SciFi Weekend: Doctor Who; Interstellar; Star Trek 3; Star Wars VII; Sex in Game of Thrones, Outlander, and Batman; Robin Williams; 24; Cristin Milioti; The Amy Pond Show; Community; James Corden; Craig Ferguson

Doctor Who returns next week. Here is the official trailer for the first episode, Deep Breath, the first episode staring Peter Capaldi. A spoiler-free review can be read here (but avoid if you want to be totally surprised while viewing).

There is also an official synopsis for the second episode, Kill List:

A Dalek fleet surrounds a lone rebel ship, and only the Doctor can help them now… with the Doctor facing his greatest enemy, he needs Clara by his side.

Confronted with a decision that could change the Daleks forever, he is forced to examine his conscience. Will he find the answer to the question, am I a good man?

Interstellar

Entertainment Weekly has their movie preview issue out, including pictures from Christopher Nolan’s upcoming movie, Interstellar. From Indie Wire:

And that’s about the only new bit of info, with Nolan and co. continuing to stay silent about the plot, only confirming what we know: the Earth is running out of food, forcing everyman Matthew McConaughey to go to outer space to save mankind, read poetry and cry a lot. But John Lithgow (bet you forgot he was in the movie), offers up a pretty interesting quote about the thematic texture we can expect. “It’s a thrilling interaction between grand spectacle and intimate, intense relationships,” he said. “More so than many films of this genre, Chris found a way to make fantastic drama out of cosmic ideas and current human anxieties.”

Robert Orci will be directing Star Trek 3 with J.J. Abrams busy with Star Wars (a franchise which I think is a better fit for Abrams). It sounds like Star Trek fans might be happier with the next movie from this description from Screen Rant:

Star Trek 3 will take place during the Enterprise’s five-year mission (first depicted in the original Star Trek TV series), according to Orci. As a result, the film is expected to offer more of the philosophical elements (see: sci-fi allegories) that were lacking in the Abrams movies. Those films certainly offer their fair share of entertaining sci-fi action and adventure, but there’s not a whole lot of Kirk (Chris Pine) and his crew “trekking” across the galaxy – something that seems to have more to do with Abrams’ directing approach than Orci’s contributions, mind you.

The traditional Star Trek optimism and spirit of exploration is something Orci intends to resurrect with the next film installment, by the sound of it. For such reasons and those highlight by Pegg, Orci is arguably a fine choice to serve as the helmsman on Star Trek 3. Furthermore, Orci in part learned his directing trade on the Abrams Trek films, which means this could be the first Trek movie to have a modern blockbuster visual template and the traditional Star Trek thoughtful mindset.

And speaking of J.J. Abrams and Star Wars, here’s some of the rumors abut Star Wars VII.

Batman Harley Quinn

Sex sells, even in animated Batman movies:

Harley Quinn doesn’t get naked and have sex in any of the Batman video games that she’s appeared in. But the Joker’s psycho girlfriend does exactly that in the new animated movie tied to Arkham Asylum and Arkham Origins. It’s not the only surprise in there either..

Yet, because it’s villain-centric, this one goes saltier than most DC animated fare. Characters getting punched in the balls, cussing (the s-word) and two very gruesome deaths are some of the surprising events that happen. It’s much more fun in tone than the games it’s connected to. The grim emotional reticience that’s become part and parcel of today’s Batman execution gets loosened up. Batman even makes a joke in here. The film does noticeably stumble with its portrayal of its female characters. They’re props for the men to play off of, primarily. In particular, Assault on Arkham feels like a missed opportunity to add a few layers of complexity to Harley Quinn’s character. Instead, she remains the wacky moll to the Joker and attaches herself to another man without exhibiting any independence of her own.

George R.R. Martin says that women write him requesting more explicit sex scenes in Game of Thrones, including gay sex. He also says that some fans have guessed how his series ends.

Outlander

Oh No They Didn’t looked at a sex scene in Outlander:

The scene opens in 1945, just after World War II has ended. Claire Randall (Caitriona Balfe) and her husband Frank (Tobias Menzies) are busy trying to put their marriage back together. They both have scholarly backgrounds—she’s a botanist, he’s a historian and a former intelligence officer—and they’ve just endured a long wartime separation. They attempt to rekindle their romance by researching Frank’s ancestry together, visiting historical grounds in the Scottish highlands that might tell them more about his family. While exploring an abandoned castle, Claire jokes that “a troll or two” might’ve lived there, though Frank argues that trolls don’t live in pairs, because they’re solitary creatures. “Pity,” says Claire, smiling flirtatiously. “All this, and no one to share it with.” He looks at her, catching on. “You’re a bit dirty,” he says, in the most blatant double entendre ever. “You can give me a bath,” she replies.

What happens next? Frank hikes up Claire’s skirt, teasing, “Why, Mrs. Randall, I do believe you’ve left your undergarments at home.” And then, let’s just say that, as the New York Times so tactfully put it, they engage in a sex act that’s “not necessarily the one you’d expect in a scene set just after World War II.” (You can watch it here, by fast-forwarding to somewhere around 18:33.) According to the Times, the women are loving it: At a preview screening in New York, Mike Hale writes, “the women in the audience loudly expressed their approval.”

Outlander‘s writer and producer, Ron D. Moore, knew what he was doing with the scene. “I’m guessing that I wanted to show Claire as empowered sexually as a person and having her own appetites and desires,” he told Zap2It. Which makes sense: she’s the one who makes the first move, telling Frank what she wants (even removing her own underwear ahead of time!) so she’s also the one we get to see enjoying it.

Obviously, sex scenes that focus on women getting off are still generally seen as taboo. In the documentary This Film is Not Yet Rated, Kimberly Pierce, who directed Boys Don’t Cry, reveals that the MPAA pressured her to cut a similar sex act from her film to prevent it from earning an NC-17 rating, even though the brutal murder at the film’s end was acceptable under an “R” rating. Pierce believes the MPAA was particularly uncomfortable with a shot that featured no nudity at all—it was a close-up that lingered on Brandon Teena’s ecstatic expression—because it was such a clear departure from more traditional sex scenes, which have a clear endpoint as their goal, and tend to finish whenever the guys involved do. Maybe that’s why it feels somewhat radical that the camera pans upward during the Outlander sex scene so that we can see Claire’s face.

Consideration of this sex scene leads to the even more extreme question asked by Damon Linker, What if your daughter was a porn star?

We’re living through a libertarian moment.

No, libertarianism hasn’t consistently changed how Americans think about taxation, government regulation, or foreign policy. But it is transforming how we think about morality. We can see it in rapidly changing views about gay marriage, in the growing acceptance of recreational marijuana usage, and in the rise of a non-judgmental outlook on sex and pleasure more generally…

This moral libertarianism even extends to pornography — not just watching it, but “acting” in it, too. That’s the subtext of discussions surrounding Miriam Weeks (stage name: Belle Knox), the Duke University undergraduate who has chosen to pay her way through college by performing in porn videos. At first she was subjected to harsh attacks on campus, but since her story went national, she’s become a breakout celebrity and folk hero to some libertarians and feminists who see her choice as an act of empowerment for women and sex workers.

There’s just one complication to this happy story: no one, or almost no one, actually believes it. People may say they see nothing wrong with or even admire Weeks’ decision to become a porn actress, but it isn’t unambiguously true. And our ease of self-deception on the matter tells us something important about the superficiality of the moral libertarianism sweeping the nation.

How do I know that nearly everyone who claims moral indifference or admiration for Weeks is engaging in self-deception? Because I conducted a little thought experiment. I urge you to try it. Ask yourself how you would feel if Weeks — porn star Belle Knox — was your daughter.

I submit that virtually every honest person — those with children of their own, as well as those who merely possess a functional moral imagination — will admit to being appalled at the thought.

I don’t really see this concept of the libertarian moment and being appalled by this situation to be contradictory. There are a lot of things which I believe should be legal which I wouldn’t want my daughter doing.

Getting back on topic, Starz has already  decided to renew Outlander for a second season. It took a while, but HBO has decided to have us go through a second season of The Leftovers with no explanation as to what happened.

Giant Freakin Robot has a tribute to Robin Williams’ contributions to science fiction. Fourth-day Universe has a listing of his best science fiction roles.

It is hard to believe 24 won’t be back now that they are no longer confined to the series per year schedule. Kiefer Sutherland is keeping talk of this alive:

Despite prominent rumours that the most recent season of ‘24’ would be the huge show’s last, star Kiefer Sutherland is now hinting that there could very well be another series to come.

In a recent interview with the Daily Star, Sutherland, who plays Counter Terrorist Unit agent Jack Bauer on the hit, said “I’m missing Jack already, I love playing him. I can never say never, the role is in my blood.”

A_to_Z_a_l

We lost Cristin Milioti too soon on How I Met Your Mother, but she will be back this fall in an new romantic comedy sit-com, A to Z. It isn’t necessary to wait until October to see her again. The pilot is widely available on line and on demand. Please tell us the series doesn’t end with her dying.

TV Line has a their first impressions of The Amy Pond Show (or, as it is officially called, Selfie).


Yahoo! has release a teaser trailer for season six of Community.

If we had to lose Craig Feguson, I was at least happy when I heard that James Corden was replacing him. Besides his work on Gavin and Stacey, Corden will preserve the show’s interest in Doctor Who after Ferguson leaves. Corden appeared twice in Doctor Who, playing Craig Owens on The Lodger and Closing Time. Now it turns out that television doesn’t have to lose Craig Ferguson as he is close to a deal for a syndicated talk show.

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SciFi Weekend: Extant, The Last Ship, and other Summer Shows; Community and other Genre Comedy; Arrow; Doctor Who Leaks; Harry Potter; Time Travel Lover

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We were spoiled by the high quality of television shows airing in late spring, including Orphan Black, Continuum, Hannibal, Fargo, and Game of Thrones. The summer season does not look like it will come close, but at least we have come a long way from the days in which we were limited to the major networks which only aired reruns. So far Extant appears to be the most promising. Sure, being a network science fiction show it is bound to degenerate into all the standard cliches, but the first episode was interesting and well made. If nothing else, it looks better than Under the Dome and True Blood (which I’m only sticking with because it is the last season). It might help that Mickey Fisher, who wrote the pilot, says he was inspired by Steven Moffat and Doctor Who.  Spoiler TV lists seven facts  you need to know about Extant.

My next show on my list of new summer shows worth viewing (of those which have actually started) is The Last Ship. It is certainly not a must-see genre show at this point, but it has been entertaining. The show does have a little of the early Battlestar Glactica feel in which one military ship is on their own. Instead of Cylons, they are being chased by a Russian ship which is after the research they have so far, and the scientist working on it, regarding the plague which has killed off most of the planet. Sure, one would think that with the possibility of the crews of only two ships left alive on earth (along with some isolated people elsewhere) they might realize there is no point in fighting and that they can work together, but that would leave out most of the drama. Besides, ultimately the surviving humans and Cylons did learn to work together. With 24 concluding tomorrow, The Last Ship might be a good replacement for fairly mindless action. The shorter season of 24 has certainly helped the storyline on 24, with it not dragging events out for weeks (or hours on the show) as was often the case in the past.

After watching the premiere of The Almighty Johnsons I plan to pass on the show unless I hear more favorable reports on it. This is a show from New Zealand now carried by Syfy about a family in which the members learn they are reincarnations of Norse gods when they turn twenty-one. Their powers are rather limited, sort of matching the low-budget feel of the show. One brother has the power to convince people to believe his stories, and uses it to get women into bed. Another has the power to turn things hot or cold, and uses it to make a woman’s nipples become erect under her shirt. That’s hardly enough to sell me on the show so far, but the pilot does suggest a more serious storyline is beginning.

In other upcoming shows, SpoilerTV has an advanced look at The Strain. The Wall Street Journal also reviews the show. BBC America will premiere The Intruders on August 23.

Based upon last season, the best show of the summer is probably returning tonight, Masters of Sex. Hitflix reports that the second season is better than ever.

Community Renewed

The fate of genre comedy for the upcoming year is now becoming clearer. The Big Bang Theory has been renewed for three years. Community will no longer air opposing The Big Bang Theory but was saved by Yahoo last week, and Joel McHale sounds happy about the opportunity of setting Dan Harmon free without the constraints of network television:

McHale told The Hollywood Reporter that the show’s fans will be pleased by Community‘s shift from NBC, where it has aired for the past five seasons, to Yahoo Screen. “I’m so excited because now there will be no commercial breaks, the restraints I’m assuming will be way less and it’s like this just playground now for [show creator] Dan[Harmon].” Added McHale: “Unencumbered Dan Harmon is very exciting.”

The actor said that Yahoo Screen execs “really believe in the show” and have the marketing muscle required to spread the word about the show’s new home. He doesn’t have trepidation about airing new episodes on an unproven original-content provider, given how much success Netflix has had with its original programming. “I think Community fans have proven that they will find the show,” he said.

Sony Pictures Television has committed to 13 new episodes of the series, launching this fall, although McHale said that more episodes could get made “if [the first batch] goes well.” The entire cast will appear in all 13 episodes, and as far as the contracts are concerned, McHale said he won’t be making less money from Sony per episode than he was from NBCUniversal. “I really like money, so it works out great,” McHale joked.

According to McHale, all of his co-stars are looking forward to bringing the show back. “I know the cast is excited because it’s a whole new frontier, and we wont be up against Big Bang Theory, and we know Yahoo’s really excited to get us out there, and that is incredibly helpful when the people who are paying for you to make it are excited about it,” he added.

Now that Community fans are getting their sixth season, what about that movie? “People are already talking about” the possibility of streaming the much-hoped-for film on Yahoo Screen, McHale said. He added that Harmon and executive producer Chris McKenna plan to make the movie “epic” and not just “like an episode,” although McHale doesn’t think that anyone has started working on the film’s script yet.

Selfie - Episode 1.01 - Pilot - Promotional Photo

Of potential new comedy shows with a genre connection which I have preciously discussed, one was picked up to air in the fall and the other wasn’t. The Amy Pond Show, officially called Selfie, was picked up by ABC. I’ve heard questions regarding its quality, but of course I’ll check out any show staring Karen Gillan and John Cho.

How I Met Your Dad, the spin off of How I Met Your Mother, was not picked up, with CBS insisting upon some changes in the pilot. Initially there were reports that rather than changing the pilot, Thomas and Bays planned to try selling it elsewhere.  It looks like it is dead for now, with the possibility that they might revive plans to try to sell the show in the future. I wonder if it might not be better to develop a new comedy with a new idea rather than rehashing what they already did.

Arrow Olicity

The synopsis for the first episode of season three of Arrow reveals that Detective Lance remains alive, and that Oliver finally asks Felicity out on a date:

In the aftermath of this victory, Season 3 opens with Arrow now a hero to the citizens of Starling. Crime is down, people feel safer, and Captain Lance even calls off the Anti-Vigilante Task Force. Basking in his success, Oliver believes he can finally have a private life and asks Felicity out on a date. But the second Oliver takes his eye off the ball, a deadly villain reappears in Starling, forcing Oliver to realize that he can never be Oliver Queen — not as long as the city needs The Arrow.

There may be more superheroes in season three, including the casting of Brandon Routh (who played Superman in Man of Steel) as Ray Palmer, The Atom.

An unparalleled scientist and inventor, Ray will play an unexpected role in the lives of Oliver and (rumored love interest) Felicity as the new owner of Queen Consolidated. Palmer’s plans for Queen Consolidated’s Applied Sciences Division will be shrouded in mystery.

News came  out last week that Orphan Black has officially been renewed for a third season. We also found that Tatiana Maslany was snubbed for an Emmy award a second time.

TrekMovie.com looks at How Seinfeld Influenced Star Trek’s Legacy

Besides having a movie versions of Gone Girl coming out in October, earlier books by Gillian Flynn are being filmed. Dark Places will be released as a movie in September and her first novel, Sharp Objects is now being made into a television series.

Five scripts of episodes of the upcoming season of Doctor Who have leaked on line. Steven Moffat called this, “‘horrible, miserable and upsetting’. Since then unfinished black and white versions of the first two episodes of the season have also leaked on line.

First we heard that Better Call Saul would be a prequel to Breaking Bad. Next there were reports that it would take place over different eras. Now it reportedly will be a prequel series taking place in 2002. Now we might never learn if Jesse made it to Alaska.

J.K. Rowling has posted a short story about Harry Potter set during the Quidditch world cup final at the Pottermore site. Apparently there might be some marital problems between Harry and Ginny.

If you miss Continuum now that it is finished for the season, here’s another time travel story, Time Travel Lover: It is about a guy about to hook up with a girl who is then visited by his future self:

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SciFi Weekend: Hannibal; Orphan Black; Person of Interest; The Blacklist; Arrow; Agents of SHIELD; The Americans; Revenge; Alison Brie; Emelia Clarke; Porn Stars in Game of Thrones; Billie Piper; Nebula and BAFTA Award Winners

Hannibal Mason Face

The penultimate episode of Hannibal for the season, Tome-wan, wrapped up the current Mason Verger storyline and set the stage for next week’s confrontation between Jack and Hannibal, already shown in the season premiere. The scene in which a drugged Mason Verger was feeding his own face to Will’s dogs was among the more gruesome of the series. The episode also included fantasies of Hannibal being fed to Mason’s pigs.

Last week we learned that Will was working with Jack and was not really a murderer under Hannibal’s spell. This week they walked this back a bit, leaving Jack not entirely clear as to whose side Will was really on. I suspect that Will is still interested in helping take Hannibal down, but is not above keeping things from Jack, and was willing to work with Hannibal to see Mason Verger receive the punishment he felt he deserved after what he did to Margot. I also wonder if questions over Will’s loyalties leads to Jack setting himself up as bait and is the reason the two wind up fighting, as opposed to an organized FBI arrest.

The episode also included the brief return of Dr. Bedelia Du Maurier. Gillian Anderson managed to come in for six hour for filming between plains concluding Crisis and leaving to begin filming on The Fall. As a consequence, it was necessary to only briefly have her tell about her back story in which Hannibal persuaded her to kill a patient (partially in self-defense) as opposed to actually showing this, and it appears she has a much smaller role in the final take down of Hannibal than I previously predicted. While I wish we could see more of her on Hannibal, it was good news that she was finally going to film the second season of The Fall.

Fortunately Hannibal has been renewed for a third season and it won’t be necessary to shop the show around to other networks which might consider it, such as the Food Network.

Bryan Fuller discussed the conclusion of the Mason Verger storyline for this season, and the motivations of the characters involved:

Let’s talk about Mason’s drug trip. How was that conceived?
Fuller: 
It was directed by Michael Rymer, and it was fascinating to sit down and figure out how we were going to film this enhanced state of mind. Michael Pitt’s performance is so infectiously fun. I find it immensely enjoyable and very f—ed up in a thoroughly giddy way. I think the thing that Michael Rymer brought to the scene was a similar infectious sense of fun. He wanted it to be a carnival of sorts. He wanted to light sparklers in the room to create the things your retinas do when you’re under that much chemical oppression. He was the right guy to bring the drug trip to life and has the humor to make sure it is as fun onscreen as it can be.

Mason certainly seemed to be enjoying himself even though he was cutting off his own face!
Fuller:
 [Laughs] Michael Pitt was having the time of his life with this performance. And there’s something between Hannibal and Will in that moment that is very playful, which is perhaps a strange word to use in that context. But there’s a gamesmanship afoot because Hannibal essentially says, “I got him to cut off his face. Your turn.”

However, Will needs Hannibal to commit this murder so they can arrest him, but Hannibal only breaks Mason’s neck. Is Hannibal on to Will or is he keeping Mason alive because of Margot’s financial dilemma?
Fuller:
  Hannibal’s response is all of those things. It’s a gesture toward Margot to give her some control in her life. And also, he doesn’t kill him completely because, as he has said and will say again to Margot, the best therapy for her is to kill her brother.

And I assume Mason doesn’t tell Jack the truth because he too has some of his own twisted plans for Hannibal.
Fuller:
 Mason does not want Jack Crawford to deliver justice to Hannibal. He wants to deliver justice his own way. This is all now a very particular game for Mason, which I am hoping to explore much more of in Season 3. Episode 12 completes the Verger arc for Season 2 and sets up the Verger arc for Season 3.

Orphan Black Sarah Helena

Ipsa Scientia Potestas provided more information on the development of the clones and, as usual for an episode of Orphan Black, raised more questions than it answered. Rachel joined characters on shows including Agents of SHIELD, Revenge, and The Blacklist with presumed dead fathers who are or might be alive. We found that Rachel has a monitor just like the other clones, but she is in a special position giving her more power. Paul, after not being seen much this season, has become more important after Rachel chose him to replace Daniel as her monitor, among other things. While Orphan Black doesn’t compete with Game of Thrones in terms of rape scenes, the scene in which she forced Paul into having sex with her will remain one of the more memorable scenes of the series. Paul does now have three notches in his clone belt. I’m hoping they manage to find a way to get him involved with Alison next (who was totally absent from this week’s episode). Paul’s motivations remain unclear as he is being blackmailed into cooperating. This week he went along with the plan to frame Felix for murder in order to gain control over Sarah but in future episodes it would not be surprising to see him help Sarah against Rachel if the opportunity were to present itself.

You can never be certain as to which side a character is on. Helena has been transformed from crazy murder to crazy murderer who does care about her twin sister Sarah. Leekie looks far more like an ally for the Clone Club, even being at odds with Rachel over some matters, compared to last season. I suspect that he intentionally sent Delphine the email on the stem cell tests to help Cosima, contrary to Rachel’s view of Cosima as expendable. It has become clear that, as suspected, Cal is hiding something after we saw his stash of weapons, cash, and fake ID. However, for the moment I trust Kira’s intuition and if she trusts him I will assume for now that he can turn out to be helpful to Sarah.

On the other hand, the Proletheans are clearly evil. If there was any doubt, this was eliminated when they sewed Gracie’s mouth closed for telling a lie. Now it looks like Gracie will become the surrogate mother following Helena’s escape.

The Hollywood Reporter interviewed Bruce Dylan (Paul) about his character’s motivations and the sex scene with Rachel:

The episode’s big “wow” moment was Rachel and Paul’s sex scene.

When I read it on the page, I had never seen anything like this on television before. It’s amazing how quickly Tatiana [Maslany] jumps into all these different characters and how immersed she is in each character she’s playing. Our director for this last episode, Helen Shaver, she’s very good in the realm of sexuality. She knows how to bring the sexy out of her actors. A lot of the moving parts in that scene were added by her. It’s almost like Rachel’s inspecting Paul like he’s a derby horse — looking at his teeth, making sure that he’s clean and worthy of her. It seems like she has a lot of suppressed sexual energy and very kinky as well. I was anticipating that they’d have whips and chains in the room. (Laughs.) I called her Fifty Shadesof Rachel. I thought she would have some sort of sex room with a swing or something. That scene was absolutely brilliant. It’s very sexy on a completely different level than other sex scenes that I’ve seen on television. It’s weird and sexy at the same time.

How is Paul adjusting to his new role as Rachel’s monitor? Will he be taking advantage of his current position?

He’s in a situation right now where it’s definitely to his advantage. The fact that Daniel is out of the picture, Paul’s not a disposable asset anymore. Now he can become a usable force. That helps him out and helps him progress his own cause. It seems like he’s being blackmailed into doing this, but there is something much bigger that this guy is involved with. That’s about all I can say about that. He would want nothing more than to burn the Dyad corporation to the ground, I think.

There’s an interesting power struggle between Dr. Leekie and Rachel and Paul’s stuck in the middle of it. Out of the two, who does he have more allegiance to?

Neither. This is another great thing for him. He can answer to two masters. That allows him to play both of them at the same time, but it’s a slippery slope. He has to walk that tightrope between the two of them. It’s almost like he’s waiting to see who comes out on top. He’s maintaining that guise where he’s tied to both of them, but in reality, his allegiance is going to lie with the one who wins in the end. He’s not going to pick a losing team, that’s for sure.

Speaking more specifically about the Felix matter. Does Paul have any ounce of guilt over putting him in jail?

When I read [the scene], I thought “Oh my god, this is going to be really hard to play with Jordan [Gavaris]” because I love Jordan so much and I love the character of Felix. The way I was playing it, I was trying to show the least amount of emotion because Paul’s a pretty stoic character. [Paul] was not pleased at all with having to do what he had to do. That was a necessity to do that. When he takes the gun out of the bag and Felix is like “What are you doing Paul?” it was more like an air of disappointment. If Paul didn’t do it, [Rachel] would have gotten rid of him herself.

It was dropped in that Paul has slept with three clones: Beth, Sarah and now Rachel. Is that notable?

When he slept with Beth, he was blackmailed into being her monitor and her boyfriend, or he could have faced military trial or the death sentence or life in prison or who knows what. When he slept with Sarah, she initiated the intimacy and now he sleeps with Rachel, she again initiates the intimacy. So he’s definitely not a prude but he’s definitely not the aggressor in the situation. (Laughs.) I don’t know how much you can say “Paul gets around” because it seems these clones are the aggressor in these situations. It’s so empowering because we have a brilliant female lead and all these brilliant female characters, it’s almost like a role reversal.

You’ve hinted several times that Paul has an agenda. How soon before what he’s been plotting is revealed?

You’ll find out this season tidbits, just snippets of it. That will [lead] to the next season. He’s very mysterious, isn’t he?

Another interview with Bruce Dylan at TV Line gave more evidence of Tatiana Maslany’s acting talents:

TVLINE | What was it like to film that scene? You’ve worked with Tatiana [Maslany] before, but it was as Sarah. Now you’re working with her as Rachel, and she’s this completely different animal.
You’re absolutely right. We all know how brilliant Tatiana is and how great she is. But when she is in these characters, she is firmly immersed in that character. You don’t feel as an actor, acting opposite of her, that she’s Tatiana playing a different character. She is Rachel. She is Sarah. It’s very easy to act opposite her because she is 100 percent into her character at that time. It’s a wonderful thing for an actor to do, because she’s so easy to react off and she’s so spontaneous.

That scene, how it was written on the page was actually different than how we performed it. Our director, Helen Shaver, she’s wonderful and she’s very good at bringing the sexy out of her actors with wonderful notes and directions. There were a lot of moving parts to that scene that she added in for both Tatiana and me. It made the scene a lot creepier than how it was on the page. And it made it a lot steamier at the same time. I’ve never seen a scene like that on television before.

TVLINE | Is it bizarre having love scenes with the same actress, but as two different characters?
She’s so good – that’s the first time anybody’s asked me that question, which is amazing – that has never once entered my mind. She is so into that character, it’s so easy to differentiate between the two. I don’t feel like it’s Tatiana playing a character. I actually feel like “Oh, this is really a person. [Laughs] This is really Rachel.” It wasn’t hard at all.

While Tatiana Maslany deserves most of the credit for making each clone seem like a distinct character, she does get some help. Yahoo interviewed the makeup and hair stylists for Orphan Black who explained how they make each clone seem different. Rachel takes the longest, and they use the most expensive cosmetics on her. As I had expected, it is intentional that Helena’s dark roots show despite her bleached hair.

Deus Ex Machina

There were several season finales last week. Person of Interest has totally changed the character of the show. Instead of achieving a true victory, Root had to settle for creating seven blind spots in Samaritan for herself, Shaw, Reese, Finch, and the three tech nerds. They had to separate, but Samaritan could not identify them. Presumably some of them will find a way to reunite to work together in some way next season. It is more questionable if they will continue to have episodes based upon a number of the week received from the Machine. Carter was already killed off last season when the show became less of a police procedural, and there also appears to be less of a role for Fusco. He was at the center of the stories related to HR, but he is not even aware of the existence of the Machine which drove so many of the cases he was involved with.

I wasn’t completely surprised, but was somewhat disappointed, that Vigilance turned out to have been created by Decima to create a false crisis to convince the government to go ahead with Samaritan. Greer might be deceitful, and his actions dangerous, but his motivations are not totally evil. Rather than seeking power for himself, he seems to truly think that it would be a good thing to place a super computer in charge of humanity. At the end, rather than giving Samaritan his orders, he told Samaritan it was about what it commanded. Clearly nothing good could come out of this.

Over the course of the first few seasons of Person of Interest, the real world caught up with the show as we learned about NSA surveillance. Now the show has leaped ahead of where we currently are, enabling it to provide a warning about where we might wind up.

In an interview with IO9, Jonathan Nolan talked about plans for next season and explained why New York is actually a good place to avoid surveillance:

In the first two and a half seasons of the show, New York and the city’s politics were a big part of the narrative. We had HR and the deputy mayor, and Elias and the gangs. Are we ever going to circle back to that? Are we going to get back to the politics of New York in this new surveillance dystopia you’ve created? Is Elias going to be back?

JN: Absolutely. We’ve always — hopefully in a good way — vacillated back and forth between the more metropolitan storyline and the Machine, or kind of global, storyline. Because the great thing about New York is that it’s both. It’s the kind of center of the world, in so many ways. But it’s also its own rich kind of arena. And Finch and Reese and Shaw, and now Root, and Fusco, are going to continue to be inveigled into local politics, and certainly local crime, every bit as much as they have up to this point. The people they’re trying to save every week. That storyline continues. That Machine still spits out numbers. And it’s going to be spitting out even more of them. So we’re doubling down on both fronts. We’ve always taken with, and fascinated by, the idea that within New York City, you have a bounded infinity of stories. So we never want to step away from that. We just want to keep raising the stakes on both levels.

And in this new A.I.-enabled world, whoever rules the big cities like New York has more power, because the big cities are where the infrastructure and the intelligencia are. So it becomes even more of a microcosm of the global power struggle.

JN: Yeah, absolutely. And ironically, New York, which is the most heavily surveiled place in the world, becomes one of the few places in the world to hide from surveillance. There was this awful but fascinating story from three years ago, when we were shooting the pilot in New York. There was a serial killer operating out on Long Island — in fact, I think this was the same one who was dumping his bodies not far from where we were shooting a stunt sequence. And this is awful, but he was making phone calls to some of the victims’ relatives using their cellphones, but doing it from Times Square. Because he or she, or whoever this villain was, understood that Times Square is one of the few places in the whole wide world where you can make a phone call on a cell phone that’s being trace. And when the authorities try to match up that phone call to surveillance footage to see who made the call — and try to match a person to a phone call, essentially — it’s impossible. Times Square is filled with hundreds of thousands of people on any given afternoon, all of whom have a cellphone. So it’s that hiding in plain sight. New York ironically becomes the only place in the world where you can hide from the surveillance state, even while being the very epicenter of it. So for us, the perfect arena for this fight that’s going to take place.

I was less excited by the first season finale of The Blacklist as it essentially reset the show back to where we were, with a new villain. There was little drama in Lizzie saying she would no longer work with Reddington as I had no doubt that she would not hold to that. Besides, why was she so surprised to learn that Red is a monster when he was telling her that he is one all along? The show is entertaining and worth watching due to the terrific job done by James Spader, which more than makes up for the weak job done by Megan Boone. The scenes with Alan Alda are an additional plus, even if it is not clear who exactly he is and why he was able to order that Reddington be allowed to escape in the finale.

ARROW

Arrow had the spectacular comic book ending that was expected, managing to bring back many of the characters seen over the course of the series. They did add some questionable drama to an already difficult situation by having ARGUS threaten to blow up the city to contain Slade’s army. As there were only fifty of them, and Oliver did ultimately get the cure, it would have seemed more reasonable to guard the exits to prevent any from leaving, and then moving in with enough force to overpower them should the cure fail.

Previously when we learned that Oliver had a cure back on the island, there was speculation that Oliver’s decision to kill as opposed to try to cure Slade might have been the real motivation for his vendetta against Oliver. In the flashbacks it was clear that by the time this occurred Slade’s views were already set, and this really was all about Shado.

The cure did work on Roy in the present, leaving him in a situation to work with the Arrow next season. When he had super powers, even before going insane, I had questioned how it could have worked to have the sidekick be more powerful than the lead. This will no longer be a problem. Sarah left with the League of Assassins. She might return, but she also left her leather jacket with Laurel. Is this the first step in her becoming the Black Canary as in the comics? Their father was restored to the rank of Detective, but it is not clear if he will survive into next season.

The flashbacks on the island seemed to have concluded their story, but the episode ended by showing how this will be handled next season. Oliver woke up in Hong Kong to be greeted by Amanda Waller. This could provide for some interesting stories in flashbacks. Eventually we know that Oliver has to wind up alone on the island to be rescued as on the pilot. Perhaps he really became stranded there again, or perhaps this was set up to allow for him to be rescued without any ties to ARGUS.

Felicity has become a huge favorite among fans since she was added to the show during the first season. The two of them tricked Slade, taking advantage of the cameras he hid in the Queen mansion earlier in the season to have him see Oliver say that Felicity is the one he really loves. Both Stephen Amell and Emily Bett Rickards have told E! Online that they don’t think this was entirely an act. Of course there is little doubt that they will drag this out for a long time before ever having the two get together.

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I was glad that there was no redemption scene for Ward, as many feared would occur in the season finale of Agents of SHIELD. While he couldn’t bring  himself to outright kill Fitz and Simmons last week, like he couldn’t kill the dog he was stranded with, he did leave them in a situation which Fitz may or may not survive from. My bet is that Fritz will survive considering how Coulson and Skye came back after being in even worse shape. Their rescue once they got off the bottom of the ocean was too simple, but I doubt that many viewers cared at that point once distracted by the appearance of Nick Fury. There was no explanation as to where Fury got that medical team.

I wonder where the show will go next season with SHIELD disbanded. Nick Fury did  make Coulson the new head with instructions to restore the organization, but it is not clear how much that really means with Fury no longer having any authority (and presumed dead). At least the group has a new base, already supplied with a new Koenig, played again by Patton Oswalt. Is he a twin or a Life Model Decoy?

Much of the back story about TAHATI has now been explained, but there are still mysteries with Marvel fans tying the alien blood into other areas of the Marvel universe including the Kree and Inhumans. We will have to wait until next season to learn the meaning of what Coulson was drawing. Syke’s back story should also be explored more, especially now that it appears her father is alive.

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On The Americans, it is not entirely clear why Larrick is after Jared but he is close to finding him. Most likely he knows that the last tie to Emmet and Leanne will either allow him to find those helping him or be useful bait for those he is really after. Regardless of Larrick’s plans, there is no doubt to Elizabeth and Phillp that Jared is in danger because of his parents, potentially placing their own children in the same type of danger.

It is rare to have a show where the storyline involving secondary characters can be every bit as interesting as when the leads are on screen. This is the case with Stan and Nina. Instead of turning to Stan to save her, we learned that Nina was still working with the Russians to trick Stan into turning over the Echo program. If Nina was smarter, and not currently as loyal to Russia, she might have immediately told Stan that he had to get her elsewhere to hide as opposed to allowing Arkady to put on his show. Contrary to how he initially appeared, Oleg has turned out to be the one most concerned with saving Nina. If Stan doesn’t turn over Echo, it is questionable if the Russians would give her an opportunity to get away with the money which Oleg gave her.

Other characters were very perceptive this week. Henry was right to be concerned about how The Wrath of Kahn would turn out after the first Star Trek movie, but he will learn there was nothing to worry about. Two other characters showed that they aren’t completely fooled. Paige questioned what type of emergency Elizabeth could have as a travel agent requiring her to run out at night. It is hard to believe that she won’t eventually figure out what is going on. Will she accept what her parents are doing as Jared has regarding his parents? Martha figured out that Clark wears a toupee, even if she is foolish enough to turn all those documents over to him. Perhaps she will ultimately take the blame for the documents which Stan gave to Oleg, helping Stan to remain above suspicion.

Revenge

Revenge did a reboot as major as that on Person of Interest. It was about time, as they had dragged out the storyline about Emily seeking revenge on the Graysons for framing her father for far too long. Reducing the number of characters should also help as things have become far too convoluted. It will take a good story to explain how Emily’s father has been alive all these years, and it will be interesting to see her reaction to finding that he is alive. He better have a good explanation for not contacting her before now. E! Online has an answer to the bigger question as to where the show is going next season:

That #Revenge finale was INSANITY! Is the show really going to be Victoria as the revenge-seeker now?
From what we know, yes. Emily will be living in Grayson Manor and Victoria will be the one narrating the show and out for revenge, wanting to take down Emily/Amanda and make her pay for everything she lost. Pretty big game-changer! And by the way, we hear another main character will be written out next season. Perhaps the biggest cast departure yet.

Of course Emily will still have reason to see revenge after the murder of Aiden, and it is hard to imagine a bigger departure than Conrad (assuming he is really dead). More on Revenge at The Hollywood Reporter.

Alison-Brie

There is a huge amount of other news this week regarding renewals, cancellations, and new shows in addition to all the finales. I’ll hold off on news related to next season for another week when there isn’t so much other material to write about and end with just a few briefs.

Unless they manage to revive Community for a sixth season on another network, it appears we will not see more of Alison Brie on television now that it appears that Pete Campbell moved on to California without her on Mad Men. Alison Brie will be staring with others better known for their television roles in an upcoming movie Sleeping With Other People:

Former “SNL” star Jason Sudeikis, “Community’s” Alison Brie and “Parks and Recreation’s” Adam Scott are assembling for the upcoming comedy from Sidney Kimmel Entertainment.

Amanda Peet, Jason Mantzoukas and Natasha Lyonne will also star in the film from producers Adam McKay and Will Ferrell.

“Sleeping” centers on two chronic cheaters — played by Sudeikis and Brie — who attempt a non-sexual relationship in order to conquer their lustful ways. The press release says it’s “in the vein of ‘When Harry Met Sally’…but with assholes.

Update: Pete Campbell made a trip to New York this week and Alison Brie did appear.

Emilia Clarke of Game of Thrones and Nicholas Hoult of X-Men: Days of Future Past  will play Bonnie and Clyde in Go Down Together.

A former porn star writing at The Daily Beast gave some reasons why Game of Thrones might like to use porn stars:

1. A porn star is always willing to take off her clothes and there will never be a nudity clause in her contract.

2. They’ve put in their 10,000 hours and know how to fake passionate sex with the best of ‘em.

3. It’s sad but true: porn stars work cheap! Since nude is their norm, they won’t ask to be paid extra to be naked.

4. In a way that mainstream actresses sometimes fail to capture, porn stars always look very comfortable sitting around nude for the duration of a scene.

5. With all of that skin-on-skin action, things, well, pop up. Porn stars aren’t squeamish about their fellow actors getting aroused. They tend to be very understanding.

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In somewhat related news from another premium cable network, former Doctor Who star Billie Piper promises “loads of sex” in Penny Dreadful.

The winners of the 2013 Nebula Award winners have been announced. Ancillary Justice by Ann Leckie won as best novel. Gravity won the Ray Bradbury Award for Outstanding Dramatic Presentation. While Gravity beat The Day of the Doctor for this award, the episode of Doctor Who did win a BAFTA Television Award for Radio Times Audience Award (Voted For By Members Of The Public). Broadchurch won a BAFTA as Best Drama. Richard Ayoade and Katherine Parkinson won awards for their roles in The IT Crowd.

Terra Nova was one of many science fiction shows which did not survive long on Fox (including Almost Human this season). Those interested in dinosaurs in the real world as opposed to the fictional world of Terra Nova might be interested in this report on the biggest dinosaur ever.

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Possible Class M Planet Discovered

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A  possible Class M planet, which may be suitable for humanoid life, has been discovered 500 light-years away:

It is a bit bigger and somewhat colder, but a planet circling a star 500 light-years away is otherwise the closest match of our home world discovered so far, astronomers announced on Thursday.

The planet, known as Kepler 186f, named after NASA’s Kepler planet-finding mission, which detected it, has a diameter of 8,700 miles, 10 percent wider than Earth, and its orbit lies within the “Goldilocks zone” of its star, Kepler 186 — not too hot, not too cold, where temperatures could allow for liquid water to flow at the surface, making it potentially hospitable for life.

“Kepler 186f is the first validated, Earth-size planet in the habitable zone of another star,” Elisa V. Quintana of the SETI Institute and NASA’s Ames Research Center in Mountain View, Calif., said at a news conference on Thursday. “It has the right size and is at the right distance to have properties similar to our home planet.”

Dr. Quintana is the lead author of a scientific paper describing the findings in this week’s issue of the journal Science. Kepler 186f is the latest planet to be sifted out of the voluminous data collected by Kepler, which kept watch over 150,000 stars, looking for slight drops in brightness when a planet passed in front.

There is no word from Star Fleet as to whether there are plans to initiate First Contact with the planet. Most likely this is because we are unable to determine whether there is life on the planet and we have not yet developed warp technology which would enable us to travel 500 light years, not to mention that Star Fleet is a fictitious organization which will not be founded until the 2130′s. While similar to earth, we also do not actually know the composition of the atmosphere and therefore cannot be certain if it really is a Class M planet.

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SciFi Weekend: Hannibal; Captain America and Agents of SHIELD; The Americans; Orphan Black; Continuum; Captain Janeway and Geocentrism; The Expanse

Hannibal Chilton

 Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.

It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.

Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.

Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:

AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?

BF: [Frank] Serpico survived a bullet to the face.

Fuller explained Will’s motivations:

AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?

BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.

AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?

BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.

He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:

AVC: How much do you sit around and figure out how he does all this stuff?

BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.

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Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.

It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.

The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.

As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.

Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.

Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.

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The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.

The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.

Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.

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I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:

EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.

There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories.  This character relationship chart might help keep track of all of them.

Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.

Janeway

Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:

I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew

Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.

Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.

Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.

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SciFi Weekend: Hannibal; Arrow; Continuum; Doctor Who; 12 Monkeys; The Wil Wheaton Project; The Americans; The Big Bang Theory Does Star Wars; How I Met Your Mother Ends In The Darkest Timeline

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With Futamono, we are about half way through the second season of Hannibal, and some people are beginning to suspect that bad things are happening to people around the title character. We know that he will be exposed by the end of the season, but at the moment he is a sort of Superman who is able to outsmart almost everyone and evade detection. He can even manage to get Abel Gideon out of the psychiatric institution in order to have him over for what is probably his last meal. (“You intend me to be my own last supper?”)Fortunately for Gideon, he is insane himself and can be witty while being served his own leg. Bryan Fuller explained why Gideon suffered this type of fate:

 I think part of the reason he meets the horrible fate that he does was the symmetry. Here he is, a guy who claimed to be the Chesapeake Ripper and was the grand pretender to the throne. For him to both become the Chesapeake Ripper and the Chesapeake Ripper’s victim felt like there was a certain poetry that Hannibal would appreciate. We see in episode five, Abel Gideon really goes out of his way to save Hannibal Lecter from Will Graham, but more importantly, save Will Graham from Will Graham by preventing Will from taking a life out of malice. We see that there is a humanity to him and an understanding and even a sympathy for Will Graham and his plight. So as Beverly Katz has carved the path for all of those who believe Will Graham in any capacity, he had to go down the same chute.

It appeared that Jack might obtain some evidence about Hannibal when he finally paid attention to Will’s theories: “If the Ripper is killing, you can bet Hannibal Lecter is having a dinner party. You and I probably sipped wine while swallowing the people who who we were trying to give justice, Jack.” Jack took some food from one of Hannibal’s dinner parties to be tested. Hannibal outsmarted Jack that night as the beef really was wagyu beef (which really is delicious).

While there was not conclusive evidence against Hannibal, there was evidence showing that both the Chesapeake Ripper and the alleged copycat who continued after Will’s incarceration were the same killer, proving it could not be Will. I did not expect to see Will go free until much later in the season. (Can I still wear my Free Will Graham t-shirt?) There was also a piece of rare tree bark which led to the discovery of Miriam Lass, the young FBI agent who figured out Hannibal’s secret in a first season flash back. Surprisingly she is still alive, but is missing an arm.  From the interspersed scenes with Hannibal, I suspect that the discovery of Miriam was a planned move on his part and there is not enough of her mind left after all these years to incriminate him. Coincidentally, Anna Chlumsky returns to Hannibal the same weekend she also returns to television on a new season of Veep.

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Seeing Hannibal seduce and drug Alana was as chilling as the scenes with Gideon. While her fate (so far) is not as terrible, we have far more invested in her character. For the purposes of this episode, sleeping with Alana provided an alibi for Hannibal capturing Gideon. Television sedatives work wonderfully, with the victim being guaranteed to neither wake up or realize anything was unusual during the night. Next we presumably will see the consequences of a newly freed Will finding that while Jack might now be open to his theories, Alana is almost literally sleeping with the devil.

Dr. Chilton seems to be the smartest one after Will in Hannibal’s circles. He both figured out the rhyme (“They’ll call him Hannibal the Cannibal; he does fit the profile”) and revealed that he only eats salads when dining with Dr. Lecter. He also theorized that Hannibal “is attracted to medical and psychological fields because they offer power over man. Cannibalism…cannibalism is one act of dominance.”

Seeing Hannibal wink at Chilton was enough to suggest he may be doomed, but there would also be some justice in keeping him alive to see Hannibal’s downfall. There has to be someone left to begin treatment of Hannibal once he takes Will’s place in the hospital for the criminally insane. Besides, unlike Miriam Lass and Beverly Katz, Chilton is not likely to allow himself to be alone with Hannibal Lecter.

Arrow Deathstroke

Arrow had yet another strong episode with Deathstroke. It was a key episode for Thea, who is now angry at Oliver after Slade revealed that Oliver was keeping secret the fact that Malcolm Merlyn (John Barrowman) was really her father. I had expected the secret was going to be about Oliver on the island and now being the Arrow. We never saw how Slade also knew about Malcolm Merlyn, but it does not contradict anything we have seen for him to have discovered this on his own.

Poor Oliver, now being blamed by Thea for keeping the same secret which he was now become estranged from his mother over. Speaking of secrets, if she knew the full story, Thea would also have good reason to be angry at Oliver for not warning anyone about how dangerous Slade was. If Oliver had said something when he showed up in their home, Thea might not have gotten into the car with him.  Having released Thea, it no longer appears that Slade has any interest in keeping his actions a secret. It seems like after this week, most of the secrets are out in the open.

Arrow Queen Industries

Not only has Oliver lost Thea, he has also lost control over his company as we learned that Isabel Rochev (Summer Glau),  who he had only planned to make CEO pro tempore, was also working with Slade.This is all part of Slade’s plan to take away everything from Oliver.

The episode ended with yet another cliff hanger. While he didn’t tell the secret I had expected him to tell to Thea, Slade did visit Laurel at the end to tell her that Oliver Queen is the Arrow.  Most likely this will change things, especially as her father’s freedom now depends upon him revealing the Arrow’s identity, but there is no guarantee she will believe Slade. After all, as I pointed out last week, she couldn’t even tell that her own sister was the Black Canary when sitting right next to her. Although common in the comics for a mask to be sufficient to hide one’s identity, the mask did very little to hide her face. If Laurel had encountered Sara at the beach wearing large sunglasses, which would cover as much of her face as the mask, would she be unable to recognize her? Just how much alcohol and drugs did that girl consume?

Continuum minute-by-minute

Continuum season three finally aired in the United States on Syfy with resolution of last season’s cliff hanger, answering some questions and raising new ones. Alec has gone back in time a week in hopes of saving Emily, creating a new timeline. I feel like I’m in yet another time jump, being three weeks ahead of where the show is in the United States by downloading the episodes after airing on Showcase. I will limit spoilers to the episode which aired in the United States and will avoid mentioning events of subsequent episodes which have aired.

Minute By Minute began with action scenes with Kiera (Rachel Nichols) and Garza working together to escape, but things got far more complicated with the timeline collapsing and the Freelancers sending Kiera (who has now joined up with them) to the new timeline created by Alec going back into the past. The episode deals with some of the central questions of the series regarding time travel but hardly settles anything.  If traveling in time creates a new timeline, does this mean that Kiera cannot ever return to the time she left? Perhaps the fact that the Freelancers could send her to the same timeline Alec had created suggests some ability to move between timelines and presents a mechanism by which Kiera could ultimately return to both the same time and timeline she came from.

The episode does suggest that the problems and paradoxes from time travel occur if one encounters another version of the same person. They eliminated one possibility of problems here by having the Kiera of the new timeline get killed, leaving only the problem of two Alecs. The suggestion is that one will lead to the future we saw while the other must be eliminated–not that it appears to be a desirable future. Kiera wants to return to her family, and fails to understand many of the problems of her own time. The Freelancers don’t have any interest in choosing which future is best, only wanting time to run its course as it should, but is there really one correct future timeline from the perspective of people in our time? (Might future Freelancers intervene to correct the timeline in the J.J. Abrams Star Trek movies?)

Possibly actions by people from the future might give some insight into how time travel works if we can assume that they really understood it. Now we know why Kagame made sure he died on the day he was born, understanding the consequences should he ever meet himself. I think the real key is that future Alec Sadler, having his memories of what happened in the past, must have had some master plan in sending both Liber8 and Kiera back in time. Presumably he had some goals based upon changing the conditions he created. However, will this really change the future he lives in, or just create a second and hopefully better timeline?

There are already some key changes in the new timeline with Escher dead, although now any death might not be permanent if there is the possibility of the show moving to yet another timeline. We no longer know Emily’s fate. Can Alec succeed in saving her, or must she be allowed to die to save the future, like Edith Keeler in the classic Star Trek episode, City on the Edge of Forever?  The final scene from last season with Carlos deciding to join Julian will probably never occur.  Hopefully changing timelines doesn’t turn into an easy cosmic reset switch.

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Steven Moffat has sort of given an answer to another time paradox–how the Doctor’s tomb can be on Trenzalore when he escaped his fate and wound up not dying there in The Time of the Doctor:

Moffat replies: “I’ve often wondered about that. Fortunately, late one night, the Doctor turned up in person and explained it to me:

“THE DOCTOR: Changing time is tricky. It’s a bit like a detective story: so as long there isn’t an actual body, you’ve got a certain amount of wiggle room – for instance, if the body has, rather conveniently, been burned on a boat in Utah.

“Here’s the thing: I can change the future so long as the future has not already been established as part of my own past. I can’t rescue Amy and Rory because I already know that I didn’t.

“But what do I know about Trenzalore? There’s a big monument that looks very like my TARDIS. There’s a temporal fissure leading to my timeline. Maybe it’s my grave. Maybe, one day, it’s my burial ground. Maybe it is something else entirely, and we got it all wrong. Don’t know. Don’t plan to find out for as long as possible. The main thing is, Clara still jumped into my time stream, and ended up helping me through all of my life. All that is established, unchanged – but there’s wiggle room!”

There will be additional time travel coming on Syfy. The network has picked up an adaptation of 12 Monkeys:

The cable network on Friday announced that its adaptation of the Brad Pitt and Bruce Willis feature film has been picked up to series with a 13-episode order for a January 2015 premiere.

Nikita’s Aaron Stanford and Suits’ Amanda Schull star in the drama based on Universal Pictures’ Terry Gilliam film. In Plain Sight’s Natalie Chaidez serves as showrunner on the drama about a time traveler from the post-apocalyptic future who appears in the present day on a mission to locate and eradicate the source of a deadly plague that will eventually decimate the human race.

Chris Hardwick's A Celebration Of "The Nerdist Way"

In addition, Syfy has picked up The Wil Wheaton Project:

Syfy has picked up 12 episodes of The Wil Wheaton Project (working title), which the actor-blogger has dubbed “sort of like Talk Soup for geeks.” The half-hour show, hosted by Wheaton, will allow the geek hero to dissect the week’s biggest stories in sci-pop culture with the witty commentary that has made him a social media star.

In his own words, Wheaton describes the show as a “weekly roundup of the things I love on television and on the Internet, with commentary and jokes, and the occasional visit from interesting people who make those things happen.” In a blog post, Wheaton gives a charming behind-the-scenes account of the year-long process that led to the series being greenlit; his enthusiasm for genre entertainment and insider status serve his audience well. ”We discovered that nobody was doing a show like this that was just focused on the genre shows that nerds like us love, and we decided that we’d make that show,” he writes.

The Wil Wheaton Project premieres May 27 at 10 p.m. ET on Syfy.

The Americans Behind the Red Door

The Americans remain on the trail of the murders of the other spy couple in Behind The Red Door.  We learned why this is personal for Claudia, who might have let some information slip out while dating. There’s historical references to Reagan’s actions in Nicaragua. There’s also both discussion of the heroin overdose of John Belushi and a young agent using poisoned heroin to kill the Congressional aide to eliminate the risk of stolen material leading back to her.

The strongest scene of the episode might have been the aftermath of last week’s visit from Elizabeth to Martha. Elizabeth couldn’t get past  Martha’s talk of how wild Clark was in bed and wound up regretting forcing Philip to remain in the Clark role. Initially it seemed that what Martha found wild was the usual for Elizabeth, but then Phillip went further when Elizabeth seemed disappointed.

Meanwhile Oleg is making matters far more complicated for Stan and Nina, trying to turn Stan into a double agent. This week we saw primitive 1980′s technology, a dot matrix printer, used to print out reports. Next week we will see if Nina can fool 1980′s lie detector technology.

Big Bang Star Wars

The Big Bang Theory will be airing a Star Wars themed episode which also includes the return of Bob Newhart as Professor Proton:

CBS’ The Big Bang Theory is teaming with Lucasfilm for an epic Star Wars episode timed to Star Wars Day, The Hollywood Reporter has learned.

In “The Proton Transmogrification” — the episode set to air May 1 and timed to the annual May 4 Star Wars Day — the gang gets together to celebrate the annual geek holiday, while Sheldon (Jim Parsons) is guided by visions of his childhood idol and mentor, Professor Proton (Emmy winner Bob Newhart), who appears to the socially challenged genius as his own Jedi master.

For those not in the know, Star Wars Day is recognized every year on May 4, with the traditional celebratory greeting being “May the fourth be with you” — a play on Star Wars’ famed “May the Force be with you” line. Fans across the globe celebrate the film franchise with screenings and special events.

For the episode, the CBS comedy teamed with a group of special effects technicians from Lucasfilm’s Industrial Light & Magic to re-create Dagobah — the remote world of swamps and forest that served as a refuge for Yoda during his exile — and provide props for the episode, including a light saber. Lucasfilm experts consulted on the episode and visited the Big Bang Theory set to oversee the production, with the final touches completed at its San Francisco headquarters.

Last Forever Part One

How I Met Your Mother was a remarkable sitcom. It was the best ensemble show of young people in New York despite multiple attempts at this theme following the end of Friends. It did a far better job of telling a story by jumping around in time like Lost than any of the more explicit genre attempts to follow Lost. Unfortunately, instead of being, wait for it, legendary, the finale was a huge disappointment to most fans. If this was Community, the series would have ended in the Darkest Timeline.Fortunately the shock of Tracy’s death was made bearable by advance warnings in fan theories which turned out to be true.

We knew that Carter Bays and Craig Thomas would have some twist planned considering how the series began, but hoped they had something tricker planned than having the Mother die leaving Ted free to wind up with Aunt Robin. Upon reading that they had filmed the ending with the children during the second season so that they wouldn’t appear too old when the series ended, I feared that this is how they would end the show, but still held out hope that they understood the changes in their own show and would come up for a better ending.

During the second season, when the scene was filmed, this certainly made sense. For years the show centered around Ted and Robin and during that time I did suspect that the twist at the end of the pilot was a diversion and that the two really did wind up together, even if someone else was the mother of Ted’s children. The final scene, with Ted going over to Robin’s apartment carrying the Blue French Horn, with Robin’s dogs in the window, was a recreation of a scene from the pilot when Ted returned to Robin’s apartment after failing to kiss her goodnight the first time. (He also missed the signs and failed to kiss her whens he returned–but just  rewatch it on Netflix if you don’t remember the details).

himym blue french horn

However, over the course of nine years the characters changed. If they had stayed the same, it would have been fine if they used this ending. It is also fine that the people changed, but that required a different ending for the show. By the end, Ted and Robin were no longer Ross and Rachel.

Sure there were plenty of clues in the final episodes as Robin had moments when she said Ted was the one she should have wound up with while Ted finally looked ready to move on. However the final season was more about the couples of Ted/Tracy and Barney/Robin. The Mother was no longer just a MacGuffin to propel the story of Ted and Robin. Thomas and Bays did too good a job of making the fans fall in love with Tracy (whose name we didn’t learn until the final episode), and see that she was really the perfect girl for Ted. They also made us accept and welcome the implausible marriage of Barney and Robin.

If the show ended a year or more earlier, as expected, and an unknown woman, or perhaps Victoria, had married Ted but died after having their children, we could have accepted that as a plausible ending and might have been happy that Ted wound up with Robin. Killing off Tracy was a totally different matter. Thomas and Bays should have realized that the evolution in their characters required a different ending than had been planned back in the second season.

how-i-met-your-mother-dying

Besides being the wrong ending for where the characters had evolved to, the timing for the show now felt wrong. We spent the entire final season seeing the weekend when Robin and Barney got married, and then their marriage fell apart in a quick sequence in the final moments of the finale (which was a huge clue as to where they were going). They left us wanting to see so much more of Tracy and Ted but all too quickly she became sick, and that was that. She pretty much died off screen just as she spent most of her life. If they were going to have her die, she at least deserved a longer exit. It was as if Love Story was all about Ryan O’Neil and past girl friends and then Ali MacGraw appeared in the final five minutes and stole the movie.

Being television, an ending is not necessarily the absolute end. I had thought earlier in the week that if this was the ending they originally filmed, the smarter thing would have been to film a new ending which was consistent with where the show was this season, and then add the original ending as an extra on the season DVD. Instead the went with the wrong ending but reportedly they cut a happier ending to add as a DVD extra. There is also a spin off of the series planned, but I suspect the ending to HIMYM will always haunt Thomas and Bays as fans will now fear that the new series might turn out to be How I Killed Your Dad.

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SciFi Weekend: Arrow; Hannibal; Orphan Black; Doctor Who; Star Trek; Person of Interest; The Americans; Continuum; Fox vs. Kristen Bell; Mad Men; Lost; Creationists vs. Cosmos

Arrow Suicide Squad

I must admit I was a bit underwhelmed by this week’s episode of Arrow, not because it was a bad episode (it wasn’t) but my expectations had been raised so high by all the hype over the introduction of the Suicide Squad. I did like how they tied it to Dingle and his ex-wife, but beyond them there was little time for anyone else other than Deadshot and Amanda Waller. Of course Shrapnel didn’t last very long. (Are we certain he is really dead–we never saw the body.) They probably could have used more time to flesh out the story further, perhaps as a two-part show. Dingle was definitely able to carry the episode as lead and if limited to one episode it also might have been better to just give him the entire episode. Most of the scenes with Oliver and Felicity, other than the final scene, were pretty much filler anyways. I know it is unconventional to leave out two of the biggest stars, but it would have made a stronger episode.

There were two scenes with Oliver worth noting. I have no idea how Slade could have had video of Shadow from the island and suspect this was a case of the writers going for a more dramatic scene at the expense of reality (even within the parameters of this series). I did like the ending, tying into not only Dingle but Oliver, and having a potential new ally against Slade. While she was introduced to the DC world long after I stopped reading Batman comics, I understand that the cameo by Harley Quinn is a huge deal for many fans. Collider spoke with producer Marc Guggenheim about the series and potential appearances from characters from the Batman universe:

How much of the Batman universe can you plug into this show, especially now with Gotham out there?

GUGGENHEIM:  That’s part of the ongoing relationship and discussions that we have with DC.  Things have not really changed with Gotham.  It’s the same thing that it always is, which is that we have an idea, we go to DC, we talk about it, and we find out where the lines are and which characters are available or not available.  I want to manage expectations with respect to Harley Quinn.  She was always intended to be an Easter egg.  I don’t want people to go in with incorrect expectations and walk away from Episode 16 disappointed.  But there is an element to the Easter egg that was not spoiled by the promo, that I think people will find a lot of fun. 

The Arrow’s secret identity was also discussed:

Question: There are a lot of people who know Oliver’s secret now.  Is that number going to go down, before the end of this season, or are more people going to find out?
MARC GUGGENHEIM:  I would say that that number is going to go up, before the end of the year.  By the finale, more people will know than currently do.

Is that a good thing or a bad thing?

GUGGENHEIM:  We talk in the writers’ room a lot about, are there too many characters that know and does it diminish the secret identity?  Where we have come from is the philosophy that, when members of our cast of characters know, it draws them into Oliver’s world and it draws them into the show more.  So, we tend to get more story out of people knowing than people not knowing.  You could say that too many people know, but we always use The Dark Knight trilogy as our compass, and a lot of people knew that Bruce Wayne was Batman, particularly by the third movie, and it doesn’t diminish my enjoyment of watching those stories unfold.  Obviously, there are different philosophies and different points of view.  For us, as writers, we always go towards whatever gives us more story, and more interesting story.  For now, at least, certain people knowing is more interesting than certain people not knowing. 

Quentin Lance used to be a detective.  How has he not figured out that Oliver is Arrow?

GUGGENHEIM:  Episode 19 pretty definitively answers that question, as far as Lance is concerned.  And the answer to that will surprise you.  It’s not something that you would expect.

I’m happy to hear they are addressing Lance. After a recent episode in which Lance saw Sara with Oliver and with the Arrow in a couple scenes I could not believe that he did not figure out that they were the same person.

More characters from The Flash will also be introduced in episode 19, The Man Under the Hood.

Hannibal Takiawase

Hannibal stressed a couple of themes this week which are pertinent to the series as a whole: death as an escape and unconventional psychiatric therapy. The first involved both the motives of the killer of the week (well played by Amanda Plummer) and a second storyline in which Hannibal was the villain not for committing a murder but for thwarting Bella’s attempt to die on her own terms. If the coin toss went the other way, would he have had Bella for dinner?

For a moment I thought that perhaps Will was going to win over a new ally but instead it is clear that Hannibal is going to have Beverly for dinner. If only she had taken Will’s claims more seriously, refrained from relating any suspicions to Hannibal, had passed on her suspicions to Jack, and had thought to have backup before falling into his trap.

Will might have lost one potential ally, but he is still not powerless despite being locked up, and now better able to play detective with the return of lost memories. As he does every week, Bryan Fuller discussed the episode with AV Club. Here is an excerpt about Will:

AVC: Will is getting his memories back, and you’re filling in some of the gaps in season one. Was that always the plan? Did you have thoughts of what had actually happened when you were writing last season?

BF: There was, once Will says, “The answers are in my head, and I’m going to find them,” I felt like we were obligated to tell that story and to keep peeling back the onion of his memory, or the pomegranate, as it were, peeling back membranes and finding these clusters of bloody seeds that he has to deal with. We did that with the intubation of the ear, and then we did that with the reveal of, on some level of consciousness, he was aware what was going on in Hannibal’s dining room when Gideon was there, and is able to access that it causes him to seek out Chilton, to see if he can help him answer some of the mysteries that are locked away in his mind. It felt like it was a way to keep Will active. He can’t actually go out to investigate things, as much as he can go in and investigate things, so we needed to have some device for him to continue his investigation. To be active while he’s incarcerated and going inside his mind felt like a really strong way to do that.

AVC: Did you struggle with finding ways for Will to be active?

BF: It was always part of the conversations when we were story-breaking. “Okay, Will’s not active enough. Will has to be driving this.” We are telling Will Graham’s story, so it was very important to seek out those ways to keep him active when he’s incarcerated. That was the big thing: We need to get outdoors and see him in his mind palace fishing to give us a sense of the power of his imagination and also the transportive power of imagination in general. I think we hear from survivors of terrible atrocities, and how they survive is their imagination. It’s such a wonderful gift, and there was a line that we cut from an episode where they talk about how imagination is the greatest virtual-reality machine known to man, and it’s between our ears. It’s that kind of, almost, masturbatory transportation where you can go someplace and make it as real as you need it to be in your mind, even though you’re locked in a cage.

Orphan Black insider video with Tatiana Maslany above. We already have a strong set of genre shows airing now with Arrow, Hannibal, Continuum, and The Americans. Orphan Black might be the best of them all.

Mark Gatiss has discussed the return of the Time Lords of Gallifrey to Doctor Who.

Blastr has the first hints about the third Star Trek movie since the J.J. Abrams reboot. I’m still waiting for a movie in which the original Spock recruits the Enterprise crew to fix the time line and save Vulcan.

The Americans had another great episode. Claudia is back, and they are trying to track down the killer from the first episode. I would assume that the couple who intervened in the final scene were involved. Last week Elizabeth used fear to get information from the poor janitor. This week she used other more womanly techniques for interrogation. Paige created problems again, this time by going to church and getting caught reading a Bible. Plus Nina might be in danger because of Oleg, and Martha might place Philip’s identity at risk. Arrow shows what a superhero show should be and The Americans sets a new bar for spy shows. This makes Agents of SHIELD look so weak in both genres.

Person of Interest Root2

I’ve also highly enjoyed the last couple of episodes of Person of Interest. The first was almost entirely flashback, filling in some major holes to date in the back story. It ended with Root in the present, leading into this week’s episode which was more centered around Amy Acker’s character. She can easily carry the show, just as Dingle could carry an episode of Arrow. I was happy to read in this interview that she will probably be in the remaining episodes this season.  It looks like she has her own team to rival Harold’s, with root more connected to the Machine.

In many ways Person of Interest is increasingly reminding me of Fringe. Both started by concentrating more on monster or case of the week episodes, but overtime the mythology of the show took over. The characters have become increasingly compelling as people beyond operatives. Root is by far my favorite to watch, and I enjoy seeing her developing relationship with Shaw (“I love it when you play doctor.”) At least the two get along better than Root gets along with Fusco, who constantly calls her “Cuckoo’s Nest.”

I am trying hard to avoid any major spoilers on the season premiere of Continuum. Alec’s decision to use time travel has major repercussions, and is moving the show in a new direction. There is finally an answer to the central question of the show, as to whether the time line can be changed.

Now Fox (the network which says it might take a long time to find Malaysia Airlines Flight 370 because it took us 2000 years to find Noah’s Arc ) is attacking Kristen Bell for saying rich people should pay more because they can afford it. Incidentally, I received my copy of the script and digital download of the Veronica Mars movie last week after donating to the Kickstarter campaign, but have not had time to watch yet.

mad-men-season-6

Matt Weiner isn’t going to let much out about the upcoming season of Mad Men, but there was a little information at PaleyFest. Here’s what they said about Don Draper:

Don is even more aimless without his job.
Don Draper has had some dark moments, but he’s always had his job to fall back on and obsess over. “His marriage is in trouble, his relationship with his kids is tricky at best, and now work isn’t there,” said Hamm. “Don is trying to process his life and his place in his job, his career, his family, everything.” And he’s made some uncharacteristic mistakes of late, including the disastrous Hershey’s pitch. “That was a completely honest moment for him. He thought, I’m going to try this because it’s a step in the right direction,” said Hamm. “But it was a step in the exact opposite direction.” Don’t dismay, though. Hamm ended on a hopeful note: “There’s one principle to Don: He’s a survivor. He rises to the challenge.”

The Lost show runners discussed the finale at PaleyFest. No, the fan theory which I never believed that they were dead the whole time is not true.

Creationists are angry about Cosmos as Neil deGrasse Tyson isn’t providing them with equal time to deny science. Last week’s episode did an excellent job showing how evolution is the foundation of modern biology. As there is tremendous evidence for evolution and zero for creationism, there is no reason to grant the creationists a moment of time (other than perhaps to further debunk their claims).

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SciFi Weekend: Hannibal; The Fall; Crisis; Orphan Black; Continuum; History of Science Fiction; HIMYM; Gotham; Agent Carter; SHIELD; The Americans; Under The Skin; Under The Dome

Hannibal-Season-2-Episode3

Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.

Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will  might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.

Assignment X has an interview with Mads Mikkelsen:

AX: Did you watch any of the earlier incarnations of Hannibal?

MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.

AX: Can you say what you’re bringing to Hannibal?

MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.

AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?

MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.

AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?

MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.

AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?

MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.

Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some  initial reviews being very favorable. Entertainment Weekly has more on the show.

Gillian Anderson had a great response to a question posed on Reddit:

Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?

Gillian Anderson: Something so rich that he’d choke on it and die.

EW Orphan Black

Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:

Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”

I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.

Spoiler TV has information (and video) on a new clone to be introduced in the second season:

A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.

Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.

Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:

From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.

Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.

The four part series will be divided into episodes on Robots, Space, Invasion, and Time.

Continuum - Episode 3.01 - Minute by Minute - Promotional Photos (5)_FULL

Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.

The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new  joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:

http://www.youtube.com/watch?v=wbdOVrqHuCU

The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.

CBS has renewed The Big Bang Theory for three more seasons. Bazinga!

Cristin Milioti has called the theories that her character dies on How I Met Your Mother “some crazy conspiracy theories, which actually just makes me really love the fans more,” but never actually denied the rumors.  The show runners also dodged the question at PaleyFest. I wouldn’t be surprised if this is intentional misdirection, but if there is some other surprise at the end. The cast will also be appearing on Inside The Actors Studio later this month prior to the series finale on March 31.

Gotham

Fox has released more information on their upcoming series, Gotham:

Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?

“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.

Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.

Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.

As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).

Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.

captain-america Agent Carater
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel  about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:

  • ABC has the script for the pilot but nothing is greenlit yet.
  • Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
  • Howard Stark would be a recurring character, not a series regular.  This is assuming Dominic Cooper would be willing to continue to play the role.  I’ve spoken to him about this and he seemed very interested.  But this was a few months ago and things change.
  • The show would start in 1946, sort of in the middle of the timeline of the One Shot.  McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast.  We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
  • Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season.  McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome].  Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”

Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.

THE AMERICANS -- The Walk In -- Episode 3 (Airs Wednesday, March 12, 10:00 PM e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Patrick Harbron/FX

While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.

The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.

Scarlett Johansson

The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:

It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)

So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.

“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”

The story also touched on other roles, including genre movies such as Captain America and Her.

The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.

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John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.

Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.

Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.

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SciFi Weekend: Sleepy Hollow & Other Cliffhangers; Doctor Who & Sherlock Win At National Television Awards; The Americans; Arrow; Wonder Woman; Revolution; Hannibal; SHIELD

SLEEPY-HOLLOW-FINALE

Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.

This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard.  The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.

An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.

Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!

Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating  Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.

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The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:

This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.

Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”

Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”

Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.

There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.

Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.

BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.

Tremors

Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:

“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”

He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.

“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”

Gal Gadot2

Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.

I don’t know if this is the official final storyline, but this synopsis  (spoiler) of the Fantastic Four reboot leaked out from casting calls:

“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”

I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.

A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.

Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.

HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.

CHLOE BENNET

Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:

Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.

“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”

In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.

“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”

Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.

Parks and Recreation has been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.

Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.

Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.

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SciFi Weekend: Orphan Black; Magical Tahiti; Star Wars; Mad Man Return Date; Hannibal; Doctor Who; Sherlock; Gone Girl

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Orphan Black was one of the best new shows of last season, along with being one of the best genre shows of recent years. It returns to BBC America on April 19, with the producers having a three-season master plan outlined. There is additional news on the second season of Orphan Black here and here (minor spoilers):

- More boundary-breaking. “We are going to take some risks with our premise in the second season and we are going to push technically what we’ve done with the first season and our actors are really pushing the limits as well,” says Manson. Jordan Gavaris, who play’s Sarah’s BFF/foster brother Felix, prefers when he’s outside of his comfort zone. “It’s not a good thing if you get complacent, when you get comfortable and everything’s easy,” he says. “There should be that discomfort because that pushes you to take the risks to keep it interesting, to keep people engaged — and we’re scared!”

– Plot-wise, Sarah is frantically searching for Kira. The very first scene, which was screened for critics, takes place immediately after she discovers her daughter and Mrs. S. are missing. She frantically calls Felix and Paul, whose phones go to voicemail, but Paul calls back — except Rachel’s on the other end telling her to surrender herself. Naturally, Sarah hangs up, but then two menacing henchmen walk into the diner where she’s taken refuge from the rain and menacingly offer to take her to Kira. What happens next? Well, you’ll have to wait and see!

– Cosima is struggling with her mysterious respiratory disease. “Cosima to me has always been the one who’s the most fascinated with life, so it’s interesting for her to be facing her mortality and that’s really what we start to explore in Season 2,” Maslany says. Adds Manson, “It’s hard because she’s my favorite clone. We’re putting her in this really heartbreaking position, and yet she’s almost as brave as Sarah in a lot of ways. Narratively, examining her illness and looking into her own science is part of our mystery. She performs a really great story function in the second season as well, trying to get to the root of her own illness.”

– Ainsley’s death will continue to weigh on Alison. “Alison is an intense person to begin with, and the secret she’s keeping is really going to eat at her in an interesting way,” Manson says. “Alison’s got some explosions coming up.”

– Felix’s character will be fleshed out. “In Season 1 Felix was very much an integral cog in the mystery… and now I think what Season 2 helps to do is establish him outside of the clones as an individual with his own identity,” says Gavaris. “He has gone along and been that person who picks up the phone at 3 in the morning and I think it’s safe to say that the relationship with Sarah comes to a head and there’s a tough decision that’s going to be made — many tough decisions that are going to be made — and it’s not going to be easy.” While his relationship with Sarah might be tested, he will grow closer to some of the other clones.

Michelle Forbes has also been cast to appear in multiple episodes. According to TV Line, “Forbes will play Marian Bowles, a powerful new player at the Dyad Institute with a birds-eye view on the war between Sarah and Rachel.” Forbes has appeared in multiple genre shows including Star Trek: The Next Generation and Battlestar Galactica.

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Agents of SHIELD revealed some information about Agent Coulson returning from the dead. Apparently it involved a series of painful surgeries, with false memories of Magical Tahiti implanted to replace these memories. There was no real explanation as to how this managed to bring him back from the dead. I’m not sure if this is it and we are just to assume advanced medical procedures at SHIELD could accomplish this or if more is to come. At least this does eliminate some of the theories floating around, such as a room full of Coulson androids.

Agent Coulson is far from the only genre character to return from the dead. No surprise that Peter Parker is returning to the Spider-Man comics after having died last year with Dr. Octopus taking over his body.

Back when the Star Wars saga ended chronologically after the original trilogy, it didn’t matter much if different writers carried the story onward in different ways. Now that Disney is continuing the movies, it would seem to be an insurmountable job to try to maintain consistency. They did what was probably the only sensible option and have decided that the expanded universe is not canon. As I have not read any of the novels, I can’t say first hand, but I’ve also read comments that this is good because almost all of it was crap.

Among the various casting rumors regarding the next Star Wars movie, Jesse Plemons of Friday Night Lights and Breaking Bad is reportedly being considered for a lead role. If he is to play an evil role, his time on Breaking Bad will make it easier to see him as a villain.

saving-mr-banks-premiere

Speaking of Disney, I hear that Saving Mr. Banks is an entertaining movie (and plan to see it in the future) but am not surprised to read that it got a lot of the facts wrong.

AMC has announced that the seventh season of Mad Men will begin April 13. While officially the last season, the season will actually be broken into two parts like Breaking Bad. Why don’t they just call these series of shows aired about a year apart separate seasons? Regardless, it will be interesting to see where they go after Don Draper was fired for the bizarre behavior we have grown to sort-of love over the last several years. AMC also announced that Better Call Saul, the Breaking Bad spin-off, will begin next November.

Screen Crush speculates on which characters might appear in season two of Hannibal based upon the book series.

Capaldi First Image

Filming has begun with Peter Capaldi playing the Doctor. Doctor Who will return in August. Current plans are for the next two seasons to be a single run (not counting the Christmas specials) as opposed to breaking them in half. Steven Moffat described Peter Capaldi’s Doctor as being more dangerous:

There would be little point in making as radical a change as we’ve made unless you’re going to go quite different with the Doctor. The last two Doctors have been brilliant, and have been your ‘good boyfriend’ Doctors. But the Doctor isn’t always like that. There is the sort of Tom Baker, Christopher Eccleston end of the spectrum, where he is mad and dangerous and difficult.

It remains open as to whether River Song will return:

It’s always down to whether there’s a good story. My immediate instinct was that story’s probably done. Not that we saw all of it, but I never thought we should see all of it. I’m slightly tempted, because I imagine Peter Capaldi and Alex Kingston would be absolutely hilarious together…”

He adds: “She could certainly have met other Doctors. So there’s nothing stopping us… But is there anything new we can do? Or is the new thing that Peter Capaldi and Alex Kingston would be very sexy together? Is that enough? We’ve always had fun with the fact that they don’t look like a couple.”

“Peter Capaldi and Alex Kingston would look like a couple – that’s the thing. Whereas I thought Matt and Alex were gorgeous together, but it looked slightly strange, because he was so much younger. Alex is just great fun to have on the show. It’s when you want to throw the Doctor a bit, because what River does so well is to make him a bit on the back foot and a bit flustered.”

Moffat also answered questions about a crossover with Sherlock, being non-committal and saying “nothing is impossible.” The final episode of the third season of Sherlock aired tonight but Steven Moffat also says that the fourth and fifth seasons have already been plotted out. I will hold off on discussion of the the third season episodes as they have not yet been shown in the United States. A spoiler-free review of tonight’s episode, The Last Vow, can be found here. I plan to watch a download later tonight. From what I here so far, it is a more conventional mystery after last week’s episode, and I suspect will receive a better reception.

John Simm will star in a new BBC America paranormal drama series, Intruder. He previously stared in the BBC version of Life on Mars and has played The Master on Doctor Who.

Starz has released a trailer for Ron Moore’s series Outlander–video above.

Starz has also announced that Da Vinci’s Demons will return on March 22. Like Saving Mr. Banks, Da Vinci’s Demons is a fictionalized account of a real person. It is probably better enjoyed as an entirely fictional show and ignoring the use of real names or events.

There has been a lot of talk about Gillian Flynn making major changes in the movie adaptation of Gone Girl. I think that this was inevitable, both because of the different structure needed to tell a story in a movie as opposed to a book where the readers were being deceived, and to give people who read the book more reasons to see the movie. Some of stories dealt with a change to the ending. However readers of the book are quite aware that the crucial point was midway through the book with the specifics of the ending being far less important. I can easily see a more satisfactory ending being written without changing the essential story.

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