SciFi Weekend: Hannibal Canceled By NBC; Humans Premieres; Catastrophe And Other Summer Television Choices; Death Of An Avenger; Another Superhero Crossover; Heroes Reborn

Hannibal Aperitivo

This season forth episode of Hannibal, Aperitivo, dealt more with aftermath of the second season finale.  The biggest surprise was that Dr. Chilton is alive, and out for revenge against Hannibal. It even turned out that many of the lines initially shown to occur between Will and Abigail earlier in the season actually happened when Chilton visited Will in the hospital. Chilton also compared notes with Mason Verger on making up their face–if you show yours I’ll show you mine. Jack and Alana are also both alive. Will confessed to Jack that he had called Hannibal hoping he would flee. Alana met with Verger, warned by Margot,  “If my brother offers you chocolate, politely refuse.” Hannibal was not seen in the episode, but the the set up has now been completed to have each of these characters come after him.

This week NBC announced plans to cancel Hannibal after this season and there is a scramble to find a replacement network. There has been talk about both Netflix and Amazon but it does not sound likely that Netflix is much of a possibility due to the deal with Amazon to stream previous seasons. Hopefully Amazon will be interested in picking up the show. If not, The Food Network sounds like a good match.

Even if Hannibal is renewed, Bryan Fuller will have a reduced role due to becoming show runner of American Gods.

Humans

Humans premiers in the United States on AMC tonight but the first three episodes have already been shown on Channel 4 in the U.K. After downloading episodes I highly recommend it. Unlike far too much science fiction on television, this show is not satisfied with a clever idea. It handles both characters and plot well, and as a result is likely to be enjoyed even by people who do not normally watch science fiction. This review avoids major spoilers but those who want to be entirely surprised in watching the show might not want to read this before watching the first episode as some minor events are mentioned.

Humans looks at the implications of something which could really happen in the not so distant future. The premise is that synthetic humans, known as Synths, start doing our mundane work, both in industry and the homes. This leads to issues such as a wife, played by Katherine Parkinson, whose many television roles included Jen from the IT Crowd. I see a certain irony in her having played Jen, the computer-ignorant woman placed in charge of the IT Department, to now play a woman who is skeptical about the Synths. Her daughter questions the point in studying if Synths could do anything. A man with Alzheimer’s uses his Synth to help him remember the past. The twist is that his Synth is a first generation one, slated for replacement, which has memory problems of its own.

Naturally the sexual implications are also explored, including Synths used as prostitutes. In one scene Parkinson’s husband looked at the directions which came with their beautiful Synth for those 21+ , and in another scene his son received a warning about inappropriate touching.

Besides looking at the sociological ramifications of the Synths, the show is also a thriller. Some of the Synths are secretly self-aware and communicating with each other. Also, while most of the Synths act in a characteristic way, don’t be so certain that everyone who appears human really is.

Catastrophe

Incidentally, besides Humans, another recent show from Channel 4 has become available in the United States. Catastrophe recently became available on Amazon. Think of it as if Welcome to Sweden took place in the U.K. and was written by the people who wrote You’re The Worst. While not genre, it did include one genre reference. In one scene a character is wearing a shirt saying, “Where is Jessica Hyde,” referring to a genre show on Channel 4, Utopia. I have also watched Jonathan Strange and Mr. Norrell from the BBC beyond what has been available in the United States and recommend this miniseries based upon the book.

In other summer television news, Extant returns this week, reportedly with major changes from the first season. Under the Dome returned last week, but I have not had time to watch the two-hour season premiere. I also have not had time to watch Mr. Robot yet. Apparently Humans is about robots, but Mr. Robot only has humans and no robots. I have held off on watching True Detective following poor reviews. The first season was only worth watching, despite a weak plot, due to the excellent work by Matthew McConaughey and Woody Harrelson.

Over on Syfy, Defiance is much better in its third season. I still couldn’t call it a must-watch show for science fiction fans, but if anyone has seen the first two seasons was undecided about watching the third I would say to go ahead. It is much better having eliminated some of the characters and bringing in a new big-bad for the season. I have not watched their other Friday night show, Dark Matter, after hearing from several people that it is awful.

Avengers BBC

The “original Avenger” has died. Patrick Macnee of the 1960’s British spy series, The Avengers, has died at 93. Initially the show is well known for the role played by Diana Rigg.

Marvel Studios and Warner Brothers might not be the only ones with a superhero universe including crossovers from other characters. Marvel Studios has The Avengers (obviously different from The Avengers  pictured above. Warner has separate universes of DC superheroes both on television, and in with Justice League of America.   20th Century Fox, which owns the rights to X-Men and Fantastic Four, is rumored to be doing a crossover of these two franchises.

Emma Watson and Tom Hanks will be staring in the movie adaptation of The Circle, an excellent novel about current trends in social media going too far.

The Guardian looks inside Amy Schumer.

Joel McHale has been interviewed by Esquire, including about Community and his upcoming appearance on The X-Files. He has been predicting a Community movie but not a seventh season. #sixseasonsandamovie

A trailer has been released for Heroes Reborn:

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SciFi Weekend: Season Finales of Orphan Black, Game of Thrones, and Veep; Hannibal And Creating Monsters; Breaking Bad Cast News

Orphan Black Season 3 finale

Orphan Black concluded its third season with more answers, bigger questions, a cliff hanger, and several clones together. Last season ended with the clone dance party, and this season began with Helena’s dream baby shower. In the third season finale, History Yet To Be Written, several clones were together, seemingly out of danger for the moment, at Alison’s victory dinner. Afterwards Sarah was reunited with Kira.

The convoluted storyline has often had characters seem to change sides. For much of the finale it appeared there might be a peace between Dyad, Topside, and the Leda clones which included an agreement to share genetic material from Kendall Malone. Then the show suddenly reverted back to the conspiracies of the first season with the return of the Neolutionists, who are far scarier than when Dr. Leekie was around, with Susan Duncan apparently in charge.

This news ended any idea of sharing genetic material, and upset Ferdinand, who really hates “those genetically obsessed zealots.” He said they’re like ticks, quickly decided that his henchman accompanying him was one, and gave him a bath in sulfuric acid. Ferdinand, incidentally was finally informed that the “dirty clone” he was involved with earlier in the season really was Sarah pretending to be Rachel.

Rachel, meanwhile, spent most of the episode wondering where she was, until Charlotte (the younger clone with a leg brace) showed up, who for unexplained reasons is now with Susan Duncan with no evidence that  Marian is around. Rachel’s new eye appears robotic, while surprisingly Krystal not only came out of the coma, but still had two eyes. Most likely we will still see her next season but it remains to be seen how she will escape from Dyad, especially if Delphine is really dead.

Delphine was told she would be dead by morning, and spent the rest of the episode apparently saying her goodbyes, suggesting that she might really be leaving the show. In the episode’s cliff hanger, she was shot by an off-screen assailant. The episode was written as if it was a final one for Delphine, but on a show such as this we can never be certain a character is really dead.

For the moment it appear that obstacles between Shay and Cosima have been removed and Shay might very well be innocent. She does have a point that Cosima has not been all that honest with her either. Of course on Orphan Black, a person who seems innocent at one moment might be shown to have a connection to one of the conspiracies at any point in the future.

Helena got to both see her old boyfriend and fight Rudy under prison rules, “only one of us leaves alive.” Needless to say, Helena won.

The finale left many questions, including who shot Delphine, what the Neolutionists are up to, and what the robotic worm in Dr. Nealon’s mouth was.

Orphan-Black-season-3-finale-3

An interview with Graeme Manson at AV Club leaves the door open for Delphine to return at some point:

The A.V. Club: A lot happens in this finale. There are so many questions, but the first one has to be: Is Delphine really dead? It looks like yes, but there’s no body, and yours is a twisty show…

Graeme Manson: Um… yes. Yes, but. Orphan Black is a cliffhanger. For all intents and purposes, Evelyne [Brochu’s character] is dead. But there’s always a crack of hope in an actor’s busy schedule. They can reappear somehow. But we had to make a bold story choice, and it was a story choice that was very collaborative with Evelyne. It’s a role that we wrote for her. It’s hard to make those big story choices with co-workers that have become your friends, but you got to do it. You got to do it for the good of the show. It’s about the whole story; it’s not about anything else. I mean, we really went for the strongest choice. And Evelyne was up for dying! [Laughs.] Actors really respond to the strong choices. We had made this decision early on that this was the arc of this season, and that we would go for it with the character as an individual. Go out with a bang.

AVC: Speaking of significant deaths: There was Paul’s sacrifice earlier this season, and by the end of this season, every male clone but Mark is dead. You spent a large chunk of this season shading in the male clones’ background with Castor… so how finished do we think Castor is at this point? Does this mean Ari Millen won’t be back in as significant way next season?

GM: Well, it’s every male clone but Mark that we know of. It’s a big-picture story, and so obviously we left the door open for Mark to come back. I think we can all look forward to Ari Millen next year…

AVC: This season alone several factions were fighting for and against the clones: Dyad, Proletheans, Topside, Castor, and apparently, the Neolutionists behind all of it, as we found out in the finale. Do you ever feel penned in by the ever-complicating mythology?

GM: Well, I think this year was a lot about Sarah fighting her way toward an understanding through a conspiracy with a lot of factions. At the end of the season, she’s cut through that, and she’s got one main foe or focus now moving forward. We met Neolution in the beginning with the sort of “pop science” of Leekie. It’s been the fifth column this whole time. I think Sarah can move forward next year with a new understanding, and a new focus on a many-layered but single foe.

Manson was also interviewed by The Hollywood Reporter.

Kira (SKYLER WEXLER) and Sarah (TATIANA MASLANY)

Variety interviewed the co-creator John Fawcett:

First you killed Paul, then you shot Delphine — do you just hate happiness?

[Laughs.] I like happiness as much as the next person, but happiness sometimes isn’t as dramatic as tragic love stories.

Can you definitively confirm that Delphine is dead, or is there still hope?

I would love to say yes or no, but this is “Orphan Black” and I don’t want to say one way or the other … We wanted to leave it in a hanging cliffhanger, so is she dead? Is she alive? I want the audience asking those questions.

Aside from Delphine’s shooting, the season finale ended on an uncommonly hopeful note. Why did you want to go that route instead of ending with a cliffhanger this year?

It was really important for us in one of our most complex seasons to end with a lot of answers and feel like we’ve had some triumph and victory, and be in a place at the end of season three where we could go “now we can take a breather, we can reset.” We didn’t want to end the season in some giant cliffhanger that meant we were gonna have to start exactly where we left off. We wanted to feel resolution and have more of an emotional ending to season three, so that it gave us a chance to reset for the beginning of season four. We just wanted a very different feel.

On a related note, it’s been awesome to see Alison’s suburban subplot add some levity this season — how important was it for you to have that balance when the ongoing mythology has been so dark and complex?

One of the things that was fun about season three was the fact that Alison and Donnie became “Team Hendrix” and had their own storyline. It was a different way to approach Alison this season for us, and it was nice, just from a writing standpoint, having a clone character that we love have a very different story to tell that wasn’t necessarily linked to the main plot where everything has to be interwoven super intricately. It was nice to be able to use that as a breather and a little bit of lightness. Moving forward, most of the time, we’re using elements to set up things that we want to do, that we know are in our plan for season four and five, so that’s all I’ll say [about Alison’s storyline].

Was it always the plan to have the Neolutionists as the ultimate antagonist, or something you decided over the course of making the show?

When we put Neolution in season one, it was to pave the way for this later season. It was definitely part of the big picture. That was definitely premeditated.

What about Susan Duncan still being alive?

That was something that we always intended. That was part of the mystery of the past: the explosion in the lab, Dr. Leekie and the Duncans and young Rachel…

here’s been criticism from some viewers over the past couple of seasons that the show’s mythology is getting too convoluted, which I suppose depends on how much you appreciate serialized storytelling. Is that kind of critique something you pay attention to?

It always is — we don’t wanna confuse people but the deeper you go into a mystery, the more balls you’ve got to juggle. It’s a complicated story. I felt like it wasn’t that complicated, but I think the point of this conclusion, coming to the end of this season, was always to be able to go “okay, we got all these answers, so what’s next?” and leave the audience peeking into a brand new rabbit hole, and the nice thing about looking into a new rabbit hole is that you get a chance to begin again a little. There’s elements that I miss from season one too — Sarah not knowing, at all, what she’s facing or what any of this is about, and I think that’s a place we always intended to go at the beginning of season four.

How cognizant are you of the need to maintain the mystery but not withhold answers for too long? It seems like a lot of serialized shows have struggled with that ratio after “Lost,” where viewers become frustrated that mysteries are just piling on top of mysteries with no resolution in sight.

It was a real issue with “Lost” because it made people very grumpy, and it made me wonder whether the creators knew where the show was going or not. When Graeme and I first started on the show, it was like “let’s map out where we want to get to. What’s the endgame? What are the tentpoles for however many seasons we want to tell this story for?” And make sure that every step along the way, we’re giving enough answers. We may get more questions as we go, but we’re giving enough answers to the audience to keep them satisfied that they’re not just watching something that doesn’t have any conclusion.

Fawcett was also interviewed by Entertainment Weekly.

Game of Thrones Walk of Shame

Game of Thrones also ended its season with questions over the fate of major characters. Unlike previous seasons, the show has now caught up with the published books, so while the books might provide additional clues, there are no definite answers.

The biggest question is whether Jon Snow is dead, or whether he will come back from the dead. Many of the interviews suggest he is really dead, but they are not accepted as final. If something major happens to a character and then an excuse to return them to life is brought about later, it will often feel like a cheat. This can plausibly be done with Jon Snow based upon the world we have seen. There has been speculation from fans about multiple ways in which Snow could have survived, or be brought back by life, with many of them already foreshadowed in previous episodes. Going more meta, I wonder if he will return primarily because he has provided the major point of view of events at the wall. Some of the stories taking place there have been among the weaker story lines, but they would be even weaker without Jon Snow. It is hard to believe that events at the wall will not continue to be of major significance with winter coming.

Stannis Baratheon was not shown to actually be killed making it very plausible that he survived. Going meta with him, it sure looks like his storyline has been concluded. On the other hand, he does have one of the stronger claims to the Iron Throne, and he might still have a role in whatever end game is planned. Maybe he will wind up returning to the wall, although I don’t see replacing Jon Snow with Stannis as an improvement to the story.

Arya got to kill a  henchman for the Lanisters, but wound up going blind. Either she will have to regain her sight, or become like Daredevil. Otherwise it is questionable how significant her character can be.

Daenerys, after flying away on a dragon, wound up surrounded by a Dothraki horde. Depending on how they respond to her, and whether her dragon quickly recovers, she could either be in grave danger or have a new army at her disposal.

Cersci went from a hated villain to now having an opportunity to be cheered by fans when she inevitably takes revenge. She puts a whole new meaning on “walk of shame.” Those who filmed the scene apparently overlooked the problem of different lighting and on Lena Headey’s’s face and the  length of the neck and on her body double’s (Rebecca van Cleave) nude body, or else they assumed that nobody would be paying much attention to her neck and above. Margaery continues to be held by the religious fanatics. Natalie Dormer would probably have no qualms about filming her walk of shame, even if it also involved full frontal nudity, without a body double.

Veep finale

HBO’s also had two comedies end their current seasons last weekend. Silicon Valley’s second season was better than the first. The ending of Veep suggested where they are going next season, probably eliminating the minor issue that the show is named Veep but this season Julie Louis Dreyfus’ character played the president. The election ended with an electoral college tie and the characters desperately tried to figure out what that meant. One even questioned if they could look it up in a book. One scenario would be having the House also be tied, with the Senate picking Tom James as president. Presumably he would then chose Selina as his vice president, bringing the character back in line with the show’s title.

This would bring things partially back to how the show was first season, with some potential differences. First season the president was rarely seen, especially by his vice president, and Selena had no power or influence. Depending upon how much Hugh Laurie will be in next season, there could be an unseen president or a president with a major role. It would be plausible to have a President Tom James either ignore Selena or make use of her.

Jonah wound up the season looking more respectable, even if as the Testicle Man. It worked out well to temporarily have Dan and Amy play lobbyists and television talking heads (along with a Nate Silver type character), but I wonder if they will be brought back in to the administration next season. At least it certainly looked like Amy would return to the inner circle by the end of the finale.

HANNIBAL -- "Secondo" Episode 303 -- Pictured: -- (Photo by: Brooke Palmer/NBC)

This week’s episode of Hannibal, Secundo, dealt with the making of monsters. This might winding up summing up Will Grahams’s entire story. This does not apply to Hannibal as we were told, “Nothing happened to me. I happened.” Will traveled to Hannibal’s family home in Lithuania where he encountered Chiyoh who is holding in a dungeon the man who apparently killed Hannibal’s sister Mischa and fed her to him. Conversations between Hannibal and Bedelia suggest that Hannibal was really to blame. Chiyoh was left to guard him when she would not allow Hannibal to kill him, but ultimately wound up killing him after Will set him free.

Chiyoh was not the only person manipulated into being a killer this episode. After Hannibal stuck an ice pick in a dinner guest’s head, Bedelia pulled out the ice pick to put him out of his misery. Hannibal made a point of stating, “Let the record show, you technically killed him.”  The two are definitely playing a dangerous game with each other, but their ultimate motivations are not clear. Bedelia noted how Hannibal is bringing everyone back together. This episode showed Jack also alive and  hunting Hannibal, and soon they will be joined by Chilton, Alana, and the Vergers. Bedelia warned Hannibal that he would be captured, and the two discussed how Hannibal must react when he encounters Will in order to forgive him: “I have to eat him.”

Besides playing Dr. Bedelia, Gillian Anderson is also reprising her role as Scully on the X-Files revival. Speakeasy interviewd Anderson about these roles:

It’s hard to tell whether Bedelia is Hannibal’s prisoner or if she’s actually playing him in a way. Where do you think his head is at once they settle into Florence and Hannibal has begun to kill again?

The trouble that I have in doing interviews about Bedelia is that part of what is interesting about her is what we don’t know and is about the lingering question marks. If I were to answer [about] my thought my process in it or what I feel is motivating her, where I think she’s standing or what Bryan has told me, it completely takes the joy out of it for the viewers. So, I often struggle in interviews to have anything of value to say … because I’m trying to protect the viewer in having a real-time and organic experience rather than being told what’s going on.

Everybody wants to know, but it’s almost better in not knowing, I think. I’ll say that she’s intrigued and she’s scared and she’s in way over her head. But I think where the question mark lies is still within that. Where lies her complicity? Where lies her power? Does she actually have the upper hand without him realizing it? Those are the multi-leveled question marks.

At the end of episode one, which everyone has seen already, Hannibal tells Bedelia she isn’t just observing, she’s participating. Do you think that’s true? How culpable is she especially in that instance?

I think it changes halfway through. Not that she would be able to do anything about the current moment and what is transpiring in front of her, but she recognizes, legally, in that moment, if she continues to live there that the longer she stays, the more she will seem to be complicit in what’s going on. I think that is partly why she then starts to do what she starts to do, which I can’t talk about. The question that he poses in that moment is a question she works out for herself in that moment. Her reaction to it is what then moves her storyline through the rest of the episodes. That’s potentially quite a big turning point...

Duchovny recently said the script for the new “X-Files” made him cry. How did it make you feel?

I think since I’ve come up to Vancouver [to shoot “The X-Files”], I’ve become more excited, emotional and embraced the journey we’re about to go on. I’m actually really excited. I don’t think it initially hit me in the first read, but it was more to do with my needing to compartmentalize and not really address the fact that it was all about to happen until I actually got up here because there were too many other things I have to think about.

Breaking Bad

We will be seeing more of the cast of Breaking Bad. Vince Gilligan has said that Bryan Cranston will appearing on Better Call Saul, but not until after the second season. There are also reports that Cranston will be directing some episodes.

Aaron Paul will be returning to a regular episodic television in The Way which will appear on Hulu. It is a family drama about a a family involved in a controversial religious movement, produced by Jason Katims and written by Jessica Goldberg. Their past work on Friday Night Lights and Parentood provide promise for this show.

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SciFi Weekend: Hannibal; Orphan Black; iZombie Season One Finale; The Flash; The Leftovers; The Man From UNCLE

Hannibal-Season-3-Episode-2-e1434150257687

While last week’s episode of Hannibal jumped ahead and left open the fates of those left for dead in the season two finale, Primavera centered on Will and flashed back to the aftermath of the bloodbath. There was no indication on screen as to the fate of Jack Crawford and Alana Bloom but I was surprised to see Abigail walk into Will’s hospital room early in the episode. I was surprised a second time when it was revealed that Abigail was only in Will’s head, most likely representing the part of Will which still wanted to be with Hannibal.

The other key character of the episode was a police officer named Rinaldo Pazzi who had history with Hannibal. Years ago he investigated the murder of a couple who were arranged like a painting. Will explained how Hannibal operated, including how he doesn’t leave evidence– as he eats it. The climax of the episode was a search through catacombs. When Will warned Pazzi that he shouldn’t be be down there alone, with the warning that Hannibal will kill him (which will probably happen at some point), Pazzi pointed out that he had Will with him.

Will’s response summed up the episode: “You don’t know whose side I’m on.” The problem is that that Will himself doesn’t know, and if he was smart he would followed the advice he gave Pazzi and remain home with his dogs (and Alana if she survived). There was another clue as to Will’s state of mind when he said at the end of the episode, directed towards Hannibal,  “I forgive you.”

This still leaves open how each will respond when they actually meet again.

Orphan-Black-Insolvent-2

The penultimate episode of the season of Orphan Black, Insolvent Phantom Of Tomorrow, gave more answers, regardless of whether plausible. Allison’s days as a drug dealer appear to be coming to an end, but the storyline provided for an unexpected pairing of Donnie and Helena. Helena was disguised as Allison, but under the circumstances it was more useful for Donnie to have the psychopathic killer clone along. The big mistake at Pouch’s warehouse was for the drug dealers to first take Helena’s tank with her embryos, and then threaten Donny and who they believed to be Allison’s children. Helena told them, “You should not threaten babies.” She then made them pay for the threat, and then rejoin Donny with the money he had lost, and more. “I got refund, we should go now.”

Delphine again showed how terrifying she can be, threatening Shay’s life believing that she had given the information about the book to the Castor group. It really didn’t come as a surprise when it turned out that Gracie and not Shay had sold them out to please her guy-clone. Seeing Delphine hold that razor blade after Cosima phoned her about Gracie, I half expected Delphine to tell Cosima that it was too late and then proceed to kill, or at least torture Shay.  The previews revealed that Shay remains alive, although I wouldn’t be at all surprised to find out that there is still more to her than appears.

The biggest revelation took place in London when Kendall Malone turned out to be Sirobhan’s mother, who had absorbed a male twin in the womb s0 that she has two cell lines. She was the original cell line for Castor, but they couldn’t kill her as planned  because she also was the original cell line for Leda, having both male and female cells. Not only are Castor and Leda brother and sister as we learned earlier this season, this would also mean that Sarah along with the rest of the clones and Siobhan actually are biologically related.

If this didn’t set up enough for the season finale, Ferdinand and Topside are also back.

izombie Season one finale

Like Veronica Mars, the previous hit from Rob Thomas, iZombie was enjoyable more for its season-long arc and the characters than for the case of the week. By the season finale much has changed, including more people knowing that Liv is a Zombie. David Anders, as usual, made a fantastic villain, this time as Blaine. He had a great racket going, turning people into zombies, and then selling them brains. As opposed to the typical zombie show, the zombies on iZombie kept their human memories as long as they had a steady supply of brains to eat. Now that Blaine is no longer a zombie, will he keep his racket going? If not, where do the zombies he created get their brains, and do we  wind up with a zombie apocalypse?

Rob Thomas discussed the finale and second season with E!:

E! News: Blaine and Major have both been cured—are there going to be any complications with becoming human again?
Rob Thomas: Yeah, there will be. Ravi would not have wanted to put that cure on the market yet, and for good reason. There will be side effects. There will be fallout from that. It won’t be as easy as boom, you’re human again, go enjoy the rest of your life. Blaine will have to try to maintain his zombie world while being human so we’re going to have some fun in season two with him trying to pass as a zombie. Imagine him trying to put on white face to convince his clients that he’s still a badass who they should be afraid of.

Liv’s brother is in critical condition by the end of the finale—how is this going to shake up their family dynamic especially since Liv can’t give her blood to save him?
It will have real repercussions next year. We know that the season two opening scene is going to be a really rough scene with her family. They do not understand the decision she made and it’s kind of impossible for her to tell them.

iZombie -- "Dead Rat, Live Rat, Brown Rat, White Rat" -- Image Number: ZMB112B_0203 -- Pictured (L-R): David Anders as Blaine DeBeers, Aleks Paunovic as Julien, and Robert Buckley as Major Lilywhite -- Photo: Liane Hentscher/The CW -- © 2015 The CW Network, LLC. All rights reserved.

More in an interview at TVLine:

TVLINE | There’s not one, but at least three major cliffhangers in the finale. Was that always the plan, even before the show was renewed?
Yes. In fact, it’s been the plan for a long time. When we offered [Robert Buckley] the role of Major, he called me and said, “Listen, I just want to make sure that I’m not just going to be the boy that Liv pines for, that I’m going to have something to do,” and I pitched him the exact ending of the show. I said, “It’s going to end like Taxi Driver. You going into the zombie headquarters and mowing people down. You will have gone through this horrible journey. You will have this moment where you get to take out all these enemies.” So we were always building to that.

And probably around midseason, we had some ideas on how we wanted to reset for Season 2. We announce our big Season 2 storyline right there in the finale. Vaughan, the head of Max Rager, says, “We’re going to take out all the zombies.” So that will be a big part of Season 2, and it will make Liv and Blaine strange bedfellows. One of the things that was rough in Season 1 was we loved those two actors on screen together, but part of the season arc was Liv searching for Blaine. We couldn’t play them on screen. Next season, you’ll see a lot more of them on screen, at the same time, with a common enemy.

TVLINE | Is it safe to say that Blaine as a human, even without his zombie strength and rage, is still not a nice person and a dangerous threat to Liv and Major?
Yeah. We’re not going to make him cuddly next year. If you talked to me a few years ago, I would have thought, “Well, how in the world, after him spending Season 1 murdering homeless teenagers, could we ever believe him as anything but evil?” Then you watch Game of Thrones. Somehow, Jaime Lannister has become a sympathetic character even though he threw a young boy out a window in Episode 1. So it can be done, and maybe someday, we will attempt that. But for the immediate future, Blaine is bad.

TVLINE | Can he keep his business going as a human?
That’s going to be part of the fun of Season 2. He will need to trick his clientele. Next season, he may be passing as zombie in order to maintain the fear, which I think we’ll have fun with.

TVLINE | So instead of tanning, he’ll be putting on powder.
It’s funny you say that because we already have a scene up on our writers’ board in which we will see him getting powdered up in order to appear as a full-blooded zombie.

TVLINE | Major now knows the whole truth. What does that allow you to do that you couldn’t before with Major and his relationship with Liv?
Now that they both know, and Major knows what he’d be getting into, we’re toying with, could they try a romantic relationship in which no bodily fluids were exchanged? It’s sort of a great existential question of, could you have a romantic partner with whom the sexual limits were very, very strict? How would that go? We may explore that.

theflash_barry-new_romance

The Flash is casting a Felicity-like love interest for Barry Allen for season two. Of course we know from those future newspapers who he winds up with, assuming they are from the same timeline.

There were at least two huge scenes on The Game of Thrones last Sunday, with one of the most disturbing deaths of the series and flight on dragons. With the season finale airing tonight I will wait for that before saying more about the show.

Defiance returned on Friday with two more alien threats. Fans of the show probably enjoyed the two hour season premiere. I remain lukewarm, but see more promise this season than in the second season. Knowing the characters after two seasons did make me more interested in the events than I had been at points in the  past.

The HBO version of The Leftovers completed the material from the novel in its first season. The above trailer has been released for the second season which moves to a new location, with major changes in the cast. The story moves to Jarden, Texas where, unlike the rest of the world where two percent of the people vanished in a rapture-like event, nobody disappeared in Jarden. I wonder if they play Dillon, Texas in football.

The BBC adaption of Jonathan Strange and Mr. Norell, about half way through in the UK, premiered in the US on BBC America. Reading reviews of the mini-series I found that they all agree that some aspects of the novel did not make it into the television show. The reviewers disagreed as to whether this means that important aspects of the novel were left out, or if this means that what they saw as flaws in the novel were fixed.

The Man From UNCLE will be released in theaters on August 14, 2015. The trailer is above and the synopsis, based upon the 1960’s television show, follows:

Set against the backdrop of the early 1960s, at the height of the Cold War, The Man from U.N.C.L.E. centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo’s only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe.

Streaming video has greatly changed how many of us watch television. Netflix has dominated this market, but there are additional options including Hulu, Amazon, Yahoo! (primarily notable for carrying the sixth season of Community) and now stand alone subscriptions for HBO and Showtime. Netflix has been expanding worldwide, but they will have new competition when they move ahead with plans to expand to China. Alibaba plans to launch a Netflix-like streaming service in China. About ninety percent of its content will be paid for, either by subscription or payment for individual shows. with the remaining ten percent available for free.

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SciFi Weekend: Orphan Black; Hannibal Serves Antipasto; Community–Six Season And A Movie?; Gilmore Girls Reunion; Nebula Awards Winners

Orphan Black Felix and Krystal

Orphan Black continues at high speed in the second half of the season with Ruthless in Purpose, and Insidious in Method being one of the best episodes of the season. There was the return of another clone as  Tatiana Maslany once again played Krystal, the manicurist who fears twins and clowns who was seen in the first episode with Rudy and Seth. This also provided a different situation in which a character got to act as someone else, in this case Felix acting as a straight guy hitting on Krystal.  Krystal turned out to not entirely be the bubbly air head as she was portrayed as, although unaware of being a clone, or having slept with clones, realized something is up and was investigating.

Unfortunately this did not work out very well for poor Krystal as Rachel was up to far more than anyone realized, and managed to play everyone against everyone else to get what she wanted, including Krystal’s body to hide her escape. It will be good to see Rachel back as a powerful antagonist, but I was hoping she might keep the eye patch.

We found out more about the outcome from last week’s grenade dropped by Paul in Mexico. Data was damaged, but Dr. Coady and Rudy survived. Coady revealed that unless they find the cure, the Castor clones will all be dead within one to two years. She understands the underlying structure of the show–when one part of the conspiracy is exposed, there is always another behind it. She asked, “Castor and Leda – I’ve been feeling this for a while. It’s not just two factions is it? Who’s in charge, David?”

Alison’s Weeds story line continues to be mostly independent of the other story lines but they continue to find ways to fit it into the rest of the show. Previously Cosima had to impersonate Alison. This week the connection is that it is their turn to host Helena, who was also reunited with Gracie.

Next week, London now that we found out a bit of the code in The Island of Dr. Moreau:

In Londontown,
We all fell down,
And Castor woke from slumber.
To find the first,
The beast, the curse,
The original has a number.

And the number is H46239, which I’m sure we will learn more about later.

Photo from the episode "Antipasto"

Hannibal began the third season with an Antipasto which was served to partially reset the show. Instead of Baltimore, the episode takes place in Florence, after a stop over in Paris. It is a much slower episode after the bloody season finale from season two. While it was implied that Will Graham and perhaps others survived, most of the major characters from the first two seasons were not seen. The exception was flashbacks to the final days of Dr. Abel Gideon, which was primarily to provide insight into Hannibal’s mind.

Hannibal is traveling with Dr. Bedelia Du Mauirer (Gillian Anderson), who was acting as his wife as she was getting dragged (or in one bathtub scene, submerged) into Hannibal’s world. Hannibal asked if she was an observer or participant, and it looks like she is heading to be far more of a participant than she ever intended. That does not stop her from observing and analyzing Hannibal, describing him in a way which was accurate from the start: “You no longer have ethical concerns, Hannibal. Only aesthetical ones.”

Of course Hannibal did invite someone over for dinner, and it was obvious as to what that ultimately means.

Community Finale Empty Table

Community concluded its sixth season with one of its more meta episodes, pondering what a seventh season might be, and ending with the hashtag #AndaMovie. The episode could very easily work as a season finale or as a lead in to whatever Dan Harmon decides to do next. It sounds like he is taking a break, but that Yahoo! would be quite happy to put on another season if he writes it. Getting the cast together for another season might be difficult due to other obligations, suggesting that six seasons and a movie might be the most likely outcome after all, but a seventh season remains a possibility.

Dan Harmon has responded to the question saying,  “I told Yahoo, ‘I can’t think about writing a movie until I miss Community,” Harmon said. “They wanted to turn around a do a movie immediately, and Yahoo can get it done. They’re like the NSA.” Joel McHale will have a guest role on the X-Files revival, and when on Conan seemed more interested in a movie. Making matters more difficult for a seventh season, Gillian Jacobs and Ken Jeong have roles in other series. Both Annie and Abed were leaving at the end, but it was left open whether they might later return. Personally I’d watch a show centered around Jeff and Annie, along Abed, the Dean, and  any other characters who are still available.

Community Jeff and Annie

Dan Harmon discussed the finale:

That was a rather emotional finale, and true to Community form, very meta. What were you hoping to accomplish with the season ender?

It was a meta explosion. I never know what it is I want to say, I just know of areas I want to explore. Community was the show that commented on itself the whole time, and for the last episode of Season 6 the goal isn’t to lure new viewers, so might as well really lean into this thing and talk about what’s on everybody’s mind, since the conversation about Community has always been more intense than the conversation about the characters. So we had the characters talk about the future of the show as if it were a show. Other than that, it had a pretty traditional structure: It was an excuse to explore possibilities, only to realize there’s absolutely no way we can control anything. Also if we want these characters to continue to grow, they’re missing a huge part of their life right now. Annie is an exceptional person. I want Annie to taste the world.

Jeff Winger had the most idealistic dream of everyone staying at Greendale as faculty colleagues. That actually would be a device you could use for another season–but that would mean that none of these characters get to really grow or ever leave.

I do agree with Winger that that show makes more sense than the one I originally pitched, because then they all have a reason to be together. They would have a reason to have meetings, and then it would be Boston Public set at Greendale.

Annie and Abed leave the group at the end of the episode to pursue their dreams. Why them?

I think Britta’s future can still be found at Greendale and I don’t think there’s anything sad about that. She lived in New York. She was the wild horse that galloped around and then came slinking back to community college. So she has sown her oats and still needs to grow up, just like Jeff does. In the original idea, there were three characters – Abed, Annie and Troy – who represented the younger stories you might encounter at a community college. Those are stories about transitions. Other stories can be about falls from grace. They were wayward youth. On the off chance that it’s the last image of the show that we ever see, I felt more comfortable with the image of Abed and Annie going off to an airport, where they might go anywhere or do anything. It made me feel better about the eternity of the show.

Let’s talk about the Annie and Winger relationship and that kiss. There’s still a big age gap between the two, but on an emotional scale they’re on the same level.

Yeah, with each passing year it gets a little less creepy. I did just marry a 29 year old at 42. And in real life, Allison Brie is 43. No. I just wanted her to read that and freak out. I have no idea how old Allison is. Age aside, it’s more an issue of how much life experience you have had. Do we really believe in our heart of hearts that the current version of Jeff Winger and the current version of Annie Edison would be happily ever after if they ever got together? Or is it more likely their souls are intermingled and there is such a thing as true love that is genuinely star crossed? This person hasn’t lived their life yet. I’m comfortable with the realization that he’s genuinely in love with her, but that’s a separate thing from whether that’s actually good for her.

This episode has the feel of a series finale, but you had to leave the door open in the event of a seventh season or a movie. Are you leaning toward the movie option?

We’ve exploded into these successful shrapnel. Dr. Ken is now Dr. Ken. Allison has probably got her eye on movies. Gillian is working on a Netflix show. If there was some magical way of guaranteeing that everyone could come back all at once, let’s do it. But it would be a lot easier to put together a movie project and get them all on board than to say, “Let’s give it one more season!”

You made a point of not changing Community‘s language or content this season, even though you were no longer confined by broadcast standards. But you ended up with two “fucks” in the finale!

I did! It was kind of unintentional. That one that Jim [Rash, as Dean Pelton] does is adlibbed. As soon as he said it, the entire cast started laughing, but I edited around it. As for Britta’s I should have bleeped it… it’s weird to have two “fucks” on that one.

The show, especially the Chang and Dean Pelton characters, was more grounded this season.

I think it was more emotionally grounded, but structurally, ironically everything was a lot looser. I think I’ve become a victim of my own story structure. The lack of a clock at Yahoo, a really strict one, allowed for something I think the show needed in order for it to continue to feel healthy. A certain randomness. The stories don’t resolve the way you always think they might. There are these strange slingshots around the sun. The wedding episode ends randomly with Chang being the hero. I was a little more British this year.

If I buy a Honda CR-V [which played a major role in Season 6, particularly in the episode “Advanced Safety Features”] and drop your name, do you get a cut?

I’m still waiting for my jacket. I told them I wanted the Honda jacket that Jim wears in the episode.

The last episode ends with a faux Community board game advertisement, which ends up diving into your own stream of consciousness. You even did the voice over. Is that a snapshot of how you were feeling as the season ended?

Well, I certainly did that voice over just two days ago. Everybody had to talk me into doing it. I kept saying, “It’s not funny if it’s me.” Then I tried it. That is my throat catching in a genuine way. But I don’t know, I want to wait and see. I’ve never had a relationship this long. I’ve never done anything for six years, except drink.

Gilmore-Girls-Reunion-Panel-15

The cast of Gilmore Girls, along with the show’s creator Amy Sherman-Palladino got together at the ATX TV Festival. Unfortunately there is still no plans for the long-rumored movie reunion, but hope was kept alive. At least the cast still gets along and nobody really objects to working on it. Amy Sherman-Palladino also said she will not reveal the final four words with which she had planned to end the series until she is on her death bed. This remains a mystery as she left the show for the final season, so her planned finale was never aired. The cast did discuss where they think their character would be today.

John Noble has been cast as Sherlock’s estranged father on season four of Elementary.

The Nebula Awards winners were announced. The award for best novel went to Annihilation, by Jeff VanderMeer. The full list of winners is here.

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SciFi Weekend: Outlander Finale; Game of Thrones Diverging From The Books; Legends of Tomorrow; Tron; Community; Orphan Black; Twin Peaks; Jon Hamm; Netflix; Serial

Outlander Season 1 Finale

Outlander ended the first season like ending a book, moving on to new things but without a television cliff hanger.  Note that even though it was divided, everything which aired so far is considered the first season, based upon the first book in the series. The episode concluded the arc with Jaime’s capture and rape by Jack. Jack even demanded that Jaime “Say my name!” I half expected Jaime to respond with “Heisenberg.” The topic of changing time did come up in the finale, and it will be interesting to see how this plays out as Outlander is a totally different type of time travel story compared to shows such as 12 Monkeys.

Ron Moore spoke with Deadline about the season finale of Outlander and the plans for next season. The comparison to the recent rape scene on Game of Thrones was also noted:

DEADLINE: The May 17 episode of HBO’s Game of Thrones featured a rape of the Sansa Stark character that erupted into controversy for a show already drenched in sex and violence. Airing so close to that, how do you think what happened there will impact reaction to the Outlander finale?

MOORE: Obviously we wrote the finale, shoot it, and put in the can a long time ago and the rape of Jamie by Jack Randall was always a part of this story. Suddenly I’m talking about our show and we’re stepping into a cultural moment where that Game of Thrones scene has suddenly grabbed everybody’s attention.

To be honest, I still haven’t even seen it. I’m behind in my Game of Thrones and I have yet to catch up on it so I keep sort of defying comparisons as a result. But I will say, it’s just one of those things you can’t control. You never know exactly what pop cultural moment a show is going to step into. Sometimes it happens and there’s nothing else around it, sometimes you’re sort of moving into the stream where something has caused a wake and that’s kind of where we are at this moment.

DEADLINE: While you haven’t seen the Unbowed, Unbent, Unbroken episode of Game Of Thrones with the rape, having seen the sandstorm of a controversy it blew up into, did you think of toning down the finale?

MOORE: I’ve never even thought that for a second. This is our show. We stand by it. I stand by it. We made our decision. We’re ready to show it to the audience and we’ll see what happens, but no I never even thought about that…

DEADLINE: The season ended on what is basically the end of the first book in Diana Gabaldon’s series – is that going to be the strategy for each season going forward?

MOORE: The general plan is probably to try to do a book a season. Some of the books are bigger than others so we’ve definitely had conversations about, “well, you know, at some point we made need to split a book into two seasons,” but right now we’re not there yet so the plan is to do Dragonfly In Amber for Season 2.

DEADLINE: Are we going to see more changes from that book for Season 2 of the show?

MOORE: There will be twists and turns that aren’t in the book. The second book is more complex than the first book is. It’s a little tougher challenge to adapt it. It takes place in France and it deals with the Jacobite Rebellion. It’s much more political, it weaves in and out of actual historical events. There’s more complexity, just in terms of how Diana structured the story in Paris, in particular, as Jamie and Claire try to change history.

DEADLINE: What’s going to be different?

MOORE: It’s an urban setting and you’re dealing with aristocracy and the court of Louis XV so it’s a whole different thing. It’s not going to look anything like Season 1, so you’re really kind of prepping and shooting a whole new TV show into the second year. It has a lot of, you know, “oh my God, what can we do,” those kind of moments to it…

DEADLINE: You’ve worked on and led a number of shows, now that the first season is over on this one, how has Outlander been different for you from a creative standpoint?

MOORE: Well, it’s a very different experience, you know? Galactica was something where I took the old show and then decided to revamp it and reinvent it. But it was kind of something that I was making up in the writers room as we went along and I literally didn’t know where it was going season to season. It was a process of invention and discovery all the way along the road right up until the end. This project is different, it’s an adaptation so there is a roadmap – this is where we’re going. The challenges are very different. It’s the first time I’ve done an adaptation like this.

Just from a strictly producing standpoint, it’s been the most challenging thing I’ve ever done. The story aspect and the writing aspect has just been a very different game from what I’ve done before. It’s trying to maintain the spirit of the book, it’s trying to keep these characters, trying to maintain this story and making changes along the way because you have to make changes along the way. It’s trying to get back to that, and hopefully you’re able to serve two masters, the fans of the books and those who’ve discovered the story through the show.

Outlander Finale Rape

More on next season at TVLINE:

TVLINE | Claire and Jamie are off to France for Season 2. Talk to me about how the show will look next season.
They’re going to Paris, and they’re going to be dealing with the French aristocracy. So you’re already in a completely different planet than where we were with Season 1. Scotland is about heavy stone, rough wood, dark tabletops, smoke and candlelit rooms, and now you’re in world of gilt, fine China, glassware and costumes that are made of silks and bright colors.

It’s going to be a whole different tone, a whole different…playing the story as much more political. We’re dealing with the Jacobite Rebellion. It’s much more about deception, and lies within lies, and the gossips and the surroundings of Paris. And dinner parties, and going to the court of Louis the XV — and if you know those books, there’s St. Germain, and there’s Master Raymond, and there’s more of an occult feeling to a lot of that stuff. [Plus], she’s pregnant, and he’s got the aftermath of Jack Randall.

In probably every which way you can think of, it’s going to be different than Season 1 was, which I think is one of the strengths of the series overall: its continuing evolution.

TVLINE | What can you tell me about how Jamie and Claire will navigate that world?
In a lot of ways, [Parisian society] is more familiar to him in certain ways than you would anticipate, because he is a laird in his own life, and he has lived in France, and he speaks the French language. It is a somewhat familiar culture to him. He does know his cousin, Jared, who runs a wine business, and he’s been to this place. Claire also speaks French, and she’s adapting in a different way, but she still struggles with the roles woman in these times, even in French society.

TVLINE | Do Caitriona Balfe and Sam Heughan speak French?
Caitriona definitely does, because she spent quite a bit of time in Paris, and Sam is learning French. I just heard him at the table read the other day, and I was pretty surprised. He did quite well.

TVLINE | Can you speak to whether Season 2 won’t be quite as true to the structure of the novel Dragonfly in Amber as Season 1 was to its source material?
It’s just a complicated process of adaptation… The Paris section [of Dragonfly in Amber], the plot is not as clean and simple as the plot was in Book 1. Book 1, for a big chunk of it, is Claire going back in time and trying to get home, and then she’s trying to find Jamie, and those are very clean narratives.

The Paris section of Book 2 is just more complex. It’s about many more ideas, other characters coming and going. They’re involved in something that’s more complex Diana [Gabaldon] shifted points of view, herself, in Book 2. So that alone just makes it a more complicated task to make the adaptation. So, yeah, we’re still struggling with the same things, with trying to be as true to the book as we possibly can while making it a television series. We always just try to do our best.

Game of Thrones Sparrows

Last week’s episode of Games of Thrones had a couple of major events, including Cersei finding that a religious movement now has more power than she does. George R.R. Martin discussed his inspiration for The Sparrows in The Game of Thrones with Entertainment Weekly:

“The Sparrows are my version of the medieval Catholic Church, with its own fantasy twist,” Martin told EW. “If you look at the history of the church in the Middle Ages, you had periods where you had very worldly and corrupt popes and bishops. People who were not spiritual, but were politicians. They were playing their own version of the game of thrones, and they were in bed with the kings and the lords. But you also had periods of religious revival or reform—the greatest of them being the Protestant Reformation, which led to the splitting of the church—where there were two or three rival popes each denouncing the other as legitimate. That’s what you’re seeing here in Westeros. The two previous High Septons we’ve seen, the first was very corrupt in his own way, and he was torn apart by the mob during the food riots [in season 2]. The one Tyrion appoints in his stead is less corrupt but is ineffectual and doesn’t make any waves. Cersei distrusts him because Tyrion appointed him. So now she has to deal with a militant and aggressive Protestant Reformation, if you will, that’s determined to resurrect a faith that was destroyed centuries ago by the Targaryens.”

And there are other, more direct influences as well between Catholic Church and the Faith of the Seven as well, Martin pointed out. “Instead of the Trinity of the Catholic Church, you have the Seven, where there is one god with seven aspects. In Catholicism, you have three aspects—the Father, the Son and the Holy Ghost. I remember as a kid, I was always confused by that. ‘So there are three gods?’ No, one god, but with three aspects. I was still confused: ‘So he’s his own father and own son?’”

Game of Thrones has diverged from the books this season. The show runners discussed one of the changes seen in last week’s episode  which I think makes a lot of sense to move the story along–moving up the meeting between Tyrion Lannister and Daenerys Targaryen:

Showrunner David Benioff said pairing these two characters—played by Emmy winner Peter Dinklage and Emmy nominee Emilia Clarke—was one of the twists the producers most eagerly anticipated this season. “We’re really excited to see these two characters we love so much finally set eyes on each other,” Benioff said. “Creatively it made sense to us, because we wanted it to happen. They’re two of the best characters of the show. To have them come so close together this season then have them not meet felt incredibly frustrating. Also, we’re on a relatively fast pace. We don’t want to do a 10-year adaptation of the books, we don’t want to do a nine-year adaptation. We’re not going to spend four seasons in Meereen. It’s time for these two to get together. It’s hard to come up with a more eloquent explanation, but this just felt right. [Varys] puts Tyrion’s mission out there [in the season premiere] and the mission ends in Meereen.”

Tyrion and Daenerys have not yet met in George R.R. Martin’s novels upon which the series is based. But as is increasingly the case on the show, the producers opted to progress the story beyond the characters’ stopping point in Martin’s most recent book, A Dance with Dragons, in order to maintain an intense TV-friendly pace. Benioff and his fellow showrunner Dan Weiss have previously pointed out they prefer to cap the series around seven seasons.

“There will always be some fans who will think it’s blasphemy,” Benioff noted. “But we can’t not do something because we’re afraid of the reaction. I like to think we’ve always done what’s in the best interest of the show and we hope most people agree.”

The first real conversation between Daenerys and Tyrion, which occurs on tonight’s episode, should be interesting.

Game of Thrones The Gift

Both Ron Moore and George R.R. Martin have dealt with questions of the television works they are involved with differing from the books. Martin recently addressed fans who have been upset with events on the television show which differ from the books, such as the rape of Sansa, on his blog:

How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.

There have been differences between the novels and the television show since the first episode of season one. And for just as long, I have been talking about the butterfly effect. Small changes lead to larger changes lead to huge changes. HBO is more than forty hours into the impossible and demanding task of adapting my lengthy (extremely) and complex (exceedingly) novels, with their layers of plots and subplots, their twists and contradictions and unreliable narrators, viewpoint shifts and ambiguities, and a cast of characters in the hundreds.

There has seldom been any TV series as faithful to its source material, by and large (if you doubt that, talk to the Harry Dresden fans, or readers of the Sookie Stackhouse novels, or the fans of the original WALKING DEAD comic books)… but the longer the show goes on, the bigger the butterflies become. And now we have reached the point where the beat of butterfly wings is stirring up storms, like the one presently engulfing my email.

Prose and television have different strengths, different weaknesses, different requirements.

David and Dan and Bryan and HBO are trying to make the best television series that they can.

And over here I am trying to write the best novels that I can.

And yes, more and more, they differ. Two roads diverging in the dark of the woods, I suppose… but all of us are still intending that at the end we will arrive at the same place.S

The video above has interviews with the cast of Legends of Tomorrow, and the first few seconds shows them in uniform. This includes Caity Lotz returning as The White Canary, and a scene showing The Atom shrinking.

Disney has announced they have discontinued plans for Tron 3. While some fans are complaining, I don’t mind. I see the Tron series as something out of the past which which we have moved beyond and no longer need–like another Clinton or Bush running for president. Besides, with Disney owning the movie rights to Marvel and Star Wars they have much better genre properties to develop into movies, such as we have much better politicians to consider for the presidency.

The Community sixth season finale will be on Yahoo this upcoming week. Yvette Nicole Brown will return to reprise her role as Shirley. Then is is six seasons and a movie?

Orphan Black Mexico

Orphan Black did not advance the overall story very much this week. We don’t even know if anyone survived Paul’s grenade, but it was confirmed that the military installation was in Mexico. The highlight was another case of one clone impersonating another, in this case Cosima as Alison. Next it is the time for the suburban drug deals to play host family for Helena.

Showtime has doubled the length of the planned Twin Peaks reboot from nine to eighteen episodes.

Jon Hamm should walk away with the Emmy this year for his work on Mad Men.  Hamm has also showed other acting talent doing comedy work such  as on 30 Rock and Unbreakable Kimmy Schmidt. Next he has a more dramatic movie role, string in a political thriller, High Wire Act. From The Hollywood Reporter:

Jon Hamm has signed on to star in the Tony Gilroy-penned political action-thriller High Wire Act. Brad Anderson is directing the film for Radar Pictures.

Set in 1980s Beirut, Hamm plays a former U.S. diplomat who is called back into service to save a former colleague from the group possibly responsible for his own family’s death.

Netflix has renewed another show well worth watching, Grace and Frankie, for a second season. Netflix, incidentally, accounted for 37 percent of internet bandwidth during peak hours in North America in March. According to  Variety, “YouTube accounted for 15.6% of downstream Internet traffic, web browsing was 6%, Facebook was 2.7%, Amazon Instant Video was 2.0% and Hulu was 1.9%.”

In addition to increased viewing of television from streaming sources. podcasts are becoming more popular, with Serial one of the biggest. It has been announced that Serial will have at least three seasons, with the second season coming this fall.

Halt and Catch Fire starts its second season on AMC tonight. Reviewers are saying it has fixed many of its first season problems and the second season sounds worth watching.

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SciFi Weekend: Arrow; Mad Men; Agent Carter; Agents of SHIELD; Person of Interest; The Blacklist; Gotham and Twin Peaks

Arrow Felicity

I was surprised to see Arrow ending its third season in a way much like one of the possible endings I see for Mad Men. Although Don Draper doesn’t currently have a comparable woman in his life, I can easily see him ending the series starting over with a new life in California. As for Oliver Queen, there is little doubt that a new threat to Starling City will bring him back. The best line of the finale was Lance not being surprise that the cite was in  grave danger because it is May, showing awareness of how each season of the show has turned out.

Mark Guggenheim appears to have given away the direction, and big bad, for next season in an interview in Variety:

What can you tease about the trajectory of season four — will HIVE still play a major role?

We’re kind of doing a lot more in terms of the big bad for next year than we have in previous season finales. We first heard about Damien Darhk in episode 321 and there’s a pivotal sequence that surrounds Damien Darhk in the season three finale, so that’s exciting. It feels like we’re pulling a “True Blood” or a “Sons of Anarchy” where the big bad for the following year is teed up in the season finale of this year, so that’s kind of exciting for me because that’s something we’ve never seen before.

A trailer for the spin-off DC’s Legends of Tomorrow has been released and Caity Lotz will play The White Canary, apparently returning to life in a changed form due to The Lazarus Pit.

Mad Men Milk And Honey Route

As for Mad Men ending with a comparable ending with Don Draper driving in California, this is one of many possibilities. He did look the about the happiest he has ever looked at the end of last night’s episode, just sitting on the bench at the bus stop, having divested himself of almost everything in his life. It would be even more plausible that Don would never return to New York if not for the events of last week, but it is also possible that he will pick up the kids after Betty dies and settle into a new life with them in California or elsewhere. There has been some talk recently that the show could end with Don jumping out of the building as in the opening titles. I see the story very likely ending figuratively along such lines–not with Don actually jumping but with him giving up everything about his life as Don Draper except possibly his kids.

There is little doubt that the finale will center around Don, but there is much more in question as to whether we will see more of other characters. Pete somehow looks like he will be the one to end up living happily ever after after last week’s episode, but it remains possible that something will still change things in the finale. After we saw Betty in a previous episode with both a happy family life and going to school, it looked like this might be the end of her story. In retrospect her lung cancer was certainly foreshadowed, between Betty smoking so frequently and all the episodes dealing with cigarettes and lung cancer. Joan could live happily ever after with her financial settlement, and possibly with her new love interest, and we may or may not see her again. I do hope we find out whether Peggy is successful in being treated as a professional, but if we don’t see her again the manner in which she walked into McCann Erickson the last time we say her would be a satisfactory ending. I’m not sure what Roger will do there, but I was also never sure of what he actually did previously.

agent-carter_promo-cast-photos-616x462

Whether or not Oliver Queen or Don Draper wind up in California, it looks like Peggy Carter will when Agent Carter returns. The synopsis to the second season:

Marvel’s Agent Carter returns for a second season of adventure and intrigue, starring Hayley Atwell in the titular role of the unstoppable secret agent for the SSR (Strategic Scientific Reserve). Dedicated to the fight against new atomic age threats in the wake of World War II, Peggy must now journey from New York City to Los Angeles for her most dangerous assignment yet. But even as she discovers new friends, a new home — and perhaps even a new love — she’s about to find out that the bright lights of the post-war Hollywood mask a more sinister threat to everyone she is sworn to protect.

Agents of SHIELD finale

The season finale of Agents of SHIELD tied up the Inhuman plot but left them as potential future enemies. The whole question of a second SHIELD appears resolved, but we don’t know if Coulson will lead SHIELD as a one-armed man (or whether Dr. Ricard  Kimble will be chasing after him). Hopefully Simmons will be saved and Fitz will have happiness. We got some clues as to where next season could be heading. From Entertainment Weekly:

And here’s where the show sets up the now-official season three: a one-handed Coulson decides to put together a new team, centered around people with powers, led by Skye, under the promise that everyone on the team will be kept anonymous. An Inhumans team! Ah! It’s all happening!!!

But even Coulson and Skye don’t realize just how important and necessary their powered team is now, since the crate of crystals Skye sunk in the ocean breaks open, infecting all the fish, who are then caught by fishing ships and chopped up into fish oil pills sent to supermarkets and pharmacies everywhere. The world is about to become overrun with unsuspecting Inhumans! Jiaying’s plan succeeded, even if she did survive to see it happen.

More from executive producer Jeffery Bell at IGN:

IGN: Coulson wants Skye to form a new, super-powered and anonymous team. Is this heading towards the Marvel Cinematic Universe take on Secret Warriors?

Jeffrey Bell: Well, Daisy Johnson certainly has a big part in Secret Warriors and having a team like that. If you’ll notice, Coulson says right now she is the only person in what might be this new outfit. But you know, the idea of a team of powered people is something we’ve seen in the show, and I think there’s a world down the road where we do our version. We do our version of all these things so they may not be Secret Warriors but there’s a whole lot of super-powered people fighting super-powered people. That’s not really what we do or what we can even do on a weekly series. But tipping our hats to that direction I think is something we’re suggesting there in the new season.

IGN: Another new team looks like it could be forming under Ward as he moves into a leadership role in Hydra. What’s ahead for him?

Bell: Ward has been a lot of fun. He’s gone through several changes over the course of last two seasons – going from boy scout, to Hydra foot soldier who’s loyal to people above him, to someone who’s been off on his own, and coming to a place where he’s at peace with himself. But after these events at the end of these last two episodes — finally he has a personal vendetta against Coulson and his team in a way he didn’t before because he can now point to them as the reason, whether rightly or wrongly, that he killed the woman he loved. By saying he wants to get closure – and we’ve seen what that’s meant in the past — I think in many ways that means he’s going to be a much more terrifying person…

IGN: What can you tease about whatever the Kree monolith did to Jemma?

Bell: As you go down your list, you’re always looking at what would generate the most story and what would tell interesting, compelling stories. And her character has changed so much in the course of a year. With Fitz, in just in a more obvious way with the head trauma and PTSD with what happened to him, but we did see her go through a lot of changes as well. They’ve each kind of become their own — in the first season we referred to them as FitzSimmons, one word almost as if they were two halves of the same person. This season we’ve split them into two whole people. They went their separate ways, and now that just as they were coming back together, it just seemed like there was an opportunity to twist that story a little bit.

And now that she’s dead — [laughs] no, I’m just kidding — or lost somewhere. Who knows what happened to her? But it seemed like too good of an opportunity not to explore. We love Elizabeth as an actress, and we look forward to seeing what happens to her and how she deals with it.

"A House Divided" -- When an unknown entity prevents The Machine from seeing the full picture of an impending catastrophic event, it sends the team five separate numbers to help them piece together the bigger picture, on PERSON OF INTEREST, Tuesday, May 6 (10:01-11:00 PM ET/PT) on the CBS Television Network. Pictured left to right:  Jim Caviezel and Amy Acker Photo: Giovanni Rufino/Warner Bros. Entertainment Inc. © 2014 WBEI. All rights reserved.

Person of Interest has only been picked up for thirteen episodes, but that could be a good thing as the show has moved from a procedural to a more science fiction show about artificial intelligence and surveillance. Thirteen episodes will allow them to deal more with the mythology and less with the number of the week–especially when the machine might not even be able to shoot out more numbers. It is not know if there will be further seasons after the fifty. If they end it with a good thirteen episode arc like on Fringe that wouldn’t necessarily be a bad thing.

Co–showrunner Greg Plageman has discussed plans for the fifth season:

How much do you have planned about season 5 at this point?
Greg Plageman: We’ve actually got a lot mapped out. It’s really kind of cool. We gathered our writers at the end of the year — and obviously we left on quite a cliffhanger in terms of Team Machine being engaged in a firefight. [Laughs] We really wanted to know where we were headed. What does it mean with the Machine being in an impenetrable case, and what that’s going to entail for the first couple of episodes, and what the larger arc of the season was. Some really great things emerged from that, and [PERSON OF INTEREST creator] Jonah [Nolan] and I both feel great about the blueprint going forward.

Will you be picking up next season in the immediate aftermath of that epic gunfight? Or will there be a time jump?
GP: We discussed a couple of options, and we feel the most honest and satisfactory way to go would be to pick up in real time. Clearly, Team Machine is carrying a pretty valuable football. The case seems pretty impenetrable; I certainly hope it can float.

Will they be able to return to their subway sanctuary? Or is that off-limits now?
GP: The subway is still okay, as well is, interestingly enough, the cover identities of the guys hasn’t been blown in terms of Samaritan’s point of view. The problem comes when members of Samaritan recognize our crew out in the street, and know who they are, or they engage in anomalous behavior that alerts Samaritan. We feel like some of the fun we had [with the cover identities] is an unexplored arena we’d like to get into a little bit more in the next season.

Do you anticipate going back into the numbers of it all as soon as possible next season? Or does the Machine being compressed give you an opportunity to step away from that for a bit?
GP: It’s going to take some doing [to get back to normal], obviously. We imagine if the Machine knew its demise was imminent, it may have also known of a number of premeditated murders and plotted — before it was compressed into a Kevlar case — to let our guys know that there are some people they should keep an eye on until the Machine is able to regain some of its faculties.

Blacklist Finale Lizzie

Although not science fiction, The Blacklist ended the season in a way analogous to Person of Interest.  The show started out as primarily a vehicle for James Spader and frequently concentrated on the case of the week. Lizzie Boone was often a weak character who could only succeed by getting key information from Reddington. The season finale blew that up, and should make Lizzie  more interesting as a character. I have some question about the finale as I don’t  really think Lizzie would take the step of shooting the Attorney General, ensuring that she would be a fugitive. However for the purpose of advancing the show, I will accept that in a moment of extreme stress, with everyone she knows being threatened, she might take such an extreme action.

Morena Baccarin has been promoted to a series regular for the second season of Gotham.

Orphan Black has hit a relatively slow point the last couple of weeks, with one or another clone captured, along with some DNA talk,  so I will hold off on detailed reviews. Among the more memorable scenes was Helena killing the “lab rat.” I was surprised to see her leave Sarah behind, as previously she said she did not believe the claims that Sarah had betrayed her. Helena is never predictable.

There were questions as to whether David Lynch was going to go through with the revival of Twin Peaks. It looks like it is back on again.

Saturday Night Live mocked Hillary Clinton once again. Video via Crooks & Liars:

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SciFi Weekend: Finales Including Last Man on Earth & Gotham; Marvel and DC News; New Shows, Returning Shows, And Cancellations

Last Man On Earth Finale

The Last Man on Earth started out strong (my initial review here) but it was apparent in the early episodes that the story would have to evolve over time. The initial stories with just Will Forte (Phil), and even those with the edition of Kristen Schaal (Carol), could not go on for very long. Unfortunately the series got bogged down way too long with a variation on a simple sit-com scenario. Will married Carol as, even though they thought at the time that they were the only ones left alive on earth, Carol insisted upon marriage before she would have sex with Phil. Soon after the marriage January Jones turned up, followed by others. Several episodes were centered around Phil trying to have sex with January  Jones, or later additional women who appeared, despite his hasty marriage to Carol. Plus Phil repeatedly tried too hard to make himself look good, and various forms of deception were repeatedly exposed.

In the finale, things got progressively worse for Phil, who even lost his name as a newcomer was also named Phil Miller, leading to the original Phil being called by his middle name, Tandy. With all the lies he told all season, he couldn’t think of a cooler middle name? Tandy/Phil found that Carol was even having sex with the new Phil, explaining that she insisted upon marriage initially as the plan was to repopulate the earth, but she had no problems with casual sex with the new Phil. Of course casual sex is exactly what Phil wanted.Later Tandy/Phil was literally driven out of town after it was revealed that he contemplated driving the new Phil out of down and abandoning him. He had tried the same with an earlier arrival, but he couldn’t go through with it and turned around and brought him back. Tandy/Phil was left with two days worth of food, which could have lasted until he made it to the next city. Phil ate it all in twenty minutes, but Carol anticipated this and showed up with additional food. After Phil convinced her that he now actually cared for her, and even wrote a song for her, Carol decided she would rather stick with the guy who didn’t have the heart to go through with abandoning someone in the desert, as opposed to the man who actually did this. The show nearly ends with the two going off together, leaving it open as to whether they will go off somewhere else or ever return to Tuscon. As if this didn’t leave things open enough, at the end we saw Phil’s brother, an astronaut stranded in space played by Jason Sudekis. This left the question of whether he would return to earth, which is certainly possible on this show considering how fast and loose the show plays with science.Will Forte discussed the finale with Entertainment Weekly and the short answer is that he and the other writers don’t really know exactly where they plan to go with these scenarios:

Where on Earth are Phil and Carol headed? And what does this mean for all of those other characters that joined the show later in the season? Forte cautions that the plotting of season 2 is in the embryonic stages, though he notes, “I have one idea that would be a really fun first episode. It is fair to say that you haven’t seen the last of the old new gang, despite Phil’s banishment. “Obviously we’re not going to not show Mary Steenburgen or Cleopatra [Coleman] or Mel [Rodriguez] or January [Jones] or Boris,” he says. “They’re so important to the show. There’s a lot of room for play and it opens us up to having some time where the characters are once again in a very desolate situation. We really want to open up the world and look at the starting up of a society again with just a small group of people and basic rules…. Phil is not allowed on the cul-de-sac right now. It is entirely possible that Phil and Carol could be living somewhere else for the whole season, and we’re checking in on the different people. But I would think that they would somehow rendez-vous at some point earlier in the season.”

Is Phil truly going to try this time to make a relationship with Carol work? “Is this just a situation of you want what you can’t have, or is he truly in love with her?” Forte asks right back. “That’s how we go into season 2. They’re still totally different people and they have such different world views, we still think it’s going to be really fun to see how they act as a couple. Not in any way would I ever compare it to this, but an Archie-and-Edith type situation, or Sam and Diane—that’s what you shoot for, these two different people who just somehow are together.”

When did Carol decide to stay with Tandy? While you might be wondering if she had a change of heart before she left the cul-de-sac— as she told him in the desert, “I don’t want to be with a man who can leave someone in the desert to die; I want to be with the man who doesn’t have the heart to go through with it”— that was not her intention when driving out to meet him in the middle of nowhere, according to Forte.In our minds, Carol came out to the desert just to give him supplies,” he says. “She had no clue that she would be ending up with him and it just kind of hits her after the song. When he told her about the song, she didn’t believe him immediately. He’s told her a million things. We edited the show a million different ways, and it used to be edited in a way that you really didn’t believe that he had written a song, so we put a lot on that song. You can tell that Phil actually took the time to write this song and was feeling very real feelings toward Carol. [Click here to read more about the song, which was written by cast member Mary Steenburgen.] It’s an impulsive decision that she makes and Phil even says, ‘I think you’re making a really bad decision here.’ But she’s willing to take the chance and Phil really appreciates that.”

Forte said that what  happens with Will’s brother comes down to whether Jason Sudekis is available. He left it open as to whether there will be new characters and whether much is said about the virus which killed almost everyone:

Will we learn more in season 2 about the virus that wiped out almost every single person on the planet? The short answer: Possibly. The longer answer: ”We’ve purposely avoided the virus stuff because we didn’t think that it was important,” says Forte. “And it’s tricky to handle virus stuff and how real should it be. What happens if a real virus becomes a problem around the world? There were a lot of pitfalls. We’ve always had this general idea of the type of virus that it was. We’ve said that it’s a virus that is potent enough to sweep across the world in a matter of months but one that is slow moving enough that allows people to safely crawl into their beds and die very neatly in their own homes. (laughs)… At some point in the pilot, we showed a dead body. There was a lot of back and forth, and it was decided that we shouldn’t show the dead body. We’ve always wanted to address that, so I really do feel like there will come a point where we address the virus. Even if it’s just an indirect addressing. When we still were going to have flashbacks in the pilot, one of the ideas we had was just a regular dramatic scene between two people wearing surgical masks and everybody around them is wearing surgical masks. They don’t ever talk about the virus—it’s just happening. I would love to flesh out the virus with little scenelettes like that, although they would have to be in flashbacks, because obviously everyone who was not immune to the virus has died.”

GOTHAM: Bruce (David Mazouz) looks deeper into his fatherÕs past in the ÒAll Happy Families Are AlikeÓ episode of GOTHAM airing Monday, May 4 (8:00-9:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. Cr: Jessica Miglio/FOX

In other finales last week, Gotham appears to have gotten rid of some characters, most likely to open up room for more spectacular Batman-style villains. Fish Mooney appears to have drown, but there is talk that Jada Pinkett Smith might return. The big reveal at the end of the episode was a stairway which we know leads to the Batcave. Presumably next season we will learn what Bruce’s father did with it, and what  Bruce will do there as he is years away from becoming Batman.

Person of Interest ended with the situation looking bleak, but at least the Machine was saved for now. The Big Bang Theory ended with major changes for two couples. Arrow, The Flash, and Agents of SHIELD are heading towards big season finales next week, plus there are only two episodes left of Mad Men.

Entertainment Weekly has an interview with Joss Whedon and other producers on the tie-in between Agents of SHIELD and Avengers: Age of Ultron. The movie will also have an extended cut on Blu-Ray with an alternate ending.

Emily Van Kamp might have lost her job on Revenge, but she will be reprising her role as Agent 13 (Sharon Carter) in Captain America: Civil War. It actually sounds like most of the Marvel universe will be taking part. The movie will then set up the two part Avengers: Infinity War.

Jessica Jones

AKA Jessica Jones staring Krysten Ritter will be the next Marvel series on Netflix. A synopsis has been released:

Ever since her short-lived stint as a Super Hero ended in tragedy, Jessica Jones has been rebuilding her personal life and career as a hot-tempered, sardonic, badass private detective in Hell’s Kitchen, New York City. Plagued by self-loathing, and a wicked case of PTSD, Jessica battles demons from within and without, using her extraordinary abilities as an unlikely champion for those in need… especially if they’re willing to cut her a check. In this new collectible volume, go behind the scenes into the world that brings the story of Jessica Jones to life. Packed with stunning production photography, as well as exclusive interviews, this deluxe companion reveals the details of the set and script of Marvel’s AKA Jessica Jones through the eyes of its makers.

There has been a lot of news this week on renewals and cancellations. I fear that the DC shows on CW and now CBS (which owns CW) might be growing exponentially. First there was Arrow. Then the number doubled with the addition of The Flash. Next year this will double again as  CBS has picked up Supergirl, and CW will have the Arrow/Flash spin-off, now named DC’s Legends of Tomorrow. Will we have to find room for eight or sixteen shows the following year?

A synopsis has been released for DC’s Legends of Tomorrow, which will be premiering in January:

When heroes alone are not enough … the world needs legends. Having seen the future, one he will desperately try to prevent from happening, time-traveling rogue Rip Hunter is tasked with assembling a disparate group of both heroes and villains to confront an unstoppable threat — one in which not only is the planet at stake, but all of time itself. Can this ragtag team defeat an immortal threat unlike anything they have ever known?

I wonder if the time travel element will provide a way for Caity Lotz to return as the original Black Canary, or if she will play a different role. Incidentally time travel might be allowing for the return of a popular Doctor Who character who apparently died last season–Ingrid Oliver as Osgood.

The Marvel television universe is not growing as much as it originally appeared. Instead of the rumored spin-off of Agents of SHIELD, they will stick with this and Agent Carter will get a second season. I hope they do it the same way, putting Agent Carter in SHIELD‘s time slot temporarily, as opposed to adding yet another hour. Maybe CW will also begin to stagger their shows.

Constantine was canceled by NBC but there is speculation that it might be picked up elsewhere. The Mindy Project was also cancelled, with talk that it might be picked up by Hulu. Among other genre shows, Resurrection and Forever are both cancelled, and most likley neither will be resurrected and both are gone forever.

Fox has picked up some new genre shows including Minority Report and Lucifer.

Orphan Black and iZombie were  among the genre shows which recently received official renewals. Being busy this Sunday, I will hold of on discussing this week’s episode of Orphan Black until next week.

Grace and Frankie were released by Netflix on Friday. The handful of episodes I watched did look promising, and at this point I would rank it above Kimmy Schmidt, which received much more buzz. An incidental benefit of ent Carter, Agents of SHIELD, Arrow, Avengers, Batman, Big Bang Theory, Black Canary, Captain America, Constantine, Doctor Who, Frankie and Grace, Gotham, iZombie, Jessica Jones, Joss Whedon, Krysten Ritter, Legends of Tomorrow, Lucifer, Mad Men, Minority Report, Orphan Bla Grace and Frankie is that the major cast members have all been on Aaron Sorkin shows.

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SciFi Weekend: Avengers Age of Ultron; Agents of SHIELD; Orphan Black; Jonathan Strange & Mr Norrell; Community; Revenge; Scarlett Johansson On SNL

Marvel's Avengers: Age Of Ultron..Thor (Chris Hemsworth), Steve Rogers/Captain America (Chris Evans), Clint Barton/Hawkeye (Jeremy Renner), Tony Stark/Iron Man (Robert Downey Jr.) and James "Rhodey" Rhodes/War Machine (Don Cheadle)..Ph: Film Frame..?Marvel 2015

Avengers: Age of Ultron opened with the second highest box office receipts of all time, trailing only The Avengers 2012 opening. I would rank the first Avengers movie, along with the better Iron Man and Captain America movies, above Age of Ultron, but it was still a very enjoyable movie, falling in the middle of the recent Marvel releases. My discussion here is primarily as to how it fits into the rest of the Marvel universe and I avoided major spoilers of plot points, but those who want to totally avoid any information about the movie before seeing might want to jump down to the next section. Some of the linked articles have even more significant spoilers.

There is an attempt at continuity between the Marvel television universe and cinematic universe, but it is largely one way. The movie definitely takes place after the events of Captain America: The Winter Soldier with SHIELD broken up. The members of the Avengers are working out their own hierarchy, no longer taking orders from SHIELD. Agents of SHIELD did have a lead-in for the movie in last week’s episode, including the search for Loki’s scepter, but as far as the movie series goes, Coulson is dead. While Nick Fury and Maria Hill appeared in the movie, there was no sign of Coulson, even at a party where it seemed everyone who ever appeared in a Marvel movie was invited. For those who primarily watch the movies, they avoided having to explain how he is alive, and viewers of the show could just assume he was too busy hiding from HYDRA and the other SHIELD to attend. Joss Whedon discussed the conflict between the television and movie people, including a reference to the ending of St. Elsewhere:

“Yeah he’s dead. The entire television series is just a fever dream. It’s a Jacob’s Ladder moment he’s having at the point of death, but we don’t give that away until after season seven. And there’s a snow globe. Now I’ve given it away. Bollocks!

“It’s a weird little yes and no. As far as I’m concerned in the films, yes he’s dead. In terms of the narrative of these guys [The Avengers] his loss was very important. When I created the television show, it was sort of on the understanding that this can work and we can do it with integrity, but these Avengers movies are for people to see the Avengers movies and nothing else. And it would neither make sense nor be useful to say ‘Oh and by the way remember me? I died!’”

The Agents of SHIELD show runners discussed the tie in to the movie with Variety. Note that it is not necessary for understanding of the television show to have seen the movie to make sense of its references in last week’s episode. We will see how the events tie into future shows, but my bet is that the movie and television show are sufficiently self-contained so that it won’t necessary to have seen the movie.

One limitation of Avengers movies is that there are too many characters to spend much time on each individually. They did throw in a new romance, and we learned much more about Hawkeye and about The Black Widow. The most significant opportunity for characters to be seen as individuals  occurred when Scarlet Witch caused them to have dream sequences. These sequences told more about the motivations and thoughts of the characters, and are discussed further at Slate.

It shouldn’t come as a spoiler to note that the Avengers win in the end. The ending shows some of the original Avengers leaving the group, although we know they will be seen again in Captain America: Civil War. The ending did suggest that newer superheroes would be replacing some of them, but I would not be surprised if more of the original Avengers also play a role in the future. It looks like the Avengers will primarily consist of Captain America, Black Widow, Falcon, War Machine, and two introduced in this movie: Scarlet Witch and Vision. More on this here , here, and here. There was not a scene at the end of the credits, but there was a brief scene during the credits which also ties the movie to Guardians of the Galaxy. Discussion of that scene can be found here. Of course there was the obligatory Stan Lee cameo.

Orphan Black s03e03

Orphan Black got back to Mark and the Prolethean storyline, and had a big revelation about the Castor clones (I am  your sister). In watching it is hard to tell to what degree the writers had a long range plan and to what degree they are making things up as they go along. This is most apparent in how they retcon Paul’s role to fit into whatever is happening each season. This season they have him working with Team Castor, and therefore retroactively came up with the explanation the he had previously infiltrated Dyad. There is an even more retcon with Mark. Ari Millen was originally intended to only play Prolethean Mark, but at the end of the season it was decided to have him play the line of male clones. I had wondered how they would reconcile Mark’s character with the other clones. Now the explanation is that he was only with the Proletheans to retrieve material from Henrik. The change in each character seems even less plausible when considering the scene last season where Mark and Paul met in a bar and gave no indication that they were both on Team Castor. While they should have recognized each other, I imagine this scene could be explained away as each engaging in meaningless banter to avoid giving themselves away to anyone who might have been around them.

The Hollywood Reporter discussed the episode with Graeme Manson and John Fawcett, who pretend this was their plan all along:

Though the male line of clones was only introduced in the second season finale, it took just three episodes of season three for a key piece of the puzzle to fall into place: The clones from Project Castor (the males, played by Ari Millen) and Project Leda (the females, played by Tatiana Maslany) are biological siblings.

“There’s no doubt that’s been a plan of ours for a long time,” Orphan Black co-creator Graeme Manson tells The Hollywood Reporter. “It does shape the season going forward. We wanted a big revelation about these male clones, and the revelations are going to keep on coming.”

Cosima (Maslany) shared the truth with Sarah (Maslany), and then Sarah informed Mark (Millen) of their connection. And while Sarah has fiercely embraced protecting her new sisterhood, the discovery will lead to her own mixed feelings on the matter.

“It certainly adds a massive layer of complexity for Sarah, especially,” says series co-creator John Fawcett. “She’s just coming to grips with the fact that it really wasn’t that long ago where she was basically running away from her own daughter. Shunning her responsibilities of her immediate, biological family. Sarah’s done a lot of growing up in the past; going from street urchin, running around, avoiding the fact that she’s a mother to changing her life, wanting [her daughter] back, wanting to be a mother, going, ‘Oh my God, I have clones running around.’ There’s been a lot of acceptance and discovery for Sarah through this journey. There’s this other brain-numbing facet that Sarah has to take on board. It’s a big part of the mystery going forward.”

“Bearing in mind, none of these ‘brothers’ are acting very much like siblings,” added Manson. “So, we are also raising questions in terms of family of, ‘What makes family?’ Does biology make family? Do you choose your family? Sarah, like John said, has grown up a lot. She’s choosing her clone family. Are they going to choose the males or not?”

The above trailer for the television adaptation of Jonathan Strange & Mr Norrell has been released.

Looking to the week ahead, both Gotham and Person of Interest have each set up a high stakes battle for their season finales, and the end games for The Flash and Arrow appear near. I will wait until these stories have played out more to discuss them further. I have not been thrilled by the last couple of episodes of Outlander, but those who have read the book do say that big things are happening in the remaining episodes of the season.

Syfy has canceled Helix after its second season.

Community Annie Pleasure Droid

With twenty-eight minute episodes. Dan Harmon can get into more into an episode of Community now that it is on Yahoo! instead of NBC.  This week’s episode, Intro to Recycled Cinema, mocked commercials, Chris Pratt, and movie-making. It amusingly ripped off Star Wars, including the Cantina and garbage chute scenes. Chang was briefly a star, Jeff was the Mayor of Outer Space, Abed did his thing, and Annie was a  pleasure droid-turned-bounty-hunter Scorpio 9, who sometimes reached into her shirt and pulled out a laser bomb.

In an act of mercy killing, ABC is canceling Revenge. This is a perfect example of the problem with the US model for television series. It was a fine escapist show the first season, but continued long after there was any reason to drag out the story. While the BBC or cable might have ended the series at a natural point, even if only after a season or two, the American networks don’t work that way. The final straw was, after the rational for the show was seeking revenge for the false imprisonment and death of David Clarke, he suddenly turned up alive.

Scarlett Johansson was guest host on Saturday Night Live this week, and in this video showed how Marvel would make a girl superhero movie:

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SciFi Weekend: The Americans Season Finale; Arrow; Orphan Black; Hannibal

THE AMERICANS -- "March 8, 1983" Episode 313 (Airs Wednesday, April 22, 10:00 PM e/p) Pictured: (l-r) Holly Taylor as Paige Jennings, Keri Russell as Elizabeth Jennings. CR: Patrick Harbon/FX

The season finale of The Americans felt more like a mid-season break, consistent with the earlier statements from the producers that they were carrying the plot threads from the third season into the fourth. This makes good sense as shows such as Homeland have shown how easy it might be to use up the story lines which really propel a show and then have to search for a reason to continue.

There were at least two major plot lines addressed in this episode, with one providing a major cliff hanger. Taking Paige to meet her Russian grandmother only served to make her more upset about her identity, leading to the final scene when she called Pastor Tim and told him that her parents are Russian spies.

There are many conceivable ways that this can go. Will Pastor Tim, assuming he believes the story, feel obligated to preserve her secret? Assuming that Elizabeth and Philip find out, will they make sure that Pastor Tim does not survive to tell anyone? There is also speculation among some fans that Pastor Tim is also a spy, but that might be a too convenient way to resolve the issue.

While this is the major cliff hanger of the season, the Martha story line also remains more fascinating after last week’s revelation. This week we learned that Martha is still alive, and that Philip covered for her by framing an FBI tech person for planting the bug. We still don’t know what cover story he is now telling Martha. Does Martha now know he is a Russian spy, or maybe she thinks he is working for a more secret US organization. Martha clearly knows that the person was framed, and should be able to figure out that his suicide was actually a murder. There is a lot for Martha to consider here. This all has Philip questioning his life as he searches for answers at the EST meetings, while Elizabeth has no doubts, especially while listening to Ronald Reagan call her home the evil empire.

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Producers Joe Weisberg and Joel Fields discussed the cliff hanger with The Hollywood Reporter:

Why did you decide to leave it on a cliffhanger?

Fields We’re glad to hear you say it’s a cliffhanger. We talked about that in the room actually, whether or not it should be called a cliffhanger. I suppose it’s a cliffhanger in the show in the sense that one really wants to find out what’s going to happen next, and that’s a good thing. But, to us, it’s all about the characters. What’s most interesting to us is what’s going to happen to these people next, and what personal dramas will they go through next. That’s always more interesting to us than someone kicking in the door with a gun in their hand.

Weisberg We’re also used to drama where a cliffhanger means that somebody is or isn’t going to die or something like that. So the idea that the real question is: Is this guy who got a phone call going to make another phone call? We were really debating if that would count as a cliffhanger.

Fields More like a telephone-hanger. (Laughs.)

And why did you choose for the cliffhanger to be Paige telling Pastor Tim the truth about her parents?

Fields We knew Paige was going to tell Pastor Tim for quite some time, but we just didn’t know exactly where it would fall in the drama — just like we knew that Philip and Elizabeth were going to tell Paige, but we didn’t know exactly where that would fall into the drama. This family is truly a family, and as such loves each other in its own way. Yet, at the same time, their family has blind spots. The idea that these parents had thought that they had gotten through a rough patch with their daughter and thought that things were on an even keel while missing entirely what was going on, it just rings very true. Somebody just said in our writers’ room today, “What’s really going on is that Philip and Elizabeth have an adolescent.”

For all we knew, Paige could have turned into her own KGB agent this episode. When did you know the story wasn’t going in that direction?

Fields Toward the last third of the season.

Weisberg We considered the possibility of her making that phone call the night that they told her, and then we decided that we definitely didn’t want to do that. So then it became a question of whether or not she would tell them this season or next season, and the finale seemed like the perfect point. What’s most moving in a way is how much pain she’s in there after she comes back from her trip with her mother, and how she expresses that pain and what it drives her to do. For us, it was really moving just to see her crying there in bed when her parents are in the next room not really able to connect with her or fully comprehend how much she’s suffering. Then we have her call Pastor Tim and so openly and clearly express the pain she’s in, which is something her parents are not able to do.

Arrow -- "The Fallen" -- Image AR320B_0053 -- Pictured (L-R): Emily Bett Rickards as Felicity Smoak, Stephen Amell as Oliver Queen, and Willa Holland as Thea Queen -- Photo: Cate Cameron/The CW -- © 2015 The CW Network, LLC. All Rights Reserved.

TV Line has information from Marc Guggenheim on what happens the rest of this season on Arrow now that Oliver has remained with the League of Assassins following his deal to save Thea:

With Oliver choosing to stay behind in Nanda Parbat, “the character journey of [Episode] 321 is how the hell Team Arrow moves forward without Oliver,” Guggenheim previews. Whereas last time the group thought he was dead, “knowing that he’s out there and alive, but a member of the League of Assassins, that’s a whole lot harder” for Team Arrow to handle, the EP adds.

“There is a real trinity formed between Laurel, Diggle and Felicity,” Guggenheim says. “They’re all leaning on each other. They’re processing things in different ways. Laurel is throwing herself into her work saving the city. Felicity is struggling with heartbreak and grief. She really goes through the seven stages of grief with Oliver. And Diggle, something happens in [Episode] 21 that really upends Diggle’s world, certainly vis-à-vis Oliver. That’s something that will have repercussions for the remainder of the season.”

The EP adds that next week’s hour is “one of our most emotional episodes” because it’s a baddie-of-the-week installment in which “the villain of the week is Oliver.”

So with the hero giving in to the darker nature of the League, what does his future hold?

“The last three episodes spend a lot of time addressing the question of: ‘Is there hope for Oliver?’” the EP says. “And: ‘Is there hope for Oliver in Felicity’s mind?’ [Episodes] 21 and 22 have some very specific things to say about that and Felicity’s coming to grips with the conclusion of Episode 20.”

ORPHAN BLACK s03e02

The second episode of Orphan Black this season included the return of Sarah pretending to be Beth Childs, and for a second episode Tatiana Maslany also provided the voice of another character, the scorpion. Something is clearly wrong with the Castor clones, and finding the original clone lines might provide the clue, or at least propel more episodes this season.

Logic tests might be useful to evaluate the neurological status of some clones, but Helena sure messed that up in dwelling on finding the mangoes and discussing the issue with the scorpion. Plus we know more about Cal, we saw Allison and Donnie as drug dealers, and it is time for Kira to leave for a while to get away from too many stories about having to save her.

Buddy TV discussed the episode with the show’s creators Graeme Manson and John Fawcett:

What went into the decision to have Seth’s death happen the way it did and to start the episode off with that crazy threesome?

Manson: “First on the crazy threesome. The crazy threesome was just something that we – you know…I guess what it was was when we looked at those characters, it seemed like they would potentially, because they grew up together, that they share, because they’re brothers. They share and I think that they’re of a very different kind of upbringing than our girls, and so that because they’re brothers and they share…I don’t know, it just seemed like there was a natural kind of sharing, that sexual exploits would be part of that.

But the further answer to that question is that we just thought it was kind of something that we hadn’t seen before, but it would be kind of a really terrifying way to begin the episode, to discover actually there’s a second person in the room with you. From this woman’s point of view, it’s very scary to realize that the other person in the room is a twin.”

Fawcett: “It’s also a transgression and a crime that we do not take lightly throughout the season.”

Manson: “And then in regards to the termination of Seth at the end, what’s different about this is that that is very much a mercy killing, and it is meant to be a very emotional moment. The fact that these boys have this potential terminal illness is a really horrifying kind of thing that they all have to come to grips with, and I think it’s an emotional moment between Rudy and Seth there that we wanted to explore.”

Is the glitching from the Castor clones equivalent to the illness we see with the Leda clones?

Manson: “It’s part of our scientific mystery, and discovering what ails them, it sort of parallels our Ledas searching for what their own disease is, so that is indeed part of the story, part of the mystery we’re unfolding and part of our scientific mystery.”

Is that what Project Castor is testing for, with the questions Paul asks Seth and Rudy and Helena’s being asked?

Manson: “Again, as part of the mystery of what is biologically with the Castor clones, that’s just kind of the tip of the iceberg to some degree. The thing that we do know after watching episode 2 is we do know that the Castor clones, whatever’s wrong with them, whatever’s potentially causing this, is neurological, and so I think that that’s where these tests come from, and it’s our little tip-of-the-hat homage to Blade Runner.”

Digital Spy has eleven spoilers from Bryan Fuller on the third season of Hannibal.

Netflix has renewed Daredevil for a second season.

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SciFi Weekend: Orphan Black; Outlander; Roy Leaving Arrow; Oliva Munn, Super Hero; Gotham; Veep; Daredevil; The Americans; Sopranos Ending Explained; Jon Stewart On Why He Is Leaving The Daily Show

Orphan Black Helena Dream The Weight Of The Combination

Orphan Black returned on Saturday, beginning with a fun scene for the fans. It was another scene with Tatiana Maslany playing multiple seestas at once in Helena’s dream of perfect baby shower, reminiscent of  the clone dance party scene last season. The theme for the season is girl clones vs. boy clones, which sort of sounds like a season of Survivor. So far I have far less interest in the male clones. They didn’t get the chance to be introduced gradually as the girl clones were and, as most were raised in the military, there also probably is not as much difference these clones. One does have a mustache and one does have a scar to help tell them apart.

The conspiracy aspect continues to grow as once we learn about one group another turns out to be above them. Now we are dealing with Topside, who sent a “cleaner” named Ferdinand, who was secretly plotting with Rachel in a plan called Helsinki to kill all the female Project Leda clones.  After finding out about this I didn’t feel sorry at all for Rachel, who wasn’t recovering very well after Sarah poked a pencil through her eye and into her brain. She was also at the Mercy of Delphine, who is the new Rachel at Dyad, and can also be rather evil when necessary. Ferdinand’s arrival set up scenes where Sarah pretended to be Rachel, requiring Alison to pretend to be Sarah.

The New York Times Magazine looked at the filming of Orphan Black recently.

Outlander Devils Mark

The Devil’s Mark had major revelations on Outlander. Geillis revealed that she is a time traveler and this was the third show recently (besides The Americans and Game of Thrones) where someone apparently died by burning to death, although her death was not actually shown. I fear that this is an exception to the television rule that if you don’t see the body the character most likely didn’t really die, but maybe we will see her again. Hopefully Geillis’s confession won’t come back to harm Claire, and any other time travelers who might show up from the 20th century, after she claimed that her smallpox vaccine is the Devil’s mark.

Claire was saved by a combination of Jaime showing up and Gellis claiming to be true witch, followed by her telling Jaime. Surprisingly Jaime accepted it all, and even took her to the stones to make the decision as to which husband to be with. It appears she chose Jaime, although I imagine it is possible she tried to return home and failed. The possibility didn’t seem to come up that if she did travel in time again by touching the stones, there was no guarantee she would return to her original time. (It would have really been awesome if she turned up in the splinter facility on 12 Monkeys.)

Arrow Broken Arrow

On Arrow we learned that Roy’s sacrifice to save Oliver was part of a plan which left everyone alive and out of prison, but left with Roy needing to leave town to keep anyone else from realizing he is still alive.  While this leaves Oliver free, I still wonder how they are going to get the Arrow back openly in action. The moment the Arrow is spotted Detective Lance has new justification for following up on his knowledge that Oliver is really the Arrow.

Deadline spoke with  co-creators/executive producers Greg Berlanti and Marc Guggenheim on Colton Haynes leaving the show as a regular (but will already be returning for an episode later this season).

DEADLINE: When did you know that Colton Haynes was leaving after Season 3?
BERLANTI: When we made the deal. We made a two-season deal that had a clock on it, we always knew that. When he was coming off Teen Wolf, we described the role to him, and we agreed to do it for a couple of years. At that particular moment, he had a lot of opportunities to do things, and we’re lucky he chose us. He brought a lot of notoriety and viewership to Arrow when we were growing, and the show wouldn’t be the show it is without him. He is such a talent and such a nice guy, everybody from the crew to the writers were so enthusiastic to have him for the time we had him. We are sad to see him go but excited to see what he does next.

DEADLINE: How and when did Roy’s Season 3 storyline came about?
BERLANTI: We knew based on what had happened last season. Roy has struggled with guilt after killing a policeman. In saving Oliver, he sees a chance to absolve himself. Hopefully it was surprising for the audience as some thought for a moment that he might die.
GUGGENHEIM: We were able to deign his arc for the season with the end point in mind. We always knew he would take a heroic stance and redeem himself for his actions. It’s always a blessing when you know where exactly you are going to end up.

DEADLINE: Did you consider killing off Roy?
BERLANTI: We wanted to do something different. These characters are so young, they represent the next generation of superheroes, and we love the idea of having them just out there. And as a person we like Colton so much, we all would love to see him back. Such a talented, great guy.
GUGGENHEIM: The hope is that he’ll continue to be part of the universe we are building. We love working with his so much. We’ve talked to him about returning to one of the three shows, and if available, he has expressed interest. He is gone but definitely not forever.

DEADLINE: What will the impact of Roy’s departure be on Team Arrow?
BERLANTI: It’s always affecting the show when one character is moving on to the great beyond. That allows the show to grow and change, with the state of loss providing high stakes. The end of this season is very much a punctuation mark on the first three seasons. Third season will feel like the end of a trilogy, with elements and pieces coming together. We are heading into a big, epic, climactic battle, and I’m not not going to give away who is going to make it. Everything will be changed after this season.
GUGGENHEIM: The third season finale is among our best episodes, with each twist more shocking and surprising than the next.

Olivia Munn Suck It Wonder Woman

Geek Olivia Munn finally gets to become a super hero character. She will play Psylocke in X-Men: Apocalypse

Jada Pinkett Smith’s charter, Fish Mooney, was a good addition to the Batman back story on Gotham, but they don’t seem to know what to do with her since Oswald Cobblepot got control of her nightclub. I am glad that they seem to have ended her recent storyline on the island, which seems pointless as it was totally unconnected to anything else going on. It doesn’t help matters that she escaped so easily (once setting up a distraction) thanks to a helicopter being unguarded and ready to go. Jada Pinkett Smith has said she will be leaving the show after her contract runs out this season but the producers have hinted that they might find reason to keep her around. It better be a better story line if they do.

HBO has renewed Veep and Silicon Valley just after their current seasons began and Netflix has renewed Orange Is The New Black for a fourth season before the third season has become available. Selina Meyer in now President on Veep and Hugh Laurie will be guest staring later this season. The Hollywood Reporter has interviewed Veep series creator Armando Iannucci about the current season.

There were complaints previously that blind people could not appreciate Daredevil, a show with a blind hero, because Netflix did not use audio description as some networks do. Netflix has  remedied the problem to make the show more accessible to the visually impaired.

The-Americans-I-Am-Abassin-Zadran-Season-3-Episode-12-08

The penultimate episode of The Americans, I Am Abassin Zadran, may have concluded one story line but leaves many story lines open. The producers have said they plan to carry some over to next season. The situation with Paige is pretty obviously ongoing. It is hard to believe they will wrap up Nina’s storyline in Russia. There has been very little of Kimmy recently and, while this conceivably could be wrapped up in the final episode, I suspect they are intentionally moving slowly on this to wait until next season.

Of course the big cliff hanger of the episode occurred when Phillip slowly removed his wig and revealed how he really looks to Martha, who was sitting on the bed with a suitcase, on the verge of leaving town. At least two quite different interpretations for this come to mind. Maybe he is revealing himself to her prior to giving her the Annelise treatment and packing her up in her own suitcase. Maybe he is thinking of how he came clean with Paige, and is also planning to tell Martha a variation of the truth in a last attempt to get her to trust him. This could be either to continue spying for him, or to get her to safety before the FBI figures out that she was the one to plant the bug. If that is his plan, he is taking a bigger risk. Previously if she was arrested she might have given the FBI a description of Phillip in disguise. Now there is the risk she will give a description of how he really looks, and just maybe Stan will recognize him.

It was also good to see Margo Martindale return in her scene in the diner with Gabriel as they discussed background information going back to last season when Jared killed his parents, along with how Americans have too many choices for their tastes. I was surprised to see that Gabriel was so sympathetic to Phillip’s desire to protect Paige.

Tony Soprano Finale

David Chase gave a fascinating description of what he planned scene by scene in the finale of The Soprano’s. Here are the descriptions of the final scene, but check out the full article for his description of the scenes leading up to this:

This is the last shot of the family, or the three of them anyway. Framing is extremely important. I think it makes you feel so much below the level of verbiage and words. What they’re talking about is how good those onion rings are. For me, food is always central to a feeling of family and to a feeling of security and happiness. A.J. had remembered a moment at the end of the final show of the first season when they were all sitting down, eating in Vesuvio’s Italian restaurant and Tony said, ‘Just remember … value the good times,’ the moments, there really aren’t that many of them. And this is one of the very good times. And yet there’s something wrong with it because Meadow is not there. So the family isn’t really together. I think on some subliminal level that raises the tension. We know the family should be together and they’re not.

I said to Gandolfini, the bell rings and you look up. That last shot of Tony ends on ‘don’t stop,’ it’s mid-song. I’m not going to go into [if that’s Tony’s POV]. I thought the possibility would go through a lot of people’s minds or maybe everybody’s mind that he was killed. He might have gotten shot three years ago in that situation. But he didn’t. Whether this is the end here, or not, it’s going to come at some point for the rest of us. Hopefully we’re not going to get shot by some rival gang mob or anything like that. I’m not saying that [happened]. But obviously he stood more of a chance of getting shot by a rival gang mob than you or I do because he put himself in that situation. All I know is the end is coming for all of us.

I thought the ending would be somewhat jarring, sure. But not to the extent it was, and not a subject of such discussion. I really had no idea about that. I never considered the black a shot. I just thought what we see is black. The ceiling I was going for at that point, the biggest feeling I was going for, honestly, was don’t stop believing. It was very simple and much more on the nose than people think. That’s what I wanted people to believe. That life ends and death comes, but don’t stop believing. There are attachments we make in life, even though it’s all going to come to an end, that are worth so much, and we’re so lucky to have been able to experience them. Life is short. Either it ends here for Tony or some other time. But in spite of that, it’s really worth it. So don’t stop believing.

So apparently when Chase has said in some interviews that the final scene had a definite meaning, the meaning was more along the lines of “don’t stop believing” than whether Tony was killed here or at some other time.

Jon Stewart

Jon Stewart spoke with The Guardian about why he is leaving The Daily Show:

“Honestly, it was a combination of the limitations of my brain and a format that is geared towards following an increasingly redundant process, which is our political process. I was just thinking, ‘Are there other ways to skin this cat?’ And, beyond that, it would be nice to be home when my little elves get home from school, occasionally.”

He has a 10-year-old son, Nathan, and a nine-year-old daughter, Maggie; Stewart and his wife, Tracey, have been married for almost as long as he’s been doing the show, after Stewart proposed to her via a crossword puzzle.

If anything, it was the prospect of the upcoming US election that pushed him to leave the show. “I’d covered an election four times, and it didn’t appear that there was going to be anything wildly different about this one,” he says.

Ah, but who could have anticipated the excitement over Hillary Clinton’s deleted emails?

“Anyone could, because that story is absolutely everything that it’s supposed to be about,” he says, with a groan; as a revelation, it managed to be at once depressing and completely unsurprising. “I also felt that, for the show, you don’t want to leave when the cupboard’s bare. So I think it’s a better introduction when you have something providing you with assisted fuel, like a presidential campaign. But really, the value of this show is so much deeper than my contribution,” he says.

This means he will no longer have to watch Fox, but he did answer a hypothetical question as to a situation in which he might watch again:

Now that he is leaving The Daily Show, is there any circumstance in which he would watch Fox News again? He takes a few seconds to ponder the question. “Umm… All right, let’s say that it’s a nuclear winter, and I have been wandering, and there appears to be a flickering light through what appears to be a radioactive cloud and I think that light might be a food source that could help my family. I might glance at it for a moment until I realise, that’s Fox News, and then I shut it off. That’s the circumstance.”

Dan Aykroyd told The Huffington Post that “America is flat-out gun crazy.”

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