SciFi Weekend: Star Trek Discovery; The Orville; Doctor Who

Overall I was very impressed with the premiere of Star Trek: Discovery. While there are some aspects I question, overall it did feel like Star Trek, both modernized by the improved special effect available and the more serialized story telling common on television today.

I do question both whether the Vulcan salute would have been effective in this situation against the Klingons and whether someone, after serving for seven years on a Federation Starship, would disobey the captain in this manner. For now I will accept the premise that an implausible but possible event did occur and give the writers the opportunity to see where they take this. From various interviews (such as here) it does appear that they have given this matter, and sticking with established Star Trek canon, considerable consideration.

Michael Burnham does follow in a long Star Trek tradition of characters with identity issues, including Spock, Data, Seven of Nine, and the Emergency Medical Hologram. Captain Georgiou’s quick recovery from the Vulcan nerve pinch was important to the plot, but also has me wondering what we will see in the future in terms of both Burnham acting as a Vulcan and the limitations of a human doing so. The first two episodes seemed to summarize what could have been another seven year series about the Shenzou, with Burnham showing considerable growth from how she appeared in the flashback at the start of the second episode.

There was a tendency to use special effects because they could, sometimes benefiting the episode, and sometimes being unnecessary. I did question seeing Burnham flying to the Klingon ship in only in her spacesuit. On the other hand, there is no question that they should modernize the look of the bridge from the 1960’s instrument panels of the original show. Despite the modernization of the ship, they had the old style sound effects down perfect. The changing look of Klingons over time has been around since The Next Generation moved beyond the simplistic look from The Original Show and it is best not to question this.

The use of holograms for communication seemed an unnecessary change from the on screen communications we are accustomed to. It is important that this does fit within Star Trek canon, but there are also limits to the degree fans should demand this be true of every detail. Once something is shown on Discovery, by definition it does become canon. As holograms are based upon science already existing this could be explained as Star Fleet experimenting with this, abandoning it for a while, and then trying again in the Deep Space 9 era when it was seen again. (My theory to make this all consistent is that Star Fleet admirals had taken up working with their pants off between the years of Discovery and The Original Show and therefore demanded communications based upon above-the waist view screens as opposed to full body holograms.)

I also had my doubts about the communication between Burnham and Sarek, and unless this becomes important for future episodes, the story could have easily been written without utilizing this.

Despite such nitpicks, the show looks very promising. While I have some doubts about the details of the issue, it is typical Star Trek to raise the question of whether the Federation would shoot first even if more expedient. Even if less extreme, there is also a long history of Star Trek heroes breaking the rules. While some of the scenes with Klingon subtitles did get a little long, I am glad they are showing the Klingons as more than a one dimensional villain.

They did an excellent job both with production values and in keeping the story interesting, including ending each of the first episodes with a cliff hanger which should make viewers want to keep watching. If this was on Netflix instead of CBS All Access and the full season was available, I would have kept watching longer.

Despite small elements which some might argue violate canon, at least they did not destroy Vulcan as J.J. Abrams did with the flimsy excuse that it was s different timeline. Even if we might question Michael’s existence in Sarek’s family, it appears this series will be well tied into other aspects of canon related to Vulcans. This includes the addition of Sarek’s wife Amanda to the series, with Mia Kirshner cast for the role.

I have been rooting for The Orville to succeed, but have also recognized it problems. The show has received considerable criticism, with there being no need to repeat that once again. The show also does have its fans. For balance I’ll link to this reviewSeth MacFarlane’s ‘The Orville’ Is The ‘Star Trek’ Show Fans Have Been Waiting For. Some excerpts follow:

By not having a budget (or requirements) for wall-to-wall spectacle, the hour-long Fox show is forced to focus on character, chemistry, sci-fi plotting and moral debates that have partially defined Gene Roddenberry’s property for generations. Yes, to a certain extent it’s fan fiction, but then so is so much of our current pop culture entertainment. But by being a network television show, it is forced to be the kind of Star Trek that fans claim the recent movies have neglected in favor of four-quadrant blockbuster thrills. The Orville is not a spoof, but rather a straight-faced Trek show with characters who are funny and can laugh at funny events…

Sans the pressure to be bigger, bolder, faster, and free from the budget and expectations that demand big-scale action sequences and “the world is in peril” plotting, The Orville uses its adventure of the week format to explore modern-day social issues and tackle current moral dilemmas in a sci-fi venue. I like its characters, and I like that they are good at what they do and seem to like each other. The show is refreshingly progressive in its politics, and optimistic to its core. It is a Star Trek show for folks who want something a bit old-school.

Again, I haven’t seen the third episode of Star Trek Discovery, and I frankly don’t wish to make it a competition. The best-case scenario is that the CBS show, with a superb lead in Sonequa Martin-Green, offers high-quality, big-scale Star Trek while Fox’s “homage” offers a more traditional Trek which emphasizes cast chemistry and social issues of the day. For those fans who were turned off by the jokey previews and commercials, I’d suggest giving The Orville another shot, starting perhaps with the second episode which begins to spotlight the supporting cast.

The irony is that, by ripping off rather than revamping and by being hamstrung by network television production values and thus putting an emphasis on character and social parable over sci-fi action, The Orville has a pretty good shot at becoming the kind of Star Trek that fans claim to want so badly. I’m hoping this variation indeed lives long and prospers.

The review is rather generous, but I do want to give The Orville the chance to correct its flaws. I do agree with Screen Rant that, No, The Orville Is Not Better Than Star Trek: Discovery. Of course it does not have to be a competition and we can enjoy each series for the different things it tries to accomplish.

While we are now getting two versions of one of the great science fiction franchises which started in the 1960’s, we have to wait until December to see more of Doctor Who. I still plan to try to post Doctor Who news regularly while we wait. This week Pearl Mackie has told Radio Times that the Christmas episode will be an emotional farewell for Peter Capaldi:

The final farewell of Peter Capaldi’s Twelfth Doctor, the departure of well-loved companion Bill Potts, the groundbreaking introduction of the first ever female Doctor – the signs were always there.

But just in case you were in any doubt, Pearl Mackie can confirm that, yes, this is indeed going to be an emotional Doctor Who Christmas special…

“I’d say have a box of tissues close at hand,” Mackie tells RadioTimes.com. “As to be expected: it’s Peter’s last episode as the Doctor and my last episode as well.”

But is it? Given that Mackie’s character Bill had supposedly made her last appearance at the end of series ten – only to be handed a comeback in the special immediately afterwards – should we even trust that this is the last we’ll see of her?

“One of the wonderful things about Doctor Who is that the world of possibilities is endless,” teases Mackie, “so I guess, never say never…”

We can also hope to see the return of others beyond Bill. Radio Times also reports that Alex Kingston would like to see a reunion with Captain Jack:

Both time-travelling lotharios who love conning their way around the galaxy with a vortex manipulator, we can’t help but feel they’d do well in their own Doctor Who spin-off, or even just an episode where they finally meet – and now it turns out that River Song actor Alex Kingston feels the exact same way.

“I think it’d be great if she met with Captain Jack Harkness,” Kingston said at Edmonton Expo in Canada. “It’s funny because John and I, we talk about, we imagine, fantasise about all the possibilities.”

She also said, “Not necessarily a spin-off show, but it kind of would be great if even the Doctor happened upon a bar in the universe where River and Captain Jack happened to be sitting, having a drink or something. I think it’d be cool!”

SciFi Weekend: Person of Interest; Fringe; Dexter; Once Upon A Time; Merlin; Captain America; Black Widow; Torchwood; Star Trek Into The Darkness Clip; and More

Returning genre shows such as Person of Interest, Fringe, and Dexter were far stronger than the new series. On Person of Interest I was almost disappointed to see Finch escape from Root, but it looks like Amy Acker’s character will be returning after this extensive development of her back story. I do hope that future episodes involve the machine and Amy Acker’s plotting along with the person of interest of the week. The dog will remain on the show according to this interview with show runners and cast from prior to Friday’s episode. There were also these comments on Root:

TVLINE | Have we just seen Root (played by Amy Acker) at her most ruthless, poisoning that lady in the restaurant? Or is the worst yet to come? GREG PLAGEMAN | She just scratched the surface there. NOLAN | Root is stone-cold but it’s considered. We don’t think of her as a psychopath but someone who is in her own way sympathetic. And the case she is trying to make is, in many ways – though not the killing people part! – something Finch can relate to. You have all these people who want to manipulate [the Machine], and Root wants to set it free. What that means, and how her plan ultimately plays out, is something that we’re going to see through the course of the season. EMERSON | Once Mr. Finch sees a few of the things she’s capable of, he needs to bring her down.

This week on Fringe we got a look at how the Observers will probably be defeated. Although the solution was wiped from Walter’s mind last week, we found that Walter left information on a series of recordings–recorded on old Betamax tapes as opposed to digitally, or even VHS. Astrid will be important in figuring out Walter’s clues according to this interview with Jasika Nicole. While getting this information in Walter’s old lab, the episode also centered around torture and the question of whether the resistance can retain its humanity while fighting the Observers. I am hopeful that remaining episodes will deal with such issues as opposed to being simple quests for tapes with clues. It does look like it is safe to predict that Etta’s former partner Simon will not be returning. Interview with Anna Torv here.

On Dexter, Deb has finally found out about her brother’s habit. Dexter tried to convince Deb that the killing she witnessed was a one-time event. It was only a matter of time until she figured out everything, so I am happy they got it over with in the first episode of the season. Jennifer Carpenteron what Deb learned:

Deb has uncovered everything! What’s her first reaction in the second episode?
Jennifer Carpenter:
I think audiences, especially our Comic-Con audience, wanted to me to say, “Oh, she’d rage or explode or fire a round from her gun,” but all [her] senses are firing and [her] brain is kicking up. I have this written history with this character for seven years, and there’s landmines everywhere. It’s rich. It’s dangerous for everyone involved. There’s no such thing as a filler scene this year. Everybody is involved in a weird way.

The Ice Truck Killer hand was on the table. What’s going on inside her head as she makes these connections that Dexter was present when she was on the Ice Truck Killer’s table?
Carpenter:
It’s too hard to process it all at once. All of those things were in the room at the time, but that realization that those things are connected has its own turn. There was a moment when I was scanning the table while filming and thinking, “That sucks.” At some point, your body just can’t play Tetris anymore and find room for everything. There’s some paralysis that takes over, like, “I’ll get to that in a minute.”

How does Deb finding out that Dexter is a serial killer change her as a person?
Carpenter:
Instantly, the fantasy of being in love with this man falls away, or at least is snuffed out. It’s a slap in the face that wakes her up in a weird way. Suddenly, she can see all the manipulation and redirection that he’s handed her. It’s changed everything. It’s made her job so hard. In a weird way, I think I was afraid it was going to paint us into a corner when she one day found out, but it’s endless space to work in.

How does it affect her job since he’s putting her in a difficult position?
Carpenter:
What I appreciated from the writers is that its unfolding how I imagined it would in real life. It’s not some swift hammer that falls with her saying, “This is how it’s going to be.” It’s, “I need to collect information about how many [people he’s killed] and who taught [him].” All of that stuff will play into how she chooses to proceed.

More on what this means for Dexter from show runner Scott Buck:

Do you think Dexter is partially happy that his secret is finally out?
Buck:
Happy is not necessarily the right word, but he’s relieved. It’s a huge burden off his shoulder. He’s lived with this secret his entire life. In one sense, it’s a little scary not to have this secret anymore. He’s always sought comfort in his own private little world, and now to be exposed this way, it’s kind of frightening for someone who’s not used to being frightened. [But] yes, it’s a huge stress relief to finally be able to tell someone who you are.

Isn’t he now in ever-present danger that she might turn him in?
Buck:
It’s a real risk. It’s one thing [for Deb] to learn that [he] used to do this’ it’s another thing to learn that [he’s] still doing this and doesn’t intend on stopping.

Dexter is a great liar, but Deb’s not good with that. How will that start to weigh on her conscience?
Buck:
It gets very aggravating for her because she never knew. To learn that your brother has been lying to you your whole life, suddenly you’re wondering what’s true and what’s a lie. Not just all the things he said in the past, but everything that comes out of his mouth now makes her wonder. It becomes very difficult for Deb to deal with.

Once Upon A Time added yet a third location to its storyline as Mary Margaret and Emma wound up in fairytale land after most inhabitants were brought to the modern world. It looks like we will also learn that the modern day story is generally confined to Storybrooke with the townspeople being unable to leave. From the description of tonight’s episode:

While Regina continues to find a way to regain her magical powers, David continues his quest to uncover the whereabouts of Mary Margaret and Emma; and the seven dwarves discover what happens when any of the townspeople try to step past the city limits of Storybrooke. Meanwhile, in the fairytale land that was, as her wedding day to King Leopold approaches, Regina is confronted by a man of magic who promises to help her become independent and break free from her mother Cora’s clutches.

I finally caught the first two episodes of Fake Sherlock (i.e. Elementary) last night. The show didn’t show anything near the brilliance of Moffat’s version. The show was more a standard U.S. police procedural with an eccentric detective. Elementary’s Sherlock Holmes reminded me more of a toned-down House than Sherlock Holmes, and they even have Lisa Edelstein guest-staring in the seventh episode. Benedict Cumberbatch has a little (far too little) to say about both his show and Elementary in this interview.

Merlin Season 5 began in the U.K. yesterday. I don’t want to spoil episodes for U.S. viewers who are not downloading the show, but above is an extended trailer. A review of the first episode can be found here.

For American fans of British shows who do wait, Upstairs Downstairs Season 2 (of the remake) is finally airing in the U.S. Alex Kingston plays an archeologist in this period piece. She fits in quite well, but her presence did make me look around for a police box. The show has not been renewed for a third season.

Iron Man 3 has resumed filming. Reportedly Scarlett Johansson (Black Widow) will not be appearing in this movie, but will be in the sequel to Captain America.There is also a rather intriguing list of candidates for the lead female role:

Five actresses are reportedly vying for the lead female role in the Captain America sequel, which is widely assumed to be that of S.H.I.E.L.D. agent Sharon Carter, who would be some form of relative of Hayley Atwell’s Peggy Carter (which relative, in particular tends to vary). The five candidates are Game of Thrones star Emilia Clarke, Downton Abbey‘s Jessica Brown Findlay, I Am Number Four‘s Teresa Palmer, Fright Night‘s Imogen Poots, and Community‘s Alison Brie.

John Barrowman has his opinion of the perfect story for the next season of Torchwood (which may or may not ever be filmed)–his own novel:

Torchwood and Doctor Who star John Barrowman has teamed up with his sister Carole to pen his first Torchwood novel, Exodus Code, and he’s so pleased with it, he’d like it to become the fifth series.

“I’d love to see this book become the series or to become something in the future that could be done on screen with Torchwood,” John Barrowman tells us, “and that is why it was important for [Exec Producers] Russell [T Davies] and Julie [Gardener] and the BBC to have their input, because if the show did continue then this must make sense.”

The plot follows the events of Miracle Day, the fourth series of Torchwood, and Captain Jack [Barrowman] and Gwen [Eve Myles] are racing to save humanity. Women are being driven insane by heightened and scrambled senses, leaving governments and scientists baffled.

This global scale is the direction Barrowman would like to see Torchwood take if it were to return. “I think every time Torchwood comes back it has to be something different,” he says. “We’ve always been challenged; we’ve been moved from network to network each series so we always have to build from scratch so I think if Torchwood comes back it needs to be on a bigger, global scale.”

The future of the show is still uncertain, however. “We haven’t been told no or yes, we’re in limbo.” But Barrowman is ready if it ever does: “Listen, I’ve always said if they ask me to put the coat on I will do happily because I love Jack,” he says. “I have it here ready!”

J.J. Abrams had a brief clip from Star Trek Into The Darkness on Conan. Yes, this does appear dark.

SciFi Weekend: Torchwood Cast Interview; Doctor Who News; Terra Nova Special Effects; Once Upon A Time; Fringe

The Independent interviewed several stars of Torchwood: Miracle Day at the London MCM Expo. The interview included Eve Myles (Gwen Cooper), Kai Owen (Rhys Williams), Alexa Havins (Esther Drummond) and Arlene Tur (Dr. Vera Juarez). Here are some highlights:

Eve, do you miss doing the single episode stories?

EM: No, I don’t. We were fortunate from the second series to get, I think, 6,7,8 which was Burn Gorman’s story which was him being dead and broken and trying to live a real life. I found it fascinating that we were able to stretch a story over three episodes instead of it being a beginning, middle and end in 40 minutes. As an actor it gives you more and you can just invest more in it more and enjoy it more. I feel it’s more of an adult theme and that’s more where we want to be with ‘Torchwood’. Russell wanted ‘Miracle Day’ to be made from day one but never had the facilities and the amenities to make it.

KO: He always had that story in mind.

Which episodes stood out for you?

AT: I loved the first one, I watched it four times and my heart was always racing – and I knew what was going to happen.

KO: I thoroughly enjoyed this series more than most of the others ones in the past, really. I like the one where it went back in time.

AH: I did too.

KO: I really did like that episode an awful lot. And I thought 10, the climax was amazing. But episode 7, where Jack went back and met Angelo, I thought they really nailed it.

AH: They did a really great job with the period and everything.

Considering how ‘Torchwood’ kills off characters, have you ever felt safe?

KO: Me? Rhys is the most killable character of the whole lot! They don’t kill me because it works so well. Rhys is a very killable character. I’m constantly on edge going: ‘this is the end’.

EM: He was supposed to die in episode 6 of the first series and I knew that and I had a word with him and I said ‘you’re going to die, we’ve got to do something really special here and make this relationship work and make Gwen and Rhys real. Not for me. We need to make them real, we need to make them laugh and we need people to enjoy seeing them together and just enjoy their relationship and watch it.’

KO: And no one’s safe and I feel myself very, very blessed.

EM: I’m waiting for the chop.

AH: You know that when coming on, you know. But we’re in good company.

EM: That’s what happens in ‘Torchwood’, it’s a deadly organisation.

KO: I think the audience got the shock of its life when both Arlene and Alexa died. They just did phenomenal work on the whole series. My mates were stunned at what happened. The way Dr. Juarez went was just oh my god!

AT: That was just so fun to shoot though!

In 2013 ‘Doctor Who’ will be celebrating its 50th anniversary, will ‘Torchwood’ be playing a part in it?

EM: I wouldn’t have thought so. We have lots of adult themes running in ‘Torchwood’ and I think it would be inappropriate for us to have anything to do with ‘Doctor Who’ because it’s predominantly a family programme. I think that where ‘Torchwood’ is, it deals with darker subjects and I think inter-mixing them, if they want to do that, then fine but I can tell you that I’m not involved in it – they won’t give me guns or a bazooka.

What’s next for ‘Torchwood’?

KO: Who knows? It would be different. It might come back as a special.

EM: I think the next step would be a movie. We change every year. We have to change every year to keep it fresh and different and keep people interested because by the third, fourth, fifth series of ‘Lost’, ‘Sopranos’ however good they are, they’re extraordinary, but you know what you’re going to get. With ‘Torchwood’ we can live up to the name that you never know what you’re going to get.

KO: They can do whatever they want with the show.

As Captain Jack has already appeared on several episodes of Doctor Who I see no reason to have him, and possible Gwen, appear on the anniversary show. They could appear without bringing in the darker, or sexier, aspects of Torchwood which are inappropriate for Doctor Who. John Barrowman has already indicated his willingness to return to Doctor Who in the future.

Another version of River Song’s Timeline can be seen in the picture above–click on it to make it larger.

BBC Worldwide has announced the first official Doctor Who convention since the return of the series in 2005:

BBC Worldwide have announced the first official Doctor Who convention to be staged since the series return in 2005. Billed as the “Ultimate Doctor Who Fan Event”, it will feature guests Matt Smith and Steven Moffat, plus many others from the cast and crew including Danny Hargreaves (special effects supervisor), Michael Pickwoad (production designer), Marcus Wilson (producer) and the team behind Millennium FX.

The convention will held twice, taking place at the Wales Millennium Centre in Cardiff; 1500 tickets are to be made available for each of the days on the 24th and 25th March 2011:

The unique interactive programme will include theatre sessions and Q&As with cast and crew; behind the scenes sessions show-casing the script to screen process; discussions with episode directors and writers and demonstrations from Special FX and prosthetics experts that will illustrate the challenges and scale of their work on the world’s longest running sci-fi show. Autograph and photo opportunities will also be available with attending cast members and there will be official Doctor Who merchandise and collectables on sale.

Matt Smith commented on the announcement:

It’s brilliant that the first official convention is being held in Cardiff, the home of Doctor Who. I’m really looking forward to seeing the fans there, and remember – bow ties are cool!

Steven Moffat said:

A whole weekend dedicated to all things Doctor Who, brilliant! We’re going to be celebrating the whole team behind the show, people who bring to life the Doctor’s craziest adventures and letting fans into some of our trade secrets. If you want to get under the skin of Doctor Who this is an unmissable event!”
Here’s a t-shirt to wear to the convention:

Terra Nova remains somewhere between serious science fiction and a family drama held in an exotic location. The special effects have been excellent. Here’s a brief video highlighting some of the effects from the first season:

Robert Hewitt Wolfe is developing a new show for SyFy. The premise: “After decades of war, the newly formed Unity Democracy orders a volatile mix of humans and trans-humans to lead the Starship Defender on an expedition in search of lost worlds requiring law and order.” It sounds a lot like Andromeda, which Wolfe had worked on. Hopefully in terms of quality the show is closer to Star Trek: Deep Space Nine, which Wolfe had also worked on.

Emilie de Ravin, who played Claire on Lost, will become Belle on Once Upon A Time. Reportedly she has some connection to Rumplestiltskin, who does seem to be at the center of things in both worlds. I wonder if both worlds will also have a version of the Beast.

The Fringe Division remains puzzled about Peter Bishop, but at least he has been moved from a cell to Walter’s house which had been sitting empty as the Walter in this timeline is afraid to leave his lab. There is still a guard stationed outside the door. Olivia has caught on that there was something going on between Peter and the Olivia of his timeline. So far Olivia’s desire is for Peter to be able to get back to her. Perhaps that will change over time as some of the interviews I’ve seen suggest that the show will continue in the current timeline for a long time. Above is an interview with Anna Torv.

Quote of the Day

“Forgive me father for I have sinned… so many times… and that’s just today!” –Captain Jack Harkness (Torchwood: Miracle Day Episode 7, Immortal Sins)

SciFi Weekend: Torchwood, Merlin, Hot Actresses Dig Star Trek, Rumors Karen Gillan Leaving Doctor Who, Sex and the City

http://www.youtube.com/watch?v=74mowdXEGiw&feature=player_embedded

 Torchwood: Miracle Day episode 6, The Middlemen, showed the aftermath of Vera’s incineration. The episode also  explored the conspiracy behind the miracle without providing any answers. Jack encountered a PhiCorp  executive who was suspicious but knew very little. He’s only a middleman in the whole matter.  One reason he didn’t know much was that an investigator he sent out wound up leaping from a building to create permanent unconsciousness–the closest thing left to suicide. The conclusion of the episode put Gwen in a situation where she had to betray Jack to save her family, with the U.K. preview of episode 7 , Immortal Sins, above. Rumors has it that the seventh episode starts to reveal what is going on.

There have been complaints in the U.K. about the Americanization of Torchwood. John Barrowman says the show is still true to its British roots:

“Yes, it’s a bit more glossy. We have other actors in it. We’re filming over there so we have to have other American actors in it. But it’s still 100% core, the heart of it is still British,” he told the Daily Star.

“It’s now partly made in America and partly made in the UK. Throughout the entire series we always return to Wales or some place in the UK. Anyone can turn it on and know exactly that they’re watching Torchwood.”

“The global success… I’m just as bowled over by it as everybody else.”

He added: “I’m never going to give up the roots and the core that I have in the UK. UK’s home. This is where I got the start, this is where my doors were opened. And I’ll never turn my back on it.”

Merlin has been picked up for a fifth season, with the fourth to air on the BBC this fall, and later in the United States. In the upcoming season, Arthur will be taking a leading role in place of Uther.  Here are some additional spoilers as to season 4:

-We can expect series 4 to be darker and to see the return of Excalibur.

-New series of Merlin looks great! Much darker, lots of action and a hint of the sword in the stone!.

-With Uther a broken man, Prince Arthur has the emotional dilemma of either taking charge or waiting for his father to recover.

-Uther is a brokem man this series. This leaves a power vaccum in camelot which leaves arthur with a choice .

-Knights are proper knights now, Morgana looking after an injured Morgose, The return of “old Merlin”, lots of sword fights!.

-We’ll see a lot more from Arthur’s knights as their characters are explored.

-The creator said they have a specific mythiological end point for s5 which they have always been working toward.

The very last shot of series 4 has been filmed already (plenty of scenes to be filmed yet though.

While some authors have been trying to keep them off the internet, spoilers are not necessarily bad.  The BBC reports on a study which showed that knowing the ending of a book can enhance enjoyment as opposed to ruining it. The experience would often be different, but not necessarily better or worse. Instead of reading a mystery trying to figure out who did it, readers instead might instead enjoy watching to see how the author gets to the ending they know is going to happen. Rather than worrying about spoilers leaking out on the internet, it would make more sense to encourage web sites to clearly label major spoilers to enable the reader to decide whether or not they want to know the ending.

It looks like hot actresses dig Star Trek. Karen Gillan recently said she is a Trekie during an interview at the San Diego Comic Con. Now Olivia Wilde says she’d do anything to be in a Star Trek movie:

While promoting her latest film Cowboys & Aliens, actress Olivia Wilde professed that she would be willing to paint herself outlandish colours to star in Star Trek XII.

“[Paint myself] green? That’s fine, I’ll do anything!” Olivia laughed to Cover Media.

Olivia grew up watching sci-fi television and films and finds the characters very inspiring.

“I grew up watching Star Trek with my family,” Olivia recounted. “There have been great female characters in Trek over the years.”

“Captain Kathryn Janeway, she did it well,” Olivia explained. “She’s got that voice I could never compete with.”

Karen Gillan also stated during Comic Con that she will be returning to Doctor Who next season but now there rumors that she will be leaving at the end of this season.

SyFy has cancelled Eurkea.

Sex And The City was  an enjoyable television show on HBO, but the movies have been rather lame.  I think they are figuring that out. Sarah Jessica Parker might produce a new television series (with new cast) before going ahead with a third movie.

Torchwood: Miracle Day Comic Con News & Episode 3 Comments

Above is the Torchwood Panel at Comic Con. By Part 4 of the videos, John Borrowman is singing.

I previously posted the season preview for Torchwood: Miracle Day presented at the San Diego Comic Con here.

There are also many videos on line with interviews with the cast and crew. In the above video, Jane Espenson discussed Torchwood, along with writing other genre television shows.

Reportedly the series gets darker by Episode 5, and major events occur in Episode 7.

There are some mild spoilers regarding Episode 3 below.

The third episode of Torchwood: Miracle Day, Dead of Night, was the weakest of the season so far. Highlights include an homage to Doctor Who in the clip above. During a raid on PhiCorp, Jack remarks that it is “bigger on the inside than on the outside.”

The episode did build up the conspiracy more, but also was weakened by having two of the main characters wander off for a couple of gratuitous sex scenes. The scenes were cut from the version to be shown on the BBC this week. The scenes includes both homosexual sex between Jack and someone he picked up in a bar, interspersed with a heterosexual sex scene between Rex Matheson and Dr. Vera Juarez.  A video of the sequence is available here.

SciFi Weekend: Torchwood: Miracle Day & Doctor Who: Let’s Kill Hitler

 

Torchwood: Miracle Day has now aired in the United States, Canada, and Australia, but will not be airing until Thursday in the U.K. This post does contain Spoilers, although virtually all of the major events in the fist episode where those revealed in reports prior to airing. Far less is known about the following episodes. The first episode primarily served to introduce Torchwood to American audiences who were not familiar with it, introduce some of the new characters known to appear this season, and set up the situation which the story is about. Miracle Day was the first day in which nobody dies, setting up a catastrophe for the planet as the population will explode beyond the numbers we can support. Length of stay will also increase dramatically in critical care units, creating a crisis for the insurance industry.

As with many science fiction stories, it is necessary to accept something which might not appear possible, and this is acceptable as long as the story remains plausible given the acceptance of the facts established in the story. I found it easier to accept the implausibility of a story where nobody dies when characters within the story also discussed how implausible this is, considering the wide variety of situations which might lead to death. Once the premise of the show was accepted, I had more difficulty believing another aspect– that Oswald Danes would be released because of not dying during his scheduled execution. While in a sense he did serve out his sentence, he was also a convicted child killer. Even if a governor was susceptible to bullying by someone such as Danes. any real governor would be far more concerned about the public’s response to releasing someone who killed a twelve year-old and then said, “She shoulda run faster.”

It was not necessary to know anything about Torchwood going into this episode as viewers learned about the organization as the CIA did. Viewers of the previous seasons would appreciate the references to previous seasons such as Jack going by the  name of Dr. Owen Harper, a character from the first two seasons. Seeing how Jack retconned Esther was reminiscent of when Jack once did the same to Gwen in the first episode. The return of PC Andy also provided a little more continuity with the past. Is there a connection between the the 456 regulations mentioned in this episode and the aliens in Children of Earth being known as the 456?

There are many mysteries to be solved beyond the obvious ones of who is preventing people from dying and how they are doing it. Were they the ones who sent out the email message saying “Torchwood” and why was this done? Jack quickly shut this down with malware destroying all mention of Torchwood, but if he really had this capability I would have expected him to use it after Torchwood was destroyed and Gwen went into hiding. While presumably there is some connection between all of this and Torchwood, it is less clear if Oswald Danes’ survival was coincidental or if triggering Miracle Day on the date of his scheduled execution was intentional. While I suspect that Rex Matheson’s automobile accident was no accident, it would have made more sense to try to harm him on a day when he would have stayed dead. It would have also made more sense to fire upon Gwen’s home prior to Miracle Day, but perhaps they thought she would have turned into a blown up blob who could not have gone after them despite remaining alive.

While nobody dies, they can be injured. The immortal Captain Jack Harkness was surprised to find he could now be injured, with the possibility of his death being one twist in the series which was revealed before the first episode aired. Seeing that he could be inured does not necessarily mean he could be killed. A plausible interpretation might be that Jack has become like everyone else, who can be injured but not die. The preview for the second episode shows that this question might be answered next week (video below):

http://www.youtube.com/watch?v=KznzaL_wCLE&feature=player_embedded

Rex Matheson has some bizarre ideas in this episode, from obsessing over the charges for crossing a bridge to handling the situation by trying to take Jack and Gwen back to the United States by force. If there was reason to believe that there was a connection between Torchwood and the Miracle, it would make more sense to begin investigating this around Cardiff (even without knowing about the rift). It might also have made more sense to try to recruit them to voluntarily work with the CIA unless there was more reason to mistrust the two surviving members of Torchwood.

We saw with Children of Earth that a continuing story has advantages over trying to come up with a new threat to fight every week. We will have to watch over the course of this season how well they continue with this single storyline. Besides answering the basic questions raised, and solving other problems which come up over the next several weeks, I wonder what this will mean for Torchwood in the long run. Will the organization be reestablished in the U.K. or will next season again have Jack and Gwen interacting with others as free agents? Hopefully we will see the return of Torchwood. It makes much less sense to have an ongoing series named Torchwood about survivors of an organization which no longer exists. I also wonder if some of the characters introduced this season will become regulars for future seasons. In the case of Rex Matheson, this might depend upon whether those who are still living because of Miracle Day remain alive at the end. I would expect that those who would have died due to chronic diseases and aging will remain dead, as well as those who remain severely injured when death returns. Rex Matheson could conceivably survive, with Miracle Day having provided him a chance to heal from his wounds in a way which would not normally have been possible.

The cliff hanger after the first half of the season of Doctor Who, set up in A Good Man Goes To War, is to be continued in an episode named Let’s Kill Hitler. A synopsis for the episode has been released: “In the desperate search for Melody Pond, the TARDIS crash lands in 1930s Berlin, bringing the Doctor face to face with the greatest war criminal in the Universe. And Hitler. The Doctor must teach his adversaries that time travel has responsibilities – and in so doing, learns a harsh lesson in the cruellest warfare of all.”

Alex Kingston discussed her role as River Song on BBC Breakfast last week in the video above.

SciFi Weekend: A Timelord Wedding; Torchwood: Miracle Day; Dollhouse Stars on Torchwood & Community; Caprica; Mad Men to Return; January Jones as Emma Frost

David Tennant and Georgia Moffet are engaged with plans to get married next New Year’s Day. This sounds like a Timelord Wedding. Not only did Tennant play the tenth doctor, but Moffet has two ties to Doctor Who. She played The Doctor’s Daughter in a 2008 episode and Moffet is also the real life daughter of Peter Davison, who played the fifth Doctor from 1981 to 1984. (For those missing the old episodes, the BBC has announced the opening of a Classic Doctor Who channel on YouTube.)

David Tennant is also going to be working with another character from his days at Doctor Who. Tennant and Catherine Tate will be appearing together in a production of  Shakespeare’s Much A Do About Nothing.

The upcoming season of Torchwood has a tentative starting date of July 1 and a new title: Miracle Day.

As Davies explained, “The premise is a miracle that happens to the world. That one day, on Earth, no one dies. Not a single person on Earth dies. The next day, no one dies. The next day, no one dies. And on and on and on. Now, the sick stay sick, the old keep getting older, the dying keep dying, but no one quite dies.”

And at first, this seems a wonderful thing, “But globally, it’s an instant overnight population boom. The Earth relies on people dying.”

Davies understandably didn’t want to offer too many details on how and why “Torchwood” hero Captain Jack Harkness (John Barrowman, who couldn’t appear at the press tour session because he was acting in a play in England) comes back to our planet after running away at the end of the “Torchwood: Children of Earth” miniseries. But he did say that the notion of a world where no one can die would prove very intriguing to a man who suffers from immortality.

There is more information on the show and cast here. Dichen Lachman, who played Sierra on Dollhouse, who will play an FBI agent. Another cast member from Dollhouse will have a role on Community:

Enver Gjokaj, who played Victor during Dollhouse‘s brief life, will guest star on Community in episode 17, “Custody Law and Foreign Entanglements,” as Lukka, a love interest for Gillian Jacobs‘ Britta.

The character of Lukka is an “attractive, accent-y, oily Eastern European” fella who uses his finer points to seduce our girl Britta, but Lukka obviously is not exactly as delightful as he appears to be on first meeting.

The episode will most likely air sometime in March.

Miss the final episodes of Caprica last week? SyFy is streaming them online for free. As I’ve mentioned before, the concluding episodes were excellent, while the series as a whole was of mixed quality. Den of Geek! interviewed Eric Stoltz about some of the problems with the series.

Do you think that the show fell on the wrong side of a double-edged sword, following Battlestar?

I don’t think it was what the majority of Battlestar fans wanted, for the most part. It probably would’ve served us all better to have not even been connected to it.

It’s rare to find characters so instantly complex as we got in Caprica. How do you balance the many levels of Daniel Graystone? How do you set about giving the audience a way into a character like that?

That’s a very thick question, one which really requires a three page answer, which I won’t bore you with. The levels of the character were largely in the scripts, and usually left to the directors’ control: a little bit more malice here, a little more loving there.

That being said, there were certain relationships, like Greystone and his wife, that seemed to take on a life of their own, even beyond Paula Malcomson and myself. And that was wonderful to be a part of.

It was always a fascinating show to watch, and clearly the narrative had many, many threads to it. In hindsight, though, do you think the show was slightly off balance? Or wouldn’t you change a thing about it?

It’s rare for a show to find itself in the first season. There are exceptions, of course, but a lot of shows take two or three years to find the right ingredients. I’m sure we were off balance at times, and I’m sure I would change a few things if I had that power, but I’ve moved on.

It comes as little surprise, but it has been officially announced that Mad Men will return for a fifth season. No date for the season has been announced yet. January Jones will also be appearing in X Men: First Class, which will be a prequel story which, like Mad Men, takes place in the 1960’s. Jones will play the scantily mutant telepath Emma Frost. It would take an actress with the looks of January Jones to pull off the role.

”The costumes are insane,” Jones said.

“It’s a lot of very body-conscious stuff. If you look at the comic book, she’s barely dressed. She’s got quite the bod, which is very intimidating.”

I do think January Jones can handle the costumes.

SciFi Weekend: Returning Shows; Diana on V; Torchwood; 24 Script Rejected

SyFy will be starting Season 3 of Merlin which already was broadcast on the BBC. The series started out seeming far different from the traditional King Arthur legends, but the second half of season two showed development of key characters (Arthur, Gwen, Morgana, and Mordrid) which led them in the direction of the previous stories.  A fourth season has also been announced.

SyFy is also  broadcasting the final five episodes of Caprica on Tuesday night. These episodes, which have already been broadcast in Canada and which are available on DVD, were surprisingly good. I’d suggest recording them and watching without commercials, making the total viewing time more suitable for one or two sittings. The episodes were good enough to keep interest for watching in one sitting. If only the series had  been this good earlier.

Here’s the return date of some selected shows which are returning this week:

Mon., Jan. 3
How I Met Your Mother (CBS), 8 p.m.
Rules of Engagement (CBS), 8:30 p.m.

Tue., Jan. 4
Caprica
(SyFy), 6 p.m.
Parenthood (NBC), 10 p.m.
V (ABC), 9 p.m.

Wed., Jan. 5
Friday Night Lights (DirecTV 101), 9 p.m.
Modern Family (ABC), 9 p.m.

Thur., Jan. 6
The Big Bang Theory (CBS), 8 p.m.

Fri., Jan. 7
Merlin
(Syfy), 10 p.m.

Jane Badler returns to V, but on this version Diana is not necessarily a villain. She was interviewed by Entertainment Weekly:

What was your initial reaction when the producers approached you about reprising the role?
Can I just tell you, when I heard that V was coming back, I could feel this huge swell just from my Facebook page that there was a lot of interest in it and my old character. I thought, that’s it, I’m coming back to the show! So I called my old agent, who told me I was ridiculous, that they weren’t going to be interested. And so that was that. Then I called the producer and met with him. Since then, the show got a new producer, so I did the same thing and met with him. But when this role came up, they weren’t thinking of me. Can you believe it? They called the character Diana as an homage to the original one, but it wasn’t the Diana. Crazy! Later, I got an email from my agent saying some person from Los Angeles wanted me to audition for the role of Diana and I went, what? That’s a hoax! How would anyone want me to audition? So I had to audition. And from what I hear, there were a lot of very well-known actresses who wanted the role, like big names, which is very flattering. But my audition was the best. So that’s how I got the role! It wasn’t, like, handed to me. Isn’t that kooky? So here I am with what I thought was going to be four episodes, and it turned into the whole season, which has been absolutely amazing. I’ve loved every minute of it. It’s been crazy to be back involved in it again.

How is your character re-introduced as Anna’s mom?
I think it’s a really powerful thing. It’s a whole Greek tragedy, mother-daughter. I was the queen before her. She imprisoned me. She put me in a dungeon, and everyone thinks that I am dead. And so she has become the new queen. Very early on, she comes to visit to me, so that’s when it is revealed that I am alive. It’s a whole power play – my different ways of ruling versus her ways of ruling. They make me out to be the more benevolent of the two. And perhaps I am, but I’m also the queen. That carries arrogance with it. It’s not just all nice. It also is revealed why I can’t leave the dungeon, which is all kind of exciting, too. There are lots of special effects.

Where is the dungeon?
I’m in the bowels of the ship. But in the hole where I live, they have recreated it like our planet. It’s like this extra -terrestrial terrain. It’s really cool.

Do you undermine Anna?
Yes. It does take a while but once people come to visit me by mistake, once people enter my lair…I can’t say what happens, but it’s huge last episode and hopefully viewers will flock to see the show because it will be amazing.

Torchwood won’t be returning until summer but a new synopsis of Torchwood: The New World has been released:

The new ten-part series of the Doctor Who spinoff will also see the return of regular Torchwood characters Captain Jack Harkness (John Barrowman) and Gwen Cooper (Eve Myles).
Gwen will be shown living peacefully in Wales with husband Rhys (Kai Owen) and new baby Anwen when she encounters a “new, epic danger” that will “push [her] to the limit”.
Having left Earth at the conclusion of previous miniseries Children of Earth, Harkness will be drawn back to the Torchwood institute by “his unstated love for Gwen”.

24 might not be returning soon as the first movie script was rejected:

Fans of Jack Bauer who were hoping to get a big screen fix of their favorite anti-hero may be in for a long wait: EW has learned exclusively that 20th Century Fox has nixed a script from Billy Ray (State of Play) that would have continued the storyline of the rogue CTU agent from the long-running drama 24.

“As far as I know, it is in suspended animation,”  Howard Gordon, the longtime executive producer of 24 who is also expected to produce the big screen version, told EW exclusively. ”There is talk about re-approaching it. I understand (director/producer) Tony Scott is meeting with Kiefer to talk about ideas. People are still talking about it.”

Maybe they should have gone with the death scene for Jack Bauer which had been written for the finale.

SciFi Weekend: Torchwood New World Synopsis; True Blood Gets Really Bloody (and Paquin & Moyer Wed); New Season Promos; And Sarah Palin Is No Lisbeth Salander

Jack Gwen Torchwood

Starz has released additional information is out on Torchwood: New World. Here is a synopsis and character descriptions:

Synopsis

When C.I.A. agent Rex Matheson investigates a global conspiracy, he finds himself unearthing a threat which challenges the entire human race.

The answers seem to lie within an old, secret British institute, known only as Torchwood. But Torchwood was destroyed, years ago, and the keys to the institute are held by its only two survivors – former Police Officer Gwen Cooper, who has long since disappeared along with her husband and child, and the mysterious Captain Jack Harkness, a man whose history seems to stretch back centuries.

With Rex under attack from all sides, in both the US and the UK, he soon discovers there are forces at work within every level of society, determined to stop Torchwood’s return. As a chain of events across the world links together the most disparate and unlikely individuals – including a surgeon, a killer, senators and CEOs – a new Torchwood team takes shape. But this time, the threat is much closer to home, as they realize that their greatest enemy is mankind itself…

CHARACTER DESCRIPTIONS

CAPTAIN JACK HARKNESS (John Barrowman)

  • Jack looks like a hero. But he’s so much more than that…
  • He’s American, handsome, with a killer smile and a classic coat. But you don’t expect heroes to be this much fun. He’s witty, fast, subversive and there’s a reason for that glint in his eye – he’ll sleep with women, he’ll sleep with men; if aliens invade, he’ll sleep with them too. Got a problem with that? Tough!
  • His dashing style hides a secret. There are mysteries about Jack – a man going under his name seems to have a history stretching back to World War 2, or even earlier, to the Nineteenth century, the Eighteenth…Truth is, Jack Harkness is immortal. A fixed point in time and space. The only one of his kind. For thousands of years, he has never been able to die. When killed, he comes back to life – seconds later. Though his tragedy is, he feels every death. It hurts – and so does the passage of time. He can never love anyone for too long, because he will always lose them. As a result, he’s lived many lives. He’s been a conman, a thief, an adventurer – though more a rogue than a villain, because his perspective on human life makes him appreciate this world all the more.
  • Jack once ran the Torchwood Institute, a British organization dedicated to fighting the strange and bizarre. He was king of his own little world for a while, the happiest he’d ever been. But Torchwood fell. His friends were killed. The Institute closed down, and Jack disappeared, to start yet another of his many new lives. And yet…
  • The only thing that could call Jack Harkness back is his unstated love for Gwen Cooper. And when a new, epic danger affects the whole planet, Jack finds himself back at the center of events, fighting not just for his own life, but for everyone on Earth. But this time, are the stakes too high?

GWEN COOPER (Eve Myles)

  • All Gwen wants is a quiet life. Honest.
  • She’sWelsh, lives in seclusion, far away from the city, on a cliff top in the wilds of South Wales with her devoted husband, and baby Anwen – it’s a rural idyll.
  • And it’s a lie. Gwen is in hiding, because she once lived the most extraordinary life. She was the heart and soul of an organization called Torchwood, a freelance band of fighters who fought the strange and unexplained. She was a defender of the human race.
  • But no more. Torchwood was destroyed. Her colleagues died, or fled. And Gwen hid herself away, for the rest of her life, to protect her loved ones. But knowing, just knowing, that one day trouble would come calling again.
  • She lives the ultimate double life: the funny, salty, earthy woman who loves home and family, combined with the tough, ruthless warrior, who loves the thrill of the fight. She’s both selfish and selfless. And never doubt it – when Gwen’s in a crisis, she is magnificent. Gun in both hands, baby strapped to her chest, she’ll run and fight and never give up.
  • It’s passion, in the end: Gwen’s all about passion. She loves her man, she loves her child, she loves this mad old world, and maybe she loves Captain Jack Harkness just a little too much. But when the events of this story push Gwen to the limit, she’ll need to call on resources she never knew she had, to take action and make the most terrible decisions, on behalf of all mankind.

REX MATHESON (Actor TBD)

  • He’s 28, the golden boy. Has been, all his life. Harvard education, fast-tracker in the C.I.A., destined for success. Though he’s never taken it easy – Rex hustles, seduces and campaigns to get where he is today. He can talk his way into anything, then charm his way out, fast.
    He’s made a lot of enemies, but his friends and lovers would defend him to death.
  • His choice of career is significant. Someone like Rex could make a fortune in Wall Street, or Hollywood. But choosing the C.I.A. says a lot about him: that for all his swagger, he does believe in justice. And will fight for it.
  • Slowly but surely, we see him make friends. He’s thrown together a bunch of people known as Torchwood, the only people who might have the answer to a global mystery. To Rex, at first, they’re a bunch of freaks. Welsh women and World War 2 Captains, what’s that about?! But as they race from one crisis to another, dodging assassins, blackmail, corruption and conspiracy, from Washington to Wales and the slums of Shanghai, Rex forges friendships in the heat of fire. He learns to trust his new colleagues. And they realize that this dangerous, dazzling, reckless man is the best friend they could ever have, in a world going to hell.
  • They frighten us, men like Rex. We wish we were him; we never will be.

True Blood Anna Paquin Bloody Nude Rolling Stone Cover

True Blood began last week with bloody vampire sex, possibly inspiring the upcoming Rolling Stone cover above,  and had what might be the best ending so far for an individual episode. All that stuff about vampire politics which so far wasn’t very interesting when thrown into previous episodes suddenly has some real meaning. While things got really messed up after Bill’s proposal to Sookie at the end of last season, in real life stars Anna Paquin and Stephen Moyer got married Saturday night.

IO9 has a guide to the upcoming television season with several trailers. Above is a trailer for No Ordinary Family with cast including Julie Benz.

Besides the many promos at the above link, there’s also a new trailer available for the upcoming season of Dexter (above).

Sarah Pallin No Lisbeth Salandar

Adam Bessie argues at Truthout that Lisbeth Salander (Girl With The Dragon Tatoo) is the real maverick, and Sarah Palin is no Lisbeth Salander. We might also be seeing far more of the actress who played her on screen. Noomie Rapace who played Lisbeth in the movie version from Denmark, is breaking into Hollywood.