With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:
We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.
Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.
I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:
Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.
As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.
Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:
The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka, even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.
And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…
The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.
While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.
What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)
Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:
In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.
Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.
There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.
The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.
The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”
Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:
Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.
“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.
“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”
However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.
“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”
Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:
“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?’”
Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.
“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’
“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”
The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.
Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:
Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!
“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”
Peter Salus looked at the history of computers in Doctor Who.
Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.
Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.
Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.
Arrow, while well-done and quite entertaining for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.
I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US. Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.
I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:
Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!
Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:
In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa: I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.
So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.
There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa: One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.
Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.
I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.
Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?
It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.
I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.
I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.
The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:
As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.
Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.
Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.
This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.
What Culture has ten alcoholic drinks from Mad Men which you must try.
Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine
Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.
Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.
The episodes come from two multi-part serials for which only one episode each was known to exist: “The Enemy Of The World” and “The Web Of Fear.” As a result of this discovery, “The Enemy Of The World” serial can now be watched whole in the UK for the first time since it was originally broadcast, and for the first time ever in the United States. Episode 3 of “The Web Of Fear” serial is still missing even after this discovery, but a reconstruction from stills and program audio is included to complete the story. All 11 episodes from the two serials exist on film and were digitally restored prior for this release.
Trailer for The Enemy of the World above. Mark Gatiss has said that Web of Fear has inspired the first episode of the third season of Sherlock.
The third episode of Agents of SHIELD was better than last week but still left a lot to be desired. Regardless of the show’s (lack of) quality, it has been picked up for a full 22 episode run. That is no real surprise considering how it helps promote the Marvel movies, and I’m sure Disney will also find other ways to profit from the show. I’m still hoping that everyone other than Agent Coulson gets furloughed during the government shutdown, especially Fitz and Simmons. Skye could conceivably be a good character if she was able to be more convincing as someone both working with SHIELD and a hacker group.
Despite being limited to minor DC characters and being on CW, so far Arrow has been a much better show than Agents of SHIELD. As a plus, beyond the connection to DC, there is also a strong Doctor Who connection with recurring characters including John Barrowman and Alex Kingston. The producers are Doctor Who fans who are hoping to get Matt Smith to guest star.
The second season premier was a little uneven. There were great scenes, including a shoot out which seemed to be from Gotham City and the return to the island, but the show was hindered with some scenes to bring things up to date after a six month jump. This included the prison visits to Moira and the obligatory scene between Oliver and Laurel to place their romance on hold once again. It was good to see Summer Glau, but her character seemed to be even more of a robot than the robot she played on Sarah Connor Chronicles.
I have another nitpick with last week’s episode. When Oliver met with Summer Glau’s character, he was accompanied by John Diggle and Felicity. These two are his sidekicks when he does the vigilante thing, but they do not have comparable roles at Queen Consolidated. While I understand they want to place their main cast into as many scenes as possible, the business meeting should have been held with extras in suits who presumably have been running the country for the past six months while Oliver was gone and Moira was in prison. Despite the flaws of the first episode, I remain optimistic for an entertaining second season. Of course the major change is that Oliver now wants to be a hero instead of vigilante, going under a new name.
The new NBC comedies have been doing terribly in the ratings, making me hope that Community will return sooner than planned. Parks and Recreation is worth watching, even including an occasional genre reference. The rest of the shows have serious problems. Unfortunately Parks and Recreation has to go up against The Big Bang Theory. They had an excellent episode with genre discussion last week. Amy destroyed Raiders of the Lost Arc for Sheldon by making an observation I had not thought of before. The story would have played out pretty much the same way if Indiana Jones wasn’t involved, with the Nazis taking the Arc, opening it, and suffering the same fate. Sheldon tried to retaliate by showing flaws in things which Amy liked. He pointed out things on Little House on the Prairie which didn’t belong in the era and said, “If I knew this show was about time travel, I would have watched it much sooner.” He also knocked Garfield: “Your precious Garfield has no reason to hate Mondays. He’s a cat. He has no job.” Meanwhile Leonard wanted to watch the full Blu-ray extended version of “The Hobbit” with long commentary instead of watching sports with Penny’s friends who he has little in common with : “It’s like they never even heard of Quidditch.” Plus there was an appearance by Leonard’s mother, played by Christine Baranski.
I was pessimistic from the start that a US network would pull off an adaption of Gavin and Stacey, fearing it would be a flop as with the attempt at a US version of Steven Moffat’s fantastic sit-com Coupling. I was going to give Us & Them, the US adaptation, a chance due to staring Alexis Bledel. Fox has already given up on the show before it has aired, not planning to produce further episodes. I’ve seen conflicting reports saying that either six or seven have been filmed. Regardless of the number, there will be no more.
Joanna Page, the original Stacey, is appearing in The Day of the Doctor. She discussed the show in an interview posted here.
With a lack of successful comedies, NBC is looking at everything from a new sitcom staring Meg Ryan to a sitcom reboot of Remington Steele.
There have been a lot of stories over the past week about Robert Orci speaking with CBS about the possibility of a new Star Trek television series. I would love to see it happen. Star Trek belongs on television far more than in movies (not that the two are mutually exclusive). If anything, the talks are at a very early stage. Orci has now posted: “I THINK MY COMMENT HAS BEEN BLOWN OUT OF PROPORTION. Someone asked about Star Trek TV, and I said we had inquired about the rights. Doesn’t mean a show is imminent nor do we assume CBS would want us to do that at this time. I refer you to the Roddenberry podcast for context.”
There have been a number of cast announcements for the second season of Orphan Black and for Fargo, a ten-episode series to run on FX. The most interesting pick is the addition of Bob Odenkirk (Saul from Braking Bad) to the cast of Fargo.
There’s a Twitter feud between the writers of Elementary and Sleepy Hollow. Both shows have something in common as far as I’m concerned. Both have episodes still sitting on my DVR as shows which I haven’t found good enough to keep up with. I still might give Sleepy Hollow another chance as time allows, primarily because of knowing that John Noble will be appearing. Fake Sherlock is a poor substitute for the “real” thing.
With Walking Dead returning, Oh No They Don’t took a look at How Horror Took Over Hollywood.
Saturday Night Live showed the impact of the government shutdown on Gravity.
Vince Gilligan ended Breaking Bad just as most would have predicted if not for feeling that this was too obvious and trying to throw in a twist. In the end, Walt killed the Nazis, rescued Jesse and then died. Jesse escaped, Lydia was killed, and plans were made to get money to Walt’s family. Realistically Walt’s death was the most probable end-point for the series since the first episode. Initially it might have been from the cancer. Events since then changed how it most likely to occur. It became inevitable that he would face a violent death, but also achieve some measure of victory.
The only surprises in the finale were the details in how everything would be accomplished, such as threatening Elliott and Gretchen with assassination by “the two best hitmen west of the Mississippi” who were really Skinny Pete and Badger armed only with laser pointers. There was no need for a surprise ending, and certainly not a gimmick such as a dream or fading to black. Breaking Bad feels more like a continuous story in a novel, leading to the most likely conclusion. The finale has received universal praise, showing that no gimmicks were needed. Hopefully writers of future series will learn from this.
The success of the finale of Breaking Bad led to inevitable comparisons to other finales. To be fair to other show runners who fell short, the structure of Breaking Bad lent itself to coming to such a definite and obvious conclusion. While I was not satisfied with the ending to The Sopranos, an ambiguous ending was more in line with that show than Breaking Bad. After the full run of the series, it was realistic that Tony Soprano had made enough enemies that one would just walk up to him and shoot him in a diner. It would similarly be realistic to interpret this otherwise and see Tony Soprano continuing as he had for years, as with Sam Malone on Cheers. Breaking Bad had a clear storyline leading to an inevitable conclusion.
Damon Lindelof was blasted on Twitter during the Breaking Bad finale for not providing such a satisfactory conclusion to Lost. While I think they could have done better with Lost, a key difference here is that Lost had developed such a complex mythology that there was no realistic way to end the series. Lindelof defended his ending in The Hollywood Reporter, which was more a plea for everyone to stop talking about it.
The remaining questions are trivial compared to the questions raised by Lost. There was no question to the motivations of the main character. Walt revealed to Skyler that he was doing this all for himself. Did Walt initially plan to kill Jesse, and then change his mind when he saw how he was enslaved? That change in motivation is suggested in several interviews where Vince Gilligan compared the ending to The Searchers:
On the story inspiration for Walt, who was hellbent on killing Jesse, saving his ex-partner out of sudden instinct
“A lot of astute viewers who know their film history are going to say, ‘It’s the ending to The Searchers.’ And indeed it is. The wonderful western The Searchers has John Wayne looking for Natalie Wood for the entire three-hour length of the movie. She’s been kidnapped by Indians and raised as one of their own, and throughout the whole movie, John Wayne says, ‘I need to put her out of her misery. As soon as I find her, I’m going to kill her.’ The whole movie Jeffrey Hunter is saying, ‘No, we’re not — she’s my blood kin, we’re saving her,’ and he says, ‘We’re killing her.’ And you’re like, ‘Oh my god, John Wayne is a monster and he’s going to do it. You know for the whole movie that this is the major drama between these two characters looking for Natalie Wood. And then at the end of the movie, on impulse, you think he’s riding toward her to shoot her, and instead he sweeps her up off her feet and he carries her away and he says, ‘Let’s go home.’ It just gets me every time — the ending of that movie just chokes you up, it’s wonderful. In the writers room, we said, ‘Hey, what about the Searchers ending?’ So, it’s always a matter of stealing from the best. [Laughs]“
Did Walt have any plan for after he killed the neo-Nazis if he survived? It did not appear that he did. If not for the last-second decision to save Jesse, I wonder if he had planned to jump to the floor, or remain standing and die with everyone else in the room.
We know Jesse is free but from there it is all speculation:
“We always felt like the viewers desired Jesse to get away. And it’s up to the individual viewer to decide what happens next for Jesse. Some people might think, ‘Well, he probably got two miles down the road before the cops nailed him.’ But I prefer to believe that he got away, and he’s got a long road to recovery ahead, in a sense of being held prisoner in a dungeon for the last six months and being beaten to within an inch of his life and watching Andrea be shot. All these terrible things he’s witnessed are going to scar him as well, but the romantic in me wants to believe that he gets away with it and moves to Alaska and has a peaceful life communing with nature.”
Unfortunately it wasn’t realistic to have Jesse wind up raising Brock, providing him with a true happy ending.
What was going through Jesse’s mind when he didn’t shoot Walt? Was this the outcome of Jesse previously saying he would never do what Walt told him to do again, a desire to be done with killing, or did a remnant of his old respect for Walt prevent him from pulling the trigger? Would he have shot Walt if he didn’t see that Walt already had a gunshot wound?
Will Walt’s scheme work and will Gretchen and Elliott really get the money to Walt, Jr.? There’s no way to know. On this show many elaborate schemes have worked well. It was quite fortunate for Walt that Lydia kept to her old schedule and was the one to take the pack of poisoned Stevia. Everything also had to go right for his plan to kill the neo-Nazis to succeed. While throughout the series many elaborate plans were successful, not everything went right for Walt. Most notably, Walt ruined his plans by leaving the Walt Whitman book out in his bathroom, and easily fell for Jesse’s plan to lead the DEA to the money. We also do not know if his plan for Skyler to negotiate with the coordinates of Hank and Gomez’s bodies will save her, with his previous phone call not appearing to have helped her very much.
In comparing the recent finales of Breaking Bad and Dexter, it seems like the Breaking Bad finale was planned from the start while Dexter‘s finale decided late in the series. The opposite turns out to be true. Vince Gilligan had no idea about some major aspects of the ending, and has revealed other endings under consideration.
It was the opposite for Dexter. While Clyde Phillips, the original show runner, had a different idea, current show runner Scott Buck and longtime executive producer Sara Colleton told Entertainment Weekly that this ending had been planned for years:
Before the season started, you said the core idea behind this finale has been in the works for years. What was the original concept? BUCK: The kernel idea were the last few scenes. They were what I pitched a few years ago. The main idea was Dexter is forced to kill Debra. And there are many ways that could happen. But those final scenes were pretty much unchanged. SARA COLLETON: From the very beginning the paradox was here’s a guy who doesn’t feel he’s a human being, who has to fake it. But in faking it, he’s a better brother, boyfriend, colleague that most real people. People think of him as a monster, but he yearns to be human. We’ve seen him go forward on this journey every year. Now we found out what the final price was. What sums up the entire journey was the scene on balcony of his apartment before going on the boat to put Deb down — that’s horrible to say aloud. The voiceover: “For so long all I wanted was to feel like other people … now that I do just want it to stop.” It’s the horrible awareness of what it was to be a human being and how overwhelming that is for him. His punishment is banishment. He sends himself into exile. Killing himself is too easy. When he turns and looks into the camera at the end he’s stripped everything away.
Were there any other versions of the ending that you rejected? BUCK: The only real variation was what he would be doing. I knew he would be in a self-imposed prison that would be as far from Miami as possible. We’d find him working in some solitary environment where even if other people were around he would make no contact and not talk to anyone. We would follow him home and he would have no human contact.
In a way that’s his new code — avoiding human contact. BUCK: Yes. For us, that’s the tragedy. The one thing we felt Dexter wanted more than anything was human connections. Even in the first season we see him trying to get with Rudy. Now that he’s finally made that journey and he’s almost poised to have a real human life, he has to give all that up to save Harrison and Hannah. COLLETON: He went into an absolute shutdown. He no longer has even his voiceover.
The above poster was released for the second season of Hannibal. Bryan Fuller explains: “After a horrifying descent into madness in season 1, this image ironically represents the perspective of a scrappier, clearer-minded Will Graham in season 2. The scales have fallen from his eyes and he finally sees Hannibal Lecter for the monster he is.”
The Blacklist remains the best new network show so far, and has become the first to receive a full 22-episode pick-up.
Sleepy Hollow will remain with a thirteen episode run this year, and has been renewed for a second 13-episode season.
The Americans was one of the best new shows last year. Creator/executive Joe Weisberg and executive producer Joel Fields discussed the show at PaleyFest.
Nathan Fillion will guest star on Community, making Firefly references inevitable.
Rob Kazinsky says True Blood “kind of ran out of ideas and now they’ve got an idea again and they’re trying to finish stronger than ever… which they’re going to do next season!”
David Tennant will reprise his role as star of Broadchurch for a US adaptation from Fox. It was an excellent show, but I’m not sure why we need a second version. I imagine that many US viewers neither have a way to pick up British shows and don’t watch BBC America, leaving an untapped audience for Fox.
David Tennant will also be staring in Day of the Doctor, the 50th Anniversary episode of Doctor Who. Current plans include simulcasting the show in 75 countries. Steven Moffat has also discussed the upcoming regeneration from Matt Smith to Peter Capaldi:
If you haven’t seen it, there is a particularly fine interview Steven Moffat has given to Nerd3 in which he discusses, well, a lot of things you don’t often hear Steven Moffat discuss.
One section is devoted to regeneration, and the fact that it would not be a break with Whovian tradition for the Twelfth Doctor to look a lot like someone the Doctor has already met. In fact Peter Capaldi has been in Doctor Who (as Lucius Caecilius Iucundus in “The Fires of Pompeii”) and Torchwood: Children of Earth, and Steven has already had a chat with Russell T Davies over how this will all work.
He said: “We are aware that Peter Capaldi’s played a part in Doctor Who before and we’re not going to ignore the fact. I’ll let you in on this. I remember Russell told me he had a big old plan as to why there were two Peter Capaldis in the Who universe, one in Pompeii and one in Torchwood. When I cast Peter, [Russell] got in touch to say how pleased he was, I said ‘Okay, what was your theory and does it still work?’ and he said ‘Yes it does, here it is’. So I don’t know if we’ll get to it… we’ll play that one out over time. It’s actually quite neat.”
If they try to be too clever I suspect they might run into problems analogous to explaining why the Klingons look different in different versions of Star Trek. There’s a simple explanation–the same actor played three different roles. Sure, you could come up with an explanation which includes the Doctor taking the form of people he encountered in the past when regenerating. Then how do we explain Karen Gillan’s appearance, as she also appeared in The Fires of Pompeii as a different character before playing Amy Pond?
J.J. Abrams has apologized for all the lens flairs in Star Trek Into Darkness.
And finally, this video on the finale and a farewell video from the cast of Breaking Bad:
If the television shows I watched this week really reflected reality, many of the characters would be talking about the Breaking Bad finale, with some catching up on Netflix and the AMC marathon. Breaking Bad has done what few shows can do in increasing interest, and ratings, as it approached its finale. Breaking Bad has succeeded against its rivals the same way that Walter’s blue meth has–being superior to the competition. The show has also become as addictive as blue meth. This is primarily due to basics such as high quality acting and writing, but Breaking Bad has also been assisted by modern technology. The ability of many people to catch up at no additional cost on streaming services such as Netflix has helped increase the audience over past years. High definition big screen televisions are necessary to fully appreciate the camera work.
Things appeared to be as bad as possible for Walt and Jesse at the end of Ozymandias. Matters got even worse in Granite State. Walt lived alone in isolation in New Hampshire, unable to spend his money on anything other than supplies from Ed, along with an extra hour of his company for $10,000. Couldn’t they at least give him a pile of good novels and a radio to listen to? Ed even provided chemotherapy. I wouldn’t expect such intermittent doses with no monitoring to be the best way to treat his cancer, but Walt did appear far stronger when he returned home than on his first attempt to walk into town, even if he became so thin that his wedding ring slipped off his finger. Walt’s attempts to save his family have failed, and he hit bottom with the the total rejection from his son, who wished he was dead. This was enough to get Walt to decide to surrender, until his pride took over when he heard Gretchen and Elliot deny him credit for his work creating Gray Matter Technologies on television.
Meanwhile things were so bad for Jesse that he wished Todd and the neo-Nazis had killed him rather than keeping him alive as a slave to cook blue meth. At points Todd appeared to be less than 100 percent evil when he spared Skyler’s life and gave Jesse some Ben and Jerry’s but showed what a psychopath he really is by so coldly killing Andrea (nothing personal).
This brought us to the scenes which started both halves of Season 5. So far we have seen a couple of possible endings–Walt living happy and retired from the meth business at the start of Season 5, and more recently exposed and arrested by Hank. Now we will see a third, and final, ending. We know Walt is well-armed and has retrieved the ricin from his old home. There are many predictions as to what will happen. The overall arc of the show has been for Walt to become increasingly evil, but some signs of goodness have remained from trying to save Hank to his continued concern for his family. Will Walt be punished for his crimes, or will he survive? Vince Gilligan left us to wonder with comments on the ending such as “I feel like this ending represents on some level, however small, something of a victory for Walter White.”
Beyond coming out of this alive, the biggest potential victory for Walt would be to find a way for his family to be cared for and Skyler to escape prosecution. Perhaps he will force Gretchen and Elliot to give his family the money from Gray Matter which he believe should have been his (although he certainly was not interested in their money back in the first season).
Presumably Walt will get his revenge over Uncle Jack and Todd. The neo-Nazis must be punished. However, as this is so predictable, either it will occur quickly and the finale will concentrate on other things, it or the outcome will include an unexpected element. How Jesse and Walt will react to each other remains a big question. Perhaps Todd’s demise will involve Lydia as opposed to Walt or Jesse. Unlike on his role of Landry on Friday Night Lights, Jesse Plemon’s character is unlikely to get the girl this time. It would come as no surprise if either winds up killing the other.
What is Walt planning to do with the ricin? Perhaps it is intended for Gretchen and Elliot. Maybe we will even see a flashback which more clearly shows what happened between them and Walt. If a flashback does show them screwing Walt out of what should have been his share of the company and a fortune, I would assume that the two wind up dead.
The ricin might also be for Lydia, should Walt want to undo what he has done and shut down the distribution of blue meth. Yet another possibility is that Walt saved it for himself to ensure that he will not wind up living in prison, after being in a situation as bad as imprisonment in New Hampshire. Maybe he will take the ricin, and then arrange a deal where he goes to prison in return for a deal not to prosecute Skyler. There are also several other characters who might knock off Walt sparing him from going to prison beyond the obvious ones, including Skyler, Marie, and perhaps even Walt, Jr. Perhaps Marie deserves the honors, considering how much she was hurt by Walt while never becoming tainted as was the case with Skyler.
At this point I suspect viewers are mixed regarding their hopes for Walt. If the evil characters are punished, this should include Walt, but the show has always been about rooting for Walt to triumph. Jesse wasn’t initially intended to survive past the first season, and now having Jesse survive would be welcomed by fans. Jesse’s survival could also provide an answer to Brock’s fate. There are lots of other characters to wonder about. Will Saul return from Nebraska? At least we know why Better Call Saul will have to be a prequel show. Did Huell ever get out of that room? Is Baby Holly fated to one day take up chemistry?
While we won’t know what happens to Walt and Jesse until Sunday night, we do know what is next for Vince Gilligan. He will be doing a crime series for CBS next season taking place in Battle Creek. I’m not sure if I’m more disappointed that he will be on network television or that it takes place in Battle Creek, but most likely Gilligan will exceed expectations for such a scenario.
While most have high hopes for a satisfactory ending to Beaking Bad, the series finale of Dexter was a disappointment–as was much of the final season. The two problems are interconnected. A better ending would have meant a better lead up during the season. There were two possible satisfactory scenarios. Dexter could have been caught at the end and the final season could have been about Dexter desperately trying to cover his tracks while at risk of being uncovered. Alternately we could have had a big bad who eventually killed Dexter, but there was nobody this season who was big enough to provide a satisfactory conclusion in this manner. A variation of this would be Hannah being the enemy who kills Dexter, but the season did not play out in a way to make that plausible. Instead we saw a number of potential menaces pop up during the season, but none provided a compelling enough story to justify them being the one who beat Dexter.
The finale was disappointing on a couple additional levels. Having Dexter survive at all seemed implausible until we were reminded that Dexter did have a small life boat available on the Slice of Life. While the final episode did blatantly foreshadow the fact that Dexter would never see his son again and that Hannah would be raising him, they might have given a small clue that the life boat existed nearer the conclusion.
The big disappointment is that Dexter’s decision just made no sense. He has brought doom to some people around him, especially Deb, but Deb died because he changed and did not kill Saxon, not because of his dark passenger. His decision would have made more sense if Dexter’s killing someone is what had led to Deb’s death. Besides, leaving the country with Hannah and getting a fresh start would seem to be a reasonable solution, while still allowing him to be with his son. Even after having Dexter fake his death, it would have been more satisfactory if the ending was like The Dark Knight Rises and Dexter was eating with Hannah and Harrison in an outdoor café in Buenos Aires.
There were so many implausible elements in the finale beyond Dexter’s decision to lead a solitary life. He spared Saxon, leaving him to be killed by the state, and then risked everything to kill him. There was no guarantee his connections with the police would lead to those viewing the film to so easily go along with Dexter’s story. I predicted that Saxon would cut off the guy’s tongue after he said he knew he would not speak, but how did Saxon avoid getting covered in blood? A hospital might be in chaos during an evacuation, but not likely to the point where Dexter could turn off Deb’s life support and carry her out of the hospital. Is it really wise to trust that Hannah will give up killing forever and make a good mother for Harrison?
“In the very last scene of the series,” Philips explained, “Dexter wakes up. And everybody is going to think, ‘Oh, it was a dream.’ And then the camera pulls back and back and back and then we realize, ‘No, it’s not a dream.’ Dexter’s opening his eyes and he’s on the execution table at the Florida Penitentiary. They’re just starting to administer the drugs and he looks out through the window to the observation gallery.”
And in the gallery are all the people that Dexter killed—including the Trinity Killer and the Ice Truck Killer (his brother Rudy), LaGuerta who he was responsible killing, Doakes who he’s arguably responsible for, Rita, who he’s arguably responsible for, Lila. All the big deaths, and also whoever the weekly episodic kills were. They are all there.
“That’s what I envisioned for the ending of Dexter. That everything we’ve seen over the past eight seasons has happened in the several seconds from the time they start Dexter’s execution to the time they finish the execution and he dies. Literally, his life flashed before his eyes as he was about to die. I think it would have been a great, epic, very satisfying conclusion.”
Phillips further explained that his idea for the ending was inspired by An Occurence at Owl Creek Bridge, the 1890 story by Ambrose Pierce about a Confederate soldier that is famous for its time-altering, plot-twisting ending. When the soldier is hanged, the rope breaks, he falls into the river, swims to shore, runs toward his family, see his wife and children and right before they are reunited, the rope catches and he dies. It turns out that the entire story takes place in the two to three seconds between the soldier’s initial drop and his neck snapping.
As SciFi Weekend is supposed to be about science fiction (even though I frequently cover other show) it is time I returned to science fiction in the video above. It is an animated version of Badger’s idea for an episode of Star Trek as presented at the start of the second half of the final season of Breaking Bad. The humor as well as the drama of Breaking Bad will be missed.
I will wait a while longer to come to any conclusions about the new season. Sleepy Hollow showed promise in the first episode, but after the second I’m not sure that I really want to devote an hour a week to it. One thing which might keep me interested is that John Noble will have a recurring role. Nicole Beharie answered questions about the show here.
So far The Blacklist looks like the best new show, with all the twists providing a perfect vehicle for the talents of James Spader. The show does remind me in some ways of Hannibal. A key difference is that with Hannibal we know the broad outline of where the show is going. We were left with lots of questions on The Blacklist.
Agents of S.H.I.E.L.D. has a recurring mystery of its own regarding what really happened to Agent Coulson. In some ways it is a light, Disneyized version of Torchwood. Torchwood, in the early seasons, dealt with a team working in a universe where people knew about the Doctor and experienced alien invasions, while Agents of S.H.I.E.L.D. has a team working after the events of The Avengers. Both introduced their agents by recruiting from the outside–Gwen on Torchwood and Sky on SHIELD. Both pilots even used a sci-fi serum at a pivotal point but in far different ways–Retcon to cause amnesia on Torchwood and a truth serum on SHIELD.
I do have one nitpick about the pilot for SHIELD. (Two if I mention how obnoxious Fitz is). I realize that we must accept a lot of implausible things related to fictitious science and superheroes. There are things which none of this should change from our reality. I have been in many hospitals and have never seen one with big open windows in patient rooms which would allow someone with superpowers to leap out and jump to the ground.
Orphan Black has started filming for the second season, with Sarah once again trying to get reunited with her daughter.
Lilly met the mother on How I Met Your Mother and we got a scene from a year later showing her with Ted. She does look like the right woman for Ted to wind up with, and now that it has started I think that a season long wedding will work out fine.
The BBC has released the above poster for the 50th anniversary episode of Doctor Who, to be named The Day of The Doctor. It will be the second from last episode staring Matt Smith, also staring David Tennant and John Hurt.
Steven Moffat discussed filming the final episode with Matt Smith at the TV Choice Awards, where Doctor Who won for Best Drama Series. David Tennant won the Best Actor award for his role on Broadchurch. Miranda Hart of Call the Midwife won for Best Actress. (Jessica Raine,who plays Jennie Lee on Call the Midwife, played Emma Grayling in the Doctor Who episode Hide and has a role in the upcoming movie on the development of the series, An Adventure In Space And Time.)
Peter Davison will be appearing in the 50th Anniversary episode of Doctor Who. While he has confirmed the appearance, he states he is unable to give any specifics. My suspicion is that he has a cameo role in the special but does not reprise his role as the Doctor unless the story can give a plausible explanation for showing a former version of the Doctor who has also aged. Pictures appeared on line of Tom Baker in his scarf starting rumors that he would also appear but it turns out it was to film a skit for another show.
In follow-up of the controversy I mentioned last week, TrekMovie.com has posted another opinion arguing that Star Trek is Not Broken. Those who are not happy with how J.J. Abrams is handling Star Trek might be happy to hear that he will not be directing the next Star Trek movie now that he will be busy with Star Wars. I fear that this won’t change many of the problems cited by fans but at least it might mean less lens flare.
There has been even more controversy over the choice of Ben Afflect to play Batman in the Man of Steel sequel. The CEO of Warner Brothers defended the choice, describing this Batman as “kind of tired and weary and seasoned and been doing it for a while.”
Besides the upcoming Star Wars trilogy, Disney is going to take advantage of buying the rights by putting out additional movies. Variety reports that they will be origin movies. There will be a lot of Star Wars as “one ‘Star Wars’ trilogy film or ‘origin story film’ would also appear on the release schedule each year, starting with the seventh installment in the ‘Star Wars’ saga that J.J. Abrams will direct and Disney releases in 2015.”
Warner Brothers is returning to a recent major source of income for the studio. J.K. Rowling is going to write a new movie series taking place in the Harry Potter universe. After recently reading The Cuckoo’s Calling, I think she does have a better future in writing such movies then detective novels, although the two aren’t mutually exclusive. It’s not that I didn’t like the book, but I read several far more entertaining novels over the summer, and there are plenty of similar mystery series already out there.
Grant Gustin of Glee will play The Flash on Arrow, and potentially on a spinoff show.
Cult Box has a spoiler-free review of Agents of S.H.I.E.L.D. Gawker reports that some of the scripts were not very good and Joss Whedon had to rewrite them. The web site for the series is now on line.
ABC is working on an alternate reality series which sounds interesting. The show, entitled The Thirteen, takes place in an alternative present day in which the colonies did not win independence from England and are still fighting the English for independence.
Utopia writer Dennis Kelly has discussed conspiracy theories, over population, and the second season of the series:
There’s going to be a second series of Utopia isn’t there?
There is. It’s currently being written. It’s being filmed in two months [speaking on the 22nd of August]. I’ve got two months before the first block. You film it in two blocks so episodes one, two and three, and then four, five and six. Marc Munden who directed one, two and three, and really set up the look for Utopia – and that’s what people talk about a lot when they talk about Utopia – he’s a brilliant director, more like a filmmaker than a TV director really, and he’s fantastic to work with. He’s come back and he’s going to do the first block again. He has a much more involved role in the whole series, which is great.
Can you give us any ideas about what series two might contain?
We’ve got a very odd first episode, which people are either going to really like or really say ‘what the fuck did you do that for?’ and I’ve got no idea what the reaction’s going to be. Some of the characters are coming back, you’ll definitely see Arby again, and Jessica. There’s a lot of people dead unfortunately and a lot of people will die [laughs].
Do you have a finite end for Utopia in mind?
I think I do, I think so, yeah. Not necessarily a good one. [Laughs].
Luc Besson is interested in doing another movie in the world of The Fifth Element.
Joking Bad, Jimmy Fallon’s parody of Breaking Bad, can be viewed above. The series ends this month. A spinoff is being considered based upon Saul Goodman before he became Walt’s lawyer. The Hollywood Reporterlists Saul’s top moments.
For the last few days I felt a little like a time traveler with information about the future which should not be spread. I binged on both seasons of Continuum over one week, watching the season finale on a download from the original Showcase broadcast last Tuesday. Of course all the Canadian viewers must have felt like this for a few weeks. This is a Canadian show on a network required to include some Canadian shows, so I immediately put aside any skepticism as to Vancouver being the key North American city in 2077. Now that SyFy has also broadcast the finale in the United States, I feel I can to on to discuss the show with some major spoilers.
Until I began watching, I had fears that Continuum might be a police procedural with the gimmick of a future cop and terrorists from the future. It was clear early that the show is much more complex, moving into new territory in the second season, and setting up the show to move in yet more new directions in the upcoming third season. Rachel Nichols plays future City Protective Services (CPS) Protector Kiera Cameron who was sent back in time from 2077 to our present along with a group of terrorists (Liber8) who escaped their death sentence with time travel The world of 2077 is, on the surface, the dream of several libertarian fantasies as governments have collapsed and corporations have taken over. It doesn’t turn out the way in which libertarians fantasize as the corporations have no respect for our concepts of individual liberty or restrictions on the power of the state.
Seeing the future which Liber8 is trying to prevent makes it very hard to decide who to root for in the series, and a factor which keeps the show so interesting. In the season two finale, Liber8 leader Travis claims that he, and not Kiera, is the good guy in this story. Many viewers would probably agree if not for the excessive violence utilized by Travis and others in Liber8. There have also been differences of opinion, and even a civil war, within Liber8, with some taking a less violent approach. Kiera is the protagonist of the story and does what she believes is right based upon her knowledge, but at least so far lacks the knowledge provided to the viewers about the system she defends.
Another major player is Alec Sadler, who as a young man assists Kiera and as an old man in 2077 (played by William B. Davies, the cigarette-smoking man of X-Files), runs the most powerful tech company in the world). Young Sadler connects with Kiera early because her CMR (an implant which, among other things, provides communication for Protectors) works on a frequency which Alec was experimenting on in the lab in his garage. Alec’s step-brother Julian is originally portrayed as being a messed up kid fated to become a mass murderer but by later in the second season it appears he becomes one of the most heroic characters of the series, with far more to the stories of mass murder by his future self than Kiera understands.
While doing repairs, Alec found messages from his future self placed in Kiera’s super-powered body suit which revealed that Liber8 and Kiera were intentionally sent back in time by his future self. This means that old Alec has developed reservations about the system which he was involved in creating as he sent Liber8 back in time to change the future, with Kiera possibly sent along to keep their violence in check. Even after two seasons, all the details of Alec’s plans are not yet clear. The members of Liber8 appear to be successful in creating the roots of a rebellion against Corporate control but cause and effect create a number of questions in this series. The anti-terror task force in the police department becomes CPS with corporate sponsorship in response to the threat from Liber8, being just one situation seen where we question whether the time travelers are actually creating the future of 2077. In an analogous situation, it is Kiera who wound up radicalizing Julian with her threat to kill him.
The ability to change the future on this show is quite unclear and I will return to this question later. In one episode Kiera captures a mass murderer who in her time was known for never having been caught. We do not know which events, if any, would actually change things in her future. A character believed to be another character’s grandmother is even killed, with the character not showing any change.
Not everyone sets out to change the future. Matthew Kelog was a reluctant member of the group all along, dragged into illegal activity by his sister. After arriving in his past he left the terrorists and made a fortune with his knowledge of the future. One nit pick is that he made this fortune far too quickly. Knowledge of which businesses succeeded and other events will certainly help build a successful portfolio but this would take time. It is unrealistic that he would know enough winners of major sporting events from that far back in the past to amass a huge fortune from gambling so quickly either. It would be more plausible if he knew his destination and had time to do research before being sent back.
If time travel is possible, it only makes sense that there might be other time travelers around. Two characters, including one named Jason who happens to share DNA with Alec, were sent back in time from the original breakout but wound up in an earlier time. Jason is kind of nuts. Is this the result of being in the past so long? I suspect it was more the result of being thrown into a mental institution when he went back in time and claimed to be from the future. It is hard to judge this based upon other characters as one other showed signs of mental imbalance but others did not.
Complicating matters further are the Freelancers who are from a different time.
The second season finale answered some question but also set up potential major changes in the show. We learned that one recurring character whose goals were unclear, Escher, is a former Freelancer and Alec’s father while Jason shares his DNA as he is Alec’s son. There already had been the question as to what degree future technology developed by Alec was based upon knowledge he learned of the future as opposed to being his own inventions. Now that we learn that time travel is the family business, we don’t even know if Alec would even be in this time line without time travel.
If the revelation from Escher that he was Alec’s father reminded viewers of Darth Vader telling the same to Luke, the scene with both Kiera and Travis suited up was reminiscent of a fight scene from The Matrix.
With the police being turned into a corporate-controlled unit which violates civil liberties (also presenting a change in the portrayal of Inspector Dillon of the Vancouver Police), Kiera’s partner Carlos left the police and wound up with Julian, who had been an enemy in prior episodes. It is possible that Carlos is going undercover, but I suspect that he really was fleeing from the newly founded City Protective Services, who are now planning to arrest Kiera as a terrorist.
At different times in the finale Alec appeared to be using and double crossing both Escher and Kiera, going for his own trip through time in the finale. Most likely he is going back to save his girlfriend Emily, who was killed during the second season. Emily’s motives were also unclear earlier in the season as it was clear to everyone but Alec that her goal was to get into his lab, and she also turned out to be working for Escher. Will Alec succeed in saving Emily, and if so will this create a cosmic reset making the other events of the last couple of episodes not occur, or will it create a new time line with a living Emily parallel to the one where she was killed? Is Emily Jason’s mother? It is also possible that Alec might wind up at a different time, such as when the characters were first sent back in time, or maybe just a few minutes before the Freelancers attacked.
The show often shifts back between the present and 2077, and key information is often not revealed until subsequent episodes (if at all so far). The second season began with a scene of Kiera being captured and put in a glass cage along with members of Liber8, including one who was brought back from the dead or from a different point in time. Kiera then awoke from a dream (when some of her memories were wiped)in 2077 and it wasn’t clear if this was part of her dream in 2077 or an event from some other point in time. In the second season finale, Kiera is captured by the Freelancers, who claim a goal of defending the time line from time travelers and are as violent as Liber8.While t is hard to trust the motives of the Freelancers, are we actually seeing something like the Temporal Cold War from Star Trek: Enterprise? The season ends with a repeat of the scene with her being placed in the glass cage.
Presumably this imprisonment occurs immediately after what appeared to be her capture, but this is far from certain. If she had been dreaming this in 2077 before she was sent back in time, it could be a suppressed memory from earlier, especially if she has wound up in a temporal loop due to changes in the time line which are not yet clear. It is also possible that she actually escaped at the end of the episode and the imprisonment scene occurs at some other point in time. Alec’s trip through time might wipe out everything we are seeing, or create a new time line in which this does not occur. If the third season does start with her in the glass cage, then what? The cages look more like short term holding cells than a permanent prison. Do the Freelancers plan to move them elsewhere or perhaps take them back to their own time? Does Alec and/or Escher save them, or do still more time travelers get involved?
One of the Freelancers did make a reference to different time lines in the finale, and this might be where the show is headed. It remains unanswered as to whether those sent back in time can change the future for old Alec or, as some incidents suggest, at most can create a different time line where things turn out different. Physics Today did look at the science of time travel in Continuum, but as 1) time travel is not real and 2) this is fiction and the show is going to follow whatever rules are made by its creators. We got some hints as from Simon Berry in this interview with some questions posted below:
The core of the show’s storytelling has always seemed to be the struggle between corporate dominance and the anarchy of Liber8. How do the Freelancers fit into that theme?
You will find out in the first episode of Season 3.
When did you guys decide that the show needed another group of time travelers in the mix?
The notion of Freelancers was introduced early in the writing room of season 1. We were going to bring it in then, but decided to hold back until Season 2.
In one episode, someone shoots Kellog’s grandmother and he’s unharmed. In another episode, Kiera solves a serial killer case that was never solved in her original timeline — and she still remembers seeing it as an unsolved case, back in 2077. Also, in one episode Old Alec tells Young Alec that he’s not Young Alec’s future self, but just a version of Alec that shares some experiences. So is it basically confirmed that you can change the past, but you’ll just create a brand new alternate timeline? Is that definite now?
The final episode of season 2 certainly points to that, but ‘definite’ is a dangerous word. Don’t get too hung up on the defining “multiverse versus closed loop” debate just yet.
We like to think of time in the context of our story: two points, 65 years apart. The belief that one can make small changes to the timeline now and that will upset 100% of the events in 65 years, is too simplistic. We’ve used the Tsunami metaphor in the show and I think it’s an appropriate one in this case. Small changes to that wave are certainly going to have an impact on the damage it does, but that doesn’t mean the wave doesn’t do what it’s supposed to do.
I think because the stories are Kiera-centric, we are tempted to believe that the changes to the timeline will affect her life more than others, but there’s no reason to think this way. Unless Kiera or Liber8 makes changes that are directly related to her family and Greg’s family, then there is still a good chance that she will be born and Greg will be born and they will meet.
The idea of multiple timelines in itself opens the door to connected timelines that could split like tree branches but then wrap around each other like vines, eventually merging again. That’s one of the amazing things about time travel; because it’s not a pure science, there is room for interpretation and the introduction of larger forces at work, be they natural or un-natural.
Even if Kiera is on an alternate timeline, she could theoretically return to a version of 2077 where her life played out 99% as it did. Now it’s true she would run into a version of herself that never went back in time and that would be complicated… But it would be deliciously complicated.
If so, then what does Old Alec have to gain by sending Kiera and the Liber8 gang back in time? Won’t he just create a different timeline that he can’t ever visit? From his viewpoint, how can Old Alec even know what changes happen as a result of that time travel?
Perhaps Old Alec understands more about what’s at stake than we’ve revealed to date. The final episode of season 2 will introduce the first threads of this larger storyline.
One of the big shifts in season two was the Vancouver Police Department coming under the control of Piron, or at least a big part of it. Do the police basically just become another gang in the city’s gang war at some point, and lose their legitimacy as cops? Have the police already crossed too many lines to be able to claim they’re upholding the law?
Well the Piron deal is really only with Dillon’s Liber8 task force so it was never meant to be a complete take-over (yet!) – What we are setting up is the very small moves that might lead towards an eventual corporate controlled police department a-la Robo-cop OCP scenario.
It seems as though the driving force behind the corporate takeover of the police was the arrival of Liber8. Are the Liber8 terrorists basically causing the corporate-controlled future they were trying to prevent, only ahead of schedule?
There’s a timely irony in that, and it’s not an accident.
And finally, it’s seemed as though Kiera isn’t sure what her goal is any more. At times she wants to preserve the timeline she comes from, but at other times, she’s willing to make some pretty big changes. (For example, being willing to shoot Julian, which would cause a pretty big change.) Are we going to see her regaining more of a clear sense of purpose in season three? Is her evolution as a character taking her someplace? And will we be learning more about Alec’s “purpose” for her?
It’s interesting that many comments pop up from time to time about Kiera not doing the ‘right’ thing or the ‘smart’ thing regarding time travel. This suggests she has the knowledge the audience has.
One of the unique aspects of Kiera Cameron in the Time Travel tradition is that she is one of the few characters in the genre who are not travelling by choice. Most Time Travel is driven by a character who understands the stakes and science of Time Travel, therefore their actions are determined based on their self aware role within the time continuum. They are willing adventurers who know the rules and usually have a goal and understanding of how to achieve it in context of their situation.
That is not the story of Continuum.
Kiera is an average person in 2077. She’s not a scientist or engineer. She’s not a theoretical physicist or even a fan of Science Fiction (unlike many of our fans who I believe would know what to do, and what not to do, if they found themselves in her shoes). Kiera is an unwilling victim of another person’s designs… She is us.
Kiera is fumbling her way through this experience using her humanity and experience as a guide, not a set of time travel rules or knowledge of paradoxes and wormholes. On occasion Alec will remind her of the possibilities and pitfalls, but without proof of anything, who’s to say what’s right or wrong. As Kiera evolves, so will her decisions.
For Kiera, this entire adventure is also a learning experience, and the lessons will form a critical path towards her becoming the person she needs to become in this mythology, and illuminate the “purpose” Alec had in mind for her.
This weekend I binged on the entire season of Broadchurch. The story is about the murder of an eleven year old boy and the effects on the town. It stars David Tennant and its excellent cast includes a second actor who has starred on Doctor Who, Arthur Darvill. The third character in this scene, Olivia Coleman, also appeared in an episode of Doctor Who, The Eleventh Hour. As only four of eight episodes have shown so far in the United States on BBC America, I will avoid any meaningful spoilers. Those who want to know absolutely nothing (such as whether Danny’s killer is found) might want to skip the following.
Then I heard that the show had been renewed for a second season before completing the first, I was concerned that maybe they would leave things hanging, as occurs to some degree on another recent British crime drama, The Fall (staring Gillian Anderson). Broadchurch does have a very satisfying ending, showing not only the identity of the killer but answering many questions about other characters raised during the series. The killer might be guessed after a lot of information is provided in the seventh episode, but a big clue is held until the start of the eighth. With the killer apprehended, Broadchurch doesn’t appear to leave much room for a second season like the first, considering it would not be as realistic to have a second murder in the same place. Some of those involved in the show have said that the second season might be completely different:
Speaking at the Edinburgh Television Festival the network’s director of TV Peter Fincham said that viewers would not be subject to ‘a formulaic repeat of series one’ when the show returns in 2014.
He also did not confirm which members of the cast from the first series might – or might not – appear.
The comments mirror those of series creator Chris Chibnall, who confirmed earlier this year he was working on Broadchurch round two – but also stayed silent on whether Tennant and Colman would be back.
‘I would take nothing for granted, I would just wait and see!’ he commented.
Will Mellor, who played psychic phone engineer Steve Connolly, has also hinted that the next series could be a prequel – and may not even feature a whodunnit.
‘I can’t see it being about another murder because it will be a bit too coincidental. All I know is it’s going to be a surprise because the writer always catches you out,’ he said.
‘Maybe it’ll be a prequel, it might go back to the old case that David Tennant’s character [DI Alec Hardy] didn’t finish. Whatever it’ll be, it’ll be fantastic.’
Redshirts by John Scalzi won the 2013 Hugo Award for Best Novel. The novel is an homage to Star Trek, along with a look at what doesn’t completely work in television science fiction, and, continuing with the lead story today, even has some time travel.
The Avengers won for Best Dramatic Presentation, Long Form.
Blackwater, an episode of Game of Thrones won for Best Dramatic Presentation, Short Form. Three episodes of Doctor Who were also nominated in the category: The Angels Take Manhattan, Asylum of the Daleks, and The Snowmen. I wondered whether dividing the vote with three episodes might have prevented Doctor Who from winning again this year but looking at the total numbers Blackwater had more votes than all three episodes of Doctor Who combined. The final nominee in this category was an episode of Fringe, Letters of Transit.
In the entertainment industry in 2077, Benedict Cumberbatch will be famous for being a part of every major movie franchise. Now there are reports that he will have a role in Star Wars VII. It looks like he should have some free time. Filming has completed on the third season of Sherlock.
James Spader has been cast to play Ultron in Avengers: Age of Ultron.
Yet another story on Star Trek science maybe becoming fact. This time, a report on experiments at NASA which might make warp drive a reality. Maybe. Fareed Zacharia also had a segment on Sunday’s show on technologies which are similar to the replicator.
Update: News came in later tonight that Frederik Pohl died over this past weekend.
The sixth season of True Blood, while not without faults, was the best season in several years. The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again. Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.
There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.
If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:
Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner: It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.
If vampires and humans are now working together, where does the tension come from?
Buckner: I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.
Can you talk about the threat of the mutated Hep-V?
Buckner: That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.
Have vampires essentially overrun the world at this point?
Buckner: It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.
Presumably that means Season 7 picks up right where we left off?
Buckner: That’s a fair presumption.
Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner: In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!
Pretty sure he broke the internet after going full-frontal.
Buckner: It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”
People thought it might be a body double.
Buckner: Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.
Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner: Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.
The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:
TVLINE | How do you explain the fact that some of those infected — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.
TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.
I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.
In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.
This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling
WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show? MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].
WS: Was it ever intimidating, being responsible for such an iconic television franchise? MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.
WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre? MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.
WS: Why did you want to put Sherlock Holmes in a modern-day setting? MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.
Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.
Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.
Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.
There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.
Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:
“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”
I will be looking forward to watching this in another 50 years.
Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil. Twitter responses to the choice here and here.
The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.
The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.
Who will be the monarch on Under the Dome? From SpoilerTV:
So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”
The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.
Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.
New trailer for Agents of SHIELD above.
Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.
All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:
“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they're] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night”team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.
“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”
If you check out street view on Google Maps at Earlham Green, Greater London Nr5 8DQ, United Kingdom you will see a blue police call box on the left side of the street. Place the mouse near it and then click on the double lines which will appear. This will allow you to enter the TARDIS. You will find that it is smaller on the outside than on the inside. Once inside you will be able to move around the control room. Unfortunately you cannot go further inside the TARDIS but I assume Google Maps will be working on extending their coverage of interior spaces.
Arrow show runner Mark Guggenheim discussed introducing The Flash on Arrow:
“I feel like I’m just following Bilson and DeMeo. Whatever they do, I seem to follow in their footsteps,” Guggenheim laughed. The writer told CBR that from comics to TV, the goal of the “Arrow” production team is to expand out the DC Universe while keeping the tone and feel of their show its own unique story platform.
“Honestly, I’m just excited to help be a part of expanding the DC Universe,” he said. “I think one of the big thing that appeals to me about comics in general is the idea of the shared universe. It’s a lot of fun to be able to do that in television, and growing up one of the things I enjoyed was the ‘Six Million Dollar Man’ and ‘The Bionic Woman’ and the way those two shows would interact with each other. We’re at least a season away from ‘Arrow’ interacting with ‘The Flash,” but the potential for that is really exciting for me.”
Kreisberg, who serves as Guggenheim’s show running partner on “Arrow,” will develop Barry Allen’s character in writing each of those three episodes this season on “Arrow,” and Guggenheim said that is all part of a masterplan that stretches back before their recent run of announcements. “Andrew is taking the lead on ‘The Flash.’ This has been in the works for a while and had been in the works since before Comic-Con. But we made the decision, as these things are announced in a rollout, to take a strategy where we’d announce Black Canary, Bronze Tiger and Brother Blood at Comic-Con. We felt like, ‘That’s a lot for Comic-Con. Let’s save something back for when T.C.A. comes around.’ I want to disabuse anyone of the notion that we decided to do Flash after Comic-Con. We’re just capable of keeping secrets every now and again.”
And overall, the writer wanted to stress that an additional superhero – and one with some more super powers – won’t change the core of what “Arrow” is. In fact, Guggenheim leaned on a comparison with DC’s main competitor to explain how each series will develop over time. “I think a lot of people are justified in asking ‘What does this mean for Arrow in terms of its tone?’ And my answer is that the trick that we have – and this is a challenge we’ve discusses a lot and have an awareness of how to face it head on – is the fact that ‘Arrow’ is like ‘Iron Man’ where ‘The Flash’ will be ‘The Hulk.’ And just as ‘The Hulk’ coming out did not change the tone of the Iron Man movies, ‘The Flash’ will not change the tone of ‘Arrow.’ We’re very cognizant of what ‘Arrow’ is all about, and I think the Marvel movies demonstrate that each piece of a universe can have its own feel. ‘Thor’ is consistent with the tone of Thor while ‘Captain America’ is consistent with the tone of Captain America’s character. ‘Arrow’s’ tone will remain consistent much in the same way, and we are looking forward to expanding our canvass a bit. And judging from the announcement, I think the fans are looking forward to it as well.”
While Barry Allen will be on Arrow for a few episodes, he will not have his superpowers, at least not at the start. Despite not having true superpowers, Arrow does feel like a superhero show, including having the common problem of the hero being just too powerful. I just watched the first season of the show over the past week and found it to be entertaining as long as you ignore the multiple implausible aspects. On Arrow, a person with bow and arrows can easily defeat multiple people with guns. This includes not only Oliver Queen, but two other characters who use the same weapon. Oliver Queen does have fighting skills beyond this weapon. He also has an amazing ability to disappear. Typically when he is surrounded inside a closed area and anyone else would be captured, he gets away with no difficulty or even on-screen explanation. Arrow is not up to the quality of the most impressive new genre shows of the season on regular cable and broadcast television ( such as The Americans, Orphan Black, and Hannibal) but still worth watching.
There were aspects of the writing style of Arrow which makes me confident they will do a good job of gradually introducing characters. Rather than quickly giving an origin and then moving on to the main story, Arrow had flashbacks over the entire season to the island where Oliver Queen was stranded for five years and learned his skills. Rather than immediately introduce the sidekick and those who knew his secret identity, characters were gradually brought into Oliver Queen’s inner circle.
There are also a couple of reasons for Doctor Who fans to watch. John Barrowman is a recurring character all season and Alex Kingston was on a few episodes. I was hoping for the two to interact but that did not occur. Incidentally, most Barrowman fans probably know that Torchwood is an anagram with the same letters as Doctor Who. By coincidence, the name of the television show he appeared in last season is also in Barrowman’s name.
More on crossover characters from other DC comics here.
The Mandarin appears in this deleted scene from Iron Man 3.
I’m glad to see Under the Dome turn more to the mystery of the dome, not that I’m all that confident of a satisfactory resolution. Apparently when they say “the monarch will be crowned” they are speaking of an actual monarch within the small dome. I have read that one of the major differences between recent episodes and the book has been that Big Jim and Junior work together in the book. Last week’s episode may signal a reconciliation between the two.
Last week’s episode of True Blood contained the battle which we might have expected for the season finale. There are still questions. Will Sookie keep her promise to become Warlow’s vampire bride? (I bet she does not). Is the war between humans and vampires now over, or just beginning? Will those vampires who indirectly fed on ferry blood continue to be able to be out in daylight? Is Bill now returning to his normal self? Considering how poor recent seasons of the show had become, it is a good sign that, despite some ongoing problems, the show is now able to maintain interest in such questions.
Homeland writers revealed information on their plans during season two. I’ve been questioning since the end of season one how long they could plausibly continue to have Brody around. The writers may have been thinking the same thing:
Though the show’s creators already copped to plotting an untimely end for Lewis’ character way back in season one, that is until more merciful voices at Showtime prevailed, Gordon admitted that, going into season two, the writers intended to send Brody to the chopping block yet again, and were once more persuaded otherwise by the network. “We had sketched out this plan in the early parts of season two which called for Brody’s demise, which may have been premature, and they asked us to reconsider,” which Gordon credits as “the happy accident of having very good partners.”
If it seemed like a sudden reversal for Carrie to have decided not to leave the country with Brody, it was also a reversal of the writers’ plans:
According to Steihm, who has since left Homeland to run FX drama TheBridge, the writers all wanted Carrie (ClaireDanes) to go with Brody across the border in the season two finale instead of returning to the CIA. In fact, in the first draft, she did. After much debate, they ultimately decided it was more in character for Carrie to stay and carry out her mission with the Agency after helping Brody escape safely to an underground network.
Besides being a great show, Orange Is The New Black has supported science over religious fundamentalism, such as in the scene above with partial transcript below:
Piper: I can’t pretend to believe in something I don’t, and I don’t [believe in this]… I believe in science. I believe in evolution. I believe in Nate Silver, and Neil deGrasse Tyson, and Christopher Hitchens, although I do admit he could be kind of an asshole. I cannot get behind some Supreme Being who weighs in on the Tony awards while a million people get whacked by machetes. I don’t believe a billion Indians are going to hell. I don’t think that we get cancer to learn life lessons. And I don’t believe people die young because God needs another angel. I think it’s just bullshit. And on some level, I think we all know that.
There are a number of reports, along with a denial, that Laura Prepon will be leaving Orange is The New Black to work on a new show. If true, this would leave a major hole in the show. The reports claiming this do say that Prepon will still be present at the start of the season to tie up Alex’s storyline and she will be written out in a way which would allow her to return.
Two of the top television shows premiering in 2013, Orphan Black and Orange Is The New Black, have been combined in this mash-up giving us Orphan Is The New Black.
Fake Sherlock will be going to England in their opening episode. Maybe they will meet the “real” Holmes and Watson of Sherlock. (Ok, probably not). More news on the second season of Elementaryhere.
We expect The Newsroom to mix in major news stories with each episode. Last week they included plot elements reminiscent of other real events from The Today Show botching the editing on George Zimmerman’s 911 tape to the real life release of nude photos from Oliva Munn’s phone. The manner in which World Net Daily reported a rumor without any fact checking also is based on reality, along with being an excellent commentary on the unreliability of WND and the entire right wing noise machine.
William Shatner joins those arguing that Star Trek belongs on television in this interview:
Karl Urban, from the new Star Trek films said that “Star Trek, as envisioned, was about space exploration. And it would be really wonderful to harness the spirit of that and apply it to the next film”. Is that something that you would like to see? A greater focus on discovery in these films.
Shatner: I’m not goona second guess JJ Abrams, he’s a great director and he’s so talented. But I’ll tell you that I am going to the Lowell Observatory in a couple of weeks to deliver a speech that I wrote about Star Trek and its capacity to stir the imaginations of young people.
The idea is, that so many people’s lives have been touched by the imagination of Star Trek and children’s imaginations are so vital to the rest of their lives that… this is an aspect of Star Trek that I’m focused on.
Now let me ask you, trying to bring in new viewers, new younger viewers to expose that world to young kids and teenagers alike and really spur that imagination — is a TV show a more viable vehicle for that? Is it sad that we don’t have something like that right now, a Star Trek TV show that could really seize on the exploration part of the thing that the original series and Next Generation, that those things did?
Shatner: You know, I think you’re right. Because, JJ Abrams has found the key to getting a large audience into the movie theater, and that’s the ride. So you get a lot of the CGI effects, which is the epic movie making aspect of today, whereas in Cecile B. Demille’s time, you had to use real people. Now you don’t need to use real people and you can have infinity for God’s sake.
That’s in order to get you into the theater, because the majesty of the movie is shown by the large screen. But when you get into the small screen, you need stories… entertaining, interesting, vital stories that have a philosophy and also have an excitement about them, so that the viewer stays with it, but recieves the philosophy as a byproduct. Those were the best of Star Trek, those kinds of stories. And that kind of thing, there is always room for that. That kind of imaginative approach that stirs young people into wanting to be connected with science.
Every time there is a regeneration, there is speculation that the next Doctor might not someone other than a white male. Neil Gaiman claims that a black actor has turned down the role. Steven Moffat, Matt Smith, and Jenna Coleman discussed the transition in this interview. An excerpt:
Is writing that final story for Matt Smith’s Doctor the biggest pressure you’ve faced, in doing this show?
MOFFAT: The biggest pressure will always be introducing a new Doctor. And I can’t imagine it will ever be tougher than with “The Eleventh Hour” because everything changed. It’s not an ideal way to run television. It really isn’t. That was mad. All the execs left, the producer left, and all the stars left. You think, “Christ, how do you get away with that?!” We’re not in that situation this time, and it’s good that we’re not. People say, “It must have been great and exciting and marvelous that you had all that new stuff,” but not really. But, we got away with it. I just remember thinking, “Are people going to buy that this is the same show, when it clearly is not?”
Do you wish that you could just introduce the new Doctor via the show, when he finally shows up?
MOFFAT: I’d love to, but that’s physically impossible. It was Russell’s plan not to tell anyone that Chris [Eccleston] was going to change in the last episode, but it leaked after one week. I wish it were possible. The fact is that those actors’ agents have to say that they’re available. They have to take jobs. It’s going to leak, so you have to take command of that story. It’s annoying. I’d far rather not tell anybody anything, seriously. If you’re telling a joke, you don’t want anybody telling the punchline before you get to the end. Sadly, I don’t think it’s possible now. Everybody wanders around with cameras now. A few years ago, no one had a camera on them. Now, every little human being goes around with a camera on their phone. How am I going to keep secrets with that?! It’s tough. It can be irritating, but what can you do?
Moffat started with a new cast with both Matt Smith and Karen Gillan. With Jenna Coleman still being relatively new to the series, the show with Peter Capaldi and Jenna Coleman will have a different feel than during most of Moffat’s tenure with Matt Smith and the Ponds.
Now that we know who will play the next Doctor, the next major succession is who will play Batman when he appears in the next Superman movie. Rumor has it that Orlando Bloom is the leading contender.
Joss Whedon discussed synergy between Agents of S.H.I.E.L.D. and the universe of The Avengers:
Speaking at the recent TCAs, Whedon said fans will spot some synergy in the run-up to Captain America: The Winter Soldier and Thor: The Dark World. “There will be as much as we can allow,” he said. “We’re still working that out. It’s a fun opportunity, but it’s not the reason for the show. It’s not an Easter egg farm, we want people to come back.”
The pilot kicks off with Angel alumnus J August Richards as an “unregistered gifted” that the SHIELD agents must track down. Don’t expect a superhero-of-the-week show, though, “There could be a device, a mystery,” Whedon continued.
“There’s so many aspects as to what’s happened since everybody in the world found out there’s a superhero team and aliens invaded New York. We want to be able to change it up every week: spy stuff, hero stuff, heartfelt stuff. We want to make sure the humor is there, but every week, you get something that feels a little bit different.”
Disney has also released a full synopsis for Captain America: The Winter Soldier
After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk.
Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
These Avengers-themed sex toys will definitely never be sold at the many stores around the Disney theme parks, even should the Avengers characters be moved from Universal to WDW in the future.
ABC is in talks to bring another genre show to television–a live action Star Wars show. I really hope this happens, not because I care whether there is a weekly Star Wars show but because maybe this would lead CBS (who appears to own the rights, but it is somewhat murky) to counter by returning Star Trek to television. Star Trek worked far better as a weekly series than intermittent movies which are forced by market demands to be big action movies.
After Disney purchased the rights to Star Wars, there was talk of expanding the Star Wars presence at the Disney’s Hollywood Studios theme park. I expressed skepticism over speculation that they would get rid of Muppet Vision 3D and the Honey I Shrunk the Kids Playground for this expansion. Earlier in the week I was looking at the refurbishment schedule at Walt Disney World and noticed that Muppet Vision 3D is closed August 6 through September 2 for refurbishment. In addition, the Honey, I Shrunk the Kids Playground will be closed September 3 through November 19 for refurbishment. They might not be around forever, but it doesn’t appear likely that they plan to remove them in the near future. As is usually the case at WDW, other areas will also be closed during these times. The most significant is that Spaceship Earth will be closed August 18-24.
On Orange is the New Black, Kate Mulgrew ran the prison kitchen instead of the Starship Voyager. She was interviewed by Vulture, and told about one Star Trek reference thrown into the show:
At one point Natasha Lyonne has a line, “I thought I was your Spock.”
Yes, they threw that in. I’m sure they’ll do some more of that. I think that was intentional and very clever!
Speaking of Star Trek, Blastr describes how the show was saved by Lucille Ball.
In 1965, Roddenberry got a pilot order from NBC and produced the original Star Trek pilot “The Cage.” It was rejected by the network, reportedly because it was “too cerebral,” and for most shows that’s where the story would have ended. Luckily for Roddenberry, he had Ball on his side. The story goes that she still thought the Star Trek idea had legs, and used her considerable influence in television to push for NBC to give Roddenberry a second chance. The network made the exceedingly rare move of ordering a second pilot from Roddenberry, who overhauled almost the entire cast of characters from “The Cage” and eventually produced “Where No Man Has Gone Before.” That pilot was accepted, the show was given a series order, and the rest is history.
Damian Louis interviewed about his role on Homeland in the video above.
Anna Torv returns to television following Fringe in a show expected to air on HBO next year. Torv will play a lesbian yoga instructor.
“This has been the ending that we have talked about for years,” she said. “So to us, it feels right for our show and how we feel about it. I hope fans will think it’s right [too].”
The exec conceded that there is no way to make “everybody happy” with the conclusion of the Michael C Hall series.
“At the end of the day, we know that you’re damned if you do and you’re damned if you don’t,” she said. “There will be people who hate it, but we can’t try to anticipate that or put it through the lens of any other show’s finale – because that was another show.
“This is our show. This is Dexter.”
It is hard to believe that things will end well for Dexter Morgan. Multiple routes to doom have arisen this season. So far this has included Dr. Vogel and Deb when she is in a crazy mood. Last week episode showed two additional threats. He has decided he wants to be a mentor to Zach Hamilton, but Zach appears unhinged enough to turn on Dexter. Then there was the return of Hannah McKay.
Having a hard time waiting until Game of Thrones returns? The White Queen on Starz might help.
Piracy drops when there are legal ways to view shows. It comes as no surprise that piracy has spiked in response to the Time Warner cable blackout of CBS.
There are stories that the BBC will be announcing the next actor to play the Doctor on Sunday. Some of the reports say that a live show will be simulcast in the U.K. and the United States. The leading candidate among the bookies is Peter Calpadi.
There’s another strange story going around that Netflix is going to take down Star Trek III because the Klingon translations aren’t accurate. The claim is that the translations will be corrected and the movie will be put back up. This did not come from The Onion, but I still find this one hard to believe. Even if Netflix did have their own in-house expert on the Klingon language, would they really alter a posted movie for this reason?
Update: The BBC has confirmed that the 12th Doctor will be revealed on a live broadcast on Sunday:
There was lots of news on the Marvel Cinematic Universe out of San Diego Comic Con–video of panel above. This includes the name of the next Avengers movie, Age of Ultron, and a bald Karen Gillan (head shaved for Guardians of the Galaxy).
Co-directors Joe and Anthony Russo were interviewed, explaining how Captain America: The Winter Soldier will bridge the two Avengers movies. Among other news is the report of star Chris Evans kissing Scarlett Johansson.
The rumors of a combined Batman and Superman movie have been confirmed.
Matt Smith walked on the floor at Comic Con disguised at Bart Simpson (video above).
Steven Moffat says “we’re likely never going to see that final date night on Darillium with the Doctor and River Song, the one where he cries because he knows she’s going to die/get digitized on a library planet.”
The reason: Moffat’s too prude to put the Doctor and River in a room alone together. That said he might change his mind.
”I always felt that there were certain things between the Doctor and River that we should never see. So, I don’t know. He sort of said his goodbye in ‘The Name of the Doctor.’ There’s always the possibility, because it’s always out of sequence and you can do anything you like with that. It’s a tough one. I remember I wrote some extra scenes for the DVDs and all that we had available were Alex (actress Alex TK] and Matt, so I had to write scenes for the Doctor and River alone in the T.A.R.D.I.S. and I go, ‘Dear God, that’s the situation I’m always tring to avoid for obvious reasons.’ What does that woman do to him the moment the door is shut? What were they doing that night in Durillion. There are somet things surely the Time Lord must keep to himself.
“The implication is that she had met many more Doctors than just the two of them, so it’s always possible. But I quite liked the good bye in “The Name of the Doctor” and I think there should always be stuff that we never saw, and I don’t just mean that as a laugh.”
The above preview of the remainder of this season of True Blood was shown. There has been talk for a while that a major character would die this season and there does appear to be a funeral in these clips. Cast secrets revealed in these videos. The show has been renewed for another season. While the show has had its problems (including too many characters and story lines), I do see hope for improvement:
Executive Producer, Brian Buckner wants to bring the show back to its roots. While he acknowledges True Blood has a large cast, he wants to condense the number of stories they are telling and ”really come home.” And as for bringing in new creatures, right now he thinks no. He believes the show is about vampires, humans and the town. And wants to bring that back.
Despite all its flaws, Revolution keeps me curious enough to keep watching. A trailer for the second season is above. The cast and crew revealed spoilers regarding the cliff hanger at the end of the first season. From Tracy Spiradakos (Charlie):
“I can tell you that the bombs do drop, so there’s an aftermath to dealing with that.” Holy moly! Randall completed his mission in destroying Atlanta and Philadelphia, apparently, and the destruction of those cities will completely change the feel of the show. The militias will be broken up, the show that was once all about being on the road will now settle into a particular spot near Texas, characters will be more consistent, and the stories will have some room to breathe since people won’t be as busy running from Point A to Point B. Additionally, even though the power went on in the finale, there will be a time-jump of about three months, and you can expect that it will be shut off again pretty soon.”
More spoilers from this, and other reports: The power is off permanently and the Tower is no longer functional. The Patriots supporting the old United States government represent a serious threat which forces Miles and Monroe to work together.
Dan Harmon interviewed about season 5 of Community in the video above. News includes the departure of Donald Glover.
News on the final season of How I Met Your Mother posted here. More news here including comments from the kids.
Kristen Bell suggests that Veronica Mars might continue after the upcoming movie, possibly on Netflix as a way to get around contractual restrictions on appearing in two television shows:
CNN: Is this film finally going to give you a sense of closure on “Veronica Mars”?
Bell: No. This could be my whole life. And by the way, what a lucky life it would be if it were. There’s no formula for it, because it just has never been done before. Except — and I’m just throwing it out there — “Star Trek” did it. They did a TV show and then nine movies. Who knows? Why can’t we make a couple films? Or continue to produce content of “Veronica Mars”? It gets tricky because television contracts legally only allow you to do one episode of a different show. They purchase you. I am now the face of “House of Lies.” So the only way I would be able to reprise Veronica Mars (on TV) is in movie form.
CNN: What about if it were on Netflix?
Bell: There are some loopholes that we are already investigating.
A prom apparently has a different meaning in the U.K. than in the United States. There were rumors that the identity of the next Doctor would be revealed at a prom this weekend. That didn’t occur, but there was an appearance by Matt Smith and Jenna Coleman in the video above.
Entertainment Weekly interviewed Steven Moffat. Following are some of the more interesting/news worthy answers:
Are you hoping the new Doctor will appear in this year’s Christmas special? Yes. That’s not the hope — that’s the plan. It’ll be the traditional regeneration. You know, the eleventh will fall and the twelfth shall rise. And you’ll see that in the closing moments of the show. I mean, you sometimes sit and think, “Are there better ways of doing it? Is there a different way of doing it?” But quite honestly what could be better than that? It’s just too exciting. [Laughs]
Am I right in thinking that the new series—the first post-Matt shows—will be broadcast in late summer 2014? I think that’s probably right. But these things change so often.
What can you tell us about this November’s Doctor Who 50th anniversary show? [Laughs] Oh, well, very, very little. It will feature of course Matt and Jenna Coleman, but in addition there’ll be Billie Piper and David Tennant and John Hurt. But we’ve been really quite careful. We have a philosophy that anything we shot outside we had to own up to but the rest of it…You’re just going to have to wait until November to find out about.
What is the format of the 50th anniversary special? Is it movie-length? It’s a special episode. I think you could call it movie-length, yeah. I mean, I’m saying that with a slight hint of vagueness because I don’t know the finished running time. [Laughs] It’s certainly well over an hour.
How much longer do you yourself intend to stay with the show? I think a year at a time. I’ve signed up for this next year, with the new Doctor. It’s one of those jobs when you know when you’ve had enough. At the moment I haven’t had enough and I’m thoroughly enjoying it. I’m very excited for the challenge of the new Doctor and establishing that new Doctor. So, no plans to leave as yet. But that doesn’t mean I’ll be here for 20 years. There will come that day when I think it’s time someone else had a go and it’s time I did something else.
You’re also the executive producer of Sherlock. Have you finished shooting the new series yet? Oh, I wish! We’ve done two. But we’ve now got a small gap — a small gap? A large gap! — while Martin (Freeman) goes back to New Zealand to film a bit more of the Hobbit and then he’ll return to us. Hopefully, by that time, I’ll actually have finished the Sherlock script I’m writing and we’ll make another one.
Entertainment Weekly has picked up some news on Agents of S.H.I.E.L.D. in preparation for their Comic-Con panel. Here are a couple of the top items:
1. The pilot hints at how mild-mannered kick-ass bureaucrat Agent Coulson (Clarke Gregg) was resurrected to lead the team after being killed off in The Avengers (his S.H.I.E.L.D. colleagues say he must “never know the truth” about his death). Yet you’ll have to keep watching to learn the full story. “We can’t wait to pull the curtain back on that,” says co-creator Jed Whedon. “[But] we’re going to take our time.”
2. The S.H.I.E.L.D. story will work in tandem with the Marvel films, both past and upcoming. In fact, the first episode will pick up a storyline that’s familiar from one of the Marvel hits — and it’s not The Avengers. “We plan on trying to weave in between the films and try to make them more rewarding on both ends,” says Jed Whedon, who points out the trick is to make the audience not ask a certain fanboy-bar-fight-style question: “In any of these [episodes], you can always ask: ‘Why don’t they just call Iron Man?’” Yeah, that would be annoying! So our next question is: Why don’t they just call Iron Man? “They are aware of each other,” Whedon says of the S.H.I.E.L.D. team and the metal-suited Malibu playboy, “but they do have to have their own lives.”
J.K. Rowling had a detective novel published under the name of Robert Galbraith earlier this year, with her identity leaking out this week. io9 has a rundown of reviews of the novel, which sound quite favorable. Conveniently, the book is scheduled for paperback release later this month.
Zachary Quinto has this speculation regarding the next Star Trek movie: “Star Trek 3 should be filming, I suppose, next year. It’s going to be made a lot quicker than the last one. That’s the plan, although nothing is confirmed yet.” That would make it difficult for J.J. Abrams to direct as he will be busy with Star Wars. Presumably they will want to release the next movie for the 50th Anniversary in 2016.
With J.J. Abrams directing movies for both franchises, and with the recent Star Trek movies in many ways being more Star Wars than classic Star Trek, the old Star Wars vs. Star Trek fan wars seem to have died out. George Lucas provides more reason for peace between the two:
The documentary “Trek Nation” chronicles Rod Roddenberry’s personal journey to explore the importance of the legendary sci-fi franchise dreamed up by his father Gene.
The film comes to DVD on Tuesday, and among the bonus materials included in the release is an interview with “Star Wars” creator George Lucas talking about the important role “Star Trek” played in paving the way for his own space opera.
“‘Star Trek’ softened up the entertainment arena so that ‘Star Wars’ could come along and stand on its shoulders,” Lucas said in an interview.
While Star Trek worked far better as a weekly show than as movies, it also must be kept in mind that Star Trek probably would have never been released as a movie, reviving the franchise, if not for the success of Star Wars.
Summer Glau has been cast for a recurring role on Arrow:
Glau, who has amassed plenty of genre street cred in TV series like Joss Whedon’s Firefly and Dollhouse, Terminator: The Sarah Connor Chronicles and most recently as a recurring on Syfy’s Alphas, is set to play the dangerous Isabel Rochev, Vice President of Acquisitions of Stellmoor International, a company looking to take over Queen Consolidated.
Entertainment Weekly reports that Kristen Bell (currently busy filming the Veronica Mars movie) will have a guest appearance on Parks and Recreations next season, in an episode to air in early October:
After shooting the Veronica Mars movie, Kristen Bell will guest-star in an episode of NBC’s Parks and Recreation as Ingrid, a snooty City Councilwoman from Eagleton. “She’s Leslie’s equivalent, but richer and better dressed,” executive producer Michael Schur tells EW. The two will first meet up at the annual Pawnee-Eagleton high school basketball game. Bell and Parks actor Adam Scott previously worked together on Party Down and Veronica Mars, and she currently stars with frequent Parks guest Ben Schwartz on House of Lies.
A lot happened in last week’s True Blood–the type of changes and revelations we might not have expected until towards the end of past seasons. The show certainly has its flaws, and I almost gave up on it a few times, but enough is happening this season to keep my interest.
The Newsroom returns for a second season tonight. Oliva Munn discussed preparation for her role on The Newsroom with Vanity Fair:
“I write a lot of notes in my scripts,” she explains. “It’s important for me to have them there as a reference so I can keep on track for what I’m wanting to convey. Sometimes, no matter how much I prepare, I can let my emotions of the day affect my choices in a scene, so I like to have my notes with me to remind myself of what track I should be on. And with scripts as complicated and rich as Sorkin’s, it’s vital for me. My notes become my sheet music.”’
Netflix is quickly establishing itself as a service worth subscribing to for its original content now that there are multiple choices for on-demand movies. Orange Is The New Black premiered this week and is up to premium cable standards, and they are negotiating for a second season of Arrested Development. Besides their original series, Netflix recently released the excellent BBC2 series The Fall before it completed its run in the UK.
Disney makes it profits by using each of its holdings to promote its business. The theme parks promote the television shows, movies, and merchandise and vice versa. Disney has long had an arrangement with Lucasfilms with Star Tours at the Walt Disney Studios at Walt Disney World. Now that Disney owns the rights to the upcoming Star Wars movies, it is likely that there will be even more promotion in the parks. The latest rumors are of the addition of a Star Wars Land:
The logical places for that expansion would be on either side of the existing Star Tours ride. From what I’ve heard, it appears that the expansion would take out the area between Star Tours and the auto stunt show stadium, including the Muppet theater and Honey, I Shrunk the Kids play area. But I’ve also heard of consideration of going in the opposite direction, which would place the new land on the site of the Backlot Express restaurant and Indiana Jones stunt show theater. Given that the Indy theater’s used for several other events throughout the year, and that both the Muppets and Honey I Shrunk the Kids attractions long ago passed the height of their popularity, I’m hearing more forceful arguments for the first option.
This appears to be a five-year project, putting completion in 2018, though Disney could choose to throw money at it and accelerate it by a year.
I wonder if they will really disrupt much of what is already there as opposed to mixing more Star Wars throughout the park. It is common for Disney to mix up different things from different movies throughout their parks. Will they really get rid of Muppet Vision 3D and the Honey I Shrunk the Kids park? While perhaps not as major as The Great Movie Ride or Tower of Terror, I’ve always seen Muppet Vision 3D as one of the icons of the park. Besides, Disney still has plans for those Muppets, such as a live stage show. We are long past the prime for the movie version of Honey I Shrunk the Kids and I could see them remove this exhibit, but it is the best item at the Walt Disney Studios Park for small children.
A Star Wars Cantina would probably be the major addition, but this could be added at various places if there is not room near Star Tours. Increased character involvement in parades and character meets would not require removal of older attractions. Increased use of Star Wars might not even be limited to Disney Studios. I wouldn’t put it past Disney to create an exhibit at Animal Kingdom with creatures from the Star Wars Universe or turn Spaceship Earth at Epcot into a replica of the Death Star in time for the release of Star Wars VII. There’s little doubt that the monorail will be used to promote the movies.
In case you are wondering why characters from the Marvel movies are not flooding the Disney theme parks, Universal still owns the theme park rights to these characters. In addition, the movie rights to some Marvel comic characters, such as Spiderman, are owned by other studios. Of course we sort of got to see Iron Man at Epcot in Iron Man 2. The Stark Expo was clearly built in the image of Epcot and the film of Tony’s father looked considerably like old footage of Walt Disney discussing his idea for Epcot.
Bleeding Cool reports on rumors of more lost Doctor Who stories which have been found–an added surprise for the 50th anniversary. This might include the lost first regeneration story. (Update: This may be a hoax. Awaiting further information).
Den of Geek gives a round up of this week Matt Smith replacement rumors.
Now that Game of Thrones has concluded its third season, here are some amusing info-graphics to help explain what is going on. One example above.
Here’s an update to the relationship chart from Person of Interest. While I was initially fearful the show would just use the Machine as a gimmick for a crime of the week show, they have certainly developed a complicated mythology over time.
An adaptation of Steven King’s novel, Under the Dome, sounds like it might be the biggest genre television show of the summer. Barack Obama was initially heard on the first episode but the scene was cut. They had used a clip from Obama’s speech following Hurricane Sandy but decided against using real life events:
President Obama has been left on the cutting room floor of CBS’ new summer series “Under the Dome.”
An audio clip of the president that was in the first hour of the series that CBS sent to critics earlier this month will be cut from the episode that will ultimately air, a CBS spokesman said. The show, based on a Stephen King book, is about a small town that for mysterious reasons becomes enclosed under a huge transparent dome.
In the scene, which comes at the end of the first hour, Obama is heard amid a slew of fake reports talking about what is going in the town. The audio of the president is actually from his remarks following Hurricane Sandy when he said the nation feels “profoundly for all the families whose lives have been upended. The most important message I have for them is that America is with you. We are standing behind you and we are going to do everything we can…”
Although the standards and practices department at CBS had approved the use, a decision was made to cut it anyway on Thursday. While use of audio from actual news events for a fictional TV show is not unusual, the network and producer Amblin Television decided that having these remarks from a real tragedy inserted in an entertainment show was inappropriate.
Emma Watson returns to fantasy movies, and Barack Obama’s name comes up once again:
Harry Potter star Emma Watson is returning to fantasy cinema after signing on to play the lead in “Game of Thrones-style” saga Queen of the Tearling, reports Variety.
Watson will play 19-year-old idealistic princess Kelsea Glynn, created by Erika Johansen after the author heard a 2007 speech by a pre-presidential Barack Obama. Johansen signed a seven-book deal in February and the first novel in the series is due next year. It is set three centuries after an environmental catastrophe, when a malevolent Red Queen reigns over the kingdom of the Tearling. Glynn must defeat the monarch to reclaim her deceased mother’s crown, and publishers have compared the tone of the series with that of George RR Martin’s A Song of Ice and Fire saga, which is being adapted by US network HBO as Game of Thrones.
Despite the comparisons between Megan Draper and Sharon Tate, Matthew Weiner says that Megan will not die this season. After last week’s episode, the question has now become whether/when Megan will find out what Sally saw and how she will react.
True Blood returns tonight with a new show runner. This might be better because the show really needed a change in direction. On the other hand, we might wind up with the same show but with a show runner who isn’t as good as Alan Ball and have an even worse show.
Dexter returns June 30 and we meet the woman who helped Harry develop The Code. Will bringing in someone who could figure out what Dexter has been up to lead to his end?
Just one more episode to go this season on Hannibal. Lase week we saw how a comb could be turned into a murder weapon, and the murder of another recurring character looks likely. For those who haven’t been watching from the start, it was a very good show for binge watching and highly recommended.
Da Vinci’s Demons is less compelling but I have now made it through the second from last episode and will try to catch the finale this week. I might give up on Defiance after four episodes. Even though SyFy had hoped this would be the next big thing after Battlestar Galactica, there is little in the show so far to promote any long term interest in what happens to the new town. Moving beyond genre, I just finished the first season of Mr. Selfridge from ITV, also broadcast by PBS on Masterpiece Classic. It is more soap opera than serious historical fiction and fans of Downton Abbey should enjoy it. The show was light and entertaining to watch, and did an excellent job of utilizing plot threads from throughout the season to set up its finale.
I couldn’t make it to Man of Steel this weekend and will limit coverage to this link on the movie (which also gets back to Chris Nolan’s Batman, as in one of the links above).
Revolution concluded its first season with what was essentially a two-part finale. They reached the Tower and found multiple excuses for changes in alliances and lots of fights. There were far too many implausible aspects to the story to discuss, including a drainage system several levels underground which leads to the outside and a door which was built to stand up to nuclear attack but which was easily penetrated when in door fights were on the filming schedule.
Aaron, the Google Guy, turns out to have written the operating system for the Tower as a student and it was sold to the Department of Defense, making it easy to turn the world’s electricity back on near the end. Remarkably the lights in buildings around the world are still on and waiting, with all wiring still intact. The president of the Georgia Republic calls on her staff to get their tanks and helicopters ready now that they have power. Was she collecting them in the years with no power anticipating such a moment?
Nora was killed off to make room for a Rachel/Myles romance with a triangle too complicated a concept for this show. Sawyer might also reunite with Juliet. I’m not sure how Grace fits into this, being with those guarding the Tower after having been captured.
Randal apparently has been planning for this moment all along, even though he never gave any indication of wanting to get to the Tower until Monroe found out about it. As he was surprised that the security system didn’t allow him in, it isn’t clear why he didn’t just go there earlier on his own or with allies (considering how many back doors there appear to be). He then revealed a rather drastic plan of launching ICBM’s towards Philadelphia and Atlanta and then shooting himself. He says he is a patriot and you can’t have a house divided against itself. Apparently only these two areas are considered a threat to the old United States government which is in hiding at Gitmo and now planning to return.
Presumably having the guy who wrote the operating system will allow them to take control and prevent the ICBM’s from hitting their targets. Perhaps this will cause the electricity to go off again. Or maybe they will even allow for Philadelphia and/or Atlanta to get destroyed and center the story in other parts of the country. While it is a plus that the story keeps advancing, one problem with the show is that nothing really seems to matter. We have a setting with the United States destroyed. Add a city or two which are bombed, or have the electricity on or off. The show just is not well written enough to really make me care about these outcomes (but does have me curious enough to keep watching despite all the faults in the show).
Abrams spoke in only general terms about how he’ll approach the latest “Star Wars” and would not comment when Hudlin pressed him on whether the film will be derived from any of the “Star Wars” novels.
“It is so massive and so important to people,” he said. “I think the key to moving forward on something like this is honoring but not revering what came before.”
Star Wars fans might be wary after how Abrams handled Star Trek. Destroying Vulcan did not revere what came before, and I don’t think it was honoring it either. At least Abrams couldn’t possibly do as much harm to the franchise as Lucas did with the three prequel movies. Time will tell whether more Star Wars is a good thing, but sometimes it is best to stick with a classic as opposed to trying to turn one into a series of less successful movies. It is possible that Star Wars might wind up the best if left as a classic trilogy.
New promo for Agents of S.H.I.E.L.D. above. Samuel L. Jackson has expressed interest in guest staring. It would be a good way to enhance continuity between the show and the Marvel movies. More about the Whedon universe from an interview with Joss here. Cast interviews here.
Once Upon A Time’s audience is probably not primarily hard core genre fans, but with so many genre shows being canceled or ending their run it is now one of the most successful currently on network television. Here’s some news on how season three begins.
At times I think Hannibal is plotting to destroy Will, seeing him as a threat, but this week it looks like he wants Will for a friend. I also think that having Hannibal for a friend can turn out to be quite dangerous.
One of the many reasons to watch Hannibal is that Gillian Anderson appears on the show as Hannibal’s psychiatrist. It is a minor role which won’t completely satisfy Scully fans, but more of Gillian Anderson can be seen in The Fall. After hearing favorable things about this BBC 2 show I decided to watch this weekend and was pleasantly surprised to find that Netflix has the entire series even though the finale has not yet aired in the U.K. The series trailer is above.
The show involves a serial killer, whose identity is revealed from the start, with Gillian Anderson’s character brought in to handle the case. The concept certainly isn’t anything new, but it is handled very well. In a review after the third episode, The Telegraph calls this the sexiest show on TV:
It’s taken a while but, at last, British TV cop drama has caught up with The Killing. As DS Stella Gibson in The Fall (BBC Two), Gillian Anderson gives us our own incarnation of Denmark’s Sarah Lund: cold, distant, brilliant, flawed but, above all, crackling with sex.
In fact, The Fall is the sexiest show on TV at the moment, which isn’t what you’d expect from BBC Two on a Monday. It’s also the most contrary: we’ve known from the outset, two weeks ago, that Paul Spector (played by Jamie Dornan) is the killer. This is a whydunit, and a canhegetawaywithit, not a whodunit.
Unless British television is devoid of sexy situations I doubt this is really the sexiest show on television. It does go further than American network television can, and at least this characterization demonstrates that it isn’t just a dull police procedural. I am happy they already announced renewal for a second season as they leave a lot of things hanging in the finale (which airs tomorrow on BBC 2 and is already up on Netflix). The season ends with a change in the interplay between Gillian Anderson’s character and the serial killer, but things are far from resolved. After Doctor Who and Sherlock, this is now the British show I’m most anxiously waiting for the next season of. (Even more so than Utopia)