This week’s episode of Hannibal, Mukozuke, had Jack Crawford viewing Beverly’s sliced body. Bryan Fuller described Hannibal breaking her down as being like how Beverly would break down a crime scene. Her murder had major effects on several characters, especially Will Graham who was driven to have Hannibal killed in revenge. He found a clever way to attempt this despite being incarcerated, finding his admirer who killed the bailiff (in an attempt to provide evidence that Will was not the Chesapeake Ripper) using Freddy Lounds.
This was a dangerous move on Will’s part as it could reinforce the idea held by others that Will is the murderer and Hannibal has been the victim of his slurs. I suspect that Will’s vision of dripping blood might represent realization that he was wrong to attempt murder. At least he was unsuccessful and does not actually have blood on his hands. Will didn’t even bother to tell others this week that Hannibal killed Grace, even when viewing her body in the restraints we were more accustomed to seeing Hannibal wearing in Silence of the Lambs, presumably preferring that they figure it out for themselves. The preview from next week’s episode does suggest that Jack is starting to investigate Hannibal, and we saw in the season premiere how that will turn out.
I wonder if Hannibal will actually have more respect for Will for taking this action, and if he will take pride in being successful in driving Will to attempt murder (even if it had to be by proxy).
I was fearful that having Will in the asylum all season would limit his role, but episodes such as this show how he can remain fully part of the show. Having Abel Gideon as his asylum mate now presents yet another way for Jack to have significant dialog beyond being limited to FBI visitors.
There have been accusations of racism and sexism raised against Bryan Fuller due to the manner in which Beverly Katz was treated as an expendable character. Hetteinne Park, who played Beverly, defended Fuller here.
News on the second season of Sleepy Hollow from PaleyFest can be found here. Among the news, it sounds like one of the cliff hangers at the end of the first season will not be settled quickly:
There’s a New Sheriff in Town: Literally Orci teases, “There’s a new sheriff in town. Obviously, Irving has been discredited and now he’s been taken Upstate, so the Sleepy Hollow Police Department still has to be run by somebody and that person may not be as open as Irving was by the end of the season with Abbie and Crane. So somebody may be making their life very difficult.”
Orlando Jones is definitely not down with the new Sheriff, even making his own t-shirt, which said, “Free Frank Irving.” (Yes, he’s the best.)
There will also be fifteen or more episodes next season.
Jessica de Gouw returned as Helena Bertinelli/The Huntress on Arrow, tying up the storyline of the relationship between Helena and her father, leaving the character free to move in other directions. Caity Lotz was a second Bird of Prey as the Black Canary.
It appears that Laurel’s drug use has affected the powers of observation in Katie Cassidy’s character. Despite the two speaking while sitting as closely together as in the picture above, Laurel did not recognize that Black Canary is her sister Sara. It is a theme taken from the comics to have a tiny mask be enough to hide a superhero’s identity, but this was hard to believe in this scene. I also wonder if having the two meet is a first step towards Laurel ultimately becoming the Black Canary as in the comics, or if this something which the comics and television show will always differ on.
The episode also ended with quite a cliff hanger. More here, including why they killed off Helena’s father:
On why they killed Helena’s father:
Guggenheim: We definitely went into this with, “We’ve got to wrap up the whole Helena and her father storyline.” The one thing we were agreed upon in the writer’s room from the get-go was that Frank could not survive the episode. We had to end that story and close that chapter of Helena’s life so we could start a new chapter for her. … We definitely have an idea for a season 3 episode with the Huntress.
De Gouw: I think how this episode ends just puts her into a completely different headspace…and I think it’s opened up a whole new set of possibilities for her because she was so set on one path and now that it has been realized that that’s not what she wanted, it just frees her up for an entirely different life.
On whether The Huntress is redeemable:
De Gouw: I think most people are. And I think the place she’s at at the end of this episode, she’s certainly in a place where she can be redeemed…I think that it will be very interesting to explore her fighting for good or for very different reasons. But I think [she] definitely [is].
The addition of Amy Acker as a regular has greatly strengthened Person of Interest, including on this week’s episode. Hopefully her presence, even if more limited, can also help Agents of S.H.I.E.L.D. improve. Acker has been cast as Agent Coulson’s former cellist girlfriend, Audrey.
DC might have the best superhero television series on the air, but is far behind Marvel in big screen success. The New York Times interviewed Warner CEO Kevin Tsujihara, who wants to be more aggressive in taking on Marvel:
The studio has been painfully slow to establish a slate of films based on DC Comics characters like Wonder Woman and the Flash, watching as Disney’s Marvel Entertainment churns out one superhero hit after another…
As for DC Entertainment, cross-studio collaboration to make better use of its comic book characters appears to have accelerated considerably since Mr. Tsujihara took over, in part because he eliminated some management layers. (He has not named a chief operating officer and did not replace Mr. Rosenblum and Mr. Robinov, choosing instead to divide up their duties and assume some himself.) Two new television shows are coming to the CW and Fox, including one based on the Flash and another on a young Batman, and a film series will be announced in the near future, Mr. Tsujihara said. It is expected to include a “Justice League” movie.
Underscoring his aggressive approach to the DC Comics universe, Mr. Tsujihara and Dan Fellman, Warner’s domestic film distribution chief, recently moved the studio’s untitled Batman-Superman movie — a hotly anticipated follow-up to last year’s “Man of Steel” — to a release date in May 2016 previously claimed by Marvel for one of its own films. It created an industry dust-up, and Marvel retaliated with a date change of its own. But the move sent a blunt message: Warner takes a back seat to no one.
In other notable television moments of the week, Philip seemed really evil on The Americans when he sent the poor physicist home while Elizabeth did a great job smoothing over things with Martha. I do think that Phillip and the Mossad agent did have mutual respect for each other as each did what they knew they would do if in the position of the other.
On The Blacklist I was glad to see that once they revealed to the audience what we already suspected about Tom, they didn’t wait long to have Lizzie also figure out the truth about him.
Scarlett Johansson gets superpowers in Lucy. From Entertainment Weekly:
Don’t do drugs, kids…unless said drugs transform your neurological makeup to give you superhero-level mind powers. That’s what happens in Luc Besson’s action thriller Lucy (out Aug. 8), starring Scarlett Johansson as a young woman who turns the tables on those exploiting her when experimental drugs give her hyperpowered ass-kicking abilities. “I love to see a woman as a very strong character,” says Besson (The Professional and La Femme Nikita). “It’s like cooking: sugar with a bit of salt, and Lucy definitely can get salty.” Keep your eyes peeled for the trailer, which is scheduled to hit iTunes on April 2.
I don’t agree with all of Charles Murray’s Advice For A Happy Life, but I do agree with watching Groundhog Day:
The movie “Groundhog Day” was made more than two decades ago, but it is still smart and funny. It is also a brilliant moral fable that deals with the most fundamental issues of virtue and happiness, done with such subtlety that you really need to watch it several times.
An egocentric TV weatherman played by Bill Murray is sent to Punxsutawney, Pa., to cover Groundhog Day. He hates the assignment, disdains the town and its people, and can’t wait to get back to Pittsburgh. But a snowstorm strikes, he’s stuck in Punxsutawney, and when he wakes up the next morning, it is Groundhog Day again. And again and again and again.
The director and co-writer Harold Ramis, whose death last month was mourned by his many fans, estimated that the movie has to represent at least 30 or 40 years’ worth of days. We see only a few dozen of them, ending when Bill Murray’s character has discovered the secrets of human happiness.
Without the slightest bit of preaching, the movie shows the bumpy, unplanned evolution of his protagonist from a jerk to a fully realized human being—a person who has learned to experience deep, lasting and justified satisfaction with life even though he has only one day to work with.
You could learn the same truths by studying Aristotle’s “Ethics” carefully, but watching “Groundhog Day” repeatedly is a lot more fun.
Kate O’Mara, The Rani, died today. There was no regeneration. Above is a scene from Doctor Who: The Mark of the Rani from 1985. Besides her role on Doctor Who as a renegade Time Lady, she is also known for her roles on Dynasty and Absolutely Fabulous. She has had other cult television appearances on two British shows, The Avengers and The Saint.
Barney and Robin actually did get married last week and tomorrow we will find out if the fan theories about Ted and the Mother are true. I suspect we are in for a different surprise, which will be legendary. Above is the video of the cast of How I Met Your Mother on Inside The Actors Studio with the series finale airing tomorrow night.