With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:
We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.
Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.
I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:
Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.
As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.
Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:
The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka, even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.
And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…
The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.
While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.
What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)
Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:
In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.
Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.
There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.
The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.
The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”
Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:
Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.
“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.
“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”
However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.
“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”
Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:
“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?’”
Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.
“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’
“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”
The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.
Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:
Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!
“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”
Peter Salus looked at the history of computers in Doctor Who.
Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.
Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.
Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.
Arrow, while well-done and quite entertaining for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.
I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US. Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.
I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:
Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!
Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:
In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa: I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.
So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.
There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa: One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.
Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.
I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.
Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?
It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.
I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.
I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.
The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:
As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.
Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.
Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.
This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.
What Culture has ten alcoholic drinks from Mad Men which you must try.
Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine
Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.
Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.
The BBC has released the above poster for the 50th anniversary episode of Doctor Who, to be named The Day of The Doctor. It will be the second from last episode staring Matt Smith, also staring David Tennant and John Hurt.
Steven Moffat discussed filming the final episode with Matt Smith at the TV Choice Awards, where Doctor Who won for Best Drama Series. David Tennant won the Best Actor award for his role on Broadchurch. Miranda Hart of Call the Midwife won for Best Actress. (Jessica Raine,who plays Jennie Lee on Call the Midwife, played Emma Grayling in the Doctor Who episode Hide and has a role in the upcoming movie on the development of the series, An Adventure In Space And Time.)
Peter Davison will be appearing in the 50th Anniversary episode of Doctor Who. While he has confirmed the appearance, he states he is unable to give any specifics. My suspicion is that he has a cameo role in the special but does not reprise his role as the Doctor unless the story can give a plausible explanation for showing a former version of the Doctor who has also aged. Pictures appeared on line of Tom Baker in his scarf starting rumors that he would also appear but it turns out it was to film a skit for another show.
In follow-up of the controversy I mentioned last week, TrekMovie.com has posted another opinion arguing that Star Trek is Not Broken. Those who are not happy with how J.J. Abrams is handling Star Trek might be happy to hear that he will not be directing the next Star Trek movie now that he will be busy with Star Wars. I fear that this won’t change many of the problems cited by fans but at least it might mean less lens flare.
There has been even more controversy over the choice of Ben Afflect to play Batman in the Man of Steel sequel. The CEO of Warner Brothers defended the choice, describing this Batman as “kind of tired and weary and seasoned and been doing it for a while.”
Besides the upcoming Star Wars trilogy, Disney is going to take advantage of buying the rights by putting out additional movies. Variety reports that they will be origin movies. There will be a lot of Star Wars as “one ‘Star Wars’ trilogy film or ‘origin story film’ would also appear on the release schedule each year, starting with the seventh installment in the ‘Star Wars’ saga that J.J. Abrams will direct and Disney releases in 2015.”
Warner Brothers is returning to a recent major source of income for the studio. J.K. Rowling is going to write a new movie series taking place in the Harry Potter universe. After recently reading The Cuckoo’s Calling, I think she does have a better future in writing such movies then detective novels, although the two aren’t mutually exclusive. It’s not that I didn’t like the book, but I read several far more entertaining novels over the summer, and there are plenty of similar mystery series already out there.
Grant Gustin of Glee will play The Flash on Arrow, and potentially on a spinoff show.
Cult Box has a spoiler-free review of Agents of S.H.I.E.L.D. Gawker reports that some of the scripts were not very good and Joss Whedon had to rewrite them. The web site for the series is now on line.
ABC is working on an alternate reality series which sounds interesting. The show, entitled The Thirteen, takes place in an alternative present day in which the colonies did not win independence from England and are still fighting the English for independence.
Utopia writer Dennis Kelly has discussed conspiracy theories, over population, and the second season of the series:
There’s going to be a second series of Utopia isn’t there?
There is. It’s currently being written. It’s being filmed in two months [speaking on the 22nd of August]. I’ve got two months before the first block. You film it in two blocks so episodes one, two and three, and then four, five and six. Marc Munden who directed one, two and three, and really set up the look for Utopia – and that’s what people talk about a lot when they talk about Utopia – he’s a brilliant director, more like a filmmaker than a TV director really, and he’s fantastic to work with. He’s come back and he’s going to do the first block again. He has a much more involved role in the whole series, which is great.
Can you give us any ideas about what series two might contain?
We’ve got a very odd first episode, which people are either going to really like or really say ‘what the fuck did you do that for?’ and I’ve got no idea what the reaction’s going to be. Some of the characters are coming back, you’ll definitely see Arby again, and Jessica. There’s a lot of people dead unfortunately and a lot of people will die [laughs].
Do you have a finite end for Utopia in mind?
I think I do, I think so, yeah. Not necessarily a good one. [Laughs].
Luc Besson is interested in doing another movie in the world of The Fifth Element.
Joking Bad, Jimmy Fallon’s parody of Breaking Bad, can be viewed above. The series ends this month. A spinoff is being considered based upon Saul Goodman before he became Walt’s lawyer. The Hollywood Reporterlists Saul’s top moments.
For the last few days I felt a little like a time traveler with information about the future which should not be spread. I binged on both seasons of Continuum over one week, watching the season finale on a download from the original Showcase broadcast last Tuesday. Of course all the Canadian viewers must have felt like this for a few weeks. This is a Canadian show on a network required to include some Canadian shows, so I immediately put aside any skepticism as to Vancouver being the key North American city in 2077. Now that SyFy has also broadcast the finale in the United States, I feel I can to on to discuss the show with some major spoilers.
Until I began watching, I had fears that Continuum might be a police procedural with the gimmick of a future cop and terrorists from the future. It was clear early that the show is much more complex, moving into new territory in the second season, and setting up the show to move in yet more new directions in the upcoming third season. Rachel Nichols plays future City Protective Services (CPS) Protector Kiera Cameron who was sent back in time from 2077 to our present along with a group of terrorists (Liber8) who escaped their death sentence with time travel The world of 2077 is, on the surface, the dream of several libertarian fantasies as governments have collapsed and corporations have taken over. It doesn’t turn out the way in which libertarians fantasize as the corporations have no respect for our concepts of individual liberty or restrictions on the power of the state.
Seeing the future which Liber8 is trying to prevent makes it very hard to decide who to root for in the series, and a factor which keeps the show so interesting. In the season two finale, Liber8 leader Travis claims that he, and not Kiera, is the good guy in this story. Many viewers would probably agree if not for the excessive violence utilized by Travis and others in Liber8. There have also been differences of opinion, and even a civil war, within Liber8, with some taking a less violent approach. Kiera is the protagonist of the story and does what she believes is right based upon her knowledge, but at least so far lacks the knowledge provided to the viewers about the system she defends.
Another major player is Alec Sadler, who as a young man assists Kiera and as an old man in 2077 (played by William B. Davies, the cigarette-smoking man of X-Files), runs the most powerful tech company in the world). Young Sadler connects with Kiera early because her CMR (an implant which, among other things, provides communication for Protectors) works on a frequency which Alec was experimenting on in the lab in his garage. Alec’s step-brother Julian is originally portrayed as being a messed up kid fated to become a mass murderer but by later in the second season it appears he becomes one of the most heroic characters of the series, with far more to the stories of mass murder by his future self than Kiera understands.
While doing repairs, Alec found messages from his future self placed in Kiera’s super-powered body suit which revealed that Liber8 and Kiera were intentionally sent back in time by his future self. This means that old Alec has developed reservations about the system which he was involved in creating as he sent Liber8 back in time to change the future, with Kiera possibly sent along to keep their violence in check. Even after two seasons, all the details of Alec’s plans are not yet clear. The members of Liber8 appear to be successful in creating the roots of a rebellion against Corporate control but cause and effect create a number of questions in this series. The anti-terror task force in the police department becomes CPS with corporate sponsorship in response to the threat from Liber8, being just one situation seen where we question whether the time travelers are actually creating the future of 2077. In an analogous situation, it is Kiera who wound up radicalizing Julian with her threat to kill him.
The ability to change the future on this show is quite unclear and I will return to this question later. In one episode Kiera captures a mass murderer who in her time was known for never having been caught. We do not know which events, if any, would actually change things in her future. A character believed to be another character’s grandmother is even killed, with the character not showing any change.
Not everyone sets out to change the future. Matthew Kelog was a reluctant member of the group all along, dragged into illegal activity by his sister. After arriving in his past he left the terrorists and made a fortune with his knowledge of the future. One nit pick is that he made this fortune far too quickly. Knowledge of which businesses succeeded and other events will certainly help build a successful portfolio but this would take time. It is unrealistic that he would know enough winners of major sporting events from that far back in the past to amass a huge fortune from gambling so quickly either. It would be more plausible if he knew his destination and had time to do research before being sent back.
If time travel is possible, it only makes sense that there might be other time travelers around. Two characters, including one named Jason who happens to share DNA with Alec, were sent back in time from the original breakout but wound up in an earlier time. Jason is kind of nuts. Is this the result of being in the past so long? I suspect it was more the result of being thrown into a mental institution when he went back in time and claimed to be from the future. It is hard to judge this based upon other characters as one other showed signs of mental imbalance but others did not.
Complicating matters further are the Freelancers who are from a different time.
The second season finale answered some question but also set up potential major changes in the show. We learned that one recurring character whose goals were unclear, Escher, is a former Freelancer and Alec’s father while Jason shares his DNA as he is Alec’s son. There already had been the question as to what degree future technology developed by Alec was based upon knowledge he learned of the future as opposed to being his own inventions. Now that we learn that time travel is the family business, we don’t even know if Alec would even be in this time line without time travel.
If the revelation from Escher that he was Alec’s father reminded viewers of Darth Vader telling the same to Luke, the scene with both Kiera and Travis suited up was reminiscent of a fight scene from The Matrix.
With the police being turned into a corporate-controlled unit which violates civil liberties (also presenting a change in the portrayal of Inspector Dillon of the Vancouver Police), Kiera’s partner Carlos left the police and wound up with Julian, who had been an enemy in prior episodes. It is possible that Carlos is going undercover, but I suspect that he really was fleeing from the newly founded City Protective Services, who are now planning to arrest Kiera as a terrorist.
At different times in the finale Alec appeared to be using and double crossing both Escher and Kiera, going for his own trip through time in the finale. Most likely he is going back to save his girlfriend Emily, who was killed during the second season. Emily’s motives were also unclear earlier in the season as it was clear to everyone but Alec that her goal was to get into his lab, and she also turned out to be working for Escher. Will Alec succeed in saving Emily, and if so will this create a cosmic reset making the other events of the last couple of episodes not occur, or will it create a new time line with a living Emily parallel to the one where she was killed? Is Emily Jason’s mother? It is also possible that Alec might wind up at a different time, such as when the characters were first sent back in time, or maybe just a few minutes before the Freelancers attacked.
The show often shifts back between the present and 2077, and key information is often not revealed until subsequent episodes (if at all so far). The second season began with a scene of Kiera being captured and put in a glass cage along with members of Liber8, including one who was brought back from the dead or from a different point in time. Kiera then awoke from a dream (when some of her memories were wiped)in 2077 and it wasn’t clear if this was part of her dream in 2077 or an event from some other point in time. In the second season finale, Kiera is captured by the Freelancers, who claim a goal of defending the time line from time travelers and are as violent as Liber8.While t is hard to trust the motives of the Freelancers, are we actually seeing something like the Temporal Cold War from Star Trek: Enterprise? The season ends with a repeat of the scene with her being placed in the glass cage.
Presumably this imprisonment occurs immediately after what appeared to be her capture, but this is far from certain. If she had been dreaming this in 2077 before she was sent back in time, it could be a suppressed memory from earlier, especially if she has wound up in a temporal loop due to changes in the time line which are not yet clear. It is also possible that she actually escaped at the end of the episode and the imprisonment scene occurs at some other point in time. Alec’s trip through time might wipe out everything we are seeing, or create a new time line in which this does not occur. If the third season does start with her in the glass cage, then what? The cages look more like short term holding cells than a permanent prison. Do the Freelancers plan to move them elsewhere or perhaps take them back to their own time? Does Alec and/or Escher save them, or do still more time travelers get involved?
One of the Freelancers did make a reference to different time lines in the finale, and this might be where the show is headed. It remains unanswered as to whether those sent back in time can change the future for old Alec or, as some incidents suggest, at most can create a different time line where things turn out different. Physics Today did look at the science of time travel in Continuum, but as 1) time travel is not real and 2) this is fiction and the show is going to follow whatever rules are made by its creators. We got some hints as from Simon Berry in this interview with some questions posted below:
The core of the show’s storytelling has always seemed to be the struggle between corporate dominance and the anarchy of Liber8. How do the Freelancers fit into that theme?
You will find out in the first episode of Season 3.
When did you guys decide that the show needed another group of time travelers in the mix?
The notion of Freelancers was introduced early in the writing room of season 1. We were going to bring it in then, but decided to hold back until Season 2.
In one episode, someone shoots Kellog’s grandmother and he’s unharmed. In another episode, Kiera solves a serial killer case that was never solved in her original timeline — and she still remembers seeing it as an unsolved case, back in 2077. Also, in one episode Old Alec tells Young Alec that he’s not Young Alec’s future self, but just a version of Alec that shares some experiences. So is it basically confirmed that you can change the past, but you’ll just create a brand new alternate timeline? Is that definite now?
The final episode of season 2 certainly points to that, but ‘definite’ is a dangerous word. Don’t get too hung up on the defining “multiverse versus closed loop” debate just yet.
We like to think of time in the context of our story: two points, 65 years apart. The belief that one can make small changes to the timeline now and that will upset 100% of the events in 65 years, is too simplistic. We’ve used the Tsunami metaphor in the show and I think it’s an appropriate one in this case. Small changes to that wave are certainly going to have an impact on the damage it does, but that doesn’t mean the wave doesn’t do what it’s supposed to do.
I think because the stories are Kiera-centric, we are tempted to believe that the changes to the timeline will affect her life more than others, but there’s no reason to think this way. Unless Kiera or Liber8 makes changes that are directly related to her family and Greg’s family, then there is still a good chance that she will be born and Greg will be born and they will meet.
The idea of multiple timelines in itself opens the door to connected timelines that could split like tree branches but then wrap around each other like vines, eventually merging again. That’s one of the amazing things about time travel; because it’s not a pure science, there is room for interpretation and the introduction of larger forces at work, be they natural or un-natural.
Even if Kiera is on an alternate timeline, she could theoretically return to a version of 2077 where her life played out 99% as it did. Now it’s true she would run into a version of herself that never went back in time and that would be complicated… But it would be deliciously complicated.
If so, then what does Old Alec have to gain by sending Kiera and the Liber8 gang back in time? Won’t he just create a different timeline that he can’t ever visit? From his viewpoint, how can Old Alec even know what changes happen as a result of that time travel?
Perhaps Old Alec understands more about what’s at stake than we’ve revealed to date. The final episode of season 2 will introduce the first threads of this larger storyline.
One of the big shifts in season two was the Vancouver Police Department coming under the control of Piron, or at least a big part of it. Do the police basically just become another gang in the city’s gang war at some point, and lose their legitimacy as cops? Have the police already crossed too many lines to be able to claim they’re upholding the law?
Well the Piron deal is really only with Dillon’s Liber8 task force so it was never meant to be a complete take-over (yet!) – What we are setting up is the very small moves that might lead towards an eventual corporate controlled police department a-la Robo-cop OCP scenario.
It seems as though the driving force behind the corporate takeover of the police was the arrival of Liber8. Are the Liber8 terrorists basically causing the corporate-controlled future they were trying to prevent, only ahead of schedule?
There’s a timely irony in that, and it’s not an accident.
And finally, it’s seemed as though Kiera isn’t sure what her goal is any more. At times she wants to preserve the timeline she comes from, but at other times, she’s willing to make some pretty big changes. (For example, being willing to shoot Julian, which would cause a pretty big change.) Are we going to see her regaining more of a clear sense of purpose in season three? Is her evolution as a character taking her someplace? And will we be learning more about Alec’s “purpose” for her?
It’s interesting that many comments pop up from time to time about Kiera not doing the ‘right’ thing or the ‘smart’ thing regarding time travel. This suggests she has the knowledge the audience has.
One of the unique aspects of Kiera Cameron in the Time Travel tradition is that she is one of the few characters in the genre who are not travelling by choice. Most Time Travel is driven by a character who understands the stakes and science of Time Travel, therefore their actions are determined based on their self aware role within the time continuum. They are willing adventurers who know the rules and usually have a goal and understanding of how to achieve it in context of their situation.
That is not the story of Continuum.
Kiera is an average person in 2077. She’s not a scientist or engineer. She’s not a theoretical physicist or even a fan of Science Fiction (unlike many of our fans who I believe would know what to do, and what not to do, if they found themselves in her shoes). Kiera is an unwilling victim of another person’s designs… She is us.
Kiera is fumbling her way through this experience using her humanity and experience as a guide, not a set of time travel rules or knowledge of paradoxes and wormholes. On occasion Alec will remind her of the possibilities and pitfalls, but without proof of anything, who’s to say what’s right or wrong. As Kiera evolves, so will her decisions.
For Kiera, this entire adventure is also a learning experience, and the lessons will form a critical path towards her becoming the person she needs to become in this mythology, and illuminate the “purpose” Alec had in mind for her.
This weekend I binged on the entire season of Broadchurch. The story is about the murder of an eleven year old boy and the effects on the town. It stars David Tennant and its excellent cast includes a second actor who has starred on Doctor Who, Arthur Darvill. The third character in this scene, Olivia Coleman, also appeared in an episode of Doctor Who, The Eleventh Hour. As only four of eight episodes have shown so far in the United States on BBC America, I will avoid any meaningful spoilers. Those who want to know absolutely nothing (such as whether Danny’s killer is found) might want to skip the following.
Then I heard that the show had been renewed for a second season before completing the first, I was concerned that maybe they would leave things hanging, as occurs to some degree on another recent British crime drama, The Fall (staring Gillian Anderson). Broadchurch does have a very satisfying ending, showing not only the identity of the killer but answering many questions about other characters raised during the series. The killer might be guessed after a lot of information is provided in the seventh episode, but a big clue is held until the start of the eighth. With the killer apprehended, Broadchurch doesn’t appear to leave much room for a second season like the first, considering it would not be as realistic to have a second murder in the same place. Some of those involved in the show have said that the second season might be completely different:
Speaking at the Edinburgh Television Festival the network’s director of TV Peter Fincham said that viewers would not be subject to ‘a formulaic repeat of series one’ when the show returns in 2014.
He also did not confirm which members of the cast from the first series might – or might not – appear.
The comments mirror those of series creator Chris Chibnall, who confirmed earlier this year he was working on Broadchurch round two – but also stayed silent on whether Tennant and Colman would be back.
‘I would take nothing for granted, I would just wait and see!’ he commented.
Will Mellor, who played psychic phone engineer Steve Connolly, has also hinted that the next series could be a prequel – and may not even feature a whodunnit.
‘I can’t see it being about another murder because it will be a bit too coincidental. All I know is it’s going to be a surprise because the writer always catches you out,’ he said.
‘Maybe it’ll be a prequel, it might go back to the old case that David Tennant’s character [DI Alec Hardy] didn’t finish. Whatever it’ll be, it’ll be fantastic.’
Redshirts by John Scalzi won the 2013 Hugo Award for Best Novel. The novel is an homage to Star Trek, along with a look at what doesn’t completely work in television science fiction, and, continuing with the lead story today, even has some time travel.
The Avengers won for Best Dramatic Presentation, Long Form.
Blackwater, an episode of Game of Thrones won for Best Dramatic Presentation, Short Form. Three episodes of Doctor Who were also nominated in the category: The Angels Take Manhattan, Asylum of the Daleks, and The Snowmen. I wondered whether dividing the vote with three episodes might have prevented Doctor Who from winning again this year but looking at the total numbers Blackwater had more votes than all three episodes of Doctor Who combined. The final nominee in this category was an episode of Fringe, Letters of Transit.
In the entertainment industry in 2077, Benedict Cumberbatch will be famous for being a part of every major movie franchise. Now there are reports that he will have a role in Star Wars VII. It looks like he should have some free time. Filming has completed on the third season of Sherlock.
James Spader has been cast to play Ultron in Avengers: Age of Ultron.
Yet another story on Star Trek science maybe becoming fact. This time, a report on experiments at NASA which might make warp drive a reality. Maybe. Fareed Zacharia also had a segment on Sunday’s show on technologies which are similar to the replicator.
Update: News came in later tonight that Frederik Pohl died over this past weekend.
Every time there is a regeneration, there is speculation that the next Doctor might not someone other than a white male. Neil Gaiman claims that a black actor has turned down the role. Steven Moffat, Matt Smith, and Jenna Coleman discussed the transition in this interview. An excerpt:
Is writing that final story for Matt Smith’s Doctor the biggest pressure you’ve faced, in doing this show?
MOFFAT: The biggest pressure will always be introducing a new Doctor. And I can’t imagine it will ever be tougher than with “The Eleventh Hour” because everything changed. It’s not an ideal way to run television. It really isn’t. That was mad. All the execs left, the producer left, and all the stars left. You think, “Christ, how do you get away with that?!” We’re not in that situation this time, and it’s good that we’re not. People say, “It must have been great and exciting and marvelous that you had all that new stuff,” but not really. But, we got away with it. I just remember thinking, “Are people going to buy that this is the same show, when it clearly is not?”
Do you wish that you could just introduce the new Doctor via the show, when he finally shows up?
MOFFAT: I’d love to, but that’s physically impossible. It was Russell’s plan not to tell anyone that Chris [Eccleston] was going to change in the last episode, but it leaked after one week. I wish it were possible. The fact is that those actors’ agents have to say that they’re available. They have to take jobs. It’s going to leak, so you have to take command of that story. It’s annoying. I’d far rather not tell anybody anything, seriously. If you’re telling a joke, you don’t want anybody telling the punchline before you get to the end. Sadly, I don’t think it’s possible now. Everybody wanders around with cameras now. A few years ago, no one had a camera on them. Now, every little human being goes around with a camera on their phone. How am I going to keep secrets with that?! It’s tough. It can be irritating, but what can you do?
Moffat started with a new cast with both Matt Smith and Karen Gillan. With Jenna Coleman still being relatively new to the series, the show with Peter Capaldi and Jenna Coleman will have a different feel than during most of Moffat’s tenure with Matt Smith and the Ponds.
Now that we know who will play the next Doctor, the next major succession is who will play Batman when he appears in the next Superman movie. Rumor has it that Orlando Bloom is the leading contender.
Joss Whedon discussed synergy between Agents of S.H.I.E.L.D. and the universe of The Avengers:
Speaking at the recent TCAs, Whedon said fans will spot some synergy in the run-up to Captain America: The Winter Soldier and Thor: The Dark World. “There will be as much as we can allow,” he said. “We’re still working that out. It’s a fun opportunity, but it’s not the reason for the show. It’s not an Easter egg farm, we want people to come back.”
The pilot kicks off with Angel alumnus J August Richards as an “unregistered gifted” that the SHIELD agents must track down. Don’t expect a superhero-of-the-week show, though, “There could be a device, a mystery,” Whedon continued.
“There’s so many aspects as to what’s happened since everybody in the world found out there’s a superhero team and aliens invaded New York. We want to be able to change it up every week: spy stuff, hero stuff, heartfelt stuff. We want to make sure the humor is there, but every week, you get something that feels a little bit different.”
Disney has also released a full synopsis for Captain America: The Winter Soldier
After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk.
Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
These Avengers-themed sex toys will definitely never be sold at the many stores around the Disney theme parks, even should the Avengers characters be moved from Universal to WDW in the future.
ABC is in talks to bring another genre show to television–a live action Star Wars show. I really hope this happens, not because I care whether there is a weekly Star Wars show but because maybe this would lead CBS (who appears to own the rights, but it is somewhat murky) to counter by returning Star Trek to television. Star Trek worked far better as a weekly series than intermittent movies which are forced by market demands to be big action movies.
After Disney purchased the rights to Star Wars, there was talk of expanding the Star Wars presence at the Disney’s Hollywood Studios theme park. I expressed skepticism over speculation that they would get rid of Muppet Vision 3D and the Honey I Shrunk the Kids Playground for this expansion. Earlier in the week I was looking at the refurbishment schedule at Walt Disney World and noticed that Muppet Vision 3D is closed August 6 through September 2 for refurbishment. In addition, the Honey, I Shrunk the Kids Playground will be closed September 3 through November 19 for refurbishment. They might not be around forever, but it doesn’t appear likely that they plan to remove them in the near future. As is usually the case at WDW, other areas will also be closed during these times. The most significant is that Spaceship Earth will be closed August 18-24.
On Orange is the New Black, Kate Mulgrew ran the prison kitchen instead of the Starship Voyager. She was interviewed by Vulture, and told about one Star Trek reference thrown into the show:
At one point Natasha Lyonne has a line, “I thought I was your Spock.”
Yes, they threw that in. I’m sure they’ll do some more of that. I think that was intentional and very clever!
Speaking of Star Trek, Blastr describes how the show was saved by Lucille Ball.
In 1965, Roddenberry got a pilot order from NBC and produced the original Star Trek pilot “The Cage.” It was rejected by the network, reportedly because it was “too cerebral,” and for most shows that’s where the story would have ended. Luckily for Roddenberry, he had Ball on his side. The story goes that she still thought the Star Trek idea had legs, and used her considerable influence in television to push for NBC to give Roddenberry a second chance. The network made the exceedingly rare move of ordering a second pilot from Roddenberry, who overhauled almost the entire cast of characters from “The Cage” and eventually produced “Where No Man Has Gone Before.” That pilot was accepted, the show was given a series order, and the rest is history.
Damian Louis interviewed about his role on Homeland in the video above.
Anna Torv returns to television following Fringe in a show expected to air on HBO next year. Torv will play a lesbian yoga instructor.
“This has been the ending that we have talked about for years,” she said. “So to us, it feels right for our show and how we feel about it. I hope fans will think it’s right [too].”
The exec conceded that there is no way to make “everybody happy” with the conclusion of the Michael C Hall series.
“At the end of the day, we know that you’re damned if you do and you’re damned if you don’t,” she said. “There will be people who hate it, but we can’t try to anticipate that or put it through the lens of any other show’s finale – because that was another show.
“This is our show. This is Dexter.”
It is hard to believe that things will end well for Dexter Morgan. Multiple routes to doom have arisen this season. So far this has included Dr. Vogel and Deb when she is in a crazy mood. Last week episode showed two additional threats. He has decided he wants to be a mentor to Zach Hamilton, but Zach appears unhinged enough to turn on Dexter. Then there was the return of Hannah McKay.
Having a hard time waiting until Game of Thrones returns? The White Queen on Starz might help.
Piracy drops when there are legal ways to view shows. It comes as no surprise that piracy has spiked in response to the Time Warner cable blackout of CBS.
Matt Smith appeared on Craig Ferguson’s show on July 24. Video above.
Steven Moffat says he will clear up some of the hanging plot threads in Doctor Who this year in an interview with I09:
When we caught up with Moffat last weekend at Comic-Con, we asked him, “Do you feel like you owe viewers some closure on the big questions, like who blew up the TARDIS? Or what the Silence was up to?”
And he responded, “Well, we are going to do it all. It’s going to end at Christmas. Yeah, [there will be closure]. But ‘owe them’? I don’t know about ‘owing.’ But yeah, there’s a plan, and we will end the Eleventh Doctor’s run with the answers to some of those questions.”
And what about the biggest dangling plotline in Doctor Who history? Back in 1986, the Doctor met a dark alternate future version of himself known as the Valeyard, who put him on trial and tried to steal his remaining lives. And the Valeyard was never mentioned again — until the most recent Who story, “The Name of the Doctor,” when his name came up.
How does the mention of the Valeyard tie in with the trend of the Doctor acting more dark? Are we going to see him again? We asked Moffat, and he responded,
Well, I couldn’t resist saying ‘The Valeyard,’ because we haven’t mentioned him in the new series. [Laughs] So I thought, ‘I’ll just put that one in.’ I never quite understood, in ‘Trial of a Time Lord,’ what he was meant to be. I never understood if he was a real Doctor, or [something else]. But in a story where we are hinting that the Doctor has a hidden chapter to his life, it was irresistible to mention the Valeyard. But you know, he’ll only ever get so dark, let’s be honest. He’s the Doctor. I think a man who worries about going bad is never really going to go bad. Maybe not.
As for the Doctor’s wife, River Song, she is not a dangling plot any longer — and in fact Moffat seems pretty happy with how he left her in “The Name of the Doctor.” At this point, he seems to feel as though he’s told the story he wanted to tell about her.
He adds that he’s “not quite sure” if we’ll see her again. We could, because we’re seeing her out of sequence in the past, “and clearly the implication is that she’s met more than two Doctors. But the question is whether or not we should” revisit her. He adds that “it’ll now be story-driven”: If he has the perfect idea for a story that involves River Song, she’ll be back. “But I quite liked where we got to at the end of ‘The Name of the Doctor,’ with him saying goodbye to her. So we’ll see.”
It doesn’t sound from this that the theories of the John Hurt Doctor being the Valeyard are correct, but this could also be misdirection on Moffat’s part. There are also rumors that a scene is being filmed showing the regeneration from Paul McGann’s Doctor to John Hurt’s Doctor, which might be shown as a prequel.
The BBC has figured out how to prevent spoilers from getting out after the initial airing of the 50th anniversary episode. It will be aired worldwide at the same time. (Unfortunately November 23 is a football Saturday and I still might wind up putting off watching until later in the day, depending upon the football schedule.)
Bryan Fuller discussed Hannibal with A.V. Club. Some of the question and answers from the four-part interview follow:
AVC: This is a prequel to stories we’ve already seen, and you’ve been very open about your plan for the series going forward. How do you keep the suspense? How do you keep overriding tension when we know where this is going?
BF: Well, we know that Hannibal is going to get caught and that he’s going to end up in the Baltimore State Hospital For The Criminally Insane, but a lot can happen to get there. I think the big move in there was to frame Will Graham and have him take the fall for a lot of these murders, which, right off the bat, introduced a completely new concept to the backstory, but also gave us a way to hold off incarcerating Hannibal Lecter for a while, because we have such a new twist to the story, where Jack Crawford is going to be bonding more with Hannibal Lecter, which really informs his distrust and disdain for this character when we get to the Silence Of The Lambs or Red Dragon era of the story. So it felt like we have now all of this opportunity to tell the specific details of a story that only existed between the lines of the book.
AVC: This episode really starts the relationship with Will and Hannibal together in therapy. You’re really interested in both presenting Hannibal as a credible therapist and in the process of seeing two people in a room talking together, which is different for a crime procedural. How did those two elements come to enter the show’s world?
BF: Well, there’s a certain amount of budgetary restraints with the show, because we are not a big-budget show. In the path we had gone down initially, we laid out a version of the show for the network, and the network said that it wanted it to be much more case oriented and procedural. So we laid out that version of the show, and it was very, very expensive. And nobody wanted to increase the budget, so it was really a matter of going back to… fortunately the budget was our friend in that way, because I did want to tell a psychological horror story, and I didn’t want to spend a lot of time at crime scenes when I could be finding out what characters are going through. And the best, simplest way for that was for people to sit down and talk about it. We fortunately are dealing with psychiatrists, so [Laughs.] it’s a great platform to have people say what they mean and what they feel and have it feel relatively natural, given the context of where they’re having those conversations. So it was initially a budgetary thing, but I think for the benefit of the show—and the stories I was interested in telling—were much more psychological and could sustain sitting down and talking about them.
Before I was going to be a writer, I was going to be a psychiatrist, so I’m fascinated with psychiatry and how it can go wrong and how it can be incredibly helpful for the patient. So I thought it was a great opportunity to tell a story about psychiatrists. And we have a lot of psychiatrist characters on the show. [Laughs.] It felt like that’s our world and these are our characters, so they are going to be talking about psychiatry. And we tried to get the psychiatry to be as honest as possible, given what we needed to tell, story-wise.
AVC: Will she be able to be in future seasons? She has a new show at midseason on NBC.
BF: We absolutely want her to be. She absolutely wants to be. It’s going to be working out the schedule with the other show, and we know that it’s about the schedule. We were very flexible with her last year. Actually, she was in five episodes, and we filmed all of her material over three days. We got her for three days, got her in, did the five episodes, and got her out, because she has a family in London that she wants to spend time with. She’s very interested in coming back. Right now, she’s in the first episode of the second season, but we have to work out schedules and see if we can actually pull it off.
AVC: This episode brings Abigail’s arc to an end. Was she always going to die?
BF: We made that decision about halfway through the season. She wasn’t always going to die. It was one of those where we were going to kill off one of the regular characters, and the character that we were going to kill off, we felt like it wouldn’t be as devastating for that person to die, because we hadn’t fully serviced that character. Someone had said, “I don’t really care about that character dying, but if you’re going to kill somebody that’s going to make me upset, then Abigail Hobbs,” and I was like, “Yeah, that’s who we have to kill, isn’t it?” [Laughs.] It’s kind of as simple as, “Whose death would mean the most?” and it was Abigail’s.
AVC: Can you reveal who you were originally going to kill?
BF: No. Because we may kill them in the second season.
AVC: How important to you was it that he have that moment of realization somewhere in this season?
BF: Very important. Because the audience knows from the first frame, before Hannibal is even onscreen that we are telling the story of Hannibal Lecter, who is going to be caught by Will Graham and incarcerated, Will had to figure Hannibal out in the first season. Otherwise, it would feel like we were treading water and artificially distending the story to accommodate a television schedule, and I wanted each of these seasons to feel like a novel, as opposed to episodic television. It felt like, what a great way to begin the story and then end the story at that point. And end it iconographically with the Silence Of The Lambs shot of coming down the corridor of the Baltimore State Hospital For The Criminally Insane, to that last cell on the left and finding, not Hannibal Lecter, but Will Graham. And know that we are now taking a turn away from the canon that will somehow get us back into canon. But right now, we are departing from the literature into uncharted territory that will be unique to the television show. Then when we circle back into the timeline of the books and get to Red Dragon again, so much will have happened between these characters that will further inform their uniqueness to this show.
AVC: Will is incarcerated right now, and if you’re able to go on and do the later seasons, Hannibal will be incarcerated. How do you approach that question of writing a character who’s confined to a room, yet has to be one of the protagonists of the series?
BF: That’s the great thing about imagination is that Will’s imagination can transport him out of that room and into places, cinematically, that will allow him to continue being a pivotal part of the story, even though he’s locked up. One of the things that was really interesting in the books, is the concept of Hannibal’s memory palace, the place where he goes to survive incarceration with the virtual-reality system that exists between his ears. We’ll be seeing Will create his own version of the mind palace over the course of the second season.
AVC: How intricately did you think out Hannibal’s framing of Will?
BF: It was pretty meticulously plotted. We knew that there were certain changes along the way, like we were originally going to deal with both the copycat killer and the Chesapeake Ripper in the first season, and then it felt like, as we got further into this season, that the story should be about the copycat killer primarily, and that the Chesapeake Ripper should serve to complicate Jack Crawford’s character. Then we could spike that ball in the second season.
Vulture outlines what we know, and what is being rumored, about the next Avengers movie, Age of Ultron. The story won’t be based upon the recent comic arc with this name, and there will be a new origin story. Quicksilver and the Scarlet Witch will be joining The Avengers. Joss Whedon also says that Black Widow will have a larger role in this movie.
Under the Dome was disappointing last week (with the entire series so far not living up to my hopes for it). Did anyone really doubt that the mother of all bombs would hit the dome and nothing would happen inside? I could see where the inhabitants would be worried, but I would expect them to see the failure of the bomb to affect the dome as a possible outcome. I was not surprised to see Big Jim question whether to release Angie, and not all that surprised to see her back with Junior. The Hollywood Reporter conducted an interview with producer Brian K. Vaughan which answers some minor questions.
I’m glad I stuck with Defiance and finished the first season last week. It is not the best science fiction around, but the show did become more interesting at the end of the season with the lives of so many main characters getting shook up. Amanda is no longer mayor and Nolan is now a free agent, leaving the two characters with fewer limitations and more potential. Bastr has more:
But it sounds like the Tarr Family will be the major source of drama for Season Two. Murphy expressed that they are what he’s looking forward to the most, having left them in a precarious position at the end of season one after Datak was arrested after winning the election, leaving the Tarrs broken. He will be missing in the beginning of the season (as will be Irisa).
“The family is constantly changing because the balance of power keeps changing.” Curran explained. “As the second season starts and progresses, if Datak is to survive, wherever he is, he has to learn not to be such a hot head. He has to be more pliable instead of brittle. Like steel when it’s brittle, it snaps. He needs to be more manipulative in his approach. His attack, kill and ask questions later obviously isn’t working for him. You can’t demand respect, you have to earn it. Unfortunately his way is very demanding and the future is going to get him in trouble again.”
Curran has read a few scripts from the second season and shared his excitement for the interesting stuff within the Tarr family that he found to be especially compelling. “It’s a sci-fi show set within this immigrant drama, and a lot of it puts the mirror up to society in many ways for immigrants around the world. I have a wife who’s Vietnamese, she was an immigrant from French-Bosnia-Serbia. So many ways there’s a lot of similarities in a lot of those aspects that I find compelling in the sci fi world as it pertains to our society. I think we’re going to touch on that with a lot of back story.”
Amy Sherman-Palladino’s show Bunheads has officially been canceled.David Weigel had previously called the best show on television. I wouldn’t go that far, but nobody other than Aaron Sorkin can write better dialog than her when she is hot. Unfortunately the show didn’t last long enough to rival Gilmore Girls.
John Williams is going to score the next three Star Wars movies. They wouldn’t be the same without his music .
Netflix is rapidly turning into a major source for new television material. Arrested Developmentwill return for another season. Netflix has also renewed Orange Is The New Black. It appears that HBO will be renewingThe Newsroom, perhaps with an official announcement coming soon.
It is looking like Rosamund Pike and Ben Affleck will be playing the leads in the movie adaptation of Gone Girl.
J.K. Rowling says a sequel to Cuckoo’s Calling should be out next year.
A prom apparently has a different meaning in the U.K. than in the United States. There were rumors that the identity of the next Doctor would be revealed at a prom this weekend. That didn’t occur, but there was an appearance by Matt Smith and Jenna Coleman in the video above.
Entertainment Weekly interviewed Steven Moffat. Following are some of the more interesting/news worthy answers:
Are you hoping the new Doctor will appear in this year’s Christmas special? Yes. That’s not the hope — that’s the plan. It’ll be the traditional regeneration. You know, the eleventh will fall and the twelfth shall rise. And you’ll see that in the closing moments of the show. I mean, you sometimes sit and think, “Are there better ways of doing it? Is there a different way of doing it?” But quite honestly what could be better than that? It’s just too exciting. [Laughs]
Am I right in thinking that the new series—the first post-Matt shows—will be broadcast in late summer 2014? I think that’s probably right. But these things change so often.
What can you tell us about this November’s Doctor Who 50th anniversary show? [Laughs] Oh, well, very, very little. It will feature of course Matt and Jenna Coleman, but in addition there’ll be Billie Piper and David Tennant and John Hurt. But we’ve been really quite careful. We have a philosophy that anything we shot outside we had to own up to but the rest of it…You’re just going to have to wait until November to find out about.
What is the format of the 50th anniversary special? Is it movie-length? It’s a special episode. I think you could call it movie-length, yeah. I mean, I’m saying that with a slight hint of vagueness because I don’t know the finished running time. [Laughs] It’s certainly well over an hour.
How much longer do you yourself intend to stay with the show? I think a year at a time. I’ve signed up for this next year, with the new Doctor. It’s one of those jobs when you know when you’ve had enough. At the moment I haven’t had enough and I’m thoroughly enjoying it. I’m very excited for the challenge of the new Doctor and establishing that new Doctor. So, no plans to leave as yet. But that doesn’t mean I’ll be here for 20 years. There will come that day when I think it’s time someone else had a go and it’s time I did something else.
You’re also the executive producer of Sherlock. Have you finished shooting the new series yet? Oh, I wish! We’ve done two. But we’ve now got a small gap — a small gap? A large gap! — while Martin (Freeman) goes back to New Zealand to film a bit more of the Hobbit and then he’ll return to us. Hopefully, by that time, I’ll actually have finished the Sherlock script I’m writing and we’ll make another one.
Entertainment Weekly has picked up some news on Agents of S.H.I.E.L.D. in preparation for their Comic-Con panel. Here are a couple of the top items:
1. The pilot hints at how mild-mannered kick-ass bureaucrat Agent Coulson (Clarke Gregg) was resurrected to lead the team after being killed off in The Avengers (his S.H.I.E.L.D. colleagues say he must “never know the truth” about his death). Yet you’ll have to keep watching to learn the full story. “We can’t wait to pull the curtain back on that,” says co-creator Jed Whedon. “[But] we’re going to take our time.”
2. The S.H.I.E.L.D. story will work in tandem with the Marvel films, both past and upcoming. In fact, the first episode will pick up a storyline that’s familiar from one of the Marvel hits — and it’s not The Avengers. “We plan on trying to weave in between the films and try to make them more rewarding on both ends,” says Jed Whedon, who points out the trick is to make the audience not ask a certain fanboy-bar-fight-style question: “In any of these [episodes], you can always ask: ‘Why don’t they just call Iron Man?’” Yeah, that would be annoying! So our next question is: Why don’t they just call Iron Man? “They are aware of each other,” Whedon says of the S.H.I.E.L.D. team and the metal-suited Malibu playboy, “but they do have to have their own lives.”
J.K. Rowling had a detective novel published under the name of Robert Galbraith earlier this year, with her identity leaking out this week. io9 has a rundown of reviews of the novel, which sound quite favorable. Conveniently, the book is scheduled for paperback release later this month.
Zachary Quinto has this speculation regarding the next Star Trek movie: “Star Trek 3 should be filming, I suppose, next year. It’s going to be made a lot quicker than the last one. That’s the plan, although nothing is confirmed yet.” That would make it difficult for J.J. Abrams to direct as he will be busy with Star Wars. Presumably they will want to release the next movie for the 50th Anniversary in 2016.
With J.J. Abrams directing movies for both franchises, and with the recent Star Trek movies in many ways being more Star Wars than classic Star Trek, the old Star Wars vs. Star Trek fan wars seem to have died out. George Lucas provides more reason for peace between the two:
The documentary “Trek Nation” chronicles Rod Roddenberry’s personal journey to explore the importance of the legendary sci-fi franchise dreamed up by his father Gene.
The film comes to DVD on Tuesday, and among the bonus materials included in the release is an interview with “Star Wars” creator George Lucas talking about the important role “Star Trek” played in paving the way for his own space opera.
“‘Star Trek’ softened up the entertainment arena so that ‘Star Wars’ could come along and stand on its shoulders,” Lucas said in an interview.
While Star Trek worked far better as a weekly show than as movies, it also must be kept in mind that Star Trek probably would have never been released as a movie, reviving the franchise, if not for the success of Star Wars.
Summer Glau has been cast for a recurring role on Arrow:
Glau, who has amassed plenty of genre street cred in TV series like Joss Whedon’s Firefly and Dollhouse, Terminator: The Sarah Connor Chronicles and most recently as a recurring on Syfy’s Alphas, is set to play the dangerous Isabel Rochev, Vice President of Acquisitions of Stellmoor International, a company looking to take over Queen Consolidated.
Entertainment Weekly reports that Kristen Bell (currently busy filming the Veronica Mars movie) will have a guest appearance on Parks and Recreations next season, in an episode to air in early October:
After shooting the Veronica Mars movie, Kristen Bell will guest-star in an episode of NBC’s Parks and Recreation as Ingrid, a snooty City Councilwoman from Eagleton. “She’s Leslie’s equivalent, but richer and better dressed,” executive producer Michael Schur tells EW. The two will first meet up at the annual Pawnee-Eagleton high school basketball game. Bell and Parks actor Adam Scott previously worked together on Party Down and Veronica Mars, and she currently stars with frequent Parks guest Ben Schwartz on House of Lies.
A lot happened in last week’s True Blood–the type of changes and revelations we might not have expected until towards the end of past seasons. The show certainly has its flaws, and I almost gave up on it a few times, but enough is happening this season to keep my interest.
The Newsroom returns for a second season tonight. Oliva Munn discussed preparation for her role on The Newsroom with Vanity Fair:
“I write a lot of notes in my scripts,” she explains. “It’s important for me to have them there as a reference so I can keep on track for what I’m wanting to convey. Sometimes, no matter how much I prepare, I can let my emotions of the day affect my choices in a scene, so I like to have my notes with me to remind myself of what track I should be on. And with scripts as complicated and rich as Sorkin’s, it’s vital for me. My notes become my sheet music.”’
Netflix is quickly establishing itself as a service worth subscribing to for its original content now that there are multiple choices for on-demand movies. Orange Is The New Black premiered this week and is up to premium cable standards, and they are negotiating for a second season of Arrested Development. Besides their original series, Netflix recently released the excellent BBC2 series The Fall before it completed its run in the UK.
Disney makes it profits by using each of its holdings to promote its business. The theme parks promote the television shows, movies, and merchandise and vice versa. Disney has long had an arrangement with Lucasfilms with Star Tours at the Walt Disney Studios at Walt Disney World. Now that Disney owns the rights to the upcoming Star Wars movies, it is likely that there will be even more promotion in the parks. The latest rumors are of the addition of a Star Wars Land:
The logical places for that expansion would be on either side of the existing Star Tours ride. From what I’ve heard, it appears that the expansion would take out the area between Star Tours and the auto stunt show stadium, including the Muppet theater and Honey, I Shrunk the Kids play area. But I’ve also heard of consideration of going in the opposite direction, which would place the new land on the site of the Backlot Express restaurant and Indiana Jones stunt show theater. Given that the Indy theater’s used for several other events throughout the year, and that both the Muppets and Honey I Shrunk the Kids attractions long ago passed the height of their popularity, I’m hearing more forceful arguments for the first option.
This appears to be a five-year project, putting completion in 2018, though Disney could choose to throw money at it and accelerate it by a year.
I wonder if they will really disrupt much of what is already there as opposed to mixing more Star Wars throughout the park. It is common for Disney to mix up different things from different movies throughout their parks. Will they really get rid of Muppet Vision 3D and the Honey I Shrunk the Kids park? While perhaps not as major as The Great Movie Ride or Tower of Terror, I’ve always seen Muppet Vision 3D as one of the icons of the park. Besides, Disney still has plans for those Muppets, such as a live stage show. We are long past the prime for the movie version of Honey I Shrunk the Kids and I could see them remove this exhibit, but it is the best item at the Walt Disney Studios Park for small children.
A Star Wars Cantina would probably be the major addition, but this could be added at various places if there is not room near Star Tours. Increased character involvement in parades and character meets would not require removal of older attractions. Increased use of Star Wars might not even be limited to Disney Studios. I wouldn’t put it past Disney to create an exhibit at Animal Kingdom with creatures from the Star Wars Universe or turn Spaceship Earth at Epcot into a replica of the Death Star in time for the release of Star Wars VII. There’s little doubt that the monorail will be used to promote the movies.
In case you are wondering why characters from the Marvel movies are not flooding the Disney theme parks, Universal still owns the theme park rights to these characters. In addition, the movie rights to some Marvel comic characters, such as Spiderman, are owned by other studios. Of course we sort of got to see Iron Man at Epcot in Iron Man 2. The Stark Expo was clearly built in the image of Epcot and the film of Tony’s father looked considerably like old footage of Walt Disney discussing his idea for Epcot.
Bleeding Cool reports on rumors of more lost Doctor Who stories which have been found–an added surprise for the 50th anniversary. This might include the lost first regeneration story. (Update: This may be a hoax. Awaiting further information).
Den of Geek gives a round up of this week Matt Smith replacement rumors.
Now that Game of Thrones has concluded its third season, here are some amusing info-graphics to help explain what is going on. One example above.
Here’s an update to the relationship chart from Person of Interest. While I was initially fearful the show would just use the Machine as a gimmick for a crime of the week show, they have certainly developed a complicated mythology over time.
An adaptation of Steven King’s novel, Under the Dome, sounds like it might be the biggest genre television show of the summer. Barack Obama was initially heard on the first episode but the scene was cut. They had used a clip from Obama’s speech following Hurricane Sandy but decided against using real life events:
President Obama has been left on the cutting room floor of CBS’ new summer series “Under the Dome.”
An audio clip of the president that was in the first hour of the series that CBS sent to critics earlier this month will be cut from the episode that will ultimately air, a CBS spokesman said. The show, based on a Stephen King book, is about a small town that for mysterious reasons becomes enclosed under a huge transparent dome.
In the scene, which comes at the end of the first hour, Obama is heard amid a slew of fake reports talking about what is going in the town. The audio of the president is actually from his remarks following Hurricane Sandy when he said the nation feels “profoundly for all the families whose lives have been upended. The most important message I have for them is that America is with you. We are standing behind you and we are going to do everything we can…”
Although the standards and practices department at CBS had approved the use, a decision was made to cut it anyway on Thursday. While use of audio from actual news events for a fictional TV show is not unusual, the network and producer Amblin Television decided that having these remarks from a real tragedy inserted in an entertainment show was inappropriate.
Emma Watson returns to fantasy movies, and Barack Obama’s name comes up once again:
Harry Potter star Emma Watson is returning to fantasy cinema after signing on to play the lead in “Game of Thrones-style” saga Queen of the Tearling, reports Variety.
Watson will play 19-year-old idealistic princess Kelsea Glynn, created by Erika Johansen after the author heard a 2007 speech by a pre-presidential Barack Obama. Johansen signed a seven-book deal in February and the first novel in the series is due next year. It is set three centuries after an environmental catastrophe, when a malevolent Red Queen reigns over the kingdom of the Tearling. Glynn must defeat the monarch to reclaim her deceased mother’s crown, and publishers have compared the tone of the series with that of George RR Martin’s A Song of Ice and Fire saga, which is being adapted by US network HBO as Game of Thrones.
Despite the comparisons between Megan Draper and Sharon Tate, Matthew Weiner says that Megan will not die this season. After last week’s episode, the question has now become whether/when Megan will find out what Sally saw and how she will react.
True Blood returns tonight with a new show runner. This might be better because the show really needed a change in direction. On the other hand, we might wind up with the same show but with a show runner who isn’t as good as Alan Ball and have an even worse show.
Dexter returns June 30 and we meet the woman who helped Harry develop The Code. Will bringing in someone who could figure out what Dexter has been up to lead to his end?
Just one more episode to go this season on Hannibal. Lase week we saw how a comb could be turned into a murder weapon, and the murder of another recurring character looks likely. For those who haven’t been watching from the start, it was a very good show for binge watching and highly recommended.
Da Vinci’s Demons is less compelling but I have now made it through the second from last episode and will try to catch the finale this week. I might give up on Defiance after four episodes. Even though SyFy had hoped this would be the next big thing after Battlestar Galactica, there is little in the show so far to promote any long term interest in what happens to the new town. Moving beyond genre, I just finished the first season of Mr. Selfridge from ITV, also broadcast by PBS on Masterpiece Classic. It is more soap opera than serious historical fiction and fans of Downton Abbey should enjoy it. The show was light and entertaining to watch, and did an excellent job of utilizing plot threads from throughout the season to set up its finale.
I couldn’t make it to Man of Steel this weekend and will limit coverage to this link on the movie (which also gets back to Chris Nolan’s Batman, as in one of the links above).
Revolution concluded its first season with what was essentially a two-part finale. They reached the Tower and found multiple excuses for changes in alliances and lots of fights. There were far too many implausible aspects to the story to discuss, including a drainage system several levels underground which leads to the outside and a door which was built to stand up to nuclear attack but which was easily penetrated when in door fights were on the filming schedule.
Aaron, the Google Guy, turns out to have written the operating system for the Tower as a student and it was sold to the Department of Defense, making it easy to turn the world’s electricity back on near the end. Remarkably the lights in buildings around the world are still on and waiting, with all wiring still intact. The president of the Georgia Republic calls on her staff to get their tanks and helicopters ready now that they have power. Was she collecting them in the years with no power anticipating such a moment?
Nora was killed off to make room for a Rachel/Myles romance with a triangle too complicated a concept for this show. Sawyer might also reunite with Juliet. I’m not sure how Grace fits into this, being with those guarding the Tower after having been captured.
Randal apparently has been planning for this moment all along, even though he never gave any indication of wanting to get to the Tower until Monroe found out about it. As he was surprised that the security system didn’t allow him in, it isn’t clear why he didn’t just go there earlier on his own or with allies (considering how many back doors there appear to be). He then revealed a rather drastic plan of launching ICBM’s towards Philadelphia and Atlanta and then shooting himself. He says he is a patriot and you can’t have a house divided against itself. Apparently only these two areas are considered a threat to the old United States government which is in hiding at Gitmo and now planning to return.
Presumably having the guy who wrote the operating system will allow them to take control and prevent the ICBM’s from hitting their targets. Perhaps this will cause the electricity to go off again. Or maybe they will even allow for Philadelphia and/or Atlanta to get destroyed and center the story in other parts of the country. While it is a plus that the story keeps advancing, one problem with the show is that nothing really seems to matter. We have a setting with the United States destroyed. Add a city or two which are bombed, or have the electricity on or off. The show just is not well written enough to really make me care about these outcomes (but does have me curious enough to keep watching despite all the faults in the show).
Abrams spoke in only general terms about how he’ll approach the latest “Star Wars” and would not comment when Hudlin pressed him on whether the film will be derived from any of the “Star Wars” novels.
“It is so massive and so important to people,” he said. “I think the key to moving forward on something like this is honoring but not revering what came before.”
Star Wars fans might be wary after how Abrams handled Star Trek. Destroying Vulcan did not revere what came before, and I don’t think it was honoring it either. At least Abrams couldn’t possibly do as much harm to the franchise as Lucas did with the three prequel movies. Time will tell whether more Star Wars is a good thing, but sometimes it is best to stick with a classic as opposed to trying to turn one into a series of less successful movies. It is possible that Star Wars might wind up the best if left as a classic trilogy.
New promo for Agents of S.H.I.E.L.D. above. Samuel L. Jackson has expressed interest in guest staring. It would be a good way to enhance continuity between the show and the Marvel movies. More about the Whedon universe from an interview with Joss here. Cast interviews here.
Once Upon A Time’s audience is probably not primarily hard core genre fans, but with so many genre shows being canceled or ending their run it is now one of the most successful currently on network television. Here’s some news on how season three begins.
At times I think Hannibal is plotting to destroy Will, seeing him as a threat, but this week it looks like he wants Will for a friend. I also think that having Hannibal for a friend can turn out to be quite dangerous.
One of the many reasons to watch Hannibal is that Gillian Anderson appears on the show as Hannibal’s psychiatrist. It is a minor role which won’t completely satisfy Scully fans, but more of Gillian Anderson can be seen in The Fall. After hearing favorable things about this BBC 2 show I decided to watch this weekend and was pleasantly surprised to find that Netflix has the entire series even though the finale has not yet aired in the U.K. The series trailer is above.
The show involves a serial killer, whose identity is revealed from the start, with Gillian Anderson’s character brought in to handle the case. The concept certainly isn’t anything new, but it is handled very well. In a review after the third episode, The Telegraph calls this the sexiest show on TV:
It’s taken a while but, at last, British TV cop drama has caught up with The Killing. As DS Stella Gibson in The Fall (BBC Two), Gillian Anderson gives us our own incarnation of Denmark’s Sarah Lund: cold, distant, brilliant, flawed but, above all, crackling with sex.
In fact, The Fall is the sexiest show on TV at the moment, which isn’t what you’d expect from BBC Two on a Monday. It’s also the most contrary: we’ve known from the outset, two weeks ago, that Paul Spector (played by Jamie Dornan) is the killer. This is a whydunit, and a canhegetawaywithit, not a whodunit.
Unless British television is devoid of sexy situations I doubt this is really the sexiest show on television. It does go further than American network television can, and at least this characterization demonstrates that it isn’t just a dull police procedural. I am happy they already announced renewal for a second season as they leave a lot of things hanging in the finale (which airs tomorrow on BBC 2 and is already up on Netflix). The season ends with a change in the interplay between Gillian Anderson’s character and the serial killer, but things are far from resolved. After Doctor Who and Sherlock, this is now the British show I’m most anxiously waiting for the next season of. (Even more so than Utopia)
A new trailer has been released for Star Trek Into Darkness (video above). TrekMovie.com revealed several spoilers coming from an extended screening in Brazil:
From the extended beginning of the film…
Opening sequence (previewed at IMAX theaters in December) has been reordered to have Nibiru Volcano sequence now opens the film followed by title card and then the scenes in London and at the hospital
Nibiru mission ends with Kirk rescuing Spock by violating the prime directive by revealing the Enterprise to Nibiru natives so he can beam Spock out of the Volcano
Kirk has a scene in bed (back in San Francisco) in bed with two “cat women”
Kirk makes mention of hoping to get assigned to a “five year mission” (implying that the famed five year mission hasn’t started yet for the time he has been captain)
Kirk is demoted for violating prime directive on Nibiru, loses command of Enterprise with Pike to take over command Kirk as first officer
Pike wanted to send Kirk back to Academy but was convinced (possibly ordered?) to make Kirk first officer of Enterprise by Admiral Marcus (played by Peter Weller)
Spock assigned to another ship
The “father” character uses his Starfleet ring as a bomb (dropping it into water for a reaction) and destroys a facility (in London)
London attack leads to big meeting of Starfleet captains which itself is attacked by John Harrison, resulting in Pike being injured…Harrison transport away
Later scenes in the film….
Enterprise severely damaged falling to Earth with Spock in command ordering evacuation
Kirk and Scott seen in Engineering trying to stabilize ship
Later Spock scene beaming down to San Francisco and starting long chase with Harrions
Eventually Spock meets up with Harrison and engages in a fight
The BBC has announced a three day convention at ExCeL London for the 50th anniversary of Doctor Who. Filming on the 50th Anniversary episode begins on March 18. Presumably more information on the show, such as who is actually appearing, will be more likely to leak out when they are filming the episode. Peter Davison does not believe that the earlier Doctors played by older actors will appear:
Speaking at February’s MystiCon panel, he said: “I honestly don’t know very much. I know that Steven Moffat will have something planned. I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.
“I think we’ll be featured somewhere but I should think it’s probably footage lifted from older Doctor stories. I don’t know. We are doing some Big Finish audios. I know that there are events planned by the BBC. I’ve got a meeting with the head of BBC Wales when I get back to go through various things the BBC have got planned. I don’t think she’s going to offer me a part in it… I might be wrong.”
He adds: “I decided that if we weren’t going to be involved that I would get together with Colin [Baker] and Sylvester [McCoy] and make our own little special… If we can possible manage it, we’re going to get into the 50th anniversary special whether we’re invited or not!”
Matt Smith told The Mirror that his favorite moment on Doctor Who was kissing Jenna-Louise Coleman:
Clara and the Timelord snogged in the Christmas Day special and Matt said: “My favourite moment? I like our kiss, that was quite fun, even though it was hell to do. We actually did a couple of different versions there might be some outtakes.”
He also loves New York:
If I could film we’d film every episode of Doctor Who in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.
Matt might love New York, but he cannot go back in time to whenAmy and Rory are living. We have a definitive answer as to why the Doctor will never again meet up with Amy and Rory from this interview with Steven Moffat from BlogtorWho:
Last year friend of the blog Dan Martin took time to chat with Steven Moffat about the Doctor Who Series 7 Part 1 finale, The Angels Take Manhattan – and more specifically, “The Washington Theory”. Dan asked the current showrunner why could Amy and Rory not just travel to Washington (or Boston, or anywhere for that matter) and meet The Doctor there? Had Moffat left a useful plot thread dangling to bring the beloved companions back in a couple of years? Not so, according to Moffat…
“New York would still burn. The point being, he can’t interfere. Here’s the ‘fan answer’ – this is not what you’d ever put out on BBC One, because most people watch the show and just think, ‘well there’s a gravestone so obviously he can’t visit them again’. But the ‘fan answer’ is, in normal circumstances he might have gone back and said, ‘look we’ll just put a headstone up and we’ll just write the book’. But there is so much scar tissue, and the number of paradoxes that have already been inflicted on that nexus of timelines, that it will rip apart if you try to do one more thing. He has to leave it alone. Normally he could perform some surgery, this time too much surgery has already been performed. But imagine saying that on BBC One!”
More on the Ponds later in the interview:
And what about return to the show for The Ponds? Moffat said, “You could never eliminate the possibility of dream sequences and flashbacks, but will the Doctor see them again? No. When I was first talking to Karen and Arthur about it, we said ‘let’s make it the proper ending’. Bringing back things just gives you sequel-itis. Just end it and get out. Heaven knows if they’ll appear in some form of flashback – I have no plans to do that I have to say – but the story of Amy and The Doctor is definitively over.”
That’s the definitive answer. Not the Doctor Who equivalent of Star Trek technobabble about that nexus of timelines that might rip apart. Doctor Who has been utterly inconsistent when dealing with the laws of time travel. The real answer is that Moffat doesn’t want them to return. His point about “sequel-itis” is more grounded in reality than the “nexus of timelines.”
None of this stops a future showrunner from having the Doctor and Amy meet again. There’s also another way to conceivably involve Amy and Rory in a Doctor Who story should Moffat or a future showrunner decide to boost ratings with such an episode. The Doctor could go back in time to Washington or anywhere else during the time in which Amy and Rory are living out their lives in the past. A story could be written in which both the Doctor and the Ponds get caught up with the same menace but are working independently and never actually meet. If this is done after the Doctor regenerates it would be possible for Amy to get a glance of the Doctor without meeting him. If she actually had much contact with him she would probably recognize him as Sarah Jane Smith recognized the Doctor.
Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?
What do you think Princess Leia is like today?
Elderly. She’s in an intergalactic old folks’ home [laughs]. I just think she would be just like she was before, only slower and less inclined to be up for the big battle.
And still wearing the bagel buns?
The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.
She subsequently said she was joking (in a statement which many have speculated Disney insisted she release). While she was undoubtedly joking about being in an old folks’ home, it does appear likely that she will appear. George Lucas told Business Week that Mark Hamill, Carrie Fisher and Harrison Ford have all been contacted:
Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”
Joss Whedon discussed topics including the difficulty in making movies about the Hulk and most of the DC Comics superheroes with Deadline Hollywood:
DEADLINE: What about speculation over potential Hulk spin-off stories? WHEDON: The Hulk is the most difficult Marvel property because it’s always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It’s always a dance. I don’t think the first two movies nailed it, but I don’t envy them the task. It was easier to have him in a group than to build everything around him. I don’t think there would be any problem getting a movie together that had enough Banner, even if there was also Hulk. But if he was only Hulk for the entire movie I think Mark [Ruffalo] at some point would go, why am I here? I would be less inclined to pursue a storyline where the Hulk is only ever the Hulk. Mark [Ruffalo] and I loved the Hulk and went over and over the concept of rage and how it should manifest, and that part of it was fascinating to both of us. But when it comes time for the Hulk he has to put on the silliest damn pajamas you ever saw, a tiara made of balls, and a bunch of dots on his face and growl around like an idiot. The real heart of the experience ultimately becomes playing Banner. And people fell in love with Banner because I think Mark has you from the first time he shows up.
DEADLINE: How much do you keep an eye on Warner Bros with their DC properties? WHEDON: I don’t keep that close an eye on it. But I loved Batman Begins so much and thought Christopher Nolan nailed Batman in a way that nobody ever had. It couldn’t be more different from The Avengers, and the Marvel and DC universes are different animals. If they actually crack the code which has not been done in terms of creating a shared sensibilities where all the movies are interesting and come together, I’m going to be thrilled. I have no fear that we’re going to be stepping on each others’ turf.
DEADLINE: You’ve had a history with DC. Do you think anyone will ever pull off Wonder Woman? WHEDON: It’s not easy. It’s not a simple trick. The Marvel properties with the exception of Batman who has often been described as the Marvel character in the DC universe are much easier to translate to a modern audience. Superman, Wonder Woman, Green Lantern are so far above us and their powers are amorphous and that makes it 10 times harder. Even when you’re doing a fight, it’s harder to write a fight for Thor than it is for Captain America because he’s that much stronger. I loved what I was doing on Wonder Woman. Clearly I was an excited party of one. I wrote the movie, I felt good about the characters, the structure needed work, I did another outline, they read it and were done. There wasn’t even a phone call.
The difficulties which Whedon raised in superhero stories are complicated even more when the viewer is aware that the hero has a bunch of other superheroes as friends to call on. Marvel President Kevin Feige does address the question as to why Tony Stark doesn’t call in the other Avengers for help in Iron Man 3:
It’s a good question, and it’s sort of half and half. I am betting that like the comics you don’t have to keep – if you are reading a standalone “Iron Man” comic, they don’t spend every page explaining where every other Marvel hero is. The audience kind of accepts that there are times when they’re on their own and there are times when they are together. I’m betting that movie audiences will feel the same way. That being said, there is a little bit of lip service here and there to that. There is also just the very nature of Tony wants to, once he barely survives that house attack you saw today, and even you saw it in the message he left for Pepper, he’s basically saying “I’m going off the grid to try to figure something out.”
Christopher Nolan says he does not want to return to Batman, but is involved with other superheroes, producing Man of Steel and possibly Justice League. His next movie about black holes, Interstellar, will be released on November 14, 2014.
Syfy has finalized a 13-episode straight-to-series order to Helix, a dark thriller from Ronald D. Moore, marking Battlestar Galactica developer/executive producer’s return to the network. Steven Maeda (Lost, CSI: Miami) has come on board as showrunner of the project, written by Cameron Porsandeh. Helix, from Sony Pictures TV, where Moore and his Tall Ship Prods are under an overall deal, is about a team of scientists investigating a possible disease outbreak Hot In Cleveland) and Maeda executive produce, with Porsandeh serving as co-executive producer. “With its well-drawn characters, taut drama, and incredible production team, we couldn’t be more excited to see this intense thrill-ride of a series come to life,” said Syfy’s president of original content Mark Stern. Helix is expected to begin production early in 2013 to debut later this year. In addition to hit Battlestar Galactica, Moore also co-created and executive produced Syfy’s prequel series Caprica.
SyFy is moving the final five episodes of Merlin to May. And people wonder why fans often download genre shows as opposed to waiting five months or more to view them.
Ashley Judd has reportedly told advisers that she does plan to run for the Senate against Mitch McConnell. The actress, best known to Star Trek fans as Robin Lefler, has been attacked by the right wing for everything from her residency to nude scenes she as done. Attack of the Show chose Ashley Judd as the fourth Hottest Women of Star Trek (video above). She also has a master’s degree in public administration from Harvard’s Kennedy School of Government and has been a Democratic activist.
Nathan Stewart-Jarrett, one of the stars of Utopia, believes that continuing the story into a second season may or may not work:
Do you think there is scope for a second series of Utopia?
“I think there is scope for a second series, but I also think that it is self-contained. It really does depend. Sometimes you think things could have carried on or things aren’t resolved, and people can get annoyed by that.
“But some pieces of work don’t have a resolution and they leave you to figure it out, and that’s great. Utopia could carry on, but resolution isn’t always good.”
Io9 lists twenty things which Back To The Future got wrong about the future.
Barack Obama is using items from both Star Trek and Star Wars to criticize Republicans on failing to negotiate on the sequester:
“I know that this has been some of the conventional wisdom that’s been floating around Washington that somehow, even though most people agree that I’m being reasonable, that most people agree I’m presenting a fair deal, the fact that they don’t take it means that I should somehow, you know, do a Jedi mind meld with these folks and convince them to do what’s right.”
Obama has come under attack by those who do not understand the brilliance of his comment. In the Gene Roddenberry Star Trek universe there were Vulcan mild melds. The George Lucas Star Wars universe used Jedi mind tricks. Both can be seen in the video above. Neither had a Jedi mind meld. The Roddenberry/Lucas days, and divide between the Star Trek/Star Wars universe is now over. There is intergalactic rapprochement, with J.J. Abrams taking control of both. We’ve already seen Abrams move a more common Star Wars, theme blowing up entire planets, to Star Trek. Don’t leave Star Trek Into Darkness before the end of the credits. You just might see Kirk, Spock, and Sherlock at a Shawarma restaurant.
Put your lightsabers on stun and forget the criticism of Obama for mixing the two franchises. Obama was just ahead of the curve in combining features of both, and he continued to embrace this when the White House tweeted this image:
Mixtures such as this are not unheard of. Look at Iron Man 2 after Disney bought Marvel. The video of Tony Stark’s father looked just like old videos of Walt Disney promoting Epcot and Stark Expo sure looked a lot like Future World. Just wait until the next Star Wars movie now that Disney owns the franchise. Death Star will look like a giant Spaceship Earth and Imperial Stormtroopers will look like Green Army Men.
Coming Up:SciFi Weekend IIwill include Doctor Who news, Game of Thrones, and Alexis Bledel reprising Joanna Paige’s role from Gavin and Stacey (a story which I can easily stretch to show genre connections).
The big science fiction news of the week is that J.J. Abrams will be directing the next Star Wars movie. I think it is a good idea for J.J. Abrams to direct the Star Wars movie. His tendency to destroy entire planets (Romulus, Vulcan) fits in better with Star Wars and Death Star than Star Trek.
There are reports that they might wait until 2017 to reboot Batman. There is also speculation that the cast of Justice League of America, scheduled for a 2015 release, will be cut down to five, leaving out Batman until he is rebooted in his own movie. Other rumors say that plans continue to reintroduce Batman in Justice League but possibly leave out Aquaman. Incidentally, if anyone is interested in getting the Michael Keaton Batman movies on Blu-Ray, I found they were much less expensive when purchased as part of a Michael Keaton Collection (recently discounted even further on Amazon) than as stand-alone Batman movies.
Battlestar Galactica: Blood and Chrome was turned into a web series after SyFy decided against picking it up as a weekly series. They will be televising this as a movie on February 10.
Dallas returns tomorrow night, starting with the final episodes filmed before the death of Larry Hagman. Considering all the publicity the show obtained in its original run with the mystery of Who Shot JR?, it only makes sense that JR Ewing will leave the series by being murdered as opposed to dying of natural causes. They should be able to keep this mystery, and other references to JR Ewing, part of the show for quite a long time.
I was initially concerned that Person of Interest would be about independent stories every week, but over time an increasingly convoluted back story has developed. If you are having as much trouble as I am keeping track of everything, the chart here will either help or confuse matters further.
This week’s episode of Fringe, The Boy Must Live, was the final episode before Friday’s two hour series finale. After enduring years of episodes which offered more questions than answers, this episode did reveal a lot about September/Donald, the Observers, and the child Observer, Michael. September was punished for his assistance to the Bishops by Biological Reinversion–being turned back into a normal human. Donald explained how the Observers became the way they are by generic engineering (in addition to the device seen earlier this season). The key moment comes in 2167 when a scientist in Norway finds that removing jealousy from humans would leave room for greater intelligence. Further emotions were later removed to provide for even greater intelligence. Of course we have seen examples showing that at least some Observers still have some emotions.
Once humans lost emotions, test tubes replaced sex to create future generations. Michael was an anomaly who possessed both advanced intelligence and emotions. His genetic material came from September, who showed emotions himself in forming a bond with this son and saved him, analogous to Walter saving Peter.
September has been keeping a notebook of his observations of humans. This is actually being released as a book on March 12.
For beings of supposedly great intelligence, Observers often appear to have difficulty communicating. When September met Walter after saving Peter, when he said “the boy must live” he was referring not to Peter (the boy present at the time) but to Michael (a boy who Walter had no knowledge of at the time). While September sees time differently, it still makes little sense for him to have said this to Walter at this time without further explanation. September also showed questionable intelligence, even if reinverted to a human, when he wired his apartment to explode but included a warning light allowing other Observers to escape.
Finding the real meaning of “the boy must live” does clear up the question of why the Observers eliminated Peter’s existence in our timeline in a previous season if he was so important. I had previously rationalized this as representing different priorities for September and the other Observers.
Donald’s plan was to send Michael to 2167 to show that it is possible to have advanced intelligence without eliminating emotion. The scavenger hunt of the season to date has been to accumulate supplies needed for a time machine, with Donald conveniently having access to additional material needed. The idea is that, seeing Michael, the scientist would go down a different road and not eliminate emotion. The hope is that this would keep the Observers from coming back in time and waging war against humanity. When in human history have emotions kept a group from going to war?
The episode foreshadows two ideas which have been common in fan discussion of the final season–sacrifice and resetting time. Peter even suggested to Olivia that if they could reset time and prevent the invasion they could have Etta back. However, if the Observers were changed this might mean that Walter might have never succeeded in bringing Peter over from the other earth and he might have never lived and met Olivia. On the other hand, this might not be an issue in the world of Fringe, where Peter already returned once after he ceased to exist in our timeline. Michael also gave Walter memories of Peter from the previous timeline, making it even more tragic if the two do not both remain alive after the Observers are defeated.
I also wonder if raising the need for sacrifice and resetting the timeline in this episode served as misdirection, with one or both points not being true once we see how the dilemma is resolved.
The episode ended with another mystery as Michael voluntarily surrendered himself to the Observers. I wonder if he doesn’t have yet another plan which will allow him to destroy the Observers while he appears to be their prisoner.
Joss Whedon says Avengers 2 will be deeper, not bigger. He also will begin shooting on the pilot for his S.H.I.E.L.D. series in the near future. Reportedly the series takes place after the events of The Avengers, but there also reports that Clark Gregg will reprise his role of Agent Phil Coulson in the pilot, creating some questions.
Person of Interest had another strong episode this week. Prisoner’s Dilemma ties the recent arc in which Reese was captured into has back story. He’s now in the hands of his old partner, Kara Stanton, and I have no idea what she is up to.
Showtime had an awesome Sunday night line up with both Dexter and Homeland. They are moving up Dexter’s’ eight, and probably final, season to June 30 so that the popularity of both Dexter and Homeland can be used to develop other shows.
The Oscar nominations came out without much attention to genre movies. Some genre movies are competing for Visual Effects. The nominees are The Avengers, The Hobbit: An Unexpected Journey, Life of Pi, Prometheus, and Snow White and the Huntsman. Life of Pi also was nominated for Best Picture. There are some additional nominations for genre movies, but only in minor categories. Benedict Cumberbatch is nominated for Best Actor in a Mini-Series or Motion Picture Made for Television for his role on Sherlock at the Golden Globe Awards tonight.
Official White House Response to Secure resources and funding, and begin construction of a Death Star by 2016.
This Isn’t the Petition Response You’re Looking For
By Paul Shawcross
The Administration shares your desire for job creation and a strong national defense, but a Death Star isn’t on the horizon. Here are a few reasons:
The construction of the Death Star has been estimated to cost more than $850,000,000,000,000,000. We’re working hard to reduce the deficit, not expand it.
The Administration does not support blowing up planets.
Why would we spend countless taxpayer dollars on a Death Star with a fundamental flaw that can be exploited by a one-man starship?
However, look carefully (here’s how) and you’ll notice something already floating in the sky — that’s no Moon, it’s a Space Station! Yes, we already have a giant, football field-sized International Space Station in orbit around the Earth that’s helping us learn how humans can live and thrive in space for long durations. The Space Station has six astronauts — American, Russian, and Canadian — living in it right now, conducting research, learning how to live and work in space over long periods of time, routinely welcoming visiting spacecraft and repairing onboard garbage mashers, etc. We’ve also got two robot science labs — one wielding a laser — roving around Mars, looking at whether life ever existed on the Red Planet.
We are living in the future! Enjoy it. Or better yet, help build it by pursuing a career in a science, technology, engineering or math-related field. The President has held the first-ever White House science fairs and Astronomy Night on the South Lawn because he knows these domains are critical to our country’s future, and to ensuring the United States continues leading the world in doing big things.
If you do pursue a career in a science, technology, engineering or math-related field, the Force will be with us! Remember, the Death Star’s power to destroy a planet, or even a whole star system, is insignificant next to the power of the Force.
Paul Shawcross is Chief of the Science and Space Branch at the White House Office of Management and Budget
That’s ok with me if they don’t build the Death Star. I’m far more interested in the more recent proposal to build the Starship Enterprise.
Doctor Who TV has summarized many of the reports to date on the 50th anniversary of Doctor Who:
The format of the anniversary is still to be confirmed. Steven Moffat originally said: “Why talk in the singular?” Matt Smith also hinted at multiple episodes, but more recent rumours seem to suggest a feature-length outing.
In another interview Moffat said: “I’ve got various plans, but all I can say emphatically is it will be huge. It won’t be just one thing…. We’ll be doing lots of stuff. The plans are quite extensive, and changing all the time. Oh my God, we will hit that year very, very hard indeed.”
Moffat on multi-Doctor stories:
“It’s slightly difficult to do them all now. I’m not against it but I think as a gimmick it outlives its usefulness quite fast. “Doing Time Crash with 8 minutes of Peter [Davidson] and David [Tennant] was about right. If you have a really good story that motors on the fact that this is one man experiencing the same adventure at several different points of his life, that would be worth doing. But you can’t do a special or an episode as a reunion party. That’s not a story, that’s a party. Nothing wrong with parties but they’re not great fun to watch. But with a really good story, then yes.”
And in a later interview: “Possibly…. It’s so far in the future, it’s only a set of notions.”
Neil Gaiman wants The Eleven Doctors:
“The real dream story is the one you cannot do because technology is not there and people have died — It would be The Eleven Doctors,” he explained. They made The Three Doctors. They made The Five Doctors. It’s the 50th Anniversary, you’d make The Eleven Doctors and you’d have William Hartnell in it. The trouble is do you have actors playing these people? Do you have someone doing a Tom Baker? How do you do that? I trust in Moffat enough to think that whatever he’s going to give us, it will be worth it.”
A live episode?
Matt Smith: “It won’t just be a televised event, I think it will be a live event. The way it’s transmitted on TV will hopefully be an inventive thing–something different.”
More in the full post.
The BBC has announced a set of short stories will be written about the eleven Doctors.
The 11 tales, known as “eshorts”, will each be written by a well-known children’s author.
Each story will feature one of the various regenerations of the Doctor, starting with William Hartnell, who played the character from 1963-1966.
A paperback of the stories will be published by Puffin in November.
The first children’s author will be revealed on the BBC Worldwide Doctor Who Facebook page on Monday 7 January, followed by the first story on Wednesday 23 January.
A promotional video of each author will also be available each month on the BBC Worldwide YouTube channel starting on Friday 11 January.
There has been speculation that J.K. Rowling is one of these authors.
Billie Piper discussed the 50th anniversary on the Graham Norton Show (video available here). She denies rumors that she will be appearing: “No. I’ve not been asked. I think Matt Smith said something in passing or in jest like, ‘That would be nice,’ and it became something, but no.”
In an interview last night, David Tennant said he knew nothing about the 50th anniversary plans.
It seems like Merlin and Downton Abbey just ended, and now they are starting up again in the United States.
TV Addict has an interview with the cast. This selection helps set up the final season:
Is there anything you can share about what’s upcoming in the 5th season? Maybe just a few teasers? BRADLEY: Mordred’s back – I’m not sure what I can tell you without telling you what happens in the show!
We know there’s the 3-year gap. You can surely talk about what happened during that time period for our heroes? BRADLEY: Yes, three years have gone by. That’s what I can tell you. KATIE: I can tell you what happens with Morgana. For two years of that period, Morgana has been held captive because of her magic and it is a very important storyline for her in season five is that everything she has feared her whole life about being persecuted for having magic has all come true. She has been persecuted. She has been tortured. She’s been kept locked up. I think that the fact that her fears have actually happened means that she feels vindicated in removing Arthur from power and in taking over because she’s protecting people like herself.
Benedict Cumberbatch seems to be in everything these days. Besides Sherlock, The Hobbit, and Star Trek Into Darkness, Cumberbatch will be staring in Parade’s End, a five part mini-series on HBO in February:
From the reliable comforts of Edwardian England to the chaos and destruction of the First World War, the early 20th century was a defining era in history, a time of unprecedented change, when old certainties were being torn down. The long golden afternoons of the pre-war years would be shattered by the most destructive war the world had ever known, and countless lives would be changed forever.
Set against this backdrop of impending catastrophe is the story of English aristocrat Christopher Tietjens, trapped in a marriage to an unfaithful wife, and caught between his commitment to the values of Toryism and his unspoken love for a fearless young suffragette.
Spanning the glittering, shallow world of London high society, the trench-scarred battlefields of France, and the breathtaking English countryside, the sweeping five-part HBO Miniseries presentation PARADE’S END debuts TUESDAY, FEB. 26 (9:00-11:05 p.m. ET/PT), WEDNESDAY, FEB. 27 (9:00-11:05 p.m.) and THURSDAY, FEB. 28 (9:00-10:00 p.m.), exclusively on HBO. Adapted from Ford Madox Ford’s groundbreaking novels by Sir Tom Stoppard (Oscar®-winner for “Shakespeare in Love”), the drama was directed by Susanna White (HBO’s Emmy®-winning “Generation Kill”).
Benedict Cumberbatch (“Sherlock,” “War Horse”), Rebecca Hall (“Vicky Cristina Barcelona,” “The Town”) and Adelaide Clemens (“The Great Gatsby”) star in PARADE’S END, a Mammoth Screen production for the BBC in association with HBO Miniseries and Trademark Films and BBC Worldwide and Lookout Point; co-produced with BNP Paribas Fortis Film Fund and Anchorage Entertainment; filmed with the support of the Belgian federal government’s Tax Shelter Scheme. The executive producers areMichele Buck and Damien Timmer for Mammoth Screen, Ben Donald for BBC Worldwide, Simon Vaughan for Lookout Point TV, Judith Louis for ARTE France and Tom Stoppard. David Parfitt and Selwyn Roberts produce.
Do you ever come up with a storyline and then think, “No, we can’t go that far”? JONAH: Every day. Our writers come up with incredibly bold and great and sometimes subversive and odd pitches. There’s a heightened aspect to the show. I talked a lot about THE X-FILES, in developing the pilot, and Greg and I have referred back to it frequently, because it had a great balance between the case-of-the-week and a serialized, larger mythology that they were telling. But, what they also had was this great dove-tailing connectiveness between the case of the week and that mythology, in the way they interacted with each other. So, we always want the show to reach out as far as it can, as far as jumping from one unexpected world to the next, but with a common thread that emerges from that and giving the sense of a larger, corrupt, weirder universe around them. I was a huge fan of James Ellroy’s books, “American Tabloid” being one of them. There’s a sense that you get from Ellroy’s universe that there are weird machinations at play underneath everything, with his dark gaze on the CIA, on the events of the 1960′s, and on the connection with heroin out of Vietnam. The darker lens that our show takes, looking towards government surveillance and all those sorts of things, is not all that different from THE X-FILES. THE X-FILES universe was a very dark one, in the direction of alien conspiracies. Ours is really about surveillance technologies and the pending odd moment when a number of different entities know more about your life than you do, and I think we’re kind of there. We keep being interested in the larger universe of that, and what impact that has upon our relationship to our government. GREG: A perfect case in point is that one of our writers saw an article about the massive new surveillance program uncovered by the Wall Street Journal, in terms of predictive pattern matching. It’s a constant steady drumbeat of these types of stories.
Are you going to be returning to the issues with the machine’s growing artificial intelligence? JONAH: One of the problems we have with the show is that our incredible writers have come up with so many compelling storylines and villains, at least to me. From the beginning, one of the ideas with the show was compelling villains. I love writing villains, and we’ve embraced that. It was one of the first questions J.J. [Abrams] had about the show because he wanted to have that tapestry of villains. They’re so fun, in the way that they drive the plot forward. We have an absolute wealth of them, at this point, with some amazing actors, like Enrico Colantoni, Robert John Burke, Clarke Peters and Amy Acker. I want to keep exploring, and I know our writers want to keep exploring, all of those different storylines, to the degree that we can and to the degree that the audience is willing to go along for the ride. We tend to tell our stories in chapters. Not explicitly because we don’t draw attention to it, but the story keeps a steady simmer going, on some elements. At this point, the A.I. of it all is poised to erupt back into view. But, when you have fantastic actors playing great characters, you want to go back and service those storylines again. None of our villains are ever too far from surfacing, but we like to keep the audience guessing, as to how all these storylines connect together.
For the first time, the characters were following their own divergent interests, even if it was to their own detriment. Is that something that will continue to happen, in the second half of the season? JONAH: It’s all falling apart. GREG: I think it’s fantastic that we have two characters who are largely cognizant of the machine and its capabilities, but more so Finch than Reese, obviously. Carter and Fusco are a little bit on a need-to-know basis, and the collision that they have encountered, up to this point, has been more on a municipal level, with HR, Quinn and Simmons. And then, there is the larger nemesis of Root (Amy Acker), who is interested in freeing the machine. When we last saw her, she got away, but we will hear from her again. The great part of all these characters is that they come and they coalesce in interesting ways, on our show, and bump up against each other, all in the fine city of New York. It gives each of our characters their own dilemmas, but they often bump up against each other and need each other’s help.
“It’s going to be a bit of a darker feel, and obviously a lot more action. We get to explore the different Realms a lot more and you see a lot more Asgard, and you get to know the people of Asgard. We sort of explore the Thor-Sif relationship a little bit. It’s more like getting a feel of who these people are, and the way they are with each other. It was fun for me and fun for Chris. Again, he and I are almost like brother/sister types too, so I was like ‘maybe that translates into ooh they love each other on camera.’ [laughs] We had a good time making that movie.”
Many genre shows have started in the U.K. and later received followings in the United States. It sounds like Utopia might be a new show worth watching for.
An engineer is petitioning the White House to study the possibility of building a real-life starship Enterprise like the fictional vessel in television’s “Star Trek.”
The proposal was submitted through the White House’s official “We the People” channel, which promises an administration response to any petition that gathers at least 25,000 signatures. Just last month, a petition to build a Death Star like the spherical spaceship in the movie “Star Wars” garnered that critical mass, and is currently awaiting its official response.
“It ends up that this ship’s inspiring form is quite functional,” he wrote. “This will be Earth’s first gigawatt-class interplanetary spaceship with artificial gravity. The ship can serve as a spaceship, space station, and space port all in one. In total, one thousand crew members & visitors can be on board at once.”
On the White House’s website there is a “We The People” page which allows citizens to “petition the Obama Administration to take action on a range of important issues facing our country.” The White House says they will review any proposal which gets 25,000 E-signatures. A petition begin building the Death Star by 2016 has now surpassed that requirement, making this argument in its favor:
By focusing our defense resources into a space-superiority platform and weapon system such as a Death Star, the government can spur job creation in the fields of construction, engineering, space exploration, and more, and strengthen our national defense.
Just maybe this could get bipartisan support. This is both a huge public works project to stimulate the economy and a tremendously amount of money spent to build a new weapon. There’s something for both Democrats and Republicans here.
The response from the Obama administration is quite obvious during the current negotiations regarding the fiscal cliff. Obama should propose 1) eliminating the Bush tax cuts on income over $250,000 and 2) reject building the Death Star in order to greatly reduce government spending from what it might potentially be. Cutting potential spending by this magnitude would eliminate the need to consider more objectionable cuts such as increasing the eligibility age for Medicare. Republicans have been demanding identification of spending cuts from Obama while they have failed to identify cuts. This is exactly the spending cut which Obama should offer to Republicans, and let them counter with specific proposals for cuts if they do not accept this offer.