It is now evening on Valentine’s Day on the east coast and if you haven’t purchased a Valentine’s Day card yet your only chance might be to hop in your TARDIS and go back in time for your shopping. Or you can simply use one of these Doctor Who Valentine’s Day cards:
Or if you prefer Sherlock:
If they are getting into nudity, why didn’t anyone put Irene Adler on a card? Oh, it looks like they did:
Now that the series has completed in the United States, I can discuss season three of Sherlock without spoiling it for American viewers who did not download it when the series first aired. There are major spoilers for those who have not seen season three yet.
The season was far more meta and fannish compared to the first two seasons. The first episode, The Empty Hearse, played with fan reaction to the cliffhanger by showing various possible solutions as to how Sherlock survived the fall. The episode also concentrated on how a world in which this Sherlock is real would react to Sherlock’s apparent death and rumors that he has survived.
Apparently Sherlock did fool Moriarty’s people who were watching to see if Sherlock went through with jumping. Unfortunately the explanation concentrated on fooling Watson, but the more contrived it was to fool Watson, the greater the chance that one of Moriarty’s men should have seen something to tip them off that Sherlock was faking his death.
The relationship between Sherlock and Watson, along with their relationships with women, was also a major theme of the season. Sherlock sure misjudged how Watson would react to seeing him alive. Although Mrs. Hudson, in one of many amusing scenes in the episode, was surprised to see that Watson’s fiancé was a woman, there was very good chemistry between John and Mary. This was partially due to Mary being played by Martin Freeman’s wife Amanda Abbington. We learned later in the season that Mary is not exactly what she seems, but in the end that actually makes her a better partner for a Watson who is spending time fighting crime with Sherlock (once we move beyond awkward events such as Mary shooting Sherlock later in the season).
The Sign of Three was again more about relationships than a classic Sherlock Holmes story. Sherlock faced one of the hardest tasks of his life–writing the best man’s toast at Watson’s wedding. Sherlock often looked awkward, and at times I felt like I was watching Sheldon Cooper. Besides the talk about John as a friend, Sherlock brought up past cases, some of which were unsolved. In the end this was all tied together as there was an attempted murder at the wedding, and a previous unsolved case provided the information to figure out how to stop it. Unfortunately the method of the attempted murder was not very realistic.
His Last Vow was the best episode of the season, and many have called it the best of the series. It was the most like a conventional episode, but relationships between both Sherlock and Holmes with women played a key part. Sherlock’s relationship was established to obtain information, and we learned the truth about Mary’s past with the CIA. Lars Mikkelsen did as wonderful a job playing Magnussen as his brother does playing Hannibal.
I found the ending with Magnussen to be somewhat disappointing. Sherlock could not get the evidence to convict Magnussen, or stop him using conventional means as the information was all in his head, so he had no solution but to shoot him. Besides not being an entirely satisfactory ending, I find it hard to believe that Magnussen would have allowed Sherlock into his home without checking for a gun. There were other situations solved too simply this season, such as Sherlock stopping a bomb by hitting the off switch (after playing with Watson).
As punishment for murdering Magnussen, Sherlock was sent on a mission to East Europe which was predicted to result in his death in six months. This sentence was changed when Moriarty’s face showed up on screens all over England with the question, “Miss Me?”
Fans will be speculating over this cliff hanger just as they did over the cliff hanger over how Sherlock survived the fall. There are many possibilities, but we might not find out the answer for two years.
I always found it questionable that Moriarty would devise a plan to kill Sherlock in which he would not survive to enjoy seeing this, or anything else. Moffat has claimed in interviews that Moriarty is really dead, but we know Moffat lies, or that Mark Gattis might have different ideas. Maybe we are to take this on face value and Moriarty really did fake his death. Moriarty and Sherlock are often parallels of each other. In that way it might fit to have the question between one season be how Sherlock faked his death, and then move on to how Moriarty faked his death.
There is another variation on this which I like. At one point in The Reichenbach Fall, the Moriarty character claimed to really be an actor named Rich Brook and that Sherlock invented Moriarty. What if he was partially telling the truth. Maybe the person we saw kill himself really was an actor, perhaps really named Rich Brook except one working for Moriarty, and was coerced by the real Moriarty into killing himself. I can more easily see Moriarty coercing someone else into pretending to be Moriarty and killing himself than I can see the actual Moriarty committing suicide.
It is also possible that the suggestion that Moriarty is alive was a complete hoax. Perhaps another villain, or one of Moriarty’s men, arranged this and plan to commit future crimes in Moriarty’s name.
Sherlock might have arranged this as a backup plan in case his initial plans to get the evidence against Magnussen failed and he wound up getting arrested. A more likely possibility is that Mycroft Holmes was responsible. It has been established that he has considerable technological abilities. It was also established earlier in the episode that he did not want to see his brother go to his death in Eastern Europe. This could have been his way of ensuring that Sherlock would be brought back home.
This has been a very good year for science fiction movies. Her is very likely the science fiction movie which is receiving the most mainstream critical acclaim ever. Last night it won the award for best original screenplay from the Writer’s Guild of America. It ties with another science fiction movie, Gravity, for Best Picture from the Los Angeles Film Critics Awards (intentionally ignoring the debate as to whether Gravity is science fiction). Her was also a big winner at the National Board of Review Awards. Both Her and Gravity are nominated for Best Picture. There was controversy when various organizations declined to consider Scarlett Johansson for acting awards when she was not seen in the movie.
The important aspect of the movie is how people relate to the technology, along with their other limitations in dealing with other humans to the point where people pay others to write “personal” letters to their lovers. It still becomes impossible to ignore the technological aspects of the movie, primarily the question as to whether artificial intelligence could really be developed to the point seen in the movie. The co-creator of Siri looked at some of the abilities of Samantha which are well beyond what can currently be accomplished:
To get the “That’s incredible!” technology ball rolling, Samantha never made a mistake, never misunderstood nor misheard a word Theodore said. That’s tough to do in a loud, raucous world. Especially in loud places such as the circus scene, where you can barely hear the person next to you, let alone get the exact nuance of every word as you share the pandemonium through an earpiece.
And what about the scene where Samantha is literally spun around, viewing, understanding and commenting on the world she sees only through a jostling cameraphone lens bouncing around in Theodore’s pocket?
That would entail massively scaled real-time image recognition, spatial understanding, facial and mood recognition — as well as understanding the subtleties of thousands of social scenarios in order to predict that the couple sitting at the table were on a first date.
And such a conversationalist! Samantha not only discussed an amazing range of topics with Theodore, but was also incredibly adept at reflecting his mood in her own, varying the subtle tones and verbal inflections that indicate emotion. She even demonstrated an evocative handle on pop-culture terminology when he said in one scene, “No waaay.” And she replied, “Waaay.” Now that is some cool software.
Finally, I don’t even need to mention the complexities of building a program that’s adept at verbal phone sex, including all of the relevant and perfectly timed Meg Ryan-ish sound effects in perfect harmony with the partner on the other end of the line.
Reading the Harry Potter books, I thought that it was unusual that Ron and not Harry wound up with Hermione. Harry was the hero who defeated Voldemort. Typically he is the one who would wind up with the girl. J.K. Rowlings now admits she did get it wrong:
“I wrote the Hermione/Ron relationship as a form of wish fulfillment,” she says. “That’s how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione ended up with Ron.”
Rowling also said that Ron and Hermione would have needed “relationship counseling.”
John Noble had a notable role as a recurring character in Sleepy Hollow. His role (spoilers) became even more important in the season finale when he was revealed to not only be Jeremy Crane, the son of Ichabod and Karina, but also War, the second horseman of the apocalypse. After seeing how he played both Walter and Walternate on Fringe, he was clearly underused as a supporting character, and there is no doubt he can handle an entirely different type of role in the second season. He has been promoted to a series regular. Lyndie Greenwood, who plays Jennie Mills, will also be a series regular, which does spoil one of the many cliff hangers in the season finale which left Jenni unconscious on the road.
NBC is trying to build the audience for the second season of Hannibal in a way similar to how the audience for Breaking Bad increased after many people (including myself) caught up with previous seasons by watching on Netflix. They have entered into an exclusive agreement with Amazon Prime to carry Hannibal and some other series. I hope they are successful, but I wonder if Netflix has as much impact as Amazon. There is also some casting news for the second season, including Mason Pitt joining the series late in the season as Mason Verger:
Pitt, best known for his work as Jimmy Darmody on HBO’s Boardwalk Empire, will play Mason Verger, “an unstable wealthy patient of Dr. Hannibal Lecter who begins a dangerous cat-and-mouse game with the deadly serial killer.”
Hannibal’s version of Mason Verger – which will likely be quite different from the character Gary Oldman played in the 2001 film – was compared to Andrew Scott’s portrayal of Moriarty on BBC’s Sherlock in a casting description for the role.Knowing that, it will be interesting to see Pitt bring the same explosive energy he brought to Jimmy Darmody to Verger; a character who’s more cunning and therefor more dangerous.
Joining Pitt is Katharine Isabelle (Being Human), cast as Verger’s sister, Margot. She will first be introduced as a patient of Dr. Lector’s who is dealing with trauma related to her brother’s abuse. But again, this won’t be until later in the season.
Episode titles on Orphan Black came from Darwin’s Origin of Species during the first season. Second season titles will come from the work of Sir Francis Bacon. The title of the first episode of the season will be Nature Under Constraint and Vexed.
Felicity Smoak (Emily Bett Rickards) became a popular character during the first season of Arrow and in response the role of her character was greatly expanded. We know very little about her beyond moving from the IT Department to become Oliver Queen’s executive assistant to cover for all the time they spend together. Each season also has had a scene establishing that she is Jewish. She is finally going to get a back story this season.
The first pictures have been released of Peter Capaldi in the outfit he will wear as the Doctor. There have been some complains on line ranging from his hair being cut too short (following Matt Smith) to the top button being buttoned despite lack of a tie. Obviously none of these complaints have any real relevance to how successful Capaldi will be in the role. There is a minor spoiler about a surprise voice-only cameo upcoming on Doctor Who:
Clara emerges from the TARDIS on her mobile phone, looking intense and emotional. She’s not speaking to anyone, rather she seems to be just listening. In fact, whatever she is listening to hits her hard, and she slumps into the wall of a nearby store. The message, it turns out, is from the previous incarnation of the Doctor, played by Matt Smith. Hanging up the phone, the Doctor, played by Peter Capaldi exits the TARDIS, and starts an exchange with Clara. He asks if that was the Doctor on the phone. More on that in a minute.
Emotionally, he insists to Clara; he is the Doctor, he’s 2000 years old, and he’s standing right there, in front of her. Cautiously, Clara walks straight up to this strange, older man in front of her.
Inquisitively, she looks up straight into the Doctor’s eyes, inspecting them, looking for the man she knows. The Doctor looks down into his companions eyes curiously, like an owl bemused. Suddenly, Clara throws her arms around the Doctor. For his part, the Doctor awkwardly holds his arms out around her, fingers splayed and startled and uncomfortable.
Clara immediately then clicks back into her normal, bouncy self, asking the Doctor where they are. He replied Glasgow (although we were definitely in Cardiff, I double checked), and they continue to chat before the scene ends.
New promo for The Americans above. The show returns February 26.
Jesse Eisenberg will play Lex Luthor in the upcoming Superman vs. Batman movie. I don’t really see Eisenberg in the role, but we will see.
So far the former stars of Friends have not been very successful with network sitcoms. David Schwimmer is attempting a return to network television in a pilot named Irreversible.
Irreversible, which is partially improvised in the vein of Curb Your Enthusiasm, centers on Andy (Schwimmer) and Sarah, a somewhat eccentric, self-absorbed couple, and their trials and tribulations — most of which they bring upon themselves.
How I Met Your Mother had a fantastic 200th episode last week, going back over the time frame of the series from the perspective of the mother, played by Cristin Milioti. Characters have been outlined for the planned spin-off, How I Met Your Dad:
Sally: In her 20s but still not very grown-up and a little bit aimless, Sally has been married for a year to Gavin and is realizing they’re not meant for each other.
Danny: Sally’s older brother and opposite personality, he’s a driven lawyer who’s less than pleased when Sally moves in after splitting with Gavin. Danny is married to …
Todd: One of Sally’s best friends from college, who’s significantly more welcoming to having Sally as a roommate. Danny and Todd fill the Lily-and-Marshall/committed couple portion of the group.
Juliet: Sally’s “party-girl” best friend and the Barney of the group. She runs a fashion blog and has been telling Sally for some time that Gavin isn’t the right guy for her.
Frank: A “hot nerd” who heads up IT for Juliet’s site and has an unrequited (for the moment) crush on Sally. If Sally is the female Ted, Frank would be the male Robin (albeit with what sounds like a rather different personality).
Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.
This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard. The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.
An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.
Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!
Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.
The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:
This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.
Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”
Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”
Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.
There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.
Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.
BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.
Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:
“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”
He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.
“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”
Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.
I don’t know if this is the official final storyline, but this synopsis (spoiler) of the Fantastic Four reboot leaked out from casting calls:
“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”
I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.
A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.
Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.
HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.
Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:
Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.
“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”
In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.
“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”
Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.
Parks and Recreationhas been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.
Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.
Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.
Collider spoke with Rachel Nichols about her role in the recently released movie Raze and then got to the third season of Continuum. She has some news here, such as that Season 3 will reveal more about The Freelancers. Beware there are spoilers as she tells what happens with the Season 2 cliff hanger in which Alec traveled through time. She reveals exactly where/when Alec went, which is one of the more common answers which people speculated about after Season 2 concluded. Not surprisingly, it is also clear that Kiera does get out of that cell she was dropped into.
Continuum has really become one of the best sci-fi shows on TV, right now. What can you say to tease where Season 3 is going, especially with how ripped apart all of the characters were, at the end of last season?
NICHOLS: We started shooting Season 3 already. We got three episodes finished before Christmas break. What I can tell you is that, at the end of Season 2, Alec (Erik Knudsen) clearly betrayed Kiera and went back in time. At the beginning of Season 3, you learn a lot more about The Freelancers. I can’t say how, but I can say that Kiera ends up going back in time to the point where Alec went back in time to save Emily (Magda Apanowicz). So, suddenly there are two Alecs and two Kieras and we can’t run into each other, obviously. Right off the bat, in Season 3, you’ve got craziness ensuing. There’s a death. There’s a description of The Freelancers. I’m happy to say that Terry Chen is back, in a big, big way. And overall, for this season, what I’m feeling is that where Kiera was always about getting home before, acknowledging her impact on the world, with everything she was doing in the present day, now I think there’s a part of her that’s going to be relegated to staying here and really setting up life and knowing she’s going to be here for awhile, and maybe even wanting to. That will be a back change for her, given the fact that her family is in the future.
Teasers from Showcase and SciFi above.
Sherlock returns in the United States this weekend, but as the show already completed the season on BBC One I wonder how many fans are still unaware of what happened. I will avoid any spoilers here and have a few comments leading into the series. The first two episodes are written far more than other episodes for the fans, but would not be good episodes to start with for those who are not already fans of the series. Start with the first two seasons. At very least watch last season’s finale and cliff hanger before the first episode of this season, The Empty Hearse.
The second episode, The Sign of Three, is about a very difficult task for Sherlock and doesn’t start out seeming like a typical episode at all. It is the weakest of the three but if you stick with it you will find that there is a mystery, and the events brought up earlier turn out to really matter. Quite often this season, things are not as they seem.
The third episode, His Last Vow, is the best of the three, and some reviewers have called it the best of the series. It is a more conventional mystery. Lars Mikkelsen, brother of Mads Mikkelsen of Hannibal, makes a fantastic villain, and there is a huge cliff hanger. Make sure you watch until the very end. I’ll hold off until it airs in the United States to discuss speculation about the cliff hanger.
After being injected with Mirakuru in the mid-season finale, the first episode back, airing Wednesday night, will explore the benefits — and consequences — of his newfound strength. “We’re going to learn starting with episode 10 that the Mirakuru may give you incredible strength and it really may accelerate your healing, but it comes with some very significant mental downsides as well,” teases executive producer Marc Guggenheim. “And Roy will be experiencing those in the present, and Slade in the past [via flashbacks] will begin to develop those difficulties.”
Guggenheim adds that as everything about Roy’s current predicament becomes clearer, we’re also going to see how it affects the people around him — Thea and Oliver included. “We always said that this year, Roy is going to go through a crucible. And the Mirakuru [storyline] is basically that ordeal and for sure when he comes out the other side — if he comes out the other side — he will be a different person and set on a different path,” he says. “You will start to see that as early as episode 12.”
It’s part of the longer story the writers are telling with Roy, explains Guggenheim, one that shows him going “from being sort of the street urchin we met in episode 15 last year to somebody who could potentially inherit the Arrow’s mantel as Roy Harper did in the comic books. We’re never really driven too much by what we call the comic book destinies of characters, but we’re very much aware of them and we’re very much aware that we’re telling a Batman Begins-style story for all of our characters. And obviously the Mirakuru and what Roy will experience in the wake of episode 9 is a big part of that Batman Begins-like story for him.”
Some additional points were discussed:
+ Have they decided what they’re doing with Flash in episode 20?
Not yet. After it was decided that the Flash pilot would stand alone — rather than being part of the 20th episode of the season — plans had to change, said Guggenheim. But the official plan is still in the works. “We’ve had a lot of afferent internal discussions of how episode 20 basically becoming an Arrow episode instead of a backdoor pilot could operate in terms of the connection to Barry. But we haven’t come to a decision yet, so we’re not ready to talk about it yet,” he said.
+ Will Oliver (Stephen Amell) and Felicity (Emily Bett Rickards) continue to have tension over Barry?
Yes. And you will see more of it in Wednesday night’s episode. “One of our pet peeves is when a show does a backdoor pilot and the episode that follows it tends to ignore what happened in the backdoor pilot. And episodes 8 and 9 served as the introduction of Barry Allen, and it struck us as wrong not to acknowledge everything that happened in those two episodes, particularly in regard to Barry’s burgeoning relationship with Felicity,” he says. “So a good chunk of the emotional real estate in episode 10 is spent on Felicity’s reaction to Barry being electrocuted at the end of episode 9 and being struck by lightning.”
Guggenheim also discussed Slade with The Hollywood Reporter:
In the winter finale, Slade declared that his sole mission was to turn Oliver’s world upside down. Has Slade turned pure evil, or is there some redemption for him?
What a great question. I will say that I don’t think anyone on our show is pure evil. We always try really hard to write according to the axiom that everyone is the hero in their own story. In other words, in real life, even the most evil people think they’re doing the right thing — at least, through their own lens through which they view their world. Slade is taking actions that he feels are very justified and thus in his mind, he’s not pure evil, he’s not even evil. He’s just a man with a very serious vendetta. For us, the advantage of doing it that way are even our antagonists are grounded and realistic, and I think they’re made more compelling when their motivations are made more human than the comic-book trademark “pure evil.” That’s just as true for Slade as for any of the villains on our show.
Hypothetically, if Oliver were to find out about Slade, how do you think he’d take the news?
I can tell you that hypothetically, were he to find out that Slade is alive and kicking in Starling City, Oliver would not take that well. (Laughs.) And I guess I can spoil and say that it is just a matter of matter of time before Oliver discovers that Slade is in Starling City. We actually have a whole episode and a whole storyline devoted to Oliver’s reaction to that news. I won’t tell you what episode that is.
He was also asked about Sara:
Will Sara come back into the fray in the modern day? Will she come face to face with Laurel?
It’s probably not spoiling anything to say that it’s only a matter of time before Sara returns to modern-day Starling City. We’ve already made the decision as to when and how and why exactly all that [Sara coming face to face with Laurel] will happen. When, over the course of the next 13 episodes that happens, I’m not saying.
So, it appears that Oliver will figure out what is going on with Slade, but still not figure out that Sara is not the same girl he last saw on the yacht in the Season one pilot, with Jacqueline MacInnes Wood’s scenes later reshot with Caity Lotz.
While both series had already been excellent, there are two shows I watch which have become even better this year: Arrow and Person of Interest. In early episodes, Person of Interest was often just a procedural with the machine used as a gimmick to get the leads into the action. Over the last couple of seasons the series has evolved more into a science fiction show about the surveillance state. The Nerdist discussed how the show has become our reality:
Person of Interest is unique in the world of procedural dramas. While plenty of shows have been able to claim they’re ripped from the headlines, POI has the distinction of being able to say it predicted them. As The New Yorker points out, the show predicted Edward Snowden a year in advance with its episode “No Good Deed.”
Is is worth reading the entire article on this show by Jonathan Nolan and Greg Plageman now that the show has become increasingly relevant. Another passage:
Nolan and Plageman are on the same page as to where this data mining will lead: the singularity. “The cornerstone of the show is that out of this arms race of information technology that we’re now thoroughly engaged in,” said Nolan, “cyber warfare, which was a silly idea, a silly phrase fifteen years ago, is now an absolute reality and quite terrifying in its own way. This is definitely the moment we find ourselves in and our idea was that out of the kind of carnage of this aggressive information arms race you might well see the emergence of something that probably in hindsight we’ll see was an Artificial Intelligence. It’s probably going to emerge out of the NSA or out of a data call center like the one the New York Times profiled. It’s either going to be a sales tool or it’s going to be a spy tool.”
With the audience now fully on board with the Orwellian nature of the show, Plageman says his fake world collides with the real one more than he thought it was going to. “On the show,” Plageman responded, “even though there is this science fiction aspect, there’s a heightened tone to the show – we always try to ground that. We always try to use technology that is in existence. That’s actually here and material. So, I’m always surprised when we talk about something in the writers room, whether we’re talk about AI or Ray Kurtzweil and the singularity. Then all of a sudden he’s hired at Google and you’re like, ‘Wait a minute.’ That’s just ridiculous. We’re talking about this now and you see these things converging and you’re going, ‘Okay, what’s that going to look like?’ [Amy Acker's] Root is, to a degree, an acolyte of Kurtzweil, and all of a sudden he’s in the hen house. There’s this non-stop drum beat of material coming our way; We’re even struggling to keep up with to a degree.”
Scarlett Johansson spoke with Parade about Her and about reprising her role as Black Widow in Avengers 2:
“Oh boy! Well, we can expect the Avengers. Joss [Whedon], again, is back, wrote the script, and is directing. I think the script is dark and it’s dry, it’s got this amazing one-liner, glass-cutting sense of humor. Obviously the script is very cerebral. It doesn’t lose that exciting comic book aspect that people enjoyed in the first film, but it’s smart and it feels like the next installment. It doesn’t feel like a rehashing, it feels like these characters are moving forward, plotlines are moving forward. It’s deep and I think that’s why people really respond to the Marvel universe, because the films are fun and exciting and have all that flashy stuff, but there’s a gravity to them. People can expect that gravity this time around.”
Aaron Paul says that both he and Bryan Cranston are interested in reprising their roles in the Breaking Bad prequel/sequel Better Call Saul.
The CW Network has acquired LABYRINTH, the four-hour event miniseries with a multi-national and award-winning cast, including John Hurt, Sebastian Stan, Jessica Brown-Findlay & Tom Felton, it was announced today by Mark Pedowitz, President, The CW. Premiere night and time will be announced at a later date.
Filmedon-location in the medieval town of Carcassonne in southwest France and Cape Town, South Africa, the historical miniseries jumps back and forth between modern and medieval France as it follows the lives of two women who are separated by centuries, but united in their search for the Holy Grail.
In Carcassonne, France, in the year 1209, 17-year-old Alaïs (Jessica Brown-Findlay, “Downton Abbey,” “Misfits”), is given a mysterious book by her father; a book which he claims contains the secret of the true Grail. Although Alaïs cannot understand the book’s strange words and labyrinth symbols, her father instructs her to protect the book no matter what happens to him. Alaïs realizes that her destiny lies in keeping the secret of the labyrinth safe. Eight centuries later, at an archeological dig in the French Pyrenees, a young volunteer named Alice Tanner (Vanessa Kirby, “The Hour,” “Great Expectations”) discovers two skeletons in a forgotten cave. Puzzled by the labyrinth symbol carved into the rock, she realizes she’s disturbed something that was meant to remain hidden. Somehow, a link to a horrific past – Alice’s own past – has been revealed.
In addition to Brown-Findlay and Kirby, LABYRINTH features a multi-national cast which includes two-time Oscar(R) nominee, three-time BAFTA Award winner and Golden Globe(R) winner John Hurt (“Tinker, Tailor, Soldier, Spy,” “Harry Potter and the Deathly Hallows”), Sebastian Stan (“Captain America: The First Avenger,” “Gossip Girl”), Tom Felton (the “Harry Potter” films, “Rise of the Planet of the Apes”), Oscar(R), BAFTA and Golden Globes(R) nominee Janet Suzman (“Nicholas and Alexandra,” “Midsomer Murders”), multi-award winner Claudia Gerini (“The Passion of the Christ,” “Under the Tuscan Sun”), Katie McGrath (“Merlin,” “Red Mist”), Emun Elliott (“Game of Thrones,” “Black Death”) and Tony Curran (“The Pillars of the Earth,” “The Adventures of Tintin”).
It would have been better if this was being shown on premium cable so that it wouldn’t be necessary to cut the nude scenes with Jessica Brown-Findlay and Katie McGrath which are in the original version. I wonder how many people will wind up downloading the show as opposed to watching on CW.
In somewhat related news. the sex scenes in the movie version of Fifty Shades Of Gray are being toned down compared to the books.
Season two of The Fall, starring Gillian Anderson and Jamie Dornan starts filming in Belfast in February. The first season of the the BBC mystery, also released simultaneously on Netflix, was excellent. Filming will be delayed a month as Gillian Anderson has been tied up with filming for Season two of Hannibal.
1. Will Graham is in prison and everybody thinks he’s guilty: Fuller brilliantly subverted audience expectations at the end of season 1 by having FBI profiler Graham (Hugh Dancy) framed for Hannibal’s (Mads Mikkelsen) crimes when fans expected the show to follow Thomas Harris’ novels and have the cannibal psychiatrist end up in prison (he’ll get there, we assume, eventually). Graham hasn’t magically been released between seasons and he isn’t going to pop back into his old job after one episode (unlike, for instance, Patrick Jane on CBS’ The Mentalist). Graham is also going to be a much more focused and proactive character this season now that he’s no longer suffering from encephalitis and knows he’s not crazy. He’s going to actively try to get himself released, or at least take down Hannibal.
2. Hannibal has Graham’s old job: With Graham in prison, now the FBI is relying on Hannibal even more to help solve crimes, so we’ll get plenty of scenes of the serial killer working to catch other serial killers. “Hannibal becomes the new Will Graham in many ways,” Fuller teases. “There’s a lot of fun seeing him interact with the FBI.”
3. It’s still surreal, though more clear: Hannibal‘s haunting surreal imagery is a signature of the show and will continue. But with Graham no longer ill, he’s a more reliable narrator, which helps ground the storytelling a bit more.
4. Gillian Anderson is back: Anderson reprises her role as Hannibal’s psychiatrist. Expect this season for her character to grow suspicious of her most mysterious patient. “She’s doing a really fun closer examination of her patient and figuring some things out for herself, and that’s dangerous for anyone,” Fuller says.
5. The opening scene of the premiere. Though I suspect it will be widely reported before airing (Hannibal‘s TCA press tour day is Sunday, where it will probably come up), I can’t bring myself to reveal this. I’ll just say it’s the best scene the show has done to date.
6. The murders are more grotesque than ever: You thought that human mushroom farm was unappetizing? Just wait until you see “the beehive”…
7. Mason and Margo Verger are in this season: Fans of the books know the story of Hannibal’s tragically doomed wealthy patient and his sister from the Hannibal novel. They will be introduced later this season and have not yet been cast. Yet another major character from the canon, Francis Dolarhyde from Red Dragon, will likely not come into play until season 3.
A musical version of Groundhog Day is in the works. I loved the movie but am not sure about a musical. Will we have to sit through the same songs over and over?
Community had one of its better episodes last week with Cooperative Polygraphy, showing what Dan Harmon can accomplish with just the group sitting around the table for the almost the entire episode. The episode also concluded the storyline for Pierce, despite him not appearing, and revealed how Troy will be leaving the series. Plus we had this great line from Britta, after finding that Jeff kept her underpants and made up the story of a hawk stealing them: “You exploited me…and made me believe in a slightly more magical world!”
I’m looking forward to the two-hour season finale of Sleepy Hollow this week. Monday nights on Fox shows the advantage of a genre show having a continuing storyline and a strong mythology. Given the premise of the two shows, I’d expect to be far more interested in the harder science fiction of Almost Human. While I do enjoy it, the lack of signs (so far) of the story really going anywhere have made Sleepy Hollow the show I more look forward to. Next season Fox plans to run Sleepy Hollowuninterrupted without dividing the show up as it did this year.
Orphan Black was one of the best new shows of last season, along with being one of the best genre shows of recent years. It returns to BBC America on April 19, with the producers having a three-season master plan outlined. There is additional news on the second season of Orphan Blackhere and here (minor spoilers):
- More boundary-breaking. “We are going to take some risks with our premise in the second season and we are going to push technically what we’ve done with the first season and our actors are really pushing the limits as well,” says Manson. Jordan Gavaris, who play’s Sarah’s BFF/foster brother Felix, prefers when he’s outside of his comfort zone. “It’s not a good thing if you get complacent, when you get comfortable and everything’s easy,” he says. “There should be that discomfort because that pushes you to take the risks to keep it interesting, to keep people engaged — and we’re scared!”
– Plot-wise, Sarah is frantically searching for Kira. The very first scene, which was screened for critics, takes place immediately after she discovers her daughter and Mrs. S. are missing. She frantically calls Felix and Paul, whose phones go to voicemail, but Paul calls back — except Rachel’s on the other end telling her to surrender herself. Naturally, Sarah hangs up, but then two menacing henchmen walk into the diner where she’s taken refuge from the rain and menacingly offer to take her to Kira. What happens next? Well, you’ll have to wait and see!
– Cosima is struggling with her mysterious respiratory disease. “Cosima to me has always been the one who’s the most fascinated with life, so it’s interesting for her to be facing her mortality and that’s really what we start to explore in Season 2,” Maslany says. Adds Manson, “It’s hard because she’s my favorite clone. We’re putting her in this really heartbreaking position, and yet she’s almost as brave as Sarah in a lot of ways. Narratively, examining her illness and looking into her own science is part of our mystery. She performs a really great story function in the second season as well, trying to get to the root of her own illness.”
– Ainsley’s death will continue to weigh on Alison. “Alison is an intense person to begin with, and the secret she’s keeping is really going to eat at her in an interesting way,” Manson says. “Alison’s got some explosions coming up.”
– Felix’s character will be fleshed out. “In Season 1 Felix was very much an integral cog in the mystery… and now I think what Season 2 helps to do is establish him outside of the clones as an individual with his own identity,” says Gavaris. “He has gone along and been that person who picks up the phone at 3 in the morning and I think it’s safe to say that the relationship with Sarah comes to a head and there’s a tough decision that’s going to be made — many tough decisions that are going to be made — and it’s not going to be easy.” While his relationship with Sarah might be tested, he will grow closer to some of the other clones.
Michelle Forbes has also been cast to appear in multiple episodes. According to TV Line, “Forbes will play Marian Bowles, a powerful new player at the Dyad Institute with a birds-eye view on the war between Sarah and Rachel.” Forbes has appeared in multiple genre shows including Star Trek: The Next Generation and Battlestar Galactica.
Agents of SHIELD revealed some information about Agent Coulson returning from the dead. Apparently it involved a series of painful surgeries, with false memories of Magical Tahiti implanted to replace these memories. There was no real explanation as to how this managed to bring him back from the dead. I’m not sure if this is it and we are just to assume advanced medical procedures at SHIELD could accomplish this or if more is to come. At least this does eliminate some of the theories floating around, such as a room full of Coulson androids.
Agent Coulson is far from the only genre character to return from the dead. No surprise that Peter Parker is returning to the Spider-Man comics after having died last year with Dr. Octopus taking over his body.
Back when the Star Wars saga ended chronologically after the original trilogy, it didn’t matter much if different writers carried the story onward in different ways. Now that Disney is continuing the movies, it would seem to be an insurmountable job to try to maintain consistency. They did what was probably the only sensible option and have decided that the expanded universe is not canon. As I have not read any of the novels, I can’t say first hand, but I’ve also read comments that this is good because almost all of it was crap.
Among the various casting rumors regarding the next Star Wars movie, Jesse Plemons of Friday Night Lights and Breaking Bad is reportedly being considered for a lead role. If he is to play an evil role, his time on Breaking Bad will make it easier to see him as a villain.
Speaking of Disney, I hear that Saving Mr. Banks is an entertaining movie (and plan to see it in the future) but am not surprised to read that it got a lot of the facts wrong.
AMC has announced that the seventh season of Mad Men will begin April 13. While officially the last season, the season will actually be broken into two parts like Breaking Bad. Why don’t they just call these series of shows aired about a year apart separate seasons? Regardless, it will be interesting to see where they go after Don Draper was fired for the bizarre behavior we have grown to sort-of love over the last several years. AMC also announced that Better Call Saul, the Breaking Bad spin-off, will begin next November.
Screen Crush speculates on which characters might appear in season two of Hannibal based upon the book series.
Filming has begun with Peter Capaldi playing the Doctor. Doctor Who will return in August. Current plans are for the next two seasons to be a single run (not counting the Christmas specials) as opposed to breaking them in half. Steven Moffat described Peter Capaldi’s Doctor as being more dangerous:
There would be little point in making as radical a change as we’ve made unless you’re going to go quite different with the Doctor. The last two Doctors have been brilliant, and have been your ‘good boyfriend’ Doctors. But the Doctor isn’t always like that. There is the sort of Tom Baker, Christopher Eccleston end of the spectrum, where he is mad and dangerous and difficult.
It’s always down to whether there’s a good story. My immediate instinct was that story’s probably done. Not that we saw all of it, but I never thought we should see all of it. I’m slightly tempted, because I imagine Peter Capaldi and Alex Kingston would be absolutely hilarious together…”
He adds: “She could certainly have met other Doctors. So there’s nothing stopping us… But is there anything new we can do? Or is the new thing that Peter Capaldi and Alex Kingston would be very sexy together? Is that enough? We’ve always had fun with the fact that they don’t look like a couple.”
“Peter Capaldi and Alex Kingston would look like a couple – that’s the thing. Whereas I thought Matt and Alex were gorgeous together, but it looked slightly strange, because he was so much younger. Alex is just great fun to have on the show. It’s when you want to throw the Doctor a bit, because what River does so well is to make him a bit on the back foot and a bit flustered.”
Moffat also answered questions about a crossover with Sherlock, being non-committal and saying “nothing is impossible.”The final episode of the third season of Sherlock aired tonight but Steven Moffat also says that the fourth and fifth seasons have already been plotted out. I will hold off on discussion of the the third season episodes as they have not yet been shown in the United States. A spoiler-free review of tonight’s episode, The Last Vow, can be found here. I plan to watch a download later tonight. From what I here so far, it is a more conventional mystery after last week’s episode, and I suspect will receive a better reception.
John Simm will star in a new BBC America paranormal drama series, Intruder. He previously stared in the BBC version of Life on Mars and has played The Master on Doctor Who.
Starz has released a trailer for Ron Moore’s series Outlander–video above.
Starz has also announced that Da Vinci’s Demonswill return on March 22. Like Saving Mr. Banks, Da Vinci’s Demons is a fictionalized account of a real person. It is probably better enjoyed as an entirely fictional show and ignoring the use of real names or events.
There has been a lot of talk about Gillian Flynn making major changes in the movie adaptation of Gone Girl. I think that this was inevitable, both because of the different structure needed to tell a story in a movie as opposed to a book where the readers were being deceived, and to give people who read the book more reasons to see the movie. Some of stories dealt with a change to the ending. However readers of the book are quite aware that the crucial point was midway through the book with the specifics of the ending being far less important. I can easily see a more satisfactory ending being written without changing the essential story.
Sherlock returned last week. I won’t say much to avoid major spoilers until the show returns in the United States. It should be safe to reveal that Sherlock lives. The episode shows how he survived the fall, but it was more interesting to see Mark Gatiss make fun of all the fan theories. A full review of the episode can be found here. Q&A with cast and show runners here.
The second episode, The Sign of Three, airs tonight on BBC One. A spoiler-free review can be found here.
Helix premieres on Friday. The fifteen minutes can be viewed above. Press release follows:
Helix is an intense thriller about a team of scientists from the Centers for Disease Control who travel to the high-tech research facility, Arctic Biosystems, to investigate a possible disease outbreak, only to find themselves pulled into a terrifying life-and-death struggle that may hold the key to mankind’s salvation or total annihilation. However, the lethal threat is just the tip of the iceberg, and as the virus evolves, the chilling truth begins to unravel.
Executive produced by Ronald D. Moore (Battlestar Galactica), Steven Maeda (Lost) who is also showrunner, and Lynda Obst (Contact), the 13-episode drama stars Billy Campbell (The Killing, Killing Lincoln) and Hiroyuki Sanada (The Wolverine, 47 Ronin).
Campbell stars as Dr. Alan Farragut, leader of the Centers for Disease Control outbreak field team called upon to investigate and control a potential outbreak. Sanada also stars as Dr. Hiroshi Hatake, director of Arctic Biosystems and its mysterious viral research program. Helix also stars Kyra Zagorsky (Supernatural) as Dr. Julia Walker, Mark Ghanimé (Emily Owens, M.D.) as Major Sergio Balleseros, Jordan Hayes (House at the End of the Street) as Dr. Sarah Jordan, Meegwun Fairbrother as Daniel Aerov, Catherine Lemieux (White House Down) as Dr. Doreen Boyle and Neil Napier (Riddick) as Dr. Peter Farragut.
Helix is produced by Tall Ship Productions, Kaji Productions and Lynda Obst Productions in association with Sony Pictures Television. Prolific director and producer Jeffrey Reiner (Friday Night Lights) directed the first episode of Helix, which was written by creator and co-executive producer, Cameron Porsandeh.
The trailer for the Veronica Mars movie was released last week. Video above.
David Lynch is filming new material in preparation for the Blu-Ray release of Twin Peaks.
After Disney purchased the rights to Star Wars, it comes as no surprise that Star Wars comics will be returning to Marvel, which Disney also owns.
The Walt Disney Company’s Lucasfilm Ltd. and Marvel Entertainment are joining forces to bring new Star Wars adventures to readers across the galaxy, with Marvel granted exclusive rights to create and publish Star Wars comics and graphic novels beginning in 2015.
The agreement marks a homecoming for the Star Wars comic books. Marvel Comics published the first Star Wars comic book, STAR WARS #1, in March 1977, which went on to sell more than 1 million copies. Marvel Comics published its STAR WARS series for nine years. In 1991, Dark Horse Comics took over the license, publishing fan-favorite titles like Dark Empire and Star Wars: Legacy. Last year, Dark Horse released The Star Wars #1, an adaptation of George Lucas’ original rough-draft screenplay for the film, garnering rave reviews and national media attention and ranking among the top-selling Star Wars comics of all time.
“Dark Horse Comics published exceptional Star Wars comics for over 20 years, and we will always be grateful for their enormous contributions to the mythos, and the terrific partnership that we had,” said Carol Roeder, director of Lucasfilm franchise publishing, Disney Publishing Worldwide. “In 2015, the cosmic adventures of Luke, Han, Leia and Chewbacca will make the lightspeed jump back to Marvel, to begin a new age of adventures within the Star Wars universe.
Entertainment Weekly discussed both Breaking Bad and Better Call Saul with Vince Gilligan. A portion of the interview:
What has been the big challenge in formulating Better Call Saul? And can you clarify how much of the show will be a prequel and whether we might see scenes that take place after the events of Breaking Bad? Are we going to hop around in time a little?
Peter Gould is a wonderful writer and producer and director who worked on Breaking Bad with me from the first season, and he created the character of Saul Goodman (Bob Odenkirk). He and I have been turning that over in our heads quite a bit. We think, by and large, this show will be a prequel, but the wonderful thing about the fractured chronology we employed on Breaking Bad for many years is the audience will not be thrown by us jumping around in time. So it’s possible that we may indeed do that, and we’ll see the past and perhaps the future. Nothing is written in stone yet, we’re still figuring it out, but the thing we realize is tricky with the character is that Saul Goodman is very comfortable in his own skin. He seems to be a character who is pretty happy with himself, especially when we first meet him. He seems to be a pretty happy-go-lucky guy, and that makes him everything that Walter White is not. And that also makes for tricky drama. When I say drama, even in a comedy, you want drama, you want tension and conflict, and a character that at heart seems at peace with himself is intrinsically undramatic. [Laughs] So we’ve been thinking about how to address that issue.
Could some of the action be set in the Breaking Bad era as well?
It could. That’s why I love the possibilities of the show so much. Anything is possible, and I can’t make any promises that we will indeed see that kind of stuff, but I can tell you from a writer’s point of view, it’s very freeing and emboldening to have those opportunities available to you.
How many characters from Breaking Bad might pop up or even have an extended role?
The character that springs to mind would be Mike (Jonathan Banks). That would be a great deal of fun. I would say the sky’s the limit, at least theoretically speaking. Realistically speaking, we’ve got a whole lot of actors, and the world is now well-aware of their wonderful talents and abilities, and therefore Breaking Bad has probably made it tougher for Peter and I to get some of these folks pinned down for another TV show. They’re off making big movies and doing Broadway plays and whatnot, and that’s exactly the way it should be. That is a high-class problem that we will have to contend with as we go forward with Better Call Saul, if we do indeed want to touch base with some of these characters… Better Call Saul could be The Love Boat of its generation, where instead of Milton Berle showing up in a sailor’s cap, hopefully it could be Aaron Paul, also in a sailor’s cap. [Laughs]
I would suggest using a lot of Jonathan Banks in order to add drama which might not be found in Bob Odenkirk’s character. Incidentally, we have already seen Jonathan Banks on Community and Vince Gilligan will also be making an appearance.
Community returned with two episodes, Reboot and Introduction to Teaching. Dan Harmon returned and did successfully reboot the show, putting the changes from last season behind. Reboot was the weaker of the two as Harmon did have to spend time setting up the scenario of having everyone back again at Greendale. I would have been satisfied if they simply said the fourth season was a dream and picked up from where season three left off but there was the obvious need to continue the narrative where the show left off last season. I bet that after this, repilot and gas leak year will enter the general vocabulary to describe future shows in similar situations which have a down year under the wrong creative team and then reboot afterwards.
The surprising thing about the episode was the cameo from Chevy Chase. Dan Harmon explained in this interview with IGN:
IGN: Chevy’s cameo was a very nice surprise. How did that come about, and how did you decide upon the specific way it happened in the episode?
Dan Harmon: Well, there’s always the point in every story when a character that’s gone down a certain path needs to have a reason to turn. One of the easiest things to do is have a moment with a mentor, a kind of Obi-Wan figure. I was really just considering what the story needed in the moment where Jeff is walking away with the power to destroy or save Greendale in his hands. What the story needed was someone to turn him, and I did picture Pierce immediately because if he was still on the show, that’s exactly how we would use him, and it’s a greater fact that he was always at his best as this sort of hapless Obi-Wan or a cautionary tale or unintentional mentor – trying to be a mentor in one way, but actually inspiring in a different way. It just seemed like one of those big moments where it was like, “Man, I really miss having that Pierce character,” and I literally pictured him in my head like this Industrial Light & Magic ghost that would appear in front of Jeff and say, “Don’t do this. Go back.” Then I thought, “Okay, then how do we actually make that happen, logically?” The answer was, “Well, actually what you’re describing could just be a hologram, because it doesn’t need to be having a conversation with Jeff. He just needs to say something. He just needs to be a vision.” He can’t be a literal ghost, but he could be a hologram, because Pierce has money, and that seems like the kind of thing you associate with Pierce — that whole Baby Boomer/Sharper Image kind of technology for its own sake kind of thing. And actually, that would work perfectly, because it would allow Chevy to come back to the show without panicking Sony legal, because he wouldn’t be on the set.
I wasn’t there when Chevy departed, but I know he had a specific agreement with Sony in which the terms of his departure were contractual and there was an agreement on both sides. I don’t really know more details than that except to say that simply bringing him back would be a contractual issue. So I was able to say to the studio, “What if we weren’t bringing him back? What if we were shooting him on a separate stage with no other actors around. Would that be allowable?” And they said, “Yes.” So it became this idea. I knew Chevy would be on-board because he’s an arch character, but I know that at the end of it all he always loved doing the show and would be more than willing to come back. He’s very passionate about making people laugh. So I texted him, and he said, “Absolutely, I’ll do it.” And then there was the weird thing of, we really didn’t want that to leak too early because it’s such an easy thing to spoil, and it really does spoil it, I think. So we wanted to see if it was possible to keep it under wraps until it aired. We actually kept it a secret from as much of the crew as possible, other than there were some people we needed to shoot Chevy, but we didn’t tell anybody that we didn’t have to tell. At the table read for the episode, we wrote a fake scene where Jeff is turned by Star-Burns. [Laughs] That’s actually, unfortunately, a really funny scene that the actors got really excited about, because it’s the reveal that Star-Burns is alive and that he’d been hiding on campus and faking his death to avoid death charges. The question is, why would he pick the campus to hide on? It’s the dumbest hiding place in the world, and he doesn’t know why, there’s just something special about the campus, like it was home or something. And that’s what turns Jeff.
There is new conflict coming up on The Big Bang Theory next week as Bernadette goes to a rival comic book store to purchase something for Howard in the picture above.
It might be hard for younger readers to imagine how life was before personal computers and the internet. Communication was by telephone or mail. We either waited for the daily newspaper for news (beyond brief radio headlines) or watched the evening news on television. Many people waited for the weekly news magazine for the bulk of their in depth reporting. There were telephone numbers to call if you wanted the correct time or weather–and phones were a boring wired device. We waited until the bank statement or credit card statements came in the mail without a convenient way to check on them in between. Needless to say, there was no easy way to get the answer to virtually any question we had on any topic.
Back in 1974 computers were massive things which would fill rooms, not something which we would buy for our home (or now carry in our pockets). Considering how much things have changed, science fiction author Arthur C. Clarke got things amazingly correct in his predictions seen on this video.
The Time of the Doctor tried to do many things at once: be a Christmas episode, be an action story, tie up questions from the Matt Smith era, be a regeneration story, and be an homage to the Matt Smith era. It succeeded or failed to various degrees in each, but in the end managed to do enough to be a memorable chapter in Doctor Who, especially as a proper way to end the story of the eleventh Doctor.
After recent Christmas episodes which were more clearly based upon Christmas stories or themes, The Time of the Doctor resorted to naming the town where the Doctor spent centuries Christmas, along with brief scenes of Christmas dinner at Clara’s home. There were far too many other things to accomplish to get bogged down with a true Christmas story, but this sure gave a new meaning to the War on Christmas.
Sometimes if felt like he has been making new interpretations up as he went along, but Steven Moffat did try to tie up loose ends from not only the Matt Smith years but, in dealing with the Time Lords and the regeneration limit, the entire series. He handled the regeneration limit well, explaining the situation for those who have not already read about it on the blogs and without dwelling on it too long for those who have already heard the discussion. Matt Smith quickly explained to Clara that he was on his last regeneration once you counted the John Hurt Doctor:
CLARA: “But you don’t die. You change – you pop right back with a new face.”
THE DOCTOR: “Not forever. I can change 12 times. 13 versions of me. 13 silly Doctors.”
CLARA: “But you’re number eleven, so -”
THE DOCTOR: “Are we forgetting Captain Grumpy? I didn’t call myself the Doctor during the Time War, but it was still a regeneration.”
Explaining yet another previously uncounted regeneration, the Doctor pointed out that “Number Ten once regenerated and kept the same face – I had vanity issues at the time.”. Of course we knew that somehow he would not die at Tranzalor any more than he died at Lake Silencio, but instead would regenerate despite the previously established and easily broken regeneration limit.
Before nearly dying of old age, the Doctor spent over 300 years on Tranzalor fighting the Daleks and others at a standoff. Several other enemies were also thrown in, often quickly. The Weeping Angels were present only to briefly grab Clara’s ankle (without sending her back in time). The Cybermen had a cameo, with far more memorable scenes from Handles, a severed Cyberman head who chronologically became the companion to spend the most time with the Doctor and was reminiscent of K-9. These cameos would have been pointless, and even distracting, in a normal story, but were present as part of the homage to the many events of the Matt Smith years.
After frequently throwing out the question, Doctor Who? into many stories, Moffat made the answer a key point of this story. Unfortunately the explanation makes little sense once you think about it. The Time Lords were hidden in a pocket universe and would not return until the Doctor said his real name. It doesn’t make much sense as to why this would be so important and why the Time Lords would even think that the Doctor would want them to return. Many events during the Matt Smith years have been revealed as being based upon attempts to prevent the Doctor from bringing back the Time Lords. Why would they think that the Doctor would do so after he was the one who made them disappear? Gallifrey was hidden behind the cracks in time which have been present in multiple episodes. Why didn’t the issue of the Doctor’s name or the return of the Time Lords come up around prior cracks.
I fortunately downloaded the BBC broadcast as I hear that at least one key explanation was cut from the BBC America version for commercials. The Silents were revealed to have been genetically engineered priests. Once someone gave their confession, they would forget about the confession. A cool idea until you question why. The key line which I heard was cut from the US showing was that Madame Kovarian led a renegade offshoot of the Silents from the Papal Mainframe which was dedicated to killing the Doctor as the way to prevent him from speaking his name and allowing the Time Lords to return.
Moffat managed to tie in many previous events into this narrative, including the explosion of the TARDIS. River Song was created as a perfect psychopath to kill the Doctor (but he wound up marrying her instead). The Doctor’s greatest fear behind a door in The God Complex was revealed to be a crack in time. The episode included other references to earlier in this regeneration, such as eating fish fingers and custard before regenerating, as the Doctor did after regenerating from Ten to Eleven. There were also references to earlier regenerations, such as using “reverse the polarity to the neutron flow.” Eleven has now said this more often than the Third Doctor actually did. The Doctor also referred to The Five Doctors with use of the“Seal of the High Council of Gallifrey – nicked it off the Master in the Death Zone.”
Moffat created a memorable new character in Tasha Lem. She seems to have had a romantic history with the Doctor and can even fly the TARDIS. She explained to Clara,”Flying the TARDIS was always easy. It was flying the Doctor I never quite mastered.” Such dialog could easily come from River Song, the only person other than the Doctor who we previously saw fly the TARDIS. The Doctor told Tasha Lem, “You’ve been fighting the psychopath inside you all your life,” reminding us of how River Song was called a psychopath in the same episode. Perhaps the episode was written with thought of including River Song. There has been some speculation that Tasha Lem is yet another manifestation of River Song, possibly taking a new bodily form after leaving the library.
Moffat also has a habit of bringing up themes and then dropping them (but you never know if he will one day return to them). The Doctor faking his death at Lake Silencio had no long term meaning as subsequently everyone still seems aware that he is alive. Clara’s wiping of the Dalek memory of the Doctor in Asylum of the Daleks has been forgotten. Moffat played with the meme that the Doctor lies by putting him in a truth field in this episode. This was also forgotten. The Doctor lied to Clara when he said he told her he would not send her away and lied at the end about having a plan.
Moffat even took advantage of Matt Smith having cut his hair for a movie role. The Doctor hid a spare key to the TARDIS under a wig. The scene only worked because of the knowledge that Matt Smith was actually wearing a wig during the filming of the episode. It also reminded me of when Sam Malone revealed he was wearing a wig on Cheers after word got out that Ted Danson actually wore one.
The episode might have been improved by making it longer than an hour and providing a more sensible conclusion. The Time Lords sat behind the crack and did nothing for years. Then Clara said, “His name is the Doctor. All the name he needs, all you need to know about him. And if you love him… help him.” This was enough to get the Time Lords to act. While questionable, it is at least consistent with the Doctor Who theme of often having the companions perform important actions to save the Doctor.In a way it also resolves the issue of the Doctor’s real name by pointing out that it doesn’t really matter.
The Time Lords gave the Doctor a new regeneration cycle. Previous episodes have established that this is very rare, but not without precedent. It remains to be seen whether twelve more regenerations will be enough to keep the Doctor alive as long as the show continues or if another way will need to be found to grant additional regenerations in the distant future. The regeneration energy was enough to enable the Doctor to easily shoot the Dalek ship out of the sky. If the Time Lord’s possess this much power, it is hard to believe that they were ever seriously threatened by the Daleks during the Time War.
Time has been rewritten and the Doctor did not die on Tranzalor. This would also mean that there is no tomb where Clara was fragmented into multiple copies to save the Doctor from The Great Intelligence. Yet another of those timey wimey paradoxes.
The regeneration was drawn out, enabling Matt Smith to appear yet again as a young man, eating custard. The episode showed growth for the Doctor. Ten didn’t want to go and Eleven hated endings. Finally Eleven was ready and accepted his fate as “times change, and so must I.” As he saw Amelia Pond, the first person he saw as the Eleventh, he said, “I will always remember when the Doctor was me.”
Karen Gillan will always be the companion most closely thought of with Matt Smith. Like David Tennant visiting Billie Piper for one last time before he regenerated, a vision of Amy Pond got to say to the Doctor, “Raggedy man. Goodnight.” Ironically both Karen Gillan and Matt Smith were wearing wigs in this picture, having cut their hair for movie roles.
Some fans have been disappointed because the regeneration scene did not show a prolonged transformation of the face from Matt Smith to Peter Capaldi. I suspect this might have been for budgetary reasons. I thought it was far more symbolic to have Matt Smith remove his bow tie just before changing. Bow ties and fez hats belong to the Eleventh. Others might wear them in his honor, but it will always be remembered that it was Matt Smith who said, “Bow ties are cool.”
As with previous regenerations, Twelve was observant of his bodily changes.”I’ve got new kidneys! I don’t like the color!” There are bigger concerns when the TARDIS alarms go off and he asks Clara, “Do you happen to know how to fly this thing?” It sounds like we might have another crash scene coming up, unless either he is either messing around with Clara or soon regains his memory.
Unfortunately we have to wait until next fall to find out.