SciFi Weekend: CW Superhero Crossovers; Celebrities on The Election; Luke Cage; American Gods; Doctor Who; Class

Digital Spy reports on the threat which brings together the heroes of the four Berlantiverse DC shows on CW. Trailer above.

There’s only one army in the DC Comics universe terrifying enough to unite Arrow, The Flash, Supergirl and DC’s Legends of Tomorrow.

Turns out that the threat of meta-humans running wild has raised the ire of planets across the galaxy, causing an alien race to form its own coalition in order to conquer and subjugate earth’s superheroes.

“This year, for our mega Arrowverse crossover, we’re taking inspiration from a DC crossover from the late 1980s known as Invasion!, which featured an alien race called the Dominators, who’d previously vexed the Legion of Superheroes,” Arrow and Legends of Tomorrow producer Marc Guggenheim revealed in a statement.

“We’re using cutting edge prosthetics and computer effects to achieve a feature film-quality look which is faithful to Invasion! artist Todd McFarlane’s interpretation of the characters.”

The Dominators made their first appearance in the pages of DC Comics all the way back in 1967, and have continued to cause trouble for the Legion of Super-Heroes and others within the DC Universe ever since.

This autumn’s four-night event will be the first of two major DC crossovers. Supergirl and The Flash will also be meeting up for a musical episode that’s sure to be interesting.

Supergirl also teams up with her cousin in the above trailer.

The Mary Sue reports that Lynda Carter Used Hillary Clinton As Inspiration For Her Upcoming Role on Supergirl. Hopefully this doesn’t mean that the president on Supergirl will engage in regime change in other countries based upon dubious arguments and sell influence from the White House.

Related story at Paste: Whitewashing Hillary: When Lena Dunham and Her Celebrity Ilk Become Dangerous. Obviously celebrities are hardly the people who we should trust with political analysis, but of course they are going to give their opinion. J.J. Abrams and many a long list of people involved in Star Trek have taken a stand against Donald Trump in a long open letter on Facebook. Unfortunately they also have fallen for the whitewashing of Hillary, and fail to recognize the importance of third party options. Trump is a celebrity in his own right, including The Apprentice and the recent revelation of his appearance in a softcore porn Playboy video.

Netflix has released Luke Cage. There is some background information in the Marvel 101 video above. I haven’t had time to watch it yet and hope to start next weekend. Speakeasy has some information on the series:

Showrunner and writer Cheo Hodari Coker (“Ray Donovan,” “Southland”) talked to Speakeasy about the show and shared some key details that will make “Luke Cage” different than “Daredevil” and “Jessica Jones,” its Marvel predecessors on Netflix.

It takes place after “Jessica Jones,” but it’s all about Luke’s perspective.

The super-strong, nearly indestructible Luke Cage showed up as a butt-kicker and love interest during the first season of “Jessica Jones,” alongside series star Krysten Ritter. Yet, while “Luke Cage” will build on that foundation, it will be told through his perspective. “It doesn’t take away from the Luke you meet in Jessica Jones, but we’re telling a different story,” Coker says. “At the same time, I’m hoping people who see the show that like Luke from ‘Jessica Jones’ like what we’ve done in expanding the character.”

It aims to be the Tribe Called Quest of superhero shows.

The show’s cast is mostly made up of black actors, but Coker, who is also black, wanted to make sure it’s also representative of black culture, while keeping it relatable to all audiences. “I wanted to show it was possible that it had a deeply African-American context but do it in such a way that people who weren’t necessarily from hip-hop culture, or from black culture, and watch the show feel as though they’re part of the conversation,” he says. Coker points to A Tribe Called Quest’s albums as examples of art that both maintained its integrity within the context of black culture and still registered crossover success.

It draws on all sorts of Marvel Comics traditions.

Coker says Brian Michael Bendis‘s “Alias” comics have inspired the look of this Luke Cage, while much of the character’s origin story on the show comes directly from the 1972 comic “Luke Cage, Hero for Hire” No. 1. The showrunner, though, says a variety of Marvel Comics — from Chris Claremont and Frank Miller‘s Wolverine to X-Men comics in general — helped him develop his skills as a writer and dramatist in the televsion world. He says the issue-by-issue run in a comic book story line works well for TV. “That’s kind of the way you structure the season,” Coker says.

More information at TV Guide for before viewing. This article at TV Guide looks like it will be of interest after viewing.

the-tick

Amazon recently began showing a pilot for The Tick, which started as a comic and was also briefly on television in the past. It has been picked up for to start as a series in 2017.  CBR,com interviewed creator Ben Edlund:

CBR News: Ben, the new “Tick” pilot is something of an outlier as it’s rare for creator-owned comics to get a second big media adaptation let alone a third one. And I know this particular project took a long time to come together and had many twists and turns along the way. What was it like for you to go through that process of bringing the character to TV over a decade since the last go round?

Ben Edlund: It was, I would say, some of the scarier work I’ve done recently. [Laughs] This is a very specific character for me. I have a lifelong relationship with this creature, and so to engage with another expression of it and take the chances of messing it up or what have you, it makes you feel like it’d be pretty nice to just let it sit there. This is something I take very seriously, and I didn’t want to do this if it didn’t have a new reason for being and if it wasn’t something that wasn’t its own new thing on top of being another respectful chapter in the existence of this blue creature.

So that put the stakes up pretty high for me. And working with Amazon, we kind of started in a place that was quite distant from where we ended up. There was a lot of growth over the drafts we did, and I had to take time to figure out how to engineer a superhero live-action comedy in a way that would not be immediately ephemeral. It had to be something you could care about. So it was a very daunting bit of work for me.

I was very much the beneficiary of the 13 years I’ve spent working in live-action television. When I first did this, I had no experience other than some film school experience and cartoon experience. Now I’ve been doing this for a long time and working almost exclusively in this hybrid between drama and comedy. That started with “Firefly” and “Angel,” but with “Supernatural” and even “Gotham” and “Powers” – all of them incorporate elements of other things. That’s been a craft I’ve been drawing from and trying to learn about because I did actually feel like eventually it would be appropriate to look at Tick again and try to do something new with it.

And I didn’t know where that would be or when it would take shape. I didn’t even initiate the first ripple that led to this series. That was actually Patrick Warburton and Barry Josephson and others. It just kind of encompassed me, and it was time. It was ready to happen again. So when they came to me and asked if how I could conceive of it being doable in live-action, it took a long time to get my head around it.

Aside from your place as the creator coming back to his creation, the really interesting thing about the new Tick is that the superhero media landscape is vastly different than it was 15 years ago. For a long time, comics was the landscape where you could do anything and get deeper and weirder, while TV was much more restrictive. Now mass superhero media is bigger and weirder than it’s ever been. How has that changed your approach?

I think #1 right now is we’re at a point of superhero saturation. No one could have predicted how comprehensive it would be and how pervasive it would be. And so the level of education per capita [that the audience has] on the minutia of a superhero universe offers a lot more latitude in terms of joke material – because there’s just more to reference. That’s one part of it. The other part is that we’re the beneficiaries of technology. Big effects are a lot more achievable now, and so our vision is wider. That’s a great tool to have.

But I think the thing that’s most intriguing and interesting is that the whole complexion of television has changed. It’s gone from where we sort of anti-serialized stories and promoted the stand-alone ones to where things are completely engaged with the experience of serialization. People want that from these “binge vehicles.” What they want is a novel in televised form which is shaped and conceived as novels are. Those are not things that are free jazz improvisations as a general rule. They’re stories. It’s a demand that’s increasing with our appetite, and I’m happy about that because that’s the thing I want to do. I don’t want it to just be jokes. And nobody else wants that either, which is weird. The conventional wisdom of almost any other era of television was that we’d reduce things to just jokes. But this is a very different organism, and I’m intrigued by the experiment.

american-gods

Nerdist has a video report providing information on the television adaptation of Neil Gaiman’s novel American Gods. Screenrant summarized some of the key points,  including:

Nerdist News went deep with the cast and crew of American Gods and discovered that the series will follow a path somewhat different from the novel that inspired it. Far from being a true diverging, however, Nerdist reports that the series will not only cull from the near 600-page edition of Gaiman’s text, but also from the author’s character and plot notes, many of which either didn’t make it in, or were merely alluded, to in the novel.

According to Nerdist, much of the expanded story will follow the tales of how the Old Gods came to dwell on American soil. While the novel does tell the stories of how gods like Kristin Chenowith’s Easter and Orlando Jones’ Mr. Nancy left their original homes for our shores, the series is expected to dive even deeper into these character backstories to create a richer, more full universe.

Considering how well Bryan Fuller re-imagined the Hannibal books and movies, I am optimistic he will do a good job with American Gods, especially he will be working with ideas also created by Neil Gaiman.

NBC has picked up This is US for a full eighteen-episode season.

FX reports that The Strain will conclude with season four. FXX has renewed You’re The Worst for a fourth season.

There reportedly will be a  a superhero character appearing in this year’s Doctor Who Christmas Special.

DigitalSpy held a contest in which David Tennant’s 10th Doctor was voted the best TV character of the 21st century

ScreenRant has some videos to introduce the Doctor Who spinoff Class.

 

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SciFi Weekend: Emmy Award Surprises & Snubs; Mr Robot Returns; Community Movie; Sherlock; Fargo; Outlander; Doctor Who

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The Emmy nominations came out this week, and I think they did a much better job than most years. The full list of nominees can be found here. Common problems in previous years included failing to recognize new shows, snubbing genre, and keeping old favorites in the nominations even when shows were beyond their prime. Last year they finally made up for snubbing Tatiana Maslany for Lead Actress in a Drama Series and she was nominated again this year. The biggest correction this year was finally recognizing The Americans–not only for Outstanding Drama Series, but also recognizing its stars Matthew Rhys and Keri Russell.

While it took four years for the academy to give The Americans the recognition it deserves, another good surprise was that Mr. Robot received nominations, including for the series and for star Rami Malek. As with Tatiana Maslany on Orphan Black, it is hard to picture Mr. Robot working without Rami Malek. On the other hand, they did snub Christian Slater, who won a Golden Globe for Best Supporting Actor for his work on the series. Perhaps the Emmy Awards don’t recognize characters who are a figment of another character’s imagination.

It was also a pleasant surprise that Master of None received nominations including for the series and for star Aziz Ansari. Ansari might have benefited from his work on 30 Rock, while another 30 Rock alumni, Ellie Kemper (Unbreakable Kimmy Schmidt) missed out her first year but was nominated this year.

Beyond the additions of The Americans and Mr. Robot, the Outstanding Drama Series category was fairly predictable, including Homeland and Downton Abbey remaining beyond their best years. Of course the Emmy’s have also been more likely to include a show or star when they are in their final year, so I was not surprised that Downton Abbey was included. If they must include a show which Damian Lewis was at one time connected with, I would have chosen Billions over Homeland this year.  The biggest snub this year of a show which deserved to be included was Jessica Jones. Similarly, Krysten Ritter and David Tennant deserved nominations for Best Actress and Supporting Actor. The series was nominated for some minor awards but it is hard for genre shows other than Game of Thrones to receive the major nominations.

The Outstanding Comedy Series category includes several worthy shows, along with continuing to nominate Modern Family out of inertia. I would have included Catastrophe and You’re The Worst before Modern Family.

Fargo deserves another nomination for Outstanding Limited Series, but this year I would give the award to The Night Manager, which also received nominations in additional categories. A miniseries was the best way to handle a John le Carré novel. While the same can also be said of other novels, whenever I have seen a movie based upon one of his novels which I have read I would feel disappointed by how much had to be left out.

Mr Robot Eliots Room

Mr. Robot returned with two episodes last week. One question when watching is how much is true and how much is Eliot imagining. I noticed that when the episode showed his routine, whenever he was by a television Barack Obama was on live, throughout the day. That aspect was obviously imagined, even if he really saw Obama at one point. How much of the rest of the day, or where he is living, was imagined?

TV Guide looked at one theory that everything was imagined, noticing how much his room looked like a cell in containing only a bed and a small table, his mother seemed like a guard, his meals with the same person could have been taking place in a prison cafeteria, his meeting across the table with Gideon looked like a prison visit, and the use of a wall phone as opposed to a cell phone looked like a prisoner talking on a prison phone. These, and other examples, could mean that Elliot was in prison, or perhaps a mental hospital. The knock on his door at the end of season one could have been when he was apprehended. However, there were also suggestions that the FBI is pursuing Elliot, which might argue against  him already being in prison, unless he is relating events out of order.

Community

Dan Harmon says a Community movie will still happen, although from this report it sure doesn’t sound like we will see it anytime soon (if ever).

With  Benedict Cumberbatch and Martin Freeman both becoming such big stars, Steven Moffat wonders if he will be able to continue Sherlock beyond the fourth season.

Channel 4 has renewed Catastrophe for seasons three and four. Amazon will stream them in the United States. Amazon didn’t stream previous seasons until after they were on Channel 4 so I bet I will wind up downloading them as opposed to waiting.

I would watch season three of Fargo even if it stared all unknown actors, but the addition of Carrie Coon (Leftovers) is a huge plus.

In follow up of my review last week of the season finale of Outlander, Vulture has some spoilers as to what to expect in the third season.

Digital Spy looks at the rumors of Matt Smith returning to Doctor Who and gives reasons why they do not believe they are true.

Next week we will have a miniseries of the absurd, The Republican Convention. The schedule of people you don’t really want to see speak is listed here.

SciFi Weekend: Steven Moffat Leaving Doctor Who; Jessica Jones; Legends of Tomorrow; Charlotte Rampling On The Academy Awards

Moffat TARDIS

Steven Moffat is stepping down as show runner of Doctor Who after the upcoming tenth season (since the show’s revival) and Chris Chinball, best known for Broadchurch, will be taking over. Chinball is a long time fan of Doctor Who and also wrote these episodes: 42, The Hungry Earth/Cold Blood, Dinosaurs on a Spaceship and The Power of Three. He was also a producer and writer on Torchwood.

The tenth season of Doctor Who will not air until the spring of 2017, and the only episode to air in 2016 will be the annual Christmas special. I wonder if Moffat will introduce the next companion in the special or wait until the show returns on a regular schedule in 2017.

After Broadchurch, I also cannot help but wonder if, should David Tennant return for an episode of the show, if Chinball will have him talk in an often incomprehensible accent.

Following is the BBC press release:

BBC announces Steven Moffat’s next series of Doctor Who will be his last and confirms Chris Chibnall as new Head Writer and Executive Producer.

After six incredible series at the helm, the multi-award winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

Steven took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the Eleventh and the Twelfth Doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory (Arthur Darvill) and the terrifying Weeping Angels. Plus, the smash hit 50th Anniversary special in 2013 which saw fans around the world celebrate the world’s longest running sci-fi series with the Doctors, Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature length episode. Steven’s final series will air on BBC One in Spring 2017 and there will be a Christmas Special in 2016.

Steven Moffat says: “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

Like Steven, Chris Chibnall is also a lifelong Doctor Who fan and a multi-award winning writer and executive producer. He has most recently achieved huge success with the triple BAFTA winning hit ITV series Broadchurch. His other credits include BAFTA nominated The Great Train Robbery, United, Law & Order: UK, Life on Mars and Torchwood. Chris Chibnall’s debut series will launch in 2018.

Chris Chibnall, new Head Writer and Executive Producer : “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

Charlotte Moore, Controller, BBC One says : “I want to thank Steven Moffat for everything he has given Doctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in Spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

Polly Hill, Controller, BBC Drama Commissioning says : “Like Charlotte I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

AKA Jessica Jones

Variety discussed plans for season two of Jessica Jones with show runner Melissa Rosenberg and star Krysten Ritter:

Rosenberg shared that she doesn’t know when work on the new season will start, or whether she’ll be collaborating with writers from any of the other Marvel-Netflix series (“Daredevil,” “Luke Cage” and “Iron Fist”) leading up to “The Defenders” crossover, but said that she intends to continue utilizing story ideas from Brian Michael Bendis’ series of “Alias” comics, where Jessica Jones debuted.

“I will always use as much as I possibly can from the comic book,” Rosenberg said, noting that they’ll have to allow for deviations given the differences in the mythology between the Marvel comics and ongoing Marvel Cinematic Universe. “The MCU is very different in terms of its mythology. In the books, everyone knows superheroes are walking around, there’s a lot of things building toward Secret Wars. We’re probably not going to be able to do a totally parallel storylines. But I take every little piece I can because it’s so good.”

While Rosenberg admitted that it was both intimidating and exciting to think of having to come up with a villain to follow Kilgrave, she didn’t consider keeping him around past season one, since “the show is about Jessica Jones; the story is about Jessica’s arc,” and thus everything had to be in service to her journey.

When asked about Jessica’s mental state at the end of the season, given her final defeat of Kilgrave, star Krysten Ritter said, “For Jessica, that final moment, that victorious triumphant moment, I found that very conflicting in terms of her headspace. He’s the reason why she got up every day. He’s the reason why she went out in the world… it really gave her a purpose, and the past trauma doesn’t go away with his death.”

Arthur Darvill Legends of Tomorrow

Legends of Tomorrow premiered this week and we found that there was some misdirection in both what the characters were told when recruited and in the trailers for the show. This might be for the better. If they really were already known to become legends, it would imply that they were successful and this was future history. The outcome of their mission would already be known. Of course with time travel a lot of questions can come up. For example, why not go after Vandal Savage when he was reduced to dust at the end of the Arrow/Flash episode and prevent him from being revived?

I suspect that this will turn out to be the sort of show which can be a lot of fun to watch as long as you don’t think too much about the time travel implications. It even has Rory (Arthur Darvill) as sort of a renegade Time Lord. Screen Rant has a list of additional Easter eggs.

KUDOS FILM AND TELEVISION PRESENTS BROADCHURCH SERIES 2 Images are under strict Embargo not to be used before the 18th December. PICTURED : CHARLOTTE RAMPLING as Jocelyn Knight. Copyright ITV/Kudos.

Charlote Rampling, who appeared with David Tennant and Arthur Darvill in Broadchurch, has addressed the controversy over lack of diversity in the Academy Award nominees. Rampling had initially spoken about boycotting the awards, but has backed away from this:

In an interview with Europe 1 Radio earlier this week, Rampling said calls for a boycott of the Academy Awards because all of the nominees were white “was racist to white people.”

Today Rampling told CBS News’ “Sunday Morning”:

“I regret that my comments could have been misinterpreted this week in my interview with Europe 1 Radio. I simply meant to say that in an ideal world every performance will be given equal opportunities for consideration. I am very honored to be included in this year’s wonderful group of nominated actors and actresses.”

Rampling also said:

“Diversity in our industry is an important issue that needs to be addressed. I am highly encouraged by the changes announced today by the Academy to diversify its membership.”

SciFi Weekend: Mr. Robot; Jessica Jones; Kimmy Schmidt; Person of Interest; Homeland; 24; Heroes; The DC Superhero Shows; Orphan Black; Blacklist

Mr Robot Finale Bar

After Mr. Robot won two Golden Globes for Best TV Drama and Best Supporting Actor (Christian Slater), cast and crew discussed the show at the Television Critics Association press tour. Here are some excerpts via Vulture:

The first-season finale ended with everyone’s favorite hacker confronting his painful delusions. The new season will begin with that struggle. “The whole show has been about Elliot’s emotional journey, and I really wanted to focus on that and less about the plot,” Esmail said. “And so, for me, the headline of season two is: How does Elliot reconcile the fact that he’s aware that he’s been seeing this fantasy?” Even as the first season entertained viewers with several twists and turns, Esmail said he’s not interested in “gotcha moments … Rami brilliantly plays Elliot in a way that he drops you into his psyche. So you’re learning it with him. As long as that is organic and that feels real, then I think the twists will come from there. But it’s not my agenda to keep shocking you. It really isn’t.”

Elliot’s past — and when his delusions began, and whom they involve — will become clearer in the second season. “There will be a lot more backstory that we’re going to show,” Esmail shared. “The timeline is going to get a little clearer. Not 100 percent clearer, because what’s the fun in that? But a little clearer.” Malek said Esmail has shared “enough” with him to help him start preparing for his performance. With this character, I have to prepare for anything at any given moment. I go through every direction as to what possibly happened to someone like this because in his head we never know what has happened. And I think having to trace back the truth and discover the truth ultimately makes him more complex to play — just trying to decipher what he’s actually seen and where he’s actually been. When I think about that, it kind of haunts me as a human being, having to do that. And that’s the place he finds himself in approaching this next season.”

Elliot is an unreliable narrator, and yes, there are other things he’s shown viewers besides the identity of Mr. Robot that we shouldn’t trust. After Esmail revealed that during the panel, Malek asked him, “Do I know? Do we know?” The answer: “No.”

Jessica Jones Luke Cage

Krysten Ritter discussed the sex scenes in Jessica Jones during the press tour. Considering both the highly favorable reception for the show and discussion of season two in several years, I assumed that it was already decided. Apparently a second season was not official at the time, but Netflix has now made it official. Plus elsewhere there is talk about season two of Daredevil, and about  Iron Fist,

Netflix has also announced that Orange is the New Black will return on June 17, 2016 and Unbreakable Kimmy Schmidt returns for its second season on April 15th, 2016. Kimmy Schmidt has also been renewed for a third season.

Person of Interest season 5 will air this spring, and CBS President Glenn Geller left open the possibility that it could be renewed. Perhaps airing in the spring, when there aren’t as many new episodes of network shows, will result in high ratings to justify renewing it. On the other hand, the show has an extensive back-story and a lot of episodes to catch up on which makes it difficult for new viewers to get involved. It would be interesting if someone could put together the parts of episodes dealing just with the mythology of the show and cut all the number of the week stories.

Homeland will be coming back for a fifth season, taking place in New York. I finally gave in and completed watching the last season over the holidays. It was better than some recent seasons, but still far below the first season. There were also some vague references to Quinn’s fate:

The closest thing to a teaser came in the form of a cryptic update on Quinn, who was not having a good time at the end of last season. “Quinn is very damaged, no question about that,” the network’s president of programming, Gary Levine, said, according to Deadline. “If he should live, he won’t be in the shape and form he was.”

If this (and multiple other shows) don’t give you enough stories on fighting terrorism, Fox plans to reboot 24 with a new case.

Heroes Reborn will not be coming back for a second season, and there is no reason it should.

73rd ANNUAL GOLDEN GLOBE AWARDS -- Pictured: (l-r) Melissa Benoist, Grant Gustin, Presenters at the 73rd Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 10, 2016 -- (Photo by: Paul Drinkwater/NBC)

We sort of had a Supergirl/Flash crossover at the Golden Globes when Melissa Benoist and Grant Gustin presented an award together. (I wish they had the two race up the stage to see whether Supergirl or the Flash is faster.) There have been rumors and denials of a crossover on their television series for some time. CBS president Glenn Geller has now left an opening for such an event. I hope Arrow is included as I think that Kara and Felicity would get along very well together. More on the possibility of a crossover here.

The Flash and Arrow will be returning on CW, along with the premiere of DC’S Legends of Tomorrow. The producers have been denying internet rumors that Felicity will become Oracle. (I don’t think anyone really believes she was killed.)  Some news here, including that the remainder of the season on The Flash will deal with Zoom and the show’s multiverse.

The Americans, one of the best dramatic shows on television the last few years, returns on March 16. Some teasers on the upcoming season and future of the show here.

The above teaser has been released for season 4 of Orphan Black.

Blacklist appears to have wrapped up the Lizzie on the run storyline which dominated the first half of the season. The Director turned out to be less powerful that initially suggested as the Cabal literally had him dropped. Reddington has said it was time to “take down the Cabal” but it appears to remain alive and well (even if weaker). Things are much like before except it appears Lizzie will now be working with Reddington as an FBI asset as opposed to an agent. Plus it is not clear if Reddington is now a part of the cabal. If so, does that mean they are still an evil group trying to get us into World War III with Russia? Will Reddington still be helping the FBI capture people involved with the Cabal?Plus is Laurel Hitchen in charge, or just the highest ranking person we see, and how dangerous will she be now that everyone is on to her?

SciFi Weekend: The Top 20 New Shows of 2015

Once again, as I did last year, I’m concentrating, I’m concentrating on the top new shows of the past year (but will include some comments on returning shows below). This is for a few reasons:

  • Not having the time to devote professional time to television as professional television critics do, there are many shows I have not watched purely due to lack of time. Limiting to a single year reduces the impact of this.
  • Limiting to new shows eliminates the problem in many “best of” lists of including the same shows every year.
  • Talking about new shows could be of greater value. It is more likely that readers know about the top shows which have been on for the last several years, but might not be aware of some of the shows which started more recently.
  • If readers are inspired to catch up on a show from a list such as this, it is far more practical to catch up after one season than several. I know this from personal experience. This is why I cannot say much about the series finale of Justified, which has received great reviews, as I’m years behind. It was much easier to catch up on Manhattan and The 100 after missing the first season, allowing me to say more about them below.

Besides being limited to shows I have watched, this is also biased towards genre shows. Therefore, what might be the year’s biggest hit among new shows, Empire, is excluded from consideration on both counts. Rankings are also quite arbitrary, and some shows could easily be a few spots higher or lower if I were to redo this fifteen minutes later. Still, this gives a general idea of which I consider among the best as compared to those ranked lower. It is a sign of the increased number of good shows coming out, partially due to the increased influence of steaming video along with cable, that I have expanded from a top fifteen list last year to a top 20 list this year.

Top 20 New Shows Of 2015

Last Man On EarthCa

20. Last Man on Earth (ABC)

This would have ranked far higher if it could have maintained the quality of its original premiere, but adding new characters just led to it devolving into a number of more standard sitcom tropes. Still, while many gave up on the show, I continued to have interest in the first season finale and into the second season.

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19. Childhood’s End (Syfy)

Adapting a novel from Arthur C. Clarke seemed like a sure winner, but there were problems I didn’t expect from doing this until I viewed the miniseries. It seemed far more dated in 2015 compared to when I read the novel in the 1960’s now that we have seen so many shows with alien visitation to earth. This story worked out much better as a novel as they could not capture important aspects of the story, including the magnitude of the ending, on television as compared to in prose. The show also failed to make the new world created in the miniseries seem believable, compared to the far better adaptations in a couple of other shows listed below. We heard about all the changes on earth, but rarely saw them, and what we did seem, such as mankind giving up science, didn’t seem believable.

Togetherness

18. Togetherness (HBO)

An excellent sitcom showing how cable and streaming have replaced the “must watch TV” from NBC and the other broadcast networks.

The Expanse

17.The Expanse (Syfy)

Syfy returns to space, with a mystery and quite a bit of world building in the series based upon the novels by James S. A. Corey. I have only seen the first two episodes so far, so my opinion of the show could change once I see more. It was just recently renewed for a second season.

Fresh off the Boat

16. Fresh Off The Boat (ABC)

Both Blackish last year and Fresh Off The Boat this year offer new variations on Modern Family. Constance Wu makes the show.

Casual

15. Casual (Hulu)

Yet another twist on a family sitcom, done far better by Hulu than the networks.

12Monkeys

14. 12 Monkeys (Syfy)

A time travel show which took aspects from the movie, but improved upon them for a weekly series. The series did an excellent job of building on its mythology, providing surprises, and moving in a new direction in the season finale.

Programme Name: Jonathan Strange & Mr Norrell - TX: n/a - Episode: Ep2 (No. 2) - Picture Shows: Mr Norrell (EDDIE MARSAN) - (C) JSMN Ltd - Photographer: Matt Squire

13. Jonathan Strange and Mr. Norell (BBC One/BBC America)

An excellent adaptation of Susanna Clarke’s novel, making a world in which magic exists seem real.

Supergirl-TV-Show-Actress-Melissa-Benoist

12. Supergirl (CBS)

Another show from the produces of Arrow and The Flash, with his being much closer to The Flash in style. The show had an excellent pilot, but for a while seemed like a weaker version of The Flash. It started getting more interesting toward the end of the fall season as the show had an opportunity to develop. Spoilers ahead: Major events before the hiatus included the revelation that Hank Henshaw is the Martian Manhunter. Calista Flockhart is excellent as Cat Grant, but considering her profession can she be trusted now that she figured out Supergirl’s secret identity? So far Supergirl doesn’t know about Hank, but it is inevitable that she learns who he is. A shape shifter could be useful to show both Supergirl and Kara in the same place to fool Cat.

Sense8 Will and Riley

11. Sense 8 (Netflix)

A very ambitious show, which took time to develop its story, but well worth the wait. Enjoy the scenery from around the world while trying to figure it out in the early episodes.

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10. Agent Carter (ABC)

This shows how much better a network show can be when limited to a single eight-episode story.  Maybe that is why it is the only network show which cracked the top ten. Of course a network still could not compete with streaming when entering the Marvel universe.

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9. The Unbreakable Kimmy Schmidt (Netflix)

This shows how the networks have surrendered quality sitcoms to streaming and cable. The show was originally produced by Tina Fey for NBC, but they passed on it and it was picked up by Netflix. It will be interesting to see if the show is even better when the second season is produced, knowing it will appear on Netflix rather than NBC.

Daredevil Matt and Karen

8. Daredevil (Netflix)

The first of a series of shows from the Marvel universe. Dardevil was darker, grittier, and more violent than any of the superhero shows before this. The series also took advantage of the streaming medium, often telling a continuous story, but sometimes including a more conventional single episode on a specific topic (which was still part of the greater story for the season).

Master of None

7. Master of None (Netflix)

Aziz Ansari shows how good a comedy could be on what I bet is a low budget if there is excellent writing. Besides comparisons to his character on Parks and Recreation, the show is often compared to Louie. I also see a lot of early Seinfeld in it.

Catastrophe

6. Catastrophe (Channel 4/Amazon)

The British show, also made available in the United States from Amazon Prime, was the best new sitcom of the year. It was this year’s, You’re The Worst, with Sharon Horgan playing what felt like could be an older version of Aya Cash’s chacter, and the nationalities of Jimmy and Gretchen’s nationalities reversed.

Man In The High Castle Poster

5. Man In The High Castle (Amazon)

While changes were made for the new version, Man In The High Castle was an excellent adaptation of the Philip K. Dick novel, providing a realistic look at what could have happened if Germany and Japan had won World War II and occupied the United States. Changes were made in some characters, and there were plot differences to turn this into an ongoing series. Hitler remaining alive in the 1960’s provides for a difference in the politics. Instead of a book with an alternate history in which the Allies won, using film reels worked better on television. While the main storyline was tied up, the finale raised new questions, making me very happy that it was renewed. Spoilers ahead: As happened earlier in the book, the finale did show a character crossing over into an alternate universe looking like ours, partially explaining the meaning of those news reels. I still have a lot of questions about them, and if the book gave any further hints, I read it too long ago to remember. The finale did wrap up the major storyline and led to an unexpected character living in a “high castle” who was interested in the news reels. Is he really the title character, and how is he connected to the films?

Humans

4. Humans (Channel 4/AMC)

Yet another British import on this list which was also shown in the United States presented a look at how robots (Synths) could change our society, along with a thriller storyline involving a small group of  Synths which were more than they seemed. I’m not sure if the second season could be as strong as the first now that all the secrets have been revealed, but they definitely left matters open to continue the story.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

3. Mr. Robot (USA)

A cyber-thriller which is totally different from what anyone would expect from a show on USA. The show gave a lot of hints about one element which was not confirmed until later in the season, but still came up with surprises along the way. The season finale also left room for a lot more.

Better Call Saul

2. Better Call Saul (AMC)

Better Call Saul greatly exceeded expectations, standing on its own in addition to being a prequel series to one of the greatest television series of all time, Breaking Bad.

Jessica Jones

1. Jessica Jones (Netflix)

Netflix exceeded what was accomplished on Daredevil with Jessica Jones, staring Kristin Ritter in the title role. The series, even more than Daredevil, was like a single long movie, with only brief breaks in the narrative to fill in viewers on the back stories of the major characters. This works as a stand alone story, but also has references to The Avengers, a character from Daredevil, and sets up future shows, especially Luke Cage.

Spoilers ahead. The show did so many things well.  While many super hero stories suffer from trying to create yet a bigger danger to the entire world to fight, Jessica Jones was a personal story between Jessica and the villain, with David Tennant doing a fantastic job playing Kilgrave. Without their powers, this is essentially the story of an abused woman who once again confronts the man who abused her. Add on the super powers, and it becomes a story of a man who can have whatever he wants and does not understand why Jessica does not love him when he is nice to her.

Most of the supporting cast was also excellent, including Mike Colter as Luke Cage and Rachel Taylor as Trish Walker. One neighbor initially seemed to be a stereotypical drug addict, but turned into a significant figure. The brother and sister also living in the same building were the weakest characters, but the sister was useful to allow Kilgrave to escape. The length of the story did require a series of  near-captures, captures, and escapes. Plus it was necessary to change the situation so that the ending could take place, when earlier Jessica had reason to not only capture Kilgrave alive, but provide proof of his powers.

Honorable Mention

Grace and Frankie Season 1 netflix handout .... Jane Fonda and Lily Tomlin in the Netflix Original Series "Grace and Frankie". Photo by Melissa Moseley for Netflix.Ê

Grace and Frankie (Netflix) Any show staring Lily Tomlin, Jane Fonda, Martin Sheen, and Sam Waterston has to be good, even if some of other new sitcoms were more consistent.

Blindspot (NBC) A fascinating premise made the early shows feel like something unique from network drama, but far too often it is just a gimmick to introduce the case of the week. Whether the show becomes a great will depend on whether the underlying mystery of the show remains compelling. Also on NBC, Blacklist almost felt like a new show with Lizzie now on the run, reminiscent of how Person of Interest evolved into more of a genre show last year on CBS.

Limitless (CBS) A lighter genre show which shows potential to be entertaining, but I doubt will rise to greatness.

Wet Hot American Summer: First Day of Camp (Netflix) A prequel to the movie.

The Late Show with Stephen Colbert (CBS) and The Nightly Show with Larry Wilmore (Comedy Central) were two excellent additions to light night television, a genre which I arbitrarily left out of the rankings. They help make up for the loss of David Letterman and Jon Stewart. I haven’t actually watched much of Larry Wilmore but he has been hilarious when I’ve seen clips. I’m looking forward to seeing him host the White House Correspondents’ dinner.

The Republican Debates have become an amusing reality show, featuring reality television star Donald Trump. His previous reality show had a similar format in gradually eliminating candidates vying for a job.

Besides the above changes on late night television,  this year marked the end of many excellent shows including Mad Men, Parks and Recreation, Hannibal, Parenthood, Continuum, and Justified. Downton Abbey concluded in the UK with the Christmas special, but the final season is just now beginning in the United States. (No spoilers, but the series ended well).

Last year I left out some shows only because I had not had a chance to see them yet. These included The 100 (CW) and Manhattan (WGN). These turned out to both be extremely high quality shows. and both would have made the top five if I had seen them when compiling last year’s list.

Among shows I’ve heard excellent things about, and very well might deserve to be ranked among the top shows but I have not had a chance to see so far are Narcos (Netflix), Wolf Hall (BBC Two/PBS), and The Jinx (HBO). While not as critically acclaimed, I have received a plug for another genre show, Wayward Pines (Fox).

SciFi Weekend: Doctor Who, Face the Raven; Jessica Jones; Arrow Flash Crossover; 11/22/63; Lost In Space; New Show From Bays and Thomas

Doctor Who Face the Raven

Only four companions had previously died in the long history of Doctor Who, with none in the new series. This changed on Face the Raven with the death of Clara Oswald.  The episode took place on Trap Street, a hidden street in London like something out of Harry Potter, except in this case Maise Williams’ immortal character returned as mayor, providing sanctuary for aliens. Clara’s friend Rigsy (previously seen in Flatline, when Clara was acting as the Doctor) was sentenced to die, with a Chronolock tattooed on his neck, counting down the minutes until his death. The Doctor tried, unsuccessfully, to turn to his index cards to express his condolences, but Clara pushed him to try to save him.

Unfortunately it turned out to be Clara who saved him by transferring the Chronolock from Rigsy to herself. Maise Williams’ character, Me,  had already guaranteed Clara’s safety on Trap Street, so she thought this would buy them time. What Clara did not know is that Me never really intended for Rigsy to die. However, once the Chronlock was transferred from Rigsy to Clara, the terms of Me’s deal with the quantum shade, which controlled the execution, were changed and Me could not save her.

Clara assumed the Doctor could save her once again, but he could not, and the two said their dramatic farewells. It did seem  questionable that the Doctor couldn’t at least try to save her. After all, it was already established that there was a stasis machine nearby. If that couldn’t work, there was also a teleport bracelet, not to mention the TARDIS, which might take Clara to safety.

Clara’s death was actually guaranteed by the decision for Jenna Coleman to leave the series. Steven Moffat discussed writing Clara out in an interview with Blogtor Who:

“What we’re gonna do with Clara’s departure was ‘Plan A’. This is what I wanted to with Clara from very, very early on in Clara’s run but Jenna said that she wanted to leave at the end of Series 8. And I sort of knew she didn’t really want to leave, I think she just felt she ought to leave at the end of Series 8, despite my various attempts to tell her what she was thinking – which never goes down well I find with human beings! [Laughs]

She decided to leave so I wrote her out of the end of Death In Heaven, that was her last episode. I was halfway through Christmas [Last Christmas] without Jenna and she said, ‘Actually, I’d like to be in Christmas,’ so I discreetly threw away the script I was writing and started again. [Laughs] Never told her that – should’ve.

I wrote her out of the end of Christmas but this time I sniffed a wind and wrote two endings; one version where she actually is the old lady and we last see her going up the spiral staircase. At the read through we did the big heart-rending departure and she changed her mind.

Peter and I did perform every form of emotional manipulation known to people on the world tour, badly and ineptly I might add. I like to think in the sheer ineptitude of out apparent subterfuge we were charming.

But what we’re doing now is the right way for her to go, in my view.”

Doctor Who Face The Raven Clara

There might theoretically be a way in which Clara did not die and could return for some of the final episodes of the season, but now that Jenna Coleman had her big exit scene it would be better to leave her character dead. That does not mean that Jenna Coleman might not show up again. A form of Clara has been involved with all Doctors we have seen so far, and the way in which she was fragmented should mean that she will also be involved with future Doctors, although that does not mean that either the Doctor or the audience will see her

The Doctor has met Clara in different forms. He met Oswin Oswald, the soufflé girl, in Asylum of the Daleks, and met the Victorian barmaid and governess Clara Oswin Oswald  in The Snowmen.  He also came close to meeting Clara as a child but did not recognize her.

There are still questions left from Face the Raven. The Doctor was teleported off, and is on his own, leading into the final episodes of the season (which will be extended length). Will he return to face Me, after warning her “You’ll find that it’s a very small universe when I’m angry with you”? Who was Me working with? It was apparently someone who knew about the Confession Dial, which might mean Davros, or Missy. Incidentally, it was Missy who put Clara in touch with the Doctor in The Bells of St. John, so it might be fitting that she was also indirectly involved in her death. (Incidentally Michelle Gomez, who plays Missy, also appeared on Gotham last week).

The portion of the season prior to the Christmas episode will end with another two-parter. Heaven Sent will air on November 28th and run fifty-five minutes.  Hell Bent will air on December 5th and run sixty-five minutes.

Behind the scenes videos of Face the Raven can be seen here.

Marvel's Jessica Jones

It was a tough decision with both Jessica Jones and The Man in The High Castle both becoming available for streaming on Friday night. Ultimately a show staring Krystin Ritter, David Tennant, and Carrie-Ann Moss won out. In addition to these three, Rachel Taylor does an excellent job as  Trish Walker and Mike Colter is excellent as Luke Cage. Besides appearing in Jessica Jones prior to appearing in his own show, Luke Cage has been teased in a trailer for the second season of Daredevil.

While I have not finished the series yet, I have seen enough to say that this is excellent. It is possibly the best superhero show ever on television, and possibly the best television show or movie with the Marvel Cinematic Universe. Vulture has a collection of excerpts from the many excellent reviews of the series. I will have no spoilers of the individual episodes in discussing the series.

Jessica Jones has started out even stronger than Daredevil. While set in the same Hell’s Kitchen background, it is not entirely as dark and gritty, with more of New York City seen. There are brief mentions of other events in the Marvel universe, but it is not necessary to have seen any as long as you are just aware that New York City was under attack in The Avengers movie.

Krystin Ritter is excellent as the damaged superhero. She plays a strong female lead, but the tone of the show is entirely different from the other superhero series with a female lead, Supergirl. Ritter’s dramatic acting abilities were clear in Breaking Bad, and she showed she could handle being the lead for a show in Don’t Trust the B—- in Apartment 23. She further shows her acting talent as the lead in this complex dramatic role in which her character underwent a traumatic experience in the past, leading to the season-long arc with the big-bad Killgrave, played by David Tennant.

Jessica Jones Trish Walker

Krystin Ritter discussed playing Jessica Jones at Speakeasy:

Unlike a lot of superhero shows, she doesn’t seem to rely on her superpowers that often.

That’s how I always approach the character. Just a woman and a girl first, with her feet on the ground and with real issues. Her struggle is so personal and so relatable and so grounded. I just focused on that and the superpower thing second. I just felt like it was an extension of who she is – because internally, she’s so strong.

What unique issues are being explored in “Jessica Jones”?

I felt like it was groundbreaking material in how it handles some of the darker stuff that happens to her. We never actually see, literally, [her] history with [villain] Kilgrave. But we see the effects of it. Ultimately, this is a story about coming to terms with something internally with yourself. I also enjoyed that she wasn’t sexualized. She’s never putting on high heels and the tight skirt to seduce somebody like your typical P.I. So there were all these things in there that felt a lot bigger. I felt like it was a great conversation starter. It has the potential to be an iconic character.

The Los Angeles Times spoke with Kristin Ritter and showrunner Melissa Rosenberg, who was also head writer on early seasons of Dexter:

“[For Jessica] the superpowers are just a matter of fact. She doesn’t advertise them, but she doesn’t deny them. She doesn’t hide them,” show runner Melissa Rosenberg explains. “What I love about this character is she’s so unapologetically who she is. She’s unapologetic about her sexuality, about her powers, about her drinking, about just about anything. She is who she is.”

Her sexuality, and drinking, along with other aspects of Jessica Jones, are certainly not hidden. While there is no nudity, this is not a superhero series for children.

I have also been bookmarking material on The Man In The High Castle but will wait until I have hopefully had time to start the series.

An extended promo has been released for this season’s crossover episodes of The Flash and Arrow, starting December  1 (video above).

The season finale of The Flash is part of the crossover event with Arrow and introduces Wally West. There has been speculation this season that when Iris’s mother turned up and there was mention of another child, this would be Wally West. The following synopsis has been released.

“Running to Stand Still” — MARK HAMILL, WENTWORTH MILLER AND LIAM MCINTYRE RETURN; KEIYNAN LONSDALE JOINS THE CAST AS WALLY WEST — When Mark Mardon AKA The Weather Wizard (guest star Liam McIntyre) returns to break Leonard Snart AKA Captain Cold (guest star Wentworth Miller) and James Jesse AKA The Trickster (guest star Mark Hamill) out of Iron Heights, Barry (Grant Gustin) must stop these rogues from taking over Central City during Christmas. Meanwhile, Joe (Jesse L. Martin) and Iris (Candice Patton) meet Wally West (Keiynan Lonsdale). Kevin Tancharoen directed the episode written by Andrew Kreisberg (#209). Original airdate 12/8/2015.

We have already seen the first glimpses of Hawkgirl on The Flash, as the various characters for Legends of Tomorrow have been put place on Arrow and The Flash. Legends of Tomorrow will debut on Thursday, January 21. In addition to bringing back old characters on Arrow in preparation for this, Roy will be returning to Arrow in episode 412.

The above teaser has been released from 11/22/63 from J.J. Abrams, based upon the book by Stephen King. It is to be released on Hulu on Presidents Day, 2016.

Danger Will Robinson: Netflix is planning a reboot of Lost in Space.

CBS has signed a deal with Carter Bays and Craig Thomas to produce another comedy set in New York. Deadline reports that the show, named New York Mythological, “centers on a Midwestern girl who moves to Manhattan and experiences firsthand the magic of New York.” It sound like quite a few other shows done over the years but it is the execution which matters. There have also been a lot of shows about friends in New York City, but few did them as well as Bays and Thomas did with How I Met Your Mother.

SciFi Weekend: Doctor Who; Jessica Jones; Supergirl; Limitless; Star Wars; Blindspot; Childhood’s End

Doctor Who Sleep No More

I don’t want to spend too much time on an episode of Doctor Who which I really did not like very much.  Sleep No More did not have the usual intro sequence to the show but did start with a character giving this warning: “You must not watch this! I’m warning you. You can never unsee it.” Viewers should take his advice and apply it to the episode.

It is hard to say exactly what to make out of an episode where the Doctor says he’s confused and that it doesn’t make sense. Perhaps this was written to lead into future events of the season. We know Jenna Coleman is leaving, and we are told that the Morpheus process has already begun in Clara. I hope that this is not the episode which leads into Clara’s departure, especially if it means she dies. A major character deserves to go out better than this. This could be the worst exit for a character (even if not the final episode for her) since Tasha Yar’s death on Star Trek: The Next Generation.

Mark Gattiss warns that a sequel is planned. He should not be judged primarily on this episode after all the great writing he has done. Fans might be more interested in this interview with Tor, released earlier this week

Doctor Who Extra videos can be seen here. (I have not watched them–I have no further interest in this episode).

Doctor Who Magazine Clara

While the show itself was weak, presumably it inspired the great cover for Doctor Who Magazine. More on the contents of the issue here.

Next week Fear the Raven features the return of Maisie Williams.

The BBC has released the synopsis for the Hell Bent, the final episode of Doctor Who before the Christmas episode:

If you took everything from him, betrayed him, trapped him, and broke both his hearts…how far might the Doctor go?

Returning to Gallifrey, the Doctor faces the Time Lords in a struggle that will take him to the end of time itself. Who is the Hybrid? And what is the Doctor’s confession?

These trailers for Jessica Jones continue to create considerable interest in the show, premiering November 20 on Netflix.

CBS has pulled episodes of Supergirl and NCIS scheduled for Monday following the terrorism in Paris as they deal with terrorist attacks. The episode planned for next week has been moved up.

I09 reports that Georgina Haig of Fringe will have a recurring role on Limitless:

Georgina Haig is set for a recurring role as Piper. Per the producers, Piper was once like Brian, naive and sheltered—then she lost everything. Now, self-trained in many forms of combat, she has a mission to stop the man who took it from her—with Brian as either her ally or her enemy.

This TV spot for Star Wars: The Force Awakens has also been released.

J.J. Abrams has some comments on Luke Skywalker.

NBC has renewed Blindspot for a second season. That is good news, but also means there is no hope for an explanation this year.

The above featurette was released on Syfy’s upcoming adaptation of Arthur C. Clarke’s novel Childhood’s End.

Julian McMahon and Charles Dance, who star in Syfy’s new Childhood’s End talk about what it means to be a part of a utopian society. Childhood’s end looks at a peaceful alien invasion of Earth by the mysterious “Overlords.” The group’s arrival begins decades of apparent utopia under indirect alien rule…but at the cost of human identity and culture.

Vincent Margera has died. TMZ reports:

Vincent Margera — the uncle of Bam Margera who appeared in “Jackass” — has died … TMZ has learned.

Vincent became famous for pranks he pulled off with Bam on the TV show and later the “Jackass” movies as well as “Viva La Bam”.

It’s a double blow for Bam, who lost his best friend and co-star Ryan Dunn, who was killed in a car crash.

Vincent has been struggling with kidney and liver failure for several years. He fell into a coma last month and has been in bad shape ever since.

Bam’s mom tells us, Vincent passed away Sunday at 6:45 AM.

Vincent was 59.  RIP.

SciFi Weekend: Doctor Who; New Star Trek Series; Supergirl; Jessica Jones; Donald Trump & Larry David (as Bernie Sanders) on Saturday Night Live

Doctor Who Zygon Inversion Clara

The Zygon Inversion had a different feel from last week’s episode of Doctor Who, The Zygon Invasion. Both are anti-war stories, but the first built up what appeared to be grave danger for the Doctor and the earth on a worldwide scale. The conclusion was a far more personal story, and eliminated the threats from the previous week rather easily.

The Doctor used the Osgood Box as a means to get both sides to talk, and ultimately think about what they were doing. War was simplified to pushing one of two buttons: “This is a scale model of war. Every war ever fought, right there in front of you.” It was ultimately a trick, with the boxes being empty, but they served their purpose. Apparently this was quite necessary as this was the fifteenth time the Doctor had to use this argument to keep the Zygon peace treaty intact, even if the other occurrences were off screen.

The episode had other moments. The Doctor provided a different answer as to what TARDIS stands for: Totally And Radically Driving In Space. Another top line was “I’m over 2,000 years old. I’m old enough to be your messiah!”

The show also foreshadowed the plans for Jenna Coleman to leave the series. The Doctor refered to the time spent thinking that Clara was dead as the “longest month of my life.”  When Clara contradicted him, saying it was only five minutes, the Doctor responded by saying,“I’ll be the judge of time.”

In recent interviews Steven Moffat said “Clara is gone and will never return,” and “I can only say that what will happen will shock, surprise and terrify. Strictly in that order.” We already saw that when Amy Pond left, Moffat left matters so that she also could not return. I wonder if the manner in which Clara leaves will account for her origin. Clara was splintered in time and looked after each regeneration of the Doctor, and presumably should also be present, even if unseen, in each future Doctor.

River Song is reportedly returning for the Christmas episode this year. I wonder if that is to fill a gap with Clara already gone.

From various interviews and articles posted recently, it also appears that Doctor Who is coming back next year at least for twelve plus the Christmas episode, with Moffat hoping to increase this back to thirteen full episodes. There are also no current plans to skip a year or split the season as some reports have stated.

Star Trek TOS

The big news of the past week has been that CBS is planning on another Star Trek television series to start in January 2017. The catch is that the plans are to show the first episode on CBS and then have the remaining episodes on CBS All Access, a streaming service from CBS which currently costs $5.99 a month. Currently I have the highest cable tier (which obviously includes CBS along with all the premium channels and their streaming services) and have subscribed to Netflix and Amazon Prime for a while. I have added the commercial free version of Hulu, which contains shows from most of the networks. While not very expensive, with the cost not really being an issue, I cannot help but questioning  paying for a streaming service from CBS alone.

CBS is obviously counting on the large number of Star Trek fans to pay for the service. My bet is that most Star Trek fans are tech savvy enough to download the show without paying and will balk at a streaming service which is limited to a single network, which has its other shows available on cable. Realistically I could easily stop my subscriptions to all the premium cable channels I subscribe to, along with the streaming services, and easily download everything I watch. I pay for multiple sources because I believe it is the right thing to do, and sometimes it is even more convenient. While I may or may not subscribe to CBS All Access, my bet is that most people will see this as a rip-off, questioning why CBS doesn’t just use Hulu more like the other networks, and just download the show.

There are many other questions which have not yet been answered. Will the show take place in the Roddenberry universe or the J.J. Abrams universe? When will it take place? We saw that a prequel did not work very well with Enterprise, although it finally figured out how to handle Star Trek in its final season when it was too late. My suggestion would be 20-50 years after Star Trek: The Next Generation. Then, taking into consideration a longer lifespan if necessary, there could be cameos from the old cast.

I also wonder if they will release an entire season at once Netflix style, or have this be a weekly show. A weekly release could result in much more on-line buzz as it is possible to discuss each episode every week. It is harder with a show in which an entire season is released at once as viewers are at all different point. How many episodes will there be a season? The longer seasons of past episodes allowed for a closer look at even the minor characters, along with discussion of ideas, which made the television series much better than the movies.

Supergirl Episode 2

The second episode of Supergirl seemed almost like a new television event considering how long the pilot has been available on line. Overall it was a good episode (one of only three new network shows I’m still watching), but the story was weakened by having to go through the almost obligatory stories of the superhero learning how to use his/her powers. I’m hoping for stronger individual stories when they are not burdened by such matters. Watching this with Arrow and Flash back on also highlights the degree to which they are using a similar format for all three. All have the hero/heroine who is backed up by a team, with various degrees in which the team coordinates or attempts to control their activities. So far Supergirl faces the most severe issue of attempted control from others. Personally I find the government agency the weakest part of the series so far, and would prefer to see Supergirl standing on her own, with her coworkers (along with boss played by Calista Flockhart) being the major part of the story beyond Supergirl.

Meanwhile, on the other DC shows, we are gradually seeing the team being set up for Legends of Tomorrow with evidence that Ray Palmer is still alive and the resurrection of Sara Lance, with the help of Constantine. Arrow has also done an excellent job with the new big-bad, as has The Flash with Earth 2 and the threat from Z00m. The Marvel-based show is also off to a good start this season with Agents of SHIELD having a few interesting subplots started for the season, including the revelation of Lash’s identity. It looks like the rescue of Will from the alien planet might be stretched out for a while longer.

In case anyone is interested, the other two networks shows I’m watching this season are Blindspot and Limitless. Plus there are several shows which have either started or are coming up on streaming video which I plan to watch. I have only caught the first episode of Aziz Ansari’s new show on Netflix, Master of None, and plan to continue. I have heard that the second episode is even better, and that the show continues to improve.

Jessica Jones3

Netflix has released several pictures from Jessica Jones, including the one above. Originally the show was to be called AKA Jessica Jones, and the have kept the AKA in the episode titles. Following is a listing with brief synopsis of the episodes, which might give a better idea of what the series is about.

AKA Ladies Night: Jessica Jones is hired to find a pretty NYU student who’s vanished, but it turns out to be more than a simple missing persons case.

AKA Crush Syndrome: Jessica vows to prove Hope’s innocence, even though it means tracking down a terrifying figure from her own past.

AKA It’s Called Whiskey: It won’t be easy to acquire or deploy. but Jessica thinks she’s found a weapon to use against Kilgrave. Luke and Jessica bond over their similarities.

AKA: 99 Friends: A new case demands attention as Jessica tries to find out who’s spying on her for Kilgrave. Trish’s radio show yields unexpected consequences.

AKA The Sandwich Saved Me: Despite Jessica’s objections, Trish’s new friend Simpson gets involved in the hunt for Kilgrave. Jessica recalls a pivotal moment in her life.

AKA You’re a Winner: Luke hires Jessica to help him find someone who may have skipped town, but she fears he’ll learn too much about her history in the process.

AKA Top Shelf Perverts: Malcom, Simpson and Trish go rogue to prevent Jessica from carrying out an extreme plan to outwit Kilgrave.

AKA WWJD: Jessica experiences a strange homecoming courtesy of Kilgrave. Hograth’s conflict with her estranged wife reaches a tipping point.

AKA Sin Bin: Just when Jessica has Kilgrave right where she want’s him. Hogarth’s involvement complicates the situation. Details of Kilgrave’s past emerge.

AKA 1,000 Cuts: A discovery has the potential to change the entire game — if Jessica can refuse Kilgrave’s offer.

AKA I’ve Got The Blues: Jessica searches morgues for clues. Trish goes all out to keep Simpson from getting in Jessica’s way. Malcom has an epiphany.

AKA Take a Bloody Number: The hunt for Kilgrave reunites Jessica with Luke. Trish receives some unexpected information about Simpson and Jessica.

AKA Smile: Jessica and Luke get help from someone else in the neighborhood. Kilgrave gears up for a major test of powers against Jessica.

I was rather disappointed by Donald Trump’s appearance as guest host on Saturday Night Live, despite the high ratings which Trump brought in, and the reviewers have agreed. I think that the problem is that Donald Trump is already such an absurd a character that it is difficult to make a parody which is any more amusing.

The best exchange with Trump took place with Larry David, based upon the offer from Deport Racism:

You’re a racist!” he yelled, interrupting Trump.

“Who the hell is – oh, I knew this was going to happen,” Trump responded. “Who is that?”

“Trump’s a racist!” David responded.

“I heard if I did that, they’d give me $5,000,” he added.

“As a businessman, I can fully respect that,” Trump said.

Larry David also had the funniest overall moments of the episode, reprising his impersonation of Bernie Sanders at Friday’s Democratic Forum in the cold open–video above. Variety summarized a couple of portions, but watch the full video.

On raising taxes: “We need to rebuild our nation’s infrastructure. It’s crumbling. That’s why I no longer drive on bridges or through tunnels. It’s too risky. Instead, I keep a kayak strapped to the top of my car.”

On campaign finance: “The other candidates, they’re taking millions of dollars from the Koch brothers and Exxon Mobil. But not me. I only accept coins. And not fancy coins. I only just want nickels and pennies, the coins of the middle class. So America, if you believe in Bernie, I need you to go home, open your vacuum, turn it upside down, and send me all the pennies that fall out of it. I’m Bernie Sanders, and I want your vacuum pennies.”

Larry David’s previous impersonation of Bernie Sanders, along with other humorous clips related to Bernie, can be seen here.

SciFi Weekend: Doctor Who; Jessica Jones; Fargo; Extant Canceled & Minority Report Unlikely To Survive; Blindspot; Limitless; Casual; The Flash; Arrow; Continuum

Doctor Who Before-the-Flood-3

The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?

The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time  period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in  the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.

Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”

The early reviews of Jessica Jones have been excellent. The show includes superpowers,  hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on  November 20.

Fargo returns on Monday and sounds quite promising. Reviews herehere, here, here, and here.

Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.

CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.

I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.

AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.

Blindspot

Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.

Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious  background stories.

I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.

When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.

Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.

Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.

Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.

The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.

SciFi Weekend: Hannibal; Mr Robot; Jessica Jones; Patrick Stewart; DC Television Universe; Star Wars Expansion at Disney; The Last Ship; Person of Interest; Homeland

>Hannibal mask

…And The Beast From The Sea continued the portrayal of Red Dragon on Hannibal, and provided the first glimpse of Hannibal Lecter wearing the mask he is famous for in the movies. Hannibal remained in contact with the Tooth Fairy, and even joked about using personal ads or notes on toilet paper to facilitate this in a reference to the novel where this was a more substantial plot point. Hannibal suggested that Dolarhyde  kill Will’s family, leaving viewers uncertain if he would succeed in killing Molly or Walter. Instead a guy just happening to drive by became the victim. Dolarhyde presumably also poisoned the dogs, but fortunately they also survived.
In some ways Hannibal seemed even more evil in this episode, placing Will’s family in risk in this manner. (“They’re not my family, Will”). To Hannibal, perhaps Will is his family, but Molly and Walter are just in the way. Elsewhere in the episode,it was not surprising to see Dolarhyde’s relationship with Reba fall apart, despite how Hannibal characterized the relationship.

Jack and Alana showed again that they do not really understand Hannibal, thinking he would assist them in tracking a call to Dolarhyde. Hannibal played with them, and then tipped off Dolarhyde  with the warning that they were listening. Hannibal had previously given Alana the ominous warning, “I always keep my promises.” Now it was Alana’s turn: “You’re not the only one who keeps their promises, Hannibal.” In response to this latest betrayal. She had all the amenities removed which kept Hannibal so comfortable, “The toilet, too.” As these were removed from the cell, the mask was placed on Hannibal for the safety of those in there.

Mr Robot Darlene

On Mr. Robot, Elliot had a brief meeting with the time-obsessed White Rose, but it was the meetings and surprise interactions between older characters on the show which were of greater interest. There is a major spoiler ahead for those who have not seen this episode yet.

The first big surprise was that Angela and Darlene not only knew each other, but at yoga class both talked about Elliot, showing concern for him. Later there was the meeting between Tyrell Wellick and Mr. Robot, with the two apparently working together, even if not entirely comfortably. This seems to confirm that Mr. Robot is real, but raises major questions, especially for those who think that Mr. Robot and Elliot are the same person.

The biggest scene was when Darlene told Elliot that she loves him, Elliot kissed her, and Darlene recoiled in horror asking, “Did you forget who I am?” Soon it was revealed that Darlene is Elliot’s sister. It was as if Luke had kissed Lea, but is Mr. Robot now Darth Vader?

This led to memories flooding into Elliot’s head. Going meta, Elliot looked at the camera and asked us viewers, “Were you in on this the whole time?” and then“Were you?” Maybe to some degree we are in on it, but we are also quite confused at the moment, also looking for answers.

There was the suggestion that Mr. Robot is Elliot’s father, previously said to be dead. This has been interpreted differently by fans who think that Mr. Robot and Elliot are different manifestations of the same person, and those who think he is a separate and real individual. Mr. Robot showed up at Elliot’s apartment to supposedly explain, so maybe we will learn the answer next week. I wonder if the show will move onto a quite different path as it heads toward its second season.

jessicajones-netflix-509x480

Indiewire reports that Jessica Jones will be a psychological thriller, reporting statements from executive producer Jeph Loeb and showrunner Melissa Rosenberg at the TCA Press Tour. They also discussed a major role for David Tennant:

“When we first sat down and started talking about ‘Daredevil,’ what we said was, for all intents and purposes, it was a crime drama first and a superhero show second,” Loeb told the room. “One of the things we’ve talked a lot about is that ‘Jessica’ is in many ways a psychological thriller first and then a superhero show second.”

…Loeb then went on to say that Tennant’s role in the show would be a key part of what differentiates “Jessica Jones” from other superhero series: “What you get out of ‘Jessica’ is a sort of hold-your-breath tension as to what’s going to happen. When you see the dynamic between Krysten Ritter and David Tennant… that question of ‘What’s going to happen next?’ and ‘What could happen next?’ and how that’s driven by character is something that is so important to not just the scripts but also the way the show is shot, and the way that everyone reacts, and the way those two react with each other.”

Elsewhere in the Marvel universe, Professor X (Patrick Stuart) will have a substantial role in the third Wolverine movie.

white-canary-lazarus-pit

Moving on to DC, next season we will see the return of Sarah Lance on ArrowAusiello discussed how Lance responds to the return of Sarah:

Frankly, it could be the last thing Sara’s family needs! “Thanks to Laurel helping him see the light at the end of last season, Lance is back on the wagon for now, trying to keep on the straight and narrow,” Paul Blackthorne previews. “But that will of course be tested when Sara comes back from the dead. Because I think when your daughter’s coming back from the dead, she may not necessarily come back as quite the same person. Yeah, that’s going to be an issue for the family to deal with!’

Her return will also be in an episode with a cross over from Constantine, who assists with her return to life, which in turn leads into the origins of Legends of Tomorrow.

Despite previous reports to the contrary, CBS is now saying there will not be crossovers between Supergirl and Arrow or The Flash. Reportedly they are in the same universe, so this might be open to reconsideration if the right story is presented.

Disney has always provided synergy between their films, theme parks, and merchandise. Therefore it was no surprise to find that, with Star Wars expected to be a huge blockbuster film this December, there will be a fourteen acre expansion based upon Star Wars at Walt Disney World and Disneyland.

TNT has renewed The Last ship for a third season.

Sarah Shahi is returning to Person of Interest following her maternity leave. She will return early in the season and be present for eight or nine episodes of the upcoming thirteen episode season.

The firth season of Homeland sounds like it might be expanding its story lines, dealing with Edward Snowden, Putin, and ISIS.

Donald Trump told a boy on a helicopter ride in Iowa that he is Batman. That is about as ridiculous as Hillary Clinton claiming to be a liberal.