SciFi Weekend: Mr. Robot; Jessica Jones; Kimmy Schmidt; Person of Interest; Homeland; 24; Heroes; The DC Superhero Shows; Orphan Black; Blacklist

Mr Robot Finale Bar

After Mr. Robot won two Golden Globes for Best TV Drama and Best Supporting Actor (Christian Slater), cast and crew discussed the show at the Television Critics Association press tour. Here are some excerpts via Vulture:

The first-season finale ended with everyone’s favorite hacker confronting his painful delusions. The new season will begin with that struggle. “The whole show has been about Elliot’s emotional journey, and I really wanted to focus on that and less about the plot,” Esmail said. “And so, for me, the headline of season two is: How does Elliot reconcile the fact that he’s aware that he’s been seeing this fantasy?” Even as the first season entertained viewers with several twists and turns, Esmail said he’s not interested in “gotcha moments … Rami brilliantly plays Elliot in a way that he drops you into his psyche. So you’re learning it with him. As long as that is organic and that feels real, then I think the twists will come from there. But it’s not my agenda to keep shocking you. It really isn’t.”

Elliot’s past — and when his delusions began, and whom they involve — will become clearer in the second season. “There will be a lot more backstory that we’re going to show,” Esmail shared. “The timeline is going to get a little clearer. Not 100 percent clearer, because what’s the fun in that? But a little clearer.” Malek said Esmail has shared “enough” with him to help him start preparing for his performance. With this character, I have to prepare for anything at any given moment. I go through every direction as to what possibly happened to someone like this because in his head we never know what has happened. And I think having to trace back the truth and discover the truth ultimately makes him more complex to play — just trying to decipher what he’s actually seen and where he’s actually been. When I think about that, it kind of haunts me as a human being, having to do that. And that’s the place he finds himself in approaching this next season.”

Elliot is an unreliable narrator, and yes, there are other things he’s shown viewers besides the identity of Mr. Robot that we shouldn’t trust. After Esmail revealed that during the panel, Malek asked him, “Do I know? Do we know?” The answer: “No.”

Jessica Jones Luke Cage

Krysten Ritter discussed the sex scenes in Jessica Jones during the press tour. Considering both the highly favorable reception for the show and discussion of season two in several years, I assumed that it was already decided. Apparently a second season was not official at the time, but Netflix has now made it official. Plus elsewhere there is talk about season two of Daredevil, and about  Iron Fist,

Netflix has also announced that Orange is the New Black will return on June 17, 2016 and Unbreakable Kimmy Schmidt returns for its second season on April 15th, 2016. Kimmy Schmidt has also been renewed for a third season.

Person of Interest season 5 will air this spring, and CBS President Glenn Geller left open the possibility that it could be renewed. Perhaps airing in the spring, when there aren’t as many new episodes of network shows, will result in high ratings to justify renewing it. On the other hand, the show has an extensive back-story and a lot of episodes to catch up on which makes it difficult for new viewers to get involved. It would be interesting if someone could put together the parts of episodes dealing just with the mythology of the show and cut all the number of the week stories.

Homeland will be coming back for a fifth season, taking place in New York. I finally gave in and completed watching the last season over the holidays. It was better than some recent seasons, but still far below the first season. There were also some vague references to Quinn’s fate:

The closest thing to a teaser came in the form of a cryptic update on Quinn, who was not having a good time at the end of last season. “Quinn is very damaged, no question about that,” the network’s president of programming, Gary Levine, said, according to Deadline. “If he should live, he won’t be in the shape and form he was.”

If this (and multiple other shows) don’t give you enough stories on fighting terrorism, Fox plans to reboot 24 with a new case.

Heroes Reborn will not be coming back for a second season, and there is no reason it should.

73rd ANNUAL GOLDEN GLOBE AWARDS -- Pictured: (l-r) Melissa Benoist, Grant Gustin, Presenters at the 73rd Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 10, 2016 -- (Photo by: Paul Drinkwater/NBC)

We sort of had a Supergirl/Flash crossover at the Golden Globes when Melissa Benoist and Grant Gustin presented an award together. (I wish they had the two race up the stage to see whether Supergirl or the Flash is faster.) There have been rumors and denials of a crossover on their television series for some time. CBS president Glenn Geller has now left an opening for such an event. I hope Arrow is included as I think that Kara and Felicity would get along very well together. More on the possibility of a crossover here.

The Flash and Arrow will be returning on CW, along with the premiere of DC’S Legends of Tomorrow. The producers have been denying internet rumors that Felicity will become Oracle. (I don’t think anyone really believes she was killed.)  Some news here, including that the remainder of the season on The Flash will deal with Zoom and the show’s multiverse.

The Americans, one of the best dramatic shows on television the last few years, returns on March 16. Some teasers on the upcoming season and future of the show here.

The above teaser has been released for season 4 of Orphan Black.

Blacklist appears to have wrapped up the Lizzie on the run storyline which dominated the first half of the season. The Director turned out to be less powerful that initially suggested as the Cabal literally had him dropped. Reddington has said it was time to “take down the Cabal” but it appears to remain alive and well (even if weaker). Things are much like before except it appears Lizzie will now be working with Reddington as an FBI asset as opposed to an agent. Plus it is not clear if Reddington is now a part of the cabal. If so, does that mean they are still an evil group trying to get us into World War III with Russia? Will Reddington still be helping the FBI capture people involved with the Cabal?Plus is Laurel Hitchen in charge, or just the highest ranking person we see, and how dangerous will she be now that everyone is on to her?

SciFi Weekend: Agents of SHIELD; The 100; Supergirl; Person of Interest; The End of Parenthood and Parks and Recreation & The Decline of NBC; 12 Monkeys; Netflix Marvel Series; The Americans; Sleepy Hollow; The End of The Marvel Universe; The Humor Of Sarah Palin; Mellisa Raunch Sex Scene

Agents of Shield Coulson Skye

Agents of SHIELD has come a long way from the first season. While they always hinted there was something special about Skye, they didn’t have the payoff on this plotline until the midseason finale with her conversion to an Inhuman. This might have major ramifications for her relationship with Coulson:

Executive producer Jeph Loeb says that the current Inhumans plotline has always been the plan for “Agents of SHIELD.” Like they always knew that Grant Ward was going to be HYDRA in Season 1, the seeds of Skye being something other were planned in the pilot.

“Once we started down that road hopefully you were coming along for the adventure, and now that you’ve come along for the adventure one of the things that’s so amazing about what’s happening on that show is so now we know she has gone through a transformation,” he says. “How is everyone going to react to that? And in the same kind of way you’re asking as an audience member, one of the things that I think is really valuable and one of the things that I think Jed [Whedon] and Maurissa [Tancharoen] and Jeff Bell and the writing staff really do have a great feeling for is they are audience members. The writers room sits around and tries to come up with, ‘What is it that you think we’re going to do and how can we then turn that on its ear in a way that makes it feel like it’s fun and valuable?'”

Blood says “SHIELD” has often gone in a different ways from what he expected. He says the latest script he read “just turned another corner,” and that audiences will “be surprised of a lot of stuff that’s coming up.” Because the SHIELD team doesn’t know about the term “Inhumans” like audiences do, Blood says “it’s going to be something that is unraveled.” He has yet to find out where the storyline is going.

The obvious turn would be that Coulson helps Skye — someone Gregg says is the “the person he cares about most” — through her transformation into an Inhuman. But what if he views her as a threat instead of an ally because of her new powers?

“His no. 1 job is to be responsible for SHIELD, which he views as being responsible for the safety of billions of people from things they don’t know about. That’s what SHIELD is. No matter how much he loves Skye — and it’s as much as you can love somebody — it’s the closest thing to a daughter he has. That’s a sacred trust,” Gregg says. “I hope he doesn’t get put in that situation [where she is a threat] because it would mess him up.”

He teases there will be trouble within SHIELD in the aftermath of Trip’s death and Skye’s transformation. “I don’t think the whole team is going to be unified behind what just went on, and it’s hard to blame them. He’s got a couple of people that he’s come to really trust,” Gregg says. “One of my favorite things about this season is that everybody comes up to me on the street really worried about Fitz and these new characters we introduced this year. Coulson also has these new people … he doesn’t have the same type of history with those people. It’s going to be hard to hold the baby brand new, on the run SHIELD together in the wake of what just happened.”

There’s also the question of Bobbi’s secret, which Blood says is as big a mystery in the second half of Season 2 as who the man with no eyes is. “I honestly think people are going to freak when they see some of the stuff we’ve been filming recently,” he says.

The 100
The 100 returned last week and the events of the fall finale continued to have a major impact on the characters. While I originally did not watch this show, thinking it was another CW show putting attractive young people in a sci-fi scenario which has been done before, I found that this was far better done than I anticipated.

Yes, it does have its attractive young cast members, led by Eliza Taylor as Clarke Griffin, who does an excellent job in the role. (Having binged on the first one and one-half seasons over a weekend, I did notice that Eliza Taylor does show less cleavage in the second season, which must have been a conscious decision by the producers considering that the characters couldn’t just run out to clothing stores in this post-apocalyptic world to change their wardrobe). There are also the CW love triangles, but they do not distract from the stories. Both the characterization and plot lines have been strong, even when going where other shows have gone before. Bustle and The Mary Sue both have posts on why you should watch the show.


CBS has chosen Melissa Benoist to play the lead role on Supergirl. Previous reports on the show have described it as more of a CBS procedural with Supergirl as a feminist investigating crimes, but with cross overs possible with the CW shows Arrow and The Flash.

CBS is showing success with another mixture between procedural and genre with Person of Interest. The show started out as a procedural show with a science fiction gimmick to propel it, and has evolved to what might be seen in the future as “a modern sci-fi epic that is considered a must-see show along the lines of Firefly or Battlestar Galactica…”

Many blogs and podcasts, along with this thread on Reddit, have looked at the question of how someone could get caught up with the show without watching all the old episodes. The purely procedural episodes of the first two seasons are mostly unnecessary to appreciate the more recent episodes since the show evolved into a more significant science fiction series, but it is hard to say exactly what can be skipped and must be watched as often early episodes would have a few minute segment towards the end to slowly develop the mythology in addition to the number of the week story.

There have been some posts, such as here and here, which might help in listing some of the more essential episodes. It would really be helpful if some of the other mythology segments which are only small parts of other episodes could be accumulated in a video.

Parks and Recreation

Time looked at the politics of Parks and Recreation, which is concluding its run on NBC.

But there’s a big idea in Parks’ small-scale vision. In the frame of today’s politics, it might be a liberal notion, but it’s one that for much of the 20th century was centrist, and even championed by Republicans like park lover Teddy Roosevelt: that we need government to do things the private sector can’t or won’t, like preserving public spaces.

Shockingly, Parks has dared to suggest that while some civil servants might be bumbling–sorry, Jerry!–they can also be well-intentioned and competent. (This too wasn’t considered a liberal notion before the era when Ronald Reagan joked that “the nine most terrifying words in the English language are ‘I’m from the government and I’m here to help.’”) Leslie is comically tenacious–Poehler plays her as a cheerfully overprepared super-wonk–but she’s good at what she does and is driven by a fierce love for her hometown as well as its famous waffles…

Leslie can’t do it alone, though: she’s assisted by a network of co-workers and friends (played by a comedy-powerhouse cast, many of whom–like Chris Pratt, Aubrey Plaza and Aziz Ansari–have deservingly become stars). Even her former supervisor Ron Swanson (Nick Offerman) admires Leslie’s commitment, even though he’s so libertarian, he once illustrated the evils of taxation to a fourth grader by eating 40% of her lunch. Parks argues not only that we need our neighbors’ help but that helping makes us better ourselves; it’s in the small-town, populist tradition of Friday Night Lights and It’s a Wonderful Life.

Parenthood Series Finale

When I recently posted my list of top television shows of the year, I noted how little representation the major broadcast networks had on the list. Perhaps the biggest decline is being seen at NBC. They will soon be without two of their highest quality returning shows. Besides trying to run through Parks and Recreation as quickly as possible,  Parenthood concludes this week, apparently with Lorelei Gilmore marrying Ray Romano. If it ends with Zeke dying, I’m imaging angry mobs storming Rockefeller Center. After these are gone they will still have some shows worth watching, most notably Hannibal, which I’m amazed a network is broadcasting, but the lineup of quality shows will sure be thin. Their announcements of upcoming shows is being greeted with far more snark than interest.

In the past NBC would often be the home of some of the highest quality drama shows on television, such as The West WingFriday Night Lights, I’ll Fly Away, and St. Elsewhere. They probably had better ratings success with some, but not all of their sitcoms, which included shows such as Cheers, Frasier, Friends, Community, 30 Rock, and Will and Grace. Going further back, it was also the home of some classic genre shows such as the original Star Trek and The Man From UNCLE. (We won’t talk about some of their more recent attempts at genre such as Revolution, The Cape and Heroes after the first season.)

So, what happened to NBC? I suspect that that it is a victim of otherwise good changes in television. Writers and producers for many high quality shows are now going to cable and streaming networks, where they can develop an audience without the need for netw0rk-level ratings. (In the case of Community, it is moving directly from NBC following cancellation by NBC, with the first two episodes to be streamed by Yahoo! on March 17.) It will be a challenge for NBC to attract this type of quality show in the future, and it is questionable as to whether they even care considering that lower quality shows will probably deliver higher ratings.

Increasingly cable or smaller networks owned by the major networks are offering higher quality shows than the major networks. FX and FXX are offering some of the best shows on basic cable. CBS has Showtime and CW, with The CW Network  turning into one of the strongest networks, especially for genre, as it attracts a totally different audience than CBS. NBC/Universal have even lagged behind other cable networks which have produced better science fiction than its Syfy Network.


Syfy is finally trying to compete with hard science fiction. 12 Monkeys remains promising after the second episode, which aired Friday and was available for streaming last week. With Leland Goines dead, his daughter Jennifer becomes a major character. Her character in an insane asylum serves as an alternate version of the Brad Pitt character in the movie. As discussed previously, the television show can cover far more ground with changes such as having the ability to change time and with the Army of the 12 Monkeys playing a more significant role.

I saw a posted link here which supposedly allows streaming of the third episode for cable subscribers in the United States but it would not allow viewing through either my Charter or Xfinity account. I’m posting the link in case it works for other cable systems, or if it becomes active later. The first two episodes are available for streaming there.


Netflix has released a brief synopsis for their upcoming Marvel shows. While previous reports suggested that we might have to wait a year between shows, it looks like the Jessica Jones show (staring Krysten Ritter) will be out sometime later this year.

“Marvel’s Daredevil” is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up practice in his old neighborhood of Hell’s Kitchen, New York where he now fights against injustice as a respected lawyer by day and masked vigilante at night. Coming April 10

A.K.A. Jessica Jones
Working as a private investigator in New York’s Hell’s Kitchen, a troubled ex-superhero’s past comes back to haunt her in the live-action series, “Marvel’s A.K.A. Jessica Jones.” Coming 2015

Iron Fist
“Marvel’s Iron Fist” follows superhero and martial arts master Danny Rand in the upcoming live-action series. Coming soon

Luke Cage
In this Marvel live-action series, a street-fighting ex-con battles crime in New York’s Hell’s Kitchen as the superhero Luke Cage. Coming soon

The Defenders
“Marvel’s The Defenders” brings together Daredevil, Jessica Jones, Iron Fist and Luke Cage in an epic superhero team-up in New York City. Coming soon

The Americans returns this week. Unreality Primetime has a couple spoilers on upcoming episodes. The season three trailer is above.

Can Henry be redeemed? The cast of Sleepy Hollow answer questions such as this in videos available here.

The Marvel universe ends as we know it in the comics this spring.

Who needs Tina Fey to mock Sarah Palin? Her own words are ridiculous enough. Check out the reaction to her latest speech from Twitter.


Melissa Raunch of The Big Bang Theory has received a lot of attention at Sundance for her raunchy sex scene in The Bronze.

“The Bronze” kicked off the 2015 edition of the Sundance Film Festival on a foul-mouthed note Thursday, sticking a dagger through the concept of hometown heroes and providing one of the raunchiest sex sequences in movie history.

The scene in question, one that involves pole vaults, cartwheels and pirouettes, was a constant source of amusement during a question and answer period immediately following the film’s premiere at the Eccles Theater.

“Right after this there’s going to be an audition for the sex scene in the sequel,” joked director Bryan Buckley.

Melissa Rauch, the star of the film and its cowriter along with husband Winston Rauch, said, “As for the sex scene, you write what you know.”

Her husband added that it gave the couple a chance to “show you what we do in our bedroom.”

SciFi Weekend: Orphan Black; Continuum; Fargo; The Flash; Agent Carter; Constantine and Other New Shows Based On Comics; Neurotic Robots

"Orphan Black" Ep 208 Day 6 Photo: Jan Thijs 2013

Orphan Black introduced yet another clone on Variable And Full Of Perturbation, a transsexual clone named Tony. Besides providing for some interesting interaction with Felix, Tony introduction could be a way to get into the back stories of two other characters raised, Beth and Paul (who seems to be missing). We only saw Beth briefly in the first episode before she jumped in front of a train so it would be interesting to learn more about her.

The aftermath of the death of Dr. Leekie are important both back at Dyad and for the improved relationship between Alison and Donnie. Alison has not learned a lesson about being quiet about her role in the death of Aynsley, but Donnie now has a murder of his own to confess. Alison can theoretically be implicated due to the evidence in the car and the use of her gun, but fortunately for her Dyad will probably cover up Leekie’s murder with the claim of a heart attack. Dyad would also keep quiet about the relationship between Donnie and Leekie.

One long standing question has been answered and Rachel was not happy about the answer. Only the twins Sarah and Helena can get pregnant due to an error as all the clones were designed to be infertile. Although she is in a dominant position at Dyad, Rachel suffers as all the other clones do, making me wonder if in this show of changing alliances, if at some point Rachel will consider her shared interests with the other clones and alter her behavior towards them.

Cosima did a great job in playing the nerd girl, beating all the other nerds at Runewars when she came back to the lab at night and caught them playing. There is no way the ending scene means she will really die.

I wonder how much Kira will learn from reading The Island of Dr. Moreau , and all the scientific notes in the margins.

Orphan Black Cosima Runewars

Entertainment Weekly spoke with spoke with Orphan Black creators Graeme Manson and John Fawcett about introducing Tony:

ENTERTAINMENT WEEKLY: Obviously the big shock this episode is we meet a new clone, and it’s not just a clone, but a transclone named Tony. Tell me about when and how you developed this idea.

GRAEME MANSON: It really came about near the end of the first season. And I believe John and I and the writers had been mulling this idea of a transclone as, “Okay, that’s a really crazy and complex idea.” And then strangely, almost parallel at the same time, out in the hair and make-up trailer camp with Tat and Steven and Sandy and her team — who really work together on discovering character through looks — I think that they were coming up with the idea at the same time. So eventually when we brought it up with Tatiana it was like we had been thinking the same thing.

JOHN FAWCETT: We went out to dinner with Tatiana in March or April 2013 after season 1 had wrapped to just talk about some of Graeme and my ideas for season 2, and the transclone idea came up and Tat went, “Oh my God, you wouldn’t believe it but that’s what we’ve been thinking as well!” So she was very excited about the idea of doing it already, so it really was not a hard sell to say, “We want to try to tackle this.”

MANSON: And then through the early days of shooting season 2, John and I would be sitting at lunch or something, and then Sandy or Steven would come by and say, “Hey, we’ve got something to show you, can you come out back?” And we’d come out back and there would be Tat in the early guises of Tony —  like, the smoke hanging from her mouth, leaning up against the truck. And they did that to us about three times before finding the look, and each time we’d go and we’d hang out with Tony for a little while and try to get a feel for the character.

FAWCETT: And Tat was doing those make-up things with Steven and Sandy, doing it on weekends and her days off because it was very, very top secret. The crew didn’t know; we didn’t want anyone to see her dressed like that. Nobody on the crew knew. We tried to keep that absolutely under wraps, and it’s still one of our biggest secrets of the season. We want this to be a massive surprise for the audience. And it really was a character close to Tatiana that she poured her heart and soul into. It’s really something that she wanted to do.

EW: And how nervous were you guys because this is the type of thing that if it doesn’t work, it’s can be a total disaster. So there’s a risk involved.

FAWCETT: It was interesting shooting that episode, because day 1 of shooting Tony, everyone knew what we were doing now because everyone had seen the script, and I remember waiting on set for her to arrive and it was very, very quiet. I’ve never seen the crew that quiet. And when she showed up there was excitement, but very quiet excitement. It was dead silent on set that day. Because there’s a lot of respect from the crew towards Tatiana, towards what she has to do, and this just commanded that much more respect.

MANSON: I don’t think we ever looked at it as risk. We looked at it as, okay, if we’re going to do this, we’re going to do it from exactly the right place creatively and story-telling wise and we’re going to commit 100%. And as long as we move forward with our hearts in the right place, hopefully the sexual politics rise above it. That’s sort of how we approached the storytelling, too. Throw the character in and treat the character exactly like you’d treat anyone else, and give them their dignity and respect.

EW: It’s funny because the scene that totally screwed with my mind was the Tony and Felix kissing scene. That threw me just for the fact that it would be creepy to make out with someone who looks like your sister, which you kind of referenced later with Tony calling Felix a “sister kisser.”

FAWCETT: That was one of those parts of the story that really solidified this concept for me. As we were trying to figure out how to use the character, that to me was the pinnacle of what made this so cool — to put Tony and Felix together in a very strange romantic way that left Felix very conflicted. And then the other aspect of these two kisses is that you have to go, “Wait a minute! That’s Tat and Jordan!” [Laughs] The reality of it is it’s not Tony and Felix, it’s Tat and Jordan. And when you go and think that, that’s even a bigger mindf—.

They also discussed Cosima:

EW: And then you have to go and screw with Cosima again at the end and have her coughing up blood and convulsing after she meets Ethan. She’s getting this treatment from Kira yet seems to be getting worse. What’s up with that?

FAWCETT: The treatment that she’s getting from Kira is a band-aid at best. As we’ll see, there may be more treatment options coming, but what she is getting at this point is not enough to counter the effects of what she’s been inflicted with.

MANSON: And the bottom line is, her situation is getting more dire and is advancing fairly rapidly. And this is the ticking bomb that we talked about way back when. But there is very much a ticking bomb, a ticking clock, on Cosima’s life. This is just a more aggressive, visceral display of what it might be to come if they don’t solve that problem.

EW: Okay, John, you huge board game nerd. How excited were you to work Runewars into this episode?

FAWCETT: Well I certainly helped kick that ball down the road. We loved the idea that Scott was going to come back and was going to join us at Dyad because it was character that we just loved and then it was like, “How can we have fun with Scott?” And we all cracked up at the idea that Cosima would come back into the lab late at night, she’s working late, and find Scott with all these super nerdy buddies playing some kind of geek ass board game. I’m a massive board game fan. I probably have a closet that has a good 80 or 90 really idiotically geeky board games and Runewars is one of my favorite games and was created by a company called Fantasy Flight games. And they’ve been so good to us that they allowed us to use this game. So we went all out and I had one of my geeky friends help as the consultant to make sure all the gameplay was accurate, all the dialogue between the characters in regard to the gameplay was accurate.

Continuum - Season 3

Continuum is now only airing five days ahead of Syfy on Showcase, making it easier to discuss the current episode without any risk of spoilers. Revolutions Per Minute showed a further deterioration in the relationship between Alec and Kiera now that Kiera knows that Alec drilled into her dead doppleganger’s head to remove her CMR. Ever since the beginning of the show back in the first season there were questions as to whether we were developing a circular paradox in which Alec would come up with his inventions due to Kiera bringing technology back from the future. This was most overt in this episode. I wonder if Kiera now wonders if she chose the wrong Alec, and if perhaps she will free the other one.

The path from here to the future has always been convoluted because of not knowing if having Kiera and Liber8 go back in time would lead to changing the future, or their actions were part of creating that future. The question is even more confusing this season with the introduction of alternate time lines. In some ways we are seeing actions leading towards creating the future we have seen. Alec was called before a secret group which just might be the first step in forming the Corporate Congress. Julian now looks more like someone headed to becoming a leader of Liber8, or is he becoming closer to Alec?.  Liber8’s actions in the past seem far more likely to be changing things than to be causing the future Kiera came from to come about.

Before this season it looked like Alec was on track to head SadTech. In this alternate time line, instead he leads Piron. Kellogg’s law suit seems to be aimed at returning Alec to SadTech, with Kellogg even pointing out that this is what Alec was destined to do. On the other hand, the guy from the future had memories of Kellogg as someone important without recognizing Alec Sadler’s name. Presumably he comes from a time line in which Kellogg had taken on Alec’s role, probably messing things up even more than Alec. Is this the future of the time line we are now viewing, did he come from a different time line, or maybe Kiera’s actions will determine which time line gets played out. It looks like he possibly had killed the other Kiera because her actions were responsible for creating a time line in which his family was killed but his story isn’t entirely clear.

The idea of multiple time lines also raises questions as to whether anything we see is really permanent. Will we wind up seeing a different time line next season in which Betty is still alive, along with other differences?

The episode also seems to have brought about an abrupt end to a plot point set up earlier in the season when Dillon arranged for his daughter to be briefly placed in prison so she could later infiltrate Liber8. She was recruited by them, but quickly extracted so that there would be no more Bettys.

With only three episodes remaining in this season we should soon have a better idea where this is all leading. It will also be easier to judge the season, which has been of mixed quality, when we can see the story as a whole.

Fargo The Heap

Fargo is also coming near the end of the season, and just as things were starting to drag they jumped ahead a year. Molly and Gus are married and Lester is looking more successful. Presumably things will change for him and Molly will finally get a chance to prove what happened. Lester was doomed from the start, but it seems more satisfying to see him get caught the more he is shown as not being such a good guy. With the success of this series it comes as no surprise that another season is being considered. Presumably it would be a completely different story in the same universe, in the same manner in which the television show is related to the movie. Martin Freeman has already indicated he only planned to be in the show for one year, and it would be best if Lester is not the main character next season. I could see the series working with some of the secondary characters still being involved.

Showtime has renewed Penny Dreadful for a second season.

Comics are providing material for multiple television shows. Arrow has been the best example, and a spin off, The Flash, has been picked up by CW (extended trailer above). ABC is adding Agent Carter as a limited episode series to run for ten episodes in the same time slot as Agents of SHIELD when it is on hiatus. As Agents of SHIELD will deal with the rebuilding of SHIELD and Agent Carter with its founding, the two stories will tie in to some degree. Marvel is also working on several projects to appear on Netflix including Daredevil, Jessica Jones, Iron Fist, and Luke Cage. Fox has picked up Gotham, which will deal with the city prior to Batman, concentrating on Jim Gordon. Trailer below:

I’ve heard some of the most encouraging predictions about Constantine, which was picked up by NBC for next season: “A new adaptation of DC’s Hellblazer comics, Constantine stars Matt Ryan (Assassin’s Creed IV) as the title character, John Constantine, a demon hunter and master of the occult. Starring alongside Ryan is Lucy Griffiths (True Blood) as Liv, the daughter of an old friend of Constantine, who has her own abilities that prove crucial when it comes to thwarting evil.” The trailer is above. IGN interviewed the stars:

IGN: It looks like the show has a fun mixture of different elements.

Matt Ryan: Yeah, definitely. I think as with the source material, there’s so much to draw from in terms of the character and the balance of humor and wit and dark and gritty. It’s great, because John has this kind of real sarcastic, ironic British wit. It’s funny, but at the same time it’s serious and dark and gritty. It’s got it all, I think.

IGN: Can you talk about the dynamic between your characters? What does Liv make of John?

Lucy Griffiths: Like how all women like to feel about men, she loves him and she hates him. She thinks he’s an absolute idiot, and she just finds him annoying. At the same time, she can’t deny that he’s a genius, and she’s thrilled by what he has to offer her in terms of excitement. He’s irresistible to her from that point of view.

Ryan: But dangerous to her as well.

Griffiths: Yeah, and she helps him. She’s his psychic sidekick.

IGN: As you just referenced, your character has some abilities too…

Griffiths: Yeah, I actually have more magic than him. [Laughs]

Ryan: Not so much “magic.” Let’s be firm on this! But no, she actually has an ability, and John seeks her out because he’s got a message from beyond the grave, from an old friend of his, whose daughter is in trouble. That’s Lucy’s character Liv. Then John goes about saving her and at the same time discovers that she has this ability. So then he kind of uses that ability and slightly manipulates her, but they need each other, and they set about trying to rid the world of all the evil.

The trailer follows:

Discovery reports on the latest trend in robotics–building neurotic robots. This puts us closer to making Marvin the Paranoid Robot from Hitchhiker’s Guide To The Galaxy a reality.

SciFi Weekend: Doctor Who; Arrow; More Marvel on TV; Almost Human; S.; Batman vs. Superman; Better Call Saul; Downton Abbey

The BBC has released two trailers for The Day of the Doctor, with the longer version above. The 50th anniversary episode of Doctor Who will be simulcast internationally, starting at 2:50 EST in the United States on BBC America. (From my point of view, this is an awful time, interfering with both noon and 3:30 football games.) There is discussion of the trailers and images here and here. The official synopsis has also been released: “In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.”

The BBC America Trailer is above.

Steven Moffat has some major teases as to the meaning of the episode:

Moffat’s previous comments that the episode “will change the narrative in a big way” encouraged speculation that writers have found a solution to the fact that the Doctor can only regenerate twelve times. He has now further added to this by saying, “This should be the next step on the journey, guaranteeing the 100th anniversary”.

He said: “The story focuses on the most important thing that ever happened to the Doctor. We very rarely do that in Doctor Who as it’s usually about the people the Doctor meets or the companion that travels with him. This time it’s different.”

More from Moffat here.

McQ by Alexander McQueen

Jenna Coleman has been doing some modeling. The Guardian has more pictures.

Joanna Page (Stacey of the British sitcom Gavin and Stacey) will play Queen Elizabeth. She discussed kissing David Tennant.

BBC America has released their schedule of shows for the 50th anniversary (via TV Addict). Beyond Day of the Doctor, highlights include An Adventure in Space and Time about the initial development of Doctor Who. The cast includes Jessica Raine of Call the Midwife as producer Verity Lambert.

Doctor Who: The Doctors Revisited Marathon – 9:00am – 9:00pm ET
The First through Tenth Doctor

Doctor Who: Tales from the TARDIS – 9:00 –10:00pm ET
An all-new special, Doctor Who: Tales from the TARDIS, features the series’ actors and producers sharing their experiences and memories of the world’s longest-running sci-fi show. The special features exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Tom Baker, and Peter Davison, actors who have played companions: Jenna Coleman, Karen Gillan, Freema Agyeman, and William Russell, as well as the current lead writer and executive producer Steven Moffat. The discussion includes how the actors got cast, how the roles changed their lives, how a ‘regeneration’ is recorded, and how filming the show in the 60′s compares to today.

The Science of Doctor Who with Brian Cox – 10:00–11:00pm ET
A former rock star and Britain’s popular TV physicist, Professor Brian Cox explores the universe of the world’s favorite Time Lord when he takes the audience on a journey into the wonderful universe of Doctor Who, with the help of celebrity guests. In this exclusively recorded special from the lecture theatre of the Royal Institution of Great Britain, Brian reveals the science behind the spectacle and explains the physics that allows Doctor Who to travel through space and time. Fun, but filled with real science, it’s a special night for Who fans and anyone with a thirst for understanding.

Doctor Who – The Ninth Doctor Marathon – 10:00am –11:00pm ET

Doctor Who – The Tenth Doctor Marathon – 2:00am –11:00pm ET

Doctor Who – The Eleventh Doctor Marathon Part I – 9:00am – 11:00pm ET
The Eleventh Doctor – Matt Smith

Doctor Who – The Eleventh Doctor Marathon Part 2 – 9:00am – 8:00pm ET

Doctor Who Explained – 8:00pm – 9:00pm ET
An all-new special, Doctor Who Explained, explores the mysterious and two-hearted alien who is the Doctor. Through exclusive interviews with principal cast members from the show’s 50-year history, including actors who have played the Doctor: Matt Smith, David Tennant, Peter Davison, and Tom Baker as well as actors who have played companions: Jenna Coleman, Karen Gillan, and Freema Agyeman, viewers get an insight to what happens behind-the-scenes of the award-winning sci-fi show.

An Adventure in Space and Time – 9:00pm ET
What do you get when you mix C.S. Lewis with H.G. Wells, and sprinkle in a bit of Father Christmas? An alien Time Lord exploring space and time in a Police Box spaceship called the “TARDIS” (Time And Relative Dimension in Space). Written by Mark Gatiss, the BBC AMERICA co-production, the film stars David Bradley (the First Doctor, William Hartnell), Brian Cox (BBC Head of Drama, Sydney Newman), Jessica Raine (Producer, Verity Lambert) and Sacha Dhawan (Director, Waris Hussein). An unlikely trio of misfits set out to create a genre series that all ages would love. William ‘Bill’ Hartnell, displeased with his career, was presented with a chance to break out of the hard-man roles he’d become known for. And with the instincts of first time producer, Verity Lambert and first time director, Waris Hussein, the Doctor was born. As the success of the show grew, William went from unhappy curmudgeon to beloved television star who relished his career resurgence and found a new lease on life. But all good things come to an end. How will Bill face leaving behind the part that has made him a hero to millions of children? And can the show survive without him? Journey back fifty years through space and time to witness the exciting beginning and untimely end of the First Doctor in this touching drama.

Doctor Who – The Eleventh Doctor Marathon Part 3 – 1:00am – 2:00pm ET
The Eleventh Doctor – Matt Smith

Doctor Who: The Day of the Doctor – Global Simulcast – 2:50pm ET
The centerpiece of BBC AMERICA’s celebrations is the global simulcast of Doctor Who’s 50th Anniversary special, Doctor Who: The Day of the Doctor, written by Steven Moffat. The Doctors (Matt Smith and David Tennant) embark on their greatest adventure across space and time. In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him. Starring Matt Smith, David Tennant, Jenna Coleman, with Billie Piper and John Hurt. Last seen as the Doctor on January 1, 2010, this will be the first time David Tennant has reprised his role as the Tenth Doctor. During his reign as the Time Lord, Tennant appeared in three seasons as well as several specials. He was first revealed as the Doctor in the 2005 season finale, The Parting of the Ways. Meanwhile Billie Piper, who played companion Rose Tyler for two seasons following the reboot in 2005, will appear in the show for the first time since featuring in David Tennant’s last episode, The End of Time in 2010. The special is directed by Nick Hurran, executive produced by Steven Moffat, Faith Penhale and produced by Marcus Wilson.

Doctor Who: The Day of the Doctor encore primetime broadcast – 7:00pm ET.
BBC AMERICA will premiere exclusive Inside Look interviews with Matt Smith and David Tennant during the broadcast. The special will be followed by the premiere of new fantasy-adventure series Atlantis at 9:00pm ET.

The Graham Norton Show with guests Matt Smith and David Tennant – 10:00pm ET
Doctor Who stars Matt Smith and David Tennant make their first appearance together on BBC AMERICA’s hit talk show The Graham Norton Show. Emma Thompson, singer Robbie Williams and comedian Jimmy Carr will also be guests.

Doctor Who – Matt Smith Countdown – 9:00am – 8:00pm ET
BBC AMERICA counts down the top 11 episodes from the Eleventh Doctor, Matt Smith, as voted on by fans.

Doctor Who: The Doctors Revisited –The Eleventh Doctor – 8:00pm –10:30pm ET
BBC AMERICA celebrates the Eleventh Doctor, Matt Smith, in a new special of Doctor Who: The Doctors Revisited. Matt Smith first stepped into the TARDIS in 2010 and, after starring in the 50th Anniversary Special on November 23, will regenerate in the Christmas special. The Doctors Revisited begins with Matt Smith, Jenna Coleman (companion Clara Oswald), Karen Gillan (companion Amy Pond), Arthur Darvill (companion Rory Williams), lead writer and executive producer Steven Moffat, among others, examining the human side of this Doctor and taking a look at how his extraordinarily long life has affected him. The special is followed by the Eleventh Doctor two-part story, The Impossible Astronaut and Day of the Moon, in which a strange summons reunites the Doctor, Amy (Karen Gillan), Rory (Arthur Darvill) and River (Alex Kingston) in the middle of the Utah desert and unveils a terrible secret the Doctor’s friends must never reveal to him. These were the first Doctor Who episodes to be filmed in the U.S



I’ve frequently said that Arrow is far better than SHIELD, regardless of any comparisons of the DC versus Marvel lines. After an especially strong episode this week, League of Assassins, I’ve seen reviews (including at The Hollywood Reporter) calling Arrow the best live action superhero television series ever. Considering the competition, and poor translation of superheroes to television, this is a fairly low bar. The question then is whether it is compared to Heroes season one, which was excellent, versus the entire run of Heroes.

There is criticism of the current story lines on Arrow which everyone seems to agree with. It is not plausible that Laurel would be involved in the prosecution considering the conflict of interest. We know we have to accept unrealistic sequences when a man with an bow and arrow can regularly win out against guns. We also must ignore how people do not see though secret identities of people they know well. While this is necessary for the show to exist, they should avoid unrealistic scenarios unnecessary for superhero shows such as Laurel being involved with the prosecution in this situation.

There is more Marvel coming to television (besides a second rumored show on ABC about Agent Carter). They are planning for a set of thirteen episode series on Netflix of Daredevil, Jessica Jones, Iron Fist, and Luke Cage. Just as the movies led to a joint movie in The Avengers, these Netflix individual series will be followed by a joint mini-series entitled The Defenders. Considering that they have not done all that great a job with Agents of SHIELD, I wonder if it is a good idea to go ahead with four more series. Maybe, not being limited by the constraints of a prime time network television series these could be better for genre fans.

SHIELD really teased viewers last week. How many others were hoping that Simmons was not rescued when she jumped off the plan, and Fitz would follow her?


Spoiler TV has a lot of information on the upcoming television show, Almost Human in an interview with J.J. Abrams and J.H. Wyman:

The series is set in the year 2048 and stars Karl Urban as John Kennex, a cop who is forced to partner with an android (named Dorian) played by Michael Ealy after an increase in crime leads to all human law officers being accompanied by robots. J.J says that “The idea when Joel pitched it was that Dorian, who is a synthetic, was in some ways more human than his partner.” Wyman told reporters that Ealy heightened what was already on the page with “an incredible sense of thoughtfulness and compassion. He’s playing a character who is by design, literally, as brave and as knowledgeable and as strategic as you’d want your partner to be if you were riding along as a cop, but he’s also as sympathetic as you’d want. What Michael brings is that kind of depth and humanity.” His dubious partner, in turn, is “forced to kind of deal with the idea that his well-being now relies on this technology which he sort of holds in contempt.”

So what sets this latest series apart from the increasingly present action and sci-fi shows on networks today, let alone from the duo’s previous work in the genre? First of all, Wyman began, he wasn’t interested in presenting another dystopian vision of Earth’s future. “I hope that we’re not really in that territory and that we’re successful in that.” Often in the genre, the writer says, the outlook seems to be “‘Look what you humans have done!’ whereas what we’re talking about, I think, is a little more hopeful. There’s a sense of going forward. We’re resilient, we’re going to succeed.”

Abrams mentioned that unlike many of his past efforts this series has much less of an emphasis on mythology and will instead focus on a procedural case-of-the-week type format that will allow us to explore the characters as well as the unique complexities of navigating in an increasingly technology-reliant world. He also promised “a level of humor that is distinct from what we’ve done before” which backs up his partners talk of the series leaning towards a more ‘popcorn’ movie vibe than their previous collaboration. That’s not to say the show is all-action-all-the-time, as Wyman went on to explain his hopes to create a conversation about what these human-computers are at their core and how we should interact with them. “They’re thinking beings, so what are their rights? And where are those lines drawn? A lot of those things are sort of examined in our later stories: What is a robot? What is an android? What is a being?” Wyman, to be sure, did his homework. “J.J had set us up with some very brilliant people from MIT and one was a woman who studied robot ethics, which is pretty amazing, that they’re actually… real.”

The case also includes Minka Kelly of Friday Night Lights.

I haven’t had a chance to read J.J. Abrams’ new book, S., yet, but it looks intriguing. Besides a conversation in margin notes going along with the narrative of the book, there are many postcards, maps, and letters at various points in the book. Librarians are not very happy about this.

Alan Alda will be going up against James Spader’s character on The Blacklist later this season. I’m hoping for a reunion with William Shatner.

Adam Driver of Girls is being considered for the role of Dick Grayson/Nightwing in the upcoming Batman vs. Superman movie. It is scheduled for release July 17, 2015.

When news came out about plans for Better Call Saul it was being called a prequel to Breaking Bad. There remains interest in what will happen to Saul after going to Nebraska, and now Bob Odenkirk says the show might be both a prequel and sequel.  There has been speculation that the show might be more of a comedy but Odenkirk says, “It’s going to be 70% drama and 30% comedy.” He also played down the speculation that characters from Breaking Bad will pay a major role in Better Call Saul. If it is a sequel, they should at least work in Gus and Mike. It is also feasible that Saul would cross path with a certain DEA agent, and a high school science teacher could briefly appear as long as any contact with Saul is minimal.

With the success of The Girl With The Dragon Tattoo and other books by Stieg Larsson in the United States, HBO is planning an hour-long series based upon the works of another Scandinavian author, Jo Nesbø. They are planning an adaptation of his 2008 novel, The Headhunters.

Dan Stevens of Downton Abbey will play Lancelot in Night at the Museum 3. It is hard to believe that the season finale already aired tonight on ITV. I haven’t watched today’s season finale yet, but as of last week there were several loose ends. I wonder how many were tied up tonight, and how many will be extended to the Christmas episode. Thanks to British television, Christmas has become a big television day with episodes of Downton Abbey, Doctor Who, and Call the Midwife. Update: News came in shortly after this was posted that Downton Abbey has been renewed for a fifth season.

Thomas Friedman Offers Ten Months or Ten Years for Iraq

Thomas Friedman offers two possible scenarios for Iraq considering the current realities, which are even worse than being in a civil war:

Iraq has entered a stage beyond civil war — it’s gone from breaking apart to breaking down. This is not the Arab Yugoslavia anymore. It’s Hobbes’s jungle.

Given this, we need to face our real choices in Iraq, which are: 10 months or 10 years. Either we just get out of Iraq in a phased withdrawal over 10 months, and try to stabilize it some other way, or we accept the fact that the only way it will not be a failed state is if we start over and rebuild it from the ground up, which would take 10 years. This would require reinvading Iraq, with at least 150,000 more troops, crushing the Sunni and Shiite militias, controlling borders, and building Iraq’s institutions and political culture from scratch.

Anyone who tells you that we can just train a few more Iraqi troops and police officers and then slip out in two or three years is either lying or a fool. The minute we would leave, Iraq would collapse. There is nothing we can do by the end of the Bush presidency that would produce a self-sustaining stable Iraq — and “self-sustaining” is the key metric.

Friedman had previously applied the “Pottery Barn rule” to Iraq which warns that, “You break it, you own it.” He no longer believes this applies:

But my Pottery Barn rule was wrong, because Iraq was already pretty broken before we got there — broken, it seems, by 1,000 years of Arab-Muslim authoritarianism, three brutal decades of Sunni Baathist rule, and a crippling decade of U.N. sanctions. It was held together only by Saddam’s iron fist. Had we properly occupied the country, and begun political therapy, it is possible an American iron fist could have held Iraq together long enough to put it on a new course. But instead we created a vacuum by not deploying enough troops.

That vacuum was filled by murderous Sunni Baathists and Al Qaeda types, who butchered Iraqi Shiites until they finally wouldn’t take it any longer and started butchering back, which brought us to where we are today. The Sunni Muslim world should hang its head in shame for the barbarism it has tolerated and tacitly supported by the Sunnis of Iraq, whose violence, from the start, has had only one goal: America must fail in its effort to bring progressive politics or democracy to this region. America must fail — no matter how many Iraqis have to be killed, America must fail.