SciFi Weekend: Continuum; Sherlock; Arrow; Person of Interest; The Avengers; Better Call Saul; The Labyrinth; The Fall; Hannibal; Communty; Sleepy Hollow; Almost Human

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Collider spoke with Rachel Nichols about her role in the recently released movie Raze and then got to the third season of Continuum. She has some news here, such as that Season 3 will reveal more about The Freelancers. Beware there are spoilers as she tells what happens with the Season 2 cliff hanger in which Alec traveled through time. She reveals exactly where/when Alec went, which is one of the more common answers which people speculated about after Season 2 concluded. Not surprisingly, it is also clear that Kiera does get out of that cell she was dropped into.

Continuum has really become one of the best sci-fi shows on TV, right now.  What can you say to tease where Season 3 is going, especially with how ripped apart all of the characters were, at the end of last season?

NICHOLS:  We started shooting Season 3 already.  We got three episodes finished before Christmas break.  What I can tell you is that, at the end of Season 2, Alec (Erik Knudsen) clearly betrayed Kiera and went back in time.  At the beginning of Season 3, you learn a lot more about The Freelancers.  I can’t say how, but I can say that Kiera ends up going back in time to the point where Alec went back in time to save Emily (Magda Apanowicz).  So, suddenly there are two Alecs and two Kieras and we can’t run into each other, obviously.  Right off the bat, in Season 3, you’ve got craziness ensuing.  There’s a death.  There’s a description of The Freelancers.  I’m happy to say that Terry Chen is back, in a big, big way.  And overall, for this season, what I’m feeling is that where Kiera was always about getting home before, acknowledging her impact on the world, with everything she was doing in the present day, now I think there’s a part of her that’s going to be relegated to staying here and really setting up life and knowing she’s going to be here for awhile, and maybe even wanting to.  That will be a back change for her, given the fact that her family is in the future. 



Teasers from Showcase and SciFi above.

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Sherlock returns in the United States this weekend, but as the show already completed the season on BBC One I wonder how many fans are still unaware of what happened. I will avoid any spoilers here and have a few comments leading into the series. The first two episodes are written far more than other episodes for the fans, but would not be good episodes to start with for those who are not already fans of the series. Start with the first two seasons. At very least watch last season’s finale and cliff hanger before the first episode of this season, The Empty Hearse.

The second episode, The Sign of Three, is about a very difficult task for Sherlock and doesn’t start out seeming like a typical episode at all. It is the weakest of the three but if you stick with it you will find that there is a mystery, and the events brought up earlier turn out to really matter. Quite often this season, things are not as they seem.

The third episode, His Last Vow, is the best of the three, and some reviewers have called it the best of the series. It is a more conventional mystery. Lars Mikkelsen, brother of Mads Mikkelsen of Hannibal, makes a fantastic villain, and there is a huge cliff hanger. Make sure you watch until the very end. I’ll hold off until it airs in the United States to discuss speculation about the cliff hanger.

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Arrow executive producer Marc Guggenheim told Entertainment Weekly about upcoming plans for Roy:

After being injected with Mirakuru in the mid-season finale, the first episode back, airing Wednesday night, will explore the benefits — and consequences — of his newfound strength. “We’re going to learn starting with episode 10 that the Mirakuru may give you incredible strength and it really may accelerate your healing, but it comes with some very significant mental downsides as well,” teases executive producer Marc Guggenheim. “And Roy will be experiencing those in the present, and Slade in the past [via flashbacks] will begin to develop those difficulties.”

Guggenheim adds that as everything about Roy’s current predicament becomes clearer, we’re also going to see how it affects the people around him — Thea and Oliver included. “We always said that this year, Roy is going to go through a crucible. And the Mirakuru [storyline] is basically that ordeal and for sure when he comes out the other side — if he comes out the other side — he will be a different person and set on a different path,” he says. “You will start to see that as early as episode 12.”

It’s part of the longer story the writers are telling with Roy, explains Guggenheim, one that shows him going “from being sort of the street urchin we met in episode 15 last year to somebody who could potentially inherit the Arrow’s mantel as Roy Harper did in the comic books. We’re never really driven too much by what we call the comic book destinies of characters, but we’re very much aware of them and we’re very much aware that we’re telling a Batman Begins-style story for all of our characters. And obviously the Mirakuru and what Roy will experience in the wake of episode 9 is a big part of that Batman Begins-like story for him.”

Some additional points were discussed:

+ Have they decided what they’re doing with Flash in episode 20?
Not yet. After it was decided that the Flash pilot would stand alone — rather than being part of the 20th episode of the season — plans had to change, said Guggenheim. But the official plan is still in the works. “We’ve had a lot of afferent internal discussions of how episode 20 basically becoming an Arrow episode instead of a backdoor pilot could operate in terms of the connection to Barry. But we haven’t come to a decision yet, so we’re not ready to talk about it yet,” he said.

+ Will Oliver (Stephen Amell) and Felicity (Emily Bett Rickards) continue to have tension over Barry?
Yes. And you will see more of it in Wednesday night’s episode. “One of our pet peeves is when a show does a backdoor pilot and the episode that follows it tends to ignore what happened in the backdoor pilot. And episodes 8 and 9 served as the introduction of Barry Allen, and it struck us as wrong not to acknowledge everything that happened in those two episodes, particularly in regard to Barry’s burgeoning relationship with Felicity,” he says. “So a good chunk of the emotional real estate in episode 10 is spent on Felicity’s reaction to Barry being electrocuted at the end of episode 9 and being struck by lightning.”

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Guggenheim also discussed Slade with The Hollywood Reporter:

In the winter finale, Slade declared that his sole mission was to turn Oliver’s world upside down. Has Slade turned pure evil, or is there some redemption for him?

What a great question. I will say that I don’t think anyone on our show is pure evil. We always try really hard to write according to the axiom that everyone is the hero in their own story. In other words, in real life, even the most evil people think they’re doing the right thing — at least, through their own lens through which they view their world. Slade is taking actions that he feels are very justified and thus in his mind, he’s not pure evil, he’s not even evil. He’s just a man with a very serious vendetta. For us, the advantage of doing it that way are even our antagonists are grounded and realistic, and I think they’re made more compelling when their motivations are made more human than the comic-book trademark “pure evil.” That’s just as true for Slade as for any of the villains on our show.

Hypothetically, if Oliver were to find out about Slade, how do you think he’d take the news?

I can tell you that hypothetically, were he to find out that Slade is alive and kicking in Starling City, Oliver would not take that well. (Laughs.) And I guess I can spoil and say that it is just a matter of matter of time before Oliver discovers that Slade is in Starling City. We actually have a whole episode and a whole storyline devoted to Oliver’s reaction to that news. I won’t tell you what episode that is.

He was also asked about Sara:

Will Sara come back into the fray in the modern day? Will she come face to face with Laurel?
It’s probably not spoiling anything to say that it’s only a matter of time before Sara returns to modern-day Starling City. We’ve already made the decision as to when and how and why exactly all that [Sara coming face to face with Laurel] will happen. When, over the course of the next 13 episodes that happens, I’m not saying.

So, it appears that Oliver will figure out what is going on with Slade, but still not figure out that Sara is not the same girl he last saw on the yacht in the Season one pilot, with Jacqueline MacInnes Wood’s scenes later reshot with Caity Lotz.

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While both series had already been excellent, there are two shows I watch which have become even better this year: Arrow and Person of Interest. In early episodes, Person of Interest was often just a procedural with the machine used as a gimmick to get the leads into the action. Over the last couple of seasons the series has evolved more into a science fiction show about the surveillance state. The Nerdist discussed how the show has become our reality:

Person of Interest is unique in the world of procedural dramas. While plenty of shows have been able to claim they’re ripped from the headlines, POI has the distinction of being able to say it predicted them. As The New Yorker points out, the show predicted Edward Snowden a year in advance with its episode “No Good Deed.”

Is is worth reading the entire article on this show by Jonathan Nolan and Greg Plageman now that the show has become increasingly relevant. Another passage:

Nolan and Plageman are on the same page as to where this data mining will lead: the singularity. “The cornerstone of the show is that out of this arms race of information technology that we’re now thoroughly engaged in,” said Nolan, “cyber warfare, which was a silly idea, a silly phrase fifteen years ago, is now an absolute reality and quite terrifying in its own way. This is definitely the moment we find ourselves in and our idea was that out of the kind of carnage of this aggressive information arms race you might well see the emergence of something that probably in hindsight we’ll see was an Artificial Intelligence. It’s probably going to emerge out of the NSA or out of a data call center like the one the New York Times profiled. It’s either going to be a sales tool or it’s going to be a spy tool.”

With the audience now fully on board with the Orwellian nature of the show, Plageman says his fake world collides with the real one more than he thought it was going to. “On the show,” Plageman responded, “even though there is this science fiction aspect, there’s a heightened tone to the show – we always try to ground that. We always try to use technology that is in existence. That’s actually here and material. So, I’m always surprised when we talk about something in the writers room, whether we’re talk about AI or Ray Kurtzweil and the singularity. Then all of a sudden he’s hired at Google and you’re like, ‘Wait a minute.’ That’s just ridiculous. We’re talking about this now and you see these things converging and you’re going, ‘Okay, what’s that going to look like?’ [Amy Acker’s] Root is, to a degree, an acolyte of Kurtzweil, and all of a sudden he’s in the hen house. There’s this non-stop drum beat of material coming our way; We’re even struggling to keep up with to a degree.”

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Scarlett Johansson spoke with Parade about Her and about reprising her role as Black Widow in Avengers 2:

“Oh boy! Well, we can expect the Avengers. Joss [Whedon], again, is back, wrote the script, and is directing. I think the script is dark and it’s dry, it’s got this amazing one-liner, glass-cutting sense of humor. Obviously the script is very cerebral. It doesn’t lose that exciting comic book aspect that people enjoyed in the first film, but it’s smart and it feels like the next installment. It doesn’t feel like a rehashing, it feels like these characters are moving forward, plotlines are moving forward. It’s deep and I think that’s why people really respond to the Marvel universe, because the films are fun and exciting and have all that flashy stuff, but there’s a gravity to them. People can expect that gravity this time around.”

Aaron Paul says that both he and  Bryan Cranston are interested in reprising their roles in the Breaking Bad prequel/sequel Better Call Saul.

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The CW Network has obtained the US rights to show The Labyrinth

The CW Network has acquired LABYRINTH, the four-hour event miniseries with a multi-national and award-winning cast, including John Hurt, Sebastian Stan, Jessica Brown-Findlay & Tom Felton, it was announced today by Mark Pedowitz, President, The CW. Premiere night and time will be announced at a later date.

Filmedon-location in the medieval town of Carcassonne in southwest France and Cape Town, South Africa, the historical miniseries jumps back and forth between modern and medieval France as it follows the lives of two women who are separated by centuries, but united in their search for the Holy Grail.

In Carcassonne, France, in the year 1209, 17-year-old Alaïs (Jessica Brown-Findlay, “Downton Abbey,” “Misfits”), is given a mysterious book by her father; a book which he claims contains the secret of the true Grail. Although Alaïs cannot understand the book’s strange words and labyrinth symbols, her father instructs her to protect the book no matter what happens to him. Alaïs realizes that her destiny lies in keeping the secret of the labyrinth safe. Eight centuries later, at an archeological dig in the French Pyrenees, a young volunteer named Alice Tanner (Vanessa Kirby, “The Hour,” “Great Expectations”) discovers two skeletons in a forgotten cave. Puzzled by the labyrinth symbol carved into the rock, she realizes she’s disturbed something that was meant to remain hidden. Somehow, a link to a horrific past – Alice’s own past – has been revealed.

In addition to Brown-Findlay and Kirby, LABYRINTH features a multi-national cast which includes two-time Oscar(R) nominee, three-time BAFTA Award winner and Golden Globe(R) winner John Hurt (“Tinker, Tailor, Soldier, Spy,” “Harry Potter and the Deathly Hallows”), Sebastian Stan (“Captain America: The First Avenger,” “Gossip Girl”), Tom Felton (the “Harry Potter” films, “Rise of the Planet of the Apes”), Oscar(R), BAFTA and Golden Globes(R) nominee Janet Suzman (“Nicholas and Alexandra,” “Midsomer Murders”), multi-award winner Claudia Gerini (“The Passion of the Christ,” “Under the Tuscan Sun”), Katie McGrath (“Merlin,” “Red Mist”), Emun Elliott (“Game of Thrones,” “Black Death”) and Tony Curran (“The Pillars of the Earth,” “The Adventures of Tintin”).

It would have been better if this was being shown on premium cable so that it wouldn’t be necessary to cut the nude scenes with Jessica Brown-Findlay and Katie McGrath which are in the original version. I wonder how many people will wind up downloading the show as opposed to watching on CW.

In somewhat related news. the sex scenes in the movie version of Fifty Shades Of Gray are being toned down compared to the books.

Season two of The Fall, starring Gillian Anderson and Jamie Dornan starts filming in Belfast in February. The first season of the the BBC mystery, also released simultaneously on Netflix, was excellent. Filming will be delayed a month as Gillian Anderson has been tied up with filming for Season two of Hannibal.

Entertainment Weekly has more news on Season two of Hannibal:

1. Will Graham is in prison and everybody thinks he’s guilty: Fuller brilliantly subverted audience expectations at the end of season 1 by having FBI profiler Graham (Hugh Dancy) framed for Hannibal’s (Mads Mikkelsen) crimes when fans expected the show to follow Thomas Harris’ novels and have the cannibal psychiatrist end up in prison (he’ll get there, we assume, eventually). Graham hasn’t magically been released between seasons and he isn’t going to pop back into his old job after one episode (unlike, for instance, Patrick Jane on CBS’ The Mentalist). Graham is also going to be a much more focused and proactive character this season now that he’s no longer suffering from encephalitis and knows he’s not crazy. He’s going to actively try to get himself released, or at least take down Hannibal.

2. Hannibal has Graham’s old job: With Graham in prison, now the FBI is relying on Hannibal even more to help solve crimes, so we’ll get plenty of scenes of the serial killer working to catch other serial killers. “Hannibal becomes the new Will Graham in many ways,” Fuller teases. “There’s a lot of fun seeing him interact with the FBI.”

3. It’s still surreal, though more clear: Hannibal‘s haunting surreal imagery is a signature of the show and will continue. But with Graham no longer ill, he’s a more reliable narrator, which helps ground the storytelling a bit more.

4. Gillian Anderson is back: Anderson reprises her role as Hannibal’s psychiatrist. Expect this season for her character to grow suspicious of her most mysterious patient. “She’s doing a really fun closer examination of her patient and figuring some things out for herself, and that’s dangerous for anyone,” Fuller says.

5. The opening scene of the premiere. Though I suspect it will be widely reported before airing (Hannibal‘s TCA press tour day is Sunday, where it will probably come up), I can’t bring myself to reveal this. I’ll just say it’s the best scene the show has done to date.

6. The murders are more grotesque than ever: You thought that human mushroom farm was unappetizing? Just wait until you see “the beehive”…

7. Mason and Margo Verger are in this season: Fans of the books know the story of Hannibal’s tragically doomed wealthy patient and his sister from the Hannibal novel. They will be introduced later this season and have not yet been cast. Yet another major character from the canon, Francis Dolarhyde from Red Dragon, will likely not come into play until season 3.

A musical version of Groundhog Day is in the works. I loved the movie but am not sure about a musical. Will we have to sit through the same songs over and over?

Community had one of its better episodes last week with Cooperative Polygraphy, showing what Dan Harmon can accomplish with just the group sitting around the table for the almost the entire episode. The episode also concluded the storyline for Pierce, despite him not appearing, and revealed how Troy will be leaving the series. Plus we had this great line from Britta, after finding that Jeff kept her underpants and made up the story of a hawk stealing them: “You exploited me…and made me believe in a slightly more magical world!”

I’m looking forward to the two-hour season finale of Sleepy Hollow this week. Monday nights on Fox shows the advantage of a genre show having a continuing storyline and a strong mythology. Given the premise of the two shows, I’d expect to be far more interested in the harder science fiction of Almost Human. While I do enjoy it, the lack  of signs (so far) of the story really going anywhere have made Sleepy Hollow the show I more look forward to. Next season Fox plans to run Sleepy Hollow uninterrupted  without dividing the show up as it did this year.

SciFi Weekend: Under the Dome; Hannibal; Continuum Special Effects; Star Trek Broken?; Doctor Who; Arrow; Same-Sex Marriage and DC; Westworld; X-Men and More

UNDER THE DOME

Under the Dome got a little darker, and less believable, last week. There have essentially been three major story lines: Barbie/Julia, Big Jim, and the teens with the mini-dome. The Big Jim and Barbie story lines have now merged, with events surrounding both being rather unrealistic, or at least poorly developed.

Barbie was introduced as a killer, but since then has been the closest we have to a hero on the series. Initially the acceptance of him was difficult to believe. Nobody knew anything about him, but the town made him their hero. Was there nobody else who had been living there who could step up in time of crisis? Eventually Julia did discover the fact that Barbie killed her husband but there were no consequences. Barbie had to promise not to lie again, and their relationship continued. Finding out that Peter Shumway manipulated Barbie to kill him so that his life insurance would pay out hardly exonerates Barbie of his crimes.

Big Jim has been a more interesting character due to both being portrayed as a murderer and legitimately having concern about the people in Chester’s Mill. I would anticipate that if these goals conflicted, Jim would support his own interests. Just as I wonder why there is nobody else in the town to who is as heroic as Barby, I wonder why Big Jim is the only one left from the town’s government. It is not realistic that everyone else was on the other side of the dome.

Things changed suddenly for Barbie and Big Jim last week. Linda was on the verge of discovering Big Jim’s crimes. Then Jim framed Barbie for Maxine’s murder and suddenly Linda forgot both all her suspicions about Jim and ignored her trust in Barbie. Even if the degree of trust in Barbie was somewhat realistic, it doesn’t help matters to ignore what went on before. Besides, Linda did see how Barbie called in Julia’s shooting and Barbie ultimately saved her live. Jim’s claim that Barbie was responsible for her shooting, or the shooting of Maxine, should not have been accepted so easily.

The other story line with the teens gets to the central mystery of the show regarding the dome, but I do fear there will never be a satisfactory answer. Now the dome appears to have told the kids to kill Big Jim. Apparently it does have a sense of justice, or opposition to a questionable story line, but with all its power I would think the dome could do something more directly to take out Jim if that was its goal.

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Mads Mikkelsen discussed his role on Hannibal. Here is a portion of the interview, concentrating on speculation as to where the series is going:

How much of his real self do you think Hannibal reveals to Gillian Anderson’s character Bedelia Du Maurier?
“It’s very interesting because he doesn’t have to reveal anything… so who’s he doing this for? For her? She’s no threat. For the audience? No – he doesn’t know there is an audience.

“He likes it – he needed to get it out. He needs to get some emotions out and he uses that little session to get it out, even though in the normal world, that would be very f**ked up what he’s doing!

“At the same time, he could be doing it because he wanted to manipulate someone, but I don’t think that is the case right now with Gillian Anderson’s character. But it remains to be seen, because I don’t know where that [situation] is going yet!”

Were you surprised that Will discovered the truth about Hannibal in season one’s finale? Other shows might have dragged that plot out for longer…
“Again, it remains to be seen exactly what he found out. As I see it, we have three opportunities here – three possibilities. One is that Will can’t remember anything because he’s sick, the other one is that he does remember everything and he tells me, and the third one is that he does remember everything but he plays that he can’t remember… and then the table is turned, right?

“So it’s going to be very interesting to see how [Bryan] wants to start the episodes in the new season, but I would be surprised if Hannibal doesn’t know that he knows that he knows! (laughs) Hannibal’s a smart guy!”

Where do you think Hannibal will go in season two? The main threat to him – Will – now seems to have been neutralised…
“Yes, but Hannibal has never had a master-plan – he’s able to change his ‘master-plan’ every day and, as I said before, he just wants to enjoy life and have a wonderful day!

“I still believe that Will is part of his future – one way or the other – and I don’t believe that Hannibal has a master-plan to take over the FBI. He likes the game and he likes the people around him, and he will just see how far he can go with them, I guess.”

Continuum is notable for telling a very compelling science fiction story with a low budget. That doesn’t mean they don’t do impressive things with special effects, as can be seen in the video above. I discussed both the entire series and the season two finale last week. As expected special effects are used for the  high tech world of 2077 along with the expansion of the Vancouver coastline. From the above video we also see how many of the dramatic scenes, including near collisions with trains and cars, also are computer generated.

The J.J. Abrams Star Trek movies were of value in reviving interest in Star Trek and both were fun blockbuster films. Unfortunately they were not really what we think of as Star Trek. TrekMovie.com generated a lot of interest in a recent post arguing that Star Trek is broken. They gave several suggestions as to how to fix Star Trek. Robert Orci responded and overreacted in the comments:

“I think the article above is akin to a child acting out against his parents,” he said. “Makes it tough for some to listen, but since I am a loving parent, I read these comments without anger or resentment, no matter how misguided.

“Having said that, two biggest Star Treks in a row with best reviews is hardly a description of ‘broken.’ And frankly, your tone and attitude make it hard for me to listen to what might otherwise be decent notions to pursue in the future. Sorry, Joseph. As I love to say, there is a reason why I get to write the movies, and you don’t.”

Orci later apologized, tweeting “not my finest moment. agreed. what can I say? i’m more than half human.”

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There has been speculation on line that Matt Smith’s Doctor might actually regenerate in the 50th Anniversary episode. One piece of weak evidence cited for this was that Matt Smith cut his hair off for a movie before filming the Christmas episode. That theory has fallen apart. It has been announced that filming is to begin September 8 with Matt Smith wearing a wig. We will then have a long wait as the next season of Doctor Who with Peter Capaldi as the Doctor will not air until the following fall.

Before the regeneration into Peter Capaldi, we still have the 50th anniversary episode. The Guardian interviewed John Hurt with the discussion eventually getting to Doctor Who:

It’s your 50th year in the business and you are about to appear as the Doctor in the 50th anniversary of Doctor Who. Both of you have had lots of reinventions. Is there a neat link there?

I’d never thought of that, but let’s use it! Oh yes, there’s a huge link definitely. But I had no idea that Doctor Who had got so huge; I just thought, “Brilliant, I’ll be a Doctor!” I was suddenly – what do they call it? You start “trending”. This is all new to me!

Is it a relief you can talk about your role, now that the costume designer let slip to the Prince of Wales that you play a “dark Doctor”?

Of course you have to remember that the Doctors are all one person, so I’m not outside of that. I can’t talk about it, but I will say I was really impressed when I did it. Both the previous doctors – Matt Smith and David Tennant – boy, are they good at it. Whoa-wee! They are so quick, and there’s a huge amount of learning and no time to learn it in. All that fake scientific nonsense. Terribly difficult to learn.

Have you met the Whovians?

I’ve done a couple of conferences where you sit and sign autographs for people and then you have photographs taken with them and a lot of them all dressed up in alien suits or Doctor Who whatevers. I was terrified of doing it because I thought they’d all be loonies, but they are absolutely, totally charming as anything. It’s great fun. I’m not saying it’s the healthiest thing – I don’t know whether it is or isn’t – but they are very charming.

Arrow Season 2 Poster

Back in the days of the Soviet Union, along with in China, observers would pay attention to material such as photos of Politburo members to decide who was in and who was out. I had a similar feeling reading analysis of the season two poster for Arrow. Apparently Laurel might not be as important and, as has been confirmed in other reports, Felicity has a bigger role.  Buddy TV has more on the second season including the relationship between Oliver and Laurel, new characters, pirates on the island, and a sidekick for the Dark Archer.

DC Comics has forbid portrayal of the planned same-sex marriage for Batwoman leading to the creative staff leaving. This has led to a global backlash.

J.J. Abrams, Jonathan Nolan and Jerry Weintraub are developing a television version of Westworld for HBO:

“Westworld” explores a futuristic theme park split into three distinct areas — West World, Medieval World and Roman World. However, things soon go wrong as the robots built to interact with human customers malfunction, attacking and killing anyone they see. A sequel, “Futureworld,” was released in 1976, and a television series aired on CBS in 1980. It was canceled after airing only three episodes.

Now, HBO is set to tackle the property again on the small screen. The pilot script will be co-written by Nolan and Lisa Joy (“Burn Notice”), and directed by Nolan. Jonathan Nolan, of course, worked with his brother Christopher Nolan on projects such as the Dark Knight series and “Memento.”

This marks HBO’s first real foray into science-fiction territory, which is known for modern and historical dramas, and with the recent success of “Game of Thrones,” fantasy.

Abrams’ and Nolan’s version of “Westworld” is described as “a dark odyssey about the dawn of artificial consciousness and the future of sin.”

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Jennifer Lawrence explains why Mystique is nude in much of  X-Men: Days of Future Past:

“I’m naked,” says X-Men: Days Of Future Past’s Jennifer Lawrence, putting it bluntly. “But when I do get to wear clothes, I love the ’70s outfits.” She will be reprising her role as Mystique in the sequel to First Class, which is set 10 years later.

Lawrence’s costume is a little different this time around. She’s wearing a body suit rather than being covered in body paint, and it’s a darker shade of blue than in First Class. It looks more like Rebecca Romijn’s version of Mystique, but that’s not the only change to the character, as Lawrence explains:

“Some of the Mystique look is a little different, but we’re still using the same paint. But she’s different in this film too,” she tells SciFiNow exclusively. “She was struggling – like a lot of normal humans – with the way she looked, and she was covered up a lot in the first movie, but this time she is Mutant and proud.”

Stargate is to be rebooted in a movie trilogy.

PBS will be airing Superheroes: A Never-Ending Battle, a three hour documentary, on October 15.

Trailer for Gravity above.

SciFi Weekend: Matt Smith and Karen Gillan win National Television Awards; Fifty Years of Doctor Who in Ten Minutes; Eve Myles On The Future of Torchwood; Captain Jack and Captain Kirk; J.J. Abrams–Star Trek, Person of Interest, and Alcatraz; Big Bang Theory and Doctor Who

It was a good night for Doctor Who at the National Television Awards, despite losing to Downton Abbey as best drama. Matt Smith won the award for best actor and Karen Gillan won for best actress.  Merlin was also a contender for Best Drama.

David Tennant has also won as best actor at the inaugural BBC Audio Drama Awards. He won for his role as Kafka in Kafka: The Musical.

Does reading about awards for the last two Doctors make you nostalgic for their episodes, as well as all the episodes before them? The above video shows almost fifty years of Doctor Who in less than ten minutes.

Matt Smith and Karen Gillan beat nominees from Torchwood, John Barrowman and Eve Myles, in their respective categories in the National Television Awards. Cultbox interviewed Eve Myles about the future of Torchwood and the upcoming 50th anniversary of Doctor Who:

What’s the latest you’ve heard on the future of Torchwood?

“As far as I know at the moment, everything’s still very much on hold. Russell [T Davies] has things happening in his personal life.

“John [Barrowman] is very much on the same page as me, in that if and when they need us, they can just pick the phone up and we will be there before they’ve even put the phone down, because it’s something we love doing.

“Nothing’s going to happen in 2012, I know that much for sure. But who knows what will happen in 2013. Maybe a movie, to kinda draw a line under it.

“That’s the thing about Torchwood, every series we’ve changed our format. We’ve always had a gap in between, so fingers crossed, because we’ve got such an outstanding loyal fan base. They deserve Torchwood to go ahead with something else to draw a line under it, for the fans to have a bit of closure.

With the 50th anniversary of Doctor Who coming up next year, would you be up for returning as Gwen for that?

“Um, I said something at one of these conventions and the press kinda jumped on it: “EVE MYLES THINKS BEING INVOLVED IN THE 50TH ANNINVERSARY OF DOCTOR WHO IS INAPPROPRIATE.”

“Now, this has come across wrong and I want to get this out that I didn’t mean it like that! What I meant was that the direction we were taking with Torchwood was very violent kind of storylines. The characters were going through certain narratives that are pretty hefty and adult. What I meant was that it’s difficult for a character to do those kind of scenes then do Doctor Who, which my niece and my nephews watch. And I would never let them watch Torchwood!

“It’s a difficult crossover. It works with Captain Jack because John does it beautifully. If I was asked it would be an absolute honour to be involved with something as huge as Doctor Who again.

“We were born from Doctor Who and we will be eternally grateful to the mothership. And I always say that and that never gets printed! If I was involved, I’m sure it’d be a wonderful thing but there’s been no phone call or no talk about it so I doubt very much that I will be involved, but I’d be honoured.”

Topless Robot helped me transition from Torchwood to Star Trek by digging up the above video of John Barrowman interviewing William Shatner (Captain Jack and Captain Kirk) from 1994 about Star Trek: Generations.

Zoe Saldana has provided a hint as to what happens with her character in J.J. Abram’s second Star Trek movie in an interview with New York Magazine:

Might we see some more “close encounters” between you and Zachary Quinto in this movie?
If I’m elusive, will that spoil it for you?
You mean you can’t say anything, and that in itself might be indicating something?
I just don’t want to spoil it for you. All I’m going to say is, if you put all the time and energy and wit into setting these two characters together in the first movie and didn’t follow through, it would be a shame.

Got it.
I hope I didn’t say too much!

I don’t think you did.
I feel like J.J. is going to pop up out of the corner and say, “Come with me, Zoe.”

J.J. Abrams also has two new genre television shows this season, Person of Interest and Alcatraz. Individual episodes of each give the impression of being essentially police procedural shows with a twist, and the question in my mind is whether there will be enough back story of interest to make them worth watching. I almost gave up on Fringe during its first season, seeing it as largely a monster of the week version of X-Files, but by the second season there was a tremendous pay off for sticking with the show. Therefore I paln to keep watching these two new Abrams shows.

There are hints that a story is developing beyond the weekly procedurals on Person of Interest. We have already seen a major change in Detective Carter. I am curious to see what develops now that  Reese is having Finch followed.  Meanwhile, Jonathan Nolan warns, “None of these characters are safe. You always have to be willing to [kill off characters]. Nothing is given.” I doubt that they would kill off Reese or Finch, but Carter and Fusco are definitely expendable.

Alcatraz combines a weekly police procedural with hunting down escaped prisoners from Alcatraz along with a continuing story about how they managed to be transported to the present. So far we’ve seen three stories (with two separate episodes being aired the first week). I got hooked with the second episode, which showed Lucy both in the past and present. It was not only the prisoners who disappeared from Alcatraz.

Perhaps because of being produced by Warner Brothers, The Big Bang Theory tends to concentrate heavily on DC comic characters. One rare past reference to Doctor Who which I can recall was from last year’s New Year’s Eve party when Stuart wore a Tom Baker costume at a party at his comic book store. Meanwhile, most of the characters came not as X-Men or Avengers but members of the Justice League of America:

Two years ago, Sheldon did combine watching Doctor Who with his fixation on his place on the couch:

On the other hand, last year Craig Ferguson teased Jim Parsons for being nothing like his character due to not watching Doctor Who.

This week’s episode of Big Bang Theory shows that Sheldon is no longer alone in watching Doctor Who every week:

The Big Bang Theory still remains far beyond Community in references to Doctor Who with their ongoing invention of episodes of Inspector Spacetime.