SciFi Weekend: Doctor Who and The Two Masters; Legends of Tomorrow Breaks Time; Surprises On The Magicians; A Wedding On Orphan Black?; Hugo Award Finalists; Netflix Marvel Shows; Renewals and Returning Shows


Thanks to time travel, there have been many episodes of Doctor Who which featured two or more Doctors from different regeneratons. In the upcoming season, not only will there be the return of Missy, but John Sims will be returning as The Master. The BBC reports:

John Simm will return as the Master to battle the Doctor (Peter Capaldi), new companion Bill Potts (Pearl Mackie) and Nardole (Matt Lucas) in the forthcoming series of Doctor Who.

John Simm says: “I can confirm that it’s true, thanks to the power of time travel I’m back. It’s always a pleasure to work with this great team of people and I can’t wait for you all to see what the Master gets up to in the next series. “

Steven Moffat, writer and executive producer, says: “Nothing stays secret for long on Doctor Who but you’ll have to wait a little bit longer to see exactly what the Master is up to and how he makes his return to face the Doctor. It’s been a huge pleasure to have fan favourites John Simm and Michelle Gomez face to face in the same role! It’s not often you get to see a solo personality clash.”

John Simm was last seen as the Master on New Year’s Day 2010. Viewers will have to wait to see exactly when and how the Master will return to the new series, which starts on Saturday 15 April at 7:20pm on BBC One.

As previously announced, Doctor Who series 10 will also star Michelle Gomez as Missy – a later regeneration of the Master. Other returning foes include the Daleks, the Ice Warriors and – returning for the first time in over 50 years – the Mondasian Cybermen. An exciting line up of new faces and adversaries will debut across the series, including adorable-but-deadly Emojibots and David Suchet as the Landlord.

Steven Moffat has also been teasing a huge spoiler, to be revealed in a trailer to one of the episodes:

“This is just a public warning,” said a playful Moffat. “Some people hate spoilers and some people love spoilers – and everybody hates me whatever way they think about it. So this is my last attempt in this role to avoid hatred.

“At the end of the episode there will be yet another awesome trailer for Doctor Who… at the very end of the trailer there is, frankly, an enormous spoiler, a spoiler that may actually melt your brains. But I promise you, you’d be better off not knowing because awesome though it will be here, it will be even more awesome in a few weeks’ time. So we’re gonna give you the option, in our frankly camp and ridiculous way…

“There will come up a warning and then there will be a countdown to the spoiler, and then there will be a warning to ‘blink now’. If at that point you close your eyes and wait until you hear the cliffhanger noise, you will have a better experience in a few weeks’ time.”

Den of Geek has a spoiler-free review of the season premier.

Series ten will finally reveal the location of the TARDIS toilet. (“It’s down there. First right, second left, past the macaroon dispenser.”) It remains unseen.

Doctor Who TV has links to series ten interviews with Steven Moffat and the cast. In an interview elsewhere,  Peter Davison discussed how the regeneration scenes were hard for both himself and David Tennant.

There have already been shows such as Broadchurch and Victoria which include at least two actors who had previously appeared in the Doctor Who universe. Another example is coming. Look at the cast in this show discussed at Deadline:

Netflix has come on board BBC Two’s contemporary thriller Collateral as co-producer and will release globally outside the UK. As Deadline revealed last month, Carey Mulligan is starring in the David Hare created drama that explores the spiraling repercussions surrounding the fatal shooting of a pizza delivery man. New cast includes John Simm (Life on Mars), Nicola Walker (Spooks) and Billie Piper (Doctor Who, Penny Dreadful).

Rose and The Master, plus staring Carey Mulligan, who played Sally Sparrow in Blink.

Legends of Tomorrow was considerably improved in the second season. After an apparently happy ending, the Legends wound up in a Los Angeles with a changed skyline with futuristic buildings and buildings from Victorian England, and dinosaurs. I wonder if they are intentionally using things which the Legends have encountered previously.  Screener discussed the aftermath of breaking time with showrunner Phil Klemmer:

It’s no secret that the Legends revisiting an event they’d already changed is bad news — and now in the Season 2 finale, that’s exactly what’s happening. What can you tell us about the episode?

I guess I’ll say this: We have to follow through on our promise. I think people would hate us if the Legends were able to perform this feat without any consequence… If this were a typical “Legends” episode, and ended with, “Alright, we didn’t get a lot of style points but we succeeded.” This really has to be different than a random episode throughout the season.

As a show, it’s always been designed to reinvent itself at the end of every season, whether that’s with the mythology or the characters or the stakes. The blocks that we build with are not designed to last from one season to the next. We’ve loved Season 2 and could continue writing this forever, but I don’t think that would be true to the spirit of the show, which is supposed to be wildly unpredictable and zany.

We had to have a seismic shift for our story, and one that will leave people scratching their heads for the next five months or whatever. I think the show is at its best when you watch an episode and honestly don’t know how the hell you got there. We never could have predicted that we would do an episode about George Lucas, or “Land of the Lost” dinosaurs. You can get a little too comfortable and we got good at doing the Season 2 thing. That’s precisely the moment where you have to blow the canon up again, you know? Crash this beautiful ship of ours and see where you land.

It’s scary — but it’s a challenge that I know, when we all sit down in the writers’ room for the first day of work, everybody’s going to be on the edge of their seat and eager to start talking, because nobody knows where we’re headed. And that’s exciting and terrifying.

While ‘Legends’ is telling a unique story, it still exists in a shared universe — your actions can be felt on other shows. Is that a line you have to walk — debating how much to blow up so it doesn’t impact ‘Arrow’ or ‘The Flash’?

It is funny. Kevin Smith said at Paleyfest how Barry has suffered endlessly for making one mistake, and we’ve sort of made a habit out of it. Usually when we’re in the Waverider and we’re traveling through time, we’re thinking the crossover is really the only time we have to make our worlds harmonious.

But you’re right, we have maybe made a really difficult challenge for ourselves. You’ll see in the last 45 seconds a different kind of mistake than we’ve ever made before — and the challenge of Season 3 is going to be coming up with a new mission-of-the-week… Because it’s not as easy as going back in time and keeping George Lucas in film school. That’s going to seem like a very two-dimensional surgical strike, compared to the historical messes that we have to clean up as a result of what we do in this finale. It’s exponentially more complicated.

Despite the changes on Legends of Tomorrow, Marc Guggenheim says we will not see dinosaurs in Central City on The Flash next season.

Last week’s episode of The Magicians had a dragon, a visit to the underworld (with bowling), and a lot of surprises. Eliot was surprised to find he was not going to get laid because a bunch of Fillorians and Lorians were turned into rats on Eliot and King Idri’s wedding day. Margo surprised Eliot when the truth serum forced her to confess, but then, surprisingly did something risky to try to fix everything. Eliot was also surprised to return to Brakebills. Senator John Gaines was surprised to learn why some people did what he wanted, and further surprised when he gave another Senator a heart attack. Julia was surprised to learn that Elysium is run by Miss Persephone. The biggest surprise was the sacrifice Julia made for Quenton, presumably now opening the door to bringing Alice back.

The Dragon got the best lines of the episode:  “You have 24 hours to return to the portal.” “Or…” “I sit patiently, waiting for you to come back. No, I eat you, I’m a fucking dragon, what do you expect?”

Deadline had a panel with cast and crew, and had some teasers for the final two episodes of the season:

With just two episodes to go, the team promised to go out with a bang (“They’re insane,” said Maeve. “Quite insane”). Added McNamara: “There’s been something for the entire season, and there’s a perpetrator behind these things that are going on, and you don’t know who it is… It’s kind of a giant whodunit.” Ralph confirmed that the April 19 finale will pull the rug out from under its characters, saying, “Just as these people think that they have real control over their lives and have made real decisions and have forward momentum and feel like they’re taking responsibility for things for the first time, we draw back the curtain and reveal that they’ve had no control – they’ve been pawns.” Gamble smiled. “Don’t you love a cliffhanger?”

Orphan Black returns for its fifth and final season on June 10. Several pictures and clips have been released, including this one which suggests that Cosima and Dephine are getting married:

 

The 2017 Hugo Award finalists are out. The awards will be presented on August 11, 2017. Here are the nominees for the two categories which include television shows and movies:

Best Dramatic Presentation, Long Form

  • Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
  • Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)
  • Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)
  • Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)
  • Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)
  • Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation, Short Form

  • Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)
  • Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)
  • The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
  • Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)
  • Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)
  • Splendor & Misery [album], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Screenrant has looked at how the television version of Legion differed from the comics.

On a somewhat similar topic, Vulture compared how the ending of Big Little Lies compared to the book.

Netflix has revealed that The Defenders will be released on August 18, 2017.

Daredevil will start filming season three later this year, to be released in 2018.

Iron Fist has received a number of poor reviews, but I doubt I will go entirely without seeing it before watching The Defenders. Nerdophiles has a possible solution–listing the must see episodes and recommendations for those to skip. They even have a synopsis of the episodes they recommend skipping. It won’t save all that much time, only recommending skipping three episodes (the second, third, and twelfth). The first also also gets a poor review, but I assume the author recommends watching as it is the first episode and presumably does set up the show. In other words, it appears that the series doesn’t really become all that watchable until the fourth episode.

In this era of peak TV, there are many shows I have not had a chance to see which others say are worthwhile. I’ve heard a few people say great things about Wynonna Earp. Screen Rant gives fifteen reasons to watch. The first season recently became available on Netflix, and the second season begins on Syfy on Friday June 9. Syfy has announced that Dark Matter will also return on June 9 with two episodes. Killjoys will return on  June 30. I finally manged to binge watch Dark Matter in December, when other shows were on hiatus, and really enjoyed it. I didn’t get into Killjoys, but I only watched one episode and will give it another chance if there is another slow period.

Hulu has released the first three episodes of an anthology series entitled Dimension 404, which appears to be influenced by The Twilight Zone and Black Mirror. I09 says these episodes are bingeworthy.

Netflix has renewed A Series of Unfortunate Events for both a second and third season. USA has renewed Colony for a third season.

SciFi Weekend: Doctor Who–The Return Of Doctor Mysterio; Carrie Fisher; Will & Grace; Gilmore Girls; Matt Smith On The Crown; Sherlock; Hollyweed

A Doctor Who Christmas Special is different from a regular episode. While there have been some exceptions, generally they are lighter and disconnected from the story lines of a particular season, making them something the entire family might watch even if they do not watch Doctor Who regularly. Keeping this in mind will answer some of the criticism I’ve seen of The Return of Doctor Mysterio, which worked fine as a Christmas story, even if light. It was not, and was not intended to be, a major story with profound ramifications for the mythology of the show. The show broke ratings records for BBC America.

The episode got its name because Peter Capaldi loved to refer to his character as he is referred to in Mexico, and it fit as it did include two times in which the Doctor returned to see Grant after he accidentally turned him into a superhero. Having the Doctor be responsible allowed for Steven Moffat to play with many troupes of superhero comics and movies without fully including superheroes as part of the Doctor Who universe. Instead it is superhero comics, and generally not superheroes, which are a part.

This was the first appearance of the Doctor (other than his brief cameo in Class) since last year’s Christmas special, The Husbands of River Song. While it was not necessary to have seen it, this episode is a direct continuation. Both episodes included a key situation involving not recognizing someone else. They also both involved  aliens exchanging heads or brains, and has the return of Matt Lucas as Nardole. Fortunately the Doctor’s many skills include the ability to reassemble Nardole’s head on his body, allowing him to become a valuable assistant after the twenty-four year night he spent with River Song before she met her fate in the library. Matt Lucas will remain a semi-regular in the upcoming season.

Moffat took advantage of his experience in writing the romantic sit-com Coupling. This was seen when he had the entire body of the adolescent superhero who couldn’t control his x-ray vision levitate, obviously representing the rise of something else. It was seen again in scenes with Grant and Lucy, especially when they had dinner on the roof, while Grant had to be in two places at once.

The roof-top dinner was a clear homage to the Richard Donner/Christopher Reeve Superman films. There were even panels from a Superman comic displayed early in the episode. How many collectors felt ill to see the Doctor deface what would now be a rare old comic by drawing glasses on Superman to show off how he figured out that Clark Kent is Superman, oblivious to the fact that everyone else already knows this (except for Lois Lane). It is just something we accept that wearing glasses keeps most people from figuring out his secret identity, but to the Doctor, “there are some situations which are too stupid to be allowed to continue.”

There were other ways in which this was a homage to Superman, including the double-L name of Lucy Lombard to match the names in DC comics. Moffat worked in the names of Siegel and Shuster, the creators of Superman, as names of employees at Harmony Shoals. There is a globe on top of the  building reminiscent of The Daily Planet.

Moffat didn’t limit himself to Superman comics. There are items from multiple DC and Marvel comics all over young Grant’s bedroom. The Ghost had aspects also comparable to Batman, including the look of the Ghost, his voice, and a reference to the bat signal. The advice, “With great power comes great responsibility,” comes from Uncle Ben’s advice to Peter Parker in Spider-Man. The Doctor reacted to Spider-Man’s origin in being bitten by a radioactive spider by expecting the signs of radiation poisoning. He considered himself to be the inspiration for superheroes with Doctor in their name.

There were other great moments in the episode, such as Lucy interrogating the Doctor by squeezing Mr. Huffle. I bet the BBC will be selling those toys in the future. I also liked the earlier scene when the Doctor came across Lucy, also spying on the aliens: “It’s okay. I’m an intruder too. Yeah, I brought snacks – mark of a pro. Keep listening.”  Plus there was the Doctor’s comment on the situation: “Brains with minds of their own? No-one will believe that – this is America.”

Yes, there was also an alien invasion, but this was a trivial aspect of the show, present to provide a backdrop for Grant’s story. This did make the episode seem a little disjointed at times, but the pleasure of seeing the classic superhero triangle of Grant, The Ghost, and Lucy made up for  this.

The episode ended with a teaser of the next season, and the new companion, Bill, played by Pearl Mackie.

Bill met the Doctor at a University and, contrary to previous rumors, is from the present. The trailer above does give some clues as to her personality and relationship with the Doctor. At this time we don’t know yet whether she will encounter the strangest aspect of being a companion to the Doctor, witnessing a regeneration.

The biggest genre related news of the week was the death of Carrie Fisher, followed the day later by her mother, Debbie Reynolds, dying, presumably of a broken heart. Carrie Fisher’s death was too big a story to wait for SciFi Weekend, and I posted about this story in greater detail here: Carrie Fisher Dies At 60, May The Force Be With Her Always.

Also this week, William Christopher, best known as Father Mulcahy on M*A*S*H died.

It looks like NBC will be bringing back a ten episode revival of Will and Grace next fall.

Netflix dropped a hint raising speculation that there will be more of Gilmore Girls after the cliff hanger ending of A Year In The Life.

Bot Matt Smith and Jenna Coleman played British royalty in The Crown and Victoria in 2016. While Matt Smith’s role was not as big as Jenna Coleman’s, his portrayal of Prince Phillip was an entertaining aspect of The Crown. Radio Times reports that Matt Smith will continue to have a major role in season two of The Crown:

You might think you know what’s coming next in Netflix’s The Crown: after all, the life of the most famous family in the country is not exactly untold history and requires no spoiler alerts.

But with the making of season two, creator Peter Morgan has revealed how he plans to continue the story of Elizabeth’s reign – and the focus will shift away from the Queen herself as other royals take centre stage.

“We start to focus on Charles as a young boy and his education, and on Philip and his back story,” Morgan told People magazine.

Matt Smith’s Prince Philip was one of the most engaging characters in the first season as he struggled to adjust to his wife (played by Claire Foy) becoming Queen. The production team has recently been in South Africa, filming part of Philip’s Commonwealth tour which took him away from his wife and young family for months.

Executive producer Suzanne Mackie teased: “We glance backward to Philip’s childhood and his upbringing, and how that might have impacted him as a man, a father and as Prince Consort – which is fascinating.”

Diana won’t be appearing until season three.

Sherlock season four premieres tonight. Steven Moffat and Mark Gattis warn that it had people sobbing in an interview with The Sun:

We’ve watched the first episode and we really felt as though something bad was going to happen…
Mark: It’s prefigured. You start with the sharks and then you go into lots of light-hearted fun. But it’s important to think: ‘This is not going to end well.’ I was listening to people sobbing in our first press screening – that’s a very good reaction.

Are you two still moved to tears, despite knowing what’s coming up?
Mark: Oh, I cry every time with episode one. That one shows what fun the duo have, but that events have consequences… It’s about the past coming to get you. And there are at least two scenes in episode two that make me cry. And I always cry at a certain point in episode three…
Steven: Episode three is the finale of finales…

You have said that this is not the last series. Have you got the next one mapped out?
Steven: It’s slightly early to be talking about season five when season four hasn’t been on yet. But no one can really end the story of Sherlock Holmes, can they?
Mark: We’d like to carry on. We just don’t know.

Finally in show business, including Hollywood, news, someone changed the famous Hollywood sign to read “Hollyweed” last night. This happened once before in 1976 following the passage of a California marijuana law.

SciFi Weekend: Doctor Who, Hell Bent; Batman v. Superman; The Expanse; Transparent; Outlander; Supergirl; Fargo; You’re The Worst

Doctor Who Hell Bent

The season finale of Doctor Who, Hell Bent, concluded the three part story which began with the death of Clara Oswald in Face the Raven. It turned out that the ending of last week’s episode, Heaven Sent, contained some misdirection about where the finale was going. While the Doctor did return to Gallifrey, this was not at all what the episode was really about.

The Doctor returned to Gallifrey as a war hero, and used this return to save Clara. While the leaders on Gallifrey were concerned with the identity of the Hybrid, it turned out that the Doctor did not really know the answer. His priority was in saving Clara.

Face the Raven appeared to end with the Doctor allowing Clara to die as there was way to prevent her death. Now he was willing to break all the rules and risk the fracturing of time to save her. Clara was pulled out of time just before the moment of her death,  in between heartbeats and lacking  a pulse, not really living. She was informed of her condition by a general on Gallifrey: “Although you are conscious and aware, in fact you died billions of years ago. We have extracted you at the end of your time stream. Once you have finished here, you will be returned to your final moments. Your death is an established, historical event.”

The Doctor was willing to break the rules of time, as he had done on occasions before, and to defy the leadership on Gallifrey. He killed a general to demonstrate how far he would go to save Clara.  They escaped through the Matrix, one of several references for things established in old episodes, and escaped in an old school TARDIS. As he had started out, the Doctor escaped Gallifrey in a stolen TARDIS, this time with a functioning Chameleon Circuit. They escaped the Time Lords by going to the last hours of the universe, where they met up with Ashildr, who the Doctor had made immortal earlier this season in The Girl Who Died.

While the identity of the Hybrid was never definitively revealed, Ashildr had what came closest to an answer. She theorized, “‘What if the hybrid was to people.‘A passionate and powerful Time Lord and a young woman so very similar to him – companions willing to push each other to extremes?” The Hybrid might have been the Doctor and Clara working together.  Whether this is the actual answer, it was still a meaningful description of who the Doctor is.

The problem now is Clara was only alive in a form with some very timey-whimey stuff which threatens the space-time continuum. Plus at any moment she could be returned to the moment of her death. The Doctor believed that Clara had to have her memory wiped to return to earth and lead a normal life, where she could not be found from her memories of being with the Doctor. (I’m not sure what would have happened the first time she had any type of medical exam and was found to be lacking a pulse). It would be a sort of repeat of how things ended with Donna Noble, although the need to wipe Donna’s memory was more straight forward on Journey’s End.

Clara was watching in on the Doctor’s conversation with Ashildr and was not willing to give up the best years of her life, or her memory of them. Ultimately matters were left to chance, and it turned out that it was the Doctor, not Clara, whose memories of the other were wiped. This might make Clara safer as nobody could use the Doctor to get to her. Perhaps it also made sense for the Doctor’s memories to be erased if they were not going to remain together. As we saw on The Snowmen, it took him on hundred years to get over the loss of Amy and Rory, and after over four billion years he has not gotten over what appeared to be the death of Clara.

On the other hand, this is not the first time that the Doctor has lost a companion. Is  Clara that much more important to the Doctor than Rose Taylor, Donna Noble, or Amy Pond? Plus it is never clear why the Doctor and Clara could not continue to travel together.

Doctor Who Hell Bent 2

Throughout the episode, scenes were interspersed with the Doctor at an diner speaking to a waitress played by Jenna Coleman. By the end, we finally realized the meaning of these scenes, with Clara knowing who the Doctor was, but the Doctor not remembering her. The Doctor told Clara what he recalled of this story, even believing that he would remember Clara if he saw her, but he did not. He did see an image of her when he got his TARDIS back due to Rigsy’s memorial graffiti, plus The Doctor got a new sonic screwdriver.

Despite the matters left unanswered on this episode, it was all worthwhile for the ending in which Clara, who had already become like a Time Lord, ended up in her own TARDIS with her own companion, Ashildr. Again, it is not clear why Clara can travel with Ashildr, but not with the Doctor. While we will probably not see Clara again on the show, I bet this will launch a lot of fan fiction.

Doctor Who Extra videos for Hell Bent can be seen here.

Doctor Who returns on Christmas Day with The Husbands of Rive Song. The synopsis has been released:

It’s Christmas Day on a remote human colony and the Doctor is hiding from Christmas carols and comedy antlers. But when a crashed spaceship calls upon the Doctor for help, he finds himself recruited into River Song’s squad and hurled into a fast and frantic chase across the galaxy. King Hydroflax (Greg Davies) is furious, and his giant robot bodyguard is out of control and coming for them all! Will Nardole (Matt Lucas) survive? And when will River Song work out who the Doctor is?

The Batman v. Superman trailer was shown on Gotham last week. As I know some superhero fans are not watching Gotham due to the lack of superheroes, I’m posting it above for those who might have missed it.

The Expanse officially states on December 14, but the first episode can be seen online here.

Amazon will be releasing season two of Transparent on December 11, but the first episode was made available early.

The second season of Mozart in the Jungle will be released by Amazon on December 30.

Outlander returns for a second season this spring. Teaser above.

Supergirl has been picked up CBS for a full season. The show still seems to be trying to figure out where it is going without being too much a clone of The Flash, and sometimes struggles to be in Superman’s shadow while contractually being unable to show him as an adult (with a younger version of him to be seen this season). Now that it has a several episodes under its belt, it is starting to show more promise.

Meanwhile on CBS’s sister network, The CW Network, the annual cross over episodes of The Flash and Arrow has aired. It served largely to set up Legend’s of Tomorrow, but was a fun two hours with the casts of both current shows getting together again. During the week there was also another round of rumors of a cross over episode between Supergirl and The Flash, with this once again denied (but not ruled out for the future).

Fargo season three will take place a couple of years after the first season, and could include some of the same characters.

FXX has renewed You’re The Worst for a second season. While an argument could be made that the show had stronger dramatic material from Aya Cash this season, I do hope that she gets over her depression and the third season returns to the dynamic between Gretchen and Jimmy of the first season.