SciFi Weekend: Hannibal; Arrow; Revolution; SHIELD; The Americans; Almost Human; Does Ted’s Wife Die On How I Met Your Mother?; Continuum; Cosmos; Captain America; 24; Karen Gillan; Mad Men

Hannibal - Season 2

Sakizuki, the second episode this season of Hannibal, did an excellent job of blending a serial killer of the week story with the overall mythology of the show. Hannibal did track down the killer the FBI was hunting, but finished the killer’s job before the FBI got there. Only Hannibal could look so fashionable in a plastic suit, or convince the killer to become a part of his own work. Will Graham is doing an expert job of playing a cat and mouse game with Hannibal. He purposely looked beaten when saying, “I am the unreliable narrator of my own story” and asking for Hannibal’s help, but looks far stronger when alone, contemplating his next step.

The biggest tension of the show involved Hannibal and his psychiatrist, Dr. Bedelia Du Maurier played by Gillian Anderson. There were moments when it was not clear if she would come out alive, with this tension increased by the knowledge that Anderson is involved in two other shows this season. Instead the episode made it plausible for Dr. Du Maurier to disappear for a while (or have a reduced) role without winding up visiting Hannibal for dinner. I suspect she will return towards the end of the season and be involved in Hannibal’s downfall, as foreshadowed by the start of last week’s episode, especially with her telling Will she believes him at the end of this week’s episode.

Bryan Fuller discussed the episode with A.V. Club. An excerpt:

AVC: Bedelia leaves town at the end. Obviously, you had limited time with the character because Gillian Anderson has another show…

BF: Another couple of shows!

AVC: What did you want to do with bringing her back, and how much of her backstory with Hannibal do you, as writers, know?

BF: There was a much bigger, broader, longer story to be had with Bedelia that I’m hoping we get to play out in some form in the future, but because of Gillian’s schedule, we were only able to get her for a couple of episodes at the beginning of the season, and we’re desperately trying to figure out how to get her to navigate her schedule and get her back to wrap up her story. Though we want the audience to think when they see the trailer for episode two that she’s going to get killed at the end. The idea would be to get her back. There’s so much cool stuff with her backstory and her relationship with Hannibal and how closely it parallels Will’s relationship with Hannibal, which would be explored in an episode toward the end of the season if we can figure out schedules.

AVC: She also tells Will that she believes his story. How important was it to you to give Will an unquestioning ally at this point?

BF: I think he needed it, because there was so much despair, and everybody was just assuming he was guilty of all of these crimes. I think he needed someone to say simply, “I believe you.” When I was writing that scene I teared up, because something so simple as someone saying, “I understand you, and I believe you,” when you’re in a dark, lonely place is such a beacon of hope. I love Gillian Anderson as a human being and as an actress. And I love Hugh Dancy as a human being and as an actor, so I was excited to get them in a scene together, especially one that was so still and eerie and wrought. I’ve always been inspired by this line from Damaged that Juliette Binoche says, which is, “Damaged people are dangerous, because they know they can survive,” and I paraphrased that in the last scene with Dr. Du Maurier and Will Graham, where there is a camaraderie in the damaged. You may feel you are alone in your damage, because it is such an interior experience to be damaged in that way, and then to have somebody come along who you know can know you in that way, it’s a beautiful thing. It’s a glimmer of hope. So I was really excited about that moment, writing it, and even more excited when I saw the actors perform it, because I do think that there is a bond between Will and Bedelia that I hope we get to explore.

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Arrow picked up in The Promise where it left off last week with Slade in the Queen Mansion, but Team Arrow came to the rescue. The bulk of the episode, reversing the usual pattern, took place back on the island. Once again the show has greatly surpassed  most other attempts at bringing superheroes to the screen. The manner in which the back story is fleshed out on the island makes comic book scenarios in the present seem plausible, taking far less suspension of disbelief than is generally necessary to accept the conventions of superhero series. The scenes on the island also showed the first time Oliver ever put on his hood and Slade ever put on the Deathstroke mask in their attack on Ivo’s freighter. I wonder if we will see more of Dr. Ivo.

Revoloution Dreamcatcher

Dreamcatcher was a fun episode of Revolution, with the nanobots putting Aaron in the Matrix. Aaron was back in a world with electricity, seeing people he knows but who initially do not know him. Some took active roles in the story while Giancarlo Esposito was seen as a sleazy insurance salesman on billboards and television commercials. Although fun, the episode could have been much better if not for so many plot holes and being so predictable.

The premise was that the nanobots were trying to trick Aaron into solving a formula which would allow them to survive. As viewers we know they must survive as the destruction of the nanobots would mean they would not be around to eat all the electricity, ending the show (which might not be a bad thing). Just as we must suspend disbelief in the premise of nanobots which eat electricity which powers devices while ignoring the electricity in our nervous systems, we must grant the premise that the nanobots can mess around in Aaron’s brain but could not just force him to solve the equation or extract the information they needed.

Aaron’s mind fought back, first in the form of Charlie. Seeing her shot in the head was one of the highlights of the episode. After being chased by Horn, who represented Aaron’s greatest fears, he managed to wind up with Rachel, Miles, and Monroe. Aaron gave the nanobots the information they needed to manipulate him by telling Rachel he would never harm her. At first Rachel, Miles, and Monroe did not recognize Aaron, creating some drama, but then suddenly they knew everything. It was too easy. They came up with the idea that if Aaron fell in this “dream” he would wake up, unconcerned about horror stories in which death in one’s dreams results in death in the real world.

From here it was so predictable. Aaron appeared to wake up. Rachel was placed in danger, and Aaron gave in and solved the equation. Then (coming as no surprise) it was revealed that he was still in the Matrix. I would have expected Aaron to have seen enough science fiction to see that one coming.

SHIELD TAHATI

T.A.H.I.T.I. was revealed on this week’s Agents of S.H.I.E.L.D. to be not the Island where Agent Coulson was rehabilitated after being brought back from the death but a room with possibly alien science which was used to save him. The show is certainly more fun to watch than in the early episodes, but remains a disappointment. Ignoring the superhero and science fiction elements, the show just remains impossible to believe. Among other problems, there are no consequences as would be expected in an agency of this nature. In a previous episode, Simmons knocked out a superior with no repercussions. It appears that this was totally consistent with the world in which Agents of S.H.I.E.L.D. operates.

The show opened with faux drama in having Bill Paxton as Agent Garrett coming to board Coulson’s plane for disobeying orders in keeping custody of Ian Quinn. False drama and no consequences once again as Paxton and Coulson worked things out. The handling of Quinn made me wonder if S.H.I.E.L.D. is really supposed to be the good guys or a parody of our worst fears of the Bush administration. It is understandable that Coulson would place a high priority on saving Skye’s life, but absurd to expect that he would attack a base, and kill those working there, when the base had to either be part of S.H.I.E.L.D. or another facility they were working with. Then more false drama when Coulson suddenly decided they should not inject Skye with the drug, followed by the drug magically healing her wounds.

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Fortunately The Americans presented a spy story which seems much more grounded in reality as it continued to deal with the repercussions of another undercover family being killed last week. Philip went to check if they guy in the drop knew anything but things didn’t go well between Philip and Fred at first. Philip’s efforts to gain Fred’s trust was far more compelling to watch than the relationship between Phil Coulson and Agent Garrett on SHIELD.  I loved seeing Elizabeth’s fear as the construction truck pulled up outside of their home, along with her side trip to help out another agent. What will Paige walk in on next?  Once again, there are so many story lines being expertly intertwined.

I was a little puzzled by Nina telling Stan about the walk-in at the Soviet Embassy. Certainly her handlers would realize that the embassy was being watched and the FBI would figure out who it was. Did the Russians have no real interest in Bruce Dameran? Did they just make a mistake allowing Nina to mention this, was it a mistake on Nina’s part, or on some level did Nina still want to help Stan?

Almost Human - Episode 1.13 - Straw Man - Promotional Photos (4)_FULL

One problem that Almost Human faced is that episodes were aired out of order. While there was no major continuing story line which required viewing the episodes in order, the most enjoyable aspect of the series was the relationship between John and Dorian. Seeing them out of order led to a couple of recent episodes which lacked this dynamic which had been filmed earlier. Fortunately the final two episodes of the season were done later when this relationship was better established.

It is unfortunate that, despite hints of developing an ongoing storyline, little came of this and the final two episodes were again essentially stand alone cases of the week. The season finale did concentrate on the dynamic between John and Dorian, with Dorian’s performance review. I had feared that they might run a cheap cliff hanger of having Dorian fail and be scheduled to be removed as John’s partner, only to have this reversed next season. Fortunately they did not succumb to a feeling they had to do a cliff hanger as far too many shows do. With or without a cliff hanger, this show was entertaining enough to return to next season. I just hope they do more to expand on some plot lines they hinted at this season, such as what really happened in the ambush at the start of the season and what is beyond the wall.

HIMYM MomA

How I Met Your Mother is winding down and this week’s episode, Vesuvius, did a lot to promote a fan theory which has been going around that the Mother had died before Ted began his stories, possibly with Ted actually winding up with Aunt Robin. The first episode of the series had viewers expecting it was a typical love story about Ted meeting Robin and eventually marrying her until the ending, That’s how I met your Aunt Robin.

There have been scenes suggesting that the Mother might not remain alive, but all have alternative explanations and are far from definitive. The most compelling was in The Time Travelers in which Ted was outside his future wife’s apartment and said,  “Exactly 45 days from now, you and I are going to meet. I want those extra 45 days with you. I want each one of them.” If the two were really to meet in 45 days and live a long life together, there would be little reason for Ted to be so concerned about getting those 45 extra days together.

In a fifth season episode, How I Met Everyone Else, Ted, Marshall, and Lily are seen at a reunion in 2020 and it was awkward when Ted asked, “Where is my wife?”

There are pictures of Neil Patrick Harris on the set of the final episode in regular clothes. Barney has said that the one time he doesn’t wear a suit is to funerals. Could he have been filming a scene of the Mother’s funeral?

All of these items, along with suspicious answers by the cast about the finale, could be explained in other ways. Vesuvius keeps theories that the Mother will die alive. Throughout the episode there is a sense of sadness in the way Ted looks at his wife in scenes of the two from 2024. The most suspicious scene of all was when there was mention of the present when Robin’s mother made it to the wedding. The big question, with tears filling both of their eyes was, “What kind of mother would miss her daughter’s wedding?” Were these tears of happiness for Robin as they thought back on her wedding day, or tears of sadness as the two realized that Ted’s wife was dying and would never see her daughter’s wedding? Was she dying in 2024, or worse was Future Ted revising the Inn with the ghost of his wife?

It wouldn’t be at all surprising if Barney and Robin either wind up not getting married or if their marriage doesn’t last. In the final twist of the series, it could turn out that Ted and Aunt Robin are married. Then it would not matter as much that Robin could not have her own children as she might wind up eventually becoming the mother to Ted’s children. The series could easily be seen as an explanation to the children why Robin was the one he was meant to be with if their mother could no longer be with them.

This plan would have made a lot of sense when the series was first developed and fans rooted for Ted and Robin to get together. Now fans are strongly hoping it is not the case. Too much has changed. As absurd as the pairing of Barney and Robin was at first, fans now want them to succeed together. More importantly, fans have fallen in love with Cristin Milioti’s still unnamed character this season and having her die would be far too sad a way to end the series.

Another possible explanation for the scene in Vesuvius is that Carter Bays and Craig Thomas want to make us believe the Mother does have a serious illness in 2024, but in the end she survives. Perhaps they even changed their original plans after seeing  how this season has played out.

Moving on to another series involving time travel, Rachel Nichols and the cast of Continuum discuss season 3 in the video above.

An updating of Cosmos was already a big event. We know so much more than when Carl Sagan first aired the show. As an example of how important this show is in an age of such tremendous misunderstanding and denial of science, the show is going to be introduced by Barack Obama.

Extended clip above of Captain America and Black Widow from Captain America: The Winter Soldier

Trailer for 24: Live Another Day

Clip of Karen Gillan in Oculus

As usual, previews of Mad Men tell us very little.

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SciFi Weekend: Hannibal; The Americans; Arrow; Revolution; Orphan Black; Heroes; Farscape; Firefly; Better Call Saul; Doctor Who; Sherlock; The Crazy Ones; Mixology

Hannibal season 2

With the Olympics over many weekly series have  returned and two of the best shows from last season which aired in the spring or winter have started their second seasons. Hannibal and The Americans both began their second seasons. Hannibal began with an extended fight scene between Hannibal and Jack Crawford which foreshadows what we know must eventually occur before moving backwards twelve weeks in the narrative. The brutality of the fight indicates it is not a simple temporary falling out between friends, such as Watson being angry at Sherlock for pretending to be dead.  Jack must have found out the truth about Hannibal. As the series is part of a seven year plan (should it last that long) to retell the Hannibal novels (with some variations), we know that eventually everyone will know that Hannibal, and not Will, is the serial killer. (More on Bryan Fuller’s seven year plan for Hannibal here.)

After the fight scene we go back to just after the first season ended, with Will in jail for the murders committed by Hannibal. So far only Will, and some of Hannibal’s victims who did not live to tell what they know, really suspected the truth about Hannibal. Now that Will is healthy and no longer suffering from encephalitis, he can begin what will probably be a season-long cat and mouse game with Hannibal to reveal the truth. Hannibal has essentially taken over Will’s role in advising the FBI in serial murder cases, but we know he will not be able to resist Will’s request for Hannibal’s therapeutic help. Hannibal might even realize what Will is up to, but based upon his relationship with Will in the first season, this will be irresistible for Hannibal. We know where everything is leading and have already seen how the season ends. The suspense will be in seeing how we reach that point.

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The Americans returns to 1982 with two Soviet spies living undercover as an American couple. Elizabeth has returned home two months after she was shot in the first season finale, claiming to have been caring for a sick aunt. We immediately see that 1) not everything works out perfectly for spies and 2) even the spy we have been led to root for (even if from an enemy nation) can be a cold blooded killer when there is an innocent witness around. While the first season centered around the relationship between Philip and Elizabeth, the second season will deal more with the entire family.

Elizabeth and Philip have tried to keep their children safe from their activities and we saw how important this is as another undercover couple were killed, along with their daughter. We know Paige is suspicious, but so far instead of learning the truth about her parents she caught them having sex. It is not certain which revelation will ultimately be more shocking.

The Americans did an excellent job of working all of this into the season premiere, along with returning to other subplots. We saw the fake marriage between Martha and Phillip (or Clarke as she knows him) in order to spy on the Americans. Their FBI agent neighbor Stan continues to use Nina, unaware that she is now really using him. The nature of Stan’s relationship with Nina came up as they watched a pirated copy of The French Lieutenant’s Woman before Stan went to see the same movie with his wife and a friend. We also learned that Claudia has remained in the United States and she will have an influence on the season.

Arrow Time of Death

Arrow, yet another excellent genre show in its second season, returned after the Olympic hiatus with Time of Death. With Sara now making out with Oliver in the Arrow-Cave, it was time for Felicity to more firmly establish her importance. (“You’ll always be my girl, Felicity.”) The episode introduced another worthy opponent, The Clock King. It also brought the present day and island stories together further in the final scene where Moira brought Oliver in to introduce her son to the man she was meeting with–Slade. The first photo has also been released of Barry Allen in costume as The Flash in the planned spin off.

Yet another sophomore show, Revolution, is well below the quality of the other shows discussed above. They do try to keep coming up with new things to keep the show fresh, but in the end they just wind up without anything really compelling happening. The supposedly upcoming battle to the death between Monroe and his son sounds guaranteed to disappoint. Having Aaron wake up in an alternative reality in 2014 with the power on after trying tying to upload a virus into his nano-bot children (or are they now Gods?) made for a good final scene, but will anything significant really come from this? At least it sounds it might make for a good episode. In this alternate reality, Giancarlo Esposito will be back in his old life as a sleazy insurance salesman. If they were really creative, the episode would take place in a different alternative universe where instead he runs the Los Pollos Hermanos restaurant chain.

Hannibal, The Americans, and Arrow were all excellent new series which began last year, but the best of all the series to premiere last year was Orphan Black. BBC America has released the above sneak peaks, with the show returning on April 19. More news on season two here.

Aaron Paul has again expressed interest in appearing in the Breaking Bad spin off, Better Call Saul. Bryan Cranston and Jonathan Banks have also expressed interest. Dean Norris is not interested, failing to understand that one episode of anything by Vince Gilligan is far more significant than an entire season of Under the Dome. (The series finale of Breaking Bad was reviewed here.)

Disney has always excelled at their synergy in using each of their holdings to make money for others. ABC will be running a documentary (extended commercial?) March 18 on Marvel Studios: Assembling a Universe.

Heroes is coming back for a thirteen episode miniseries, possibly with some of the original cast “popping back in.”

“The enormous impact ‘Heroes’ had on the television landscape when it first launched in 2006 was eye-opening,” said NBC Entertainment President Jennifer Salke. “Shows with that kind of resonance don’t come around often and we thought it was time for another installment. We’re thrilled that visionary creator Tim Kring was as excited about jumping back into this show as we were and we look forward to all the new textures and layers Tim plans to add to his original concept. Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.”

I don’t care either way about Heroes but am happy to see that an American network is getting away from the usual season format. Heroes itself would have been much better as a miniseries rather than continuing it beyond the point where Tim Kring seemed to know what to do with the show. Note that almost all of the shows I mentioned above were aired for short seasons, generally on cable, which I think helps make a better quality show. Fox is also doing something similar with 24.

While I don’t  care whether Heroes returns, I am looking forward to the return of Farscape. A movie is planned:

Set to follow the awesome comics written by our favorite Keith R.A. DeCandido, the film would follow John and Aeryn’s son, D’Argo (or Little D, as we will always refer to him). Because their baby was exhibiting a set of interesting powers that made him a magnet for galactic villains, we find that John and Aeryn hide their son on Earth to grow up. Now the kid is 19 and ready to go into space with his parents.

There has also been recent talk about a limited series reboot of Firefly.

coupling

Last week I questioned making US versions of British shows as opposed to airing the same shows here. Steven Moffat has had experience with cases where that did not work. His excellent sit-com Coupling flopped when an American version was aired, but I would highly recommend watching the original on Netflix. It is sort of a combination of Seinfeld, Friends, and Sex in the City with just a little bit of The Big Bang Theory thrown in. Moffat wisely says it would be insane to make an American version of his current shows, Sherlock and Doctor Who:

Not just popular on a worldwide level, it’s so distinctively local in outlook that a remake of any sort would destroy what makes it work in the first place.

Doctor Who’s everywhere,” he said. “You can bump in to the Doctor anywhere,” adding that the series has, “probably penetrated enough that it’s no longer regarded as an import, it’s just that show.”

Sherlock and Doctor Who are both doing rather well but they couldn’t be more definitively British. They’re obtusely British. They’re about as British as it gets. You shouldn’t be afraid of being British because that’s what you’re selling.”

And of course, if a remake were to be proposed and the Doctor were no longer British in demeanor (albeit British via Gallifrey), would he even be the Doctor?

“If anyone were to ask me, I’d say it’s an absolutely insane idea. You couldn’t have more than one Doctor Who in the world. It would just be dreadful.”

CBS did approach Moffat about making a US version of Sherlock and when turned down developed Elementary.

The.Crazy.Ones.S01E16

This has not been a good season for new sit-coms, especially for NBC but last week’s episode of The Crazy Ones (on CBS) was its best episode of the season. The cast put on both a Bar Mitzvah and a musical. While far from a great series, Robin Williams has kept the show amusing through a lot of otherwise weak scripts. I actually don’t mind that the new NBC sit-coms were flops. It just increases the chances that Community will be renewed.

Mixology premiered last week, showing some promise even if the premise is far-fetched. Personally I’ve always found the prospect of successfully meeting anyone in that type of bar to be less realistic than most of the shows discussed in this post. Besides, if I can spend the entire final season of How I Met Your Mother showing a weekend at the inn where Robin and Barney’s wedding is taking  place, I can try a series taking place all in one night in this bar. It will be interesting to watch to see if the idea works or turns into a flop.

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SciFi Weekend: Sleepy Hollow & Other Cliffhangers; Doctor Who & Sherlock Win At National Television Awards; The Americans; Arrow; Wonder Woman; Revolution; Hannibal; SHIELD

SLEEPY-HOLLOW-FINALE

Sleepy Hollow ended its first season with several cliffhangers, placing virtually all the major characters in some sort of danger. If they had known how successful the show would be, perhaps they wouldn’t have had to resort to such gimmicks. Get the viewers to return the next season based upon the quality of the show rather than ending with cliffhangers for the sake of cliff hangers. With all the shows now on, people aren’t even likely to recall all the cliffhangers, especially with the longer wait following a show with only a thirteen episode run.

This isn’t to say I oppose all cliff hangers. Back when Dallas first ran the Who Shot JR? storyline, this was somewhat unique for network television, and the buzz around it was a major television event. Star Trek The Next Generation had a great cliffhanger in Best of Both Worlds with Riker ordering the Enterprise to fire on Borg Picard.  The buzz over that summer helped make the show. Most cliffhangers are not this good and do not provide comparable benefits.

An alternative to the cliffhanger which I prefer is for a show to tie up the major story lines at the end of a season and then foreshadow what is coming next. Once Upon A Time did an excellent job with this. The show has been mixed quality-wise, but the old Lost writers on the show manage to keep things interesting by changing things every season. The Peter Pan story from the fall season was drawn out too long, but if you take out the middle episodes where everyone seemed to just wander around Neverland, it did end well. After concluding the story, there was a great final scene taking place a year later which sets up the show when it returns. They got the benefit of favorable publicity and talk about what is happening next without making the viewers wait to see the current story tied up.

Sleepy Hollow didn’t need a bunch of cliffhangers in the finale to create discussion among the fans. Without putting everyone in immediate danger, there was a major revelation and change for the show via John Noble’s character. It was like having him change from Walter to Walternate on Fringe but remain the same person. I was happy to see Captain Irving’s wife find out what is going on so he will no longer need to make lame excuses for not being home, but now we have to see him get off on the charges he confessed to to protect his daughter when processed. On top of all this, we got a flashback to see Zombie George Washington!

Doctor Who did well at the National Television Awards. The show won as Best Drama, beating Broadchurch, Downton Abbey and Call the Midwife. Matt Smith won for Best Drama Performance, beating  Miranda Hart (Call The Midwife), Martin Clunes (Doc Martin) and Maggie Smith (Downton Abbey). He was not present to accept the award in person. Instead it was accepted by Steven Moffat and Jenna Coleman (video above). Benedict Cumberbatch (Sherlock) won the award for Best TV Detective.

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The Americans returns February 26. Here’s some information released about the second season during a panel at the Television Critics Association press tour:

This season will turn the focus back on the family.
“We felt like [season 1] had been so focused on the marriage,” says EP Joe Weisberg, “and the natural place to go next was the family.” Particularly with Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) marriage on more solid ground, they wanted to move on to exploring “the next point of fracture” — the family unit.

Paige’s curiosity continues
At the end of the first season, the Jennings’ teenage daughter started to show signs of increasing curiosity about her parents and their ongoings, and this season, questions will start being asked and “it’s not going to go great,” says EP Joel Fields. “Teenagers are hard,” adds Weisberg. “They’re all tough on mom and dad.”

Margo Martindale returns
The actress will be back for several episodes this season as KGB handler Claudia. The fate of her CBS comedy The Millers will not determine what comes next for that character, as The Americans will be done filming the second season in March — well before broadcast network renewals are typically announced. That said, if Martindale finds herself available full time and the show gets a third season, “It’s hard to argue with more Margo Martindale,” says Fields. “We love that character and we love her.”

Martha will get a backbone this season!
Martha’s faux-marriage with Philip will actually serve to strengthen the character, who is widely thought of as insecure, the producers said. “Who she was was extremely lonely and extremely vulnerable and she’s less lonely this season, so it’s allowing her to grow,” says Weisberg. “It’s a law of unintended consequences,” adds Fields.

There’s a racy scene in the premiere
Without giving away too much, a racy scene in the season premiere had critics buzzing. According to Weisberg, the purpose was to depict a show of love between Philip and Elizabeth that was “powerful, shocking, and funny.” You’ll see.

Stan is in a power struggle.
“He’s got such an interesting season coming up,” says Weisberg. “Nina is getting ahead of him. You see that at the end of the first season, and that’s such an interesting place for him to be in and so true and so real for what happens to people when you’re playing this back-and-forth game. People who are smart and good can have people get ahead of them because they are also smart and good at what they do too.” And while Stan is a man who is used to a certain amount of pressure, what it does to him will be “great” to watch, he says.

BONUS BURNING QUESTION: Is the show ever heading to Russia?
The producers said they have “half-joked” about having a season that takes place in Russia, later admitting that such a task would require heaps of funding. But, they said, “I think we’re going to eventually have some storylines there,” teases Weisberg. In fact, he added, there will, like season 1, be some material set in Russia. But filming in the country remains on their to-do. “It would basically be a budget question,” he said.

Tremors

Arrow star Stephen Amell says that episode 15, The Promise, is “grandest, most challenging and most difficult episode” of the series:

“Episode 15 that we have coming up – and this is breaking news – it’s an island-centric episode,” he revealed to Entertainment Weekly Radio. “We take our usual format of 75% of the time in Starling City and 25% of the time on [the island], and we flip it upside down.”

He continued: “[In this episode], there is a shot where we establish where we are and it’s the biggest shot that we’ve ever done on the show. There’s people getting blown up. There’s people getting thrown overboard.

“There are all of these incredible things happening, and then the camera zooms from way, way, way out and it comes in to end on a close-up of me. And all I had to do was evade a punch and bang a guy’s head into the wall. I was super nervous!”

Gal Gadot2

Gal Gadot has been signed to appear as Wonder Woman in three movies: the Superman vs. Batman movie, a Justice League movie, and a Wonder Woman standalone movie. Presumably this might be extended further if the character does well.

I don’t know if this is the official final storyline, but this synopsis  (spoiler) of the Fantastic Four reboot leaked out from casting calls:

“The Fantastic Four’ will tell the story of two very young friends, Reed Richards and Ben Grimm. After an event transforms the boys, they find themselves empowered with bizarre new abilities. Reed becomes a scientific genius who can stretch, twist and re-shape his body to inhuman proportions. Ben becomes a monstrous, craggy humanoid with orange, rock-like skin and super strength. However, the two end up being owned by the government and used as weapons. But after they mature, two others with powers come into the picture – Sue Storm “The Invisible Girl” and Johnny Storm “The Human Torch.”

I’m glad I stuck with Revolution. The show still has its flaws, but when it gets away from the daddy issues of major characters, the current story lines are getting better. (Along these lines, when will they reveal that Miles is Charlie’s father? This is so obvious, even if it isn’t intended by the writers.) One good thing about the show from the start has been that the story does advance and they are not constantly repeating similar stories. Now there are the Patriots who are getting into eugenics. I thought the story line with Aaron and the nanobots was pretty dumb last fall, but suddenly that is becoming interesting. Of course any storyline with Giancarlo Esposito has hope due to the quality of his acting. Currently Tom and Julia Neville/Doyle are in Washington, D.C. but unfortunately for Tom his plot has been exposed. I’m sure he will recover from his current setback, but should they ever decide to end his time on the show, I hope he goes out in a scene where half his face is blown off, as happened with his character Gus on Breaking Bad.

A longer trailer for Season 2 of Hannibal, which starts February 28, has been released–video above.

Two characters will be killed in the first episode when Under the Dome returns. I’m having a tough time getting down to only two characters who I would like to see get killed. Maybe they can kill two characters every week. That might help the show.

HBO has renewed The Newsroom for a third and final season. I’m glad that Aaron Sorkin’s show will be returning, but wish there would be more than one season to go.

CHLOE BENNET

Maybe I’m getting softer, but I also think Agents of S.H.I.E.L.D. has improved. I am glad to hear that there will be more than has been revealed so far on the mysteries surrounding two of the characters according to an interview with Chloe Bennett:

Though “Seeds” and its “SHIELD Hogwarts” storyline was one of the series’ more playful episodes, Bennet says that the end of episode 13 “TRACKS” is “f***ing crazy” and will leave viewers “very worried.” Henstridge backs her up, saying that the rest of this season gets very serious and very intense.

“The thing about the next few episodes that we’re about to film and that are about to be shown, it starts getting very serious and the tone goes a lot darker,” Henstridge says. “There’s less kind of comedic things for us to do. The stakes just go through the roof. With Coulson having been kidnapped, things start to get very scary. So I think it’s more focused on the mission and there’s a lot of mystery around Skye, and that starts to be explored. So that’s kind of the main mystery.”

In terms of the mystery surrounding Coulson’s death, Bennet also acknowledges that there is a lot left fore viewers to find out — and that she thinks we’ll find out those answers before the end of Season 1.

“We found out what Tahiti was — or lack thereof — but we didn’t know why. Why is it a huge secret?” Bennet asks. “There’s a couple big question marks. There’s: What am I? Where am I from? Why the f*** are they not telling Coulson why he died? And then there’s: Who’s the Clairvoyant? Who’s the head of Centipede? What is happening? Basically starting next episode, it’s bam bam bam bam bam from here on, so it will be a lot of answers and a lot of drama.”

Jamie Alexander will be appearing on an upcoming episode reprising her role as Lady Sif from the Thor movies. There are also upcoming guest appearances from Stan Lee and Bill Paxton.

Parks and Recreation has been renewed for a seventh season, and it is looking hopeful that Community will return for a sixth season.

Colin Jost has been named to replace Seth Meyers as the anchor of Weekend Update on Saturday Night Live.

Mr. Selfridge returned last week for a second season on ITV. It picks up four years after season one, but the events of the end of the season still have ramifications.

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SciFi Weekend: Under the Dome Finale; Atlantis; Agent Carter; Breaking Bad; AMC Spin Offs; Downton Abbey Premiere; Orphan Black; Revolution and Blacklist

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The season finale of Under The Dome has been widely criticized by reviewers. We were promised some answers about the dome but instead we got what felt like a bunch of random scenes. After more meaningless butterfly scenes, the big revelation was that Julia is the Monarch, not that we know what that really means. The beings behind the dome spoke in the body of Norrie’s dead mother and declared that the intention was to protect them and apparently we are to believe they are good because they say they are. (They really are intended to be protecting the humans per this interview with executive producer Brian K. Vaughan).  There is no indication of what the dome is protecting Chester’s Mill from, and they show a funny way of providing protection when the dome turns black. Of course we don’t have to worry for long because somehow Julia was right in deciding that the way to protect the egg was to dump it at the bottom of the lake, leading to pink stars rising and the dome turning white. There was no explanation as to why the beings behind the dome even require a human to protect the egg.

The interview noted above tells more about the plans for the series but beware that it also spoils aspects of the book if you intend to read it between seasons. That is pleural seasons. There was a limit to how satisfying any revelations about the dome might be with a plan is to continue the series for several years. This would probably work much better as a single season show with a clear ending, but that is not how network television operates. Regardless, the writers knew there would be a break for the season and might have come up with something more sensible.

Ultimately the dome is just a mechanism to drive the conflict between the various human characters. We might have forgiven holes in the mythology if it actually drove good stories, as with Lost and Fringe. I already discussed many of the flaws in the story here. The cliff hanger hardly provides any suspense, knowing that they will not kill off Barbie as they have killed off less important characters. Potentially better writing might have made the plot line more  believable. Stephen King will be writing the second season premiere. Hopefully he can get the story back on track, and the show’s regular writers can carry on from there.

Atlantis

With Merlin finishing its run last year, The BBC is starting Atlantis, which reimagines Greek mythology.

The action packed series brings to life the vast store of Greek myths and legends re-imagined for a new generation.

From the creators of the hit show Merlin and the creator of BAFTA award-winning series Misfits comes a thrilling new thirteen part adventure series: ATLANTIS.

When Jason sets out to find his father, he could never have anticipated where his journey would lead…

Far from home and desperate for answers, Jason washes up on the shores of an ancient land. A mysterious place; a world of bull leaping, of snake haired Goddesses and palaces so vast it was said they were built by giants – this is the city of Atlantis.

But under the surface of this enticing place is a dark and simmering past, a complicated web of treachery and deceit, with which Jason himself seems inexplicably bound. He soon finds himself embroiled in a perilous game of politics and power from which there is no escape.

Aided by the studious young Pythagoras and the overweight, overbearing Hercules, Jason embarks on a voyage of discovery and salvation which sees him brush shoulders with Medusa, come face to face with the Minotaur and even do battle with the dead.

As the series’ progress, this unlikely but engaging trio will take us on a journey through the vast store of Greek myths and legends, which provide the bedrock of western literature. A treasure trove of extraordinary tales re-imagined in a thrilling and unexpected way for a new generation.

Atlantis was created by Julian Murphy (Merlin, Hex, Sugar Rush), Johnny Capps (Merlin, Hex, Sugar Rush) and BAFTA award winning Howard Overman (Merlin, Misfits, Dirk Gently). BBC Executive producer is Bethan Jones.

Starring Mark Addy, Jack Donnelly, Robert Emms, Sarah Parish, Juliet Stevenson, Jemima Rooper and Aiysha Hart.

Den of Geek has a spoiler-free review of the first episode.

Agent Carter

The Flash is being introduced as a potential DC Comics television spin off of Arrow, and Marvel isn’t far behind. Although the first episode of Agents of S.H.I.E.L.D. doesn’t air for a couple more days, a second Marvel television series is under consideration. The second one is on the career of Agent Carter after her boyfriend Steve Rogers (Captain America) gets frozen in ice.

AMC is especially interested in spin off shows with two their major shows concluding soon. With Breaking Bad ending next week, they are developing a spin off, Better Call Saul. There had been talk for a while of a Mad Man spin off, potentially based upon the California office opened last season, but this plan is off. AMC will at least drag out Mad Men for another year, dividing the final season into two seven episode parts. At least they might extend it to eight as Breaking Bad has done. AMC is also working on a companion series to Walking Dead based upon another group in the same universe.

I do wish they weren’t airing the Emmy Awards opposite the final episode of Dexter and the penultimate episode of Breaking Bad. That was quite an episode last week as Walt lost virtually everything, including his family, Jesse, most of his money, and even his identity. We knew since the start of the fifth season that he would ultimately return with a new identity and lots of weapons (including returning home to retrieve the ricin).

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Presumably the major remaining business for Walt is go go after the neo-Nazi’s and possibly save Jesse in the process. I wouldn’t be surprised if he hasn’t found that Jesse is being forced to cook for the neo-Nazis. Perhaps while hiding out in New Hampshire he finds out about pure blue Meth still being produced and realizes that only Jesse could be cooking it. There remain many other questions such as what becomes of his home and family and whether Skylar will follow Walt if he survives in light of how he acted to protect her in that phone conversation. Last week we also saw that there was still some good in Walt as he tried to save Hank along with Skylar. On the other hand, he also turned Jesse over to the neo-Nazis and unnecessarily told Jesse about watching Jane die. Of course if Walt thought more, he wouldn’t have fallen for the fake pictures of the money, and previously wouldn’t have left that Walt Whitman book sitting around where Hank could find it. Considering the nature of the relationship between Walt and Jesse, it wouldn’t surprise me if either the two join together against the neo-Nazis or if one kills the other. I’m also sure we haven’t seen the last of Lydia, and Saul might have some role in how this all ends. Finally, is Huell still sitting in that room, afraid to answer the phone?

Michelle Dockery

Besides Dexter, Breaking Bad, and the Emmy Awards, tonight also marked the season premiere of Downton Abbey. Michelle Dockery (Lady Mary) didn’t look as good on the show as she did in this photo shoot to commemorate the fourth season premiere. I’ll avoid any real spoilers. It should come as no surprised that Lady Mary starts out the episode quite depressed in an era where Prozac has not yet been invented. Very early in the episode viewers also learned about the first major crisis of the season as a servant left without giving notice. At least two of the characters were quite unlikeable.

Orphan  Black recently started on BBC Three. Digital Spy asks if it lives up the hype. After seeing the full first season, the answer is yes.

Trailer for the second season of Revolution above.

With James Spader staring, Blacklist is high on the list of new shows to try.

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SciFi Weekend: SDCC Part 2–Avengers; Karen Gillan Bald for Guardians of the Galaxy; Captain America; X-Men; Superman and Batman; Doctor Who; Matt Smith as Bart Simpson; True Blood; Person of Interest; Revolution; Community; How I Met Your Mother; Veronica Mars

There was lots of news on the Marvel Cinematic Universe out of San Diego Comic Con–video of panel above. This includes the name of the next Avengers movie, Age of Ultron, and a bald Karen Gillan (head shaved for Guardians of the Galaxy).

Comic-Con International 2013 - Day 3

Co-directors Joe and Anthony Russo were interviewed, explaining how Captain America: The Winter Soldier will bridge the two Avengers movies. Among other news is the report of star Chris Evans kissing Scarlett Johansson.

News on X-Men: Days of Futures Past is here.

The rumors of a combined Batman and Superman movie have been confirmed.

Matt Smith walked on the floor at Comic Con disguised at Bart Simpson (video above).

Steven Moffat says “we’re likely never going to see that final date night on Darillium with the Doctor and River Song, the one where he cries because he knows she’s going to die/get digitized on a library planet.”

The reason: Moffat’s too prude to put the Doctor and River in a room alone together. That said he might change his mind.

”I always felt that there were certain things between the Doctor and River that we should never see. So, I don’t know. He sort of said his goodbye in ‘The Name of the Doctor.’ There’s always the possibility, because it’s always out of sequence and you can do anything you like with that. It’s a tough one. I remember I wrote some extra scenes for the DVDs and all that we had available were Alex (actress Alex TK] and Matt, so I had to write scenes for the Doctor and River alone in the T.A.R.D.I.S. and I go, ‘Dear God, that’s the situation I’m always tring to avoid for obvious reasons.’ What does that woman do to him the moment the door is shut? What were they doing that night in Durillion. There are somet things surely the Time Lord must keep to himself.

“The implication is that she had met many more Doctors than just the two of them, so it’s always possible. But I quite liked the good bye in “The Name of the Doctor” and I think there should always be stuff that we never saw, and I don’t just mean that as a laugh.”

The above preview of the remainder of this season of True Blood was shown. There has been talk for a while that a major character would die this season and there does appear to be a funeral in these clips. Cast secrets revealed in these videos. The show has been renewed for another season. While the show has had its problems (including too many characters and story lines), I do see hope for improvement:

Executive Producer, Brian Buckner wants to bring the show back to its roots. While he acknowledges True Blood has a large cast, he wants to condense the number of stories they are telling and  ”really come home.” And as for bringing in new creatures, right now he thinks no. He believes the show is about vampires, humans and the town. And wants to bring that back.

The big news on Person of Interest is that, as I had been rooting for, Amy Acker will become a regular next season. Cast interviews here.

Despite all its flaws, Revolution keeps me curious enough to keep watching. A trailer for the second season is above. The cast and crew revealed spoilers regarding the cliff hanger at the end of the first season. From Tracy Spiradakos (Charlie):

“I can tell you that the bombs do drop, so there’s an aftermath to dealing with that.” Holy moly! Randall completed his mission in destroying Atlanta and Philadelphia, apparently, and the destruction of those cities will completely change the feel of the show. The militias will be broken up, the show that was once all about being on the road will now settle into a particular spot near Texas, characters will be more consistent, and the stories will have some room to breathe since people won’t be as busy running from Point A to Point B. Additionally, even though the power went on in the finale, there will be a time-jump of about three months, and you can expect that it will be shut off again pretty soon.”

More spoilers from this, and other reports: The power is off permanently and the Tower is no longer functional. The Patriots supporting the old United States government represent a serious threat which forces Miles and Monroe to work together.

Ronald Moore on Helix and Battlestar Galactica.

Dan Harmon interviewed about season 5 of Community in the video above. News includes the departure of Donald Glover.

News on the final season of How I Met Your Mother posted here. More news here including comments from the kids.

Kristen Bell suggests that Veronica Mars might continue after the upcoming movie, possibly on Netflix as a way to get around contractual restrictions on appearing in two television shows:

CNN: Is this film finally going to give you a sense of closure on “Veronica Mars”?

Bell: No. This could be my whole life. And by the way, what a lucky life it would be if it were. There’s no formula for it, because it just has never been done before. Except — and I’m just throwing it out there — “Star Trek” did it. They did a TV show and then nine movies. Who knows? Why can’t we make a couple films? Or continue to produce content of “Veronica Mars”? It gets tricky because television contracts legally only allow you to do one episode of a different show. They purchase you. I am now the face of “House of Lies.” So the only way I would be able to reprise Veronica Mars (on TV) is in movie form.

CNN: What about if it were on Netflix?

Bell: There are some loopholes that we are already investigating.

Earlier news from San Diego Comic Con was posted here.

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SciFi Weekend: Revolution Finale; Doctor Who; Star Wars; SHIELD; Once Upon A Time; Hannibal; The Fall; Game of Thrones

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Revolution concluded its first season with what was essentially a two-part finale. They reached the Tower and found multiple excuses for changes in alliances and lots of fights. There were far too many implausible aspects to the story to discuss, including a drainage system several levels underground which leads to the outside and a door which was built to stand up to nuclear attack but which was easily penetrated when in door fights were on the filming schedule.

Aaron, the Google Guy, turns out to have written the operating system for the Tower as a student and it was sold to the Department of Defense, making it easy to turn the world’s electricity back on near the end. Remarkably the lights in buildings around the world are still on and waiting, with all wiring still intact. The president of the Georgia Republic calls on her staff to get their tanks and helicopters ready now that they have power. Was she collecting them in the years with no power anticipating such a moment?

Nora was killed off to make room for a Rachel/Myles romance with a triangle too complicated a concept for this show. Sawyer might also reunite with Juliet. I’m not sure how Grace fits into this, being with those guarding the Tower after having been captured.

Randal apparently has been planning for this moment all along, even though he never gave any indication of wanting to get to the Tower until Monroe found out about it. As he was surprised that the security system didn’t allow him in, it isn’t clear why he didn’t just go there earlier on his own or with allies (considering how many back doors there appear to be). He then revealed a rather drastic plan of launching ICBM’s towards Philadelphia and Atlanta and then shooting himself. He says he is a patriot and you can’t have a house divided against itself. Apparently only these two areas are considered a threat to the old United States government which is in hiding at Gitmo and now planning to return.

Presumably having the guy who wrote the operating system will allow them to take control and prevent the ICBM’s from hitting their targets. Perhaps this will cause the electricity to go off again. Or maybe they will even allow for Philadelphia and/or Atlanta to get destroyed and center the story in other parts of the country. While it is a plus that the story keeps advancing, one problem with the show is that nothing really seems to matter. We have a setting with the United States destroyed. Add a city or two which are bombed, or have the electricity on or off. The show just is not well written enough to really make me care about these outcomes (but does have me curious enough to keep watching despite all the faults in the show).

Queen TARDIS

If you read the speculation and rumors on line it seems like everyone except Steven Moffat and Jenna-Louise Coleman know which actor (or actress) will play the Doctor when Matt Smith leaves. Supposedly Wil Wheaton knows. Today The Telegraph claims the part was offered to Rory Kinnear, who denies any knowledge of this.

Jenna-Louise Coleman  got to meet the Queen and discuss time travel with her.

Before Guardians of the Galaxy (and after Doctor Who), Karen Gillan is staring in the romantic comedy Not Another Happy Ending. Trailer above.

J.J. Abrams discussed plans for Star Wars Episode VII:

Abrams spoke in only general terms about how he’ll approach the latest “Star Wars” and would not comment when Hudlin pressed him on whether the film will be derived from any of the “Star Wars” novels.

“It is so massive and so important to people,” he said. “I think the key to moving forward on something like this is honoring but not revering what came before.”

Star Wars fans might be wary after how Abrams handled Star Trek. Destroying Vulcan did not revere what came before, and I don’t think it was honoring it either. At least Abrams couldn’t possibly do as much harm to the franchise as Lucas did with the three prequel movies.  Time will tell whether more Star Wars is a good thing, but sometimes it is best to stick with a classic as opposed to trying to turn one into a series of less successful movies. It is possible that Star Wars might wind up the best if left as a classic trilogy.

New promo for Agents of S.H.I.E.L.D. above. Samuel L. Jackson has expressed interest in guest staring. It would be a good way to enhance continuity between the show and the Marvel movies. More about the Whedon universe from an  interview with Joss here. Cast interviews here.

Once Upon A Time’s audience is probably not primarily hard core genre fans, but with so many genre shows being canceled or ending their run it is now one of the most successful currently on network television. Here’s some news on how season three begins.

At times I think Hannibal is plotting to destroy Will, seeing him as a threat, but this week it looks like he wants Will for a friend. I also think that having Hannibal for a friend can turn out to be quite dangerous.

One of the many reasons to watch Hannibal is that Gillian Anderson appears on the show as Hannibal’s psychiatrist. It is a minor role which won’t completely satisfy Scully fans, but more of Gillian Anderson can be seen in The Fall. After hearing favorable things about this BBC 2 show I decided to watch this weekend and was pleasantly surprised to find that Netflix has the entire series even though the finale has not yet aired in the U.K. The series trailer is above.

The show involves a serial killer, whose identity is revealed from the start, with Gillian Anderson’s character brought in to handle the case. The concept certainly isn’t anything new, but it is handled very well. In a review after the third episode, The Telegraph calls this the sexiest show on TV:

It’s taken a while but, at last, British TV cop drama has caught up with The Killing. As DS Stella Gibson in The Fall (BBC Two), Gillian Anderson gives us our own incarnation of Denmark’s Sarah Lund: cold, distant, brilliant, flawed but, above all, crackling with sex.

In fact, The Fall is the sexiest show on TV at the moment, which isn’t what you’d expect from BBC Two on a Monday. It’s also the most contrary: we’ve known from the outset, two weeks ago, that Paul Spector (played by Jamie Dornan) is the killer. This is a whydunit, and a canhegetawaywithit, not a whodunit.

Unless British television is devoid of sexy situations I doubt this is really the sexiest show on television. It does go further than American network television can, and at least this characterization demonstrates that it isn’t just a dull police procedural. I am happy they already announced renewal for a second season as they leave a lot of things hanging in the finale (which airs tomorrow on BBC 2 and is already up on Netflix). The season ends with a change in the interplay between Gillian Anderson’s character and the serial killer, but things are far from resolved. After Doctor Who and Sherlock, this is now the British show I’m most anxiously waiting for the next season of. (Even more so than Utopia)

Continuum has been renewed for a third season.

Last week’s Game of Thrones was quite a shock for those of us who have not read the books. George R.R. Martin discussed the historical roots of the Red Wedding here. More at Entertainment Weekly.

 

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SciFi Weekend: Matt Smith Leaving Doctor Who–The Fall of the 11th on Trenzalore; Karen Gillan Gets Marvel Movie Role; Hannibal Renewed; Dan Harmon Returning To Community; Revolution Finale; Is Megan Draper Sharon Tate?; RIP (And Return Soon) Selena Kyle

Times Matt Smith

The big genre news of the week was also front page news on many newspapers. After months of rumors that this would be his last season, Matt Smith has announced that he will not be returning to Doctor Who after the upcoming 50th Anniversary episode and Christmas episode:

“Doctor Who has been the most brilliant experience for me as an actor and a bloke, and that largely is down to the cast, crew and fans of the show.

“I’m incredibly grateful to all the cast and crew who work tirelessly every day to realise all the elements of the show and deliver Doctor Who to the audience. Many of them have become good friends and I’m incredibly proud of what we have achieved over the last four years.

“Having Steven Moffat as show runner write such varied, funny, mind bending and brilliant scripts has been one of the greatest and most rewarding challenges of my career. It’s been a privilege and a treat to work with Steven – he’s a good friend and will continue to shape a brilliant world for the Doctor.

The fans of Doctor Who around the world are unlike any other; they dress up, shout louder, know more about the history of the show (and speculate more about the future of the show) in a way that I’ve never seen before.

“Your dedication is truly remarkable. Thank you so very much for supporting my incarnation of the Time Lord, number 11, who I might add is not done yet – I’m back for the 50th anniversary and the Christmas special.

“It’s been an honour to play this part, to follow the legacy of brilliant actors, and helm the Tardis for a spell with ‘the ginger, the nose and the impossible one’. But when ya gotta go, ya gotta go and Trenzalore calls. Thank you guys. Matt.”

This makes me wonder if we will really see how the fall of the Doctor plays out on Trenzalore and to what degree his final two episodes are a continuation of the story started in The Name of the Doctor. As Moffat has said that John Hurt will return in the eighth season, this episode might have long lasting ramifications.

Steven Moffat had this to say about Smith: “Great actors always know when it’s time for the curtain call, so this Christmas prepare for your hearts to break as we say goodbye to number 11. Thank you Matt – bow ties were never cooler.” Smith won several awards for his role:

Smith has been nominated for nine different awards over his time on “Doctor Who,” winning three of them — two SFX awards in 2011 and 2012, and a National Television Award in 2012. Smith was the first actor in “Doctor Who” to be nominated for a BAFTA, which he earned in 2011.

There has been immediate speculation as to the next actor to play the Doctor. Bookmakers are already setting odds. Per Steven Moffat: “A life is going to change, and Doctor Who will be born all over again. After 50 years, that’s still so exciting.”

The 11 Doctors

1. William Hartnell (1963-1966)

2. Patrick Troughton (1966-1969)

3. Jon Pertwee (1970-1974)

4. Tom Baker (1974-1981)

5. Peter Davison (1982-1984)

6. Colin Baker (1984-1986)

7. Sylvester McCoy (1987-1996)

8. Paul McGann (1996)

9. Christopher Eccleston (2005)

10. David Tennant (2005-2010)

11. Matt Smith (2010 – 2013)

While the most likely choice will be from one of many British actors, who may or may not be on lists of possibilities on various blogs, three less likely choices are the most interesting to consider:

Benedict Cumberbatch
Cumberbatch appeared like a potential lead on Doctor Who from his first appearance on Sherlock, also written by Steven Moffat. There is no doubt that he would be an excellent choice, but this is highly unlikely. I recall old interviews in which Cumberbatch said he was not interested in taking on a time-consuming commitment of this nature. The chances are far less now that he is a much bigger star.

David Tennant
Tennant is returning to the 50th anniversary episode and perhaps had so much fun in his old role that, while also unlikely, perhaps he would reconsider returning to the show. There are possible ways to make this happen, from a reverse generation following the fall of the Doctor on Trenzalore to something stemming from his reappearance in the 50th anniversary. One problem with continuing from his reappearance is that, as Billie Piper will also be present, this is apparently the Doctor from earlier in his time line. With the eleventh and Clara messing around in the Doctor’s time line anything might happen, including a revitalization of the tenth or perhaps even the next possibility:

Jenna-Louise Coleman
It has been common to speculate on having a female Doctor whenever there is a regeneration. Doing so now might create problems with the dynamics of the show as Coleman will be returning and they might not want to do a show with two female leads. One way around this would be to have Clara, perhaps as a consequence of having been intertwined in the Doctor’s time line, become the form taken when the Doctor next regenerates, perhaps merging with a Clara who is dying for the same reason the Doctor is at time of regeneration. The new Doctor could then add a male companion. Ironically I think that more female fans would be upset by this than male fans. One strength of Doctor Who as a science fiction show is that its viewers aren’t limited to nerdy males and the smaller number of female science fiction fans. Chicks Dig Time Lords (according to a Hugo-award winning book).  There is a large contingent of female viewers who watch and display a crush on the Doctor in many places on line. They might not like seeing a change to a female Doctor.

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Smith will have more time to spend on his film career, perhaps joining another recent costar who is having some success. Karen Gillan has been cast as the lead female villain in Guardians of the Galaxy.

Karen Gillan, who starred as Doctor Who’s companion for several seasons on the hit BBC show, is joining the cast of Marvel Studios’ Guardians of the Galaxy.

The movie is barreling towards a late-June shoot in the U.K. with James Gunn behind the camera.

The movie is in casting mode, with Glenn Close joining the roll call earlier this week. Chris Pratt, Zoe Saldana and Dave Bautista lead the cast of Marvel’s space adventure movie, which has Lee Pace and Michael Rooker as villains.

Details for Gillan’s role were not revealed, although it is known she will play the film’s lead female villain.

The Scottish actress played companion Amy Pond in Doctor Who‘s fifth through the recently ended seventh series. The character was hugely popular and appeared in Doctor Who books, apps and video games. Gillan has several indies in the can, including Oculus, a horror flick with Katee Sackhoff.

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NBC has renewed Hannibal. The press release follows:

UNIVERSAL CITY, Calif. — May 30, 2013 — NBC has given a 13-episode second-season renewal to its critically applauded drama “Hannibal.” The new season will air no earlier than midseason.

“Hannibal” is based on the characters from the novel “Red Dragon” by Thomas Harris and was developed for television by Bryan Fuller, who also serves as writer and executive producer.

The announcement was made by NBC Entertainment President Jennifer Salke.

“We’re so proud of Bryan’s vision for a show that is richly textured, psychologically complex, and very compelling,” Salke said. “There are many great stories still to be told.”

Critics have strongly embraced the series. Alan Sepinwall of Hitfix.com said “Hannibal” “is the last of this season’s serial killer shows. It’s also, by a very wide margin, the best.” Jeff Jensen of Entertainment Weekly called “Hannibal” “finely acted, visually scrumptious and deliciously subversive” while Matt Roush of TV Guide said the show is “feverishly twisted, fascinatingly macabre and visually remarkable.”

The series stars Hugh Dancy as expert criminal profiler Will Dancy, who has a unique ability to peer into the mind of serial killers. Mads Mikkelsen stars as Dr. Hannibal Lecter, a psychiatrist who is helping with the cases and, unbeknownst to Will, is also a serial killer himself.

Laurence Fishburne stars as Jack Crawford, the head of the FBI’s Behavioral Science Unit. Caroline Dhavernas and Hettienne Park also co-star.

Through its eight original telecasts to date, “Hannibal” is averaging a 2.0 rating, 6 share in adults 18-49 and 4.7 million viewers overall in “most current” results from Nielsen Media Research. ”Hannibal” is the youngest drama on ABC, CBS and NBC, with a median age for its audience of 45.7. It’s also an upscale drama, indexing at a 111 among adults 18-49 living in homes with $100K+ incomes (with 100 indicating an average concentration of those homes).

Additionally, “Hannibal” is heavily time-shifted, with its 18-49 rating growing by 75% going from next-day “live plus same day” ratings to “live plus seven day” results.

In addition to Fuller, Martha De Laurentiis, Jesse Alexander, Chris Brancato, Sara Colleton, Katie O’Connell, Elisa Roth, Sidonie Dumas and Christophe Riandee also serve as executive producers.

The series is produced by Gaumont International Television, Dino De Laurentiis Company and Living Dead Guy Productions, and co-commissioned internationally by Sony Pictures Television Networks.

I have my doubts that the show will survive on network television for Bryan Fuller’s full seven year plan, but hopefully it will either last long enough to tell enough of the story and receive a proper ending or move onto cable in the future. I will avoid any significant spoilers in the hopes that others are starting to watch the show from the beginning, but to comment briefly on this week’s episode, it is clearer than ever that Hannibal is playing games with Will. This should come as no surprise as Hannibal must realize that Will is capable of figuring out Hannibal’s secret and exposing him. If not for the needs of an ongoing story, it is questionable why Hannibal hasn’t just killed him already or ensured that Will was removed from the FBI (which I believe he is still planning to attempt this season). As a relatively minor spoiler, we also found that when Hannibal was sniffing Will in a previous episode, it wasn’t  to try to decide what type of sauce to serve him with.

Community

In yet a second move to enhance quality television, NBC has also brought back both Dan Harmon and writer Chris McKenna to Community after the failed experiment of turning it over to others last season. Harmon has given some credit for his return to series star Joel McCale. I wonder how Harmon will handle last season’s finale with Jeff graduating. While last year’s show runners might have had a plan, having him out of the study room with the others does seem like a mistake. Perhaps something will come up forcing Jeff to take one more class, possibly even a decision that he no longer wants to be a sleazy lawyer and he returns to school to later move on to a new field. There are other ways he could still interact with the others, from social visits to being hired to teach a pre-law class at Greendale. These could work, but his interactions are the best with the rest of the cast when he is “studying” with them in the library.

Revolution - Season 1

Revolution will be airing its season finale tomorrow and remarkably it has been renewed. The one good thing I can say about Revolution is that it does have an ongoing storyline which does receive a conclusion. The first half of the season dealt with the rescue of the son. The second half dealt with going to the tower, and they have now reached it. However reaching a conclusion and reaching a satisfactory conclusion are two different things. It is really not worth the space to itemize all the unrealistic things about the storyline. Among the questionable discoveries, there are people living in the tower who have dedicated their lives to prevent anyone from getting to the twelfth level, where the electricity can be restored (with a contrived risk of burning up the planet). They have never been outside, which makes little sense since they could easily retreat inside as needed, and it is questionable that their food supply would have lasted this long even if this is where Dick Cheney supposedly hid out. They also feel more secure guarding the twelfth level than making it impossible to reach it or destroying the controls. While all electricity on earth is stopped (not counting that needed for operation of nervous systems in living things), somehow satellites remain functioning in orbit well beyond their normal life spans.

It appears from the previews that power will be restored, but we don’t know if this is temporary or whether it will extend into next season. At least it is likely that the storyline will move onto a new quest for next year avoiding a complete repeat of what we have already seen. It does seem safe to predict that we will be dealing with the same characters but new destination. Hopefully the quality is improved.

Renewing Hannibal, having Dan Harmon return, and renewing Revolution might partially be due to a shortage of hits to fill the prime time spots at NBC, complicated by The Office and 30 Rock concluding. Regardless, the first two at least are great moves for providing quality prime time shows.

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It is risky to try to predict where Mathew Weiner is going with Mad Men. There is a compelling theory making its rounds on line that Megan Draper’s storyline is a parallel to that of another aspiring actress, Sharon Tate. We have already seen signs of violence this season including an attempted robbery in Don Draper’s apartment and the Peggy accidentally stabbing Abe.  A review of the evidence for this theory can be found here and here.

Bruce Wayne Selina Kyle

RIP Selina Kyle (Catwoman). Fortunately death is not necessarily a permanent condition in the comics, and cats do have nine lives. I prefer to think of her eating in an outdoor bistro with Bruce Wayne as in the end of Dark Knight Rises.

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SciFi Weekend: Doctor Who; Agents of SHIELD; New & Returning Shows; Community; Person of Interest; The Newsroom

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Neil Gaiman’s second episode of Doctor Who, Nightmare in Silver, was weaker than his first episode, The Doctor’s Wife. Like so many  episodes this half-season, it wasn’t bad but came up short of what it might have been. The good thing about the episode is that Gaiman updated the backstory for the Cybermen which might be used in future episodes. He had less to say about the Doctor’s history than in The Doctor’s Wife except to reveal that it is foolish to try to beat the Doctor at Chess as The Timelords invented chess.

Gaiman accelerated the trend of making the Cybermen more like the Borg. (There has also been speculation that the Borg were originally based upon the Cybermen but I have never seen confirmation of this). Instead of assimilation, they upgrade. They upgrade humans, and now other species, with cybermites, and upgrade themselves to counter attacks. One problem with the episode was that upgrades were only used for dramatic effect in limited circumstances. The Cybermen upgraded to be faster, but in most scenes they continued to move slowly.

These Cybermen were shown to be far more dangerous. They are so dangerous that the standard reaction to finding one a a planet is to destroy the entire planet. Even an entire galaxy was destroyed to prevent the Cybermen from advancing. The problem with making an enemy this powerful is that ending each episode by imploding the planet would be tedious, and having the Doctor repeatedly defeat them in under an hour would be unrealistic–sort of how the Borg gradually changed from an unbeatable force when introduced on Star Trek The Next Generation to a race easily defeated by a lone starship on Voyager.

Warwick Davies stole the show as Porridge, later revealed to be Emperor Ludins Nimrod Kendrick Cord Longstaff the 41st. It was unrealistic for the Emperor to just happen to be hiding on this planet, but now that the Doctor has met him it would be a shame for the two not to meet up again.

The episode has the obligatory (this season) homage to past Doctors with images of them displayed. There’s more to come next week, including a scene with Bessie driving by. There were not any obvious clues to the Clara mystery but Clara did learn that the Doctor considers her to be the impossible girl. We should be getting the answers next week, with this prequel released leading into The Name of the Doctor:

A Radio Times interview with Neil Gaiman is posted here. Gaiman’s interview with the official Doctor Who site is here.  Blastr has the story of how Steven Moffat got Neil Gaiman to update the Cybermen and make them scary.

The Behind the Scenes video is above.

The Doctor found a BAFTA in the TARDIS (video above). There is also more at the awards ceremony to honor Doctor Who:

Doctor Who is to be honoured with a special tribute to be shown at Sunday’s BAFTA television award ceremony.

The British Academy of Film and Television Arts will be marking the programme’s 50th Anniversary year by showing a video montage celebrating the long history of the show.

Current companion Jenna-Louise Coleman will also attend the ceremony at the Royal Festival Hall in London and will present one of the night’s awards.

Amanda Berry OBE, Chief Executive of BAFTA, said:

There are only a handful of programmes that have the quality and longevity of Doctor Who and the ability to put the nation on their sofas – or indeed behind them – year after year. BAFTA raises a toast to Doctor Who on its 50th birthday this year.

Steven Moffat, Doctor Who’s Lead Writer and Executive Producer, said the production team would be sending Daleks to patrol the red carpet:

This is a massive and exciting year for Doctor Who, so I’m thrilled that BAFTA are including a special tribute to the show. So thrilled, in fact, we’re sending the Doctor’s best friend, Jenna Coleman, to present an award. We’re also sending the Doctor’s worst enemy, the Daleks, to exterminate lots of innocent people. Sorry, it’s just what they do. Let us know if it’s a Health and Safety issue.

Doctor Who won the main BAFTA award for Best Drama Series in 2006 and has won many BAFTA Craft Awards since the series returned in 2005.

Watch out for spoilers this week. An error was made and some Blu-Ray sets with The Name of the Doctor has been shipped early and some copies of the episode are starting to appear on line. Some people are intentionally spoiling the show on Twitter so be careful in reading messages in response to mentioning Doctor Who.

Speaking of spoilers,  John Hurt may have revealed his role in the 50th Anniversary episode:

Mr Hurt, who lives near Cromer, earlier told the EDP he had just finished shooting a Dr Who 3D special in which he plays “part of the Doctor” in a “kind of trinity” which includes David Tennant.

Not surprisingly, ABC has picked up Agents of SHIELD, along with additional genre shows for next season. More on the cast of Agents of SHIELD here. Defiance and Revolution have both been renewed. In the overkill department, Once Upon A Time is both returning and getting a spin-off. Blastr has a run down of eleven new genre shows.24 might return as a 12 or 13 episode mini-series. Does this mean that the story will take place in real time over a shorter period of time or that the show will move faster than real time?

Community - Season 4

Community was also picked up for a fifth season and there are some rumors that Dan Harmon might return. (I’m not holding my breath, but hope it is true.) Chevy Chase is gone, and he was not missed in the episodes where he did not appear at all or only had minor roles. The finale showed once again that show runners David Guarascio and Moses Port may be sincere in their desire to continue the creative ideas of Dan Harmon but just do not understand how to carry this out.

Compare the season finale, Advanced Introduction to Finality, with Basic Human Anatomy, the episode written by Jim Rash which most critics consider the best of the season. The finale brought back The Darkest Timeline with a story which was ridiculous on so many levels. It centered around the impossible situation of people crossing over from The Darkest Timeline with the use of paint ball in a story which didn’t make much sense even if you accept this. Then it ended by revealing it all to be Jeff’s daydream. A daydream (if the story was good) would be fine as part of a story. It might have even worked earlier in the season, but the finale should not be almost entirely a day dream (especially when the dream storyline wasn’t all that good).

Dan Harmon would have been more subtle with the use of an alternative time line, as with Jim Rash with the body swaps in Basic Human Anatomy. If there were true body swaps, or if it was all a dream, I doubt the story would have worked. Instead Rash had characters behave as if they had swapped bodies to reveal more about the characters. Troy acted as Abed because he couldn’t cope with a relationship he is too immature to handle. Abed reciprocated by acting as if he was Troy to end the relationship. Of course we know why the Dean pretended to change bodies with Jeff. The flashing lights weren’t magic but just someone flipping the switches. While not plausible, it was all possible.

Next season is expected to pick up with the remaining members of the study group in their final semester. Jeff and Pierce have graduated. Presumably Pierce is gone forever, but they now have a more difficult job of getting Jeff into the episodes when he should no longer be at the study group’s table. Perhaps they will come up with another reason why Jeff needs another class, but that would make last season appear even lamer in retrospect.

Person of Interest finale

Person of Interest concluded the season with a strong two-part episode which more firmly establishes the show as science fiction. In earlier episodes the machine was simply a gimmick to set up a more conventional crime show of the week, but now the machine is an integral part of the show. Plus Amy Acker was back and Sarah Shahi is an excellent addition to the show. In some ways the show reminds me of Fringe, which gradually set up its mythology in earlier stand-alone episodes.

Aaron Sorkin’s show, The Newsroom, returns on July 14, with changes made to hopefully fix some of the problems from the first season. A promo video is below:

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SciFi Weekend: Doctor Who; Star Trek Into Darkness; Revolution; Superman; Thor; Captain America; Elementary; Sherlock; New SciFi Series; The Newsroom; Veronica Mars

Doctor Who Ice Warriors

Doctor Who brought us to the Cold War and the return, after forty years of the Ice Warriors. The episode provided a good, suspenseful submarine/Aliens drama until the problems got wrapped up too easily. At least this time the Doctor didn’t solve everything with the Sonic Screwdriver alone. He also gave a speech like many that James T. Kirk used to convince aliens to play nice on Star Trek. The cold war backdrop and idea of mutually assured destruction did provide a good backdrop for the discussions with Grand Marshall Skaldac over whether he would destroy the earth. (Spoiler: Earth was spared.) Professor Grisenko provided a second surrogate Doctor.

Mark Gatiss showed us what is inside of the Ice Warrior’s suit and solved the perpetual problem which is present in many episodes of why the Doctor doesn’t use the TARDIS during a crisis to overcome a problem. There was some mumbo jumbo about the TARDIS’s Hostile Action Displacement System (not seen since the Patrick Troughton) has been reactivated to take the TARDIS elsewhere to remain safe. This raises two other problems. How does the TARDIS’s translation matrix continue to work after the TARDIS is gone and  how does the Doctor get to the South Pole, where the TARDIS rematerialized? Will there be reference to their adventures getting to the South Pole next week?  (I’m still wondering how Amy and Rory got back to earth after the Doctor left them behind at the end of A Good Man Goes to War.)

There were no clear clues to the Clara mystery but one exchange might be significant. When faced with the threat of World War III being set off Clara pointed out, “The world didn’t end in 1983, or I wouldn’t be here?” The Doctor responded, “History’s in flux, it can be unwritten.” Does that apply to the fate of the girl who died twice?

This week’s behind the scene video is available here.

Jenna-Louise Coleman had some hints on the Clara mystery in an interview with TV Guide:

In a way, Clara is connected with the 50th anniversary. We saw in the Christmas episode that her birthday is Nov. 23, the same date that Doctor Who first aired.
Coleman:
  In the Christmas episode, I didn’t know why that was the case. But again, we will find out by the end of this series. But it’s really exciting — [the season finale] is phenomenal.  My spine was tingling when I read it. Again, I’m teasing your so badly here, but there’s the beginning opening sequence, which [is]  kind of building up into the 50th. It’s just huge.

She also discussed her relationship with the TARDIS:

You get to pilot that TARDIS in one episode. What does driving it entail?

Coleman: There’s a certain part of the TARDIS you go to, that liftoff thing. But you know, the TARDIS and Clara have a relationship. Actually I don’t think we’ve talked about this in interviews before. It’s something that’s running through the series. Instead of it being like, “Does so-and-so like Clara?” The TARDIS and Clara have a bit of a face-off. So, the Doctor is obviously bringing back somebody new. I think we’ve done a whole additional content scene of me talking to the TARDIS, and the TARDIS is making fun of Clara. They kind of have an argument. They’ve got a relationship individual to the Doctor where they have a dialogue.

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Doctor Who is filming the 50th Anniversary episode in Trafalgar Square as pictured above. Another cast member  has been announced:

Jemma Redgrave will be returning to Doctor Who for the show’s fiftieth anniversary special. She previously appeared in 2012’s The Power of Three playing Kate Stewart, daughter of the legendary Brigadier Lethbridge-Stewart.

Jemma is part of a brilliant cast that is already known to include Matt Smith and Jenna-Louise Coleman who are joined by the returning David Tennant and Billie Piper plus screen legend John Hurt and Joanna Page. Filming is underway on the special which will be a 3D spectacular shown later this year.

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There’s a new poster for Star Trek Into Darkness and a new trailer will be out on Tuesday. There are still rumors that, while named John Harrison, Benedict Cumberbatch’s character will turn out to be Khan. Cumberbatch won’t respond to the rumors saying, “Umm, I play a character called John Harrison. I can’t say more.” Some fans who believe this will be a re-imagining of the Khan story are upset since the change in the timeline in the first J.J. Abram’s Star Trek movie wouldn’t account for a different version of the Khan story. Of course the same might be argued about many other changes from the Roddenberry universe.

On last week’s Revolution, after lots of hype, Juliet finally told Google Guy what was going on. Something about how they all died on the island and are in purgatory, with no explanation of the flash forward. Actually there was something about viruses which only eat electricity and reproduce, sort of like Tribbles. I’m not very hopeful about the show, seeing it take a trajectory closer to that of FlashForward than Lost.  I do wonder what type of genre show Elizabeth Mitchell will be in next and what type of doctor or scientist she will play.

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Man of Steel is featured on the cover of Entertainment Weekly, along with mention of other genre (and non-genre) movies:

This week’s cover story reveals how the new film (out June 14) attempts to humanize the superhuman by finding new flaws and vulnerabilities. The most common one, however, was off the table: “I’ll be honest with you, there’s no Kryptonite in the movie,” says director Zack Snyder (300, Watchmen) Those glowing green space rocks – Superman’s only crippling weakness – have turned up so often as a plot point in movies, the only fresh option was not to use it. Anyway, if you want to make an audience relate to a character, a galactic allergy isn’t the way to do it.

Henry Cavill (Immortals), the latest star to wear the red cape, instead plays a Superman who isn’t fully comfortable with that god-like title. This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.

That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”

Iron Man 3 will include a trailer for Thor: The Dark World. Screenrant has some information on Thor 2 along with Captain America 2.

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I gave up on watching Elementary earlier this season but might return to it after reading that Natalie Dormer of The Tudors and Game of Thrones will be playing Irene Adler in a three episode arc which begins May 9. It will be interesting to see how she compares to Lara Pulver’s (often nude) portrayal of her in Sherlock. Dormer has shown in The Tudors that she would have no qualms in topping Adler’s scenes if allowed on broadcast television. Henry Cavill, who is staring in Superman, also had a major role on The Tudors.

It was previously announced that the first episode of season 3 of Sherlock will be entitled The Empty Hearse. It has now been announced that the second episode will be entitled The Sign of Three.

Syfy has seven new series being considered, some of which are hard science fiction. These are in addition to Ron Moore’s upcoming series about a disease outbreak entitled Helix.

Orion
The space opera centers on Orion, an adventurous female relic hunter who tracks down valuable artifacts while trying to piece together her past. Set amid an intergalactic war pitting humans against a terrifying alien race, Orion must decide whether to use her abilities to save herself or commit to the cause and unearth long hidden artifacts that could free all of humanity from a horrible fate. Ron Milbauer and Terri Hughes Burton (Alphas) will write and executive produce, with George Krstic and Ryuhei Kitamura on board as co-executive producers. F.J. Desanto will serve as a supervising producer on the UCP project.

Sojourn
The first detective ever in space is tasked with investigating a murder on a starship — headed to colonize another planet –­ and instead becomes embroiled in a vast conspiracy involving a mysterious terrible crime dating back to the original launch of the ship 50 years ago. Phil Levens (Smallville) will write, with Blum (Paranormal Activity) on board to produce the Lionsgate entry.

Clandestine
After a clan of bandits are nearly destroyed and left for dead by Coalition forces, they take refuge in the nearest safe haven, a derelict Coalition starship floating in space. Once onboard, they masquerade as Coalition officers while continuing their criminal ways ­– until they stumble upon a shocking realization about the true nature of the Coalition. Todd Stashwick and Dennis Calero will write, with Hurd (The Walking Dead) and John Shiban (Hell on Wheels) attached to executive produce the UCP project.

Infinity
When an alien armada is sighted in the region of Pluto, the Earth government turns to a young billionaire industrialist — who has the only ship ready for interstellar travel — to greet the aliens and avoid a catastrophe. Powered by secret alien technology discovered on Earth in the 1960s, the ship engages in a firefight that sends them spinning through a wormhole into an uncharted region of space. Lost in the universe, the team struggles to survive as they encounter new planets and alien species, searching for a way back home. Javier Grillo-Marxuach (Lost) will write the Berman/Braun produced entry from Universal Television.

Silver Shields
When his father is slain by assassins connected to the government of the large nearby city of Pont Royal, farm boy Caymer journeys there to continue his father’s legacy as a member of the local police force — and to solve the mystery of his father¹s death. He discovers that his simple country view on life is at odds with the big city, filled with orcs and other magical creatures. Robert Hewitt Wolfe (Alphas) will write and executive produce the UCP effort alongside producer Aaron Kaplan.

Shelter  
A massive meteorite is headed toward Earth, forcing 30,000 hand-picked humans to live underground in a government-funded shelter in order to start a new society. What begins as a Utopia quickly succumbs to the old human faults and jealousies as certain members of society create alliances to gain favor and power. Meanwhile, things on the surface are not what they seem. Humans slowly realize that this event may have been fated and the survivors meant for a greater purpose in rebooting life on Earth. Bruce Joel Rubin (Deep Impact) will write and executive produce the UCP project with writer/co-executive producer/writer Ari Rubin.

Dominion (working title, formerly known as Legion)
The effort, based on the feature film Legion produced by Bold Films, is set 20 years after evil angels have descended from heaven to lay waste to the human souls they felt God had favored over them. A reluctant “savior” must arise to protect Vega, the last remaining stronghold of humanity. The savior has more to fear than just angels, as the elites of this new society conspire to gain power for themselves. Vaun Wilmott (Sons ofAnarchy) will write and co-executive the Sony Pictures TV project, with ScottStewart (Defiance) attached to direct and executive produce. David Lancaster will EP as well.

The reboot of Blake’s 7 has also been received a thirteen episode order. I’m surprised that it has taken this long to bring this classic back. A reboot does make more sense than continuing the original but I would have loved to see how they might have managed to continue after the events of the original show’s finale.

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Yvonne Strahovski will be reprising her role as Hannah McKay on the final season of Dexter. We can expect lots of flowers and murder.

HBO has announced that Aaron Sorkin’s show The Newsroom will return on July 14.

Last month I mentioned contributing to the Kickstart campaign to finance a Veronica Mars movie. They wound up raising 5.7 million. The bulk of this came from people other than myself.

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SciFi Weekend: Doctor Who Searching For Clara Oswald; The Bells of St. John; Revolution: Mad Men Returns; Rory Gilmore Engaged to Pete Campbell

A prequel has been released for The Bells of Saint John, next week’s episode of Doctor Who (video above). I bet pretty much everyone guessed how it would end pretty early in the clip, remembering how the Doctor also first met Amelia Pond as a young child.  The Doctor is searching for Clara but I’ve already found her in a couple places:

Here she is on the Titanic.

She has also been sighted in the United States during World War II, going out with Steve Rogers (before he became Captain America).

As can be seen in the above trailer, the Doctor does find Clara. We still do not know who she is, and are unlikely to guess according to Doctor Who Producer Marcus Wilson:

What’s lovely this year is that we’ve also got a thread running through these eight very different, very exciting stories – the mystery of Clara. She’s the impossible girl. The Doctor has met her twice before and both times she died. This time he’s determined to keep her alive and to discover who or what she really is. It’s a riddle that won’t easily be cracked. I defy anybody to guess it. Steven Moffat has found a way to lead everybody down the garden path and then knock them over with surprise at the end.

Above Jenna-Louise Coleman interviews Matt Smith

There’s also talk of revealing the Doctor’s greatest secret, and of a love triangle involving Clara and River Song.

Jenna-Louise Coleman appeared on Craig Ferguson’s show last week (video above).

Doctor Who first made the cover of Entertainment Weekly in July 2012 in a cover story about cult television. Now he is on the cover twice more with two different versions of the cover for this week’s edition on the 50th anniversary. (I was happy to find that my home and office waiting room copies each had the different cover). Here are the two covers:

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But what happens after the anniversary? There’s another round of rumors that Matt Smith will leave the show after the Christmas Special, along with Jenna-Louise Coleman saying there may be a delay until the next season due to Steven Moffat being busy writing the 50th anniversary episode and Sherlock.

Revolution returns on Monday–view the first eight minutes above. Between the action scenes Aaron questions what Elizabeth knows. Now that Elizabeth has been reunited with her family it would not make any sense for her not to explain what is happening. We will see everything revealed in the thirteenth episode, to air April 8. Executive Producer Eric Kripke says this will open the door to new mysteries:

On revealing why the power went out

Kripke: In episode 13 Rachel reveals pretty much every single thing there is to know about why the blackout happened and every time I watch that scene– and she’s brilliant in it — but that scene’s a hard swallow every time because you’re like wow we’re just saying it. And it goes against many of your baked-in sure-weather instincts are not to have the scene that reveals every single thing in three minutes. And so we reveal really why the blackout happened but the card I think we have up our sleeve is I think the explanation really opens the door to much greater story possibility.

On Rachel’s role going forward

So Rachel’s quest is specific and she’s incredibly proactive. She’s making a straight line towards what it is that she needs to do. And the fun part that, you know, Eric had talked about before is that she also unloads everything; the entire secret, the entire history in one crazy conversation in Episode 13.

So I think that people will enjoy the fact that she has a lot to say and that her admonition or her quest is very powerful and proactive which I love in a character. It’s always nice to see women, people, anyone – your protagonist going after what she wants full force. So I think that’s going to be fun.

On what comes after that secret is revealed

Kripke: I don’t think we box ourselves in a corner. I think we open a door to a whole new world. And then we ask more questions. Because for me the story was never about what caused the blackout. I think it’s for me it’s like the show isn’t just based on one particular mystery, it’s based on these characters and this world and this kind of transformed landscape that they have these adventures in.

One of the more disappointing plot lines so far on Revolution was seeing how Aaron left his wife, feeling she would be safer without him. Kripke answered a question on this at PaleyFest2013:

Zac Orth wasn’t in the house, but his character Aaron was a hot topic nonetheless. When an audience member told the panel that he wasn’t a fan of how Aaron abandoned his wife so quickly, Kripke promised that that plotline would be addressed. ”He sees her again, and they’re able to work out their issues, and they do have a face-to-face,” he says. “She’s in the present day and you catch up with what she’s been doing for the past decade or so.”

Mad Men is also returning with a two-hour season premiere on April 7.  Promo above.

Last season  Vincent Kartheiser (Pete Campbell)  and Alexis Bledel (better known as Rory Gilmore) had an affair. Now the two are engaged in real life.  With Bledel’s character undergoing the Eternal Sunshine of the Spotless Mind treatment it is doubtful that their  affair will resume on the show. Plus Alexis Bledel is in a new pilot based upon the excellent UK sitcom, Gavin and Stacey, in which she will be dating Jason Ritter of The Event. Ritter was dating Lauren Graham (who previously played Rory Gilmore’s mother) last season on Parenthood. Meanwhile Pete Campbell’s wife on Mad Men, played by Alison Brie, is back on Community with an unknown future.

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