SciFi Weekend: Homeland Finale; Doctor Who; Sherlock; Victoria; Orphan Black; Sense8; Star Wars The Last Jedi; The Magicians; Supergirl; The Marvelous Mrs. Maisel; Big Little Lies

While not as good as the first season (a very high bar), Homeland finally figured out how to reinvent itself and become an excellent show again this season. When the series had a female president-elect, there was no question that they were playing on the thought that Hillary Clinton would have been elected last November. While the used the idea of a female president, she clearly was not Hillary Clinton. For most of the season it appeared that this was a far better choice for the first female present. Rather than being a warmonger and strong proponent the surveillance state like Clinton, President-elect Keane supported seeking peace in the middle east and was no fan of the Patriot Act. The series also dealt heavily with fake news and influencing public opinion.

The finale had an all too realistic warning. (Spoilers ahead). Shocked by an assassination attempt involving portions of the deep state, Keane snapped (as Dick Cheney may have when carried down to safety during the 9/11 attack). Like Donald Trump, President Keane went to war with her intelligence community, but to a far greater degree. She was no longer the anti-Clinton, expanding the Patriot Act and rounding up innocent people based upon metadata from NSA surveillance, including Saul Berenson. A right wing talk show host spoke of how President Keane broke her promises–somewhat like how real right wing talk shows are now talking about how Donald Trump has broken his promises to them. The name of the episode: America First.

Variety discussed the series with showrunner Alex Gansa. The interview was done before the finale and therefore does not include the surprising conclusion, but does discuss how the season was relevant to real world events:

“Homeland” storylines usually reflect real-world headlines in some way. What surprised you this year about how your show dovetailed with real events?

The most surprising and alarming coincidence was that the very thing we had posited a year ago in February — that is a President-elect in an adversarial relationship with her own intelligence community – actually came to the fore after President Trump got elected was just a coincidence of epic proportions. Frankly that was the biggest surprise second only to the fact that Donald Trump got elected in the first place. That dynamic – a newly elected President at war with her intelligence community was really the fulcrum that the entire season hinged on. The fact that it played out in the real world on the national stage was shocking to witness. There were some other (developments) that made us go back into some episodes to retrofit them.

Can you give an example?

The whole idea of fake news and propaganda – that seemed to take on a much more prominent role as we moved into our story. The one major thing we went back in and changed was introducing our Brett O’Keefe character much earlier than we intended. He was originally scheduled to be introduced in episode eight. But we went back in and did some reshoots and new scenes to introduce him in episode two…

You were clear all along in the lead-up to season six that “Homeland’s” female President-elect was not meant to be a thinly veiled Hillary Clinton. But were you concerned about that choice after Trump pulled off his upset win?

Absolutely. There was a moment we all just slapped our foreheads and wondered if the show was going to be irrelevant from that point forward. However, the story of the President-elect in an adversarial situation with her own intelligence community, that certainly wouldn’t have been Hillary Clinton. She was an establishment candidate. She was front and center of American foreign policy for years. …In a crazy way, the show would have been more irrelevant if Hillary would have been elected. The fact that Donald Trump and his team were in such a contentious relationship made the show feel current and contemporaneous. We lost on the gender but we certainly gained on the dynamic.

There has been a lot of news going into the season premiere of Doctor Who. As it has been sixteen months since a regular episode, Yahoo TV has the above catch-up guide.

Peter Capaldi has already filmed his regeneration scene. Steven Moffat has discussed the regeneration:

“With Matt I had a sort of idea that his entire run should be in the pre-math of a battle he’s having at the end of his life,” Moffat told RadioTimes.com exclusively at the BFI and Radio Times Television Festival this weekend (see video below). “But with Peter I wasn’t quite sure. I wasn’t sure for a long time whether I’d be writing him out or whether he’d be carrying on with [new showrunner] Chris Chibnall.

“That fits his Doctor, though,” the screenwriter went on, before hinting that this less mapped-out path would be echoed in Capaldi’s regeneration.

“His Doctor feels sort of impulsive and in the moment and would do something reckless that you wouldn’t expect. That suits me.

“And I mean, you can overstate the difficulty of planning a finale for a Doctor. In the end, any Doctor Who story has such catastrophe going on in it, that he could be the one that gets the rock on his head.

“But I think I’m really happy with what we’re doing for his finale. I’m just working on it now. It’s quite early. I should be further through it, but there you go.”

Moffat has also said he will be working on another show with Mark Gatiss.

Normally when Doctor Who is on, the lead item of SciFi Weekend is quite frequently a review of the current episode. Because of the holiday weekend, I have moved up this week’s post to Saturday, before this season’s premiere episode has been shown. I still might add a full review as a separate post rather than waiting until next week, depending upon both available time and how much the episode warrants it.

The Telegraph ran a story entitled, Steven Moffat talks the future of Sherlock and possible recasting. Of course, while scheduling Benedict Cumberbatch and Martin Freeman might be difficult, the show would never be the same with a different cast. Fortunately Moffat agreed:

Speaking at London’s BFI and Radio Times Television Festival, Moffat revealed: “Neither Benedict, Mark or Martin are against doing more Sherlocks. We have a great time making them, it’s a very, very nice bunch of people and we enjoy our reunions very much… [but] we’d never want to do it if we didn’t think we could do it as well as we used to.

“It also means, we’ll come back to it when we feel we’ve got the right idea. It could be off the earth quite a long while now. But I would be surprised, as I’ve said before, if we never made any more Sherlocks.”

Along with concerns over future stories, Moffat and Gatiss also have the busy schedules of their two stars to contend with: both men entrenched in the Marvel universe, as well as their multitudes of additional projects. It lead to Moffat being asked whether he would ever consider a recast.

“Absolutely not,” he was quick to reply. “You can admire great cinematography, a great score, great writing, great direction, great production. You can admire all those things, but you only fall in love with people. And the people you fall in love with are Sherlock, Benedict Cumberbatch and Martin Freeman.

“You cannot replace them. They are the magic, they are the show.”

Speaking of recasting, while The Crown plans to recast Claire Foy and Matt Smith after the second season as their characters age, Victoria will be moving more slowly through the 1840’s. Therefore there are no plans yet to recast Jenna Coleman.

BBC America has released a longer trailer for the fifth and final season of Orphan Black, which returns on June 10.

Netflix has released the above trailer for season 2 of Sense8, which will become available on May 5. The description:

From renowned creative geniuses Lana Wachowski, Grant Hill (“The Matrix,” “Cloud Atlas”) and J. Michael Straczynski (Clint Eastwood’s “Changeling,’ “World War Z”), Sense8 is centered around eight characters, from different parts of the world, who experience a violent vision, and soon find themselves mentally connected by the experience. They become connected, able to see and talk to each other as though they were in the same place, with access to each other’s deepest secrets. Not only must the eight adapt to this new ability and to each other, they must figure out why their lives are now in jeopardy. In Season 2, dark forces continue to track the cluster of eight connected characters. The sensates will learn more about BPO, the secret organization searching for their cluster and others like them, and will work to protect themselves from this organization that is out to hunt and kill them.

The above teaser has been released for Star Wars: The Last Jedi which will be released December 15. More at Entertainment Weekly.

Syfy has finally announced that The Magicians will be renewed for a third season. Grace and Frankie has also been renewed by Netflix.

Calista Flockhart will be returning for the final two episodes of Supergirl this season. She was written out of the show after two episodes as a consequence of the show moving production to Vancouver. Tyler Hoechlin will also return as Superman.

Manu Bennett (Slade Wilson/Deathstroke) will be returning for the season finale of Arrow.

Gotham plans to “introduce the idea of Harley Quinn” in the Season 3 finale.

The pilot for The Marvelous Mrs. Maisel has received excellent reviews, so it is no surprise that Amazon has picked up this series from Amy Sherman-Palladino and Daniel Palladino. The only surprise is that Amazon has already picked it up for two seasons, which could keep Amy Sherman-Palladino busy if the rumors come true of a second season for Gilmore Girls: A Year In The Life. The summary for her new series:

The series, written and directed by Sherman-Palladino, stars Rachel Brosnahan (House of Cards) as Miriam “Midge” Maisel, a 1958 New York City woman who has everything she’s ever wanted—the perfect husband, two kids, and an elegant Upper West Side apartment perfect for hosting Yom Kippur dinner. But her perfect life suddenly takes an unexpected turn and Midge discovers a previously unknown talent—one that changes her life forever. She charts a course that takes her from her comfortable life on Riverside Drive, through the basket houses and nightclubs of Greenwich Village as she storms the world of stand-up comedy…a course that will ultimately lead her to a spot on Johnny Carson’s couch.

In addition to House of Cards, Rachel Brosnahan also appeared as Abby Isaacs in the WGN series Manhattan.

Big Little Lies completed the events of  novel it was based on in its first season, but that might not keep it from getting a second season. It certainly is plausible–and there is precedent for this. The Leftovers was better in its second season, after its first season completed the novel it was based on, and early reviews suggest the third season might be even better. HBO was certainly not going to stop filming Game of Thrones when it caught up to the published novels.

SciFi Weekend: Last Man On Earth Kills Off Pence Administration; SNL Does SciFi Skit On Trump; Riverdale Renewed; Doctor Who; Broadchurch Season 3; Passengers; The Night Manager; The Americans

The Last Man on Earth returned with an episode which barely involved the regular cast. The, staring Kristen Wiig and Laura Dern. goes back to before the virus killed off virtually everyone. In a news report Mike Pence was referred to as the president. Wiig’s character was shocked that there was no vaccine for the virus, arguing that the president must have a vaccine. That led clips from news reports showing a series of funerals for President Pence, followed by President Paul Ryan, President Rex Tillerson, President Jefferson Beauregard Sessions, and finally President Betsy DeVos:

There was no explanation as to why Donald Trump was not mentioned, with Mike Pence president at the time. This might suggest that Trump was impeached before the virus struck.

The episode progressed to having Kristen Wiig move to a bunker with only her dog for company. She gradually went crazy, including trying to get the dog to say “milk.” She turned out to be the person who sent out the drone shot down by Melissa (January Jones) in a previous episode. Kristen Wiig might be interacting with the regular cast as she left the bunker to search out the people she saw via the drone. Of course they have all moved on from the home where they were spotted by the drone, and we don’t know if she is immune to the virus.

While Donald Trump was not recognized as president on Last Man On Earth, he was portrayed once again by Alec Baldwin on a science fiction themed cold open on Saturday Night Live (video above). The New York Times recapped this and other political skits on the show:

Sure, “Saturday Night Live” has offered ample criticism of President Trump and his young administration. But in its latest episode, the program expressed confidence that he’ll be in office until at least 2018, long enough to see America decimated by an alien invasion force from the planet Zorblatt 9…

A military officer played by the cast member Kenan Thompson told him, “The aliens are killing us, sir. They have the most advanced weaponized technology we’ve ever seen. What should we do?”

The Trump character responded, “Here’s what we’re going to do. We are going to bring coal back, O.K.? We’re going to have so much coal, you’re going to say, ‘Where did all this coal come from? I never knew there could be so much coal.’”

Informed that the aliens had already vaporized the state of California, Mr. Baldwin answered, “So then I won the popular vote?”

As Mr. Trump, he explained that the aliens had already been secretly living in the United States for hundreds of years. “Look, there’s one right there,” he said, indicating Leslie Jones. “And so is the woman next to her, right there,” he said, pointing at Sasheer Zamata.

Asked where he was getting his information, Mr. Baldwin replied, “From a very reputable source, Infowars. It’s a radio show hosted by Alex Jones. You know he’s legit because he’s always taking off his shirt.”

When the aliens at last overrun the base and learn that Mr. Trump is president, one creature (played by Bobby Moynihan) declares, “Really? This is going to be so easy.”

Riverdale has been renewed for a second season. I wonder if the season finale is already set, or if knowing that there is a second season will  affect when we find out who killed Jason Blossom. Screener looks at the major suspects. On the one hand, viewers might be disappointed if there is not some answer in the foreseeable future after following the show. On the other hand, ending the mystery requires them to come up with something new to hook the viewers.

The series is sort of a Twin Peaks light with its murder mystery in a small town. Twin Peaks quickly went down hill after it revealed who killed Laura Palmer, and we found that they didn’t have much more story to tell. (Hopefully they have come up with more story for the upcoming Showtime revival). There certainly is plenty of potential in Riverdale for additional stories, and not everything going on this season is centered around the murder of Jason Blossom. Perhaps it will be more like Veronica Mars in having a different mystery each season.

The CW Network has also renewed The 100 for a fifth season.

We are down to less than a month until the start of series ten of Doctor Who. The Gallifrey Times has an updated episode guide with what is known so far about every episode. The final two episodes feature the original Mondasian Cybermen seen on The Tenth Planet in 1966. New Who created an alternative time line in which the Cybermen were created on earth.

In other Doctor Who news, Radio Times looks at the question of Time Lords aging, or “why did Matt Smith’s Doctor look so young on his ‘farewell tour’ (the 200 years he lives through in series 6), but become an old man while defending the town of Christmas on Trenzalore for 300 years in The Time of the Doctor?” Plus we learned last week that a CIA hacking tool revealed by Wikileaks is called the Weeping Angels.

Broadchurch was of special interest to Doctor Who fans from the start with a cast which includes David Tennant and Arthur Darvill. It became even more significant when show runner Chris Chibnall was picked to replace Steven Moffat. After two episodes of Broadchurch, it is showing promise to surpass the second season and be more like the first. While the murder of the first season still is having an impact, the second season is concentrating on a different crime, a rape. There are already multiple suspects, and more are likely to be added. Beth Lattimer, a key character from the first season, remains a significant part of the story, having become a rape counselor.

It looks like, as usual, the story is as much about the effect on the town as the crime itself, plus the show has already gotten into other topics including the challenges to the small town newspaper. I would suggest that even those who gave up the show in its second season give it another chance. Broadchurch is currently on Mondays on ITV. BBC America will be carrying the show in the future but has not posted a date yet.

Similarly I would recommend that those who gave up on Homeland give the current season a chance, but beware it does start out slow. The payoff the last few episodes makes it worthwhile.

Nerdist looks at the Easter eggs in the Deadpool 2 trailer (video above). This includes posters for Firefly, presumably due to Morena Baccarin being in both Firefly and Deadpool.

Netflix releases Iron Fist this week, with early reviews not being very favorable.

A premiere date for season seven of Game of Thrones has been announced. The seven-episode season will start on July 16.

Passengers will never become a classic science fiction movie, despite a cast led by Jennifer Lawrence and Chris Pratt.  It is best to go into in looking for mindless escape and ignore how creepy the actions of the male lead were. Despite its flaws, the movie was actually enjoyable and even good for some unintentional laughs, such as with the resuscitation scene. Look at it more as a rom-com about the dangers of waking up a woman too soon in order to have sex with her. Or, if you are looking for comedy, you could just watch the blooper reel above (which some are arguing is far better than the actual movie).

The Night Manager was one of the top shows of 2016, but the miniseries completed the events of the John le Carré novel. A second season is being written, but has not yet been picked up. There is no information on what it will be about. It might take other elements from le Carré’s books, especially as some of the characters do appear in other novels. I imagine they could also come up with an original story based on elements and characters from the first miniseries. As I posted previously, the producers of The Night Manager are also working on a miniseries based on  The Spy Who Came In From The Cold.

The Americans returned last week and is receiving additional media attention due to Russia being in the news recently. This includes articles in USA Today and Entertainment Weekly. The Americans has consistently been one of the best shows on television since it premiered.

SciFi Weekend: Top Twenty New Shows Of 2016; Mary Tyler Moore and John Hurt Die; Genre Novels In The Age Of Trump; Riverdale Premieres

With over four hundred scripted shows (expected to surpass 500 in 2017) it is probably impossible for any one person to fairly rank the best of any season. Even many professional television critics, who don’t have another day job interfering, have said  how difficult it is to watch all the shows to do their end of year rankings. To make it more manageable, and to get around problems of listing the same top shows every year, I have limited this to the best new shows every season. Last year’s list is here and the top new shows of 2014 were listed here.

It got even harder this year with so many new streaming shows, some not dropping until December. In order to include more shows, I waited until the end of January to post the list. As usual, there are shows which I have heard very good things about which I have not watched at all. I put in a couple of shows towards the end of the list which I only watched parts of the season, and might rank them higher if I were to watch more. Also, as usual, it is very difficult to compare shows from different genre’s, or shows watched months apart. If you disagree with some of the rankings, it is very likely I also might agree and rank them differently if I were to do this on a different day. The real point of lists such as this is to point out shows which were worth watching.

Top 20 New Shows Of 2016

20. DC’s Legends of Tomorrow (CW Network)

If based upon the premiere of the show in early 2016, this show would not have made the list, however it was much better when it returned for a second season in the fall. If you gave up on it last year, as I almost did, it is worth another look.

19. Class (BBC)

A Doctor Who spinoff aimed at an older audience than TheMary Jane Adventures. Torchwood (in its early years) remains the only spinoff I consider must see, but fans should find this enjoyable. It aired in the UK last fall, and will be shown in the U.S. this spring after Doctor Who. While I understand the decision in the U.S., I personally found it to be of more value as a fall show to fill the gap when, besides the Christmas episode, there was no true Doctor Who.

18. Fleabag (Amazon Prime)

I wasn’t as in love with this show as the critics, but if you have Amazon Prime, it is well worth checking it out and deciding for  yourself. The entire season is only about three hours, making it essentially a long movie. There is a definite payoff to some of the events of the season in the finale.

17. Atlanta (FX)

Another show which many would probably rank higher. I started watching when it premiered, but then it got forgotten in September because of a combination of being busy with personal matters and the premiers of all the fall shows. It very could rank higher after I see more.

16. Dirk Gentry’s Holistic Detective Agency (BBC America)

A fun and very quirky genre show which, by the end, definitely qualifies as science fiction.

15. Billions (Showtime)

An entertaining cable series. It’s most important benefit was to give Damian Lewis somewhere else to go to make sure they didn’t get desperate and try to bring him back to life on Homeland.

14. Speechless (ABC)

A few years ago it looked like network sitcoms were on the verge of death, beyond The Big Bang Theory and Modern Family. ABC has managed to continue to make worthwhile sitcoms with the Modern Family formula, including Black-ish, Fresh Off The Boat, and now Speechless.

13. Goliath (Amazon Prime)

Billy Bob Thorton makes what could have been a run of the mill lawyer show well worth watching

12. The Crown (Netflix)

A young queen ascends to the thrown in a high budget presentation. She receives advice from the prime minister and is married to a foreigner played by Matt Smith, who adds a bit of whimsy to the show.

11. Victoria (ITV and PBS)

A young queen ascends to the thrown in a not-so-high budget presentation. She receives advice from the prime minister and is married to a foreigner. This also has strong connections to the Doctor Who world including Victoria being played by Jenna Coleman, with supporting cast including Eve Myles from Torchwood. It doesn’t have the budget of The Crown, but in deciding upon the ranking I deferred to my wife’s opinion. This aired in the UK last fall and recently started airing in the United States on PBS.

10. Luke Cage (Netflix)

The latest introduction of a Marvel character on Netflix. It could not meet the extremely high bar set last year by Jessica Jones, but was better than the second season of Daredevil.

9. The Magicians (Syfy)

Much more than an adult Harry Potter, but that would make a starting point to explain what this series is about. Yes, it did technically have an advanced showing of the pilot in 2015, but I’ll still consider this to essentially be a 2016 series. I watched the uncut episodes later in the year, and the editing for television on the premier episode of the second season last week was noticeable.

8. The Good Place (NBC)

A sitcom which has a continuing story, a genre element, discusses philosophy, plus has Kristen Bell and Ted Danson. Extra points for having one of the best plot twists on television in recent years.

7. This Is Us (NBC)

I thought that quality drama was dead on NBC with the ending of Parenthood, but this fills the gap. It had a fairly good twist of its own in the pilot but, unlike in The Good Place, I saw this one coming. The bigger surprise was that Mandy Moore could do such a good job acting. Sure it is full of old television cliches and spends most episodes tugging at the heart strings, but it does a good job of it.

6. 11.22.63 (Hulu)

Received mixed views but I thoroughly enjoyed this adaptation of the Stephen King time travel novel. (No comparison between this and the messed up adaptation of  Under the Dome). More on the show here.

5. Travelers (Showcase and Netflix)

Another low budget Canadian science fiction series filmed in Vancouver. This one is well-written and highly recommended, plus now easily available in the US on Netflix. The premise is that travelers from the future send their consciousness back to our present to prevent an apocalyptic future, taking over the bodies of people at the time of their recorded death. (I was  hoping that something like this would happen on January 20.) Besides having to attend to their mission, the travelers have to cope with the lives they took over–and sometimes their information was a bit off.

4. The Night Of (HBO)

A great self-contained story which shows both problems in the criminal justice system and xenophobia.

3. The Night Manager (BBC and AMC)

An excellent adaptation of the John le Carré novel. It was such a success that BBC and AMC are planning a second adaptation.

2. Stranger Things (Netflix)

The surprise hit from last summer. The series, with explanations of the finale, was discussed here.

1. West World (HBO)

The most discussed new show of the season, with mainstream critics also falling for this science fiction series. I looked at the show at various times, with a discussion of the season finale here.

There are also shows which might make the list which I did not see. I didn’t see any point in rehashing the O.J. Simpson story, but note that The People v. O.J. Simpson: American Crime Story  (FX) has received considerable critical acclaim. Many other shows, including genre dramas such as The OA (Netflix) and comedies such as One Mississippi (Amazon Prime) are also recommended by many people.

In past years I have found shows which I did not see when new, but saw them in subsequent years and thought they deserved to be in my rankings. This year I caught up on season one and two of Dark Matter (Syfy) and loved the show. I then tried Killjoys (Syfy) and didn’t get into it. I only watched the first episode, which might not be enough to judge it. I also thought that perhaps I was expecting Dark Matter and it might be better to watch some other shows before trying it again so I could judge it on its own merit.

It is notable that, once again, cable (both basic and premium), British imports, and especially streaming, dominate the list, with very little from the major American networks.

2016 ended with the loss of one beloved actress, Carrie Fisher, and began with the loss of another, Mary Tyler Moore. Later in the week, John Hurt died. While he is more famous for other roles, among science fiction fans he might be best remembered as the War Doctor for the Doctor Who 50th anniversary.

The past two weekends also were dominated by protests against Donald Trump. Earlier this week I looked at one good thing to come from Trump’s election–people are talking about books. This includes the classic 1984, as well as two other novels in which populist authoritarians became president. Even Doctor Who has been cited in discussion of the alternative facts coming from the Trump administration.

This week included the return of several genre shows, as well as the premiere of The CW’s reimagination of Archie comics, Riverdale. After watching Riverdale, I have three questions:

1) Who killed Jason Blossom?
2) What real teen talks about Truman Capote and about Mad Men by season?
3) And the old classic question, Betty or Veronica?

SciFi Weekend: Emmy Award Surprises & Snubs; Mr Robot Returns; Community Movie; Sherlock; Fargo; Outlander; Doctor Who

the_americans_ep313

The Emmy nominations came out this week, and I think they did a much better job than most years. The full list of nominees can be found here. Common problems in previous years included failing to recognize new shows, snubbing genre, and keeping old favorites in the nominations even when shows were beyond their prime. Last year they finally made up for snubbing Tatiana Maslany for Lead Actress in a Drama Series and she was nominated again this year. The biggest correction this year was finally recognizing The Americans–not only for Outstanding Drama Series, but also recognizing its stars Matthew Rhys and Keri Russell.

While it took four years for the academy to give The Americans the recognition it deserves, another good surprise was that Mr. Robot received nominations, including for the series and for star Rami Malek. As with Tatiana Maslany on Orphan Black, it is hard to picture Mr. Robot working without Rami Malek. On the other hand, they did snub Christian Slater, who won a Golden Globe for Best Supporting Actor for his work on the series. Perhaps the Emmy Awards don’t recognize characters who are a figment of another character’s imagination.

It was also a pleasant surprise that Master of None received nominations including for the series and for star Aziz Ansari. Ansari might have benefited from his work on 30 Rock, while another 30 Rock alumni, Ellie Kemper (Unbreakable Kimmy Schmidt) missed out her first year but was nominated this year.

Beyond the additions of The Americans and Mr. Robot, the Outstanding Drama Series category was fairly predictable, including Homeland and Downton Abbey remaining beyond their best years. Of course the Emmy’s have also been more likely to include a show or star when they are in their final year, so I was not surprised that Downton Abbey was included. If they must include a show which Damian Lewis was at one time connected with, I would have chosen Billions over Homeland this year.  The biggest snub this year of a show which deserved to be included was Jessica Jones. Similarly, Krysten Ritter and David Tennant deserved nominations for Best Actress and Supporting Actor. The series was nominated for some minor awards but it is hard for genre shows other than Game of Thrones to receive the major nominations.

The Outstanding Comedy Series category includes several worthy shows, along with continuing to nominate Modern Family out of inertia. I would have included Catastrophe and You’re The Worst before Modern Family.

Fargo deserves another nomination for Outstanding Limited Series, but this year I would give the award to The Night Manager, which also received nominations in additional categories. A miniseries was the best way to handle a John le Carré novel. While the same can also be said of other novels, whenever I have seen a movie based upon one of his novels which I have read I would feel disappointed by how much had to be left out.

Mr Robot Eliots Room

Mr. Robot returned with two episodes last week. One question when watching is how much is true and how much is Eliot imagining. I noticed that when the episode showed his routine, whenever he was by a television Barack Obama was on live, throughout the day. That aspect was obviously imagined, even if he really saw Obama at one point. How much of the rest of the day, or where he is living, was imagined?

TV Guide looked at one theory that everything was imagined, noticing how much his room looked like a cell in containing only a bed and a small table, his mother seemed like a guard, his meals with the same person could have been taking place in a prison cafeteria, his meeting across the table with Gideon looked like a prison visit, and the use of a wall phone as opposed to a cell phone looked like a prisoner talking on a prison phone. These, and other examples, could mean that Elliot was in prison, or perhaps a mental hospital. The knock on his door at the end of season one could have been when he was apprehended. However, there were also suggestions that the FBI is pursuing Elliot, which might argue against  him already being in prison, unless he is relating events out of order.

Community

Dan Harmon says a Community movie will still happen, although from this report it sure doesn’t sound like we will see it anytime soon (if ever).

With  Benedict Cumberbatch and Martin Freeman both becoming such big stars, Steven Moffat wonders if he will be able to continue Sherlock beyond the fourth season.

Channel 4 has renewed Catastrophe for seasons three and four. Amazon will stream them in the United States. Amazon didn’t stream previous seasons until after they were on Channel 4 so I bet I will wind up downloading them as opposed to waiting.

I would watch season three of Fargo even if it stared all unknown actors, but the addition of Carrie Coon (Leftovers) is a huge plus.

In follow up of my review last week of the season finale of Outlander, Vulture has some spoilers as to what to expect in the third season.

Digital Spy looks at the rumors of Matt Smith returning to Doctor Who and gives reasons why they do not believe they are true.

Next week we will have a miniseries of the absurd, The Republican Convention. The schedule of people you don’t really want to see speak is listed here.

SciFi Weekend: Person of Interest; Orphan Black; American Gods; Game of Thrones; Outlander; Arrow; David Tennant; Captain America; DC Rebirth; iZombie

"Sotto Voce" -- The mysterious criminal mastermind known as "The Voice" returns, trapping Reese and Fusco in their own precinct with several armed gang members and the latest POI. Also, Root makes a shocking discovery, on PERSON OF INTEREST, Monday, May 30 (9:59 -- 11:00 PM ET/PT) on the CBS Television Network. Pictured L-R: Michael Emerson as Harold Finch and Amy Acker as Root Photo: John Paul Filo/CBS ©2015 CBS Broadcasting Inc. All Rights Reserved.

With only three episodes to go, Jonathan Nolan was free to do almost anything for the 100th episode, and he did. Major spoilers ahead. Those who were behind this season might not even have been aware that Elias was still alive but in hiding. His actual death this episode was overshadowed by the far more significant death of Root. At least she lives on in some manner with the Machine choosing to make her voice her own.

TV Line discussed the episode with Jonathan (Jonah) Nolan and Greg Plageman. Here is a portion:

TVLINE | For starters, why Root? Why was she the big loss entering this final salvo of episodes?
GREG PLAGEMAN | Root has always implored Harold Finch to make his machine more assertive in this war, and now, faced with what they’re up against, Root ultimately is the one who makes the sacrifice to save the father of The Machine, and that’s Harold. I think it’s true to Root’s character — her first love was The Machine. She always believed people were “bad code,” and more than anything she wants Harold’s machine to win this war. Her going down in this matter seemed apropos.

TVLINE | She did go down in a blaze of glory, after making one of the sickest kills in TV history.
JONAH NOLAN | Yeah, I was holding onto that one for a movie, but I decided Amy Acker was worth it…

TVLINE | In the million months since you filmed this episode, a controversy arose about TV shows killing off LGBT characters. But I think that in your defense, Root was a richly realized character, over four seasons. And as you have said, she died meaningfully.
NOLAN |  Thank you for that. We haven’t seen these other shows [that killed LGBT characters], so I can’t speak to that, but it’s really just about characters getting their due and not feeling disposable, and not feeling like the audience’s investment in a character is being used against them, or that they’re being set up for it. This was always the end of Root’s story, this was always where we were going. It became clear at the beginning of the season that this was the end of the ride for us… and Root’s journey has always been getting ever closer to The Machine, so the end of her story was always basically becoming The Machine. That’s another thing I thinks separates this from the pack, and this is how Root feels about it — it’s an evolutionary step. We’re not trying to sucker-punch the audience.
PLAGEMAN | We’re aware of the objections now to that [“Bury Your Gays”] trope, and I think we circumvent that in many ways. This is a real relationship between [Root and Shaw]. Not only was it consummated but there are real feelings there in subsequent episodes. Not to mention, as Jonah said, we’re heading down the final stretch here. This is not the only loss that Team Machine is going to encounter.

TVLINE | On the topic of consummation, although what we saw a few weeks ago was just a simulation, did I read somewhere that you said Root and Shaw actually first got “together” in Season 3, Episode 6…?
NOLAN |  We definitely implied as much at various moments. Look, we’re on CBS, there’s only so much we can show, a lot of that is left to the imagination…

TVLINE | Elias similarly went out as a hero. How important was it for you to “resurrect” him and get back Enrico Colantoni, if only for a short bit?
NOLAN |  Enrico Colantoni is a f–king magnificent actor, and has been such a fun collaborator for us over the years. We’ve always managed to make it work, when he’s available, and he’s had some great moments here. It was always the plan to fake his death and bring him ever closer to our team. If there’s one thing about the season I regret it’s not having a little more time to play with relationships like these, and spend a season with him on our team. But again, we’ve had to get to the end a little sooner than we wanted. We wanted to spend a little more time with Elias all the way inside the team, though we’d have to be careful with that — Elias isn’t much of a joiner! [Laughs] But that relationship between him and Finch has been so much fun to develop over the years, from the sort of chess conversations to really bringing him all the way in. The idea in this episode was that it’s almost like an avalanche of grief and loss bearing down on Finch, and the cumulative impact of it for Finch is watching as this set of decisions that he’s made, this sort of plan that he has held into all of these years, comes literally to grief with the death of two of his allies and friends.

TVLINE | The Machine actually speaking at the end, springing Harold from jail…. I almost feel like that’s Rocky getting up from the mat before pummeling Apollo Creed. Is our team about to rally?
PLAGEMAN | I got chills, man. One of the things that Elias really served to do…. When a character with that power says to Harold Finch, “You’re the one that people should be afraid of,” he gives that a certain weight and heft that we understand something’s coming for Harold Finch, because Elias told us so.
NOLAN | And at Comic-Con three years ago, when asked, “When will The Machine get a voice?,” we did say, “Someday, but you won’t like how it happens.” I think we fulfilled that mandate.

I was suspicious of Felix’s sister Adele when she showed up on the show, suspecting she worked for Neolution or some other group. After this week’s episode, she just might be what she seems. She filled a needed role of an attorney Donny and Alision could call on. She also had one of the best lines of the episode when she met Alison and noticed how she looks so much like Sarah, “with less anger and more hygiene.”  Next week Helena returns. I’d love to see Adele’s take on her.

Gillian Anderson has had some major genre rolls, including The X-Files, The Fall, and Hannibal. She will be working with Bryan Fuller once again on Amerian Gods. Variety reports:

Anderson will play Media, the mouthpiece for the New Gods, functioning as their public face and sales representative, by taking the form of various iconic celebrities. She lives off the attention and worship that people give to screens — to their laptops, their TVs, to their iPhones in their hands while they watch their TVs. Ever the perky spokesperson, and always in control, she spins stories in whatever direction best suits her.

The attack of the White Walkers on the cave was one of the most memorable scenes on Game of Thrones recently. The above video discusses the making of that scene.

Outlander has been renewed for two additional seasons. This will also make it possible to have less of a delay between seasons. Homeland has been renewed for three additional seasons by Showtime, who will also be doing a series based upon Jonathan Frazen’s novel Purity. Amazon has renewed Transparent for a fourth season.

TV Line has news on next season’s big bad on Arrow:

Arrow‘s latest evil mastermind is heading to Star City by way of Baltimore. TVLine has learned exclusively that the CW drama’s upcoming fifth season will introduce a new villain loosely inspired by Idris Elba’s Wire drug kingpin Stringer Bell.

The character, tentatively named “Anton Church,” is a ruthless crime lord who sets out to fill the sizable void left by 960Damien Darhk and H.I.V.E. The initial casting notice describes him as an “apex predator” who “cuts his way through the shadows” by taking down “the biggest threat first.” (Um, he’s looking at you, Ollie Q.). While the role is being likened to Elba’s classic Wire baddie, the breakdown also references ex-Game of Thrones actor Jason Momoa as a physical prototype.

Arrow had a great big bad last season, but sure didn’t conclude the story very well. Hopefully the quality of Arrow will get back to what we saw the first two seasons.

Here’s something for fans of both Doctor Who and Marvel. David Tennant of Jessica Jones does Ask Marvel in the video above.

In other Doctor Who news, Steven Moffat recently revelaled that the role of The Doctor was once offered to a black actor, but it didn’t work out.

Captain America Hydra

There have been a lot of changes in both the Marvel and DC comics over the years. After the last two Captain America movies showed SHIELD to be infiltrated by Hydra, and now has Captain America and other Avengers on the run, there is an even more radical change in the comics. Steve Rogers is apparently an undercover Hydra agent. Of course, in the comics, this could be a trick, or just something to go on for a while until they reboot again.

Here is a review of the DC Universe Rebirth from Nerdist and additional spoilers from Bleeding Cool.

Rose McIver discussed the season 2 finale of iZombie and what might be coming in season 3.

SciFi Weekend: Controversy Over Death Of Lesbian Character On The 100; Orphan Black; Daredevil; 12 Monkeys; The Americans; Put A Bird On It

The 100 Clarke Lexa Kiss

Jason Rothenberg’s decision to kill a prominent LGBT character on The 100, and the manner in which she died, has made many fans of the show upset. At the time I first watched and reviewed the show, while I expected some disappointment and protest, I had no idea how serious a matter this would be to the LGBT community. Reviewing the discussion from those who did take it very personally, along with the views of television critics such as Maureen Ryan who is quoted below, help to understand the importance of this issue. After missing the significance of this in my original review, I hope to make up for it by providing this overview today.

I will start by allowing Rothenberg to explain his viewpoint. He was interviewed by TV Insider. Here are the first few questions, with much more in the full interview:

OK, so you had to be aware of the uproar that would come from killing Lexa, right? This was something that you guys had to realize you’d be walking into.
Yes and no. First of all, I think I should start by saying that for the last two weeks, I’ve pretty much thought about nothing else except for this. It’s taken me some time to process everything, and I’ve been listening, reading everything I could. I took my voice out of it on Twitter because I didn’t want to inflame the situation, and I felt like I didn’t want to shape the conversation. I just wanted to listen and try to understand. I mean, we were a little surprised by it—obviously not that people were upset; you’re right in the sense that we kind of knew that that would happen. The story that we’re telling is a tragedy. Lexa was a meaningful character to our fans, especially LGBTQ fans, and so I knew it would be emotional, of course. What was unexpected was the level of outrage that it’s generated from some people, but I do think I have come to understand that.

We’ve seen this with shows with strong social media bases: The louder the outrage, the more disturbing it can get.
Yeah. Lexa’s death triggered real emotional trauma for some people, you know? It tapped into the real world, it tapped into their lives, and as a straight white male, I obviously didn’t anticipate how deeply it would affect certain people. I look at it now and I realize that if somebody had that kind of a reaction and then were to look back at the way I behaved on Twitter leading up to it, which was celebrating this relationship that then crushed them, I can understand why they would find that reprehensible. I hope that people understand that.

Since there is no winning on Twitter, what do you want to say to the fans now?
I would say, first of all, that it’s taken me a while to get perspective on it myself and to put myself in the position of somebody who was hurt like that. And I hope that eventually they can start to put themselves in our position and understand that we would never want to hurt anybody like that. We would never want to hurt our fans. We love them, we owe them everything, we owe them the fact that we just got a Season 4 to them. We want to take them for a ride, we don’t want to hurt them. And because we didn’t anticipate this sort of level of pain over this fictional death, we were doing what we always do on Twitter, which was celebrating work that we’re proud of. In hindsight, knowing what I know now and sort of realizing the things that I’ve realized, we should have done less of that. We should have done less buildup knowing where this was going to end up and knowing how this was going to affect people.

But it wouldn’t have changed the story you’re telling.
No, absolutely not. We would have told the same story. I stand behind the story; I just don’t think I would have gone out of my way to say ‘This is the best episode we’ve ever done!’ Nobody really anticipated that this would happen so now that we’ve seen it, the idea for me as the showrunner going forward is to learn lessons from it, you know? This is a show where characters die. That’s another reason we were so surprised..it’s a post-apocalyptic world set 100 years later in which anyone can die.

The 100 Lexa Clark

Rothenberg also posted a statement on line a few days ago. Here are some excerpts, but those interested in the controversy should read his full statement:

For many fans of The 100, the relationship between Clarke and Lexa was a positive step of inclusion. I take enormous pride in that, as I do in the fact that our show is heading into its 4th season with a bisexual lead and a very diverse cast. The honesty, integrity and vulnerability Eliza Taylor and Alycia Debnam-Carey brought to their characters served as an inspiration for many of our fans. Their relationship held greater importance than even I realized. And that very important representation was taken away by one stray bullet…

In the show-world, no one is safe, and anyone, even a beloved character, can die, at any time. My favorite shows in this genre embrace a similar sense of heightened urgency. There are several reasons why this particular episode played out the way it did: practical (an actress was leaving the show), creative (it’s a story about reincarnation) and thematic (it’s a show about survival). Despite my reasons, I still write and produce television for the real world where negative and hurtful tropes exist. And I am very sorry for not recognizing this as fully as I should have. Knowing everything I know now, Lexa’s death would have played out differently.

The 100 is a post-apocalyptic tragedy set 130 years in the future. It’s a constant life and death struggle. In our show, all relationships start with one question: ‘Can you help me survive today?’ It doesn’t matter what color you are, what gender identity you are, or whether you’re gay, bi or straight. The things that divide us as global citizens today don’t matter in this show. And that’s the beauty of science-fiction. We can make a point without preaching. We can say that race, sexuality, gender and disability should not divide us. We can elevate our thinking and take you on a helluva ride at the same time.

But I’ve been powerfully reminded that the audience takes that ride in the real world — where LGBTQ teens face repeated discrimination, often suffer from depression and commit suicide at a rate far higher than their straight peers. Where people still face discrimination because of the color of their skin. Where, in too many places, women are not given the same opportunities as men, especially LGBTQ women who face even tougher odds. And where television characters are still not fully representative of the diverse lives of our audience. Not even close.

The 100 Clarke Lexa Thirteen

Maureen Ryan wrote about What TV Can Learn From The ‘100 Mess’ at Variety and helps explain why many fans are upset. Again, these are just excerpts and the full article is worth reading.

The response of the showrunner has, outside of a few unenlightening interviews, has been disappointing. Rothenberg live-tweeted the March 10 episode of the show as if thinkpieces and damning critiques were not still being churned out. In the limited array of interviews he did in conjunction with the March 3 episode, he has given little indication that he understands the depth of the sense of betrayal or the multitude of reasonable objections to the death story line. Since March 3, it has fallen to co-executive producer Javier Grillo-Marxuach, who wrote the episode, to engage with fans in any significant and meaningful way, but his compassionate and committed response has only highlighted Rothenberg’s abdication of responsibility...

So here’s the nitty-gritty: The character who died, Lexa (Alycia Debnam-Carey), happened to be one of the few well-developed and complex lesbians on TV, and it’s an unfortunate but enduring TV cliche that lesbians rarely, if ever, live happily ever after. In the March 3 episode, “The 100,” which had touted its commitment to quality LGBTQ storytelling, invoked one of TV’s oldest gay cliches by killing her off mere seconds after she consummated her relationship with another woman, Clarke (Eliza Taylor).

Many fans, regardless of sexual orientation, were left shaking their heads in disbelief.

On a story and thematic level, Lexa’s death (despite being well-performed by the actors) had little resonance and almost no meaning. But all things considered, the blithe manipulation LGBTQ fans and the show’s willingness to deploy harmful cliches about gay characters remain the things that rankle most…

Adding to the sense of betrayal was the manner of Lexa’s death. She was felled by a stray bullet from an angry male servant, mere seconds after she and Clarke had sex for the first time. The servant, Titus, disapproved of Lexa’s relationship with Clarke, whom he tried to kill, but Lexa caught the bullet. This woman — the most fearsome warrior in the show’s history — didn’t die defending Clarke; she just happened to be in the bullet’s path. And by following her only moment of bliss with her lover, the Grounder queen’s death followed a time-worn and disturbing TV pattern.

Autostraddle came up with a list of more than 130 lesbian and bisexual women who have been killed off on TV shows, and it’s a damning roster. Whatever progress you think TV has made on the front of LGBTQ representation, the sheer number of dead women on the list is profoundly troubling, to say the least. If nothing else, it shows that the Bury Your Gays trope is alive and well on TV, and fictional lesbian and bisexual women in particular have a very small chance of leading long and productive lives.

Critic Nicola Choi wrote that when they spot a lesbian or bisexual woman on TV, many LGBTQ fans simply resign themselves to the fact that the character will die.

The 100 Thirteen Lexa

Dany Roth tried to explain the matter to a conservative-leaning readership at blastr:

If you’re not part of the queer community, an ally of said same, or if you were never a fan of The 100, why should you care? If we’re boiling this down to the most selfish of reasons, it is because next time it might be you. And maybe it already has been you. Forget social justice for a second (as I know many of you often try to, anyway) — think about this as simply acting in the interest of fairness…

The reason Lexa’s death was so upsetting isn’t just because her face was a recognizable one for so many queer people, it’s also because she made the LGBT community feel more visible, more relatable. And it made them feel like they were being listened to. Every time someone tweets about why Lexa matters, each time someone challenges the “Bury Your Gays” trope and demands that writers and showrunners do better, someone who hasn’t thought about any of this hears why representation in stories matters for the first time. Even in death, Lexa is making LGBT people more visible.

Orphan Black Train

There is often much to think about and discuss after an episode of Orphan Black. This was especially true in the early episodes, when we had very little understanding of what was going on. Entertainment Weekly has good news on both of these points. BBC America will be starting a show, After the Black, to discuss each episode. Plus it sounds like next season might recreate some of the mystery of the first season, including going back to when Sarah first saw Beth jump in front of the train.

Taking a tip from AMC, BBC America has announced After the Black, a companion show that will air weekly following Orphan Black.

Hosted by Innerspace’s Ajay Fry, Morgan Hoffman, and Teddy Wilson, After the Black is a 30-minute after show that will feature various cast, crew, and special guest stars chatting about the plot, twists, and theories on future episodes. Other segments will include behind-the-scene footage from the set and an exclusive first look at the following episode.

The format is very similar to AMC’s Talking Dead, which airs weekly following The Walking Dead and Fear the Walking Dead.

The first post-game, which will air Thursday, April 14 at 11 p.m. ET following the season 4 premiere of Orphan Black, will include stars Tatiana Maslany and Kevin Hanchard.

As for the fourth season, executive producers John Fawcett and Graeme Manson revealed at WonderCon on Saturday that they’ll be going back to basics in a lot of ways by delving into a particular mystery from the pilot. “We really wanted to look at the first season this year,” Manson said. “We wanted to go back to that moment on the tracks with Beth and Sarah and go, ‘What did Sarah miss?’ There’s more story there.”

“We wanted to get that feel back, that feel of season 1 where you don’t know who the bad guy is, you don’t know who you’re speaking to,” Fawcett added. “That was the goal of season 4.”

Above is a trailer for season 4 of Orphan Black. There will also be new characters introduced:

Also this season, viewers are introduced to brand new characters that prove to be pivotal to the clones’ saga. Season 4 introduces Joel Thomas Hynes (REPUBLIC OF DOYLE) in the role of “Dizzy”, an edgy, self-reliant hacker who doesn’t conform to group mentality; Jessalyn Wanlim (Alex Cross) as Evie Cho, a powerful, seductively articulate bioengineer who believes great discoveries require casualties; Lauren Hammersley (MR. D) as Adele, a shameless, brazen, and wickedly intelligent lawyer who outwits opponents even when heavily intoxicated; and Gord Rand (Maps To The Stars) as Detective Duko, who on the surface appears to be unassuming and slightly nebbish, but has used his underlying angst to nastily claw his way to the top.

I will hold off on saying much about season 2 of Daredevil different  people are at different points with the Netflix model. Entertainment Weekly has the above interview with Charlie Cox which helps set up the season after the arrest of Wilson Fisk at the end of the first season:

“What we’ve done this year with the show is we don’t really have so much a Big Bad, but we have characters that enter Matt’s life,” Cox tells EW in a recent interview, viewable above. “They force him to look at himself and look at his actions in a way that no one else has done in the past.”

Those characters are, naturally, The Punisher (Jon Bernthal) and Elektra (Elodie Yung). The first, as trailers have hinted, comes to Hell’s Kitchen with almost a similar purpose as Daredevil but with a much different modus operandi. And his methodology involves a lot more killing, which puts the entire city on edge shortly after coming to appreciate Daredevil’s work.

“It’s through Daredevil’s actions that someone like Frank Castle has been able to show up and do what he does,” Cox explains.

Yet putting a stop to The Punisher’s bloodlust isn’t the only obstacle thrown at Matt this season. Elektra, the “Greek girl” from college that Foggy Nelson (Elden Henson) mentioned last season returns to New York. As portrayed by Yung, Elektra complicates Matt’s life both while he’s in and out of his crime-fighting costume, particularly when it comes to his burgeoning romance with Karen Page (Deborah Ann Woll).

“… Matt is completely authentic with both characters, but that authenticity is different with each character,” Cox said, calling this love triangle “one of the most enjoyable things for me to do as an actor this season.”

12 Monkeys returns on April 18. If we didn’t have the “problem” of so much good television, including genre television, now available thanks to cable and streaming, it might be tempting to rewatch the first season to review all the twists which occurred. While some hardcore fans are doing so, many of us just do not have the time. Syfy has posted the above seven minute recap to help the rest of us to catch up. It is certainly not enough for new viewers to start watching the show, but it is helpful for those of us who watched the first season.

americans-season-4

The Americans, which very well might be the best ongoing drama now on television (separating it from shows such as Fargo which have a different story each year) is off to an excellent start for its fourth season. There is so much which can be said about the quality of the story, but I figure those who are watching understand this and those who are not will not be interested in a play by play.

Besides all the big things, the show gets the little things better than most television shows. While many shows do a terrible job of working in children and home life (such as with Brody’s daughter on previous seasons of Homeland), Paige’s teenage angst, exacerbated by learning that her parents are Russian spies, has been a huge plus in driving the plot this season. Television story lines are often driven by misunderstandings, such as Stan thinking that Philip was sleeping with his wife. While that is a standard television trope, I really appreciated it when Phillip immediately explained the situation to Elizabeth and told her about going to the EST meetings, as opposed to dragging this out and creating further misunderstandings with her–as so many television shows would have done.

Plus so many interesting characters have been developed beyond the main characters. When The Americans inevitably ends, I’m looking forward to one spinoff based upon Nina Krilova in Russia, and another (or perhaps work in into a single show) in which Stan Beeman and Oleg Burov find some reason to team up after the Cold War ends. If Napoleon Solo can team up with Russian Illya Kuryakin on The Man From UNCLE, why not Stan and Oleg?

With all the talk the last few days about the bird at the Bernie Sanders rally in Oregon, prior to his big three-state sweep yesterday, above is a clip from the episode of Portlandia which started the slogan, “Put A Bird On It.”

To conclude by tying this in with the previous story on Daredevil, above is Rosario Dawson (Daredevil, Jessica Jones) speaking in support of Bernie Sanders.

SciFi Weekend: Mr. Robot; Jessica Jones; Kimmy Schmidt; Person of Interest; Homeland; 24; Heroes; The DC Superhero Shows; Orphan Black; Blacklist

Mr Robot Finale Bar

After Mr. Robot won two Golden Globes for Best TV Drama and Best Supporting Actor (Christian Slater), cast and crew discussed the show at the Television Critics Association press tour. Here are some excerpts via Vulture:

The first-season finale ended with everyone’s favorite hacker confronting his painful delusions. The new season will begin with that struggle. “The whole show has been about Elliot’s emotional journey, and I really wanted to focus on that and less about the plot,” Esmail said. “And so, for me, the headline of season two is: How does Elliot reconcile the fact that he’s aware that he’s been seeing this fantasy?” Even as the first season entertained viewers with several twists and turns, Esmail said he’s not interested in “gotcha moments … Rami brilliantly plays Elliot in a way that he drops you into his psyche. So you’re learning it with him. As long as that is organic and that feels real, then I think the twists will come from there. But it’s not my agenda to keep shocking you. It really isn’t.”

Elliot’s past — and when his delusions began, and whom they involve — will become clearer in the second season. “There will be a lot more backstory that we’re going to show,” Esmail shared. “The timeline is going to get a little clearer. Not 100 percent clearer, because what’s the fun in that? But a little clearer.” Malek said Esmail has shared “enough” with him to help him start preparing for his performance. With this character, I have to prepare for anything at any given moment. I go through every direction as to what possibly happened to someone like this because in his head we never know what has happened. And I think having to trace back the truth and discover the truth ultimately makes him more complex to play — just trying to decipher what he’s actually seen and where he’s actually been. When I think about that, it kind of haunts me as a human being, having to do that. And that’s the place he finds himself in approaching this next season.”

Elliot is an unreliable narrator, and yes, there are other things he’s shown viewers besides the identity of Mr. Robot that we shouldn’t trust. After Esmail revealed that during the panel, Malek asked him, “Do I know? Do we know?” The answer: “No.”

Jessica Jones Luke Cage

Krysten Ritter discussed the sex scenes in Jessica Jones during the press tour. Considering both the highly favorable reception for the show and discussion of season two in several years, I assumed that it was already decided. Apparently a second season was not official at the time, but Netflix has now made it official. Plus elsewhere there is talk about season two of Daredevil, and about  Iron Fist,

Netflix has also announced that Orange is the New Black will return on June 17, 2016 and Unbreakable Kimmy Schmidt returns for its second season on April 15th, 2016. Kimmy Schmidt has also been renewed for a third season.

Person of Interest season 5 will air this spring, and CBS President Glenn Geller left open the possibility that it could be renewed. Perhaps airing in the spring, when there aren’t as many new episodes of network shows, will result in high ratings to justify renewing it. On the other hand, the show has an extensive back-story and a lot of episodes to catch up on which makes it difficult for new viewers to get involved. It would be interesting if someone could put together the parts of episodes dealing just with the mythology of the show and cut all the number of the week stories.

Homeland will be coming back for a fifth season, taking place in New York. I finally gave in and completed watching the last season over the holidays. It was better than some recent seasons, but still far below the first season. There were also some vague references to Quinn’s fate:

The closest thing to a teaser came in the form of a cryptic update on Quinn, who was not having a good time at the end of last season. “Quinn is very damaged, no question about that,” the network’s president of programming, Gary Levine, said, according to Deadline. “If he should live, he won’t be in the shape and form he was.”

If this (and multiple other shows) don’t give you enough stories on fighting terrorism, Fox plans to reboot 24 with a new case.

Heroes Reborn will not be coming back for a second season, and there is no reason it should.

73rd ANNUAL GOLDEN GLOBE AWARDS -- Pictured: (l-r) Melissa Benoist, Grant Gustin, Presenters at the 73rd Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 10, 2016 -- (Photo by: Paul Drinkwater/NBC)

We sort of had a Supergirl/Flash crossover at the Golden Globes when Melissa Benoist and Grant Gustin presented an award together. (I wish they had the two race up the stage to see whether Supergirl or the Flash is faster.) There have been rumors and denials of a crossover on their television series for some time. CBS president Glenn Geller has now left an opening for such an event. I hope Arrow is included as I think that Kara and Felicity would get along very well together. More on the possibility of a crossover here.

The Flash and Arrow will be returning on CW, along with the premiere of DC’S Legends of Tomorrow. The producers have been denying internet rumors that Felicity will become Oracle. (I don’t think anyone really believes she was killed.)  Some news here, including that the remainder of the season on The Flash will deal with Zoom and the show’s multiverse.

The Americans, one of the best dramatic shows on television the last few years, returns on March 16. Some teasers on the upcoming season and future of the show here.

The above teaser has been released for season 4 of Orphan Black.

Blacklist appears to have wrapped up the Lizzie on the run storyline which dominated the first half of the season. The Director turned out to be less powerful that initially suggested as the Cabal literally had him dropped. Reddington has said it was time to “take down the Cabal” but it appears to remain alive and well (even if weaker). Things are much like before except it appears Lizzie will now be working with Reddington as an FBI asset as opposed to an agent. Plus it is not clear if Reddington is now a part of the cabal. If so, does that mean they are still an evil group trying to get us into World War III with Russia? Will Reddington still be helping the FBI capture people involved with the Cabal?Plus is Laurel Hitchen in charge, or just the highest ranking person we see, and how dangerous will she be now that everyone is on to her?

SciFi Weekend: Arrow (Is Felicity Dead?); Martian Manhunter Joins Supergirl; You’re The Worst; Fargo; The Leftovers; More Renewals

Arrow Felicity Shot

Mid season finales have now become a big thing on network television as many shows take a hiatus for the holidays, while some cable shows have completed their season. There were several big WTF moments on television recently, often, but not entirely, part of a midseason or season finale.

Two of the superhero shows from Andrew Kreisberg  and his group featured big WTF moments. The biggest one would be the death of Felicity on Arrow if anyone really believed it was real. Last year we saw Oliver die and come back to life, with Thea and Sara Lance having also come back from the dead. While there is no longer a Lazarus Pit, it seems a safe bet that they would never kill off Felicity. They replayed a portion of the grave scene, to imply that it was Felicity’s, but we’ve also been led to believe that the scene takes place later this spring, not currently to coincide with Felicity getting shot.

While there could be misdirection, Emily Bett Rickards is also present in set photos (such as here) from episodes still being filmed.

This leaves the question of who is in the grave. While there are other possibilities, at present I like the fan theories that it could be Samantha or William Clayton, Oliver’s former girlfriend and their son. This would explain why all of Team Arrow, along with Felicity’s mother, weren’t at the grave site if it was Felicity’s. In a recent interview, producer Wendy Mericle did warn of “serious consequences” that “come to a head” because of the decisions Oliver made regarding them. This most directly seems to be regarding Oliver and Felicity’s relationship, but perhaps it also leads to putting Samantha or William in danger.

Supergirl Martian Manhunter

The big WTF moment on Supergirl was that Hank Henshaw didn’t turn out to be an evil alien as many fans suspected. As with Harrison Wells on The Flash, Hank Henshaw’s body was taken over by someone else, but in this case not be someone evil. Henshaw turned out to be J’onn J’onzz aka The Martian Manhunter. The show’s producers discussed this with The Hollywood Reporter:

“It’s the secret of Supergirl: Within the body of the series of Supergirl, there is a Martian Manhunter series rolling throughout it,” executive producer Andrew Kreisberg tells The Hollywood Reporter. “It’s the thing that makes us giggle the most.”

Back when the showrunners were on set to shoot the pilot, the idea to make DEO head Hank the Martian Manhunter was initially floated as a joke.

“[DC Comics CCO] Geoff Johns, [executive producer] Greg Berlanti and I were saying, ‘It’s so funny we cast David because he’s got those weird ears. Like alien ears,’ ” Kreisberg says. “I don’t remember which one of us said it, but it was like, ‘If we were ever going to make a Martian Manhunter show, David would have been the perfect Martian Manhunter.’ And Geoff said, ‘Well, why can’t he be?’ We already had it set up that Hank was keeping this bad secret, and then we started thinking about well, what if it was a good secret? You think he’s bad but then he turns out to be not only good, but the most good person in the DC universe.”

…Executive producer Ali Adler teases that John’s abilities will blow Kara’s out of the water. “He’s got such tremendous powers,” Adler says. “We really want to show off what he can do, and we’re definitely going to do that in upcoming episodes.”

“There’s a lot of fun to be had,” Harewood adds. “He’s a shape-shifter so he can be whoever he wants to be. So you’ll find me being other members of the cast at some various points of the story.”

You're The Worst Season 2 Finale

You’re the Worst picked up a renewal for the third season as the second season concluded, plus Stephen Falk received a deal to produce additional shows for FX and FXX. While the second season of You’re The Worst was not as good as the first, Stephen Falk deserves credit for taking the season in such a different direction for the second season. I suspect that it might have been the added depth he showed in the second season which led to his deal to produce additional shows.

The arc with Gretchen’s depression showed more depth in writing by Falk, as well as acting by Aya Cash, but it was the comedy, not potential for such drama, which made the show television’s best (even if under-rated) sitcom last year. Another consequence was that there was less interaction between the story lines of the various characters. On the plus side, this ultimately did lead to further development in the relationship between the two dysfunctional leads. Gretchen decided to consider medications for depression, which she never considered in the past, now that she was involved with someone else who was affected by her depression. (Her friendship with Lindsay doesn’t count.)  Jimmy almost ran off with the girl who owns the bar, but in the end did not. Plus the two of them managed to tell each other that they loved the other, even if it required them to be drunk at the time.

Fargo Flying Saucer

Noah Hawley will not only be doing more of Fargo, but has signed a deal to develop additional shows for FX. He had one of the big WTF moments on Fargo last week (“It’s just a flying saucer, hon”), and there is still an episode to go. A UFO was also seen briefly in the first episode of the season. I now wonder if it will play a role in the finale, or just be something without further explanation. It sounds like it will be the later from Hawley’s comments. Perhaps Fox is getting us ready for the return of The X-Files.

Fox has renewed Wayward Pines for a second season. I haven’t seen this one, but a recent plug for the show and news of its renewal might change that.

The Leftovers 2x08 – International Assassin

The Leftovers has been renewed for a third and final season on HBO. This sounds about right. The second season was much better than the first, having completed the events of the Tom Perrotta novel and now able to explore new territory, but I’m not sure there is enough to do in this world which cannot be wrapped up in one more season.

This is the perfect series for Damon Lindelof . He can write about how people respond to unexplainable situations, without being expected to ultimately give an explanation as on Lost. A lot happened in the season finale, but for me seeing the Guilt Remnant show up and seeing Mary wake up was nothing compared to the WTF moment in the eighth episode, International Assassin, when Kevin was in a  hotel from purgatory, if not hell. That episode alone made the season a success.

Blacklist has been much better this season with Elizabeth on the run with James Spader’s character. It has been renewed for a fourth season.

Melissa Benoist Homeland Supergirl

Showtime has renewed Homeland and The Affair. After its slip in quality over the years, I haven’t watched this season of Homeland yet, but might watch binge it Netflix style if time permits. There are many reasons to remember the first season fondly, but the recent start of Supergirl has led to additional attention for the show as viewers recall a topless Melissa Benoist being asked questions such as whether she enjoys anal sex and other women in the first season of Homeland. (Video here–not safe for work.)  Kara would turn as red as the star she was born under if asked those questions on Supergirl.

Person of Interest strangely is not appearing on CBS’s schedule yet. There is speculation that it is being held back until spring or summer, and hope that maybe it can be renewed beyond this year if it is more successful than Extant and Under the Dome, which have been canceled.

The Man In The High Castle, which I completed this week, ended the first season with a couple of WTF moments. One was foreshadowed by events in the book, despite some major differences between the book and the television series. As there are still likely to be many who have not finished the series yet, I’m holding off on discussing this streaming series, as well as Jessica Jones, a little longer. Both are highly recommended.

SciFi Weekend: Hannibal; Mr Robot; Jessica Jones; Patrick Stewart; DC Television Universe; Star Wars Expansion at Disney; The Last Ship; Person of Interest; Homeland

>Hannibal mask

…And The Beast From The Sea continued the portrayal of Red Dragon on Hannibal, and provided the first glimpse of Hannibal Lecter wearing the mask he is famous for in the movies. Hannibal remained in contact with the Tooth Fairy, and even joked about using personal ads or notes on toilet paper to facilitate this in a reference to the novel where this was a more substantial plot point. Hannibal suggested that Dolarhyde  kill Will’s family, leaving viewers uncertain if he would succeed in killing Molly or Walter. Instead a guy just happening to drive by became the victim. Dolarhyde presumably also poisoned the dogs, but fortunately they also survived.
In some ways Hannibal seemed even more evil in this episode, placing Will’s family in risk in this manner. (“They’re not my family, Will”). To Hannibal, perhaps Will is his family, but Molly and Walter are just in the way. Elsewhere in the episode,it was not surprising to see Dolarhyde’s relationship with Reba fall apart, despite how Hannibal characterized the relationship.

Jack and Alana showed again that they do not really understand Hannibal, thinking he would assist them in tracking a call to Dolarhyde. Hannibal played with them, and then tipped off Dolarhyde  with the warning that they were listening. Hannibal had previously given Alana the ominous warning, “I always keep my promises.” Now it was Alana’s turn: “You’re not the only one who keeps their promises, Hannibal.” In response to this latest betrayal. She had all the amenities removed which kept Hannibal so comfortable, “The toilet, too.” As these were removed from the cell, the mask was placed on Hannibal for the safety of those in there.

Mr Robot Darlene

On Mr. Robot, Elliot had a brief meeting with the time-obsessed White Rose, but it was the meetings and surprise interactions between older characters on the show which were of greater interest. There is a major spoiler ahead for those who have not seen this episode yet.

The first big surprise was that Angela and Darlene not only knew each other, but at yoga class both talked about Elliot, showing concern for him. Later there was the meeting between Tyrell Wellick and Mr. Robot, with the two apparently working together, even if not entirely comfortably. This seems to confirm that Mr. Robot is real, but raises major questions, especially for those who think that Mr. Robot and Elliot are the same person.

The biggest scene was when Darlene told Elliot that she loves him, Elliot kissed her, and Darlene recoiled in horror asking, “Did you forget who I am?” Soon it was revealed that Darlene is Elliot’s sister. It was as if Luke had kissed Lea, but is Mr. Robot now Darth Vader?

This led to memories flooding into Elliot’s head. Going meta, Elliot looked at the camera and asked us viewers, “Were you in on this the whole time?” and then“Were you?” Maybe to some degree we are in on it, but we are also quite confused at the moment, also looking for answers.

There was the suggestion that Mr. Robot is Elliot’s father, previously said to be dead. This has been interpreted differently by fans who think that Mr. Robot and Elliot are different manifestations of the same person, and those who think he is a separate and real individual. Mr. Robot showed up at Elliot’s apartment to supposedly explain, so maybe we will learn the answer next week. I wonder if the show will move onto a quite different path as it heads toward its second season.

jessicajones-netflix-509x480

Indiewire reports that Jessica Jones will be a psychological thriller, reporting statements from executive producer Jeph Loeb and showrunner Melissa Rosenberg at the TCA Press Tour. They also discussed a major role for David Tennant:

“When we first sat down and started talking about ‘Daredevil,’ what we said was, for all intents and purposes, it was a crime drama first and a superhero show second,” Loeb told the room. “One of the things we’ve talked a lot about is that ‘Jessica’ is in many ways a psychological thriller first and then a superhero show second.”

…Loeb then went on to say that Tennant’s role in the show would be a key part of what differentiates “Jessica Jones” from other superhero series: “What you get out of ‘Jessica’ is a sort of hold-your-breath tension as to what’s going to happen. When you see the dynamic between Krysten Ritter and David Tennant… that question of ‘What’s going to happen next?’ and ‘What could happen next?’ and how that’s driven by character is something that is so important to not just the scripts but also the way the show is shot, and the way that everyone reacts, and the way those two react with each other.”

Elsewhere in the Marvel universe, Professor X (Patrick Stuart) will have a substantial role in the third Wolverine movie.

white-canary-lazarus-pit

Moving on to DC, next season we will see the return of Sarah Lance on ArrowAusiello discussed how Lance responds to the return of Sarah:

Frankly, it could be the last thing Sara’s family needs! “Thanks to Laurel helping him see the light at the end of last season, Lance is back on the wagon for now, trying to keep on the straight and narrow,” Paul Blackthorne previews. “But that will of course be tested when Sara comes back from the dead. Because I think when your daughter’s coming back from the dead, she may not necessarily come back as quite the same person. Yeah, that’s going to be an issue for the family to deal with!’

Her return will also be in an episode with a cross over from Constantine, who assists with her return to life, which in turn leads into the origins of Legends of Tomorrow.

Despite previous reports to the contrary, CBS is now saying there will not be crossovers between Supergirl and Arrow or The Flash. Reportedly they are in the same universe, so this might be open to reconsideration if the right story is presented.

Disney has always provided synergy between their films, theme parks, and merchandise. Therefore it was no surprise to find that, with Star Wars expected to be a huge blockbuster film this December, there will be a fourteen acre expansion based upon Star Wars at Walt Disney World and Disneyland.

TNT has renewed The Last ship for a third season.

Sarah Shahi is returning to Person of Interest following her maternity leave. She will return early in the season and be present for eight or nine episodes of the upcoming thirteen episode season.

The firth season of Homeland sounds like it might be expanding its story lines, dealing with Edward Snowden, Putin, and ISIS.

Donald Trump told a boy on a helicopter ride in Iowa that he is Batman. That is about as ridiculous as Hillary Clinton claiming to be a liberal.

SciFi Weekend: The Americans Season Finale; Arrow; Orphan Black; Hannibal

THE AMERICANS -- "March 8, 1983" Episode 313 (Airs Wednesday, April 22, 10:00 PM e/p) Pictured: (l-r) Holly Taylor as Paige Jennings, Keri Russell as Elizabeth Jennings. CR: Patrick Harbon/FX

The season finale of The Americans felt more like a mid-season break, consistent with the earlier statements from the producers that they were carrying the plot threads from the third season into the fourth. This makes good sense as shows such as Homeland have shown how easy it might be to use up the story lines which really propel a show and then have to search for a reason to continue.

There were at least two major plot lines addressed in this episode, with one providing a major cliff hanger. Taking Paige to meet her Russian grandmother only served to make her more upset about her identity, leading to the final scene when she called Pastor Tim and told him that her parents are Russian spies.

There are many conceivable ways that this can go. Will Pastor Tim, assuming he believes the story, feel obligated to preserve her secret? Assuming that Elizabeth and Philip find out, will they make sure that Pastor Tim does not survive to tell anyone? There is also speculation among some fans that Pastor Tim is also a spy, but that might be a too convenient way to resolve the issue.

While this is the major cliff hanger of the season, the Martha story line also remains more fascinating after last week’s revelation. This week we learned that Martha is still alive, and that Philip covered for her by framing an FBI tech person for planting the bug. We still don’t know what cover story he is now telling Martha. Does Martha now know he is a Russian spy, or maybe she thinks he is working for a more secret US organization. Martha clearly knows that the person was framed, and should be able to figure out that his suicide was actually a murder. There is a lot for Martha to consider here. This all has Philip questioning his life as he searches for answers at the EST meetings, while Elizabeth has no doubts, especially while listening to Ronald Reagan call her home the evil empire.

the_americans_ep313

Producers Joe Weisberg and Joel Fields discussed the cliff hanger with The Hollywood Reporter:

Why did you decide to leave it on a cliffhanger?

Fields We’re glad to hear you say it’s a cliffhanger. We talked about that in the room actually, whether or not it should be called a cliffhanger. I suppose it’s a cliffhanger in the show in the sense that one really wants to find out what’s going to happen next, and that’s a good thing. But, to us, it’s all about the characters. What’s most interesting to us is what’s going to happen to these people next, and what personal dramas will they go through next. That’s always more interesting to us than someone kicking in the door with a gun in their hand.

Weisberg We’re also used to drama where a cliffhanger means that somebody is or isn’t going to die or something like that. So the idea that the real question is: Is this guy who got a phone call going to make another phone call? We were really debating if that would count as a cliffhanger.

Fields More like a telephone-hanger. (Laughs.)

And why did you choose for the cliffhanger to be Paige telling Pastor Tim the truth about her parents?

Fields We knew Paige was going to tell Pastor Tim for quite some time, but we just didn’t know exactly where it would fall in the drama — just like we knew that Philip and Elizabeth were going to tell Paige, but we didn’t know exactly where that would fall into the drama. This family is truly a family, and as such loves each other in its own way. Yet, at the same time, their family has blind spots. The idea that these parents had thought that they had gotten through a rough patch with their daughter and thought that things were on an even keel while missing entirely what was going on, it just rings very true. Somebody just said in our writers’ room today, “What’s really going on is that Philip and Elizabeth have an adolescent.”

For all we knew, Paige could have turned into her own KGB agent this episode. When did you know the story wasn’t going in that direction?

Fields Toward the last third of the season.

Weisberg We considered the possibility of her making that phone call the night that they told her, and then we decided that we definitely didn’t want to do that. So then it became a question of whether or not she would tell them this season or next season, and the finale seemed like the perfect point. What’s most moving in a way is how much pain she’s in there after she comes back from her trip with her mother, and how she expresses that pain and what it drives her to do. For us, it was really moving just to see her crying there in bed when her parents are in the next room not really able to connect with her or fully comprehend how much she’s suffering. Then we have her call Pastor Tim and so openly and clearly express the pain she’s in, which is something her parents are not able to do.

Arrow -- "The Fallen" -- Image AR320B_0053 -- Pictured (L-R): Emily Bett Rickards as Felicity Smoak, Stephen Amell as Oliver Queen, and Willa Holland as Thea Queen -- Photo: Cate Cameron/The CW -- © 2015 The CW Network, LLC. All Rights Reserved.

TV Line has information from Marc Guggenheim on what happens the rest of this season on Arrow now that Oliver has remained with the League of Assassins following his deal to save Thea:

With Oliver choosing to stay behind in Nanda Parbat, “the character journey of [Episode] 321 is how the hell Team Arrow moves forward without Oliver,” Guggenheim previews. Whereas last time the group thought he was dead, “knowing that he’s out there and alive, but a member of the League of Assassins, that’s a whole lot harder” for Team Arrow to handle, the EP adds.

“There is a real trinity formed between Laurel, Diggle and Felicity,” Guggenheim says. “They’re all leaning on each other. They’re processing things in different ways. Laurel is throwing herself into her work saving the city. Felicity is struggling with heartbreak and grief. She really goes through the seven stages of grief with Oliver. And Diggle, something happens in [Episode] 21 that really upends Diggle’s world, certainly vis-à-vis Oliver. That’s something that will have repercussions for the remainder of the season.”

The EP adds that next week’s hour is “one of our most emotional episodes” because it’s a baddie-of-the-week installment in which “the villain of the week is Oliver.”

So with the hero giving in to the darker nature of the League, what does his future hold?

“The last three episodes spend a lot of time addressing the question of: ‘Is there hope for Oliver?’” the EP says. “And: ‘Is there hope for Oliver in Felicity’s mind?’ [Episodes] 21 and 22 have some very specific things to say about that and Felicity’s coming to grips with the conclusion of Episode 20.”

ORPHAN BLACK s03e02

The second episode of Orphan Black this season included the return of Sarah pretending to be Beth Childs, and for a second episode Tatiana Maslany also provided the voice of another character, the scorpion. Something is clearly wrong with the Castor clones, and finding the original clone lines might provide the clue, or at least propel more episodes this season.

Logic tests might be useful to evaluate the neurological status of some clones, but Helena sure messed that up in dwelling on finding the mangoes and discussing the issue with the scorpion. Plus we know more about Cal, we saw Allison and Donnie as drug dealers, and it is time for Kira to leave for a while to get away from too many stories about having to save her.

Buddy TV discussed the episode with the show’s creators Graeme Manson and John Fawcett:

What went into the decision to have Seth’s death happen the way it did and to start the episode off with that crazy threesome?

Manson: “First on the crazy threesome. The crazy threesome was just something that we – you know…I guess what it was was when we looked at those characters, it seemed like they would potentially, because they grew up together, that they share, because they’re brothers. They share and I think that they’re of a very different kind of upbringing than our girls, and so that because they’re brothers and they share…I don’t know, it just seemed like there was a natural kind of sharing, that sexual exploits would be part of that.

But the further answer to that question is that we just thought it was kind of something that we hadn’t seen before, but it would be kind of a really terrifying way to begin the episode, to discover actually there’s a second person in the room with you. From this woman’s point of view, it’s very scary to realize that the other person in the room is a twin.”

Fawcett: “It’s also a transgression and a crime that we do not take lightly throughout the season.”

Manson: “And then in regards to the termination of Seth at the end, what’s different about this is that that is very much a mercy killing, and it is meant to be a very emotional moment. The fact that these boys have this potential terminal illness is a really horrifying kind of thing that they all have to come to grips with, and I think it’s an emotional moment between Rudy and Seth there that we wanted to explore.”

Is the glitching from the Castor clones equivalent to the illness we see with the Leda clones?

Manson: “It’s part of our scientific mystery, and discovering what ails them, it sort of parallels our Ledas searching for what their own disease is, so that is indeed part of the story, part of the mystery we’re unfolding and part of our scientific mystery.”

Is that what Project Castor is testing for, with the questions Paul asks Seth and Rudy and Helena’s being asked?

Manson: “Again, as part of the mystery of what is biologically with the Castor clones, that’s just kind of the tip of the iceberg to some degree. The thing that we do know after watching episode 2 is we do know that the Castor clones, whatever’s wrong with them, whatever’s potentially causing this, is neurological, and so I think that that’s where these tests come from, and it’s our little tip-of-the-hat homage to Blade Runner.”

Digital Spy has eleven spoilers from Bryan Fuller on the third season of Hannibal.

Netflix has renewed Daredevil for a second season.