SciFi Weekend: Star Trek Discovery; The Orville; Black Mirror Does Star Trek; The Tick; The X-Files; The Punisher; The Magicians; Doctor Who; Gal Gadot On SNL

The third episode of Star Trek Discovery, Context Is For Kings, was like a new pilot, with last week more of a prequel. They finally introduced the Discovery and Captain Lorca. Do Discovery’s call letters, NC1031, mean that this ship falls under Section 31? While James Kirk and Benjamin Sisco have bent the rules at times, Lorca goes far beyond what we have ever seen on Star Trek before. Typically Star Fleet captains who behaved like him have turned out to be the villain, not heroes. Lorca also has that strange menagerie, including an apparently neutered Tribble, while ten years later Kirk will know nothing about them. Perhaps he uses the Tribble as a way to detect any Klingons who might attempt to infiltrate the Discovery.

Lorca claims to have permission from Star Fleet to do whatever it takes to find a way to beat the Klingons. This appears to have included orchestrating the rescue of Michael Burhnam from the shuttle, even if it meant allowing the shuttle pilot to die. Apparently he has enough clout to keep Burnham as part of his crew if he has her on board, but not enough to simply request that she be transferred from prison to his ship. Obviously it was more dramatic this way.

Burnham did appear beaten at the start of the episode. I had expected to see the standard troupe of having her rescue the shuttle, but that did not occur. She did return to her usual self over the course of the episode. Thanks to Burnham, we see why Star Fleet abandoned the ineffective breath detector as a security device. Once on the away team, she was the one to save the rest. Beyond the breath detector dying out as a security system, it makes sense that black alerts didn’t catch on. While dramatic to hear them announced, it would be quite hard to visualize the flashing lights of a black alert.

The first two episodes provided a familiar type of Star Fleet ship, with Burnham having a conventional relationship with her Captain, until the mutiny. Even granting that Burnham was wrong in her actions, she is now being unjustly blamed for the entire war, which the Klingons appeared determined to start regardless of what she did. Lorca, Burnham, and Saru have a relationship somewhat analogous to the Kirk, Spock, McCoy threesome from The Original Show, although with major differences. They apparently have forgotten about sun glasses in the future and it is far too early for Geordi La Forge’s visor, making it difficult for Lorca to go on away missions due to the injury to his eye. With Saru also not appearing to be well suited for away missions, this makes it plausible that Burnham might lead them instead of the  more senior officers which typically (and perhaps foolishly) led them in the other series.

Burnham’s relationship with Lorca is also different from the start with Lorca believing that Burnham is forced to be loyal to her because he is the one giving her a fresh start. On the other hand, it might become significant again that Burnham was willing to defy her captain when felt to be necessary. If Lorca does turn out to be the villain, Burnham might be called on to turn against her captain once again.

There have been some complaints that this does not feel like Star Trek, but we must consider that the series is unique in taking place during wartime. Consider how different everything felt on the episode Yesterday’s Enterprise. Deep Space Nine did not feel like conventional Star Trek, either before or during the Dominion War. If this is a Section 31 vessel, it might also seem different regardless of circumstances.

Being a Section 31 ship would help explain how we are seeing things which are not known on board the Enterprise ten years later. It is also possible that their research turns out to be dead ends, too dangerous to allow many to know about, or perhaps the Discovery is destroyed like its sister ship. It does appear that the writers have considered such continuity issues in various interviews.

Jason Isaacs has discussed some of the questions I raised above in interviews, and discussed other aspects of Captain Lorca. From TV Guide:

Why does Lorca have a room full of animals?
We’re losing this war and I’ve been given license to do whatever the hell is necessary to try and see if I can in any way shift the odds. And so I have in my private study area, anything I want including weapons, gasses, poisons, creatures… Anything that, if examined correctly, might give us an edge because we need something to turn the tide in the war. And that’s why someone like me has been given this ship and given license to go off and — not under the glare of anyone else’s spotlight — see if I can come up with a solution, any kind of creative solutions to this problem of imminent destruction.

So the tardigrade might be one, some of the Klingon weapons I’ve got might be it… The spores might be it. I just need something and I need it fast and I need people to help me, and hence, one of the reasons why I get Michael Burnham to be on my team. She is someone who’s prepared to break the rules… Someone who’s really smart strategically and someone who I think will ultimately be loyal to me since I’ve given her a second chance at life.

From Entertainment Weekly:

You still get the sense that Lorca will do anything, even if it’s off-book, to accomplish the ultimate goal against the Klingons — and possibly other agendas.

He just wants to win the war. This is 10 years before the series that people fell in love with Kirk and Spock, before the Federation directive comes out, before people are exploring peacefully. This is a time when the Federation might not be there tomorrow morning. All of the high-minded ideals will go out the window once everyone around them is incinerated and Lorca thinks he sees that modern man. He thinks he’s going to win this war by any means necessary and they’ve kind of given him license to do it, because they’re terrified and they’re right to be terrified. So he’s on this science ship, which is not the ideal vessel, got some possible breakthrough technology, but there’s a lot of work to be done there, and he’s got a bunch of explorers crewing this thing who are really not battle-hardened at all and he’s going to try and do whatever he has to do to tip the tide of the war. It’s not going to be easy. Certainly, he’s not going to get there by being nice…

At the end of the episode, Lorca has the creature from the USS Glenn — the one that was terrorizing Michael and company — secretly beamed aboard the Discovery into one of his secret rooms with other contraband objects and creatures. What is he doing with all those things that he’s, presumably, illegally accumulated?

He’s got a room, a study room in which he studies war because they’re at war. In different times, he might have books of poetry, he might have an easel in there. He’s an exercise man, so at one point in time he might have been doing interplanetary yoga. Right now, he needs to work out how to defeat enemies and he’s got forbidden material in there. He’s got weapons, he’s got poisons, he’s got creatures. He’s looking for an edge in a war with a superior opponent and he’ll take anything he can get, anywhere he can get it. Sometimes he takes risks to get it.

What is Lorca’s relationship with the women on the Discovery crew, because it seemed like there was something a little extra between the captain and Commander Landry, his head of security?

I think in this tradition of Star Trek captains and these alpha males who rise to the top, he’s got a taste for the good life and he’s got an eye for his female officers. I don’t know that that’s going to work with Burnham very well, frankly. She doesn’t look like she’s up for that kind of thing, but him and Landry certainly have a relationship that goes beyond, I would think, work. But that’s how I played my scenes with all the women on board, whether or not the writers were on board with that. By the way, that’s my tribute to Shatner. I always thought, as much as the original series was born out of the civil rights struggle and the birth of feminism, some of that was [infused with a feeling of] James Bond. It was clear Captain Kirk had his way with any member of the micro-skirted crew members he wanted, so that was my subtle tribute to him. I’m playing that, even if it’s inside my head. (Laughs.)

CBS has announced that they will present episodes through November 12 (instead of November 5 as previously announced), leaving only six episodes after the show resumes in 2018.

It was revealed at New York Comic con that Michelle Yeoh will be returning as Captain Georgiou. Presumably this will be as a flash-back, unless they find a way for her to return after being killed last week.

On rare occasions we have had two different Star Trek series on at once, but the current situation is unique in having two shows inspired by Star Trek but going in such different directions. While Discovery is darker and serialized, The Orville provides stand alone stories which are more similar to those from Star Trek: The Next Generation. The series appears to be moving more towards actual science fiction stories as opposed to parody, while still incorporating humor. The last episode was the most successful to date in incorporating humor while adding to the main story. Being directed by Jonathan Frakes helped make it feel like STTNG. Plus it introduced time travel to this universe.

The episode also benefited by the guest appearance of Charlize Theron. She turned out to be different from what she first seemed to be, but she had time for casual sex with Captain Mercer and to sit around sipping drinks. While the relationship between Mercer and his ex-wife has sometimes seemed to have been used excessively to attempt humor, it worked very well in this episode as Ed initially mistrusted Kelly’s suspicion of Pria as being based upon jealousy.

One thing I always found unrealistic about the Star Trek universe was the limited existence of mass entertainment and popular culture. The Orville has had multiple references to pop culture, although it appears to have ended around our time. Previous references have included Kermit the Frog, Friends, and reality TV. This episode started with a clip from Seinfeld, which propelled the B story line. Teaching Isaac about humor and practical jokes allowed them to use humor without it appearing out of place as in some of the earlier episodes. I could easily imagine a similar story line involving Data. Of course Seth MacFarlane did take it further, with Issac amputating Malloy’s leg as a practical joke. Fortunately the limb was easily regenerated.

The episode also did a good job of incorporating the B story line into the main story, both with Malloy’s leg falling from the ceiling and with Isaac using a reference to the Seinfeld clip to tip off Malloy as to what he was doing to help save the ship.

Besides the two versions of Star Trek discussed above, there was more information at New York Comic Con on the planned Star Trek based episode from the fourth season of Black Mirror:

Titled “USS Callister,” the 74-minute adventure stars Fargo‘s Jesse Plemmons and Cristin Milioti, Jimmi Simpson (Westworld), and Michaela Coel.

While critics were barred from reviewing it, by all accounts from those in attendance it’s one of the most cinematic of Black Mirror installments, thanks to its epic production values — from sprawling desert locations and scenes set on the deck of the titular starship to the out-of-this-world outfits and expensive computer effects.

“The idea came up in conversation, and it struck us. We hadn’t done a space epic before and we thought, how would that work in the Black Mirror universe?” Brooker told The Hollywood Reporter.  “What sort of tone would it have? We ended up in this strange place.”

Naturally, the show tackles themes befitting its signature paranoid style and contains more than a few twists (and reportedly a few lens flares too, in a nod to the J.J. Abrams-helmed reboot).

Rather than releasing all the episodes at once, Amazon released only part of The Tick, hoping that buzz from the first half of the series will increase viewership before the series is completed. They announced at New York Comic Con that the show will return in February and released the above trailer. The show does effectively combine humor with a superhero story.

The above trailer for The X-Files season 11, which will premiere in January 2018, was released at New York Comic Con. More information on the upcoming season here.

Chris Carter said in an interview that he might continue the series even longer, but Gillian Anderson has said that the eleventh season will be her last. There have been attempts at bringing in other cast members, but I am skeptical as to whether the show can survive without Mulder and Scully.

Netflix cancelled promotions for The Punisher at New York Comic Con and a planned Paris event following the recent shootings in Los Vegas. They are also delaying the premiere of the series.

The next season of The Magicians will deal with restoring magic. We got some hints as to what will occur at the New York Comic Con:

“Julia and Quentin almost circle back to who they were as kids,” John McNamara notes that their reunion more or less restores their BFF status. Aside from partying with a god, we get to see them revisit a lifelong friendship and get over past grievances.

Jason Ralph and Stella Maeve spoke enthusiastically about the unexpected nature of Quentin and Julia’s relationship, which started as the tired unrequited love trope but evolved into something much more interesting. Jason Ralph said during the panel, “It’s really gratifying to get back together.”

The quest to revive magic will also lead to some unlikely pairings for the cast. Sure, we get some expected combos like Eliot with Margo or Quentin with Julia, but Sera Gamble teased during The Magicians NYCC panel that we’ll see more scenes with Julia and Alice together in Season 3. Julia’s relationship to the strange new magic she discovered evolves over the season in unexpected ways, and perhaps it’ll take Alice to help her figure it out.

Alice herself will go through the “worst quarter-life crisis ever,” according to Taylor Dudley. Alice died, became a niffin, sort of died again, and when finally reunited with her Shade, she then had magic taken away completely. Alice will be in a weird emotional spot when the season kicks off, especially considering she’s being hunted by an enemy she made while a niffin.

This year’s Doctor Who Christmas special, Twice Upon A Time, will also be shown in movie theaters, along with special features. More information here.

Nerdist reports on how Peter Capaldi learned that a woman was to be cast as the thirteenth Doctor. Capaldi also discussed why he is leaving Doctor Who at New York Comic Con:

In a retrospective session at New York Comic-Con, Peter Capaldi said that playing the title role in British TV juggernaut Doctor Who brought many pleasures but proved all-consuming. After four years, he said he felt it was best to leave before it ever felt like a routine.

 “It fills up your life,” he said. “You don’t have a second where it’s not about Doctor Who. It’s a nice way to live.” And yet, he continued, “I really never wanted to get to a place where I knew how to do this because that’s not what being creative is. The actual amount of time we were spending on the show, I realized I was getting the hang of it. And that made me frightened.”

Asked by a fan whether he would consider returning for a special or in any small role down the road, he said, “I think it’s probably time for me to go.”

The Mirror has some changes they claim will be made to Doctor Who next season under Chris Chibnall and Jodie Whittaker. The reliability of the report is unknown.

This week has marked the 40th anniversary of the introduction of K-9 on Doctor Who and the 50th anniversary of the introduction of the Mirror universe on Star Trek.

Den of Geek talked to Karen Gillan about Nebula’s role in  Avengers: Infinity War.

Gal Gadot was guest host on Saturday Night Live last night and talked about playing Wonder Woman in the opening monologue (video above). She also had the skit below about Wonder Woman:

There was also far more news at New York Comic Con than I can get to today and I will present more of it next week.

SciFi Weekend: The Orville; Star Trek Discovery; The Magicians; Saving Dark Matter; Legends of Tomorrow; Game of Thrones; Doctor Who

I probably agree with most of the criticism of The Orville. Although flawed, as a long time Star Trek fan (as Seth MacFarlane is), I intend to give the show longer. The pilot did rely too much on jokes about the Captain and first officer’s divorce, but there were some other amusing moments. The episode introduced the major officers by having most of them being new to the Captain. Here’s one exchange as he met the second officer:

All right, uh, Lieutenant Commander Bortus, our second officer. You know, I’ve never met a single-gender species before. Your entire species is male, isn’t it?
That is correct, sir.
So, there’s probably not a lot of arguments about leaving the toilet seat up and that kind of thing, right?
No. Moclans urinate only once per year.
Really? That’s Me, I’m-I’m up two, three times a night.
That is unfortunate.
It is.

My favorite exchange was this parody of the technobabble often seen on Star Trek as the crew encounters something new. They saw a device which aged a banana a month, causing its destruction:

Janice has been experimenting with temporal fields and has made well, a breakthrough would be an understatement.
So, it’s an anti-banana ray?
It’s really interesting. We need no longer fear the banana.
Does it work on all fruit?
What about salads?

Obviously there are other uses for such a device.

Some previous Star Trek actors are interested and have agreed to cameos, including Wil Wheaton.

TrekMovie.com has interviewed Seth MacFarlane regarding his plans for the show. Information on tonight’s episode here.

Obviously there will also be some cross over between Star Trek: Discovery and previous series. Jonathan Frakes has directed an episode, and revealed that Discovery will be doing a Mirror Universe episode.

Trekmovie.com looks at the latest trailer for the show, giving some of the biggest clues as to what the series will be like one week before its September 24th premiere.

Netflix has listed the ten most rewatched episodes of Star Trek. They are not the ones I would choose, with a heavy concentration on Voyager.

Critics will not be able to review Discovery until after it airs, with no screeners being released. Some shows might suffer from reduced hype by taking such an action, but I don’t imagine this will happen as this is Star Trek. Plus it probably doesn’t matter to CBS whether people watch when first aired as with other shows. Their goal is to get people to subscribe to their streaming service, which will allow them to catch up after the original episode airs.

Netflix has listed the ten most rewatched episodes of Star Trek. While I agree with some choices, such as The Best of Both Worlds, they are not the tenI would choose, with a heavy concentration on Voyager.

Entertainment Weekly has this news on the upcoming season of The Magicians:

EW can exclusively reveal that Candis Cayne will return as the Fairy Queen in season 3 (see the exclusive photo below), which finds magic-free Fillory under full but secret occupation by the fairies. In the new state of affairs, Eliot (Hale Appleman) and Margo (Summer Bishil) are the unwilling pawns of the Fairy Queen, who has her own dark vision for Fillory’s future and whose demands on Margo tend to be particularly baffling and hilariously humiliating — which is what you’d expect from this typically whimsical, mysterious, and at times sadistic species.

I have grown to like Margo, but seeing her tormented by the Fairy Queen could be amusing.

Dark Matter fans continue to push to keep the show alive, including with Twitter storms. Several campaign links here. I wish them luck. This is a show which is well worth continuing for the entire planned story arc.  The Mary Sue gave several good reasons for saving Dark Matter.

Legends of Tomorrow went from a weak series its first season to being the best of the CW DC shows last year. This was partially due to other series weakening with time, but Legends also did become much more fun the second season. Third season premiers on October 10. Promo above.

Game of Thrones will be going to great lengths to avoid spoilers of the ending of the series, including shooting multiple endings

The BBC has released the synopsis for the Christmas episode of Doctor WhoTwice Upon A Time:

Two Doctors stranded in a forbidding snowscape, refusing to face regeneration. And a British army captain seemingly destined to die in the First World War, but taken from the trenches to play his part in the Doctor’s story.

This is the magical last chapter in the Twelfth Doctor’s epic adventure. He must face his past to decide his future. And the Doctor will realise the resilience of humanity, discovering hope in his darkest frozen moment.

It’s the end of an era. But the Doctor’s journey is only just beginning.

Mark Gatiss will be playing the British army captain and David Bradley will play the first Doctor. This episode will also introduce Jodie Whittaker as the thirteenth Doctor.

As I led with Star Trek and related news this week, it is worth noting that it was recently revealed that Peter Capaldi had once auditioned to play Benjamin Sisko on Deep Space Nine. It is hard to see him in the role in place of Avery Brooks. If the audition tape ever is released, it will be interesting to watch.

Pearl Mackie has been cast in her first role for after she leaves Doctor Who following the Christmas episode.  She will play Lulu in Harold Pinter’s 1957 play The Birthday Party. The link includes an interview with Mackie.

Karen Gillan has revealed the disguises she used, along with Matt Smith and Arthur Davill, to blend in at a convention.

Claire Foy, who stars with Matt Smith in The Crown, has been cast as Lizbeth Salander for The Girl in the Spider’s Web. It will be interesting to see her in such a completely different type of role.

SciFi Weekend: Mid-Season Finales For Arrow (Is Oliver Dead?), The Flash, and Agents of SHIELD; Agent Carter; Spider-Man; Continuum Renewed; The Office In Middle Earth; Krypton; The Newsroom; Fargo

Arrow-Finale-Oliver-Killed-Explained

Arrow, The Flash, and Agents of SHIELD all had major revelations in the midseason finales aired last week. Needless to say, there are major spoilers following. Besides revealing who killed the Black Canary, Arrow had the biggest cliffhanger, except the lead character actually was shown falling off the cliff after getting killed by Ra’s al Ghul. Stephen Amell even played along with comments on Facebook and Twitter such as, “It was a good run.” The most common belief among fans is that Oliver might have really been killed, but he doesn’t stay dead. The most likely explanation is the Lazarus Pit, which is sort of the Genesis Planet for DC comics. I also noted that a drug used for mind control played a major part in the episode and wonder if this could also somehow plays  a part in how Oliver ultimately survives if he had managed to drug Ra’s al Ghul and influence his behavior and perception of the fight.

Oliver’s death, even if temporary, does provide an opportunity to highlight the show’s strong supporting cast. However Oliver won’t be gone long. Episode 13 is entitled The Return, but  Marc Guggenheim has said this does not refer to either Oliver or Slade Wilson (who will be returning at some point). This leaves open the question of who does return, which could be significant considering the large number of characters who have come and gone from the series. Set photos have appeared on line showing that the Arrow is back in that episode.

The revelation that Thea Queen (while drugged) killed the Black Canary was a bit of s surprise, but it did seem obvious that she was killed by someone we knew. I just wouldn’t have guessed Thea. Most likely she was about the last person most would have guessed, which is why the writers did make her the Canary’s killer.

Emily Bett Rickards engaged in bathroom therapy and answered questions about Arrow in a video filmed in her bathtub. (She is fully dressed, but really is in a bathtub in her video tweet.)

The Flash revealed the identity of Reverse Flash as Harrison Wells, as I predicted last week, but there remains much more to discover. It appears that Wells might not be described simply in terms of good or evil with his actions, presumably including killing Barry’s mother so that he becomes the Flash, and later protecting Barry, being motivated by doing what he thinks needs to be done for history to play out as it should.

Variety interviewed Andy Mientus about playing the openly gay villain Pied Piper in an episode airing January 27:

“With the gay thing, I feel like I’m representing a whole community,” Mientus, 28, told Variety at the “Into the Woods” premiere in New York on Monday night. “People are excited to see this character, so it is a lot of pressure. But I’m glad they are introducing the character to the show. It’s a huge step forward, and I’m thrilled to help make that happen. It’s awesome.”

Mientus, who is engaged to actor Michael Arden, admits he’s more nervous about pleasing the comicbook’s avid fans than addressing his character’s sexuality.

KYLE MACLACHLAN, CHLOE BENNET

Agents of SHIELD revealed that Skye is actually Daisy Johnson  and tied the show into Marvel Phase 3 and Avengers: Age of Ultron. Executive producers Jed Whedon and Maurissa Tancharoen explained much more about where the show is headed in an interview at Marvel.com:

Marvel.com: So I’m sure many fans are wondering what exactly that ending means for the future of the series?

Jed Whedon: We’ve dropped her name and it’s the origin of the new version of her.

Maurissa Tancharoen: Or the origin of the true version of herself, which is Daisy Johnson.

Marvel.com: When you were breaking these characters and first developing them, was this a discussion you had at the very beginning?

Jed Whedon: It was somewhat of a moving target early on, in that we knew Skye would be an orphan and would uncover secrets about her past. We had an idea of what we wanted some of those to be that found their ways into the storyline, but exactly who she was we landed on early last season, or midway through last season. We started setting it up early in the beginning of last season.

Marvel.com: We also get the reveal of her dad as Mister Hyde, or Cal. What does bringing him into the series give you guys?

Maurissa Tancharoen: As we always do, we pulled from what exists in the Marvel Universe and put our own spin on it. We had always had our eyes on Daisy Johnson, and therefore her father and her whole history. We sort of planted that throughout the first season and a half. You knew the story of her parents and the havoc they caused, the massacre in the Hunan province in China. We lay in things like that, and over time you put the pieces together. But of course Daisy’s powers aren’t really activated until that moment you see in the Winter Finale.

Jed Whedon: There are parts of it that move away from the story in the comics, but partially that’s because we’d invented our own way [of getting there]. We also wanted it to be a surprise to the people who are familiar with the comics, but [it’s] also because we’re tying it to a larger world. [It’s] not just her origin story, it’s the origin story of a bigger, other world.

Marvel.com: And that is a somewhat “inhuman” world, you could say?

Jed Whedon: It’s safe to say that.

Marvel.com: When did you hit upon the idea of introducing that Inhuman element into the Marvel Cinematic Universe for the first time?

Maurissa Tancharoen: It’s been a property in the Marvel Universe that we’ve been interested in since the beginning. Our tagline when we began the show was “not all heroes are super,” and we wanted to focus on that and highlight that for the first season. Now as we move forward we’re diving deeper into the Marvel Universe, and it’s our way of exploring a whole new world that may be comprised of people who have special abilities. We think that’s going to open everything up for us.

Jed Whedon: Not all heroes are super, but what happens to a hero when they become super?

Maurissa Tancharoen: Essentially what we’ve built since the beginning of the show is an extended origin story, and we’ll dive into that in the back half of Season 2.

There is a long hiatus until Agents of SHIELD returns, which will be filled with Agent Carter. The first two episodes of Agent Carter will air on January 6, with a clip from the series above. Here is the series description:

It’s 1946 and peace has dealt Agent Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field, putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers – a.k.a. Captain America. When old acquaintance Howard Stark finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy — the only person he can trust — to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis, to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for selling these weapons of mass destruction. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison – or worse.

The synopsis of the first episode:

“Peggy is contacted by old acquaintance Howard Stark when he is framed for unleashing his deadliest weapons and can trust no one else. To help Peggy clear Stark’s name, he insists his butler, Edwin Jarvis, be at her beck and call–whether she likes it or not. But the risk is great: If caught, Agent Carter could be targeted as a traitor and spend the rest of her days in prison…or worse.”

And the second episode:

“Howard Stark’s deadliest weapon has fallen into enemy hands, and only Agent Carter can recover it. But can she do so before her undercover mission is discovered by SSR Chief Dooley and Agent Thompson?”

Spider-Man Reboot

There have been reports that Sony, who owns the rights to Spider-Man, has denied requests to allow the use of  Spider-Man in the next Captain America movie, which was desired because Spider-Man did have a role in the storyline taken from the comics. There was also talk of Marvel Studies doing the next Spider-Man trilogy with Sony retaining “creative control, marketing and distribution.” Despite the last movie being a flop, Sony is looking at plans at continued use of the character, most likely as yet another reboot as opposed to a conclusion of a trilogy following the last two movies. Screen Rant looks at many of the ideas floating around. While I really don’t care if they do it with Spider-Man as a teenager or adult, I do agree with the idea of just jumping into a good story and not bothering with yet another origin movie. More at IGN and The Daily Beast.

Gotham shows life before Batman. Smallville showed Clark Kent’s earlier life. Now Syfy is going back even further with a planned show about Krypton.

Continnuum

Continuum was renewed by Showcase for a shortened six-episode final season.  Rachel Nichols responded, “All great stories deserve an end. I am excited and grateful to finish Continuum with the riveting conclusion it deserves … this series finale is dedicated to the devoted fans who have loyally supported us since day one.” Indiewire discussed the ending of the series with Simon Berry. Here are some of the questions and answers:

What went into the decision to make the fourth season the final season?

I’m obviously not privy to the conversations that happen inside the network, but I think from their perspective… whether it was an issue of internal profits or the money that gets recycled back into the broadcaster, to cover what they’re paying out or whether we’re simply making a creative decision, I think ultimately we were probably on the bubble in terms of how we were bringing money back in for the Canadian broadcaster. In terms of their decision-making process, we probably received the benefit of the doubt in terms of not being canceled, which a lot of shows are when they’re not performing to expectations. They wisely recognized there was an opportunity to service the fans, and also to make more of an event around this final season. It seemed like a lot of things lined up in our favor in that sense. Obviously, I’m speculating, because you never get to hear the inside information.

You seemed pretty confident, back in October, about the show getting picked up.

We definitely had indications early on. When there’s a delay and there’s no cancellation, you know people are working on finding a solution. That’s pretty clear. The delay is usually because somebody is working hard to find a solution that isn’t cancellation. The longer it went, the more I felt we had momentum, and I certainly started hearing things early on in terms of getting prepared for ideas and getting ready to present plans for Season 4, which gave me the indication that we had a final chance. But a lot of that has to do with how everything comes together, because we still have to do our jobs as producers to put together the mechanism by which the show gets made, which is the right people and the right budget, things like that that everyone has to agree on.

Every season on “Continuum,” we’ve had less money. One of the reasons we have less money is because when a show succeeds in its first season, usually the first season is the gamble season to launch it — much like opening a business. You put a lot of effort and a lot of energy and a lot of money into having a strong launch, then you kind of hope that the longer you last the more you can claw back that investment and the show can generate revenue in a positive sense.

It’s so hard to make time travel work narratively in just a two hour movie. For you, hitting Season 3 and going into Season 4, how do you handle every complication that you’ve created?It’s a good question. There was probably a time where we went into the show feeling like time travel had to be something that was touched on all the time. But we realized in the beginning, that once we’d set up the time travel event there was a ton of stuff to mine before we did time travel again. Really, for me, the challenge was how much of this story can we really exploit before I use this time travel trope, or that time travel device — I mean time travel device, literally and figuratively — to create more drama.We had an idea, at the beginning of Season 2, that we wanted to have another time travel event in the show, just as a component of our experience. The goal after Season 1 was let’s work toward a travel time moment, because we knew we hadn’t done it. We had really kind of avoided using time travel, because it does kind of get you in a ton of trouble. As you know, out of Season 2 and Season 3 that this one decision for Alec (Erik Knudsen) to go back in time reverberated in so many ways. I’m really glad we didn’t do more time travel. [laughs] Because it’s been so complicated dealing with that one end-of-Season-2 moment. Season 3 was incredibly complex as a result.

We had a great dramatic moment at the end of Season 2 with Alec going away, but I don’t think we appreciated, when we wrote that, all of the things we would have to deal with in Season 3. Season 3 became a really hard lesson — not a hard lesson in the sense that it was difficult, but a hard lesson in that we felt an obligation to pay off the results of that time travel choice. It was much more impactful than I realized, in terms of how it would affect the drama, how it would affect the characters. They were great opportunities, dramatically, but I think with the complexity of people trying to track it and follow it, we didn’t anticipate how hard it would be.

Did you always have, in your head, an idea for the series finale?

I’ve always known how the show ends, from day one. It was the first conversation I had with the writers — “Here’s how the show will end” — just so everyone knew where we were heading and that we understood that we couldn’t violate certain rules to get to that point. It wasn’t necessarily just how the show would end, it was like: “Here are the rules of time travel that I’m adhering to in the philosophy of time travel,” so that everyone kind of understood what we could hint at.

How close is what you’re planning for the finale to what you initially had planned?

Well, it’s certainly a shortcut to the original idea we had. I think we’re definitely staying true to the plan. We’ve had to adjust a little bit as to where we left off and where the story needs to go, so we’ve built a story bridge, if you will, to link the ending we wanted to where we left off. So I feel very good about how these things are connecting.

When you say shortcut, how many seasons were you expecting the show would last initially?

I always expected it to be cancelled every year! So it was less about what I expected and more about what I was hoping for. I was hoping we could get seven years to tell the full story and all the various chapters. There were certainly opportunities to tell half a dozen specific, episodic stories — we had chatted about it internally, but ultimately it’s still a linear story and I don’t think we’re compromising anything by getting to the ending in four seasons as opposed to seven. It’s maybe some other stories that won’t get told, but those, at the end of the day, didn’t make a difference as to how the show would end or not.

Given how complicated things got in Season 3, will Season 4 be scaling back or will it take all those threads and take them to the next level?

It’s hard to sort of qualify “complicated.” We’re definitely building off of Season 3 because that’s the natural evolution of storytelling. You’re always building off what you just did. But I would say that because we’re now dealing with a shorter season in six episodes, it’s also an opportunity to not deal with the reality of thirteen, which is to tend to want to have more layers of storytelling and multiple threads. Now with six, we’re actually more focused on one clear story, which means the show could be closer to more of a limited series than a traditional 13-episode series.

How different is the rhythm of a six-episode season?

Well, it’s naturally different because it’s shorter. But it also provides opportunities that the longer seasons don’t. I’m actually excited for the shorter number, in the sense that it allows for a different style of storytelling, which is more appropriate for finishing the story, rather than trying to service the balancing act of 13 hours, which tends to balance more serial and episodic.

Of course I wouldn’t expect him to say anything different about being able to finish the series in six episodes, but I can’t help but think it will result in a lesser story than planned. Individual seasons very well might have been better if shorter, but suddenly shortening the 4th season should be more difficult. They not only have to show the story planned for the season after the major changes shown in the third season finale, but also have to tie up the entire series in such a short amount of time. At least it is much better than having no conclusion at all.


Martin Freeman was guest host on Saturday Night Live last night. He appeared in the above skit as Bilbo Baggins in which an episode of The Office took place in Middle Earth.

The second season of Broadchurch starts on ITV on January 5. The US adaptation, Gracepoint, did have a different ending for the first season. The Guardian did think that the change in the ending was the one thing the US adaptation got right.

Tonight is the series finale of The Newsroom as yet another Aaron Sorkin television series ends way too early. (Yes, I know that The West Wing lasted seven seasons. For me, even that wasn’t long enough.) It looks like the death of Charlie Skinner  might be just one sign that ACN will end as we know it, plus Jim and Maggie look like they are finally getting together. Sorkin has discussed the recent rape storyline.

If you gave up on watching Homeland during the weak episodes to start the season, the show has become much better the last couple of weeks. Best line from Homeland: “It can’t be my belt.” It was also interesting to see the Ambassador’s reaction when her husband did not go through with his suicide plans.

Tony Stark is literally Iron Man in the parody video above.

Last week I expressed interest in the fan movement to bring in Jonathan Frakes to direct the next Star Trek movie. Reportedly Frakes is interested and has contacted JJ Abrams regarding this.

Kirsten Dunst and Jesse Plemons were the latest announced additions to the cast of the second season of Fargo.

Bill Cosby was asked about the recent rape accusations in a phone conversation with a reporter from The New York Post. He refused to respond to specifics and said, “Let me say this. I only expect the black media to uphold the standards of excellence in journalism and when you do that you have to go in with a neutral mind.”

SciFi Weekend: Sleepy Hollow; Better Call Saul; Jessica Jones; Star Trek; Star Wars; Peter Pan Live; Into The Woods

Sleepy Hollow Irving

The networks have avoided new episodes around the holidays for a while, but they seem to be more formally dividing the seasons in recent years, including making the midseason finales a major event. Sleepy Hollow ended the fall season with major changes. This included the death of Frank Irving and Henry killing Moloch. This leads to questions as to whether we will see Irving again in some form and whether this suggests redemption for Henry, or will he now become the major big bad?

Variety interviewed executive producer Len Wiseman:

So, you just killed the show’s Big Bad halfway through the second season, which is a pretty bold move. Talk me through what went into that decision.
We were always leading up to wanting to [see how] Henry comes into his own. Henry has devoted his life to Moloch; he has served Moloch; and then to find out that he is just a servant, that another will take his place, and to see that he doesn’t have an importance to Moloch, is a big deal. We were always leading up to that fight within Henry. So where do we go from there, what happens? We also really wanted to present the idea that it’s not all about Moloch, and that’s why we decided that Moloch doesn’t die at the very end of the season, he dies at the midseason finale, because he’s not the endgame.

Obviously Ichabod (Tom Mison) and Katrina both want Henry to be redeemed, and killing Moloch seems like a step in the right direction, but is it as simple as that for Henry, or are there other motivations at play?
To your point, “is it?” That’s really the question: who is he doing that for, who is he trying to protect? Is he trying to protect his mother? Maybe. Is he trying to save himself? Maybe. What is the reason why he killed Moloch, ultimately? That’s what we’ll find out in terms of Henry in the rest of the season. And [that’s] what our characters are going to question. It’s not going to be clear to them why that move was made and how he benefits from killing Moloch.

The episode also said farewell to Frank Irving — what was the impetus behind that decision from a storytelling standpoint?
That decision, in terms of an ultimate sacrifice… He is controlled and he had sold his soul to evil, so that’s the one last power that he has — the fact that his soul is already taken — in having the power to wield the Sword of Methuselah. It gives him a strength and a power because he’s spent so much time regretting that choice that he made when he was tricked into selling his soul. He wants to be able to use that trick on Henry.

Since Henry was holding Frank’s soul, now that he’s dead, does that mean he can be raised by Henry in some way, or is he actually free?
It’s a pure sacrifice, it’s a soul for a soul, so it is a real sacrifice. He’s free, and where his soul goes may be something that we will find out and our characters will search out, but it’s definitely a sacrifice and he knows it is — it’s not a trick.

How does the second half of the season differ from the first 11 episodes, now that Moloch is gone?
What really takes a different turn is between Katrina and Crane, as well. There’s a lot of curiosity about why Katrina is struggling with her powers and her place in this war, and I’ve heard people say is her character underutilized — I would say there’s a difference between underutilized and not realized. When she discovers her full potential, things really get out of control.

Other fall finales coming up include Skye meeting her father on Agents of SHIELD and The Flash meeting Reverse Flash (will it be Harrison Wells?)

When we last saw Deathstroke on Arrow, he was locked up in Oliver’s island prison. He will be returning later this season.

Sneak peak of Better Call Saul,  in which Saul meets Mike in the video above. The Breaking Bad spin-off starts February 8.

Krysten Ritter, who also appeared in Breaking Bad, has been cast to star in Jessica Jones:

The Jessica Jones drama is one of four shows centering on Marvel heroes that Netflix has picked up straight to series. The streaming service has committed to a minimum of four 13-episode series, which will begin rolling out in 2015 and are slated to culminate in a miniseries about The Defenders, comprised of a dream team of heroic characters.

Ritter will play Jessica Jones, the cynical, sardonic and tough-as-nails, but innately cool and sexy, title character. Jones is described as a superhero suffering with post-traumatic stress disorder that leads to her hanging up her costume and opening up her own detective agency, where she ends up helping people and assisting other superheroes.

Jessica Jones Kristen Ritter

Netflix has also  announced that the third season of House of Cards will become available February 27.

The final season of Parks and Recreation will start on January 13 and the series will conclude on February 24.

January Jones has already landed a post-Mad Men role in The Last Man On Earth, a post-apocalyptic comedy on Fox.

Benedict Cumberbatch, already having major genre roles in Star Trek Into Darkness and Sherlock, now enters the Marvel universe as Doctor Strange. The looks like a good move. Doctor Strange does not have as large a following as many of the other Marvel characters, and with the large number of comics-based movies being planned, a big star such as Cumberbatch will help to keep this from getting lost among bigger name movies.

Robert Orci was called in to direct the upcoming Star Trek movie after J.J. Abrams left for Star Wars. It has been announced that Orci is no longer directing. Edgar Wright’s name is coming up the most often as probable replacement but some fans are pushing for Jonathan Frakes. Frakes might be a great choice as someone who (as opposed to Abrams) understands Gene Roddenberry’s vision for Star Trek.

The second season of Broadchurch doesn’t start until next month but it is rumored that a third season is already planned.

Stephen Colbert explains why the new style lightsabers in the next Star Wars movie are a good idea in the video above. It might take you two weeks to understand.

Allison Williams said we could not hate-watch Peter Pan Live, but what about snark-watching? The play was so much more fun to watch while following on Twitter. Some reviewers have said that NBC should have used actors more accustomed to acting in plays. Both these critics and Allison Williams missed the point. Sure we made fun of her at times, but that does not mean we wanted a better stage actress in the role or like Allison Williams any less even though she wasn’t perfect in the role. The point was the fun of the evening, including watching Allison Williams live out her childhood dream of playing Peter Pan, not to see a top notch Broadway-quality play on television.

There is only one actress I would have wanted to play Peter Pan other than Allison Williams, Jane Krakowski. Here is her leaked audition tape:

The highlight of the play was when Peter began to fight the pirates and declared himself to be an Avenger. I hope that most people did not turn off the show before the credits were over and miss the scene with Peter and Tony Stark going out for schwarma. My only complaint about the play was that, in order to be more topical, the “dead maid” in the closet should have shouted out, “I can’t breathe.” I also don’t understand how Wendy grew up to be Minnie Driver and didn’t look a day older.

Anna Kendrick was among the most prolific, and amusing, celebrities tweeting during Peter Pan Live. There is symmetry here as the play began with Wendy reading Cinderella to her younger brothers and Anna Kendrick is playing Cinderella in the movie version of the Broadway play,  Into The Woods. The movie doesn’t come out until December 25 but Disney has released the audio below of Anna Kendrick singing a modified version of the Broadway version of On the Steps of the Palace. Audio below:

SciFi Weekend: New Director For Star Wars; JJ Abrams Book Out This Week; Doctor Who News; X-Men; Arrow; Agents of SHIELD; Thor

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With J.J. Abrams directing Star Wars, a replacement is needed for the next Star Trek movie. I see this as a good thing. Abrams can make a slick blockbuster movie, but I think that Star Wars is a much better fit for him than Star Trek. There is certainly value in how Abrams has revived interest in Star Trek, but he does not really get Star Trek. Perhaps new blood can help revive the best of Gene Roddenberry’s vision for the show. Deadline reports on a possible replacement:

We know that Paramount and Skydance Productions lost JJ Abrams as the director of the third installment of Star Trek when Abrams took on Star Wars. I’m hearing the studio is sweet on Joe Cornish to direct the next film. Cornish made his feature directorial debut on Attack The Block, the saga of a group of British youths who stave off an alien invasion in their rough neighborhood.

Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio. It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014.

I don’t know anything more about Cornish than this, but I would like someone else to get a chance at Star Trek in place of Abrams. This does not mean I don’t like other works by  J.J. Abrams. Again, I just think that Star Trek was not a good fit for him. I have ordered his upcoming novel S. Wired says this is like downloading Lost to your brain:

S by Abrams

Let’s get the tl;dr version out of the way first: If you were a fan of Lost — and especially the speculation and theorizing that surrounded the show itself — then S., the novel/meta-narrative by J.J. Abrams and Doug Dorst, is pretty much written for you. At times, it feels as if reading the book is like having the entirety of Lost (the television series and the fandom alike) downloaded into your head simultaneously.

As much S. is, as the slipcover helpfully describes, a “love letter to the written word” (which it is, but we’ll get to that later), it’s also very much a love letter to Abrams’ career to date. There are oblique references to almost all of Abrams’ past projects throughout the book: the romance tales of Felicity; the constantly-revised concepts of identity in Alias; the supernatural existentialism of Lost; the genre pastiche of Super 8; the found object storytelling of Cloverfield. All we needed was an appearance from the Starship Enterprise as commanded by Tom Cruise’s Ethan Hunt from the Mission: Impossible movies and we’d practically have a full set.

Despite that, though, S. – a fictional artifact, much like the found film of Cloverfield – hangs together surprisingly well. That’s an odd thing to say about something that has at least four different interconnected narratives unfolding at the same time, although not necessarily in chronological order, a la Lost‘s signature flashback-flashforward storytelling. Perhaps you remember the original video tease for S., which appeared online this summer without any explanation:

The video connects to and contains Ship of Theseus, a novel written by a mysterious political dissident known as “V.M. Straka.” Little is known about Straka,  even by “F.X. Caldeira,” the translator of his works and publisher of this final novel, published after Straka’s disappearance and assumed death. Ship is one of the texts of S., with Caldeira’s footnotes for the novel offering a second text that seemingly gives context into Straka’s life and identity.

And then there is a third layer: The copy of Ship that exists in S. has been heavily annotated by a scholar researching Straka’s identity who doesn’t quite agree with Caldeira’s footnotes. His notes soon become a conversation with Jen, a grad student with too much time on her hands, as well as a chip on her shoulder and numerous secrets in her past. That conversation becomes the fourth text, another thread to follow…

Doctor-Who-Day-of-The-Doctor-Teaser-Trailer

It appears there will be a mini-episode released, perhaps prior to The Day of the Doctor:

The British Board of Film Classification have announced today that a minisode has been made for The Day of the Doctor, entitled The Night of the Doctor. The BBFC passed the material for release in the UK. The minisode has a running length of six minutes and fifty-four seconds, and stars David Tennant and Matt Smith.

While, as far as we know, Peter Davison does not appear in The Day of The Doctor, he will have a role in the 50th Anniversary celebration of Doctor Who.

Cory Doctorow discussed Traversable Achronal Retrograde Domains In Spacetime, a physics paper on “the spacetime through which Doctor Who’s Tardis travels.” Note the acronym. There is also a version for non-physicists, The Blue Box White Paper,

What Culture! gives a detailed analysis of the trailer to X-Men: Days of Futures Past (trailer above)

Deadline reports that Paramount is fast tracking an upcoming movie written by David Chase:

In a big spec deal, Paramount Pictures has acquired Little Black Dress, a script by The Sopranos creator David Chase that will be fast-tracked to be the next film Chase directs. I’m told that this is a character-driven film about a twentysomething female war veteran who comes back from Afghanistan grappling with a disability. While working a potentially lethal investigation at a post-war job, she gets involved with a superstitious NYPD detective who helps bring her back from a personal precipice.

Arrow Crucible Black Canary

Arrow remains the better of the two prime time shows which tie into the DC and Marvel comic universes. This week, not only was Black Canary’s identify revealed, but it tied into Oliver’s back story both at home and to the flash backs on the boat (or both boats). Next week: The League of Assassins.

There was not a new episode of Agents of SHIELD this week. The previous week there was a rather lame explanation as to what Sky is looking for–information on her parents. I suspect they are working towards a parallel between Sky and Agent Coulson both looking for secrets which SHIELD is hiding from them–once Coulson realizes that there is a secret about “magical Tahiti” and his return from the dead. Still, they might have come up with something a little more creative for Sky.

The November 19 episode of SHIELD, entitled The Well will be a cross-over, taking place after the events of Thor: The Dark World. The episode will be directed by Jonathan Frakes of Star Trek: The Next Generation, sort of making this a three-way cross over.

The official synopsis reads: “In the aftermath of the events chronicled in the feature film Marvel’s Thor: The Dark World, Coulson and the Agents of SHIELD pick up the pieces – one of which threatens to destroy a member of the team.”

Thor Agent Coulson

SciFi Weekend: Locke Returns From The Dead; Echo Conspires; STTNG Cast Reunites; And Gilmore Girl Becomes a Doctor

lost-bentham

This week’s episode of Lost, The Life and Death of Jeremy Bentham, filled in more pieces of the story off the island as we saw Locke’s story. We saw his story  from when he left the island, was killed by Ben, and then returned to life after getting back to the island. We already knew the island had awesome powers, but to bring Locke back to life when he was clearly dead takes this to a new level. Previously I assumed that we were seeing some sort of ghosts of dead people. Perhaps Christian Sheppard is also really alive on the island.  Along the way we saw Charles Widmore try to convince Locke that he was the good and honest one. I don’t think we can trust either Ben or Whidmore.

stage-fright-dollhouse

Dollhouse continues to show potential. In Stage Fright the most important part of the episode might be Echo’s acts in just a couple of scenes. Echo and Sierra come to an agreement to help each other, which appears to transcend their mind wipes between missions. While the dolls seem child like between receiving memories for a mission, Echo even managed to signal Sierra to keep their relationship hidden from their handlers. Meanwhile there’s been a lot of speculation in the blogoshere as to the identity of Alpha with Josh Wheden dropping hints that we might first meet Alpha under another identity.

Life on Mars is most interesting when it goes beyond a regular police story to deal with Sam’s life in two times. In this week’s episode Sam stops a killer due to recognizing him from a case before he went back to the 1970’s. While I liked the connection to Sam’s previous life,  I would have preferred that they pursued some of the story lines in previous episodes. This included hints of a secret organization and someone else who seems to have come back in time.

The cast of Star Trek: The Next Generation will be reunited on an episode of Family Guy which will air next month. The episode includes the voices of Patrick Stewart, Levar Burton, Gates McFadden, Michael Dorn, Wil Wheaton, Denise Crosby, Marina Sirtis, Brent Spiner and Jonathan Frakes. There are also reports that the characters of Star Trek: The Next Generation will be involved in the start of the upcoming Star Trek movie, but the validity of this rumor is doubtful.

alexis-bledel-gg02

When we last saw Rory Gilmore she was going off to cover Barack Obama before the Iowa primary. Since then Alexis Bledel has gotten involved with some traveling pants, and now she has become a doctor. Alexis Bledel will be appearing in the series finale of ER as new intern Dr. Julia Wise. Lorelei must be very proud of her.