SciFi Weekend: 12 Monkeys; San Diego Comic Com Top News; Batman v. Superman; Torchwood

12 monkeys season two finale

The second season of 12 Monkeys concluded last week. The series demonstrated a problem with many series which start out with a good story which can be told in a season or two, but the economics of American television demand that they try to find a way to extend the series longer. The initial story line of going back in time to stop the plague would have made a great story if it could have been concluded over one or two years, but it could not be dragged out indefinitely. Continuum had a similar structure with characters who went back in time to change their future, but managed to keep it fresh every season while sticking to the same overall structure.  12 Monkeys instead changed the focus of the series.

While there were good moments, I just could not find the story this season to be as compelling as the first season. The finale did wrap up some of the events of the season, while leaving other matters open. After seeing such division between the main characters over two different strategies, both failed leaiving most of the characters either dead or stranded in the past going into the finale. It took another means of traveling through time to repair the damage, followed by the revelation of the identity of The Witness. It was also fun to see Madeline Stowe, who was in the movie version, have a significant role in the finale.

12 MONKEYS -- "Memory of Tomorrow" Episode 213 -- Pictured: (l-r) Madeleine Stowe as Dr. Kathryn Railly, Aaron Stanford as James Cole -- (Photo by: Steve Wilkie/Syfy)

Show runner Terry  Matalas discussed the finale with Blastr. Here is the start of the interview, which begins with a major spoiler if you anyone intends to watch this in the future:

Let’s start with the elephant in the room: We now know the identity of The Witness, and it’s the child of Cole and Cassie. What can you tell us about the big reveal? 

Matalas: I knew from the outset that this is where our characters were heading – that the reveal of The Witness shouldn’t be just a surprising narrative revelation, but a hugely emotional one. We easily could have put a familiar face behind that mask and the moment might’ve been shocking – maybe even satisfying – but it ultimately would’ve felt like plot. Mind-blowing is fantastic, but it also needed to be heart-breaking; it needed to really challenge Cassie and Cole and pose these massive, emotional questions for Season 3.

How long have you been setting up this Witness reveal, and what hints might we have missed along the way? Was this the plan all along from the start of Season 1?

Matalas: Yes.  In many ways, the biggest hint from the start is that Cassie and Cole are continually left alive. The Army of the 12 Monkeys – Pallid Man, Olivia, The Messengers –they’ve made no secret that these two characters are important in the grander cycle. Time and again, they’ve opted not to kill them – even when the opportunity was painfully clear.

Speaking a bit more thematically, if you look closely at Season One, it’s very much about fatherhood. Season Two is equally about motherhood. Season Three, it stands to reason, will focus on the children.

You obviously can’t give us the play-by-play for Season 3, but what can you tell us about how this reveal will inform the next chapter of the series for Cole and Cassie?

Matalas: If you knew that your child was destined to become the Destroyer of Worlds – that the gentle, loving child in your arms would one day murder billions – what would you really do? Or not do? The “Kill Hitler” scenario becomes much more complicated when you’re Hitler’s mom or dad. So a major part of Season Three for Cassie and Cole is that central question, the weight and responsibility of it all.

But Season 3 will also be a “Sympathy for the Devil” tale. What if you met The Witness, heard his story and actually understood why he’s done what he’s done? Maybe even agreed with it?

12Monkeys_gallery_212Recap_16

More questions are answered in the full interview, and in an interview with Entertainment Weekly. Plus Entertainment Weekly also  interviewed Amanda Schull:

ENTERTAINMENT WEEKLY: How did you feel when you found out that Cassie was not only pregnant, but their child was the Witness?
AMANDA SCHULL: [Executive producer Terry Matalas] told me fairly early on. I hadn’t had all of the moments with the Witness — understanding the gravity of how upset and just how violated she feels by the Witness — so it didn’t have the gravitas when he told me initially. Then, as we progressed throughout the season, every single interaction with the Witness, realizing how much she despises and how much it makes her despise herself for what she’s done and everything about it, that’s what is upsetting. It’s much more impactful knowing later on after having been able to reenact those scenarios from the page.

Then [with] the pregnancy [reveal], I don’t have a child, I’ve never been pregnant and I really loved being able to have the moment. We don’t say it, it’s all done through looks. I really liked the challenge. I really like having that interaction with Aaron. I work really comfortably with Aaron. I really enjoy everything that we get to do together. We shot those moments the final week of season 2, and it was just us in this tiny little set and we kind of had a skeleton crew. It was really special and I think they chose an even less emotional take of mine, because we did his coverage first and I just kept crying every time he opened the card. I’ve never told anybody that I’m pregnant, so I’ve never had that opportunity to tell somebody that. And his reaction, just everything that they’ve gone through up until that point really moved me.

What do you think that internal struggle will be like for Cassie between wanting to protect her child and considering other possibilities?
My initial reaction to that when we were talking about it was very un-[politically correct]. It was basically, “Get it out of me at any cost.” But then in thinking about that, it becomes a question of nature versus nurture: Is there a possibility that she could change it? She could rewrite history if she were able to undo this. If she’s never going to see Cole again, is she going to hang on to the very last bits of his DNA that she has and try to salvage the upbringing of this child in a way that isn’t destructive to all human kind? It is really a fascinating battle and I think will largely have to do with the certain circumstances in which she is being kept in the future with the Army.

We know that Cole is headed toward the future to try and save Cassie. With the concept of nature versus nurture in mind, do you think her choices about the Witness might put her at odds with Cole?
I think it will be really interesting and I think that it could perhaps put them at odds, but the fact is they seem to end up coming around to the same page. Of anyone’s partnership on this show, they seem to have the understanding of one another for whatever reason. They were sort of meant for each other. I think they would have an understanding. They might be at odds at first, but I have no idea how Terry and his evil genius brain wants to play that out.

There was a tremendous amount of news out of San Diego Comic Con over the past weekend. The above trailer both gives a better idea of how Flashpoint will be handled on The Flash and confirms earlier reports that Wally West will be seen as Kid Flash.

In other DC news, despite her character getting killed on Arrow, Katie Cassidy has become the latest to be made a regular across the entire line of DC shows on the CW Network.

Also on CW, there was news on the upcoming season of The 100:

“The Earth strikes back in season four—it is an unbeatable foe,” creator Jason Rothenberg teased regarding next season. “It quickly becomes about not how to stop it, because stopping it is not possible, but about: How do we survive? There aren’t enough lifeboats, so who gets to choose who lives?”

With total nuclear destruction on the way, getting her people to safety is something Clarke (Eliza Taylor) will have to deal with. In the exclusive clip shown off during the panel, we hear Clarke’s ominous narration: “Our enemy isn’t something that can be fought. It can’t be reasoned with. It can’t be killed. When all is lost, can hope survive? can we survive? After everything we’ve done, do we deserve to?”

After losing major characters like Lexa, Lincoln, and Pike last season, facing the impending apocalypse will be difficult for everyone. Octavia, for instance, will be traveling down a much darker road, channeling her inner assassin. She explained, “Octavia will take a really dark turn. She’s going to do what she does best, which is killing people. She really found her home within herself in becoming a warrior, and that’s thanks to Lincoln and Indra.”

More was seen of the future of DC’s cinematic universe with the above trailers for Wonder Woman and Justice League.

Batman v. Superman: Dawn of Justice came out on Blu-ray and DVD last week, also making this a good time for the above video of Easter Eggs in the movie.

An Honest Trailer was also released for Comic Con.

In other news, it has been confirmed that Daredevil will be back for a third season. While it was a complete story, a lot of personal matters for the characters were left hanging at the end of the second season.

Star Trek Beyond came out Friday and there was news at Comic Con on the upcoming television series. While the movie still had some of the flaws seen since revived by J.J. Abrams, it did feel the most like true Star Trek. I discuss both the movie and what we know about the television show together, and will hold off until next week to give more people a chance to see the movie.

Benedict Cumberbatch of Sherlock is involved in yet another franchise. A trailer for Doctor Strange is above.

In other potential big news in the Doctor Who universe, John Barrowman said he is working hard to bring Torchwood back, and he has a big telephone call related to this scheduled for Monday. Hopefully we will have some real news afterwards.

SciFi Weekend: Arrow; The Flash; Doctor Who; The Fall; More Genre Novels Receiving TV Adapatations; Ascension; Community; Mrs. Wolowitz Dies; Porn Stars Explain Net Neutrality; Bill Cosby Rape Allegations

Arrow Black Canary Katie Cassidy

By now  most fans must have figured out that Katie Cassidy’s character is training to replace her sister Sara as the Black Canary, so there is no point in keeping this a secret. Publicity pictures have been released of Cassidy as the Black Canary. Marc Guggenheim has answered questions about when we will find out who killed Sara and has shot down another fan theory in a recent interview. The mystery over Sara’s killer won’t be dragged out over the entire season, but he is not telling exactly when we will find out.

The CW Network has released the synopsis of the cross over episodes of The Flash and Arrow, which will air on December 2 and 3.

Part 1: “Flash vs. Arrow”

“Barry is thrilled when Oliver, Felicity and Diggle come to Central City to investigate a case involving a deadly boomerang. Excited about teaming up with his friend, Barry asks Oliver if he’d like to help him stop Ray Bivolo (guest star Patrick Sabongui), the meta-human Barry is currently tracking. Bivolo causes people to lose control of their emotions and has been using that skill to rob banks. Unfortunately, the superhero partnership doesn’t go as smoothly as Barry expected. When Oliver tells Barry he still has a lot to learn, Barry sets out to prove him wrong by attempting to stop Bivolo alone. However, when Bivolo infects Barry and sets him on a rage rampage, everyone is in danger, and the only one who can stop him is the Arrow. Meanwhile, Iris is furious when Eddie tries to get a task force to stop The Flash, Joe and Dr. Wells agree the Arrow is a bad influence on Barry, and Caitlin and Cisco deal with a new team in S.T.A.R. Labs.”

Part 2: “The Brave and The Bold”

“Oliver, Arsenal and Diggle track down the location of a boomerang-wielding killer named Digger Harkness (guest star Nick Tarabay) but are surprised when they come face to face with an A.R.G.U.S. team. Diggle asks Lyla why A.R.G.U.S. is involved but she defers until Harkness attacks the building, killing several agents and targeting Lyla. The Arrow joins the fight and gets help from an old friend – The Flash. Harkness manages to get away and Oliver teams up with Barry again to find him before he can get to Lyla. When Harkness plants five bombs in the city that are timed to explode at the same time, both teams must come together to save the city.”

The above clip from this year’s upcoming Doctor Who Christmas special was played at Friday’s Children in Need special. Jenna Coleman is shown appearing again as Clara, and we do not know if this means whether Clara is continuing with the show next season or exiting the series as previously rumored.

Steven Moffat has discussed the past season of Doctor Who. With it uncertain as to whether there will be a new companion coming, there has been a lot of attention paid to his discussion of “changing it up with the companion.”

We actually have changed it up quite a lot, look how different those girls have been. Wait and see.

What we have is probably the most enduring form of the show and I think will always tend back to it for whatever reason, but there’s no reason you couldn’t tend away from it and there’s no diktat or special rule book left by Verity Lambert or something.

We absolutely could vary it. The times they’ve varied it, it makes them work hard – you can see them struggling with Leela. She was a great character but they had to civilize her fast because it was getting hard to fit her into stories – but it’s not a hard and fast rule at all.

Some of the bloggers at The Mary Sue disagree that they have changed it up all that much. Comments included, ” I know! Amy’s hair was red, and Clara’s was dark brown! So different“followed by, “And they were played by different women and it wasn’t the same actress in a wig so, right there.” Other comments included, ““And one wasn’t in love with the Doctor” followed by “Yes. One of them only flirted with the doctor. The others flirted and had feelings!” Maybe we’ll see “something really, really different” such as “curly hair.” On the other hand, the current formula works, so why be concerned about changing anything up?

The past season has received mixed reviews from fans, with more criticism of the plot holes in Moffat stories. What Culture has compiled a list of their top “face palm” moments in Doctor Who. While some fans are swearing that Moffat is destroying the show, to be fair to Moffat there were plenty of plot holes in stories before he took over. Examples can be found here, here, and here. Similarly, plot holes can be found during any typical evening of watching television. The nature of the show increases the risk of some plot holes on a show such as Doctor Who, but I also think the number is increased because Moffat often throws far too many clever ideas into some episodes, as he did in Death in Heaven. I feel he did a better job on episodes such as Blink in which he devoted the episode to just one clever idea and fully developed the story around it.

Michelle Gomez is hinting she will return to Doctor Who next season. She did too good a job as Missy to not consider using her again.

The Fall has started its second season, receiving excellent reviews, and Gillian Anderson hints there might be a third season. Netflix, which has the first season of this British series, will release all six episodes of the second season on January 16. The trailer is above.

There seems to be quite a few genre novels being turned into television series. Jonathan Nolan, creator of Person if Interest, is doing an adaptation of Isaac Asimov’s Foundation series for HBO. I could see this working as either adaptations of the books or as stories set in the universe Asimov created. Amazon has announced their planned pilots for 2015 and the list includes a series based upon The Man in the High Castle by Philip K. Dick. The alternative history creates a world twenty years after World War II in which the allies have lost. This could be another example of a series which might work by either adapting the novel or writing original stories in the universe created by the novel.

Ascension, a three night mini-series starting on Syfy on December 15 sounds like it could be awesome. Trailer above. From what I’ve read at various sources, the premise is that during the Kennedy years there were fears that humanity would not survive so an interstellar life boat was sent into space with a wide variety of people. The series takes place in the present, but the culture has not changed from the 1960’s, sort of giving us Mad Men in space. The mini-series reportedly deals with problems ranging from a murder to reaching the point of no return and having to decide whether to go on or to return to earth. Cast includes Tricia Helfer of Battlestar Galactica as the scheming wife of the Captain.

Paget Brewster

Community finally starts production next week and will be adding two new cast members following the loss of some regulars over the years. The new members of the cast will be Paget Brewster (above) and Keith David.

Carol Ann Susi, who provided the voice of Mrs. Wolowitz on The Big Bang Theory, died last Tuesday. No word yet as to how this will be handled on the show.

Glen A. Larson, creator of the original Battlestar Galactica, Buck Rogers in the 25th Century,  Magnum P.I., and multiple other shows has died.

Karen Gillan’s new series Selfie has apparently not received enough “likes” and has been canceled by ABC. CBS has canceled The Millers, which means that Margo Martindale might now have more time to reprise her role as Claudia on The Americans.

If you heard the rumors last week about Spider-Man’s Aunt May getting her own movie, they aren’t true. The biggest problem with the rumored concept was that the movie was going to take place when she was younger. If the concept had any chance of succeeding, they’d be better sticking with Sally Field, who just  might be able to pull it off.


Funny or Die used porn stars to explain net neutrality in the video above. Consumerist summarizes:

…three adult actresses — Alex Chance, Mercedes Carrera, and Nadia Styles — explain what it would mean if the FCC passes compromised neutrality rules.

“Without net neutrality, Internet service providers could create special fast lanes for content providers willing to pay more,” says Carrera.

Adds Chance, “That means slow streaming, slow social networking, and yes, slow porn.”

Ms. Styles slam neutrality critic, Sen. Ted Cruz from Texas, saying he “doesn’t want me to get naked for you.”

She also points out that the anti-neutrality drive is being led by wealthy older men and says that doesn’t make any sense since, “Old rich guys watch the weirdest porn.”

Ms. Chance compares the current, neutral state of the Internet to “a giant sex party where everyone gets to have sex with anyone they want,” but Ms. Carrera contends that, “Without net neutrality, that sex party is only for rich people.”

 Bill Cosby’s attorney has issued a statement regarding the recent rape allegations:

Over the last several weeks, decade-old, discredited allegations against Mr. Cosby have resurfaced. The fact that they are being repeated does not make them true. Mr. Cosby does not intend to dignify these allegations with any comment. He would like to thank all his fans for the outpouring of support and assure them that, at age 77, he is doing his best work. There will be no further statement from Mr. Cosby or any of his representatives.

Response from The Washington Monthly:

As I’ve previously noted, I certainly hope the allegations—some of which date back years—against Cosby turn out to be false; if true, every bigot who thinks African-American men, regardless of accomplishments, are sex fiends at heart will say, “See! I told you so!” However, as Boston Globe columnist Renee Graham notes, Cosby’s credibility appears to be compromised:

“Cosby settled a lawsuit in 2006 filed by a woman who claimed the comedian drugged and raped her in 2004, and he has never been charged with any crime connected to the allegations. Yet from comedian Hannibal Buress, who straight up called him “a rapist,” to countless slings and arrows on Twitter, there’s a sense that Cosby won’t emerge from this mess unscathed…

“Howard Bragman, a longtime celebrity public relations consultant, insisted on CNN that Cosby has “got to be willing to go on the air and go on the record, and say ‘These charges are not true, this is nothing I would do.’ ” So far, Cosby has done no such thing, perhaps already realizing his reputation is a lost cause.”

Cosby’s attorney says his client’s lips will remain sealed. We’ll see about that. Meanwhile, I don’t quite get why Rush Limbaugh is leaping to Cosby’s defense; does he think Cosby is a Republican? (By the way, remember when the right went after Cosby’s wife Camille in 1998 after she claimed that American racism played a role in the 1997 murder of their son Ennis?)

Again, I hope these allegations against Cosby turn out not to be true. However, if these allegations are meritorious, I think the lesson to be learned is: stop making celebrities out to be heroes.

SciFi Weekend: Doctor Who, Hugo and Emmy Awards; Tony Soprano’s Fate; Next Season on Arrow and Fargo; Finales of Falling Skies, True Blood, Defiance, and The Last Ship; Karen Gillan’s Hair; Rebooting Fox Genre Shows; Libby Masters vs. Betty Draper; American Gods; Jennifer Lawrence, and much more

Doctor-Who--Into-the-Dalek

Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one  point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.

While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.

Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.

There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:

Best Dramatic Presentation, Short Form

  • Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
  • Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
  • Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  • An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
  • The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
  • Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)

Gravity won for long form among these nominees:

Best Dramatic Presentation, Long Form

  • Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  • Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)

The full list of nominees can be found here, with the winners listed here.

While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:

Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.

In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.

Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.

“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”

Moffat spoke of the surge of Emmy recognition the show has received in its third year.

“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”

He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”

Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”

sopranos2

I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.

I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.

Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:

A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”

“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”

The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”

“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”

This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.

The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.

Fargo season two will concentrate on strong women characters.

Falling Skies showrunner David Eick answered questions on the season four finale.

The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.

The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.

I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.

Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.

Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)

Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).

What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.

The video above provides a synopsis of last season of Person of Interest.

I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.

Scribbler includes several genre actresses including Katie Cassidy of Arrow. Trailer above (NSFW–contains nudity)

…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.

The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?

Speaking of nudity by genre actresses, there has been more interest this week in the nude picture I posted of Jennifer Lawrence last year. That was a picture of her in her role as Mystique which was used as a publicity photo, and distribution of that is far different from hacking her phone or iCloud account, among with pictures of several other actresses, to obtain nude pictures which were privately stored with expectations that they remain private. As Jennifer Lawrence’s spokesperson said, “This is a flagrant violation of privacy.”

Bryan Fuller has ambitious plans for his adaptation of Neil Gaiman’s American Gods.

Syfy has not renewed the Wil Wheaton Project. No big loss.

Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.

Atlas Shrugged by Ayn Rand provides a model for how the world should be for many libertarians. Wendy McElroy, who has strong libertarian credentials, found that the real world attempt at making Galt’s Gulch hasn’t worked out very well.

SciFi Weekend: Arrow; The Flash; Agents of SHIELD; Gotham; Doctor Who; Hannibal; Daredevil; True Blood; The Leftovers; The Last Ship; 24; Penny Dreadful

Arrow Oliver Felicity

TV Guide interviewed Andrew Kreisberg about the third season of Arrow:

Can Arrow‘s consummate hero have it all?

The third season of The CW series will dare to answer that question when Oliver Queen (Stephen Amell) attempts to have his cake and eat it too — in this case, that means being a superhero that the residents of Starling City actually respect while also trying to have a personal life. It’s harder than it sounds — something that Ollie will learn fairly quickly into the season.

But Oliver’s love life won’t be the only thing that’s complicated this season, especially since two of his ladies will actually be getting love interests of their own! TVGuide.com tracked down executive producer Andrew Kreisberg to get the scoop on the new season, including a surprising return from the dead, the future for Team Arrow and new villains ahead:

Will there be a time jump when the show returns?
Andrew Kreisberg: 
We’re going to jump the same amount of time that we did last year. It’ll be real time. It’ll be seven or eight months later. For Oliver, things are good. As we like to say, everything is coming up Arrow. Crime is down. At the end of last year, there was victory. A lot of this season is about what happens when you win and how winning isn’t always as easy as it looks.

What does it mean for Oliver now that the city actually accepts him?
Kreisberg: 
In the premiere, Lance (Paul Blackthorne) actually disbands the anti-vigilante task force in his new role as Captain. The Arrow is free to do his thing and it’s different for Oliver. He spent the first two years being hunted and distrusted. Now, he’s starting to feel like he has this under control. And then, of course, as Joss Whedon taught us all, you let your characters have a moment of happiness and then you take it all away from them.

You seemed to be setting the stage for Ra’s al Ghul to be the villain in Season 3. Is he actually the villain? Can you say anything about the new villain?
Kreisberg: 
It’s big. I can say that he’s big and he’s bad. We’re still figuring that stuff out. As far as the Big Bad, there will be Big Bad. Even last year, everybody was a subset of Slade’s (Manu Bennett). Slade was the Big Bad. We will meet other villains along the way, as always. We’ll have recurring villains and new villains we’re starting with this year and people who are coming back from the previous two seasons.

Felicity (Emily Bett Rickards) and Oliver are going on a date in the season premiere. How do you avoid the TV trope that a hero can’t be with the woman he loves just because of his duty?
Kreisberg: 
When you see the premiere and you see how things shake out, you’ll come to a very sympathetic understanding of both of their positions. The premiere last year was a microcosm of what was happening for the whole year. In the same way that the premiere of last season was really about Oliver struggling with whether or not he should be the Arrow, in this season premiere it’s, “Can I have everything I want?” That quest is going to take up his entire year, and hers.

How much of a foil will Ray Palmer (Brandon Routh), Felicity’s new rumored love interest and head of Queen Consolidated, be to Oliver?
Kreisberg: 
A big foil. It’s Season 3, and Season 3 is typically when you add that game-changing character like Buffy did in adding Faith or Everwood did with adding Scott Wolf. First of all, getting Brandon — he couldn’t be nicer, he couldn’t be sweeter. It’s just such a different energy that he’s bringing to the show. A lot of what’s funny about Felicity and Oliver is that he’s so straight and she’s the funny one. With Brandon, you get somebody who’s as tall, square-jawed and handsome as he is [and] he’s a really funny comedian. He and Felicity can have that verbal repartee that we haven’t typically had on the show. As much as the show is getting darker, it’s gotten a lot funnier. It’s just such a different energy. He and Felicity are really cute together.

The second season ended with the Black Canary giving her black jacket to her sister Laurel. This fed speculation that Laurel will become the Black Canary as in the comics. Kreisberg has a good point that she is not ready for this  yet: “As always with all of these things, you can’t just put on a mask and go running around. You’ll get killed. Laurel is still just an attorney. She’s an attorney with a jacket. I think Katie Cassidy fans are going to be very, very excited about her trajectory this year. Laurel is going to have a new love interest this season.” Caity Lotz will be returning for three episodes next season. One of the many good things about Arrow is that there is now a huge supporting cast, and even more characters are to be introduced. This allows them to have a variety of characters for parts of a season as opposed to having exactly the same characters from week to week. There will also be a cross over with The Flash next season in the eighth episode of each show, and Felicity will appear in the fourth episode of The Flash.

There has been contradictory information as to whether The Flash and/or Arrow will cross over with the DC cinematic universe in the manner in which Agents of SHIELD does with Marvel. The latest story is that DC Entertainment Chief Creative Officer Geoff Johns says the television shows and movies will be kept separate. Presumably this will mean that the Flash seen in the Justice League of America movie would be a different character than on the television show. While it would be entertaining to have the television and movie universes combined, there are advantages of keeping them separate. This allows for greater flexibility with the television shows not being confined by the movie universe, avoiding the problems faced by SHIELD most of its first season.

BRETT DALTON

Agents of SHIELD executive producers Jeffrey Bell, Jed Whedon, and Maurissa Tancharoen were interviewed about plans for the second season, now that the show is no longer constrained by waiting for Captain America: The Winter Soldier to reveal HYDRA’s infiltration of SHIELD.

Will there be consequences for Grant Ward for all that he had done last year?

“I would assume so,” Maurissa Tancharoen said. “Let’s put it this way: They’re not gonna just drop him on a farm and let him run wild.” Jed Whedon added. “When last we left him, he was in our custody. What does that mean? You’ll have to see,” Maurissa teased.

What are you specifically excited about for Season 2?

“I think the fact that when we left them, S.H.I.E.L.D. had completely crumbled… so just the idea of Coulson and our team, sort of left with nothing, or limited resources… I think we’ll be rooting for them to rebuild S.H.I.E.L.D.,” Tancharoen said.

“It’s a lot harder to protect the world when you don’t have any resources. Last year we saw how giant and all-consuming S.H.I.E.L.D.’s reach was, and they don’t have that anymore, so it’s much more of a struggle. They’re much more the underdog this year, which we’re really excited about that, and the tone that it sets, and what it does to our characters.” Whedon added.

This “ragtag team” has Maria Hill as a contact and she’s working for Tony Stark. Couldn’t she talk to him to hook them up with some money?

“We hope so! That’d be so cool!” Whedon responded. “Maybe so,” Tancharoen said. “That’s a good question.”

“Tony Stark doesn’t know Coulson’s alive, so it might be really awkward. It’d be weird,” Jeffrey Bell chimed in. “They could set up a Coulson Memorial Fund and channel that into S.H.I.E.L.D.,” he joked.

So with Phil Coulson now being the head of S.H.I.E.L.D., the Avengers still don’t know he’s alive?

“That’s a complicated question. One might assume, but you can’t assume anything, and they have their own movie that exists…” Whedon said, with his brother, of course, directing Avengers 2: Age of Ultron to come out next year.

“At least on screen so far, that hasn’t happened,” Bell said.

Will we be seeing Fitz (Iain de Caestecker) sooner rather than later?

“That’s a good question. When last we left him, we didn’t know exactly what happened to him. We just know he’s alive,” Tancharoen teased.

Gotham

TV Guide has more information on Gotham:

There will be no cape. There will be no cowl. Nevertheless, Fox’s Gotham intends to stay true to the Batman comics that fans have come to know and love over more than seven decades.

Based on DC Comics characters, Gotham explores the origin stories of the Caped Crusader’s eventual ally James Gordon (Benjamin McKenzie), a detective with the Gotham City Police Department, and his battle with the villains who made the city famous.

“What we won’t do is break the canonical iron truths of the mythology,” executive producer Bruno Heller told reporters at the Television Critics Association’s fall previews on Sunday. “It’s not a whole new mythology. But issues of chronology, we will play with in a fun way.”

Instead of Bruce Wayne (David Mazouz) taking center stage in the effort to save Gotham, James Gordon will be the central focus as he fights the ever rampant corruption and crime alongside his partner and mentor Det. Harvey Bullock (Donal Logue). “Gordon is the lynchpin of the show,” Heller explains. “He’s the guy who creates Batman or gives permission for Batman to exist in this world. Gordon will still remain at the central, but it’s very much about [the origin stories of every character], but Gordon is the moral center that you can identify with.”

Though Heller said that Batman won’t appear on the series, he doesn’t believe that will drive the fanboys away. “I don’t think so because the really interesting parts of the stories is the origin stories,” Heller says. “As soon as you’re into the capes and the costumes, it’s less interesting than how the people got there.

“If there is a superhero in this show, it’s Gotham,” he continues. “That’s a larger than life character that’s a central part of the show. To me, heroes are more interesting than superheroes because precisely the difference is superheroes do the impossible, and drama is really about the physically possible. This is about people and people trying to overcome real problems as opposed to trying to learn how to fly.”

But where do Gothamites find hope when the city’s villains of are running free with nary a hero (or the hope of one) to stop them? After all, Bruce Wayne hasn’t even started shaving yet! “That’s the situation that the show is all about,” Heller says. “How do you deal with crime of this level when there are no superheroes? It’s as much about the hope and the struggle that they’re engaged in… It’s about men and women, not about superheroes.”

And those men and women truly will be overrun. Though the first season delves into the rise of the Penguin (Robin Lord Taylor), the series pilot introduces a fair amount of villains for the show to play with, including Catwoman (Camren Bicondova), The Riddler (Cory Michael Smith), Poison Ivy (Clare Foley) and Fish Mooney (Jada Pinkett Smith). “You have to front-load the pilot with the best that you’ve got because that’s the way that you’ve got to open big,” Heller says of introducing so many villains. “As the show rolls on, we’ll be far more … careful with how we roll out the villains and in what way.”

Trailers for the upcoming season of Doctor Who above (one official and one from a fan).

With Laurence Fishburne having a roll on a new show next season, Black-ish, there has been speculation that this might mean that he did not survive the massacre in the second season finale of Hannibal. Fishburne says he is returning, and will do both shows part time. He also says the third season of Hannibal will be very dark–as if the first two seasons were so light and cheerful.

Looking back quickly on some genre shows of the past week, I was happy to see True Blood end some of its weak plot lines and get rid of some of the superfluous characters. This almost gives them yet another fresh start going into the final episodes of the series, and I hope they take advantage of this to end with a better story line.

The_Leftovers_65223

The Leftovers dealt with Christopher Eccleston’s character. As we know that it will not deal with any sort of explanation of what  happened to the missing people, to be successful the show will need to get viewers interested in the characters and how they responded to the other people disappearing. So far they have not done the greatest job of introducing the characters and adequately explaining their motivations. Earlier episodes dealt heavily with the police chief and his family, but it is not clear why his family is so affected considering that nobody in their family disappeared. Entertainment Weekly compared The Leftovers to Battlestar Galactica in the way in which both shows dealt with a loss of a portion of the population. Both the disaster and the manner in which the response were handled was greater on BSG.

While The Leftovers does have that in common with Battlestar Galactica, The Last Ship has far more in common in dealing with a ship of people surviving after mass deaths. It remains more of an action/adventure show than hard science fiction, but remains entertaining summer television.

Under the Dome remains weak (to put it gently), yet somehow remains interesting to watch. The same problems persist with the Dome having powers with no apparent limits but no clear motivations for those using the power. Now it was able to bring a girl who died years ago back to life. Plus Junior’s mother was also confirmed to be alive after her reported suicide.

24: Live Another Day concluded its short season. A shorter season was a plus, but it would have been even better if it ended a few episodes earlier when the main terrorist plot was tied up. In the past, full seasons suffered from the need to move from one plot line to another to keep things going for an entire twenty-four episodes. Now that they were freed from those constraints it would have better to tell one single story well, regardless of how many episodes it took. Then they had to tag on yet another quick story at the end to put Chloe in danger to set up Jack’s fate. The producers of 24 have not yet said whether the show will return. I’m sure that depends upon a lot upon the ratings.

Extant remained interesting in its second episode. I still fear it will turn out to be a network television rehash of old science fiction (and Spielberg)  troupes but I’m willing to give it a chance to prove me wrong.

Penny Dreadful Eva Green

Penny Dreadful ended earlier this month and I should note that after seeing the entire first season that it was well worth watching. The plot was not the strong point but it did excel in creating its characters and a world where fictional characters including Dr. Frankenstein, Dorian Gray, and others interacted. The show had a strong cast including Timothy Dalton, Josh Hartnett, and Billy Piper, but by far the strongest was Eva Green. The actual story such as fights with vampires weren’t terrible significant except as ways to introduce the characters and set up future events. Early episodes showed some violent deaths and, while there were some clues, the probable identity of the killer wasn’t revealed until the finale, undoubtedly influencing the second season. The show also made good use of episodic television, both having continuing stories and using some episodes to reveal character back stories or past events.

James Gardner, star of shows including The Rockford Files and Maverick, died yesterday at 86. Reports from Variety and The New York Times.

SciFi Weekend: Hannibal; Sleepy Hollow; Arrow; SHIELD; DC Movie Plans; The Americans; The Blacklist; Scarlett Johansson Gets Superpowers; Groundhog Day;Death of the Rani; How I Met Your Mother Finale

Hannibal Murkozuke

This week’s episode of Hannibal, Mukozuke, had Jack Crawford viewing Beverly’s sliced body. Bryan Fuller described Hannibal breaking her down as being like how Beverly would break down a crime scene. Her murder had major effects on several characters, especially Will Graham who was driven to have Hannibal killed in revenge. He found a clever way to attempt this despite being incarcerated, finding his admirer who killed the bailiff (in an attempt to provide evidence that Will was not the Chesapeake Ripper) using Freddy Lounds.

This was a dangerous move on Will’s part as it could reinforce the idea held by others that Will is the murderer and Hannibal has been the victim of his slurs. I suspect that Will’s vision of dripping blood might represent realization that he was wrong to attempt murder. At least he was unsuccessful and does not actually have blood on his hands. Will didn’t even bother to tell others this week that Hannibal killed Grace, even when viewing her body in the restraints we were more accustomed to seeing Hannibal wearing in Silence of the Lambs,  presumably preferring that they figure it out for themselves. The preview from next week’s episode does suggest that Jack is starting to investigate Hannibal, and we saw in the season premiere how that will turn out.

I wonder if Hannibal will actually have more respect for Will for taking this action, and if he will take pride in being successful in driving Will to attempt murder (even if it had to be by proxy).

I was fearful that having Will in the asylum all season would limit his role, but episodes such as this show how he can remain fully part of the show. Having Abel Gideon as his asylum mate now presents yet another way for Jack to have significant dialog beyond being limited to FBI visitors.

There have been accusations of racism and sexism raised against Bryan Fuller due to the manner in which Beverly Katz was treated as an expendable character. Hetteinne Park, who played Beverly, defended Fuller here.

Sleepy Hollow Cast

News on the second season of Sleepy Hollow from PaleyFest can be found here. Among the news, it sounds like one of the cliff hangers at the end of the first season will not  be settled quickly:

There’s a New Sheriff in Town: Literally Orci teases, “There’s a new sheriff in town. Obviously, Irving has been discredited and now he’s been taken Upstate, so the Sleepy Hollow Police Department still has to be run by somebody and that person may not be as open as Irving was by the end of the season with Abbie and Crane. So somebody may be making their life very difficult.”

Orlando Jones is definitely not down with the new Sheriff, even making his own t-shirt, which said, “Free Frank Irving.” (Yes, he’s the best.)

There will also be fifteen or more episodes next season.

Arrow Birds of Prey

Jessica de Gouw returned as Helena Bertinelli/The Huntress on Arrow, tying up the storyline of the relationship between Helena and her father, leaving the character free to move in other directions. Caity Lotz was a second Bird of Prey as the Black Canary.

It appears that Laurel’s drug use has affected the powers of observation in Katie Cassidy’s character. Despite the two speaking while sitting as closely together as in the picture above, Laurel did not recognize that Black Canary is her sister Sara. It is a theme taken from the comics to have a tiny mask be enough to hide a superhero’s identity, but this was hard to believe in this scene. I also wonder if having the two meet is a first step towards Laurel ultimately becoming the Black Canary as in the comics, or if this something which the comics and television show will always differ on.

The episode also ended with quite a cliff hanger. More here, including why they killed off Helena’s father:

On why they killed Helena’s father:
Guggenheim: We definitely went into this with, “We’ve got to wrap up the whole Helena and her father storyline.” The one thing we were agreed upon in the writer’s room from the get-go was that Frank could not survive the episode. We had to end that story and close that chapter of Helena’s life so we could start a new chapter for her. … We definitely have an idea for a season 3 episode with the Huntress.

De Gouw: I think how this episode ends just puts her into a completely different headspace…and I think it’s opened up a whole new set of possibilities for her because she was so set on one path and now that it has been realized that that’s not what she wanted, it just frees her up for an entirely different life.

On whether The Huntress is redeemable:
De Gouw: I think most people are. And I think the place she’s at at the end of this episode, she’s certainly in a place where she can be redeemed…I think that it will be very interesting to explore her fighting for good or for very different reasons. But I think [she] definitely [is].

Amy Acker SHIELD The Cellist

The addition of Amy Acker as a regular has greatly strengthened Person of Interest, including on this week’s episode. Hopefully her presence, even if more limited, can also help Agents of S.H.I.E.L.D. improve. Acker has been cast as Agent Coulson’s former cellist girlfriend, Audrey.

DC might have the best superhero television series on the air, but is far behind Marvel in big screen success. The New York Times interviewed Warner CEO Kevin Tsujihara, who wants to be more aggressive in taking on Marvel:

The studio has been painfully slow to establish a slate of films based on DC Comics characters like Wonder Woman and the Flash, watching as Disney’s Marvel Entertainment churns out one superhero hit after another…

As for DC Entertainment, cross-studio collaboration to make better use of its comic book characters appears to have accelerated considerably since Mr. Tsujihara took over, in part because he eliminated some management layers. (He has not named a chief operating officer and did not replace Mr. Rosenblum and Mr. Robinov, choosing instead to divide up their duties and assume some himself.) Two new television shows are coming to the CW and Fox, including one based on the Flash and another on a young Batman, and a film series will be announced in the near future, Mr. Tsujihara said. It is expected to include a “Justice League” movie.

Underscoring his aggressive approach to the DC Comics universe, Mr. Tsujihara and Dan Fellman, Warner’s domestic film distribution chief, recently moved the studio’s untitled Batman-Superman movie — a hotly anticipated follow-up to last year’s “Man of Steel” — to a release date in May 2016 previously claimed by Marvel for one of its own films. It created an industry dust-up, and Marvel retaliated with a date change of its own. But the move sent a blunt message: Warner takes a back seat to no one.

the-americans-2-05-j-and-m

In other notable television moments of the week, Philip seemed really evil on The Americans when he sent the poor physicist home while Elizabeth did a great job smoothing over things with Martha. I do think that Phillip and the Mossad agent did have mutual respect for each other as each did what they knew they would do if in the position of the other.

On The Blacklist I was glad to see that once they revealed to the audience what we already suspected about Tom, they didn’t wait long to have Lizzie also figure out the truth about him.

Lucy

Scarlett Johansson gets superpowers in Lucy. From Entertainment Weekly:

Don’t do drugs, kids…unless said drugs transform your neurological makeup to give you superhero-level mind powers. That’s what happens in Luc Besson’s action thriller 
Lucy (out Aug. 8), starring Scarlett Johansson as a young woman who turns the tables on those exploiting her when experimental drugs give her hyperpowered ass-kicking abilities. “I love to see a woman as a very strong character,” says Besson (The Professional and La Femme Nikita). “It’s like cooking: sugar with a 
 bit of salt, and Lucy definitely can get salty.” Keep your eyes peeled for the trailer, which is scheduled to hit iTunes on April 2.

Groundhog Day

I don’t agree with all of Charles Murray’s Advice For A Happy Life, but I do agree with watching Groundhog Day:

The movie “Groundhog Day” was made more than two decades ago, but it is still smart and funny. It is also a brilliant moral fable that deals with the most fundamental issues of virtue and happiness, done with such subtlety that you really need to watch it several times.

An egocentric TV weatherman played by Bill Murray is sent to Punxsutawney, Pa., to cover Groundhog Day. He hates the assignment, disdains the town and its people, and can’t wait to get back to Pittsburgh. But a snowstorm strikes, he’s stuck in Punxsutawney, and when he wakes up the next morning, it is Groundhog Day again. And again and again and again.

The director and co-writer Harold Ramis, whose death last month was mourned by his many fans, estimated that the movie has to represent at least 30 or 40 years’ worth of days. We see only a few dozen of them, ending when Bill Murray’s character has discovered the secrets of human happiness.

Without the slightest bit of preaching, the movie shows the bumpy, unplanned evolution of his protagonist from a jerk to a fully realized human being—a person who has learned to experience deep, lasting and justified satisfaction with life even though he has only one day to work with.

You could learn the same truths by studying Aristotle’s “Ethics” carefully, but watching “Groundhog Day” repeatedly is a lot more fun.

Kate O’Mara, The Rani, died today. There was no regeneration. Above is a scene from Doctor Who: The Mark of the Rani from 1985. Besides her role on Doctor Who as a renegade Time Lady, she is also known for her roles on Dynasty and Absolutely Fabulous. She has had other cult television appearances on two British shows,  The Avengers and The Saint.

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Barney and Robin actually did get married last week and tomorrow we will find out if the fan theories about Ted and the Mother are true. I suspect we are in for a different surprise, which will be legendary. Above is the video of the cast of How I Met Your Mother on Inside The Actors Studio with the series finale airing tomorrow night.