SciFi Weekend: What the Awake Finale Means; Doctor Who News; Warnings of Daleks and the Tax Implications of a Zombie Apocalypse; House and Holmes Fake Deaths

Following the series finale of Awake I found many sites were interpreting the final scene as meaning that it was all a dream, and the accident did not occur. I posted my disagreement with this interpretation. Subsequently interviews with Kyle Killen  (such as here) verified my interpretation and answered additional question. The finale went into a different form of dream after Britten was in jail in one of his realities. In this dream, Britten actually met with his self from the other reality, was followed by both of his psychiatrists, and had an unusual meeting with his wife. It might be argued the Britten in jail was the real Britten, having dreams of solving the crime and being the hero in the other reality, and developing a new dream to cope with the reality of being in jail.

Regardless of whether this was the real Britten or a dream within a dream, the episode ended with Britten speaking with Dr. Evans. She attempted to convince Britten that the world with Hannah was just a dream, but Michael then questioned what the “rules” were. Britten never had been interested in finding which reality was true–his desire was to have both his wife and son back alive. His mind coped with the death of one by creating a second reality in which the other survived. His mind now realized that he could create an even better fantasy in which both his son and wife were alive. The immediate feeling upon watching this episode was that this was a happy ending with Britten getting what he wanted. It is also an ending in which Britten is even more out of touch with reality.

Killen described it this way:

Some fans saw the final scene — Britten (Jason Isaacs) seeing both Rex and Hannah in the house — and mistook it as a copout ending revealing the detective had dreamt the entire 13 episodes. “The idea that we’re saying nothing happened, this is St. Elsewhere, was something we actively fought against. You can still hate the finale, you just can’t say that that’s what it did. It’s just wrong and can actually be disproven watching the last four minutes,” Killen says. The show was always conceived as the way that one particular man dealt with grief that he was completely unprepared to handle. “That’s how the season ended — while he’s able to see his wife and child together, if you take a step back, what it really represents is a further fracturing of his psyche,” he says. “You understand that you don’t see your partner in a penguin suit in any version of reality — that grew directly out of the red world in which Hannah is alive [seemingly] revealing itself to be a dream. He just can’t accept that, and then [in the conversation with Dr. Evans] backs into the idea of, Wait, what if I fell asleep in my cell and then everything that happened after that was a dream? What if for the first time I had dream-like dreams in between being awake and being asleep? Once he does that, it’s almost as if his brain seizes that moment and creates precisely the thing that psychologically he’s dying for — and that is a moment with everyone together.”

One big question all season has been whether one reality was true and the other a dream, if there was some sort of quantum universe explanation in which both were equally valid, or whether there would be a conclusion like on Life on Mars in which nothing was real. Watching week by week I found that the evidence was contradictory as to which reality was real and suspected they were equally valid or both unreal. In interviews leading up to the finale Killan had said that one was real and the other was a fantasy which Britten developed due to the horror of losing either his wife or son. The reason that there was such contradictory evidence now appears to be that Killan and the writers did not have a conclusion in mind which settled this:

The show’s producers all had their own pet theories, but nothing was written in stone. “Most people felt like the red world was more likely to be real, just from a logical basis that the death of a child is something that’s out-of-order with nature and much more difficult to deal with than the death of a spouse. It felt like the death of a child is one that you might create a world to undo. So it felt a little bit like the balance was tipped in the red world’s favor, but we constantly adjusted that. One of the things we talked about was if ultimately the green world with his son was real and the red world was his imagination, was it that he couldn’t let his wife go until he’d psychologically worked out something that was unresolved with Hannah? There were arguments for why he simply could not let go of one or the other. We didn’t feel it was necessary to decide which one was his imagination now. We didn’t have a big sitdown and say, ‘This is what Rosebud means.’ We just didn’t approach it that way.”

Watching the finale I had also wondered whether this was written after Killan knew the show was cancelled and was intended to be the ending, or if this was written previously with plans to move on from this point in a second season. Killan revealed that he planned to pick up the second season from this point if the show was renewed:

The finale was written and filmed before the show’s cancellation. “I don’t know how the show could have gone on if the fundamental thing that made it work was taken away,” Killen says. He believes you can make the argument that the world in which wife Hannah survived — the red world — was the real one with just as much vigor. “Look at the state that Britten is in [there]. He’s lost. The woman who destroyed his family has gotten away with it. He’s in prison and he seems to have no hope of getting out of there. He’s essentially indicted himself with his own behavior. So if ever there were a place where you could reach a low that would cause you to create through a psychic break a world in which you do solve all the problems, and you do get the bad guy, and everything does turn out okay… I would think that would be an argument for the red world actually being real and requiring the green world as a dream to make going on seem possible. We, at least internally, made sure we could argue it both ways because going forward, we didn’t intend to have that mystery sewn up in this episode.”

Killan went on to describe how the second season would have picked up the story:

“The discussion was always that that’s where he finds himself when he woke back up in red world. It would be as if all of the dream-like elements had in fact been a dream, and he’d closed his eyes just before the guard knocked on the door and told him he had a visitor [Harper], and we’d treat it as that was the moment he went to sleep. He would know that he’d caught Harper in the other world and that he seemed unable to do anything in red. Ultimately, he would have relied on Vega to help him extricate himself from that situation.”

At that point the narratives would have proceeded in both realities (or technically one reality and one dream state) we saw in the first season, with the addition of the third state seen at the end of the finale:

“You still would have had red and you still would have had green,” Killen says.”We left ourselves open to the possibility that [producers/writers plotting out season 2] would have had a really interesting pitch for what to do with that third space, and whether there was an ongoing narrative we wanted to tell there or whether we wanted to use it as simply a surreal dream space that we could access when we wanted to and how we wanted to that let us bring other weirder elements into the show that we’d always wanted to try.” He suspects it would have been the latter. “Twin Peaks being a show that was very close to my heart and a seminal thing in my childhood, the third space was sort of our Black Lodge. It was a place where almost anything could have happened. What happened initially was he found himself in his house with his wife and his child, but there were a lot of other places we would have taken that dream space. I don’t know that it would have always been that linear or happy. I think it would have been a place where he had a lot less control than he thought.”

If the show continued, Britten would have also had a relationship with Rex’s tennis coach, Tara, as was hinted at in the first season:

“It always felt too soon and difficult to explain. If it’s about a man overcoming the loss of his wife, he’s only overcoming the loss for 12 hours a day. So most of us deal with that by not needing to get into another relationship. What ultimately was needed to really jump-start the alternate relationship was some sort of fracturing in the Hannah-Britten story. That’s exactly what you see us building to at the end of the season,” Killen says. “Once he’s imprisoned and he’s considered essentially a mad man and there’s not really a clear way out, we would have used that and Dr. Evans to really try to convince him that that was his imagination and there was a psychological reason that he was holding himself there. That would have opened the door enough for us to begin something with Tara. And then by the time the red world resolved itself and he was extricated from prison, without really meaning to, he would have gotten himself in two different relationships. By the time things were repaired with Hannah, he would have already begun a relationship with Tara because he had been leading himself to believe that Hannah wasn’t real and it was something that he needed to get over. By the time that flipped on him, he would have been a man divided. That was something we were really eager to explore in the second season.”

https://www.youtube.com/watch?feature=player_embedded&v=PKdKj2DEy5E

Benedict Cumberbatch and Matt Smith presented Steven Moffat with a well-deserved special BAFTA Award. Video of the presentation, including clips from Moffat’s work, is above.

Matt Smith carried the Olympic Torch this week. Pictures and an interview with Smith were posted here, and above is another news clip.

If you every wondered how all eleven Doctors would look if they were dinosaurs, an entire set of pictures can be seen at I09.

Christopher Eccleston continues to insist he will not appear in a 50th reunion episode. He has previously explained this by saying, “I never bathe in the same river twice.” This never sounded like a satisfactory reason, and he has subsequently elaborated without much detail saying, “I know what went on and the people who were involved know what went on. That’s good enough for me. My conscience is completely clear.” Obviously there were problems which have not been made public.

Karen Gillan on her final script for Doctor Who:

I literally couldn’t read it without crying … It was the most highly-charged read-through I’ve ever experienced. But I couldn’t have asked for a better exit. I don’t think it’ll be what people expect.’

Gillan leaving means that Jenna-Louise Coleman has started filming. Her initial filming was behind closed doors so we do not yet know how her character will look.

Merlin is filming season 5.

Sign seen in Colorado above. If Daleks were there, it would certainly be good to warn people. Last year the same area had a sign warning “Zombies Ahead.” That would be another important warning. Besides the obvious hazards, there are serious tax implications to a Zombie Apocalypse, as is discussed in this paper, and summarized here.

House concluded last week with House and Wilson being compared to Holmes and Watson. The series ended in a manner similar to  how Moffat’s version of Sherlock ended its second season, with both House and Sherlock faking their own deaths. In addition, Moffat’s other show also ended with the Doctor faking his death. Steven Moffat and Mark Gatiss discussed the finale of Sherlock with The Guardian but gave no clues as to how Sherlock survived. Moffat simply says, “He did it cleverly. Very cleverly. And we know, we’re not telling – next!!” I suspect that there will be aspects which were not clear  on screen so I have not worked on a full explanation as to how Sherlock survived, but here are my comments after The Reichenbach Fall  originally aired on the BBC.

It seems strangely appropriate that the big war scene which this season of The Game of Thrones has been leading up to will be airing this Memorial Day weekend.

SciFi Weekend: Season Finales and Reboots; Dan Harmon Fired From Community; Moffat Wins Special Bafta; Doctor Who Wins Nebula Award; Karen Gillan At Cannes; Farewell to Kristen Wiig

J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.

Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.

Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.

If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.

As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.

Apparently great show runners are treated better  Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.

An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award.  Among Others by, Jo Walton won the Award for Best Novel.

Someone is demonstrating for time travel in the real world, but is being patient about it.

Besides the recent finales in genre shows. Saturday Night Live concluded its season last night, with quite a farewell to Kristen Wiig–video above.

SciFi Weekend: Fringe; Awake; Lost-Style Reset on Once Upon A Time?; Mad Men, The Beatles, and Rory Gilmore; Damage to Manhattan from The Avengers; Why Companions on Doctor Who Are Usually Young Women

The season finale of Fringe, Brave New Worlds, could easily have been the series finale if the show was not renewed. While there will always be questions remaining on Fringe, the major story lines of the season were resolved. Knowing both of September’s warning and that Olivia was the source of power needed by William Bell, it came as no surprise that Olivia was shot. We also know that death is not necessarily permanent on Fringe, and her recovery due to high levels of cortexiphan around her brain was also predictable.

The season finale set up the situation for next season which we saw in Letters of Transit. We learned that Olivia was pregnant, William Bell was still around (explaining why he was in the Amber), and received the warning at the end of the episode that “They’re coming.”

Things will probably be more complex. Olivia seemed to hesitate before telling Peter that she was pregnant. At the time I was wondering if Olivia would say something suggesting she no longer had her old memories of Peter (or feelings for him). There is clearly something which Olivia held off on saying.

Was the timing of this warning just after William Bell’s failure to start a new universe for dramatic effect to set up the next season, or was there a connection between Bell’s actions and the plans of the Observers? Multiple explanations are possible. Perhaps the Observers had planned to live in Bell’s new universe and decided to conquer our world after this failed. Perhaps Bell knew of the plans and this was his attempt to save humanity the fate of living under oppressive rule by the Observers. Perhaps the Observers justified taking over the earth as a means of protecting them from mad scientists such as William Bell.

TV Guide has an interview with J.H. Wyman and Jeff Pinkner on how the season finale leads into season 5:

“They are coming!” Can we assume that the “they” is the Observers, and you’re lining up with what we saw in 2036?
J.H. Wyman: Yes.

Are you going to stay in the current timeline, or will we see some flashing forward and backward next season?
Wyman:
Well, let’s say that basically 2036 is extremely important to Season 5. It’s crucial, but having said that, everything that you have seen in Fringe from Season 1 all the way to 4 is really, really, really, really important to what’s going on in Season 5, and 2036 is part of that. It’s a 13-episode sprint; there’s no filler episodes. It answers some very bold questions. It culminates with a very satisfying type of crescendo that really is so important for the fans, that’s the biggest thing. That’s the only thing that’s really important is to make sure that they feel absolutely satiated.

Because Olivia did technically die in the finale, does this mean that was the moment September had envisioned? And, will she always heal rapidly and now never die?
Wyman:
At the end of every season, we close a chapter, and you’ve heard us say that before, but this chapter being closed is a gentle closing for a reason.  We wanted to allow the characters to be in the emotions that they fought for and deserved and allow them to experience a little bit of peace and understand where they are.
Jeff Pinkner: Part of the answer to your question is yes, Olivia healed because of all the cortexiphan. At the end of Season 4, as Walter said on the screen, because of the wildly activated cortexiphan in her body, this experiment to heal her brain tissue would work.  Because that’s not constantly the case, because that’s just a fleeting condition, absolutely, she could be killed.
Wyman: They don’t know if anything is over.  So they’ve been given that warning. I think that it’s best to have the audience not know either and be with them in that trepidation of going forward, going, “Well, maybe.” That’s more like real life, isn’t it?

Especially because the “X Man” who was supposed to kill her — as we saw in last season’s trippy animation episode — wasn’t very obvious.
Wyman:
Basically, when Walter was going through the Nanites. From that episode when she was in William’s head, she said, “I know that’s the man who’s going to kill me.” She had a feeling that when she was in William Bell’s head, that there was a man and it manifested itself as a character in William Bell’s head in the comic that they’re experiencing and it had that emblem on it.

Then, ultimately, in this episode, you saw in the in the Nanites they had the emblem on it. When Walter recognized that that was William Bell’s creation by that mark, because that was the mark that William used to mark things with. So really, in a sense, it was William Bell who killed Olivia. You could argue, saying when she came out of William Bell’s head, she said, “That’s the man who’s going to kill me,” it was actually William Bell.

Now that Olivia is pregnant, will she worry about putting herself in the line of fire, or will Peter be worrying about her?
Wyman:
You’ll probably understand that a lot more when you see Season 5, without spoiling stuff. That’s not something that’s going to be examined in the way you just laid it out. But keep in mind that in Fringe, when we say, “There’s going to be a love triangle,” it’s a weird show, so you can have a love triangle with two people, like two Olivias in the love triangle. So we can do some pretty freaky things, but it’s not going to be big issue.

Can we look forward to seeing the two universes bridged back together again? I actually like the other side now!
Wyman:
We really appreciate you saying that because I think, no secret, that it was a really tough endeavor for us to actually introduce that. We fell in love with them and we were hoping that the fans would and we’re so glad to hear when people say that they missed them.
Pinker: We had a conversation with Fox earlier in the season while we were closing the door, one of our Fox executive partners said, “I was so sad.  I had tears in my eyes when we closed the door, and we said, “Yeah, these were characters that you never wanted us to introduce in the first place because you were afraid that nobody would care about them.”  She said, “I was so wrong.”
Wyman: Everything is a possibility on Fringe.

Will Walter feel a sense of responsibility for William Bell trying to destroy the two universes? Is that something he will be dealing with next season?
Wyman:
We’ve always said that science is science and knowledge is knowledge; it’s how you use it that’s the evil. So while I don’t think he feels responsible, there’s many lessons Walter is learning and has learned since the first time we met him. If anything, it’s going to actually make him very positive that he did the right thing all those years by cutting a portion out of his brain.

Sometimes we are our own worst enemies, and hubris out of control like that is surely the end. Every civilization that’s ever fallen basically is because of some sort of hubris. It’s the overreaching of man, which is a huge, huge, huge thing in science fiction. How much knowledge is too much knowledge? He just feels, at this point, that they’ve made it through and averted this incredible disaster.

Before Olivia revealed to Peter that she was pregnant, she seemed to hesitate. Is there something she saw or something she learned when she died that will play into next season?
Wyman:
You’re very perceptive. Let’s just say you will understand the hesitation.

There’s an indication that the Fringe Division will grow next season. What can you tell us about that?
Pinker:
You will see changes, but you will see things that are familiar, as well.  I know that’s a terrible answer, but the truth is, I just can’t say in specificity what exactly is going to happen.

Now that you know this will be your final season, what are you guys doing differently in your approach?
Wyman:
We’re so thankful. Four years of everybody working incredibly hard, people have put their heart and soul in this show, and by some amazing miracle, we get a chance to get more canvas to paint on, and it’s like the biggest thrill and honor, and we’re just going into it knowing that we’re very fortunate.

The main concern is in no way shape or form are our fans going to be let down. That makes us feel really good that they’re going to be able to see a conclusion that is emotional, that is epic, that is going to make sense, that they can emote with and go through our characters and watch them on their final journey and put this show away in a manner that is worthy to all the hours they’ve invested in our characters. The only thing it does is make the pencil be a little bit more sharp, that’s all.

Leonard Nimoy says he returned to Fringe largely due to enjoying the idea of playing a villain, and might return next season.

Two additional genre shows deal in different ways with alternate realities–Awake and Once Upon A Time. Last week’s episode of Awake, Say Hello To My Little Friend, had Britten unconscious in the Rex world. He spent most of the episode in the world where his wife remained alive, unable to return to the other world until he figured out that the little friend he was having visions of was actually another police office who was involved in the conspiracy to kill him. Realizing there was a conspiracy sets up the two-part series finale.

There were a number of points of significance in this episode. It now looks more certain that the conspiracy was part of both worlds, but there is still no explanation as to why we have only seen talk of finishing the job in the Hannah universe should he not move to Oregon. Visions were once again a key part of an episode and the visions of Detective Hawkins were not completely limited to information which was already in Britten’s head. In one scene, the vision of Hawkins told Britten that the real world version of himself was outside, giving Britten information he otherwise would not have had. Another aspect of the series which has never been explained is timing in the two worlds. After living through a Monday in one world and going to bed does Britten then live through Monday in the other? In this case, Britten spent a long time in the Hannah world and then returned to the Rex world right after he passed out, by now on a previous day.

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Once Upon A Time moves between our world and a fairy-tale world, where the stories are sometimes different from those we have heard. Since the start of the show I’ve feared that the premise could not survive several years, as should Emma ever be successful the story would be over.  Over time the format could get tedious if we always knew that Emma could not reverse the curse. However, the show comes from the creators of Lost, raising speculation that there could be real game changers to rejuvenate the show each season. This is suggested in the video interview with Raphael Sbarge above. The show’s co-creators Eddy Kitsis and Adam Horowitz also suggested a Lost-style reset in this interview:

TVLINE | What other drama is going on in Storybrooke outside of the Henry thing?
KITSIS | All of the stories in Storybrooke are going to be stemming from Henry falling.
HOROWITZ | They all kind of converge around that pivot point. And the intensity does grow.

TVLINE | How is August doing? Is he flipping through termite control ads?
HOROWITZ | We do check in on August and his condition, and that does play a part in the finale. Everybody’s agendas – Regina’s, Gold’s, August’s – all sort of intertwine around this crisis point.

TVLINE | What is Mr. Gold’s particular take on the Henry situation?
KITSIS | We got his take in the last episode, where Regina says she came up with a sleeping curse, and he says, “All magic has a price.” So… magic has a price! It’s just a question of who pays it.

TVLINE | We’ve kind of come full circle on the Snow White story – she’s bitten the apple, and in the pilot Prince Charming rescued her. Or will the fairytale land be subject to a finale twist of its own?
KITSIS | The finale will kind of tie up some loose ends to their story, and at the same time present a new avenue for Season 2. But…. Well….
HOROWITZ | “We don’t want to tell you,” is what it is. [Laughs]

TVLINE | I guess my bigger question here is: Should we prepare for some Lost-style “reset”? Will this be an instance of the playing field changing Sunday at 8:59 pm?
HOROWITZ | How the audience perceives it, we can’t anticipate, but for us it does change the playing field. We like to think what we’re doing is evolving the show so that it remains true to what it’s been this year, but it takes a step forward into something new.
KITSIS | I feel like the best way to experience the finale is to say, “What the hell are they going to do?”
HOROWITZ | And one of our other goals with the finale – you’ll tell us whether we succeed or not – is that at the end of it you say, “What the hell are they going to do next?”

TVLINE | Will the finale introduce any new players to the canvas?
KITSIS | It will introduce some new… story ideas. But as far as new characters, if you’re talking, like, Michelle Rodriguez showing up at the end of a Lost finale, no. That’s not to say there won’t be new characters next year; but this finale is about the characters we’ve introduced.
HOROWITZ | And there may be some old characters seen in a new way.

TVLINE | What gamut of emotions will viewers be going through during, say, the final 60 seconds?
KITSIS |All of them.
HOROWITZ | Our hope is that in those final moments, there is a combination of satisfaction and also intense surprise.
KITSIS | The emotion you’ll be feeling is, “Holy, holy, holy s—t.”

The Beatles have been mentioned on Mad Men in the past, but this week they managed to have a Beatles song played during the show. While Matthew Weiner has denied the exact figure, there has been speculation that it cost around $250,000 to get the rights to play Tomorrow Never Knows during the episode. Different articles on the subject quoted prices between $50,000 and $100,000 as typical for getting song rights for a television show. If Mad Men is going to provide a strong presentation of the 1960′s, it makes sense to pay what it takes to include the Beatles, considering  how important they were to music of the era.

The big question after last week’s episode, beyond how they got the rights to a Beatles song, was why Rory Gilmore would hook up with Pete Campbell. Pete showed how creepy he could be when he returned to her house with her husband, but at least this was not as bad as when he tried with that high school student in a recent episode. You would think he would be satisfied with Alison Brie.

The Avengers showed considerable destruction in Manhattan (with much of it occurring just down the block from a hotel on 5th Avenue where I had stayed a few years ago). The Hollywood Reporter obtained the opinion Kinetic Analysis Corp., one of the leading disaster-cost prediction and assessment firms in the nation, as to the cost of the damage:

In an exclusive report for THR, KAC, led by Chuck Watson and Sara Jupin, employed computer models used for predicting the destruction of nuclear weapons and concluded that the physical damage of the invasion would be $60 billion-$70 billion, with economic and cleanup costs hitting $90 billion. Add on the loss of thousands of lives, and KAC puts the overall price tag at $160 billion.

For context, the Sept. 11 terrorist attacks cost $83 billion, Hurricane Katrina cost $90 billion, and the tsunami in Japan last year washed away $122 billion.

Although many buildings in the fight’s East Midtown arena suffered extensive structural damage, most were limited to the more superficial destruction of windows, facade and some interiors. Those buildings that had their tops crushed, though, would be especially costly and time-consuming to fix, as would be Grand Central Station, through which a warship crashed.

“The extensive damage to Grand Central Terminal could prove highly disruptive, depending on the subsurface damage to the subway system,” KAC notes. “Although such damage is unlikely, as the 9/11 events showed, collapsing buildings can cause significant damage to subsurface infrastructure such as gas, communications and electrical systems. Detailed site surveys will be required to assess the state of the subterranean infrastructure.”

KAC also predicts that liability would be a major issue. Who, exactly, will have to pay for the damage? S.H.I.E.L.D., they note, is likely protected as a government agency, though probes eventually will look into its role in predicting, preventing and responding to the invasion — just as they looked into the Ghostbusters.

“Most insurance policies have special provisions for acts of war, civil unrest or terrorism,” KAC adds. “Given the involvement of individuals considered deities in some cultures (Thor, Loki), there is even the potential to classify the event as an ‘act of God,’ though that designation would be subject to strenuous theological and legal debate.”

Watson said he was surprised by a lower-than-expected total. “Compared to the aliens in Independence Day, for example, these guys were amateurs,” he told THR. “Of course, the Chitauri/Loki alliance were more interested in conquest and ruling, whereas the ID aliens were just looking for lunch or something.”

Despite the damage, The Avengers has helped in the sale of one type of food–Schwarma. If you saw the movie and do not understand this, you failed to stay for both scenes during the credits.

Craig Ferguson is returning to Scotland for a week of shows. From the promo it looks like he might have used a TARDIS to get there.

Karen Gillan and Arthur Darvill have left the TARDIS. Here is a video of them leaving the set of Doctor Who for the last time. Jenna-Louise Coleman will be taking over. Steven Moffat has commented on the next companion, and what type of person becomes a companion:

Moffat has said that while the new character will “shock”, there will be familiar elements. He said: “I’ll answer you in the show about how it’s going to be different. But because it is going to be different. It’s going to be a shock, I think. In terms of the companions all being ‘the same’ – that’s not as phony or artistically crap a thing to say as it sounds.

“What is the base group of people who would run away with the Doctor? They’re all going to be a bit mad. A bit dislocated. Not happy with where they are. Are they yearning for outer space? They’re going to be people who feel like they can take on the Doctor, who’s quite an intimidating sort of person. So, they’re going to be feisty – they’re going to be all those things. He sort of defines the people who are going to travel with him. The distinction comes very much from the various actors and actresses. So, you know, they’re the ones who create the differences between them. But you are always going to have the same sort of person, just because it’s the same man choosing them, and it”s the same person being chosen.”

Moffat also addressed the trend for the companions usually being young women. He said: “I think the function of a companion is pretty simple. I don’t think that’s very difficult. It’s just a question of who credibly is going to agree to go in the TARDIS? Who’s going to do it? Is it going to be a mother of 15 children? No. Is it going to be someone in their 60s? No. Is there going to be a particular age range? I mean… who’s going to have a crush on the Doctor? You know, come on! It’s more than a format. It’s evolved from good, dramatic reasons.”

This has not been a good time for renewal of genre shows on network television. Fringe is coming back for one final abbreviated season but shows including Alcatraz and Awake are not returning. Community also returns for a short season. While there is not official word as to whether this will be its final season, moving the show to Friday probably places it at greater risk.

SciFi Weekend: Doctor Who in New York and Karen Gillan on Twitter; Awake; Fringe; Sin City; Loopers; Natalie Dormer and Nudity On Game of Thrones; Maggie Smith Leaving Downton Abbey

Doctor Who has been filming in New York City this week, including the Doctor running through Central Park (video above).

Karen Gillan got on Twitter last week. When I found about it two hours after she began on Thursday she already had over 27,000 followers and now has over 70,000. According to tweets by Arthur Darvill, Karen failed to adjust her email settings, burning out her phone battery with notifications of all the new followers. Today Karen tweeted a picture with Brent Spinner and below is a picture of her tweeting with Arthur Darvill looking on.

Karen Gillan Arthur Darvill Tweeting

This week Awake failed to move further away from the police procedural as they did with last week’s penguins and other scenes questioning reality, but Ricky’s Taco’s did have its moment. While not as well done as last week’s That’s Not My Penguin, the voice at Ricky’s Tacos was more difficult to explain as Britten hadn’t been drugged before hearing them. Was this just something thrown into the story, is Britten going crazy and hearing things, or are there outside forces at  work and communicating with him? The conspiracy which set up the accident has been disliked by fans writing about the show. I don’t mind if they have a subplot involving this, but not if it is just a random scene thrown into an episode as we’ve seen so far. It is interesting that Captain Harper tried to call off the hit on Britten after he resigned with plans to move away to Oregon.

The final episode of Titanic airs tonight, with ABC catching up the United States audience last night. While she did appear in the first two episodes, the third concentrates far more on Jenna-Louise Coleman’s character.

On Fringe Family Man showed that, like our Walter, alt-Broyles was willing to go to great lengths to try to save his son. Before the change in the time lines his character was killed, and in the new time line he winds up in prison. At least he didn’t go through with the plot by David Robert Jones which might have collapsed both universes. I can’t help but wonder what Jones thinks would happen to him if he succeeded. Next week appears to be another Observer episode, this time in the future.

A sequel (or perhaps prequel) to Sin City is finally going ahead with casting now underway. Above are pictures of Jessica Alba and Alexis Bledel from the original.

Here is a trailer of a Loopers, an upcoming science fiction movie with an interesting premise:

In the futuristic action thriller Looper, time travel will be invented — but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a looper — a hired gun, like Joe — is waiting to mop up. Joe is getting rich and life is good… until the day the mob decides to “close the loop,” sending back Joe’s future self for assassination.

It doesn’t have the potential for a time paradox like going back in time to kill your own self or grand parent–unless Joe’s future self responds to the situation by trying to kill the person trying to kill him (his past self). Could be good, unless it is simply a chase/action movie with a science fiction back story.

Natalie Dormer, who often appeared nude on The Tudors, joins the rampant nudity on Game of Thrones starting tonight. She has certainly demonstrated that she can handle such a role well. But why is there so much nudity on Game of Thrones? Check out this video for an explanation from Saturday Night Live. HBO announced last week that Game of Thrones has been renewed for a third season and I think it is safe to predict it will be around for several years considering the success of the show and the amount of material present in the book series.

Maggie Smith, the Dowager Countess on Downton Abbey, has requested to leave the show after the third season so she can return to movies and the stage. There had already been talk of a funeral for next season and assuming that was written before Smith’s request this might mean a second. Her death would be the most plausible way to write her out of the series.

SciFi Weekend: Doctor Who Convention News; Jenna-mania; Sherlock; Emma Stone on Spider-Man; Star Trek Secrecy; Fringe; Awake; Mad Men; Leonard Nimoy on Big Bang Theory

The first ever official Doctor Who convention took place this weekend, and Steven Moffat discussed the event in the video above. More videos can be found here, here, and here.

The biggest news out of the convention is that the fifth episode next season, which has the final encounter with the Weeping Angels (and final appearance of Amy and Rory) will take place and be filmed in New York City. While in New York, the cast might feel at  home in this TARDIS-themed bar which Karen Gillan mentioned in an interview.

http://www.youtube.com/watch?feature=player_embedded&v=HEPZRZ5P6po

Low-quality versions of trailer for the new season, taken while shown at the convention, have also been posted on many sites, as above. Hopefully we will have an official release early next week. Steven Moffat’s promotion of the season: “Amy and Rory leaving, tragedy, heartbreak and a Western, what more do you want out of Television. Come on Downton take that on!”

The biggest Doctor Who news of the week came on Wednesday before the convention with the naming of Jenna-Louise Coleman as the next assistant, beginning with the Christmas 2012 episode. The initial announcement, along with news on the upcoming season, were first posted here. In a follow-up post later in the day I had interviews with Jenna and Steven Moffat. A post on Thursday concentrated on her roles in Captain American and Titanic, along with advice from Matt Smith. On Friday we had the first official BBC picture of Jenna in front of the TARDIS, information on another series she is appearing in, Dancing on the Edge, and a report of links to an alleged sex tape with Jenna-Louise Coleman which actually lead to a malicious site. There’s also a brief video of what Matt Smith might say to people searching for sex tapes of Jenna.

Steven Moffat spoke to Radio Times about Doctor Who and Sherlock. He dismissed internet rumors that Benedict Cumberbatch will be playing the Master and reports that he has not started writing season three of Sherlock yet:

Doctor Who showrunner Steven Moffat has dismissed reports that Benedict Cumberbatch is to play the villainous Master on the sci-fi series.

Speaking to RadioTimes.com at the Royal Television Society awards, Moffat said: “People really do sit in rooms and make that stuff up. Look at the filming schedules for Doctor Who and Sherlock – those two shows tend to shoot at the same time. We’d have a problem and there’s only so much I can arrange.”

But he then added, as a quick afterthought: “But who knows what could happen in the future…”

Moffat also told RadioTimes.com about plans for the forthcoming series of Doctor Who. Asked whether there would be a large story arc running through the episodes, or if we could expect self-contained adventures, he said: “As ever, there’s a bit of both. But this time we’re moving closer to stand-alone stories. At this point, we’re not planning any two-parters. So, every week is going to be like a different mad movie.”

He added: “We went quite ‘arc’ last time and we’re going stand-alone this time around. But that doesn’t mean that there aren’t those things creeping in. You’ve got to find a way to make the last episode special, and by God that worked ratings-wise last year. We don’t want to abandon that idea.”

Asked for any teasers he could offer, the ever-evasive Moffat replied: “Watch out for the title of episode two. I think that’s a belter. It’s one of my favourite titles ever.”

As for his other hit BBC1 series, the detective drama Sherlock, Moffat had this to say about series three: “Mark [Gatiss] and I have planned it out. We haven’t started writing it yet because I’ve got God knows how many episodes of Doctor Who to get sorted first. But the way it works with Sherlock is that we starve you and then we give you a short burst and then we starve you again. It’s worked so far, we’re not going to change it.”

On the scheduling of future episodes, Moffat said: “I don’t actually know. Given that this is a show that I haven’t started writing yet, it’s a bit early to suggest scheduling. Once we hand them over, they’ll be on television quite quickly.”

Moffat remains unhappy about the planned CBS version of a modern-day Sherlock Holmes:

CBS announced earlier this year they would be filming a pilot called Elementary.

The US programme will feature Sherlock in New York and Watson will be played by 43-year-old Lucy Liu.

Steven Moffat says he hopes it will be good or it may degrade the Sherlock brand.

“It isn’t a version of our show,” he said. “They’ve just decided to go off and do one of their own, having been turned down by us to do an adaptation of our version.

“So how do you think I feel about it? Annoyed is in there.”

‘Rogue version’

The US Sherlock will be played by British actor Jonny Lee Miller.

If the pilot is successful, it will be turned into a TV series which will air on US television in the autumn.

“The bigger problem for us with Elementary is, what if it’s terrible? What if it’s awful? Then it degrades the brand,” he said.

“I remember there was a legitimate American version made of Coupling, actually adapted from our version.

“It was terrible and it was a disaster and it did sort of diminish the original.

“So if there’s this completely unrelated rogue version of Sherlock going around and it’s bad, it can be bad for us.”

So far CBS hasn’t revealed which Arthur Conan Doyle stories will be made.

Talking at the Royal Television Society Awards, Moffat dismissed the idea that legal action had been taken over copyright.

“We don’t own Sherlock Holmes,” he said. “We don’t even own the idea of updating it. It’s been done before.

“I hope they know their Sherlock Holmes very, very well indeed because we know what’s in our show and wasn’t in the original.

“So if we did discover our material had made it into somebody else’s show we would have a problem with that. If there is no such incidence of that, then there’s nothing we can object to.”

When asked about a possible fourth series, Moffat revealed that Sherlock star Benedict Cumberbatch was keen to continue playing the lead role.

A new internet meme–Otters who like like Benedict Cumberbatch. Cumberbatch also spoke about his fan base to Now.

Emma Stone talked about her initial reluctance to appear in Spider-Man:

“I heard about Spider-Man and I didn’t think it was something I would want to be a part of. I just thought that probably isn’t right for me. Then I [auditioned with Andrew Garfield] and realized that this was a really interesting, fantastic relationship between two people and that I was being really closed-minded,” she said.

The actress, who wore her naturally blonde hair for the part, went on to discuss how her character finally changed her mind about the film: “[I] started learning more about Gwen Stacy and her history and just fell in love with the character and with the fans, too. I started reading forums and getting involved more in the comic book universe and it just became something I really wanted to be a part of, just because of all those elements.”

Emma Stone discussed Spider-Man further in this interview. Here is a brief excerpt:

You went from playing a literary character in The Help who was in a much beloved book with its own kind of following, to a comic book character who’s iconic and has this rabid following. Was there a big difference for you between those characters and how they’re treated by their fans?Well of course the characters themselves are incredible different and there seems to be a different fan base between Spider-Man fans and fans of The Help. There are conventions for Spider-Man fans and there aren’t for The Help fans, although I would love to see a convention of The Help fans. It could be like the big Lebowski Fest. But they’re two tonally different worlds to me even though they both had such a rabid following. There’s a difference just in terms of bringing the material to life. There are different incarnations of Gwen Stacy and of Peter Parker throughout comic book history, all these different storylines to pull from depending on what kind of script you’re going to patch together. With The Help, it was such a distinct story that kind of needed to be matched line for line in a way. It felt different just in terms of becoming part of it and the way the material was adapted. But I’m so excited to be part of a movie with a built-in fan base in that way. You go to Comic-Con and there’s so much passion in one room. Everybody’s so passionate about these characters and how they’ve affected their own loves. It’s a really cool thing as an actor to know that you’re part of something that’s so much bigger than you. You’re not creating it from the ground up, you’re trying to fill the shoes of someone that’s been around a lot longer than you. It’s really exciting. I love that aspect of it.>

Why do you think the producers and writers went with Gwen instead of Mary Jane?Well, Gwen’s story happened before Mary Jane’s, and I think that coming back to their roots, it was interesting to explore the woman who came before Mary Jane. I think she’s such a definitive part of Peter Parker’s relationship with Mary Jane ultimately, who is literally the polar opposite in personality of Gwen Stacy. I think just building that into Peter’s life and seeing that story from the very beginning was really interesting. And of course Gwen’s story is so beautiful and important to that story of Spider-Man that I think they wanted to come from that angle at this time.

There might be less to report about the upcoming Star Trek movie as J.J. Abrams has built a wall around the set for secrecy.

I remain shocked that JJ Abrams destroy Vulcan in his Star Trek movies. That would be like eliminating Gallifrey and most of the Time Lords on Doctor Who.Oh, never mind.

>

This week’s episode of Fringe, A Short Story About Love, cleared up Peter’s confusion about the meaning of a changed time-line. When Peter began searching for a way to get home, and rejected the Olivia in this time line even when she gained memories of “his” Olivia, I questioned this. Peter was treating the changed time line as if it was another form of alternative universe, but a changed time line would imply that it is the same universe in which things have changed. Olivia would be the same Olivia, but with different experiences due to the changes in the time line. Although I was thinking these things while watching, I also considered the possibility maybe Peter could be right as we really don’t have established rules for dealing with different time lines. Last night we found out that the interpretation I first had was actually correct, and Peter had been wrong. Peter also realized that reuniting with the Olivia in this time line was fine–not like sleeping with the hotter Olivia from the alternative universe (especially as we found out in the previous episode that having a baby with Altlivia led to bad consequences).

Awake didn’t address the show’s mythology this week, but once again showed a character whose life was different in each world even before the accident. Again this rules out the possibility of the universe splitting into two different paths at the time of the accident (unless we really get complex and have time move in both directions, which would be way too confusing).

Mad Men returns tonight. Here are some stories about the show:

Matthew Weiner spoke about Betty Draper’s reduced role and things which fans might hate in an interview with Huffington Post.

Stephanie Newman looked at what Mad Men might look like if it took place today. (Wouldn’t that defeat the whole idea of the show?)

All Things Considered looked at the influence of Mad Men.

ABC compared Betty with Don’s fiance, Megan.

January Jones discussed her absence from the premier with The Hollywood Reporter.

Today wonders whether Don Draper can finally be happy.

USA Today has a Mad Men quiz and reviewed where the characters left off last season.

Leonard Nimoy appears on The Big Bang Theory. Hopefully he does more than lend his voice to the toy version of himself (which might be the case considering how he only appeared in cartoon form in his last appearance on Fringe.) Following is an ad for the episode:

And, on the topic of toys based upon science fiction shows:

Karen Gillan playing with herself.

Steven Moffat Announces New Companion And Information On Upcoming Season Of Doctor Who

Steven Moffat revealed a lot of information about the upcoming season of Doctor Who, including the announcement that Jenna-Louise Coleman will become the next companion. I provided some information about Coleman earlier today, just after the announcement. It was also announced that there will be five episodes with Amy and Rory in the fall of 2012, including one with Daleks. Amy and Rory will leave the series in a final encounter with the Weeping Angels in episode 5. From the report that not everyone gets out alive, along with Karen Gillan’s previous statements that she would like her exit to be final, I suspect this means the death of Amy, and possibly Rory. It is also conceivable that Amy might decide to leave the TARDIS following yet another, and this time permanent, death for Rory.

Jenna-Louise Coleman will first appear in the Christmas 2012 episode and begins filming in May. Eight episodes will subsequently air in the spring of 2013 to complete the season, with additional episodes later in the 50th anniversary season.

In describing the choice of Jenna-Louise Coleman to become the next companion, Steven Moffat replied to a question on what he could tell by saying, “It’s not the usual kind of story, it’s a very, very different way for the Doctor to meet his new friend, so absolutely nothing. Not even the name.” It is rumored that her character will not be from earth.

In the press release announcing the choice (full text below), Moffat also had this to say:

“It always seems impossible when you start casting these parts, but when we saw Matt and Jenna together, we knew we had our girl. She’s funny and clever and exactly mad enough to step on board the TARDIS.

“It’s not often the Doctor meets someone who can talk even faster than he does, but it’s about to happen. Jenna is going to lead him his merriest dance yet. And that’s all you’re getting for now. Who she’s playing, how the Doctor meets her, and even where he finds her, are all part of one of the biggest mysteries the Time Lord ever encounters. Even by the Doctor’s standards, this isn’t your usual boy meets girl.”

Matt Smith is signed with the show through 2013, with no decision made as to when he will leave the show. Moffat also said that the departure of Amy Pond does not necessarily mean the end for River Song.

Above is a the video of a BBC interview with Jenna-Louise Coleman following announcement that she will be joining cast of Doctor Who.

Following is a transcript of a press conference with Steven Moffat and Jenna-Louise Coleman from earlier today:

Steven Moffat (showrunner), what can you tell us about the character?
Moffat: “Absolutely nothing – you’re going to have to wait and see! It’s not the usual kind of story, it’s a very, very different way for the Doctor to meet his new friend, so [I can tell you] absolutely nothing. Not even the name.”

Jenna, how do you feel about being cast?
Coleman: “Beyond excited. Very excited – I want to get started already.”

When do you start shooting?
Coleman: “I believe it’s May time, [for] the Christmas special.”
Moffat: “That’ll be her first episode.”

Are you a fan of the show and do you have a favorite companion from the past?
Coleman: “I’m a huge fan of the show. It’s actually literally my grandma’s favorite show, so she is the most excited person in the world! I think my favorite companion is probably… it’s between Billie Piper and Karen Gillan, I think.

“I’ve got a lot of memories from the Billie Piper era, and obviously I’ve been watching quite a lot of the show recently as well.”

And aside from Matt, who’s your favorite Doctor?
“It’s probably David Tennant, because it’s the David Tennant and Billie Piper era that I remember the best. But it has to be Matt, of course!”

(more…)

Jenna-Louise Coleman To Play Next Companion On Doctor Who

Jenna-Louise Coleman has been chosen to play the next companion on Doctor Who after Karen Gillan leaves the TARDIS during the upcoming season. The BBC confirmed the story this morning after British tabloids ran stories on the choice. There are unconfirmed rumors that her character will not be from earth.

Coleman will make her first appearance in the 2012 Christmas episode.

“I want to get started already,” says Jenna. “I’m a huge fan of the show”.

“Matt Smith did my audition with me. It was fun and I felt like we were in it together.”

Steven Moffat said: “We saw a lot of brilliant actresses. But Jenna was the only person going faster than Matt – he had to keep up!”

On her favourite companion: “Between Billie Piper and Karen Gillan”

Coleman was born in Blackpool, Lancashire, England on April 27, 1986. She played the role of  lesbian Jasmine Thomas on an  ITV soap, Emmerdale in 2005. She joined the cast of the BBC’s Waterloo Road in 2009. Coleman had a small role in Captain America: The First Avenger and appears in an upcoming ITV mini-series Titanic (picture below). Coleman has been nominated twice for ‘Sexiest Female’ at the British Soap Awards

Steven Moffat had been tweeting about Sophia Myles, who previously appeared in the Doctor Who episode The Girl in the Fireplace, creating speculation that she would play the next companion. Perhaps she will have another role in the upcoming season. While her character did die, others (including Karen Gillan who appeared in The Fires of Pompeii prior to playing Amy Pond) have returned to the show in different roles.

Update: More news on the upcoming season

The BBC has confirmed rumours that Doctor Who Series 7 will be split over two years. They will only air six episodes in 2012.

“There will be 6 episodes this year, including the Xmas Special. Then 8 next year,” says the BBC.

Amy and Rory will leave after five episodes. Steven Moffat revealed: “Amy and Rory will leave in a final encounter with the Weeping Angels in episode 5.”

Adding: “Not everyone gets out alive. And I mean it this time!”

The Daleks have also been confirmed to appear in the Autumn run.

The Doctor’s Next Companion To Be Announced Tomorrow

The BBC plans to announce tomorrow the identity of the actress who will play the Doctor’s next companion after Karen Gillan leaves Doctor Who.

It is hard to believe that it was less than three years ago that we first had the announcement of Karen Gillan getting the role of Amy Pond (pictured above from before she got the role).

Scifi Weekend: Awake; Doctor Who; Game of Thrones Previews; Mad Men; Terra Nova Cancelled; Sherlock; Emily Blunt On Superhero Movies

The second episode of Awake, The Little Guy, gave more hints as to the direction the show might be moving in. Like last week’s episode, much of the show involved slightly different events in each reality. In one, Hannah (the wife who survived in one reality and died in the other) investigated mail to their dead son and found that Rex had been secretly building a motorcycle with a friend. In the other world, Rex and his friend were still working on the motorcycle without Michael realizing it until Hannah told him about it in the other reality. Hannah of one reality also helped Michael with the information needed to wash Rex’s clothes in the other.

This episode provided clear examples of Michael finding out something in one reality which was pertinent to the other. This could be the case if everything was imaginary in Mikael’s head or if we are dealing with two different realities which split apart at the time of the accident.

There were some key differences between the two worlds. One is in the reaction of the psychiatrist in each to how Michael used information from one to help in the other, including in solving crimes. Dr. Evans was impressed by the manner in which (to her perspective) Michael was using his subconscious to solve problems. In contrast, Dr. Lee saw this as negative, believing the subconscious thoughts were unreliable.

Information from one reality did help Michael solve the murder of fertility specialist Benjamin Mackenzie by a teen (a little guy) who found that Mackenzie impregnated his mother with his own sperm. (Isn’t this always the case when a fertility specialist is seen on a crime show?) . In the other reality (where Dr. Lee questioned the use of the supposedly subconscious information) Mackenzie’s murder was not solved. In this world, Mackenzie had been murdered a month before (by a little guy) but Mackenzie was a homeless drug addict instead of a doctor.

While there are similarities between the two worlds with Mackenzie being murdered in each, it is a major finding that Mackenzie had a different life in each universe which would have begun before the auto accident. This could occur if everything is taking place in Michael Britten’s mind. This could not arise out of a situation where things split into two parallel worlds at the time of the accident as if this was the explanation Mackenzie would be the same in each reality at the time of the accident. Another possibility is that the accident is causing Michael to move back and forth between two parallel universes which were already in existence but where not everything was the same. (Perhaps one even has the twin towers still intact as on Fringe.)

In another major development, Laura Innes, who plays Michael Britton’s superior in the police department, met with another man who was revealed to have been responsible for the car crash which was intended to result in the death of Britton’s entire family. The actual accident was set up by a little man. Beyond revealing that the accident was not really a accident, this answers another question about the show–whether it is possible to have scenes showing events that Britton is unaware of. (This was not the only example, but is by far the most significant to reveal that there is a world beyond Britton’s thoughts). This meeting appears to take place in the Red World where his wife is still alive and the murder of Mackenzie was not solved, but could it possibly be taking place in a different “real world” if the two worlds we see with Michael Britton are both taking place in his mind? The reasons for trying to kill Britton provides another mystery which, while not as interesting as the underlying question of how there are two different realities, is an ongoing mystery which a reasonable story could be written about.

The third episode of the upcoming season of Doctor Who is being filmed in Spain. It is reportedly a western episode in  which a “half-human half-robot Terminator-style beast which patrols a Victorian-era western town”. Ben Browder of Farscape will be appearing and there are also unconfirmed rumors that Sophia Myles (also rumored to replace Karen Gillan) appears. (Myles previously appeared in The Girl In The Fireplace, an episode written by Steven Moffat.)

The episode was written by Being Human creator Toby Whithouse and directed by Saul Metzstein of  Upstairs Downstairs. There is also another connection between Doctor Who and Upstairs Downstairs. Alex Kingston, in addition to being in the second season of Upstairs Downstairs, plays an archeologist. Seeing “River Song” in pre-World War II England is certainly not implausible.

Two new trailers have been released for The Game of Thrones (videos above).

Mad Men

A long time has passed since we last saw Mad Men. The cast helps us catch up in the above video.

Terra Nova has been officially cancelled by Fox but there are reports that Netflix might be interested in continuing the show. Until Netflix develops a following for original programming, I think it does make sense to try to take advantage of the existing audience of shows which had reasonable ratings but didn’t survive on network television, as it is doing with Arrested Development. While I (and many others) have become accustomed to watching original programing on HBO, Showtime, AMC, and now even Starz, I would be far less likely to click on an original show on Netflix unless I heard a lot of favorable buzz. I think that I, and many other potential viewers, would be far more likely to watch a show we were already in the habit of watching before picked up by Netflix.

If Netflix really is interested, they better act quickly while the cast is still available. Christine Adams has already received a role in a pilot for ABC entitled Americana.

I hope that the announcement of the cancellation of Terra Nova means that this increases the chances that there will be a spot on next year’s schedule for Fringe and Alcatraz. There are reports that Fox might give Fringe a shortened season next year to wrap up the series as a short season would extend the series to at least one-hundred episodes, which is preferred for syndication.

The above video envisions the Benedict Cumberbatch version of Sherlock to the theme of Batman: The Brave and the Bold.

Emily Blunt, who appeared last year in The Adjustment Bureau, passed up on some other genre roles in superhero movies. She was asked about this in an interview in New York Magazine:

At one point, you were up for parts in Iron Man 2 and Captain America, but you passed. Would you ever want to do a superhero movie?
Usually the female parts in a superhero film feel thankless: She’s the pill girlfriend while the guys are whizzing around saving the world. I didn’t do the other ones because the part wasn’t very good or the timing wasn’t right, but I’m open to any kind of genre if the part is great and fun and different and a challenge in some way. I would love to do a comic-book movie or a science-fiction film that would scare the bejesus out of me. Maybe I need to be James Bond! I just did Looper, because it’s so original and breathtakingly cool. The time-travel aspect is just a backdrop to visit this heightened world, where you’re atoning for something and attempting to be more than you’ve been.

Carlton Cuse, show runner from Lost, is joining The Bate’s Motel, a prequel to the Alfred Hitchcock movie Psycho being prepared by A&E.

Stephen Hawking will be appearing on the April 5 episode of The Big Bang Theory. Will Sheldon try to tell Hawking about the physics errors he has made? Community returns this week!!!

SciFi Weekend: Karen Gillan On Decision To Leave Doctor Who; Elementary Casts Sherlock; Rock, Paper, Scissors, Lizard, Spock; Homeland; Mad Men

Filming is starting this week for the upcoming season of Doctor Who and it is well known that Amy Pond will be leaving some time in the next season. In previous stories on her planned departure, it was often unclear as to whether this was Karen Gillan or Steven Moffat’s idea. In an interview with IGN TV, Karen described it as her idea:

IGN TV: How did you come to the decision that this coming season of Doctor Who would be your last?

Karen Gillan: Actually, I called Steven Moffat and arranged the dinner and then basically told him roughly when I wanted to go. He told me where the story was at and where it was going and then we kind of together came up with it. So it was really pleasant, actually. We had a lovely dinner and just kind of discussed what we both want and what’s going to happen and then came to the decision. That was ages ago, so I’ve known for ages!

IGN: Why did you think it was getting to be the right time?

Gillan: I wanted to go on a high. Also, Steven Moffat comes up with endless, amazing ideas anyway, but I wanted to make sure that I went on a high when the character was at her prime. There’s just something quite nice and appealing about that to me. I don’t know… It just felt right! I like to go on instinct.

IGN: You can’t say how many more episodes you’ll be in…

Gillan: I’m not allowed to say! But I know they’re going to be damn good. It’s so exciting.

IGN: So Steven’s told you how she’s going to leave?

Gillan: I think it’s the best ever. I can’t say anything, but oh god, I’m dying to say something!

IGN: Are there certain things you’d like to see happen, as far as closure for her?

Gillan: I want to see her go with everything that she wants, because initially, when we met her, she was just seeking what she wants, you know what I mean? And she was kind of in this lost, transitional period, where she didn’t have a stable life. So I just want to see her get what she wants.

IGN: We’ve seen some Doctor Who companions in the past leave and then make guest appearances. Would you be up for that if the door was open?

Gillan: I really, really want to have a final exit and then be able to look back on that as a final exit. I don’t know… I just don’t want to take away from that exit by making cameos in the future. I’d quite like it to be final and for people just to remember it fondly.

IGN: Are you hoping for a happy ending for her and Rory?

Gillan: I don’t even know what I’m hoping for. I just know that whatever I hope for, I read it and it’s always better!

More information is out regarding the planned comic crossover between Star Trek and Doctor Who. The series will be called Assimilation, featuring the Borg and the Cybermen.

Catherine Tate (Donna Noble) returned to The Office last week.

Earlier in the week I posted a second annual set of Doctor Who Valentine’s Day cards. This resulted in a jump in traffic from Google searches which generally is only seen with pictures of nude or scantily clad actresses. (A old picture of Kaley Cuoco of The Big Bang Theory from Maxim has been popular lately.)

Last year Jonny Lee Miller and Benedict Cumberbatch alternated in the the lead role in a West End production of Frankenstein. Now they are going to play the same role as Sherlock Holmes. Cumberbatch has stared for two seasons (with a third planned) in Steven Moffat’s updated version of Sherlock for the BBC. Miller has been signed to star in Elementary, a present-day version of the Sherlock Holmes stories for CBS. The similarity in ideas could lead to legal action:

Elementary has already been threatened with legal action by the producers of the BBC’s Sherlock, amid concerns that its modern-day scenario appears to borrow elements from the hugely-successful series starring Cumberbatch.

Sherlock producer Sue Vertue hinted that CBS are now sniffing around her team for casting clues. She told The Independent: “Johnny is a very fine actor, who I saw recently in the theatre when he and Benedict played alternating roles in Frankenstein. Let’s hope their pilot script has stayed further away from our Sherlock than their casting choice.”

As I’ve said before, my guess is that they have nothing to worry about. It is very doubtful that a weekly American network television series could compete with Sherlock in terms of quality. If the CBS show is a success, it very well might generate more buzz, encouraging people to watch the far superior BBC version which they stole the idea from.

The use of Rock, Papers, Scissors, Lizard, Spock to settle disagreements returned to The Big Ban Theory this week. Video above, which includes additional Star Trek references.  The original scene from 2009, along with the rules and a t-shirt, can be seen here.

Ever since Homeland began, I wondered where the series would go if the plot lines from the first season were resolved and the show went on to a second season. Some aspects were left open in the first season finale, and casting news provides a further clue. Navid Negahban, who played the terrorist leader Abu Nazir, will be a series regular. The role of Carrie’s snoop Virgil, played by David Marciano, has also been upgraded to a regular role. Claire Danes won a Golden Globe for Best Actress in a TV Drama for her role as Carrie Matheson.

Mad Men returns on March 25