Ko No Mono is the beginning of the end for Hannibal, now providing a clear path to the scene in the season premier with Jack and Hannibal fighting. Alana Bloom has been terribly under utilized this season but played a key role in this episode. She represented the audience, expressing the same questions I had from the perspective of a character on the show.
Last week’s episode left two possibilities. Either Will had killed Freddie Lounds and Hannibal has succeeded in turning him into a monster, or there is an elaborate scheme to expose and capture Hannibal. My view of the show would be forever changed if it turned out that Will has become like Hannibal and no longer a sympathetic protagonist. Alana’s question was limited to wondering if Will had killed Freddie, and the answer to that would provide the viewer with the answer to what we were wondering.
It is a common axiom in reviewing genre shows that if there is no body the victim very well might still be alive. Bryan Fuller really played with the audience on that one. We got funeral, and saw a burning body which could not be confirmed as Freddie’s visually by the audience, but which provided possible confirmation to those aware of her fate in the novels. Of course Fuller has displayed a tendency to take aspects from the novels but alter them or have them occur at different times to keep things interesting. Once Jack “verified” that the body was Freddie’s from dental records it became even more clear that Freddie was dead or there was a very elaborate scheme, which would have to include Jack along with Will, to fake Freddie’s death.
This question was answered with another question, with Freddie asking Alana, “How was my funeral?” Alena seemed so distraught over the situation that it was hard for Jack not to let her in on the secret, but this might be a big mistake. Even assuming that Alana doesn’t intentionally give away the secret, there is too great a risk that Hannibal will sense that something is wrong. Perhaps that is why the season ends in a fight as opposed to a more organized arrest.
The other theme of the episode was parenthood and surrogate parenthood. This included a look back at Abigail, Hannibal’s perception of fathering a new Will who has adopted his views on killing, and sadly Margot’s terminated pregnancy. Mason Verger is turning into the even bigger villain of the season.
Bryan Fuller discussed the revelation that Freddie was alive and Margot’s desire for children:
AVC: So the end of this episode reveals that Freddie’s alive. Jack is in on the plan somehow. How cognizant are you of not letting those story points stretch out too long?
BF: We had originally talked about, gosh, how long can we keep Freddie dead? Because we wanted to make sure that the audience felt that she was dead, and that’s why we used the flaming wheelchair. Those who are close to the material know that is how Freddie Lounds goes out, so we wanted to make sure that the audience felt that she was dead, and that the funeral was a real funeral. Also, telling the story through Alana’s eyes as she’s like, “What the hell is going on with everybody?! Everybody’s lost their minds!” and to really feel that kind of mounting panic and dread that she’s experiencing. We felt like to clear the path for episode 12 to really be the final episode with the arc between the triangle of Will, Mason, and Hannibal, we really needed to wrap that up by the end of 11 and put all of our cards on the table at that point. What I think is really fun about using the wheelchair death is it tells the audience that, oh gosh, Freddie very well may be dead, because they used the actual way that she dies. But in a fun way, I loved forecasting the moment between Hannibal Lecter and Francis Dolarhyde in the Red Dragon story where Hannibal Lecter is part of Freddie’s demise and says, “If you’re going to kill Freddie Lounds, this is exactly how she has to go out, because she faked it once and I’m not particularly happy with her for that.”
AVC: Why does Margot want to have a child with Will?
BF: That was a big element of the novel, was Margot’s desire to have a child and I thought, “Well, wouldn’t it be interesting if Will Graham became the device to achieve that goal?” That way, we had elements of the future story that we had recombined with other stories so they felt distinct from the novel but reflective of the novel at the same time. I think it goes back to that Thomas Harris mash-up DJ aesthetic that we have with this show, where we’re pulling elements that suit us for any given story and then mixing them in as needed. It also felt like a clever way for Margot to get back at her brother. We knew from the book that Margot had been cut out of her father’s will for being a lesbian and not being able to breed, and the stipulation had been put into the will that only an heir proven to be of the blood of the Verger clan would be deemed legitimate. So it set into motion a very crafty plan of Margot’s, “Well, I’ll get pregnant and once the baby is born I’ll kill my brother, and I will not have to deal with him anymore or his evil ways.” It felt like she was being very crafty, and she’s waving her uterus around like a loaded weapon. So that felt like it was part of the new Margot and part of her new agenda for dealing with her brother and also giving her a little bit more strength. Also, it puts her clearly on the chessboard as one of Hannibal Lecter’s pawns, and he is now influencing and moving her piece around to suit his greater agenda.
Fortunately Hannibal was renewed for another season. NBC sadly canceled Community, giving us the darkest timeline, with fans hoping someone else will pick up the show. SpoilerTV doesn’t think it is likely to happen. At least the show went out with an excellent season with Dan Harmon back. I think NBC did make the right move in deciding to permanently turn out the lights on Revolution. There is a lot of other news regarding cancellations, renewals, and new shows picked up, but being a holiday weekend I’ll hold off on most of the other news until a later post. I’ll also be brief in looking at the other shows this week.
In other genre shows of the week, Orphan Black provided more information on Mrs. S. and Project Leda. Alison is in rehab, we learned whether Helena could have children, and there was a reunion of sisters. Orphan Black c0-creator Graeme Manson discussed the reunion scene:
ENTERTAINMENT WEEKLY: Let’s start with what has to be the creepiest sisterly reunion ever — one in a bloody white wedding dress and the other bleeding and in handcuffs in the bathroom. You’re a sicko, Graeme.
GRAEME MANSON: Homage to Carrie, all the way. The director did a great job with that scene and it’s right up the alley of what John Fawcett and I really like. It really slips into horror mode there and we like that the show has that elastic tone that we can do that. We expect a lot of Helenas in bloody wedding dresses at Comic-Con this year. It’s a truly freaky and wonderful scene, and just the fact that it has that horror and its broken by the sisterhood and by forgiveness is one of the great clone-on-clone scenes we’ve done, I think.
EW: You can feel and read the terror on Tatiana’s face as Sarah in that scene. Just an unbelievable job she does in that moment.
MANSON: It was. And it was a really hard scene for the crew to watch, because Tatiana really went there. It was scary. She was scaring the whole crew. And then you yell “Cut!” and everyone just has this ball in the pit of their stomach and Tatiana recovers immediately and is immediately smiling and laughing.
Larrick has turned into the big bad for the season on The Americans, and is getting closer to Elizabeth and Phillip. With no progress finding out who murdered Emmet and Leanne, I wonder if Larrick’s earlier denial should be believed. Of course there are still two episodes in which to advance that storyline.
I was sad to see Kate go, but she was clearly over her head. Now I wonder what the deal was with Jared, between Kate meeting him with no disguise and her encoded note to “Get Jared out.” I suspect he knows about his parents, and possibly realizes who Elizabeth is. Is he already working as a spy with Kate his handler?
Nina made the obvious move of turning to Stan for help in avoiding a forced return to Russia to stand trial. Will she take the next step in convincing him to get the information on Echo for her so that the two can remain together, as opposed to Nina going into hiding?
Agents of SHIELD presented Grant’s back story, and it was rather disappointing. Being left out in the woods was not the type of training I expected. Just because he spared the dog should not mean that he gets to be redeemed as a good guy in the end, but I suspect that that might be where the show is going. Sparing Fitz and Simmons is also not enough (and might be considered two points against him). Besides, evil Grant is a much more interesting character than the Grant we saw most of the season.
Skye has also improved as a character in recent episodes, actually showing that she has some skills. The story with Cybertek was also weak, but I suspect this was set up for the season finale, in which Nick Fury returns. After a run of excellent episodes I can forgive this one, although if they didn’t have a better back story for Grant it might have been better just to leave it out.
It looks like Arrow is getting ready for a comic book style big battle with Malcolm Merlin and the League of Assassins joining up with Team Arrow to take down Slade.
It also looks like Person of Interest and The Blacklist will have big season finales this week.
For those watching Continuum on Syfy, it might seem like things aren’t moving very fast this season, but big things happen on the next two episodes which have aired in Canada. No spoilers.