SciFi Weekend: Top Ten New Genre Shows Of 2017; Doctor Who News On The Eve Of “Twice Upon A Time”

Doing top of the year lists in television has become increasingly difficult in this age of peak television when there are around 500 scripted shows and it is impossible to watch everything new which is on. I’ve even heard some of the professional television critics admit to this problem and that their lists should realistically be called the Top X Shows Which I Have Watched. As each season adds to the number of shows which deserve to be ranked which I have not seen, I have annually limited my lists to the top new shows of the year. (The Top Twenty New Shows Of  2016 is posted here). In past years I have included all types of television, with a bias towards genre in the rankings. I found that this year I have seen most (but certainly not all) of the new genre shows which I believe are worth seeing, but when all types of shows are considered the percentage drops significantly. Therefore I decided to make the main list the Top Ten New Genre Shows Of 2017 and will mention some additional shows afterwards.

Top Ten New Genre Shows Of 2017

10. The Gifted (Fox)

One of three new X-Men or mutant related shows (with the X-Men and Inhumans possibly to be united if the Disney purchase of Fox goes through). This is definitely the more conventional of the two included on this list, and the mid-season finale opens hope that the show will be expanded from what we have seen so far. It is worth seeing with the combination of Root (Amy Acker) and Vampire Bill (Stephen Moyer), both obviously in new roles.

9. The Defenders (Netflix)

The team-up of Daredevil, Jessica Jones, Luke Cage, and Iron Fist was more worth watching to see the interactions of these four than for the battle against The Hand. I previously reviewed the series here.

8. The Tick (Amazon Prime)

This was a far better than NBC’s attempt at superhero comedy with Powerless. More on the show here.

7. The Punisher (Netflix)

Technically there are no superhero or science fiction elements in the show but I will include it as it overlaps with the Marvel universe, with Karen Page playing a significant role, and with the Punisher having been introduced in Daredevil. Like the other Marvel shows which are set up as one long story, it might have been better if cut to eight to ten episodes as opposed to thirteen, but they did do a good job of intermixing two related stories in the present along with flashbacks to set up the backstory. I did prefer the government conspiracy story line over The Hand as in the other two new Marvel series on Netflix this year.

6. Runaways (Hulu)

Yet another show based upon a Marvel comic, Runaways in tone is somewhere between the network-friendly Agents of SHIELD and the more adult shows on Netflix. So far it has done a good job of setting up a conflict between a group of teens and their villainous parents.

5. American Gods (Starz)

Bryan Fuller and Michael Green have done an excellent job of adapting the first portion of Neil Gaiman’s novel, but it is now questionable as to whether this will survive with their departure from the show. There is a look at the season finale here.

4. The Orville (Fox)

The show initially appeared questionable when billed as a parody, but over the course of the season Seth MacFarlane learned how to tell serious science fiction stories while mixing in humor. I had brief reviews of each episode, often looking at how well humor was incorporated into the episode, in each week’s post. My review of the season finale was here, with a follow-up look at the first season here. The show is strongly based upon Star Trek: The Next Generation, and many who prefer more conventional Star Trek, as well as episodic television, might prefer this over the other new Star Trek show.

3. Star Trek: Discovery (CBS All Access)

While many fans feel more comfortable with The Orville, Star Trek: Discovery is the more ambitious of the two. Discovery does a far better job than Enterprise did in making a Star Trek show with a more modern television feel, including a serialized format. This is also different from previous Star Trek series in taking place during a time of war, and having a Captain who is far more morally ambiguous. There are also questions regarding continuity which I discussed here. I had weekly reviews of each episode while the show was on, with the review of the fall finale here.

2. Legion (Fx)

Noah Hawley provided a quite original take on the X-Men universe, providing something new and unique to prevent superhero fatigue. My post on the season finale was here.

1. The Handmaid’s Tale (Hulu)

This excellent dramatization of Margaret Atwood’s novel about a dystopian future could have been a great series any year, but its treatment of women seemed so much more relevant at the start of the Trump administration–at time when its horrors seemed a bit more plausible. More on the series here.

Among the shows which I saw but did not make the cut was Iron Fist, the weakest of the Netflix Marvel series. While flawed, it is watchable and does lead directly into The Defenders. If you still have a lot of Marvel shows to watch, put this off. If you plan to watch them all, it might make sense to still watch it before The Defenders.

Two genre series which debuted in 2017 were remakes of past series. The X-Files (Fox) was generally disappointing, but with all the excellent episodes in the past I will still give the next season a try. I previously discussed the show here and here. There was also the return of Twin Peaks (Showtime), which competed with Legion as strangest series of the year. I previously looked at the series here.

There are also some genre shows which I have not seen but which might be worth checking out, such as the time travel comedy Future Man and the anthology series Dimension 404, both on Hulu. The genre show which I haven’t seen which is receiving the most favorable publicity is the German series Dark, available in the United States on Netflex.

There were also a few genre flops in 2017. I gave up on Powerless (NBC) midway through the season. I didn’t watch The Inhumans (ABC) after numerous poor reviews. If interested, Io9 summarizes what happened on The Inhumans for those who stopped watching. Time After Time (ABC) was cancelled before I had a chance to give it a try.

Moving beyond genre, there were also many excellent shows in 2017. There were two excellent dramas dominated by women, Big Little Lies (HBO) and Godless (Netflix), which I am currently in the midst of watching. The three top comedies from 2017 which I have watched also are led by women: The Marvelous Mrs. Maisel (Amazon Prime) from Amy-Sherman Palladino, GLOW (Netflix), staring Allison Brie, and SMILF (Showtime).

While not genre, the CW also premiered another comic based series in 2017, Riverdale, which presents a new take on the Archie comics.

Tomorrow we have a major television event with Peter Capaldi having his last appearance before regenerating into Jodie Whittaker on Doctor Who. Doctor Who News has an interview with Steven Moffat about the show:

What does Twice Upon A Time have in store for us?

There are some new eerie creatures of glass haunting the Doctor and his friends throughout this story – but what their purpose and what their plan is, and what their time traveling machinations are, is going to be a big surprise to the Doctor.

Were there any sets or locations that you particularly enjoyed working on?

There’s a real range of spaces that we visit across the special. We have the inside of a giant stone spaceship full of creepy glass creatures. We’re in the first Doctor’s TARDIS – recreated and brought back from the 1960s to stand proud in the Welsh studios. We’re on a First World War battlefield. And at long last we go to a location that I mentioned in my very first episode of Doctor Who back in 2005, as we visit the ruins of Villengard.

How would you describe the tone of this episode?

This episode is somewhere between a coda and drumroll. It’s a coda to the time of the Twelfth Doctor played by Peter Capaldi, and a drumroll to usher in the Thirteenth Doctor, played by Jodie Whittaker. Approaching it, one issue I had was that The Doctor Falls (this year’s series finale) was the end of Peter Capaldi’s Doctor. That episode saw the Twelfth Doctor stating what he stands for and standing on the hill on which he was prepared to die.

That was the end of his story. But – as often happens in stories and real life – it didn’t end there. He kept going, he started to regenerate, so at Christmas what we’re going to see is a man weary and tired and, having made his point and having made his stand and given his life for something that matters, he has to learn just how to carry on after that. But of course this being Doctor Who and Christmas it’s much warmer and hopeful than that, so in perfect timing walking towards him out of the snow he meets earliest incarnation. The William Hartnell version of the Doctor – played now by David Bradley in an astonishing performance – and the two of them are about to regenerate. Tonally it’s about saying “to hell with dying, let’s get on with living”. And what’s more Christmassy that that? It’s the turn of the year, a time for new beginnings, it’s the time when we start climbing back towards the light.

How does the First Doctor look at the Twelfth Doctor?

Well the Doctor never gets on with himself. Arguably he doesn’t get on with himself when it’s just him alone – we had the whole plot of Heaven Sent (in series nine) about that – so he doesn’t get on with himself even when it’s just him. But here I think we have perhaps one of the most interesting instances of the Doctors meeting, because the First Doctor as we know from the show is quite different from the Doctor we know now.

Ultimately he’s the same person – he has the same set of impulses and ideals – but he hasn’t yet become at home with what he’s becoming. If you look at the original William Hartnell series, the Doctor’s starting to fight the good fight, but he’ll arrive in a spot of trouble and generally speaking he’ll only help others out because he needs to get back to the TARDIS. So often there’d be a plot contrivance to stop William Hartnell’s Doctor getting back to his TARDIS and flying out of danger. Slowly that started changing as the Doctor developed as a character. He’d start saying “No I can’t leave yet – not because I can’t get to the TARDIS, but because these people are still in trouble and this evil is still in control. I have to help these people.”

Without noticing it, or it ever being his plan or his intent, he’s starting to engage with the universe and he’d be horrified to think that he’s starting to become its protector. Now, at the end of that lifetime when the First Doctor is facing his end, he doesn’t yet realise that’s what he already is. He’s already the man who rides to the rescue, the saviour of the oppressed, but he doesn’t own up to that. Now he meets the Twelfth doctor, and the Twelfth doctor has been doing this for so long. He’s used to the idea that he’s already Earth’s protector – an idea that completely bewilders his younger – except kind of older self. The thing to focus on this time, alongside the flourishes that distinguish the two doctors – it that they are at very different moments in their lives. The First Doctor is not quite yet the hero we are used to.

How did you feel to be writing your final episode of Doctor Who?

The truth about writing anything is that it’s always difficult. You can change the reason why it’s difficult, but the fact is it’s just always difficult! Throughout writing this I wanted to feel more about the fact it’s the last one I’ll ever write, and I wanted to feel more about it’s the last one Peter will ever play, but the truth is that the technicality and the difficulty and the demands on your creativity – all that overwhelms you to the point where you’re just trying to write a great Doctor Who story! That’s enough to contend with – you can’t have the real life drama of two old Scotsmen making their way to the door.

Once we got into shooting it, however, and especially when we approached filming Peter’s last moments as the Doctor which were done at the end of the shoot, we did talk more about how exactly he should meet his end. We were both very pleased with that final section of the script already, but as we went through piece by piece we thought there were ways to improve it so I’d be banging out new pages each night for us to discuss on set each day. That was so enjoyable and exciting to do – to really feel that we were getting his send off right – that in a way it took whatever emotions we were both having about leaving and put them on screen where they belong. By the time we got to that part of filming I think Peter and I were probably the least emotional on set because we’d put it all in the show!

David Bradley has some advice for Jodie Whittaker:

“Keep it light. Keep it funny,” he offered, adding poignantly: “Have a sense and wonder about the universe and everything in it.”

David Bradley previously told Digital Spy that he had high hopes for his former Broadchurchco-star Jodie’s tenure as the denizen of the TARDIS.

“I was delighted [by the casting],” Bradley told us. “I was wondering if [showrunner] Chris [Chibnall] would pick someone from the Broadchurch cast.

“As we saw in Broadchurch, she’s got this emotional reserve that… there’s no limits. She’s capable of great emotion and passion.”

The TARDIS Yule Log video has some glimpses of Twice About A Time.

Yahoo TV talked with Pearl Mackie about her year on Doctor Who. Here is a portion:

What were the characteristics about Bill that jumped out at you right away?
Well, she’s quite cheeky, which I liked. But she’s also intelligent and doesn’t feel the need to brag about it. It’s very much a part of her, and she’s not ashamed to just say things. She has this confidence that I really engaged with; she doesn’t let her life or experiences get the better of her. She also wants to learn more and is very inquisitive.

We see that in the way she challenges the Doctor from their first meeting. That’s a different dynamic from past companions.
Yeah, and that’s the energy that I felt when I first read the script. There’s an irreverence between her and the Doctor, even though there’s also a lot of respect and they grow to be very close by the end of the series. She’d never be like, “I bow to your superior knowledge.” It’s more akin to, “Well, actually I don’t agree with that. What about this?” I think he respects her for that; they both enjoyed the verbal sparring they had. It’s enjoyable to watch that dynamic.

How quickly did you establish that rhythm with Peter Capaldi?
I met him for the first time in my second audition — my callback essentially. Before that, I’d been reading the script on my laptop with the Facetime camera on, responding to a recording I’d made of myself doing a version of Peter Capaldi reading his lines! The real Peter is a much better actor than that — much more dynamic. [Laughing] When I went into the room, I was absolutely terrified because Peter is not only an incredible actor, but he’s also been playing this character for a long time. We read the first scene of Episode 1, this mammoth six-page scene, and I spent most of it standing there just hoping that what I was doing was right or at least interesting.

Then we did the scene where Bill goes into the TARDIS for the first time, and Peter said, “Do you want to stand up?” I went, “What? OK, sure.” In auditions, you’re supposed to sit still and keep your face as still as possible, but if you’re me, your face tends to move of its own accord. Steven enjoyed that and used it a little bit in the first episode when Bill is standing at the window in the Doctor’s office and says, “I see my face all the time. I never liked it; it’s all over the place — it’s always doing expressions when I’m trying to be enigmatic.” But, yeah, I mainly remember standing there aghast at being in a room acting with Peter Capaldi. Luckily, Bill was supposed to be pretty aghast when she walked in the TARDIS, otherwise we may not be having this conversation today! I think we were both responding to each other quite honestly and seemed to work in a very harmonious fashion.

BBC America posted this thank-you video for Peter Capaldi.

CinemaBlend said Capaldi had this to say about the Doctor’s real name: “I also know his real name. It’s not pronounceable to humans. It’s a frequency that can only be heard of people with good heart.” They went on to add:

To date, that’s one of the best answers someone connected with Doctor Who has given to the question. It’s far better than Matt Smith’s answer from long ago that it was “Drasicanawhocius” or some long name similar that is easily abbreviated by saying “Doctor Who.” It’s also more interesting than the some diehard fans’ explanations that the Doctor’s name is actually a rather hard-to-pronounce set of Latin letters to varying powers. Given that, Peter Capaldi’s response to Radio 2’s Access All Areas (via Digital Spy) should win as it gels with the awesomeness of the Doctor and doesn’t risk the spraining of the tongue muscle trying to pronounce.

While he has some very interesting ideas regarding the Doctor’s name, Peter Capaldi also holds an opinion that may sound like hot take to many Doctor Who fans. In fact, it may trigger some of those fans fans who have battled to keep those outside the fan community from referring to him in a certain way. Capaldi may indeed ruffle some feathers with this statement:
We can get into a fight about whether he’s called The Doctor, or Doctor Who. The reason I call him Doctor Who is because when you’re in the street, people don’t shout out, ‘There’s The Doctor!’ They go, ‘Hey, Doctor Who!’ That’s his street name. His street name is Doctor Who.

SciFi Weekend: Star Trek Discovery; The Orville; Superhero Shows; Stranger Things; Runaways; Good Omens; The Man In The High Castle; Electric Dreams; Doctor Who: Shada

Episode 4 of Star Trek DiscoveryThe Butcher’s Knife Cares Not For The Lamb’s Cry, continues what will presumably be a redemption arc for Burnham. Her defense of the tardigrade, arguing that it should not be judged entirely for its actions on one particular day, is a clear reference to her own situation. The tardigrade was also reminiscent of the creature in the first season episode of the original show, Devil in the Dark.

Unfortunately Landry was not as wise as Burnham, both in seeing the tardigrade only as a potential weapon to be studied (as did Lorca), and in forgetting how dangerous it was. We now know that the killing of apparent main cast was not limited to the first two episodes.

Last week I noted that Georgiou had filmed more material. I hope this means more than just the message seen in this episode. After my speculation as to how she might reappear on the show last week, I thought of another situation where it might make sense to see her alive–an episode in the Mirror universe.

In yet another interview a writer for Star Trek: Discovery insists that the show will not violate canon and the events of the original series, which takes place ten years later. Seeing the necessity of enslaving a sentient species to operate the spore drive suggest at least two reasons why we might never see this again. After the war, Star Fleet principles might come into play again, leading this to be banned. Or possibly any ship trying this is ultimately destroyed by the tardigrade.

The episode had the feeling of continuity with our world and the Star Trek universe by dropping names such as the Wright Brothers, Elon Musk, Zefram Cochrane, and Zaphod (Beeblebrox)?

Polygon discussed the militarization of science with the cast of Discovery. has the episode titles through November when the show goes on hiatus until January.

Last week’s episode of The Orvill, Krill, showed both the strengths and the weaknesses of the series. Of course some might disagree as to which features are strengths and weaknesses. The episode once again captured the feel of an old episode of Star Trek The Next Generation, and did include a moral dilemma. This was interspersed with a number of jokes, often involving the name of the Krill god, Avis, and the car rental company. While the jokes were somewhat amusing, it is a matter of opinion as to how much they distract from the episode or make it more amusing.

The episode also did subtly mock common tropes seen in Star Trek, such as with Mercer speaking before Alara had a communications channel open.

One nitpick is that they had to take a picture of every page of the book they were seeking. Couldn’t they find an ebook version?

The episode also repeated a common issue in episodes of The Orville with problems being solved in simple and unrealistic ways. If they were elsewhere I could see light being used as a weapon, but I found it less plausible that their ships own lights could easily be turned up so bright as to kill most of the crew. Other episodes had similarly questionable solutions, such as seeing Rudolph The Red Nosed Reindeer being enough to change a character’s long standing views.

This week I will try to catch up with some of the news from New York Comic Con which I couldn’t get to last week, along with genre news from other sources. As there remains too much news to fit in again this week, I will limit to links in many cases. I am also postponing most of the news on the DC superhero shows on CW, which did return last week. One reason to cut back, at least for now, on coverage of them is that interest appears to be declining, with ratings for their return episodes down.

I think that the problems include having too many superhero shows, and that there have been too many episodes of the DC series to maintain quality and interest. This is especially difficult when we have the Netflix series for comparison. I think that CW would be better off reducing these series to a maximum of thirteen episodes a year, both tightening up each series and reducing to two at a time. Guest appearances can keep the other series in the minds of viewers when they are off.

The one additional news item on the CW shows I will mention today is that Victor Garber will be leaving Legends of Tomorrow to return to Broadway. Of course the nature of this show makes it easy for him to return should he become available and interested in the future.

At the moment I like Gotham the best of the network superhero shows, now surpassing the CW series. One reason is that they are continuing where last season left off with the gradual development of Bruce Wayne into Batman. Syfy Wire has information on the Gotham panel at New York Comic Con.

Information on the Agents of SHIELD panel at New York Comic Con here.

Two different X-Men type series have also started. The Gifted appears to show promise after two episodes, teaming up Vampire Bill and Root (aka Stephen Moyer and Amy Acker). I have not watched The Inhumans after reading a number of terrible reviews. As it is only eight episodes, I figure I can binge it later if it improves.

Netflix has done an excellent job of developing their own superhero universe (existing with other Marvel superheroes who are left off screen). After their team up in The Defenders, Iron Fist will be appearing in Luke Cage season 2.

Netflix has posted the final trailer for Stranger Things season 2, which will be released on October 27. The producers are now talking about extending the show beyond four seasons.

Screen Rant discussed the future of the Marvel Cinematic Universe with Kevin Feige.

Dirk Gently has returned for a second season. Review here.

Hulu will be releasing their own Marvel series. Teaser for Runaways above. Engadget has some background information:

For all those unfamiliar with the source material, Runaways follows a dysfunctional group of six teens who band together to fight their evil parents. Judging by the trailer, the show draws its influences from late-nineties genre fare, like The Craft and The Faculty. And, it comes from the creative team behind The O.C. and Gossip Girl, so you can also expect plenty of snappy dialogue, self-deprecating humor, and pop-culture references. The series is reportedly set within the Marvel cinematic universe, but tonally sits closer to the likes of Freeform’s upcoming Cloak and Dagger TV show, and ABC’s The Inhumans. So, don’t go expecting The Punisher to make a cameo.

Amazon’s World of Philip K. Dick panel at New York Comic Con revealed that the third season of The Man In The High Castle will deal more explicitly with parallel universes–and the attempts by the Nazis to conquer them. Trailer above and more information here. Syfy Wire notes how timely the anti-Nazi message of the show is.

More information on Philip K. Dick’s Electric Dreams, another upcoming show from Amazon, was also revealed at the New York Comic Con. Instead of being based upon a single story like The Man In The High Castle, it will be a series of ten movies. IO9 has more information:

…each episode has different writers and directors, and they were given creative freedom to take the short stories and interpret them in whatever way they saw fit. This is in addition to the rotating cast, which includes stars like Steve Buscemi, Bryan Cranston, Janelle Monae, and Liam Cunningham, the only actor who appeared at the panel. Executive producer (and Philip K. Dick’s daughter) Isa Dick Hackett said she felt this was the best way to approach Dick’s short stories, which she called “the gems of his ideas,” in a way that both honored his work but also made the messages relatable to a modern audience.

It was already impressive that Michael Sheen and David Tennant would be staring in Amazon’s upcoming series Good Omens based upon the Neil Gaiman novel. John Hamm has now been added to the cast. Syfy Wire has more on the series, including others who have been cast.

A teaser (video below) has been released for an animated version of Shada, a Doctor Who serial written by Douglas Adams. The serial was never completed due to a BBC strike. The original actors will be returning to do the voices. Shada will be available for digital download from BBC Worldwide on November 24, then released on Blu-ray and DVD on December 4.

SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.

SciFi Weekend: Torchwood New World Synopsis; True Blood Gets Really Bloody (and Paquin & Moyer Wed); New Season Promos; And Sarah Palin Is No Lisbeth Salander

Jack Gwen Torchwood

Starz has released additional information is out on Torchwood: New World. Here is a synopsis and character descriptions:


When C.I.A. agent Rex Matheson investigates a global conspiracy, he finds himself unearthing a threat which challenges the entire human race.

The answers seem to lie within an old, secret British institute, known only as Torchwood. But Torchwood was destroyed, years ago, and the keys to the institute are held by its only two survivors – former Police Officer Gwen Cooper, who has long since disappeared along with her husband and child, and the mysterious Captain Jack Harkness, a man whose history seems to stretch back centuries.

With Rex under attack from all sides, in both the US and the UK, he soon discovers there are forces at work within every level of society, determined to stop Torchwood’s return. As a chain of events across the world links together the most disparate and unlikely individuals – including a surgeon, a killer, senators and CEOs – a new Torchwood team takes shape. But this time, the threat is much closer to home, as they realize that their greatest enemy is mankind itself…



  • Jack looks like a hero. But he’s so much more than that…
  • He’s American, handsome, with a killer smile and a classic coat. But you don’t expect heroes to be this much fun. He’s witty, fast, subversive and there’s a reason for that glint in his eye – he’ll sleep with women, he’ll sleep with men; if aliens invade, he’ll sleep with them too. Got a problem with that? Tough!
  • His dashing style hides a secret. There are mysteries about Jack – a man going under his name seems to have a history stretching back to World War 2, or even earlier, to the Nineteenth century, the Eighteenth…Truth is, Jack Harkness is immortal. A fixed point in time and space. The only one of his kind. For thousands of years, he has never been able to die. When killed, he comes back to life – seconds later. Though his tragedy is, he feels every death. It hurts – and so does the passage of time. He can never love anyone for too long, because he will always lose them. As a result, he’s lived many lives. He’s been a conman, a thief, an adventurer – though more a rogue than a villain, because his perspective on human life makes him appreciate this world all the more.
  • Jack once ran the Torchwood Institute, a British organization dedicated to fighting the strange and bizarre. He was king of his own little world for a while, the happiest he’d ever been. But Torchwood fell. His friends were killed. The Institute closed down, and Jack disappeared, to start yet another of his many new lives. And yet…
  • The only thing that could call Jack Harkness back is his unstated love for Gwen Cooper. And when a new, epic danger affects the whole planet, Jack finds himself back at the center of events, fighting not just for his own life, but for everyone on Earth. But this time, are the stakes too high?


  • All Gwen wants is a quiet life. Honest.
  • She’sWelsh, lives in seclusion, far away from the city, on a cliff top in the wilds of South Wales with her devoted husband, and baby Anwen – it’s a rural idyll.
  • And it’s a lie. Gwen is in hiding, because she once lived the most extraordinary life. She was the heart and soul of an organization called Torchwood, a freelance band of fighters who fought the strange and unexplained. She was a defender of the human race.
  • But no more. Torchwood was destroyed. Her colleagues died, or fled. And Gwen hid herself away, for the rest of her life, to protect her loved ones. But knowing, just knowing, that one day trouble would come calling again.
  • She lives the ultimate double life: the funny, salty, earthy woman who loves home and family, combined with the tough, ruthless warrior, who loves the thrill of the fight. She’s both selfish and selfless. And never doubt it – when Gwen’s in a crisis, she is magnificent. Gun in both hands, baby strapped to her chest, she’ll run and fight and never give up.
  • It’s passion, in the end: Gwen’s all about passion. She loves her man, she loves her child, she loves this mad old world, and maybe she loves Captain Jack Harkness just a little too much. But when the events of this story push Gwen to the limit, she’ll need to call on resources she never knew she had, to take action and make the most terrible decisions, on behalf of all mankind.


  • He’s 28, the golden boy. Has been, all his life. Harvard education, fast-tracker in the C.I.A., destined for success. Though he’s never taken it easy – Rex hustles, seduces and campaigns to get where he is today. He can talk his way into anything, then charm his way out, fast.
    He’s made a lot of enemies, but his friends and lovers would defend him to death.
  • His choice of career is significant. Someone like Rex could make a fortune in Wall Street, or Hollywood. But choosing the C.I.A. says a lot about him: that for all his swagger, he does believe in justice. And will fight for it.
  • Slowly but surely, we see him make friends. He’s thrown together a bunch of people known as Torchwood, the only people who might have the answer to a global mystery. To Rex, at first, they’re a bunch of freaks. Welsh women and World War 2 Captains, what’s that about?! But as they race from one crisis to another, dodging assassins, blackmail, corruption and conspiracy, from Washington to Wales and the slums of Shanghai, Rex forges friendships in the heat of fire. He learns to trust his new colleagues. And they realize that this dangerous, dazzling, reckless man is the best friend they could ever have, in a world going to hell.
  • They frighten us, men like Rex. We wish we were him; we never will be.

True Blood Anna Paquin Bloody Nude Rolling Stone Cover

True Blood began last week with bloody vampire sex, possibly inspiring the upcoming Rolling Stone cover above,  and had what might be the best ending so far for an individual episode. All that stuff about vampire politics which so far wasn’t very interesting when thrown into previous episodes suddenly has some real meaning. While things got really messed up after Bill’s proposal to Sookie at the end of last season, in real life stars Anna Paquin and Stephen Moyer got married Saturday night.

IO9 has a guide to the upcoming television season with several trailers. Above is a trailer for No Ordinary Family with cast including Julie Benz.

Besides the many promos at the above link, there’s also a new trailer available for the upcoming season of Dexter (above).

Sarah Pallin No Lisbeth Salandar

Adam Bessie argues at Truthout that Lisbeth Salander (Girl With The Dragon Tatoo) is the real maverick, and Sarah Palin is no Lisbeth Salander. We might also be seeing far more of the actress who played her on screen. Noomie Rapace who played Lisbeth in the movie version from Denmark, is breaking into Hollywood.

SciFi Weekend: Doctor Who, Torchwood Returns; True Blood Returns With More Vampire Sex

There’s just a quickie edition of Scifi Weekend this week while I’m out of town. American viewers of Doctor Who saw the first of a two part story in which the Doctor met some beings from down under. The BBC had the doctor try to fit in among normal people, including a game of soccer. This was far more fun than the World Cup.

Next week (BBC): The Pandorica opens.

The big news of the week was reported in a separate post: Torchwood to return with a bigger budget as a joint venture between the BBC and Starz.

True Blood returns, meaning more hot vampire sex. Anna Paquin discussed her nude scenes with Entertainment Weekly:

Anna Paquin (who plays Sookie Stackhouse) is certainly used to getting naked on the show, but says the graphic love scenes are the least of her concerns. It doesn’t really bother me, she admits. “I’m really close with all of our cast, and we’ve all seen each other in various compromising and odd situations.” The actress is, of course, particularly close with fiance Stephen Moyer (who plays Sookie’s vampire lover Bill), and Moyer says their real-life romance definitely adds to their love scenes. Jokes the actor, “I think that one great bonus is we don’t need a fluffer.”

SciFi Weekend: Flashforward; V; Returning Shows and Shows in Trouble; Sookie’s Future; The Plan


FlashForward didn’t continued to advance the mythology of the series with Dominic Monaghan becoming a series regular. While there are many gaps to fill in, we find that he knows Lloyd Simcoe and the nature of their relationship is hinted at when Lloyd says to Simon (Monaghan): “Our experiment killed 20 million people, Simon.”

Lloyd’s involvement with Olivia and her family took a major move forward as his autistic son, unable to separate future memories from the flash forward with past memories, remembers that Olivia’s home is his home too, and shows up there. It now is pretty clear that Charlie’s flash forward took place in the house where she saw both Simcoe and his son. She also saw something that makes her believe that “D. Gibbons is a bad man.” If she picked this up from Lloyd Simcoe during her flash forward it is not even certain if this is an accurate fact.

The meeting in their house, along with Oliva’s knowlege that Mark is drinking in his flash forward, exacerbated the conflict between the two and might be moving them towards the situation in their visions of the future.

In other developments, Janis survives so we don’t yet have a definite case of a vision not coming true. The blue hands of Mark’s board make an appearance. There was even another sighting of the kangaroo.


The remake of V starts this week and reviews are coming out. Variety writes:

At least initially, the real breakout here is Baccarin, who might be TV’s coolest alien since the invention of the Vulcan nerve pinch. The idea, moreover, that extraterrestrials would come wrapped in an attractive package and shrewdly manipulate the media feels especially eerie given the state of our media today (though there is one unfortunately clunky line of dialogue about “universal health care”).

For the most part, though, writer Scott Peters and company — updating Kenneth Johnson’s original — have assembled an appealing and diverse cast that highlights the “We’re all in this together” aspect of dealing with such a fantastic threat. And the idea of being unsure who to trust deftly taps into the same vein of malevolent foes and “sleeper cells” hiding in plain sight that “Battlestar Galactica” mined.

The best science fiction always has something to say about the present, and the show does that without skimping on the soapy or dramatic elements. Whether the serialized storytelling can be sustained is potentially another matter (witness the growing pains experienced by ABC’s “FlashForward”), but at least in terms of the acrobatics that go into a polished launch, “V” sticks the landing.

The Hollywood Reporter writes:

This latest update, with a teleplay by Scott Peters, preserves the original framework but shifts the atmosphere to accommodate contemporary concerns. Based on the pilot, the militaristic notes will be more subdued. Instead, there will be more of a post-Sept. 11 emphasis on questions of trust and terror.

“V” is short for Visitors, which is what the aliens call themselves. They announce their presence while simultaneously hovering in huge unassailable spaceships above 29 of Earth’s major cities, including New York, where the series is set.

Alien leader Anna (Morena Baccarin), the very picture of sweetness and innocence, promises to share advanced technology and live in peace. Many Earthlings are eager to believe her, including young adults who sign up for the Peace Ambassador program (analogous to Hitler Youth).

But there are skeptics. These include FBI agent Erica Evans (Elizabeth Mitchell), whose son joins the Ambassador program, and Father Jack (Joel Gretsch). Complicating things is the wave of Visitors who came to Earth years earlier and are working incognito. At the same time, though, other secret Visitors have become disillusioned and join the resistance.

Somewhere in between is news anchor Chad Decker (Scott Wolf). In exchange for exclusive interviews with Anna, he makes an uncomfortable bargain to ask only softball questions.

It could be complicated, but Peters’ tightly written teleplay makes it easy to follow. In addition, the pilot raises provocative issues without getting didactic. That, combined with mythology less dense than, say, ABC’s “Lost,” should make this an attractive viewing option.

Kenneth Johnson, creator of the original series, sees the remake as a way to profit from his own movie version of the show.


A couple of shows are coming back in December. Scrubs returns December 1 with hopes of  phasing into a new cast, which is generally risky for an established show. Better off Ted returns on December 8. In a move guaranteed to promote file sharing sites, The Waters of Mars, the next Doctor Who special, will air on the BBC on November 15. It will not air on BBC America until December 19. The two part final episode with David Tennant will probably air on the BBC on Christmas Day and sometime around New Year’s Day. Those wanting to see more of David Tennant can also see him on The Wedding of Sarah Jane Smith.

A couple more genre shows appear to be in trouble. I’ve already expressed skepticism whether Dollhouse will be picked up beyond thirteen episodes. Now NBC is telling the producers of Heroes to think about wrapping up the series. It might actually be better for the show to have an end point to work towards. Heroes would have been remembered far more fondly if the first season was produced as the complete series. The current season has been mixed. I am looking forwards to tomorrow night’s episode to see if Hiro can save Charlie, but it is not a good sign when they have to rely upon revisiting past events to keep the show interesting.

Fringe is also on the bubble according to TV Guide.


Alan Ball was interviewed about upcoming plans for True Blood:

Bon Temps is going to be very crowded for True Blood’s third season, what with all the new vampires walking around. Executive producer Alan Ball, and several of True Blood’s writers and producers, sat down with fans of the show Wednesday at the Paley Center for Media to discuss the new residents of Bon Temps, Bill and Sookie’s future and a naked Alexander Skårsgard.

So where does the action pick up at the beginning of Season 3? “I believe [Eric] appears without most of his clothes in the very first episode,” jokes Ball. (But seriously, he says, fans of Eric’s amnesia story line from the books will have to wait until Season 4.)

“Sookie [Anna Paquin] is going to go off in search of Bill [Stephen Moyer], and she will find him,” Ball tells But Sookie is in search of much more than just Bill. “There will be more conjecture about what she is and she will be more driven to discover what she is,” said Ball. “She will get closer to the answer.”

Will her brother Jason (Ryan Kwanten) help her? Not likely, as Ball explains that he doesn’t share his sister’s magical gifts. “It’s a DNA thing, it’s a genetic thing and skips some people and gets in some others,” he says. “Jason has vestiges of it, in that he’s such a fantastic athlete and he’s a perfect shot, but he’s still human, whereas Sookie is definitely a half-human, half-something else that we’re waiting to reveal.”

Good news for Bill fans: He won’t be going away for an extended period of time, as he does in Charlaine Harris’ Sookie Stackhouse novels. Ball reports that the TV series won’t be telling the same story. “Stephen Moyer will not be marginalized. Bill and Sookie may go through some rough patches that last maybe a little longer than Team Bill fans might like, but Bill and Sookie have a connection that will never die.”

So what about Bill’s big secret, that he only went to Bon Temps and became close to Sookie on the orders of Queen Sophie-Anne? Will that ever be revealed? Ball says yes. “I can’t say when it will be discovered, but it definitely will be,” he says. “We are definitely aware of that as we’re breaking the stories, and have been from the beginning of the show.”

Ball says that marital bliss is not in the cards for Sookie and Bill. “There is somebody who wants a wedding, but it’s not who you think it is,” teases Ball. “I don’t think you’ll see that wedding actually happen.”

What you will see is another human-vampire romance, when Tara meets the still-to-be-cast Franklin Mott. Their relationship will be unlike any other on the show. “I don’t even think they’re in the same ballpark,” producer Raelle Tucker tells us. “He’s more dangerous than any of those other [vampires]. She’s definitely playing with something that’s a lot more deadly.”

And Mott won’t be alone. “You’ll find a range of vampires,” supervising producer Alexander Woo says. “The vampire world really opens up. You’ll see that there’s as much of a variety and diversity among vampires as there is among human beings. There’s going to be extremely cruel and extremely kind. I think you’ll see there isn’t one archetype; there is a panorama.”

We don’t know how long Sookie’s adventures will continue on HBO but they might come to an end in the novels. while promoting a current book of short stories, Charlaine Harris has said that her Sookie Stackhouse series might come to and end after three additional novels. This would make for a total of a dozen books.

Dexter Rita

I’ve already reported that Julie Benz, who play’s Dexter’s television wife, has warned about a shocking end for the season. Jennifer Carpenter, Michael C. Hall’s wife in real life (and sister on the show) has more:

Dexter fans should stop crying over the shocking October 18 death of Frank Lundy (Keith Carradine) and brace themselves for something far worse. “Everything changes at the end of this season,” Jennifer Carpenter (Deb) said at the 2009 Scream Awards. “Dexter will never be the same.”

The actress told me the Showtime series was so protective of its top-secret December 13 season finale that she had to sneak on set to witness the gruesome climax of John Lithgow’s bloody reign of terror as the Trinity Killer. “I was so curious that I showed up at 1:30 in the morning to see what they were shooting, so I know!” says Jennifer (who probably could have wrangled the secret out of her real-life husband and Dexter star, Michael C. Hall). “Let’s just say maybe all of our trailers won’t be there next year.”

The obvious speculation is over whether Rita, who does get in Dexter’s way this season, will be John Lithgow’s final victim this season.


Edward James Olmos was interviewed by Io9 and about The Plan and discussed other questions which might be addressed in future Battlestar Galactica movies:

Simple questions, like what happened to the [final] five during this period of time? Where were they coming from 2,000 years ago? How could they be around for 2,000 years, and yet the understanding of Caprica is that the robotic trend on Caprica was started 57 years ago? How did that work? That question comes into play, and I would love to see how they answered it. That, to me, would be explosively unbelievable. I would love to have that question answered. I would also love to know what is going to happen to the people on the Earth. What is going to happen to Adama and all the different people? What happened to the Raptor that got them to the point of finding their dream space? That, to me, is just two simple ones I can think of off the top of my head…. To me, there’s still a lot of beautiful story that’s waiting to be unleashed in this world.

Olmos expressed displeasure about the degree to which The Plan was downloaded once it leaked out on line during the week before its release on DVD:

People don’t understand that if they want to see this universe again, they have to participate by voting, by casting their dollars. If they don’t cast their dollars, they won’t see any more of these.

That is understandable, but I also think that sales would be much better, regardless of whether copies were downloaded, if the product was better.  Many of those hard core fans who couldn’t wait to see the show would still purchase copies if this was a better product. Instead, many of us who viewed the episode early, both from downloads and early purchases, have been advising that there is really no need to get a copy now as opposed to waiting until it airs on television. I reviewed The Plan here. Unless they can do a better job, I would prefer to remember Battlestar Galactica for what has been done as opposed to having more second rate DVD and television movies.

SciFi Weekend: Dollhouse and FlashForward Picked Up For Season; Deaths on Heroes and True Blood; Trician Helfer, Grace Park, and Ashley Green


One frustrating thing about getting involved in a show on network television is that genre shows often do not do well in the ratings leading to early cancellation.  There was news this week about two shows which will at very least remain around for the season. Dollhouse, which almost was canceled after its first season, will have at least thirteen episodes aired this season. Any decision as to whether to renew the show or purchase more than thirteen episodes this year will not be made until after the first thirteen air.

Reached by phone, Joss Whedon (who has a terrible-sounding cold — feel better!) said he’s writing the 13th hour to give fans a degree of closure.

“We’ll definitely have closure, but will leave some doors open,” said Whedon, who’s currently shooting the eighth episode. “When we got our first numbers, which were bad, the first thing [Fox president of entertainment] Kevin Reilly said was, ‘You’ll have all 13,’ which was great. They’re not going to pull the rug out from under us.”

Beckman said DVR results have played a role in the show’s fate, though wasn’t surprised by today’s results.

“It’s one of the reasons that we brought it back; we knew it was DVR friendly,” Beckman said. “We expected to see this, and hopefully we’ll see [the overnight ratings] increase from week to week … with some shows, you have to look at the bigger picture.”

Beckman also humorously characterized deciding the show’s fate as a bit of no-win situation when it comes to dealing with Whedon’s passionate fans.

“If you cancel it, you’re an asshole; if you renew it and then don’t put it back on, you’re an asshole,” he said. “I’m still paying for ‘Terminator.’ ‘Dollhouse’ has a small rabid fan base that in the world of social media seems bigger than it is. We gave them another season knowing full well we were going to burn in hell if we pulled it.”


Things are looking even better for FlashForward with ABC deciding pick up the series for the full season.

TV Guide interviewed Sonya Walger, who has roles on both Lost and FlashForward. She doesn’t have clue as to when or if she will be in the final episode of Lost. She had this comment on her role on Flashforward: We haven’t seen all of Olivia’s flash-forward. What can you tease about what we haven’t seen?
In the flash-forward, the bit that you have seen is that Lloyd [Jack Davenport] gets up from the bed and gets a text message from someone. The person he gets a text message from is very, very unexpected. Can Mark and Olivia’s marriage survive this flash-forward?
Who knows? I think it’s completely fascinating that just the ghost of this might be what undoes their marriage, or it might be what strengthens them and keeps them together. It might be the tension of it alone [that] drives Mark to drink. It’s such an interesting idea that just the threat of something might be what leads you towards it. It may well be that they get to a breaking point and then say, ‘No, this isn’t happening to us. We’re going to make this work.’ Do you have any personal belief in fate?
I don’t really. The word fate doesn’t really mean much to me in some ways. I think we make our own. Minute by minute you decide who you are and who you’re likely to be. You make the choices hour by hour, just in the present. I don’t believe there’s some roadmap laid out that we’re headed towards. Give us a nice tease for what’s coming up for Olivia.
She’s going to be forced quite soon to deal with whether or not you can change the future. She keeps being reminded — evidence keeps being presented all around her — that you can’t change it. Every time she thinks she’s seen the last of Lloyd and that she’s managed to avoid it, he keeps coming back.


Watch With Kristin reports that there will be a major death on Heroes. It will involve a male who was part of the original cast, and may or may not be one of the four in the picture above.


True Blood has been picked up for a third season:

While the rollercoaster relationship of Sookie Stackhouse (Anna Paquin) and Bill Compton (Stephen Moyer) remains front and center, Ball revealed that several supporting characters will be sharing even more of the spotlight. “Definitely Eric has broken out and is a big important character now. Jessica and Hoyt are still trying to deal with everything that happened to them, and Arlene and Terry are going to have a little bit more of a life and more of a presence on the show.”

There’s also room for guest stars, like Evan Rachel Wood’s vampire queen of Louisiana. “She’ll be back,” promised Ball. “Maybe Zeljko Ivanek, who played the Magister in Season 1 – he might be back. And we do have a lot of fun new characters.”

Sam Trammell, who plays the hapless but heroic bar owner/changeling Sam Merlotte, added that Season 3 is “going to explore my relatives and the sort of sketchy, shapeshifter-y people in my family, and that’s going to be more torture for Sam. I’m sure they’re not going to be good people.” But will Sam’s still-burning torch for Sookie also be a source of torment? “Well, I hope he still has a shot with Sookie, but who knows? Probably not.”

Alan Ball has also told TV Guide that at least one character will die next season, which is hardly surprising considering the nature of the show.


Tricia Helfer and Grace park are on the cover of Maxim prior to the upcoming release of the Battlestar Galactica movie, The Plan. With the movie being released on DVD prior to its showing on television it will be possible to have more explicit scenes as was done in the DVD release of Caprica. Rumor has it that the main nude scenes involve extras in a shower scene. Tricia Helfer will also be appearing in an upcoming episode of Two And A Half Men.


There seems to be a lot of actresses from genre television shows in movies in magazines this month in addition to the above. For example, Ashley Green of Twilight has a photo shoot in Men’s Fitness.

SciFi Weekend: Hot Vampire Sex; SciFi on 30 Rock and Other Shows; Dr. Who Interview; Summer Glau on Dollhouse

The second season of True Blood is approaching its finale. Help is needed to defeat Maryann and they turn to the Vampire Queen of Louisiana. Reportedly this means more hot vampire sex–in this case between Queen Sophie and Sookie’s cousin, Hadley Hale (Lindsey Haun). Ausiello has additional spoilers about the season finale.

True Blood has been a success due to excellent writing, interesting characters, a compelling plot, and a lot of nude scenes with Anna Paquin. She discussed this in an interview with Nylon:

Anna Paquin, on her Nude Scenes:
“I don’t think a naked body is particularly shocking or interesting… It’s not the culture I was raised in.  I was not brought up in the United States.  I don’t share the [attitude] that you can have graphic violence, but – God forbid – you see someone’s nipples.”

On Going Blonde for Sookie:
“I don’t look like a Barbie doll, and probably never will.  People are incredibly literal in how they view you.  You have dark hair and pale skin?  You must be brooding.  The second you dye your hair blonde and get a spray tan, people treat you as if you’re a bit stupider and happier.  Suddenly, it’s like you’re hot and sexy.”

On TV Acting:
“It never occurred to me that one form of acting was better than another.  I think if you approach your career like that you’re limiting yourself to a very boring path.  For me, it’s about the material.”

Epilogue:  Stephen Moyer, on Vampire Sex:
“The thing about vampirism is that it taps into a female point of view – you have an old-fashioned gentleman with manners who is a fucking killer… it’s an interesting duality, because in our present society it would be an odd thing for a woman to say, ‘I want my man to be physical with me.’ How, as a modern man, can you fucking work that?  It’s one thing to be polite and gentle… But when do you know it’s OK to crawl out of the mud and rape her [as Bill does in one scene]?… It’s difficult stuff for a bloke, but a vampire gets away with it…. I think that’s the attraction of the show – it’s looking back at a romantic time when men were men, but they were still charming.”

Liz Lemon doesn’t do any nude scenes on 30 Rock, but she has frequently brought science fiction into the show. Io9 has put together a clip with the scifi scenes from the show. The post also includes scifi clips from other television shows including Veronica Mars, The Big Bang Theory, The Office and How I Met Your Mother.

IO9 Has also put out their list of The Top 100 Science Fiction/Fantasy Shows of All Time. The original Star Trek tops the list. Doctor Who is runner up.

BoingBoing interviewed David Tennant and Russel T. Davies following the filming of their last episode of Doctor Who together–video above.

Stills are being released from the second season of Dollhouse, with an example above. As expected, now that Summer Glau is available, she will have a recurring role in the show, along with a couple of actors from Battlestar Galactica. From the press release:

Summer Glau (“Firefly,” “Terminator: The Sarah Connor Chronicles”) reunites with Joss Whedon when the actress joins the cast of DOLLHOUSE this fall in a recurring role as BENNETT, a Dollhouse employee who shares a past with ECHO (Eliza Dushku). The second season of DOLLHOUSE premieres Friday, Sept. 25 (9:00-10:00 PM ET/PT) on FOX.

Additional guest stars appearing throughout the upcoming second season include Alexis Denisof (“Angel”), Jamie Bamber (“Battlestar Galactica”), Michael Hogan (“Battlestar Galactica”) and Keith Carradine (“Dexter”). DANIEL PERRIN (Denisof) is a U.S. senator leading a witch hunt to track down the underground organization. Mysterious, charismatic businessman MARTIN KLAR (Bamber) is Echo’s new husband. BRADLEY KARRENS (Hogan) comes to the Dollhouse hoping to stop a psychotic family member’s killing spree, while MATTHEW HARDING (Carradine), a nemesis of Dollhouse leader ADELLE DEWITT (Olivia Williams), stirs up trouble. Additionally, DR. CLAIRE SAUNDERS/WHISKEY (Amy Acker) and MADELINE/NOVEMBER (Miracle Laurie) return this season in multiple-episode arcs.

SciFi Weekend: Doctor Who Movie, Return of Sarah Connor, Premiers of Fringe and True Blood

Considering how rare it has been for me to get this out on Fridays since the political campaign has heated up, I’ve retitled this SciFi Weekend in place of SciFi Friday. Still I’ll begin with a story on a show from SciFi Channel’s SciFi Friday line up–Doctor Who.

So far David Tennant is only committed to return as The Doctor for some specials scheduled for next season, being too busy appearing in Hamlet to do a full season. Tennant has desired to continue to perform on the stage and to do movies, leading to fears he will not return for another full season. The BBC is now trying to entice him to return for a full fifth season of Doctor Who in 2010 by also adding a Doctor Who movie to the deal. Russell T. Davies said he would like Catherine Zeta Jones to play The Doctor’s companion in the movie.

Terminator: The Sarah Connor Chronicles returned for a second season last week creating questions as to whether Cameron can be trusted. Changes in Cameron will only be one aspect of the upcoming season. SciFi Wire has an interview with Josh Friedman, the creator and executive producer of the show, which reveals we will see more of the post-apocalyptic future and time travel will be used in again on the show. He discussed how using time travel helps the show:

One, is people can sit around and talk about it. Two, you can see future war stuff, and three, you can bring people back. … Last season, for a lot of people, I think, it really took off when Brian [as Derek Reese] came back. I think that’s, one, due to the fact that Brian was fantastic when he came back. … Two, the character that he’s playing, in terms of being a Reese and that kind of thing. But I also think that what he represents is he’s an embodiment of Judgment Day, of the war. And I think he comes back kind of traumatized in a way that really brings the future to the present in a really visceral way, makes people care about the stakes.

I think you see it on somebody. He’s a war veteran; you see it. So I think that it’s an important part of the show to bring people back sometimes, whether it’s another person or a Terminator. … You have to get used to the fact. It’s not a revolving door, but it definitely … opens more often than people are used to in the movies. But the movie only got to send two people back, and they were rolling around for two hours. I think our per-minute sending people back is actually much lower than the movies.

Two new genre shows premiered last week. In Fringe J.J. Abrams gives us a combination of Lost, The X-Files, and Alias. I wasn’t very impressed by the pilot but I’ve learned to give shows like this a little longer. For whatever it is worth, I stopped watching Alias soon after it started and ignored X-Files. Later I had go back and catch up on them after I found that as they developed there was far more to each than was apparent at the start. (Actually the conclusion of X-Files showed I might have been right about it at the start.) Fringe provides suggestions of lots of unusual things going on and, as with Lost, the success of the show will depend upon how well they create mysteries to keep viewers hooked while providing enough information to keep them satisfied. TV Guide provides some answers to questions viewers might have about the show while Popular Mechanics looks at the science.

Alan Ball, creator of Six Feet Under , has returned to HBO with True Blood and I quickly became more hooked on this one than Fringe. The premise, based upon the novels by Charlaine Harris, is that the Japenese have developed a synthetic blood which satisfies all the nutritional needs of vampires, allowing them to live out in the open. We see a vampire rights advocate being interviewed by Bill Maher and in the second episode there was a magazine cover announcing that Angelina is adopting a vampire baby.

The actual storyline centers around a waitress, Sookie Stackhouse (Anna Paquin) who becomes involved with vampire Bill Compton (Stephen Moyer). Sookie can read minds, which is one reason she is attracted to Bill. Being that she can read minds, she has trouble dating because she quickly realized what every guy around her is thinking (just as you are thinking as you view the picture of her above). She is unable to read Bill’s mind, which is far more peacful than overhearing the thoughts of everyone around her.