Fox has officially decided to go ahead with a six episode revival of The X-Files. Here is what we know from various web reports, including an interview with Chris Carter at XFilesNews.com. Gillian Anderson and David Duchovny will be back and Carter is looking into the availability of others, including William B. Davis and Mitch Pileggi.
Chris Carter mentions that there will be a nice mix of mythology and stand alone episodes, but what is the set up after all is said and done? Will this be the final ride or are we keeping the door open?
“It’s a good question,” he snickers. “I don’t want to answer it exactly because I wanna keep people guessing.” If the man of mystery and I were in the same room, I’m betting that statement would have come with a wink.
The reality is that it’s been seven years since the last movie, and we always wonder what would be the storyline to tackle? How would time affect these characters, and how would time shift the way in which these stories would be told? After all, the world has changed, and so has TV and you would expect that time has also shown face in Mulder and Scully’s universe.
But Carter is firm in his response, “I don’t think it will actually change anything, of course, with the new technology we’ll certainly see Mulder and Scully carrying different cell phones.”
…Still, he assures me that time won’t influence the stories, per se. “We’re going to tell X-Files the way that we’ve always told them; we will of course set them in the time and place that they exist. We’re telling contemporary stories about contemporary situations, true to Mulder and Scully’s characters and their relationship and the passage of time.”
“But where do we land? Are we going to have a time jump? Are we going to address the 2012 deadline? And what about William?” I ask.
“I’ve thought about that,” he says referring to the colonization date. “I don’t know exactly how I’m going to address it, in a big way, a mild way, a modern way, a mention or a plot point.” Then he adds, “And of course you can’t avoid to deal with the William (arc) in some way or another.”
More at Entertainment Weekly
12 Monkeys finally showed why 1987 was so important in Shonin’, and it was sure a surprise. Going into the episode we knew that Cole was in 1987 and this is possibly the last time jump he can take. Ramse went to the same year, wanting to preserve the current timeline so that his son would be born. I’m sure everyone expected there would be a fight between Cole and Ramse, but not how it would turn out. Ramse spent several years in prison after apparently killing Cole, but was ultimately freed from prison and brought to the United States by Olivia, where he winds up at an estate with The Pallid Man.
Ramse, thinking that Cole is dead, thought he only had to prevent any changes in order for his timeline to come about. Ramse and Olivia are working behind the scenes to make sure things occur as we have seen them during the season, and making sure that Cole’s plans inevitably failed. The plan would probably work if Jones didn’t come up with a great idea. Possibly only having one time jump left, she splintered him to Cassie’s apartment in 2015 rather than bringing him back to her present. Presumably Cassie will arrange for medical treatment for Cole’s knife wounds, and now they both realize what Ramse has been doing. This sets up for quite a confrontation for the end of the first season. The show has already been renewed for a second season.
Kirk Acevedo, who plays Ramse, also appeared on Agents of SHIELD last week as a deputy for Robert Gonzales, the head of the “other SHIELD” played by Edward James Olmos. In other comic-based television shows, all over at The CW, The Flash reversed the shocking events of the previous week thanks to time travel, but viewers now know far more. There are promotional pictures floating around of Stephen Amell in League of Assassins attire but Marc Guggenheim won’t comment as to what that means. iZombie has gotten off to a good start.
Among unconfirmed rumors flying around this week, ABC might be ready to renew Agent Carter next week and CBS might be thinking of going ahead with another Star Trek television series. Matt Weiner is swearing television critics to secrecy on four points regarding the final episodes of Mad Men, including what year it takes place in. The top rumors on Twitter are that it takes place in 2043 and that we learn that Don Draper is a Space Werewolf. I hope the rumors regarding the first two shows are true, and it would be absolutely awesome if the third was true (not).
The Americans is primarily a cerebral spy show which critics and its small base of viewers love, but some hate for its slow pace. That hasn’t kept it from having four unforgettable scenes this season: packing Annelise‘s body in a suitcase, home dental work, death by fire, and perhaps its most chilling death scene last week. It was probably not possible to top the incineration scene last week with violence which would be acceptable on television. Instead they topped it in yet a different way, in an episode which also had the greatest name: in an homage to Philip K. Dick: Do Mail Robots Dream of Electric Sheep?
On what seemed like a simple mission to plant bug on the FBI’s mail robot while in for repairs,Elizabeth and Phillip found that Betty, played by Lois Smith, had picked “a bad time” to do paperwork at night when she didn’t expect interruptions. In cases like this, the witness is frequently killed, but sometimes they do find ways to spare them. There was a battle of wits between Elizabeth and Betty. Their conversation was fascinating, with obvious comparisons to Elizabeth’s feelings for her own mother, and to a lesser degree to the relationship between Philip and Martha.
For a while the drama was enhanced by not knowing if Betty would live or die. Then everything changed when Elizabeth mentioned her mother, Betty asked where she lives, and Elizabeth answered honestly that she was in Russia.
Betty: “You aren’t going to let me leave. Are you?”
Elizabeth: “It’s not possible, no.
Betty: “This is not how I expected it to end—the story.
At least Betty rationalized this is a better ending than dying drunk in the street, alone in front of the television, or withering away in a hospital. Elizabeth forced her to overdose on her heart medicine, and the two continued their conversation as long as possible while Betty took the pills one by one. Just before dying, Betty asked Elizabeth why she was doing what she was doing and Elizabeth, always the good Russian, said it was to make the world a better place:
Betty: “Do you think doing this to me will make the world a better place?”
Elizabeth: “I’m sorry, but it will.”
Betty: “That’s what evil people tell themselves when they do evil things.”
Of course on The Americans the world is far grayer than this.
Much more happened on the episode. Hans was so much cruder in killing Tod. After the discussion with Phillip, Gabriel might have to find someone else to play Scrabble with. Martha is strangely going along with her fantasy marriage, but at some point this must end. Stan and Oleg are great working together and fighting against each other. Maybe they should get their own spin-off. Curing a headache is done with aspirin and a beer chaser: “It works better if you take it with beer. It’s not supposed to, but it does.” With two mail robots in the robot repair shop, are we going to see an alternate history in which they reproduce and the world is overrun with mail robots? Is this the rise of the machines?
If you miss both Parenthood-like storytelling and Zeek, both will be back in some form. While NBC has ended both Parenthood and About A Boy, Jason Katims will have a ten episode series next year and, like most of the talented people who previously did shows for NBC, it will be seen elsewhere. Instead of airing on NBC this show, which was part of a deal between Katims and NBC Universal, will be on Hulu:
Based on a script Katims and his True Jack head of development Michelle Lee created with Goldberg last year, The Way examines a family at the center of a controversial faith-based movement struggling with relationships, marriage and power. Each hourlong episode will take an in-depth look at what it means to choose between the life we live and the life we want. The drama will go into production in the summer. Casting is underway with the goal of nabbing high-end premium talent comparable to Hulu’s casting coup with James Franco in Warner Bros. Television’s J.J. Abrams-Stephen King miniseries 11/22/63.
Goldberg will pen the script and executive produce alongside Katims and Lee via the Parenthood and About a Boy creator’s pact with Universal Television. The deal marks Universal TV and Hulu’s first collaboration (as well as Katims’ first streaming deal). The Way arrives as the streaming service continues to bulk up on studio-produced fare in a bid to compete with Netflix and draw top-name producers.
It looks like Universal might be interested in continuing to make quality television shows, but not air them on NBC. If Universal also owned The Food Network, I’d be waiting for them to move Hannibal there.
In a less daring move, NBC is bringing Craig T. Nelson back in a re revival of Coach:
NBC’s sequel picks up 18 years after “Coach” went off the air in 1997 following a nearly 200-episode run. Nelson’s beleaguered football coach is now retired and is called back to become the assistant coach to his own grown son, who is now the new head coach at an Ivy League school in Pennsylvania that is just starting up a new team.