Heaven Sent was an ambitious episode of Doctor Who, following the death of Clara Oswald. The Doctor is in a castle with moving walls and stalked by a monster who represents his greatest fears. Only confessing his deepest, darkest secrets will slow it down, but he ultimately dies and starts over, like Bull Murray in Groundhog Day. Before dying, he would retreat to a version of the TARDIS in his mind, and discuss his plans with a version of Clara, who also was only in his mind. Sometimes answers were provided on chalk boards. His escape might be in the twelfth room, once again giving more meaning to his artificial designation as the twelfth Doctor. He eventually realizes that every one hundred years a bird pecks on a diamond wall which is preventing his escape. He manages to reverse-teleport allowing a version of himself stuck in the hard drive to start over. (This might raise the question as to whether at the end he is really the same Doctor who we started out with, but considering that the entire universe has already been rebooted and recreated, this hardly matters.) The rooms in the castle all revert to their previous state (automated room service). After billions of years, of doing this, the wall would break down.
You really must see this for it to make any sense, and I would recommend a second viewing.
As the Doctor confesses, we learned that he did not leave Gallifrey because he was bored, but because he was scared. The Timelords knew that the time war was coming. After escaping the castle, the Doctor sees Gallifrey off in the distance. He contradicts what he claimed before and confesses that nothing is half-Dalek. The Daleks would not allow it. He admits, “The Hybrid destined to conquer Gallifrey and stand in its ruins is me.”
The meaning of this remains unclear. Maybe they are returning to the claims in the 1996 movie that the Doctor is half human, but I suspect there will be a different meaning. There are also other questions especially what will happen when he gets to Gallifrey? There are also questions about the recent past, give or take several billion years. Who trapped the Doctor and sent him to Gallifrey? What exactly is the confession dial? How does Ashildr fit in? These question may or may not be answered next week in Hell Bent.
A full length trailer for Legends of Tomorrow has been released, giving a far better idea of what the first season will be about. There are some minor spoilers out for the DC superhero shows. There are rumors that Constantine will be in season two of Heroes of Tomorrow, with a different cast from the first season. Other reports say that this might be a single season show, possibly replaced with a different show next year.
Constantine’s parting gift to Oliver — a magical tattoo? — will come back to play soon. “Basically Constantine says to him that this is insurance against Reiter, and we’re going to deliver on that promise entirely,” EP Wendy Mericle says. “It’s going to help Oliver when he’s in a very dark place and time when he has no other way out. It’s going to be the thing that pulls him out of a very dark spot and literally saves him.” But whether he’ll be able to use it on Damien Darhk is another story. “The mysticism that Reiter is practicing may or may not sync up with what Damien Darhk is doing,” Mericle adds.
Stephen Amel told what he knows about the flash forward to a graveyard scene in Arrow (and it is not very much):
Amell initially joked, “It’s not me.”
He then added, “I don’t. That’s not for me to know. That’s for our producers to know. It’s only for me to know if and when I need to do something if we end up doing another flash forward in the show. I needed to know certain things about the scene without knowing who it actually was when we did the initial flash forward. I just needed to simply know that the person I wanted to kill was a him and that the person that was in the grave was someone I cared a lot about. That’s all I needed to know. I don’t need to know the specifics until if and when we shoot another flash forward scene if there was something else that I had to say.”
When Jay Garrick returns, he may actually find some common ground with Wells for once, though it won’t be easy. “Jay is summoned to S.T.A.R. Labs in an urgent matter from Wells,” Teddy Sears tells EW. “Jay shows up only to find out that Wells wants Jay to be his guinea pig. He is toying with a substance that has its history in the lore of The Flash, so it’s something from the comics. He wants to try it on Jay to see if it works because he wants to use this on Barry in their fight to bring down Zoom. Jay doesn’t react very well to that. He doesn’t want to be a part of Wells’ schemes. There will be some life threatening moments in there and we have to use a combination of science and ingenuity and Wells’ mysterious substance to get to a safe conclusion.”
There are rumors of a meeting between Supergirl and The Flash. They do have a lot in common in their first seasons. Both were mentored by a head of an organization or lab who were keeping secrets. I suspect both were evil, but we don’t know very much yet about Hank Henshaw.
New scenes from Batman v. Superman will be shown during the Gotham season finale on Monday.
Over on the Marvel side,the above trailer was released for Captain America: Civil War, with the movie to be released May 16. Some fans have been disappointed by the lack of Spider-Man in the trailer despite his planned presence in the movie now that Marvel Studies and Sony have come to an agreement. There is also the possibility that Captain America and Iron Man will appear in the next Spider-Man movie.
I finished Jessica Jones on Monday, and it maintained the quality I noted last week. Unlike Daredevil, which did often have distinct stories within its general arc, the episodes flowed together like one long (and highly enjoyable) movie. Jessica Jones has a lot of Easter eggs related to the rest of the Marvel universe. If they ever decide to move beyond the Marvel universe, I recently noted aspects of Donald Trump which would work well to make him the evil supervillian in one of these future shows set in New York.
The other major streaming series to premier the same day, Man In The High Castle, also looks quite promising but I haven’t gotten too far into this one yet. Both of these recent shows to start streaming might be good topics to write more about in December after most of the genre shows have gone on hiatus. Incidentally, TV Line has a handy chart of when shows are ending for the holidays, and when they are returning in 2016.
Fargo has been renewed for a third season by FX, but Fox is moving Sleepy Hollow to Friday nights, where genre shows go to die. While better than last season, Sleepy Hollow still has not recaptured the quality of the first season. Some shows are better suited for more limited runs than is common on network television. I don’t think Fargo is as good as the first season (very few shows ever have been as good as the first season of Fargo, but the second season is still very good. It does benefit from having an entirely different story each year.
I had fears that 12 Monkeys could settle on a simple formula of searching for the Night Room and the Army of the 12 Monkeys in our present, and a battle for the facility in the future. I no longer have such concerns about the direction of the show after this week’s episode, The Night Room. Major spoilers ahead for those who might be a week behind. The location of the Night Room was found (mostly off screen last week) and this week’s episode primarily took place there. The relationships between the main characters will not be exactly the same, especially after The Pallid Man told Cassandra that Cole killed Dr. Henri Toussaint in Haiti. There are also questions raised about Jones.
The episode was really interesting when the time travel implications of the virus are considered. Is the skeleton with the virus really Cole’s? Does he eventually develop the plague, despite his current immunity, or is he just a carrier? Does the repeated time travel play a part? Did Jones send his rotting body back in time, and for what reason? Did Jones (inadvertently?) cause the plague? If the answers are in the future which Cole came from, he won’t find them immediately. Although he failed in preventing the plague, he did enough to change the future. With West 7 and not Jones now in control of the time travel facility in the altered future, and with Cassie kidnapped in the past, Cole starts out next week with no allies in either time period beyond an insane girl.
The shows’s executive producers Terry Matalas and Travis Fickett discussed the impact on the mythology with The Hollywood Reporter:
“The Night Room is a big return to our mythology and the next big step in learning more not only about the virus, but the origin of this conspiracy,” Matalas says. “We learn quite a bit about the future, too. There is a very big storyline regarding Jones (Barbara Sukowa) in the Night Room. We get to learn what it took to get this time travel project up and running and the sacrifices she made. This episode is the one where we inhibit our skin a little bit more. The show gets a little bit more unique and a little more off-beat from what you may expect. We bring the weird a little bit here in a good way. It’s what makes it 12 Monkeys.”
The two creators have a bigger plan in mind for Jones, which began with the early and rare moment of levity from the character at the beginning of “The Night Room.” “It’s definitely building up to something. Jones becomes from here on out a more prominent character with more screen time. That is something we wanted to see, her among the other characters, but also her backstory is really important to the mythology of the show and that is the first hint of it,” Fickett said. “When Ramse (Kirk Acevedo) goes into her room and opens up that chest you see the baby blanket with the name Hannah on it. Suddenly we know there is a whole lot more to this woman and maybe she has deeply personal reasons for changing time as well.”
Matalas, however, notes that messing with time has its consequences both to Cole and time itself. Throughout the Night Room, Cole starts to experience debilitating headaches. “Keep in mind, this is a new process. Cole is the pilot program for this. No one has traveled as much as him. He does have a time clock on himself,” Matalas said.
The changes brought about from the destruction of the Precursor are a major according to Matalas. It’s big enough to break time. “We are not talking about multiple universes. We are talking about one singular timeline. Jones, in [episode] six, explains the difference between loops, or what’s called a jinn, and that’s basically the Sarah Connor. … How Reese had to come back in time to pregnate Sarah Connor so that she can give birth to John Connor who will send his father back in time. It’s one of the infinite loops. That’s called a jinn,” Matalas explains. “When there are more traumatic changes to the timeline, then you can break the change and that’s what happens in episode six.”
Among the big changes was The Pallid Man’s first mention of hierarchy within the Army of the 12 Monkeys by naming dropping someone called The Witness. When questioned about the character, Matalas and Fickett remained tight-lipped, promising only that the answer will not be what viewers expect. “It’s not the answer Cole is expecting either,” Matalas said. “Or any of our characters,” Fickett added.
“There is a lot going on with the Army of the 12 Monkeys and by episode eleven you’ll learn a lot more about them. Enough to make your brain explode,” Matalas said. “Releasing the virus could be one of their intended goals, but the end result may not be what you expect it to be. With time travel you’re playing the long game and if you’re dealing with the fate of the entire planet, destruction can be creative in the long run.”
Arrow showrunner Marc Guggenheim is not one of those who subscribe to the theory (mentioned last week) that John Diggle might be John Stewart, who succeeds Hal Jordan as the Green Lantern. I do think that Diggle plays such a key role on Arrow that it makes sense to keep him as he is, although it might be a way to give him a spin-off series in the future after Arrow ends.
We do know that Arrow is on the verge of introducing another superhero. Ray Palmer will put on the Advanced Technology Operating Mechanism (A.T.O.M.) suit, which so far we have only seen as a holograph, in episode 15, Nanda Parbat. His course as a superhero sounds a lot like Laurel’s. Guggenheim said, “He’s definitely a sloppy superhero in the sense of all of our characters don’t immediately have the easiest time fighting crime. I would say episode 19 really digs underneath what does it mean for Ray to be a hero. Is he a hero because of who he is? Or is he a hero because of the suit that he’s made?” He will not be shrinking initially but will fly:
For me, the most satisfying thing about the costume is, it looks like Brandon walked off of a movie set. I’ve never seen a TV show do a costume of this level of ambition before. He’s got a lot of cool tricks up his sleeve. People who are immediately expecting him to shrink are going to be disappointed. I will say that upfront.
We always say, we’re doing the “Arrow” version of The Atom. That said, there will be some flying involved, which looks remarkably amazing. He has a lot of little gadgets and tricks and abilities built into that suit. I don’t want to spoil exactly what they are, because I think part of the fun of watching is seeing what that suit’s going to do next.
After several weeks of rumors, it has now been announced that Spider-Man will become part of the Marvel cinematic universe. It is believed that this means that The Amazing Spider-Man trilogy will not be completed and Andrew Garfield is out as Spider-Man. The deal will allow Spider-Man to appear in an upcoming Marvel Studios movie, assumed to be the upcoming Captain America movie considering that in the comics Spider-Man played a role in the civil war storyline. Afterwards, while Sony will retain ownership and handle distribution, Marvel Studies will collaborate with Sony on the creative end. Considering that Sony has failed in two different attempts at a Spider-Man trilogy, this deal should help both Sony and Marvel. There is also talk of future Marvel cross overs in future Spider-Man movies.
While most fans seem to have been rooting for Marvel Studies to get creative control of Spider-Man, I recently discussed a contrary opinion that this would reduce exposure for some of the lesser comics characters which Marvel Studies has done an excellent job with. I think that, if necessary, it would be worth reducing the number of other Marvel movies in order to have a quality Spider-Man movie series. So far it appears that the only consequence will be to move back the releases dates of four of the planned phase 3 movies. The updated release schedule can be found here.
Hugh Jackman discussed future Wolverine and X-Men movies and the possibility of an X-Men cross-over with the Marvel cinematic universe.
“I like to think there’s that possibility for all of it, and I would even like to think more that it doesn’t happen out of necessity, y’know, when someone’s run it into the ground or something. I optimistically love the idea of “What the hell, Batman versus Iron Man versus Wolverine!” Let’s just chuck ‘em in.
We’ll see what happens, but maybe as these things go on more and more they’ll want to and need to do all that stuff. I’m optimistic, I’d think it’d be great, but hey, it’s not my billions of dollars behind this promise. [laughs] It’s easy for us to speculate, “Why did they do that?!”
Agent Carter has primarily tied into the Marvel cinematic universe with connections to Captain America and SHIELD. Another connection has been the revelation that Carter’s former neighbor Dottie was trained in the Black Widow program. Bridget Regan discussed her role with Comic Book Resources.
I was a bit skeptical when I first heard that the Thor comic was to change to feature a female version of the character, but I saw it more as an attempt to bring in female readers as opposed to anything political. As I do not read it I cannot judge it myself but it does seem from the blogs that comic fans are receiving this favorably. Some conservative see it differently, both disliking the comic and turning it into a political argument. An article on the comic at Breitbart has the title, Female Thor Is What Happens When Progressive Hand-Wringing And Misandry Ruin A Cherished Art-Form.Vox Populi says it is “exactly the same thing as a communist government taking over a capitalist society.”
BBC America has released a set of teasers for the upcoming season of Orphan Black, which returns on April 18.
Many people were predicting that Constantine would never make it to a second season after the decision to limit it to the first thirteen episodes this season. Now there are rumors that NBC might keep it alive, except move it to the Syfy network and renaming it Hellblazer. This would help with the goal of increasing the number of origianl shows on Syfy, and ratings expectations would be far lower. It is expected that if it does move to Syfy, it would also be able to concentrate more on the horror elements as opposed to trying to be a network procedural.
How To Get Away With Murder is really getting wild as it approaches its season finale. Despite all the flash backs earlier in the season regarding the attempts to burn Sam’s body, they now appear to be in serious danger of getting caught due to portions of his body being found. Didn’t any of them watch the first season of Breaking Bad? Knowing that the show will be coming back for a second season has major implications for any speculation as to how the season will end. Any of the students could conceivably get arrested but Annalise will have to continue with the show. Either she gets off, the mystery is dragged into next season, or perhaps they do a variation on the second season of Broadchurch in which she is arrested and next season deals with her trial. That would also spare them from having to either come up with a new season-long mystery or settle for case of the week episodes.
The Blacklist shows how great acting can save what otherwise would probably be a weak show. Repeatedly we get hope of really learning something and it turns out to be very little. We saw Elizabeth’s memories from the night of the fire, and then were told her memories might have been tampered with and are not accurate. There was more talk about the Fulcrum and it was ultimately found in Elizabeth’s bunny, but it is really just a McGuffin. I just could not imagine watching this show without James Spader.
The Americans remains the best drama which continues a story from season to season on television. (I used this awkward description to exclude Fargo and True Detective, two shows which some critics ranked above The Americans last season.) Personally I didn’t find packing Annelise into the suitcase all that cringe-worthy, but Elizabeth’s tooth-extractions were a different matter. Executive producers Joel Fields and Joe Weisberg discussed the creation of the scene in the video above, from Slate.
Frank Langella is also an excellent addition to the cast as their former and current handler Gabriel. Among the many history lessons from the series, the episode also showed today’s kids how television stations did not stay on around the clock, signing off for the night by playing The National Anthem and then running a test signal. I haven’t bothered to watch, but I hear that the NBC rip-off, Allegiance, is doing terribly in both reviews and ratings and is not expected to last very long.
A television version of The Casual Vacancy by J.K. Rowling airs tonight on BBC One. The Guardian has a review.
The Guardian reports that the creators of The IT Crowd are working on a sitcom set in space for Channel 4. Shows from Channel 4 have sometimes been made available in the United States over Hulu.
Parenthood concluded with one of the best television finales of all time. This was an easier show to conclude than some others. It did not have the problem of shows such as The X-Files and Lost, which became so burdened by its mythology that it was impossible for the finale to be satisfying without giving up hope that it would really make sense. The Parenthood finale remained true to the stories to date, not tempted to throw in a surprise which did not fit the series, like with How I Met Your Mother or Dexter.
The final episode concluded the major story lines of the season. Most were handled well, but the solution to Adam search for the job of his dreams was the most contrived, with Kristina suddenly having an opportunity at a non-profit which left the position of headmaster at Chamber’s Academy open for Adam. It made sense for Crosby to run The Luncheonette without Adam. Accountants and attorneys could provide some of the business advice he received when Adam was there full time, even if it didn’t make any sense when Crosby said he would be Adam and Amber would be Crosby. It was rather sudden for Julia and Joel to be offered the chance to adopt Victor’s sister, but such an offer coming suddenly did not seem as unnatural as Kristina’s sudden job opportunity.
There were two other story lines which were more important during the season, and which dominated the finale. Sarah’s wedding turned out to be a perfect way to end the series. Besides being a major event for Sarah, the wedding provided a way to get all the characters together as budget limitations required the absence of characters for parts of the season. Besides being the obvious ending for Sarah’s storyline, it provided a good end point for Max, who got the job as wedding photographer and was also “in the picture.” He even got to dance with a girl. Plus the scenes of Max taking the family pictures was a good way to just get a look at the cast members.
The other major storyline of the season was Zeek’s heart problems which, no matter how much fans tried to deny it, was inevitably going to lead to his death. Any lingering doubt that this would occur were eliminated when I read that it would jump ahead to show the Bravermans in the future. It would have been dishonest to not have Zeek die at some point. His death was handled well as he died peacefully at home a few months after he walked Sarah down the aisle, as can be seen in the video above.
Instead of a sad funeral we jumped ahead to see Zeek’s ashes spread at a baseball diamond, and then the Bravermans did what Zeke would have wanted them to do–play baseball, with the series theme song, Bob Dylan’s Forever Young playing. Then, in one of the greatest endings in television history, we had a combination of how Jason Katims ended his previous show, Friday Night Lights with the ending of Peter Krause’s previous show, Six Feet Under.
The show jumped ahead, also in the video above to show the broad outlines of what happens to the Bravermans. There was no ambiguity as in The Sopranos. Adam does become headmaster, eventually handing Max his high school diploma. Crosby does run The Luncheonette. Besides adopting a third child, Julia winds up becoming pregnant with a fourth, and even gets a puppy. Julia and Joel recreat the original structure of the Braverman family with a younger brother and sister and an older brother and sister. Camille makes it to to inn in France which Zeek had wanted to take her to.
Amber’s future is the most exciting. After having her child with Ryan, aka Luke Cafferty of Friday Night Lights (Matt Lauria), Amber winds up marrying Jason Street (Scott Porter). Ryan even gets his act together and is part of their lives. Scenes with their courtship were shot but got cut from the finale, with Scott Porter’s character named Peter:
“There’s a scene where they meet. Peter and his daughter are at what amounts to a Kidtown, like an indoor jungle gym playtime place. Peter has his daughter and Amber has Zeek. Zeek [named after his grandfather] gets lost in the ball pit and Peter goes bravely in to save him and brings him back to Amber.”
They clicked right away. “They have similar kinds of pasts,” Porter explains. “Both were a little bit wild at one point, and both have kids they maybe weren’t expecting but that were perfectly timed for them. They’re single parents who met and were immediately drawn together.”
While no wedding was actually shot, Porter had no problem imagining the nuptials.
“I imagine it was a very small, intimate wedding. These are two people who are very protective of their families. So pretty small, except for the Braverman side — they come in numbers that most families don’t come in anymore.”
This and other deleted scenes are bound to show up on the DVD set, and some deleted scenes can be found online here.
Matt Lauria and Scott Porter were just two of many former stars of Friday Night Lights who appeared on Parenthood over the years. Yahoo has a slide show, starting with Minka Kelly who both tutored Max and slept with Crosby.
This very well might be the end for quality dramas such as Friday Night Lights and Parenthood on network television as I discussed last week. Fortunately cable and streaming networks are doing more quality shows. This topic came up in an interview with Jason Katims at Variety:
It’s unique as a family drama on TV right now. Can you imagine trying to sell it today?
It would be a hard sell to go out and sell a family drama that doesn’t have some sort of twist. There are lot of shows about family, but they’re all couched in other things. This is a straight family drama. It’s unusual in that way. But honestly it was not easy to sell it five years ago. It’s not like anyone was saying let’s have it then. But the TV landscape is changing so rapidly. There’s so much opportunity now, so many different types of outlets — you never know. I’m hoping that there’ll still be a place for shows like this.
The finale provided a broad outline, but also leaves things open to return to their story in the future, either during the period seen or afterwards. Katims is interested, and the new outlets make this more likely in the future.
Given the wealth of platforms on the TV landscape, could you imagine ever revisiting the Bravermans down the road?
Yes, absolutely. Everyone who is doing the show — our writers, our actors, our directors, our producers — we all love doing the show. Everyone would want to do more. There is no one who is angling to get out of doing this thing. I personally would be interested in seeing what happens a few years down the road. I want to know what happens to these people, these characters. If you asked me three years ago, I would say it’s not going to happen. But now there are so many ways of doing things that it’s possible. I would very much be open to that.
He also discussed this with E! saying, “I love the idea of doing a reunion movie like Boyhood, where every year, everybody commits a week to doing this project.,” he said. “Maybe it’s not that crazy to think that we could pull something like that off.”
Of course the old episodes are all easily available, both on Netflix and Amazon. I rewatched the pilot later on Thursday night, and this provided a real feeling of going full circle in an episode which introduced the characters. The pilot both had major life events for members of Team Braverman and featured the family at baseball games.
The Bravermans are a fantasy family. It is a family nobody actually has, and it is hard to imagine how Adam and Kristina could have afforded to live in Berkeley, hire private tutors for Max, and afford to send Haddie to Cornell. This universe is still more grounded in reality than the Marvel cinematic universe, with both types of fantasy enjoyable to watch. Digital Spy has some spoilers regarding Avengers: Age of Ultron (trailer above) with more in the full post.
We won’t see the Avengers assemble again (which hopefully also means we’ll be spared a silly alternative UK title). “This movie starts off and the team is together, on a mission, they’re working in tandem, and there are new relationships between them,” explains producer Jeremy Latcham. “Time has passed, so you pick up right in the middle of an action sequence and start trying to catch up.
“I think that’s fun for an audience, to try and figure out, ‘Wait, those two are funny together now, there’s something going on with them, maybe there’s a little tension over there’. You’re showing up at a party when it’s already a little bit started.”
“Bigger” and “darker” are two of the most clichéd terms you can apply to a franchise sequel, but Age of Ultron looks set to earn both – according to Ruffalo, it “makes the first Avengers look like Waiting for Guffman“.
Latcham expands on this by reminding us that much of The Avengers was shot on a small soundstage in Albuquerque, and that its New York City was created “in an old abandoned train station where we’d hung green screen and built part of a bridge.”
Not only are the locations real this time – they’re also global. “The Avengers saved New York, but the Avengers aren’t just about America,” Latcham says. “They’re here to protect this blue rock that we all live on.”
Hence Age of Ultron‘s globe-trotting remit, which sees various strands of the gang show up in South Africa, Northern Italy (playing as Eastern Europe) and South Korea among other places. In preparation for one particularly spectacular set piece, producers asked the South Korean government for permission to shut down Seoul’s equivalent of the M1 for two weeks. They complied.
The movie adds Quicksilver and Scarlet Witch to the Avengers, but they start out on Ultron’s side.
New recruits Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen) initially join forces with James Spader’s Ultron against the Avengers, creating a very different balance of power than solo villain Loki. “Instead of Ultron giving a lot of speeches so everybody knows what he’s thinking, it’d be nice if he had some allies,” Latcham explains.
“The story that Joss put together with these two kids is really sweet and poignant, and you really understand why they would start on this side of the line. It’s a great journey that they go on, from being these rough and tumble kids in Eastern Europe who blame the West, and the Avengers for the plight, the power structure of the world that keeps kids like them down. Over the course of it they realize maybe the Avengers are here for good reason.”
But the brother-sister duo have legitimate beef with one Avenger in particular. “Our characters have a lot of anger, especially towards Tony Stark, and we want revenge,” says Olsen. “We meet Ultron, and he’s someone who preaches peace and… believes what we believe, which is that the Avengers create destruction and that Tony Stark’s bomb is responsible for killing our parents.”
Unsurprisingly, their alliance with Ultron ends up turning sour, and Olsen reveals that “my character ends up really having to deal with her ignorance. A lot of problems that happen towards the end of the film are her responsibility.”
Age of Ultron also leads into the next Captain America movie and the situation leading to the upcoming civil war is explained:
Much of the Avengers’ problem boils down to their lack of a clear leader post-Winter Soldier. “SHIELD has fallen apart, so this movie becomes Tony Stark and Steve Rogers trying to put the Avengers together without a parental unit like Nick Fury hovering over them,” explains Latcham. “What you realize is that these are guys who work best with rules, and probably do need some adult supervision.”And as anybody who watched the first film can guess, Tony and Cap aren’t an ideal leadership pairing. “Tony has been paying for everything, designing stuff, building new toys, he’s the benefactor of the whole thing. But Steve Rogers is very much in charge of operations and missions, he’s the moral compass,” Latcham goes on. “But how long can Tony Stark have someone else be in charge?” In other words, groundwork is being distinctly laid for the Stark vs Rogers core of Civil War.
“I would never rule anything out, because I like working here. By the same token, the biggest thing for me is that I need to do something that I create myself. It’s been way too long since I created a universe. The last thing I did before The Avengers was [directing an episode of] Glee, and in between I did Much Ado About Nothing. So I haven’t created my own universe for over five years. That feels wrong.”
The Marvel universe is not limited to the Avengers and other movie series from Marvel Studios as other studios have the rights to some of the Marvel characters. Fox has the rights to X-Men and the Fantastic Four, and there is talk that their worlds will ultimately intersect. Information on the upcoming X-Men and Fantastic Four movies here and here respectively.
Sony owns the rights to Spider-Man and we learned during the recent leaks of their email that there was talk of Marvel Studios getting partial rights to the character. Blastr argues that it might have actually been a good thing that Marvel Studios did not own the rights to all of the Marvel characters:
It’s easy to forget that back in the mid-2000s, Marvel Studios was one heck of a risky proposition. After partnering with outside studios for years, the company finally decided that, if they wanted good movies based on their comics (and the winner’s share of the box-office bucks that come with them), they’d have to make ’em themselves. There was just one problem: They’d already sold off any franchise with obvious big-screen potential, most notably Spider-Man, X-Men and the Fantastic Four.
So Marvel decided to dig deep. The comic universe has always thrived on variety and a world populated with extremely interesting and damaged heroes, so they decided to apply that model to film. Iron Man and Hulk were arguably the most bankable heroes left on the bench, so Marvel pumped every dime it had into those two projects and prayed for a hit. Luckily for all of us, Robert Downey Jr. and Jon Favreau caught lighting in a bottle with Iron Man in 2008. More than $585 million later, we were well on our way toward The Avengers.
Since Marvel didn’t have the luxury of a sure-fire star like Spider-Man — who is currently the most lucrative comic-book character in existence, with more than $1.3 billion in licensing revenue in 2013 alone — they had to work with characters who might not have ever gotten a shot otherwise. Just think: If Marvel could have made splashy Spider-Man and X-Men movies, do you think we’d have ever gotten something as creatively quirky as Guardians of the Galaxy (or Ant-Man), or the risky period-set romp that was Captain America: The First Avenger? Maybe somewhere down the line, but a lot of the limited focus (and release slots) would almost certainly be eaten up by those larger properties.
Yes, Marvel would probably be making better movies than what’s out there now (especially on the Spider-Man front), but for me, I wouldn’t trade the epic Marvel Universe we have now for the chance at some better Spider-Man movies. Not by a long shot. The fact that Marvel didn’t have Spider-Man in its stable was the catalyst to bring characters like Iron Man and Thor to life, and gave Marvel the confidence to try something as seemingly insane as a film starring Rocket Raccoon and Groot. The only thing they could control was making the best movies possible, and since the characters were mid-tier, they had to be extremely good.
He has a good point that the way Marvel built the Avengers with characters starting with lesser characters like Iron Man worked out well. However, now that this has been established, Marvel Studios (as part of Disney) is probably big enough to hire the crew to put out an even larger number of movies. Plus it would be worth sacrificing some of the planned movies with minor characters if it meant having Spider-Man movies of the quality of other movies from Marvel Studios.
Briefly looking at other shows on last week, I was glad to see that the cast and crew of The 100 agree that the plan for Bellamy to infiltrate Mt. Weather “sucked.” I can accept writing a script with characters doing foolish things, as people do foolish things, as long as the writers are doing this intentionally. More on upcoming plans for The 100 in the linked interview.
I am also glad that it was intentional that Team Arrow was so weak without Oliver. It would be especially unrealistic if Laurel was suddenly an effective crime fighter like her sister, who had years of training. Marc Guggenheim discussed Arrow and The Flash in an interview with Assignment X. Guggenheim also tied Arrow into contemporary politics:
AX: How much do you weigh referencing ARROW as a modern-day Robin Hood?
GUGGENHEIM: There’s an interesting thing that’s happening in the country right now, where you’re talking about one percent versus ninety-nine percent, haves versus have-nots. Poverty and whatnot has become a political issue, which is interesting, because to me, it was always an issue on both sides of the aisle, how we distribute wealth in this country. It’s a little scary to me that it’s become this polarizing political thing. That’s not the country I grew up in, so it’s weird also to be writing on a show that’s clearly dealing with that issue head-on. Obviously, GREEN ARROW is inspired by Robin Hood and we’re playing around with those elements, but you go it’s more about social justice than it is about politics. At least, that’s what the show should be about.
AX: Aren’t social justice and politics sort of the same thing?
GUGGENHEIM: Well, the point I’m making actually is that social justice has become a political issue in a way that it never has been in this country. Obviously, yes, there’s always been a political divide, we’ve always had disagreements in terms of how to address these issues, but it just feels like the disagreements have become so vitriolic and the differences have become so severe that it’s taken on a different cast than it used to have.
NBC plans to air Allegiance on Thursday nights in place of Parenthood. It sure sounds like a rip off of The Americans, even if its producers deny it. I’m sure there will be differences, like on The Americans the Russians are after the daughter, but on Allegiance they want to turn the son into a spy. It seems better to place such a scenario with undercover Russian spies in the 1980’s, like The Americans, as opposed to present day.
The Americans started its season with another excellent episode, and is ranked by may critics as the top show currently on television. I doubt that Allegiance will be anywhere as good, either as a spy show or as a family drama. If you haven’t seen it, call in sick for the next two days and binge on the first two seasons on Amazon Prime to catch up.
And, finally, a nine year-old in Texas was suspended from school for threatening to make a classmate disappear. He had just watched The Hobbit: The Battle of Five Armies and claimed to have the one ring to rule them all.
Arrow, The Flash, and Agents of SHIELD all had major revelations in the midseason finales aired last week. Needless to say, there are major spoilers following. Besides revealing who killed the Black Canary, Arrow had the biggest cliffhanger, except the lead character actually was shown falling off the cliff after getting killed by Ra’s al Ghul. Stephen Amell even played along with comments on Facebook and Twitter such as, “It was a good run.” The most common belief among fans is that Oliver might have really been killed, but he doesn’t stay dead. The most likely explanation is the Lazarus Pit, which is sort of the Genesis Planet for DC comics. I also noted that a drug used for mind control played a major part in the episode and wonder if this could also somehow plays a part in how Oliver ultimately survives if he had managed to drug Ra’s al Ghul and influence his behavior and perception of the fight.
Oliver’s death, even if temporary, does provide an opportunity to highlight the show’s strong supporting cast. However Oliver won’t be gone long. Episode 13 is entitled The Return, but Marc Guggenheim has said this does not refer to either Oliver or Slade Wilson (who will be returning at some point). This leaves open the question of who does return, which could be significant considering the large number of characters who have come and gone from the series. Set photos have appeared on line showing that the Arrow is back in that episode.
The revelation that Thea Queen (while drugged) killed the Black Canary was a bit of s surprise, but it did seem obvious that she was killed by someone we knew. I just wouldn’t have guessed Thea. Most likely she was about the last person most would have guessed, which is why the writers did make her the Canary’s killer.
Emily Bett Rickards engaged in bathroom therapy and answered questions about Arrow in a video filmed in her bathtub. (She is fully dressed, but really is in a bathtub in her video tweet.)
The Flash revealed the identity of Reverse Flash as Harrison Wells, as I predicted last week, but there remains much more to discover. It appears that Wells might not be described simply in terms of good or evil with his actions, presumably including killing Barry’s mother so that he becomes the Flash, and later protecting Barry, being motivated by doing what he thinks needs to be done for history to play out as it should.
Variety interviewed Andy Mientus about playing the openly gay villain Pied Piper in an episode airing January 27:
“With the gay thing, I feel like I’m representing a whole community,” Mientus, 28, told Variety at the “Into the Woods” premiere in New York on Monday night. “People are excited to see this character, so it is a lot of pressure. But I’m glad they are introducing the character to the show. It’s a huge step forward, and I’m thrilled to help make that happen. It’s awesome.”
Mientus, who is engaged to actor Michael Arden, admits he’s more nervous about pleasing the comicbook’s avid fans than addressing his character’s sexuality.
Marvel.com: So I’m sure many fans are wondering what exactly that ending means for the future of the series?
Jed Whedon: We’ve dropped her name and it’s the origin of the new version of her.
Maurissa Tancharoen: Or the origin of the true version of herself, which is Daisy Johnson.
Marvel.com: When you were breaking these characters and first developing them, was this a discussion you had at the very beginning?
Jed Whedon: It was somewhat of a moving target early on, in that we knew Skye would be an orphan and would uncover secrets about her past. We had an idea of what we wanted some of those to be that found their ways into the storyline, but exactly who she was we landed on early last season, or midway through last season. We started setting it up early in the beginning of last season.
Marvel.com: We also get the reveal of her dad as Mister Hyde, or Cal. What does bringing him into the series give you guys?
Maurissa Tancharoen: As we always do, we pulled from what exists in the Marvel Universe and put our own spin on it. We had always had our eyes on Daisy Johnson, and therefore her father and her whole history. We sort of planted that throughout the first season and a half. You knew the story of her parents and the havoc they caused, the massacre in the Hunan province in China. We lay in things like that, and over time you put the pieces together. But of course Daisy’s powers aren’t really activated until that moment you see in the Winter Finale.
Jed Whedon: There are parts of it that move away from the story in the comics, but partially that’s because we’d invented our own way [of getting there]. We also wanted it to be a surprise to the people who are familiar with the comics, but [it’s] also because we’re tying it to a larger world. [It’s] not just her origin story, it’s the origin story of a bigger, other world.
Marvel.com: And that is a somewhat “inhuman” world, you could say?
Jed Whedon: It’s safe to say that.
Marvel.com: When did you hit upon the idea of introducing that Inhuman element into the Marvel Cinematic Universe for the first time?
Maurissa Tancharoen: It’s been a property in the Marvel Universe that we’ve been interested in since the beginning. Our tagline when we began the show was “not all heroes are super,” and we wanted to focus on that and highlight that for the first season. Now as we move forward we’re diving deeper into the Marvel Universe, and it’s our way of exploring a whole new world that may be comprised of people who have special abilities. We think that’s going to open everything up for us.
Jed Whedon: Not all heroes are super, but what happens to a hero when they become super?
Maurissa Tancharoen: Essentially what we’ve built since the beginning of the show is an extended origin story, and we’ll dive into that in the back half of Season 2.
There is a long hiatus until Agents of SHIELD returns, which will be filled with Agent Carter. The first two episodes of Agent Carter will air on January 6, with a clip from the series above. Here is the series description:
It’s 1946 and peace has dealt Agent Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field, putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers – a.k.a. Captain America. When old acquaintance Howard Stark finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy — the only person he can trust — to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis, to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for selling these weapons of mass destruction. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison – or worse.
The synopsis of the first episode:
“Peggy is contacted by old acquaintance Howard Stark when he is framed for unleashing his deadliest weapons and can trust no one else. To help Peggy clear Stark’s name, he insists his butler, Edwin Jarvis, be at her beck and call–whether she likes it or not. But the risk is great: If caught, Agent Carter could be targeted as a traitor and spend the rest of her days in prison…or worse.”
And the second episode:
“Howard Stark’s deadliest weapon has fallen into enemy hands, and only Agent Carter can recover it. But can she do so before her undercover mission is discovered by SSR Chief Dooley and Agent Thompson?”
There have been reports that Sony, who owns the rights to Spider-Man, has denied requests to allow the use of Spider-Man in the next Captain America movie, which was desired because Spider-Man did have a role in the storyline taken from the comics. There was also talk of Marvel Studies doing the next Spider-Man trilogy with Sony retaining “creative control, marketing and distribution.” Despite the last movie being a flop, Sony is looking at plans at continued use of the character, most likely as yet another reboot as opposed to a conclusion of a trilogy following the last two movies. Screen Rant looks at many of the ideas floating around. While I really don’t care if they do it with Spider-Man as a teenager or adult, I do agree with the idea of just jumping into a good story and not bothering with yet another origin movie. More at IGN and The Daily Beast.
Gotham shows life before Batman. Smallville showed Clark Kent’s earlier life. Now Syfy is going back even further with a planned show aboutKrypton.
Continuum was renewed by Showcase for a shortened six-episode final season. Rachel Nichols responded, “All great stories deserve an end. I am excited and grateful to finish Continuum with the riveting conclusion it deserves … this series finale is dedicated to the devoted fans who have loyally supported us since day one.” Indiewire discussed the ending of the series with Simon Berry. Here are some of the questions and answers:
What went into the decision to make the fourth season the final season?
I’m obviously not privy to the conversations that happen inside the network, but I think from their perspective… whether it was an issue of internal profits or the money that gets recycled back into the broadcaster, to cover what they’re paying out or whether we’re simply making a creative decision, I think ultimately we were probably on the bubble in terms of how we were bringing money back in for the Canadian broadcaster. In terms of their decision-making process, we probably received the benefit of the doubt in terms of not being canceled, which a lot of shows are when they’re not performing to expectations. They wisely recognized there was an opportunity to service the fans, and also to make more of an event around this final season. It seemed like a lot of things lined up in our favor in that sense. Obviously, I’m speculating, because you never get to hear the inside information.
You seemed pretty confident, back in October, about the show getting picked up.
We definitely had indications early on. When there’s a delay and there’s no cancellation, you know people are working on finding a solution. That’s pretty clear. The delay is usually because somebody is working hard to find a solution that isn’t cancellation. The longer it went, the more I felt we had momentum, and I certainly started hearing things early on in terms of getting prepared for ideas and getting ready to present plans for Season 4, which gave me the indication that we had a final chance. But a lot of that has to do with how everything comes together, because we still have to do our jobs as producers to put together the mechanism by which the show gets made, which is the right people and the right budget, things like that that everyone has to agree on.
Every season on “Continuum,” we’ve had less money. One of the reasons we have less money is because when a show succeeds in its first season, usually the first season is the gamble season to launch it — much like opening a business. You put a lot of effort and a lot of energy and a lot of money into having a strong launch, then you kind of hope that the longer you last the more you can claw back that investment and the show can generate revenue in a positive sense.
It’s so hard to make time travel work narratively in just a two hour movie. For you, hitting Season 3 and going into Season 4, how do you handle every complication that you’ve created?It’s a good question. There was probably a time where we went into the show feeling like time travel had to be something that was touched on all the time. But we realized in the beginning, that once we’d set up the time travel event there was a ton of stuff to mine before we did time travel again. Really, for me, the challenge was how much of this story can we really exploit before I use this time travel trope, or that time travel device — I mean time travel device, literally and figuratively — to create more drama.We had an idea, at the beginning of Season 2, that we wanted to have another time travel event in the show, just as a component of our experience. The goal after Season 1 was let’s work toward a travel time moment, because we knew we hadn’t done it. We had really kind of avoided using time travel, because it does kind of get you in a ton of trouble. As you know, out of Season 2 and Season 3 that this one decision for Alec (Erik Knudsen) to go back in time reverberated in so many ways. I’m really glad we didn’t do more time travel. [laughs] Because it’s been so complicated dealing with that one end-of-Season-2 moment. Season 3 was incredibly complex as a result.
We had a great dramatic moment at the end of Season 2 with Alec going away, but I don’t think we appreciated, when we wrote that, all of the things we would have to deal with in Season 3. Season 3 became a really hard lesson — not a hard lesson in the sense that it was difficult, but a hard lesson in that we felt an obligation to pay off the results of that time travel choice. It was much more impactful than I realized, in terms of how it would affect the drama, how it would affect the characters. They were great opportunities, dramatically, but I think with the complexity of people trying to track it and follow it, we didn’t anticipate how hard it would be.
Did you always have, in your head, an idea for the series finale?
I’ve always known how the show ends, from day one. It was the first conversation I had with the writers — “Here’s how the show will end” — just so everyone knew where we were heading and that we understood that we couldn’t violate certain rules to get to that point. It wasn’t necessarily just how the show would end, it was like: “Here are the rules of time travel that I’m adhering to in the philosophy of time travel,” so that everyone kind of understood what we could hint at.
How close is what you’re planning for the finale to what you initially had planned?
Well, it’s certainly a shortcut to the original idea we had. I think we’re definitely staying true to the plan. We’ve had to adjust a little bit as to where we left off and where the story needs to go, so we’ve built a story bridge, if you will, to link the ending we wanted to where we left off. So I feel very good about how these things are connecting.
When you say shortcut, how many seasons were you expecting the show would last initially?
I always expected it to be cancelled every year! So it was less about what I expected and more about what I was hoping for. I was hoping we could get seven years to tell the full story and all the various chapters. There were certainly opportunities to tell half a dozen specific, episodic stories — we had chatted about it internally, but ultimately it’s still a linear story and I don’t think we’re compromising anything by getting to the ending in four seasons as opposed to seven. It’s maybe some other stories that won’t get told, but those, at the end of the day, didn’t make a difference as to how the show would end or not.
Given how complicated things got in Season 3, will Season 4 be scaling back or will it take all those threads and take them to the next level?
It’s hard to sort of qualify “complicated.” We’re definitely building off of Season 3 because that’s the natural evolution of storytelling. You’re always building off what you just did. But I would say that because we’re now dealing with a shorter season in six episodes, it’s also an opportunity to not deal with the reality of thirteen, which is to tend to want to have more layers of storytelling and multiple threads. Now with six, we’re actually more focused on one clear story, which means the show could be closer to more of a limited series than a traditional 13-episode series.
How different is the rhythm of a six-episode season?
Well, it’s naturally different because it’s shorter. But it also provides opportunities that the longer seasons don’t. I’m actually excited for the shorter number, in the sense that it allows for a different style of storytelling, which is more appropriate for finishing the story, rather than trying to service the balancing act of 13 hours, which tends to balance more serial and episodic.
Of course I wouldn’t expect him to say anything different about being able to finish the series in six episodes, but I can’t help but think it will result in a lesser story than planned. Individual seasons very well might have been better if shorter, but suddenly shortening the 4th season should be more difficult. They not only have to show the story planned for the season after the major changes shown in the third season finale, but also have to tie up the entire series in such a short amount of time. At least it is much better than having no conclusion at all.
Martin Freeman was guest host on Saturday Night Live last night. He appeared in the above skit as Bilbo Baggins in which an episode of The Office took place in Middle Earth.
The second season of Broadchurch starts on ITV on January 5. The US adaptation, Gracepoint, did have a different ending for the first season. The Guardian did think that the change in the ending was the one thing the US adaptation got right.
Tonight is the series finale of The Newsroom as yet another Aaron Sorkin television series ends way too early. (Yes, I know that The West Wing lasted seven seasons. For me, even that wasn’t long enough.) It looks like the death of Charlie Skinner might be just one sign that ACN will end as we know it, plus Jim and Maggie look like they are finally getting together. Sorkin has discussed the recent rape storyline.
If you gave up on watching Homeland during the weak episodes to start the season, the show has become much better the last couple of weeks. Best line from Homeland: “It can’t be my belt.” It was also interesting to see the Ambassador’s reaction when her husband did not go through with his suicide plans.
Tony Stark is literally Iron Man in the parody video above.
Last week I expressed interest in the fan movement to bring in Jonathan Frakes to direct the next Star Trek movie. Reportedly Frakes is interested and has contacted JJ Abrams regarding this.
Kirsten Dunst and Jesse Plemons were the latest announced additions to the cast of the second season of Fargo.
Bill Cosby was asked about the recent rape accusations in a phone conversation with a reporter from The New York Post. He refused to respond to specifics and said, “Let me say this. I only expect the black media to uphold the standards of excellence in journalism and when you do that you have to go in with a neutral mind.”
By now most fans must have figured out that Katie Cassidy’s character is training to replace her sister Sara as the Black Canary, so there is no point in keeping this a secret. Publicity pictures have been released of Cassidy as the Black Canary. Marc Guggenheim has answered questions about when we will find out who killed Sara and has shot down another fan theory in a recent interview. The mystery over Sara’s killer won’t be dragged out over the entire season, but he is not telling exactly when we will find out.
The CW Network has released the synopsis of the cross over episodes of The Flash and Arrow, which will air on December 2 and 3.
Part 1: “Flash vs. Arrow”
“Barry is thrilled when Oliver, Felicity and Diggle come to Central City to investigate a case involving a deadly boomerang. Excited about teaming up with his friend, Barry asks Oliver if he’d like to help him stop Ray Bivolo (guest star Patrick Sabongui), the meta-human Barry is currently tracking. Bivolo causes people to lose control of their emotions and has been using that skill to rob banks. Unfortunately, the superhero partnership doesn’t go as smoothly as Barry expected. When Oliver tells Barry he still has a lot to learn, Barry sets out to prove him wrong by attempting to stop Bivolo alone. However, when Bivolo infects Barry and sets him on a rage rampage, everyone is in danger, and the only one who can stop him is the Arrow. Meanwhile, Iris is furious when Eddie tries to get a task force to stop The Flash, Joe and Dr. Wells agree the Arrow is a bad influence on Barry, and Caitlin and Cisco deal with a new team in S.T.A.R. Labs.”
Part 2: “The Brave and The Bold”
“Oliver, Arsenal and Diggle track down the location of a boomerang-wielding killer named Digger Harkness (guest star Nick Tarabay) but are surprised when they come face to face with an A.R.G.U.S. team. Diggle asks Lyla why A.R.G.U.S. is involved but she defers until Harkness attacks the building, killing several agents and targeting Lyla. The Arrow joins the fight and gets help from an old friend – The Flash. Harkness manages to get away and Oliver teams up with Barry again to find him before he can get to Lyla. When Harkness plants five bombs in the city that are timed to explode at the same time, both teams must come together to save the city.”
The above clip from this year’s upcoming Doctor Who Christmas special was played at Friday’s Children in Need special. Jenna Coleman is shown appearing again as Clara, and we do not know if this means whether Clara is continuing with the show next season or exiting the series as previously rumored.
Steven Moffat has discussed the past season of Doctor Who. With it uncertain as to whether there will be a new companion coming, there has been a lot of attention paid to his discussion of “changing it up with the companion.”
We actually have changed it up quite a lot, look how different those girls have been. Wait and see.
What we have is probably the most enduring form of the show and I think will always tend back to it for whatever reason, but there’s no reason you couldn’t tend away from it and there’s no diktat or special rule book left by Verity Lambert or something.
We absolutely could vary it. The times they’ve varied it, it makes them work hard – you can see them struggling with Leela. She was a great character but they had to civilize her fast because it was getting hard to fit her into stories – but it’s not a hard and fast rule at all.
Some of the bloggers at The Mary Sue disagree that they have changed it up all that much. Comments included, ” I know! Amy’s hair was red, and Clara’s was dark brown! So different“followed by, “And they were played by different women and it wasn’t the same actress in a wig so, right there.” Other comments included, ““And one wasn’t in love with the Doctor” followed by “Yes. One of them only flirted with the doctor. The others flirted and had feelings!” Maybe we’ll see “something really, really different” such as “curly hair.” On the other hand, the current formula works, so why be concerned about changing anything up?
The past season has received mixed reviews from fans, with more criticism of the plot holes in Moffat stories. What Culture has compiled a list of their top “face palm” moments in Doctor Who. While some fans are swearing that Moffat is destroying the show, to be fair to Moffat there were plenty of plot holes in stories before he took over. Examples can be found here, here, and here. Similarly, plot holes can be found during any typical evening of watching television. The nature of the show increases the risk of some plot holes on a show such as Doctor Who, but I also think the number is increased because Moffat often throws far too many clever ideas into some episodes, as he did in Death in Heaven. I feel he did a better job on episodes such as Blink in which he devoted the episode to just one clever idea and fully developed the story around it.
Michelle Gomez is hinting she will return to Doctor Who next season. She did too good a job as Missy to not consider using her again.
The Fall has started its second season, receiving excellent reviews, and Gillian Anderson hints there might be a third season. Netflix, which has the first season of this British series, will release all six episodes of the second season on January 16. The trailer is above.
There seems to be quite a few genre novels being turned into television series. Jonathan Nolan, creator of Person if Interest, is doing an adaptation of Isaac Asimov’s Foundation series for HBO. I could see this working as either adaptations of the books or as stories set in the universe Asimov created. Amazon has announced their planned pilots for 2015 and the list includes a series based upon The Man in the High Castle by Philip K. Dick. The alternative history creates a world twenty years after World War II in which the allies have lost. This could be another example of a series which might work by either adapting the novel or writing original stories in the universe created by the novel.
Ascension, a three night mini-series starting on Syfy on December 15 sounds like it could be awesome. Trailer above. From what I’ve read at various sources, the premise is that during the Kennedy years there were fears that humanity would not survive so an interstellar life boat was sent into space with a wide variety of people. The series takes place in the present, but the culture has not changed from the 1960’s, sort of giving us Mad Men in space. The mini-series reportedly deals with problems ranging from a murder to reaching the point of no return and having to decide whether to go on or to return to earth. Cast includes Tricia Helfer of Battlestar Galactica as the scheming wife of the Captain.
Community finally starts production next week and will be adding two new cast members following the loss of some regulars over the years. The new members of the cast will be Paget Brewster (above) and Keith David.
Carol Ann Susi, who provided the voice of Mrs. Wolowitz on The Big Bang Theory, died last Tuesday. No word yet as to how this will be handled on the show.
Karen Gillan’s new series Selfie has apparently not received enough “likes” and has been canceled by ABC. CBS has canceled The Millers, which means that Margo Martindale might now have more time to reprise her role as Claudia on The Americans.
If you heard the rumors last week about Spider-Man’s Aunt May getting her own movie, they aren’t true. The biggest problem with the rumored concept was that the movie was going to take place when she was younger. If the concept had any chance of succeeding, they’d be better sticking with Sally Field, who just might be able to pull it off.
…three adult actresses — Alex Chance, Mercedes Carrera, and Nadia Styles — explain what it would mean if the FCC passes compromised neutrality rules.
“Without net neutrality, Internet service providers could create special fast lanes for content providers willing to pay more,” says Carrera.
Adds Chance, “That means slow streaming, slow social networking, and yes, slow porn.”
Ms. Styles slam neutrality critic, Sen. Ted Cruz from Texas, saying he “doesn’t want me to get naked for you.”
She also points out that the anti-neutrality drive is being led by wealthy older men and says that doesn’t make any sense since, “Old rich guys watch the weirdest porn.”
Ms. Chance compares the current, neutral state of the Internet to “a giant sex party where everyone gets to have sex with anyone they want,” but Ms. Carrera contends that, “Without net neutrality, that sex party is only for rich people.”
Over the last several weeks, decade-old, discredited allegations against Mr. Cosby have resurfaced. The fact that they are being repeated does not make them true. Mr. Cosby does not intend to dignify these allegations with any comment. He would like to thank all his fans for the outpouring of support and assure them that, at age 77, he is doing his best work. There will be no further statement from Mr. Cosby or any of his representatives.
“Cosby settled a lawsuit in 2006 filed by a woman who claimed the comedian drugged and raped her in 2004, and he has never been charged with any crime connected to the allegations. Yet from comedian Hannibal Buress, who straight up called him “a rapist,” to countless slings and arrows on Twitter, there’s a sense that Cosby won’t emerge from this mess unscathed…
“Howard Bragman, a longtime celebrity public relations consultant, insisted on CNN that Cosby has “got to be willing to go on the air and go on the record, and say ‘These charges are not true, this is nothing I would do.’â€Š” So far, Cosby has done no such thing, perhaps already realizing his reputation is a lost cause.”
Flatline managed to provide an episode of Doctor Who which successfully combined elements of both horror and humor. While not a totally original idea, it was something not seen on Doctor Who before, and realistically few television shows manage to come up with ideas which have not been influenced by other works. Think of it as if the residents of Flatland by Edwin Abbott Abbott were to invade earth, with a touch of The Adams Family thrown in.
Besides the idea of two dimensional beings invading, there was the added component of the TARDIS shrinking when the “structural integrity is compromised.” This did contradict The Name of the Doctor which showed such leaking to cause the TARDIS to swell in size, not shrink. The shrinking of the TARDIS, with the Doctor trapped inside, did enable Clara to take a leading role in this episode. This whole situation was quite difficult for the Doctor: “I mean this is just embarrassing. I’m from the race that built the TARDIS. Dimensions are kind of our thing.”
The Doctor did win out in the end. Ultimately the aliens from the two dimensional world were defeated by their inability to distinguish a two dimensional picture of a door from a real three dimensional door.
With the Doctor separated from the action for most of the episode, Clara took on the role of the Doctor, including taking on a companion, Rigsy, and calling herself the Doctor:
Rigsy: “What are you the doctor of?”
The Doctor: “Of lies.”
Clara: “Well, I’m usually quite vague about that. I think I just picked the title because it makes me sound important.”
The Doctor: “Why, ‘Doctor Oswald,’ you are hilarious.”
Clara did show Rigsy the inside of the shrunken TARDIS leading to the classic comment, “It’s bigger on the inside.” This set up the Doctor’s response: “I don’t think that statement has ever been more true.”
Clara also showed that she can act like the Doctor, from using the Sonic Screwdriver to using his tactics:
Clara: “I just hope I can keep them all alive.”
The Doctor: “Ha. Welcome to my world. So, what’s next, ‘Doctor Clara’?”
Clara: “Lie to them.”
The Doctor: “What?”
Clara: “‘Lie to them.’ Give them hope. Tell them they’re all going to be fine. Isn’t that what you would do?”
The Doctor: “In a manner of speaking. It is true that people with hope tend to run faster, whereas people who think they’re doomed …”
Clara: “Dawdle. End up dead.”
The Doctor: “So, that’s what I sound like?”
Ultimately, when Clara asked if she did a good job, the Doctor did respond, “You were an exceptional Doctor, Clara. Goodness had nothing to do with it.” We still have the question from the start of the season as to whether the Doctor is a good man, and whether they are doing good.
The most amusing gag of all in the episode was seeing the Doctor’s full sized hand emerge from the tiny TARDIS to walk it away from an oncoming train. The episode was very light on Danny Pink, but we did have another amusing scene with Clara talking on the phone with Danny, hiding the fact that she was in danger. The previews do show him taking an active part next week, but it still remains unclear whether we will ultimately see a return to two teachers from Coal Hill School being companions aboard the TARDIS as was teased last summer.
The ending scene with Missy took a different turn from her previous scenes, with Missy saying, “Clara, my Clara. I chose well.” It has already been suggested that it was Missy who gave Clara the Doctor’s phone number back in The Bells of Saint John, but we still have no idea as to what Missy’s overall plan is. Also uncertain is whether this has any connection to Clara’s role in The Name of the Doctor to become fragmented in time and have a role in each of the Doctor’s regenerations.
The writers this season do seem to be writing as if some of the past events have not taken place, almost starting fresh with Clara and the Peter Capaldi Doctor. Even going back to the season premiere in Deep Breath, the Clara who saw each regeneration in The Name of the Doctor should not have been as surprised by seeing the changes in the Doctor after his regeneration. Perhaps the events of The Time of the Doctor, with the Doctor gaining additional regenerations and not dying on Trenzalore, also mean there was never a giant TARDIS tomb for the Doctor and Clara never was fragmented in time. The Missy story line might wind up providing a completely different version of Clara’s life.
The Doctor Who Extra for Flatline is above.
While both the Doctor and now Clara having claimed to be a doctor without formal qualifications, there are some actual doctors who have done considerable harm despite having true medical degrees. One example, Dr. Henry Cotton, has appeared on cable television shows in the past week both on The Knick (at the start of his career and Boardwalk Empire (near the end). He was a real person. Henry Cotton believed that psychiatric problems were based upon infections and his treatment often began with pulling the teeth of psychiatric patients. If this did not provide a cure, then he would proceed to remove other organs which he believed were the cause of the infection. Needless to say, in an age before antibiotics, such unnecessary surgery could have catastrophic results. At one point during his career Cotton even had a nervous breakdown. He responded by pulling his own teeth, then proclaimed himself to be cured and returned to work.
Knowing the factual basis behind Dr. Cotton’s life leaves me concerned about Gillian Darmody’s fate after she told Dr. Cotton that she felt she was cured. We already saw another woman at the asylum undergo surgery, and Cotton would not be likely to accept Gillian’s assessment that she is cured without surgically removing what he believes to be the site of her infection. Being the final season, Boardwalk Empire does have the ability to show tragic endings for its characters. This included the deaths of two long time characters last week. While Boardwalk Empire is ending, The Knick just ended its first season and has done an excellent job of showing what medical care was like back in 1900 and the development of new ideas such as transfusions.
News came in last week that a cable series which debut last summer, Manhattan, was renewed. While I have not seen the series, I feel comfortable in recommending this show about the development of the atomic bomb based upon several favorable reviews. (Although I have not seen Manhattan yet, do I get any points for reading Joseph Kanon’s novel, Los Alamos, several years ago?)
Still no news on whether Continuum will be renewed.
I would also recommend another new cable series which I did see the premiere of last weekend, The Affair. The main story involves an affair from the viewpoint of both parties, each telling their version for half the episode. We have narrators who are unreliable at least due to the faults in human memory. There might be additional reason for intentional deceit as we found that the stories are being told as part of a possible criminal investigation years afterwards, similar to in the first season of True Detective. It also reminds me of William Landay’s novel, Saving Jacob, in which there are glimpses of future questioning but we don’t know who the accused is or the crime until the end of the novel.
The creator of The Affair, Sarah Treem, discussed the dual narratives in an interview at The Hollywood Reporter:
With Noah and Alison remembering different accounts of the same stories, the series explores the notion of objective truth. Do you think there’s such a thing?
I think there is such a thing as objective truth. There are events that actually happen. As individuals our understanding of what happens is often quite limited. Sometimes the only way to get at objective truth is to have multiple people tell their own version of the same event. It is the job then of the interrogator, the therapist, the audience member, whomever, to basically try to find the commonality between the accounts in order to figure out what actually happened. That’s basically what we’re trying to do with this show. We’re not saying there’s no such thing as truth — there absolutely is — but we don’t think that one person is usually the arbiter of the truth. We think that it comes forward in conversation. There’s this quote, I think it’s from Hegel, but it’s the idea that all understanding is dialectic, meaning that nothing gets understood unless it’s as a result of a conversation. That’s how I think of the two sides of this show, that it’s a conversation from which the audience gains an understanding.
Will we see the perspectives of other characters besides Alison and Noah?
Not this season but maybe in subsequent seasons, if we get them.
We see a lot of overlapping stories that vary slightly depending on who’s telling them. What’s it like to have to regularly write two versions of the same event?
It’s a really fun exercise for a writer. It’s just about putting yourself in another character’s perspective, seeing the scene through the other character’s eyes. For the scene at the end of the pilot [where Alison and Cole have sex on their car], I was interested in writing a scene that looked like an attack on one side, and then coming back into it knowing more about what was actually happening to where all of the sudden the scene plays as a very different negotiation. Writers are trained at this because you’re always approaching the story through somebody’s eyes so it’s just a great, enjoyable exercise to go back and think, “Well, I wrote it this way the first time and now let me jump into a different character’s body and a different character’s mind and let me try it again and just see what happens.”
Both Warner (DC) and the various studies which own the rights to Marvel characters have recently released news on their upcoming movie plans. Comics Alliance has more information and has put together the above infographic.
“Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
“Suicide Squad,” directed by David Ayer (2016)
“Wonder Woman,” starring Gal Gadot (2017)
“Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
“The Flash,” starring Ezra Miller (2018)
“Aquaman,” starring Jason Momoa (2018)
“Justice League Part Two,” directed by Zack Snyder (2019)
“Cyborg,” starring Ray Fisher (2020)
“Green Lantern” (2020)
Batman v Superman: Dawn of Justice producer Charles Roven recently gave an interview with more information on the movie, including the origin story for Wonder Woman which is being used.
Unlike Marvel, DC is keeping their movie and television universes separate. While Gotham will probably need to be kept in a separate world of its own, Green Arrow, The Flash, and next Supergirl are forming their own television universe. Many fans are angry that Stephen Amell and Grant Guston won’t be appearing as Green Arrow and The Flash in the Justice League movie. While fans would probably prefer such continuity, it does make it easier to wrote both the television shows and the movies if there is not a need for consistency. We saw how Agents of SHIELD was harmed by a need to postpone mention of HYDRA taking over SHIELD until after Captain America: The Winter Soldier was released.
Marvel fans are getting more excited by what appears to be planned. While Robert Downey, Jr. has not agreed to do another stand alone Iron Man movie, he may be appearing in Captain America 3, which reportedly involves the two being on opposing sides over the Superhero Registration Act. This could also be the end of Chris Evans as Steve Roberts. of There have also been rumors of Marvel making a deal with Sony, which owns the cinematic rights to Spider-Man, to allow him to appear, which sounds plausible as Spider-Man had a role in this storyline in the comics. Several other Marvel characters are also rumored to be appearing.
Meanwhile Emma Stone, when not playing the role of Gwen Stacy in Spider-Man, will be playing Sally Bowles on Broadway in Caberet.
With Twin Peaks coming back we have twenty-five years to catch up on. Mark Frost is writing a book to fill in this gap. I am looking forward to see what they do with the series and which characters return. I do hope that Audrey Horne returns and has a daughter who can tie a knot in a cherry stem with her tongue.
NBC has commissioned Bill Lawrence (Scrubs) to do a remake of the fantastic British sit-com, The IT Crowd. I have mixed feelings about such attempts to remake UK shows here. NBC’s first attempt at a remake, with cast including Joel McHale, was reportedly a total flop and never aired. NBC also failed in adapting Coupling, another excellent British sit-com written by Steven Moffat.
Fox has had their own problems in attempting to remake British shows, both with Gracepoint (a remake of Broadchurch) and Us and Them (a remake of Gavin and Stacey).
Kill the Moon could be seen both as one of many totally implausible and scientifically absurd episodes of Doctor Who along with another high concept episode with a major role in the series. Even if we accept that the moon could really be a giant egg, it makes no sense for the development of the space dragon to also lead to giving the moon more gravity. Doctor Who also has a strange cell phone technology on several episodes where cell phones seem to be connected to the time and place of their origin, in this case allowing Courtney to post to her Tumblr account (which has died out by 2049).
If you ignore its absurdity, which Doctor Who fans are accustomed to doing, the show does fill in a gap in the future history of mankind as presented on the show. The present earth of Doctor Who sees aliens as monsters and invaders. The far future has been shown with humans spread throughout space. At the time of this episode, mankind has given up on space exploration and even needed to restore an old museum shuttle to return to the moon. Thanks to Clara ignoring the input from humans at the time, earth was able to see space as a wonder and not threatening, encouraging mankind to start to look outwards.
The episode even answered the question raised during the episode of how the moon could be destroyed when they knew it was present in the future. Now I’m wondering how the moon remained attached to the earth when the earth was dragged to elsewhere in the universe in The Stolen Earth/Journey’s End.
The episode was originally written for Matt Smith, and must have had major rewrites in order to fit in so well with the story of the current Doctor as played by Peter Capaldi. The decision to go to the moon came about because the Capaldi Doctor couldn’t bring himself to tell Courtney that in some way she is special without actually making this true. The episode ended with Clara rejecting the Doctor, making me wonder if this is part of a planned arc. It certainly fits in with the personality changes in the Doctor since his last regeneration.
This might set up next week’s episode to be one without Clara, or show further advancement in their relationship. The entire lineup of companions is now in question. Danny Pink kept the possibility that Clara isn’t really done with the Doctor alive. Last summer we were teased with the idea of another couple in the TARDIS but Danny has yet to actually travel the the Doctor. Courtney has even beaten Danny in traveling in the TARDIS. If his relationship does not go further, I imagine it is debatable as to whether to consider Danny a (limited) companion. He is certainly involved with a continuing character, he is aware of what the Doctor is, and even did work with the Doctor at defeating an alien (after first messing up his plans) in The Caretaker.
Other continuity issues were touched upon. The doctor claimed he could regenerate forever. Did he really obtain an infinite number of lives, or is the Doctor who could not tell a white lie at the start of the episode now telling a lie? Was he lying when telling Courtney she would be the first woman on the moon? Polly traveled to the moon with the second Doctor in 1966 in Moonbase but it was set in 2070 while Courtney, from 2014, traveled to the moon of 2049. The Doctor could have been lying, could be using a timey wimey technicality, or could have just forgotten. At least he did remember his old catch phrase, “When I say run, run.”
There was not a scene with Missy and any of the astronauts who got killed during this episode.
The best television news of the week is that You’re The Worsthas been renewed. It is being moved to FXX and will be expanded to thirteen episodes. Married, which was paired with You’re The Worst, was also renewed and will remain on FX. The renewal and increase in number of episodes of You’re The Worst is no surprise considering the strong critical reaction to the show as people discovered it over the summer. If you haven’t seen it, the show is highly recommended. It would be easy to bing on as with only ten episodes the entire series only around three and a half hours after commercials are cut.
With all the late spring and summer television shows, there are probably several which we haven’t heard news on regarding renewals. In my opinion, the only one which we haven’t received word on yet which really matters is Continuum. Besides wanting to see this for several years to come, they just cannot end the show where it ended. In terms of ending a show with an unexplored change in the final episode, this would be reminiscent to the ending of Terminator: The Sarah Connor Chronicles.
As for shows I don’t care as much about, TNT has canceled their reboot of Dallas. Now we will never find out if Christopher Ewing, who died in the finale, will reappear in Elena’s shower, or if Nicolas is really the father of her baby.
Twin Peaks ended with Special Agent Dale Cooper disappearing for twenty-five years, and now that it is time for him to reappear there are rumors that the show might return. Update: It was announced Monday that it is coming back as a limited series on Showtime.
Collider has information on X-Men: Apocalypse which opens in 2016 and concludes the current trilogy. The relationship between Mystique and Beast plays a large role in the movie:
Part of what’s really interesting about Mystique’s character is that she is, in some ways, the child of both Erik and Charles. She grew up with Charles and then she sort of became a woman with Erik, so her being the cross-pollination, if you will, of those two philosophies and those two men is something we can explore in the movie too.
Perhaps Mystique/Jennifer Lawrence will go after whoever spread the nude photos of her, without the body paint, around the Internet.
If you are having difficulty keeping track of all the mutants in the X-Men movies, Screen Rant has a guide.
Robert Downey, Jr. has said he will not appear in another Iron Man movie, but now says that Mel Gibson deserves another chance and would do so if Gibson directs it.
Adrianne Palacki, who will be playing Mockingbird on Agents of SHIELD, has said her character might also wind up appearing in a future Avengers movie.
It appears that the Fantastic Fourcomic might be canceled prior to the release of the upcoming Fantastic Four movie reboot. If true, this comes from the manner in which different Marvel Studios/Disney only have the movie rights to some of the Marvel characters. Other studies have the movie rights to characters including Spider-Man, Daredevil, The Fantastic Four, and X-Men as long as they are using the characters. This is one reason for the lack of cross overs of some of the characters with The Avengers, and also why some dreadful movies have been shoved out in order for other studios to maintain their movie rights.
Arrow returns this week–clip above. With Oliver losing the business it looks like everyone has to get new jobs, but Felicity is still helping him out. More at The Hollywood Reporter.
Homeland returns tonight. TV Guide has some information on changes in the show now that they finally got away from the Brody storyline.
Yvette Nicole Brown (Shirley) won’t be continuing on Community when it returns on Yahoo! due to having to care for her sick father. She will have recurring roles on th CBS reboot of The Odd Couple and on a new USA Network show, Benched. With Jonathan Banks also leaving the show due to his commitment to Better Call Saul, two new characters will be added: “One is described as a woman who’s brought in as a consultant to help shape up the school. The other is a retired salesman who comes to Greendale to reinvent himself.”
The number of outlets for original programing has sure expanded. Beyond broadcast and cable television, both Netflix and Amazon have put out multiple shows. Yahoo! becomes far more significant with the addition of Community. Now Hulu is planning a miniseries based upon Stephen King’s time travel novel on the Kennedy assassination, 11/22/63. The show will be produced by J.J. Abrams and run for nine hours. This is certainly a far better way to do a book of its length as opposed to a movie adaptation. They have left open the possibility of doing additional seasons beyond the events of the book, which I am wary of after seeing what happened with Under the Dome.
Starz won’t have to worry about running out of material for Outlander if they want to continue the series for several more years. Diana Gabaldon has signed a multi-million dollar book deal for the ninth book in the series. Thanks to the Starz series, the first Outlander novel from twenty-three years ago has jumped to the top of the bestseller lists.
Zoe Seldana’s short skirt while playing Uhura in the Star Trek movies was not very practical, unless flashing is encouraged in the J.J. Abrams universe. She discussed this problem, and other wardrobe malfunctions.
Wired looked at science fiction worlds and languages, such as the Klingon and Dothraki languages.
Orphan Black was one of the best new shows of last season, along with being one of the best genre shows of recent years. It returns to BBC America on April 19, with the producers having a three-season master plan outlined. There is additional news on the second season of Orphan Blackhere and here (minor spoilers):
– More boundary-breaking. “We are going to take some risks with our premise in the second season and we are going to push technically what we’ve done with the first season and our actors are really pushing the limits as well,” says Manson. Jordan Gavaris, who play’s Sarah’s BFF/foster brother Felix, prefers when he’s outside of his comfort zone. “It’s not a good thing if you get complacent, when you get comfortable and everything’s easy,” he says. “There should be that discomfort because that pushes you to take the risks to keep it interesting, to keep people engaged — and we’re scared!”
– Plot-wise, Sarah is frantically searching for Kira. The very first scene, which was screened for critics, takes place immediately after she discovers her daughter and Mrs. S. are missing. She frantically calls Felix and Paul, whose phones go to voicemail, but Paul calls back — except Rachel’s on the other end telling her to surrender herself. Naturally, Sarah hangs up, but then two menacing henchmen walk into the diner where she’s taken refuge from the rain and menacingly offer to take her to Kira. What happens next? Well, you’ll have to wait and see!
– Cosima is struggling with her mysterious respiratory disease. “Cosima to me has always been the one who’s the most fascinated with life, so it’s interesting for her to be facing her mortality and that’s really what we start to explore in Season 2,” Maslany says. Adds Manson, “It’s hard because she’s my favorite clone. We’re putting her in this really heartbreaking position, and yet she’s almost as brave as Sarah in a lot of ways. Narratively, examining her illness and looking into her own science is part of our mystery. She performs a really great story function in the second season as well, trying to get to the root of her own illness.”
– Ainsley’s death will continue to weigh on Alison. “Alison is an intense person to begin with, and the secret she’s keeping is really going to eat at her in an interesting way,” Manson says. “Alison’s got some explosions coming up.”
– Felix’s character will be fleshed out. “In Season 1 Felix was very much an integral cog in the mystery… and now I think what Season 2 helps to do is establish him outside of the clones as an individual with his own identity,” says Gavaris. “He has gone along and been that person who picks up the phone at 3 in the morning and I think it’s safe to say that the relationship with Sarah comes to a head and there’s a tough decision that’s going to be made — many tough decisions that are going to be made — and it’s not going to be easy.” While his relationship with Sarah might be tested, he will grow closer to some of the other clones.
Michelle Forbes has also been cast to appear in multiple episodes. According to TV Line, “Forbes will play Marian Bowles, a powerful new player at the Dyad Institute with a birds-eye view on the war between Sarah and Rachel.” Forbes has appeared in multiple genre shows including Star Trek: The Next Generation and Battlestar Galactica.
Agents of SHIELD revealed some information about Agent Coulson returning from the dead. Apparently it involved a series of painful surgeries, with false memories of Magical Tahiti implanted to replace these memories. There was no real explanation as to how this managed to bring him back from the dead. I’m not sure if this is it and we are just to assume advanced medical procedures at SHIELD could accomplish this or if more is to come. At least this does eliminate some of the theories floating around, such as a room full of Coulson androids.
Agent Coulson is far from the only genre character to return from the dead. No surprise that Peter Parker is returning to the Spider-Man comics after having died last year with Dr. Octopus taking over his body.
Back when the Star Wars saga ended chronologically after the original trilogy, it didn’t matter much if different writers carried the story onward in different ways. Now that Disney is continuing the movies, it would seem to be an insurmountable job to try to maintain consistency. They did what was probably the only sensible option and have decided that the expanded universe is not canon. As I have not read any of the novels, I can’t say first hand, but I’ve also read comments that this is good because almost all of it was crap.
Among the various casting rumors regarding the next Star Wars movie, Jesse Plemons of Friday Night Lights and Breaking Bad is reportedly being considered for a lead role. If he is to play an evil role, his time on Breaking Bad will make it easier to see him as a villain.
Speaking of Disney, I hear that Saving Mr. Banks is an entertaining movie (and plan to see it in the future) but am not surprised to read that it got a lot of the facts wrong.
AMC has announced that the seventh season of Mad Men will begin April 13. While officially the last season, the season will actually be broken into two parts like Breaking Bad. Why don’t they just call these series of shows aired about a year apart separate seasons? Regardless, it will be interesting to see where they go after Don Draper was fired for the bizarre behavior we have grown to sort-of love over the last several years. AMC also announced that Better Call Saul, the Breaking Bad spin-off, will begin next November.
Screen Crush speculates on which characters might appear in season two of Hannibal based upon the book series.
Filming has begun with Peter Capaldi playing the Doctor. Doctor Who will return in August. Current plans are for the next two seasons to be a single run (not counting the Christmas specials) as opposed to breaking them in half. Steven Moffat described Peter Capaldi’s Doctor as being more dangerous:
There would be little point in making as radical a change as we’ve made unless you’re going to go quite different with the Doctor. The last two Doctors have been brilliant, and have been your ‘good boyfriend’ Doctors. But the Doctor isn’t always like that. There is the sort of Tom Baker, Christopher Eccleston end of the spectrum, where he is mad and dangerous and difficult.
It’s always down to whether there’s a good story. My immediate instinct was that story’s probably done. Not that we saw all of it, but I never thought we should see all of it. I’m slightly tempted, because I imagine Peter Capaldi and Alex Kingston would be absolutely hilarious together…”
He adds: “She could certainly have met other Doctors. So there’s nothing stopping us… But is there anything new we can do? Or is the new thing that Peter Capaldi and Alex Kingston would be very sexy together? Is that enough? We’ve always had fun with the fact that they don’t look like a couple.”
“Peter Capaldi and Alex Kingston would look like a couple – that’s the thing. Whereas I thought Matt and Alex were gorgeous together, but it looked slightly strange, because he was so much younger. Alex is just great fun to have on the show. It’s when you want to throw the Doctor a bit, because what River does so well is to make him a bit on the back foot and a bit flustered.”
Moffat also answered questions about a crossover with Sherlock, being non-committal and saying “nothing is impossible.”The final episode of the third season of Sherlock aired tonight but Steven Moffat also says that the fourth and fifth seasons have already been plotted out. I will hold off on discussion of the the third season episodes as they have not yet been shown in the United States. A spoiler-free review of tonight’s episode, The Last Vow, can be found here. I plan to watch a download later tonight. From what I here so far, it is a more conventional mystery after last week’s episode, and I suspect will receive a better reception.
John Simm will star in a new BBC America paranormal drama series, Intruder. He previously stared in the BBC version of Life on Mars and has played The Master on Doctor Who.
Starz has released a trailer for Ron Moore’s series Outlander–video above.
Starz has also announced that Da Vinci’s Demonswill return on March 22. Like Saving Mr. Banks, Da Vinci’s Demons is a fictionalized account of a real person. It is probably better enjoyed as an entirely fictional show and ignoring the use of real names or events.
There has been a lot of talk about Gillian Flynn making major changes in the movie adaptation of Gone Girl. I think that this was inevitable, both because of the different structure needed to tell a story in a movie as opposed to a book where the readers were being deceived, and to give people who read the book more reasons to see the movie. Some of stories dealt with a change to the ending. However readers of the book are quite aware that the crucial point was midway through the book with the specifics of the ending being far less important. I can easily see a more satisfactory ending being written without changing the essential story.
There’s a lot of news coming out of San Diego Comic Con. Here’s some reports on panels held so far, with more to come.
The Agents of S.H.I.E.L.D. panel is above. They also showed the pilot at ComicCon. A description of the pilot can be read here. Cobie Smulder will be reprising her role as Maria Hill in the pilot, and will have further appearances throughout the season.
The unofficial gag order surrounding the details of ABC/Marvel’s new drama, Agents of S.H.I.E.L.D., finally lifted at San Diego Comic-Con. With the unveiling of the pilot episode and the first press tour at the Con, we have a better sense of what the show will revolve around, aside from the mysterious return of assumed dead Agent Phil Coulson (Clark Gregg).
According to executive producers Jeff Bell and Jeph Loeb, the series will focus on the humanity and smaller scale heroics dished out daily in the S.H.I.E.L.D trenches.
“To me, the movies have always been about people,” Bell explains. “There are all these giant monsters and heroes, but there have always been really interesting humans. Nick Fury is just a guy.”
Loeb adds, “Out tagline is “not all heroes are super” and that’s really important to us. It’s not just a tagline but it talks about the human condition in a way that is really important.”
Bell continues, “Jeph has a thing that I really like, although we can’t say [mutant] on our show because that’s not part of our world, but he says every person has a mutant gift and your job in your life is to figure out what your mutant gift is and how best to use it. I think that’s really cool.”
The embodiment of that everyday heroism is Coulson, a character that has become beloved to audiences.
Why? “Easy,” says Bell. “Clark Gregg. He showed up in the first Iron Man with a couple of lines and people watching said he was interesting. Along the way, he got in a little bit more. In The Avengers they made him a fan. He liked the cards and S.H.I.E.L.D. history. He was the audience surrogate in the movies. You could be this guy who shows up and does his job around these superheroes and is taken for granted. The way Clark presents the lines, people love it, so he is our way into the world.
They dove right into last season’s cliffhanger: How did he survive? They aren’t telling, but they did know how it worked before they filmed it, so they aren’t just flying by the seat of their pants. It is a rational answer, not black magic. Depsite reports that Andrew Scott was back on set to film scenes for the third season, they swear Moriarty is actually dead. “What, did they fake suicide at each other? Were you faking? I was faking, too!” That’s not going to happen. As for speculation that he can’t be dead because they didn’t show the back off his head come off–sorry to say they just aren’t allowed to show that level of violence on BBC1.
Moffatt knows people are excited to learn how Sherlock managed it, but he doesn’t think it’s that interesting. That’s just an answer. But when John Watson realizes that Sherlock is alive, when they come face to face again? “That moment is electrifying.” And it’s funny. Moffatt calls it “the showstopper of the season.”
Moffatt always gives hints about what Sherlock Holmes stories the next season will hit, and for Season 3, he’s said, “Rat, Wedding, and Bow.” The first episode is called “The Empty Hearse” and is very slightly based on “The Adventures of the Empty House.” It is mostly an exploration of the affect of Sherlock’s “death” and reappearance on the people who loved him. The writers realized that there would be a lot of fallout from the events of last season, but they couldn’t spend all of this season talking about last season, so it sounds like they’re going to deal with it in this episode.
Episode 2 is called “The Sign of Three,” and seems to focus on Watson’s wedding, and you guys? They showed us a clip, and it was amazing! They asked us not to even tell anyone about it, but eff that noise! We’re at Watson’s wedding reception, and Sherlock is beginning his toast. Yeah, amazing. He begins awkwardly (of course), “John… John Watson…” and explains that when Watson asked him to be his best man, he was confused. Then it flashes back, to Watson walking in on Sherlock appleying a blowtorch to a disembodied eyeball, which he promptly dips in his cup of tea. Watson says that they need to talk about the best man, and Sherlock starts going on and on about who he thinks the best man is. Watson interrupts and says he means the best man at his wedding. Sherlock starts talking about one of Watson’s friends, Watson says not him, then another, Watson says that he isn’t his best friend, and says that at his wedding he wants the two people who are closest to him and mean the most to him by his side, and tells Sherlock that it’s him. Sherlock’s jaw drops. Cut back to the wedding, and Sherlock is explaining his reaction, how he told him how he was touched and honored… cut back to Sherlock still standing there, speechless. He knew it would be an important and difficult task… cut to Sherlock, still standing there, speechless. Sherlock says he then realized he hadn’t said anything out loud. Sherlock accepts, and promptly drinks the eyeball tea.
There wasn’t much information on the third episode but it was subsequently revealed that the title will be The Last Vow.
There were reports that the cast of The Big Bang Theory wouldn’t be present at SDCC due to other commitments but Johnny Galecki made a surprise appearance, posing as a fan in costume waiting to ask a question and Melissa Rauch hosted the panel. Steven Hawking had the recorded message above.
The Hannibal DVD and Blu-ray will be released September 24 (same day as the pilot of Agents of S.H.I.E.L.D. airs), including a gag real (video above) and an unaired episode. No specific news on the unaired episode, but I want to see it. Screen Rant has this news from the panel:
HitFix kept a comprehensive live blog of last night’s Hannibal panel at SDCC, which featured show creator Bryan Fuller, director David Slade, producer Martha De Laurentiis and stars Hugh Dancy and Aaron Abrams. The team were pretty brave going up against an audience of fans after the rage-inducing season finale that left poor Will Graham behind bars, Hannibal Lecter smiling at him from the other side, and a whole lot of people throwing objects at their televisions. If you think that Bryan Fuller was enjoying Will’s pain, you’re absolutely right:
“Will knows something no one else knows, and it’s a great place to put a character. One of the things I was most excited about in Season 2 was seeing Will Graham hit rock bottom.”
Given the fact that Will spent most of season one hallucinating, perspiring, or doing both simultaneously, it will be interesting to see what happens when he really hits rock bottom. Apparently he will be “scrappy” and “feisty,” though, so that’s definitely something to look forward to. Season two will begin with a two-parter that will serve as “a new pilot for what the season can be” now that the old dynamics are gone and Will is in jail, and the third episode, according to Fuller, “will be a trial.” That sounds ominous.
Video of the full Hannibal panel follows:
The Dexter cast made their final appearance before the show ends and, not surprisingly, there were no hints as to how the show ends.
The Federal Express truck pulled up with my copy of the Blu-ray of the first season on Orphan Black. I haven’t seen any of it, but the reviews I’ve read this week have sounded fantastic. I’m avoiding the details to limit spoilers, but here’s a report on news of the second season of the show. More here and here. Video of the panel above. (I’ll come back and watch after I finish the first season).
DC has its greatest success in movie adaptations with Superman and Batman. It will be necessary to reboot Batman once again for him to appear in the Justice League of America and in further solo films. It now appears that Batman might return in a joint movie with Superman. As for the last reboot of Batman, a panel even considered the question of whether Bruce Wayne was crazy for dating Catwoman. The Flash is the next DC character to get a solo film.
The Marvel universe is divided in the movies, with Sony holding the screen rights to Spider-Man. Information on plans for this series here and here.
Sneak peak at the Veronica Mars movie above. Those of us who donated through Kickstarter to make this movie possible are acknowledged in the clip. More on the movie here.
Those who haven’t watched Hannibal may want to skip down below as there are some major spoilers here. The first season of Hannibal ended with a scene which was sort of a reverse image from Silence of the Lambs with Will in the prison for the criminally insane. Looking back, this ending seemed almost inevitable, but I am glad we didn’t actually see Abigail’s death. As for Will, it appears that having been framed for her murder is a problem which will not be resolved quickly. Bryan Fuller gave some hints as to where next season will go:
Jack conveniently comes in after Will accuses Hannibal of all the murders. Would Jack have been swayed if he had heard Will’s thoughts? Fuller: In Season 2, Jack will be investigating those accusations. I think after Will woke up from getting shot by Jack and before he was put into the institution, he shared his theories about Hannibal. Now it’s up to those characters and Hannibal Lecter to either support or deny those accusations in a properly investigated way.
Do you intend to keep Will locked up for a while?
Fuller: He will be incarcerated, and we will be dealing with all of the threads of that. We need to see all of the things happen that would happen in that scenario. Will Graham needs to go on trial for the murders that he may or may not have committed. Jack has to be brought before a review board for his participation in what happened to Will, and Hannibal, as Will’s psychiatrist, is going to continue to try to help Will see the truth that Hannibal wants him to see. The ball is up in the air in so many ways for Jack and Hannibal and Will. The fun of Season 2 will be spiking those balls…
From the beginning, you made it clear you were telling your own story, but do you fear that this choice will alienate some of the diehard Red Dragon fans?
Fuller: If you look at the scant two pages that talk about Will Graham’s back story, they tell us that Will was so psychologically compromised from investigating the Minnesota Shrike that he had to become institutionalized. So, I feel like I’ve got a car jack and I’ve wedged it in between those lines. I’ve just opened them up for room to tell more between the lines than what you may have anticipated. But we’re also sticking to the canon. We will deliver what we’ve come to expect in Red Dragon of Will Graham, but he’ll just have a longer, harder journey to get there. I gave myself room to wiggle, so we’re going to see some wiggling in the next two seasons.
Bryan Fuller revealed his seven year plan for Hannibal, getting into the novels by season four. Beware, this contains spoilers for the books as well as future seasons.
AX: How many seasons do you have plotted?
FULLER: I can see pretty clearly seven seasons. I think that there are always shifts and alterations and course corrections that you have to take, because you’ll be cruising along and then you’ll hit an idea and go, “Oh, wow, that’s a great idea, we have to do that now.” That being said, I can see the structure for a seven-season arc for the show, but then I also am very open to course corrections along the way to adapt to changes.
AX: If you don’t get to run for seven seasons, are you going to make available to the public in some form what the unaired seasons would have been?
FULLER: Well, when you get into Season Four, you get into the literature. And so Season Four would be RED DRAGON, Season Five would be the SILENCE OF THE LAMBS era, Season Six would be the HANNIBAL era, and then Season Seven would be a resolve to the ending of that book. HANNIBAL ends on a cliffhanger. Hannibal Lecter has bonded with Clarice Starling and brainwashed her and they are now quasi-lovers and off as fugitives, and so that’s a cliffhanger. It might be interesting to resolve that in some way and to bring Will Graham back into the picture. So once we get two more seasons, say, of the television show, those are the aren’t-novelized stories, and then we would get into expansions of the novels after that and kind of using the novels as a backbone for season arcs that would then be kind of enhanced.
AX: Assuming you cover the eras of SILENCE OF THE LAMBS and HANNIBAL, when Will Graham isn’t a character in the books, what do you do with Hugh Dancy for those two seasons?
FULLER: Well, it would be about incorporating him in a way that he hasn’t been incorporated in the books, because Will Graham was only mentioned in SILENCE OF THE LAMBS, he was not seen, and so I would be curious to see what happens to Will Graham after RED DRAGON. By the time of RED DRAGON, he’s married to Molly and has her son from a previous marriage, but doesn’t have any children of his own. And then that relationship is more complicated by Francis Dolarhyde and there were suggestions that there was a not-so-happy ending for Will Graham after RED DRAGON because he has his face carved up and you wonder what’s going to happen to Will now, and I’m curious to see what happens to Will after that.
Last month, BBC One set Matthew Rhys to play Mr. Darcy in Death Comes To Pemberley, the three-part serial based on P.D. James’ suspense novel which revisits Jane Austen’s most iconic characters. A vast lineup of British TV talent has now been added to the cast, including Doctor Who star Jenna-Louise Coleman as Lydia Wickham, the sister of Austen’s Pride And Prejudice heroine Elizabeth Bennett. As previously announced, Anna Maxwell Martin is playing Bennett and Matthew Goode is George Wickham, Lydia’s husband. The story picks up six years into Elizabeth and Darcy’s marriage as they prepare for their annual ball. When Lydia arrives, she brings a shocking halt to the proceedings and a murder investigation unfolds.
It looks like there may be no truth to the rumors reported last week of finds of more lost episodes of Doctor Who. They are being described as destroyed rather than lost, which doesn’t sound very encouraging.
Joss Whedon says Loki won’t be appearing in The Avengers 2. More importantly, Robert Downey, Jr. will be back for The Avengers 2 and 3. Like we really thought there was any chance they would do it without Tony Stark, or anyone else could replace him. At present chances don’t look good for another Iron Man movie. More Marvel movie news here.
Shailene Woodley’s role as Mary Jane Watson has been cut from The Amazing Spider-Man 2 and MJ won’t appear until the third film. Maybe this means that the rumors that Gwen doesn’t get killed off in the second movie are true.
Filming on the Veronica Mars movie has begun. I’m looking forward to getting my digital copy when the movie opens due to contributing to the Kickstart campaign.
The scene went to black for James Gandolfini in the past week. It looks like he was way too busy to die. Here’s a list of his unfinished work. Apparently the Grim Reaper isn’t a fan. Some of Tony Soprano’s best quotes can be found here.
Last week we looked at the combination of Disney and Marvel characters. This week we’ll look back at prints by Karen Hallion combining Doctor Who and Disney princesses and other stories. (More here). Incidentally, Disney recently had a coronation for their eleventh princess. Eleven Disney princesses. Eleven Doctors. Sounds suspicious to me. Glenn Beck has devised elaborate conspiracy theories based upon less.