News of the death of Leonard Nimoy dominated the news and blogosphere since Friday. I had previous posts on Friday and Saturday, including tweets from those who worked with him, those at NASA who were inspired by him, and even from President Obama. Obama also issued this longer statement:
Long before being nerdy was cool, there was Leonard Nimoy. Leonard was a lifelong lover of the arts and humanities, a supporter of the sciences, generous with his talent and his time. And of course, Leonard was Spock. Cool, logical, big-eared and level-headed, the center of Star Trek’s optimistic, inclusive vision of humanity’s future.
I loved Spock.
In 2007, I had the chance to meet Leonard in person. It was only logical to greet him with the Vulcan salute, the universal sign for “Live long and prosper.” And after 83 years on this planet – and on his visits to many others – it’s clear Leonard Nimoy did just that. Michelle and I join his family, friends, and countless fans who miss him so dearly today.
The week also featured the series finale of Parks and Recreation along with several season finales. The series started with a weak first season. Probably as a combination of this, initially just seeing it as a spin-off of The Office, and not being excited by the premise of a small town in Indiana, it did make it on my DVR every week, but for a while it was often put off until I finished the other Thursday sit-coms. Then at some point I realized that the show which had me laughing the most was usually Parks and Recreation.
Part of the success of Parks and Recreation was the manner in which over the years many cast members were developed, allowing the show to go in many different directions. The heart of the show was the dichotomy between Leslie Knope (Amy Poehler) and Ron Swanson (Nick Offerman), but there was so much more going on. Both Chris Pratt and Aubrey Plaza were excellent supporting characters, and their roles become even more terrific with their romance and eventual marriage. Rashida Jones and Rob Lowe followed a similar trajectory. Adam Scott started as a semi-straight man to Rob Lowe, and then fulfilled a similar role, in a way replacing her best friend Ann Perkins, with Amy Poehler after Lowe and Jones left the show. Cast members including Aziz Ansari, Retta, Jim O’Heir, and others further fleshed out the people Pawnee far more than is seen in a typical sit-com. I think the show which came closest in this regard was not a half hour sit-com but was Northern Exposure.
With this diverse cast there was a wide variety of types of humor, not the repeated jokes which are rapidly recycled for laughs on many other sit-coms. Being a blog about politics and often genre, I would point out that both were included on Parks and Recreation. There was Leslie Knope, who was always optimistic about what government could do, even when facing obstacles, contrasted with the libertarian Ron Swanson, who was in government to try to make sure it didn’t do too much. Genre sometimes did sneak in, such as when Ben Wyatt (Adam Scott) once said told Leslie,“I went back to season one of Fringe to check for plot holes. As suspected, it’s airtight.”
The finale, like the finale of Parenthood, followed the Six Feet Under precedent of showing how the characters wind up. They did an excellent job. Instead of putting this at the end, the fate of each major, and some minor characters, were interspersed into a story in which the former employees of the Parks Department got back together for one last task. Although they thought it would be their last time together, their futures did include getting back together at key moments in their lives.
The Hollywood Reporter interviewed showrunner Mike Schur. He left it to our imaginations as to whether in one future scene we are seeing President Leslie Knope with Secret Service protection.
It is not known yet whether Monday’s episode of Sleepy Hollow will be a season or series finale, but after a weak season the show had an excellent episode which would work well as either. Abby’s trip into the past paralleled the series premiere, but this time Abby was in Ichabod’s role. Rather than having cliff hangers like last season, the episode tied up past plot threads, leaving only a vague mention of future battles should there be a future season. The episode ended with the core characters back together, and despite a weak second season I would be quite willing to give them another chance if the writers have figured out what to do with them for a third season.
Agent Carter concluded a self-contained story, and due to relatively poor ratings it is questionable if it will return. The season ended with Howard Stark exonerated, his inventions rescued, and the prevention of a disaster. Peggy had a moment of closure regarding the loss of Captain America. If the series returns, Dotty did survive to be a formidable ongoing enemy with her Black Widow training. Being Marvel, of course there was also a final scene, tying this into the rest of the Marvel universe. E! News spoke with the show runners:
E! News: Walk me through the decision to bring Dr. Zola onto the show, because as a fan of the Captain America movies, that was such a fun treat to find out what happened to him in between the first and second movie!
Tara Butters: We really wanted to connect Agent Carter to the greater MCU, and when we pitched the series to Marvel, they had brought up using Fenhoff as a way to connect to the Winter Soldier program. We had this idea of how great it would be to bring Toby Jones on for a scene—
Michele Fazekas: But we never thought that would actually happen. We thought we’d have to figure out a different way to make that happen. But then he was available and he was interested! That was really nice since a lot of different things could have gone wrong but it worked out.
The similarities between Peggy talking to Howard as he flies to his certain death and Peggy talking to Steve Rogers (Chris Evans) as he flew to his death were so striking. Did you shape the finale to mirror that final scene in Captain America: The First Avenger, or did that happen organically?
TB: When we broke out the season, we knew that that’s where we wanted to end, a version of that scene, a version of her talking down Howard. There’s been different iterations of it, though. At one point, it was Jarvis [James D’Arcy] talking him down and then Peggy, and then we flew Jarvis in the plane. But it was really lovely how ABC and Marvel gave us a lot of time to break out the eight episodes, so it felt like we really knew where we were going and it was really nice to see all of it pay off in the final episode.
How To Get Away With Murder ended its first season by tying up one murder and ending with another. It did seem anticlimactic to go an entire season to only find that the most likely suspect was guilty, even if he called on someone else to do the actual killing. For a while the format of having a season-long mystery on shows such as Veronica Mars, along with a mystery of the week, seemed like something new and refreshing. Now it has been done so many times that the US shows doing this seem much weaker than shows which don’t try to stretch things out for a whole season, or longer, and deal with a single storyline over a shorter season.
Executive producer Pete Nowalk discussed the season finale with E!
Several British shows have been successful with the more compact formula of a single story instead of interspersing a crime of the week, with season one of Broadchurch being among the best. The second season just concluded in the U.K. and a third season is planned. While not anywhere as good as the first season, the second season did turn out to be worth watching.
The second season of Broadchurch starts on BBC America on March 4 and there are major spoilers in the rest of this section for those planning to watch. The second season dealt with two story lines. The major story line is that Joe Miller recanted his confession to the killing of Daniel Latimer and the case wentto trial. This is the show which could have been named How To Get Away With Murder, as the person the viewer knows to be guilty was found not guilty in court in the season finale. The show has always concentrated on how the people of Broadchurch reacted to the murder, and for a moment it looked like they were going to respond to the faulty verdict with a lynch mob. Fortunately they did not go that far.
The show has a more powerful lesson about the limitations of the justice system with the erroneous acquittal of Joe Miller. It had me thinking that, if it also extended the story this long, how Gracepoint could have been a more significant show than it was by nearly copying everything from Broadchurch. The high profile cases in which the legal system has failed in handling whites who have killed blacks in this country could have provided a more topical influence, while still retaining aspects of Broadchurch.
The B storyline from Broadchurch involving the killings of two girls years ago was by far the weaker, and was tied up very quickly following the more interesting aspects involving Joe Miller. The season might have been better if it was shorter and this was left out.
Arrow was not a finale but, going on hiatus for a month, there was yet another cliff hanger on Nanda Parbat. How does Oliver respond to Ra’s al Ghul’s offer and also save both Diggle and Malcolm Merlyn? Marc Guggenheim answered some fan questions, including questions about Felicity sleeping with Ray Palmer, but no clues as to how the cliff hanger will be resolved.
There are also reports of yet another planned spin-off. It will star Brandon Routh (Ray Palmer/The Atom), Victor Garber (Martin Stein, one-half of Firestorm on “The Flash”), Wentworth Miller (Captain Cold) and Caity Lotz (The first Black Canary). This raises at least two question. If Victor Garber is present, what about Robbie Amell, who plays the other half of Firestorm? As the Black Canary was killed, does this mean that the Canary will return to life, or that she will play a different character?
The other planned show in the same universe, Supergirl, has added a former Superman and Supergirl to the cast, Dean Cain, who played Clark Kent in Lois & Clark: The New Adventures of Superman, and Helen Slater, who stared in the 1984 Supergirl movie. Calista Flockhart has also been added to the cast.
12 Monkeys had another strong episode in which time travel, along with the relationship between Cole and Cassie, played a big part. There was also a sort of role reversal here like on Sleepy Hollow. With his time jumping, there was a period in which Cassie was ahead of Cole, and realized he could be going to his death but could not warn him. There is no doubt that Cole will return, as was verified by executive producer Natalie Chaidez, but with time travel it is possible that he will not return in the same timeline to the point after this episode concluded for Cassie. He is certainly going to make it back to 1987 at some point. The episode also included an evil version of Edward Snowden, but the CIA was far more evil in unleashing a virus to try to kill him without taking the blame.