Bryan Fuller has offered David Bowie a role in Hannibal, and revealed more about his plans for the second season:
“We have reached out to David Bowie to see if he’s interested and available,” Fuller reveals. “We would love for him to play Hannibal’s uncle, who is a character from the literature and in the books.”
Fuller explains “we don’t have an answer yet,” but is hopeful Bowie can join the NBC series, which resumes production in August in Toronto.
Hannibal’s uncle, Count Robert Lecter, was killed by Nazis in the books, but “since our timeline is a little more present, there’s a little bit of J.J. Abrams-style alternate universe storytelling where he could still be alive,” Fuller explains.
Another pivotal role in season two will be that of Barney, an orderly at the Baltimore State Hospital for the Criminally Insane, where Will Grant (Hugh Dancy) will be kept captive. “That will be some fun stunt casting,” says Fuller. “I would love to bring in Chi McBride, if he’s available. There are so many great actors I would love to work with.”
Not much of season two will be taken from the literature, according to Fuller. “We’re going to see Will Graham [Dancy] institutionalized and what we know from Red Dragon, the backstory that is given, which is very, very thin, explains that Will Graham was so psychologically compromised from investigating the Minnesota case that he had to be institutionalized. And that’s sort of one sentence that we can do quite a bit with. As you can see from the first season, we held true to that backstory in a very faithful way, but obviously we took huge liberties in how we interpreted that one sentence. So right now, for season two, we are in fresh territory with a chapter that hasn’t even been written by Thomas Harris. It’s exciting.”
I’m pretty much limiting to links for now as I’m on vacation and will be at our summer offices at Grand Hotel on Mackinac Island this weekend through next. Considering where SciFi Weekend is currently coming from, I must note the recent death of Richard Matheson. Among his many works is Bid Time Returns which was turned into Somewhere in Time which was filmed here at Grand Hotel.
HBO plans to devout six seasons to an adaptation of Neil Gaiman’s American Gods. This makes me wish that Bryan Fuller had taken Hannibal to HBO. It is hard to see it surviving on NBC to complete Fuller’s seven year plan.
Under the Dome will (not surprisingly) differ from Stephen King’s novel.
The Terminator series is being rebooted as a new trilogy. This isn’t encouraging:
Another interesting factoid added by Deadline is that the rights to Terminator will eventually revert back to James Cameron in 2019, who has yet to be satisfied with any of the follow-ups and spin-offs that came after his two films. So they’re hauling ass to make three movies before that happens. Always a recipe for a quality product.
The Mary Sue recommends thirteen independent science fiction and fantasy movies.
I’ve said from day one that I’ve got no problem with nudity. I’ve done it throughout my career. But for this character, it’s been better for her regality and her feistiness to not bare her flesh until she has to. When it’s out of her control. And if that ever happens, it won’t be Cersei being seductive or sexy. She’ll be stripped. That kind of a scene will have more power if it’s not an everyday occurrence.
Here’s a rundown as to how the third season of Game of Thrones differed from the novel.
Starz has ordered a full season of Ronald Moore’s series Outlander.
I’m certainly not surprised that Catwoman isn’t really dead.
Neil Gaiman’s second episode of Doctor Who, Nightmare in Silver, was weaker than his first episode, The Doctor’s Wife. Like so many episodes this half-season, it wasn’t bad but came up short of what it might have been. The good thing about the episode is that Gaiman updated the backstory for the Cybermen which might be used in future episodes. He had less to say about the Doctor’s history than in The Doctor’s Wife except to reveal that it is foolish to try to beat the Doctor at Chess as The Timelords invented chess.
Gaiman accelerated the trend of making the Cybermen more like the Borg. (There has also been speculation that the Borg were originally based upon the Cybermen but I have never seen confirmation of this). Instead of assimilation, they upgrade. They upgrade humans, and now other species, with cybermites, and upgrade themselves to counter attacks. One problem with the episode was that upgrades were only used for dramatic effect in limited circumstances. The Cybermen upgraded to be faster, but in most scenes they continued to move slowly.
These Cybermen were shown to be far more dangerous. They are so dangerous that the standard reaction to finding one a a planet is to destroy the entire planet. Even an entire galaxy was destroyed to prevent the Cybermen from advancing. The problem with making an enemy this powerful is that ending each episode by imploding the planet would be tedious, and having the Doctor repeatedly defeat them in under an hour would be unrealistic–sort of how the Borg gradually changed from an unbeatable force when introduced on Star Trek The Next Generation to a race easily defeated by a lone starship on Voyager.
Warwick Davies stole the show as Porridge, later revealed to be Emperor Ludins Nimrod Kendrick Cord Longstaff the 41st. It was unrealistic for the Emperor to just happen to be hiding on this planet, but now that the Doctor has met him it would be a shame for the two not to meet up again.
The episode has the obligatory (this season) homage to past Doctors with images of them displayed. There’s more to come next week, including a scene with Bessie driving by. There were not any obvious clues to the Clara mystery but Clara did learn that the Doctor considers her to be the impossible girl. We should be getting the answers next week, with this prequel released leading into The Name of the Doctor:
A Radio Times interview with Neil Gaiman is posted here. Gaiman’s interview with the official Doctor Who site is here. Blastr has the story of how Steven Moffat got Neil Gaiman to update the Cybermen and make them scary.
Doctor Who is to be honoured with a special tribute to be shown at Sunday’s BAFTA television award ceremony.
The British Academy of Film and Television Arts will be marking the programme’s 50th Anniversary year by showing a video montage celebrating the long history of the show.
Current companion Jenna-Louise Coleman will also attend the ceremony at the Royal Festival Hall in London and will present one of the night’s awards.
Amanda Berry OBE, Chief Executive of BAFTA, said:
There are only a handful of programmes that have the quality and longevity of Doctor Who and the ability to put the nation on their sofas – or indeed behind them – year after year. BAFTA raises a toast to Doctor Who on its 50th birthday this year.
Steven Moffat, Doctor Who’s Lead Writer and Executive Producer, said the production team would be sending Daleks to patrol the red carpet:
This is a massive and exciting year for Doctor Who, so I’m thrilled that BAFTA are including a special tribute to the show. So thrilled, in fact, we’re sending the Doctor’s best friend, Jenna Coleman, to present an award. We’re also sending the Doctor’s worst enemy, the Daleks, to exterminate lots of innocent people. Sorry, it’s just what they do. Let us know if it’s a Health and Safety issue.
Doctor Who won the main BAFTA award for Best Drama Series in 2006 and has won many BAFTA Craft Awards since the series returned in 2005.
Watch out for spoilers this week. An error was made and some Blu-Ray sets with The Name of the Doctor has been shipped early and some copies of the episode are starting to appear on line. Some people are intentionally spoiling the show on Twitter so be careful in reading messages in response to mentioning Doctor Who.
Speaking of spoilers, John Hurt may have revealed his role in the 50th Anniversary episode:
Mr Hurt, who lives near Cromer, earlier told the EDP he had just finished shooting a Dr Who 3D special in which he plays “part of the Doctor” in a “kind of trinity” which includes David Tennant.
Not surprisingly, ABC has picked up Agents of SHIELD, along with additional genre shows for next season. More on the cast of Agents of SHIELDhere. Defianceand Revolution have both been renewed. In the overkill department, Once Upon A Time is both returning and getting a spin-off. Blastr has a run down of eleven new genre shows.24 might return as a 12 or 13 episode mini-series. Does this mean that the story will take place in real time over a shorter period of time or that the show will move faster than real time?
Community was also picked up for a fifth season and there are some rumors that Dan Harmon might return. (I’m not holding my breath, but hope it is true.) Chevy Chase is gone, and he was not missed in the episodes where he did not appear at all or only had minor roles. The finale showed once again that show runners David Guarascio and Moses Port may be sincere in their desire to continue the creative ideas of Dan Harmon but just do not understand how to carry this out.
Compare the season finale, Advanced Introduction to Finality, with Basic Human Anatomy, the episode written by Jim Rash which most critics consider the best of the season. The finale brought back The Darkest Timeline with a story which was ridiculous on so many levels. It centered around the impossible situation of people crossing over from The Darkest Timeline with the use of paint ball in a story which didn’t make much sense even if you accept this. Then it ended by revealing it all to be Jeff’s daydream. A daydream (if the story was good) would be fine as part of a story. It might have even worked earlier in the season, but the finale should not be almost entirely a day dream (especially when the dream storyline wasn’t all that good).
Dan Harmon would have been more subtle with the use of an alternative time line, as with Jim Rash with the body swaps in Basic Human Anatomy. If there were true body swaps, or if it was all a dream, I doubt the story would have worked. Instead Rash had characters behave as if they had swapped bodies to reveal more about the characters. Troy acted as Abed because he couldn’t cope with a relationship he is too immature to handle. Abed reciprocated by acting as if he was Troy to end the relationship. Of course we know why the Dean pretended to change bodies with Jeff. The flashing lights weren’t magic but just someone flipping the switches. While not plausible, it was all possible.
Next season is expected to pick up with the remaining members of the study group in their final semester. Jeff and Pierce have graduated. Presumably Pierce is gone forever, but they now have a more difficult job of getting Jeff into the episodes when he should no longer be at the study group’s table. Perhaps they will come up with another reason why Jeff needs another class, but that would make last season appear even lamer in retrospect.
Person of Interest concluded the season with a strong two-part episode which more firmly establishes the show as science fiction. In earlier episodes the machine was simply a gimmick to set up a more conventional crime show of the week, but now the machine is an integral part of the show. Plus Amy Acker was back and Sarah Shahi is an excellent addition to the show. In some ways the show reminds me of Fringe, which gradually set up its mythology in earlier stand-alone episodes.
Aaron Sorkin’s show, The Newsroom, returns on July 14, with changes made to hopefully fix some of the problems from the first season. A promo video is below:
Journey to the Centre of the TARDIS was being hyped as the first blockbuster episode of the spring season of DoctorWho but failed to deliver. It’s not that I didn’t like it, but my exceptions were just too high for what turned out to be a bottle episode. One problem was that there were just too many plot contrivances. To start with the TARDIS was placed in basic mode so that it could be captured. Then how do we explain how the Doctor winds up outside and Clara is lost in the corridors? I might forgive these as necessary to set up the story, but similar problems plagued the entire episode.
The Doctor said not to touch anyone or else time will reassert itself. I have no idea what that means, and feel they are going too far in making up rules for time as they go along. I can forgive contradictions as to whether the Doctor can change events or meet up with his former selves on rare occasions in order to provide for a good story. I didn’t buy Moffat’s explanation as to why the Doctor couldn’t travel back in time to somewhere other than New York and meet up with Amy and Rory, but I’ll let that pass as we know the real point was a farewell episode for the two. Throwing out a new concept of time asserting itself based upon who is touched seemed like pointless and arbitrary timey whimey stuff. I might have accepted a cosmic reset button to resolve the episode if the explanation and story were executed better but entire existence of the Big Friendly Button was rather weak. There were so many other questions, such as why did future burnt Clara attack everyone, and how did getting burnt make little Clara strong enough to take on larger men?
The highlight of the episode was Clara running through the TARDIS. The scene of the TARDIS swimming pool would have been more exciting if we didn’t already know it was coming. This created expectations of more than a quick glimpse. I did like the TARDIS library but The History Of The Time War with The Doctor’s real name sitting out makes it implausible that none of the previous companions other that River Song knew this. This did serve to foreshadow the mystery of the season finale, The Name of the Doctor: “You call yourself ‘Doctor? Why do you do that? You have a name. I’ve seen it.”
I also wonder who would have the knowledge to write this book. Besides reading this secret, Clara also heard the story of her two other deaths. The memory should be gone after the cosmic reset, but we also saw that from the Van Baalen brothers that not all memories were extinguished. I won’t even get into the nonsense of convincing one of the brothers that he is an android.
As has been common in episodes leading up to the 50th Anniversary, there were references to previous episodes. This included past sounds echoing through the TARDIS. Clara also found the Doctor’s cot from A Good Man Goes To War and the model TARDIS Amy and Mel were playing with in Let’s Kill Hitler. There were other things we have seen before, including a crack in time and (almost) an exploding TARDIS.
Quote of the Episode: “Don’t get into a spaceship with a madman: didn’t anyone teach you that?”
Above is the Behind The Scenes video
Next week, Strax, Vastra and Jenny return in The Crimson Horror. Dianna Rigg, whose roles range from The Avengers ( 1960′s BBC series) to Game of Thrones, guest stars. Here is an interview with her. A spoiler-free review is posted here.
The BBC has released the official synopsis for Neil Gaiman’s upcoming episode, Nightmare in Silver:
Hedgewick’s World of Wonders was once the greatest theme park in the galaxy, but it’s now the dilapidated home to a shabby showman, a chess-playing dwarf and a dysfunctional army platoon. When the Doctor, Clara, Artie and Angie arrive, the last thing they expect is the re-emergence of one of the Doctor’s oldest foes. The Cybermen are back!
Gaiman also did a far better job of revealing TARDIS secrets back in The Doctor’s Wife.
Clark Gregg has revealed how Agent Coulson will be brought back in Agents of S.H.I.E.L.D.
“In the pilot, it’s revealed Nick Fury (Samuel L. Jackson), the ultimate super spy, faked Agent Coulson’s death on purpose to motivate The Avengers. Some S.H.I.E.L.D. members were in on it (including, possibly, Maria Hill played by Cobie Smulders) but The Avengers were not. Their security clearance wasn’t high enough. Coulson was forced to hold his breath as part of the ruse and that’s a point of contention among his colleagues After the fact, Fury moved him to a remote location until things died down, and then he was reinserted into duty at the time of the show.”
I was hoping that we’d see Black Widow get in the shower and find Agent Coulson there, Bobby Ewing style.
Mayim Bialik of The Big Bang Theory will be joining the cast of the Untitled Web Series About A Space Traveler Who Can Also Travel Through Time. This is the web version of Inspector Spacetime with name removed to avoid copyright infringement against Community. Incidentally, Community had its best post-Dan Harmon episode this week with a Freaky Friday storyline. The episode was written by Jim Rash, who plays the Dean and shows he picked up a few things about how the show should be done during the time he has spent appearing on it. Rash is interviewed about writing the episode here.
The White House Correspondents’ Dinner showed the above parody of House of Cards, coincidentally the same week in which I completed watching the series on Netflix. The release of all thirteen episodes of the first season provided the advantage of allowing for binge watching. The disadvantage was the inability for blogs to discuss this on a weekly basis coinciding with most people watching as is the case with most television shows. Events became far more compelling in the final several episodes and I did wind up binging on the show this Friday night. Events in the slower-moving earlier episodes do become much more important. On the other hand, the shows leaves open much to talk about and it would have been interesting to read the views of others as the events unfolded.
MAJOR SPOILERS ABOUT HOUSE OF CARDS FOLLOW.
DO NOT READ THE NEXT SECTION UNTIL YOU COMPLETE THE FIRST 13 EPISODES
House of Cards might be seen as a completed story if seen as Frank Underwood going from being bypassed for the Secretary of State appointment to being chosen to become the next Vice President, which Frank wants to use as a stepping stone to the presidency. With filming beginning on a second set of thirteen, many things are still hanging which could jeopardize Frank’s appointment and perhaps lead to even worse consequences. The most serious would be revelations as to how he manipulated Peter, especially if the murder is revealed. Claire’s legal problems could also create enough of a problem to prevent the appointment, even if the complaint was fabricated. I suspect that ultimately the season will seem more like the first half of a novel.
Initially the series seemed like a more cerebral, political version of Revenge. Later Underwood’s real plan becomes clear. When Underwood first set up Russo’s fall, I assumed it was in retaliation for Peter acting independent of Underwood, threatening to expose past manipulations. Presumably Underwood had planned this from the start, with Peter’s disloyalty just providing the reason to put the final stages into motion at the time. When Underwood started to wipe his fingerprints off of Peter’s steering wheel I predicted what he would do next, but did it really make sense to murder Peter where security cameras might have shown him come in? Having Peter permanently silenced would be of benefit, but Peter no longer had the same ability to cause harm to Underwood.
My biggest nitpick about the show was the manner in which alliances changed so easily. Frank’s wife betrayed him and then quickly became loyal to their joint goals after returning home (a second way in which Peter’s death was of benefit to Underwood as long as everyone continues to consider it a suicide). More implausible was the degree of loyalty to Underwood showed by the President’s chief of staff in later episodes. I could easily see her performing a few favors for Underwood, even floating his name as Vice President, in return for his favor. It went too far with her actually scheming with Underwood and allowing the release of the secret schedule.
Other changes in loyalties were easier to accept. Backstabbing by underlings such as Remy didn’t come as much of a surprise. Zoe is far more interesting as a reporter digging into what happened as opposed to the slut who got her stories by sleeping with sources. Best of all was seeing Zoe convince Christina to help find out what really drove Peter to suicide. There is no doubt that this House of Cards will start to collapse around Frank Underwood when the series returns now that his earlier actions are becoming uncovered.
END OF SPOILERS
The Americans started in a more conventional, weekly format on FX at about the same time as House of Cards was placed on Netflix. The finale airs this Wednesday, with a preview of the episode here. It is my favorite new series of this season, centering around two Russian spies who pose as as a married couple during the Reagan era. Their neighbor across the street happens to be an FBI agent. I won’t say more, recommending that those who have not seen the series pick it up from the beginning.
Finally, here are Conan O’Brien and Barack Obama at the White House Correspondents’ Dinner:
Following a record-breaking year, fan favorite Doctor Whoreturns with a modern day urban thriller, The Bells of St. John, written by lead writer and executive producer Steven Moffat (Sherlock). Set in London against the backdrop of new and old iconic landmarks – The Shard and Westminster Bridge – The Bells of St. John introduces a new nemesis, the Spoonheads, who battle the Doctor as he discovers something sinister is lurking in the Wi-Fi. The premiere will be followed by seven epic episodes written by Steven Moffat, acclaimed writer Neil Gaiman (Coraline, Beowulf), Mark Gatiss (Sherlock), Neil Cross (Luther) and Stephen Thompson (Sherlock).
The Doctor (Matt Smith) is joined by his new companion Clara (Jenna-Louise Coleman) for the latest set of incredible adventures through space and time. The duo finds new adversaries and familiar friends around every corner as they journey from the bottom of the ocean in a submarine to the center of the TARDIS and beyond. The Cybermen make a thunderous return and the Ice Warrior arrives in an unexpected place.
Steven Moffat, executive producer and lead writer, said,“It’s the 50th year of Doctor Who and look what’s going on! We’re up in the sky and under the sea! We’re running round the rings of an alien world and then a haunted house. There’s new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor’s greatest secret will at last be revealed! If this wasn’t already our most exciting year it would be anyway!”
Also appearing this season are guest stars Dougray Scott (Desperate Housewives, Mission: Impossible II), Warwick Davis (Life’s Too Short, Harry Potter), Celia Imrie (The Best Exotic Marigold Hotel), Richard E Grant (Iron Lady, Dracula), Jessica Raine (Call the Midwife) and Tamzin Outhwaite (EastEnders, Law & Order: UK). Additionally, mother and daughter Dame Diana Rigg (Game of Thrones, On Her Majesty’s Secret Service) and Rachael Stirling (Tipping the Velvet) will appear on screen together for the first time. Doctor Who premieres Saturday, March 30, 8:00pm ET as part of Supernatural Saturday.
The Ice Warriors are to return to Doctor Who but two episodes of the original serial The Ice Warriors from 1967 are missing. There are now plans to make animated episodes to complete the story for DVD release.
It looks like John Barrowman might be appearing in the 50th anniversary episode, or maybe not. He also says he has “moved on” from Torchwood.
There is also talk about Arthur Darvill returning for the 50th anniversary, but they would have to be careful with that. Perhaps they could meet up with Rory before he was sent back in time by the Weeping Angels. Otherwise it would be hard to explain bringing back Rory without Amy Pond. Even that might violate some time laws, but those rules have always been inconsistent.
Game of Thrones Season 3 extended trailer above. The series returns on March 31.
Revolution returns on March 25. A five part web series is being posted prior to its return. Series Creator Eric Kripke is comparing his show to Game of Thrones:
“We’ve seen personal relationship struggles and personal revolutions happen, but we haven’t seen how this particular power outage has affected the whole world. We’re about to,” Esposito teases. With the revolution finally beginning, everyone has their own role to play, roles that will take them outside of the Monroe Republic. “We’ll see the Georgia Federation this season, we’ll see the Plains Nation this season — and they’re wildly different nations … We really want this to evolve into kind of an American Game of Thrones.” Kripke says. But with the world expanding, don’t expect our recently reunited gang of misfits to stay together too long.
It would take a considerable about of improvement to see Revolution enter the same league as Game of Thrones but it is not a bad things that Kripke aspires to such quality.
Variety reports that Emma Watson is in early talks to play Cinderella in a Disney live-action adaptation.
Zoe Saldana, taking up the Star Trek/Star Wars crossover of Part I of today’s SciFi Weekend, also wants to be a princess. The actress who plays Uhura wants to be a princess in Star Wars VII.
Gavin and Stacey is one British television series which I would highly recommend watching. It has become easily available in the United States, including on Netflix. However, when I first heard of plans for an American version of the show I was wary as to how well it would work. Some adaptations of British shows have done well, while others have been flops. The flops include Coupling, a fantastic British sit-com written by Steven Moffat. The show was about a group of friends who hung out a a bar and felt like a combination of Seinfeld and Sex and the City, with occasional references to Daleks. NBC tried to use an American adaptation to replace their show about Friends who hung out in a coffee shop, but the adaptation didn’t work in the United States.
Gavin and Stacey also had a couple of connections to Doctor Who. Several years ago the internet went wild over rumors that Joanna Paige (Stacey) was going to appear on Doctor Who as a Time Lady or relative of the Doctor. James Corden, who has appeared in episodes of Doctor Who including The Lodger, was creator and co-writer of Gavin and Stacey and appeared in the show as Gavin’s friend Smithy. Joanna Paige might be best known in the United States for her role in the British romantic comedy Love Actually as the sex-scene body double who spent much of the movie nude and having sex.
I have questioned the change from a relationship between a boy from near London and a girl from Wales to an American story. In the American adaptation, Friends and Family, the role analogous to Stacey is moved from Wales to rural Pennsylvania. I had little interest in this show until the cast for the pilot was released: Alexis Bledel and Jason Ritter.
Alexis Bledel is best known as Rory Gilmore from Gilmore Girls. She also appeared in Sin City and recently appeared on Mad Men. With Alexis Bledel on the show I will definitely check it out. It is also amusing that Jason Ritter recently was involved with Lauren Graham (who played Rory’s mother on Gilmore Girls) on Parenthood. Ritter also stared on The Event.
This impersonation of Lena Dunham auditioning for Zero Dark Thirty really nails her charter from Girls.
This is for female readers who were offended by Seth MacFarlane’s We Saw Your Boobs number at the Oscars (video above) not because it was tasteless and crude but because it only pandered to the prurient interests of male viewers–We Saw Your Junk:
There are more rumors that Benedict Cumberbatch’s character in Star Trek Into Darkness is really Khan based upon the Entertainment Weekly cover story on the movie. At one point (since changed) the listing for sales of back issues described the cover featuring Kirk and Cumberbatch’s character as Kirk and Khan. (A second cover has Kirk and Spock). This hardly proves anything as whoever set up the orders page might have simply been influenced by the rumors as opposed to having any inside information.
There initially was a lot of speculation that the villain of the second movie under Abrams (as with the second movie of the original movie series) would center around Khan. When initial previews came out, further similarities to Gary Mitchell were noticed. It is certainly possible that the movie might be influenced by one or both stories from the original series, or perhaps neither. If the Khan stories are used as an influence for this movie, the story would most likely be more along the lines of Space Seed, when Khan was first found during the original series, than Star Trek II: The Wrath of Khan. There probably would be some major changes from the original story to reconcile the original Khan story and what we have seen in the clips so far.
Regardless of whether the character is based upon Khan and the aftermath of the Eugenics War, we can be certain that J.J. Abrams will be more careful in not tying himself to a history of the near future. When the original series was released in the mid 1960′s, it did not seem likely that people would still be watching Star Trek in the 1990′s and beyond when the Eugenics Wars were written to occur. (I have not read the books, but I have heard that they do attempt to reconcile this inconsistency between the Star Trek history and what we have observed by having the Eugenics War be more clandestine than the open all-out war I previously imagined). Abrams has already taken large steps to free himself from Star Trek canon by having a time line independent of the previous shows and movies. I question whether he would want to tie himself to a back story of a war in the 1990′s making me suspect that even if the character is modeled on Khan the back story will be different.
It was only in response to questions on the subject, but Joss Whedon has kept speculation alive about a return for Firefly:
Cancelled by Fox in 2002 before its first season had even run its course, the sci-fi western Firefly frequently lands on lists of TV shows that fans would love to see resurrected. But more than a decade on, there’s obviously no hope Firefly will return. Is there?
“I’ll never really accept it,” Whedon said of the end of Firefly, when I spoke to him during his stop in Toronto a while back. “And I always, in the back of my head, think, ‘What if I could get the old gang back together?’ ”
OK, you’ve got my attention now. Get the Firefly gang back together? Do go on.
“Well, you know, it’s something I would love to do,” Whedon said. He even admits to being a sucker for this sort of punishment: “When I made Serenity (2005′s feature film continuation of Firefly’s storyline), I said here’s one thing I’ll never do again — a movie based on something that some people know about and some people don’t, with tons of characters who all know each other and who you have to introduce.
“And then my second movie was The Avengers.”
Of course, there are all kinds of obstacles preventing any television or film resurrection of Firefly. Not the least of which is — spoiler alert! — fan-favourite character Wash (Alan Tudyk) was unceremoniously killed in Serenity. (One diehard fan recently analyzed Wash’s death in an attempt to prove the Reaver harpoon that impaled him could never have penetrated Serenity’s hull. Unfortunately, the movie math held up)…
Firefly’s flame has not been fully, irrevocably extinguished — “Part of me is like, ‘God, it would be great when I finish Avengers 2 to do that,’ ” Whedon said — but given the mountains of exhausting work Whedon already has on his plate, the odds don’t look good for Capt. Mal and company.
The BBC is talking about offering episodes of some shows on line on their iPlayer before the shows are aired. This is yet another reason to get the Hola Unblocker add on for Firefox or Chrome which, among other things, allows people outside of the UK to access iPlayer. It also allows people to view Netflix in countries where it is not available. Yes, there are other ways to do this, but this appears to be the simplest.
I don’t know which shows will be available ahead of the broadcast date, but the latest BBC genre show worth getting (whether by downloading or iPlayer) is Utopia. I don’t want to give anything away (and I’ve only seen some of the episodes) but it involves a graphic novel which appears to contain secret information and a government conspiracy to get more information about it, among other evil activities.
Community returned this week, once again up against The Big Bang Theory, showing why VCR’s and DVR’s are essential. The two questions coming into the season were whether the show would be turned into a more conventional sitcom and whether it would suffer quality-wise without Dan Harmon. The answer to the first question appears to be no, with the first episode even including a safe place in Abed’s head which showed the difference between Community and conventional sitcoms.
The show is still filtered by different show runners and it will be necessary to see more to determine how the show stands up to Dan Harmon’s work. One difference from the start of the season is that there is now a relationship between Britta and Troy. The lack of such relationships between main characters did differentiate Community from most other sitcoms, but this does not mean that continuing this absence is essential. What matters is how the relationship is handled, and whether it does open new avenues for stories this season without looking like every other sitcom relationship. I was glad to see that Chang was just seen briefly at the end. His character works best in small doses.
New show runners Moses Port and David Guarascio were interviewed by The Hollywood Reporter. They are hopeful that Community might get a fifth season since NBC is losing 30 Rock and The Office. They did find the delay in airing to be a disadvantage since all the episode are now filmed and they could not take fan reaction into account, which might have been helpful with the changes this season.
TWoP: It’s been fun to watch how Britta and Annie’s friendship has evolved over the course of the show. Has that been equally enjoyable for you both to play?
Gillian: I like that it flipped at a certain point and Annie started mentoring Britta.
Allison: Yeah, it’s always been a sisterly relationship. It was a bit competitive at first with Jeff, but we got that out of the way very quickly and then it was always Annie looking up to Britta. And now it’s flipped around and it’s like, “Maybe I can give her some advice.”
Gillian: Yeah, it took Annie a little too long to realize that Britta didn’t know what the hell was going on. I really enjoyed the “Blade” episode last season where she was calling me a lying junkie and locking me in her bedroom. And it’s interesting to see that dynamic play out this season with Britta joining the Troy/Abed/Annie household sometimes.
TWoP: Community is a big target for ‘shippers, who have paired up pretty much every study group partner at this point. Have you ever seen any Annie/Britta shipping?
Alison: Oh yeah.
Gillian: Yeah, definitely. Alison and I did a photo shoot for GQ that probably prompted a lot of that shipping. I think we’ve seen every possible fan combination. Donald [Glover] sent me some fan porn of Troy and Britta that someone had sent to him.
Alison: I saw some with Troy and Abed.
TWoP: So you do read Community fan fic?
Alison: Just the porn. [Laughs]
Gillian: I read enough to know what it was and then I was like, “Oh my!”
Alison: I just saw pictures! Mine was like pornographic cartoons.
Gillian: Oh, mine was a written-out thing. I just scanned it.
TWoP: Maybe someone can go through and change all the names, publish it and it can become the next 50 Shades of Grey.
Gillian: Yup — Seven Shades of Weird.
Fringe took a look Through the Looking Glass and What Walter Found There. Walter looked at another tape and, in an uncharacteristic move, went off on his own. For a moment I thought he might be crossing over to the alternate universe but instead he wound up in a pocket universe. There are now new elements added to this season’s scavenger hunt–a bald-headed kid adopted by the Observers in a previous season who is now missing, and a radio left in his place. It will be interesting to see what type of message comes over this radio.
This was also an episode which concentrated on development for Olivia and Peter, as they continued to morn the death of Etta. The climax of the episode showed them fighting the Observers, with an Observer telling Peter that he knows what he has done but has made a grave mistake. Whether it turns to be good or bad, it may be analogous to hooking Peter up to the machine with its unexpected results. For now Peter is a better fighter, and more vicious in killing the Observer. His vision then took on a blue tint–yet another effect of the Observer implant in his neck (unless he took Viagra). There are also changes in Walter, who is becoming more like Walternate, or the Walter he was becoming before portions of his brain were removed by William Bell. I would assume this is a consequence of replacing these portions of his brain in Letters of Transit.
Revolution primarily continued its adventure of the week format, this time with a watered-down version of Lord of the Flies. We did learn more about what caused the blackout, leaving more questions. The Mathesons, along with Grace (who was kidnapped earlier this season) were working on a device to generate electricity and instead it did the opposite–stopping electricity completely. Someone from the Department of Defense pressured Rachel into accepting a government contract for this technology, and he turned out to also be the person who kidnapped Grace. It might have made sense for the DOD to be interested in this as a weapon directed against a specific country, but it is harder to see the rational for using this if it also caused the blackout in the United States. It will be interesting to see if we ever get a plausible explanation.
The web series, Battlestar Galactica: Blood and Chrome is now available on line. Episode one is embedded above. An “explosive unrated edition” will be coming out on Blu-ray & DVD February 19, 2013.
It has been confirmed that Neil Gaiman’s episode of Doctor Who will involve the Cyberman, with Gaiman making them scary again:
Speaking to Reviewer.fr he said: “Steven asked me to write a new episode and I said no because I was too busy. And then he wrote and asked if I wanted to make the Cybermen scary again. And I thought back to when I was six or seven years old: ‘The Moonbase’, ‘Tomb of the Cybermen’ … when I saw them when they were first broadcast. The Cybermen were far more frightening than Daleks, because they do not make noise. Daleks move in all directions, shouting ‘Exterminate’, etc.. With Cybermen it’s different. You turned around and bam! There were Cybermen. It’s scary.
“I told [Moffat] that I would revive the Cybermen for the 50th anniversary year and everything that has happened since, and see what I could do. I do not know if it will work, we’ll see.”
He added: “This will be a stand-alone episode, it will be the penultimate episode of Series 7. It has a beginning, a middle and an end.”
Gaiman also stated that the title of the episode, currently believed to be The Last Cyberman, could still change: “‘The Doctor’s Wife’ was’ Bigger on the Inside’, up to two weeks before release. It could be anything,” he said.
Scarlett Johansson is on the cover of V magazine, recreating the Janet Leigh shower scene from Psycho. She found facing Anthony Hopkins to be far scarier than filming a nude scene:
The flick, about the making of Psycho, finds Johansson having to recreate a certain iconic shower scene.
“We only had the luxury to shoot the scene for a day, and everybody was feeling very nervous because it involved water and nobody wants the actor to get wet,” the 27-year-old told V. “They were concerned with modesty and all these things—but I don’t care about any of that stuff and Janet Leigh never did either.”
But Johannsson did admit that it was “terrifying” having costar Anthony Hopkins, who portrays the famed director, point a long kitchen knife in her face.
“Maybe I watched Silence of the Lambs too many times when I was a kid. Maybe I was having some flashbacks. So I didn’t need too much preparation for the scene,” the actress said.
Last week’s episode of Fringe was entitled The Bullet Which Saved The World. This week we found out what is meant by the episode title An Origin Story and have a better idea as to what last week’s title meant. Peter is going to extreme lengths to ensure that the Observers are defeated and that Etta receives credit for the revolution after her death last week. I had questioned the previous explanation given of the Observers having evolved from humans as the time scan was not great enough. Use of a device to provide the powers does seem more plausible, although simply sticking it in one’s neck seems too simple–not that Fringe has ever been very plausible. Now that Peter is receiving Observer powers, will he also begin looking like them? Why do they all look and dress like that, and why aren’t their any females? Fox has also announced that the series finale will be a two hour episode on January 18.
Jorge Garcia of Lost (and Alcatraz) will be playing the Giant on Once Upon A Time. Garcia was interviewed about his role:
So, you’re playing a murderous giant?
They called me murderous? Wow. Okay.
Hey, that’s what the press release said.
Well, I did a looping session for the giant, and it was basically all growls.
But we’ll be seeing you, not just hearing you, right?
It’s me.They CGI most of the set, so I had to work in a studio completely done in green screen and act against little pieces of tape and dowels, but it’s me, you definitely see my face. I don’t look entirely like myself, though; I’m in costume.
Since you’re working against a green screen, I guess that’s to make you look giant-sized?
Yeah. The perspective is different, because they want me to look like I’m six times the size of everyone else.
The creators of “Lost” created the Hurley character just for you. It seems like something similar happened here.
["Once Upon A Time" creators] Eddie [Kitsis] and Adam [Horowitz], they were always the keepers of the Hurley stories [on "Lost."]. They wrote most of the scripts about Hurley, so for a while we’ve been talking about working together again, and how they wanted to bring me in for “Once.” I wasn’t available last year because I was working on another show, but they pitched the giant story this year and they gave me a little bit of background about his origin, which will be something to do in a later story.
Matt Smith says that the upcoming episode of Doctor Whowritten by Neil Gaiman will be a separate story from Gaiman’s previous episode, The Doctor’s Wife, but predicts it will be a fan favorite. Smith is also more open to the idea of a Doctor Who/Sherlock cross over than Steven Moffat is. He discussed cross overs with Walking Dead and Breaking Bad in yet another interview
Years ago, after the first trilogy, the plan for Star Wars to make two additional trilogies, one taking place before and one after the original trilogy. The third was to take place when the original cast was older. After the disappointing prequel trilogy, the word was that the series was done and the third trilogy would never be made. As I’m sure everyone has heard this week, George Lucas has the rights to Disney, which will be making further Star Wars movies. This might even include two more trilogies. The upcoming movies are to be centered around Luke Skywalker and others from the original cast, and will be original stories as opposed to being based on Star Wars novels. George Lucas, who will still play a role in the upcoming movies, has already spoken to Mark Hamill and Carrie Fisher about returning to their roles.
Cobie Smulders of How I Met Your Mother will return as S.H.I.E.L.D agent Maria Hill in Captain America 2.
Joss Whedon explains how Mitt Romney’s policies are conducive to bringing on the Zombie apocalypse in the video above. Romney is “not afraid to face a ravening, grasping horde of subhumans, because that’s how he sees poor people already.”
And yet another endorsement for Mitt Romney above.
Doctor Who returned this weekend with Asylum of the Daleks. It as preceded by two prequels, the video above from iTunes and Pond Life, with the collected episodes below:
Asylum of the Daleks featured lots and lots of Daleks. The Daleks now are somewhat like the Borg, using nanotechnology to convert people into Daleks and into humans with Dalek weapons popping out of their foreheads. There’s also a game changing ending, and a huge surprise (Spoilers ahead).
We were told that each episode would be a stand-alone story without the big arc of last season. Asylum of the Daleks could certainly be enjoyed by the casual viewer as a stand-alone episode, but Doctor Who fans were likely to be surprised to find that a character named Oswin, played by Jenna-Louise Coleman, was the highlight of the episode. For the benefit of any Doctor Who fans who might have been trapped in the Pandorica since last spring, Jenna-Louise Coleman will be playing the Doctor’s next companion beginning with the Christmas episode. Rumors are that her name will be Clara Oswin and she will be a computer genius, but seeing how Moffat played with us by having Jenna appear months early, it is possible that we also might have been fed some false information.
There are many possible explanation. Some companions, including Karen Gillan, appeared on the show as different characters prior to being hired to play the companion. Perhaps Moffat is using a variation on this, inserting the new companion into a different role after hiring Jenna. At least one interview I’ve heard does suggest this was the explanation, but I cannot give up on the idea that there is a stronger connection.
There’s also Donna Noble who appeared in a Christmas episode, and then returned in a future season to be the Doctor’s companion. It would be a little more difficult for Jenna to return as Oswin had both been turned into a Dalek and the planet she was on was blown up. Of course this is Science Fiction, and perhaps either Oswin found a way to save herself or the Doctor found a way to save her. This might explain all the references in the episode to being remembered. The Doctor told Amy to make the Daleks remember her, but for a moment Amy’s mind was somewhere else, seeing Daleks as dancers. Rory forgot his own name for a moment. Oswin told the Doctor to remember her. There’s also the ending of the episode which I will get to later, plus memory has been a common theme in Moffat’s stories.
If Oswin somehow escaped on her own, it might be significant that she has seen the Doctor while he does not knowwhat she looks like. That might explain reports of Clara chasing after the Doctor (who would not recognize her) in the Christmas Episode. If Oswin did survive, this be somewhat similar to Sherlock, where Holmes did survive a situation in which it appeared he had died.
If Oswin really is dead as it appears, there is always the River Song scenario. The Doctor might meet Oswin at some point earlier in her timeline, but would Moffat do the same thing twice? Maybe the Doctor rewrites time to prevent her from becoming a Dalek. Those rules about time are quite ambiguous to those of us who are not Time Lords. However that might create problems if Oswin was not around to help them in the asylum.
Perhaps Jenna does not play this Oswin but instead someone who looks identical to her. That could be a twin, an ancestor, or perhaps even a clone if the Doctor not only remembers her but somehow saved some of her genetic material. I could easily seen Clara Oswin being an ancestor of Oswin’s, assuming we aren’t being misled about the Clara Oswin name.
The Doctor also ended last season with most people believing he was dead. Oswin extended this to the Daleks, who share a long history with the Doctor. Moffat has often worked in the question, Doctor Who? but it was a surprise to hear it from the Daleks. It will totally change the completion of their next meeting if they do not know who the Doctor is. The episode also showed why Amy and Rory separated and brought the two back together, perhaps only for a short time.
Another amazing aspect of the surprise in this episode is that it remained a secret after four screenings. Steven Moffat expressed his appreciation:
“I hope you all got a nice surprise when Jenna popped up in Doctor Who several months early. If so, that surprise came to you courtesy of the frankly magnificent ladies and gentlemen of the press, and of the many Doctor Who forums and blogs too. This show has been seen at four separate screenings, across four different countries and yet not one person gave one spoiler. From all of us on Doctor Who, a heartfelt thank you for helping us tell our story.”
“Listen, a couple of months ago, we were a lot like most of you, just huge fans of the show who thought it was one of the most special things on television,” Guarascio said. “The only thing we care about is keeping it this weird, wonderful gem … That’s not gonna change.”
“Like no other show, the fans influence what [gets on the show],” he continued. “So, thank you, it’s been a beacon.”
Added Port: “It’s not us coming in and taking it on by ourselves. It’s the best cast on television.” “We could be really, really crappy and this would still be a great show,” Guarascio said.
To that end, here’s what the pair has already planned for Community’s fourth season: a visit to Pierce’s mansion (“We’ll get to see the twisted world where he lives,” Guarascio said), a trip to the Inspector Space Time convention, and, yes, more inventive animation is on the way.
As for graduation? It will definitely happen, and it will definitely be emotional. “We’ll explore some new relationships, some real significant relationships. One might involve the dean and Jeff,” Guarascio said. “And the show will keep going, even if they’re not all at the school at the same time. They’ve become this real family that will exist no matter what happens.”
Inspector Space Time convention? It still sucks that Harmon got fired, but I am certainly interested in seeing the upcoming season. #sixseasonsandamovie
Then, all our suspicions about the show were confirmed when executive producer Russ Krasnoff said, “When Dan Harmson first talked to us about a show, he pitched time travelers and aliens from space, and then this one . . . but we didn’t know he would put it all in Community.” So even the execs have figured out that Community is basically a science fiction show.
McHale also dropped a hint about his father. “Eddie Murphy will be playing Jeff’s father,” he joked. “Pluto Nash himself.” Was he joking? You never know.
Howard and Bernadette
Astronaut Howard “Fruit Loops” Wolowitz will spend the first few episodes in space, exec producer Bill Prady says, noting that his living arrangements with new bride Bernadette will come up relatively quickly upon his return to Earth. “All of those things that we thought might happen at the end of Season 5 are happening in Season 6,” he says. Exec producer Steve Molaro noted that the issue — whether the couple will continue to live at home with the nagging Mrs. Wolowitz or find a place of their own — won’t be resolved quickly. “He’s torn between two really powerful, strong women who both adore him,” Prady says, noting that he doesn’t want to disappoint his mother or let his new bride down. Says Helberg: “He’s going to piss someone off a lot, whether it’s his wife or his mother. He’s got growing up to do. … Either way there’s going to be someone yelling at him from another room.”
As for his outer space experience, it won’t all be smooth sailing for the Mama’s Boy. “Howard learns that even though he makes it all the way to space, all the issues of life that plague him won’t stay on Earth and have a way of following him all the way up to the space station,” Molaro warns. Meanwhile, Helberg notes that Howard will encounter some rough space travels as he’ll bear the brunt of the jokes on his mission — both from his fellow astronauts as well as from home. In terms of what will happen once he does return home? Expect a boosted ego from the former leader of the wolf pack. “I don’t think he’s going to burry [that he was in space] and it sounds like he’s going to be bullied in space,” Helberg says. “He’s definitely going to hype [having gone to space] … he’s going to wear the NASA shirt to take the trash out.”
So could kids be something that comes next for the new Mr. and Mrs. Wolowitz? Melissa Rauch said the union could make for some noisy offspring. “With the vocal tone of Bernadette and the Wolowitz family, that baby’s cry would break glass,” she said with a laugh.
Leonard and Penny
“They have a complicated road,” Prady warns of what’s to come for the fan-favorite couple following Leonard’s spur-of-the-moment proposal. “If Sheldon and Amy’s relationship is baffling and Howard and Bernadette’s is traditional, Leonard and Penny’s is rocky,” he says. “They adore each other as people and friends and it keeps drawing them together and when they get together, they keep being unsure how to proceed there.” Adds Cuoco: “I hope down the line, at the end of the show, that they’re together but right now it’s probably not right.”
For his part, Galecki says timing continues to be a problem for Leonard, with Penny facing an entirely different issue. “I don’t know that emotional maturity is Penny’s strong suit right now; she seems to run away right now to any kind of proposal — like when Leonard professed his love for her and she shut it down,” he notes.
Sheldon and Amy
“A lot of the Sheldon-Amy relationship has to revolve around Sheldon, so in terms of [their relationship] expanding, that has to foster from Sheldon; whether that means he’ll learn new things about himself, learn new limits to his boundaries or new boundaries, it’s unclear. But I love the sparring that Amy and Sheldon have and the non-romantic elements of their relationship,” Bialik. “There’s never been any mention of Amy’s attractiveness — or lack of attractiveness — to him; he likes her as she is, it’s irrelevant to him and he’s truly in love with her mind.”
Raj, the Odd Man Out
Executive producer Chuck Lorre teased that there would be a new romance for Raj during Friday’s Comic-Con panel in Hall H, but that was news to his portrayer, Kunal Nayyar. “That was the first time I heard it at the panel,” he told THR. “He did say, ‘Excited to see it,’ so I don’t know if it is the person or thing he’s going to fall in love with or the actual relationship.” Raj always used Howard as his crutch and he’s going to have to lean on something, so whether he actually goes out there and risks his heart on some love, we’ll see. As for who he’d like to see as his potential love interest, it’s a short list: former Big Bang Theory guest stars Danica McKellar and Summer Glau or any “geek icon” since “Mayim Bialik is taken,” he joked.
No confirmation from the BBC yet, but Matt Smith said at ComicCon today that Doctor Who will resume airing in August. A Doctor Who cast interviews can be seen above, the second interview conducted by John Barrowman.
The plot begins 10 years after a horrifying family incident left two young children orphans. Although authorities charged the brother with murder, his sister, Kaylie, believed that the true culprit was a haunted antique mirror. Now rehabilitated and in his 20s, the brother is ready to move on but Kaylie is determined to prove that the mirror was responsible for destroying their family.
Last week we learned that Diana Rigg will be appearing in Doctor Who. She is also to have a role in Game of Thrones. She play Olenna Redwyne, the Queen of Thorns, the grandmother of Margaery Tyrell. More on the Game of Thrones panel here.
“New” Big Bad: Another Trinity killer is on the loose! Not exactly. In Season 7, Dexter is stalking a killer who “ritually murders on New Year’s Eve.” Whatever happened to resolutions like joining the gym?
A Little Help From a Friend: Strahovski is guesting as Hannah McKay, “a woman of mystery with a dark past,” explained the beautiful Aussie actress explained. “She meets Dexter and helps him with an investigation in an old murder mystery” – presumably the NYE killer. “She’s not working with the police,” Strahovski clarified to Zap2it at a Showtime party following the panel. “This is why the role was so enticing to me. The last five years I’ve played a CIA agent on ‘Chuck — it’s the complete opposite.”
No Seconds Wasted: Season 7 picks up immediately from last year’s shocking finale: Deb discovering her brother murdering Travis (Colin Hanks). Dexter tries to justify it as an act of self-defense, but considering Travis is “wrapped in plastic on an altar,” he has some splaining to do to his incredulous sister.
Incest Is Best:[Why!!!!!!] Sorry, it doesn’t look like “Dexter” producers have any plans to course-correct the show’s new controversial storyline: Deb realizing she has romantic feelings for Dexter. “There was certainly a fascination that I thought Deb had with Dexter, so it didn’t feel like it was so bizarre to play that last season,” Carpenter reasoned, before adding, “I think him stabbing somebody trumps those thoughts.” [I hope so].
Daddy Dearest: Dexter’s son, Harrison, is still “in the picture” this season, Hall confirmed. (And “very cute,” Carpenter piped in.) Being a serial killer parent to a growing boy “becomes a dicier proposition every day,” said Hall. “As someone who is also Harrison’s guardian, Deb now has a sense of what she’s dealing with her brother that changes things as well. He has someone encouraging him to face what he is trying to pull off as a parent.
“Dexter’s powers of denial are pretty strong, but he would be hard pressed to really argue that being a serial killer is an ideal hobby for a parent,” Hall concluded drily.
Neil Gaiman announced he is doing a Sandman prequel in the video above:
Twenty-five years after The Sandman, Neil Gaiman’s critically acclaimed series of graphic novels, first appeared, the award-winning author is returning to the books that helped make his name.
The very first Sandman comic, published in 1988, tells the story of how Morpheus, or Dream, is captured and imprisoned by an occultist. Gaiman stopped writing the popular and award-winning books more than 10 years ago, but announced yesterday at San Diego Comic-Con that, in 2013, a new mini-series will tell the story of Morpheus before he was captured. JH Williams, who has worked on Batwoman and Promethea, will illustrate the new stories, which will be published by DC Comics’ imprint Vertigo.
“When I finished writing The Sandman, there was one tale still untold – the story of what had happened to Morpheus to allow him to be so easily captured in The Sandman No 1, and why he was returned from far away, exhausted beyond imagining, and dressed for war. It was a story that we discussed telling for Sandman’s 20th anniversary … but the time got away from us. And now, with Sandman’s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told,” said Gaiman.
Joss Wheden is uncertain as to whether he will return for the sequel to The Avengers. More from the Firefly panel here. More on Marvel super hero movies here. Iron-Man news here. A movie is also to be made of ♦–info here.
There is only one week to go. Here is an interview with producer Marcus Wilson on this year’s Doctor Who Christmas Special.
Bill Bailey on appearing in this year’s Doctor Who Christmas Special
This week Steven Moffat also revealed more about the special. The cosmic screwdriver is an awesome tool, but it doesn’t work on wood. So what if the Doctor runs into a monster made of wood, which was also influenced by Moffat’s childhood fears:
“It was an old, old nightmare. When I was a little boy, I used to have an obsession that if I fell asleep facing the wall, as opposed to facing the door of my room, something dreadful would happen to me. I had all sorts of safeguards in case I ever fell asleep facing the wrong way. But one time, I woke up… and I was facing the wall. I was horrified! I spun round, and I was so transported by fear that, for a moment, I saw a seated, wooden king in front of my bedroom door, saying, ‘Well, you got that wrong, didn’t you?’ And I freaked.
“Obviously, it was just my imagination; there wasn’t actually a wooden king. At least, I hope there wasn’t. But that is the Wooden King in this episode, seated and looking like wood, but with a mobile face… Have you seen it blink? It’s terrifying. It’s that wonderful, counter-intuitive thing of wood behaving like flesh, and being fluid. It feels so wrong, and therefore so Doctor Who.”
“The big thing is, nothing in the next run is starting out as a two-parter,” he confirms in the latest issue of Doctor Who Magazine. “At this stage, everything is a single episode, and the only reason anything will become a two-parter is if we think it needs to be; not so much that the story is too long for 45 minutes, because nothing is too long for 45 minutes, but if it feels as though there are two distinct stages to the story…
He goes on to explain some of the reasoning behind the decision: “I was looking at the facts and stats and it’s not true that the two-parters save us money. We’ve assumed it for years. They don’t save us money at all. Not a penny. So what’s the point in them? The viewing figures always go down. The AI [Audience Appreciation Index] goes down, even if the second episode is the better one. The press coverage goes down. The trailers are a bit boring. I want to be able to say, every week, we’ve got a big standalone blockbuster, and then a trailer that makes it look like nothing compared to what’s going to happen next week! That’s the form for next year.”
David (Yates) was talking a little out of turn, there; a very, very brilliant director but no the film as described by him, of course we’re not going to do that—a film that contradicts the television series, it would be a heathen thing to do … I would be ‘beheaded’ to do such a thing!
It would be wonderful to do a Doctor Who film, but when and if we did—and hopefully we will be doing it—it will be very much an offshoot of the television series and we’ll be part of it, and it will star the television Doctor, of course—anything else would be heresy!
Neil Gaiman on his favorite moments from the past season of Doctor Who.
The other big special of the holiday season is the two hour Downton Abbey Christmas Special. Warning, there are MAJOR SPOILERS for those who have not seen the second season, which so far has aired in the U.K. but not the U.S. The preview gives the impression that the special deals with two major plot lines of the second season which were left unresolved at the end of the season.
Dexter and Homeland (my favorite new show of the season) conclude their seasons tonight. Going into the final two seasons, I wonder if Dexter will have any major developments tonight beyond killing the big-bad of the season. I’m curious as to how Homeland will conclude and still leave things open for a second season. Claire Danes does say in the interview above that there will be a second season. Presumably if Carrie saves the Vice President and perhaps exposes a mole in the CIA her career will not look as finished as it did last week (assuming she stays on her meds).
Colin Hanks was interviewed about his role as Travis Marshall on Dexter. Here are some portions of the interview:
What was your reaction to the story line when they explained it to you?
Well, when they told it to me, it was incredibly vague. They just said, “You’ll be one of the two bad guys; you’ll work together as a team.” And then they said — well, I can’t really say because we haven’t aired yet — but they told me a version of what is going to happen at the end, which was sort of like the caveat. Which ended up not happening, by the way.
The end changed from when you got the role?
Yeah, as with all things TV, it’s always fluid, it’s always morphing, it’s always changing, it’s always growing. And I think there was a lot of that throughout the course of the season. They didn’t tell me about the twist in — I think it was the “Get Gellar” episode — until right before they sent that episode out.
Oh, so you didn’t know from the start that Professor Geller was really dead?
I didn’t know. I didn’t know about the big reveal.
Then I guess you didn’t tweak how you were acting against him —
No. No, no, no. They didn’t tell me, so I just played him as if he were a real person. Which is great.
Do you think you might’ve played it differently had you known?
I’m sure I would have in some way, so it was a luxury to just not worry about that. There’s always this sort of thing like, Oh, I wish I know what’s gonna happen so I can do my actor stuff and prepare and properly tell the story. But on the first day of shooting that we did, I remembered Eddie [James Olmos] having a conversation with [director] John Dahl. And Eddie knew about the reveal; John did not. And John said, “Look, it’s the great thing about life, you never know what’s gonna happen, so that makes for more realistic storytelling.”
Maybe the religious angle is getting people especially fired up. He’s a religious zealot.
Yeah, but it comes from a place of not being right in the head to begin with. It’s not like the religion is there, and then he went crazy because of the religion; he was crazy before that and he was going through his personal issues before that, so as things sort of were progressing, and once we got to the stage where we were really sort of learning things about Travis, I became much more sympathetic to him. Then at the end he just goes all out evil and crazy.
Dexter’s son Harrison gets involved in the finale when Travis kidnaps him. Was it hard to play insane killer scenes with a toddler?
It was incredibly hard. Without giving too much away, it’s incredibly dramatic and there’s yelling and it’s a culmination of the entire season. I mean, it’s the climax of the season. And I’ve got a sword, I’m holding a kid, he doesn’t know what’s going on. I’m supposed to put him in this thing and he doesn’t wanna go. And you know, I have a kid now [in real life], so my heart is just breaking for him because he’s crying. Again, John Dahl directed, he directed the final episode, and I said to him, “Of course it’s the climax of the season and we’ve gotta deal with this screaming 3-year-old kid for two days.” Not easy, but we did it.
In other media news, congratulations to the cast and crew of The Big Bang Theory on their 100th episode.
This day also brought the sad news of the death of Czech playwright, dissident, and later political leader Vaclav Havelwho helped bring about the downfall of the Soviet Union. The week also saw the loss of Christopher Hitchens.