This week’s episode of Hannibal, Digestivo, involved a lesbian relationship between Margot and Alana, a pig-baby, and an escape from Muskrat Farms. We learned that Mason’s plan was to cut Will’s face off, place it onto his face, which had been destroyed, and then eat Hannibal piece by piece with Will’s face. His butcher/surgeon, Cordero, is at least as sadistic as Mason, and planned to both cut off Will’s face without anesthetic (but paralyzed) and keep Hannibal alive while he is eaten piece by piece. Mason’s best line of the episode, discussing another cannibalistic murder was, “you go to all that trouble to eat a friend, and you overcook his penis.” In telling this story, Mason did promise not to overcook Hannibal’s penis.
Alana and Margot, who became lovers, had major roles in this episode. Alana knew that Mason’s sadism would work to her advantage: “He’ll torture them and take the time to enjoy it: That gives us time.” Alana even warned Mason as to how this would all turn out: “Play with your food, Mason, and you give it the opportunity to bite back.”Alana and Margot set Hannibal free, while Chiyoh was nearby to shoot anyone pursuing them. Finally Chiyoh’s presence in the earlier episodes this season had a reason. Instead of getting Will’s face, Mason saw himself with Codero’s face lying on his own before he was killed in his eel tank. Hannibal gave up on his earlier desire to eat Will, possibly because of how intrigued he was when Will took a bite out of Cordero’s face. Regardless of motivation, Hannibal kept a to promise he made to Alana to take Will to safety, but was shocked when Will realized he was all through with Hannibal–so shocked that Hannibal surrendered.
Now there is going to be a three-year time jump, and on to the events of Red Dragon.
Caroline Dhavernas and Katharine Isabelle discussed their characters’ romance in the episode post-mortem video above.
Bryan Fuller discussed the episode with TV Guide, answering the big question I had as to why Hannibal surrendered, and discussed future plans:
This episode felt like a finale, and particularly brought back many of the emotions I had watching the Season 2 finale.
Bryan Fuller: This was the breakup that we had been driving toward. One of the benefits of having two distinct chapters in the season is you get two distinct climaxes. This one had to serve as a stopping place for the story before it can be launched again next week three years later. So, this is the breakup, and when we pick up in the second half of the season, it’s that awkward moment when you have to see your ex again.
Will’s motivation has always been hard to read. Should we believe him when he says he wants Hannibal out of his life?
Fuller: We come back to that moment in the final episode of the season and break it down between those two characters, and they address it themselves. Will is telling Hannibal, “I don’t need you anymore, I don’t want you anymore, I release you.” And Hannibal is saying, “No you don’t. You’re telling yourself that. You don’t want to know or think about where I am? I am going to give you the knowledge of exactly where I am and let that eat away at you for as long as it takes you to come back into my orbit, and I am patient enough to wait.”
Does Hannibal surrender to Jack out of spite towards Will or is he once again heartbroken? Does he no longer feel like playing this game without Will as a willing participant?
Fuller: Will realizes that he can’t win and Hannibal can’t win. So, the only option for him at that moment is to stop playing. That, for Hannibal, is a huge rejection. It’s an even stranger rejection than the betrayal of Season 2 because Will has gone into Hannibal’s past and understands him better than ever. Will has realized that this is not an evil man, this is just a monster doing what he has always been designed to do essentially. So, he can’t give him any more energy. For Will, a magic door presented itself that he could step through and leave Hannibal and all of this behind him. But what Hannibal knows is going to come around again on the cannibal carousel is that that Will can’t live without him…
As Will predicted/suggested, Alana played an active role in Mason’s demise. What kind of impact will that have on her moving forward?
Fuller: Once Alana made the devil’s bargain with Mason, it felt fated that she would play a role in bringing Mason down. In her mind, she always knew that she was going to stab him in the back one way or another. She put up with his ugliness inside and out for the purposes of capturing Hannibal, but she always intended to bring in the cavalry at the last moment. … We continue Alana’s shift into a less naïve, more hardened spirit in the Red Dragon arc. We see who she’s become three years later as a result of this pact and her relationship with Margot and this cabal against Mason. There’s a lot of bargains that were struck between various characters that, even though we’re picking up three years later, we still feel them resonating in the next arc of episodes.
And, of course, Hannibal reminded Alana that he always keeps his promises….
Fuller: Yes, and that’s something we carry through into the Red Dragon arc. Alana is fully aware that if Hannibal gets away in any way, shape or form, he is absolutely intending to kill her.
Is this the last we’ll see of Chiyoh this season?
Fuller: Yes. She told Hannibal that she was going to be his keeper. She was always going to be that angel in the bushes with the rifle making sure that no one further was killed by him. That’s the penance she’s willing to pay for 20 years of keeping a prisoner out of the interest of not taking a life. In essence, she’s saying to Hannibal, “I’m not going to cage you, but I’m going to serve as your jailer.” But as she’s watching the takedown of Hannibal, she realizes her job is done and she’s free, for the first time in her life, to go off and pursue her own life.
You mentioned that the next episode jumps ahead in time three years. How big of a reset should we expect?
Fuller: It feels huge. We’ve leapt forward in all these people’s lives. Everyone is stained in their own way from the experiences of the first two and a half seasons, and yet everyone has a sobriety and they go into this new chapter with eyes open. But even so, they’re in for some horrible, horrible surprises.
Will it feel different tonally than the first half of the season?
Fuller: It’s a slightly more grounded narrative than what we experienced in the first part of the season. So much of the first arc was all about the grieving process and also the trauma of what these people had experienced. I didn’t want to skip over what these characters were feeling, and that’s why so much of the first part of the season was contemplative and brooding and surreal. Everyone was in shock.
Red Dragonhas already been adapted into two different movies. How do you think your version will be different?
Fuller: The version of Red Dragon that we are telling is very faithful to the literature with the exception of the relationship we’ve been building over the last two and a half seasons. Will and Hannibal’s relationship in the previous adaptations was nowhere near as wet and dark and sticky as what we’ve come to learn of the dynamic between the men in this version of the telling. So, to have Will and Hannibal truly possess a history together that informs their approach to the Red Dragon didn’t necessarily feel like an opportunity to change the story, but to provide many more layers of the tiramisu for the audience to enjoy.
Season two of Daredevil has started filming and will be available in April, 2016. Elodie Yung, who preciously appeared in GI Joe: Retaliation and The Girl With The Dragon Tattoo, has been cast to play Elektra (played by Jennifer Garner in the movies). Her appearance was foreshadowed by Foggy during the first season with a reference to a “smokin” Greek girl from Matt’s past.
Marvel’s description of the character;
Yung will play Elektra, a mysterious woman from Matt Murdock’s past whose dangerous and exotic ways may be more than he can handle.
Jeph Loeb, Executive Producer and Head of Marvel Television, said:
“After a worldwide search, we found in Elodie the perfect actress to embody both Elektra’s impressive and deadly physicality, as well as her psychological complexity. Paired with Charlie as Matt Murdock, the two will bring one of the most beloved and tumultuous comic book relationships to life with all the accompanying sparks and spectacular action sequences the show is known for.”
Being released on Netflix makes it much harder to cover shows such as Daredevil in blog posts such as this, with everyone watching at different times, but the first season is highly recommended. While technically taking place in the Marvel cinematic universe, it is a much darker and grittier show, providing more variety in superhero styles.
This week’s episode of Hannibal, Dolce, got into Will’s head and ended Hannibal’s stay in Florence. Bedelia told Hannibal, “I knew that you intended to eat me. And I knew that you had no intention of eating me hastily.” She added, “I have not marinated long enough for your tastes,”but also acknowledged, “You may make a meal of me yet.” But the episode ended with both Hannibal and Will slowly being turned into a series of meals for Mason Verger.
Both Amazon and Netflix have passed on picking up a fourth season of Hannibal. Amazon was considered the best hope as they have rights to the previous seasons ,which also decreased the likelihood that Netflix would be interested. Besides the relatively low ratings, selling the show elsewhere is now complicated by the cast being released from their contracts and Bryan Fuller being committed to work on American Gods. Perhaps they could do periodic episodes when Fuller and key cast members are available similar to what is being done with Sherlock. There is also speculation that Hulu, Yahoo, or a cable network might consider the show. I still think the show belongs on The Food Network.
Trailer for the return of The X-Files in January, 2016.
The reboot of Twin Peaks is now being delayed until 2017.
The third episode of Mr. Robot helped alleviate any fears I had that they might not be able to sustain the quality of the pilot. The episode helped to make some of the characters more rounded characters. Elliot, briefly thinking he was free of FSociety, tried to act more normal. Gideon summed it up with the puzzled question, “Was he drinking Starbucks?” Angela, who previously was “too good for this world” was ready to infect her company’s computers with a virus when threatened by hackers. Shayla moved from drug dealer to girl friend. Tyrell Wellick and his wife are a very bizarre couple.
The BBC has summarized what is known about next season’s episodes of Doctor Who. Guest stars include Maisie Williams, who plays Arya Stark on Game of Thrones. She will appear in Episode 5, entitled The Girl Who Died. The trailer for the season was released at Comic Con and it was announced that the season will begin September 19.
More news from Comic Con to follow in another post.
Tuesday night featured the return of two television shows which have both changed for the post-Snowden era, Agents of SHIELD and Person of Interest. On each show the heroes are now working in secret, or even greater secrecy than they had operated in the past.
The premiere of Agents of SHIELD was not as good as the final episodes of the first season following Captain America: The Winter Soldier but did show promise of setting up a far better second season than the first was. A couple problems from the first season are now solved. No longer can the team theoretically call upon the vast resources of SHIELD. This group is also easier to root for in the post-Snowden era. There is no doubt that the old SHIELD would have been listening in on our phone calls, reading our email, and have no problem with extraordinary rendition or even torture. That SHIELD no longer exists. We can dislike General Talbot as the nominally good protagonist (wondering if Bruce Banner is also in the neighborhood) and root for SHIELD in opposing him.
The episode started with a flashback of Agent Carter, including a glimpse of a green being in a box, suggesting the alien which was used to save Coulson, and later Skye (who works far better as an agent rather than the outsider) along with connecting to Guardians of the Galaxy.The show now makes mention of multiple Marvel characters, and included a super-villain, which gives the show much more the feel of being in the Marvel universe than seen in the first season. Lucy Lawless made her appearance as Isabelle Hartley and lost her arm if not her life. There is certainly the possibility of her return on a show where two characters have returned from death or near-death, and now we have Dr. Whitehall, who hasn’t aged since seen in 1945.
While we don’t know whether Lucy Lawless will return, there is news that Adrianne Palecki of Friday Night Lights (and who almost became Wonder Woman) will be guest starring as Mockingbird later this season.
There were additional consequences to the events of last season beyond the breakup of SHIELD. Fitz is more interesting than last season now that we found that he did not recover from the lack of oxygen to his brain, and is imagining that Simmons is with him after she left. I would anticipate some recovery on his part and probably a Fitzsimmons reunion down the road. Agent Ward is also a bit nuts compared to last season, and may or may not really know anything about Skye’s father. I suspect he really does, and we might be in store for some Hannibal/Clarice type scenes between Ward and Skye this season.
Go Dark was the strategic order from Director Coulson on Agents of SHIELD, and also describes the strategy Root devised with the Machine to keep everyone alive and hidden from Samaritan on Person of Interest. The increased concern over the dangers of the surveillance state has been fortuitous for the show. Initially the Machine’s surveillance was primarily a gimmick to get the heroes into the story of the week, but last season the show transitioned far more into a series about the dangers of government surveillance and artificial intelligence in the wrong hands. The show has largely been rebooted this season, and shows promise of being even better than previous seasons.
Series co-creator Greg Plageman compared artificial intelligence to the creation of the atomic bomb at San Diego Comic-Con:
I think when we started out this show we were answering a lot of questions about the Orwellian surveillance state and people asking us if that was science fiction and now, in a post-Snowden era, no one’s asking those questions anymore. So what does the show become now?
I think the most interesting question in terms of our show and technology that is emerging is artificial intelligence. We’re living in a world now where not just nation states—Israel, United States, the Russians, whoever—are trying to build an artificial intelligent. The thing closest to this was the Manhattan Project, the greatest existential risk the world has ever faced: the development of the atomic bomb, and the race to get it, and who was going to get it first and what that meant in terms of ending World War II.
We are now at a similar crossroads with artificial intelligence. The only difference is it’s not just DARPA. It’s not just nation states. It’s a bunch of billionaires in their 30s up in Silicon Valley who are buying up all the artificial intelligence companies. It’s fascinating. Look up ‘Deep Mind,’ see what’s going on. No one really knows.
Harold Finch built a machine, an artificial intelligence, that he supposed was sympathetic to humankind. But what if someone built one that didn’t take that into consideration at all? And I think we’re dealing with the next great existential risk to the world and I think that’s something our show can deal with in a really cool way.
The Blacklist was among other shows which returned, once again turning what would otherwise be a mediocre show into a hit due to the presence of James Spader. Mary Louise Parker makes an excellent addition as his ex-wife.
Sleepy Hollow also returned with a strong season premiere. This is a series which I am reluctant to write much about as any description of the show sounds absurd. They manage to pull off its absurdities very well (far better than Under the Dome does). It is always fun to see what they come up with to tie early American history into their mythology, such as revealing that they key used on Benjamin Franklin’s kite is used to unlock Purgatory. As I said, it sounds like it makes no sense, but the show is so much fun.
Under the Dome ended and the series could be summed up by what Noreen said: “It’s nothing but a giant killer suck hole!” The giant suck hole appeared the previous week after Melanie, a character who came back from the dead, was apparently killed a second time. In other recent episodes there was a tunnel under the school in which people could jump off a cliff and appear in another city, until Big Jim messed that up. Recently it became cold and nobody in town had any warm clothes to put on. The Dome started contracting, and when they began to time the contractions I wondered if next they were going to say the Dome was pregnant.
In the second season, and hopefully series, finale, everyone in town who could make it went through a tunnel where the giant suck hole had appeared. The final moment showed Melanie once again back from the dead, saying “Follow me, we’re going home.”But isn’t Chester’s Mill their home? If the show returns next summer, we will presumably see where Melanie leads them. I wouldn’t be surprised if they follow her, perhaps to an intermediate destination, and they ultimately wind up back in Chester’s Mill, like Patrick McGoohan trying to leave The Village. I imagine that if it doesn’t return, we can just assume that they escape, possibly coming back to rescue those who didn’t make it.
On Doctor Who, The Caretaker returned to its 1963 roots at Coal Hill School, and Gareth Roberts, writer of episodes such as The Lodger, once again showed the Doctor attempting to blend in with humans. The killer alien story was weak, and primarily existed as a vehicle to have the Doctor finally meet Danny Pink. Along the way the Doctor got mislead when seeing Clara speaking with a fellow school teacher wearing a bow tie, thinking that she had fallen for someone who looks like his previous regeneration. While we had long been led to believe we will have another couple in the TARDIS, with Clara and Danny replacing Amy and Rory, it now looks like there once again might be two schoolteachers and a student, with Courtney joining along, at least temporarily, despite being a disturbance:
Clara: “I would say, yes, I’m afraid Courtney is a disruptive influence.”
Response: “Yeah, but last year you said she was a very disruptive influence. So I suppose that counts as an improvement.”
Courtney discovered the TARDIS after ignoring the Doctor’s sign to keep out, or more precisely, “Go Away Humans.”
The meeting between the Doctor and Danny Pink didn’t go very well. The Doctor continues to object to soldiers, apparently forgetting all the time he spent with UNIT, along with many other individual soldiers over the centuries. Danny sees the Doctor as an arrogant aristocrat, concentrating on the Lord part of Time Lord. He also wondered about about Clara (“Are you a space woman?”).
The episode also introduced another gadget for the Doctor, an invisibility watch. This raises the question of why this was never used on many occasions when it could have come in handy in the past, and whether it will be used again. Another plot hole which we will just have to ignore.
Among other top lines of the episode: “You’re running out of time.” “For what?” “Everything! Human beings have incredibly short lifespans. Frankly, you should all be in a constant state of panic. Tick tock, tick tock.”
After not seeing this in recent episodes, The Caretaker also showed a character who died in the episode wind up in the Nethersphere, or perhaps Heaven.
Saturday night’s other time travel series, Outlander, got deeper into time travel in the mid-season finale. Frank heard of the possibility of time travel at Craig na Dun, and by the end of the episode was willing to accept it as a possibility. In addition to seeing a poster with a reward for information related to Claire, there was another poster in Frank’s era seeking information about someone who sure looks like Jaime, suggesting that he might also wind up traveling in time.
It was surprising that a spy like Frank would fall into such an obvious trap when seeking information about Claire, but he was quite well prepared to take care of himself. He seemed to enjoy beating up his attackers too much, perhaps intending to show a comparison between the violence of his evil ancestor and Frank. Are we to question which husband Claire is really best off with?
The episode had a tease that Claire might return home. At very least she did hear Frank calling out to her through time, but it was intentionally left ambiguous as to whether Frank could hear Claire calling back. Just before getting a chance to return, she fell into the hands of Black Jack once again, with her attempts to deceive him failing. We don’t know how Jaime managed to get into his window, but he came to attempt to save Claire just before she might have received an involuntary mastectomy. We will see what happens next when Outlander returns in April.
Arrow returns October 8 and Marc Guggenheim has discussed the upcoming season:
“He is going to get some new toys to play with,” Guggenheim said. “One of them is a new bow that looks identical to the old bow, but it does something that you’ve never seen before.” Guggenheim disclosed that the explanation behind Oliver’s new equipment will be detailed in DC Comics‘ currently unfolding digital-first series “Arrow: Season 2.5,” taking place between the second and third seasons.
While “Arrow” has traditionally been more grounded, the show’s second season embraced superpowers a bit more, both in laying the groundwork for spinoff “The Flash” and in Slade Wilson and his Mirakuru-fueld army that served as primary antagonists. With “The Flash” now its own series on The CW, Guggenheim stated that “Arrow” will return to a more realistic direction.
“We’re not really planning on revisiting superpowers or enhanced abilities during season three,” Guggenheim told Weiland. “We are really returning to the show’s roots of a very grounded world where it’s very realistic. We may take occasional artistic license with things, but for the most part, everything is pretty well and truly grounded in real-life things and real-life science.”
Another DC comic-based series began with the premiere of Gotham. I think we will need to see more to determine if is worth watching a show with Bruce Wayne before he became Batman. While it includes the origins of several villains, I think we will have to view this as another version of the legend, not connected chronologically with other Batman stories. While we think of the murder of Bruce’s parents as occurring years ago, Gotham appears to take place in the present (or a parallel universe were cell phones have been around a lot longer).
Syfy has renewed both Defiance and Dominion.
There have been a number of rumors, denials, and perhaps an admission that J.J. Abrams has spoken to William Shatner about doing a cameo for his third Star Trek movie. I have my doubts as to whether it is a good idea, but it is more plausible now than in the first Abrams movie in which Spock from the original time line went back in time. Kirk could not do that because in that time line he was dead. However this doesn’t prevent a future Kirk from being seen from the Abrams time line.
There is yet another rumor that the next Avengers movie will be split into two parts.
J. Michael Straczynski has announced plans to reboot Babylon 5 as a movie. One reason for doing it his way is that Warner owns the television rights but Straczsynki retained the feature film rights:
Speaking at San Diego Comic Con last week, Straczsynki announced that he would soon be sitting down to write a Babylon 5 feature film, which is envisioned as a reboot of the iconic sci-fi series. JMS said that he plans to get the script locked down by the end of 2015 and the film would then enter production the following year in 2016.
Next to nothing is known about the plot for this Babylon 5 feature film, beyond the fact that it is a reboot of the concept seen in the series. That said, J. Michael Straczynski has stated that he would like to use cast members from the series, such as Bruce Boxleitner and Mira Furlan, in new roles in the feature film. “I’d love to see Bruce as the President of the Earth Alliance”, he said.
The hope is that Warner Bros, who produced the Babylon 5 television series, would step up and green-light a “big budget” feature film once the script has been completed. But owing to the nature of the deal that Straczysnki inked with the studio to produce Babylon 5 in the early 1990s, he, rather than Warner Bros, owns the feature film rights to the show. Should Warner Bros. choose not to greenlight a B5 movie, Straczynski would still proceed with the feature, which would then be funded and produced through his Studio JMS banner on a budget of $80 – $100 million.
The BBC has renewed Doctor Who for an eighth season since the show returned, again staring Peter Capaldi, with the shows to be presented in a continuous run. Steven Moffat said recently that there are no plans for either the return of the Master or for a tenth anniversary show (which would seem strange after doing a 50th). Moffat has also expressed a willingness to do a Doctor Who/Sherlock cross over, but others involved are not interested. Would it look something like the video above, except with Peter Capaldi instead of Matt Smith?
Above is, perhaps, how Captain America: The Winter Soldier should have ended. Directors Joe and Anthony Russo discussed their upcoming projects, Agent Carter and the third Captain America movie:
Before turning their attention to the next feature, the Russos are directing several episodes of the spin-off TV series Agent Carter, debuting on ABC in January 2015. The miniseries follows the solo adventures of Peggy Carter, the love of Captain America’s life and founder of S.H.I.E.L.D. in the 1940s. From there, the brothers will tackle the third film, which picks up “a couple years” after Winter Soldier left off. Although the heart of the movie will be Steve Rogers’ complicated relationship with his childhood friend Bucky Barnes, the themes of politics and power will still be in play. “The character was invented for an explicitly political purpose. So it’s hard to get away from that nature,” Anthony tells Yahoo. It’s also important to the directors that Captain America doesn’t become another disillusioned antihero. As Joe sees it, “his morality is part of his superpower.”
While they’re not leaking any major details from the 2016 film, the Russo brothers promise that they’re “bringing some new elements to the table that will give us a twist on Winter Soldier.” Does this mean that Steve Rogers will pass the Captain America shield to Bucky Barnes (aka the Winter Soldier) or Sam Wilson (aka the Falcon), both of whom have donned the stars-and-stripes in the comics? With actor Chris Evans shifting his focus to directing, and Sebastian Stan and Anthony Mackie already in place as the Winter Soldier and the Falcon respectively, the next film could allow a new hero to step in.
Elsewhere in the Marvel universe, FBI Special Agent Dale Cooper (Twin Peaks) will be meeting SHIELD. Kyle MacLachlan has been cast to play Skye’s father on Agents of SHIELD. Chloe Bennet said at Comic-Con that next season will also involve more hair. Skye will have bangs and Brett Dalton will do the evil-Spock thing of the mirror universe and have a beard as the evil Grant Ward.
Defiance has done a good job of creating a world with numerous well-developed characters and alien races, but often while watching I wonder if there is any point to it all. It lacks the big story ideas of a Babylon 5 or Battlestar Galactica. The showrunner, Kevin Murphy, did work on BSG and I am glad that he got away from the idea of doing the show as a “science-fiction crime of the week.”
AX: How did DEFIANCE started and how did it change when you came onto the project during its development?
KEVIN MURPHY: The original version was a little more of a closed-ended procedural, it was kind of more of a science-fiction crime of the week, and we were in the process of changing that when CULT got picked up and [original DEFIANCE co-creator/show runner] Rockne O’Bannon left. I then had a choice that I wasn’t sure that the show was going to work in the incarnation that it currently was in, and I didn’t want to have responsibility for something that didn’t work. So I gave Syfy a choice. I said, “I’ll transition you into your next show runner, and I’ll make sure that casting continues and produce the pilot, but I’m not going to stay on for the series unless I believe in the show.” And they were like, “Well, what would you want to do to it?” And it was basically, “Well, it involves getting rid of pretty much all the scripts, and let me give you my pitch.”
So I did the pitch, worked it out with the writing staff, and at this point, it was Rockne’s last day, and he was helping us to kind of reconceive it, and Scott Stewart, the director, was very involved in the process, and so was Michael Taylor, who had worked on BATTLESTAR GALACTICA and was a member of staff under me. And we pitched the whole thing to [then-Syfy Channel president] Mark Stern while he was driving in his car on vacation with his family in Palm Springs. And he had his wife and kid in the vehicle with him, and the pitch lasted about ninety minutes, because we pitched the entire story from beginning to end, every single beat, and by the time he pulled into the hotel in Palm Springs, we had finished our pitch and he was like, “Okay, I love it. Go write it.”
AX: Did you make major changes to the characters?
MURPHY: The PAPER MOON thing I added, the idea that Nolan [the town’s new law officer, played by Grant Bowler] came in from the outside and that he was a con man and a drifter and a huckster and a criminal. That was all stuff that I added. The idea that Amanda has only been mayor for six weeks and she’s the former mayor’s assistant and no one takes her seriously, that was an addition; the idea that Irisa [Nolan’s adopted Irathient daughter, played by Stephanie Leonidas] uses knives and Irisa being sort of the feral badass was an invention of mine. And Michael. When I say “me,” I’m including Michael Taylor, who was definitely my partner in crime. We would not have gotten that script in the shape it needed to be in without Michael at my side.
In follow-up of an item from last week, the cast of The Big Bang Theory did settle on a new contract. The top three stars, Jim Parsons, Johnny Galecki and Kaley Cuoco, will each earn $1 million per episode for the planned upcoming three seasons, and there is talk of potentially adding an eleventh season.
Google Maps has added maps of the moon and Mars. I imagine that going off the earth was inevitable once they added the TARDIS to their maps.
This picture of the cast of Arrow might very well be the best selfie to come out of Comic-Con last weekend. The latest news on Arrow is that Charlotte Ross has been cast as Felicity’s mother. Last week Collider asked Stephen Amel about topics including the Justice League and Oliver’s true love at Comic-Con:
Are you happy you don’t have to answer any more Justice League questions?
Stephen Amell: Yes — and by the way, there’s a The Flash show, we have Firestorm, we have Canary, we have The Atom… The actual Justice League film — I don’t know when that’s coming out. You can watch The Justice League on television now. But the reason I’m happy to not have to answer the question anymore is because I think it undersold what we did on TV. I would put our degree of difficulty – having to produce twenty-two episodes of television every year, spinning off the show, giving people the confidence to green-light other DC properties — up there with producing a two hundred million dollar film. They’re very different things. I never want to feel as though our existence is only going to be justified by being part of the cinematic universe. That has nothing to do with anything. We are stamping out our own spot.
[What is the romantic situation like for Oliver this season?]
Stephen Amell: There’s one lady in Oliver’s life.
Stephen Amell: Just one. There’s one woman in Oliver’s life this year.
Is that his sister?
Stephen Amell: No — it’s Felicity.
It just seems he’s got Sarah out there and Laurel…
Stephen Amell: The ship has sailed on those romances. I don’t think we’ll ever see Oliver & Sarah or Oliver & Laurel together again. I mean – they’ll be together but just not ‘together-together’. They’ll be teammates. We discover in the premiere the way that Oliver feels about Felicity. Because of that — if we just introduced random love interests, it would undersell what we do in the premiere.
How aware are you of the direction of the character throughout this season and for future seasons as well?
Stephen Amell: I really do think we are moving to a spot where we will refer to my character as ‘The Green Arrow’. We are moving to a spot where we will continue to embrace the fundamental classic elements of the character. Because we have that license now. We’re 46 episodes in. People like it. They buy into it. But unless this character is evolving — The Hood to Arrow to The Green Arrow — then people are going to lose interest. So I always want there to be a journey for him. And this year’s journey is really interesting.
Does that evolution involve the goatee?
Stephen Amell: No.
There’s more information on Agent Carter in the above interview with Hayley Atwell. The show is being described as being like Fargo or True Detective in being like an eight hour movie, and it sounds like it takes place before the formation of SHIELD. It might also contain one major Marvel villain who is unnamed. Also above is the full Agent Carter panel from Comic-Con.
After True Blood, Under the Dome has to be the worst show I watch. Among its many faults, anything can happen with no apparent rules. In one recent episode there was reason to have a character get a message from outside to propel the plot so for an unknown reason email briefly went through, and then stopped again. Last week they checked out the locker at the site of the death of a character and found that there was a tunnel coming out of the locker. Does it go deep enough underground to get under the dome?
I’ve also wondered since the start of the show why there is not major activity going on outside the dome to try to both figure out what it is and how to get through it, including an effort to tunnel underneath from outside.
Despite all the implausible things which happen, the show somehow remains interesting to watch. On the other hand, I primarily stick with True Blood because I’ve gone on this long and want to see the ending. I had hoped that with this being the final season they would come up with a better storyline to end the series, but so far they have not done this. I can’t even blame Sarah Palin for her snub of the show in response to attacks such as calling her type of people (even if more monstrous than many of the characters on True Blood) Republic*nts.
Utopia has been the best summer genre show on, but as it has not aired in the United States I will avoid any spoilers. I was concerned by the end of the first season whether they could keep up the quality of the show once they began to reveal the secrets behind the conspiracy. They are pulling this off well in the second season. The first episode was a flash back which fills in may of the details about the conspiracy and how the major characters are interconnected. From there, instead of being a mystery about what is going on, the series has done an excellent job of moving on with the story now that we understand the full setup.
New trailer for season two of Sleepy Hollow above. More videos here.
Back in July, 2012Doctor Who made news by being the first British television show to make the cover of Entertainment Weekly. The show has returned several more times as it has become a bigger hit in the United States, including this week as we head towards the introduction of a new Doctor.
On August 23, Peter Capaldi will begin his first season starring in Doctor Who when the long-running British science-fiction show returns to BBC America. But it wasn’t so long ago that the Scottish actor and lifelong Who fan was certain he would never get his hands on the controls of the Time Lord’s TARDIS. “I wouldn’t have thought I would be the guy,” Capaldi says. “I wouldn’t have thought it would be me.” Why not? “Because of my age. I would have thought they were automatically heading younger.”
It was a reasonable assumption to make. At 56, Capaldi is roughly the same age as William Hartnell when he originated the role of the two-hearted, monster-battling alien way back in 1963. But since the BBC relaunched Doctor Who in 2005 after a lengthy hiatus, the actors playing the lead role have all been younger than Capaldi—and have gotten younger over time. The first of the new Doctors, Christopher Eccleston, was 41 when he first appeared on the show, while his successor David Tennant was 34. Capaldi’s immediate predecessor Matt Smith was just 26 when he was cast in the role.
But what Capaldi saw as a barrier to him playing the Doctor was actually an asset as far as Doctor Who executive producer and head writer Steven Moffat was concerned. “I did say, ‘No, we probably won’t end up with another quirky young man,’” says Moffat. “I didn’t think there was any space around Matt to have another Doctor of that kind, because he sort of sums up what you could do with that. I very very quickly, very quickly just thought about Peter. There is no right age to be the Doctor.”
Capaldi agrees. “I’m technically too young for the part,” chuckles the actor. “Because he’s over 2,000 years old.”
Incoming Doctor WhoPeter Capaldi has revealed there will be no flirting with co-star Jenna Coleman in the new series.
The previous Doctor was engaged in a close relationship with his sidekick Clara that even led to a passionate kiss.
But Capaldi, 56, insisted his Time Lord would not be following in Matt Smith’s footsteps by getting intimate with 28-year-old Coleman’s character.
“There’ll be no flirting, that’s for sure,” he told the Sunday Times Magazine. “It’s not what this Doctor’s concerned with. It’s quite a fun relationship, but no, I did call and say, ‘I want no Papa-Nicole moments’. I think there was a bit of tension with that at first, but I was absolutely adamant.”
The Papa-Nicole comment relates to a series of 1990s Renault Clio car adverts which hinted at a romance between an older man and a younger woman, before they were revealed to be father and daughter.
Capaldi also had good news for those Doctor Who purists who believe the show’s storylines have become over the top.
“It’s going to be a bit different from what we’ve seen over recent years. A bit more gravity,” he said. “Some situations are more sombre and I think there are more rooted dramatic scenes. Over the past two or three years, which I’ve loved, there has often been a breathless vigour; we still have that attack, but we have another level of drama, another tone. And the scenes are longer.”
There’s optimistic news that the contracts will be settled with the cast of The Big Bang Theory. While filming has been postponed due to the lack of a contract, I don’t think anyone doubts that it is has just been a matter of haggling over exact dollar amounts and this will ultimately be settled, whether or not the stars get the full one million dollars per episode they are demanding. Both sides have have good reason to eventually come to an agreement.
NBC is following up their live broadcast of The Sound of Music with Peter Pan. Allison Williams of Girls has been cast in the title role. She says she has wanted to play Peter Pan since she was three years old. While she very well might have obtained the role without any help, it might not have hurt to have some major connections with NBC. While excited about the role, Williams wonders, “what could go wrong in a live televised production with simultaneous flying, sword fighting and singing?”
There’s a lot of news coming out of San Diego Comic-Con. The Arrow panel is above, followed by the season three trailer. Ra’s al Ghul will be the main villain next season. Flashbacks next season will include characters who died earlier on the show, and will deal with characters beyond Oliver. Thea will be back (but changed) and there will be a flashback to when she first got into Malcolm’s limo. John Barrowman will be a regular as Malcolm Merlyn. Brandon Routh will join the show as The Atom, and will also be the new head at Queen Consolidated and there will be a triangle between his character, Oliver, and Felicity. There will be cross over episodes with The Flash, with the other CW show being lighter than Arrow.
The Constantine preview above was unveiled at Comic-Con. There has also been a lot of talk this week about a change in the female lead.
Patton Oswalt discussed Agents of SHIELD as Agent Koenig x2 n the above video. Lucy Lawless will be joining the cast. There will also be a another new character, code name Mockingbird. More at the Marvel panel, video below, which includes Director Coulson:
Bryan Fuller reports that the third season of Hannibal will get into the plot of Red Dragon. The first half of the season will primarily deal with Hannibal, with Gillian Anderson also a regular. The second half will deal more with Will. The Hannibal panel is above.
Among the things learned about The Big Bang Theory, Sheldon getting on the train doesn’t necessarily mean disaster for Sheldon and Amy. Despite the fact that he died, Bob Newhart’s character Professor Proton could be back. The elevator will probably never be fixed. It’s unlikely that we will ever see Penny’s (Kaley Cuoco-Sweeting) movie Serial Ape-ist 2: Monkey See, Monkey Kill but there was a sneak peek of the trailer at Comic-Con which included the line, “This film is not yet rated, but don’t worry, she gets naked in it.” There will be a comic book store to hang out at despite Stuart’s store burning down. Penny and Leonard will have a very long engagement: “They are engaged, but the wedding is sometime off in the future. Penny’s first goal is to put the date far enough in the future so everyone knows that she’s not pregnant.” The real challenge for the writers will be getting through the ceremony without revealing Penny’s last name. Bernadette and Howard will have babies, not not anytime soon.
Community probably won’t return until late 2014 or in 2015 and there will probably not be any holiday episodes this year so we don’t wind up having a Halloween episode showing in the winter. It does not sound like much will be different despite the increased freedom of being off network television, but there is talk of an orgy episode. There might be more paintball, and Dan Harmon says he will do anything to get Donald Glover back. Interview with Dan Harmon in the video above.
Part I of the Orphan Black panel is above, with links available there to the rest of the panel.
Information on the final five episodes of True Bloodhere, which will deal more with Bill and Sookie.
In the first season, cop-turned-diner owner Lou Solverson (Keith Carradine) often mysteriously referred to a major incident that occurred back in Sioux Falls. At the time, he was 33-years-old and recently back from the Vietnam War. “Lou Solverson is a state police officer. His wife Betsy, her dad is the sheriff of Rock County,” Hawley said. “[Lou’s] father-in-law is a character in this next go-round. I don’t know if we see any other Solversons… I’m excited to spend time with Molly’s mom.” He also added that Molly did not get her plucky spirit only from her dad
News from earlier in the week on Sleepy Hollow here.
There was lots of news on the Marvel Cinematic Universe out of San Diego Comic Con–video of panel above. This includes the name of the next Avengers movie, Age of Ultron, and a bald Karen Gillan (head shaved for Guardians of the Galaxy).
Co-directors Joe and Anthony Russo were interviewed, explaining how Captain America: The Winter Soldier will bridge the two Avengers movies. Among other news is the report of star Chris Evans kissing Scarlett Johansson.
The rumors of a combined Batman and Superman movie have been confirmed.
Matt Smith walked on the floor at Comic Con disguised at Bart Simpson (video above).
Steven Moffat says “we’re likely never going to see that final date night on Darillium with the Doctor and River Song, the one where he cries because he knows she’s going to die/get digitized on a library planet.”
The reason: Moffat’s too prude to put the Doctor and River in a room alone together. That said he might change his mind.
”I always felt that there were certain things between the Doctor and River that we should never see. So, I don’t know. He sort of said his goodbye in ‘The Name of the Doctor.’ There’s always the possibility, because it’s always out of sequence and you can do anything you like with that. It’s a tough one. I remember I wrote some extra scenes for the DVDs and all that we had available were Alex (actress Alex TK] and Matt, so I had to write scenes for the Doctor and River alone in the T.A.R.D.I.S. and I go, ‘Dear God, that’s the situation I’m always tring to avoid for obvious reasons.’ What does that woman do to him the moment the door is shut? What were they doing that night in Durillion. There are somet things surely the Time Lord must keep to himself.
“The implication is that she had met many more Doctors than just the two of them, so it’s always possible. But I quite liked the good bye in “The Name of the Doctor” and I think there should always be stuff that we never saw, and I don’t just mean that as a laugh.”
The above preview of the remainder of this season of True Blood was shown. There has been talk for a while that a major character would die this season and there does appear to be a funeral in these clips. Cast secrets revealed in these videos. The show has been renewed for another season. While the show has had its problems (including too many characters and story lines), I do see hope for improvement:
Executive Producer, Brian Buckner wants to bring the show back to its roots. While he acknowledges True Blood has a large cast, he wants to condense the number of stories they are telling and “really come home.” And as for bringing in new creatures, right now he thinks no. He believes the show is about vampires, humans and the town. And wants to bring that back.
Despite all its flaws, Revolution keeps me curious enough to keep watching. A trailer for the second season is above. The cast and crew revealed spoilers regarding the cliff hanger at the end of the first season. From Tracy Spiradakos (Charlie):
“I can tell you that the bombs do drop, so there’s an aftermath to dealing with that.” Holy moly! Randall completed his mission in destroying Atlanta and Philadelphia, apparently, and the destruction of those cities will completely change the feel of the show. The militias will be broken up, the show that was once all about being on the road will now settle into a particular spot near Texas, characters will be more consistent, and the stories will have some room to breathe since people won’t be as busy running from Point A to Point B. Additionally, even though the power went on in the finale, there will be a time-jump of about three months, and you can expect that it will be shut off again pretty soon.”
More spoilers from this, and other reports: The power is off permanently and the Tower is no longer functional. The Patriots supporting the old United States government represent a serious threat which forces Miles and Monroe to work together.
Dan Harmon interviewed about season 5 of Community in the video above. News includes the departure of Donald Glover.
News on the final season of How I Met Your Mother posted here. More news here including comments from the kids.
Kristen Bell suggests that Veronica Mars might continue after the upcoming movie, possibly on Netflix as a way to get around contractual restrictions on appearing in two television shows:
CNN: Is this film finally going to give you a sense of closure on “Veronica Mars”?
Bell: No. This could be my whole life. And by the way, what a lucky life it would be if it were. There’s no formula for it, because it just has never been done before. Except — and I’m just throwing it out there — “Star Trek” did it. They did a TV show and then nine movies. Who knows? Why can’t we make a couple films? Or continue to produce content of “Veronica Mars”? It gets tricky because television contracts legally only allow you to do one episode of a different show. They purchase you. I am now the face of “House of Lies.” So the only way I would be able to reprise Veronica Mars (on TV) is in movie form.
CNN: What about if it were on Netflix?
Bell: There are some loopholes that we are already investigating.
There’s a lot of news coming out of San Diego Comic Con. Here’s some reports on panels held so far, with more to come.
The Agents of S.H.I.E.L.D. panel is above. They also showed the pilot at ComicCon. A description of the pilot can be read here. Cobie Smulder will be reprising her role as Maria Hill in the pilot, and will have further appearances throughout the season.
The unofficial gag order surrounding the details of ABC/Marvel’s new drama, Agents of S.H.I.E.L.D., finally lifted at San Diego Comic-Con. With the unveiling of the pilot episode and the first press tour at the Con, we have a better sense of what the show will revolve around, aside from the mysterious return of assumed dead Agent Phil Coulson (Clark Gregg).
According to executive producers Jeff Bell and Jeph Loeb, the series will focus on the humanity and smaller scale heroics dished out daily in the S.H.I.E.L.D trenches.
“To me, the movies have always been about people,” Bell explains. “There are all these giant monsters and heroes, but there have always been really interesting humans. Nick Fury is just a guy.”
Loeb adds, “Out tagline is “not all heroes are super” and that’s really important to us. It’s not just a tagline but it talks about the human condition in a way that is really important.”
Bell continues, “Jeph has a thing that I really like, although we can’t say [mutant] on our show because that’s not part of our world, but he says every person has a mutant gift and your job in your life is to figure out what your mutant gift is and how best to use it. I think that’s really cool.”
The embodiment of that everyday heroism is Coulson, a character that has become beloved to audiences.
Why? “Easy,” says Bell. “Clark Gregg. He showed up in the first Iron Man with a couple of lines and people watching said he was interesting. Along the way, he got in a little bit more. In The Avengers they made him a fan. He liked the cards and S.H.I.E.L.D. history. He was the audience surrogate in the movies. You could be this guy who shows up and does his job around these superheroes and is taken for granted. The way Clark presents the lines, people love it, so he is our way into the world.
They dove right into last season’s cliffhanger: How did he survive? They aren’t telling, but they did know how it worked before they filmed it, so they aren’t just flying by the seat of their pants. It is a rational answer, not black magic. Depsite reports that Andrew Scott was back on set to film scenes for the third season, they swear Moriarty is actually dead. “What, did they fake suicide at each other? Were you faking? I was faking, too!” That’s not going to happen. As for speculation that he can’t be dead because they didn’t show the back off his head come off–sorry to say they just aren’t allowed to show that level of violence on BBC1.
Moffatt knows people are excited to learn how Sherlock managed it, but he doesn’t think it’s that interesting. That’s just an answer. But when John Watson realizes that Sherlock is alive, when they come face to face again? “That moment is electrifying.” And it’s funny. Moffatt calls it “the showstopper of the season.”
Moffatt always gives hints about what Sherlock Holmes stories the next season will hit, and for Season 3, he’s said, “Rat, Wedding, and Bow.” The first episode is called “The Empty Hearse” and is very slightly based on “The Adventures of the Empty House.” It is mostly an exploration of the affect of Sherlock’s “death” and reappearance on the people who loved him. The writers realized that there would be a lot of fallout from the events of last season, but they couldn’t spend all of this season talking about last season, so it sounds like they’re going to deal with it in this episode.
Episode 2 is called “The Sign of Three,” and seems to focus on Watson’s wedding, and you guys? They showed us a clip, and it was amazing! They asked us not to even tell anyone about it, but eff that noise! We’re at Watson’s wedding reception, and Sherlock is beginning his toast. Yeah, amazing. He begins awkwardly (of course), “John… John Watson…” and explains that when Watson asked him to be his best man, he was confused. Then it flashes back, to Watson walking in on Sherlock appleying a blowtorch to a disembodied eyeball, which he promptly dips in his cup of tea. Watson says that they need to talk about the best man, and Sherlock starts going on and on about who he thinks the best man is. Watson interrupts and says he means the best man at his wedding. Sherlock starts talking about one of Watson’s friends, Watson says not him, then another, Watson says that he isn’t his best friend, and says that at his wedding he wants the two people who are closest to him and mean the most to him by his side, and tells Sherlock that it’s him. Sherlock’s jaw drops. Cut back to the wedding, and Sherlock is explaining his reaction, how he told him how he was touched and honored… cut back to Sherlock still standing there, speechless. He knew it would be an important and difficult task… cut to Sherlock, still standing there, speechless. Sherlock says he then realized he hadn’t said anything out loud. Sherlock accepts, and promptly drinks the eyeball tea.
There wasn’t much information on the third episode but it was subsequently revealed that the title will be The Last Vow.
There were reports that the cast of The Big Bang Theory wouldn’t be present at SDCC due to other commitments but Johnny Galecki made a surprise appearance, posing as a fan in costume waiting to ask a question and Melissa Rauch hosted the panel. Steven Hawking had the recorded message above.
The Hannibal DVD and Blu-ray will be released September 24 (same day as the pilot of Agents of S.H.I.E.L.D. airs), including a gag real (video above) and an unaired episode. No specific news on the unaired episode, but I want to see it. Screen Rant has this news from the panel:
HitFix kept a comprehensive live blog of last night’s Hannibal panel at SDCC, which featured show creator Bryan Fuller, director David Slade, producer Martha De Laurentiis and stars Hugh Dancy and Aaron Abrams. The team were pretty brave going up against an audience of fans after the rage-inducing season finale that left poor Will Graham behind bars, Hannibal Lecter smiling at him from the other side, and a whole lot of people throwing objects at their televisions. If you think that Bryan Fuller was enjoying Will’s pain, you’re absolutely right:
“Will knows something no one else knows, and it’s a great place to put a character. One of the things I was most excited about in Season 2 was seeing Will Graham hit rock bottom.”
Given the fact that Will spent most of season one hallucinating, perspiring, or doing both simultaneously, it will be interesting to see what happens when he really hits rock bottom. Apparently he will be “scrappy” and “feisty,” though, so that’s definitely something to look forward to. Season two will begin with a two-parter that will serve as “a new pilot for what the season can be” now that the old dynamics are gone and Will is in jail, and the third episode, according to Fuller, “will be a trial.” That sounds ominous.
Video of the full Hannibal panel follows:
The Dexter cast made their final appearance before the show ends and, not surprisingly, there were no hints as to how the show ends.
The Federal Express truck pulled up with my copy of the Blu-ray of the first season on Orphan Black. I haven’t seen any of it, but the reviews I’ve read this week have sounded fantastic. I’m avoiding the details to limit spoilers, but here’s a report on news of the second season of the show. More here and here. Video of the panel above. (I’ll come back and watch after I finish the first season).
DC has its greatest success in movie adaptations with Superman and Batman. It will be necessary to reboot Batman once again for him to appear in the Justice League of America and in further solo films. It now appears that Batman might return in a joint movie with Superman. As for the last reboot of Batman, a panel even considered the question of whether Bruce Wayne was crazy for dating Catwoman. The Flash is the next DC character to get a solo film.
The Marvel universe is divided in the movies, with Sony holding the screen rights to Spider-Man. Information on plans for this series here and here.
Sneak peak at the Veronica Mars movie above. Those of us who donated through Kickstarter to make this movie possible are acknowledged in the clip. More on the movie here.
The Dalek invasion of London from 1964 is being recreated for Doctor Who, An Adventure in Space and Time. I have moved the video under the fold as it begins running automatically.
A quote from Steven Moffat is keeping rumors alive that all eleven Doctors will be in the 50th Anniversary episode. From The Mirror:
Seven of the surviving actors are set to return in cameo roles on the 3D episode to mark the 50th anniversary of the sci-fi favourite.
And chiefs also want to involve the first three Doctors – William Hartnell, Patrick Troughton and Jon Pertwee – who have died since the first episode screened back in 1963.
They would be included in the feature-length special using computer generated images and old footage.
Doctors of old Tom Baker, 79, Peter Davison, 61, Colin Baker, 69, Sylvester McCoy, 69, Paul McGann, 53, Christopher Eccleston, 48, and David Tennant. 41, are thought to have agreed to take part alongside current star Matt Smith, 30.
This week writer and producer Steven Moffat – who is notoriously secretive – admitted: “Getting the other Doctors involved would be very fitting for the anniversary episode, wouldn’t it?”
He is still writing the special, which is due to be filmed this spring.
The plot is a fiercely-guarded secret, but Moffat said the fact the original show was delayed by more than a minute by an extended news bulletin would be referenced.
The first episode with Hartnell as The Doctor was broadcast on November 23 – the day after President Kennedy was shot.
The special episode is likely to provide the exit point for Smith, who is expected to regenerate into the 12th Time Lord.
Smith, set to star in movie How to Catch a Monster, admitted he would love to work with his predecessors. “How amazing would it be to see Tom Baker? Can you imagine seeing him back in the scarf? That would be so cool,” he said.
“Paul McGann is a great Doctor – I say bring back Chris and Dave too.”
If bosses manage to pull off the coup, it will be the biggest gathering of Doctors since 1983, when five were reunited for the 20th anniversary.
That quote is hardly a clear cut answer without full context and, besides, it is well known that Moffat lies. Both the details of the anniversary episode and how long Matt Smith will remain on the TARDIS remain unknown.
Before we get to the anniversary episode, it has been confirmed that the Ice Warriors will return after 40 years in an episode written by Mark Gatiss.
Utopia concludes its first season this week in the UK and is widely considered one of the top shows on television. While not involving aliens, it has the feel of Torchwood at its best–and shows the advantage of not dragging out a season beyond what the story justifies. While I cannot be specific to avoid major spoilers, the goal of those behind the conspiracy was revealed in the fifth episode last week in a manner which almost made it sound justifiable. One problem with the plan was pointed out by a character later in the episode. Things looked pretty grim at the end of last week’s episode. I wonder to what degree they will resolve the problems versus leaving things open for a potential second season.
I doubt Utopia will air in the United States anytime soon in light of the violence in the series, which has included children as targets. At least Utopia, while often very graphic in showing violence against adults, has left deaths of children off screen.
How do you know when a TV show has become a cult phenomenon? When its (often comparatively small) ratings are eclipsed by the wild ardor of its fans. Take the case of the British science fiction show Doctor Who, whose current lead, Matt Smith, is this week’s cover star. The now 49-year-old Who is hugely popular in its homeland but has always enjoyed a more select appeal here — not that you know that from the devotion of U.S.-based “Whovians.” In 1983, 7,000 people attended a Doctor Who convention in Chicago and over the past couple of years the time-traveling “Doctor” has received a bordering-on-the-absurd number of onscreen shout-outs from Community, Criminal Minds, Craig Ferguson’s The Late Late Show, Supernatural, and Grey’s Anatomy, whose creator, Shonda Rhimes, describes herself as a “psychotic” follower of Matt Smith’s time travel adventures in this week’s cover story. “It’s not an obscure show anymore,” says executive producer Steven Moffat. “It’s not even a ‘British import.’ It’s just Doctor Who.”
Has the time finally come for the so-called “Time Lord” to break big in America? Could be. The Doctor Who team has assiduously courted fans here with a succession of publicity appearances, including a panel at this year’s Comic-Con where Whovians paid homage to Smith’s red-haired costar Karen Gillan by donning ginger wigs. (No. 2 way you know a TV show has become a cult favorite? When fans start dressing as characters.) In June 2011, the show’s U.S. broadcaster BBC America enjoyed its best ever ratings with the premiere episode of the sixth season since Doctor Who was revived in 2005, following a 16 year hiatus. The new season, which debuts later this summer, may well be the most eagerly anticipated ever as the Doctor prepares to say goodbye to his two trusty and beloved-by-fans “companions,” Gillan’s Amy Pond and Arthur Darvill’s Rory Williams. In the cover story we track the ups and downs of the show’s remarkable half-century history and preview the new episodes with help from Smith, Gillan, Darvill, and exec producer, Steven Moffat.
Mary Tamm, the first actress to play Romana as companion to Tom Baker on Doctor Who died during the past week at age 62. Regret ably she was not able to regenerate like the character she played. A video tribute to Mary Tamm follows:
BBC America will be broadcasting four documentaries about Doctor Who in August:
The Science of Doctor Who: explores the real life science behind the biggest concepts and most iconic ideas in Doctor Who. The Science of Doctor Who premieres Saturday, August 4, 11:00 pm ET.
The Women of Doctor Who: Behind every great Time Lord there’s a great woman. Whether they’re busting Daleks or the Doctor’s ego, the women of Doctor Who prove that you don’t need testosterone to save the universe. Premieres Saturday, August 11, 9:00pm ET.
The Timey-Wimey Stuff of Doctor Who: When the Doctor’s around, tomorrow is yesterday, yesterday is tomorrow and 18th century France is in your fireplace. Confused yet? You’ve already seen it in the future. The Timey-Wimey Stuff of Doctor Who premieres Saturday, August 18, 11:00pm ET.
The Destinations of Doctor Who: Leave the beach towel at home and take a trip to the end of the Earth – literally. From the Starship UK to one very haunted hotel, you won’t find the destinations of Doctor Who in any guidebook. This final instalment premieres Saturday, August 25, 9:00pm ET.
George R. R. Martin commented on the reaction to the sex in Game of Thrones during an interview with the Daily Star:
Martin, who has a blue collar background in an industrial suburb of New Jersey said he has been surprised with the reaction against explicit sex scenes coming from some American readers.
“I can describe an axe entering a human skull in great explicit detail and no one will blink twice at it. I provide a similar description, just as detailed, of a penis entering a vagina, and I get letters about it and people swearing off,” he said.
“To my mind this is kind of frustrating, it’s madness. Ultimately, in the history of [the] world, penises entering vaginas have given a lot of people a lot of pleasure; axes entering skulls, well, not so much.”
Above is a trailer for the second season of Homeland, which returns on September 30. Showtime has released this press release:
In the wake of Israeli air strikes against Iran, the Middle East threatens to erupt in fresh violence. In Beirut, flags bearing the Star of David, and the Red, White, and Blue, burn in the streets. A woman swims through the chaos towards the American embassy, trying to make contact. The abused wife of a Hezbollah commander, she carries information about an attack – retaliation against Israel’s ally, the United States. But this would-be informant insists she will only speak to her one-time CIA handler: Carrie Mathison.
The problem: Carrie Mathison is no longer with the Agency. The disgraced ex-officer is on the slow path to recovery, after her manic flight in Season One nearly crashed the political career of American hero Nicholas Brody. Months after her expulsion from the CIA, the adventure and turmoil that once defined Carrie’s life is now a dull memory, replaced by regular ECT treatment and her father and sister’s protective cocoon. It’s this fragile new existence that Carrie’s former colleagues Saul Berenson and David Estes threaten to shatter, when they come to her door asking for help.
Meanwhile Nicholas Brody, several months into his inaugural term as a freshman Congressman, finds himself buffeted daily by competing agendas. Everyone has a plan for him – whether it’s Vice President William Walden, fellow Marine Mike Faber, or terrorist mastermind Abu Nazir. While Brody strives to change the face of American foreign policy without bloodshed, he learns that doing so may not be good enough for Nazir. And with every lie he tells, the walls around him close in a little tighter, threatening to bring Brody down, along with his family and everything they’ve achieved since his return.
As the situation at home and abroad escalates, Carrie and Brody’s worlds will collide yet again, deepening a relationship built on lies, suspicion and longing. Will Carrie finally be vindicated for the truth she was so close to uncovering? Can Brody keep his head above water, as opposing powers play him like a pawn? Whoever gains the upper hand in this dangerous pairing, neither Carrie nor Brody will come out of it unscathed.
They also released this press release about the seventh season of Dexter:
Season 7 returns in explosive fashion, as Dexter (Michael C. Hall) is finally forced to confront his greatest fear, as Debra (Jennifer Carpenter) witnesses his insatiable, ritualistic slaying of a killer. Now Deb knows the secret of his Dark Passenger, his undeniable thirst for blood, and the Code that their father Harry (‘James Remar’) instilled in him as a young boy.
But as Deb tries to reconcile the unfathomable idea that her beloved, mild-mannered brother is Miami’s most notorious serial killer, Dexter is still pulled by his natural impulses to seek out the guilty and exact his brand of vigilante justice, which leads him on the trail of a brutal Ukrainian mobster (Ray Stevenson).
Along the way, Dexter meets Hannah McKay (Yvonne Strahovski), a strong, independent woman with a past that she’s struggled to put behind her. As a turn of events leads Miami Metro Homicide to ask for her help in solving some old cases, Dexter works with her and begins to wonder if there’s more to this woman than she’s professed.
The producers of Elementary and Sherlock star Benedict Cumberbatch discussed comparisons with the other show and the choice of a female Watson on Elementary. Elementary‘s executive producers Robert Doherty and Carl Beverly answered these questions at Comic Con:
Can you talk about how it came about that Watson is a woman in this show? Robert: “[In preparation for the show], I read a handful of psychological assessments of [Sherlock] that real doctors have written up over the years. Somebody classified him as bipolar, somebody else said he had a mild form of Asperger’s, and one of them happened to mention that he was classified as a gynophobe – he had just not a terribly healthy relationship with women, he was a little suspicious of them.
“And it just sort of made me laugh when I read it because I was like, ‘Well, what would make him crazier than Watson is a woman? He’s actually living with someone who’s monitoring him who’s also a woman’. All of that said, our Holmes is not a gynophobe, he’s not a misogynist – it’s just sort of what got that ball rolling.
“I also was sort of up for the challenge. I knew it would be inevitable that people would be fascinated by the ‘will-they-won’t-they’ that would come up and I like that the question is there and it exists, but I also don’t feel any rush to… In fact, let me be blunt – I don’t want them to end up in bed together. That’s just not what the show is for.
“I don’t think that would be true to the spirit of the original relationship between the two characters, and that’s important to me. I’d like to show that a man and a woman can be friends and go to work and live together and not end up romantically entangled.”
Carl: “Robert often calls it a bromance, but one of the bros just happens to be a woman.
“I think it’s a really apt description because there’s this idea that a man and woman can’t be together – on a show, especially – without needing to be together sexually or in love or whatever. And this is really just about the evolution of a friendship and how that happens. Watching that should be as much the story of this show as the mystery you see week in, week out about who killed who.
“You know, we love that and those stories will be great, but the mystery of this relationship and how the friendship comes into being, that should be something that draws people in too.”
Obviously there will be comparisons to the BBC’s Sherlock… Carl: “We think it’s fantastic.”
Robert: “It’s an incredible show. I have nothing but the highest regard for that show and Steven as a writer. I think sometimes we catch flak because we are a contemporised Sherlock. Sherlock has been contemporised dating back to the ’40s. There were movies with Basil Rathbone set in the Victorian era and then suddenly there were movies with Basil Rathbone in World War II where they’re fighting Nazis, so the idea’s been around a long time.
“Sherlock has done it extremely well – I think it’s a brilliant show. I’ve only seen the first series but I hear the second series is just as excellent. But as far as taking from the show, I just don’t think that’s true. Because he exists mostly in the public domain, many hands have handled Sherlock over the years.
“He’s been everywhere – he’s been to the future, he’s been to the past, I’ve seen him in comics, I’ve seen him in books, I’ve seen many, many, many different takes and interpretations of the character and the franchise. They’re all great. I don’t think any of them hurt any of the others. Sherlock the character has big shoulders and I think he can carry all of us.”
Answers from additional questions suggested a couple of ways in which Elementary might differ from Sherlock. They do not plan to update original Sherlock Holmes stories as has been done on Sherlock. Mycroft will probably wind up on the show eventually, but not initially. Sherlock’s father will probably appear first.
“If I were the [producer], I’d be frightened of the dynamic of male friendship that you’d lose,” he confesses to TVLine, “because that is obviously the bedrock of the books as well. [Now] there might be sexual tension between Joan [Holmes] and Sherlock, which is [a different dynamic than you’d have] between the two men. So, that’s a new thing to explore.”
And not necessarily a bad thing to explore. Cumberbatch – who is friends with Miller and even appeared opposite him in the UK stage production of Frankenstein – believes the world is big enough for multiple interpretations of Sherlock. (And, having seen the jolly good pilot, I’m inclined to agree.) “I wish them luck, I really do,” the actor insists. “I think it will be great. It will be a different spin on it, because obviously, theirs is modern-day as well, so it needs to be different from ours, and I think the more differences, the better, to be honest.
“I don’t see why they shouldn’t co-exist with us,” he adds, “I don’t think they’ll steal our audience. I think people who are Holmes fans who think they do a good job of it will have a treat in watching ours and the films. So I wish them good luck!”
After scoring huge at the box office with its Avengers movie, Marvel is looking to explore the mythology on the small screen too. I’ve learned that Marvel’s TV division is in conversation with ABC and ABC Studios about doing a drama series in the Avengers world. I hear that the connection to the Avengers franchise would be light as the project is expected to be set in the universe and feature some of its themes and feel, but may not include any characters from Joss Whedon’s blockbuster. I hear the project is in a nascent stage, described as “a kernel of an idea,” with a number of scenarios being explored, including a high-concept cop show. Marvel has already given the Avengers the animated treatment with Disney XD’s The Avengers: Earth’s Mightiest Heroes and the upcoming Avengers Assemble.
Establishing a primetime foothold has been a priority for Disney-owned Marvel. The company has developed several projects for ABC Studios over the last couple of years, one of which, a Hulk series, is still in the works. Search is under way for a new writer to pen the project.
Perhaps they could start with repairing all the damage to New York. Actually I stayed on Park Avenue in New York last weekend for the first time since the damage depicted in the movie and everything seems to have been restored. I did pass a couple of shawarma restaurants, but no sign of any superheroes.
The above trailer has been released for the fifth season of Merlin. The show was originally envisioned as running for five seasons but now there is talk of extending to a sixth season, along with a movie.
William Shatner’s new documentary Get A Life! premiers this weekend on Epix. Trekmovie.com has a review.
A reboot of Blake’s 7 is in the works, directed by Martin Campbell (Casino Royal). A reboot makes the most sense considering how much time has gone by and how the original ended, but I’d love to see them try to continue the series from the point of the finale of the original series. The opening to the original series is above.
Amy Sherman-Palladino was interviewed by Deadline Hollywood about her new show, Bunheads, and inevitably Gilmore Girls came up. No word on her planned final four words for the series and she is quite pessimistic about the chances of a Gilmore Girls movie:
DEADLINE: Well, Gilmore Girls worked — until you left. Right now, Gilmore Girls is back in the news because journalists are comparing your departure to the situation at NBC’s Community, predicting that series won’t survive the ouster of creator Dan Harmon as showrunner. Can a series successfully outlive its creator? SHERMAN-PALLADINO: I think certain shows can. Great shows like Cheers went on and on after the original guys left, but you have to be able to train people in the style. I think procedurals can go on because you are doing cases. When a show is about a singular voice or a singular relationship, I think it’s a lot harder. When you’ve got the guy who basically wasCommunity, and you get rid of him in year four, I don’t understand that position. You either keep the guy for a fourth season, or maybe you just don’t pick it up. I don’t know Dan Harmon; some people say terrible things about him. I don’t know, maybe he is Lucifer. But if we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity. But maybe Community will be a fucking phenomenon this year, who knows? I didn’t watch Community, I don’t have a dog in this race, but all the things I read about it just felt weird.
DEADLINE: Was the end of Gilmore Girls inevitable after you left? SHERMAN-PALLADINO: Gilmore was tough and the cast was tired. It was a hard show, and I think that once I left there were pressures to do it cheaper, to really streamline it, to do things that they could not get me to do. But there are practicalities. If you are new, and they are telling you to do something and you would like to remain in your job, you need to do that. I think Gilmore Girls could have gone on another couple-three years. I was sad the way it went down and I don’t think it had to go down that way. But I don’t control the business, although I would like to. It was a great and wonderful experience, and I was lucky to have it.
DEADLINE: Sounds like that’s TV. SHERMAN-PALLADINO: It is TV. If I had any other transferrable skills, any other way to make a car payment, I would do it. It’s the one thing I can do. You talk to people and they say, the business is changing and it sucks and it’s awful. Well OK, but what’s my option? This is it. It may suck, it may be awful, but you’ve got to just keep going.
DEADLINE: Any chance of a Gilmore Girls movie? SHERMAN-PALLADINO: I thought so for a long time, I was into it, Lauren [star Lauren Graham] was into it, but the studio just does not seem to want to discuss it, so I’m thinking it probably won’t happen. She and I were totally there, we were game, I had stories, I had a way that I thought would have worked for fans and non-fans alike, but Warner Bros right now is not interested in doing that kind of movie.