SciFi Weekend: The Marvel Television & Movie Universe; The Night Manager; Mads Mikkelsen On The Possible Return of Hannibal; Wet Hot American Summer; Hugo Nominees; Top Jokes From White House Correspondence Dinner

Agents-of-SHIELD-Cover-04272016

Not long after Supergirl used a classic comic book cover to promote the Supergirl/Flash cross over, Agents of SHIELD is also using a classic comic cover to promote an upcoming episode.

Agents of S.H.I.E.L.D. is sliding into its last few episodes for the season three finale, and they’re going for the hype by promising someone is going to die in promo art. The illustration is an homage to the cover of Amazing Spider-Man #121; that’s the one hinting at the death of you-know-who. Uh-oh. The art by Greg Land will actually be available as a variant cover in comic book shops, too. It will be a rare catch for Civil War II #0.

The official synopsis for the penultimate episode of the season ties into Captain America: Civil war, as the first season tied into Captain America: The Winter Soldier.

With only two episodes left before S.H.I.E.L.D. loses one of their own, Daisy’s prophecy ticks closer towards a major loss, as the aftermath of the events of “Marvel’s Captain America: Civil War” force S.H.I.E.L.D. to register the Inhumans, on “Marvel’s Agents of S.H.I.E.L.D.,” TUESDAY, MAY 10 (9:00-10:00 p.m. EDT), on the ABC Television Network.

Joe and Anthony Russo have also discussed how Captain America will lead into the Infinity War storyline.

Besides appearing in the Captain America and Avengers movies. Robert Downey, Jr. will be appearing in Spider-Man Homecoming. He is now teasing the possibility of a fourth Iron Man movie.

Marvel is now developing a series for Netflix about The Punisher, presumably in response to the response to his charter in Daredevil season 2.

John le Carré discussed how his con-man father inspired Richard Roper (Hugh Laurie) in The Night Manager in the video above.

Mads Mikkelsen gave an interview to the Sunday Express which sounds encouraging for the return of Hannibal:

Fans of the television adaptation of Thomas Harris’ novels about psychopathic psychiatrist Hannibal Lecter were left outraged last year when broadcaster NBC unceremoniously axed the show after just three seasons.

Nonetheless, in an exclusive interview with Express.co.uk, Mikkelsen has revealed that the story is far from over – and that there is hope for a reboot yet. When asked whether the series still has the potential to be picked up by another network, the actor revealed that the ball is firmly in show creator Bryan Fuller’s court.

“It all depends on Bryan. He is the key, the base, the heart,” Mikkelsen said. “We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.”

But will Fuller be up for it?

“He loved it. It was his baby. Let’s wait and see,” the 50-year-old actor teased, a knowing glint in his eye.

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After a successful prequel, Netflix is returning to Wet Hot American Summer once again with  Wet Hot American Summer: Ten Years Later. This time the cast will look more like the ages they are playing, but it was amusing during First Day of Camp to see the adult actors playing themselves as teenagers in the original. That’s except for Paul Rudd, who seemed to have barely aged, possibly due to a painting in the attic.

The Hugo Award nominees are out. Here are the nominees for television shows and movies:

BEST DRAMATIC PRESENTATION (LONG FORM)
  • Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  • Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  • Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  • The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  • Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM)
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)


Barack Obama had his final appearance at the White House Correspondents’ Dinner (full video above).  He said that “if this material works well, I’m going to use it at Goldman Sachs next year,” mocking Clinton’s paid speeches. He also made fun of her attempts to appeal to young voters:  “Look, I’ve said how much I admire Hillary’s toughness, her smarts, her policy chops, her experience. You’ve got admit it though, Hillary trying appeal to young voters is a little bit like your relative who just signed up for Facebook. Dear America, did you get my poke? Is it appearing on your wall? I’m not sure I’m using this right. Love, Aunt Hillary.’”

Obama also mocked Donald Trump: “There’s one area where Donald’s experience could be invaluable, and that’s closing Guantanamo. Because Trump knows a thing or two about running waterfront properties into the ground.” Plus he praised his foreign policy experience: “They say Donald lacks the foreign policy experience to be president, but in fairness, he has spent years meeting with leaders from around the world — Miss Sweden, Miss Argentina, Miss Azerbaijan.”

Some of Obama’s top jokes can be read here and here.

Bored with the current set of presidential candidates? Take a look at Andrew Basiago, who claims to have traveled back in time and to have teleported to Mars in the 1980’s  with a young Barack Obama. It is surprising that Obama has never mentioned this.

SciFi Weekend: New Companion Announced For Doctor Who; Supergirl Finale; Krypton; The Girl On The Train; Person of Interest; Mr Robot; The Blacklist; The Night Manager; Catastrophe; Mick Jagger

The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:

Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
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Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”

Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.

Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.

Supergirl finale

Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.

Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:

ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG:
Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.

Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.

Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
[Crickets.]

Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.

Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…

Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.

What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.

What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.

Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.

The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.

The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:

A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”

Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”

After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.

Some additional brief thoughts on the past week which will be kept brief due to limited time this week:

Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.

Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.

The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.

Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.

In other entertainment news, Mick Jagger is not portrayed very well in a new book:

Rich Cohen delivers the unflattering portrayal of Jagger in “The Sun & the Moon & the Rolling Stones.”

“There’s something monstrous about Mick Jagger,” Cohen writes after exhuming details from the band’s dark past.

“The Stones had been shedding people from the start. Use ’em up, toss ’em aside,” Cohen continues. “It’s a machine that runs on bodies.”

Prince was honored in this week’s Saturday Night Live, hosted by Jimmy Fallon.

SciFi Weekend: Controversy Over Death Of Lesbian Character On The 100; Orphan Black; Daredevil; 12 Monkeys; The Americans; Put A Bird On It

The 100 Clarke Lexa Kiss

Jason Rothenberg’s decision to kill a prominent LGBT character on The 100, and the manner in which she died, has made many fans of the show upset. At the time I first watched and reviewed the show, while I expected some disappointment and protest, I had no idea how serious a matter this would be to the LGBT community. Reviewing the discussion from those who did take it very personally, along with the views of television critics such as Maureen Ryan who is quoted below, help to understand the importance of this issue. After missing the significance of this in my original review, I hope to make up for it by providing this overview today.

I will start by allowing Rothenberg to explain his viewpoint. He was interviewed by TV Insider. Here are the first few questions, with much more in the full interview:

OK, so you had to be aware of the uproar that would come from killing Lexa, right? This was something that you guys had to realize you’d be walking into.
Yes and no. First of all, I think I should start by saying that for the last two weeks, I’ve pretty much thought about nothing else except for this. It’s taken me some time to process everything, and I’ve been listening, reading everything I could. I took my voice out of it on Twitter because I didn’t want to inflame the situation, and I felt like I didn’t want to shape the conversation. I just wanted to listen and try to understand. I mean, we were a little surprised by it—obviously not that people were upset; you’re right in the sense that we kind of knew that that would happen. The story that we’re telling is a tragedy. Lexa was a meaningful character to our fans, especially LGBTQ fans, and so I knew it would be emotional, of course. What was unexpected was the level of outrage that it’s generated from some people, but I do think I have come to understand that.

We’ve seen this with shows with strong social media bases: The louder the outrage, the more disturbing it can get.
Yeah. Lexa’s death triggered real emotional trauma for some people, you know? It tapped into the real world, it tapped into their lives, and as a straight white male, I obviously didn’t anticipate how deeply it would affect certain people. I look at it now and I realize that if somebody had that kind of a reaction and then were to look back at the way I behaved on Twitter leading up to it, which was celebrating this relationship that then crushed them, I can understand why they would find that reprehensible. I hope that people understand that.

Since there is no winning on Twitter, what do you want to say to the fans now?
I would say, first of all, that it’s taken me a while to get perspective on it myself and to put myself in the position of somebody who was hurt like that. And I hope that eventually they can start to put themselves in our position and understand that we would never want to hurt anybody like that. We would never want to hurt our fans. We love them, we owe them everything, we owe them the fact that we just got a Season 4 to them. We want to take them for a ride, we don’t want to hurt them. And because we didn’t anticipate this sort of level of pain over this fictional death, we were doing what we always do on Twitter, which was celebrating work that we’re proud of. In hindsight, knowing what I know now and sort of realizing the things that I’ve realized, we should have done less of that. We should have done less buildup knowing where this was going to end up and knowing how this was going to affect people.

But it wouldn’t have changed the story you’re telling.
No, absolutely not. We would have told the same story. I stand behind the story; I just don’t think I would have gone out of my way to say ‘This is the best episode we’ve ever done!’ Nobody really anticipated that this would happen so now that we’ve seen it, the idea for me as the showrunner going forward is to learn lessons from it, you know? This is a show where characters die. That’s another reason we were so surprised..it’s a post-apocalyptic world set 100 years later in which anyone can die.

The 100 Lexa Clark

Rothenberg also posted a statement on line a few days ago. Here are some excerpts, but those interested in the controversy should read his full statement:

For many fans of The 100, the relationship between Clarke and Lexa was a positive step of inclusion. I take enormous pride in that, as I do in the fact that our show is heading into its 4th season with a bisexual lead and a very diverse cast. The honesty, integrity and vulnerability Eliza Taylor and Alycia Debnam-Carey brought to their characters served as an inspiration for many of our fans. Their relationship held greater importance than even I realized. And that very important representation was taken away by one stray bullet…

In the show-world, no one is safe, and anyone, even a beloved character, can die, at any time. My favorite shows in this genre embrace a similar sense of heightened urgency. There are several reasons why this particular episode played out the way it did: practical (an actress was leaving the show), creative (it’s a story about reincarnation) and thematic (it’s a show about survival). Despite my reasons, I still write and produce television for the real world where negative and hurtful tropes exist. And I am very sorry for not recognizing this as fully as I should have. Knowing everything I know now, Lexa’s death would have played out differently.

The 100 is a post-apocalyptic tragedy set 130 years in the future. It’s a constant life and death struggle. In our show, all relationships start with one question: ‘Can you help me survive today?’ It doesn’t matter what color you are, what gender identity you are, or whether you’re gay, bi or straight. The things that divide us as global citizens today don’t matter in this show. And that’s the beauty of science-fiction. We can make a point without preaching. We can say that race, sexuality, gender and disability should not divide us. We can elevate our thinking and take you on a helluva ride at the same time.

But I’ve been powerfully reminded that the audience takes that ride in the real world — where LGBTQ teens face repeated discrimination, often suffer from depression and commit suicide at a rate far higher than their straight peers. Where people still face discrimination because of the color of their skin. Where, in too many places, women are not given the same opportunities as men, especially LGBTQ women who face even tougher odds. And where television characters are still not fully representative of the diverse lives of our audience. Not even close.

The 100 Clarke Lexa Thirteen

Maureen Ryan wrote about What TV Can Learn From The ‘100 Mess’ at Variety and helps explain why many fans are upset. Again, these are just excerpts and the full article is worth reading.

The response of the showrunner has, outside of a few unenlightening interviews, has been disappointing. Rothenberg live-tweeted the March 10 episode of the show as if thinkpieces and damning critiques were not still being churned out. In the limited array of interviews he did in conjunction with the March 3 episode, he has given little indication that he understands the depth of the sense of betrayal or the multitude of reasonable objections to the death story line. Since March 3, it has fallen to co-executive producer Javier Grillo-Marxuach, who wrote the episode, to engage with fans in any significant and meaningful way, but his compassionate and committed response has only highlighted Rothenberg’s abdication of responsibility...

So here’s the nitty-gritty: The character who died, Lexa (Alycia Debnam-Carey), happened to be one of the few well-developed and complex lesbians on TV, and it’s an unfortunate but enduring TV cliche that lesbians rarely, if ever, live happily ever after. In the March 3 episode, “The 100,” which had touted its commitment to quality LGBTQ storytelling, invoked one of TV’s oldest gay cliches by killing her off mere seconds after she consummated her relationship with another woman, Clarke (Eliza Taylor).

Many fans, regardless of sexual orientation, were left shaking their heads in disbelief.

On a story and thematic level, Lexa’s death (despite being well-performed by the actors) had little resonance and almost no meaning. But all things considered, the blithe manipulation LGBTQ fans and the show’s willingness to deploy harmful cliches about gay characters remain the things that rankle most…

Adding to the sense of betrayal was the manner of Lexa’s death. She was felled by a stray bullet from an angry male servant, mere seconds after she and Clarke had sex for the first time. The servant, Titus, disapproved of Lexa’s relationship with Clarke, whom he tried to kill, but Lexa caught the bullet. This woman — the most fearsome warrior in the show’s history — didn’t die defending Clarke; she just happened to be in the bullet’s path. And by following her only moment of bliss with her lover, the Grounder queen’s death followed a time-worn and disturbing TV pattern.

Autostraddle came up with a list of more than 130 lesbian and bisexual women who have been killed off on TV shows, and it’s a damning roster. Whatever progress you think TV has made on the front of LGBTQ representation, the sheer number of dead women on the list is profoundly troubling, to say the least. If nothing else, it shows that the Bury Your Gays trope is alive and well on TV, and fictional lesbian and bisexual women in particular have a very small chance of leading long and productive lives.

Critic Nicola Choi wrote that when they spot a lesbian or bisexual woman on TV, many LGBTQ fans simply resign themselves to the fact that the character will die.

The 100 Thirteen Lexa

Dany Roth tried to explain the matter to a conservative-leaning readership at blastr:

If you’re not part of the queer community, an ally of said same, or if you were never a fan of The 100, why should you care? If we’re boiling this down to the most selfish of reasons, it is because next time it might be you. And maybe it already has been you. Forget social justice for a second (as I know many of you often try to, anyway) — think about this as simply acting in the interest of fairness…

The reason Lexa’s death was so upsetting isn’t just because her face was a recognizable one for so many queer people, it’s also because she made the LGBT community feel more visible, more relatable. And it made them feel like they were being listened to. Every time someone tweets about why Lexa matters, each time someone challenges the “Bury Your Gays” trope and demands that writers and showrunners do better, someone who hasn’t thought about any of this hears why representation in stories matters for the first time. Even in death, Lexa is making LGBT people more visible.

Orphan Black Train

There is often much to think about and discuss after an episode of Orphan Black. This was especially true in the early episodes, when we had very little understanding of what was going on. Entertainment Weekly has good news on both of these points. BBC America will be starting a show, After the Black, to discuss each episode. Plus it sounds like next season might recreate some of the mystery of the first season, including going back to when Sarah first saw Beth jump in front of the train.

Taking a tip from AMC, BBC America has announced After the Black, a companion show that will air weekly following Orphan Black.

Hosted by Innerspace’s Ajay Fry, Morgan Hoffman, and Teddy Wilson, After the Black is a 30-minute after show that will feature various cast, crew, and special guest stars chatting about the plot, twists, and theories on future episodes. Other segments will include behind-the-scene footage from the set and an exclusive first look at the following episode.

The format is very similar to AMC’s Talking Dead, which airs weekly following The Walking Dead and Fear the Walking Dead.

The first post-game, which will air Thursday, April 14 at 11 p.m. ET following the season 4 premiere of Orphan Black, will include stars Tatiana Maslany and Kevin Hanchard.

As for the fourth season, executive producers John Fawcett and Graeme Manson revealed at WonderCon on Saturday that they’ll be going back to basics in a lot of ways by delving into a particular mystery from the pilot. “We really wanted to look at the first season this year,” Manson said. “We wanted to go back to that moment on the tracks with Beth and Sarah and go, ‘What did Sarah miss?’ There’s more story there.”

“We wanted to get that feel back, that feel of season 1 where you don’t know who the bad guy is, you don’t know who you’re speaking to,” Fawcett added. “That was the goal of season 4.”

Above is a trailer for season 4 of Orphan Black. There will also be new characters introduced:

Also this season, viewers are introduced to brand new characters that prove to be pivotal to the clones’ saga. Season 4 introduces Joel Thomas Hynes (REPUBLIC OF DOYLE) in the role of “Dizzy”, an edgy, self-reliant hacker who doesn’t conform to group mentality; Jessalyn Wanlim (Alex Cross) as Evie Cho, a powerful, seductively articulate bioengineer who believes great discoveries require casualties; Lauren Hammersley (MR. D) as Adele, a shameless, brazen, and wickedly intelligent lawyer who outwits opponents even when heavily intoxicated; and Gord Rand (Maps To The Stars) as Detective Duko, who on the surface appears to be unassuming and slightly nebbish, but has used his underlying angst to nastily claw his way to the top.

I will hold off on saying much about season 2 of Daredevil different  people are at different points with the Netflix model. Entertainment Weekly has the above interview with Charlie Cox which helps set up the season after the arrest of Wilson Fisk at the end of the first season:

“What we’ve done this year with the show is we don’t really have so much a Big Bad, but we have characters that enter Matt’s life,” Cox tells EW in a recent interview, viewable above. “They force him to look at himself and look at his actions in a way that no one else has done in the past.”

Those characters are, naturally, The Punisher (Jon Bernthal) and Elektra (Elodie Yung). The first, as trailers have hinted, comes to Hell’s Kitchen with almost a similar purpose as Daredevil but with a much different modus operandi. And his methodology involves a lot more killing, which puts the entire city on edge shortly after coming to appreciate Daredevil’s work.

“It’s through Daredevil’s actions that someone like Frank Castle has been able to show up and do what he does,” Cox explains.

Yet putting a stop to The Punisher’s bloodlust isn’t the only obstacle thrown at Matt this season. Elektra, the “Greek girl” from college that Foggy Nelson (Elden Henson) mentioned last season returns to New York. As portrayed by Yung, Elektra complicates Matt’s life both while he’s in and out of his crime-fighting costume, particularly when it comes to his burgeoning romance with Karen Page (Deborah Ann Woll).

“… Matt is completely authentic with both characters, but that authenticity is different with each character,” Cox said, calling this love triangle “one of the most enjoyable things for me to do as an actor this season.”

12 Monkeys returns on April 18. If we didn’t have the “problem” of so much good television, including genre television, now available thanks to cable and streaming, it might be tempting to rewatch the first season to review all the twists which occurred. While some hardcore fans are doing so, many of us just do not have the time. Syfy has posted the above seven minute recap to help the rest of us to catch up. It is certainly not enough for new viewers to start watching the show, but it is helpful for those of us who watched the first season.

americans-season-4

The Americans, which very well might be the best ongoing drama now on television (separating it from shows such as Fargo which have a different story each year) is off to an excellent start for its fourth season. There is so much which can be said about the quality of the story, but I figure those who are watching understand this and those who are not will not be interested in a play by play.

Besides all the big things, the show gets the little things better than most television shows. While many shows do a terrible job of working in children and home life (such as with Brody’s daughter on previous seasons of Homeland), Paige’s teenage angst, exacerbated by learning that her parents are Russian spies, has been a huge plus in driving the plot this season. Television story lines are often driven by misunderstandings, such as Stan thinking that Philip was sleeping with his wife. While that is a standard television trope, I really appreciated it when Phillip immediately explained the situation to Elizabeth and told her about going to the EST meetings, as opposed to dragging this out and creating further misunderstandings with her–as so many television shows would have done.

Plus so many interesting characters have been developed beyond the main characters. When The Americans inevitably ends, I’m looking forward to one spinoff based upon Nina Krilova in Russia, and another (or perhaps work in into a single show) in which Stan Beeman and Oleg Burov find some reason to team up after the Cold War ends. If Napoleon Solo can team up with Russian Illya Kuryakin on The Man From UNCLE, why not Stan and Oleg?

With all the talk the last few days about the bird at the Bernie Sanders rally in Oregon, prior to his big three-state sweep yesterday, above is a clip from the episode of Portlandia which started the slogan, “Put A Bird On It.”

To conclude by tying this in with the previous story on Daredevil, above is Rosario Dawson (Daredevil, Jessica Jones) speaking in support of Bernie Sanders.

SciFi Weekend: Doctor Who; Supergirl; Agents of SHIELD; Renewals; DC Movie News; Schwarzenegger Refuses To Talk About Trump

Capaldi First Image

Peter Capaldi had previously suggested he would leave Doctor Who after the upcoming season, when Chris Chibnall will replace Steven Moffat as show runner. He has now told Radio Times that he has been asked to stay on but has not made up his mind. He also states that the new companion to replace Jenna Coleman has been cast and will be named soon.

Capaldi has told Newsweek that he is not happy with how the BBC handles the series:

Perhaps, as is the fate of so many seemingly happy marriages, the BBC has taken the Doctor for granted? “Undoubtedly,” he says. “The BBC is an incredible organization, but…sometimes people there think, That’s looking after itself. And it’s not being looked after. I think maybe their eye was taken off the ball, or the show was seen as a thing they could just push around. It’s not. It’s a special thing.”

The later time slot prompted tabloid hyperbole of a “ratings crisis,” something the star admits he begrudgingly keeps tabs on. “I have to pay attention to ratings—I’d rather not—but it’s the way the business is,” he says. “I think overnight ratings are a thing of the past. You can’t really measure the success of the show by its overnight ratings, which is what the papers do. But there’s still a place for families to sit down and watch the show—that’s still a great, fun thing to do. That’s what the show’s success has been based on. That has to be protected.”

Mandatory Credit: Photo by Rob Latour/REX/Shutterstock (5613187u) Melissa Benoist, Calista Flockhart and Chyler Leigh 'Supergirl' TV series screening, Inside, PaleyFest 2016, Los Angeles, America - 13 Mar 2016

The cast and crew of Supergirl discussed feminism, and the upcoming Supergirl/Flash crossover episode at PaleyFest:

Much of the discussion centered on feminism, particularly on the impact of having a female superhero on television in a male-dominated field. Leigh said that’s what motivated her to take on the Alex Danvers role. “I have two girls, and right before taking this job my husband was really challenging me in the sense of like ‘think about what this opportunity is and think about what it means to you and look at our little girls and if you don’t have a resounding yes [about being on Supergirl] then you’re crazy. For little girls, there’s so much on TV that is influential especially towards the younger ages. To be a part of something that’s telling a very powerful story in many different ways from many different perspectives, especially from a women’s standpoint but also from little girl’s standpoint … is rewarding.” Added Adler, “And that’s not just confined to little girls or women. I think the most exciting thing for me is the feeling that everyone feeling the strength of Supergirl regardless of gender.”

…On why he chose The Flash to be the first comic book crossover character on Supergirl, Berlanti said: “We needed to create a way to do it. We had to introduce Superman since you’ve heard about him and you’ve heard about Supergirl, but in worlds of Arrow and Flash, they didn’t exist in that world. We introduced the multiverse in The Flash this year, and that was always our way in.” But fans shouldn’t hold their breath for a visit from the Man of Steel. “We’re so thrilled that Supergirl is our point of view,” Adler said. “We’re thrilled to continue to tell her story.”

Supergirl has been renewed for a second season.

marvels-agents-of-shield-shield

Agents of SHIELD will once again be affected by the Marvel Cinematic Universe:

After Captain America: The Winter Soldier delivered the game-changing twist that Hydra had infiltrated SHIELD from the inside, completely destroying the government organization that makes up the very core of Agents of SHIELD, the ABC Marvel drama became a completely new show in season one. Agent Coulson (Clark Gregg) became Director Coulson of the real SHIELD, working in the shadows to take down the Hydra agents who betrayed them, including their former friend Grant Ward (Brett Dalton). The show was never the same after that revelation, and it was clear from both critical and fan response that the series was better for it.

With Captain America: Civil War only weeks away from its box-office bow, Agents of SHIELD is set to change yet again as a result of whatever happens in the Marvel Cinematic Universe.

“It will definitely have a ripple effect,” executive producer Jed Whedon says. “It is one world, so if there is a giant event, it will definitely have a ripple effect on our world.”

SHIELD Palicki and Blood

There is also more information on the spinoff being considered staring Adrianne Palicki and Nick Blood:

After spawning low-rated but critical darling period drama Agent Carter, ABC’s first Marvel series is laying the groundwork for pilot Marvel’s Most Wanted. Centering on the newest additions to SHIELD, Bobbi Morse aka Mockingbird (Adrianne Palicki) and Lance Hunter (Nick Blood), the potential series would follow the two former spies and ex-spouses who are on the run with no friends, no SHIELD and a long list of enemies looking to claim a bounty on their heads.

Without any allies except each other, Bobbi and Hunter will be forced to form an uneasy alliance with Dominic Fortune (Delroy Lindo), a rogue adventurer with a wealth of resources and even more adversaries, who agrees to protect them so long as they help him with his own agenda. These two heroes will help anyone in need, all while trying to uncover the conspiracy that put their own lives in jeopardy.

They will continue to work with SHIELD this season and decisions as to Marvel’s Most Wanted and Agent Carter will probably be made in May.

Fox has renewed Gotham for a third season. In other news on the show,  Brian McManamon has been cast as  Clayface.

Person of Interest returns on May 5 with two episodes to air per week, airing on Monday and Tuesday. This is to be the final season.

Amber Herd has been cast to play Mera in the upcoming Justice League and stand-alone Aquaman movie. Both the stand-alone Aquaman movie and Flash movie will be new stories following their appearance in Justice League and will not be origin stories. Following are the planned release dates for the DC movies:

Batman v Superman: Dawn of Justice March 25, 2016

Justice League: Part One November 17, 2017

The Flash March 16, 2018

Aquaman following July 27, 2018

Arnold Schwarzenegger, who is about to take over as host of Celebrity Apprentice, walked out of an interview and refused to answer questions about Donald Trump’s presidential campaign when asked on Australia’s Weekend Sunrise. Schwarzenegger has endorsed John Kasich for the GOP nomination. Meanwhile Trump’s campaign continues like a bad reality show or movie, with more violence reported, involving his campaign manager.

SciFi Weekend: Agent Carter; Mr. Robot; Supergirl and The Flash; TV Renewals; Malevolent

Agent Carter Hollywood Ending

Agent Carter recently concluded its second season, showing once again the advantage of telling a self-contained story over a short season. Whitney Frost made a great villain for the season, with the dark matter providing a strong science fiction aspect. Other highlights of the season include meeting Jarvis’s wife and the return of Dotty. Howard Stark was also used well, just appearing enough to spice up some episodes. Peggy’s love life also attracted a lot of buzz.

The season finale provided an excellent Hollywood Ending which tied up the plot lines of the season and, other than for a cliff hanger at the very end, would make a satisfactory series finale if it comes to this. Major spoilers ahead.

Entertainment Weekly discussed the finale, and some questions left open, with executive producers Michele Fazekas and Tara Butters:

ENTERTAINMENT WEEKLY: Why did you kill off Jack Thompson?!
MICHELE FAZEKAS:
We did not kill off Jack Thompson, we shot Jack Thompson.

In the chest!
FAZEKAS:
Yup, that was the intent. We shot him. Honestly, he might not be dead, and that’s what we as writers have said, and that’s what we told Chad. That’s the truth.

Let’s talk about the person who may or may not have killed Jack. Is it someone we know? Are they connected to the Council of Nine?
FAZEKAS:
It’s unrelated to the Council of Nine. It is not for the reasons that you’d expect. It’s unrelated to Council of Nine, Zero Matter, any of that.

Purely related to the file?
FAZEKAS:
Correct.

This file reveals Peggy’s exploits with the S.O.E. and some kind of massacre. Thompson thought it was too good to be true, ultimately, and it didn’t seem to affect Peggy when he mentioned it. What’s really going on here?
FAZEKAS:
You have to pay really close attention to what exactly we showed that was in the file. You see that there was some sort of massacre, and I would say, don’t make assumptions by what you see in that file. We were really specific about what information was given for a reason.

Later in the interview:

Turning to Whitney Frost, why did you ultimately decide to have her go crazy? And is that the last we’ve seen of her?
BUTTERS
: I hope not. I hope we get to bring her back. She was delicious.
FAZEKAS: We probably don’t exactly tell that story again, but I loved working with Wynn. We didn’t want to kill her off. The Zero Matter, all along, had this increasing affect on her, where it was driving her mad. That felt like the organic way to end that story, because we didn’t start out that way, but boy did she end up that way. That was a direct result of Zero Matter.
BUTTERS: There was a little Frances Farmer connection of Old Hollywood taking its toll. I like her being a rogue’s gallery for Agent Carter, people who can come back like Dottie (Bridget Regan).
FAZEKAS: I really like how sad I feel for Ken Marino. Oh, Manfredi still loves her!

In the closing moments of the episode, Peggy is torn between New York and Los Angeles. Are you already thinking about whether you would keep the show in L.A. or whether you’d move the setting back to New York in season 3?
FAZEKAS:
The nice thing is you can put the show anywhere, because it’s spies. We loved doing L.A. If I had a choice between doing New York and L.A. again, I’d pick L.A. But London has been dropped. It’s all going to be determined by what story we want to tell. I loved L.A. I loved how it looked, I loved how it looked on Peggy. We would be very happy to do another L.A. season, but we’re not married to it.

Haley Atwell Hollywood Ending

Haley Atwell has also discussed the finale, and the question of who Peggy Carter will ultimately marry:

ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL:
I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.

Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.

How do you think Peggy will handle Thompson’s potential death, especially since it’s happened because of that file?
She has an interesting relationship with Thompson. I think she deals with him with a bemused tolerance. I think she sees his façade and she understands why a lot of his bravado and his need to be liked and approved comes from, because he’s harboring a very guilty secret about his past that he confided in her in season 1. She’s not a dismissive person. She’s quite tolerant of people. She’s quite patient and wants to appeal to the good in him. Planting that seed in him is her hope that he will continue to be a good man. So to lose him, I think she would grieve, but it’s not the same. I don’t think she would regard him as a friend. He’s not someone that can be trusted. She suspects that he’s capable of making really bad decisions, but not malicious ones. I can imagine that he would get blinded by Vernon Masters, Whitney Frost and power, but she has sympathy toward that rather than sees that as something bad in him.

How much do you actually know about this file that discusses Peggy’s exploits with the S.O.E. and a massacre? Peggy seemed to dismiss it before, but do you know what’s really going on there?
James D’Arcy is so nosy, so he went sniffing around the writers’ room trying to figure it out. He finally found out what the secret was, and then on the last day he ran up to me and told me. I do know what that secret is. It’s really exciting, and it changes a lot. It basically gives us our core for season 3 if we were to go to a season 3. It’s really amazing, but I don’t want to get too excited about it in case we don’t get picked up again, so I can’t really say anything. Or it might get picked up in a couple years. I’m sworn to secrecy on it, but it’s really clever. Those clever writers!

Word as to whether there will be a third season is expected in May, but it appears Haley Atwell is interested despite working on another pilot. Even if she is busy with other projects, perhaps the series can be kept alive with fewer episodes to make it feasible.

Mr Robot s01e03

It appears that Mr. Robot will remain topical next season with encryption becoming a major subject. Deadline reports:

Mr. Robot showrunner Sam Esmail insisted at SXSW today that he’s no “fortune teller,” even though the show’s first season went into production just as a massive post-Snowden national debate about surveillance and the collusion between government and big business flared up. In any case, his luck continues, with the USA Network show’s second season heading into production with a storyline about privacy and encryption just as the FBI and Apple are having a very public fight about access to private iPhone user data.

“What’s weird is that we were really going into [Season 2] talking about encryption and privacy,” Esmail said during a SXSW show panel titled “Coding on Camera: Mr. Robot and Authenticity on TV.” “And then this whole thing with Apple and [CEO] Tim Cook happened.”

Esmail said he thinks the difficult-to-grasp real-life issue will play out over the next decade, with public discourse over the idea of a right to privacy. “Do we have that, do we not?,” he asked.

Is Mr. Robot meant to be a straight-up polemic? “I don’t know if it’s to make commentary, but it’s to bring it up and have a conversation,” Esmail explained later, offering as an example “the Apple/FBI thing. … We talked to our FBI consultants about this, and their view is that encryption should allow for this sort of third-party side-door thing.”

Esmail says he’s “totally opposed” to that. “I’m on Tim Cook’s side,” he said, a line that unsurprisingly got huge cheers from the SXSW room. Ultimately, he says, “if you keep breaking [the issue] down in a credible way and if you show both sides so that the audience can understand the debate, hopefully it gets people interested and invested in wanting to learn more about it. If our show contributes to that conversation, brings that conversation up again,” then he’s happy with the reception.

There will also be a lot more on Evil Corp. as two characters have been promoted to series regulars. From TVLine:

The acclaimed USA Network drama has promoted Stephanie Corneliussen (who recently guested on Legends of Tomorrow) and Michael Cristofer to series regular status for the sophomore run, as Joanna Wellick and Phillip Price. They join the previously announced Grace Gummer, who will be playing an FBI agent investigating the Evil Corp. hack.

Supergirl Flash

CBS has released the above promotional picture and a synopsis for the upcoming Supergirl/Flash crossover (and Glee reunion):

Kara gains a new ally when the lightning-fast superhero The Flash (Grant Gustin) suddenly appears from an alternate universe and helps Kara battle Siobhan, aka Silver Banshee, and Livewire in exchange for her help in finding a way to return him home.

I can recall old DC covers with Superman racing the Flash but I’m not aware of whether Supergirl ever raced him. With CBS not having the television rights to Superman, several story lines and other aspects of Superman have been used in Supergirl–similar to how Arrow borrows from Batman.

The CW has renewed its lineup shows, including several genre shows. Renewed shows include:

Arrow (season five), Crazy Ex-Girlfriend (season two), Legends of Tomorrow (season two), The Flash (season three), iZombie (season three), Jane the Virgin (season three), The Originals (season four), Reign (season four), Supernatural (season 12), The Vampire Diaries (season eight) and The 100 (season four).

USA Network has announced that the eighth season of Royal Pains, which starts on May 18, will be the final season.

Netflix will release the second season of Daredevil on March 18 and Luke Cage will be released on September 30.

Malvolent

Malevolent is requesting assistance to get out this animated horror movie, which has quite an impressive cast:

  • Morena Baccarin (Deadpool, Gotham, Firefly)
  • Ray Wise (Twin Peaks, Robocop, Agent Carter)
  • Bill Moseley (The Devil’s Rejects, Texas Chainsaw Massacre II)
  • Rising star Dani Lennon (Bite Me)
  • William Shatner (Star Trek, Boston Legal)

MALEVOLENT is about a young woman named Miriam DeKalb (Dani Lennon, FearNet/Machinima’s BITE ME) who works for a non-profit which promotes global peace initiatives. When her billiionaire sociopath father Cyrus (Ray Wise) learns he is dying, Cyrus calls Miriam and her three siblings together to “discuss his will.” However, what he actually has planned is to pronounce judgment on them all. They are, in his view, traitors, and he has grisly death traps planned for each of them.

The wrinkle: a race of intergalactic gamblers, who wager on human conflicts as bloody sport, have chosen Miriam as their protagonist for this match. Thus the entire situation is being manipulated by the Gamemaster (Morena Baccarin,) who has the power to reverse time and reconfigure events as they play out. And so the playing field is constantly changing under Miriam’s feet — sometimes to her benefit, but usually, not. Through it all, The Overseer (William Shatner) calls the game.

SciFi Weekend: X-Files Finale; Big Reveal on The Flash; Captain America Civil War; Daredevil; Star Trek; Star Wars

THE X-FILES:  L-R:  Guest star William B. Davis and David Duchovny in the “My Struggle II” season finale episode of THE X-FILES airing Monday, Feb. 22 (8:00-9:01 PM ET/PT) on FOX.  ©2016 Fox Broadcasting Co.  Cr:  Ed Araquel/FOX

The X-Files concluded last week, with my discussion of the prior episodes appearing here. The six-episode revival rebooted the mythology storyline, and then wound up the earth on the brink of destruction, plus a UFO flying overhead. It is quite dissatisfying if you want a coherent mythology storyline for the season. Instead it is necessary to think of a cliff hanger on The X-Files as being more like the annual cliff hanger on Dallas as opposed to a complete genre story. It was enough to have me wanting to see more, so in the business of television it was a success.

Another plus was the introduction of Robbie Amell and Lauren Ambrose as recurring characters, the mini-Mulder and mini-Scully. I don’t know if they could carry the entire franchise on their own in the future, but at very least they reduce the burden on David Duchovny and Gillian Anderson, which could make a difference in making future seasons.

TV Line spoke with  Chris Carter about the finale. Here is a portion:

TVLINE | Let’s say the planets don’t align and there are no movies and no more seasons — are you OK with ending the series on that note?
I can tell you this: Fox owns this show. I can’t imagine, with the ratings that we’ve got and the way we ended this season, that there won’t be more X-Files. They will find a way to get that done. Because I spoke about it briefly with [Fox CEO] Dana Walden today, so there’s an appetite there and… a chance certainly to find how we’re gonna get ourselves off this precipice.

TVLINE | We had that shot of Alien Scully at the end of the cold open, which Fox released weeks ago. Was that just to mess with us?
[Laughs] Well, if Scully believes that she has alien DNA, this is something that’s going on in her subconscious. She’s possibly as alien as she is human, and that was playing with that idea.

TVLINE | Between the first episode of the revival and the finale, Scully and Mulder feel as though they’re growing back together — maybe not romantically, but they seem to want to be in each other’s company again.
Yes. There’s tension there, because they love each other and have, I think, since the first season — maybe even from the moment they first met. There’s a tremendous amount of love and respect there. That is what still exists, even if they’re not back together, I think you saw through our six episodes a warming, a thawing of whatever cold places they’d both found themselves in. And when they are arm in arm, or hand in hand, walking in front of Mulder’s house there [in Episode 5, “Babylon”], I think that’s a moment, for me, of a thawing of the situation.

TVLINE | William was referenced in a bunch of the episodes, then again right before the cliffhanger. In your mind, do you know where he is and what he’s up to?
[Laughs] I can’t tell you.

TVLINE | Of course you can’t! But do you know?
Well, if anyone knows, it’s me.

The Flash -- "Enter Zoom" -- Image FLA206A_0236b.jpg -- Pictured: Zoom -- Photo: Dean Buscher/The CW -- © 2015 The CW Network, LLC. All rights reserved.

The big reveal of the week (major spoilers) was the identity of Zoom on The Flash. Variety discussed this reveal with Andrew Kreisberg:

While fans may be forgiven for thinking that the Zoom storyline seems eerily reminiscent of last season’s twist, which revealed that the Reverse Flash, Eobard Thawne (Matt Letscher), had assumed the identity of scientist Dr. Harrison Wells (Tom Cavanagh) in order to gain the trust of Barry Allen (Grant Gustin), executive producer Andrew Kreisberg tells Variety that the parallel is entirely by design.

“For us, it could only happen because of what happened last season,” Kreisberg explains. “For Barry and the others, as much as they were stung by Wells/Thawne’s betrayal, he had been their mentor and friend and they all felt that vacuum when he was gone. Jay had been watching them and knew that so he was able to masterfully step into the role each of them needed. He became a friend and mentor to Barry. A love interest to the heartbroken Caitlin. He skillfully played them all.”

The twist is particularly surprising given Jay’s iconic status in the DC universe, but Kreisberg says that fan expectations helped conceal their master plan for Zoom. “We knew there’d be a fair amount of the audience who would know who Jay Garrick was and would take the character and anything he said at face value because of his past history,” he points out. “With this, we were better able to hide the ball as it were as to Zoom’s true identity. Who would suspect the big bad was the classic hero from the comics?”

Captain America Civil War

A director of Captain America: Civil War teases a controversial ending:

“The consequences of Civil War will have an even more significant impact [than The Winter Soldier]. In Civil War, we’re going to change the Marvel Cinematic Universe’s Psychology, and it’s an extreme shift.” He added: “Winter Soldier was a political thriller; this is a psychological thriller.” Now, there have been a lot of rumours about how the end of the movie is going to play out, and Anthony went on to promise that fans should expect a “very dramatic ending that will be controversial for a lot of people.” 

Netflix has released the above trailers for season 2 of Daredevil. The first is discussed here and the second, featuring Elektra, is discussed here. Den of Geek also has a spoiler-free review of the series, which will be released on March 18.

There is more good news about the upcoming Star Trek television series on CBS All Access. Recently we learned that Bryan Fuller would be show runner. Now it has been announced that Nicholas Meyer will be a writer and consulting producer.

Meyer wrote directed both Star Trek II: The Wrath of Khan and Star Trek VI: The Undiscovered Country. He also wrote Star Trek IV: The Voyage Home. 

J.J. Abrams might explode a few conservative heads:

“When I talk about inclusivity its not excluding gay characters, it’s about inclusivity so of course,” Abrams said at the U.S.-Ireland Alliance Oscar Wilde Awards on Thursday when asked if the franchise might include a gay character in the future. “To me the fun of Star Wars is exploring the possibilities, so it seems insanely narrow minded to say that there wouldn’t be a homosexual character in that world”

SciFi Weekend: The X-Files; SHIELD; Orphan Black; Nebula Nominees; Heroes; Daredevil; Kimmy Schmidt; Ashley Judd On Twin Peaks

THE X-FILES: L-R: Gillian Anderson and David Duchovny in the "Home Again" episode of THE X-FILES airing Monday, Feb. 8 (8:00-9:00 PM ET/PT) on FOX. ©2016 Fox Broadcasting Co. Cr: Ed Araquel/FOX

The six episode revival season of The X-Files concludes Monday. The series was worthwhile for old fans but I couldn’t recommend it to others. Those who have not seen it would be better off watching some of the top old episodes. The original series ended with a convoluted mythology which was no longer making any sense. For the revival they dispensed with much of it. Spoilers ahead: Mulder now believes that he was being intentionally deceived, leading him to come up with many false conclusions. Rather than an alien threat, it now appears that humans killed an alien years back and stole their technology, with plans to use it to conquer the earth.

Some of the episodes are stand alone. For fans, the most fun was the third episode, Mulder & Scully Meet the Were-Monster. The first episode was a mythology episode in that it got Mulder and Scully back together. The second episode to air did have a suggestion of the conspiracy with the Cigarette Smoking Man (old Alec Sadler to Continuum fans) appearing at the end. However, this was  originally intended to be the fifth episode, and there has been nothing more on this. Presumably it will play a key part in the final episode, which it appears might not be the end. Variety reports:

The X-Files” reboot has been a major success for Fox, but will there be more episodes after the event series wraps this upcoming Monday?

While there are no firm plans at this time for a second round of episodes, with the ratings proof, Fox execs are undoubtedly discussing the possibility of ordering more episodes. Plus, the network has been promoting Monday’s finale as the “season finale” — not the “series finale.”

“We said before it aired that we would love to do more, and we are over the moon with the performance. So far, the response has been really encouraging,” Fox entertainment president David Madden tells Variety, speaking in an interview conducted earlier in “The X-Files” season.

He adds, “We haven’t talked to the talent yet about Season 2 in any more definitive way than we had prior to airing the show, but certainly, it seems like there’s an audience responding to the show that would love to see more episodes.”

…Insiders tell Variety there are no official conversations under way regarding the future of the franchise, but Fox would love to make more “X-Files” happen, if they can — the main hurdle would be getting the schedules of Chris Carter, Gillian Anderson and David Duchovny to align, given their other commitments.

When asked about the possibility of a second rebooted season last month at the Television Critics Association press tour, Fox bosses Dana Walden and Gary Newman also touched on the talent subject, saying, “The biggest impediment to going forward with ‘The X-Files’ is the schedule of David and Gillian and, to an extent, Chris…but even the other night at the premiere, we were all laughing and joking that we would love to do this again. So we would be on board if schedules can be worked out.”

Long before the six revival episodes aired, Duchovny talked to Variety about the possibility of returning for more episodes.

Agent Carter has been excellent this year, I think better than the first season. It is winding down with two episodes to be aired back to back again before the finale. Agents of SHIELD will return on March 8 with promo above.

Comic Book Resources has a report on how Brett Dalton (Ward)’s character will be used after having been killed by Coulson before the midseason break. (Some might consider this spoilers):

Since the episode aired, fans have speculated about the comic book roots of Ward’s surprising transformation. While speaking at Wizard World Portland earlier today, series star Elizabeth Henstridge (who plays Jemma Simmons) let slip Ward’s new identity. As it turns out, the fans were right.

Discussing how her character deals with the constantly shifting circumstances of the show’s world, Henstridge said “…and now Ward is Hive and takes on the memories of people he’s killed, so that’s going to have some interesting situations.”

Though a brief mention, her statement is confirmation that Hive is now part of the Marvel Cinematic Universe. Created by Jonathan Hickman in his “Secret Warriors” series, Hive is a mass of genetically engineered parasites created by Hydra to personify the best qualities of the organization and the individuals therein. The parasites latch onto a human host, increasing its strength while absorbing its memories.

The TV show has clearly taken a different route with the character, as it has already been revealed that it is an Inhuman, and that freeing the creature and harnessing its powers is the reason Hydra was originally founded. Still, the increased strength and memory absorption remain part of its power set.

Orphan Black returns on BBC America on Thursday, April 14th. The official trailer (which shows a lot) is above. Here is BBC America’s description of the season:

Season 4 of the drama will see leader-of-the-pack, Sarah, reluctantly return home from her Icelandic hideout to track down an elusive and mysterious ally tied to the clone who started it all — Beth Childs. Sarah will follow Beth’s footsteps into a dangerous relationship with a potent new enemy, heading in a horrifying new direction. Under constant pressure to protect the sisterhood and keep everyone safe, Sarah’s old habits begin to resurface. As the close-knit sisters are pulled in disparate directions, Sarah finds herself estranged from the loving relationships that changed her for the better.

The 2015 Nebula Award nominations are out. The nominees for the Ray Bradbury Award for Outstanding Dramatic Presentation are:

Ex Machina, Written by Alex Garland
Inside Out, Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original Story by Pete Docter, Ronnie del Carmen
Jessica Jones: AKA Smile, Teleplay by Scott Reynolds & Melissa Rosenberg; Story by Jamie King & Scott Reynolds
Mad Max: Fury Road, Written by George Miller, Brendan McCarthy, Nick Lathouris
The Martian, Screenplay by Drew Goddard
Star Wars: The Force Awakens, Written by Lawrence Kasdan & J.J. Abrams and Michael Arndt

HEROES REBORN -- "11:53 To Odessa" Episode 110 -- Pictured: (l-r) Danika Yarosh as Malina, Jack Coleman as Noah Bennet -- (Photo by: Steve Wilkie/NBC)

Tim Kring discussed the recently concluded Heroes Reborn miniseries, including whether Heroes will return (not that I see much point in any more):

Have you had any indication as to whether NBC are open to another miniseries?

It was very important that this be a stand-alone event. In looking back at the original series, I was not comfortable with the ongoing serialized saga model of the show. It was extremely difficult to sustain, and relied heavily on cliffhangers that kept attempting to top themselves each episode. I believe the show always wanted to be rare and special, and as I have said it is impossible to be rare and special when you on the air all the time. We had orders of up to 26 episodes a year on the original series.   Each one of these episodes is like a mini movie, and we just could not maintain the quality with that heavy of an order.

As for Heroes Reborn, there was literally never a word of discussion with the top brass about doing more episodes. However, I think it was always expected that when the 13 episodes came to an end we could gauge whether or not there was an appetite for another series somewhere down the road that would tell a completely different story in the Heroes saga. We wanted to keep the door open by teasing a tiny bit of story to come, and I certainly have ideas about what that story would be, but I have yet to have any of the initial discussions about this with NBC.

Daredevil Season 2 returns on Netflix on March 18. Trailer above and Entertainment Weekly has further information.

Unbreakable Kimmy Schmidt returns on April 15 for its second season, and the show has already been renewed for a third season. Teaser above (which does not appear to contain new material).

AshleyJudd Facebook

Ashley Judd is the latest big name star added to the cast of the Twin Peaks revival. Of course to Star Trek fans, she will always be Ensign Robin Lefler.

SciFi Weekend: Bryan Fuller Named Star Trek Showrunner; Valentines Day For Marvel Heroes; Agent Carter; Gilmore Girls; Flash & Supergirl; Outlander; 11/22/63; Better Call Saul; House of Cards; Bernie Sanders & Hillary Clinton As Comic Book Leads

Bryan Fuller Star Trek
Bryan Fuller has been named to be the showrunner for the upcoming Star Trek television series on the CBS All Access streaming service starting in January 2017. Fuller has certainly demonstrated his skills in running a first class genre series with his work on Hannibal. He is also a long time Star Trek fan:

“My very first experience of ‘Star Trek’ is my oldest brother turning off all the lights in the house and flying his model of a D7 Class Klingon Battle Cruiser through the darkened halls. Before seeing a frame of the television series, the ‘Star Trek’ universe lit my imagination on fire,” said Fuller. “It is without exaggeration a dream come true to be crafting a brand new iteration of ‘Star Trek’ with fellow franchise alum Alex Kurtzman and boldly going where no ‘Star Trek’ series has gone before.

Fuller also has experience with Star Trek, including writing two episodes of Deep Space Nine (which he has called his favorite Star Trek series) and twenty episodes of Star Trek: Voyager.

Variety reports that “The creative plan is for the series to introduce new characters and civilizations, existing outside of the mythology charted by previous series and the current movie franchises.” This still leaves open whether it will occur in the Roddenberry or Abrams time line, at what point it time it will occur, and whether it will encompass the entire Star Trek universe or be more limited as Voyager was.

For Valentines Day we have a special edition of Marvel Super Heroes in the video above.

Elsewhere in the Marvel universe, there is now a question as to whether Agent Carter will return as Haley Atwell has been cast in a pilot for an ABC drama entitled Conviction. It sounds doubtful that she will return to Agent Carter if the pilot is picked up, although this is a series which might return at any point in the future as time allows.

Girlmore Girls Rory Jess

Being Valentines Day, it is also significant that yet another of Rory’s old boyfriends has been cast for the Gilmore Girls revival, now adding Milo Ventimiglia. In an unexpected addition, Sutton Foster has also been cast. Will she reprise her role as Michelle and make this a Gilmore Girls/Bunheads cross over episode, will Foster play another Lorelei stand-in, or will she have an entirely different part.

Supergirl Flash Instragram

Grant Gustin has uploaded the first picture of himself and Melissa Benoist in this Glee reunion and Flash/Supergirl cross over.

The latest trailer for Outlander deals with attempting to change the future due to Claire’s knowledge of history. Outlander returns on Saturday, April 9th at 9pm ET.

11.22.63 also deals with attempts to change historical events. It premiers tomorrow and it is disappointing that USA Today gives it a very poor review, advising to just watch the final episode if you are curious as to what happens. The New York Times and IGN have more mixed reviews. Adaptations of Stephen King novels do not have the greatest track record on television, as with Under The Dome.

The New York Times has a much better review for Better Call Saul, which returns for its second season tomorrow.

The latest trailer above for Batman v Superman: Dawn of Justice which premiers on March 25th, 2016.

Syfy has renewed The Magicians for a second season.

Aniz Ansari’s Master of None has been renewed by Netflix for a second season.

House of Cards  returns to Netflix on March 4th. Trailer above.

Amazon has renewed Mozart in the Jungle for a third season. The show recently Best Musical or Comedy at the Golden Globe awards and Gael Garcia Bernal won for Best Performance in a Television Series – Musical or Comedy.

Bernie Sanders Comic

Both Bernie Sanders and Hillary Clinton are the stars of their own comics. More on the comics here.

SciFi Weekend: Legends of Tomorrow; The Flash; The 100; The Gilmore Girls Diet

legends_of_tomorrow_2

We might have to wait until 2017 for another season of Doctor Who under a new show runner, but there is plenty of other time travel science fiction on television. A new time travel show, 11/22/63, begins on Hulu in about two weeks. One new time travel show, DC’s Legends of Tomorrow just recently started, and other genre shows also deal with time travel.

After seeing the completion of the second part of the season premiere of Legends of Tomorrow, I plan to stick with it but have concerns. The show had three elements. There were the superheros fighting regular people, but this was no contest. There was the fight against Vandal Savage, but he is both immortal and we know he nothing can happen to  him until the end of the series as it is all about stopping him. Then there were the time travel elements, including whether Martin Stein will meet the woman who is to become his wife, or if their travel to 1975 messed this up. Unfortunately it was far too simplistic for anyone who has seen time travel stories. At least the interactions between the cast members kept the show interesting, leaving hope for the series if they can improve upon the writing now that the setup has been established.

Plus the show could benefit by bringing in other members of the DC Universe, including some from other Berlanti television shows. Stephen Amell  will appear as the Arrow on a future episode, except it will take place in 2046:

“Every once and a while, we do an episode where the 10-year-old me has to pinch himself,” executive producer Marc Guggenheim says. “We’re not only introducing our version of Connor Hawke to our universe, we’re going to meet the 2046 version of Oliver Queen, and Stephen Amell is going to be reprising his role from Arrow. As an added bonus to comic-book fans, Oliver is missing his left arm and will be sporting a goatee, in a nod to the character’s appearance in the seminal Dark Knight Returns. We think this episode features some of the coolest things we’ve ever done.”

…Amell isn’t the only familiar face from the Berlanti-verse set to appear on Legends. Among the others: Arrow’s Damien Darhk (Neal McDonough) and Ra’s al Ghul (Matthew Nable), and The Flash’s Cisco Ramon (Carlos Valdes), while there’s a very strong chance we’ll see a younger and/or older version of Barry Allen (Grant Gustin) as well.

The Flash -- "The Reverse Flash Returns" -- Image FLA211b_0152b -- Pictured (L-R): Matthew Letscher as Eobard Thawne/Reverse Flash, Grant Gustin as The Flash, and Amanda Pays as Christina McGee -- Photo: Bettina Strauss/The CW -- © 2016 The CW Network, LLC. All rights reserved.

The Flash is getting into some really timey wimey stuff, including having the Reverse Flash reappear after we saw him eliminated last season. The catch is that we are seeing a version of him earlier in his time line. Andrew Kreisberg discussed the show with Entertainment Weekly. Here is part of the interview.

ENTERTAINMENT WEEKLY: How different is the dynamic between Barry and this Reverse-Flash (Matt Letscher) since he’s from an earlier timeline?
ANDREW KREISBERG:
What’s interesting about it is this Thawne hasn’t experienced last season yet, and Barry has. On Barry’s side, there’s a lot stronger feelings — a lot more anger, a lot more betrayal, and in some cases, that’s blinding Barry to what he needs to do. It’s really an episode about Barry coming to terms with what he wants to do and what he should do regarding this version of Thawne. There are some great surprises and some character interactions between this Thawne and all of our characters. Again, they all have the benefit of having enjoyed last season and he hasn’t.

Without making my head hurt, are you going to explain how the Reverse-Flash is back given Eddie’s (Rick Cosnett) death?
Yup. [Laughs]

When Barry ran through the time stream last year, he saw himself in jail. Will that be addressed this season?
Not this season. There’s a very famous comic book, “The Trial of The Flash,” where Barry was arrested for murder. We wanted all of those little future things to have a little nod to the comics, which is why we saw The Flash museum and why we did that little bit. It wasn’t something that was consciously have planned, per se, but it was a fun way to honor the comic book. While it always goes through our filter, we do tend to take a lot of stories and ideas from the comics, and that was a way to honor the comics.

How is Barry handling losing Patty (Shantel VanSanten), and could this open up his eyes back up to Iris (Candice Patton) again?
That could definitely happen. Right now, he’s reeling a little bit. Zoom is the splinter in his foot; it’s the thing that’s out there and ruining everything for him. What’s really going to happen after Patty’s last episode, which is this week, is it’s really this need to get Zoom. Barry is still haunted by that video message that Wells [Tom Cavanagh] left, which said he’s never going to be happy. Now that he’s lost Patty, he’s decided that stopping Zoom is the only way he’s ever really going to be happy and disprove Wells/Thawne’s hypothesis.

What can you tease about the identity of Zoom and when we might learn more about him?
We’ve never played this card down on a villain before, which is neat and interesting to us. As the season progresses, more will be revealed. We obviously don’t want to give too much away, because we’ve made his identity a mystery that’s part of the ongoing storyline. We’re really jazzed about the storytelling choices that we’ve made this season. So far, the audience has gone with them, and we hope they’ll continue to do so.

NBC is going to have their own time travel show:

Shawn Ryan and Eric Kripke are making Time for NBC. Literally.

The Peacock network has ordered a sci-fi drama pilot from the respective creators of The Shield and Supernatural titled Time that follows an unlikely trio who travel through (wait for it… ) time to battle a brilliant criminal intent on altering the fabric of human history with potentially catastrophic results.

The 100 Season 3

The 100 returned for its third season. So far I haven’t liked it as much as the previous two seasons, but there has been a lot of setup and I’m hoping for improvement as we get into the new story lines. The final scene of last week’s episode when Clarke met an old friend or enemy was certainly interesting. Entertainment Weekly asked creator Jason Rothenberg and actors Marie Avgeropoulos, Bob Morley, Christopher Larkin, Eliza Taylor, Devon Bostick, and Richard Harmon about the season. Here is some of what they said:

…about the time-jump

“There’s relative peace when we start, so the people are able to take a breath, explore, and map the region. They’re building a real, functioning civilization, which they haven’t had a chance to do since they landed because they’ve been getting killed every second of every day. Now they can do that. And then the s— hits the fan.” —Rothenberg

…about Ice Nation

“[They] are a bit of an unknown. They’re quite renowned for being very fierce and aggressive. [Skaikru] are really not expecting that kind of welcome that they give them.” —Morley

…about the Big Bad

“This season you have to decide who the bad guy is and what side you want to be on, because one of the things Jason [Rothenberg] is doing a great job of is putting the leads all over the map and on all different sides — fighting each other and not even knowing they’re fighting each other.” —Harmon

…about Clarke

“I think fans will be very surprised with how Clarke has changed and been hardened by and broken by what she’s had to do.” —Rothenberg

“I think everyone is just going on with their lives [without her]. There’s not a lot you can do about somebody who wants to just leave and be on their own. You can sit there and wallow in it or you can just carry on. There are bigger fish to fry really… like this thing called living.” [Laughs] —Morley

Gilmore Girls Diet

Netflix has announced that the revival of Gilmore Girls is now officially going ahead. (As set pictures have already been released, I’m not certain how this announcement really changes anything.) With Gilmore Girls coming back,Lauren Valenti of Marie Claire decided to try eating like Lorelei and Rory. That means a lot of pizza, junk food, and coffee:

A week into 2016, I had a Gilmore Girls-induced epiphany. Lorelai and Rory were scarfing down pepperoni pizza on the couch and making fun of Dean for ordering a salad because, dude, seriously? Heroes, I thought for the millionth time.

And then it occurred to me. Their complete and utter lack of hang-up about calories was the most refreshing thing I’d seen in a while—especially in the midst of all this talk about New Year’s resolutions and diets and “getting in shape.” Women inhaling junk food, take-out Chinese, and copious amounts of coffee—what a profound F U to those judgy, clean-eating freaks.

The result was that she lost two pounds.

As a physician, I cannot recommend that you try this diet at home.

SciFi Weekend: Steven Moffat Leaving Doctor Who; Jessica Jones; Legends of Tomorrow; Charlotte Rampling On The Academy Awards

Moffat TARDIS

Steven Moffat is stepping down as show runner of Doctor Who after the upcoming tenth season (since the show’s revival) and Chris Chinball, best known for Broadchurch, will be taking over. Chinball is a long time fan of Doctor Who and also wrote these episodes: 42, The Hungry Earth/Cold Blood, Dinosaurs on a Spaceship and The Power of Three. He was also a producer and writer on Torchwood.

The tenth season of Doctor Who will not air until the spring of 2017, and the only episode to air in 2016 will be the annual Christmas special. I wonder if Moffat will introduce the next companion in the special or wait until the show returns on a regular schedule in 2017.

After Broadchurch, I also cannot help but wonder if, should David Tennant return for an episode of the show, if Chinball will have him talk in an often incomprehensible accent.

Following is the BBC press release:

BBC announces Steven Moffat’s next series of Doctor Who will be his last and confirms Chris Chibnall as new Head Writer and Executive Producer.

After six incredible series at the helm, the multi-award winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

Steven took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the Eleventh and the Twelfth Doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory (Arthur Darvill) and the terrifying Weeping Angels. Plus, the smash hit 50th Anniversary special in 2013 which saw fans around the world celebrate the world’s longest running sci-fi series with the Doctors, Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature length episode. Steven’s final series will air on BBC One in Spring 2017 and there will be a Christmas Special in 2016.

Steven Moffat says: “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

Like Steven, Chris Chibnall is also a lifelong Doctor Who fan and a multi-award winning writer and executive producer. He has most recently achieved huge success with the triple BAFTA winning hit ITV series Broadchurch. His other credits include BAFTA nominated The Great Train Robbery, United, Law & Order: UK, Life on Mars and Torchwood. Chris Chibnall’s debut series will launch in 2018.

Chris Chibnall, new Head Writer and Executive Producer : “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

Charlotte Moore, Controller, BBC One says : “I want to thank Steven Moffat for everything he has given Doctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in Spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

Polly Hill, Controller, BBC Drama Commissioning says : “Like Charlotte I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

AKA Jessica Jones

Variety discussed plans for season two of Jessica Jones with show runner Melissa Rosenberg and star Krysten Ritter:

Rosenberg shared that she doesn’t know when work on the new season will start, or whether she’ll be collaborating with writers from any of the other Marvel-Netflix series (“Daredevil,” “Luke Cage” and “Iron Fist”) leading up to “The Defenders” crossover, but said that she intends to continue utilizing story ideas from Brian Michael Bendis’ series of “Alias” comics, where Jessica Jones debuted.

“I will always use as much as I possibly can from the comic book,” Rosenberg said, noting that they’ll have to allow for deviations given the differences in the mythology between the Marvel comics and ongoing Marvel Cinematic Universe. “The MCU is very different in terms of its mythology. In the books, everyone knows superheroes are walking around, there’s a lot of things building toward Secret Wars. We’re probably not going to be able to do a totally parallel storylines. But I take every little piece I can because it’s so good.”

While Rosenberg admitted that it was both intimidating and exciting to think of having to come up with a villain to follow Kilgrave, she didn’t consider keeping him around past season one, since “the show is about Jessica Jones; the story is about Jessica’s arc,” and thus everything had to be in service to her journey.

When asked about Jessica’s mental state at the end of the season, given her final defeat of Kilgrave, star Krysten Ritter said, “For Jessica, that final moment, that victorious triumphant moment, I found that very conflicting in terms of her headspace. He’s the reason why she got up every day. He’s the reason why she went out in the world… it really gave her a purpose, and the past trauma doesn’t go away with his death.”

Arthur Darvill Legends of Tomorrow

Legends of Tomorrow premiered this week and we found that there was some misdirection in both what the characters were told when recruited and in the trailers for the show. This might be for the better. If they really were already known to become legends, it would imply that they were successful and this was future history. The outcome of their mission would already be known. Of course with time travel a lot of questions can come up. For example, why not go after Vandal Savage when he was reduced to dust at the end of the Arrow/Flash episode and prevent him from being revived?

I suspect that this will turn out to be the sort of show which can be a lot of fun to watch as long as you don’t think too much about the time travel implications. It even has Rory (Arthur Darvill) as sort of a renegade Time Lord. Screen Rant has a list of additional Easter eggs.

KUDOS FILM AND TELEVISION PRESENTS BROADCHURCH SERIES 2 Images are under strict Embargo not to be used before the 18th December. PICTURED : CHARLOTTE RAMPLING as Jocelyn Knight. Copyright ITV/Kudos.

Charlote Rampling, who appeared with David Tennant and Arthur Darvill in Broadchurch, has addressed the controversy over lack of diversity in the Academy Award nominees. Rampling had initially spoken about boycotting the awards, but has backed away from this:

In an interview with Europe 1 Radio earlier this week, Rampling said calls for a boycott of the Academy Awards because all of the nominees were white “was racist to white people.”

Today Rampling told CBS News’ “Sunday Morning”:

“I regret that my comments could have been misinterpreted this week in my interview with Europe 1 Radio. I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration. I am very honored to be included in this year’s wonderful group of nominated actors and actresses.”

Rampling also said:

“Diversity in our industry is an important issue that needs to be addressed. I am highly encouraged by the changes announced today by the Academy to diversify its membership.”