We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.
While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”
There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at Woodrocket.com.
Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.
Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.
A four-part You Tube series with background on Gotham has been released. The first part is above.
True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.
My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.
Steven Spielberg is developing a television series based upon the movie Minority Report.
The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.
J. Michael Straczynski has announced plans to reboot Babylon 5 as a movie. One reason for doing it his way is that Warner owns the television rights but Straczsynki retained the feature film rights:
Speaking at San Diego Comic Con last week, Straczsynki announced that he would soon be sitting down to write a Babylon 5 feature film, which is envisioned as a reboot of the iconic sci-fi series. JMS said that he plans to get the script locked down by the end of 2015 and the film would then enter production the following year in 2016.
Next to nothing is known about the plot for this Babylon 5 feature film, beyond the fact that it is a reboot of the concept seen in the series. That said, J. Michael Straczynski has stated that he would like to use cast members from the series, such as Bruce Boxleitner and Mira Furlan, in new roles in the feature film. “I’d love to see Bruce as the President of the Earth Alliance”, he said.
The hope is that Warner Bros, who produced the Babylon 5 television series, would step up and green-light a “big budget” feature film once the script has been completed. But owing to the nature of the deal that Straczysnki inked with the studio to produce Babylon 5 in the early 1990s, he, rather than Warner Bros, owns the feature film rights to the show. Should Warner Bros. choose not to greenlight a B5 movie, Straczynski would still proceed with the feature, which would then be funded and produced through his Studio JMS banner on a budget of $80 – $100 million.
The BBC has renewed Doctor Who for an eighth season since the show returned, again staring Peter Capaldi, with the shows to be presented in a continuous run. Steven Moffat said recently that there are no plans for either the return of the Master or for a tenth anniversary show (which would seem strange after doing a 50th). Moffat has also expressed a willingness to do a Doctor Who/Sherlock cross over, but others involved are not interested. Would it look something like the video above, except with Peter Capaldi instead of Matt Smith?
Above is, perhaps, how Captain America: The Winter Soldier should have ended. Directors Joe and Anthony Russo discussed their upcoming projects, Agent Carter and the third Captain America movie:
Before turning their attention to the next feature, the Russos are directing several episodes of the spin-off TV series Agent Carter, debuting on ABC in January 2015. The miniseries follows the solo adventures of Peggy Carter, the love of Captain America’s life and founder of S.H.I.E.L.D. in the 1940s. From there, the brothers will tackle the third film, which picks up “a couple years” after Winter Soldier left off. Although the heart of the movie will be Steve Rogers’ complicated relationship with his childhood friend Bucky Barnes, the themes of politics and power will still be in play. “The character was invented for an explicitly political purpose. So it’s hard to get away from that nature,” Anthony tells Yahoo. It’s also important to the directors that Captain America doesn’t become another disillusioned antihero. As Joe sees it, “his morality is part of his superpower.”
While they’re not leaking any major details from the 2016 film, the Russo brothers promise that they’re “bringing some new elements to the table that will give us a twist on Winter Soldier.” Does this mean that Steve Rogers will pass the Captain America shield to Bucky Barnes (aka the Winter Soldier) or Sam Wilson (aka the Falcon), both of whom have donned the stars-and-stripes in the comics? With actor Chris Evans shifting his focus to directing, and Sebastian Stan and Anthony Mackie already in place as the Winter Soldier and the Falcon respectively, the next film could allow a new hero to step in.
Elsewhere in the Marvel universe, FBI Special Agent Dale Cooper (Twin Peaks) will be meeting SHIELD. Kyle MacLachlan has been cast to play Skye’s father on Agents of SHIELD. Chloe Bennet said at Comic-Con that next season will also involve more hair. Skye will have bangs and Brett Dalton will do the evil-Spock thing of the mirror universe and have a beard as the evil Grant Ward.
Defiance has done a good job of creating a world with numerous well-developed characters and alien races, but often while watching I wonder if there is any point to it all. It lacks the big story ideas of a Babylon 5 or Battlestar Galactica. The showrunner, Kevin Murphy, did work on BSG and I am glad that he got away from the idea of doing the show as a “science-fiction crime of the week.”
AX: How did DEFIANCE started and how did it change when you came onto the project during its development?
KEVIN MURPHY: The original version was a little more of a closed-ended procedural, it was kind of more of a science-fiction crime of the week, and we were in the process of changing that when CULT got picked up and [original DEFIANCE co-creator/show runner] Rockne O’Bannon left. I then had a choice that I wasn’t sure that the show was going to work in the incarnation that it currently was in, and I didn’t want to have responsibility for something that didn’t work. So I gave Syfy a choice. I said, “I’ll transition you into your next show runner, and I’ll make sure that casting continues and produce the pilot, but I’m not going to stay on for the series unless I believe in the show.” And they were like, “Well, what would you want to do to it?” And it was basically, “Well, it involves getting rid of pretty much all the scripts, and let me give you my pitch.”
So I did the pitch, worked it out with the writing staff, and at this point, it was Rockne’s last day, and he was helping us to kind of reconceive it, and Scott Stewart, the director, was very involved in the process, and so was Michael Taylor, who had worked on BATTLESTAR GALACTICA and was a member of staff under me. And we pitched the whole thing to [then-Syfy Channel president] Mark Stern while he was driving in his car on vacation with his family in Palm Springs. And he had his wife and kid in the vehicle with him, and the pitch lasted about ninety minutes, because we pitched the entire story from beginning to end, every single beat, and by the time he pulled into the hotel in Palm Springs, we had finished our pitch and he was like, “Okay, I love it. Go write it.”
AX: Did you make major changes to the characters?
MURPHY: The PAPER MOON thing I added, the idea that Nolan [the town’s new law officer, played by Grant Bowler] came in from the outside and that he was a con man and a drifter and a huckster and a criminal. That was all stuff that I added. The idea that Amanda has only been mayor for six weeks and she’s the former mayor’s assistant and no one takes her seriously, that was an addition; the idea that Irisa [Nolan’s adopted Irathient daughter, played by Stephanie Leonidas] uses knives and Irisa being sort of the feral badass was an invention of mine. And Michael. When I say “me,” I’m including Michael Taylor, who was definitely my partner in crime. We would not have gotten that script in the shape it needed to be in without Michael at my side.
In follow-up of an item from last week, the cast of The Big Bang Theory did settle on a new contract. The top three stars, Jim Parsons, Johnny Galecki and Kaley Cuoco, will each earn $1 million per episode for the planned upcoming three seasons, and there is talk of potentially adding an eleventh season.
Google Maps has added maps of the moon and Mars. I imagine that going off the earth was inevitable once they added the TARDIS to their maps.
Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.
Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.
AX: Did you watch any of the earlier incarnations of Hannibal?
MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.
AX: Can you say what you’re bringing to Hannibal?
MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.
AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?
MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.
AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?
MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.
AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?
MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.
Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some initial reviews being very favorable. Entertainment Weekly has more on the show.
Gillian Anderson had a great response to a question posed on Reddit:
Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?
Gillian Anderson: Something so rich that he’d choke on it and die.
Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:
Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”
I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.
Spoiler TV has information (and video) on a new clone to be introduced in the second season:
A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.
Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.
Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:
From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.
Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.
The four part series will be divided into episodes on Robots, Space, Invasion, and Time.
Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.
The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:
The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.
Fox has released more information on their upcoming series, Gotham:
Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?
“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.
Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.
Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.
As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).
Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:
ABC has the script for the pilot but nothing is greenlit yet.
Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
Howard Stark would be a recurring character, not a series regular. This is assuming Dominic Cooper would be willing to continue to play the role. I’ve spoken to him about this and he seemed very interested. But this was a few months ago and things change.
The show would start in 1946, sort of in the middle of the timeline of the One Shot. McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast. We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season. McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome]. Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”
Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.
While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.
The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.
The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:
It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)
So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.
“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”
The story also touched on other roles, including genre movies such as Captain America and Her.
The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.
John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.
Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.
With the Olympics over many weekly series have returned and two of the best shows from last season which aired in the spring or winter have started their second seasons. Hannibal and The Americans both began their second seasons. Hannibal began with an extended fight scene between Hannibal and Jack Crawford which foreshadows what we know must eventually occur before moving backwards twelve weeks in the narrative. The brutality of the fight indicates it is not a simple temporary falling out between friends, such as Watson being angry at Sherlock for pretending to be dead. Jack must have found out the truth about Hannibal. As the series is part of a seven year plan (should it last that long) to retell the Hannibal novels (with some variations), we know that eventually everyone will know that Hannibal, and not Will, is the serial killer. (More on Bryan Fuller’s seven year plan for Hannibalhere.)
After the fight scene we go back to just after the first season ended, with Will in jail for the murders committed by Hannibal. So far only Will, and some of Hannibal’s victims who did not live to tell what they know, really suspected the truth about Hannibal. Now that Will is healthy and no longer suffering from encephalitis, he can begin what will probably be a season-long cat and mouse game with Hannibal to reveal the truth. Hannibal has essentially taken over Will’s role in advising the FBI in serial murder cases, but we know he will not be able to resist Will’s request for Hannibal’s therapeutic help. Hannibal might even realize what Will is up to, but based upon his relationship with Will in the first season, this will be irresistible for Hannibal. We know where everything is leading and have already seen how the season ends. The suspense will be in seeing how we reach that point.
The Americans returns to 1982 with two Soviet spies living undercover as an American couple. Elizabeth has returned home two months after she was shot in the first season finale, claiming to have been caring for a sick aunt. We immediately see that 1) not everything works out perfectly for spies and 2) even the spy we have been led to root for (even if from an enemy nation) can be a cold blooded killer when there is an innocent witness around. While the first season centered around the relationship between Philip and Elizabeth, the second season will deal more with the entire family.
Elizabeth and Philip have tried to keep their children safe from their activities and we saw how important this is as another undercover couple were killed, along with their daughter. We know Paige is suspicious, but so far instead of learning the truth about her parents she caught them having sex. It is not certain which revelation will ultimately be more shocking.
The Americans did an excellent job of working all of this into the season premiere, along with returning to other subplots. We saw the fake marriage between Martha and Phillip (or Clarke as she knows him) in order to spy on the Americans. Their FBI agent neighbor Stan continues to use Nina, unaware that she is now really using him. The nature of Stan’s relationship with Nina came up as they watched a pirated copy of The French Lieutenant’s Woman before Stan went to see the same movie with his wife and a friend. We also learned that Claudia has remained in the United States and she will have an influence on the season.
Arrow, yet another excellent genre show in its second season, returned after the Olympic hiatus with Time of Death. With Sara now making out with Oliver in the Arrow-Cave, it was time for Felicity to more firmly establish her importance. (“You’ll always be my girl, Felicity.”) The episode introduced another worthy opponent, The Clock King. It also brought the present day and island stories together further in the final scene where Moira brought Oliver in to introduce her son to the man she was meeting with–Slade. The first photo has also been released of Barry Allen in costume as The Flash in the planned spin off.
Yet another sophomore show, Revolution, is well below the quality of the other shows discussed above. They do try to keep coming up with new things to keep the show fresh, but in the end they just wind up without anything really compelling happening. The supposedly upcoming battle to the death between Monroe and his son sounds guaranteed to disappoint. Having Aaron wake up in an alternative reality in 2014 with the power on after trying tying to upload a virus into his nano-bot children (or are they now Gods?) made for a good final scene, but will anything significant really come from this? At least it sounds it might make for a good episode. In this alternate reality, Giancarlo Esposito will be back in his old life as a sleazy insurance salesman. If they were really creative, the episode would take place in a different alternative universe where instead he runs the Los Pollos Hermanos restaurant chain.
Hannibal, The Americans, and Arrow were all excellent new series which began last year, but the best of all the series to premiere last year was Orphan Black. BBC America has released the above sneak peaks, with the show returning on April 19. More news on season two here.
Aaron Paul has again expressed interest in appearing in the Breaking Bad spin off, Better Call Saul. Bryan Cranston and Jonathan Banks have also expressed interest. Dean Norris is not interested, failing to understand that one episode of anything by Vince Gilligan is far more significant than an entire season of Under the Dome. (The series finale of Breaking Bad was reviewed here.)
Disney has always excelled at their synergy in using each of their holdings to make money for others. ABC will be running a documentary (extended commercial?) March 18 on Marvel Studios: Assembling a Universe.
“The enormous impact ‘Heroes’ had on the television landscape when it first launched in 2006 was eye-opening,” said NBC Entertainment President Jennifer Salke. “Shows with that kind of resonance don’t come around often and we thought it was time for another installment. We’re thrilled that visionary creator Tim Kring was as excited about jumping back into this show as we were and we look forward to all the new textures and layers Tim plans to add to his original concept. Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.”
I don’t care either way about Heroes but am happy to see that an American network is getting away from the usual season format. Heroes itself would have been much better as a miniseries rather than continuing it beyond the point where Tim Kring seemed to know what to do with the show. Note that almost all of the shows I mentioned above were aired for short seasons, generally on cable, which I think helps make a better quality show. Fox is also doing something similar with 24.
While I don’t care whether Heroes returns, I am looking forward to the return of Farscape. A movie is planned:
Set to follow the awesome comics written by our favorite Keith R.A. DeCandido, the film would follow John and Aeryn’s son, D’Argo (or Little D, as we will always refer to him). Because their baby was exhibiting a set of interesting powers that made him a magnet for galactic villains, we find that John and Aeryn hide their son on Earth to grow up. Now the kid is 19 and ready to go into space with his parents.
Last week I questioned making US versions of British shows as opposed to airing the same shows here. Steven Moffat has had experience with cases where that did not work. His excellent sit-com Coupling flopped when an American version was aired, but I would highly recommend watching the original on Netflix. It is sort of a combination of Seinfeld, Friends, and Sex in the City with just a little bit of The Big Bang Theory thrown in. Moffat wisely says it would be insane to make an American version of his current shows, Sherlock and Doctor Who:
Not just popular on a worldwide level, it’s so distinctively local in outlook that a remake of any sort would destroy what makes it work in the first place.
“Doctor Who’s everywhere,” he said. “You can bump in to the Doctor anywhere,” adding that the series has, “probably penetrated enough that it’s no longer regarded as an import, it’s just that show.”
“Sherlock and Doctor Who are both doing rather well but they couldn’t be more definitively British. They’re obtusely British. They’re about as British as it gets. You shouldn’t be afraid of being British because that’s what you’re selling.”
And of course, if a remake were to be proposed and the Doctor were no longer British in demeanor (albeit British via Gallifrey), would he even be the Doctor?
“If anyone were to ask me, I’d say it’s an absolutely insane idea. You couldn’t have more than one Doctor Who in the world. It would just be dreadful.”
This has not been a good season for new sit-coms, especially for NBC but last week’s episode of The Crazy Ones (on CBS) was its best episode of the season. The cast put on both a Bar Mitzvah and a musical. While far from a great series, Robin Williams has kept the show amusing through a lot of otherwise weak scripts. I actually don’t mind that the new NBC sit-coms were flops. It just increases the chances that Community will be renewed.
Mixology premiered last week, showing some promise even if the premise is far-fetched. Personally I’ve always found the prospect of successfully meeting anyone in that type of bar to be less realistic than most of the shows discussed in this post. Besides, if I can spend the entire final season of How I Met Your Mother showing a weekend at the inn where Robin and Barney’s wedding is taking place, I can try a series taking place all in one night in this bar. It will be interesting to watch to see if the idea works or turns into a flop.
It is now evening on Valentine’s Day on the east coast and if you haven’t purchased a Valentine’s Day card yet your only chance might be to hop in your TARDIS and go back in time for your shopping. Or you can simply use one of these Doctor Who Valentine’s Day cards:
Or if you prefer Sherlock:
If they are getting into nudity, why didn’t anyone put Irene Adler on a card? Oh, it looks like they did:
Now that the series has completed in the United States, I can discuss season three of Sherlock without spoiling it for American viewers who did not download it when the series first aired. There are major spoilers for those who have not seen season three yet.
The season was far more meta and fannish compared to the first two seasons. The first episode, The Empty Hearse, played with fan reaction to the cliffhanger by showing various possible solutions as to how Sherlock survived the fall. The episode also concentrated on how a world in which this Sherlock is real would react to Sherlock’s apparent death and rumors that he has survived.
Apparently Sherlock did fool Moriarty’s people who were watching to see if Sherlock went through with jumping. Unfortunately the explanation concentrated on fooling Watson, but the more contrived it was to fool Watson, the greater the chance that one of Moriarty’s men should have seen something to tip them off that Sherlock was faking his death.
The relationship between Sherlock and Watson, along with their relationships with women, was also a major theme of the season. Sherlock sure misjudged how Watson would react to seeing him alive. Although Mrs. Hudson, in one of many amusing scenes in the episode, was surprised to see that Watson’s fiancé was a woman, there was very good chemistry between John and Mary. This was partially due to Mary being played by Martin Freeman’s wife Amanda Abbington. We learned later in the season that Mary is not exactly what she seems, but in the end that actually makes her a better partner for a Watson who is spending time fighting crime with Sherlock (once we move beyond awkward events such as Mary shooting Sherlock later in the season).
The Sign of Three was again more about relationships than a classic Sherlock Holmes story. Sherlock faced one of the hardest tasks of his life–writing the best man’s toast at Watson’s wedding. Sherlock often looked awkward, and at times I felt like I was watching Sheldon Cooper. Besides the talk about John as a friend, Sherlock brought up past cases, some of which were unsolved. In the end this was all tied together as there was an attempted murder at the wedding, and a previous unsolved case provided the information to figure out how to stop it. Unfortunately the method of the attempted murder was not very realistic.
His Last Vow was the best episode of the season, and many have called it the best of the series. It was the most like a conventional episode, but relationships between both Sherlock and Holmes with women played a key part. Sherlock’s relationship was established to obtain information, and we learned the truth about Mary’s past with the CIA. Lars Mikkelsen did as wonderful a job playing Magnussen as his brother does playing Hannibal.
I found the ending with Magnussen to be somewhat disappointing. Sherlock could not get the evidence to convict Magnussen, or stop him using conventional means as the information was all in his head, so he had no solution but to shoot him. Besides not being an entirely satisfactory ending, I find it hard to believe that Magnussen would have allowed Sherlock into his home without checking for a gun. There were other situations solved too simply this season, such as Sherlock stopping a bomb by hitting the off switch (after playing with Watson).
As punishment for murdering Magnussen, Sherlock was sent on a mission to East Europe which was predicted to result in his death in six months. This sentence was changed when Moriarty’s face showed up on screens all over England with the question, “Miss Me?”
Fans will be speculating over this cliff hanger just as they did over the cliff hanger over how Sherlock survived the fall. There are many possibilities, but we might not find out the answer for two years.
I always found it questionable that Moriarty would devise a plan to kill Sherlock in which he would not survive to enjoy seeing this, or anything else. Moffat has claimed in interviews that Moriarty is really dead, but we know Moffat lies, or that Mark Gattis might have different ideas. Maybe we are to take this on face value and Moriarty really did fake his death. Moriarty and Sherlock are often parallels of each other. In that way it might fit to have the question between one season be how Sherlock faked his death, and then move on to how Moriarty faked his death.
There is another variation on this which I like. At one point in The Reichenbach Fall, the Moriarty character claimed to really be an actor named Rich Brook and that Sherlock invented Moriarty. What if he was partially telling the truth. Maybe the person we saw kill himself really was an actor, perhaps really named Rich Brook except one working for Moriarty, and was coerced by the real Moriarty into killing himself. I can more easily see Moriarty coercing someone else into pretending to be Moriarty and killing himself than I can see the actual Moriarty committing suicide.
It is also possible that the suggestion that Moriarty is alive was a complete hoax. Perhaps another villain, or one of Moriarty’s men, arranged this and plan to commit future crimes in Moriarty’s name.
Sherlock might have arranged this as a backup plan in case his initial plans to get the evidence against Magnussen failed and he wound up getting arrested. A more likely possibility is that Mycroft Holmes was responsible. It has been established that he has considerable technological abilities. It was also established earlier in the episode that he did not want to see his brother go to his death in Eastern Europe. This could have been his way of ensuring that Sherlock would be brought back home.
This has been a very good year for science fiction movies. Her is very likely the science fiction movie which is receiving the most mainstream critical acclaim ever. Last night it won the award for best original screenplay from the Writer’s Guild of America. It ties with another science fiction movie, Gravity, for Best Picture from the Los Angeles Film Critics Awards (intentionally ignoring the debate as to whether Gravity is science fiction). Her was also a big winner at the National Board of Review Awards. Both Her and Gravity are nominated for Best Picture. There was controversy when various organizations declined to consider Scarlett Johansson for acting awards when she was not seen in the movie.
The important aspect of the movie is how people relate to the technology, along with their other limitations in dealing with other humans to the point where people pay others to write “personal” letters to their lovers. It still becomes impossible to ignore the technological aspects of the movie, primarily the question as to whether artificial intelligence could really be developed to the point seen in the movie. The co-creator of Siri looked at some of the abilities of Samantha which are well beyond what can currently be accomplished:
To get the “That’s incredible!” technology ball rolling, Samantha never made a mistake, never misunderstood nor misheard a word Theodore said. That’s tough to do in a loud, raucous world. Especially in loud places such as the circus scene, where you can barely hear the person next to you, let alone get the exact nuance of every word as you share the pandemonium through an earpiece.
And what about the scene where Samantha is literally spun around, viewing, understanding and commenting on the world she sees only through a jostling cameraphone lens bouncing around in Theodore’s pocket?
That would entail massively scaled real-time image recognition, spatial understanding, facial and mood recognition — as well as understanding the subtleties of thousands of social scenarios in order to predict that the couple sitting at the table were on a first date.
And such a conversationalist! Samantha not only discussed an amazing range of topics with Theodore, but was also incredibly adept at reflecting his mood in her own, varying the subtle tones and verbal inflections that indicate emotion. She even demonstrated an evocative handle on pop-culture terminology when he said in one scene, “No waaay.” And she replied, “Waaay.” Now that is some cool software.
Finally, I don’t even need to mention the complexities of building a program that’s adept at verbal phone sex, including all of the relevant and perfectly timed Meg Ryan-ish sound effects in perfect harmony with the partner on the other end of the line.
Reading the Harry Potter books, I thought that it was unusual that Ron and not Harry wound up with Hermione. Harry was the hero who defeated Voldemort. Typically he is the one who would wind up with the girl. J.K. Rowlings now admits she did get it wrong:
“I wrote the Hermione/Ron relationship as a form of wish fulfillment,” she says. “That’s how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione ended up with Ron.”
Rowling also said that Ron and Hermione would have needed “relationship counseling.”
John Noble had a notable role as a recurring character in Sleepy Hollow. His role (spoilers) became even more important in the season finale when he was revealed to not only be Jeremy Crane, the son of Ichabod and Karina, but also War, the second horseman of the apocalypse. After seeing how he played both Walter and Walternate on Fringe, he was clearly underused as a supporting character, and there is no doubt he can handle an entirely different type of role in the second season. He has been promoted to a series regular. Lyndie Greenwood, who plays Jennie Mills, will also be a series regular, which does spoil one of the many cliff hangers in the season finale which left Jenni unconscious on the road.
NBC is trying to build the audience for the second season of Hannibal in a way similar to how the audience for Breaking Bad increased after many people (including myself) caught up with previous seasons by watching on Netflix. They have entered into an exclusive agreement with Amazon Prime to carry Hannibal and some other series. I hope they are successful, but I wonder if Netflix has as much impact as Amazon. There is also some casting news for the second season, including Mason Pitt joining the series late in the season as Mason Verger:
Pitt, best known for his work as Jimmy Darmody on HBO’s Boardwalk Empire, will play Mason Verger, “an unstable wealthy patient of Dr. Hannibal Lecter who begins a dangerous cat-and-mouse game with the deadly serial killer.”
Hannibal’s version of Mason Verger – which will likely be quite different from the character Gary Oldman played in the 2001 film – was compared to Andrew Scott’s portrayal of Moriarty on BBC’s Sherlock in a casting description for the role.Knowing that, it will be interesting to see Pitt bring the same explosive energy he brought to Jimmy Darmody to Verger; a character who’s more cunning and therefor more dangerous.
Joining Pitt is Katharine Isabelle (Being Human), cast as Verger’s sister, Margot. She will first be introduced as a patient of Dr. Lector’s who is dealing with trauma related to her brother’s abuse. But again, this won’t be until later in the season.
Episode titles on Orphan Black came from Darwin’s Origin of Species during the first season. Second season titles will come from the work of Sir Francis Bacon. The title of the first episode of the season will be Nature Under Constraint and Vexed.
Felicity Smoak (Emily Bett Rickards) became a popular character during the first season of Arrow and in response the role of her character was greatly expanded. We know very little about her beyond moving from the IT Department to become Oliver Queen’s executive assistant to cover for all the time they spend together. Each season also has had a scene establishing that she is Jewish. She is finally going to get a back story this season.
The first pictures have been released of Peter Capaldi in the outfit he will wear as the Doctor. There have been some complains on line ranging from his hair being cut too short (following Matt Smith) to the top button being buttoned despite lack of a tie. Obviously none of these complaints have any real relevance to how successful Capaldi will be in the role. There is a minor spoiler about a surprise voice-only cameo upcoming on Doctor Who:
Clara emerges from the TARDIS on her mobile phone, looking intense and emotional. She’s not speaking to anyone, rather she seems to be just listening. In fact, whatever she is listening to hits her hard, and she slumps into the wall of a nearby store. The message, it turns out, is from the previous incarnation of the Doctor, played by Matt Smith. Hanging up the phone, the Doctor, played by Peter Capaldi exits the TARDIS, and starts an exchange with Clara. He asks if that was the Doctor on the phone. More on that in a minute.
Emotionally, he insists to Clara; he is the Doctor, he’s 2000 years old, and he’s standing right there, in front of her. Cautiously, Clara walks straight up to this strange, older man in front of her.
Inquisitively, she looks up straight into the Doctor’s eyes, inspecting them, looking for the man she knows. The Doctor looks down into his companions eyes curiously, like an owl bemused. Suddenly, Clara throws her arms around the Doctor. For his part, the Doctor awkwardly holds his arms out around her, fingers splayed and startled and uncomfortable.
Clara immediately then clicks back into her normal, bouncy self, asking the Doctor where they are. He replied Glasgow (although we were definitely in Cardiff, I double checked), and they continue to chat before the scene ends.
New promo for The Americans above. The show returns February 26.
Jesse Eisenberg will play Lex Luthor in the upcoming Superman vs. Batman movie. I don’t really see Eisenberg in the role, but we will see.
So far the former stars of Friends have not been very successful with network sitcoms. David Schwimmer is attempting a return to network television in a pilot named Irreversible.
Irreversible, which is partially improvised in the vein of Curb Your Enthusiasm, centers on Andy (Schwimmer) and Sarah, a somewhat eccentric, self-absorbed couple, and their trials and tribulations — most of which they bring upon themselves.
How I Met Your Mother had a fantastic 200th episode last week, going back over the time frame of the series from the perspective of the mother, played by Cristin Milioti. Characters have been outlined for the planned spin-off, How I Met Your Dad:
Sally: In her 20s but still not very grown-up and a little bit aimless, Sally has been married for a year to Gavin and is realizing they’re not meant for each other.
Danny: Sally’s older brother and opposite personality, he’s a driven lawyer who’s less than pleased when Sally moves in after splitting with Gavin. Danny is married to …
Todd: One of Sally’s best friends from college, who’s significantly more welcoming to having Sally as a roommate. Danny and Todd fill the Lily-and-Marshall/committed couple portion of the group.
Juliet: Sally’s “party-girl” best friend and the Barney of the group. She runs a fashion blog and has been telling Sally for some time that Gavin isn’t the right guy for her.
Frank: A “hot nerd” who heads up IT for Juliet’s site and has an unrequited (for the moment) crush on Sally. If Sally is the female Ted, Frank would be the male Robin (albeit with what sounds like a rather different personality).
Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.
This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard. The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.
An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.
Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!
Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.
The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:
This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.
Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”
Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”
Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.
There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.
Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.
BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.
Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:
“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”
He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.
“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”
Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.
I don’t know if this is the official final storyline, but this synopsis (spoiler) of the Fantastic Four reboot leaked out from casting calls:
“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”
I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.
A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.
Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.
HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.
Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:
Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.
“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”
In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.
“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”
Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.
Parks and Recreationhas been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.
Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.
Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.
Orphan Black was one of the best new shows of last season, along with being one of the best genre shows of recent years. It returns to BBC America on April 19, with the producers having a three-season master plan outlined. There is additional news on the second season of Orphan Blackhere and here (minor spoilers):
- More boundary-breaking. “We are going to take some risks with our premise in the second season and we are going to push technically what we’ve done with the first season and our actors are really pushing the limits as well,” says Manson. Jordan Gavaris, who play’s Sarah’s BFF/foster brother Felix, prefers when he’s outside of his comfort zone. “It’s not a good thing if you get complacent, when you get comfortable and everything’s easy,” he says. “There should be that discomfort because that pushes you to take the risks to keep it interesting, to keep people engaged — and we’re scared!”
– Plot-wise, Sarah is frantically searching for Kira. The very first scene, which was screened for critics, takes place immediately after she discovers her daughter and Mrs. S. are missing. She frantically calls Felix and Paul, whose phones go to voicemail, but Paul calls back — except Rachel’s on the other end telling her to surrender herself. Naturally, Sarah hangs up, but then two menacing henchmen walk into the diner where she’s taken refuge from the rain and menacingly offer to take her to Kira. What happens next? Well, you’ll have to wait and see!
– Cosima is struggling with her mysterious respiratory disease. “Cosima to me has always been the one who’s the most fascinated with life, so it’s interesting for her to be facing her mortality and that’s really what we start to explore in Season 2,” Maslany says. Adds Manson, “It’s hard because she’s my favorite clone. We’re putting her in this really heartbreaking position, and yet she’s almost as brave as Sarah in a lot of ways. Narratively, examining her illness and looking into her own science is part of our mystery. She performs a really great story function in the second season as well, trying to get to the root of her own illness.”
– Ainsley’s death will continue to weigh on Alison. “Alison is an intense person to begin with, and the secret she’s keeping is really going to eat at her in an interesting way,” Manson says. “Alison’s got some explosions coming up.”
– Felix’s character will be fleshed out. “In Season 1 Felix was very much an integral cog in the mystery… and now I think what Season 2 helps to do is establish him outside of the clones as an individual with his own identity,” says Gavaris. “He has gone along and been that person who picks up the phone at 3 in the morning and I think it’s safe to say that the relationship with Sarah comes to a head and there’s a tough decision that’s going to be made — many tough decisions that are going to be made — and it’s not going to be easy.” While his relationship with Sarah might be tested, he will grow closer to some of the other clones.
Michelle Forbes has also been cast to appear in multiple episodes. According to TV Line, “Forbes will play Marian Bowles, a powerful new player at the Dyad Institute with a birds-eye view on the war between Sarah and Rachel.” Forbes has appeared in multiple genre shows including Star Trek: The Next Generation and Battlestar Galactica.
Agents of SHIELD revealed some information about Agent Coulson returning from the dead. Apparently it involved a series of painful surgeries, with false memories of Magical Tahiti implanted to replace these memories. There was no real explanation as to how this managed to bring him back from the dead. I’m not sure if this is it and we are just to assume advanced medical procedures at SHIELD could accomplish this or if more is to come. At least this does eliminate some of the theories floating around, such as a room full of Coulson androids.
Agent Coulson is far from the only genre character to return from the dead. No surprise that Peter Parker is returning to the Spider-Man comics after having died last year with Dr. Octopus taking over his body.
Back when the Star Wars saga ended chronologically after the original trilogy, it didn’t matter much if different writers carried the story onward in different ways. Now that Disney is continuing the movies, it would seem to be an insurmountable job to try to maintain consistency. They did what was probably the only sensible option and have decided that the expanded universe is not canon. As I have not read any of the novels, I can’t say first hand, but I’ve also read comments that this is good because almost all of it was crap.
Among the various casting rumors regarding the next Star Wars movie, Jesse Plemons of Friday Night Lights and Breaking Bad is reportedly being considered for a lead role. If he is to play an evil role, his time on Breaking Bad will make it easier to see him as a villain.
Speaking of Disney, I hear that Saving Mr. Banks is an entertaining movie (and plan to see it in the future) but am not surprised to read that it got a lot of the facts wrong.
AMC has announced that the seventh season of Mad Men will begin April 13. While officially the last season, the season will actually be broken into two parts like Breaking Bad. Why don’t they just call these series of shows aired about a year apart separate seasons? Regardless, it will be interesting to see where they go after Don Draper was fired for the bizarre behavior we have grown to sort-of love over the last several years. AMC also announced that Better Call Saul, the Breaking Bad spin-off, will begin next November.
Screen Crush speculates on which characters might appear in season two of Hannibal based upon the book series.
Filming has begun with Peter Capaldi playing the Doctor. Doctor Who will return in August. Current plans are for the next two seasons to be a single run (not counting the Christmas specials) as opposed to breaking them in half. Steven Moffat described Peter Capaldi’s Doctor as being more dangerous:
There would be little point in making as radical a change as we’ve made unless you’re going to go quite different with the Doctor. The last two Doctors have been brilliant, and have been your ‘good boyfriend’ Doctors. But the Doctor isn’t always like that. There is the sort of Tom Baker, Christopher Eccleston end of the spectrum, where he is mad and dangerous and difficult.
It’s always down to whether there’s a good story. My immediate instinct was that story’s probably done. Not that we saw all of it, but I never thought we should see all of it. I’m slightly tempted, because I imagine Peter Capaldi and Alex Kingston would be absolutely hilarious together…”
He adds: “She could certainly have met other Doctors. So there’s nothing stopping us… But is there anything new we can do? Or is the new thing that Peter Capaldi and Alex Kingston would be very sexy together? Is that enough? We’ve always had fun with the fact that they don’t look like a couple.”
“Peter Capaldi and Alex Kingston would look like a couple – that’s the thing. Whereas I thought Matt and Alex were gorgeous together, but it looked slightly strange, because he was so much younger. Alex is just great fun to have on the show. It’s when you want to throw the Doctor a bit, because what River does so well is to make him a bit on the back foot and a bit flustered.”
Moffat also answered questions about a crossover with Sherlock, being non-committal and saying “nothing is impossible.”The final episode of the third season of Sherlock aired tonight but Steven Moffat also says that the fourth and fifth seasons have already been plotted out. I will hold off on discussion of the the third season episodes as they have not yet been shown in the United States. A spoiler-free review of tonight’s episode, The Last Vow, can be found here. I plan to watch a download later tonight. From what I here so far, it is a more conventional mystery after last week’s episode, and I suspect will receive a better reception.
John Simm will star in a new BBC America paranormal drama series, Intruder. He previously stared in the BBC version of Life on Mars and has played The Master on Doctor Who.
Starz has released a trailer for Ron Moore’s series Outlander–video above.
Starz has also announced that Da Vinci’s Demonswill return on March 22. Like Saving Mr. Banks, Da Vinci’s Demons is a fictionalized account of a real person. It is probably better enjoyed as an entirely fictional show and ignoring the use of real names or events.
There has been a lot of talk about Gillian Flynn making major changes in the movie adaptation of Gone Girl. I think that this was inevitable, both because of the different structure needed to tell a story in a movie as opposed to a book where the readers were being deceived, and to give people who read the book more reasons to see the movie. Some of stories dealt with a change to the ending. However readers of the book are quite aware that the crucial point was midway through the book with the specifics of the ending being far less important. I can easily see a more satisfactory ending being written without changing the essential story.
Sherlock returned last week. I won’t say much to avoid major spoilers until the show returns in the United States. It should be safe to reveal that Sherlock lives. The episode shows how he survived the fall, but it was more interesting to see Mark Gatiss make fun of all the fan theories. A full review of the episode can be found here. Q&A with cast and show runners here.
The second episode, The Sign of Three, airs tonight on BBC One. A spoiler-free review can be found here.
Helix premieres on Friday. The fifteen minutes can be viewed above. Press release follows:
Helix is an intense thriller about a team of scientists from the Centers for Disease Control who travel to the high-tech research facility, Arctic Biosystems, to investigate a possible disease outbreak, only to find themselves pulled into a terrifying life-and-death struggle that may hold the key to mankind’s salvation or total annihilation. However, the lethal threat is just the tip of the iceberg, and as the virus evolves, the chilling truth begins to unravel.
Executive produced by Ronald D. Moore (Battlestar Galactica), Steven Maeda (Lost) who is also showrunner, and Lynda Obst (Contact), the 13-episode drama stars Billy Campbell (The Killing, Killing Lincoln) and Hiroyuki Sanada (The Wolverine, 47 Ronin).
Campbell stars as Dr. Alan Farragut, leader of the Centers for Disease Control outbreak field team called upon to investigate and control a potential outbreak. Sanada also stars as Dr. Hiroshi Hatake, director of Arctic Biosystems and its mysterious viral research program. Helix also stars Kyra Zagorsky (Supernatural) as Dr. Julia Walker, Mark Ghanimé (Emily Owens, M.D.) as Major Sergio Balleseros, Jordan Hayes (House at the End of the Street) as Dr. Sarah Jordan, Meegwun Fairbrother as Daniel Aerov, Catherine Lemieux (White House Down) as Dr. Doreen Boyle and Neil Napier (Riddick) as Dr. Peter Farragut.
Helix is produced by Tall Ship Productions, Kaji Productions and Lynda Obst Productions in association with Sony Pictures Television. Prolific director and producer Jeffrey Reiner (Friday Night Lights) directed the first episode of Helix, which was written by creator and co-executive producer, Cameron Porsandeh.
The trailer for the Veronica Mars movie was released last week. Video above.
David Lynch is filming new material in preparation for the Blu-Ray release of Twin Peaks.
After Disney purchased the rights to Star Wars, it comes as no surprise that Star Wars comics will be returning to Marvel, which Disney also owns.
The Walt Disney Company’s Lucasfilm Ltd. and Marvel Entertainment are joining forces to bring new Star Wars adventures to readers across the galaxy, with Marvel granted exclusive rights to create and publish Star Wars comics and graphic novels beginning in 2015.
The agreement marks a homecoming for the Star Wars comic books. Marvel Comics published the first Star Wars comic book, STAR WARS #1, in March 1977, which went on to sell more than 1 million copies. Marvel Comics published its STAR WARS series for nine years. In 1991, Dark Horse Comics took over the license, publishing fan-favorite titles like Dark Empire and Star Wars: Legacy. Last year, Dark Horse released The Star Wars #1, an adaptation of George Lucas’ original rough-draft screenplay for the film, garnering rave reviews and national media attention and ranking among the top-selling Star Wars comics of all time.
“Dark Horse Comics published exceptional Star Wars comics for over 20 years, and we will always be grateful for their enormous contributions to the mythos, and the terrific partnership that we had,” said Carol Roeder, director of Lucasfilm franchise publishing, Disney Publishing Worldwide. “In 2015, the cosmic adventures of Luke, Han, Leia and Chewbacca will make the lightspeed jump back to Marvel, to begin a new age of adventures within the Star Wars universe.
Entertainment Weekly discussed both Breaking Bad and Better Call Saul with Vince Gilligan. A portion of the interview:
What has been the big challenge in formulating Better Call Saul? And can you clarify how much of the show will be a prequel and whether we might see scenes that take place after the events of Breaking Bad? Are we going to hop around in time a little?
Peter Gould is a wonderful writer and producer and director who worked on Breaking Bad with me from the first season, and he created the character of Saul Goodman (Bob Odenkirk). He and I have been turning that over in our heads quite a bit. We think, by and large, this show will be a prequel, but the wonderful thing about the fractured chronology we employed on Breaking Bad for many years is the audience will not be thrown by us jumping around in time. So it’s possible that we may indeed do that, and we’ll see the past and perhaps the future. Nothing is written in stone yet, we’re still figuring it out, but the thing we realize is tricky with the character is that Saul Goodman is very comfortable in his own skin. He seems to be a character who is pretty happy with himself, especially when we first meet him. He seems to be a pretty happy-go-lucky guy, and that makes him everything that Walter White is not. And that also makes for tricky drama. When I say drama, even in a comedy, you want drama, you want tension and conflict, and a character that at heart seems at peace with himself is intrinsically undramatic. [Laughs] So we’ve been thinking about how to address that issue.
Could some of the action be set in the Breaking Bad era as well?
It could. That’s why I love the possibilities of the show so much. Anything is possible, and I can’t make any promises that we will indeed see that kind of stuff, but I can tell you from a writer’s point of view, it’s very freeing and emboldening to have those opportunities available to you.
How many characters from Breaking Bad might pop up or even have an extended role?
The character that springs to mind would be Mike (Jonathan Banks). That would be a great deal of fun. I would say the sky’s the limit, at least theoretically speaking. Realistically speaking, we’ve got a whole lot of actors, and the world is now well-aware of their wonderful talents and abilities, and therefore Breaking Bad has probably made it tougher for Peter and I to get some of these folks pinned down for another TV show. They’re off making big movies and doing Broadway plays and whatnot, and that’s exactly the way it should be. That is a high-class problem that we will have to contend with as we go forward with Better Call Saul, if we do indeed want to touch base with some of these characters… Better Call Saul could be The Love Boat of its generation, where instead of Milton Berle showing up in a sailor’s cap, hopefully it could be Aaron Paul, also in a sailor’s cap. [Laughs]
I would suggest using a lot of Jonathan Banks in order to add drama which might not be found in Bob Odenkirk’s character. Incidentally, we have already seen Jonathan Banks on Community and Vince Gilligan will also be making an appearance.
Community returned with two episodes, Reboot and Introduction to Teaching. Dan Harmon returned and did successfully reboot the show, putting the changes from last season behind. Reboot was the weaker of the two as Harmon did have to spend time setting up the scenario of having everyone back again at Greendale. I would have been satisfied if they simply said the fourth season was a dream and picked up from where season three left off but there was the obvious need to continue the narrative where the show left off last season. I bet that after this, repilot and gas leak year will enter the general vocabulary to describe future shows in similar situations which have a down year under the wrong creative team and then reboot afterwards.
The surprising thing about the episode was the cameo from Chevy Chase. Dan Harmon explained in this interview with IGN:
IGN: Chevy’s cameo was a very nice surprise. How did that come about, and how did you decide upon the specific way it happened in the episode?
Dan Harmon: Well, there’s always the point in every story when a character that’s gone down a certain path needs to have a reason to turn. One of the easiest things to do is have a moment with a mentor, a kind of Obi-Wan figure. I was really just considering what the story needed in the moment where Jeff is walking away with the power to destroy or save Greendale in his hands. What the story needed was someone to turn him, and I did picture Pierce immediately because if he was still on the show, that’s exactly how we would use him, and it’s a greater fact that he was always at his best as this sort of hapless Obi-Wan or a cautionary tale or unintentional mentor – trying to be a mentor in one way, but actually inspiring in a different way. It just seemed like one of those big moments where it was like, “Man, I really miss having that Pierce character,” and I literally pictured him in my head like this Industrial Light & Magic ghost that would appear in front of Jeff and say, “Don’t do this. Go back.” Then I thought, “Okay, then how do we actually make that happen, logically?” The answer was, “Well, actually what you’re describing could just be a hologram, because it doesn’t need to be having a conversation with Jeff. He just needs to say something. He just needs to be a vision.” He can’t be a literal ghost, but he could be a hologram, because Pierce has money, and that seems like the kind of thing you associate with Pierce — that whole Baby Boomer/Sharper Image kind of technology for its own sake kind of thing. And actually, that would work perfectly, because it would allow Chevy to come back to the show without panicking Sony legal, because he wouldn’t be on the set.
I wasn’t there when Chevy departed, but I know he had a specific agreement with Sony in which the terms of his departure were contractual and there was an agreement on both sides. I don’t really know more details than that except to say that simply bringing him back would be a contractual issue. So I was able to say to the studio, “What if we weren’t bringing him back? What if we were shooting him on a separate stage with no other actors around. Would that be allowable?” And they said, “Yes.” So it became this idea. I knew Chevy would be on-board because he’s an arch character, but I know that at the end of it all he always loved doing the show and would be more than willing to come back. He’s very passionate about making people laugh. So I texted him, and he said, “Absolutely, I’ll do it.” And then there was the weird thing of, we really didn’t want that to leak too early because it’s such an easy thing to spoil, and it really does spoil it, I think. So we wanted to see if it was possible to keep it under wraps until it aired. We actually kept it a secret from as much of the crew as possible, other than there were some people we needed to shoot Chevy, but we didn’t tell anybody that we didn’t have to tell. At the table read for the episode, we wrote a fake scene where Jeff is turned by Star-Burns. [Laughs] That’s actually, unfortunately, a really funny scene that the actors got really excited about, because it’s the reveal that Star-Burns is alive and that he’d been hiding on campus and faking his death to avoid death charges. The question is, why would he pick the campus to hide on? It’s the dumbest hiding place in the world, and he doesn’t know why, there’s just something special about the campus, like it was home or something. And that’s what turns Jeff.
There is new conflict coming up on The Big Bang Theory next week as Bernadette goes to a rival comic book store to purchase something for Howard in the picture above.