SciFi Weekend: Doctor Who and The Two Masters; Legends of Tomorrow Breaks Time; Surprises On The Magicians; A Wedding On Orphan Black?; Hugo Award Finalists; Netflix Marvel Shows; Renewals and Returning Shows


Thanks to time travel, there have been many episodes of Doctor Who which featured two or more Doctors from different regeneratons. In the upcoming season, not only will there be the return of Missy, but John Sims will be returning as The Master. The BBC reports:

John Simm will return as the Master to battle the Doctor (Peter Capaldi), new companion Bill Potts (Pearl Mackie) and Nardole (Matt Lucas) in the forthcoming series of Doctor Who.

John Simm says: “I can confirm that it’s true, thanks to the power of time travel I’m back. It’s always a pleasure to work with this great team of people and I can’t wait for you all to see what the Master gets up to in the next series. “

Steven Moffat, writer and executive producer, says: “Nothing stays secret for long on Doctor Who but you’ll have to wait a little bit longer to see exactly what the Master is up to and how he makes his return to face the Doctor. It’s been a huge pleasure to have fan favourites John Simm and Michelle Gomez face to face in the same role! It’s not often you get to see a solo personality clash.”

John Simm was last seen as the Master on New Year’s Day 2010. Viewers will have to wait to see exactly when and how the Master will return to the new series, which starts on Saturday 15 April at 7:20pm on BBC One.

As previously announced, Doctor Who series 10 will also star Michelle Gomez as Missy – a later regeneration of the Master. Other returning foes include the Daleks, the Ice Warriors and – returning for the first time in over 50 years – the Mondasian Cybermen. An exciting line up of new faces and adversaries will debut across the series, including adorable-but-deadly Emojibots and David Suchet as the Landlord.

Steven Moffat has also been teasing a huge spoiler, to be revealed in a trailer to one of the episodes:

“This is just a public warning,” said a playful Moffat. “Some people hate spoilers and some people love spoilers – and everybody hates me whatever way they think about it. So this is my last attempt in this role to avoid hatred.

“At the end of the episode there will be yet another awesome trailer for Doctor Who… at the very end of the trailer there is, frankly, an enormous spoiler, a spoiler that may actually melt your brains. But I promise you, you’d be better off not knowing because awesome though it will be here, it will be even more awesome in a few weeks’ time. So we’re gonna give you the option, in our frankly camp and ridiculous way…

“There will come up a warning and then there will be a countdown to the spoiler, and then there will be a warning to ‘blink now’. If at that point you close your eyes and wait until you hear the cliffhanger noise, you will have a better experience in a few weeks’ time.”

Den of Geek has a spoiler-free review of the season premier.

Series ten will finally reveal the location of the TARDIS toilet. (“It’s down there. First right, second left, past the macaroon dispenser.”) It remains unseen.

Doctor Who TV has links to series ten interviews with Steven Moffat and the cast. In an interview elsewhere,  Peter Davison discussed how the regeneration scenes were hard for both himself and David Tennant.

There have already been shows such as Broadchurch and Victoria which include at least two actors who had previously appeared in the Doctor Who universe. Another example is coming. Look at the cast in this show discussed at Deadline:

Netflix has come on board BBC Two’s contemporary thriller Collateral as co-producer and will release globally outside the UK. As Deadline revealed last month, Carey Mulligan is starring in the David Hare created drama that explores the spiraling repercussions surrounding the fatal shooting of a pizza delivery man. New cast includes John Simm (Life on Mars), Nicola Walker (Spooks) and Billie Piper (Doctor Who, Penny Dreadful).

Rose and The Master, plus staring Carey Mulligan, who played Sally Sparrow in Blink.

Legends of Tomorrow was considerably improved in the second season. After an apparently happy ending, the Legends wound up in a Los Angeles with a changed skyline with futuristic buildings and buildings from Victorian England, and dinosaurs. I wonder if they are intentionally using things which the Legends have encountered previously.  Screener discussed the aftermath of breaking time with showrunner Phil Klemmer:

It’s no secret that the Legends revisiting an event they’d already changed is bad news — and now in the Season 2 finale, that’s exactly what’s happening. What can you tell us about the episode?

I guess I’ll say this: We have to follow through on our promise. I think people would hate us if the Legends were able to perform this feat without any consequence… If this were a typical “Legends” episode, and ended with, “Alright, we didn’t get a lot of style points but we succeeded.” This really has to be different than a random episode throughout the season.

As a show, it’s always been designed to reinvent itself at the end of every season, whether that’s with the mythology or the characters or the stakes. The blocks that we build with are not designed to last from one season to the next. We’ve loved Season 2 and could continue writing this forever, but I don’t think that would be true to the spirit of the show, which is supposed to be wildly unpredictable and zany.

We had to have a seismic shift for our story, and one that will leave people scratching their heads for the next five months or whatever. I think the show is at its best when you watch an episode and honestly don’t know how the hell you got there. We never could have predicted that we would do an episode about George Lucas, or “Land of the Lost” dinosaurs. You can get a little too comfortable and we got good at doing the Season 2 thing. That’s precisely the moment where you have to blow the canon up again, you know? Crash this beautiful ship of ours and see where you land.

It’s scary — but it’s a challenge that I know, when we all sit down in the writers’ room for the first day of work, everybody’s going to be on the edge of their seat and eager to start talking, because nobody knows where we’re headed. And that’s exciting and terrifying.

While ‘Legends’ is telling a unique story, it still exists in a shared universe — your actions can be felt on other shows. Is that a line you have to walk — debating how much to blow up so it doesn’t impact ‘Arrow’ or ‘The Flash’?

It is funny. Kevin Smith said at Paleyfest how Barry has suffered endlessly for making one mistake, and we’ve sort of made a habit out of it. Usually when we’re in the Waverider and we’re traveling through time, we’re thinking the crossover is really the only time we have to make our worlds harmonious.

But you’re right, we have maybe made a really difficult challenge for ourselves. You’ll see in the last 45 seconds a different kind of mistake than we’ve ever made before — and the challenge of Season 3 is going to be coming up with a new mission-of-the-week… Because it’s not as easy as going back in time and keeping George Lucas in film school. That’s going to seem like a very two-dimensional surgical strike, compared to the historical messes that we have to clean up as a result of what we do in this finale. It’s exponentially more complicated.

Despite the changes on Legends of Tomorrow, Marc Guggenheim says we will not see dinosaurs in Central City on The Flash next season.

Last week’s episode of The Magicians had a dragon, a visit to the underworld (with bowling), and a lot of surprises. Eliot was surprised to find he was not going to get laid because a bunch of Fillorians and Lorians were turned into rats on Eliot and King Idri’s wedding day. Margo surprised Eliot when the truth serum forced her to confess, but then, surprisingly did something risky to try to fix everything. Eliot was also surprised to return to Brakebills. Senator John Gaines was surprised to learn why some people did what he wanted, and further surprised when he gave another Senator a heart attack. Julia was surprised to learn that Elysium is run by Miss Persephone. The biggest surprise was the sacrifice Julia made for Quenton, presumably now opening the door to bringing Alice back.

The Dragon got the best lines of the episode:  “You have 24 hours to return to the portal.” “Or…” “I sit patiently, waiting for you to come back. No, I eat you, I’m a fucking dragon, what do you expect?”

Deadline had a panel with cast and crew, and had some teasers for the final two episodes of the season:

With just two episodes to go, the team promised to go out with a bang (“They’re insane,” said Maeve. “Quite insane”). Added McNamara: “There’s been something for the entire season, and there’s a perpetrator behind these things that are going on, and you don’t know who it is… It’s kind of a giant whodunit.” Ralph confirmed that the April 19 finale will pull the rug out from under its characters, saying, “Just as these people think that they have real control over their lives and have made real decisions and have forward momentum and feel like they’re taking responsibility for things for the first time, we draw back the curtain and reveal that they’ve had no control – they’ve been pawns.” Gamble smiled. “Don’t you love a cliffhanger?”

Orphan Black returns for its fifth and final season on June 10. Several pictures and clips have been released, including this one which suggests that Cosima and Dephine are getting married:

 

The 2017 Hugo Award finalists are out. The awards will be presented on August 11, 2017. Here are the nominees for the two categories which include television shows and movies:

Best Dramatic Presentation, Long Form

  • Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
  • Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)
  • Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)
  • Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)
  • Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)
  • Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation, Short Form

  • Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)
  • Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)
  • The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
  • Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)
  • Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)
  • Splendor & Misery [album], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Screenrant has looked at how the television version of Legion differed from the comics.

On a somewhat similar topic, Vulture compared how the ending of Big Little Lies compared to the book.

Netflix has revealed that The Defenders will be released on August 18, 2017.

Daredevil will start filming season three later this year, to be released in 2018.

Iron Fist has received a number of poor reviews, but I doubt I will go entirely without seeing it before watching The Defenders. Nerdophiles has a possible solution–listing the must see episodes and recommendations for those to skip. They even have a synopsis of the episodes they recommend skipping. It won’t save all that much time, only recommending skipping three episodes (the second, third, and twelfth). The first also also gets a poor review, but I assume the author recommends watching as it is the first episode and presumably does set up the show. In other words, it appears that the series doesn’t really become all that watchable until the fourth episode.

In this era of peak TV, there are many shows I have not had a chance to see which others say are worthwhile. I’ve heard a few people say great things about Wynonna Earp. Screen Rant gives fifteen reasons to watch. The first season recently became available on Netflix, and the second season begins on Syfy on Friday June 9. Syfy has announced that Dark Matter will also return on June 9 with two episodes. Killjoys will return on  June 30. I finally manged to binge watch Dark Matter in December, when other shows were on hiatus, and really enjoyed it. I didn’t get into Killjoys, but I only watched one episode and will give it another chance if there is another slow period.

Hulu has released the first three episodes of an anthology series entitled Dimension 404, which appears to be influenced by The Twilight Zone and Black Mirror. I09 says these episodes are bingeworthy.

Netflix has renewed A Series of Unfortunate Events for both a second and third season. USA has renewed Colony for a third season.

SciFi Weekend: Legion and Sleepy Hollow Season Finales; The Magicians; Legends of Tomorrow; Doctor Who; Batgirl; Renewals & Cancellations; Tina Fey Unintentionally Shows Why Democrats Keep Losing

Just when we seemed to be suffering from super-hero fatigue, Noah Hawley showed that there is more which can be done in the genre. This was helped by excellent performances from the cast, especially Dan Stevens and Aubrey Plaza. The first season concluded an eight episode story last week and then, Marvel movie-style, used a scene during the credits to introduce a new problem for the second season.

Deadline interviewed Noah Hawley about the finale:

DEADLINE: Let’s start at the end and that orb that captured David. Where is that taking him and us going into Season 2?

HAWLEY: Well, it means that Season 2 is beginning. It means that we’ve completed this story and we’re starting a new one. You know, my goal is always that the first season would be about fighting the enemy within and, you know, learning about this entity that was inside of David and about getting it out of David, and Season 2 will be about then the enemy without and this entity now we know is a person.

But for us it’s never a simple straight line between point A and point B, so you know I wanted to complicate it some by having David disappear just at the moment where he’s about to go off in pursuit of the Shadow King. As for who’s behind the orb and who sent it, I think that’s one of the mysteries we want to explore in Season 2.

DEADLINE: Very deliberately vague of you on a show that specializes in anxiety and the surreal…

HAWLEY: I try to let the show speak for itself. It’s about everyone’s individual experience of it, and you know, so I don’t want to say too much.

DEADLINE: One thing you have spoken of, so to speak, in the last few episodes is the parentage of David Haller, and reaffirming the series’ connection to the Marvel Universe and the comic legacy with the divulging of that wheelchair from The X-Men: Apocalypse movie that Charles Xavier is Haller’s father. You started out so far from the canon of the comics, why did you come in so close to it near the end of this season?

HAWLEY: I certainly played very loosely with a lot of the canon as it relates to this character of David Haller, but one of the things I always felt was off-limits was his origin story. I didn’t really feel like there was any way that I could change who his father was, I mean that seemed like a sacrilegious thing to do.

So, it was always my intention to acknowledge who his father was. The question was when we would do it and how, obviously, we would do it. So you know I think in this case we’ve nodded to it and obviously as to any child who was adopted, he’s going to want to figure out who his father and mother were and there will be that journey.

DEADLINE: Does that mean we are going to see Professor X showing up in Season 2?

HAWLEY: I don’t know about Season 2 but I know that there’s that story will need to be addressed at some point in the future. It’s not something that I want to shy away from, but I also want to make sure that when it’s time to tell that story, we can really tell it and not dance around it.

DEADLINE: So, would you bring in a Patrick Stewart or a James McAvoy?

HAWLEY: Well, some of that is a little more logistically complicated just in terms of would we try to use either Patrick Stewart or James McAvoy. Would they be interested in doing the show? Would 20th Century Fox?

I have to consult with them about the X-Men characters and which characters they want to protect for the future franchise and which ones are available to me. So, there’s a lot of conversations I haven’t had yet but we’re willing to be had. I’m not stressed out about it. I think we all get along quite well and it’s just going to be a question of how and when…

DEADLINE: In real time, Season 1 was eight episodes on FX, and Season 2 looks to be 10 episodes. So will that change your storytelling approach?

HAWLEY: I was the one who asked for eight in the first year and I did it because I wanted to tell a single story. I wanted to tell a story of David Haller who was institutionalized and then was rescued and is told that his powers are powers and not a mental illness. Then we discover that what’s going in his mind is much more complicated, and then we rediscover what is inside his mind. Then we get it out and that’s the first season and that works the eight hours.

But I wanted to do that because I felt like the show’s very complicated and it’s very different. But I wanted the audience to feel like they got it through the coherent story.

Going forward I think that the audience now knows the show and they understand our style, our original language. It’s obviously a large ensemble and so we can expand our story in Season 2. In order to understand David, we can understand Syd more or the other characters. We can expand that universe so that we’re still telling a single story, but we’re taking our time a little bit more and with a little less singular-minded focus.

DEADLINE: Noah, it sounds like you are thinking far beyond a Season 2 like a Season 4 or 5. Is that how long you’ve planned out Legion going on?

HAWLEY: Certainly I have a sort of beginning, middle and end to this David Haller story in mind. What I don’t know is how many hours of television that is, whether it’s 20 hours or 30 or 40, so that’s part of the exploration of it over time — one that I’m very excited to keep going on.

I gave up on Sleepy Hollow before the third season ended. I began watching again this season, but around mid-season was questioning whether I would continue. I’m glad I stuck it out as the season did end well. The series has always suffered from the problem that it can create supernatural problems, and then solve them by just writing in a supernatural solution, and is most watchable due to the interaction between characters. The addition of Seychelle Gabriel as Lara gave the show what it needed to keep the last few episodes interesting. (Spoilers ahead).

I initially reacted negatively when the show brought back the Four Horsemen (who are most powerful when all four are together, like The Beatles), but this did work out well to conclude the season’s story  line. I was happy to see that Ichabod did not remain War very long as there was never any doubt they would invent a supernatural way to save him. Ichabod wound up in a bigger jam as he had to sell his soul to the devil in order to defeat Malcolm Dreyfus (with a little help from Henry agreeing to a truce in the name of freedom). There is no doubt that they will find a way out, but hopefully it does not come across as too much of an easy cheat, as so much does on this series.

The season ended with Ichabod Crane getting set up for faster internet as well as becoming an American citizen. Agency 355 has increased in importance, and size, and now reports directly to the president. If the series is renewed for a fifth season, the concluding scenes give the impression that the show might deal more Agency 355 with handling monsters and supernatural threats, along with efforts by Ichabod to get out of his contract with the Devil.

Entertainment Weekly spoke with executive producer Raven Metzner about the finale:

ENTERTAINMENT WEEKLY: Crane literally sold his soul to the devil! How’s he going to get out of this one?
RAVEN METZNER: You know, we all were looking for a way to have this character who we know and love come to solid ground. He’s long been searching for a place in the modern world. He’s a man out of time. The question of the Washington letter and what that meant, the fact that he’s had his life rocked in losing the person he cared about more than anyone in the world, the fact that he sort of had lost his family along the way — these were all things that were challenges, and we wanted to find a way to solve some of those things for him, or at least start to solve them. To place him into a family that he felt comfortable with and into a role that he felt comfortable with. And give him his citizenship as an American citizen, which we thought would be really powerful for him and something he never had and always wanted.

But we also wanted to give him a challenge that, if we were to get subsequent seasons, would present an interesting problem. Because we had the Dreyfuss character all the way through, we thought it would be interesting to mirror them and give Crane a similar conundrum. He’s seen the worst version of what it can do to someone; now he’s got to figure his way out. That last bit of dialogue was something we talked about a lot, and actually [executive producer] Albert Kim pitched that little run there, which I really love, which is the idea that, you know, “Sold my soul? It’s Tuesday.” Like, “I can deal with it.” If this is the final episode, I think Crane’s attitude about it is enough that I think fans would trust that he would find his way out of it. If it’s not, and we get more seasons to tell this story, then I think it’s a great problem to be played out.

With Henry, Crane makes this grand speech about how freedom is the most important thing, but now Crane is, in a way, not free. Can you talk about that contrast between sacrificing your freedom out of hatred and sacrificing it out of love?
Oh, that’s actually a really nice way to put it. Yeah, the theme of freedom running through [the episode] came from a lot of different sides. First and foremost, there’s Malcolm Dreyfuss’ desire to rule through tyranny and his belief that as a corporate head, he knows what’s best and he can decide people’s fates. Crane has always been a voice for democracy and for the idea of personal freedom and a country that is built on the ideals of freedom, so their battle of wills through the season has been about that. And Crane’s triumph, and the team’s triumph, in defeating Dreyfuss is a triumph for freedom over tyranny.

At the same time, we have this personal drama between Crane and Henry that’s introduced at the top of the episode in their duel… They’ve failed to connect on so many other levels. For Crane to realize that the one thing they do connect about is that ideal — if you think about Henry in season 2, Henry killed Moloch because he didn’t want anyone lording over him, and he didn’t want to be part of having Moloch push him around. Also in season 2, he tried to create a free nation of witches because he believed they needed to be free. So I think Crane recognizes that that’s their commonality.

The larger piece that’s interesting that you just brought up, about how Crane has just taken on this deal in which his soul is owed to someone — he sort of has a lien placed on him, so the devil, or the devil we’ve met, hasn’t taken his soul yet. It’s a soul that is due on the day that he dies, so he still has his soul, he still has his freedom. It’s more that he knows he’ll have to find a way to defeat this bargain he’s made before the day he dies…

In happier news, the Vault saved the president. Will she play a big role if the show continues?
The idea is that as the show goes forward, there’s a new paradigm, which is: Crane has now officially realized the hope that both Washington and Benjamin Banneker had for him that he would one day be a part of the Vault. And you know Jenny and Diana would absolutely now be officially a part of it, and Jake [Jerry MacKinnon] and Alex [Rachel Melvin] would continue on. So it sets up a paradigm of a more official use of our team in going after [the supernatural] with the help of the U.S. government. We would definitely find ways to twist that and turn that. I thought the actress who played the president did a great job, so we would love to have her come back, but I think it’s more about giving them a new, more official role.

More at TV Line.

One thing I like about The Magicians is that they don’t solve every problem by bringing up new magical solutions at the time. At very least they will foreshadow what can be done. We learned about the multiple timelines earlier, with Jane giving them thirty-nine timelines so they could have a do-over every time The Beast killed them. These timeloops were raised again in last week’s episode. We saw a different version of Alice, in which she survived but Quenton was killed in the battle against The Beast. We also saw what  happened in the other timelines in which Julia was admitted to Breakbills. However, the idea of a deal costing the protagonist their child has been done so many times before.

With so much happening in Fillory this season, at times it no longer seems like we are dealing with a group of students. Blastr checked this out Rick Worthy. Worthy has a strong genre background: “A Cylon on Battlestar Galactica; a Klingon, crewman or Xindi-Aroboreal on Star Trek‘s Deep Space Nine, Voyager and Enterprise; mayor of Mystic Falls on The Vampire Diaries; the Alpha Vampire on Supernatural; or, currently, both the leader of the Resistance on The Man in the High Castle and Dean Fogg on The Magicians.”

Brakebills has a liberal attendance policy since these students don’t even go to class. Are they still his students?

They have gone off to a different experience the dean has only heard about. He has not experienced Fillory. But there is a lot of the dean that is yet to be revealed. I know how Season 2 ends, and they will need him again. Trust me. In terms of being the walking epitome of Brakebills, they’ll need the dean even though they’ve seen and done things he hasn’t.

What were the dynamics of that scene in this week’s episode between pre-time loop Fogg and Julia?

I have been dying to talk about that scene because it shows two timelines. We see one version from the earlier time loop where she’s admitted to Brakebills. I was reading the script, and it was what everyone needed to see: What was it like when Julia was admitted? Then we juxtapose that version with now.

This earlier scene with a lovely, bright-eyed, promising young student. And we see another version of the dean, who seems younger. He seems cheerful, more optimistic, sort of happy-go-lucky. He connects with her because they are so much alike, and have the same discipline. In her, he sees himself. Then, we go to the next scene, the timeline we now know, and she’s locked in the dungeon. He becomes an older, more serious person. And so did Stella. The scenes are really powerful and make you think about life and maybe the choices you make in your own life. What if I had taken this road instead of that road? I particularly love that episode.

Part of the fun of The Magicians is how it shows interrelations between the real world and the world of the show. Marlee Matlin played a character who ran the web site FuzzBeat, using clickbait such as internet lists to contain magic spells. Marlee Maitlin discussed her role with Syfy Wire.

Syfy released the above teaser for the final three episodes of The Magicians at Wondercon. It looks like we really have a giant talking dragon (who does not think much of millennials). Like the Sleepy Hollow finale, there is even a visit to the underworld.

Legends of Tomorrow has become the best show in the Berlantiverse this season, although part of that is because of a fall in quality on the other three shows. Like on recent episodes of Sleepy Hollow and The Magicians, we saw a different time line, with the Legions of Doom having created a new reality. This included the death of Felicity Smoak, who was wearing the superhero outfit I showed last week.

The CW Network has released the above trailer for the season finale and appears to reveal how this season’s story will conclude. Of course the devil is in the details, and the consequences. Here is the synopsis:

As the Legends are about to take off for their next destination, a massive timequake rocks the ship. In order to try and fix what has happened, they are forced to break the one cardinal rule of time travel. But if they are able to destroy the spear, they will face the ultimate consequence. Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Dominic Purcell, Franz Drameh, Nick Zano and Maisie Richardson-Sellers. Rob Seidenglanz directed the episode written by Phil Klemmer & Marc Guggenheim (#217).

While Doctor Who has had gay characters in the past, we learned last week that Bill Potts, played by Pearl Mackie, will be the first openly gay companion. From The Guardian:

Doctor Who’s next companion will be the first to be openly gay.

Pearl Mackie, who plays Bill Potts in the upcoming series, told the BBC her character’s openness about her sexuality was important to represent onscreen, but not her defining characteristic.

“It shouldn’t be a big deal in the 21st century. It’s about time, isn’t it?” she said.

“I remember watching TV as a young, mixed-race girl, not seeing many people who looked like me, so I think being able to visually recognise yourself on screen is important.

“[Being gay] is not the main thing that defines her character – it’s something that’s part of her and something that she’s very happy and very comfortable with.”

The official synopsis has been released for the opening episode of the upcoming season of Doctor Who:

Two worlds collide when the Doctor meets Bill. A chance encounter with a girl with a star in her eye leads to a terrifying chase across time and space. Bill’s mind is opened to a Universe that is bigger and more exciting than she could possibly have imagined – but who is the Doctor, and what is his secret mission with Nardole on Earth?

I suspect that we will continue to see a long list of front runners to replace Peter Capaldi. This week the bookies like Phoebe Waller-Bridge, the star of Fleabag. Adding to her chances, she has a connection to incoming show runner Chris Chibnall, having appeared in season two of Broadchurch. (Incidentally, I do not want to say too much about Broadchurch as it is not showing in the United States yet, but season three has been excellent, reviving the quality of the first season. There are now many suspects for the crime of the season, with last Monday’s episode causing me to elevate someone I had not suspected to a major suspect.)

The DC superhero movies have been much less fun than those from Marvel. That just might change with Joss Whedon writing and directing Batgirl. Besides the news in the previous link, there are also rumors that Lindsay Morgan, who plays Raven on The 100, might star.

Netflix has renewed Santa Clarita Diet for a second season. For light genre, the first season was enjoyable to watch.

While not genre, Netflix released season three of Grace and Frankie, last week, which is another Netflix series well worth watching.

ABC has cancelled Time After Time after only five of seven completed episodes aired. There are not currently plans to air the final two episodes, but perhaps they will make them available on line or by streaming in case anyone cares. I have no idea if it was worth watching. In this era of peak television, I wasn’t going to try to  squeeze in a two hour premiere of a network series without seeing good reviews.

Tina Fey has criticized those who voted for Donald Trump saying, “‘A lot of this election was turned by white, college-educated women who now would maybe like to forget about this election and go back to watching HGTV.” While her objection to those who voted for Trump is understandable, I fear that Democrats will continue to have problems at the polls as long as their response to those who did not vote for them is to attack them, as opposed to try to understand why so many voters did not vote for Democrats in 2016 when led by Hillary Clinton, as well as in 2014 and 2010 when they ran as a Republican-lite party. Fey has done an outstanding job in mocking Sarah Palin, but attacking the opponent is not enough when Democrats have repeatedly failed to stand up for liberal principles or give people a positive reason to vote for them.

SciFi Weekend: The Flash/ Supergirl Duet; Felicty Smoak, Superhero; The Magicians; Star Trek Discovery Cast; Justice League Trailer; Doctor Who At Comic Relief; American Gods; Riverdale

The DC based shows on CW are beyond their prime, suffering from attempting to have four season-long series simultaneously. I found it to be a welcome break to get away from the usual narrative on The Flash and have the musical cross-over with Supergirl last week. The episode was well received. Synopsis and review at Geeks of Doom. Another review at I09.

The story was briefly introduced at the end of Supergirl, and continued on The Flash, with Barry Allen (Grant Gustin) in a dream-like state, first seeing Supergirl (Melissa Benoist) singing Moon River (video above).

Other musical numbers included The Flash and Supergirl singing, of course, Super Friend in the above video, with amusing references to each series. Characters from both Supergirl and The Flash were included playing different roles, along with other CW characters such as John Barrowman and Victor Garber, both now appearing on Legends of Tomorrow.

Cast and crew discussed the episode in the video above.

Elsewhere in the Belantiverse, Felicty Smoak (Emily Bett Rickards) will be seen in a super hero costume, but it will be on Legends of Tomorrow as opposed to Arrow.

Marc Guggenheim has said that we will not learn the identity of Prometheus, one of the big bads on Arrow, until season six, but it will be someone we already know. He also teased how the season finale will be different from previous seasons in not destroying Star City once again:

As the season heads toward the ultimate showdown between Oliver and Chase, we’re going to be seeing a very different season finale this year. “We’re not going to destroy the city,” EP Marc Guggenheim teases. “We’re not even going to threaten the city. In fact, I can also tell you the finale doesn’t even take place in the city. Finally, the citizens of Star City can breathe easily in May.” Wherever the finale takes place, Guggenheim adds, “You can expect a good number of returning characters, characters you haven’t seen in a while, back in the episode.”

The Magicians also had a major musical number in last week’s episode (video above). Margot once looked like just a sidekick for Eliot, but in recent episodes she has turned into quite a strong character. She is often the most sensible one, who can figure out what to do in a crisis. She had a unique way to prepare Eliot for battle, as described by IndieWire:

“The Magicians” went into battle on Wednesday night and pulled out the ultimate weapon: a Broadway musical song.

In the episode, Fillory’s High King Eliot (Hale Appleman) is about to enter into mortal combat with the King of Lauria, who has never been defeated. Eliot’s right-hand magician and partner in every crime imaginable Margo (Summer Bishil) gives him a pep talk and reminisces about how well he did in a production of “Les Miserables.” Inspired by that success, she used magic to force him and others to perform the number “One Day More” from the musical in order to get him pumped up for his duel.

For the benefit of anyone who might have read Lev Grossman’s novels but haven’t seen the television series, Margo’s character was  named Janet in the books.

Screener interviewed the show runners about this scene, and other aspects of the show. Screener also has an interview with Christopher Gorham about his newly introduced character, John Gains.

Star Trek: Discovery is now in production, with release expected late summer or early fall. Above is the first picture of the cast, via Empire On Line:

From left to right are Jason Isaacs (Discovery’s captain, Lorca), Michelle Yeoh (Captain Georgiou, whose ship is the Shenzhou), Chris Obi (the Klingon T’Kuvma, who is determined to bring together the various Klingon houses), Sonequa Martin-Green (Rainsford, also known as Number One, a lieutenant commander who serves as Discovery’s first officer and the show’s main character); Kenric Green (not actually on the show, but definitely serving as Sonequa’s husband), Doug Jones (an alien science officer aboard Discovery), James Frain (the Vulcan father of Mr. Spock, Sarek), and Shazad Latif(Kol, a commanding officer of the Klingons).

Other cast members of the show not featured in this image are Terry Serpico as Starfleet Admiral Anderson, Maulik Pancholy as the Shenzhou’s chief medical officer, Nambue; Sam Vartholomeos as junior officer Connor, assigned to the Shenzhou; Mary Chieffo as L’Rell, a Klingon battle deck commander; Mary Wiseman as Starfleet cadet Tilly, who is assigned the Discovery, and Anthony Rapp as science officer Stamets.

The Justice League official trailer has been released (video above).  Learn what Bruce Wayne’s superpower is, and how he feels about playing well with others. Here is the synopsis of the movie:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

Further discussion here.

The BBC released the above video last week:  “To celebrate Red Nose Day today we present the full 1999 Doctor Who Comic Relief special The Curse of Fatal Death. Starring Rowan Atkinson, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley as the Doctor, written by Steven Moffat.” I09 wrote how this has forshadowed the Moffet era:

One of the other truly fascinating things about 1999’s “The Curse of Fatal Death” is how it previews a number of things from the show’s revival years later: the tried and weary Doctor, the Doctor and Master’s complicated one-upmanship, making the romantic love between the Master and Companion explicit, same for that between the Master and the Doctor (although, it’s the Doctor who is female in this, and not the Master), etc. I’m actually most disturbed by the idea of the Dalek-Time Lord hybridization, since it reminds me of the horrible Dalek plot in “Daleks in Manhattan/Evolution of the Daleks.”

The other thing that makes this short more relevant than before is the flurry of regenerations at the end. Both Moffat’s time as showrunner and Peter Capaldi’s time as the Doctor are coming to an end soon, and people really want a Doctor who isn’t a white man. For proof that it would work fine, check out Joanna Lumley at the end of this. She’s great!

Starz has released the above trailer of American Gods. Nerdist interviewed the cast at South By Southwest.

The Big Bang Theory has been renewed for two additional seasons.

Riverdale showrunner Roberto Aguirre-Sacasa spoke with Entertainment Weekly, teasing further genre elements in the show. There was no definite answer regarding fan theories that zombies will be involved.

SciFi Weekend: Music On Supergirl, The Flash, And Legends of Tomorrow; Legion; The Magicians; 12 Monkeys; Doctor Who; Agents of HYDRA; The Matrix Reboot; Westworld

The musical cross over of Supergirl and The Flash (and the Glee Reunion) entitled Duet will begin on Supergirl, with most of the story taking place on The Flash. The two are placed in a dream-like state by the Music Meister (Darren Criss). ScreenerTV reports that, “Kara and Barry wake up without their powers in an alternate reality where life is like a musical and the only way to escape is by following the script, complete with singing and dancing, to the end.”

Variety adds this information from Candice Patton (Iris West):

“You’ll see two versions of Iris in the episode,” she said. “The Iris that we know and love, and a person they [Barry and Kara (Melissa Benoist)] think is Iris but is actually a completely different character named Millie. She’s the sassy daughter of two gangsters — played Victor Garber and Jessie Martin — and she’s madly in love with Mon-El’s character (‘Supergirl’s’ Chris Wood), whose name is Tommy. They’re fighting for their love, because both of their families do not want them to be together.”

Writers of the music for the episode include Benj Pasek and Justin Paul, who also wrote for La La Land.

Supergirl isn’t the only show in the Berlantiverse to feature music this month. On Legends of Tomorrow, Dr. Stein (Victor Garber) along with Heat Wave (Dominic Purcell) had infiltrated NASA during the flight of Apollo 13 and had to distract those there from seeing superheroes on the moon. They do it by singing Day-O in the video above.

Time travel shows typically have rules as to what can be done, and then frequently break the rules. Legends of Tomorrow has been fairly lax with their rules, but they will break the little that has been established for the season finale. Here is the official synopsis:

Aruba” — (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV) SEASON FINALE — As the Legends are about to take off for their next destination, a massive timequake rocks the ship. In order to try and fix what has happened, they are forced to break the one cardinal rule of time travel. But if they are able to destroy the spear, they will face the ultimate consequence. Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Dominic Purcell, Franz Drameh, Nick Zano and Maisie Richardson-Sellers. Rob Seidenglanz directed the episode written by Phil Klemmer & Marc Guggenheim (#217). Original airdate 4/4/2017.

Next season The Flash will break with its usual tradition of having the Flash’s life be dominated by others with super speed. The big bad next season will not be a speedster.

Legion, which has now been renewed for a second season, has been very strange recently, with Aubrey Plaza doing a fantastic job as “Dr. Lenny” last week. It makes a little more sense to those who know about the X-Men comic universe. I0-9 discusses the identity of the bad bad which has been inhabiting David’s mind:

A new promo for the show’s next episode, “Chapter 7,” sees the brainy half of the Loudermilk duo, Cary, confirm that Amahl Farouk—better known as the Shadow King—is the villain that’s been plaguing David as the yellow-eyed demon throughout the show.

It’s not exactly a huge surprise that Yellow-Eyed Demon, or Y.E.D., is actually the Shadow King. This has been hinted at for weeks. Over the course of the first season, Y.E.D. has been lurking in David’s mind, changing David’s memories and making him forget about every encounter they’ve had to keep his identity secret. Lately, Y.E.D. has taken on the form of Lenny (Aubrey Plaza), David’s friend from the mental hospital who was killed in the first episode—but when David was a child he pretended to be his dog, not-so-subtly named King. The Shadow King has actually been inside David for decades. David’s father (Professor X?) sent him away when he was a baby to protect him, but Farouk couldn’t be stopped.

 So, who is Farouk in the comics? First introduced in Uncanny X-Men #117 by Chris Claremont and John Byrne, Farouk is the latest human host of the pure psychic energy being known as the Shadow King. The Shadow King has existed for centuries, feeding on the enslaved bodies of telepathic hosts from the dawn of humanity. Farouk has spent his life working in the shadows, first as a Nazi ally and later a crime boss in Egypt, before encountering Charles Xavier in ‘70s Cairo…

There is a large but finite number of ideas in science fiction and fantasy, and on Wednesdays we are seeing that with two excellent genre shows having a similar situation. While David on Legion appears to have a second consciousness in him since childhood, Quenton has Niffin Alice in him at present on The Magicians. While there is a similarity in the idea of two consciousnesses in one person, this is a more recent development on The Magicians, and perhaps Penny discovering this last week is a step towards resolving this problem. If not, who knows how much damage Alice can do with control of Quenton’s body for even a brief period every day.

Syfy plans to air all ten episodes of season three of 12 Monkeys over three days in May, between May 19 and 21. This sounds like the sort of thing a network might to do to quickly get rid of the episodes of a series it plans to cancel, but they have also renewed the series for a final fourth season. Perhaps this is their response to the trend towards binging shows, such as on Netflix.

While Syfy has renewed 12 Monkeys and The Expanse, there is no word yet on The Magicians. The Magicians is also impacted by streaming in a different manner. The episodes seem to be prepared for streaming, with an uncensored version of season one with limited commercial cuts made available after the first season aired. Besides all the f-bombs, the show is made without fading to commercials like a typical show, and instead have the commercials appear abruptly, making the episodes work better when repeated with reduced commercial breaks (or none when on Netflix). I would love to see The Magicians return for a third season on Netflix instead of Syfy so that we can see it this way from the start.

There is also news on the third time travel series to be discussed this week. Digital Spy reports that Doctor Who will have a three part episode involving The Monks, with Missy also appearing:

It’s been a while, but Doctor Who is resurrecting the three-parter for Peter Capaldi’s final series aboard the TARDIS.

New monsters The Monks were previously confirmed to be appearing in several episodes across series 10 – now Digital Spy can confirm that a trio of adventures (episodes 6-8) in the new series are linked.

Toby Whithouse, who’s written the concluding chapter, revealed: “Mine is the third part of a three-parter – Steven [Moffat]’s done the first one, Peter Harness did the second and I’ve done the third.

“It’s set modern-day… and I think anything more than that and Steven will come round and kick me in the shin!”

Sacha Dhawan, who played Jimmy Dillon on Mr. Selfridge, and has also appeared in Sherlock, Iron Fist, and An Adventure in Space and Time is among the names being discusses as a possible replacement for Peter Capaldi. Radio Times reports he is very interested in the role:

“Oh my God, I’d absolutely love to,” Dhawan told RadioTimes.com when asked if he was interested in the part. “I SO would love to.

“I’ve worked with [frequent Doctor Who writer Mark Gatiss] quite a lot, and I think I’d bring something really exciting to it. It’d be incredibly nerve-wracking to do to be honest. It’s quite a lot of pressure.

“When the list came out, I was so honoured really that I was even considered,” he went on. “And that alone was kind of good enough. But who wouldn’t want to do it? It’s Doctor Who.”

The posters advertising the return of Agents of SHIELD reminds us that they are now in The Framework with a different reality. For those not watching, it is sort of like being in The Matrix.

There is also talk about rebooting The Matrix. The remake will apparently tell other stories in the same universe. If they go ahead, I hope they do a better job than they did in the two attempts to make a sequel to the original movie.

Den of Geek summarizes what is known so far about season 2 of Westworld.

SciFi Weekend: Timeless Finale; SHIELD In The Framework; The 100; Doctor Who Trailer; Sense8; The Discovery; Bill Paxton Dies

Timeless ended its first season on the bubble, and the season finale was written without knowledge of whether it will return. I am still waiting for Trump to actually do something useful, such as issue an Executive Order banning cliff hangers on shows which aren’t known to be coming back. If there must be one, it was handled well on Timeless. The season finale did wrap up the running story line of the first season, and could work as a series finale. It also had a huge reveal in the final minutes which changes how we see some of the season, and leaves a lot open for a second season, if the series is renewed.

Deadline spoke with Shawn Ryan, who co-created and executive produces Timeless with Eric Kripke:

DEADLINE: Up until the last few minutes, the series was heading to a happy ending. Why did you decide to add the major cliffhanger at the end?
SHAWN RYAN: We had thought for awhile about what the best way was to give some closure for Season 1 while also setting us up for a new dynamic in Season 2. We wanted to bring Garcia Flynn’s journey to some kind of end, though I’m sure we’ll see more of him going forward. So while many people might see our Season 1 conclusion as a cliffhanger, we see it as a wrap-up of Season 1 and a launch point for Season 2.

DEADLINE: Did you have an alternate ending that would serve as a series finale in case Timeless does not come back?
SHAWN RYAN: No. Eric and I planned for success. We’ve been working towards this ending ever since the season began.

DEADLINE: In the cliffhanger, Rittenhouse takes control over the time machine. What is the plan for Season 2? Will our heroes continue to chase the mothership, trying to prevent Rittenhouse from implementing their sinister plan?
SHAWN RYAN: We are working on our overall plan for Season 2 right now and we’ll pitch it to NBC in April, so I’m reluctant to get too much into it because we’ll want to take a deep breath and evaluate the whole season before we commit to what we want to do in Season 2. What I can say is the current plan involves our heroes traveling to the past to stop history from being perverted and changed too much…

DEADLINE: What will be Lucy’s mom role going forward, and why wasn’t she arrested along with 100+ Rittenhouse members in the government sweep?
SHAWN RYAN: Lucy’s mom will be influential in Season 2. We don’t presume that every member of Rittenhouse was identified and apprehended in the first 48 hours after our heroes returned from 1954, though the organization was definitely dealt a big blow. So we will owe an answer in Season 2 as to why Lucy’s mom was one of the Rittenhouse members not to be identified right away.

DEADLINE: Had she been onto the time machine project from the very beginning, including the arrangement of Lucy’s involvement in it?
SHAWN RYAN: Yes. Eric and I had it in our minds even from pilot stage that Carol was secretly a part of Rittenhouse and was keeping her eye on Lucy this whole time…

DEADLINE: Will Flynn resurface in Season 2 or did his story arc end with the season 1 finale?
SHAWN RYAN: Well, Goran was fantastic for us this season and I don’t think we’ve seen the end of Garcia Flynn on the show, though obviously his role would be different going forward

DEADLINE: How did Emma, seemingly a fugitive on a mission to take down Rittenhouse, turn out to be a Rittenhouse operative? Is she earmarked for a major role in the Season 2 developments?
SHAWN RYAN: We will definitely owe some answers and explanations for this in Season 2, but once again, it was always our plan that she was secretly Rittenhouse and she was hiding out in the 1880s for Rittenhouse reasons that we will need to explain. We’ll see what stories we want to tell and how available our actress is to be on the show…

DEADLINE: Will Lucy be able to get her sister back or will she succumb to her Rittenhouse fate as her parents suggested?
SHAWN RYAN: I certainly think she’s going to continue to try to get her sister back. We’ll see if her mother or father can persuade her otherwise.

I posted excerpts from an interview with both Eric Kripke and Shawn Ryan about Timeless last week.

It was only a matter of time until Agents of SHIELD found a way to bring Agent Ward back in some form. This is being done by having the show move into the Matrix. Actually it is called the Framework. The probably couldn’t call it the Matrix for copyright reasons, just as Ray Palmer said he couldn’t call his saber which used light a lightsaber for trademark reasons in the Camelot/3000 episode of Legends of Tomorrow. Jed Whedon discussed Agents of SHIELD with E! News:

How long was it in the works to bring Brett back? How long had you been planning on this?
Well, we knew that at the start of the third pod as we’re calling them, we were going to get into the Framework, so there were a lot of options of things to do there, but that was always sort of at the top of the list. We love him and the fans love him and so we didn’t want to undercut the stories we’ve told with him, but this felt like a way to bring him back in a thrilling fashion that didn’t negate what we’d done earlier with him.

Was there talk at the end of last season when he was written out that this was an option, or was this something that came about later?
His end was his end, but this is Marvel and our show is built upon the foundation of a man who was brought back from the dead. And we had actually done that with Ward. So, it’s always an option that someone can find a way to appear back on our show and I think that this next pod will prove that out.

How would you tease what this Framework version of Ward? Because he’s wholly an Aida creation, it would seem.
The Darkhold has given them this amazing ability to sort of recreate reality, but we know that some small changes were made, repairing regrets for everybody they’ve put in there, so that seems to have had some sort of ripple effect. Who Grant Ward is in this world, we’ll have to wait and see, but they set out to recreate our world in every way and recreate everyone in it and everything in it, so there will be some familiarity to the man when you get to know him right off the bat in the next episode.

Another big surprise was learning that Jemma isn’t alive in the Framework. Are we going to cut to poor Simmons waking up in a coffin when she enters the Framework? How will this work for her?
We’ll have to see, but she didn’t wake up in a warm tub, that’s for sure. We’ll have to wait and see how that plays out, but the two of them are going in and how she comes to be we’ll have to see. I have a feeling that she’s not gone from the series. That’s not how we would end Elizabeth’s run. [Laughs.] That’s a wait and see, as I have a feeling a lot of these questions will be…But that’s the fun part about the Framework. It’s a what-if world and we don’t really know what to expect.

Talk to me a little bit about the decision to have Hydra in control in the Framework. What is this Hydra going to be like and what was the thought process behind going in that direction?
Well, you know, Hydra is sort of the opposite of S.H.I.E.L.D. and the simplest version of the anti-S.H.I.E.L.D. And we’ve told a lot of Hydra stories, but this story is more about our characters and sort of dealing with questions of identity and the nature of reality and whether or not you have a true nature or whether or not you’re made up of your experiences. If you’re made up of your regrets. Is there a true you or are you just an assembly of your experiences?

More at TVLine.

Jemma’s death on Agents of SHIELD is only in the Framework, but it appeared that we were seeing a string of deaths on television. There was the death of Alice on The Magicians recently. Connie Britton’s character died on Nashville. In this case I assume it was a matter of Britton not wanting to commit to a series on CMT for more than a brief season after it was cancelled by ABC. The question now is whether the show can survive her loss. It reminds me a little of how Dallas couldn’t survive the loss of Larry Hagman after the revival of Dallas on TNT. The one difference is that Hagman’s death came as a surprise, as opposed to Herskovits and Zwick having planned on Britton’s departure from the start.

For a brief time I thought we also had a major death on The 100. I actually went into the episode expecting a death based upon headlines of articles I had put off reading. The 100 has a history of killing off major characters, including Lexa and Lincoln last season, but Octavia seemed too important to kill off. Between having a sword go through her body and falling off that cliff, she sure did look dead, but the rules for survival are different on television than in the real world. Perhaps the bigger question of how she survived this is how her horse managed to make it down the cliff to her.

At least I am glad that they did show her get on the horse at the end of the episode as opposed to leaving viewers with a false belief that she was killed if they did plan to keep her alive. Now the question is how long it will take for Bellamy to discover that the news he heard of his sister’s death was premature. Plus Clarke’s story line got quite interesting last week, reminiscent of the types of issues raised in the first season.

The above teaser has been released for Doctor Who series 10, which will premiere on April 15. It features the Doctor’s new companion, Bill, speaking about him:

The first time you meet him, he’s funny.The second time, he’s amazing. The third time, you realize he’s the most dangerous man in the universe. He says he’s a man of peace, but he walks in war. I’m having the time of my life, and I wouldn’t miss it for the world–even if it kills me.

As Pearl Mackie has only been signed for a single season, and there is talk about a clean slate when Chris Chinball takes over as showrunner, perhaps she actually will die.

In other Doctor Who news, the spin0ff Class has been cancelled after a single season due to low ratings. It aired in the UK last fall and will be shown in the United States this spring following episodes of Doctor Who on BBC America. I did download the episodes last fall and found it to be a decent show to watch while there was no Doctor Who available, but it is hardly must see for those who have not seen it yet. The eight episodes do wrap up a story for the season, so it can easily be watched as a stand-alone season.

Sense8 returns on May 5, after a teaser Christmas episode.  Here is the (rather vague) synopsis for the upcoming full season:

Picking up where season one left off, Capheus (Toby Onwumere), Kala (Tina Desai), Lito (Miguel Angel Silvestre), Nomi (Jamie Clayton), Riley (Tuppence Middleton) , Sun (Donna Bae), Will (Brian J. Smith) and Wolfgang (Max Riemelt) come together both physically and mentally, plunged into the middle of each other’s tragedies and triumphs. On the run from Whispers (Terrence Mann), and forced to question their very identity, it’s a matter of survival as the Sensates must find a way to live with, understand and protect one another against all odds.

Some pictures have been posted on line. As we already got the obligatory orgy in the Christmas episode, I don’t know if there will be another in the full season.

Netflix has released the above trailer for The Discovery, a movie in which the afterlife has been scientifically proven to exist and millions of people commit suicide to get there. My bet is that there is a catch.

The 2016 Nebulla Award nominees have been announced.

In this time of peak TV we already have one excellent series by Noah Hawley running (Legion). A second will return soon as the third season of Fargo is schedule to premiere on April 19.

Starz has announced that the long-awaited series based upon Neil Gaiman’s novel American Gods will premiere on April 30.

Looking at the winners of recent awards ceremonies can help predict the winners of the Academy Awards tonight. Based upon recent winners, I predict that La La Land will win Best Picture, and Rumor the German Shepherd will win Best in Show.

Bill Paxton has died at age 61 of complications of heart surgery. He starred in Big Love, and has had genre roles including Aliens and Agents of SHIELD. There are many comments on his death on Twitter today, including several from cast and crew of Agents of SHIELD, with TVLine having a compilation. He has also had lesser genre roles including being killed early in The Terminator. The Mary Sue points out the science fiction villains he has faced:

In the course of his career, Paxton faced three of science fiction’s most famous villains. In Aliens, he faced the xenomorphs; in Predator 2, he faced a Predator; and in The Terminator, he played one of the punks from whom Arnold Schwarzenegger’s character demanded clothes. /Film wrote that this makes him “the only actor to have been killed by a Terminator, a Predator, and a Xenomoprh,” and I personally can’t think of anyone else who can come for that title.

SciFi Weekend: Top Twenty New Shows Of 2016; Mary Tyler Moore and John Hurt Die; Genre Novels In The Age Of Trump; Riverdale Premieres

With over four hundred scripted shows (expected to surpass 500 in 2017) it is probably impossible for any one person to fairly rank the best of any season. Even many professional television critics, who don’t have another day job interfering, have said  how difficult it is to watch all the shows to do their end of year rankings. To make it more manageable, and to get around problems of listing the same top shows every year, I have limited this to the best new shows every season. Last year’s list is here and the top new shows of 2014 were listed here.

It got even harder this year with so many new streaming shows, some not dropping until December. In order to include more shows, I waited until the end of January to post the list. As usual, there are shows which I have heard very good things about which I have not watched at all. I put in a couple of shows towards the end of the list which I only watched parts of the season, and might rank them higher if I were to watch more. Also, as usual, it is very difficult to compare shows from different genre’s, or shows watched months apart. If you disagree with some of the rankings, it is very likely I also might agree and rank them differently if I were to do this on a different day. The real point of lists such as this is to point out shows which were worth watching.

Top 20 New Shows Of 2016

20. DC’s Legends of Tomorrow (CW Network)

If based upon the premiere of the show in early 2016, this show would not have made the list, however it was much better when it returned for a second season in the fall. If you gave up on it last year, as I almost did, it is worth another look.

19. Class (BBC)

A Doctor Who spinoff aimed at an older audience than TheMary Jane Adventures. Torchwood (in its early years) remains the only spinoff I consider must see, but fans should find this enjoyable. It aired in the UK last fall, and will be shown in the U.S. this spring after Doctor Who. While I understand the decision in the U.S., I personally found it to be of more value as a fall show to fill the gap when, besides the Christmas episode, there was no true Doctor Who.

18. Fleabag (Amazon Prime)

I wasn’t as in love with this show as the critics, but if you have Amazon Prime, it is well worth checking it out and deciding for  yourself. The entire season is only about three hours, making it essentially a long movie. There is a definite payoff to some of the events of the season in the finale.

17. Atlanta (FX)

Another show which many would probably rank higher. I started watching when it premiered, but then it got forgotten in September because of a combination of being busy with personal matters and the premiers of all the fall shows. It very could rank higher after I see more.

16. Dirk Gentry’s Holistic Detective Agency (BBC America)

A fun and very quirky genre show which, by the end, definitely qualifies as science fiction.

15. Billions (Showtime)

An entertaining cable series. It’s most important benefit was to give Damian Lewis somewhere else to go to make sure they didn’t get desperate and try to bring him back to life on Homeland.

14. Speechless (ABC)

A few years ago it looked like network sitcoms were on the verge of death, beyond The Big Bang Theory and Modern Family. ABC has managed to continue to make worthwhile sitcoms with the Modern Family formula, including Black-ish, Fresh Off The Boat, and now Speechless.

13. Goliath (Amazon Prime)

Billy Bob Thorton makes what could have been a run of the mill lawyer show well worth watching

12. The Crown (Netflix)

A young queen ascends to the thrown in a high budget presentation. She receives advice from the prime minister and is married to a foreigner played by Matt Smith, who adds a bit of whimsy to the show.

11. Victoria (ITV and PBS)

A young queen ascends to the thrown in a not-so-high budget presentation. She receives advice from the prime minister and is married to a foreigner. This also has strong connections to the Doctor Who world including Victoria being played by Jenna Coleman, with supporting cast including Eve Myles from Torchwood. It doesn’t have the budget of The Crown, but in deciding upon the ranking I deferred to my wife’s opinion. This aired in the UK last fall and recently started airing in the United States on PBS.

10. Luke Cage (Netflix)

The latest introduction of a Marvel character on Netflix. It could not meet the extremely high bar set last year by Jessica Jones, but was better than the second season of Daredevil.

9. The Magicians (Syfy)

Much more than an adult Harry Potter, but that would make a starting point to explain what this series is about. Yes, it did technically have an advanced showing of the pilot in 2015, but I’ll still consider this to essentially be a 2016 series. I watched the uncut episodes later in the year, and the editing for television on the premier episode of the second season last week was noticeable.

8. The Good Place (NBC)

A sitcom which has a continuing story, a genre element, discusses philosophy, plus has Kristen Bell and Ted Danson. Extra points for having one of the best plot twists on television in recent years.

7. This Is Us (NBC)

I thought that quality drama was dead on NBC with the ending of Parenthood, but this fills the gap. It had a fairly good twist of its own in the pilot but, unlike in The Good Place, I saw this one coming. The bigger surprise was that Mandy Moore could do such a good job acting. Sure it is full of old television cliches and spends most episodes tugging at the heart strings, but it does a good job of it.

6. 11.22.63 (Hulu)

Received mixed views but I thoroughly enjoyed this adaptation of the Stephen King time travel novel. (No comparison between this and the messed up adaptation of  Under the Dome). More on the show here.

5. Travelers (Showcase and Netflix)

Another low budget Canadian science fiction series filmed in Vancouver. This one is well-written and highly recommended, plus now easily available in the US on Netflix. The premise is that travelers from the future send their consciousness back to our present to prevent an apocalyptic future, taking over the bodies of people at the time of their recorded death. (I was  hoping that something like this would happen on January 20.) Besides having to attend to their mission, the travelers have to cope with the lives they took over–and sometimes their information was a bit off.

4. The Night Of (HBO)

A great self-contained story which shows both problems in the criminal justice system and xenophobia.

3. The Night Manager (BBC and AMC)

An excellent adaptation of the John le Carré novel. It was such a success that BBC and AMC are planning a second adaptation.

2. Stranger Things (Netflix)

The surprise hit from last summer. The series, with explanations of the finale, was discussed here.

1. West World (HBO)

The most discussed new show of the season, with mainstream critics also falling for this science fiction series. I looked at the show at various times, with a discussion of the season finale here.

There are also shows which might make the list which I did not see. I didn’t see any point in rehashing the O.J. Simpson story, but note that The People v. O.J. Simpson: American Crime Story  (FX) has received considerable critical acclaim. Many other shows, including genre dramas such as The OA (Netflix) and comedies such as One Mississippi (Amazon Prime) are also recommended by many people.

In past years I have found shows which I did not see when new, but saw them in subsequent years and thought they deserved to be in my rankings. This year I caught up on season one and two of Dark Matter (Syfy) and loved the show. I then tried Killjoys (Syfy) and didn’t get into it. I only watched the first episode, which might not be enough to judge it. I also thought that perhaps I was expecting Dark Matter and it might be better to watch some other shows before trying it again so I could judge it on its own merit.

It is notable that, once again, cable (both basic and premium), British imports, and especially streaming, dominate the list, with very little from the major American networks.

2016 ended with the loss of one beloved actress, Carrie Fisher, and began with the loss of another, Mary Tyler Moore. Later in the week, John Hurt died. While he is more famous for other roles, among science fiction fans he might be best remembered as the War Doctor for the Doctor Who 50th anniversary.

The past two weekends also were dominated by protests against Donald Trump. Earlier this week I looked at one good thing to come from Trump’s election–people are talking about books. This includes the classic 1984, as well as two other novels in which populist authoritarians became president. Even Doctor Who has been cited in discussion of the alternative facts coming from the Trump administration.

This week included the return of several genre shows, as well as the premiere of The CW’s reimagination of Archie comics, Riverdale. After watching Riverdale, I have three questions:

1) Who killed Jason Blossom?
2) What real teen talks about Truman Capote and about Mad Men by season?
3) And the old classic question, Betty or Veronica?

SciFi Weekend: Sherlock; The Man In The High Castle; CW Network News; Doctor Who News; The Crown

Sherlock began the season in The Six Thatchers with a plot twist which was in some ways both shocking and predictable. Major spoilers ahead for those who have not seen the episode yet. Steven Moffat explained the decision to kill of a major character in an interview with Entertainment Weekly:

ENTERTAINMENT WEEKLY: Just so fans don’t misinterpret that ending … Mary’s really dead right?
Steven Moffat: Yes, we’re not playing games. She’s dead.

What made you decide to get rid of Mary? She died in Arthur Conan Doyle’s stories, but the cause of death was never even mentioned…
The truth is it’s never established that she died in the stories. We just assume she died because Watson refers to his “sad loss” which is probably a death but not necessarily. The reality of this, of course, is that Sherlock Holmes is about Sherlock and Dr. Watson and it’s always going to come back to that — always always always. They had fun making it a trio but it doesn’t work long term. Mary was always going to go and we were always going to get back to the two blokes. That’s the format. [Sherlock writer-producer-actor] Mark Gatiss and I do not have the delusion that we know better than Sir Arthur Conan Doyle. That’s how the show works and always will. We reset to the most traditional and famous version of the format…

What made Mary decide to take a bullet for Sherlock?
Well, she saved her friend. There wasn’t a lot of time to do anything about it. Throughout the episode, she’s really quite protective of them. She’s actually better at all this than they are. She regards them as a couple of talented amateurs. She doesn’t make a huge decision about it, she does what she can with no time to think.

Her postmortem message said “Save John,” meaning protect him from being lost without her?
Yes, you can assume we’re going to elaborate on that next week.

Watson made such an agonizing wail during that scene, and of course, Freeman and Abbington were partners in real life (and recently announced they’re separating). What was it like to shoot that? 
It was emotional, but at the same time, we did that scene a million times. There was a sense this was a hugely important moment in a show we’ve been making all this time and it was Amanda’s exit from a show that she’s been part of for a few years. So it was a big deal.

You said this will “reset” the relationship between Sherlock and Watson, but this seems like a rift that can never fully heal. 
We take that rift head-on in the remainder of the [season]. We don’t ignore it. We don’t have John come back and say, “Well I’ve thought about it and it’s all fine.” If anything, the rift gets worse. We decided if we were doing this we’re doing grief properly. We were doing the consequences properly. We tried to have people go through what they’d actually go through in this circumstance which, of course, is hellish. And as emotionally reticent as Sherlock Holmes is, it doesn’t take a 12-year-old to figure out he’s a profoundly emotional man. We don’t skirt around it. We don’t just get on with the story of the week — although there is a story of the week. There’s a big villain to fight. But front and center are the consequence of Mary’s death and Sherlock’s culpability. He could have done better, it’s his lifestyle that killed her in the end.

It was interesting because very clearly that whole situation could have been wrapped up without bloodshed had Sherlock not kept egging her on in that moment. 
We spent a long time trying to work out what his culpability was. Obviously, it wasn’t his fault. Mary tried to save his life. But having Sherlock unable to stop himself from showing off and that’s what riles her up to take the shot, I think it adds another layer. We were determined to make it as difficult for us as possible [as writers] to take on the following things: We will do grief in a big way, we will have the rift between them, and it will be real and will never completely go away — because you’ll always think about that, however imperishable that friendship is. At the same time, we’ve got to be a proper detective show with proper action, proper villains, proper mystery solving. We really went for it. There was a big debate about whether to kill her in episode 1, instead of more traditionally in episode 3 at the end of the [season]. But let’s not give ourselves that two years to forget how mad they are at each other. Let’s do it in a circumstance where we have to come back in a week and make this show work again. I think it does. Obviously, I’m not the person who makes the judgment. All the consequences are believable and painfully in place with a Sherlock Holmes plot and with some kind of resolution to it all that makes continuing possible. If we do pull that off that will be great.

It is understandable that the series is about Holmes and Watson, but if that is the case I cannot help but question the decision to have Watson marry Mary in major episodes if they were only going to make her this disposable and kill her off so quickly.

Beyond the incidents leading to Mary’s death, the episode just played with a more classic title, substituting busts of Margret Thatcher for Napoleon in the original story. The show has changed from early episodes to tell more of a continuing story, differing from the original stories where everything was generally reset at the start of the next. Sherlock’s detective skills were shown more in brief snippets as opposed to making this a coherent story based upon detective work. In may ways it did feel more like Bond that Holmes, raising objections from some critics. Mark Gattis responded to this criticism in rhyme:

Here is a critic who says with low blow
Sherlock’s no brain-box but become double-O.
Says the Baker St boy is no man of action –
whilst ignoring the stories that could have put him in traction.

The Solitary Cyclist sees boxing on show,
The Gloria Scott and The Sign of the Fo’
The Empty House too sees a mention, in time, of Mathews,
who knocked out poor Sherlock’s canine.

in the misspelled wrestle Doyle called baritsu.
In hurling Moriarty over the torrent
did Sherlock find violence strange and abhorrent?

In shooting down pygmies and Hounds from hell
Did Sherlock on Victorian niceties dwell?
When Gruner’s men got him was Holmes quite compliant
Or did he give good account for The Illustrious Client?

There’s no need to invoke in yarns that still thrill,
Her Majesty’s Secret Servant with licence to kill
From Rathbone through Brett to Cumberbatch dandy
With his fists Mr Holmes has always been handy.

Mark Gatiss
London

The second season of The Man In The High Castle tied up most of the loose ends from the first season. (Spoilers ahead). The ending could serve as the end of the story, but leaves things open for additional seasons in this universe. People who otherwise might be seen as villains did turn out to be heroes, at least in stopping a war between Germany and Japan which could have been devastating for America.

There was a brief flashback to John Smith witnessing the destruction of Washington, D.C., confirming that he was an American who happened to be away from the capital at the time. This raised questions as to how he rose to his rank in the first two season. It has been announced that the show has been renewed for a third season, with at least a part being a flashback which addresses these questions. SciFi Now reports:

Intertestingly, it looks like the show is going through a number of changes. For a start, it will at least in part be a prequel, more specifically during the invasion of the US when Washington DC is nuked, with John Smith (Rufus Sewell) and his wife Helen (Chelah Horsdal) in the vicinity. At this time Smith was an officer in the US army, so it will be interesting to see how he became one of the Reich’s highest-ranking – and most ruthless – officers.

Also confirmed is that Eric Overmyer will be serving as showrunner for the new season (there wasn’t one in Season 2 after Frank Spotnitz’s departure at the end of Season 1), with Ridley Scott, David W Zucker, Richard Heus, Isa Dick Hackett and Daniel Percival all on board as executive producers.

Speaking of the new appointment, Joe Lewis, Amazon Studios’ Head of Comedy and Drama, had this to say:

“As timely as ever, the exploration of characters at a dark point for humanity has provided incredible stories for two seasons. Eric and his team are doing an incredible job crafting stories about the inner lives of those who struggle to do good in a world that is not. We couldn’t be more excited to bring season three to customers in 2017.”

Cast members for Season 2 included Alexa Davalos, Rupert Evans, Luke Kleintank, Rufus Sewell, Joel de la Fuente, Brennan Brown, Bella Heathcote, Callum Ke ith Rennie, Cary-Hiroyuki Tagawa and DJ Qualls, with the majority of these expected to return for Season 3.

The CW Network has announced early renewals of Arrow, The Flash, Legends of Tomorrow and Supergirl,  Crazy Ex-Girlfriend, Jane the Virgin and Supernatural. No word yet on iZombie and The 100, which have not started their seasons yet. Frequency and No Tomorrow are not expect to be renewed. There are plans to wrap up the stories in a digital format to be posted on the website if cancelled.

Arrow has some hints on Laurel’s return, and Felicity might take a darker turn.

On The Flash, it appears that Barry has learned nothing about the dangers of meddling with time. Of course he must try to save Iris.

Legends of Tomorrow has the return of Rip Hunter and a young George Lucas.

Constantine is returning as an animated series.

Entertainment Weekly has a first look at the upcoming season of The 100.

The CW also plans a reboot of Charmed set in 1976.

In Doctor Who news, following The Return of Doctor Mystero, Titan comics is planning a spinoff comic of The Ghost.

Matt Smith will be regenerating into a different actor once again, this time on The Crown as the lead characters age. Claire Foy, who is working on the second season, has revealed that there will be a change in cast after the second season:

Producers plan to cast new actors for the third series of the Royal saga. A total of six series are planned.

Competition is already heating up for stars to play the Queen for the years 1965 to 1985, with Emily Watson, Rachel Weisz and Kate Beckinsale among those tipped for the role.

Presumably this means they will also cast someone older to play Prince Philip. Perhaps Peter Capaldi could replace Matt Smith once again.

 

SciFi Weekend: Doctor Who; Sherlock; Sense8; The OA; Travelers; Westworld In Chronological Order; Carrie Fisher; Father Of The Bride

While waiting for the Christmas Special, The Return of Doctor Mysterio, we have The 12 Doctors of Christmas video above.

This will lead us into the upcoming season, to start in April 2017, which will be Steven Moffat’s last as show runner. He talked to Digital Spy about his plans:

If you’re expecting a grand finale to the Steven Moffat era of Doctor Who, then you might want to think again.

Moffat told press including Digital Spy that his final episodes of the BBC series will be about “pushing forward” – not bringing anything to a close.

“With Doctor Who, you never want to have finished the story – I’m not going to do that,” he insisted. “I want Chris [Chibnall, the new showrunner] to come in and have a brilliant time, so I’m not going to wrap it all up.

“So no… it’ll still be pushing forward. The thing is, people don’t really care about me or Chris, that’s the absolute truth. It’s heartbreaking, but it’s true – so the departure of a showrunner and the arrival of another one doesn’t really matter very much, ’cause no-one’s ever heard of us!”

Whether Peter Capaldi remains after Moffat stays might depend upon negotiations over pay, as the BBC has cut its fees in recent years.

Steven Moffat also has an interview with the BBC over the upcoming season of Sherlock, to premiere on New Year’s Day:

What do you mean when you say ghosts of the past are coming back?

By ghosts of the past we mean consequences. There are consequences to the kind of mad cap in-the-moment fun lives that Sherlock and John and Mary lead. There are things that have happened, there are enemies that they have made, there is damage that has been done and some of that is coming back to visit them. There will be surprises and when some of those surprises happen you’ll think “ah I should have seen that coming”.

How have the main characters developed in this series?

That’s the whole story of this series, so I’m not talking about that! Events get out of their control for a while and we see them in their darkest hours and in their highest moments.

How does Sherlock feel about John and Mary’s new addition?

The thing about Sherlock Holmes is that he is a grown-up. We always like to pretend he’s an absolute lunatic but he does things well and he straightforwardly adores John and Mary, they’re his best friends. So he behaves probably better than most young men behave when their best mates are having babies. He’s pretty good at all that.

Netflix released the Sense8 Christmas Special on December 23. At first it seemed an unlikely show to have a Christmas Special, but in retrospect it made a lot of sense. This provided a way to get reacquainted with the characters during the two year hiatus between the first and second season. The slow pace of the show worked well here. Not all that much happened to advance the story lines of the characters, giving plenty of time for holiday celebrations and the obligatory orgy scene.

Netflix also released two genre shows around the holidays, The OA and Travelers. I have not had time to see either, but The OA has been receiving a fair about of buzz since released. More information at Variety, Vox, and The Atlantic. The Travelers (trailer above) has an overall plot line similar to many science fiction shows including 12 Monkeys, Legends of Tomorrow, and Continuum in which time travelers from the future try to prevent a catastrophe in their era. This differs in that the travelers do not physically travel through time. Instead their consciousness takes over the bodies of others at the moment of their death. Here is the official synopsis:

Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These “travelers” assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future. These travelers are: FBI Special Agent Grant MacLaren (Eric McCormack), the team’s leader; Marcy (Mackenzie Porter), a young, intellectually disabled woman in the care of her social worker, David (Patrick Gilmore); Trevor (Jared Paul Abrahamson), a high school quarterback; Carly (Nesta Marlee Cooper), a single mom in an abusive relationship; and Philip (Reilly Dolman), a heroin-addicted college student. Armed only with their knowledge of history and an archive of social media profiles, the travelers discover that 21st century lives and relationships are as much a challenge as their high-stakes missions.

Westworld is one show which in which things would be much clearer if viewed a second time. While watching the season finale I was thinking it would be even clearer if recut in chronological order, as some have done with a work by creator Jonathan Nolan’s brother–Christopher Nolan’s Memento. Of course it would be much harder to rewatch the entire season of Westworld as opposed to a movie such as Memento. These issues have been solved at The Outline where there is a recut version of Westworld season one in chronological order in which what they call the “normal” parts are sped up. This reduces the video to only ninety minutes.

As of time of writing this on Saturday, Carrie Fisher remain in intensive care after suffering a heart attack on Friday while flying from London to Los Angeles. She survived thanks to passengers on the plan initiating CPR. Hopefully she has a full recovery. We do need Princess Leia back to lead the rebellion against the evil empire when Donald Trump takes over in January.

For the last few months Father of the Bride has been the movie which means the most to me personally, still recalling watching it on ancient video tape when my daughter was a long way away from this point in her life. Therefore it caught my attention when I was scanning entertainment news for this post and saw that E! News had an article on the movie entitled How Realistic Is Father of the Bride? Fact-Checking the Classic 25 Years Later.  572 guests!!! I’m going to have nightmares tonight contemplating that.

After the show received quite a bit of controversy, A&E has cancelled Escaping The KKK.

Update: Carrie Fisher Dies At 60, May The Force Be With Her Always

SciFi Weekend: Gilmore Girls A Year In The Life; CW Superhero Crossover; Bryan Fuller and Star Trek Discovery; Class; Doctor Who; Sherlock; Luke Cage; Sense8; Westworld

gilmoregirlsstill5h2016

Gilmore Girls, A Year In the Life finally revealed the greatest mystery beyond the secret of life, the universe and everything (which was revealed in The Hitchhiker’s Guide To The Galaxy to be 42). Major spoilers ahead as I figure that any fan of Gilmore Girls will have completed the series by now. It is only six hours and it is Lorelai, Rory, Emily, and Stars Hollow, after all. The series concluded with those four final words which  Amy Sherman-Palladino had intended when she first started the series, but did not get to use because of leaving the series for its final seventh season over contract disputes. After years of waiting, we now know they were, “Mom. “Yeah?” “I’m pregnant.” The words, in retrospect, were entirely predictable. As we learned from Battlestar Galactica, “All this has happened before, and all of it will happen again.” Lorelai being pregnant with Rory years earlier set up the series, and now all of it will happen again.

Of course it will not happen exactly the same. Rory will not run off and leave her family as Lorelai did. Rory is now much older than both Lorelai was, and also significantly older than Rory would have been if the four final words were spoken at the end of the original seventh season. She could go down a completely different path. “Rory doesn’t have to keep the baby,” as Amy Sherman-Palladino told TVLine. “There are choices here that she can make. It’s just the left turn. It’s that curveball that life throws you. I will say, weirdly, that I like it much more now. ”

gilmore-girls2

The revival captured much of what made the original series great. Most of the old cast was seen, with Paris having some of the best scenes. Drop Murder She Wrote and sign Liza Weil for a Paris Geller spinoff. There were many additional cameos, including cast members from Bunheads and Parenthood. This included her Parenthood daughter Mae Whitman. The two park rangers were played by Jason Ritter, a romantic interest on Parenthood, and by Peter Krause, her brother on the show, and real-life romantic partner. A full list of cameos can be found here.

There were many pop culture references. This includes genre references include Doctor Who (with an appearance by Alex Kingston), Superman, Star Wars, Star Trek, Marvel Movies, Outlander, Buffy the Vampire Slayer, Twin Peaks (with Ray Wise also having a role), and Game of Thrones. While there were far too many to mention all the genre references here, Screen Rant has a full list. The timing of the show, taking place during the 2016 election year but filming before the results were known, prevented them from including political references. A future season of Gilmore Girls could easily include some snarky comments about Donald Trump–as they sometimes did at the expense of George Bush and other Republicans during the original run. I collected some examples here and here.

parenthood-cameos-gilmore-girls-year-life

Amy Sherman-Palladino and Daniel Palladino gave multiple interviews which covered some of the points discussed, included whether Stars Hollow would have gone for Donald Trump. Here’s a portion of one interview from Vulture:

Let’s get right to the heart of the matter: the final four words. You’ve said these were the same four words that would have marked the end of the original series. But did you ever contemplate changing the ending for A Year in the Life in a way that differed from that plan?
Amy Sherman-Palladino: We didn’t really know what that last season was until we got into it and then we asked a lot of questions and we found out where the show ended. The show could have ended in a different place that made those last four words completely irrelevant. So we went into breaking this in a way that we were really looking at it like these three women are at a crossroads. The patriarch has died and what’s the way forward for them?

Organically, the last four words fell into place on this. It’s not something we would have shoved in there if it hadn’t really led us to a good space and if we weren’t churning toward that anyhow. What’s interesting about the last four words as originally conceived is they would have been when [Rory] was 22, and while that still, I think, thematically would have worked with the whole idea of history repeating itself full freaking circle — you know, daughter follows in mother’s footsteps — to me it’s actually more interesting, it takes on more relevance, that it’s at the same age. She’s at the same age now that Lorelai was when we started the series.

That’s just an interesting kind of dynamic. When we met Lorelai, she was 32 and that’s where she was in her life and now we’re leaving Rory at 32 with the thing on the horizon. It felt kind of cooler to us to do it now than if we had done it when we were still on the WB.

Also, Rory has had an opportunity to live life and do some things that her mom didn’t.
ASP: She’s bringing more to whatever decision she makes than she would have at 22, fresh out of college.

Let me ask you this: Do you know who the father of Rory’s baby is?
ASP: We do…

I’m sure everyone is asking you this question, but do you want to do another season or series of mini-movies like this? Has that been discussed at this point?
DP: Nothing’s been discussed. This was kind of set as a one-off thing, but we would never have anticipated that we were going to do this up until a couple of years ago when it occurred to us. So we never say never. It wasn’t designed to go beyond this, but it certainly can go beyond this.

ASP: Yeah, it wasn’t the sales pitch. The sales pitch was, these are the four stories, this is A Year in the Life, this is what it’s going to be. There were no ulterior motives walking into that room to pitch, other than we think it will be really interesting to see where these women are over this particular year.

Because it ends the way that it does, some people may assume that, “Oh, they set it up to continue.”
ASP: Nope, not at all. We’ve always tried to not wrap things up in a bow. We tried to do that on the series. Because life isn’t like that. You can have a good moment with a parent you are estranged from, and you have a great moment, and then the next time you see them, everything’s back to the way it was before and you guys are throwing knives at each other. Life doesn’t tend to fix things or wrap them up in bows. Because of that, we wanted the ending of this to not have a pat, “And they all lived happily ever after!”

It’s not that it’s a sad ending, particularly, but it’s an ending of, “And life throws you another left turn and then you’ve got to go with the flow.” That’s what we’ve always tried to do, successfully or unsuccessfully, with the show over the life of it. We felt it would have been weird to end this year with, “Everyone’s happy! Yay! Unicorns for all!”

A detail that jumped out at me while I was watching was a poster with the date of Luke and Lorelai’s wedding, which would have been a few days before the election. I didn’t know if that was something that was …
ASP: They were so happy then. So innocent to the ways of the world.

DP: We were tempted to put something about — you know, because there was the prospect and the likelihood that there was going to be a woman president-elect at the very, very end. I think that poster [originally] indicated that it would be on November 19, I think it was post-election. I think it may have been post, you know, it was right around that time. We in this industry can’t afford to even predict the future even when it’s as certain as Hillary Clinton winning the presidential election. Quite frankly, this show — Amy and I are dyed in the wool liberals and very left wing. But the show, we always wanted it to be bipartisan and Stars Hollow is a — probably voted for Trump, mainly …

ASP: No. No, no, no, no.

DP: Oh, I think they did.

ASP: No, no, no, no, no.

DP: It’s rural America!

ASP: No, no, no, no, no. There is no evilness in Stars Hollow. Do not put that out there, I do not accept that. Absolutely not.

DP: Okay, maybe it’s a …

ASP: No. No.

DP: … clean, liberal …

ASP: No. No.

DP: … maybe.

ASP: No. No, no, no. The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming. It’s good we didn’t, so we didn’t have to spend all that money on horns, harpies — and Minotaurs and women with snakes.

Gilmore Girls, A Year In The Life works well as a stand-alone revival, or given the flexibility of Netflix, it should be possible to have further mini-seasons.

DC's Legends of Tomorrow --"Invasion!"-- Image LGN207c_0156.jpg -- Pictured (L-R): David Ramsey as John Diggle, Caity Lotz as Sara Lance/White Canary, Carlos Valdes as Cisco Ramon, Emily Bett Rickards as Felicity Smoak, Stephen Amell as Oliver Queen, Grant Gustin as Barry Allen, Brandon Routh as Ray Palmer/Atom, Melissa Benoist as Kara/Supergirl, Nick Zano as Nate Heywood and Victor Garber as Professor Martin Stein -- Photo: Diyah Pera/The CW -- © 2016 The CW Network, LLC. All Rights Reserved.

The CW Network had its big cross over event with Supergirl, Flash, Arrow, and Legends of Tomorrow.The episodes were a treat not only for fans of the CW shows, but for all genre fans. While there weren’t as many genre references as in Gilmore Girls, MoviePilot.com listed some of the Easter Eggs for genre fans included in the episodes.

Andrew Kreisberg and Marc Guggenheim discussed some of the issues raised in the episodes with TVLine:

WILL THERE BE MORE FLASHPOINT CHANGES FOR ARROW AND LEGENDS CHARACTERS? | The producers are keeping mum on that front, but Guggenheim did share that “there’s a fair amount of discussion” about the subject in next Wednesday’s Arrow midseason finale. “[The characters] deal with — in some humorous ways, actually — some of the ramifications. For example, I think Curtis is concerned that maybe he was straight, originally.” As for whether Barry’s voicemail is directly tied to Flashpoint or referencing more changes that the speedster makes down the road, Kreisberg offers this cryptic tease: “The message from the future relates to Flashpoint, but it also may relate to something else coming up.”

WILL SUPERGIRL VISIT EARTH-1 AGAIN? | Now that Kara has a way to communicate and travel across Earths, crossovers are certainly “easier” to execute, Kreisberg says. “The next time we do it, it means it doesn’t necessarily have to be because Oliver and Barry need Kara; it could be because Kara needs them.” However, the EP notes that nothing is in the works, seeing as how “we just barely survived this one. So we’re not too concerned with what we’re going to try to do next year. But it just gives us another way to come at a story.”

WILL STEIN’S DAUGHTER BE BACK? | “You’ll see her again in a few episodes,” Guggenheim says. And as early as next Thursday’s Legends midseason finale, “the ramifications” of Stein and Jax keeping the doc’s newly discovered offspring a secret “come into play.”

COULD THE NEW PRESIDENT HAVE BEEN LYNDA CARTER? | “Actually, in the original draft of the Legends episode, she was the Vice President, who became the President,” Guggenheim reveals. “The studio had what we all considered to be a very fair note [that] it was a bit too confusing.”

bryan-fuller1

Bryan Fuller is no longer involved with Star Trek: Discovery, but his early work on the series should still have a big impact on the direction of the series. From Newsweek:

“Ultimately, with my responsibilities [elsewhere], I could not do what CBS needed to have done in the time they needed it done for Star Trek,” Fuller explains to Newsweek. “It felt like it was best for me to focus on landing the plane with American Gods and making sure that was delivered in as elegant and sophisticated a fashion as I could possibly do.”

CBS opted to move ahead without Fuller after previously accommodating his and co-creator Alex Kurtzman’s request to push the show’s planned January 2017 premiere to May in order to “achieve a vision we can all be proud of.” Variety reported in September that the pair wanted to meet fans’ expectations, particularly with special effects.

“It is bittersweet,” says Fuller. “But it was just a situation that couldn’t be resolved otherwise…so I had to step away.”

Fuller—who retains an executive producer credit—wrote the first two episodes of Discovery and the story arc for the rest of the 13-part first season. CBS said it would see his “vision through,” but the writer confirms he has no active involvement with the series.

“I’m not involved in production, or postproduction, so I can only give them the material I’ve given them and hope that it is helpful for them. I’m curious to see what they do with it,” he says.

He commented on a potential second season: “They have my number and if they need me I will absolutely be there for them.”

class-doctor-who

Class began it season with an appearance by Peter Capaldi and now has completed its first season with a surprise visit from a classic Doctor Who enemy. As it won’t be airing in the United States until spring, I won’t give any details. Those interested can find out more here. Warning, the spoiler is in the title and cannot be avoided if you click on the link. Review of the episode here.

Jenna Coleman reports that filming of the second season of Victoria will start in February. The first season will be available in the United States on Masterpiece on PBS starting January 15.

sherlock-clues

The above picture provides several clues about Sherlock. Radio Times goes through the clues, which include a nod to a Doctor Who character.

Netflix has picked up Luke Cage for a second season.

Originally Netflix was only going to release a Christmas episode of Sense8. Now they have decided to release the entire second season on December 23. (Update: The second season will not be released until May.)

Masters of Sex has been canceled after its fourth season. The show has gone downhill and it didn’t seem like they really knew what to do with it anymore. I just wish that they had known that it would be the final season earlier. Rather than a meandering fourth season, they could have told a story over a longer time span and taken the story until wherever they wanted to ultimately finish it.

Amazon has canceled Good Girls Revolt after its first season. I have not had a chance to see it yet, but I had added the first season to my queue following favorable reviews.

Last week more fan theories were confirmed on Westworld but there are a lot of questions remaining. With the season finale airing soon after this will be posted, there is little point on speculating further until the finale is viewed. I do have one additional tip for casual viewers who have not been paying attention to all the on-line discussion of the show. Pay close attention to the opening credits. The scenes do give away a lot.

Alec Baldwin did his impersonation of Donald Trump once again on Saturday Night Live, this time mocking his use of Twitter. Probably failing to see the irony, Trump responded by blasting Baldwin with a tweet. Baldwin offered to stop doing his impersonations if Trump would release his tax returns.

SciFi Weekend: Heroes v. Aliens; What Happened To Rip Hunter; Lost In Space; Star Trek: Discovery; Inhumans; The Crown; Billy Piper; Adult Jokes On Doctor Who

The CW Network has released the above extended preview of this week’s crossover episode between Supergirl, The Flash, Arrow and Legends of Tomorrow. Bleeding Cool provides the comic book background of the Dominators, the alien villains for the episodes.

Reportedly Supergirl doesn’t get involved until the end of Monday’s episode, presumably putting the main story lines for the other three shows on hold this week. Maisie Richardson-Sellers, who plays Vixen on Legends of Tomorrow, gave a hint about what is coming up in an interview with CinemaBlend. She said that Rip Hunter “does come back, just not necessarily the Rip that we remember. That’s sort of what is a big part of the second half of the season.” As the show involves time travel I wonder if it will be a version of Rip Hunter from before he created the group, or one from the future. I suspect that there is also a connection to the warning from future Barry Allen revealed earlier this season.

The real world reason that Arthur Darvill left the series for a while was to return to his role in Broadchurch for its third and final season. Besides Legends of Tomorrow, Broadchurch, and Doctor Who, Darvill wants an upcoming role in yet another franchise. He has expressed an interest in playing Young Dumbledore, who will be appearing in the sequel to Fantastic Beasts And Where To Find Them. More on what other former cast members of Doctor Who are doing below.

parker-posey-lost-in-space

Changing the gender of characters in a remake has worked well in the past, such as with a female Starbuck in Battlestar Galactic. It will be interesting to see what they do with the role of Dr. Smith on the Lost in Space remake, with Parker Posey to play the character. Hopefully the Lost in Space remake is also like Battlestar Galactica in being much better than the original.

We already knew there would be a female lead on Star Trek: Discovery. Michelle Yeoh, who previously stared in Crouching Tiger, Hidden Dragon, has been cast.

marvels_the_inhumans_0

There were recently reports that the proposed television series of The Inhumans was to replace the movie. It has more recently been announced that The Inhumans movie is still planned, and the first two episodes of the series will also be shown in Imax theaters. From The Hollywood Reporter:

On Nov. 14, the Disney-owned network said its straight-to-series order for Marvel drama The Inhumans will include a debut in more than 1,000 Imax theaters in 74 countries. The first two of the eight-episode series — about a race of superhuman heroes (among the more popular characters in the Marvel universe) — will run for two weeks starting Labor Day 2017 before airing as part of ABC’s fall lineup.

The deal marks the first time a TV series will have its premiere on the big screen. And it gives ABC a way to “event-ize” Inhumans in the crowded fall TV space, where launching a show is a multimillion-dollar investment. “We think this is a quadruple win — a win for Imax, a win for Marvel, a win for ABC Studios and a win for ABC to launch a show in an innovative way and get attention,” Disney-ABC Television Group president Ben Sherwood tells THR. The Imax pact is the first of what Sherwood hopes will be several innovative ways to launch programming.

As part of the agreement, the first two episodes will be shot entirely with Imax cameras, with subsequent action scenes — some of which will be set on the moon — also filmed using the technology. Sources say Imax is paying for the first two episodes (ABC won’t reveal the budget; the show hasn’t begun casting), offsetting the hefty costs associated with the pilot and helping to make the deal more attractive to producers ABC Studios and Marvel Television. ABC will then take the Imax episodes and expand them with additional content for broadcast. ABC, Imax and Marvel will each mount tailored marketing campaigns for Inhumans, what analysts see as a can’t-miss cross-platform push…

ABC also hopes that Inhumans — which is not a spinoff of the network’s Agents of SHIELD and does not replace the planned feature film — will have a halo effect on the veteran Marvel drama as well. The network hopes fanboys flock to see Inhumans in theaters and follow the show to the network, bringing in new viewers who may not already be watching SHIELD (provided the latter returns for a fifth season next fall.)

matt-smith-the-crown

Matt Smith experienced danger when he played the Doctor, and faced some unexpected excitement during the filming of The Crown. He was relaxing in a Cape Town bar and wound up being held at gunpoint.  He didn’t even have a sonic screwdriver to defend himself with. The fame he experienced from his role on Doctor Who has given him some insight into playing Prince Philip:

Smith says he can relate to his character Prince Phillip, because of both the “crazy shit” and the amount of public interest, after he was cast in Doctor Who.

“Every single part of my life was affected,” he said. “You have to be hyper-aware, because Doctor Who is a children’s show ultimately, and you have to behave accordingly, I suppose.

“I went from being an actor doing theatre and stuff, to overnight being on the front page of every newspaper. There’s journalists going to my granddad’s house offering him £40,000 [for gossip]. Nothing can prepare you for that.”

billy-piper-es-cover

Billie Piper also discussed how her role on Doctor Who has affected her life and her career in an interview with ES Magazine. Digital Spy has some excerpts.

Her portrayal as The Doctor’s brave friend Rose Tyler undoubtedly set the mark for all future companions, and her two series remain a golden era for many fans.

In the latest issue of ES Magazine, Billie looks back fondly on Doctor Who ten years on – while also admitting that working on the show seemingly non-stop in Cardiff took a toll on her private life.

“I’m quite a homebody and I missed London so much,” she recalled. “Also, it makes you so famous, a show like that.

“It gave me little memories of being a popstar – you can’t go anywhere without it being a thing, and I found that quite hard again. But it changed everything for me. And I have never worked with a nicer bunch of people in my life since.

She also said she is sick of being sent hooker roles and is working on her own show about “two London women in their thirties and everything that comes with that.”

Billie Piper’s “hooker roles” included scenes on shows such as Secret Diary of a Call Girl and Penny Dreadful which could never appear on Doctor Who. They had to be more subtle with regards to sex. Radio Times has put out a list of 10 adult jokes in Doctor Who you might have missed.