Best Political Jokes From The 2017 Emmy Awards

Donald Trump’s name came up so many times during last night Emmy Awards that a casual viewer might have thought that Trump was up for an award. As Stephen Colbert said in his opening monologue, many of the shows were influenced by Donald Trump:

But if we’re honest with ourselves as artists — and we have to be honest with ourselves — we know that the biggest TV star of the last year is Donald Trump. No, we may not like it, but he’s the biggest star. And you know, Alec Baldwin, obviously. You guys are neck and neck. And Alec, you’re up against a lot of neck. However you feel about the president, and you do feel about the president, you can’t deny that every show was influenced by Donald Trump in some way. All the late-night shows obviously, House of Cards, the new season of American Horror Story, and of course, next year’s Latin Grammys, hosted by Sheriff Joe Arpaio. Muy caliente. And we all know the Emmys mean a lot to Donald Trump, because he was nominated multiple times for Celebrity Apprentice, but he never won. Why didn’t you give him an Emmy? I tell you this, if he had won an Emmy, I bet he wouldn’t have run for president. So in a way, this is all your fault. I thought you people loved morally compromised antiheroes. You liked Walter White, he’s just Walter Much-Whiter. And he never forgave you, and he never will. The president has complained repeatedly that the Emmys are rigged. He even went after the host a few years back, tweeting, “That Seth Meyers is hosting the Emmy Awards is a total joke. He is very awkward with almost no talent. Marbles in his mouth!” Wow, marbles in his mouth, that’s harsh. That’s quite an accusation, do you have a response Seth? (Marbles fall out of Meyers’ mouth).

And even during the campaign, he wouldn’t let it go. This actually happened, this exchange actually happened in the debates. (Video showing Clinton mentioning Trump’s Emmy loss in debate).

But he didn’t. Because unlike the presidency, Emmys go to the winner of the popular vote. Where do I find the courage to tell that joke in this room? Of course, what really matters to Donald Trump is ratings. He’s got to have the big numbers, and I certainly hope we achieve that tonight.

Unfortunately, at this point, we have no way of knowing how big our audience is. I mean, is there anyone who could say how big the audience is? Sean, do you know? (Sean Spicer comes out on podium).

Sean Spicer: “This will be the largest audience to witness an Emmys, period. Both in person, and around the world.”

Spicer’s appearance received negative reviews, such as from The Fix and Frank Bruni. As with the inauguration, he was also wrong on the facts as ratings were down, matching an all time low with 2016.

There were many more political jokes from Colbert and others throughout the show. In a Westworld skit (video above), a malfunctioning Colbert was taken off and questioned by Jeffry Wright (Bernard):

Wright: “Have you ever questioned the nature of your reality?”

Colbert: “Every day since November 8th.”

 Lily Tomlin, Dolly Parton, and Jane Fonda, the cast of 9 To 5, reunited to present an award.

Jane Fonda: “Back in 1980, in that movie we refused to be controlled by a sexist, egotistical, lying, hypocritical bigot.”

Lily Tomlin: “And in 2017, we still refuse to be controlled by a sexist, egotistical, lying, hypocritical bigot.”

While accepting the award for Best Actress in a Comedy, Julia Louis-Dreyfus joked said regarding Veep, “We did have a whole story line about an impeachment but we abandoned that because we worried that someone else might get to it first.” After Veep won for Best Comedy, she thanked many other television shows for inspiration, including, “the Trump White House.”

Tatiana Maslany, introducing the nominees for Best Actress in a Drama Series, said Claire Underwood character from House of Cards would be a great president because “she doesn’t tweet.”

The Handmaid’s Tale won five Emmys. Although the series became much more relevant with the election of Donald Trump, they did not take the opportunity to mention him in their acceptance speeches.

Saturday Night Live won nine awards, with The Los Angeles Times collecting their political sketches here. In his acceptance speech Lorne Michaels said:

I remember the first time we won this award. It was after our first season in 1976 And I remember thinking as I was standing there alone that this was it. This was the high point. There would never be another season as crazy, as unpredictable, as frightening, as exhausting, or as exhilarating. Turns out I was wrong.

Federal Court Rules Against Politicians Blocking Critics On Social Media With Similar Suit Pending Against Donald Trump

In June I looked at complaints against Donald Trump for blocking people from his Twitter account. With social media becoming the major arena for the discussion of public issues, those blocked on Facebook or Twitter have decreased opportunity to both follow public debate and to respond. This becomes more significant as public officials use social media for matters of public policy. A federal court has ruled against a public official who has blocked users in response to criticism. Slate reports:

Does the First Amendment bar public officials from blocking people on social media because of their viewpoint?

That question has hung over the White House ever since Donald Trump assumed the presidency and continued to block users on Twitter. The Knight First Amendment Institute at Columbia University has sued the president on behalf of blocked users, spurring a lively academic debate on the topic. But Trump isn’t the only politician who has blocked people on social media. This week, a federal court weighed in on the question in a case with obvious parallels to Trump’s. It determined that the First Amendment’s Free Speech Clause does indeed prohibit officeholders from blocking social media users on the basis of their views.

Davison v. Loudoun County Board of Supervisors involved the chair of the Loudoun County Board of Supervisors, Phyllis J. Randall. In her capacity as a government official, Randall runs a Facebook page to keep in touch with her constituents. In one post to the page, Randall wrote, “I really want to hear from ANY Loudoun citizen on ANY issues, request, criticism, compliment, or just your thoughts.” She explicitly encouraged Loudoun residents to reach out to her through her “county Facebook page.”

Brian C. Davidson criticized Loudoun County’s School Board and then sued after being temporarily blocked.  U.S. District Judge James C. Cacheris wrote in his decision:

Defendant’s offense at Plaintiff’s views was therefore an illegitimate basis for her actions—particularly given that Plaintiff earned Defendant’s ire by criticizing the County government. Indeed, the suppression of critical commentary regarding elected officials is the quintessential form of viewpoint discrimination against which the First Amendment guards. By prohibiting Plaintiff from participating in her online forum because she took offense at his claim that her colleagues in the County government had acted unethically, Defendant committed a cardinal sin under the First Amendment.

This would seem to be relevant to Donald Trump’s actions in blocking people who disagree with him. The Wall Street Journal noted the ramifications of this decision for a similar case against Donald Trump:

The lawsuit against Mr. Trump in federal court in Manhattan was brought by the Knight First Amendment Institute at Columbia University on behalf of seven users whom Mr. Trump blocked.

“We hope the courts look to this opinion as a road map in holding that it is unconstitutional for President Trump to block his critics on Twitter,” said Alex Abdo, senior staff attorney at the institute.

The White House didn’t immediately respond to a request for comment.

There is one potential difference as technically Trump is using his personal account, although he is using it to issue pronouncements related to government policy. Sean Spicer previously said that Trump’s tweets should be considered official statements.  Slate addressed this point:

There’s just one lingering issue with this comparison: It isn’t clear whether Trump intends his personal Twitter page to function as a public forum the way Randall did. (Trump has a presidential account, @POTUS, from which he does not block users—but he doesn’t use it for interesting communications.) Public officials have more latitude to censor expression in personal, private forums than they do in forums that they use to speak in their official capacity. Trump’s lawyers will almost certainly argue that his personal Twitter feed is a private forum, not a government project.

But that argument will likely fail. As Trump’s recent tweets banning transgender military service demonstrate, the president uses Twitter not just to convey official policy but also for lawmaking. This habit would seem to turn his feed into a quintessential public forum. And so, under the First Amendment, he lacks the power to block those users who tweet their discontent at @realDonaldTrump.

Quote of the Day: Seth Meyers on Jeff Sessions

President Trump said in a new interview that he had regrets about appointing Attorney General Jeff Sessions. Sessions said today that he will continue to serve as long as it is appropriate. So only until about 1955. –Seth Meyers

At least he managed to remain around longer than Sean Spicer, who announced his resignation today.

Today’s news also makes it likely that Sessions will again be a target of the late night comedians. The Washington Post reports: Sessions discussed Trump campaign-related matters with Russian ambassador, U.S. intelligence intercepts show.

Is It A Violation Of First Amendment Rights When Donald Trump Blocks Critics On Twitter?

Blocking people on social media is commonplace, but what  happens when the President uses Twitter to make pronouncements on public policy and blocks those opposing? Is this just engaging in normal behavior on social media, or censorship? Some of those blocked by Donald Trump on Twitter are now protesting that their First Amendment rights are being violated. Bloomberg News reports:

President Donald Trump’s Twitter account is once again the subject of debate, as the Knight First Amendment Institute urged him to unblock individuals in a letter sent to the White House on Tuesday.

The institute, a nonprofit organization affiliated with Columbia University, said it believes his account is a “designated public forum” and threatened legal action if the president didn’t comply. In a letter addressed to Trump, his counsel, press secretary and social media director, the institute wrote on behalf of Holly O’Reilly and Joseph M. Papp, both of whom criticized the president on the social media platform in recent weeks and said they were blocked.

“The blocking of users from your Twitter account suppresses speech in a number of ways,” the letter stated. “Users who have been blocked cannot follow you on Twitter, and they are limited in their ability to view  your tweets, find your tweets using Twitter’s search function, and learn which accounts follow you. They are also limited in their ability to participate in comment threads associated with your tweets.” Replying to messages posted by Trump on Twitter, often in the form of a thread, is common practice on the platform, both by fans and detractors of the Republican president.

The article goes on to note that Sean Spicer has said that Trump’s tweets should be considered official statements, which lends credence to arguments that blocking someone from Donald Trump’s account is not the same as a regular Twitter user doing so. As I noted yesterday, Trump is expected to be live tweeting his views when James Comey testifies tomorrow.

One of those blocked by Donald Trump has an op-ed in The Washington Post explaining why she believes her rights have been violated:

Press secretary Sean Spicer said just yesterday that Trump’s tweets are considered “official statements by the president of the United States.” When Trump blocks people for disagreeing with him, he isn’t just deciding not to hear our voices; he’s cutting us off from receiving these official statements. So, by blocking people on Twitter, Trump is effectively removing the radio from his version of FDR’s fireside chats, or more accurately, closing the door of a Town Hall meeting to everyone except people who agree with or say nice things about him.

In March, a Virginia federal judge dismissed a lawsuit against Loudoun County for allegedly deleting a comment left by a local resident who criticized a decision not to appoint a special prosecutor. The judge ruled that the deletion was constitutional because the plaintiff had attempted to “hijack the discussion” in violation of a government social-media policy that permitted the removal of “clearly off-topic” comments. The case is on appeal.

The ACLU of Indiana last year filed lawsuits against three small cities in the state for allegedly censoring critical Facebook users. Before a judge weighed in, the cases settled with the municipalities agreeing to lift the Facebook bans on the users who went to court.

The First Amendment Institute’s letter focuses on Mr. Trump’s @realDonaldTrump account, which currently has 31.7 million followers. It makes no claims about the other main White House Twitter feeds, @WhiteHouse and @POTUS, nor does it discuss Mr. Trump’s predecessor.

The Obama administration said it never blocked people from following @POTUS. The former president’s @BarackObama account specified that it wasn’t part of the government but run by Barack Obama‘s political arm.

The article also quotes  Ken Paulson, dean of media and entertainment at Middle Tennessee State University:

It’s a novel and ambitious argument and certainly in the public interest, but also feels like a tough sell. Is the president’s Twitter account, established well before he was elected, a public forum where interactive free expression is expected or more like a newsletter, where the communication is all one way?

I do think municipalities that establish Facebook pages and invite citizen input are in fact establishing public forums, but I’m not sure that Donald Trump’s brief bursts of opinion are the same thing.

Propublica cited additional examples of pubic officials blocking critics on social media.

Sean Spitzer Says Hitler Didn’t Sink To Using Chemical Weapons

Sean Spicer has presented a lot of alternative facts, but this one really has shocked the world. CNN reports:

“You had someone who was despicable as Hitler who didn’t even sink to using chemical weapons,” Spicer said. “So you have to, if you are Russia, ask yourself is this a country and a regime that you want to align yourself with.”

File this with the statement on Holocaust Day which failed to mention Jews.

CBO Issues Devastating Report On Effects Of GOP Obamacare Replacement

The nonpartisan Congressional Budget Office has projected that twenty-four million more Americans will wind up uninsured under the Republican health care plan (which calls into question whether this should be called a health care plan at all). The plan would provide inadequate funding for Medicaid, and risks destabilizing the individual market–unless you believe Republican predictions that the free market would respond with better products. This is rather hard to believe considering the failure of the market to handle insurance for those not receiving it through employer or government programs prior to the Affordable Care Act.

To put this in perspective, studies have projected that the loss of insurance by twenty million people (which is less than is predicted under the Republican plan) will result in 24,000 more deaths per year. This backs up the statement from Bernie Sanders that “thousands of Americans will die” if the Republican plan becomes law

Remarkably, a White House analysis projected that the plan will result in an even higher number losing insurance–26 million over the next decade. This is hardly consistent with what Donald Trump promised on the campaign trail. The plan also contradicts Trump’s promises that he would not cut Medicaid and would expand payment for treatment of opiate dependence.

The Center on Budget and Priorities notes how millions would be paying more for less coverage, along with facing higher out of pocket expenses. Aaron Blake points out:

According to the CBO, 64-year olds making $26,500 per year would see their premiums increase by an estimated 750 percent by 2026. While they are on track to pay $1,700 under the current law, the CBO projects the American Health Care Act would force them to pay $14,600. Even if you grant that inflation will allow them to make slightly more money by 2026, that’s still about half of their income going to health care.

There is additional information of significance. Despite Republican claims of a death spiral, the CBO report showed that the ACA is not “imploding.” As other studies have also found, it is stabilizing as more people obtain coverage:

Under current law, most subsidized enrollees purchasing health insurance coverage in the nongroup market are largely insulated from increases in premiums because their out-of-pocket payments for premiums are based on a percentage of their income; the government pays the difference. The subsidies to purchase coverage combined with the penalties paid by uninsured people stemming from the individual mandate are anticipated to cause sufficient demand for insurance by people with low health care expenditures for the market to be stable.

The Washington Post has fact checked White House press secretary Sean Spicer’s spin regarding the CBO report.

SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.