SciFi Weekend: Hannibal; Captain America and Agents of SHIELD; The Americans; Orphan Black; Continuum; Captain Janeway and Geocentrism; The Expanse

Hannibal Chilton

 Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.

It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.

Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.

Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:

AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?

BF: [Frank] Serpico survived a bullet to the face.

Fuller explained Will’s motivations:

AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?

BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.

AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?

BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.

He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:

AVC: How much do you sit around and figure out how he does all this stuff?

BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.

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Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.

It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.

The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.

As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.

Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.

Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.

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The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.

The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.

Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.

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I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:

EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.

There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories.  This character relationship chart might help keep track of all of them.

Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.

Janeway

Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:

I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew

Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.

Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.

Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.

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SciFi Weekend: Doctor Who; Sherlock; Atlantis; SHIELD; Arrow; Last Week’s Revelation on Homeland; The Blacklist; Once Upon A Time In Wonderland; Star Trek; Star Wars; American Blackout; X-Men; Time Travel; Dealing With A Zombie Apocalypse

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Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:

Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.

“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.

“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”

However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.

“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”

Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:

“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?’”

Moffat has also discussed the return of the Zygons:

Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.

“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’

“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”

The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.

Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:

Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!

“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”

Peter Salus looked at the history of computers in Doctor Who.

Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.

Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.

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Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see  how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.

Arrow, while well-done and quite entertaining  for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.

Anastasia and Will Wonderland

I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US.  Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s  castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.

I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:

Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!

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Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:

In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa:
 I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.

So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.

There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa:
 One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.

Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: 
Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.

There’s more at The Hollywood Reporter, including how Brody will fit into the storyline:

How will Brody figure in to all of this?

I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.

Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?

It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.

I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.

I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.

The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:

As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.

Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.

Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.

This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.

What Culture has ten alcoholic drinks from Mad Men which you must try.

Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine

Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.

Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.

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SciFi Weekend: Under the Dome Finale; Atlantis; Agent Carter; Breaking Bad; AMC Spin Offs; Downton Abbey Premiere; Orphan Black; Revolution and Blacklist

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The season finale of Under The Dome has been widely criticized by reviewers. We were promised some answers about the dome but instead we got what felt like a bunch of random scenes. After more meaningless butterfly scenes, the big revelation was that Julia is the Monarch, not that we know what that really means. The beings behind the dome spoke in the body of Norrie’s dead mother and declared that the intention was to protect them and apparently we are to believe they are good because they say they are. (They really are intended to be protecting the humans per this interview with executive producer Brian K. Vaughan).  There is no indication of what the dome is protecting Chester’s Mill from, and they show a funny way of providing protection when the dome turns black. Of course we don’t have to worry for long because somehow Julia was right in deciding that the way to protect the egg was to dump it at the bottom of the lake, leading to pink stars rising and the dome turning white. There was no explanation as to why the beings behind the dome even require a human to protect the egg.

The interview noted above tells more about the plans for the series but beware that it also spoils aspects of the book if you intend to read it between seasons. That is pleural seasons. There was a limit to how satisfying any revelations about the dome might be with a plan is to continue the series for several years. This would probably work much better as a single season show with a clear ending, but that is not how network television operates. Regardless, the writers knew there would be a break for the season and might have come up with something more sensible.

Ultimately the dome is just a mechanism to drive the conflict between the various human characters. We might have forgiven holes in the mythology if it actually drove good stories, as with Lost and Fringe. I already discussed many of the flaws in the story here. The cliff hanger hardly provides any suspense, knowing that they will not kill off Barbie as they have killed off less important characters. Potentially better writing might have made the plot line more  believable. Stephen King will be writing the second season premiere. Hopefully he can get the story back on track, and the show’s regular writers can carry on from there.

Atlantis

With Merlin finishing its run last year, The BBC is starting Atlantis, which reimagines Greek mythology.

The action packed series brings to life the vast store of Greek myths and legends re-imagined for a new generation.

From the creators of the hit show Merlin and the creator of BAFTA award-winning series Misfits comes a thrilling new thirteen part adventure series: ATLANTIS.

When Jason sets out to find his father, he could never have anticipated where his journey would lead…

Far from home and desperate for answers, Jason washes up on the shores of an ancient land. A mysterious place; a world of bull leaping, of snake haired Goddesses and palaces so vast it was said they were built by giants – this is the city of Atlantis.

But under the surface of this enticing place is a dark and simmering past, a complicated web of treachery and deceit, with which Jason himself seems inexplicably bound. He soon finds himself embroiled in a perilous game of politics and power from which there is no escape.

Aided by the studious young Pythagoras and the overweight, overbearing Hercules, Jason embarks on a voyage of discovery and salvation which sees him brush shoulders with Medusa, come face to face with the Minotaur and even do battle with the dead.

As the series’ progress, this unlikely but engaging trio will take us on a journey through the vast store of Greek myths and legends, which provide the bedrock of western literature. A treasure trove of extraordinary tales re-imagined in a thrilling and unexpected way for a new generation.

Atlantis was created by Julian Murphy (Merlin, Hex, Sugar Rush), Johnny Capps (Merlin, Hex, Sugar Rush) and BAFTA award winning Howard Overman (Merlin, Misfits, Dirk Gently). BBC Executive producer is Bethan Jones.

Starring Mark Addy, Jack Donnelly, Robert Emms, Sarah Parish, Juliet Stevenson, Jemima Rooper and Aiysha Hart.

Den of Geek has a spoiler-free review of the first episode.

Agent Carter

The Flash is being introduced as a potential DC Comics television spin off of Arrow, and Marvel isn’t far behind. Although the first episode of Agents of S.H.I.E.L.D. doesn’t air for a couple more days, a second Marvel television series is under consideration. The second one is on the career of Agent Carter after her boyfriend Steve Rogers (Captain America) gets frozen in ice.

AMC is especially interested in spin off shows with two their major shows concluding soon. With Breaking Bad ending next week, they are developing a spin off, Better Call Saul. There had been talk for a while of a Mad Man spin off, potentially based upon the California office opened last season, but this plan is off. AMC will at least drag out Mad Men for another year, dividing the final season into two seven episode parts. At least they might extend it to eight as Breaking Bad has done. AMC is also working on a companion series to Walking Dead based upon another group in the same universe.

I do wish they weren’t airing the Emmy Awards opposite the final episode of Dexter and the penultimate episode of Breaking Bad. That was quite an episode last week as Walt lost virtually everything, including his family, Jesse, most of his money, and even his identity. We knew since the start of the fifth season that he would ultimately return with a new identity and lots of weapons (including returning home to retrieve the ricin).

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Presumably the major remaining business for Walt is go go after the neo-Nazi’s and possibly save Jesse in the process. I wouldn’t be surprised if he hasn’t found that Jesse is being forced to cook for the neo-Nazis. Perhaps while hiding out in New Hampshire he finds out about pure blue Meth still being produced and realizes that only Jesse could be cooking it. There remain many other questions such as what becomes of his home and family and whether Skylar will follow Walt if he survives in light of how he acted to protect her in that phone conversation. Last week we also saw that there was still some good in Walt as he tried to save Hank along with Skylar. On the other hand, he also turned Jesse over to the neo-Nazis and unnecessarily told Jesse about watching Jane die. Of course if Walt thought more, he wouldn’t have fallen for the fake pictures of the money, and previously wouldn’t have left that Walt Whitman book sitting around where Hank could find it. Considering the nature of the relationship between Walt and Jesse, it wouldn’t surprise me if either the two join together against the neo-Nazis or if one kills the other. I’m also sure we haven’t seen the last of Lydia, and Saul might have some role in how this all ends. Finally, is Huell still sitting in that room, afraid to answer the phone?

Michelle Dockery

Besides Dexter, Breaking Bad, and the Emmy Awards, tonight also marked the season premiere of Downton Abbey. Michelle Dockery (Lady Mary) didn’t look as good on the show as she did in this photo shoot to commemorate the fourth season premiere. I’ll avoid any real spoilers. It should come as no surprised that Lady Mary starts out the episode quite depressed in an era where Prozac has not yet been invented. Very early in the episode viewers also learned about the first major crisis of the season as a servant left without giving notice. At least two of the characters were quite unlikeable.

Orphan  Black recently started on BBC Three. Digital Spy asks if it lives up the hype. After seeing the full first season, the answer is yes.

Trailer for the second season of Revolution above.

With James Spader staring, Blacklist is high on the list of new shows to try.

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SciFi Weekend: Peter Capaldi To Play The 12th Doctor; Awards for Orphan Black and The Americans; Sherlock; Arrow; The Flash; Merlin Movie; Homeland

Peter Capaldi Fires of Pompeii

On a show simulcast in the U.K., the United States, Canada, and Australia, Peter Capaldi was announced as the 12th Doctor. Today’s announcement came as no surprise as the bookies were so certain of the choice that they stopped taking bets prior to the announcement. He has some preparation for the role. He previously appeared in a Doctor Who episode,  Fires of Pompeii, an episode which Karen Gillan also appeared in before playing Amy Pond. He also played the W.H.O. Doctor in World War Z. He appeared elsewhere in the Doctor Who universe playing John Frobisher in Torchwood: Children of Earth. Capaldi has appeared in multiple other roles but the one I’m most familiar with was his role on The Hour, a BBC show about a news program in the late 1950′s which is well worth viewing.

Tatiana x3

Tatiana Maslany deserved an Emmy nomination for her role on Orphan Black. She plays all three characters in the picture above, and more. She was snubbed for an Emmy but The Television Critics Association did recognize her work with an award for Individual Achievement in Drama. Actually she should have been nominated for Best Actress for playing Sarah Manning and three Best Supporting Actress nominations for playing Alison Hendrix, Cosima Niehaus, and Helena. There were three other clones played by Maslany who had briefer roles in the first season of Orphan BlackMore clones are promised for next season.  Tatiana Maslany also won the Critics Choice Award in June for Best Actress In A Drama Series.

There were three outstanding new series this season--Orphan Black, The Americans, and Hannibal. The Television Critics Association recognized two of these shows, giving the award for Outstanding New Series to The Americans.

Sherlock returns in the above trailer. Sherlock will face a new villain played by Lars Mikkelsen, brother of Mads Mikkelsen who plays the title role in Hannibal.

News on the next season of Arrow–including a Flash spin off. More on Flash here.

A movie version of Merlin is in the works but it has nothing to do with the recent television series.

TV Line has news on season 3 of Homeland.

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SciFi Weekend: Spoilers on Star Trek Into Darkness; Doctor Who News; Carrie Fisher and Star Wars VII; Joss Whedon on Superheroes; Ashley Judd Running For Senate

A new trailer has been released for Star Trek Into Darkness (video above). TrekMovie.com revealed several spoilers coming from an extended screening in Brazil:

From the extended beginning of the film…

  • Opening sequence (previewed at IMAX theaters in December) has been reordered to have Nibiru Volcano sequence now opens the film followed by title card and then the scenes in London and at the hospital

  • Nibiru mission ends with Kirk rescuing Spock by violating the prime directive by revealing the Enterprise to Nibiru natives so he can beam Spock out of the Volcano

  • Kirk has a scene in bed (back in San Francisco) in bed with two “cat women”

  • Kirk makes mention of hoping to get assigned to a “five year mission” (implying that the famed five year mission hasn’t started yet for the time he has been captain)

  • Kirk is demoted for violating prime directive on Nibiru, loses command of Enterprise with Pike to take over command Kirk as first officer

  • Pike wanted to send Kirk back to Academy but was convinced (possibly ordered?) to make Kirk first officer of Enterprise by Admiral Marcus (played by Peter Weller)

  • Spock assigned to another ship

  • The “father” character uses his Starfleet ring as a bomb (dropping it into water for a reaction) and destroys a facility (in London)

  • London attack leads to big meeting of Starfleet captains which itself is attacked by John Harrison, resulting in Pike being injured…Harrison transport away

Later scenes in the film….

  • Enterprise severely damaged falling to Earth with Spock in command ordering evacuation

  • Kirk and Scott seen in Engineering trying to stabilize ship

  • Later Spock scene beaming down to San Francisco and starting long chase with Harrions

  • Eventually Spock meets up with Harrison and engages in a fight

Doctor and Clara

The BBC has announced a three day convention at ExCeL London for the 50th anniversary of Doctor Who. Filming on the 50th Anniversary episode  begins on March 18. Presumably more information on the show, such as who is actually appearing, will be more likely to leak out when they are filming the episode. Peter Davison does not believe that the earlier Doctors played by older actors will appear:

Speaking at February’s MystiCon panel, he said: “I honestly don’t know very much. I know that Steven Moffat will have something planned. I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.

“I think we’ll be featured somewhere but I should think it’s probably footage lifted from older Doctor stories. I don’t know. We are doing some Big Finish audios. I know that there are events planned by the BBC. I’ve got a meeting with the head of BBC Wales when I get back to go through various things the BBC have got planned. I don’t think she’s going to offer me a part in it… I might be wrong.”

He adds: “I decided that if we weren’t going to be involved that I would get together with Colin [Baker] and Sylvester [McCoy] and make our own little special… If we can possible manage it, we’re going to get into the 50th anniversary special whether we’re invited or not!”

The Daily Beast has five facts about Jenna-Louise Coleman.

Matt Smith told The Mirror that his favorite moment on Doctor Who was kissing Jenna-Louise Coleman:

Clara and the Timelord snogged in the Christmas Day special and Matt said: “My favourite moment? I like our kiss, that was quite fun, even though it was hell to do. We actually did a couple of different versions there might be some outtakes.”

He also loves New York:

If I could film we’d film every episode of Doctor Who in New York. I have an affinity with the city. It has some wonderful locations and it is devastatingly vast and huge. Central Park looks amazing on camera.

Doctor and Clara notebook

Matt might love New York, but he cannot go back in time to whenAmy and Rory are living. We have a definitive answer as to why the Doctor will never again meet up with Amy and Rory from this interview with Steven Moffat from BlogtorWho:

Last year friend of the blog Dan Martin took time to chat with Steven Moffat about the Doctor Who Series 7 Part 1 finale, The Angels Take Manhattan  – and more specifically, “The Washington Theory”. Dan asked the current showrunner why could Amy and Rory not just travel to Washington (or Boston, or anywhere for that matter) and meet The Doctor there? Had Moffat left a useful plot thread dangling to bring the beloved companions back in a couple of years? Not so, according to Moffat…

“New York would still burn. The point being, he can’t interfere. Here’s the ‘fan answer’ – this is not what you’d ever put out on BBC One, because most people watch the show and just think, ‘well there’s a gravestone so obviously he can’t visit them again’. But the ‘fan answer’ is, in normal circumstances he might have gone back and said, ‘look we’ll just put a headstone up and we’ll just write the book’. But there is so much scar tissue, and the number of paradoxes that have already been inflicted on that nexus of timelines, that it will rip apart if you try to do one more thing. He has to leave it alone. Normally he could perform some surgery, this time too much surgery has already been performed. But imagine saying that on BBC One!”
More on the  Ponds later in the interview:
And what about return to the show for The Ponds? Moffat said, “You could never eliminate the possibility of dream sequences and flashbacks, but will the Doctor see them again? No. When I was first talking to Karen and Arthur about it, we said ‘let’s make it the proper ending’. Bringing back things just gives you sequel-itis. Just end it and get out. Heaven knows if they’ll appear in some form of flashback – I have no plans to do that I have to say – but the story of Amy and The Doctor is definitively over.”
That’s the definitive answer. Not the Doctor Who equivalent of Star Trek technobabble about that nexus of timelines that might rip apart. Doctor Who has been utterly inconsistent when dealing with the laws of time travel. The real answer is that Moffat doesn’t want them to return. His point about “sequel-itis” is more grounded in reality than the “nexus of timelines.”
None of this stops a future showrunner from having the Doctor and Amy meet again. There’s also another way to conceivably involve Amy and Rory in a Doctor Who story should Moffat or a future showrunner decide to boost ratings with such an episode. The Doctor could go back in time to Washington or anywhere else during the time in which Amy and Rory are living out their lives in the past. A story could be written in which both the Doctor and the Ponds get caught up with the same menace but are working independently and never actually meet. If this is done after the Doctor regenerates it would be possible for Amy to get a glance of the Doctor without meeting him. If she actually had much contact with him she would probably recognize him as Sarah Jane Smith recognized the Doctor.

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Last week Carrie Fisher said she would be in Star Wars VII:

Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?

Yes.

What do you think Princess Leia is like today?

Elderly. She’s in an intergalactic old folks’ home [laughs].   I just think she would be just like she was before, only slower and less inclined to be up for the big battle.

And still wearing the bagel buns?

The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.

She subsequently said she was joking (in a statement which many have speculated Disney insisted she release). While she was undoubtedly joking about being in an old folks’ home, it does appear likely that she will appear. George Lucas told Business Week that Mark Hamill, Carrie Fisher and Harrison Ford have all been contacted:

Asked whether members of the original Star Wars cast will appear in Episode VII and if he called them before the deal closed to keep them informed, Lucas says, “We had already signed Mark and Carrie and Harrison—or we were pretty much in final stages of negotiation. So I called them to say, ‘Look, this is what’s going on.’ ” He pauses. “Maybe I’m not supposed to say that. I think they want to announce that with some big whoop-de-do, but we were negotiating with them.” Then he adds: “I won’t say whether the negotiations were successful or not.”

Hulk Iron Man

Joss Whedon discussed topics including the difficulty in making movies about the Hulk and most of the DC Comics superheroes with Deadline Hollywood:

DEADLINE: What about speculation over potential Hulk spin-off stories? 
WHEDON: The Hulk is the most difficult Marvel property because it’s always about balance. Is he a monster? Is he a hero? Are you going to root for a protagonist who spends all his time trying to stop the reason you came to the movie from happening? It’s always a dance. I don’t think the first two movies nailed it, but I don’t envy them the task. It was easier to have him in a group than to build everything around him. I don’t think there would be any problem getting a movie together that had enough Banner, even if there was also Hulk. But if he was only Hulk for the entire movie I think Mark [Ruffalo] at some point would go, why am I here? I would be less inclined to pursue a storyline where the Hulk is only ever the Hulk. Mark [Ruffalo] and I loved the Hulk and went over and over the concept of rage and how it should manifest, and that part of it was fascinating to both of us. But when it comes time for the Hulk he has to put on the silliest damn pajamas you ever saw, a tiara made of balls, and a bunch of dots on his face and growl around like an idiot. The real heart of the experience ultimately becomes playing Banner. And people fell in love with Banner because I think Mark has you from the first time he shows up.

DEADLINE: How much do you keep an eye on Warner Bros with their DC properties?
WHEDON: I don’t keep that close an eye on it. But I loved Batman Begins so much and thought Christopher Nolan nailed Batman in a way that nobody ever had. It couldn’t be more different from The Avengers, and the Marvel and DC universes are different animals. If they actually crack the code which has not been done in terms of creating a shared sensibilities where all the movies are interesting and come together, I’m going to be thrilled. I have no fear that we’re going to be stepping on each others’ turf.

DEADLINE: You’ve had a history with DC. Do you think anyone will ever pull off Wonder Woman?
WHEDON: It’s not easy. It’s not a simple trick. The Marvel properties with the exception of Batman who has often been described as the Marvel character in the DC universe are much easier to translate to a modern audience. Superman, Wonder Woman, Green Lantern are so far above us and their powers are amorphous and that makes it 10 times harder. Even when you’re doing a fight, it’s harder to write a fight for Thor than it is for Captain America because he’s that much stronger. I loved what I was doing on Wonder Woman. Clearly I was an excited party of one. I wrote the movie, I felt good about the characters, the structure needed work, I did another outline, they read it and were done. There wasn’t even a phone call.

The difficulties which Whedon raised in superhero stories are complicated even more when the viewer is aware that the hero has a bunch of other superheroes as friends to call on. Marvel President Kevin Feige does address the question as to why Tony Stark doesn’t call in the other Avengers for help in Iron Man 3:

It’s a good question, and it’s sort of half and half. I am betting that like the comics you don’t have to keep – if you are reading a standalone “Iron Man” comic, they don’t spend every page explaining where every other Marvel hero is. The audience kind of accepts that there are times when they’re on their own and there are times when they are together. I’m betting that movie audiences will feel the same way. That being said, there is a little bit of lip service here and there to that. There is also just the very nature of Tony wants to, once he barely survives that house attack you saw today, and even you saw it in the message he left for Pepper, he’s basically saying “I’m going off the grid to try to figure something out.”

Christopher Nolan says he does not want to return to Batman, but is involved with other superheroes, producing Man of Steel and possibly Justice League. His next movie about black holes, Interstellar, will be released on November 14, 2014.

Deadline Hollywood reports that a series by Ron Moore has been picked up by SyFy:

Syfy has finalized a 13-episode straight-to-series order to Helix, a dark thriller from Ronald D. Moore, marking Battlestar Galactica developer/executive producer’s return to the network. Steven Maeda (Lost, CSI: Miami) has come on board as showrunner of the project, written by Cameron Porsandeh. Helix, from Sony Pictures TV, where Moore and his Tall Ship Prods are under an overall deal, is about a team of scientists investigating a possible disease outbreak Hot In Cleveland) and Maeda executive produce, with Porsandeh serving as co-executive producer. “With its well-drawn characters, taut drama, and incredible production team, we couldn’t be more excited to see this intense thrill-ride of a series come to life,” said Syfy’s president of original content Mark Stern. Helix is expected to begin production early in 2013 to debut later this year. In addition to hit Battlestar Galactica, Moore also co-created and executive produced Syfy’s prequel series Caprica.

SyFy is moving the final five episodes of Merlin to May. And people wonder why fans often download genre shows as opposed to waiting five months or more to view them.

Ashley Judd has reportedly told advisers that she does plan to run for the Senate against Mitch McConnell. The actress, best known to Star Trek fans as Robin Lefler, has been attacked by the right wing for everything from her residency to nude scenes she as done. Attack of the Show chose Ashley Judd as the fourth Hottest Women of Star Trek (video above). She also has a master’s degree in public administration from Harvard’s Kennedy School of Government and has been a Democratic activist.

Nathan Stewart-Jarrett, one of the stars of Utopia, believes that continuing the story into a second season may or may not work:

Do you think there is scope for a second series of Utopia?
“I think there is scope for a second series, but I also think that it is self-contained. It really does depend. Sometimes you think things could have carried on or things aren’t resolved, and people can get annoyed by that.

“But some pieces of work don’t have a resolution and they leave you to figure it out, and that’s great. Utopia could carry on, but resolution isn’t always good.”

Io9 lists twenty things which Back To The Future got wrong about the future.

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SciFi Weekend: Star Wars; Batman; Battlestar Galactica; Who Killed JR?; Mad Men and Other Returning Shows; S.H.I.E.L.D.; Doctor Who Meets Inspector Spacetime

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The big science fiction news of the week is that J.J. Abrams will be directing the next Star Wars movie. I think it is a good idea for J.J. Abrams to direct the Star Wars movie. His tendency to destroy entire planets (Romulus, Vulcan) fits in better with Star Wars and Death Star than Star Trek.

There are reports that they might wait until 2017 to reboot Batman. There is also speculation that the cast of Justice League of America, scheduled for a 2015 release, will be cut down to five, leaving out Batman until he is rebooted in his own movie. Other rumors say that plans continue to reintroduce Batman in Justice League but possibly leave out Aquaman. Incidentally, if anyone is interested in getting the Michael Keaton Batman movies on Blu-Ray, I found they were much less expensive when purchased as part of a Michael Keaton Collection (recently discounted even further on Amazon) than as stand-alone Batman movies.

Battlestar Galactica: Blood and Chrome was turned into a web series after SyFy decided against picking it up as a weekly series. They will be televising this as a movie on February 10.

Dallas returns tomorrow night, starting with the final episodes filmed before the death of Larry Hagman. Considering all the publicity the show obtained in its original run with the mystery of Who Shot JR?, it only makes sense that JR Ewing will leave the series by being murdered as opposed to dying of natural causes. They should be able to keep this mystery, and other references to JR Ewing, part of the show for quite a long time.

Colin Morgan won the award for Best Drama Performance at the National Television Awards for his portrayal of Merlin.

Doctor Who returns on March 30 with Game of Thrones returning the following night.

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Mad Men returns on April 7 with a two hour season premier. More pictures like above here. The upcoming season will include more of Betty Draper but January Jones will not be returning as Emma Frost to X-Men Days of Futures Past . Elisabeth Moss was surprised her character left Sterling Cooper Draper Pryce last season and cannot say what Peggy will be doing in the upcoming season.

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While January Jones won’t be returning to X-Men, Anna Paquin (Rogue), Ellen Page (Kitty Pride) will be returning in these roles.

I was initially concerned that Person of Interest would be about independent stories every week, but over time an increasingly convoluted back story has developed. If you are having as much trouble as I am keeping track of everything, the chart here will either help or confuse matters further.

Filming is starting on S.H.I.E.L.D. Cobie Smulders will be reprising her role as Maria Hill despite continuing on How I Met Your Mother for another season.

Downton Abbey is casting for a new suitor for a character in Season 4. If you saw Season 3, or heard how it end, you will know who. If you do not know, don’t follow this link.

Office Documentary Crew

After nine years the documentary crew is being introduced into the cast of The Office. Will they have a plausible explanation as to why they have been covering this office for nine years?

Emma Stone Nearly Naked.

Doctor Who meets Inspector Spacetime:

Doctor Who Meets Inspector Spacetime

 

 

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SciFi Weekend: Doctor Who; Merlin; Benedict Cumberbatch; Person of Interest; Thor; Building the Starship Enterprise

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Doctor Who TV has summarized many of the reports to date on the 50th anniversary of Doctor Who:

The format of the anniversary is still to be confirmed. Steven Moffat originally said: “Why talk in the singular?” Matt Smith also hinted at multiple episodes, but more recent rumours seem to suggest a feature-length outing.

In another interview Moffat said: “I’ve got various plans, but all I can say emphatically is it will be huge. It won’t be just one thing…. We’ll be doing lots of stuff. The plans are quite extensive, and changing all the time. Oh my God, we will hit that year very, very hard indeed.”

Moffat on multi-Doctor stories:

“It’s slightly difficult to do them all now. I’m not against it but I think as a gimmick it outlives its usefulness quite fast. “Doing Time Crash with 8 minutes of Peter [Davidson] and David [Tennant] was about right. If you have a really good story that motors on the fact that this is one man experiencing the same adventure at several different points of his life, that would be worth doing. But you can’t do a special or an episode as a reunion party. That’s not a story, that’s a party. Nothing wrong with parties but they’re not great fun to watch. But with a really good story, then yes.”

And in a later interview: “Possibly…. It’s so far in the future, it’s only a set of notions.”

Neil Gaiman wants The Eleven Doctors:

“The real dream story is the one you cannot do because technology is not there and people have died — It would be The Eleven Doctors,” he explained. They made The Three Doctors. They made The Five Doctors. It’s the 50th Anniversary, you’d make The Eleven Doctors and you’d have William Hartnell in it. The trouble is do you have actors playing these people? Do you have someone doing a Tom Baker? How do you do that? I trust in Moffat enough to think that whatever he’s going to give us, it will be worth it.”

A live episode?

Matt Smith: “It won’t just be a televised event, I think it will be a live event. The way it’s transmitted on TV will hopefully be an inventive thing–something different.”

More in the full post.

The BBC has announced a set of short stories will be written about the eleven Doctors.

The 11 tales, known as “eshorts”, will each be written by a well-known children’s author.

Each story will feature one of the various regenerations of the Doctor, starting with William Hartnell, who played the character from 1963-1966.

A paperback of the stories will be published by Puffin in November.

The first children’s author will be revealed on the BBC Worldwide Doctor Who Facebook page on Monday 7 January, followed by the first story on Wednesday 23 January.

A promotional video of each author will also be available each month on the BBC Worldwide YouTube channel starting on Friday 11 January.

There has been speculation that J.K. Rowling is one of these authors.

Billie Piper discussed the 50th anniversary on the Graham Norton Show (video available here). She denies rumors that she will be appearing: “No. I’ve not been asked. I think Matt Smith said something in passing or in jest like, ‘That would be nice,’ and it became something, but no.”

In an interview last night, David Tennant said he knew nothing about the 50th anniversary plans.

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It seems like Merlin and Downton Abbey just ended, and now they are starting up again in the United States.

TV Addict has an interview with the cast. This selection helps set up the final season:

Is there anything you can share about what’s upcoming in the 5th season?  Maybe just a few teasers?
BRADLEY:  Mordred’s back – I’m not sure what I can tell you without telling you what happens in the show!

We know there’s the 3-year gap.  You can surely talk about what happened during that time period for our heroes?
BRADLEY:  Yes, three years have gone by.  That’s what I can tell you.
KATIE:  I can tell you what happens with Morgana.  For two years of that period, Morgana has been held captive because of her magic and it is a very important storyline for her in season five is that everything she has feared her whole life about being persecuted for having magic has all come true.  She has been persecuted.  She has been tortured.  She’s been kept locked up.  I think that the fact that her fears have actually happened means that she feels vindicated in removing Arthur from power and in taking over because she’s protecting people like herself.

More from the cast at The Los Angeles Times and Blastr.

Parades End

Benedict Cumberbatch seems to be in everything these days. Besides Sherlock, The Hobbit, and Star Trek Into Darkness, Cumberbatch will be staring in Parade’s End, a five part mini-series on HBO in February:

From the reliable comforts of Edwardian England to the chaos and destruction of the First World War, the early 20th century was a defining era in history, a time of unprecedented change, when old certainties were being torn down. The long golden afternoons of the pre-war years would be shattered by the most destructive war the world had ever known, and countless lives would be changed forever.

Set against this backdrop of impending catastrophe is the story of English aristocrat Christopher Tietjens, trapped in a marriage to an unfaithful wife, and caught between his commitment to the values of Toryism and his unspoken love for a fearless young suffragette.

Spanning the glittering, shallow world of London high society, the trench-scarred battlefields of France, and the breathtaking English countryside, the sweeping five-part HBO Miniseries presentation PARADE’S END debuts TUESDAY, FEB. 26 (9:00-11:05 p.m. ET/PT), WEDNESDAY, FEB. 27 (9:00-11:05 p.m.) and THURSDAY, FEB. 28 (9:00-10:00 p.m.), exclusively on HBO. Adapted from Ford Madox Ford’s groundbreaking novels by Sir Tom Stoppard (Oscar®-winner for “Shakespeare in Love”), the drama was directed by Susanna White (HBO’s Emmy®-winning “Generation Kill”).

Benedict Cumberbatch (“Sherlock,” “War Horse”), Rebecca Hall (“Vicky Cristina Barcelona,” “The Town”) and Adelaide Clemens (“The Great Gatsby”) star in PARADE’S END, a Mammoth Screen production for the BBC in association with HBO Miniseries and Trademark Films and BBC Worldwide and Lookout Point; co-produced with BNP Paribas Fortis Film Fund and Anchorage Entertainment; filmed with the support of the Belgian federal government’s Tax Shelter Scheme. The executive producers areMichele Buck and Damien Timmer for Mammoth Screen, Ben Donald for BBC Worldwide, Simon Vaughan for Lookout Point TV, Judith Louis for ARTE France and Tom Stoppard. David Parfitt and Selwyn Roberts produce.

A spoiler-free review can be found here.

Firewall

Person of Interest returned with Reese in custody, but with a four-way complication for the FBI. Here is a portion of a press conference with executive producers Jonah Nolan and Greg Plageman, posted prior to Friday’s episode:

Do you ever come up with a storyline and then think, “No, we can’t go that far”?
JONAH:  Every day.  Our writers come up with incredibly bold and great and sometimes subversive and odd pitches.  There’s a heightened aspect to the show.  I talked a lot about THE X-FILES, in developing the pilot, and Greg and I have referred back to it frequently, because it had a great balance between the case-of-the-week and a serialized, larger mythology that they were telling.  But, what they also had was this great dove-tailing connectiveness between the case of the week and that mythology, in the way they interacted with each other.  So, we always want the show to reach out as far as it can, as far as jumping from one unexpected world to the next, but with a common thread that emerges from that and giving the sense of a larger, corrupt, weirder universe around them.  I was a huge fan of James Ellroy’s books, “American Tabloid” being one of them.  There’s a sense that you get from Ellroy’s universe that there are weird machinations at play underneath everything, with his dark gaze on the CIA, on the events of the 1960′s, and on the connection with heroin out of Vietnam.  The darker lens that our show takes, looking towards government surveillance and all those sorts of things, is not all that different from THE X-FILES.  THE X-FILES universe was a very dark one, in the direction of alien conspiracies.  Ours is really about surveillance technologies and the pending odd moment when a number of different entities know more about your life than you do, and I think we’re kind of there.  We keep being interested in the larger universe of that, and what impact that has upon our relationship to our government.
GREG:  A perfect case in point is that one of our writers saw an article about the massive new surveillance program uncovered by the Wall Street Journal, in terms of predictive pattern matching.  It’s a constant steady drumbeat of these types of stories.

Are you going to be returning to the issues with the machine’s growing artificial intelligence?
JONAH:  One of the problems we have with the show is that our incredible writers have come up with so many compelling storylines and villains, at least to me.  From the beginning, one of the ideas with the show was compelling villains.  I love writing villains, and we’ve embraced that.  It was one of the first questions J.J. [Abrams] had about the show because he wanted to have that tapestry of villains.  They’re so fun, in the way that they drive the plot forward.  We have an absolute wealth of them, at this point, with some amazing actors, like Enrico Colantoni, Robert John Burke, Clarke Peters and Amy Acker.  I want to keep exploring, and I know our writers want to keep exploring, all of those different storylines, to the degree that we can and to the degree that the audience is willing to go along for the ride.  We tend to tell our stories in chapters.  Not explicitly because we don’t draw attention to it, but the story keeps a steady simmer going, on some elements.  At this point, the A.I. of it all is poised to erupt back into view.  But, when you have fantastic actors playing great characters, you want to go back and service those storylines again.  None of our villains are ever too far from surfacing, but we like to keep the audience guessing, as to how all these storylines connect together.

For the first time, the characters were following their own divergent interests, even if it was to their own detriment.  Is that something that will continue to happen, in the second half of the season? 
JONAH:  It’s all falling apart.
GREG:  I think it’s fantastic that we have two characters who are largely cognizant of the machine and its capabilities, but more so Finch than Reese, obviously.  Carter and Fusco are a little bit on a need-to-know basis, and the collision that they have encountered, up to this point, has been more on a municipal level, with HR, Quinn and Simmons.  And then, there is the larger nemesis of Root (Amy Acker), who is interested in freeing the machine.  When we last saw her, she got away, but we will hear from her again.  The great part of all these characters is that they come and they coalesce in interesting ways, on our show, and bump up against each other, all in the fine city of New York.  It gives each of our characters their own dilemmas, but they often bump up against each other and need each other’s help.

Thor-Jaime-Alexander-as-Sif

Jaimie Alexander discussed Thor: The Dark World.

“It’s going to be a bit of a darker feel, and obviously a lot more action. We get to explore the different Realms a lot more and you see a lot more Asgard, and you get to know the people of Asgard. We sort of explore the Thor-Sif relationship a little bit. It’s more like getting a feel of who these people are, and the way they are with each other. It was fun for me and fun for Chris. Again, he and I are almost like brother/sister types too, so I was like ‘maybe that translates into ooh they love each other on camera.’ [laughs] We had a good time making that movie.”

Many genre shows have started in the U.K. and later received followings in the United States. It sounds like Utopia might be a new show worth watching for.

Last month their was the petition to the White House to build the Death Star. Now there is a petition to build the Starship Enterprise:

An engineer is petitioning the White House to study the possibility of building a real-life starship Enterprise like the fictional vessel in television’s “Star Trek.”

The proposal was submitted through the White House’s official “We the People” channel, which promises an administration response to any petition that gathers at least 25,000 signatures. Just last month, a petition to build a Death Star like the spherical spaceship in the movie “Star Wars” garnered that critical mass, and is currently awaiting its official response.

The Enterprise proposal comes from an engineer who goes by the name BTE Dan, who detailed plans for constructing a life-size, flyable starship Enterprise on his website last year.

“We have within our technological reach the ability to build the 1st generation of the USS Enterprise,” BTE Dan wrote in the petition, viewable here.

As of this writing, the petition had 3,335 signatures, with more than 21,000 to go.

The project, BTE Dan maintains, wouldn’t be a vanity exercise, but rather a practical step forward for space exploration. [The Top 10 Star Trek Technologies]

“It ends up that this ship’s inspiring form is quite functional,” he wrote. “This will be Earth’s first gigawatt-class interplanetary spaceship with artificial gravity. The ship can serve as a spaceship, space station, and space port all in one. In total, one thousand crew members & visitors can be on board at once.”

Make it so.

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SciFi Weekend: Doctor Who Stamps; Star Trek Into Darkness; Fringe; 2013 in SciFi; Alison Brie as Captain America

The top stories of the week in genre and cult television were the Christmas episodes of Merlin, Doctor Who, and Downton Abbey, which I previously looked at here.

Baker Stamp

 

 

 

 

 

 

 

 

 

 

 

Matt Smith Stamp

 

 

 

 

 

 

 

 

 

 

 

The Royal Mail will be releasing a set of stamps in March to celebrate the 50th Anniversary of Doctor Who. All eleven Doctors are present. The Tom Baker Matt Smith stamps are above. The full set, along with a Dalek stamp from1999, can be seen here.

John Harison Star Trek Into Darkness

Korean interviews with the cast and crew of Star Trek Into Darkness had a few interesting comments, such as this from Benedict Cumberbatch on his character, John Harrison:

He is an extraordinary terrorist of sorts. He uses himself as a warrior with weapons and close hand combat to just reap devastation and havoc wherever he goes and a trail of destruction follows him. What is interesting from an acting point of view — beyond doing the stunts and choreographed fight sequences….was also the psychological warfare that he acts out. He has an incredible ability to control people’s minds to his bidding and make them – well confuse the radar of their loyalties and prerogatives, so that was great fun. So it was a great mixture of intense acting scenes and action scenes.

J.J. Abrams decided against directing the next Star Wars movie:

There were the very early conversations and I quickly said that because of my loyalty to Star Trek, and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.

Genre television shows are frequently downloaded or streamed due to different broadcast days and times in the United States and the U.K. There will be no need to download the series finale of Fringe. It will be simulcast by Fox and Sky1.

Wonder what will happen in 2013?I09 reviewed events from 2013 in science fiction books, television shows, and movies.

Allison Brie as Captain America

I’m not sure what the story is behind this picture of Alison Brie as Captain America. Most likely it is Photoshopped, but I wonder if Community is doing their take on The Avengers.

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Christmas Episodes: Doctor Who, Merlin, and Downton Abbey

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Three British cult television shows, Doctor Who, Merlin, and Downton Abbey, had special episodes for the holidays. Doctor Who: The Snowmen aired in the United States later the same day, but the fifth season of Merlin and third season of Downton Abbey have not and therefore this post will contain major spoilers. I will precede the discussion with the later two with a picture from the series to allow those who do not want to see these spoilers to turn away. I will discuss Merlin second as the spoilers will not be as shocking to those who can predict where the story is heading based upon the Arthur legends. The events of Downton Abbey would be more of a surprise. By now I wonder if there are there any Downton Abbey fans who are waiting for the US airing who have avoided hearing about the two shocking events of the regular season and Christmas episode? If so, they should either download the season now and watch it quickly or stay off the internet and stop reading newspapers and magazines until they  see the entire third season.

Doctor Who: The Snowmen contained two main story lines. The main plot of the story dealing with the Snowmen and the villain of the episode were not all that significant, unless the reference to the Great Intelligence foreshadows a future aspect of the storyline as opposed to references to a couple of old episodes from the 1960′s (which did include havoc in the London underground).  The Snowmen‘s real importance was in reintroducing Clara (Jenna-Louise Coleman), first seen as Oswin Oswald in Asylum of the Daleks. Not surprisingly, there was some misdirection from Steven Moffat and Jenna-Louise Coleman, who did not answer questions about her role with the full truth in recent interviews.

One highlight of the episode was Clara’s first view of the inside of the TARDIS, after climbing up stairs into a cloud for a second time. Her response was a first: “It’s smaller on the outside!” Her next question was also a first, and confirmed her connection to Oswin Oswald, when she asked if there was a kitchen inside because she likes to make souffles. Clara earlier had the right word (Pond) to get the Doctor’s attention. Most likely this was thrown in for the viewers, but perhaps knowing to say this is another sign that Clara is not what she seems.

The episode, written by Steven Moffat, who also writes the modern BBC version of Sherlock, contains two homages to Sherlock Holmes. Vastra and  Jenny (with the help of Strax) solved Victorian mysteries,providing the inspiration to Arthur Conan Doyle. This lesbian detective pair were different from the detectives portrayed by Doyle: “Good evening, I am a lizard woman from the dawn of time, and this is my wife.” The Doctor also portrayed Sherlock Holmes: “Shut up! I’m making deductions! It’s very exciting!”

If there was any doubt from the souffle line that both of Coleman’s characters were connected, this was answered at the end. The souffle girl died a second time, still leaving her well behind Rory in number of deaths for a companion. Her tombstone read Clara Oswin Oswald. Her final words to the Doctor were the same in both The Snowmen and Asylum of the Daleks: “Run, you clever boy… And remember.” The Doctor showed he planned to do just this, seeming to give Clara Oswin Oswald as the destination to the TARDIS. The episode ended with a girl also played by Jenna-Louise Coleman in modern times visiting Clara’s grave. Moffat has launched another mystery with this girl who,  somewhat like Timelords, can die and yet remain alive, except in her case still look the same.

merlin-reveals-magic

The final season of Merlin was mixed in quality, but the final three episodes, including the two-part story Diamond of the Day, were excellent.  Merlin concluded as the Arthur stories conclude–with Mordred delivering a mortal blow to Arthur. Like Morgana, who was not shown to be evil until the third season, Mordred was not portrayed as a threat to Arthur until he was given reason to turn against Arthur in the final episodes. Diamond of the Day Part I concentrated on the final battle, which concluded early in Part II. The final episode showed the deaths of Mordred and Morgana, but primarily dealt with Merlin and Arthur in what turned out to be the final hours of Arthur’s life.

Merlin and Arthur had the conversation which would have been expected to occur long before as Merlin revealed that he is a sorcerer. Fortunately for the legend of Merlin, Gwen figured out the identity of the sorcerer who led them to victory, presumably leading to the legend of the bearded wizard who aided Arthur as opposed to stories of a young servant. Before it became clear that Merlin was to tell Arthur’s story until its conclusion, I wondered if the entire series was to be about Merlin and Arthur in their youth, taking place before the greatness of Camelot. Seeing how the series did end, I do wish that during the final season they had done more to show why Arthur was a great king, worthy of being remembered in legend. The final season, which was the only one to show Arthur as King, just didn’t show Arthur’s life to be as significant as it was foretold to be in earlier seasons.  Regardless, it was sad to see Arthur die, but we were promised that Arthur would return when needed. For now, Long Live the Queen, as Guinevere took over for Arthur. I would assume that Merlin would remain to assist her, and we saw at the end of the episode that he remains alive today.

Just Desserts

The deaths this season on Downton Abbey were more shocking than the deaths of Clara (which may not be permanent) and of Arthur (which was anticipated). This is a reminder that major spoilers are coming for those who have not seen the third season yet. The news media stories that Dan Stevens (Matthew) would not be returning for the fourth season were true but the reports that he would return for the first episode only appear to be misdirection. Maggie Smith, in the scene pictured above, foreshadowed Matthew’s death when she said “we don’t always get our just desserts. The scene was  interspersed with scenes of Matthew driving (and looking careless) following the birth of his son.

It turns out that Dan Stevens had decided not to return for a fourth season even before filming began for the third season. Stevens said, “We were always optioned for three years.” At that time it is doubtful anyone would have predicted how successful the show would have become, leading to a fourth season. He If he had to leave the show, the season did wrap up Matthew’s story line well. Matthew saved Downton financially earlier in the season, and the importance of his actions was emphasized in the Christmas episode. There were also happy moments in the episode, as Mary and Matthew had a son. In retrospect we were also told that Matthew’s role in the series had ended as Mary described this as the two completing their jobs, providing a heir for Downton. There will now be two children at Downton lacking a parent. Tom Branson still isn’t completely comfortable in his role, but he has become part of the upstairs cast following the death of Lady Sybil earlier in the season. Branson, and a new maid, did learn the social implication of his new role in this episode.

It does appear that one new character might be added to the cast. Like the original Upstairs, Downstairs, a young and wilder niece (who already visited earlier in the season) is coming to live with the family, and might open up potential new story lines. With Downton Abbey you can’t predict if this will be a permanent edition, or just a brief visit from someone who will soon be forgotten as with Shirley MacLain’s character in the third season.

Downton Abbey Birth

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SciFi Weekend: Doctor Who, The Snowmen; Merlin Finale; Fringe; Star Trek Into Darkness; Dexter; and Homeland

Doctor Who: The Snowmen airs on Christmas Day, introducing a new companion. Some clips and interviews can be seen in the video above.

Another clip from The Snowmen above.

Digital Spy interviewed Steven Moffat, who talked about the upcoming episodes of Doctor Who. He also denies internet rumors that William Shatner might play the Master:

William Shatner being The Master would be too confusing wouldn’t it? He’s Captain Kirk! It’s already confusing that there are now two Captain Kirks. But if I was considering it I wouldn’t tell you. I love William Shatner but John Simm is The Master… John Simm would beat [Shatner] up if he thought he was going to take that part.

Matt Smith and Jenna-Louise Smith discussed how the Doctor met his new companion in the interview above.

Jenna Louise Dec 2012

The Telegraph interviewed Jenna-Louise Coleman:

What can Coleman do with the role of companion that hasn’t been done before? Does she believe that her character moves it into a new realm? ‘Yes I do!’ she says enthusiastically. ‘The Doctor really wants to find out about her. She is obviously very clever, possibly more clever than he is, so she’s a challenge. I really liked that about the role.’

Has she any idea just how this will change her life? ‘Well,’ she says, ‘on one level it already has! I’ve been filming non-stop since it was announced, so my life has really been taken over by Doctor Who and nothing else.’ When she has had some free time, such as the occasional weekend, she has returned to the flat in London she shares with three of her childhood friends.

‘It’s refreshing,’ she says. ‘We all do different jobs now. I have to work the hardest at maintaining my friendships, though, because I am never around. I suppose my friends are very tolerant.’ She says the same goes for her relationship with her boyfriend, Richard Madden, the Game of Thrones star. ‘We both work hard,’ she says. ‘But he’s coming back from filming soon, so …’ She shrugs. ‘It’s good, work is good.

Merlin Finale

The Diamond of the Day, the two-part series finale of Merlin, received excellent reviews before it aired and another review can be found here. The series finale will air on Christmas Eve.

Fringa Nina

Fringe showed the end of Nina’s story, at least until a possible reset which was mentioned in the previews. While she killed herself to avoid interrogation by the Observers while hiding the child Observer, Nina would have been in trouble regardless of the events of this weeks episode as the Observers had already figured out that she was  source of the concrete-melting device used in a previous episode. The episode also revealed that Donald and September are the same person, leaving questions as to  whether September was once a normal human and how he became an Observer. Perhaps the arc showing Peter place the device in his neck was to set up the possibility of a human becoming an Observer.

Star Trek Into Darkness

J.J. Abramas has said more than he has revealed in the past about the plot of Star Trek Into Darkness and the villain played by Benedict Cumberbatch:

So this movie doesn’t require you have seen the first movie. The characters are a group of people who have recently come together and find themselves up against this incredibly terrifying force. His name is John Harrison and he is sort of an average – that is what makes him so scary – he is just an average guy who works in an organization called Starfleet, and he turns against the group because he has got this back-story and this kind of amazing secret agenda. After two very violent attacks, one in London and one in the US, our characters have to go after this guy and apprehend him. And it is a far more complicated and difficult thing then they ever anticipated. “Into Darkness” is very much about how intense it gets and really what they are up against.

dexter-finale_712

Dexter and Homeland concluded their seasons last week. Dexter is heading toward the end, which probably will not be good for a serial killer. Dexter has killed at least three people who do not meet his code before the season finale: someone he mistook for a killer in Season 4, the guy in the bathroom after Rita’s murder, and Hannah’s father. With LaGuerta, not only is Dexter willing to kill someone who is innocent but Debra pulled the trigger. Hannah (Yvonne Strahovsk) ominously left Dexter a black orchid after escaped policy custody, and the producers are hoping to bring her back for another season.

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Homeland left Brody on the run and presumably they will find some way to get him back into the main action next season. Perhaps he will find information on a terrorist plot while on the run, or perhaps it will turn out that he has more knowledge which the CIA needs to obtain from him. As he is using Carrie’s network, it wouldn’t be implausible for Carrie to track him down. Carrie already believes Brody is innocent. Saul should also realize that Brody was set up, knowing that the confession tape had been filmed quite a while previously and was in the hands of others. As Brody’s daughter believes that Brody did not plan a suicide bombing this time, room is left open for reconciliation with his family. It would be harder for Brody to publicly be seen as innocent. They certainly cannot say that the tape was made not now but before a previous planned suicide bombing. Perhaps the most plausible story would be that Brody had been forced to make this tape while still a prisoner, and broken to the extent that he would read anything.

How I Met Your Mother has been renewed for a ninth and final season, dragging out the explanation as to how Ted met his wife for yet another year.

Walking Dead has been renewed for a fourth season but Glen Mazzara, is leaving as show runner.

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