Today, the world lost a great man, and I lost a great friend. We return you now to the stars, Leonard. You taught us to “Live Long And Prosper,” and you indeed did, friend. I shall miss you in so many, many ways.
Yesterday night I pulled out the Blu Ray remastered discs of Star Trek: The Original Series. The picture quality is amazing, and for a short time Spock lived. There will be additional material on television this weekend in honor of Leonard Nimoy. Syfy will devote five hours of programing to the memory of Leonard Nimoy with his appearance on The Twilight Zone, the two part story which he appeared on Star Trek: The Next Generation, and his last movie role with the original Star Trek cast. (He also had an appearance in the first J.J. Abrams Star Trek movie.) The following will be on Sunday morning:
9:00AM The Twilight Zone/”A Quality of Mercy” 9:30AM Star Trek: The Next Generation/”Unification: Part I” 10:30AM Star Trek: The Next Generation/”Unification: Part 2” 11:30AM Star Trek 6: The Undiscovered Country
Epix is running two interviews with Leonard Nimoy:
The premium netowrk will run A Conversation with Leonard Nimoy on Friday, Feb. 27 at 11 p.m. (ET), followed on Saturday at 5:40 p.m. and 10 p.m., as well as Sunday, March 1 at 8 p.m.
Nimoy looks back at his 50-year involvement with one of the sci-fi genre’s more famous franchises with Star Trek Into Darkness on Saturday at 10:15 p.m. and the following day at 8:15 p.m.
The following video is of Leonard Nimoy at Comic Con 2011:
Sad news today: Leonard Nimoy died at age 83 of end-stage COPD. Nimoy, best known for playing Mr. Spock in the original Star Trek series and subsequent movies, lived long and prospered. His roles included Spock’s death in Star Trek II: The Wrath of Khan. Being science fiction, his death did not prevent him from returning to life on the Genesis Planet in Star Trek III: The Search For Spock. His movie death and funeral in Star Trek II are in the video below:
Nimoy directed two of the Star Trek movies (Star Trek III: The Search for Spock and Star Trek IV: The Voyage Home) and also appeared in the first J.J. Abrams reboot of Star Trek, along with a brief cameo in the second. He has also appeared in several other movies and television shows. This included playing William Bell on Fringe, who also had an on-screen death.
Matt Smith and David Tennant worked very well together during filming of The Day of the Doctor according to Steven Moffat:
Matt Smith and David Tennant got on so well while filming the Doctor Who 50th Anniversary Special that they hatched a plan to continue working together on the show, says Steven Moffat.
“They got on like a couple of old women. They just say in the corner and gossiped the entire time,” revealed the Doctor Who showrunner.
“By the end of it, Matt told me that he’d worked out this plan that they’d both continue in Doctor Who: do five individual episodes each and three together – would that be ok? It was a nice plan. I think if I’d said yes they’d have gone for it.”
However, Moffat admitted that neither star had started out completely confident about bringing their two Doctors together.
“David and Matt, I think… were both quite apprehensive of the other,” Moffat told the audience at a Radio Times event earlier this month. “David’s continued to watch Doctor Who like the sad old fan he is and so as far as he’s concerned Matt’s the Doctor. And of course for Matt, you don’t believe yourself you’re the Doctor, you just think David’s the Doctor. So they were both slightly nervous and slightly apprehensive.”
Steven Moffat also told Radio Times that John Hurt would steal scenes with his eyes:
“It was great fun,” said Moffat. “You’d have David and Matt, they’d be leaping around the set and doing every form of physical comedy with each other – and, you know, slightly competing about who could be slightly more insane than the other – and then John Hurt would come along and do this [tiny movement] with his eyes and you go ‘That’s it – he’s got the scene now hasn’t he?'”
Steven Moffat says bringing back the Zygons has been an ambition since he took over Doctor Who – and that the classic monsters are so well designed he hardly had to change a thing for their return in the 50th Anniversary Special.
“Every year since I took over I’ve been trying to get the Zygons in,” says Steven Moffat, “and then I thought ‘Well, it’s the 50th…’
“The Zygons are beautifully designed monsters, they are so wonderful… We barely changed the design at all because it was so good.”
The classic Who foes have appeared just once before, in 1975 adventure Terror of the Zygons, yet remain a firm fan favourite.
Cult Box interviewed Doctor Who composer Murray Gold. H:ere is just one question on the show’s theme, which has changed with the lead actor:
Have you started thinking about what the 12th Doctor’s theme will sound like? Are you going to miss using the 11th Doctor’s wonderful theme?!
“I’m not 100% certain they will let me drop that theme entirely… but yes, I have started to think about it. I really need to see Peter in the role to get it all firing up.”
Peter Salus looked at the history of computers in Doctor Who.
Sherlock season 3 will premiere in the United States on PBS on January 19 at 10 p.m. This means it will air back to back with Downtown Abbey, which starts on January 5 in the United States. Downton Abbey is already well into the season on ITV (with a rather major event for Anna at one point during the season so far). The BBC has not announced when Sherlock will return in the U.K.
Atlantis (the replacement for Merlin) will premiere in the United States on November 23, after The Day of the Doctor.
Agents of SHIELD and Arrow are extending further into the Marvel and DC universes respectively. SHIELD has come up against Centipede, plus expect more connections to Captain America: The Winter Soldier. On Arrow, Oliver was saved by the Black Canary, who turns out to have been working in the past for Ra’s al Ghul, ultimately tying into Batman. We will see more of this Black Canary next week, and will have to wait and see how things play out regarding the discrepancy with her identity in the comics. Situations and characters do tend to evolve gradually on Arrow.
Arrow, while well-done and quite entertaining for its genre, does trace back to the teen/young adult form of genre common on CW. In this vein, CBS is considering a reboot of Charmed.
I think that Once Upon A Time would have worked better if they stuck to the first season’s story as opposed to trying to stretch it out into a conventional multi-year television series. American television often is of a lower quality than British television due to the usual format requirements in the US. Once Upon A Time In Wonderland shows promise partially because it is planned as a single season story. Last week Alice learned more about the White Rabbit but the story is not limited to Wonderland. Any Disney fan has to just love to see Robin Hood and his Merry Men rob Maleficent’s castle, as occurred on last week’s episode. Then there was the revelation that Will’s girlfriend Anastasia becomes the Red Queen.
I was happy to see that last week’s episode of The Blacklist delved more into Elizabeth and her husband, with implications that more is to come next week. I do hope the series concentrates more on this mythology as opposed to being a villain of the week series. According to E!, episode eight is also major:
Episode eight is a big one. Don’t miss it. Oh, you want more than that? Fine. Not only does someone on the team get severely injured in the episode, but Red comes face to face with one of his mortal enemies. Someone Red is scared of? This we can’t wait to see!
Showtime has renewed Homeland and Masters of Sex. The big revelation on Homeland last week didn’t come as very much of a surprise. In many ways it is more plausible that Saul and Carrie are working together consider the past working relationship between the two and the fact that Saul knows that Brody’s confession tape had to be a set-up. On the other hand, Carrie sure played her role at all times she was seen on television. I would have to go back to past episodes to verify this, but I believe this includes times in which there was nobody else watching her beyond the television audience. Alex Gansa discussed the revelation with TV Guide:
In your mind, when did Carrie and Saul hatch this master plan?
Alex Gansa: I think they decided the very next day after the bomb went off. Carrie and Saul were culpable in what happened, and they were looking for some way to make good, to make it right, to get the guy who was ultimately responsible. They began to hatch the plan right then to figure out how to lure the bad guy of the season, Javadi, out of his anonymity in Iran.
So, Dar Adal (F. Murray Abraham) and Quinn (Rupert Friend) don’t know about this?
Gansa: For the first four episodes they were totally outside the circle. This was a ruse and a plot that was hatched just between Carrie and Saul.
There were a lot of machinations to this plot. Saul continued to pursue Javadi on his own, for example. Was that just to throw the audience off or was it a backup plan?
Gansa: One of the things that our intelligence officer consultants [told us] is that the most effective intelligence operations are 95 percent true. Carrie and Saul were largely to blame for what happened and [they knew] the CIA would be looking for a scapegoat to take the blame. How would they turn that into a silver lining? This was a huge gamble, and Carrie was asked to sacrifice a lot in that gamble. It’s not a sure thing, so Saul was really playing all sides of the equation here. And you will see that he’s got a Phase 2 of the operation in mind, which he is not sharing with Carrie. Saul is very much the puppeteer here. He’s the maestro.
Why would Carrie react the way she did to Saul “outing” her during his senate testimony if she knew this was all a scam?
Gansa: Saul is the one who leaked the idea that she was having a sexual relationship with Brody to the committee. Carrie was aware that he was doing that. However, it doesn’t diminish the reality of it when it’s actually presented in front of you. When we were shooting it, we were talking to Claire about, “This moment is going to have to play two ways. It’s going to have to play one way if the audience is watching it for the first time not understanding that this is a ruse.” But when you go back and look at it again, you’ll understand that she’s not surprised by what she’s hearing. She’s amazed at how it affects her to understand that she is to blame for what happened. That’s where the emotion catches up with her in an unexpected way.
I will say that Brody becomes a principal player in the architecture of the last sweep of episodes. His predicament down in Caracas and his separation from Carrie and Saul is really paramount as we move into the next two movements of the season.
Did you have any reservations about having an episode (“Tower of David”) that was almost exclusively from Brody’s point of view?
It was really a function of how much story was to be told there. Just anecdotally, some people felt we were with him too much and others felt we were with him too little. It felt right to us to establish his predicament and to parallel his plight with Carrie’s. These are two people in some very desperate circumstances. The show has paralleled their stories before and some of the most successful episodes that we have done have drawn comparisons between their predicaments.
I just saw this commercial from May. It has to be the best car commercial ever. Spock v. Spock. May the best Spock win.
I don’t find it to be a good sign when there is a need to change writers for Star Wars VII.
The National Geographic Channel is airing a fictionalized account of the consequences of a catastrophic ten day cyberattack:
As the power grid goes down across the country, the streets quickly descend into chaos while consumers ransack stores for bottled water and canned goods.
Those without sufficient cash handy are quickly in dire straits, since no electricity means no credit cards or ATMs, either.
Meanwhile, the heroes of the day are “doomsday preppers” who have had the foresight to stockpile a couple years’ worth of bottled water, batteries, and military-style meals-ready-to-eat in secret underground bunkers.
This is the scenario explored in “American Blackout,” the National Geographic Channel’s fictionalized account of a 10-day-long power outage precipitated by a cyberattack.
What Culture has ten alcoholic drinks from Mad Men which you must try.
Screen Rant reports that X-Men: Days of Future Past’ Trailer Preview Includes a Time-Traveling Wolverine
Is time travel even possible? See the above video from TED-ED. No X-Men but it includes plenty of scenes with a TARDIS. It only deals with time travel into the future. No hope we will be visited by Kiera Cameron of Continuum.
Some people think that TED Talks fail to deal with real problems. The above DED Talk might be more practical after a zombie apocalypse.
This was a weekend steeped in tradition with the two oldest science fiction franchises both having a major event. The season of Doctor Who concluded with The Name of The Doctor, which leads directly into the 50th anniversary episode, and a new Star Trek movie was released. As usual, the review of Doctor Who contains spoilers but it is posted a day after the episode aired. Fortunately those who received the episode early in error kept quiet. Movies are harder to deal with as people view them at different times. There are also major spoilers for Star Trek Into Darkness, many of which have been revealed in other reviews.
After a season of near-misses, especially in the second half, Moffat really delivered with The Name of the Doctor. The episode dealt with the entire history of the Doctor and events in recent episodes were important in making the episode work. Now that we have seen where Moffat was headed, the season as a whole looks much better as a long story arc in retrospect, even if each chapter was not perfect. Obviously Asylum of the Daleks and The Snowmen were necessary to see Clara die while saving the Doctor. It was important to show Vastra, Jennie, and Strax as friends of the Doctor in The Snowmen and The Crimson Horror to believe the Doctor would take such a great risk to try to save them. It was part of her story for Clara to learn of her significance and then lose the memory in Journey To The Center Of The TARDIS.
The introductory sequence might be the best ever seen on Doctor Who. It begins on Gallifrey with the question, “What kind of idiot would try to steal a faulty TARDIS?” Clara appears telling the first Doctor, accompanied by Susan, “Doctor, sorry, but you’re about to make a big mistake.” The episode also includes glimpses of the other Doctors. There was the return of The Great Intelligence along with a new monster, The Whispermen.
The story initially centers around leading the Doctor to Trenzalore, including a clever way to have Vastra, Jenna, Strax, Clara, and River Pond communicate over time. “Time travel has always been possible in dreams” makes no sense, but is accepted to propel the story.
We already knew that Trenazlore was connected to the fall of the eleventh, but it also turns out to be the site of the Doctor’s tomb and apparently the fall of Doctors beyond the eleventh. As the TARDIS resisted taking the Doctor to this one place in the universe where he should never go, there was also a literal fall to the surface.
We saw both what happens to a TARDIS and to a Time Lord following their death. The Doctor’s real name was necessary to open his tomb, but was spoken by River Song without the viewer hearing it. It was no surprise that we did not learn the name and the title of the episode was mild misdirection on Moffat’s part. Moffat also deceived us in other interviews about the episode, but Moffat’s lies are always forgiven when he delivers a great show. A character did die, but was also restored to life. Or perhaps he was referring to River Song. The episode appears intended to her final meeting with the Doctor, but does not prevent her from returning, especially from an earlier point in her time line. The very nature of her appearance in this episode raises questions which may or may not be answered beyond the simple explanations provided.
The claim that this would be a season of stand alone episodes was also not completely true. Besides the finale being largely a chapter in a story which must include prior episodes of this season, The Name of the Doctor ends on a cliff hanger.
By the end we did learn both the explanation for Clara Oswald and the Doctor’s greatest secret. Nobody would have figured out Clara’s explanation without the events of The Name of the Doctor as she was fragmented over time after entering the Doctor’s time stream. I do have a couple of nitpicks with what we learned here.
Echoes of Clara were with the Doctor throughout his life, often saving him from the changes to the Doctor’s time stream created by The Great Intelligence. When Clara told the Doctor he was making a mistake when first stealing a TARDIS, the mistake was merely in the TARDIS he planned to take and she directed him to another in which “the navigation system’s knackered” and he will have more fun. This conflicts with The Doctor’s Wife in which it was the TARDIS who influenced the Doctor to steal her. The scene would have worked better if the Doctor went on to take the TARDIS he first tried to steal despite Clara’s warning. This would have also provided an explanation for the TARDIS disliking Clara earlier in the season. Maybe this was even intended and it is just not clear that he ignored Clara’s advice but I do believe he took the one which Clara recommended.
My other complaint is that Clara spoke of seeing all eleven Doctors, but if this was the remnant of his entire time stream after he died she should have seen versions of the Doctor beyond the eleventh. They could have shown glimpses of others without faces and refrain from having Clara specify eleven. Ultimately one other version is shown with a contradiction present. He is presented as a version which does not deserve to be the Doctor for his actions but the episode ends with the caption, “Introducing John Hurt as The Doctor.”
We have until November 23 to find out what this means. There was mention of the Valeyard, the evil version of the Doctor from between the twelfth and final regeneration, during the episode, yet more evidence of Moffat’s respect for the entire history of the show. While John Hurt could be playing him, interviews so far suggest he is a regeneration from between the eighth and ninth Doctors (added when Christoper Eccleston declined to appear in the 50th anniversary episode). He is apparently the Doctor’s greatest secret for what he did. So far we only know that “broke the promise” which comes from choosing the name of the Doctor. This might be referring to actions during the Time Wars, or perhaps to events we are not yet aware of.
However this ends, Moffat has given us a tremendous season and appears to be on the way to making a major addition to the Doctor’s history and mythology.
We will be anxiously awaiting the 50th anniversary episode, and the eight season since the reboot has been officially announced.
The Behind the Scenes video is above.
Star Trek Into Darkness is an entertaining movie well worth seeing but it is not great Star Trek. J.J. Abrams knows how to make a great action movie (even if there is too much lens-flare) but he does not really understand Star Trek. The plot is a series of contrivances for a series of action scenes, lacking Gene Roddenbery’s vision which made Star Trek great. Wil Wheaton has already responded to Abrams’ failing to understand the importance of philosophy to Star Trek. This was far more Star Wars than true Star Trek.
Partially in Abrams’ defense, Star Trek should be a television series, not movie. It takes a weekly television series to develop the characters and show the philosophy of Star Trek in a series of smaller stories as opposed to big action scenes. Unfortunately the movies thrive on big action scenes, and the original movie series also failed to live up to the quality of the television shows. A movie which was true to Star Trek would have to be directed more towards Star Trek fans than a mass audience. Star Trek The Motion Picture did avoid the big action scenes and was not a great success, but it also had other flaws.
Abrams depends even more on the big action scenes than the original movie series, moving from one to the other at the expense of a logical plot or really dealing with issues. Thus we have a few lines of explanation for Khan’s motivations (including a reference to Section 31 which I did enjoy) but Abrams did not develop the character as well as in either Space Seed or Star Trek II: The Wrath of Khan. Benedict Cumberbatch did play an excellent villain with the material available.
Admiral Marcus turned out to be a second villain but his motivations did not seem realistic. It s one thing to bend the rules to get Star Fleet to prepare for a war you feel is coming. It is another thing to attempt to destroy the Enterprise or to directly try to provoke war with the Klingons. The movie also had one thing in common with the other recent blockbuster, Iron Man 3. Both include a character who is influenced into betraying others to help their child.
There is some degree of political controversy and references to current events in the movie. Khan was the terrorist on Kronos in an analogy to today’s terrorists in countries such as Afghanistan and Pakistan. The morality of using drones to kill a terrorist versus taking the terrorist into custody for a fair trial was raised. This was dealt with too simply with Khan being in an unpopulated area where capturing him seemed to be a more realistic option.
I do wish the timeline could be fixed as it was on The Name of the Doctor, but we must deal with the J.J. Abrams alternative timeline for now. I did not object, as some fans did in response to rumors of Khan’s appearance, to this retelling of the story. It was plausible that Admiral Marcus might have found the Botany Bay at an earlier point in history, and after the destruction of Vulcan might tried to make use of Khan.
There were other changes in this timeline compared to the original timeline. For example, they actually thought to put seat belts on the bridge.
While obviously it relates to changes in our culture as opposed to Nero’s changes in the timeline, sexual attitudes are different. On one hand, Kirk is still the womanizer, and they added a young, beautiful, and scantily clad Carol Marcus (Alice Eve) to the movie and trailer to increase interest in the movie. In other ways things were different. Kirk started on his five year mission to go “where on one has gone before.” It took us from the original series to Star Trek The Next Generation to update from “where no man has gone before.” Uhura had a far more active role. For the most part I liked this, except in the scene where Uhura was beamed down to join Spock in fighting Khan. This should have been a big guy whose primary job involved fighting, not a communications officer. Of course the original Star Trek would have been unrealistic in its own way. Captain Kirk would have been the one to beam down, simultaneously placing the Captain and First Officer in danger.
A surprise in this movie which is an obvious consequence from the previous movie was how Spock took advantage of his counterpart from the original timeline to obtain information about Khan. This did allow Spock to figure out that Khan could not be trusted, but there were plenty of other clues even without contacting New Vulcan. This does present the danger of providing an easy way to get answers in further adventures, which might be avoided by facing different dangers or by being too far out into deep space to contact the original Spock. It was a surprise to see Leonard Nimoy in this movie, and it is questionable as to how much longer he will be able or willing to put on those Vulcan ears and appear on screen. They also met up with Tribbles earlier in this timeline and a Tribble played a key role.
Compared to The Wrath of Khan, this movie reversed Kirk and Spock making the sacrifice and screaming out the name of Khan. For a moment I feared they might be leaving the resurrection of James Kirk to the next movie as was done with Spock in the original series. Thankfully everything was resolved in this installment.
I did not like some of the changes in technology from the original timeline. I did not like having Khan being able to easily transport himself from earth to Kronos. This is not Doctor Who. I disliked even more having Star Fleet build bigger ships for battle. The Enterprise is already much larger. While the Enterprise was built primarily for exploration, it is still the flagship for Star Fleet. Military threats should be handled by the Enterprise and other similar star ships, and there should not be bigger, more powerful ships to rely on.
Ultimately The Name of the Doctor will be remembered as significant and rewatched by fans. Star Trek Into Darkness provided a very entertaining night at the movies, which isn’t all bad, but it was a one-shot affair without much significance to Star Trek history. I just hope it is successful enough to eventually lead to a new television series. A cable television show does not need the mass audience of a blockbuster movie to succeed.
The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.
The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”
Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.
Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.
TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:
“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036? J.H. Wyman: Yes.
Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman: Well, let’s say that basically 2036 is extremely important to Season 5.It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.
Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman: At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason. We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are. Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work. Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed. Wyman: They don’t know if anything is over. So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?
Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman: Basically, when Walter was going through the Nanites.From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.
Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.
Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman: You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.
Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman: We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them. Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad. I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.” She said, “I was so wrong.” Wyman: Everything is a possibility on Fringe.
Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman: We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.
Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.
Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman: You’re very perceptive. Let’s just say you will understand the hesitation.
There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker: You will see changes, but you will see things that are familiar, as well. I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.
Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman: We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.
The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.
Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.
Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.
There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.
Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over. Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:
TVLINE | What other drama is going on in Storybrooke outside of the Henry thing? KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling. HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.
TVLINE | How is August doing? Is he flipping through termite control ads? HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.
TVLINE | What is Mr. Gold’s particular take on the Henry situation? KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.
TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own? KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well…. HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]
TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm? HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new. KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?” HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”
TVLINE | Will the finale introduce any new players to the canvas? KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced. HOROWITZ | And there may be some old characters seen in a new way.
TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds? KITSIS |All of them. HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise. KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”
The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960’s, it makes sense to pay what it takes to include the Beatles, considering how important they were to music of the era.
The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.
The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:
In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.
For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.
Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.
“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”
KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.
“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”
Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”
Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.
Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:
Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.
“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”
Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”
This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.
With Doctor Who now filming and the second season of Sherlock premiering in the United States tonight, there has been a lot of news about both shows. For those who have not seen it, Steven Moffat’s version of Sherlock is fantastic, regardless of whether you are a fan of the original Sherlock Holmes stories. It is definitely worth watching for the next three weeks on Masterpiece Mystery on PBS. I think that the second season was even better than the first. While all three episodes were excellent, like the first season the first and third episodes are the most significant.
Steven Moffat was interviewed in the United States by Fresh Air prior to the start of the second season of Sherlock on PBS. The interview was primarily directed towards American audiences who are not familiar with Sherlock and Doctor Who. Several of the questions involved casting, and one item of interest was that Matt Smith had interviews for the role of Watson before being chosen to play the Doctor. Moffat also had this to say about casting Matt Smith:
Everything else about a show, other than casting — however great or admirable or excellent it is — can only sort of really be admired. People don’t really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it. What people fall in love with, oddly enough, is other people. The difference between a beautifully made failure and a beautifully made hit is who you’ve got playing the leads. It really, seriously is. Is a nation going to fall in love with those people and want to see them week after week? And making that decision is tough. But it’s easier if you’ve got a great casting director. … In the case of Matt Smith as The Doctor, I’d be very, very adamant that we have an older Doctor — that he’d be in his 40s. I wasn’t going to have any young Doctors on my watch. And on the very, very first day — the very, very first day — he was the third one through the door. His audition was so perfect, any fool would have cast him. It was dead easy. And I remember asking, ‘What age is he?’ And he was 26 and instantly the perfect Doctor because he does do that thing of combining the old man and a young man. He looks like a young man assembled by old men from memory.”
On the importance of Watson:
“If you look at any good version of Sherlock Holmes, Dr. Watson is every bit as important as Sherlock Holmes, and some would argue more so, because he’s our conduit to Sherlock Holmes. He’s the person to whom, in a way, the story happens. We are more emotionally resonant with Dr. Watson than with Sherlock Holmes because Sherlock Holmes is a hard man to empathize with.”
In contrast, the show is largely from Sherlock’s perspective:
“We always wanted it to be stylish. We didn’t want it to be like other television. We wanted it to have a film sense. Everybody says that about their TV show. Everyone says that. But then my wife got a hold of [director] Paul McGuigan, and he’s the one who brought the tremendous beauty to it. One of the things he said was, ‘You want to think Sherlock Holmes is behind the camera, too.’ You want to see the world as Sherlock Holmes sees it. And that informs his work on an awful lot of the show, to give you the Sherlock’s eye view of the world all the time.”
Moffat had this to say about his childhood:
“I’m a geek. I’m a writer. I spent all of my time in my childhood obsessing about Sherlock Holmes and Doctor Who. I was alone, I was an outsider — what do you expect? I was that bullied kid at the back of the class weeping for loneliness. I don’t think, generally speaking, people become writers because they were the really good, really cool, attractive kid in class. I’ll be honest. This is our revenge for people who were much better looking and more popular than us. I was a bit like that, I suppose.”
Even though Benedict Cumberbatch and Martin Freeman are becoming big stars, Moffat is confident that they will return for future series of Sherlock. The three episode a year formula gives them plenty of time for other projects and, just to be safe, Moffat has their families locked up in his basement. Cumberbatch, now filming on Star Trek, does not share Moffat’s objection to Elementary:
“As we already know with the Downey Jr movie franchise that there’s room enough for two [Sherlock Holmes projects], so why not three?” the actor said at a Q&A session in New York to promote Sherlock series two airing on PBS.
Cumberbatch added that he considers Trainspotting star Miller – with whom he starred in the play Frankenstein at the National Theatre – a “friend”.
“[Elementary will] be different and I don’t think it’ll take away the love for ours, and there’s no reason to be churlish or bitter about them or what they’re trying to do,” he said.
It appears that River (aka Melody Pond) will pose as a gangster named Melody Malone. More pictures (and spoilers) from the upcoming season can be seen here.Doctor Who TV also gathered items of interest from an interview with Steven Moffat in Doctor Who Magazine:
Rory and Amy are no longer regular travelers with the Doctor: “If he thinks he needs them, he just pops in on them,” but, “Each time they’ll get a little older.”
Moffat on killing off companions: “Even if I don’t think I’ll do it…maybe I will do it!”
Moffat ponders, “If we did a UNIT story, would Martha be there?”
The Special Weapons Dalek will definitely appear in the opener
Moffat reiterates that the New Paradigm Daleks are an “officer class”
Can the question “Doctor Who?” be answered? “Wait and see”
We will find out exactly what Trenzalore is all about
“The Fall of the Eleventh” will also be resolved (perhaps not in Series 7 though)
Moffat is very keen that the order of the episodes can be swapped around this time
There will still be a story arc, but it will be “the opposite” of Series 6
Jenna-Louise’s companion will be different to the others and is “going to be a shock”
Filming will continue throughout the rest of 2012 and further into 2013 and beyond
Bond director Sam Mendes compared the James Bond franchise to Doctor Whoin this interview:
The first time I saw the movie, I was like, “You’ve got to be joking! You can’t do that to the poor man!” But it was too…they were playing almost embarrassment, almost apologized for having a new Bond and I thought that was wrong, and I thought what they got right was Casino Royale. There was a kind of “We don’t need Q, we don’t need Moneypenny. We’ve got this character. We’re going right back to basics. He’s real, he’s in a real situation. Let’s start all over again.” I thought that was very refreshing.
That’s why I mentioned the word in the press conference, “regeneration” rather than “evolving,” because I feel it is like, you know, we have Doctor Who…there’s a geek answer…we have Doctor Who and I was brought up on the idea of Doctor Who, who at the end of his final episode, he dissolves and a new actor pops up and he regenerates and it’s a whole other character: sometimes it’s an old man, sometimes it’s a young man, but he just changes. I’ve always loved that idea.
Julian Murphy says that Season 5 of Merlin will be darker. Time will have passed showing the established court of Arthur, and there will be an older Mordred.
Combine Marvel characters and Joss Whedon and we had a formula where The Avengers really did live up to all the hype. An interview with Joss Whedon is above. The movie sets up conditions for further movies centered around Iron Man, Captain America and Thor. Mark Ruffalo did a much better job of playing Bruce Banner than Edward Norton did , and now there are reports that further Hulk movies might be made, possibly along with a movie centered around Scarlett Johansson as the Black Widow. As has been the case with the previous Marvel movies, it is important to stay in the theater during the credits for an extra scene. In this case there are two extra scenes. One during the credits is probably significant in terms of a future threat for Thor and/or The Avengers. The second, at the very end of the credits, is not important but was still fun to watch.
As many watch movies long after the initial release date I tend to avoid saying much about the plot of movies in posts here. Those wanting to avoid even a minor spoiler might want to skip the end of this paragraph. In movies of this type it is necessary to accept a lot which is unrealistic, but I was bothered a little with the inconsistency in the portrayal of the Hulk. The first time Banner became the Hulk he was more destructive and showed less understanding of his situation as compared to his final appearance in the second Hulk movie. Then, when he became the Hulk for a second time, he acted with complete understanding of working as part of the Avengers team.
As usual with Awake, the personal events involving Britten in this week’s episode, Slack Water, were more interesting than the criminal cases. Once again the possible clues as to whether the two different worlds for Britten are both real are also contradictory. In some episodes there is real information obtained in one world which is helpful to solve a crime in the other. Other episodes were more like this week, were the house which is the scene of the crime in one reality was the name of a video game played by a murder victim in another, leading to Britten finding out information which helped solve the crime. Having the house be real in one reality but a video game in the other suggests that only one, or perhaps neither, reality experienced by Britten is real and his mind (or some other source) is supplying this information.
The more important story line came out of the revelation last week that Rex’s girl friend Emma was pregnant, with Emma having a miscarriage in the world where Rex survived the auto crash and continuing to carry Rex’s child in the world where Rex was killed. It was rather obvious that Emma did not agree with the decision of her parents to have a closed adoption, even if only Hannah recognized this during most of the episode. A theme of the show has been for Michael Britten to replace his loses in both realities. Where Hannah died, he keeps the older partner and has a female psychiatrist. In the reality where Rex was killed, Michael has a young male psychiatrist and is given a new, younger male partner. (I did find it strange that the older former partner was not seen at Michael’s going away party in the other reality where Michael was given new partner.) Now things have worked out in the reality where Rex died that Michael not only has the prospect of adopting Rex’s child, but events have also worked out that they have a new teen-aged child in the home.
One implication of this is that Britten is no longer planning to move to Oregon and the person responsible for the earlier attempt on his life is now likely to act again. The back story was further developed as we learned that this involves a heroin shipment, and we learned that the police Captain had been a narcotics cop in the past, providing some explanation as to how she might have become involved.
The previews for next week’s episode suggest that we might learn more about Britten’s situation. For at least part of the episode he ceases to go into the Rex universe. Could this mean that over there he is dead (unlikely), unconsciousness, or perhaps because he has to solve the mystery of his attempted murder in the other universe in order to protect himself in the other before returning. A voice over in the preview has Britten saying, “There was no accident. They were trying to kill me.” Unfortunately Britten is off screen, so we cannot tell if he is wearing the typical white shirt of the Hannah universe or blue shirt of the Rex universe and we cannot be certain if the murder attempt, so far only mentioned in the Rex universe, is now becoming a factor in the Hannah universe.
While there has been suspicion that Leonard Nimoy was going to return to play William Bell on Fringe, they still managed to keep Nimoy’s actual appearance on this week’s episode of Fringe a secret. As an example of the misdirection used, in an interview shortly before the last episode aired, Jeff Pinkner had this to say about the possibility of Nimoy returning: “We basically erected a sign outside of Leonard’s house which said, “Please come back to Fringe,” and we are hoping that by season five he says yes.” In the interview Pinkner also said we will again see the world of 2036 but avoided answering a question as to whether we will see the alternative universe again.
I09 looked at the gratuitous sex and violence on Game of Thrones.
There has been talk this week that Netflix might revive Jericho. It makes sense for Netflix to revive shows which have a strong following (such as with Arrested Development) even if off the air for several years considering they are shows which significant numbers of Netflix subscribers are currently watching. As more companies start to compete with Netflix for streaming older shows, providing new episodes will give subscribers reason to stick with Netflix.
Speaking of streaming providers, there was a major update to the Android versions of HBO Go and Max Go this week so that they finally work with Ice Cream Sandwich.
If Netflix might bring back Jericho, there has been speculation as to other old shows which might return. Damon Lindelof leaves open the idea of more Lost, but is not interested in personally being involved:
Lindelof has no interest in revisiting “Lost” anytime soon.
“It’s been two years (since the series wrapped) and we told the story we wanted to tell,” Lindelof said. But he admits ABC might look for ways to bring back “Lost” in some form. “I do feel like the world has not seen the end of ‘Lost,’ but I’m not going to have any involvement,” he said.
Lindelof isn’t bitter about the idea, however.
“It would be hypocritical for me to say I’m going to do ‘Star Trek’ but I don’t want anyone to touch ‘Lost,’ ” he said.
With only two more episodes of Fringe this season, Worlds Apart made huge advances in this year’s arc. Fortunately the show has been renewed for a thirteen episode season next year, most likely so that there will be more than one-hundred episodes for syndication. Knowing that there are thirteen episodes to go will allow the writers to provide a meaningful ending for the show as opposed to a rushed conclusion added to the end of this season. Here is a promo for the final season:
In Worlds Apart we learned more about David Robert Jones’ plans to create a new world with the collapse of the two earths upon each other. The episode also brought back Nick Lane, who was in the Cortexiphan trials with Olivia. Knowledge of the back stories on Fringe was necessary to appreciate this episode. We’ve seen intermittent flash backs to the days when Walter and William Bell were doing experiments, which were apparently motivated to create soldiers to defend our earth in an anticipated war between the two earths. Shape shifters were developed on the other side with the same motivation. While I am not entirely satisfied with how it happened, this season showed that the use of the machine (also intended by Walternate to destroy our earth) led to a situation in which the alternate earth is healing and there is no longer conflict between the two sides. Jones, however, has now taken advantage of the weapons developed in this preparation for war for his own ends. Presumably Jones remains a threat which will be dealt with in the two-part season finale.
When the initial attempts to stop Jones failed, a decision was made to turn off the machine and sever the connection between the two earths. This raises questions as to whether turning off the machine will leave each side the same except without this means of crossing over, or if there will be other changes. Walter and Walternate questioned if this might make Peter disappear again. I doubt the would make major changes this late in the season, but another possibility might be that everything would return to how it was before the machine was turned on last season, with both earths on the brink of war.
The episode did wrap up a subplot from this season. Lincoln Lee was clearly infatuated with Olivia, and when she reunited with Peter, Lincoln got the opportunity to meet Altlivia. He decided to go to the alternate universe to be with Altlivia, a decision Peter clearly understood. I wonder if we will see the two of them again in the alternate universe. While the Fringe team lost their easy means of getting there, other means of crossing over were present in past episodes, so this might not be the last time we wee the alternate Fringe team. It is also possible to have scenes on the other side without anyone crossing over. I do hope that we do see more of the alternate earth.
Awake is at its weakest as a police procedural show. The two police cases this week on Game Day were not terribly compelling. The importance of the cases was that they showed Britten how there can be slight differences between the two realities leading to different results. In football, a field goal attempt may or may not be successful, leading to different winners (and different crimes). The ramifications of this became important in his personal life. He learned that Rex’s girlfriend Emma got pregnant before the accident killing his wife, and subsequently had a miscarriage. Back in the other world, Britten realized that although Rex was dead, Emma could still be pregnant with his child, and it was possible that there was no miscarriage. Finding that Emma was still pregnant with Rex’s child will certainly change things for the Brittens, most likely ending their plans to move to Oregon.
I hesitate to speculate too much on questions as to whether one or the other reality is actually real as I’m not convinced the writers have a real game plan for the show. Different arguments can be made based upon different episodes. This episode suggests that both realities are equally valid as once again information from one is carried over into the other. On the other hand, there have been episodes in which things occurring before the accident were different in each reality, suggesting that only one could be the real one which Britten had lived in. A Life on Mars type explanation in which noting is real might be the easiest way to settle such contradictions.
If Britten does not move to Oregon, the plans to call off the hit on him by the people responsible for the accident appears to be back on, providing further drama. However, why was this never an issue in the world where Rex remains alive and Britten never planned to move to Oregon? Perhaps the reality in which his life lived is the “real” world in which he was set up for the accident, but he also jumps to another pre-existing reality where some things were different, and perhaps the accident really was an accident.
This picture is not a fake. It appears to show the Doctor (Matt Smith) with the Beatles. Is Matt Smith actually a time traveler? Steven Moffat’s reaction to the picture on Twitter: “Bloody hell!!! Clearly we’re going to make that episode!! Wonder what it will be like.”
How’s this video for mixing up the robots from Doctor Who and Star Wars?
The first ever official Doctor Who convention took place this weekend, and Steven Moffat discussed the event in the video above. More videos can be found here, here, and here.
The biggest news out of the convention is that the fifth episode next season, which has the final encounter with the Weeping Angels (and final appearance of Amy and Rory) will take place and be filmed in New York City. While in New York, the cast might feel at home in this TARDIS-themed bar which Karen Gillan mentioned in an interview.
Low-quality versions of trailer for the new season, taken while shown at the convention, have also been posted on many sites, as above. Hopefully we will have an official release early next week. Steven Moffat’s promotion of the season: “Amy and Rory leaving, tragedy, heartbreak and a Western, what more do you want out of Television. Come on Downton take that on!”
The biggest Doctor Who news of the week came on Wednesday before the convention with the naming of Jenna-Louise Coleman as the next assistant, beginning with the Christmas 2012 episode. The initial announcement, along with news on the upcoming season, were first posted here. In a follow-up post later in the day I had interviews with Jenna and Steven Moffat. A post on Thursday concentrated on her roles in Captain American and Titanic, along with advice from Matt Smith. On Friday we had the first official BBC picture of Jenna in front of the TARDIS, information on another series she is appearing in, Dancing on the Edge, and a report of links to an alleged sex tape with Jenna-Louise Coleman which actually lead to a malicious site. There’s also a brief video of what Matt Smith might say to people searching for sex tapes of Jenna.
Steven Moffat spoke toRadio Times about Doctor Who and Sherlock. He dismissed internet rumors that Benedict Cumberbatch will be playing the Master and reports that he has not started writing season three of Sherlock yet:
Doctor Who showrunner Steven Moffat has dismissed reports that Benedict Cumberbatch is to play the villainous Master on the sci-fi series.
Speaking to RadioTimes.com at the Royal Television Society awards, Moffat said: “People really do sit in rooms and make that stuff up. Look at the filming schedules for Doctor Who and Sherlock – those two shows tend to shoot at the same time. We’d have a problem and there’s only so much I can arrange.”
But he then added, as a quick afterthought: “But who knows what could happen in the future…”
Moffat also told RadioTimes.com about plans for the forthcoming series of Doctor Who. Asked whether there would be a large story arc running through the episodes, or if we could expect self-contained adventures, he said: “As ever, there’s a bit of both. But this time we’re moving closer to stand-alone stories. At this point, we’re not planning any two-parters. So, every week is going to be like a different mad movie.”
He added: “We went quite ‘arc’ last time and we’re going stand-alone this time around. But that doesn’t mean that there aren’t those things creeping in. You’ve got to find a way to make the last episode special, and by God that worked ratings-wise last year. We don’t want to abandon that idea.”
Asked for any teasers he could offer, the ever-evasive Moffat replied: “Watch out for the title of episode two. I think that’s a belter. It’s one of my favourite titles ever.”
As for his other hit BBC1 series, the detective drama Sherlock, Moffat had this to say about series three: “Mark [Gatiss] and I have planned it out. We haven’t started writing it yet because I’ve got God knows how many episodes of Doctor Who to get sorted first. But the way it works with Sherlock is that we starve you and then we give you a short burst and then we starve you again. It’s worked so far, we’re not going to change it.”
On the scheduling of future episodes, Moffat said: “I don’t actually know. Given that this is a show that I haven’t started writing yet, it’s a bit early to suggest scheduling. Once we hand them over, they’ll be on television quite quickly.”
Emma Stone talked about her initial reluctance to appear in Spider-Man:
“I heard about Spider-Man and I didn’t think it was something I would want to be a part of. I just thought that probably isn’t right for me. Then I [auditioned with Andrew Garfield] and realized that this was a really interesting, fantastic relationship between two people and that I was being really closed-minded,” she said.
The actress, who wore her naturally blonde hair for the part, went on to discuss how her character finally changed her mind about the film: “[I] started learning more about Gwen Stacy and her history and just fell in love with the character and with the fans, too. I started reading forums and getting involved more in the comic book universe and it just became something I really wanted to be a part of, just because of all those elements.”
You went from playing a literary character in The Help who was in a much beloved book with its own kind of following, to a comic book character who’s iconic and has this rabid following. Was there a big difference for you between those characters and how they’re treated by their fans?Well of course the characters themselves are incredible different and there seems to be a different fan base between Spider-Man fans and fans of The Help. There are conventions for Spider-Man fans and there aren’t for The Help fans, although I would love to see a convention of The Help fans. It could be like the big Lebowski Fest. But they’re two tonally different worlds to me even though they both had such a rabid following. There’s a difference just in terms of bringing the material to life. There are different incarnations of Gwen Stacy and of Peter Parker throughout comic book history, all these different storylines to pull from depending on what kind of script you’re going to patch together. With The Help, it was such a distinct story that kind of needed to be matched line for line in a way. It felt different just in terms of becoming part of it and the way the material was adapted. But I’m so excited to be part of a movie with a built-in fan base in that way. You go to Comic-Con and there’s so much passion in one room. Everybody’s so passionate about these characters and how they’ve affected their own loves. It’s a really cool thing as an actor to know that you’re part of something that’s so much bigger than you. You’re not creating it from the ground up, you’re trying to fill the shoes of someone that’s been around a lot longer than you. It’s really exciting. I love that aspect of it.>
Why do you think the producers and writers went with Gwen instead of Mary Jane?Well, Gwen’s story happened before Mary Jane’s, and I think that coming back to their roots, it was interesting to explore the woman who came before Mary Jane. I think she’s such a definitive part of Peter Parker’s relationship with Mary Jane ultimately, who is literally the polar opposite in personality of Gwen Stacy. I think just building that into Peter’s life and seeing that story from the very beginning was really interesting. And of course Gwen’s story is so beautiful and important to that story of Spider-Man that I think they wanted to come from that angle at this time.
There might be less to report about the upcoming Star Trek movie as J.J. Abrams has built a wall around the set for secrecy.
I remain shocked that JJ Abrams destroy Vulcan in his Star Trek movies. That would be like eliminating Gallifrey and most of the Time Lords on Doctor Who.Oh, never mind.
This week’s episode of Fringe, A Short Story About Love, cleared up Peter’s confusion about the meaning of a changed time-line. When Peter began searching for a way to get home, and rejected the Olivia in this time line even when she gained memories of “his” Olivia, I questioned this. Peter was treating the changed time line as if it was another form of alternative universe, but a changed time line would imply that it is the same universe in which things have changed. Olivia would be the same Olivia, but with different experiences due to the changes in the time line. Although I was thinking these things while watching, I also considered the possibility maybe Peter could be right as we really don’t have established rules for dealing with different time lines. Last night we found out that the interpretation I first had was actually correct, and Peter had been wrong. Peter also realized that reuniting with the Olivia in this time line was fine–not like sleeping with the hotter Olivia from the alternative universe (especially as we found out in the previous episode that having a baby with Altlivia led to bad consequences).
Awake didn’t address the show’s mythology this week, but once again showed a character whose life was different in each world even before the accident. Again this rules out the possibility of the universe splitting into two different paths at the time of the accident (unless we really get complex and have time move in both directions, which would be way too confusing).
Mad Men returns tonight. Here are some stories about the show:
Matthew Weiner spoke about Betty Draper’s reduced role and things which fans might hate in an interview with Huffington Post.
Stephanie Newman looked at what Mad Men might look like if it took place today. (Wouldn’t that defeat the whole idea of the show?)
Leonard Nimoy appears on The Big Bang Theory. Hopefully he does more than lend his voice to the toy version of himself (which might be the case considering how he only appeared in cartoon form in his last appearance on Fringe.) Following is an ad for the episode: