissed reports that Benedict Cumberbatch is to play the villainous Master on the sci-fi series.
Speaking to RadioTimes.com at the Royal Television Society awards, Moffat said: “People really do sit in rooms and make that stuff up. Look at the filming schedules for Doctor Who and Sherlock – those two shows tend to shoot at the same time. We’d have a problem and there’s only so much I can arrange.”
But he then added, as a quick afterthought: “But who knows what could happen in the future…”
Moffat also told RadioTimes.com about plans for the forthcoming series of Doctor Who. Asked whether there would be a large story arc running through the episodes, or if we could expect self-contained adventures, he said: “As ever, there’s a bit of both. But this time we’re moving closer to stand-alone stories. At this point, we’re not planning any two-parters. So, every week is going to be like a different mad movie.”
He added: “We went quite ‘arc’ last time and we’re going stand-alone this time around. But that doesn’t mean that there aren’t those things creeping in. You’ve got to find a way to make the last episode special, and by God that worked ratings-wise last year. We don’t want to abandon that idea.”
Asked for any teasers he could offer, the ever-evasive Moffat replied: “Watch out for the title of episode two. I think that’s a belter. It’s one of my favourite titles ever.”
As for his other hit BBC1 series, the detective drama Sherlock, Moffat had this to say about series three: “Mark [Gatiss] and I have planned it out. We haven’t started writing it yet because I’ve got God knows how many episodes of Doctor Who to get sorted first. But the way it works with Sherlock is that we starve you and then we give you a short burst and then we starve you again. It’s worked so far, we’re not going to change it.”
On the scheduling of future episodes, Moffat said: “I don’t actually know. Given that this is a show that I haven’t started writing yet, it’s a bit early to suggest scheduling. Once we hand them over, they’ll be on television quite quickly.”
Emma Stone talked about her initial reluctance to appear in Spider-Man:
“I heard about Spider-Man and I didn’t think it was something I would want to be a part of. I just thought that probably isn’t right for me. Then I [auditioned with Andrew Garfield] and realized that this was a really interesting, fantastic relationship between two people and that I was being really closed-minded,” she said.
The actress, who wore her naturally blonde hair for the part, went on to discuss how her character finally changed her mind about the film: “[I] started learning more about Gwen Stacy and her history and just fell in love with the character and with the fans, too. I started reading forums and getting involved more in the comic book universe and it just became something I really wanted to be a part of, just because of all those elements.”
You went from playing a literary character in The Help who was in a much beloved book with its own kind of following, to a comic book character who’s iconic and has this rabid following. Was there a big difference for you between those characters and how they’re treated by their fans?Well of course the characters themselves are incredible different and there seems to be a different fan base between Spider-Man fans and fans of The Help. There are conventions for Spider-Man fans and there aren’t for The Help fans, although I would love to see a convention of The Help fans. It could be like the big Lebowski Fest. But they’re two tonally different worlds to me even though they both had such a rabid following. There’s a difference just in terms of bringing the material to life. There are different incarnations of Gwen Stacy and of Peter Parker throughout comic book history, all these different storylines to pull from depending on what kind of script you’re going to patch together. With The Help, it was such a distinct story that kind of needed to be matched line for line in a way. It felt different just in terms of becoming part of it and the way the material was adapted. But I’m so excited to be part of a movie with a built-in fan base in that way. You go to Comic-Con and there’s so much passion in one room. Everybody’s so passionate about these characters and how they’ve affected their own loves. It’s a really cool thing as an actor to know that you’re part of something that’s so much bigger than you. You’re not creating it from the ground up, you’re trying to fill the shoes of someone that’s been around a lot longer than you. It’s really exciting. I love that aspect of it.>
Why do you think the producers and writers went with Gwen instead of Mary Jane?Well, Gwen’s story happened before Mary Jane’s, and I think that coming back to their roots, it was interesting to explore the woman who came before Mary Jane. I think she’s such a definitive part of Peter Parker’s relationship with Mary Jane ultimately, who is literally the polar opposite in personality of Gwen Stacy. I think just building that into Peter’s life and seeing that story from the very beginning was really interesting. And of course Gwen’s story is so beautiful and important to that story of Spider-Man that I think they wanted to come from that angle at this time.
There might be less to report about the upcoming Star Trek movie as J.J. Abrams has built a wall around the set for secrecy.
I remain shocked that JJ Abrams destroy Vulcan in his Star Trek movies. That would be like eliminating Gallifrey and most of the Time Lords on Doctor Who.Oh, never mind.
This week’s episode of Fringe, A Short Story About Love, cleared up Peter’s confusion about the meaning of a changed time-line. When Peter began searching for a way to get home, and rejected the Olivia in this time line even when she gained memories of “his” Olivia, I questioned this. Peter was treating the changed time line as if it was another form of alternative universe, but a changed time line would imply that it is the same universe in which things have changed. Olivia would be the same Olivia, but with different experiences due to the changes in the time line. Although I was thinking these things while watching, I also considered the possibility maybe Peter could be right as we really don’t have established rules for dealing with different time lines. Last night we found out that the interpretation I first had was actually correct, and Peter had been wrong. Peter also realized that reuniting with the Olivia in this time line was fine–not like sleeping with the hotter Olivia from the alternative universe (especially as we found out in the previous episode that having a baby with Altlivia led to bad consequences).
Awake didn’t address the show’s mythology this week, but once again showed a character whose life was different in each world even before the accident. Again this rules out the possibility of the universe splitting into two different paths at the time of the accident (unless we really get complex and have time move in both directions, which would be way too confusing).
Mad Men returns tonight. Here are some stories about the show:
Matthew Weiner spoke about Betty Draper’s reduced role and things which fans might hate in an interview with Huffington Post.
Stephanie Newman looked at what Mad Men might look like if it took place today. (Wouldn’t that defeat the whole idea of the show?)
Leonard Nimoy appears on The Big Bang Theory. Hopefully he does more than lend his voice to the toy version of himself (which might be the case considering how he only appeared in cartoon form in his last appearance on Fringe.) Following is an ad for the episode:
And, on the topic of toys based upon science fiction shows:
Steven Moffat revealed a lot of information about the upcoming season of Doctor Who, including the announcement that Jenna-Louise Coleman will become the next companion. I provided some information about Coleman earlier today, just after the announcement. It was also announced that there will be five episodes with Amy and Rory in the fall of 2012, including one with Daleks. Amy and Rory will leave the series in a final encounter with the Weeping Angels in episode 5. From the report that not everyone gets out alive, along with Karen Gillan’s previous statements that she would like her exit to be final, I suspect this means the death of Amy, and possibly Rory. It is also conceivable that Amy might decide to leave the TARDIS following yet another, and this time permanent, death for Rory.
Jenna-Louise Coleman will first appear in the Christmas 2012 episode and begins filming in May. Eight episodes will subsequently air in the spring of 2013 to complete the season, with additional episodes later in the 50th anniversary season.
In describing the choice of Jenna-Louise Coleman to become the next companion, Steven Moffat replied to a question on what he could tell by saying, “It’s not the usual kind of story, it’s a very, very different way for the Doctor to meet his new friend, so absolutely nothing. Not even the name.” It is rumored that her character will not be from earth.
In the press release announcing the choice (full text below), Moffat also had this to say:
“It always seems impossible when you start casting these parts, but when we saw Matt and Jenna together, we knew we had our girl. She’s funny and clever and exactly mad enough to step on board the TARDIS.
“It’s not often the Doctor meets someone who can talk even faster than he does, but it’s about to happen. Jenna is going to lead him his merriest dance yet. And that’s all you’re getting for now. Who she’s playing, how the Doctor meets her, and even where he finds her, are all part of one of the biggest mysteries the Time Lord ever encounters. Even by the Doctor’s standards, this isn’t your usual boy meets girl.”
Matt Smith is signed with the show through 2013, with no decision made as to when he will leave the show. Moffat also said that the departure of Amy Pond does not necessarily mean the end for River Song.
Above is a the video of a BBC interview with Jenna-Louise Coleman following announcement that she will be joining cast of Doctor Who.
Following is a transcript of a press conference with Steven Moffat and Jenna-Louise Coleman from earlier today:
Steven Moffat (showrunner), what can you tell us about the character? Moffat: “Absolutely nothing – you’re going to have to wait and see! It’s not the usual kind of story, it’s a very, very different way for the Doctor to meet his new friend, so [I can tell you] absolutely nothing. Not even the name.”
Jenna, how do you feel about being cast? Coleman: “Beyond excited. Very excited – I want to get started already.”
When do you start shooting? Coleman: “I believe it’s May time, [for] the Christmas special.” Moffat: “That’ll be her first episode.”
Are you a fan of the show and do you have a favorite companion from the past? Coleman: “I’m a huge fan of the show. It’s actually literally my grandma’s favorite show, so she is the most excited person in the world! I think my favorite companion is probably… it’s between Billie Piper and Karen Gillan, I think.
“I’ve got a lot of memories from the Billie Piper era, and obviously I’ve been watching quite a lot of the show recently as well.”
And aside from Matt, who’s your favorite Doctor?
“It’s probably David Tennant, because it’s the David Tennant and Billie Piper era that I remember the best. But it has to be Matt, of course!”