SciFi Weekend: Doctor Who; Sleepy Hollow; More on the Continuum Series Finale; Sherlock; Supergirl; Gilmore Girls; Married Canceled; Beware of Cats; Fred Thompson Dies At 73

Doctor Who Zygon Invasion

The Zygon Invasion picks up on the Zygon plot of The Day of The Doctor which was left hanging. The episode of Doctor Who included three doctors, and if we include the Zygon version, two Osgoods, allowing for her return after being killed by Missy in Death in Heaven. It was not so simple as a totally separate human and Zygon version, leading to yet another mention of a hybrid this season.

The two presented this message regarding the peace treaty between humans and Zygons:

“Every race is capable of the best and the worst.”

“Everyone is peaceful and warlike.”

“My race is no different.”

“And neither is mine.

Unfortunately the peace has fallen apart, leading to yet another threat of aliens taking over the earth. This led to the return of UNIT, and the Doctor to his role of president of the world:

Clara: I thought you didn’t like being president of the world
The Doctor: No but I like poncing about in a big plane

I’m not so hot on continuing the idea of president of the world, and like the idea of “Doctor Disco” even less. Fortunately these moments did not harm an otherwise excellent episode.

The episode was better than the typical alien invasion show by the efforts to maintain peace and to understand the aliens. This included the message above, along with the Doctor trying to prevent further killing:

Kate: You left us with an impossible situation Doctor
The Doctor: Yes I know its called peace

There were moments when characters did not act all that wisely. It is debatable whether the soldiers in Turmezistan were showing humanity or acting foolishly when deciding not to kill the Zygons who had taken on the form of members of their family, despite the evidence that they were fakes. It was even more questionable that Kate went to Truth or Consequences alone, without any backup, and failed to suspect that the other woman was actually a Zygon. It was not surprising that Clara had memorized Trivial Pursuits cards, and was therefore aware of this American city named after a television show.

This all led to the cliff hanger with a missile being shot towards the plane carrying the Doctor and the Doctor being told, “Clara Oswald is dead, Kate Stewart is dead.” Most likely they both can be rescued from the pods, but the knowledge that Jenna Coleman is leaving this season leaves just a tiny bit of doubt.

Videos from Doctor Who Extra can be seen here.

Sleepy Hollow Bones Cross Over

There are a couple of crossovers in genre shows last week and in the upcoming week. Sleepy Hollow has done their cross-over  with Bones.If the purpose was to get fans of Sleepy Hollow to watch Bones, it did not impress me. While Sleepy Hollow  remains weaker than its first season (but better than last year), the little I saw of Bones did not tempt me at all to watch any more. For that matter, for those who are holding out to determine if it is necessary to watch Bones to follow the plot on Sleepy Hollow, you don’t have to bother. Spoiler: The episode deals with the exhumation of General Howe’s corpse (which is more important on Sleepy Hollow) and basically keeps it in the background until Crane and Abbey are able to take the body at the end of the episode.

Bones showrunner Michael Peterson discussed the cross over with Assignment X. Here is a small portion:

AX: And how is the SLEEPY HOLLOW crossover going to work? There have been hints of ghosts and an afterlife on BONES, but no Headless Horsemen.

PETERSON: I’ve been saying that it’s like X-FILES – we’re the Scully hour, they’re the Mulder hour. We make sense of what seems to be supernatural, but there’s always logic behind it. Our people will not see ghosts, they will not see vampires, they will not see zombies. We’re not that show. We do science-based, but it’s going to be a handoff. There will be one mystery that leads to another, and we think it’s going to work pretty nicely. But it’s going to be very much a BONES show, with elements of SLEEPY HOLLOW.

AX: So the BONES characters are going to step into and out of the more exotic SLEEPY HOLLOW universe without realizing what they’ve been in and out of?

PETERSON: Exactly. And part of the fun is that we get to do it on Halloween. So that leaves it open to a lot of things that are going on. We have costumes, we have superstitions that are going on, but we’re going to handle it in the BONES way. It’s worked for over two hundred episodes, it’ll work for this one.

Meanwhile Arrow has recently had  Sara Lance’s resurrection in the Lazarus Pit, but with rather unfavorable results. This leads to the crossover with Constantine next week (and ultimately leads into DC’s Legends of Tomorrow.

Following the series finale of Continuum, (which I discussed in greater detail here), Simon Barry both answered questions from fans (video above) and had an interview with Blastr. In the interview, Barry described the rules of time travel established for the series:

In Season 1, I addressed the writers’ room with a simple set of guidelines.

1. Time travel could not exist in a closed loop, because it would remove stakes from the show if everything was simply preordained to happen and our characters were fighting windmills.

2. We needed to preserve the stakes of guideline #1 for as long as possible to keep the characters and audience wondering what the consequences were of changing history.

3. Kiera was going to be able to change history and return to a better future as a result.

It became obvious once we dispensed with paradoxical time travel that anything was possible with multiple timelines. The only way to not get lost in this was to limit the number of time-travel events in the show. This way you couldn’t just hit reset with your characters to fix things. And even if you thought you could, as Alec did at the end of Season 2, there had to be unforeseen consequences to these choices that made you wish you hadn’t.

By making time travel as rare an event as possible, by making it difficult, we could minimize the impact of this technology. It’s also about perspective. Time travel is a purely relative process. It means nothing to those that aren’t themselves traveling, so we had to ensure that the only characters who would have access to the technology were characters whose perspectives were relevant in the show. Kiera and Alec are therefore the only perspectives we wanted to experience, because it’s really their journey.

I listened to the above Q&A in the above video on an audio podcast in the background soon after it came out and have to rely on notes I took after the fact, so there very well could be other things of interest which I’m leaving out. Regarding time travel, Barry discussed, as he made up his own rules, how incredibly difficult and unlikely actual time travel would be. He pointed out how rapidly the earth is moving around the sun, making it quite difficult to have the earth in the same location when you get back in time. (So, if the goal was to kill Kellogg off at the end, he could have wound up in empty space).

As we know would happen, once the series was canceled and Barry had only six episodes to wrap things up (which were definitely better than ending without even a rushed conclusion), many planned  plot threads were left out. “Emily, Julian, the Traveler were all supposed to get larger stories. We had also discussed an entire season set in 2077 to really get to know each member of Liber8 and how they eventually got signed up with the cause.”

In both interviews, Barry talked about a desire to tell more about this universe in other medium. This was also raised in this Reddit AMA which took place before the final six episodes aired. In the podcast, he talked about how difficult this could be to get on television. Stories left to tell ranged from the Traveler to what happened to Kellogg after winding up in the past. Barry had wanted to send him even further back to be among dinosaurs, but the budget did not allow this.

During the podcast, Barry said he had worked on a scene which took place five years from now, which would include Emily, showing what the characters who remained in the present were doing. Unfortunately the scene was never filmed. The story of the Traveler might have done to religion what the show in general did to corporate greed. Barry described the Freelancers as being like religious fanatics, who thought they were following the Traveler, but got the message wrong.

It was necessary to tie up the story of how Alec sent people back into the past way too quickly. This could have included reasons for sending back Kiera beyond young Alec mentioning her name. Among ideas which might have been presented if time permitted was that Alec sent Kiera into the past because of the manner in which she investigated a murder at Sadtech. This both gave Alec reason to see her as an effective cop, along with giving him reason for wanting to get rid of her.

Sometimes the show was affected by the availability of actors. Escher was written out of the show earlier than planned for this reason. The original plan was still to ultimately kill him off, except Kellogg would have been the one to kill Escher. The actor who played Kiera’s husband was not available for the final season, which is why he did not appear. I still think it would have made more sense to have mentioned him. While it is obviously necessary to ignore some scientific implausibilities in a show such as this, I also find it hard to believe that, if Kiera had changed the future, her parents were in the same place at the same time to conceive her, and that the same happened to conceive her son. A more plausible version of the ending might have had Kiera return to her time and find that she had never been born, as opposed to having a duplicate there who never traveled back in time. Instead we will allow Barry to make up his own science, knowing that everything was implausible anyways.

It is unfortunate that such an excellent series could not have been completed as envisioned by Simon Barry. Under the circumstances, he did do an excellent job of tying  up as much as possible in the final six episodes.

An extended trailer for the Victorian era episode of Sherlock, The Abominable Bride, has been released (video above). The episode will air in the US and the UK on January 1. They apparently don’t understand about college bowl games in the UK.

If you missed the excellent Supergirl pilot, or want to see it again, it remains widely available on line, as it has now been for several months. Plus you can stream it for free (and legally) from Vudu, iTunes and Amazon  (Hat tip to These sources will charge for subsequent episodes, so it makes more sense to catch them as they air on CBS.

The recently announced new episodes of Gilmore Girls to be presented on Netflix will each deal with a different season. This leaves room for a lot of Stars Hollow seasonal festivals, and perhaps a June wedding for Lorelei.

Married was much better in its second season, but apparently did not bring in enough new viewers as FX has canceled the show. This is leading to speculation as to whether You’re The Worst might also be in trouble. Both comedies premiered at the same time on FX  summer of 2014, with You’re The Worst moving to FXX and currently being shown in the fall. While also not doing well in the ratings. You’re The Worst has received far more critical attention and hopefully will survive because of this.

Researchers found that cats are neurotic, and are probably planning how to kill you.

In joint political and entertainment news, former actor and Senator Fred Thompson has died. From The Tennessean:

Fred Thompson, a former U.S. senator for Tennessee, GOP presidential candidate, Watergate attorney and longtime “Law and Order” star, died on Sunday. He was 73.

Mr. Thompson died after a recurrence of lymphoma, according to a prepared statement issued by the Thompson family.

“It is with a heavy heart and a deep sense of grief that we share the passing of our brother, husband, father, and grandfather who died peacefully in Nashville surrounded by his family,” the statement reads.

“Fred once said that the experiences he had growing up in small-town Tennessee formed the prism through which he viewed the world and shaped the way he dealt with life.  Fred stood on principle and common sense, and had a deep love for and connection with the people across Tennessee whom he had the privilege to serve in the United States Senate. He enjoyed a hearty laugh, a strong handshake, a good cigar, and a healthy dose of humility.  Fred was the same man on the floor of the Senate, the movie studio, or the town square of Lawrenceburg, his home.

“Fred believed that the greatness of our nation was defined by the hard work, faith, and honesty of its people. He had an enduring belief in the exceptionalism of our country, and that America could provide the opportunity for any boy or girl, in any corner of our country, to succeed in life. “

On his acting career:

In 1977 Mr. Thompson found himself representing the whistle-blower in one of Tennessee’s biggest political scandals. In her role as a parole administrator, Marie Ragghianti refused to release inmates granted pardons after paying then-Gov. Ray Blanton. Mr. Thompson successfully represented Ragghianti in a wrongful termination case, helping her win a settlement and a return to her job in 1978.

That case eventually became the subject of a book and launched Mr. Thompson’s acting career. Mr. Thompson played himself in the 1985 version of the movie “Marie.” Critics praised his performance, and more roles soon followed.

Five years later, Mr. Thompson had roles in three of the biggest films of 1990: “Days of Thunder,” “The Hunt for Red October” and “Die Hard 2.”  He also enjoyed a five-year run on NBC’s “Law and Order” as District Attorney Arthur Branch from 2002-2007.

Though he took a break to run for the Republican nomination for president in 2008, acting remained a constant in Mr. Thompson’s life.

He appeared in box office hits as recently as 2012, with a role in the horror film “Sinister,” and had a recurring role on NBC’s short-lived 2015 series “Allegiance.”

Update: News came out on Monday that CBS is planning a new Star Trek television series to be streamed on their All Access service. The show, to be produced by Alex Kurtzman, is to start in January 2017.

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SciFi Weekend: Doctor Who; Sherlock; Age of Ultron; Jessica Jones; The Flash; Arrow; Supergirl; Back To The Future (Bernie Sanders Meets Doc Brown); Gilmore Girls; Maureen O’Hara

Doctor Who The Woman Who Lived

The Woman Who Lived works as a stand alone episode of Doctor Who which did not really need to fall directly after last week’s episode, The Girl Who Died. Maise Williams’ character is seen eight hundred years later. It was strange that she remembered the Doctor and Clara and not her own name or village. She also had a colder attitude which can be seen in this exchange:

The Doctor: Anyone is that village would have died for you
Ashildr: Well, they’re all dead and here I am. I guess it all worked out

The show described the problems with immortality, and Ashildr’s frustration: “I have waited longer than I should ever have lived. I have lost more than I can even remember. Please Doctor, just get me out of this. I want more than this. I deserve more than this.”

While her life span was increased her memory was not so she had to resort to her journals, tearing out the pages of things she wanted to forget. She did keep the pages about her children dying of the plague, as a reminder to never have children again.

The Doctor did not take her with her, but did tell her , “I travelled with another immortal once. Captain Jack Harkness.” Will she ever meet up with Captain Jack (John Borrowman)? Plus Sam Swift may or may not also be immortal.

Nerdist reports that Maise Williams will return to Doctor Who:

Over the weekend, at London’s MCM Comic-Con, “Face the Raven” writer Sarah Dollard confirmed that Ashildr/Me would be back for her episode. During “The Woman Who Lived,” we find out that the character decided to be there for the people the Doctor leaves following his swoop-in/swoop-out style of day-saving. “Someone has to look out for the people you abandon, who better than me? I’ll be the patron saint of the Doctor’s leftovers,” she told him. She also says, “While you’re busy protecting this world, I’ll get busy protecting it from you.” When the Doctor expresses that he thinks he’s very glad he saved her life, she replies, rather ominously, “I think everyone will be.”

This could make her an interesting recurring character, and provides job security should she be killed off on Game of Thrones.  She is present in the background of a picture at Clara’s school shown at the end of the episode. I’ll accept the coincidence that she is present in the first picture that Clara showed him after this encounter, but what about all the companions prior to Clara? While that probably cannot be shown on screen, she could be an interesting addition to books or fan fiction. With Jenna Coleman reportedly leaving after this season, possibly Maise Williams will play a part.

The above trailer announces that the long-awaited Victorian version of Sherlock will air on January 1 in both the UK and the Unites States and will be named The Abominable Bride.

I’m going to post this link without reading the article. I haven’t looked at the deleted scenes on the Blu Ray of Avengers: Age of Ultron yet, and will do so before reading this, but Den of Geek has a detailed description for those who might want to read about them without viewing.

After a bunch of teasers, Netflix has released a full trailer for Jessica Jones (video above).

I avoid watching Amazon pilots until a series is about to be released in full, but I am really looking forward to The Man In The High Castle. Reviews of the pilot have been fantastic. Now Amazon is going to make the first two episodes available, even to non-prime members, here  from 12am Pacific on Friday, October 23rd until 11:59pm Pacific on Sunday, October 25th. The first two episodes will remain available to Prime members, with full release on November 20. While I already had an Amazon Prime membership for the free shipping, with streaming becoming a huge player, I now consider Amazon Prime, Hulu (commercial free subscription), and Netflix all essential (with HBO Go and comparable services from the other pay cable networks  also available due to cable subscriptions). Many evenings I do not go beyond my Roku box for watching television.

This raised another thought. When traveling I prefer either a Roku box, or my Roku stick to travel more lightly, as it has all the streaming services I use set up conveniently. It includes Amazon Prime, while some competing devices do not. I also do have both a Google Chromecast and an Amazon Fire Stick. (This comes in handy when staying in friends’ condos in Florida which have televisions in the bedroom and living room).  I have also found the Amazon Fire Stick essential when traveling to hotels which require a sign on to use their WiFi. Only the Amazon Fire Stick can handle this without resorting to making a hot spot with a travel router.

Danielle Panabaker of The Flash was on The Talk (video above). She discussed her transformation to the villain, Killer Frost.

All of the DC comic based shows have been off to a good start this season. Arrow, which just brought back Sara Lance to lead into Legends of Tomorrow, is much stronger this season, including a much bigger big bad. The flash backs are also more interesting with the return to the island. Plus someone will die in six months. Supergirl officially starts this upcoming week. The pilot, which has been available for months, was excellent and those who like The Flash and Arrow should also like this show. Over at Fox, Gotham has turned much darker, and is showing more potential than in the first season.

Also notable in the past week, You’re The Worst, while it has not been as  good as the first season, has had many excellent moments. This included the revelation of  what is wrong with Gretchen last week.

Hulu has renewed Casual for a second season. I highly recommend that show. I have not watched The Whispers, but I note that ABC has canceled it. CBS has ordered a full season pick up of Limitless. It is a lighter but entertaining show with a genre element.

Bernie Sanders Back To The Future

I previously posted the video of Bernie Sanders on Jimmy Kimmel Live last week. Christopher Lloyd (Doc Brown) was also a guest, along with Michael J. Fox,  for an opening skit for the date he came into the future in Back To The Future 2. Bernie Sanders posted the picture along with this caption on his web page:

“Tell me, future boy, who’s President of the United States in 2017?”
Bernie Sanders.
“Bernie Sanders?! From Vermont?”

So this our destiny. I think this is a fixed point in time which cannot be changed.  The skit with Christopher Lloyd and Michael J. Fox is below:

Speaking of time travel, Simon Berry has provided some information following the  Continuum finale. I will hold off a little longer to discuss the finale a second time to allow more time to see if further material of interest becomes available.

Gilmore Girls revival

Plus we have something else from the past to look forward to. Netflix is planning a revival of Gilmore Girls. The current plans are for four episodes, ninety minutes each, which take place in real time, eight years after the finale. We will finally see the final four words planned for the show by Amy Sherman Palladino.  While not finalized, Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson, along with many of Rory’s suitors, are expected to appear. Edward Herrmann obviously will not appear but perhaps the funeral for Richard Gilmore, taking place after the actor actually died, could be a good point at which to reunite the other characters. The series ended with Rory Gilmore covering Barack Obama’s campaign in Iowa. Might she now be covering  Bernie Sanders?

This will not be the only case of Lauren Graham being united with a star from a previous show. She will reunite with Mae Whitman of Parenthood in an adaption of the The Royal We, a book on the courthouse of Prince William and Kate Middleton.

Maureen O’Hara died at age 95. From The New York Times:

Maureen O’Hara, the spirited Irish-born actress who played strong-willed, tempestuous beauties opposite all manner of adventurers in escapist movies of the 1940s and ’50s, died on Saturday at her home in Boise, Idaho. She was 95…

Ms. O’Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film “Comanche Territory” with the sentiment “Framed in Technicolor, Miss O’Hara somehow seems more significant than a setting sun.” Even the creators of the process claimed her as its best advertisement.

Yet many of the films that made the young Ms. O’Hara a star were in black and white. They included her first Hollywood movie, “The Hunchback of Notre Dame” (1939), in which she played the haunted Gypsy girl Esmeralda to Charles Laughton’s Quasimodo; the Oscar-winning “How Green Was My Valley” (1941), in which she was memorable as a Welsh mining family’s beautiful daughter who marries the wrong man; “This Land Is Mine” (1943), a war drama in which she was directed by Jean Renoir; and “Miracle on 34th Street” (1947), the holiday classic in which she played a cynical, modern Macy’s executive who tries to prevent her daughter from believing in Santa Claus…

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SciFi Weekend: Hannibal Finale; Defiance; Mr Robot; Humans; Agents of SHIELD; Outlander and Game of Thrones Spoilers; Galaxy Guest; Russel T Davies Doing Shakespeare; Olive Sacks Dies At 82


The Wrath of the Lamb, the series finale for Hannibal on NBC, contained a lot of material to provide a satisfactory ending should this be the last we see of these versions of the Hannibal Lecter characters. First there was the dramatic sequence in which Francis Dolarhyde pretended to kill himself, which certainly would have been an unsatisfactory ending if it was real. This led to something we have seen various versions of throughout the series–a plan to capture a serial killer which was doomed to fail.

The episode did finally end with the probable death of Dolarhyde, but the Red Dragon arc as part of the entire series was more about the transformation of Will Graham than it was about Dolarhyde’s transformation into the Red Dragon, or his ultimate fate. The series also provided a sense of closure for Alana and for Chilton should this be the last we see of these characters.

The climax of the episode took place in Hannibal’s home on a cliff where he previously kept some of his victims. Yes, an actual cliff was involved in the series cliff hanger, or at least ambiguous scenes. The scenes there primarily involved Hannibal and Will, until interrupted by Dolarhyde and culminating in as many as three deaths. There are a couple of questions raised by the cliff scene, perhaps foreshadowed by Hannibal’s admission, “My compassion towards you is inconvenient.”

The first question is what was on Will’s mind. Most likely he knew he was becoming a monster like Hannibal, unable to simply return to his new family, and saw the death of both of them to be the best outcome. It remains uncertain as to their actual fate. If watching this episode alone, the assumption would be that they died, but we know much more. We know that the previous season also ended with the apparent deaths of characters who survived. It was not known at the time the episode was written that this would be the series finale, and Bryan Fuller is still trying to keep the show alive in some form. Fans would be no more surprised to see Hannibal and Will survive the fall than they were that Sherlock survived his fall, or that Moriarty might still be alive. We also know from the novels that Hannibal did not die then, but Fuller has already changed elements of the novel so this in itself does not provide an answer.

Then there was that post-credits scene with Bedelia,  foreshadowed both by earlier events of the season and possibly by a comment earlier in the episode that “Meat’s back on the menu.”  Was she off screen the entire time, waiting for Hannibal to return to attempt start eating her? Is the third chair set for Will, who is now a willing party to Hannibal’s cannibalism? Or does the scene take place in the future, indicating that Hannibal, and perhaps Will, survived?

Fortunately after I started to wonder about these questions Bryan Fuller gave several interviews. While he does not completely answer all of these questions, there is major insight into the season finale and the questions raised.

Hannibal Finale Cliff

Bryan Fuller’s interview at TV Guide has more on the relationship between Hannibal and Will which led to that climatic scene:

Hannibal is usually the smartest person in the room. He guessed Will had sold him out to Dolarhyde, so did he not suspect Will might push them off the cliff?
I think he is surprised as he’s tipping back over the edge, but the center of gravity has already betrayed him. He’s falling, and there’s a certain surrender to that. At the same time, he probably acknowledges a certain beauty that Will is falling with him to his death and they’re holding on to each other until impact.

So even in “death,” Hannibal feels like he won the battle?
Absoutely. In that final moment, the murder of Francis Dolarhyde, Hannibal proved himself right about Will. And there’s something very antagonistic about Will saying I’m not going to give you that for very long.

A romantic love between Will and Hannibal was always more of a subtext in earlier seasons, but became actual text in certain conversations this season. Do you think of this ultimately as a love story?
It was a love story from the very beginning – it was romantic horror. One of the reasons that I really wanted to do the project is I really wanted to investigate the depths of male friendships — the intimacy and the power and the loss of self you experience in a brotherhood camaraderie. That was the thing that fascinated me the most and was the root of the story that I wanted to tell.

And yet Hannibal’s love for Will was his fatal flaw.
His compassion for Will always hinged on Will’s ability to understand him in a way that he feels like he has never been understood. I think that is the same gift that Will has received from Hannibal. The core of their attraction to each other is that they truly see other for who they are. Hannibal is glamoured by that. If he wasn’t, he probably would have killed and eaten Will a long time ago.

More on the final scene at Vulture, along with how his version of Hannibal Lecter might be remembered:

How should the viewer read Will and Hannibal falling off the cliff together? Is it a double suicide?
No, I think it’s a murder/suicide. And then of course coming back in and seeing that someone has cut off Bedelia’s leg and is serving it, and she grabs a fork and hides it under her napkin to stab the neck of the person who’s going to come into the room next suggests that either Uncle Robertus and Lady Murasaki are going down Hannibal’s enemies list and checking them off, or that Hannibal may have survived that fall.

Some people have told me that their interpretation of it is that she sawed it off herself, cooked it up, and is waiting for him to come home like, “Honey, I made dinner!” [laughs], which is hilarious…

You’ve said that you wanted Mads Mikkelsen’s Hannibal to be the definitive one. Do you feel like he accomplished that?
I think for certain portions of the audience, he did. And for those who watch the show regularly, there’s 39 hours of Mads Mikkelsen as Hannibal Lecter as opposed to six of Anthony Hopkins. But it all depends on who’s speaking to you generationally as that character. Who would you say is your definitive Hannibal Lecter? Still Anthony Hopkins?

Not anymore.

It remains to be seen whether Mads Mikkelsen can surpass Anthony Hopkins as the definitive Hannibal Lecter, but he will also have additional roles to shape his career. He is currently in talks to play the villain in Doctor Strange.

Hannibal Finale Bedelia

TV Line discussed Dolarhyde, and then Bedelia:

TVLINE | Circling back to the Will/Hannibal/Dolarhyde showdown — I felt like we didn’t really know 100 percent what way it was going to go. Will actually says to Hannibal that he intends to see him “changed” by Dolarhyde. And then, at one point, when Hannibal is looking at Will pulling out the knife, I wondered, is he signaling to Dolarhyde with his eyes or is he signaling Will? How did you view the scene? Do you feel like Will and Hannibal were always planning to end the Red Dragon, or was it unclear even to them?
I feel like Will was going there knowing that he very likely would not be able to finish Hannibal himself, because of his feelings for him, and that he needed Francis Dolarhyde to do it for him. And he knew that he may not survive it; it’s something he says several times through the episode. Bedelia says early in the scene with Will, “You can’t live with him, you can’t live without him.” That’s exactly what this is about. Will can’t live without Hannibal, and he knows that in that moment, once they’d experienced a murder together — a vicious, brutal murder where they hack a guy up with a knife and a hatchet — he’s like, “That was kind of fun. That was a good time. In fact, it was beautiful.” There’s a realization of his mind being able to process that experience as a thing of beauty. With that, he knows there is very little chance of him being able to return to humanity, so off they go.

Later in the interview regarding Bedelia:

TVLINE | You gave Bedelia resolution, of sorts, at the dinner table — where her leg is what’s for dinner. Knowing while you edited the hour that it was a real possibility this might be the series finale, was that absolutely where you wanted to end? And why put it after the credits?
Well, you know, I love post-credits sequence. I mean, you see Sherlock and Moriarty go over Reichenbach Falls, and you don’t know what fate befell those characters. By coming back in and seeing Bedelia at a dinner table being served her own leg, grabbing a fork and hiding it under the table and preparing to stab it in the neck of the next person who comes into the room, that’s a great way to tell the audience, “Yes, we have told you completion to this story, but who is serving Bedelia that leg? Is it Hannibal? Did he survive? Is it Uncle Robert is, and is David Bowie behind that curtain? Who’s serving her the leg?”

The longest interview was at Here are some highlights:

At what point in the season did you realize that this is how you were going to end it?

Bryan Fuller: Probably about halfway through the season. We’re always looking for a way to end a season in a way we could end the series. We never knew we were coming back. At the beginning of season 3, NBC was talking to me about new development, and that was a pretty big indicator to me that they weren’t planning on picking up a season 4. So I wanted to be sure we had an ending for the story we were telling, but also leave room for a continuation of the tale of Hannibal Lecter and Will Graham should we get the option to tell more of it.

So you have an idea in mind in the event of something more where this is not the end of the story?

Bryan Fuller: Right. In my mind, the most interesting chapter of Will Graham’s story has yet to be told.

Once NBC made their decision official and you couldn’t find a buyer elsewhere for a fourth season, were you at peace with the idea that this is it?

Bryan Fuller: I knew the writing was on the wall. I knew that we had gotten ridiculously preferential treatment on this show by the network. The fact that they allowed us to tell the tales we were telling, and in a manner that was much more suited to a cable audience than a broadcast network audience. They were bending over backwards to accommodate us, and I knew they could only bend so far with ratings as bad as we had! (laughs)

Where do things stand now? What are the options?

Bryan Fuller: Martha De Laurentiis is looking into financing for a feature film. The season 4 that we were going to tell is such a restart and reimagining that I still hope in some way that we get to tell a version of that, if not “Silence of the Lambs” itself, as a miniseries. I would love to return this cast to the big screen from whence they came, and Hannibal Lecter to the big screen, from whence he came. It seems perfectly symmetrical.

Last time we talked, you put the odds on a fourth season at 50-50. What would you say the odds are now for any kind of filmed continuation?

Bryan Fuller: Oh, God. I have no idea. I think they’re less than 50/50, and not in our favor. But I’m curious to see how folks respond to the finale, and then also if that satisfies them? If that feels like “We got a conclusion to our story and it’s wrapped up in a bow, and we don’t need anymore,” then the audience will dictate. But if the audience is still there for the show and still wants a continuation of that story, I’ll continue looking for ways to give it to them.

Why does Will, to your mind, pull Hannibal off the cliff. Is it what Bedelia said about how he can’t live with him or without him, so they have to go down together?

Bryan Fuller: Essentially, the conclusion of the season really started very early in the Italian chapter of the story, where Will is admitting if he doesn’t kill Hannibal Lecter, he has the potential to become him. Then he escapes that trajectory with Hannibal being institutionalized, and finding a family, and once being exposed to the heroin needle again, as it were, he’s realizing how much of an addict he actually is, but is aware enough to know, and to start making moves toward his previous goal of ending Hannibal. And he’s willing to do what it takes. Bedelia says, “Can’t live with him, can’t live without him.” It’s not necessary for him to survive this, in order to accomplish what he needs to accomplish. There’s something so fated about that final act of Will’s. And also, the awareness of this is perhaps the best solution for both of them.

Hannibal looks so happy when Will is embracing him. Does he know what’s going to happen next, or is he thrown for a loop when they go over the cliff?

Bryan Fuller: I think Hannibal is thrown for a loop when they go over. In that final scene between them, it was Hugh Dancy and I talking about what those last moments that we see of Hannibal and Will in the series on NBC, how they need to connect, and yet Will can’t totally surrender to Hannibal, because he’s still Will Graham and still a human being, but he also knows that it’s going to be very difficult to go back to his family life, seeing his wife murdered over and over again in his mind every time that he looks at her. Any possibility of a relationship that could save him from Hannibal Lecter seems dimmer and dimmer in his mind, that it is acceptable to him that he not survive…

She seems as if she is throwing a dinner party.

Bryan Fuller: (laughs) No, that’s our little nod to the audience that perhaps Hanibal could have survived that cliff dive. She’s sitting at the table with her leg on the table and she’s looking absolutely terrified, and she grabs the fork and hides it under her napkin and waits for whoever’s going to return. This woman still has some fight in her. We don’t know if Hannibal is indeed serving her her leg, or is it Hannibal’s uncle Robertus, or Lady Murasaki, or is it Will Graham?…

Bryan Fuller: That was the original intention. No, somebody has got her, and will she or will she not survive. And what’s so fun is that on the song that Siouxsie Sioux wrote, we hear her say, “I will survive, I will survive,” as we’re pushing in on Bedelia, and that could mean she’s singing from Hannibal’s perspective and it means he has survived and will eat this woman now, or Bedelia’s point of view that it’s like, “You may have cut off this leg, but I’ve got this fork and I’m gonna do some damage before it’s done.”
“The previously filmed season finale of ‘Mr. Robot’ contains a graphic scene similar in nature to today’s tragic events in Virginia. Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time.”

DEFIANCE -- "Upon the March We Fittest Die" Episode 313 -- Pictured: (l-r) Julie Benz as Amanda Rosewater, Grant Bowler as Joshua Nolan, Trenna Keating as Doc Yewll -- (Photo by: David Lee/Syfy)

Defiance ended its third, and strongest, season on Friday. After wrapping up the arc which dominated the season, the Omec arc, which had also been simmering all season, became the focus of the show. The Omec threat might have been handled too easily, but it brought about what might be the most exciting moment of the series. There is little doubt that Nolan and Doc Yewll will ultimately return to earth, but we can wonder upon the circumstances, and what will occur out in space before this happens.

The scheduled season finale of Mr. Robot was postponed a week due to similarities to killings taking place in Virginia earlier the same day. Considering how much other violence takes place both in the real world and on television, I’m not sure how much this matters. If nothing else, this gave more people a chance to get caught up with the series before its finale. For those who missed it, it is definitely a show worth catching up on.

Two other new shows from this summer which I recommend are Humans and Sense8 (which I reviewed here). As I was watching the uncut British episodes before episodes aired in the US, I did not review episodes of Humans as they aired here. The show typically moved at a fast pace with major revelations every week, slowing down a bit in the finale after resolving the problem of everyone being captured the week before. The finale resolved this, in case the show was not renewed, and then ended with a major revelation in the final moments which will probably drive season 2.

agents_of_shield season 3

A description was released for the third season of Agents of SHIELD which does tell quite a lot about the plans for the upcoming season. A new poster is also above, complete with Coulson’s robot hand. The show returns on Tuesday September 29.

“Marvel’s Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil Coulson (Clark Gregg) and Agent Daisy Johnson (Chloe Bennet) leading the charge as S.H.I.E.L.D. searches the world for more powered people in the aftermath of their epic battle with Jiaying and her army of Inhumans. However, Coulson and the team soon find out that they are not the only group looking for these new Inhumans.

Many months after their war with a rogue group of Inhumans, the team is still reeling. Coulson is again trying to put the pieces of his once revered organization back together while also dealing with the loss of his hand. His confidante and second in command, Agent Melinda May (Ming-Na Wen), has yet to return from an impromptu vacation with ex-husband Andrew (Blair Underwood); deadly superspy Agent Bobbi Morse (Adrianne Palicki) is recovering from her traumatic torture at the hands of Grant Ward (Brett Dalton); Fitz (Iain De Caestecker) is obsessed with discovering the truth behind the mysterious disappearance of Simmons (Elizabeth Henstridge); and all are on high-alert for the next move from Ward and Hydra.

Ever since the existence of Super Heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Coulson assembled a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But bigger threats loom ahead, setting the stakes even higher for the Agents, including the spread of Terrigen, an alien substance that unlocks superhuman abilities in select individuals; the emergence of new Inhumans who cannot yet control nor understand their powers; the rise of a new government organization that will go toe-to-toe with S.H.I.E.L.D.; the unknown properties of the massive alien Kree monolith, which has taken one of their own; and the constant threat of a rebuilt Hydra terrorist organization under S.H.I.E.L.D. traitor Grant Ward, who is making it his personal mission to take down Coulson and S.H.I.E.L.D.

New faces, both friend and foe, will join the series, including the no-nonsense, highly-skilled and somewhat mysterious leader (Constance Zimmer) of the ATCU (Advanced Threat Containment Unit), her intimidating partner, Banks (Andrew Howard), Lash (Matthew Willig), a monstrous Inhuman whose loyalties remain ambiguous, and new Inhuman Joey (Juan Pablo Raba), who is struggling to harness his newfound abilities, among other surprising characters.

Coulson, with the help of Daisy and Mack (Henry Simmons), will work to slowly assemble a team that is stronger than ever before, combining the highly skilled Agents of S.H.I.E.L.D. with powered individuals in the hopes of protecting the innocent in a world where the balance of power is ever-shifting, and new dangers are constantly emerging.”

Amazon is working on a television series based upon Galaxy Quest.

Entertainment Weekly has some news (spoilers) about season two of Outlander, including how it might vary from the second book.

George R.R. Martin might have provided a spoiler for season six of Game of Thrones regarding whether Stannis survived. As we didn’t see him actually get killed, I would assume even without looking at spoilers that this remains a strong possibility.

Variety reports that a web series will bridge the gap between The Walking Dead and Fear The Walking Dead

We have already seen Joss Whedon turn to Shakespeare, using many of his frequent stars in Much Ado About Nothing. Now Russel T. Davies is turning to Shakespeare with a production of A Midsummer’s Night Dream with the Doctor Who team.

Olive Sacks Book

Oliver Sacks, a neurologist who wrote about the brain in a way that showed that science fact can sometimes be stranger than science fiction, died at age 82. From The New York Times:

Oliver Sacks, the neurologist and acclaimed author who explored some of the brain’s strangest pathways in best-selling case histories like “The Man Who Mistook His Wife for a Hat,” using his patients’ disorders as starting points for eloquent meditations on consciousness and the human condition, died on Sunday at his home in Manhattan. He was 82.

The cause was cancer, said Kate Edgar, his longtime personal assistant.

Dr. Sacks announced in February, in an Op-Ed essay in The New York Times, that an earlier melanoma in his eye had spread to his liver and that he was in the late stages of terminal cancer.

As a medical doctor and a writer, Dr. Sacks achieved a level of popular renown rare among scientists. More than a million copies of his books are in print in the United States, his work was adapted for film and stage, and he received about 10,000 letters a year. (“I invariably reply to people under 10, over 90 or in prison,” he once said.)

Dr. Sacks variously described his books and essays as case histories, pathographies, clinical tales or “neurological novels.” His subjects included Madeleine J., a blind woman who perceived her hands only as useless “lumps of dough”; Jimmie G., a submarine radio operator whose amnesia stranded him for more than three decades in 1945; and Dr. P. — the man who mistook his wife for a hat — whose brain lost the ability to decipher what his eyes were seeing.

Update: Wes Craven has died at 76.  From The Hollywood Reporter:

Wes Craven, the famed maestro of horror known for the Nightmare on Elm Street and Scream franchises, died Sunday after a battle with brain cancer. He was 76…

Craven claimed to have gotten the idea for Elm Street from living next to a cemetery on a street of that name in the suburbs of Cleveland. The five Nightmare on Elm Street films were released from 1984-89 and drew big crowds.

Similarly, Craven’s Scream series was a box-office sensation. In those scare-’em-ups, he spoofed the teen horror genre and frequently referenced other horror movies. 

Craven’s first feature film was The Last House on the Left, which he wrote, directed and edited in 1972. A rape-revenge movie, it appalled some viewers but generated big box office. Next came another film he wrote and helmed, The Hills Have Eyes (1977).

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SciFi Weekend: Daredevil; Hannibal; X-Files; Twin Peaks; Mr. Robot; Doctor Who

Daredevil elodie yung

Season two of Daredevil has started filming and will be available in April, 2016 Elodie Yung, who preciously appeared in GI Joe: Retaliation and The Girl With The Dragon Tattoo, has been cast to play Elektra (played by Jennifer Garner in the movies). Her appearance was foreshadowed by Foggy during the first season with a reference to a “smokin” Greek girl from Matt’s  past.

Marvel’s description of the character;

Yung will play Elektra, a mysterious woman from Matt Murdock’s past whose dangerous and exotic ways may be more than he can handle.

Jeph Loeb, Executive Producer and Head of Marvel Television, said:

“After a worldwide search, we found in Elodie the perfect actress to embody both Elektra’s impressive and deadly physicality, as well as her psychological complexity. Paired with Charlie as Matt Murdock, the two will bring one of the most beloved and tumultuous comic book relationships to life with all the accompanying sparks and spectacular action sequences the show is known for.”
Being released on Netflix makes it much harder to cover shows such as Daredevil in blog posts such as this, with everyone watching at different times, but the first season is highly recommended. While technically taking place in the Marvel cinematic universe, it is a much darker and grittier show, providing more variety in superhero styles.

HANNIBAL -- "Dolce" Episode 306 -- Pictured: (l-r) Mads Mikkelsen as Hannibal Lecter, Gillian Anderson as Bedelia Du Maurier -- (Photo by: Ian Watson/NBC)

This week’s episode of Hannibal, Dolce, got into Will’s head and ended Hannibal’s stay in Florence. Bedelia told Hannibal, “I knew that you intended to eat me. And I knew that you had no intention of eating me hastily.” She added, “I have not marinated long enough for your tastes,”but also acknowledged, “You may make a meal of me yet.” But the episode ended with both Hannibal and Will slowly being turned into a series of meals for Mason Verger.

Both Amazon and Netflix have passed on picking up a fourth season of Hannibal. Amazon was considered the best hope as they have rights to the previous seasons ,which also decreased the likelihood that Netflix would be interested. Besides the relatively low ratings, selling the show elsewhere is now complicated by the cast being released from their contracts and Bryan Fuller being committed to work on American Gods. Perhaps they could do periodic episodes when Fuller and key cast members are available similar to what is being done with Sherlock. There is also speculation that Hulu, Yahoo, or a cable network might consider the show. I still think the show belongs on The Food Network.

Trailer for the return of The X-Files in January, 2016.

The reboot of Twin Peaks is now being delayed until 2017.

Entertainment Weekly has teaser promos for season two of Fargo.

Mr Robot s01e03

The third episode of Mr. Robot helped alleviate any fears I had that they might not be able to sustain the quality of the pilot. The episode helped to make some of the characters more rounded characters. Elliot, briefly thinking he was free of FSociety, tried to act more normal. Gideon summed it up with the puzzled question, “Was he drinking Starbucks?” Angela, who previously was “too good for this world” was ready to infect her company’s computers with a virus when threatened by hackers. Shayla moved from drug dealer to girl friend. Tyrell Wellick and his wife are a very bizarre couple.

Doctor Who Arya Stark

The BBC has summarized what is known about next season’s episodes of Doctor Who. Guest stars include Maisie Williams, who plays Arya Stark on Game of Thrones. She will appear in Episode 5, entitled The Girl Who Died. The  trailer for the season was released at Comic Con and it was announced that the season will begin September 19.

More news from Comic Con to follow in another post.

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SciFi Weekend: Arrow; The Flash; The Americans; Community; Two SHIELDs; Victorian Sherlock; X-Files Closer To Returning; Sleepy Hollow Renewed; True Detective Hires Porn Stars


Arrow and The Flash returned on CW (now the leading genre network), along with the premiere of iZombie. We don’t know all that much more about where they are heading with Ra’s al Ghul‘s offer to Oliver other than it will be difficult to refuse. The big surprise of the episode was of the apparent appearance of Shado in the flashback. If this is really her, maybe she dies again because of Oliver, giving Slade a better reason for blaming Oliver for her death than what we saw before.

The Flash did more to advance their storyline this week than Arrow in showing that, as has already been hinted, Barry can travel in time. We also learned the actual identity of Harrison Wells–a time traveler named Eobard Thawne. Major events of the episode included  Wells/Thawne killing Cisco plus Barry kissing Iris and revealing his secret identity to her. However, as we also saw that Barry went back in time to events earlier in the episode, either or both events could wind up being changed–especially likely as Cisco does appear in trailers for future episodes.

Screen Rant looked at events of the episode and how they related to the Flash’s powers in the comics.


The Hollywood Reporter  reported on a press screening in which  executive producer Andrew Kreisberg, Tom Cavanagh(Wells/Thawne)  and Candice Patton (Iris) answered questions:

How much will Barry fix?

Kreisberg teased that “the fun” of next week is seeing the ramifications of Barry’s actions and how they will change what viewers have already seen. Not everything will be undone by the time travel (though it’s safe to assume Cisco will be saved, as he’s been shown in previews for future episodes).

“This episode allowed us to sort of give people a tease and a taste and make some big reveals,” said Kreisberg.

Who is Eobard Thawne?

Wells confessed to Cisco that his real name was Eobard Thawne, and that he’d been stuck in the past for fifteen years. He called Iris’ boyfriend Eddie Thawne (Rick Cosnett) a “distant” relative, which Kreisberg confirms was not a lie.

“There’s some great scenes coming up between Tom and Rick, that starts to become a storyline,” said Kreisberg.

The revelation puts to rest a fan theory that Eddie might actually be Eobard Thawne (AKA Reverse-Flash and Professor Zoom), who in comic book lore is a man from the 25th century who gets stuck in our era.

What does Wells want?

Wells killed Barry’s mother, but as he told Cisco, he actually wanted to kill Barry that night 15 years ago. Viewers do not know why Wells wanted to kill Barry, but at this point, all he cares about his getting home, though if he can kill Barry in the process that’s a bonus.

“Imagine if one of us was transported back into the past with no antibiotics and no internet and no indoor plumbing,’ said Kreisberg. “Every day in this time is an assault on him.”

Is Wells evil?

Kreisberg said Wells is not an “evil man” and that he even has reason to see “himself as a hero.”

“There’s nothing he says in that scene with Cisco that isn’t the truth,” said Kreisberg. “He’s sorry he found out. He’s sorry it has to happen, but it does have to happen and there’s a scene in episode 16 which kind of mirrors this scene, that I think really speaks to that.”

Cavanagh sees Wells as a man is just “trying to get home.” He has genuine affection for the STAR Labs team and their mission — at least while it serves his own purposes.

“As we see in this episode, it makes it a little more heartbreaking when the next phase of the plan starts to happen,” said Cavanaugh.

Will Iris uncover Wells’ secret?

Iris’ journalism mentor Mason (Roger Howarth) is poised to publish an expose on Wells, connecting him to a number of murders around town.

“For Barry, the wheels are turning for him, as far as what’s going on with Dr. Wells. Iris is going to continue to go after that story because Mason has piqued her interest,” said Patton. “For Barry, he wants to keep her out of harm’s way and this is directly putting her back into harm’s way by going into a situation with Dr. Wells that he’s not even quite clear about.”

What’s next?

Wells had future knowledge about these characters, and will start to share some of that knowledge. Episode 17 will also flashback to the beginning of the series, and show it from different perspectives, including Wells’.

“Toward the ends of the season, a whole bunch of new questions will pop up and that will drive the series forward. Most of the questions that we proffered at the beginning of the season will be paid off,” said Kreisberg.

If Thawne was really trying to kill Barry, was it young Barry or the Barry in our present?


More at TV Line:

BREAKING THE TIME-SPACE CONTINUUM | Now that Barry has gone back in time, next week’s episode will deal with “how much of [what took place in Episode 15] still happens and how much of it might possibly change,” Kreisberg previews. As Dr. Wells pointed out previously, “there’s different versions of time travel. There’s the fixed loop and then there’s the version where time is more plastic and mutable. One of the fun things is discovering, like on Doctor Who, what’s a fixed point in time and what can’t be changed, what things always have to happen, and then what things are changeable and mutable. It’s a mixture of both.” That could spell bad news for Cisco — or good, if you look at it from the point of view of “Yay! He gets to live!” — because the episode explores “how certain events occur that prevent Cisco from following along the same trajectory” in his suspicions about Dr. Wells. Then there’s this question: Is there now a parallel universe with no Flash? “Is there?” Kreisberg replies coyly.

The Americans Divestment

While CW has become the leading broadcast network in terms of quantity of genre shows, FX leads as best non-premium cable channel with regards to quality shows. The Americans once again balanced several distinct plot lines going. While I would be perfectly happy watching any episode with Nina, there has been come complaints that her storyline back in the Soviet Union is no longer connected to any of the show’s other characters (other than for the indirect involvement with Arkady due to his family’s connections.) Fans of The Americans should realize by now that plot threads from past episodes can be picked up at anytime, with Nina suddenly involved with two characters from past episodes. Not only is she assigned to spy on Anton Baklanov, a scientist who was sent back to the Soviet Union in a previous episode, but she is working under Vasili, her former superior who she once framed. Best lines of the episode: “He’s the Minister of Railways.” “So next time I’m home I won’t be able to ride the train?”

The storyline involving apartheid in South Africa led to the third unforgettable scene of the series (after packing up Annelise’s body in a suitcase and home dental work on Elizabeth). However, while The 100, which also doesn’t hesitate to show death, would have killed off every character they could have plausibly kill off, outcomes on The Americans are less predictable, with Todd being spared. The possible recruitment of Paige moved ahead slowly, with Elizabeth explaining that activism is not as simple as being a criminal or not after Paige questioned Gregory’s history. The same complexity could apply to her profession.

Philip’s use of Martha has been a long-running storyline, but it has suddenly become much more interesting. In recent episodes there has finally been payoff on an event from the first season. Phillip, pretending to be Clark, tricked Martha into planting a bug in Gaad’s office. Now the bug has been found and Martha learns sees Walter Taffet, the actual person from the Office of Professional Responsibility who Clark is pretending to be. She has started asking questions, but Philip was prepared, such as with an apartment to take her to when Martha asked to see it. In this week’s episode, Divestment, Phillip was ready with a line about their relationship being real. At the moment this might be all Martha has to cling to, as opposed to prison or a death sentence for treason if it is discovered she placed the bug. If she is not careful she could wind up like Annelise, but she does present a real risk to Phillip. There probably was a reason for those scenes of her learning to use a gun earlier in the season.

Community Yahoo Premiere

Community returned with the first two episodes released on Yahoo Screen. As they were used to introduce two new characters, the stories were not among the best in the show’s history, but there were enough elements of the shows genius coming through. Abed went meta and assumed that Shirley was gone because of moving to a spin-off show. As NBC no longer does comedy, it is a crime show, and in a way he was right as we saw a glimpse of The Butcher and the Baker at the end of the episode. While it is a shame to lose another member of the original cast, the loss of Shirley, and earlier Pierce, is far less of a loss than the previous loss of Troy. Other highlights of the episode include the speakeasy and a rip off trailer of Gremlins, Knee-High Mischief from “Martelo Estrada Filme..”

In other major genre events of the week, things got even more complicated for Cole and Ramse on 12 Monkeys now that Ramse wants to preserve the timeline after finding he has a son. Tom Keene returned to The Blacklist. It was revealed that there are two SHIELDs. Is this for real, or a HYDRA trick? The other SHIELD is led by Edward James Olmos. Are Tony Stark and/or Maria Hill also involved? Perhaps they are real SHIELD agents, but Colson was chosen by Nick Fury himself.

Sherlock Victorian England

Teaser pictures of Benedict Cumberbatch and Martin Freeman in 19th century clothes have been floating around for a while. Steven Moffat has confirmed that a stand-alone Christmas special of Sherlock will take place in Victorian England.

Fox is getting closer to going ahead with a limited run of The X-Files to tie up the threads left open. Making sense of that series by the end will be a huge challenge.

Sleepy Hollow was renewed for a third season, with a new show runner, Clifton Campbell. No word as to how many episodes.

True Detective has brought in a couple of porn stars, Amia Miley and Peta Jensen, for a major orgy scene. HBO already learned the benefits of using porn stars on Game of Thrones.

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SciFi Weekend: Arrow; The Flash; Gotham; Agents of SHIELD; Natalie Dormer, Zombies, and Nudity on Game of Thrones; Westworld; How To Get Away With Murder; Doctor Who; Sherlock; SNL on Executive Orders

Flash vs Arrow

The Hollywood Reporter has  more information on the upcoming cross over episodes from Arrow and The Flash, along with some other information about Arrow. Among the information revealed (not all of which is new):

  • The title of The Flash portion of the pair of episodes is quite literal, The Flash vs. Arrow. Barry encounters a metahuman who brainwashes him.
  • The Flash episode “will deliver a very big moment for Oliver’s storyline.” It will take Oliver time to learn what the audience has learned.
  • Felicity sees Caitlin to get help from the people at STAR Labs in solving the mystery of the Black Canary’s murder
  • Laurel is mostly missing from the crossover stories but, “Episodes 10, 11 and 12 are a three-part trilogy that are about her. And episode 13 I think I can spoil, is called ‘Canaries.'” As it is Canaries pleural, my suspicion is that the flashback shows Sara while Laural replaces Sara as the Black Canary in the present.
  • Dingle’s ex-wife Lila is in danger.
  • Team Flash learns how dangerous things can be.
  • A future crossover is possible.

Gotham Penguin

Gotham is probably best viewed as a re-imagining of the Batman stories which is not necessarily connected to other aspects of the DC universe or other Batman series. Showrunner Bruno Heller told Entertainment Weekly about how he plans to establish the canonical Gotham–and then start messing with people’s minds. Killing off characters is not being excluded as a possibility:

Before Gotham premiered there was some discussion about how the show cannot kill any members of its cast of iconic characters, since the story is a prequel. And you had a great reply to that by saying, “It’s sad thing if you can only generate suspense by killing people.” I’m wondering now that you’ve dug more into the season and are juggling all these characters, with some being more interesting than others, whether there’s a part of you that’s like, “You know, what if we did?” Or is it just iron clad that you can’t deviate that far from canon?
I wouldn’t say it’s iron clad. You’d need a damn good reason to do it and a damn good end game to justify it. We’re certainly just learning the ropes at this stage. Not to be modest about it, but we’re still learning how to do a show this big. I’m always deeply reluctant to kill off characters simply for the shock value of killing them off. I’m not averse to cheap tricks. But apart from anything else, this season literally every actor has come through and [performed really strong]. I would hate to lose any of them. Killing off Sean Bean in the first season of Game of Thrones made everyone go, “Oh, what a good idea that is!” But I don’t think it’s a good idea if you’ve got Sean Bean. The bad one was on Deadwood, when they had David Carradine doing that marvelous Wild Bill Hickok, and then he was gone.

I agree on Carradine, it did feel like that character was gone too soon.
I’m going to put you on the spot: Who would you kill?

It’s not that there’s anybody in particular that I would kill off. But I would say the killing of a so-called un-killable character would add a greater layer of suspense when any of those characters are in jeopardy after that—because the message has been sent to the audience that, “You think you know how this story is going to go, but you’re wrong, because we’re not following the train tracks that you already know so well.
That is a very good point, and an actor somewhere is cursing you. You’re absolutely right. One of the things about doing the extra six episodes, and hopefully being successful enough to get a season two, is that once we’re up and running, that kind of narrative playfulness—playing with the audience’s expectations—is going to be much more a part of the show. For instance: Who will turn out to be The Joker? Those kind of games you can only get into once you have the audience’s trust and the train is rolling down the tracks. We want to establish the real deal—that this is the canonical Gotham—and then start messing with people’s minds.

Heller also revealed that Harley Quinn will not appear this season and there will be an episode here we learn how Robin’s parents got together. Ra’s al Ghul could conceivably appear, but at this point in Batman’s life, “He was probably a teenager as well, with Mrs. al Ghul making him sandwiches and sending him off to Ghul school.”

Agents of SHIELD Blue Alien

After dragging for most of the first season while waiting for the events of Captain America: The Winter Soldier, Agents of SHIELD is really moving this season. Recent episodes have dealt with topics including Skye’s background and the meaning of the mysterious writings. TV Guide reports that we will also learn about the blue alien, and how it ties into other aspects of the Marvel universe:

He’s not just any alien. The Dec. 2 episode of Marvel’s Agents of S.H.I.E.L.D. will finally reveal that its mysterious blue man from outer space — the one whose rejuvenating blood saved the life of Director Phil Coulson (Clark Gregg) — is a member of the humanoid Kree race. Yes, that’s the same alien species that gave us Lee Pace’s character, Ronan the Accuser, in the Marvel movie blockbuster Guardians of the Galaxy. But all this means bupkis to Coulson and his S.H.I.E.L.D. team.

“Our people don’t know anything about the Kree or that there’s a planet full of them,” notes executive producer Jeffrey Bell. “What they do know is that the strange carvings created by Coulson after he was injected with the Kree serum are actually the map of a city, and they need to find that city before Hydra does. But where is it? Here or on another planet?”

The Hydra terrorists have more manpower and resources than S.H.I.E.L.D., and their freaky obsession with the blue alien goes all the way back to the 1940s — the setting for ABC’s upcoming spinoff series Marvel’s Agent Carter. But S.H.I.E.L.D. has Skye. The do-or-die agent with no last name, played by Chloe Bennet, was also injected with Kree serum but, unlike Coulson, suffered no consequences. Similarly, her not-always-trusty cohort Raina (Ruth Negga) — again, no last name — was able to touch the deadly alien obelisk and survive without harm.

ComicVine has more about the meaning of this.

Game of Thrones Natalie Dormer

Matt Smith and Natalie Dormer will fight zombies together in Patient Zero. According to

Patient Zero takes place in a post-outbreak zombie apocalypse and follows the adventures of one man who has the unique ability to speak with the undead and who hopes to use his gift to discover a cure for the plague and his infected wife.

Natalie Dormer was interviewed by The Daily Beast about topics including her role in The Hunger Games: Mockingjay Part 1 and nudity in Game of Thrones:

Speaking of “equality,” I understand HBO has a “boobs mandate,” but lots of viewers of Thrones think the show could use some more dick in there—for symmetry.

Well, during the first season Alfie, Richard, and several of the men got naked—although not all the way. I suppose it’s just the rules of broadcast television, isn’t it? I think Thrones has been better than your average show with the equality, but they could definitely ramp it up! Absolutely.

Did you base the character of Margaery Tyrell on anyone in particular?

It was based on the media circus that surrounds Kate Middleton. It’s the Princess Diana effect. Whether you’re talking about the royal family in our country, or the first lady obsession in this country—Michelle Obama, or Hillary Clinton before her. Because Margaery is very politically savvy and our royal family tries to keep out of politics, it’s a hybrid of that statesmanship between the royal family and the first lady.

There was a particularly awkward sequence last season on Thrones where your character is forced to seduce the boy-king, Tommen Baratheon.

That scene was altered because I phoned Dan [Weiss] and David [Benioff] and said, “I’m not comfortable doing this.” It’s the nature of the beast that I’m four years into playing Margaery Tyrell and the big plot points of the book are in stone. You can’t change them. George R.R. Martin wrote a particular plot line, so on the specifics of Margaery and Tommen getting married, there’s nothing I can do. On the show, we had to find a way to navigate that in a sensitive way. There’s more of it next season too, and we’re trying to handle it with intelligence, and integrity.


When I first heard about plans for a series based upon Westworld I was skeptical, but it sounds like HBO is bringing quite a bit of talent into the project:

The drama, based on Michael Crichton‘s 1973 film and written by Jonathan Nolan and Lisa Joy, stars Anthony Hopkins in his first series-regular role as an inventor who runs an adult amusement park populated by lifelike robots. HBO made the announcement Monday via Twitter, with the series coming in 2015.

The drama hails from J.J. Abrams and Bryan Burk‘s Warner Bros. Television-based Bad Robot Productions, with the duo exec producing alongside Jerry Weintraub, Nolan (who directed the pilot) and Joy. Kathy Lingg will co-EP and Athena Wickham is a producer on the drama. Susie Ekins is set as a co-producer. Westworld hails from Bad Robot, Jerry Weintraub Productions and Kilter Films.

Sources tell The Hollywood Reporter that the show’s androids — played by castmembers including James MarsdenEvan Rachel Wood and Thandie Newton — can be killed off and return with completely different personas, allowing actors to play many characters. That creative device, one top talent agent said, helped HBO attract a premier cast (which also includes Ed HarrisMiranda Otto and Jeffrey Wright). And unlike the actors on such anthology series as FX’s American Horror Story and HBO’s own True Detective, which reboot themselves every season, the cast of Westworld is signing multiyear deals.

“This is built as a series and, in terms of storytelling, I think the rules are definitely being broken,” HBO programming president Michael Lombardo told THR in August of the sci-fi Western from executive producers J.J. AbramsJerry Weintraub and Bryan Burk. “The promise of the show, in terms of where it’s going, is exciting to actors, and they want to be a part of this.”

While watching How To Get Away With Murder I was a little disappointed in how Sam’s murder was played out–until the revelation in the final moments. Entertainment Weekly discussed the mid-season finale and the second half of the season with showrunner Pete Nowalk.

It has been officially announced that Peter Capaldi will be returning to Doctor Who but no word yet on Jenna Coleman. There have been rumors since before the past season began that Coleman would be written out of the show on the Christmas episode (which have been denied), and the series has teased Clara leaving a few times. My bet is that Steven Moffat actually knows what is planned, but they are keeping this secret so that viewers will not know what might happen with Clara while watching the Christmas episode.

Series four of Sherlock will be a single episode, possibly airing on Christmas Day, 2015. Mark Gatiss has told Radio Times that the mystery about the apparent return of Moriarty at the end of season three will  will be solved “completely.”

BBC America will be showing a seven part series based upon Jonathan Strange & Mr Norrell.

Saturday Night Live began with a skit this weekend hitting Barack Obama on executive orders. Medialite summarizes:

Finally, the first biting political spoof from Saturday Night Live in a while: the Bill from Schoolhouse Rock explains to a student how he becomes a law, only to be violently beat up by Barack Obama and his new best friend, “Executive Order.”

Even then, the poor Executive Order still thinks he’s used for simple things, like declaring holidays and creating national parks, until Obama informs him that he’s going to be used to grant amnesty to 5 million undocumented immigrants. His reaction: “Whoa.”

While Ted Cruz found reason to cite this on Fox News Sunday, the skit actually is not accurate. Obama did not grant amnesty, and the executive action was used because the Republicans failed to pass a bill, not as an attempt to act in place of a law. Previous Republican as well as Democratic presidents have issued many executive orders in the past with both Presidents Reagan and George H.W. Bush having had executive orders regarding immigration in the past. (Clarification: Fox News Sunday is the name of show and my use of this term does in any way suggest that Fox presents actual news. Generally I do not use the term “Fox News” as that is an insult to all real news networks. )

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SciFi Weekend: Doctor Who; Benedict Cumberbatch on Sherlock and Sex; Agents of SHIELD; Agent Carter; Gotham; Arrow; The Flash; 12 Monkeys; Billy Bob Thornton and Other Sitcom News; Crash of Virgin Galactic’s SpaceShipTwo

Doctor Who Black Water

Black Water is so far likely to be the most memorable episode of this season of Doctor Who, but any such judgment will be influenced by the second part of the story, Death in Heaven. It is difficult to review the first episode of a two-part story as when an interesting idea in genre is raised we never know how well the story will play out. Of course this could also be said of both individual stories and entire series (such as Lost and The X-Files.)

The episode demonstrated how much the Doctor cared for Clara: “Do you think I care for you so little that betraying me would make a difference?” Fortunately the betrayal was in a dream sequence. Before realizing it was a dream I expected that the Doctor would either pull out a spare key or show that he can still get into his TARDIS even without a key. Clara pointed out a common issue on the the series in which the Doctor is inconsistent as to whether he can change time. Such inconsistencies are unavoidable on a long running time travel series and actually seem less objectionable when openly acknowledged by a character.

Danny Pink appears to have died, but it isn’t clear if it is final. After all, the idea of the episode is that death is not what we think it is, although it is not clear if we were told the truth or if it was entirely lies coming from Missy. We were told,  “This isn’t really an afterlife. It’s just more life than you were ever expecting.” With rumors that Jenna Coleman might be leaving the series, it is possible that he really is dead, but also possible that he can be rescued from the Nethersphere for further adventures. The previews of Death in Heaven suggest that Clara might have never existed, but previews are often misleading.

The biggest danger to Danny might not be that he appears to be dead, but that he might delete his emotions and voluntarily become what was hidden away in the black water, which hides all not-organic material. Even though it was well known that the finale involved the Cybermen, and it might not have made sense keeping all of them stored in water, the scene revealing what they were as the water drained away still had considerable impact.

If we can believe what we heard, the dead are still conscious and feel what their body feels–making “don’t cremate me” a crucial plea and avoiding being studied for science also an important goal. One reason we cannot be certain of anything we were told was the reveal as to the identity of Missy: “Try to keep up. I’m Missy. Short for Mistress. Well, couldn’t very well keep calling myself the Master, could I?”

Although there was widespread speculation that Missy was the Master, we were kept guessing until the end, including with a claim earlier in the episode that she was just a droid. Now that we know that Missy is the Master, the question remains as to whether she really was the one who gave Clara the Doctor’s phone number in The Bells of St. John, and if so what the purpose was. We can be certain that her use of the Cybermen is not a good thing,

Having the Master regenerate as a woman has been received with excitement by a lot of fans who have been hoping for a female doctor. While this establishes that it is possible for a Time Lord to regenerate in the opposite sex, having this be possible and actually doing it are quite different things. I suspect that for now this might have been done to placate fans calling for a female doctor with no current plans to actually do so.

The Doctor Who Extra for Black Water is above.

Benedict Cumberbatch discussed Sherlock and sex in an interview with the UK edition of Elle.

ELLE UK: What do you think Sherlock would be like in bed? How would you play a love scene as Sherlock?

BC: Oooh… You know I’d get the, I’d probably test the latex, if it involved prophylactics, beforehand.

BC: I’d do a little experiment to do with durability, length, girth, and um, strength. And um, I would probably take a lot of vitamin supplements to make sure that I could perform, and had had my sleep, and probably not had many cigarettes. Or drink, for that matter. Not that he does drink.

ELLE UK: You see. Proficient, but lacking enthusiasm.

BC: Yeah, no wait for it. I would probably watch a lot of porn…

Cumberbatch is currently in negotiations to star in Doctor Strange but perhaps he should also be signed for a guest appearance on Masters of Sex.

Agents of SHIELD Ward

SHIELD could really use better security. We figured that Ward wasn’t going to spend the entire season in Coulson’s basement, but I would think that they would have taken even more precautions to transport him. Brett Dalton discussed his character with Entertainment Weekly.

ABC has released the official synopsis for Agent Carter.

It is too early to judge Gotham as they are busy building their pre-Batman universe. Screen Rant looks at Arkham Asylum. Of course any discussion of Arkham leads to the Joker, and the post also mentions the fan theory that Oswald Cobblepot actually turns out to be the Joker, not the Penguin.

It has been announced that Morena Baccarin (Homeland, Firefly, V) will be playing Dr. Leslie Thompkins:

She will play Dr. Leslie Thompkins, a gifted and dedicated physician who was a friend of Bruce Wayne’s parents, Thomas and Martha. She is determined to use her skills to aid Gotham’s most in need, which currently means working at the newly opened Arkham Asylum’s Home for the Criminally Insane. In addition to her medical skills, her coolness under pressure will serve her well as she finds herself drawn close to James Gordon and into more and more dangerous waters.

Blastr looked at Christopher Nolan’s original ideas for the Dark Knight trilogy, which were changed with the death of Heath Ledger (the Joker).

At this point CW is doing the better job of bringing the DC universe to television, and Gotham has a long way to go to compete with Arrow as the best television adaptation of Batman. Last week Felicity visited The Flash and the next episode of Arrow features her in The Secret Origin of Felicity Smoak. The synopsis for the episode reads:

When a cyber attack brings Starling City to its knees, Oliver and Felicity are pushed to their limits to contain the destruction. Life gets even more complicated for Felicity when her mother, Donna (guest star Charlotte Ross), stops by for a surprise visit. Meanwhile, Ted Grant (guest star JR Ramirez) questions Laurel’s motives, and Thea buys an apartment with Malcolm’s “estate””money, which infuriates Oliver.

 Stephen Amell discussed Arrow, The Flash, and DC movies;

We’ve heard so much in recent weeks about Marvel and DC announcing so many comic book movies over the next few years. Are you ready for a Green Arrow movie? I am completely indifferent. First of all, wanting a movie undersells the idea that making 23 episodes a year isn’t a huge achievement. It is and I would put that degree of difficulty up against any feature film that has ever been made… except “Lord of the Rings” and that gigantic Peter Jackson-led undertaking… and maybe “Titanic.” But, other than those two movies, I’d put making 23 hours of interesting content in a TV season up against anything on the film side. It is difficult to me to want or envision an “Arrow” movie when we are shooting the 10th episode of our third season with 13 more episodes to go and in all likelihood 3 more seasons on the other side of that. I’m interested in keeping that content fresh. Once we get to the end of that road, maybe then I’ll shift my focus. There was some talk and controversy about the fact that Grant Gustin is doing the “Flash” TV show but was not named the Flash for the “Flash” movie. If Green Arrow was going to be on screen, do you feel like it should be you? Yeah. Of course. And I feel like it should be Grant doing the movie. But the important thing to remember is just because Grant Gustin plays the part of Barry Allen doesn’t mean Ezra Miller can’t also play Barry Allen. There can be different interpretations of the character. Anyone who is a fan of the comics knows the Flash character is one of the forces that leads to parallel universes. And who knows, they might find a fantastic actor to play Oliver Queen on the feature side who has a different take on the character. I’m certainly a departure from the typical Oliver Queen from the comic books. I just think that everybody needs to be patient with the whole thing. The fact that DC and Warner have announced all these comic book features is nothing but good for business.

Syfy has released the above extended footage for their upcoming series (based on the movie) 12 Monkeys.

Last season CBS killed Cristin Milioti in the series finale of How I Met Your Mother.  Now NBC has killed her on A to Z, or for now turned her into a zombie. She is currently walking dead, not unlike Brady Hoke as Michigan’s football coach. The series will complete its initial thirteen episodes but end at that point. Unless the thirteenth episode is rewritten we will never learn about what happens in that final hour of her eight-month, three-week, five-day, and one-hour relationship. I would expect that viewership will fall even further now that we know the show will not be on much longer. I have already deleted it from my DVR’s schedule.

NBC also canceled Bad Judge along with A to Z. NBC still has Marry Me for now but, having watched the pilot only, it hardly seems worth watching. Seeing these shows leads to the inevitable question–why did NBC cancel Community to make room for these? (Fortunately it has been saved by Yahoo!)

It has not been a good year for romantic comedies, with ABC having already canceled Manhattan Love Story.  At the moment, the only new network sitcoms I’m watching are Blackish and Selfie. Weak romantic comedies seem even lamer than most years after watching You’re The Worst which premiered last summer.

Big Bang Theory Billy Bob Thornton

Billy Bob Thornton was largely responsible for the success of Fargo. Late in the series he impersonated a dentist, and last week he went on to portray a doctor on The Big Bang Theory. The Hollywood Reporter interviewed showrunner Steve Molaro about his memorable appearance (which hopefully will be repeated). Billy Bob Thornton is a big fan of the show, and he is the one who pitched the idea of playing a doctor who tries to steal Penny away from Leonard. Molaro also states that “a major move forward in the Sheldon-Amy relationship occurs” in next week’s episode.

It was a real tragedy when Virgin Galactic’s SpaceShipTwo experimental space plane crashed on Friday.  While a huge setback, hopefully this is not the end of the idea of commercial spaceflight:

For now, the future of the New Mexico spaceport intended as the hub and central customer for Virgin Galactic’s operations seems uncertain.

And for Scaled Composites and Virgin Galactic, Messier says, “it’s obviously a massive setback.

“I’m hesitant to try to make predictions this soon after the accident,” he says.  “They’ve been working on SpaceShipTwo for ten years now. If the engine blew, they may have to go back to the drawing board.”

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SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more


Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”


I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

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SciFi Weekend: Doctor Who; Matt Smith and Benedict Cumberbatch Take Ice Bucket Challenge; Gotham; True Blood; Minority Report; Dating Naked; Richard Attenborough

Doctor Who Deep Breath

We now have a new regeneration of the Doctor, a redecorated TARDIS, and a new title sequence on Doctor Who. Unfortunately the plot of Deep Breath was not very good. There was the return of the droids from The Girl in the Fireplace. Unlike the challenge of not blinking in Blink and other stories with the Weeping Angels, the challenge in this episode was seeing how long you could hold your breath. There was plenty of humor between the confusion of the Doctor post-regeneration, along with cultural misunderstandings and the usual Strax humor. In addition, Moffat’s inner teenager came out wigh having a dinosaur and multiple allusions to Clara either removing her clothes or having sex. The Doctor did do some flirting, but only with the female dinosaur and not Clara, plus there was a human/lizard lesbian kiss. There was even the reported cameo by Matt Smith, telephoning Clara from his past.

While this episode was far from one of the better post-regeneration episodes, the episode did leave me confident that Peter Capaldi will make an excellent 0ld school style Doctor, and of course Jenna Coleman remains an excellent companion, even if there is no flirting or actual removal of her clothing. There are some vague clues of things to come. While we know that the reason the Doctor has seen his face before is because Peter Capaldi has appeared on Doctor Who in other roles, it appears that the reason for the same face will be given an explanation within the story in future episodes. The end of this episode left open the possibility that this could be the start of a new arc, with Missy apparently having had key roles in the past, such as giving Clara the Doctor’s phone number in The Bells of St. John. Capaldi presented what could also be a theme for the season: “I’m the Doctor, I’ve lived for over 2,000 years, and not all of them were good; I’ve made many mistakes, and it’s about time I did something about that.”

Next week: Daleks.

There is a rumor that Jenna Coleman will be leaving Doctor Who in the Christmas episode. Peter Capaldi denies this.

There are alternative versions of Doctor Who. For example, check out the above video celebrating fifty years of American  Doctor Who. IO9 looked at a porn parody of Doctor Who which can be viewed at

Matt Smith has taken the Ice Bucket Challenge to raise money for research on ALS (amyotrophic lateral sclerosis). Benedict Cumberbatch of Sherlock went even further, including getting naked in the shower for a repeat exposure. Contributions to the ALS Association can be sent through their web site.

Last week I noted that the pilot for A to Z is available on line. A sit-com pilot with an even stronger genre connection was released this week–Selfie staring Karen Gillan.

A four-part You Tube series with background on Gotham has been released. The first part is above.

True Blood finally reaches the true end tonight. Does anyone even care anymore whether Bill really goes through with true death or if the show end with true love? At least there were some humorous moments in the final few episodes, such as Ginger finally getting to have sex with Eric. The scene is discussed more here.

My theory as to how the series ends is that Sookie will decide to become a vampire to convince Bill that the two of them can spend eternity happily ever after. Bill refuses to turn her into a vampire so she goes to Eric. By the time Sookie gets out of the ground she finds that Bill has already died from Hepatitis V. Meanwhile Pam, thinking Eric turned Sookie into a vampire for herself, kills Sookie. Jessica (Deborah Ann Woll) then leaves the show for a role on Daredevil. We will find out later tonight if my prediction comes through.

Steven Spielberg is developing a television series based upon the movie Minority Report.

Dating Naked

The big law suit this week stemming from television is Jessie Nizewitz suing Viacom for $10 million because not everything was obscured in the airing of Dating Naked. This led to many web sites (including here) posting the uncensored picture. I do not think a model should film a television show entirely naked if she has any qualms about pictures of her crotch getting out. Plus I would bet that far more people have now seen her nude pictures following the publicity from this law suit.

Richard Attenborough has died at age 90.

Lord Attenborough was one of Britain’s leading actors, before becoming a highly successful director.

In a career that spanned six decades, he appeared in films including Brighton Rock, World War Two prisoner of war thriller The Great Escape and later in dinosaur blockbuster Jurassic Park.

As a director he was perhaps best known for Gandhi, which won him two Oscars.

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SciFi Weekend: Babylon 5 and Blake’s 7 Reboots; Doctor Who; Captain America; Agent Carter; Agents of SHIELD; Defiance; Big Bang Theory; Google Maps Adds The Moon and Mars


J. Michael Straczynski has announced plans to reboot Babylon 5 as a movie. One reason for doing it his way is that Warner owns the television rights but Straczsynki retained the feature film rights:

Speaking at San Diego Comic Con last week, Straczsynki announced that he would soon be sitting down to write a Babylon 5 feature film, which is envisioned as a reboot of the iconic sci-fi series. JMS said that he plans to get the script locked down by the end of 2015 and the film would then enter production the following year in 2016.

Next to nothing is known about the plot for this Babylon 5 feature film, beyond the fact that it is a reboot of the concept seen in the series. That said, J. Michael Straczynski has stated that he would like to use cast members from the series, such as Bruce Boxleitner and Mira Furlan, in new roles in the feature film. “I’d love to see Bruce as the President of the Earth Alliance”, he said.

The hope is that Warner Bros, who produced the Babylon 5 television series, would step up and green-light a “big budget” feature film once the script has been completed. But owing to the nature of the deal that Straczysnki inked with the studio to produce Babylon 5 in the early 1990s, he, rather than Warner Bros, owns the feature film rights to the show. Should Warner Bros. choose not to greenlight a B5 movie, Straczynski would still proceed with the feature, which would then be funded and produced through his Studio JMS banner on a budget of $80 – $100 million.

Although Syfy passed on the show, there is still some hope for a remake of Blake’s 7.

The BBC has renewed Doctor Who for an eighth season since the show returned, again staring Peter Capaldi, with the shows to be presented in a continuous run. Steven Moffat said recently that there are no plans for either the return of the Master or for a tenth anniversary show (which would seem strange after doing a 50th).  Moffat has also expressed a willingness to do a Doctor Who/Sherlock cross over, but others involved are not interested. Would it look something like the video above, except with Peter Capaldi instead of Matt Smith?

Above is, perhaps, how Captain America: The Winter Soldier should have ended. Directors Joe and Anthony Russo discussed their upcoming projects, Agent Carter and the third Captain America movie:

Before turning their attention to the next feature, the Russos are directing several episodes of the spin-off TV series Agent Carter, debuting on ABC in January 2015. The miniseries follows the solo adventures of Peggy Carter, the love of Captain America’s life and founder of S.H.I.E.L.D. in the 1940s. From there, the brothers will tackle the third film, which picks up “a couple years” after Winter Soldier left off. Although the heart of the movie will be Steve Rogers’ complicated relationship with his childhood friend Bucky Barnes, the themes of politics and power will still be in play. “The character was invented for an explicitly political purpose. So it’s hard to get away from that nature,” Anthony tells Yahoo. It’s also important to the directors that Captain America doesn’t become another disillusioned antihero. As Joe sees it, “his morality is part of his superpower.”

While they’re not leaking any major details from the 2016 film, the Russo brothers promise that they’re “bringing some new elements to the table that will give us a twist on Winter Soldier.” Does this mean that Steve Rogers will pass the Captain America shield to Bucky Barnes (aka the Winter Soldier) or Sam Wilson (aka the Falcon), both of whom have donned the stars-and-stripes in the comics? With actor Chris Evans shifting his focus to directing, and Sebastian Stan and Anthony Mackie already in place as the Winter Soldier and the Falcon respectively, the next film could allow a new hero to step in.

Elsewhere in the Marvel universe, FBI Special Agent Dale Cooper (Twin Peaks) will be meeting SHIELD. Kyle MacLachlan  has been cast to play Skye’s father on Agents of SHIELD. Chloe Bennet said at Comic-Con that next season will also involve more hair. Skye will have bangs and Brett Dalton will do the evil-Spock thing of the mirror universe and have a beard as the evil Grant Ward.

Defiance Cast

Defiance has done a good job of creating a world with numerous well-developed characters and alien races, but often while watching I wonder if there is any point to it all. It lacks the big story ideas of a Babylon 5 or Battlestar Galactica. The showrunner, Kevin Murphy, did work on BSG and I am glad that he got away from the idea of doing the show as a “science-fiction crime of the week.”

AX: How did DEFIANCE started and how did it change when you came onto the project during its development?

KEVIN MURPHY: The original version was a little more of a closed-ended procedural, it was kind of more of a science-fiction crime of the week, and we were in the process of changing that when CULT got picked up and [original DEFIANCE co-creator/show runner] Rockne O’Bannon left. I then had a choice that I wasn’t sure that the show was going to work in the incarnation that it currently was in, and I didn’t want to have responsibility for something that didn’t work. So I gave Syfy a choice. I said, “I’ll transition you into your next show runner, and I’ll make sure that casting continues and produce the pilot, but I’m not going to stay on for the series unless I believe in the show.” And they were like, “Well, what would you want to do to it?” And it was basically, “Well, it involves getting rid of pretty much all the scripts, and let me give you my pitch.”

So I did the pitch, worked it out with the writing staff, and at this point, it was Rockne’s last day, and he was helping us to kind of reconceive it, and Scott Stewart, the director, was very involved in the process, and so was Michael Taylor, who had worked on BATTLESTAR GALACTICA and was a member of staff under me. And we pitched the whole thing to [then-Syfy Channel president] Mark Stern while he was driving in his car on vacation with his family in Palm Springs. And he had his wife and kid in the vehicle with him, and the pitch lasted about ninety minutes, because we pitched the entire story from beginning to end, every single beat, and by the time he pulled into the hotel in Palm Springs, we had finished our pitch and he was like, “Okay, I love it. Go write it.”

AX: Did you make major changes to the characters?

MURPHY: The PAPER MOON thing I added, the idea that Nolan [the town’s new law officer, played by Grant Bowler] came in from the outside and that he was a con man and a drifter and a huckster and a criminal. That was all stuff that I added. The idea that Amanda has only been mayor for six weeks and she’s the former mayor’s assistant and no one takes her seriously, that was an addition; the idea that Irisa [Nolan’s adopted Irathient daughter, played by Stephanie Leonidas] uses knives and Irisa being sort of the feral badass was an invention of mine. And Michael. When I say “me,” I’m including Michael Taylor, who was definitely my partner in crime. We would not have gotten that script in the shape it needed to be in without Michael at my side.

The Werewolf Transformation

In follow-up of an item from last week, the cast of The Big Bang Theory did settle on a new contract. The top three stars, Jim Parsons, Johnny Galecki and Kaley Cuoco, will each  earn $1 million per episode for the planned upcoming three seasons, and there is talk of potentially adding an eleventh season.

Google Maps has added maps of the moon and Mars. I imagine that going off the earth was inevitable once they added the TARDIS to their maps.

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