SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.

SciFi Weekend: Heroes v. Aliens; What Happened To Rip Hunter; Lost In Space; Star Trek: Discovery; Inhumans; The Crown; Billy Piper; Adult Jokes On Doctor Who

The CW Network has released the above extended preview of this week’s crossover episode between Supergirl, The Flash, Arrow and Legends of Tomorrow. Bleeding Cool provides the comic book background of the Dominators, the alien villains for the episodes.

Reportedly Supergirl doesn’t get involved until the end of Monday’s episode, presumably putting the main story lines for the other three shows on hold this week. Maisie Richardson-Sellers, who plays Vixen on Legends of Tomorrow, gave a hint about what is coming up in an interview with CinemaBlend. She said that Rip Hunter “does come back, just not necessarily the Rip that we remember. That’s sort of what is a big part of the second half of the season.” As the show involves time travel I wonder if it will be a version of Rip Hunter from before he created the group, or one from the future. I suspect that there is also a connection to the warning from future Barry Allen revealed earlier this season.

The real world reason that Arthur Darvill left the series for a while was to return to his role in Broadchurch for its third and final season. Besides Legends of Tomorrow, Broadchurch, and Doctor Who, Darvill wants an upcoming role in yet another franchise. He has expressed an interest in playing Young Dumbledore, who will be appearing in the sequel to Fantastic Beasts And Where To Find Them. More on what other former cast members of Doctor Who are doing below.

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Changing the gender of characters in a remake has worked well in the past, such as with a female Starbuck in Battlestar Galactic. It will be interesting to see what they do with the role of Dr. Smith on the Lost in Space remake, with Parker Posey to play the character. Hopefully the Lost in Space remake is also like Battlestar Galactica in being much better than the original.

We already knew there would be a female lead on Star Trek: Discovery. Michelle Yeoh, who previously stared in Crouching Tiger, Hidden Dragon, has been cast.

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There were recently reports that the proposed television series of The Inhumans was to replace the movie. It has more recently been announced that The Inhumans movie is still planned, and the first two episodes of the series will also be shown in Imax theaters. From The Hollywood Reporter:

On Nov. 14, the Disney-owned network said its straight-to-series order for Marvel drama The Inhumans will include a debut in more than 1,000 Imax theaters in 74 countries. The first two of the eight-episode series — about a race of superhuman heroes (among the more popular characters in the Marvel universe) — will run for two weeks starting Labor Day 2017 before airing as part of ABC’s fall lineup.

The deal marks the first time a TV series will have its premiere on the big screen. And it gives ABC a way to “event-ize” Inhumans in the crowded fall TV space, where launching a show is a multimillion-dollar investment. “We think this is a quadruple win — a win for Imax, a win for Marvel, a win for ABC Studios and a win for ABC to launch a show in an innovative way and get attention,” Disney-ABC Television Group president Ben Sherwood tells THR. The Imax pact is the first of what Sherwood hopes will be several innovative ways to launch programming.

As part of the agreement, the first two episodes will be shot entirely with Imax cameras, with subsequent action scenes — some of which will be set on the moon — also filmed using the technology. Sources say Imax is paying for the first two episodes (ABC won’t reveal the budget; the show hasn’t begun casting), offsetting the hefty costs associated with the pilot and helping to make the deal more attractive to producers ABC Studios and Marvel Television. ABC will then take the Imax episodes and expand them with additional content for broadcast. ABC, Imax and Marvel will each mount tailored marketing campaigns for Inhumans, what analysts see as a can’t-miss cross-platform push…

ABC also hopes that Inhumans — which is not a spinoff of the network’s Agents of SHIELD and does not replace the planned feature film — will have a halo effect on the veteran Marvel drama as well. The network hopes fanboys flock to see Inhumans in theaters and follow the show to the network, bringing in new viewers who may not already be watching SHIELD (provided the latter returns for a fifth season next fall.)

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Matt Smith experienced danger when he played the Doctor, and faced some unexpected excitement during the filming of The Crown. He was relaxing in a Cape Town bar and wound up being held at gunpoint.  He didn’t even have a sonic screwdriver to defend himself with. The fame he experienced from his role on Doctor Who has given him some insight into playing Prince Philip:

Smith says he can relate to his character Prince Phillip, because of both the “crazy shit” and the amount of public interest, after he was cast in Doctor Who.

“Every single part of my life was affected,” he said. “You have to be hyper-aware, because Doctor Who is a children’s show ultimately, and you have to behave accordingly, I suppose.

“I went from being an actor doing theatre and stuff, to overnight being on the front page of every newspaper. There’s journalists going to my granddad’s house offering him £40,000 [for gossip]. Nothing can prepare you for that.”

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Billie Piper also discussed how her role on Doctor Who has affected her life and her career in an interview with ES Magazine. Digital Spy has some excerpts.

Her portrayal as The Doctor’s brave friend Rose Tyler undoubtedly set the mark for all future companions, and her two series remain a golden era for many fans.

In the latest issue of ES Magazine, Billie looks back fondly on Doctor Who ten years on – while also admitting that working on the show seemingly non-stop in Cardiff took a toll on her private life.

“I’m quite a homebody and I missed London so much,” she recalled. “Also, it makes you so famous, a show like that.

“It gave me little memories of being a popstar – you can’t go anywhere without it being a thing, and I found that quite hard again. But it changed everything for me. And I have never worked with a nicer bunch of people in my life since.

She also said she is sick of being sent hooker roles and is working on her own show about “two London women in their thirties and everything that comes with that.”

Billie Piper’s “hooker roles” included scenes on shows such as Secret Diary of a Call Girl and Penny Dreadful which could never appear on Doctor Who. They had to be more subtle with regards to sex. Radio Times has put out a list of 10 adult jokes in Doctor Who you might have missed.

SciFi Weekend: Stranger Things; Timeless; Rectify; The Good Place; CW Genre Shows; Doctor Strange; Doctor Who; Matt Smith Back In The Past With New Companion on The Crown

A 1980’s news cast (video above) reports on the disappearance of Barb, as seen during the first season of Stranger Things. The newscast also provides further evidence that Eleven is still around. It should come as no surprise that she is returning, despite the first season finale leaving things ambiguous.

NBC has extended Timeless from thirteen to sixteen episodes, to run in two blocks, between November 14 and December 12 and from January 16 to February 20.

Showrunner Ray McKinnon explains why you can’t multitask and keep up with Rectify, and discusses the upcoming fourth and final season

Parks and Recreation predicted the victory by the Chicago Cubs in the World Series. Since the series ended, Michael Schur has moved on to new show, The Good Place. It returns for its four final episodes of the season on January 5. Michael Schur discussed what will be happening with Entertainment Weekly. Think love quadrangle.

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Last week’s episodes of The Flash revealed the secret behind the new version of Harrison Wells, as well as dealing far more with Caitlin’s powers–which should be a major focus for the upcoming episodes. More at The Nerdist.

Besides the major crossover involving all of the Berlantiverse shows, there will be a Glee reunion with Melissa Benoist and Grant Gustin doing a musical crossover between Supergirl and The Flash. Now there is talk that Legends of Tomorrow might get involved to at least include Broadway veteran Victor Garber.

Lexa Doig has been cast as alia al Ghul, daughter of Ra’s al Ghul and half sister to Nyssa al Ghul, on Arrow.

Spoiler TV has some teasers regarding season four of The 100.

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The biggest genre event of the week was the opening of Doctor Strange. It is too early to have any spoilers about the movie here, but here are a number of links for those wanting to read more:

Hitflix wrote about Marvel’s ‘Doctor Strange,’ ‘Inhumans,’ and the connected MCU (no spoilers until the end, with spoiler warning). Also at Hitflix, ‘Doctor Strange’ writer Jon Spaihts talks about blowing the Marvel Cinematic Universe wide open

Time on Doctor Strange and What We’ve Learned From Superhero Movies in 2016. Plus How Doctor Strange Hints at Big Changes for the Marvel Universe and Demystifying Doctor Strange‘s Curious Mid-Credits Scene.

Nerdist asks How Will DOCTOR STRANGE Change the MCU?

Spoilers from AV Club with Doctor Strange’s writer on [REDACTED]’s fate and that final credits sequence

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Moving on from Doctor Strange to another Doctor, I previously posted about plans for an animated version of a lost Doctor Who story, The Power of the Daleks. Inverse calls it essential viewing, and has updated information.

When the BBC purged their archives in 1974 to make room for more film, “The Power of the Daleks,” the Second Doctor’s introduction to the show, was lost in the process. “The Power of the Daleks” is not the only serial or episode lost to time; there are dozens of episodes that have never been seen by modern audiences. But “The Power of the Daleks” is the first one to be made in what is assumed to be a shot-for-shot remake. It’s animated and, of course, in black and white, but Troughton’s Doctor and Anneke Wills’s Polly will probably be no less charming.

Matt Smith is back playing a character in the past on television, with Netflix releasing The Crown last week. Claire Foy (who previously played Anne Boleyn in Wolf Hall) makes an excellent companion for him as Queen Elizabeth. Much of Matt Smith’s character can be seen in his portrayal of Prince Phillip. I was not surprised to see him handle an elephant in Nairobi, expecting him to pull out a sonic screwdriver or explain handling the elephant by saying, “I speak elephant.” When he protested playing second fiddle after Elizabeth became Queen, I half expected him to protest that he is a Time Lord of Gallifrey.

The series starts with Elizabeth and Phillip before Elizabeth became (spoiler?) Queen and was forced to fulfill what was expected of the role. They have great chemistry together and someday I would like to see Foy and Smith together again, possibly in another period piece, in which they can remain young and carefree, without having to fit into their historical roles on this show. The actual history along with a look at the series are discussed at The Guardian.

Matt Smith was able to get some tips on playing royalty from Jenna Coleman, who is staring in ITV’s Victoria. This means that Smith is playing Coleman’s great-great-grandson-in-law. It will take a TARDIS to get them back together.

While Matt Smith and Jenna Coleman are busy playing members  the royal family, Karen Gillan is preparing to direct, as well as write and star in, and independent movie named Tupperware Party, which is being filmed in Scotland.

Also in the Doctor Who universe, I got a chance to watch the first three episodes of Class while flying home last weekend. I was impressed that each episode was better than the previous. I have not seen the fourth yet, but have heard it couldn’t continue that trend, but look forward to further episodes.

SciFi Weekend: Time Travel; Legends of Tomorrow; The Flash; Supergirl; Arrow; SHIELD; Doctor Strange; 12 Monkeys; Timeless; Class; Doctor Who

This season has become a huge season for time travel, and this is reflected in most of the items today. One time travel series,  Legends of Tomorrow has been rebooted, and the second episode was much more fun with the addition of The Justice Society of America. I had an introduction to its members last week. Marc Guggenheim discussed the meeting between the Legends and Justice Society in the video above.

Another aspect of the episode was the elevation of Sara Lance to the leader of the group, at least while Rip Hunter (Arthur Darvill) is missing. Marc Guggenheim spoke with Entertainment Weekly about how she handles her new role, along with some teasers about Rip:

“As you start to see her become more and more comfortable in being the leader of this rag-tag group, it’s so much fun to watch her,” EP Marc Guggenheim says. “The character’s embodying the role of a leader, Caity’s performance really embraces it. It turns out to be one of the most successful things we’ve done in season 2.” However, the next mission under her command won’t necessarily be to hunt down Rip Hunter. “That’s going to be something that’s always going on in the background, and in some cases the foreground, of the various episodes,” Guggenheim says. “To a certain extent, we don’t want to change the mission statement from fixing aberrations to going and saving Rip. The bat has been taken out of their hands because there’s no way to find Rip, so what would they do? You will find out [what happened to Rip] before the Legends do.”

The Flash began the season with Flashpoint based upon ramifications of Barry going back in time to save his mother. Todd Helbing, executive producer of The Flash, explained why Flashpoint was only in one episode when it was a much bigger story in the comics:

“I think anytime you do a story like Flashpoint, something as iconic as that, with the character restrictions that we had, it’s going ot be different than everybody expected,” executive producer Todd Helbing told ComicBook.com. “I think for us from a story point, when we talked about it originally it was going to be more episodes but what happens more often than not is that when you break the story you find that it would be a lot better and a lot more satisfying if you pulled up a lot of that information and put it in that first episode….It just became a much stronger episode if we just made it one as opposed to four or five, and then we could really kickstart the rest of the season after that. But Flashpoint or not, there are consequences going forward for Barry for what he did and those ripples he’s going to explore throughout the third season.”

Andrew Kreisberg has more on what is upcoming on Supergirl.

The first cross over of the season was having Oliver Queen appear on the season premiere of Legends of Tomorrow, but a much bigger cross over is coming up. Marc Guggenheim has more information. The villain will be aliens called The Dominators. As for how Supergirl gets involved in events in our universe:

“Last year, Supergirl established that Flash was able to make his way to what I call Earth-CBS, and it stands to reason that, with the proper breach technology, the reverse can happen,” executive producer Marc Guggenheim told reporters Tuesday following a screening of this week’s Arrow and Legends of Tomorrow.

In the crossover, the heroes will team up to fight against the Dominators, who in the comics were a technologically advanced alien race that wanted to invade Earth and eliminate the threat posed by unpredictable metahumans — and they have similar motivations during the crossover. “Once the heroes realize that they’re up against aliens, they decide that they need an alien on their side,” Guggenheim says. “Fortunately, Barry knows a really nice one. I don’t think it’s a big shock that between Barry and Cisco, and all their experiences with Earth-2 and the multi-verse, that they can pluck her from Earth-CBS.”

Guggenheim also revealed that the crossover will actually kick off at the end of an episode of Supergirl, where Cisco (Carlos Valdes) and Barry (Grant Gustin) basically enlist Kara’s help. “Some people call it a four-way crossover because it involves four shows; my ulcer requires me to call it a three-part crossover,” Guggenheim explains. “The story that’s being told has a beginning, middle, and end: a beginning in Flash, a middle in Arrow, and an end in Legends. But Supergirl is very much a part of the whole thing, so we are crossing over four shows — four shows in three parts.”

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Agents of SHIELD this year has combined the supernatural, the Inhumans, artificial intelligence, and the public reemergence if SHIELD. It looks like it would be helpful to be up to date on the comics to keep straight how this all fits together, especially with Doctor Strange to be released soon. Screen Rant explained how The Darkhold/Book of Sins fits into the Marvel Cinematic Universe.

Benedict Cumberbatch has also teased how Doctor Strange will fit into the MCU.

When Cumberbatch was asked how he saw Doctor Strange fitting into the largest Marvel Cinematic Universe, the actor strayed away from talking specifics to avoid any undue spoilers. However, he did say the sorcerer would be “all over the place.”

“There’s a lot going on this story [Doctor Strange] that will lead you to understand why he’ll play a key role in the next phase,” Cumberbatch explained.

The actor also talked about how he felt now playing Doctor Strange. Cumberbatch said, “Obviously, you want to bring the character to life and tell this really incredible story.”

He continued and stressed that the character’s story is only started in Doctor Strange. “It’s only be the end of the film that you go, ‘Oh my god, this is the beginning.’ It’s an origin story of a superhero that’s going to be part of all of [the MCU].”

Nerdist has some more, with potential spoilers.

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12 Monkeys was one of the top time travel shows of the past two seasons, and will add a real veteran of the time travel genre for its third season. Back to the Future star Christopher Lloyd will play the Pallid Man’s father. Showrunner Terry Matalas has more information on the upcoming season in an interview with Blastr:

What can you tell us about how Season 3 is coming along? Logistically how’s it going (as far as shooting, etc.), and creatively what are some things you’re looking to explore?

Matalas: We’ve just started production – right now, I’m surrounded by a small army of incredible cast and crew – but creatively, conceptually, thematically the season’s all there. Last season we really wanted to explore the biology — the psychology – of Time. We wanted to tell a big, ambitious, sprawling time-travel story that ended with a very intimate, heart-wrenching reveal. This season, it’s about going inward.

The stakes are deeply, deeply personal for Cassie and Cole. It’s really the a real time travel dilemma, the fundamental question: “If you knew that your child would one day grow to be the Devil, would you – could you – kill him?” Or is there another way? And what that struggle does to our characters as a team – to Cole and Cassie as a couple – how it divides and unites them – is going to make for some remarkable drama. In some ways it’s a more linear season, and in others, it’s more complex than ever.

What can you tell us about the opportunity to land Lloyd for this new role? Why is he the man for the job?

Matalas: The fantastic thing about this character is that it’s not even remotely stunt casting.  Certainly, when you make a time-travel show, you carry an obvious list of influences – Back to the Future, Doc Brown, Marty McFly – but when you cast that show, you never want the actor to distract from the moment. It’s difficult to tell a story or create an emotion if you’re constantly winking at the audience. We aim for levity, sure, but we never put the bullseye on “meta.”

So when we came to this particular character – with this particular set of traits – with this particular heritage – Christopher Lloyd was not only an inspired choice, he was the right choice. Put a photo of Lloyd against a picture of Tom Noonan and there’s zero difficulty imagining them as father and son.

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I finally had a chance to check out one of the new time travel series, Timeless, over the weekend. It is certainly not hard science fiction, but it was fun. After watching the first, I did want to immediately watch the other two episodes available. The explanation of how they travel through time was probably under a minute, mainly showing them folding over a sheet of paper as an illustration  of how they move from one point to another. They showed by the end of the first episode that events in the past can be changed, and that this can and will impact events in the present. A small ship, which is no bigger on the inside than it is on the outside, holds a three person crew. They quickly dispensed with the idea of going back a few minutes earlier if their first attempt at fixing events in the past didn’t work with ominous warnings of severe consequences if they run into themselves. No mention if a different set of time travelers could go back if they don’t get it right the first time. So far the people in charge haven’t minded the minor changes (from their perspective) from the trips back in time.

Producers Eric Kripke (Supernatural, Revolution) and Shawn Ryan (The Shield),discussed the rules of time travel and other aspects of the show with (including a spoiler for those who have not seen the pilot) with Film:

Is there a butterfly effect every time they go back? Maybe not as drastic as in the pilot, but just being there changes things.

Ryan: Hopefully a lot of times our heroes will be successful and there won’t be any discernible effect. Sometimes there will be. One of our rules is whenever we can, if there’s a change, can it be specific and personal? The best example of that is the pilot when Lucy’s sister vanishes from the timeline. But we also can use it for comedic effect. I won’t give away too much but I think there’s a change in history after the German WWII episode that tickles my funny bone a lot.

We talk a lot about what the changes are going to be. The thing you have to remember is the only people that are truly aware of these changes are the three people that have this institutional knowledge that go away and then come back and find things are different. For everyone living in that world, that’s just the way the world is. For all we know, we know the world the way we know it but somebody could come right now and say, “This isn’t the way it’s supposed to be, guys.” For the audience, our heroes’ job is to preserve a recognizable reality. Things aren’t going to get too crazy and too weird if our heroes do their job. That said, there are going to be times where they can’t control everything and Flynn’s going to do some damage. They’ll come back and something will be different. But the goal is for our heroes to make sure the world stays recognizable.

You don’t have to go that far back to find time periods that aren’t good for black people or women. Is it different in every time they go back to? 100 years and it’s before women’s suffrage, further and it’s still during slavery.

Kripke: Yeah, we are not going to shy away from the reality of what it was like to be African-American or a woman in those time periods. It’s the truth of who these characters are and we don’t want to stylize it or sugarcoat it. One of the goals of the show is to present history as accurately as we can. That said, an incredible amount of history is from the perspective of rich white dudes. There were entire communities of African-Americans throughout all of history. There’s going to be certain doors that our two white characters cannot go through and Rufus can. We’re interested in illuminating some corners and stories in history that haven’t been told, some peoples’ history. Same for women before the suffragette movement and they had incredible challenges but they also had an incredibly sophisticated world of interpersonal relations that in a lot of ways wasn’t recorded by mainstream history. There’s aspects and corners of that world that we can explore too. So I don’t think it’s going to be a one-trick pony of every episode, Rufus confronts racism and Lucy confronts male chauvinism. I think the tapestry is a lot more complicated than that and we have every intention of depicting that.

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The Doctor Who spin-off Class premiered on BBC 3 yesterday and will be on BBC America this spring. Peter Capaldi appeared in the first episode. Screen Rant has a spoiler free review of the premiere. They have more on the show, with mild spoilers, here. Plus here are seven reasons to watch Class.

We still have a long wait for the main show. Cultbox summarizes everything we know so far about the upcoming season of Doctor Who with quite an extensive list of links.

Nerdophiles has news from the New York Comic Con on the second season of The Man In The High Castle.

SciFi Weekend: Agents of SHIELD; Suicide Squad; Star Trek; Gotham; Stranger Things; Doctor Who

SHIELD Daisy season 4

Agents of SHIELD concluded the third season with a jump ahead showing that someone other than Coulson will be Director of SHIELD. Marvel has revealed that Jason O’Mara will play the Director. While vague, the release did say that he will be “playing a character whose Marvel roots go back to the 1940s.” The synopsis for the upcoming season explains the reason for the change, as well as the changes in the role of some of the other characters:

In light of the Sokovia Accords, and with Hydra obliterated, S.H.I.E.L.D. has been legitimatized again and no longer needs to operate in the shadows. Since the world presumes that Coulson is dead, the organization needed a new Director (Jason O’Mara) to be the face of the organization.

Coulson finds himself back in the role as an agent and teamed with Mack (Henry Simmons), and together they are tasked with tracking down and confirming the presence of Enhanced people, aka Inhumans. They have been trying to track down and capture Daisy (Chloe Bennet), aka Quake, who has gone rogue in an attempt to atone for sins from the past. But with the world believing that Daisy is a dangerous outlaw who has taken down banks and bridges, the new Director has no qualms about taking her down for good.

Agent May (Ming-Na Wen) is tasked with training specialist strike teams, and Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge) have taken a big step forward in their relationship. But with Simmons’ new promotion as Special Advisor to the Director in Science and Technology, Fitz, as well as her former team members, finds it hard to confide in or trust her since she’s now the Director’s confidant.

Robbie Reyes (Gabriel Luna) will roar into the lives of Agent Coulson and the team as a junkyard mechanic who can turn on a dime into the terrifying Ghost Rider. Will Robbie be a friend or foe to S.H.I.E.L.D. – as well as the world, itself? Meanwhile, Fitz discovers that socially awkward genius and friend Dr. Radcliffe (John Hannah) has started putting the finishing touches on a new, secret invention.

Chloe Bennet talked with TVLine about Daisy going rogue and her agenda.

In other news about Agents of SHIELD, ABC Entertainment President Channing Dungey said at the Television Critics Association press tour that Adrianne Palicki and Nick Blood could possibly return. As I noted last week, the return as a regular would be complicated by Palicki being cast in another role.

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Suicide Squad has opened to a large box office but has received very poor reviews. It does sound like studio interference played a role in any problems the movie has. The Hollywood Reporter‘s account begins:

“Better late than never.” That was one Warner Bros. executive’s reaction to the excitement at Suicide Squad‘s splashy Aug. 1 premiere in New York. Tracking indicates the film could open to more than $140 million domestically and potentially hand the studio its first unequivocal megahit since American Sniper‘s $547.4 million in December 2014. With March’s Batman v. Superman: Dawn of Justice grossing $873 million worldwide but failing to impress audiences or reach the hoped-for $1 billion mark, Warners still urgently needs to jump-start its critical DC Comics universe, raising the stakes for Suicide Squad, which cost at least $175 million to make.

Yet if the villain team-up ultimately works — and it has drawn some harsh early reviews  — it will be in spite of the kind of behind-the-scenes drama that is becoming typical for giant franchise movies that now are the main focus of the studio business: a production schedule engineered to meet an ambitious release date; a director, David Ayer (Fury), untested in making tentpole movies; and studio executives, brimming with anxiety, who are ready to intercede forcefully as they attempt to protect a branded asset. Often, efforts to fix perceived problems ratchet up costs, which drive anxiety ever higher. In extreme cases, such as Fox’s troubled Fantastic Four, the intervention is so aggressive that it becomes unclear what it means to be the director. (In each such case, studios are careful to stress that the credited director is on-scene and in charge, which is essential to avoid DGA issues. And the wise director plays along.)

The video above is a tribute to Star Trek with clips from ever show and movie.

Star Trek Into Darkness ended with Carol Marcus appearing to be a new crew member but she was not seen in Star Trek Beyond. Simon Pegg, who c0-wrote the movie responded to questions about this by explaining they didn’t have a role for her which made fit into this movie and,“We thought rather than have Carol Marcus be not used to a reasonable capacity, let’s just not include her, have her be alive, in canon, and be ready to come back at any time.” As Star Trek Beyond took place three years later, it is quite plausible that she spent some time as a part of the Enterprise crew and then either left or was not present for some other reason in Star Trek Into Darkness.Nerdophiles has information from the cast on the third season of Gotham.

Stranger Things

I’m sure that by now pretty much everyone has heard the hype about Stranger Things. It deserves all the hype, and more. Some compare it to E.T. and to Super 8. It is very rare to see a television show which is as immediately captivating as Stranger Things. The show brings three television series to my mind with their ability to also do this: Twin Peaks, Lost, and The X-Files. One other thing that all three have in common is that they went downhill. The mythology on Lost and X-Files got too convoluted, and they didn’t know where to go beyond the initial story on Twin Peaks.

The format on Netflix should reduce the risk of the show deteriorating over time. Eight episodes allowed them to tell a complete story, while leaving some things open for future seasons. There was no need for filler episodes, and there won’t be the same push as on network television to continue too long. Matt and Ross Duffer have hinted at a second season and it would be quite a shock if Netflix didn’t go with it.

The BBC has a round up of news since series ten of Doctor Who went into production here. More pictures at DoctorWhoTV.

I’ll conclude with commentary on this year’s election from The IT Crowd:

IT Crowd

SciFi Weekend: The Americans Season 4 Finale; New Director At SHIELD; The Flash; Supergirl; Gotham; You’re The Worst; Peter Capaldi Teases Reunion With Clara Oswald;

The Americans Season 4 Finale

The Americans concluded its fourth season  (spoilers ahead) with the death of another charter, and presumably the end of the biological weapons story line. Technically William had not died by the end of the episode, but if he should survive into the next season it will only be briefly. This was a season which included the deaths of some characters, and the possible loss of others to the show. Notable deaths include Nina and Gantt, dying in quite different manners. Plus the finale introduced another character which was mentioned previously–Philip’s long lost son from before he began working with Elizabeth.

With The Americans renewed for two more seasons, we can safely predict that Elizabeth and Philip will not be discovered in the near future, but this has been a major theme since Paige revealed their secret to Pastor Tim. Over the course of the season, Paige has developed into a reluctant but effective junior spy. The risk from Pastor Tim and his wife now seems much lower, but it will always hang in the background.

While William didn’t seek to betray Elizabeth and Philip, he did provide Stan with a small amount of information: “couple of kids…American dream. You’d never suspect them. She’s pretty. He’s lucky.” This fits far too many people for Stan to suddenly think of his neighbors across the street, but if he is ever given stronger reason to suspect them, he is bound to remember this.

Gabriel did strongly advise Elizabeth and Philip to leave the country, but left the ultimate decision up to them. If they are at risk, I think the greater risk would be that Philip might reach the point where he cannot go on. EST might help him, or it might lead him to question  what he is doing even more. Of course he couldn’t fully explain his difficulties in leaving his job when he had to go with the travel agent cover. Plus the world will change for him with the Soviet Union heading closer to its collapse and the introduction of his son.

Instead of Elizabeth and Philip deciding to leave, Oleg made that decision to help his mother. Arkady appears to be leaving involuntarily. Martha has been in the Soviet Union for months. We may or may not see these characters again.

The Americans William Palm

Joe Weisberg and Joel Fields were interviewed at Speakeasy:

The finale seemed to set a lot up for the fifth season, but at the same time, a lot of stories were left in a cliffhanger-y spot. So did you know when you wrote and shot the finale that the show had been renewed?

Joel Fields: Yes. FX is very generous and communicative about that stuff. They really helped us as we were turning a corner from the end of this season toward the last couple of seasons by putting the creative choice of how to end the show in our hands. And I think in a lot of ways we were able to be thinking through that as we were finishing up Season 4.

Was any of what happened to William in the finale based on a true story, the way he infected himself with the lethal Lassa virus to get out of the mission (and to get out of spending the rest of his life in jail)? There’s got to be tons of stories about spies like William getting disgruntled after all those years.

JF: We did a lot of research into disgruntled spies, into biological weapons. We never saw a story of someone intentionally infecting himself, but, there are stories of people who actually worked on these biological-weapons programs getting accidentally infected, and the horrible, horrible way that they died. So I think that that would be the closest thing to it being based on something real.

How long had you been planning to introduce the Philip’s son plotline?  

Joe Weisberg: It’s funny, because we were reminiscing about season 1, when, in fact, [you didn’t know] whether or not Philip actually had a son. It was ambiguous. Was Irina making that up? Or was it true? And we didn’t have an answer to that, ourselves. We liked that ambiguity. We thought that was really interesting. So, introducing that plotline meant making a final decision that that was a real person and a real character, which is probably more satisfying.

JF: Yeah, and that’s that case where much of the time you really plan these things out years in advance, seasons in advance. But this part of the story unfolded organically, as the story was told, like in that first episode with Irina when she mentioned the son? That was something that blossomed out of the script, and these other pieces fell into place over the course of the seasons.

The Americans Finale

More at Vulture:

The most surprising development in the entire season for me was the relationship between the family and Pastor Tim. I’m surprised that he made it out of the season alive. But I’m even more surprised that he seems to actually be their friend now!
JF: I don’t think we ever considered killing him off. As much as everybody was speculating that he was about to go, we were really exploring the question of how these characters would deal with being in this box, and how would that [situation] unfold?

Also, Tim is a character with whom we had a lot of sympathy. He really does, on some level, want to do the right thing — that’s been his whole problem all along. And the Pastor Tim thing also was an opportunity to explore a lot in terms of these character dynamics.

JW: It was pretty apparent to us early on that [the Soviets] couldn’t kill Tim because of the effect it would have on Paige. It would destroy her parents’ relationship with her. And that was it. The question then became, with that constraint of not being able to kill him off, what else could we do? The fact that he ends up being actual friends with them did take us a little bit by surprise, but [once we figured that out], that changed our sense of who this guy was, and how we would always see him from the moment we got to know him. And so we followed that through the season, and throughout the story, he just could not open his heart up to them.

JF: But it also led to one of my favorite lines in the season, which was in episode ten, when Paige was convinced that her parents had something to do with his disappearance, and Elizabeth says, “God, why would we do something as stupid as leave Allison, and, God, she thinks we would do that? If she only knew everything we did to not kill him!”

Are we ever going to see Martha again?
JW: We’re not going to answer that!

JF: What kind of a spoiler-y question is that, Matt?

I’m sorry I disappointed you with that question, guys! I have no idea why I asked that.
JW: Come on! Why don’t you just go ahead and ask us what the last scene of the show is going to be?  [Laughs.]

Okay: So you have two more seasons to go after this one. Is two a number that FX gave you, a number that you asked for? And are you happy with it?
JF: We’re thrilled with it. They came to us some time ago and said, “As you start thinking about the end of season four, we’re all thinking about how the show’s going to wrap up. What do you need? How do you want to tell the story?” That was something they really put on our end, which was generous and allowed us creatively to figure out what we thought would be best.

The Americans William

At TV Line:

TVLINE | We’ve seen Elizabeth have some hesitation this season about the things she has to do, specifically with regards to Young-Hee. Is she starting to understand Philip’s point of view about the job?
JOEL FIELDS | Philip has gone through a major personal transformation over the course of the show, [which] on a deep level is about marriage. When you’re in a marriage with somebody, you can’t help but be affected if your partner changes. She’s started to go through her own changes, although much smaller and at a much different pace than Philip. We’ll see how all of that plays out for them as a couple, her as a mother and her as an individual.

TVLINE | We’ve said goodbye to a lot of characters recently —Nina, Martha, Gaad, Arkady and possibly Oleg now. All the departures almost made it feel like you were reaching the end of the series. But then there was a two-season renewal.
WEISBERG | We did not have any particular intention or idea [like], “Oh, let’s gets rid of a lot of characters. Oh, it’s supposed to end. Oh, let’s start over.” There was no thinking like that at all. Every bit of this is just following stories where they were going. The two major storylines of Nina and Martha were coming to their end, and they happened to be coming to their end at the same time, which is fundamentally coincidental. There is no reason one of them might not have come to an end in a different season, [but] they happened to come to an end in the same season. It is probably less coincidental, in terms of storytelling, that the Gaad storyline ended soon after the Martha storyline, but there’s certainly a world where we could have kept Gaad or not killed Gaad. But ultimately, after what happened with Martha, he just wasn’t going to survive any longer in that job. The choice to have him die and how that was going to impact other people and other elements in the story seemed like a better choice to us.

TVLINE | Martha wasn’t killed off, and you’ve had scenes in Russia with Nina and various other characters. Will we see her in that setting at some point?
FIELDS | She’s not dead. So on The Americans, that’s something to hold on to.

TVLINE | What about Oleg? What can you say about his status?
FIELDS | Also not dead.

TVLINE | But he’s leaving America? He hasn’t changed his mind?
FIELDS | We’ll see. He was pretty clear on that

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Clark Gregg has discussed his thoughts on the next Director of SHIELD, but does not seem to know very much about this and how it will play into the Marvel Cinematic Universe. From Entertainment Weekly:

“Since it’s clear that Coulson is Team Cap, Jed [Whedon] and Maurissa [Tancharoen] have fiendishly put Coulson on the spot, because Hive [Brett Dalton] turned out to be the living embodiment of all the reasons why you would be afraid of Inhumans,” Gregg says. “He was the greatest argument that the people who support the Sokovia Accords could ever have for locking them all up. Coulson had to ride the line where he was trying to respect these new iterations of humanity as friends and allies, and at the same time stop Hive at all costs.” Fortunately, S.H.I.E.L.D. was able to stop Hive, but it certainly came at a steep price with Lincoln’s death, Daisy’s disappearance and Coulson’s demotion.

So, who is the new director of S.H.I.E.L.D.? The executive producers played coy ahead of the finale, which means Gregg is in the dark, too. “I was not given a clear answer,” he says. “I don’t know that it’s been determined. I thought I was going to find out when I saw Civil War, but it’s not at all clear. It all depends when the glorious Nick Fury [Samuel L. Jackson] returns from the cold and the shadows. I suspect, in the wake of the Sokovia Accords and the end of Civil War, the people involved in choosing who the director of S.H.I.E.L.D. will be are other than in-house S.H.I.E.L.D. people. If I know my government bureaucracies, I have a feeling it will be someone somewhat less qualified than Coulson to run S.H.I.E.L.D.”

Screen Rant has information on a new character being added on The Flash. Supergirl has had a casting call for five new characters including Lex Luthor’s sister, plus they are finally going to show Superman. Vicki Vale is being added on Gotham. As for the comics, Bleeding Cool looks at the relationship between Batwoman and Rachel Madow (who once discussed the character on Seth Meyers’ show).

FXX has announced that You’re The Worst will return on Wednesday, August 31.

The CMT has picked up Nashville following its cancellation by ABC. It sounds like a good fit. Cable and streaming services have provided multiple ways for canceled shows to return. I still haven’t given up hope that The Food Network will revive Hannibal.

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Screen Rant reports that Peter Capaldi has teased the possibility of the Doctor and Clara meeting again:

Speaking at a Doctor Who panel at Awesome Con in Washington, D.C., Capaldi hinted that there might be more to the Clara situation than what we saw at the end of season 9. While Clara won’t be returning as the Doctor’s companion, she may not be completely forgotten either. Capaldi stopped himself before he revealed too much, however:

“I think that the thing about the Doctor is that he’s quite mysterious – hence the name, Doctor Who – um, and I’m not sure how successfully Clara was able to wipe his mind. And in fact, I just did a… I was about to tell you something I can’t tell you yet.”

While Amy Sherman-Paladino is finishing up work on the Netflix revival of Gilmore Girls, Amazon has picked up a new pilot from her:

Sherman-Palladino’s dramedy The Marvelous Mrs. Maisel, which she wrote and executive produces, is about a 1950s housewife who decides to be one of the first female standup comics. Sherman-Palladino is currently in post-production on the four Gilmore Girls movies for Netflix, which serve as a sequel to her signature dramedy series.

Related genre post from earlier in the week: A Lanister Always Pays His Debts–But Not Donald Trump. Plus chart of which Game of Thrones character is most like 2016 candidates.

SciFi Weekend: The Marvel Television & Movie Universe; The Night Manager; Mads Mikkelsen On The Possible Return of Hannibal; Wet Hot American Summer; Hugo Nominees; Top Jokes From White House Correspondence Dinner

Agents-of-SHIELD-Cover-04272016

Not long after Supergirl used a classic comic book cover to promote the Supergirl/Flash cross over, Agents of SHIELD is also using a classic comic cover to promote an upcoming episode.

Agents of S.H.I.E.L.D. is sliding into its last few episodes for the season three finale, and they’re going for the hype by promising someone is going to die in promo art. The illustration is an homage to the cover of Amazing Spider-Man #121; that’s the one hinting at the death of you-know-who. Uh-oh. The art by Greg Land will actually be available as a variant cover in comic book shops, too. It will be a rare catch for Civil War II #0.

The official synopsis for the penultimate episode of the season ties into Captain America: Civil war, as the first season tied into Captain America: The Winter Soldier.

With only two episodes left before S.H.I.E.L.D. loses one of their own, Daisy’s prophecy ticks closer towards a major loss, as the aftermath of the events of “Marvel’s Captain America: Civil War” force S.H.I.E.L.D. to register the Inhumans, on “Marvel’s Agents of S.H.I.E.L.D.,” TUESDAY, MAY 10 (9:00-10:00 p.m. EDT), on the ABC Television Network.

Joe and Anthony Russo have also discussed how Captain America will lead into the Infinity War storyline.

Besides appearing in the Captain America and Avengers movies. Robert Downey, Jr. will be appearing in Spider-Man Homecoming. He is now teasing the possibility of a fourth Iron Man movie.

Marvel is now developing a series for Netflix about The Punisher, presumably in response to the response to his charter in Daredevil season 2.

John le Carré discussed how his con-man father inspired Richard Roper (Hugh Laurie) in The Night Manager in the video above.

Mads Mikkelsen gave an interview to the Sunday Express which sounds encouraging for the return of Hannibal:

Fans of the television adaptation of Thomas Harris’ novels about psychopathic psychiatrist Hannibal Lecter were left outraged last year when broadcaster NBC unceremoniously axed the show after just three seasons.

Nonetheless, in an exclusive interview with Express.co.uk, Mikkelsen has revealed that the story is far from over – and that there is hope for a reboot yet. When asked whether the series still has the potential to be picked up by another network, the actor revealed that the ball is firmly in show creator Bryan Fuller’s court.

“It all depends on Bryan. He is the key, the base, the heart,” Mikkelsen said. “We will wait and see what happens next in his career. But we all know that we can easily pick this up in two or three years, there are breaks in the stories. We could pick it up, say, four years later. If Bryan is up for it, we will all go for it.”

But will Fuller be up for it?

“He loved it. It was his baby. Let’s wait and see,” the 50-year-old actor teased, a knowing glint in his eye.

whas

After a successful prequel, Netflix is returning to Wet Hot American Summer once again with  Wet Hot American Summer: Ten Years Later. This time the cast will look more like the ages they are playing, but it was amusing during First Day of Camp to see the adult actors playing themselves as teenagers in the original. That’s except for Paul Rudd, who seemed to have barely aged, possibly due to a painting in the attic.

The Hugo Award nominees are out. Here are the nominees for television shows and movies:

BEST DRAMATIC PRESENTATION (LONG FORM)
  • Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  • Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  • Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  • The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  • Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM)
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)


Barack Obama had his final appearance at the White House Correspondents’ Dinner (full video above).  He said that “if this material works well, I’m going to use it at Goldman Sachs next year,” mocking Clinton’s paid speeches. He also made fun of her attempts to appeal to young voters:  “Look, I’ve said how much I admire Hillary’s toughness, her smarts, her policy chops, her experience. You’ve got admit it though, Hillary trying appeal to young voters is a little bit like your relative who just signed up for Facebook. Dear America, did you get my poke? Is it appearing on your wall? I’m not sure I’m using this right. Love, Aunt Hillary.’”

Obama also mocked Donald Trump: “There’s one area where Donald’s experience could be invaluable, and that’s closing Guantanamo. Because Trump knows a thing or two about running waterfront properties into the ground.” Plus he praised his foreign policy experience: “They say Donald lacks the foreign policy experience to be president, but in fairness, he has spent years meeting with leaders from around the world — Miss Sweden, Miss Argentina, Miss Azerbaijan.”

Some of Obama’s top jokes can be read here and here.

Bored with the current set of presidential candidates? Take a look at Andrew Basiago, who claims to have traveled back in time and to have teleported to Mars in the 1980’s  with a young Barack Obama. It is surprising that Obama has never mentioned this.

Update: Larry Wilmore At The White House Correspondents’ Dinner

SciFi Weekend: Continuum; Doctor Who; Agents of SHIELD; X-Files; Orphan Black; Jennifer Lawrence on Donald Trump; Hillary Clinton on SNL

Continuum s04e04

Zero Hour, the fourth episode of the final season of Continuum, was by far the most significant episode so far this season. After my teasers last week, I will go ahead with a more detailed discussion now that it has aired in the United States. The episode answered some questions going back to the first season, while suggesting where the final episodes are headed. I suspect that a lot was crammed into this episode due to the cancellation of the series and need to compress everything planned into only six episodes. Considering these limitation, they did an excellent job of providing a tremendous amount of information while keeping the story flowing well.

The Traveler was introduced last season and I suspect that little more has been done with the character due to the limited time left. The episode revealed both the role of The Traveler and how Curtis was bought back. The Traveler had apparently meddled in time, causing his future timeline to be eliminated. In some ways The Traveler is much like Kiera, trying to find a way back their own timeline.

The question of whether Kiera can go back to her timeline has not only been raised by fans over the course of the season, but even characters on the show have suggested to her that she cannot go home because her future no longer exists. Knowing about The Traveler provides contradictory arguments. On the on hand, if even the Traveler is having trouble making things right, wouldn’t this suggest that there is nothing which can be done for Kiera unless the timeline is fixed?

This matter changed entirely when The Traveler created a paradox during this episode in which both young and old Alec met together.  The original timeline with old Alec must still exist in some form in order for this meeting to occur. While the Freelancers worked to stop time travelers like Liber8 and Kiera, by arranging this meeting it appears that The Traveler was now working to ensure that they were sent back in time by old Alec. Even if he previously objected to meddling in time by others, does this now mean that the presence of the time travelers is necessary for The Traveler to fix the timeline? The contradiction might be another effect of having to speed up the ending of the show. If there was more time, it might have been possible to provide an explanation for The Traveler appearing to change his agenda.

At this meeting we learned that old Alec was considering sending the prisoners from Liber8 back in time but had not yet decided, or put any plan into effect yet. It was young Alec who actually encouraged his older self to proceed. This also excludes the possibility of a single timeline in which this always happened, and old Alec was sending people back in time with memories of having encountered Kiera and Liber8 when young (although this theory had already been contradicted by other events on the show).

Another question raised previously came up when old Alec recognized Kiera’s name in an early flash forward scene taking place before they were sent back in time. We now know that old Alec recognized her name not because sending her was part of his original plan, but because young Alec mentioned Kiera.

Continuum Zero Hour

When Alec lost Emily in season two, he wound up going back in time to try to save her, causing the destruction of an entire timeline. This time when Emily left him, his actions were not as destructive. After Alec demanded it, Jason took Alec to see his mother (and Alec’s future wife) Annie, but said she had died in Jason’s past. Alec received a different explanation from his future self, who said Annie committed suicide to get away from the monster he became. Young Alec could prevent this by staying away from Annie. I wonder if instead Alec will decide he can still meet Annie, and could change her fate by not becoming that monster. This might also be a storyline which would have a better chance of playing out if there were more episodes left.

In this episode both viewers and Kellogg learned what the Time Marines were up to, and learned he better not trust his future self. As expected, they are building a time portal which more people from the future could use to escape. This includes relatives of Brad, if we can trust Zhorin–a big if. Brad thought the relatives were already dead but Zhorin stated they were on the list to come back. Maybe Brad was mistaken about their deaths, maybe Zhorin is lying, or maybe when Brad came back in time, his actions changed the timeline which led to his relatives not being killed as he remembered. This does complicate any decisions by Brad as to which side to take.

Things are more ominous for Kellogg. Vasquez revealed that future Kellogg has renal failure, which can be cured. Presumably the cure is the transplantation of one or both of young Kellogg’s kidneys. It has already been established that time travel on Continuum is not like time travel in the movie version of 12 Monkeys. The removal of younger Kellogg’s kidneys will not cause them to disappear in old Kellogg, and the death of young Kellogg will not affect old Kellogg. Continuum has always been a show with changing alliances, and this discovery led Kellogg to reach out to Kiera to join forces.

The other question about alliances involves Dillon, who has qualms about acts he is being asked to perform as the new security chief for Piron. Will this lead to him changing sides again, and what exactly would this mean should Kellogg and Kiera wind up on the same side?

I will avoid any spoilers on episode 5, The Desperate Hour but the name does fit the episode. There are not the same sort of major revelations as in Zero Hour, but there are major advances seen in the storyline based upon what we learned the previous week, and  some of the questions I raised above are at least partially answered.

Doctor Who Under-the-Lake-1

Under The Lake is reminiscent of older Doctor Who stories featuring a monster of the week, except that it is a two-part story with a real cliffhanger. The full story, written by Being Human creator Toby Whithouse,  cannot be judged yet, but like the first two episodes of this season was enjoyable regardless of whether the full plot ultimately holds up well.

As is usual with many episodes of Doctor Who, it is all the little moments  which make the episode enjoyable. After leaving a planet which has been celebrating New Year’s for two centuries (I’m not sure if this is fun or a real horror), the TARDIS brought the Doctor and Clara to an  underwater mining facility in Scotland of 2119 where there appear to be real ghosts. The ghosts disturb the TARDIS, and the Doctor wonders why the TARDIS brought them here. This reminds us of The Doctor’s Wife by Neil Gaiman, in which the TARDIS said that while she didn’t always take the Doctor where he wanted to go, she always took him to where he needed to be.

The Doctor saved time by not having to earn the trust of those on the mining facility by saying he was with UNIT. He did continue to have other problems relating with humans, which have been present since his last regeneration. Clara tried to help him by writing out index cards with things for the Doctor to say in certain circumstances, but his delivery was a problem. Some examples:

“I’m very sorry for your loss. I’ll do all I can to solve the death of your friend slash family member slash pet.”

“No one is going to get eaten slash vaporized slash exterminated slash upgraded slash possessed slash  mortally wounded slash turned to jelly. We’ll all get out of this unharmed.”

Well, not everybody got out of this unharmed. It was obvious from the moment we met him that Pritchard, the  corporate lackey who was looking for ways to  profit from the situation, would be one of the first to die.

The index cards also did not prevent the Doctor from saying other things which some might be offensive, even if viewers might have sympathized with the first of these two examples:

“So who’s in charge now? I need to know who to ignore.”

“Surely just being around me makes you cleverer by osmosis”

The episode did address the question of why characters stick around when it is getting dangerous by giving reasons why they couldn’t leave. Before it turned out they could not leave, their options were considered: “You can stay and do the whole Cabin In The Woods thing…”

The episode had a couple of things in common with the initial two parter of the season, The Magician’s Apprentice and The Witches Familiar. Both raised the prospect of the death of the Doctor–in this case seen in the ghost Doctor at the end of the episode. Both also used going back in time as a plot point. It certainly makes sense for the Doctor to use the TARDIS to go back into time to change things or find out information when he is in trouble, but this very rarely occurs. I wonder if this is coincidence or a plan to make this season more timey wimey.

Use of time travel does complicate story telling as it then becomes necessary to create reasons why time travel cannot be used. Otherwise the Doctor could go back in time and rescue himself before he ever gets in trouble. There must be rules which are only understandable to Time Lords. The most notable example in recent years were the rules which prevented him from rescuing Amy and Rory after the Weeping Angels sent them back in time in The Angels Take Manhattan.

In other Doctor Who news, a young adult spin off to Doctor Who taking place in Coal Hill School, entitled Class, has been announced.

Agents of SHIELD Simmons Planet

Agents of SHIELD was off to a good start this season, turning to concentrating on the Inhumans. There were also references to other aspects of the Marvel universe. Bobbi both mentioned when”Sokavia fell out of the sky” in Age of Ultron and used her PhD which was established in the comics. Coulson mentioned Pym Technologies from Ant-Man. In a recent interview, Marvel Studios president Kevin Feige did also say that events on television shows such as Daredevil  will be mentioned in the movies. This is in line with the usual Disney synergy between its various products as television shows, movies, theme parks, and merchandise all help sell each other.

The biggest surprise of the season premiere was to find that Simmons is now on another planet. Jed Whedon discussed this with Entertainment Weekly:

Marvel’s Agents of S.H.I.E.L.D. wasted no time in revealing exactly where Simmons is during Tuesday’s season premiere — but that doesn’t mean she’ll be reuniting with the team anytime soon.

Missing in action for most of the premiere, Simmons was finally revealed to be in the desert … on another planet, that is, and definitely not in our solar system. “It can’t be because of the terrain and what you see,” executive producer Jed Whedon tells EW. “There’s very few planets that have that configuration that she would not be dead if she were there.”

During the season 2 finale, the recently discovered Kree monolith suddenly turned into liquid form, absorbing Simmons before reforming as if nothing ever happened — causing S.H.I.E.L.D. fans to spend the summer pondering what happened to the intrepid scientist. “It was so cool,” Elizabeth Henstridge says of her first reaction to the planet reveal. “I hadn’t thought of that. Everything that happens, I hadn’t thought of that as an option.”

Because she’s been stranded there for six months, executive producer Jeffrey Bell says this is a “profoundly different” Simmons than the one we last saw in the finale. “She’s definitely still her essence — she doesn’t just completely change,” Henstridge says. “But she’s been through so much. She’s hardened. She’s had to face things that she never would’ve imagined, also by herself without Fitz [Iain de Caestecker], so she’s definitely changed, stronger and kind of damaged.”

Finding out how Simmons landed in a galaxy far, far away won’t be revealed right away, though. “There will be some breadcrumbs, and then at some point we will fully explore what’s happened to her in a way that is maybe the craziest thing we’ve done,” Bell says. “We’ve very excited. It’s a different kind of episode for us — to give Elizabeth and Simmons the chance to really show what she went through seems really cool.”

The interview also notes that Simmons is running from something suggesting “She thinks she’s not alone.” There will be more on the planet in future episodes.


The above trailer was released last week for the six episode revival of The X-Files.

The BBC has started filming on season 4 of Orphan Black and have released this summary:

Sarah, reluctantly return home from her Icelandic hideout to track down an elusive and mysterious ally tied to the clone who started it all — Beth Childs.  Sarah will follow Beth’s footsteps into a dangerous relationship with a potent new enemy, heading in a horrifying new direction. Under constant pressure to protect the sisterhood and keep everyone safe, Sarah’s old habits begin to resurface. As the close-knit sisters are pulled in disparate directions, Sarah finds herself estranged from the loving relationships that changed her for the better.

Returning this season is Jordan Gavaris as Sarah’s battle-worn foster brother Felix; Maria Doyle Kennedy as Sarah and Felix’s foster mother Mrs. S; Kristian Bruun as Donnie, Alison’s partner-in-crime and husband; Kevin Hanchard as Art, Beth’s detective partner who’s torn between his job and his loyalty to the clones; Skyler Wexler as Sarah’s long-suffering daughter Kira; Ari Millen as a mysterious new Castor clone, the likes of which we’ve never seen before; and Josh Vokey as Scott, Cosima’s lab partner. Also returning this season is James Frain as Ferdinand, an intimidating “cleaner” for shadowy organization, Topside; Allison Steadman as Kendall Malone, “the original”; and Rosemary Dunsmore as Susan Duncan, Rachel’s adoptive mother and one of the leading scientists of Project Leda. Joining the Orphan Black cast this season is Joel Thomas Hynes as Dizzy, an edgy, self-reliant hacker who doesn’t conform to group mentality. Additional casting for the series will be announced in the coming weeks.

Jennifer Lawrence warns that if Donald Trump becomes president, “that will be the end of the world.”

It seems Jennifer Lawrence’s thoughts on Donald Trump echo Katniss Everdeen’s feelings toward President Snow. For the uninitiated, that means she’s not a fan. During a lively conversation with the three leads of the final installment of The Hunger Games franchise, Mockingjay — Part 2, the Republican presidential candidate became the topic of conversation.

“If Donald Trump becomes president, that will be the end of the world,” says Lawrence.

Her co-star Liam Hemsworth feels the same: “I’ll back you up on that,” he adds.

Josh Hutcherson, the third lead in the massive franchise, can’t quite believe Trump’s run for the presidency is legitimate. “It’s a publicity stunt,” he says. “It can’t be real.”

Lawrence doesn’t seem quite sure of his validity either. “I genuinely believe that reality television has reached the ultimate place where now even things like this might just be for entertainment,” she says. “It’s either that or it’s Hillary’s brilliant idea.”

Hillary Clinton appeared on the season premiere of Saturday Night Live opposite Kate McKinnon, doing her Clinton impersonation. The skit made fun of Clinton’s delay in supporting gay rights ( “I could’ve supported it sooner”), and Hillary did an impersonation of Donald Trump.

SciFi Weekend: Hannibal Finale; Defiance; Mr Robot; Humans; Agents of SHIELD; Outlander and Game of Thrones Spoilers; Galaxy Guest; Russel T Davies Doing Shakespeare; Olive Sacks Dies At 82

Hannibal-Season-3-Finale-Review-e1440932136954

The Wrath of the Lamb, the series finale for Hannibal on NBC, contained a lot of material to provide a satisfactory ending should this be the last we see of these versions of the Hannibal Lecter characters. First there was the dramatic sequence in which Francis Dolarhyde pretended to kill himself, which certainly would have been an unsatisfactory ending if it was real. This led to something we have seen various versions of throughout the series–a plan to capture a serial killer which was doomed to fail.

The episode did finally end with the probable death of Dolarhyde, but the Red Dragon arc as part of the entire series was more about the transformation of Will Graham than it was about Dolarhyde’s transformation into the Red Dragon, or his ultimate fate. The series also provided a sense of closure for Alana and for Chilton should this be the last we see of these characters.

The climax of the episode took place in Hannibal’s home on a cliff where he previously kept some of his victims. Yes, an actual cliff was involved in the series cliff hanger, or at least ambiguous scenes. The scenes there primarily involved Hannibal and Will, until interrupted by Dolarhyde and culminating in as many as three deaths. There are a couple of questions raised by the cliff scene, perhaps foreshadowed by Hannibal’s admission, “My compassion towards you is inconvenient.”

The first question is what was on Will’s mind. Most likely he knew he was becoming a monster like Hannibal, unable to simply return to his new family, and saw the death of both of them to be the best outcome. It remains uncertain as to their actual fate. If watching this episode alone, the assumption would be that they died, but we know much more. We know that the previous season also ended with the apparent deaths of characters who survived. It was not known at the time the episode was written that this would be the series finale, and Bryan Fuller is still trying to keep the show alive in some form. Fans would be no more surprised to see Hannibal and Will survive the fall than they were that Sherlock survived his fall, or that Moriarty might still be alive. We also know from the novels that Hannibal did not die then, but Fuller has already changed elements of the novel so this in itself does not provide an answer.

Then there was that post-credits scene with Bedelia,  foreshadowed both by earlier events of the season and possibly by a comment earlier in the episode that “Meat’s back on the menu.”  Was she off screen the entire time, waiting for Hannibal to return to attempt start eating her? Is the third chair set for Will, who is now a willing party to Hannibal’s cannibalism? Or does the scene take place in the future, indicating that Hannibal, and perhaps Will, survived?

Fortunately after I started to wonder about these questions Bryan Fuller gave several interviews. While he does not completely answer all of these questions, there is major insight into the season finale and the questions raised.

Hannibal Finale Cliff

Bryan Fuller’s interview at TV Guide has more on the relationship between Hannibal and Will which led to that climatic scene:

Hannibal is usually the smartest person in the room. He guessed Will had sold him out to Dolarhyde, so did he not suspect Will might push them off the cliff?
I think he is surprised as he’s tipping back over the edge, but the center of gravity has already betrayed him. He’s falling, and there’s a certain surrender to that. At the same time, he probably acknowledges a certain beauty that Will is falling with him to his death and they’re holding on to each other until impact.

So even in “death,” Hannibal feels like he won the battle?
Absoutely. In that final moment, the murder of Francis Dolarhyde, Hannibal proved himself right about Will. And there’s something very antagonistic about Will saying I’m not going to give you that for very long.

A romantic love between Will and Hannibal was always more of a subtext in earlier seasons, but became actual text in certain conversations this season. Do you think of this ultimately as a love story?
It was a love story from the very beginning – it was romantic horror. One of the reasons that I really wanted to do the project is I really wanted to investigate the depths of male friendships — the intimacy and the power and the loss of self you experience in a brotherhood camaraderie. That was the thing that fascinated me the most and was the root of the story that I wanted to tell.

And yet Hannibal’s love for Will was his fatal flaw.
His compassion for Will always hinged on Will’s ability to understand him in a way that he feels like he has never been understood. I think that is the same gift that Will has received from Hannibal. The core of their attraction to each other is that they truly see other for who they are. Hannibal is glamoured by that. If he wasn’t, he probably would have killed and eaten Will a long time ago.

More on the final scene at Vulture, along with how his version of Hannibal Lecter might be remembered:

How should the viewer read Will and Hannibal falling off the cliff together? Is it a double suicide?
No, I think it’s a murder/suicide. And then of course coming back in and seeing that someone has cut off Bedelia’s leg and is serving it, and she grabs a fork and hides it under her napkin to stab the neck of the person who’s going to come into the room next suggests that either Uncle Robertus and Lady Murasaki are going down Hannibal’s enemies list and checking them off, or that Hannibal may have survived that fall.

Some people have told me that their interpretation of it is that she sawed it off herself, cooked it up, and is waiting for him to come home like, “Honey, I made dinner!” [laughs], which is hilarious…

You’ve said that you wanted Mads Mikkelsen’s Hannibal to be the definitive one. Do you feel like he accomplished that?
I think for certain portions of the audience, he did. And for those who watch the show regularly, there’s 39 hours of Mads Mikkelsen as Hannibal Lecter as opposed to six of Anthony Hopkins. But it all depends on who’s speaking to you generationally as that character. Who would you say is your definitive Hannibal Lecter? Still Anthony Hopkins?

Not anymore.

It remains to be seen whether Mads Mikkelsen can surpass Anthony Hopkins as the definitive Hannibal Lecter, but he will also have additional roles to shape his career. He is currently in talks to play the villain in Doctor Strange.

Hannibal Finale Bedelia

TV Line discussed Dolarhyde, and then Bedelia:

TVLINE | Circling back to the Will/Hannibal/Dolarhyde showdown — I felt like we didn’t really know 100 percent what way it was going to go. Will actually says to Hannibal that he intends to see him “changed” by Dolarhyde. And then, at one point, when Hannibal is looking at Will pulling out the knife, I wondered, is he signaling to Dolarhyde with his eyes or is he signaling Will? How did you view the scene? Do you feel like Will and Hannibal were always planning to end the Red Dragon, or was it unclear even to them?
I feel like Will was going there knowing that he very likely would not be able to finish Hannibal himself, because of his feelings for him, and that he needed Francis Dolarhyde to do it for him. And he knew that he may not survive it; it’s something he says several times through the episode. Bedelia says early in the scene with Will, “You can’t live with him, you can’t live without him.” That’s exactly what this is about. Will can’t live without Hannibal, and he knows that in that moment, once they’d experienced a murder together — a vicious, brutal murder where they hack a guy up with a knife and a hatchet — he’s like, “That was kind of fun. That was a good time. In fact, it was beautiful.” There’s a realization of his mind being able to process that experience as a thing of beauty. With that, he knows there is very little chance of him being able to return to humanity, so off they go.

Later in the interview regarding Bedelia:

TVLINE | You gave Bedelia resolution, of sorts, at the dinner table — where her leg is what’s for dinner. Knowing while you edited the hour that it was a real possibility this might be the series finale, was that absolutely where you wanted to end? And why put it after the credits?
Well, you know, I love post-credits sequence. I mean, you see Sherlock and Moriarty go over Reichenbach Falls, and you don’t know what fate befell those characters. By coming back in and seeing Bedelia at a dinner table being served her own leg, grabbing a fork and hiding it under the table and preparing to stab it in the neck of the next person who comes into the room, that’s a great way to tell the audience, “Yes, we have told you completion to this story, but who is serving Bedelia that leg? Is it Hannibal? Did he survive? Is it Uncle Robert is, and is David Bowie behind that curtain? Who’s serving her the leg?”

The longest interview was at Hitflix.com. Here are some highlights:

At what point in the season did you realize that this is how you were going to end it?

Bryan Fuller: Probably about halfway through the season. We’re always looking for a way to end a season in a way we could end the series. We never knew we were coming back. At the beginning of season 3, NBC was talking to me about new development, and that was a pretty big indicator to me that they weren’t planning on picking up a season 4. So I wanted to be sure we had an ending for the story we were telling, but also leave room for a continuation of the tale of Hannibal Lecter and Will Graham should we get the option to tell more of it.

So you have an idea in mind in the event of something more where this is not the end of the story?

Bryan Fuller: Right. In my mind, the most interesting chapter of Will Graham’s story has yet to be told.

Once NBC made their decision official and you couldn’t find a buyer elsewhere for a fourth season, were you at peace with the idea that this is it?

Bryan Fuller: I knew the writing was on the wall. I knew that we had gotten ridiculously preferential treatment on this show by the network. The fact that they allowed us to tell the tales we were telling, and in a manner that was much more suited to a cable audience than a broadcast network audience. They were bending over backwards to accommodate us, and I knew they could only bend so far with ratings as bad as we had! (laughs)

Where do things stand now? What are the options?

Bryan Fuller: Martha De Laurentiis is looking into financing for a feature film. The season 4 that we were going to tell is such a restart and reimagining that I still hope in some way that we get to tell a version of that, if not “Silence of the Lambs” itself, as a miniseries. I would love to return this cast to the big screen from whence they came, and Hannibal Lecter to the big screen, from whence he came. It seems perfectly symmetrical.

Last time we talked, you put the odds on a fourth season at 50-50. What would you say the odds are now for any kind of filmed continuation?

Bryan Fuller: Oh, God. I have no idea. I think they’re less than 50/50, and not in our favor. But I’m curious to see how folks respond to the finale, and then also if that satisfies them? If that feels like “We got a conclusion to our story and it’s wrapped up in a bow, and we don’t need anymore,” then the audience will dictate. But if the audience is still there for the show and still wants a continuation of that story, I’ll continue looking for ways to give it to them.

Why does Will, to your mind, pull Hannibal off the cliff. Is it what Bedelia said about how he can’t live with him or without him, so they have to go down together?

Bryan Fuller: Essentially, the conclusion of the season really started very early in the Italian chapter of the story, where Will is admitting if he doesn’t kill Hannibal Lecter, he has the potential to become him. Then he escapes that trajectory with Hannibal being institutionalized, and finding a family, and once being exposed to the heroin needle again, as it were, he’s realizing how much of an addict he actually is, but is aware enough to know, and to start making moves toward his previous goal of ending Hannibal. And he’s willing to do what it takes. Bedelia says, “Can’t live with him, can’t live without him.” It’s not necessary for him to survive this, in order to accomplish what he needs to accomplish. There’s something so fated about that final act of Will’s. And also, the awareness of this is perhaps the best solution for both of them.

Hannibal looks so happy when Will is embracing him. Does he know what’s going to happen next, or is he thrown for a loop when they go over the cliff?

Bryan Fuller: I think Hannibal is thrown for a loop when they go over. In that final scene between them, it was Hugh Dancy and I talking about what those last moments that we see of Hannibal and Will in the series on NBC, how they need to connect, and yet Will can’t totally surrender to Hannibal, because he’s still Will Graham and still a human being, but he also knows that it’s going to be very difficult to go back to his family life, seeing his wife murdered over and over again in his mind every time that he looks at her. Any possibility of a relationship that could save him from Hannibal Lecter seems dimmer and dimmer in his mind, that it is acceptable to him that he not survive…

She seems as if she is throwing a dinner party.

Bryan Fuller: (laughs) No, that’s our little nod to the audience that perhaps Hanibal could have survived that cliff dive. She’s sitting at the table with her leg on the table and she’s looking absolutely terrified, and she grabs the fork and hides it under her napkin and waits for whoever’s going to return. This woman still has some fight in her. We don’t know if Hannibal is indeed serving her her leg, or is it Hannibal’s uncle Robertus, or Lady Murasaki, or is it Will Graham?…

Bryan Fuller: That was the original intention. No, somebody has got her, and will she or will she not survive. And what’s so fun is that on the song that Siouxsie Sioux wrote, we hear her say, “I will survive, I will survive,” as we’re pushing in on Bedelia, and that could mean she’s singing from Hannibal’s perspective and it means he has survived and will eat this woman now, or Bedelia’s point of view that it’s like, “You may have cut off this leg, but I’ve got this fork and I’m gonna do some damage before it’s done.”
“The previously filmed season finale of ‘Mr. Robot’ contains a graphic scene similar in nature to today’s tragic events in Virginia. Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time.”

DEFIANCE -- "Upon the March We Fittest Die" Episode 313 -- Pictured: (l-r) Julie Benz as Amanda Rosewater, Grant Bowler as Joshua Nolan, Trenna Keating as Doc Yewll -- (Photo by: David Lee/Syfy)

Defiance ended its third, and strongest, season on Friday. After wrapping up the arc which dominated the season, the Omec arc, which had also been simmering all season, became the focus of the show. The Omec threat might have been handled too easily, but it brought about what might be the most exciting moment of the series. There is little doubt that Nolan and Doc Yewll will ultimately return to earth, but we can wonder upon the circumstances, and what will occur out in space before this happens.

The scheduled season finale of Mr. Robot was postponed a week due to similarities to killings taking place in Virginia earlier the same day. Considering how much other violence takes place both in the real world and on television, I’m not sure how much this matters. If nothing else, this gave more people a chance to get caught up with the series before its finale. For those who missed it, it is definitely a show worth catching up on.

Two other new shows from this summer which I recommend are Humans and Sense8 (which I reviewed here). As I was watching the uncut British episodes before episodes aired in the US, I did not review episodes of Humans as they aired here. The show typically moved at a fast pace with major revelations every week, slowing down a bit in the finale after resolving the problem of everyone being captured the week before. The finale resolved this, in case the show was not renewed, and then ended with a major revelation in the final moments which will probably drive season 2.

agents_of_shield season 3

A description was released for the third season of Agents of SHIELD which does tell quite a lot about the plans for the upcoming season. A new poster is also above, complete with Coulson’s robot hand. The show returns on Tuesday September 29.

“Marvel’s Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil Coulson (Clark Gregg) and Agent Daisy Johnson (Chloe Bennet) leading the charge as S.H.I.E.L.D. searches the world for more powered people in the aftermath of their epic battle with Jiaying and her army of Inhumans. However, Coulson and the team soon find out that they are not the only group looking for these new Inhumans.

Many months after their war with a rogue group of Inhumans, the team is still reeling. Coulson is again trying to put the pieces of his once revered organization back together while also dealing with the loss of his hand. His confidante and second in command, Agent Melinda May (Ming-Na Wen), has yet to return from an impromptu vacation with ex-husband Andrew (Blair Underwood); deadly superspy Agent Bobbi Morse (Adrianne Palicki) is recovering from her traumatic torture at the hands of Grant Ward (Brett Dalton); Fitz (Iain De Caestecker) is obsessed with discovering the truth behind the mysterious disappearance of Simmons (Elizabeth Henstridge); and all are on high-alert for the next move from Ward and Hydra.

Ever since the existence of Super Heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Coulson assembled a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But bigger threats loom ahead, setting the stakes even higher for the Agents, including the spread of Terrigen, an alien substance that unlocks superhuman abilities in select individuals; the emergence of new Inhumans who cannot yet control nor understand their powers; the rise of a new government organization that will go toe-to-toe with S.H.I.E.L.D.; the unknown properties of the massive alien Kree monolith, which has taken one of their own; and the constant threat of a rebuilt Hydra terrorist organization under S.H.I.E.L.D. traitor Grant Ward, who is making it his personal mission to take down Coulson and S.H.I.E.L.D.

New faces, both friend and foe, will join the series, including the no-nonsense, highly-skilled and somewhat mysterious leader (Constance Zimmer) of the ATCU (Advanced Threat Containment Unit), her intimidating partner, Banks (Andrew Howard), Lash (Matthew Willig), a monstrous Inhuman whose loyalties remain ambiguous, and new Inhuman Joey (Juan Pablo Raba), who is struggling to harness his newfound abilities, among other surprising characters.

Coulson, with the help of Daisy and Mack (Henry Simmons), will work to slowly assemble a team that is stronger than ever before, combining the highly skilled Agents of S.H.I.E.L.D. with powered individuals in the hopes of protecting the innocent in a world where the balance of power is ever-shifting, and new dangers are constantly emerging.”

Amazon is working on a television series based upon Galaxy Quest.

Entertainment Weekly has some news (spoilers) about season two of Outlander, including how it might vary from the second book.

George R.R. Martin might have provided a spoiler for season six of Game of Thrones regarding whether Stannis survived. As we didn’t see him actually get killed, I would assume even without looking at spoilers that this remains a strong possibility.

Variety reports that a web series will bridge the gap between The Walking Dead and Fear The Walking Dead

We have already seen Joss Whedon turn to Shakespeare, using many of his frequent stars in Much Ado About Nothing. Now Russel T. Davies is turning to Shakespeare with a production of A Midsummer’s Night Dream with the Doctor Who team.

Olive Sacks Book

Oliver Sacks, a neurologist who wrote about the brain in a way that showed that science fact can sometimes be stranger than science fiction, died at age 82. From The New York Times:

Oliver Sacks, the neurologist and acclaimed author who explored some of the brain’s strangest pathways in best-selling case histories like “The Man Who Mistook His Wife for a Hat,” using his patients’ disorders as starting points for eloquent meditations on consciousness and the human condition, died on Sunday at his home in Manhattan. He was 82.

The cause was cancer, said Kate Edgar, his longtime personal assistant.

Dr. Sacks announced in February, in an Op-Ed essay in The New York Times, that an earlier melanoma in his eye had spread to his liver and that he was in the late stages of terminal cancer.

As a medical doctor and a writer, Dr. Sacks achieved a level of popular renown rare among scientists. More than a million copies of his books are in print in the United States, his work was adapted for film and stage, and he received about 10,000 letters a year. (“I invariably reply to people under 10, over 90 or in prison,” he once said.)

Dr. Sacks variously described his books and essays as case histories, pathographies, clinical tales or “neurological novels.” His subjects included Madeleine J., a blind woman who perceived her hands only as useless “lumps of dough”; Jimmie G., a submarine radio operator whose amnesia stranded him for more than three decades in 1945; and Dr. P. — the man who mistook his wife for a hat — whose brain lost the ability to decipher what his eyes were seeing.

Update: Wes Craven has died at 76.  From The Hollywood Reporter:

Wes Craven, the famed maestro of horror known for the Nightmare on Elm Street and Scream franchises, died Sunday after a battle with brain cancer. He was 76…

Craven claimed to have gotten the idea for Elm Street from living next to a cemetery on a street of that name in the suburbs of Cleveland. The five Nightmare on Elm Street films were released from 1984-89 and drew big crowds.

Similarly, Craven’s Scream series was a box-office sensation. In those scare-’em-ups, he spoofed the teen horror genre and frequently referenced other horror movies. 

Craven’s first feature film was The Last House on the Left, which he wrote, directed and edited in 1972. A rape-revenge movie, it appalled some viewers but generated big box office. Next came another film he wrote and helmed, The Hills Have Eyes (1977).

SciFi Weekend: Arrow; Mad Men; Agent Carter; Agents of SHIELD; Person of Interest; The Blacklist; Gotham and Twin Peaks

Arrow Felicity

I was surprised to see Arrow ending its third season in a way much like one of the possible endings I see for Mad Men. Although Don Draper doesn’t currently have a comparable woman in his life, I can easily see him ending the series starting over with a new life in California. As for Oliver Queen, there is little doubt that a new threat to Starling City will bring him back. The best line of the finale was Lance not being surprise that the cite was in  grave danger because it is May, showing awareness of how each season of the show has turned out.

Mark Guggenheim appears to have given away the direction, and big bad, for next season in an interview in Variety:

What can you tease about the trajectory of season four — will HIVE still play a major role?

We’re kind of doing a lot more in terms of the big bad for next year than we have in previous season finales. We first heard about Damien Darhk in episode 321 and there’s a pivotal sequence that surrounds Damien Darhk in the season three finale, so that’s exciting. It feels like we’re pulling a “True Blood” or a “Sons of Anarchy” where the big bad for the following year is teed up in the season finale of this year, so that’s kind of exciting for me because that’s something we’ve never seen before.

A trailer for the spin-off DC’s Legends of Tomorrow has been released and Caity Lotz will play The White Canary, apparently returning to life in a changed form due to The Lazarus Pit.

Mad Men Milk And Honey Route

As for Mad Men ending with a comparable ending with Don Draper driving in California, this is one of many possibilities. He did look the about the happiest he has ever looked at the end of last night’s episode, just sitting on the bench at the bus stop, having divested himself of almost everything in his life. It would be even more plausible that Don would never return to New York if not for the events of last week, but it is also possible that he will pick up the kids after Betty dies and settle into a new life with them in California or elsewhere. There has been some talk recently that the show could end with Don jumping out of the building as in the opening titles. I see the story very likely ending figuratively along such lines–not with Don actually jumping but with him giving up everything about his life as Don Draper except possibly his kids.

There is little doubt that the finale will center around Don, but there is much more in question as to whether we will see more of other characters. Pete somehow looks like he will be the one to end up living happily ever after after last week’s episode, but it remains possible that something will still change things in the finale. After we saw Betty in a previous episode with both a happy family life and going to school, it looked like this might be the end of her story. In retrospect her lung cancer was certainly foreshadowed, between Betty smoking so frequently and all the episodes dealing with cigarettes and lung cancer. Joan could live happily ever after with her financial settlement, and possibly with her new love interest, and we may or may not see her again. I do hope we find out whether Peggy is successful in being treated as a professional, but if we don’t see her again the manner in which she walked into McCann Erickson the last time we say her would be a satisfactory ending. I’m not sure what Roger will do there, but I was also never sure of what he actually did previously.

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Whether or not Oliver Queen or Don Draper wind up in California, it looks like Peggy Carter will when Agent Carter returns. The synopsis to the second season:

Marvel’s Agent Carter returns for a second season of adventure and intrigue, starring Hayley Atwell in the titular role of the unstoppable secret agent for the SSR (Strategic Scientific Reserve). Dedicated to the fight against new atomic age threats in the wake of World War II, Peggy must now journey from New York City to Los Angeles for her most dangerous assignment yet. But even as she discovers new friends, a new home — and perhaps even a new love — she’s about to find out that the bright lights of the post-war Hollywood mask a more sinister threat to everyone she is sworn to protect.

Agents of SHIELD finale

The season finale of Agents of SHIELD tied up the Inhuman plot but left them as potential future enemies. The whole question of a second SHIELD appears resolved, but we don’t know if Coulson will lead SHIELD as a one-armed man (or whether Dr. Ricard  Kimble will be chasing after him). Hopefully Simmons will be saved and Fitz will have happiness. We got some clues as to where next season could be heading. From Entertainment Weekly:

And here’s where the show sets up the now-official season three: a one-handed Coulson decides to put together a new team, centered around people with powers, led by Skye, under the promise that everyone on the team will be kept anonymous. An Inhumans team! Ah! It’s all happening!!!

But even Coulson and Skye don’t realize just how important and necessary their powered team is now, since the crate of crystals Skye sunk in the ocean breaks open, infecting all the fish, who are then caught by fishing ships and chopped up into fish oil pills sent to supermarkets and pharmacies everywhere. The world is about to become overrun with unsuspecting Inhumans! Jiaying’s plan succeeded, even if she did survive to see it happen.

More from executive producer Jeffery Bell at IGN:

IGN: Coulson wants Skye to form a new, super-powered and anonymous team. Is this heading towards the Marvel Cinematic Universe take on Secret Warriors?

Jeffrey Bell: Well, Daisy Johnson certainly has a big part in Secret Warriors and having a team like that. If you’ll notice, Coulson says right now she is the only person in what might be this new outfit. But you know, the idea of a team of powered people is something we’ve seen in the show, and I think there’s a world down the road where we do our version. We do our version of all these things so they may not be Secret Warriors but there’s a whole lot of super-powered people fighting super-powered people. That’s not really what we do or what we can even do on a weekly series. But tipping our hats to that direction I think is something we’re suggesting there in the new season.

IGN: Another new team looks like it could be forming under Ward as he moves into a leadership role in Hydra. What’s ahead for him?

Bell: Ward has been a lot of fun. He’s gone through several changes over the course of last two seasons – going from boy scout, to Hydra foot soldier who’s loyal to people above him, to someone who’s been off on his own, and coming to a place where he’s at peace with himself. But after these events at the end of these last two episodes — finally he has a personal vendetta against Coulson and his team in a way he didn’t before because he can now point to them as the reason, whether rightly or wrongly, that he killed the woman he loved. By saying he wants to get closure – and we’ve seen what that’s meant in the past — I think in many ways that means he’s going to be a much more terrifying person…

IGN: What can you tease about whatever the Kree monolith did to Jemma?

Bell: As you go down your list, you’re always looking at what would generate the most story and what would tell interesting, compelling stories. And her character has changed so much in the course of a year. With Fitz, in just in a more obvious way with the head trauma and PTSD with what happened to him, but we did see her go through a lot of changes as well. They’ve each kind of become their own — in the first season we referred to them as FitzSimmons, one word almost as if they were two halves of the same person. This season we’ve split them into two whole people. They went their separate ways, and now that just as they were coming back together, it just seemed like there was an opportunity to twist that story a little bit.

And now that she’s dead — [laughs] no, I’m just kidding — or lost somewhere. Who knows what happened to her? But it seemed like too good of an opportunity not to explore. We love Elizabeth as an actress, and we look forward to seeing what happens to her and how she deals with it.

"A House Divided" -- When an unknown entity prevents The Machine from seeing the full picture of an impending catastrophic event, it sends the team five separate numbers to help them piece together the bigger picture, on PERSON OF INTEREST, Tuesday, May 6 (10:01-11:00 PM ET/PT) on the CBS Television Network. Pictured left to right:  Jim Caviezel and Amy Acker Photo: Giovanni Rufino/Warner Bros. Entertainment Inc. © 2014 WBEI. All rights reserved.

Person of Interest has only been picked up for thirteen episodes, but that could be a good thing as the show has moved from a procedural to a more science fiction show about artificial intelligence and surveillance. Thirteen episodes will allow them to deal more with the mythology and less with the number of the week–especially when the machine might not even be able to shoot out more numbers. It is not know if there will be further seasons after the fifty. If they end it with a good thirteen episode arc like on Fringe that wouldn’t necessarily be a bad thing.

Co–showrunner Greg Plageman has discussed plans for the fifth season:

How much do you have planned about season 5 at this point?
Greg Plageman: We’ve actually got a lot mapped out. It’s really kind of cool. We gathered our writers at the end of the year — and obviously we left on quite a cliffhanger in terms of Team Machine being engaged in a firefight. [Laughs] We really wanted to know where we were headed. What does it mean with the Machine being in an impenetrable case, and what that’s going to entail for the first couple of episodes, and what the larger arc of the season was. Some really great things emerged from that, and [PERSON OF INTEREST creator] Jonah [Nolan] and I both feel great about the blueprint going forward.

Will you be picking up next season in the immediate aftermath of that epic gunfight? Or will there be a time jump?
GP: We discussed a couple of options, and we feel the most honest and satisfactory way to go would be to pick up in real time. Clearly, Team Machine is carrying a pretty valuable football. The case seems pretty impenetrable; I certainly hope it can float.

Will they be able to return to their subway sanctuary? Or is that off-limits now?
GP: The subway is still okay, as well is, interestingly enough, the cover identities of the guys hasn’t been blown in terms of Samaritan’s point of view. The problem comes when members of Samaritan recognize our crew out in the street, and know who they are, or they engage in anomalous behavior that alerts Samaritan. We feel like some of the fun we had [with the cover identities] is an unexplored arena we’d like to get into a little bit more in the next season.

Do you anticipate going back into the numbers of it all as soon as possible next season? Or does the Machine being compressed give you an opportunity to step away from that for a bit?
GP: It’s going to take some doing [to get back to normal], obviously. We imagine if the Machine knew its demise was imminent, it may have also known of a number of premeditated murders and plotted — before it was compressed into a Kevlar case — to let our guys know that there are some people they should keep an eye on until the Machine is able to regain some of its faculties.

Blacklist Finale Lizzie

Although not science fiction, The Blacklist ended the season in a way analogous to Person of Interest.  The show started out as primarily a vehicle for James Spader and frequently concentrated on the case of the week. Lizzie Boone was often a weak character who could only succeed by getting key information from Reddington. The season finale blew that up, and should make Lizzie  more interesting as a character. I have some question about the finale as I don’t  really think Lizzie would take the step of shooting the Attorney General, ensuring that she would be a fugitive. However for the purpose of advancing the show, I will accept that in a moment of extreme stress, with everyone she knows being threatened, she might take such an extreme action.

Morena Baccarin has been promoted to a series regular for the second season of Gotham.

Orphan Black has hit a relatively slow point the last couple of weeks, with one or another clone captured, along with some DNA talk,  so I will hold off on detailed reviews. Among the more memorable scenes was Helena killing the “lab rat.” I was surprised to see her leave Sarah behind, as previously she said she did not believe the claims that Sarah had betrayed her. Helena is never predictable.

There were questions as to whether David Lynch was going to go through with the revival of Twin Peaks. It looks like it is back on again.

Saturday Night Live mocked Hillary Clinton once again. Video via Crooks & Liars: