SciFi Weekend: Doctor Who; Sherlock; Orphan Black; Almost Human; Arrow; The Doctor Meets Superman & Batman For Coffee

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Pictures, such as the one above, and an official synopsis have been released for the Christmas episode of Doctor Who, The Time of the Doctor:

Orbiting a quiet backwater planet, the massed forces of the universe’s deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them – the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.

Could this also involve saving Gallifrey after the events of The Day of the Doctor?

Despite the revelation of John Hurt as the War Doctor, Steven Moffat is sticking with the current numbering:

“He’s just The Doctor, Matt Smith’s Doctor is the 11th Doctor, however there is no such character as the 11th Doctor – he’s just the Doctor – that’s what he calls himself. The numbering doesn’t matter, except for those lists that you and I have been making for many years. So I’ve given you the option of not counting John Hurt numerically – he’s the War Doctor.”

If the numbering was only being done by fans it wouldn’t matter, but the numbering has appeared during the shows. On the one hand there has been talk of “the fall of the eleventh”, while on the other hand there was reference to “all thirteen” Doctors during The Day of the Doctor. The number of Doctors, if not how they are referred to, is important if there is a regeneration limit, and in this context we cannot leave out a regeneration. Moffat is separating the reference of number to Doctors from actual regenerations–sort of like the Big 10 having twelve teams and expanding to fourteen.

I previously had thought that the regeneration from Matt Smith’s Doctor to Peter Capaldi’s would be the twelfth and final regeneration, speculating that the limit might be exceeded by having the next Doctor find Gallifrey and be rewarded with a new set of regenerations. Steven Moffat has made matters even more complicated in an interview with Radio Times:

As Whovians will know, ever since the 1976 episode The Deadly Assassin it has been taken as fact that a Doctor can only regenerate twelve times in a cycle, allowing thirteen incarnations.

Officially until now, Matt Smith has been the 11th Doctor, meaning fans have started to wonder what will happen in 5-10 years time when we reach 13 after Peter Capaldi.

But Moffat has moved the goalposts, or perhaps more aptly stuck his own sonic screwdriver into the history of the show and given it a big twist.

On Saturday he told me Matt is actually the 13th and final doctor. John Hurt is officially now a doctor and David Tennant used up an extra regeneration during his stay.

In essence, the end of Matt at Christmas should mean the end of Doctor Who.

Where this leaves Peter Capaldi is unclear. But what Moffat would say is: “The 12 regenerations limit is a central part of Doctor Who mythology – science fiction is all about rules, you can’t just casually break them.

Everything changes if we consider the events of Journey’s End as showing David Tennant’s Doctor using up a regeneration (and ignoring the regeneration energy given to the Doctor by River Song in Let’s Kill Hitler). While we know that Moffat lies, or at least loves to cause misdirection with regards to speculations on future events on the show, this does force an update to previous predictions. The issue becomes more urgent to prevent Matt Smith from playing the last Doctor, which we know will not occur. Now it appears possible that Matt Smith’s Doctor might find Gallifrey and receive extra regenerations in The Time of the Doctor. Reportedly the episode will also tie up several of the loose ends Moffat has left since taking over regarding predictions of the fall of the eleventh, The Silence, The crack in time, and the Weeping Angels. There are also rumors that the Doctor will lose a limb before being regenerated.

During the above interview, Steven Moffat discussed further minisodes following the success of The Night Of The Doctor (posted here).

“I think this will usher in not so much a Paul McGann mini-series but usher in more minisodes, and I think we should take them more seriously than we used to. Night was the first one we’ve actually said, ‘Let’s make a high production value belter and let’s give them a surprise!’”

He teased: “You can count on us doing something like that again, but we won’t tell you when! I’ve actually told the BBC, ‘if we do it again we’re doing it in Cardiff and we’re not even telling you what we’re doing and we’ll give you it on the day…’

With Doctor Who Confidential no longer on the air, the BBC has released a series of brief videos giving an Inside Look on the 50th anniversary and the making of The Day of The Doctor, such as the video above. More of these videos have been  posted at Geeks of Doom.

We have a long wait after the Christmas episode. Doctor Who begins filming in January but the next season will not be aired until fall. There have been reports that the full season will air in the fall instead of being split but I’m not sure how official this is.

A new source for Doctor Who news–The Doctor Who Cuttings Archive

Sherlock Lives

Sherlock resumes on January 19 in the United States but many of us will be downloading copies earlier now that it has been announced that season 3 will begin on January 1. The BBC spread news of  the date for the first episode, The Empty Hearse, by having the above hearse drive around London.  The Sign of Three airs on January 5 and the finale, His Last Vow is on January 12. For those in other countries, Sherlockology has a lengthy list of broadcast dates. It also appears that there will be sort of a triangle.Martin Freeman’s real-life wife Amanda Abbington will also star as John Watson’s love interest Mary Morstan.

The Weinsteins are looking into several television projects, including some genre shows. This includes a television version of Sin City and an adaptation of the movie version of Steven King’s The Mist. Hopefully this works out better than Under the Dome (and there is no reason to believe that different people will make the same mistakes with a different story).

Orphan Black‘s second season will begin on April 19 in the United States on BBC America and in Canada on Space. I have not heard of a date being set in the UK but last year the show aired well after it aired in the United States. The season 2 trailer is above, which unfortunately contains no new footage even though the series has been filming for a while.

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I watched the first three episodes of Almost Human over the holiday weekend. It does have promise. The premise appears to be that male cops are teamed with androids while hot female cops (as played by Minka Kelly) wear loose, low-cut shirts (which looks better on the show than in the picture above).

Ronald D. Moore’s new show Helix will begin on January 10. More premiere dates from SyFy here.

Barry Allen (The Flash) will appear on the next episode of Arrow. Initially the appearances on Arrow were to be a back-door pilot for a new show, but now CW has decided to film a conventional pilot for The Flash. There has been a lot of speculation as to whether the DC universe being created around Arrow will tie into the Justice League movie which will be developed out of the upcoming Superman vs. Batman movie. Arrow showrunner Greg Berlanti says the two universes will not be connected as Agents of SHIELD is connected to the Marvel cinematic universe.

Oliver will also be getting a mask like the one worn by the Green Arrow in the comics. I’m not sure that it is needed. If Laurel hasn’t figured out that Oliver is the vigilante yet, wearing the hood has been unrealistically sufficient.  (It was a more realistic change from the old comics to have Lois Lane quickly figure out who Clark Kent was in Man of Steel.)

Nothing has spoiled True Blood more than bad writing, too many characters who nobody cares about, and weak plot lines. Compared to these problems, the season seven spoilers posted here are rather trivial.

And, finally, the Doctor is sort of like a superhero, so there’s no reason why he shouldn’t go out for coffee with Superman and Batman (unless he’s afraid of their tough questions).

SciFi Weekend: True Blood Spoilers; Doctor Who; Batman; Star Trek; Continuum; Under The Dome; Agents of SHIELD; The Newsroom

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The sixth season of True Blood, while not without faults, was the best season in several years.  The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again.  Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.

There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal  nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.

If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:

Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner:
It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.

If vampires and humans are now working together, where does the tension come from?
Buckner:
I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.

Can you talk about the threat of the mutated Hep-V?
Buckner:
That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.

Have vampires essentially overrun the world at this point?
Buckner:
It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.

Presumably that means Season 7 picks up right where we left off?
Buckner:
That’s a fair presumption.

Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner:
In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!

Pretty sure he broke the internet after going full-frontal.
Buckner:
It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”

People thought it might be a body double.
Buckner:
Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.

Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner:
Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.

The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:

TVLINE | How do you explain the fact that some of those infected  — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.

TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.

I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.

In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.

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This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling

WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show?
MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].

WS: Was it ever intimidating, being responsible for such an iconic television franchise?
MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.

WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre?
MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.

WS: Why did you want to put Sherlock Holmes in a modern-day setting?
MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.

Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.

Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.

Some quicker questions for Moffat:

Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.

There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.

Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:

“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”

I will be looking forward to watching this in another 50 years.

Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil.  Twitter responses to the choice here and here.

Last week we looked at a few of the Star Trek technological advancements which are now a reality. There is a $10,000 prize for developing a Tricorder.

The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.

The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.

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Who will be the monarch on Under the Dome? From SpoilerTV:

So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”

The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.

Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.

New trailer for Agents of SHIELD above.

Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.

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All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:

“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they’re] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night” team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.

“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”

Related television and political comments yesterday on realistic versus unrealistic aspects of House of Cards, The West Wing, and Orange is the New Black.

SciFi Weekend: SDCC Part 2–Avengers; Karen Gillan Bald for Guardians of the Galaxy; Captain America; X-Men; Superman and Batman; Doctor Who; Matt Smith as Bart Simpson; True Blood; Person of Interest; Revolution; Community; How I Met Your Mother; Veronica Mars

There was lots of news on the Marvel Cinematic Universe out of San Diego Comic Con–video of panel above. This includes the name of the next Avengers movie, Age of Ultron, and a bald Karen Gillan (head shaved for Guardians of the Galaxy).

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Co-directors Joe and Anthony Russo were interviewed, explaining how Captain America: The Winter Soldier will bridge the two Avengers movies. Among other news is the report of star Chris Evans kissing Scarlett Johansson.

News on X-Men: Days of Futures Past is here.

The rumors of a combined Batman and Superman movie have been confirmed.

Matt Smith walked on the floor at Comic Con disguised at Bart Simpson (video above).

Steven Moffat says “we’re likely never going to see that final date night on Darillium with the Doctor and River Song, the one where he cries because he knows she’s going to die/get digitized on a library planet.”

The reason: Moffat’s too prude to put the Doctor and River in a room alone together. That said he might change his mind.

”I always felt that there were certain things between the Doctor and River that we should never see. So, I don’t know. He sort of said his goodbye in ‘The Name of the Doctor.’ There’s always the possibility, because it’s always out of sequence and you can do anything you like with that. It’s a tough one. I remember I wrote some extra scenes for the DVDs and all that we had available were Alex (actress Alex TK] and Matt, so I had to write scenes for the Doctor and River alone in the T.A.R.D.I.S. and I go, ‘Dear God, that’s the situation I’m always tring to avoid for obvious reasons.’ What does that woman do to him the moment the door is shut? What were they doing that night in Durillion. There are somet things surely the Time Lord must keep to himself.

“The implication is that she had met many more Doctors than just the two of them, so it’s always possible. But I quite liked the good bye in “The Name of the Doctor” and I think there should always be stuff that we never saw, and I don’t just mean that as a laugh.”

The above preview of the remainder of this season of True Blood was shown. There has been talk for a while that a major character would die this season and there does appear to be a funeral in these clips. Cast secrets revealed in these videos. The show has been renewed for another season. While the show has had its problems (including too many characters and story lines), I do see hope for improvement:

Executive Producer, Brian Buckner wants to bring the show back to its roots. While he acknowledges True Blood has a large cast, he wants to condense the number of stories they are telling and  “really come home.” And as for bringing in new creatures, right now he thinks no. He believes the show is about vampires, humans and the town. And wants to bring that back.

The big news on Person of Interest is that, as I had been rooting for, Amy Acker will become a regular next season. Cast interviews here.

Despite all its flaws, Revolution keeps me curious enough to keep watching. A trailer for the second season is above. The cast and crew revealed spoilers regarding the cliff hanger at the end of the first season. From Tracy Spiradakos (Charlie):

“I can tell you that the bombs do drop, so there’s an aftermath to dealing with that.” Holy moly! Randall completed his mission in destroying Atlanta and Philadelphia, apparently, and the destruction of those cities will completely change the feel of the show. The militias will be broken up, the show that was once all about being on the road will now settle into a particular spot near Texas, characters will be more consistent, and the stories will have some room to breathe since people won’t be as busy running from Point A to Point B. Additionally, even though the power went on in the finale, there will be a time-jump of about three months, and you can expect that it will be shut off again pretty soon.”

More spoilers from this, and other reports: The power is off permanently and the Tower is no longer functional. The Patriots supporting the old United States government represent a serious threat which forces Miles and Monroe to work together.

Ronald Moore on Helix and Battlestar Galactica.

Dan Harmon interviewed about season 5 of Community in the video above. News includes the departure of Donald Glover.

News on the final season of How I Met Your Mother posted here. More news here including comments from the kids.

Kristen Bell suggests that Veronica Mars might continue after the upcoming movie, possibly on Netflix as a way to get around contractual restrictions on appearing in two television shows:

CNN: Is this film finally going to give you a sense of closure on “Veronica Mars”?

Bell: No. This could be my whole life. And by the way, what a lucky life it would be if it were. There’s no formula for it, because it just has never been done before. Except — and I’m just throwing it out there — “Star Trek” did it. They did a TV show and then nine movies. Who knows? Why can’t we make a couple films? Or continue to produce content of “Veronica Mars”? It gets tricky because television contracts legally only allow you to do one episode of a different show. They purchase you. I am now the face of “House of Lies.” So the only way I would be able to reprise Veronica Mars (on TV) is in movie form.

CNN: What about if it were on Netflix?

Bell: There are some loopholes that we are already investigating.

Earlier news from San Diego Comic Con was posted here.

SciFi Weekend: The Name of the Doctor and Star Trek Into Darkness

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This was a weekend steeped in tradition with the two oldest science fiction franchises both having a major event. The season of Doctor Who concluded with The Name of The Doctor, which leads directly into the 50th anniversary episode, and a new Star Trek movie was released. As usual, the review of Doctor Who contains spoilers but it is posted a day after the episode aired.  Fortunately those who received the episode early in error kept quiet. Movies are harder to deal with as people view them at different times. There are also major spoilers for Star Trek Into Darkness, many of which have been revealed in other reviews.

After a season of near-misses, especially in the second half, Moffat really delivered with The Name of the Doctor. The episode dealt with the entire history of the Doctor and events in recent episodes were important in making the episode work. Now that we have seen where Moffat was headed, the season as a whole looks much better as a long story arc in retrospect, even if each chapter was not perfect. Obviously Asylum of the Daleks and The Snowmen were necessary to see Clara die while saving the Doctor.  It was important to show Vastra, Jennie, and Strax as friends of the Doctor in The Snowmen and The Crimson Horror to believe the Doctor would take such a great risk to try to save them. It was part of her story for Clara to learn of her significance and then lose the memory in  Journey To The Center Of The TARDIS.

The introductory sequence might be the best ever seen on Doctor Who. It begins on Gallifrey with the question, “What kind of idiot would try to steal a faulty TARDIS?” Clara appears telling the first Doctor, accompanied by Susan, “Doctor, sorry, but you’re about to make a big mistake.”  The episode also includes glimpses of the other Doctors. There was the return of The Great Intelligence along with a new monster, The Whispermen.

Clara Letter

The story initially centers around leading the Doctor to Trenzalore, including a clever way to have Vastra, Jenna, Strax, Clara, and River Pond communicate over time. “Time travel has always been possible in dreams” makes no sense, but is accepted to propel the story.

We already knew that Trenazlore was connected to the fall of the eleventh, but it also turns out to be the site of the Doctor’s tomb and apparently the fall of Doctors beyond the eleventh. As the TARDIS resisted taking the Doctor to this one place in the universe where he should never go, there was also a literal fall to the surface.

We saw both what happens to a TARDIS and to a Time Lord following their death. The Doctor’s real name was necessary to open his tomb, but was spoken by River Song without the viewer hearing it. It was no surprise that we did not learn the name and the title of the episode was mild misdirection on Moffat’s part. Moffat also deceived us in other interviews about the episode, but Moffat’s lies are always forgiven when he delivers a great show. A character did die, but was also restored to life. Or perhaps he was referring to River Song. The episode appears intended to her final meeting with the Doctor, but does not prevent her from returning, especially from an earlier point in her time line. The very nature of her appearance in this episode raises questions which may or may not be answered beyond the simple explanations provided.

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The claim that this would be a season of stand alone episodes was also not completely true. Besides the finale being largely a chapter in a story which must include prior episodes of this season, The Name of the Doctor ends on a cliff hanger.

By the end we did learn both the explanation for Clara Oswald and the Doctor’s greatest secret. Nobody would have figured out Clara’s explanation without the events of The Name of the Doctor as she was fragmented over time after entering the Doctor’s time stream. I do have a couple of nitpicks with what we learned here.

Echoes of Clara were with the Doctor throughout his life, often saving him from the changes to the Doctor’s time stream created by The Great Intelligence. When Clara told the Doctor he was making a mistake when first stealing a TARDIS, the mistake was merely in the TARDIS he planned to take and she directed him to another in which “the navigation system’s knackered” and he will have more fun.  This conflicts with The Doctor’s Wife in which it was the TARDIS who influenced the Doctor to steal her. The scene would have worked better if the Doctor went on to take the TARDIS he first tried to steal despite Clara’s warning. This would have also provided an explanation for the TARDIS disliking Clara earlier in the season. Maybe this was even intended and it is just not clear that he ignored Clara’s advice but I do believe he took the one which Clara recommended.

Clara Time Stream

My other complaint is that Clara spoke of seeing all eleven  Doctors, but if this was the remnant of his entire time stream after he died she should have seen versions of the Doctor beyond the eleventh. They could have shown glimpses of others without faces and refrain from having Clara specify eleven. Ultimately one other version is shown with a contradiction present. He is presented as a version which does not deserve to be the Doctor for his actions but the episode ends with the caption, “Introducing John Hurt as The Doctor.”

We have until November 23 to find out what this means. There was mention of the Valeyard, the evil version of the Doctor from between the twelfth and final regeneration, during the episode, yet more evidence of Moffat’s respect for the entire history of the show. While John Hurt could be playing him, interviews so far suggest he is a regeneration from between the eighth and ninth Doctors (added when Christoper Eccleston declined to appear in the 50th anniversary episode). He is apparently the Doctor’s greatest secret for what he did. So far we only know that “broke the promise” which comes from choosing the name of the Doctor. This might be referring to actions during the Time Wars, or perhaps to events we are not yet aware of.

However this ends, Moffat has given us a tremendous season and appears to be on the way to making a major addition to the Doctor’s history and mythology.

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We will be anxiously awaiting the 50th anniversary episode, and the eight season since the reboot has been officially announced.

The Behind the Scenes video is above.

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Star Trek Into Darkness is an entertaining movie well worth seeing but it is not great Star Trek. J.J. Abrams knows how to make a great action movie (even if there is too much lens-flare) but he does not really understand Star Trek. The plot is a series of contrivances for a series of action scenes, lacking Gene Roddenbery’s vision which made Star Trek great. Wil Wheaton has already responded to Abrams’ failing to understand the importance of philosophy to Star Trek. This was far more Star Wars than true Star Trek.

Partially in Abrams’ defense, Star Trek should be a television series, not movie. It takes a weekly television series to develop the characters and show the philosophy of Star Trek in a series of smaller stories as opposed to big action scenes. Unfortunately the movies thrive on big action scenes, and the original movie series also failed to live up to the quality of the television shows. A movie which was true to Star Trek would have to be directed more towards Star Trek fans than a mass audience. Star Trek The Motion Picture did avoid the big action scenes and was not a great success, but it also had other flaws.

Abrams depends even more on the big action scenes than the original movie series, moving from one to the other at the expense of a logical plot or really dealing with issues. Thus we have a few lines of explanation for Khan’s motivations (including a reference to Section 31 which I did enjoy) but Abrams did not develop the character as well as in either Space Seed or Star Trek II: The Wrath of Khan. Benedict Cumberbatch did play an excellent villain with the material available.

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Admiral Marcus turned out to be a second villain but his motivations did not seem realistic. It s one thing to bend the rules to get Star Fleet to prepare for a war you feel is coming. It is another thing to attempt to destroy the Enterprise or to directly try to provoke war with the Klingons. The movie also had one thing in common with the other recent blockbuster, Iron Man 3. Both include a character who is influenced into betraying others to help their child.

There is some degree of political controversy and references to current events in the movie. Khan was the terrorist on Kronos in an analogy to today’s terrorists in countries such as Afghanistan and Pakistan. The morality of using drones to kill a terrorist versus taking the terrorist into custody for a fair trial was raised. This was dealt with too simply with Khan being in an unpopulated area where capturing him seemed to be a more realistic option.

I do wish the timeline could be fixed as it was on The Name of the Doctor, but we must deal with the J.J. Abrams alternative timeline for now. I did not object, as some fans did in response to rumors of Khan’s appearance, to this retelling of the story. It was plausible that Admiral Marcus might have found the Botany Bay at an earlier point in history, and after the destruction of Vulcan might tried to make use of Khan.

There were other changes in this timeline compared to the original timeline. For example, they actually thought to put seat belts on the bridge.

Carol Marcus

While obviously it relates to changes in our culture as opposed to Nero’s changes in the timeline, sexual attitudes are different. On one hand, Kirk is still the womanizer, and they added a young, beautiful, and scantily clad Carol Marcus (Alice Eve) to the movie and trailer to increase interest in the movie. In other ways things were different. Kirk started on his five year mission to go “where on one has gone before.” It took us from the original series to Star Trek The Next Generation to update from “where no man has gone before.” Uhura had a far more active role. For the most part I liked this, except in the scene where Uhura was beamed down to join Spock in fighting Khan. This should have been a big guy whose primary job involved fighting, not a communications officer. Of course the original Star Trek would have been unrealistic in its own way. Captain Kirk would have been the one to beam down, simultaneously placing the Captain and First Officer in danger.

A surprise in this movie which is an obvious consequence from the previous movie was how  Spock took advantage of his counterpart from the original timeline to obtain information about Khan. This did allow Spock to figure out that Khan could not be trusted, but there were plenty of other clues even without contacting New Vulcan. This does present the danger of providing an easy way to get answers in further adventures, which might be avoided by facing different dangers or by being too far out into deep space to contact the original Spock. It was a surprise to see Leonard Nimoy in this movie, and it is questionable as to how much longer he will be able or willing to put on those Vulcan ears and appear on screen. They also met up with Tribbles earlier in this timeline and a Tribble played a key role.

Compared to The Wrath of Khan, this movie reversed Kirk and Spock making the sacrifice and screaming out the name of Khan. For a moment I feared they might be leaving the resurrection of James Kirk to the next movie as was done with Spock in the original series. Thankfully everything was resolved in this installment.

Spock Uhura

I did not like some of the changes in technology from the original timeline.  I did not like having Khan being able to easily transport himself from earth to Kronos. This is not Doctor Who. I disliked even more having Star Fleet build bigger ships for battle. The Enterprise is already much larger. While the Enterprise was built primarily for exploration, it is still the flagship for Star Fleet. Military threats should be handled by the Enterprise and other similar star ships, and there should not be bigger, more powerful ships to rely on.

Ultimately The Name of the Doctor will be remembered as significant and rewatched by fans. Star Trek Into Darkness provided a very entertaining night at the movies, which isn’t all bad, but it was a one-shot affair without much significance to Star Trek history. I just hope it is successful enough to eventually lead to a new television series. A cable television show does not need the mass audience of a blockbuster movie to succeed.

SciFi Weekend: Doctor Who; Merlin; Iron Man 3; Avengers; SHIELD; True Blood; Gillian Anderson; Person of Interest; The Americans; Firefly

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The Crimson Horror is perhaps the sweetest episode of Doctor Who ever, and starts out without the Doctor. The episode provides a vehicle for two sets of characters: 1) Jenny, Vastra & Strax and 2) characters played by Diana Rigg and her real-life daughter Rachael Stirling. This is the first time that the mother-daughter combination have ever worked together. Bringing back Jenny, Vastra, and Strax also helps with the continuity of the season. Jenny even had a scene which reminded me of Diana Rigg’s old  character Emma Peal from The Avengers, combining the two sets. Victorian England episodes tend to have the most realistic look of episodes taking place in different places or times. Undoubtedly appropriate sets and costumes are easiest to obtain.

The Doctor, and even later Clara, don’t become involved until later, but their absence in the early portions of the episode is handled well. There was a far better payoff to find that the Doctor was the monster when we did not see what happened to him until later. We were brought up to date by a sepia-toned sequence which gives the information viewers need without taking  time to provide excess detail.  Going through the earlier aspects of the Doctor’s involvement in a condensed manner was also helpful because Mark Gatiss had so much going on this episode that he already had to wrap it up too quickly. This would have worked better as a Sherlock-length story.

Being Doctor Who, there are invariably some things which seem unbelievable even if we believe in the Time Lords and the rest of the mythology surrounding the Doctor. It is hard to believe that a rocket of this type could have been built back in that era. The kid, Thomas, who sounded like my phone’s GPS raising further questions. I suspect this one might be cleared up in the season finale when we return to the Doctor’s friends. (As I also went to see Iron Man 3 Saturday night after watching Doctor Who, it was a big night for kids getting into the action.)

The reference to past Doctors was more subtle this week. When the Doctor wound up in Yorkshire instead of London he mentioned his past difficulties in making it to the right place, including problems getting an  Australian to Heathrow, referring to the fifth Doctor and Tegan. I suspect that I missed the meaning of some of the references to Yorkshire versus London which would mean more to those living in the U.K.

When Clara returned home, the kids she cares for had found old pictures of her, demonstrating her travels in time. It is highly unlikely for either these pictures to exist and for the kids to realize they are of Clara (as opposed to someone who might look like her) but this was probably done for two reasons. First Clara was surprised by seeing a picture of her from London where this Clara has not been. Secondly this was probably done to lead into next week’s episode, Nightmare in Silver, which includes the kids. I wouldn’t be all that upset if the kids wind up being assimilated by the Cybermen (who have been looking increasingly like the Borg). Nightmare in Silver will reportedly also include stock footage of William Hartnell and Jon Pertwee.

Quote of the episode: “I’m the Doctor, you’re nuts, and I’m going to stop you.”

The Behind the Scenes video is above

Jenny, Vastra & Strax will be returning in the season finale, The Name Of The Doctor. The episode will also include River Song, post-library. Here’s the official synopsis:

“Every journey taken by a time-traveller tears a wound in the fabric of reality, and the Doctor has time-travelled more than anyone. But the trail runs cold in Trenzalore, the one place in all of time and space that he should never go. The most dangerous place in the universe…

This quote from the episode was also released:

“The path I carved through time and space, from Gallifrey to Trenzalore. My own personal time tunnel, leading back to every moment I ever lived. Every step, every tear, every kiss. Even the days I haven’t lived yet. Which is why I shouldn’t be here. The paradoxes… very bad…”

Trenzalore has been linked with the fall of the eleventh and thought to mean the time when the eleventh Doctor regenerates. If we are to see the fall of the eleventh it must mean something different. Moffat says someone will die in the episode. As they are only seen occasionally, they could easily kill off one of the three Victorian detectives. As this is a p0st-library River, she can also die. Considering that the Doctor and River meet in a mixed up order, this wouldn’t prevent the Doctor from running into River in the future, at an earlier point in her time line.

David Tennant will be the only former Doctor on the 50th Anniversary episode but there will be an  homage to the very first episode of the series, An Unearthly Child.

The Guardian has an interview with Steven Moffat here.

One of the more implausible scenes in The Angels Take Manhattan was having the Statue of Liberty, as a Weeping Angel, travel across Manhattan. Among the many problems raised by this scene is the question of how the Statue of Liberty could make it very far since Angels freeze if anyone is watching. Most fans probably just let this pass as a good scene regardless of whether plausible. Steven Moffat has now provided an explanation (but I’m not sure this is any more plausible):

“The Angels can do so many things. They can bend time, climb inside your mind, hide in pictures, steal your voice, mess with your perception, leak stone from your eye… New York in 1938 was a nest of Angels and the people barely more than farm animals. The abattoir of the lonely assassins!

“In those terrible days, in that conquered city, you saw and understood only what the Angels allowed, so Liberty could move and  hunt as it wished, in the blink of an eye, unseen by the lowly creatures upon which it preyed. Also, it tiptoed.”

I’ll go with “it tiptoed.”

It has been ages since I finished watching Merlin by downloading episodes, but they have just resumed broadcasting the final episodes in the United States. While much of the final season was weaker than earlier seasons, the final few episodes did provide an excellent finale for the series. There has been talk of a movie version of MerlinColin Morgan is moving on to other projects and isn’t interested in playing Merlin again.

As Iron Man 3 breaks box office records, there is lots of attention on the future of the Marvel movie universe. There are conflicting reports as to whether there will be an Iron Man 4. I don’t think I am spoiling anything by saying that Iron Man 3 could easily serve as a conclusion of a trilogy, or the lead in for the probable future movies.   Robert Downey, Jr. has even left open the possibility of appearing in Agents of S.H.I.E.L.D. and will most likely return to The Avengers 2. The next Avengers movie reportedly will add Quicksilver and Scarlet Witch. These reports must be taken cautiously as there is the possibility of characters winding up on the cutting room floor at this stage.

Above is the trailer for True Blood Season 6 which returns on June 16. Humans are fighting back, which provides for a change from previous seasons. I hope that this, plus a new show runner, solves some of the problems plaguing recent seasons.

Gillian Anderson of The X-Files is appearing in a five part thriller for the BBC 2 entitled The Fall. A review can be found here.

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I’ve been undecided as to whether to consider Person of Interest true science fiction or a mystery series with a science fiction element. The two-part season finale, which we are in the middle of, moves the series much further towards science fiction as the machine takes on a more active role beyond spitting out the numbers. Plus there’s the return of Amy Acker.

The Americans ended the season well. I’m glad they avoided a true cliff hanger. As we can assume Elizabeth will recover from her injuries, the finale leads us back pretty close to how the series began. Besides the danger of being exposed by their FBI agent neighbor, their daughter Paige is becoming suspicious. After having viewers root for having Claudia reassigned, I bet most changed their mind during the finale. Margo Martindale has been cast in a comedy pilot so the episode leaves open the options of her leaving or Philip and Elizabeth plausibly requesting that the decision be reversed. Show runners Joel Fields and Joe Weisberg discussed the finale with Salon.

With Netflix bringing back Arrested Development, there has been hope that they might bring back some genre shows such as Firefly which didn’t survive more conventional television runs.   Netflix chief content officer, Ted Sarandos, gave this reason for not remaking Firefly:

“Let me give you one broad statement about these recovery shows. In almost every case the cult around the show gets more intense and smaller as time goes by. Arrested Development was the rarest of birds in that the audience of the show grew larger than the original broadcast audience because people came to discover it years after it was canceled. The Firefly fan is still the Firefly fan from when it was on TV and there’s fewer of them and they’re more passionate every year. Whereas with Arrested Development we’re going to be serving a multiple of the original audience. Any of the other shows we could bring back would be a fraction of the original audience.”A

Arrested Development probably would have more viewers than Firefly, but I don’t buy his explanation. I think that many others interested in this are more like me. I didn’t watch Firefly when it was on, but did buy the CD’s due to all the buzz after it was off the air.  I’m not super-passionate about the show, but I did enjoy it and if Firefly came back I would watch. I bet many other people have become fans after the initial run ended, providing for a larger audience in a remake than was present when on the air. Besides, Joss Whedon is now one of the hottest (perhaps the hottest) names in entertainment right now. I don’t think anything with his name attached should be ignored.

Other possibilities I’d suggest would be The Sarah Connor Chronicles, which ended at a point which begs for a conclusion, and Jericho which has some similarities to Revolution but did it much better.

SciFi Weekend: Doctor Who; S.H.I.E.L.D.; Inspector Spacetime; Community; House of Cards and the White House Correspondents’ Dinner; The Americans

Time Wars

Journey to the Centre of the TARDIS was being hyped as the first blockbuster episode of the spring season of DoctorWho but failed to deliver. It’s not that I didn’t like it, but my exceptions were just too high for what turned out to be a bottle episode. One problem was that there were just too many plot contrivances. To start with the TARDIS was placed in basic mode so that it could be captured. Then how do we explain how the Doctor winds up outside and Clara is lost in the corridors? I might forgive these as necessary to set up the story, but similar problems plagued the entire episode.

The Doctor said not to touch anyone or else time will reassert itself. I have no idea what that means, and feel they are going too far in making up rules for time as they go along. I can forgive contradictions as to whether the Doctor can change events or meet up with his former selves on rare occasions in order to provide for a good story. I didn’t buy Moffat’s explanation as to why the Doctor couldn’t travel back in time to somewhere other than New York and meet up with Amy and Rory, but I’ll let that pass as we know the real point was a farewell episode for the two. Throwing out a new concept of time asserting itself based upon who is touched seemed like pointless and arbitrary timey whimey stuff.  I might have accepted a cosmic reset button to resolve the episode  if the explanation and story were executed better but entire existence of the  Big Friendly Button was rather weak. There were so many other questions, such as why did future burnt Clara attack everyone, and how did getting burnt make little Clara strong enough to take on larger men?

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The highlight of the episode was Clara running through the TARDIS. The scene of the TARDIS swimming pool would have been more exciting if we didn’t already know it was coming. This created expectations of more than a quick glimpse. I did like the TARDIS library but The History Of The Time War with The Doctor’s real name sitting out makes it implausible that none of the previous companions other that River Song knew this. This did serve to foreshadow the mystery of the season finale, The Name of the Doctor: “You call yourself ‘Doctor? Why do you do that? You have a name. I’ve seen it.”

I also wonder who would have the knowledge to write this book.  Besides reading this secret, Clara also heard the story of her two other deaths. The memory should be gone after the cosmic reset, but we also saw that from the Van Baalen brothers that not all memories were extinguished. I won’t even get into the nonsense of convincing one of the brothers that he is an android.

As has been common in episodes leading up to the 50th Anniversary, there were references to previous episodes. This included past sounds echoing through the TARDIS. Clara also found the Doctor’s cot from A Good Man Goes To War and the model TARDIS Amy and Mel were playing with in Let’s Kill Hitler. There were other things we have seen before, including a crack in time and (almost) an exploding TARDIS.

Quote of the Episode: “Don’t get into a spaceship with a madman: didn’t anyone teach you that?”

Above is the Behind The Scenes video

Next week, Strax, Vastra and Jenny return in The Crimson Horror. Dianna Rigg, whose roles range from The Avengers ( 1960’s BBC series) to Game of Thrones, guest stars. Here is an interview with her. A spoiler-free review is posted here.

The BBC has released the official synopsis for Neil Gaiman’s upcoming episode, Nightmare in Silver:

Hedgewick’s World of Wonders was once the greatest theme park in the galaxy, but it’s now the dilapidated home to a shabby showman, a chess-playing dwarf and a dysfunctional army platoon. When the Doctor, Clara, Artie and Angie arrive, the last thing they expect is the re-emergence of one of the Doctor’s oldest foes. The Cybermen are back!

Gaiman also did a far better job of revealing TARDIS secrets back in The Doctor’s Wife.

Clark Gregg has revealed how Agent Coulson will be brought back in Agents of S.H.I.E.L.D.

“In the pilot, it’s revealed Nick Fury (Samuel L. Jackson), the ultimate super spy, faked Agent Coulson’s death on purpose to motivate The Avengers. Some S.H.I.E.L.D. members were in on it (including, possibly, Maria Hill played by Cobie Smulders) but The Avengers were not. Their security clearance wasn’t high enough. Coulson was forced to hold his breath as part of the ruse and that’s a point of contention among his colleagues After the fact, Fury moved him to a remote location until things died down, and then he was reinserted into duty at the time of the show.”

I was hoping that we’d see Black Widow get in the shower and find Agent Coulson there, Bobby Ewing style.

Mayim Bialik of The Big Bang Theory will be joining the cast of the Untitled Web Series About A Space Traveler Who Can Also Travel Through Time. This is the web version of Inspector Spacetime with name removed to avoid copyright infringement against Community. Incidentally, Community had its best post-Dan Harmon episode this week with a Freaky Friday storyline. The episode was written by Jim Rash, who plays the Dean and shows he picked up a few things about how the show should be done during the time he has spent appearing on it. Rash is interviewed about writing the episode here.

The White House Correspondents’ Dinner showed the above parody of House of Cards, coincidentally the same week in which I completed watching the series on Netflix. The release of all thirteen episodes of the first season provided the advantage of allowing for binge watching. The disadvantage was the inability for blogs to discuss this on a weekly basis coinciding with most people watching as is the case with most television shows. Events became far more compelling in the final several episodes and I did wind up binging on the show this Friday night. Events in the slower-moving earlier episodes do become much more important. On the other hand, the shows leaves open much to talk about and it would have been interesting to read the views of others as the events unfolded.

MAJOR SPOILERS ABOUT HOUSE OF CARDS FOLLOW.

DO NOT READ THE NEXT SECTION UNTIL YOU COMPLETE THE FIRST 13 EPISODES

House of Cards might be seen as a completed story if seen as Frank Underwood going from being bypassed for the Secretary of State appointment to being chosen to become the next Vice President, which Frank wants to use as a stepping stone to the presidency. With filming beginning on a second set of thirteen, many things are still hanging which could jeopardize Frank’s appointment and perhaps lead to even worse consequences. The most serious would be revelations as to how he manipulated Peter, especially if the murder is revealed. Claire’s  legal problems could also create enough of a problem to prevent the appointment, even if the complaint was fabricated. I suspect that ultimately the season will seem more like the first half of a novel.

Initially the series seemed like a more cerebral, political version of Revenge. Later Underwood’s real plan becomes clear. When Underwood first set up Russo’s fall, I assumed it was in retaliation for Peter acting independent of Underwood, threatening to expose past manipulations. Presumably Underwood had planned this from the start, with Peter’s disloyalty  just providing the reason to put the final stages into motion at the time. When Underwood started to wipe his fingerprints off of Peter’s steering wheel I predicted what he would do next, but did it really make sense to murder Peter where security cameras might have shown him come in? Having Peter permanently silenced would be of benefit, but Peter no longer had the same ability to cause harm to Underwood.

My biggest nitpick about the show was the manner in which alliances changed so easily. Frank’s wife betrayed him and then quickly became loyal to their joint goals after returning home (a second way in which Peter’s death was of benefit to Underwood as long as everyone continues to consider it a suicide). More implausible was the degree of loyalty to Underwood showed by the President’s chief of staff in later episodes. I could easily see her performing a few favors for Underwood, even floating his name as Vice President, in return for his favor. It went too far with her actually scheming with Underwood and allowing the release of the secret schedule.

Other changes in loyalties were easier to accept. Backstabbing by underlings such as Remy didn’t come as much of a surprise. Zoe is far more interesting as a reporter digging into what happened as opposed to the slut who got her stories by sleeping with sources. Best of all was seeing Zoe convince Christina to help find out what really drove Peter to suicide. There is no doubt that this House of Cards will start to collapse around Frank Underwood when the series returns now that his earlier actions are becoming uncovered.

END OF SPOILERS

The Americans started in a more conventional, weekly format on FX at about the same time as  House of Cards was placed on Netflix. The finale airs this Wednesday, with a preview of the episode here.  It is my favorite new series of this season, centering around two Russian spies who pose as as a married couple during the Reagan era. Their neighbor across the street happens to be an FBI agent. I won’t say more, recommending that those who have not seen the series pick it up from the beginning.

Finally, here are Conan O’Brien and Barack Obama at the White House Correspondents’ Dinner:

SciFi Weekend: Doctor Who; S.H.I.E.L.D.; Defiance; Continuum; Community; Dexter; Once Upon A Time; Zooey Deschanel, Terrorist; And A Warning From The Future

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Hide looked like a ghost story, but this week’s episode of Doctor Who was actually a love story involving two couples (or maybe a third). The young assistant Emma was the real reason for Doctor showing up where he did, to see if the clairvoyant Emma could detect anything unusual about Clara, “the only mystery worth solving.” While nothing unusual was revealed about Clara, Emma did warn Clara about the Doctor’s icy heart. I suspect this will play a part in whatever is revealed in the season finale.

The episode picked up on the theme of the TARDIS not yet accepting Clara, but by the end they worked out their differences and went on to save the Doctor. Last week in Cold War it was necessary to contrive a way to get rid of the TARDIS to avoid a simple solution to being trapped in the submarine. This week did something which few too many episodes do–use time travel as part of a story. This did wind up leaving one time traveler just hanging around, possibly a loose end to come up in  a future episode. It also showed Clara the full meaning of time travel and the Doctor:

Clara: “To you I haven’t been born yet, and to you I’ve been dead a hundred billion years. Is my body out there somewhere, in the ground?”

The Doctor: “Yes, I suppose it is.”

Clara: “But here we are, talking, so I am a ghost. To you, I’m a ghost. We’re all ghosts to you. We must be nothing.”

The behind the scenes video is above.

This was actually the first episode filmed with the modern Clara Oswald, written by Neil Cross, who subsequently wrote The Rings of  Akhaten. Cross did better with his first attempt in Hide.  Like previous episodes since Doctor Who returned, there is an homage to a previous Doctor. This time it is John Pertwee’s Doctor, from a scientist with assistant (or is it companion?) using 1970’s oscilloscopes to the need for a blue crystal from Metebelis III. Will next week’s Journey To The Center Of The TARDIS include references to Tom Baker? I suddenly feel like some Jelly Bellies.

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Hide played with Doctor What while Steven Moffat has made the question Doctor Who? a recurring theme.  The official synopsis for The Name of the Doctor, the final episode of the season is “Someone is kidnapping the Doctor’s friends, leading him towards the one place in all of time and space that he should never go.” Moffat says we really will learn something we haven’t known about the Doctor, telling Radio Times: “There’s going to be a revelation. I’m not teasing. I’m not wrong-footing you – you’re about to learn something about the Doctor that you never knew before. And I think you’re in for a shock.”

River Song, who proved her relationship to the Doctor by being the only person to know his name in Forest of the Dead, will be returning in this episode. The Wedding of River Song included this warning:

“The Fields of Trenzalore, the fall of the eleventh and the question. The first question, the question that must never be answered hidden in plain sight, the question you’ve been running from all your life. Doctor who? Doctor who? DOCTOR WHO?”

The fall of the eleventh has been interpreted as meaning the time of his regeneration, but it might mean something different if the Doctor’s name really s revealed, or this might not be the secret which is revealed. Even if his name is revealed, there would have to be more to the secret for it to be meaningful. Finding that his name is the Gallifreyan equivalent of John Smith would not mean very much. Perhaps the Grammar Daleks have been correct and  his real name is Doctor Whom.

There is yet another possible clue to a secret in this rumor about the 50th Anniversary episode:

…there are several sites claiming that two very reliable sources have independently revealed that John Hurt will be playing the real 9th Doctor :O Basically Eccleston, Tennant and Smith’s Doctor have either forgotten or have repressed Hurt’s incarnation for some unknown reason, and it is very possible that the secret due to be revealed in the season finale next month is that Smith is the 12th Doctor rather than what his real name is.

I suspect that if this is the case John Hurt’s character might not really be the Doctor, similar to the misdirection in The Next Doctor. The order of the Doctors has become ingrained too much to disturb this chronology. If Matt Smith’s Doctor really is the twelfth, it might give Moffat an opportunity to answer the question of the number of regenerations. Originally Time Lords had thirteen but obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes. Plus, unless the number is extended, where will the Valeyard fit into this–or has the Doctor managed to avoid that fate?

Clark Gregg has a lot of information on S.H.I.E.L.D in the video above. Transcript below via Bleeding Cool:

If you watched The Avengers it was hard to miss the moment where that Asgardian bastard stabbed me quite thoroughly. And I died in The Avengers and it was a sad day because I loved Agent Coulson, and I loved going to the cons and hanging out with the Coulson fans. I was a little heartbroken. The Marvel guys said “You’re dead. You’re dead. But it’s the comics so it’s a different form of dead. Who knows, maybe we’ll see you again some day.”

I thought “You know what, I had a hell of a time playing this guy, I loved the death scene, I loved what Joss did so much,” to want any more of it felt greedy. So when I got a call a couple of months ago to say ‘We want you to come to New York Comic-Con. We’re going to announce that perhaps Coulson lives” I was very curious but also wasn’t sure that I was necessarily down with it.

I didn’t want to do anything to undermine the integrity of The Avengers and Joss didn’t either. So I had a conversation with joss and he explained to me that this [show] takes place after The Avengers, after ‘The Battle of New York’. I’m from New York, I’ve lived in a world after somebody has attacked New York, I know that there’s fall out.

The Avengers version of that world is a world that has superheroes and doorways to other dimensions and chaos. And the way Joss described to me the mystery that takes place in Marvel’s Agents of SHIELD, and the complexity and the unanswered questions about Phil Coulson standing there trying to deal with this, I found it so fascinating and so true to the world of the comics and mythology in general as I understand them that I was immediately in.

I don’t know you could not change going through what he went through in The Avengers. If he hadn’t gone through some kind of change it wouldn’t be any good. That said, I don’t know if he understands how much he’s changed.

It would be surprising to me if this was a world where there wasn’t some reckoning…the fact that there was some level of deception must have been perpetrated on The Avengers. It must have been.

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Defiance has been billed as the next big thing from Syfy but I was not very impressed. The computer-generated special effects looked fake and I just don’t see the point in computer generated graphics which fail to give a sense of reality to scenes which could not otherwise be filmed. The town of Defiance, which is St. Louis around thirty years after a war which has altered earth, provides a scene which could just as easily be an alien planet or a spaceship which contains civilians. Julie Benz is the mayor (or if this was a spaceship, she fulfills the traditional science fiction role of the Captain). In this case, the future looks like the old west, but is far less fun than Firefly. The backdrop will allow for a wide variety of stories, with stories which felt very familiar filling the two-hour premier. Now that we have the setting down, perhaps the series can move onto more original stories.

Continuum is returning to a second season. Star Rachel Nichols was interviewed here. An excerpt:

What can we expect from the new season?
The second season is very interesting. Obviously the first season was very centered on getting home. I wanted to go home. I would be friends with the baddies, I would partner up with Liber8, whatever it took to get home. It’s obviously still important to me in the new season. However, the theme of Season 2 is responsibility. Kagame had a speech at the end of the last season about how, if you drop a pebble on one side of the world, it will become a tsunami on the other. For Keira that’s very, very important, because she wants to get home to her husband and her son. Very early on in season 2, she starts asking questions: what am I going to be returning home to? Am I costing my husband and son their lives? Will they never be born? Will I never be born because of what I’m doing now? It’s a lot to wrap your head around!

This week’s Community brought up the dark timeline. There was also a lot of nonsense such as the group believing they failed, with the grade changing to a C to an F and back again, and a knot which was not a knot. It is clear that new producers David Guarascio and Moses Port do want to keep this show as offbeat and original as it was under Dan Harmon. They just don’t have the ability to pull it off.

Dexter will be returning for its final season. A sneak peak at part of the first episode is above. The final trajectory for the series is in motion, but a spinoff isn’t ruled out.

Emilie de Ravin of Lost teased tonight’s episode of Once Upon A Time by describing her character (after losing her memory) as “young, scantily-clad chick, Lacey.” Okay, she sold me on watching, even if it is on network television.

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Zooey Deschanel was identified on the closed captioning as the suspect being chased in Boston on Friday by one television station. Needless to say, it was a Fox channel. This is no more ridiculous (and false) than most of the type going by while watching Fox, such as identifying Barack Obama as a socialist from Kenya.

From 2068, above is a documentary on The Internet: A Warning from History. The Internet was one of the greatest disasters to befall mankind…

 

SciFi Weekend: Doctor Who Returns in The Bells of St. John; Hugo and Other Award Nominations for Doctor Who

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Doctor Who returned with The Bells of St. John, picking up with the Doctor having gone to a quiet place as advised by a young Clara Oswald as seen in a web-episode prequel. The bells turn out be from the phone on the TARDIS with Clara having received the Doctor’s number from an unidentified person, saying it was  for tech support. I wonder if this is another explained event which sometimes pop up in Moffat’s stories, or if we will find that someone significant (perhaps River Song or another version of Clara) gave it to her.

The plot, as is often the case on Doctor Who, was not terribly compelling but the character interaction more than made up for it. The danger in Moffat’s stories often comes from unexpected, or everyday items. In this case the danger struck over WiFi, so be careful of what you click on. The episode took advantage of the London background to provide a more realistic setting than usual, and a trip in the TARDIS to an out control airplane was more exciting than many of the trips to alien planets in other episodes. It is necessary to watch closely to pick up the many subtle references to other aspects of Doctor Who, such as an old book written by Amelia Williams. Others were more obvious, such as the scene with UNIT.

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While this season is primarily made up of stand-alone episodes, The Bells of St. John can be seen as part of at least two arcs: the mystery of Clara Oswald and another attempt by the Great Intelligence to fight the Doctor. We learned very little about Clara, but she did have some similarity to the Clara of The Snowmen as she once again was a governess. She also acquired considerable computer skills in this episode, perhaps foreshadowing her abilities in Asylum of the Daleks. We also saw how the Doctor comes up with money and Moffat got in a dig at Twitter.

There is no longer a Doctor Who Confidential, but the BBC did release this behind the scenes video.

Steven Moffat says we will learn who Clara is this season. More from Moffat in the text of a press conference posted here. Other major news from the past week is that David Tennant and Billie Piper will be returning for the 50th anniversary episode. John Hurt will also be appearing in the episode.

Cult Box has a spoiler-free review of next week’s episode, The Rings of Akhaten.

The week of Doctor Who‘s return was also a big week for awards and nominations, including receiving a Peabody Award: “Doctor Who,” the ever-evolving, ever-clever BBC science fiction series now entering its second half century, was awarded an Institutional Peabody.

Doctor Who was also nominated for two BAFTA Awards:

Musical composer Murray Gold was nominated in the Original Television Music category for his, as the ninth Doctor would say, “fantastic” music score featured in the Series 7 episode, Asylum of the Daleks. This is the second time Murray Gold has been nominated for a BAFTA award.

The show was also nominated for a BAFTA in the Visual Effects and Graphic Design category. The Mill, which has recently announced it will be closing, was nominated for the wonderful Craft Visual Effects it has created in their recent episodes.

The Mill has been nominated for a BAFTA every year since 2007. They received a BAFTA in 2009 for their work in The Fires of Pompeii.

Other Doctor Who related BAFTA awards include the Editing Fiction award in 2008, The Television Drama Series in 2005, and the Craft Writer award went to Steven Moffat in 2007.

Three episodes were nominated for Hugo Awards:

Best Dramatic Presentation, Short Form (597 nominating ballots cast)

  • Doctor Who, “The Angels Take Manhattan”, Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
  • Doctor Who, “Asylum of the Daleks”, Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
  • Doctor Who, “The Snowmen”, written by Steven Moffat; directed by Saul Metzstein (BBC Wales)
  • Fringe, “Letters of Transit”, Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
  • Game of Thrones, “Blackwater”, Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

The Avengers were among the nominees for Best Dramatic Presentation, Long Form:

Best Dramatic Presentation, Long Form (787 nominating ballots cast)

  • The Avengers, Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
  • The Cabin in the Woods, Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
  • The Hobbit: An Unexpected Journey, Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
  • The Hunger Games, Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
  • Looper, Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

 

SciFi Weekend: Doctor Who; Sherlock; Star Trek Into Darkness; Veronica Mars; Firefly; Batman; Pepper Potts; Gwen Stacy Meets Mary Jane Watson

Doctor Who returns March 30. Trailer above.

Here is an interview with Matt Smith on the Jonathan Ross Show. For those who are just interested in the Doctor Who Clip, here is a clip from The Bells of St. John, which appears to take place shortly after Clara first enters the TARDIS  (which has a new look):

Here is an interview (audio only) with Jenna-Louise Coleman and producer Marcus Wilson:

Executive Producer Caroline Skinner is leaving Doctor Who. Faith Penhale, head of Drama at BBC Wales, will be producing the 50th Anniversary episode. Steven Moffat has gone through three executive producers but rather than dwelling on rumors of conflict, let’s look back at the days when Julie Gardner spent four years working with Russel T. Davies. Above is The Ballad of Russell and Julie. This is a must-see video for Doctor Who fans who have not seen it yet:

They are starting filming on the third season of Sherlock and Benedict Cumberbatch has confirmed that he is willing to return for a fourth season:

“We’ve already agreed to two more series”. Those were the seven words Benedict Cumberbatch uttered today that set a sizeable section of the internet afire. Speaking at this afternoon’s South Bank Show Awards, the Sherlock and Star Trek: Into Darkness actor revealed, “All I know at the moment is that I’m doing these three and another three”.

Cumberbatch recently won a British Press Guild award as Best Actor. Interview with him above.

Alex Kingston is also interested in returning to Doctor Who as River Song:

I’m so attached to that character. I never expected her to grow and develop in the way she has. You never know whether she’s going to be hard-ass or good. As long as Steven Moffat has storylines that include her, I will always say yes.

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Damon Lindelof on Star Trek Into Darkness and the secrecy surrounding the movie:

“If the first movie was about meeting and introductions, this movie is about becoming a family,” Lindelof said. “The title of the movie is not just about the mission that the Enterprise is going on but what happens when you get to know each other a little better and the hurdles you must jump over in order to truly become family.”

“If anything, we’ve become more terrified,” he said. “We kind of got it right the first time, [we thought], ‘Let’s really not screw it up this time.’ You really have to honor the 40-plus years of canon and legacy that this amazing franchise had before we put pen to paper.”

Lindelof said they settled on the villain for the movie and decided very early on to say little about him — apart from the fact that Cumberbatch’s antagonist is named John Harrison.

“The audience needs to have the same experience that the crew is having,” Lindelof explained. “You’re Kirk, you’re Spock, you’re McCoy, so if they don’t know who the bad guy is going to be in the movie, then you shouldn’t know. It’s not just keeping the secret for secrecy’s sake. It’s not giving the audience information that the characters don’t have.”

Game of Thrones returns March 31. Trailer above.

As I posted earlier in the week, I am helping to finance a Veronica Mars movie. Along with over 50,000 other people I have pledged money for a Kickstarter campaign which made its goal the first day. Don’t let that stop you from pledging–the  more money that is pledged the better the movie might be.

The success of this Kickstarter campaign immediately led to speculation that this might be done to finance other genre movies, and Firefly was one of the first to come to mind. Buzzfeed spoke with Joss Whedon:

Buzzfeed talked to Whedon, a long-time Veronica Mars fan, and he admitted that he was thrilled to see the movie project funded, and funded in the way it’s been. “It feels like a real game-changer”, he admitted.

And then the obvious question. Is this something he’d consider to get more Firefly off the ground?

“I’ve said repeatedly that I would love to make another movie with these guys, and that remains the case. It also remains the case that I’m booked up by Marvel for the next three years, and that I haven’t even been able to get Dr Horrible 2 off the ground because of that”.

He added that “I don’t even entertain the notion of entertaining the notion of doing this, and won’t. Couple years from now, when Nathan’s no longer [working on] Castle and I’m no longer the Tom Hagen of the Marvel Universe and making a giant movie, we might look and see where the market is then. But right now, it’s a complete non-Kickstarter for me”.

Whedon suggests that Kickstarter “doesn’t just open the floodgates”, although we’d imagine that a flood of projects will be testing the water very shortly. He clearly still sounds keen to make more Firefly, though, and we’ll keep you posted as we hear more…

Batman in the Movies.

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Pepper Potts is no damsel in distress in Iron Man 3. From Marvel Studies President Kevin Feige:

In this movie [Iron Man 3] we play with the convention of the damsel in distress. We are bored by the damsel in distress. But, sometimes we need our hero to be desperate enough in fighting for something other than just his own life. So, there is fun to be had with ‘Is Pepper in danger or is Pepper the savior?’ over the course of this movie.

In the comic books she does get a taste for the suit and becomes her own hero named Rescue, who doesn’t necessarily battle other people, but is on missions to help people and to save people. Will we do that down the line with Gwyneth Paltrow? Who knows. But her being in the suit is something we have been playing with since ‘Iron Man 2,’ where we did some designs and it didn’t end up fitting in that movie.

Emma Stone (Gwen Stacy) meets Shailene Woodley (Mary Jane Watson). More Amazing Spider-Man 2 set photos available here.

Gwen Meets Mary Jane Spider-Man

SciFi Weekend: Doctor Who, The Angels Take Manhattan (plus Amy and Rory) Plus Other New and Returning Shows

We knew that the ending was coming even before the point early in The Angels Take Manhattan when the Doctor said he hated endings, Despite the few moments of hope after everyone returned safely to the present, we knew that this episode would mark the end of Amy and Rory on Doctor Who. Rory died three more times and Amy died twice, but the two ended the episode to live out their lives together in the past.

Having the episode take place around landmarks which are familiar to me made the episode even more meaningful. On future visits I will be much more cautious when running out for coffee, and have always thought there was something odd about seeing a Starbucks on virtually every block in much of Manhattan. (Perhaps the Doctor will investigate that in the future.) I will certainly be more suspicious of any statues on future visits to New York, and will be certain not to blink around that fountain in Central Park which I have passed several times in the past.

In other ways this was an alien world to me, stranger than any of the alternate worlds seen on Fringe. I can’t imagine The New York Times having a headline saying the Detroit Lions Win Superbowl. New York also seemed quite warm for that time of year.

Once the decision was made to have the statues in New York become Weeping Angels, it was obviously far too tempting for Moffat to resist making the Statue of Liberty an Angel. Until the time paradox which wiped out the Angels occurred, I couldn’t imagine that there would be no historical record of the statue moving across Manhattan on at least two nights in the city which never sleeps. When all the Angels were removed from New York, why was the Statue of Liberty still standing? Perhaps the Angels were inhabiting pre-existing statues, and the statues returned to their previous inanimate forms. Of course if Angels take over other statues, there might not be the need for those babies in the basement.

The bigger question is why Amy and Rory cannot ever return. Clearly this is more a matter of whether the actors and producers should decide to have them back for an episode as there are numerous weaknesses to the reasons presented in the episode. This notion of fixed points in time has been rather ambiguous and hardly something the Doctor couldn’t work around. Perhaps the TARDIS could not return to that precise spot in 1938 but what about having Amy and Rory meet him elsewhere and at a different time? We know that River could go back and give Amy the manuscript and a message, presumably with the contraption on her wrist. Besides, why not use those instead of the TARDIS to save them?

If it is simply a case that time has been written, and cannot be rewritten here, there are still loopholes which are far larger than ones the Doctor has used in the past. The tombstone changed once to add Amy. Even if it could not be changed again, there were many years between 1938 and their eventual deaths. Why couldn’t some of those years again be with the Doctor, as long if the wound up returning to die as in the rewritten version of history? Why not have Melody Malone’s book include a series of mysterious absences by Amy and Rory after the events already written?

While Amy and Rory are gone, River Song will be traveling with the Doctor, at least for a short time longer. We found that she was released from prison because it turned out that the man she was accused of killing never existed, as evidence of the Doctor was wiped out. I had expected that she would ultimately get released for the opposite reason as people realized that the Doctor was still alive. The elimination of knowledge of the Doctor is one recurring storyline from this season. The Angels Take Manhattan also continued this season’s use of light bulbs, as the bulbs blinked on and off in the corridors of the Winter Quay.

Relive The Last Days of the Ponds in the video above.

In this video, Steven Moffat and the crew of Doctor Who discuss the making of The Angels Take Manhattan.

We know Doctor Who will be returning on Christmas, with a new companion played by Jenna-Louise Coleman. How does her character tie in with her role on Asylum of the Daleks? Is she the same person? How important will her character be in the ongoing theme of the removal of knowledge of the Doctor? There’s no doubt there will be Christmas lights. Will light bulbs become even more important as the season goes on?

Doctor Who was about separation, but also about Amy’s decision to remain together with Rory. Fringe returned with the reunion of another family. There was not only the reunion of Etta with Olivia, but we also found that Olivia and Peter had split after Etta was taken. The episode has yet another case in which Walter’s memories fail him. This time his memories of how to fight the Observers received from September were destroyed.

I am a bit confused as to how the Observers could be said to have evolved from humans yet come from 2609. That would hardly be enough time for such evolution, but Fringe has often invented ways to get around conventional science. Apparently after destroying the planet once before, they are working towards doing so again, even if just for humans and presumably not themselves.

Person of Interest showed that the machine did have a contingency to work on after Finch was captured, but it was limited to having someone else take over saving people of interest and not saving Finch. I won’t mind if Finch remains a captive if this keeps Amy Acker on the show longer. I am also curious as to what her character means by setting the machine free.

Revolution is setting up for a family reunion. As I (and probably most viewers) predicted, Elizabeth Mitchell’s character remains alive. This raises questions as to why things weren’t handled differently in the first episode’s attempt to capture her husband. I will give Revolution a little longer but so far this looks like it might join the long list of other recent genre shows to die in its first season.

There are several shows returning tonight. There is a new world situation to deal with on Homeland. Dexter returns with Deb knowing about her brother’s dark secret. The curse is broken but magic has returned on Once Upon A Time with a more intense season promised. Revenge returns with an expanded world and more family. There is also one new genre series as 666 Park Avenue premieres tonight.

Earlier this week Michael O’Hare, who played Commander Jeffrey Sinclair in the first season of Babylon 5, died following a heart attack at age 60.