SciFi Weekend: Time After Time; Arrow; X-Men Casting News; Dark; Sense8; Santa Clarita Diet; Shows From Matthew Weiner and Amy Sherman-Palladino on Amazon; Doctor Who; Star Trek Discovery Air Date; Saturday Night Live

Time After Time is the next network time travel show to premiere. TV Guide answers some questions about it:

Is this really about Sexy Jack the Ripper and Sexy H.G. Wells? Boy, is it! You see, back in the day, before H.G. Wells wrote any of his now legendary novels, he apparently built a real time machine. He was showing off this game-changing piece of machinery to his good friend John — who, as it turns out, is actually the notorious anonymous serial killer Jack the Ripper. And once John discovers the authorities were hot on his tail, he uses the time machine to hightail it to modern-day New York City. Realizing he’s the only one who can stop John from killing again, H.G. follows his old friend to the future, where the world’s sexiest cat-and-mouse game begins!

Is it weird to feel attracted to Jack the Ripper? Yes and no. It’s totally weird to be sexually attracted to a serial killer, but the charismatic power of Josh Bowman is also impossibly hard to deny. Plus, this version of Jack the Ripper isn’t completely evil. There is a part of John that does want to change and leave his psychopathic, murderous tendencies behind. It’s a small part, but it’s big enough that you should feel slightly less confused by your newfound crush on the legendary murderer…

Don’t we have enough time-travel shows on TV right now? While time-travel is definitely one of the TV trends of the season, Time After Time isn’t exactly a time-travel show. In its second episode, the drama establishes its rules for time travel – ones which make it very dangerous to actually travel through time too often. That’s why H.G. Wells doesn’t simply go back in time to stop John from ever taking the time machine in the first place. It’s also why the show only time-travels four times in the first season.

Instead, Time After Time is far more interested in exploring how H.G. Wells’ adventures in modern-day Manhattan eventually inspire him to write The Time Machine, The Invisible Man, The Island of Dr. Moreau and War of the Worlds, which is a fun way to fully take advantage of having H.G. Wells as the show’s dashing protagonist.

The identity of Prometheus has been revealed on Arrow. TV Line spoke with the show’s producer and actor who played him, noting how this differs from the comics:

In the comics, Chase’s alter ego is Vigilante, but the producers chose to flip the script “because everybody would be thinking, ‘Of course he’s going to be Vigilante,’” executive producer Wendy Mericle explains. “We thought it would be a really fun twist to… take the comic-book mythology and turn it on its head and see what kind of story we can mine from a surprise like that. It was also something different for this season. We wanted to change up how we introduced the Big Bad and when we did it.”

…Although viewers are now aware of Prometheus’ true face — he exposed his mug to the audience when he took off his mask following a fight with Vigilante — Team Arrow will remain in the dark for the time being. As a result, the show gets to have “fun” as the characters continue to “interact with Adrian Chase in City Hall and elsewhere without knowing his real identity,” Mericle describes. “We’re going to play around with that for a little while before we let Oliver and the team find out.”

And find out they will, possibly sooner rather than later. “We’re not going to leave it to the end of the season,” Segarra promises. “We’re going to get to watch the pot get stirred a little bit. It’s hard because I already know how [Oliver] reacts, and I love the way it goes. You’re going to see Chase just kind of trying to burn the world around him.”

While we no know the identity of Prometheus, we will probably not learn the identity of the person under the vigilante mask this season.

Regardless of whether they are able to use the X-Men name, we will be seeing a lot of the X-Men in some form on television. ABC will be getting an Inhumans show. FX already has premiered Legion (which is highly recommended). Fox has some casting news on their upcoming untitled show. This includes Natalie Alyn Lind of Gotham:

Written by Matt Nix and directed by Bryan Singer, the pilot focuses on two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. Lind will play Lauren, one of the children at the center of the story. Smart, pretty, popular, organized and already ahead on her college applications, Lauren is the model of a perfect kid.

Amy Acker, who has a lot of genre experience in shows including Angel, Dollhouse, and Person of Interest, will play the other female lead:

Acker will star as Kate Stewart, a woman who is struggling with her separation from her husband, Reed (True Blood‘s Stephen Moyer), and her increasingly challenging teenage children. When her family situation takes a dark turn, she finds that she’s stronger than she thinks.

As noted above, Stephen Moyer has been cast as the male lead:

Moyer will play Reed, an ambitious attorney trying to balance the demands of his job at the DA’s office with his responsibilities to his family.

Patrick Stewart recently announced his retirement with regards to playing Professor X, but now states he might reprise the role in a Deadpool sequel. As I posted on Friday, he has also announced plans to become an American citizen to help fight Donald Trump. Make it so!

Netflix has released a teaser for Dark, an upcoming show being made in Germany, which appears somewhat like a darker version of Stranger Things. The description reads, “A missing child sets four families on a frantic hunt for answers. Their search for a culprit unearths a small town’s sins and secrets.”

Netflix is reassembling the cast for a potential third season of Sense8. The second season will be released May 5.

While reviews have been mixed, I’ve been  hearing a lot of great buzz from viewers of Santa Clarita Diet. We binged a large portion of the season last night and, while certainly not a hard-core zombie show, it was very enjoyable.

Mathew Weiner’s next show, The Romanoffs, to be on Amazon Prime, sounds nothing like Mad Men:

“Romanoffs” will consist of eight hourlong episodes, each of which will tell a standalone story with no recurring plot elements or actors. The only common thread is that each episode will tell the stories of people in contemporary times who believe they are descendants of the imperial family that ruled Russia from 1613 until the Bolsheviks seized power in 1917…

Weiner came up with the notion for “Romanoffs” about a year ago, after a long break following the end of his work on “Mad Men” in late 2014. He had the chance to watch other TV shows “in a non-competitive atmosphere,” and he realized that there was room for a show of this nature. “The rise of (Netflix’s) ‘Black Mirror’ made it easier for me to explain it, even though this show is not in that genre,” he said.

Amy Sherman-Palladino also has a pilot for Amazon:

After venturing into streaming TV with Gilmore Girls: A Year in the Life on Netflix last fall, the show’s creator Amy Sherman-Palladino is trying her hand with Amazon this spring. The site announced today that Palladino’s pilot, The Marvelous Mrs. Maisel, will be among the batch of programs up in pilot season starting on March 17. The one-hour pilot stars Rachel Brosnahan (House of Cards, Manhattan) as the titular Miriam “Midge” Maisel, a 1950s housewife who starts a career in stand-up comedy. Monk’s Tony Shalhoub will play her father; Michael Zegen (Boardwalk Empire) will play her husband. Alex Borstein (the original Sookie!) is also in the cast.

Speculation this week about the replacement for Peter Capaldi on Doctor Who includes Kris Marshall and Anthony Head. Doctor Who returns on April 15 with DoctorWho TV recapping everything which is known about the series so far.

After having been delayed twice, CBS is now saying that the premiere of Star Trek: Discovery will be in late summer or early fall.

The election of Donald Trump has been fantastic for the ratings of the late night comedy shows. Having Donald Trump as a regular target has improved the material on shows including The Late Show with Stephen Colbert and Saturday Night Live. The cold open on SNL last night had Kate McKinnon portraying Jeff Sessions as Forest Gump. Of course Donald Trump will likely be upset about him being portrayed by a woman, as when Melissa McCartney played Sean Spicer.

Last night’s episode of SNL has also received a lot of buzz for the above skit:

“Saturday Night Live” just ran a nearly two-minute liberal’s dream sequence disguised as a movie trailer.

The trailer — which promises a Republican “patriot who will put country over party” — features a notable omission: a title character. The point is that no Republican has really stood up to President Trump. You get it.

SciFi Weekend: Months of Doctor Who Speculation To Come; The 100 Returns; Gotham; Star Trek Discovery Starts Production; Renewals; Supergirl; Powerless; 12 Monkeys

Just as we struggle to get used to the transition in Washington, there is another huge transition to look forward to. As I posted earlier in the week, the big news is that Peter Capaldi has announced that he will leave as the Doctor, with his last appearance on Doctor Who to be in the 2017 Christmas special. There might be speculation for many months as to the next Doctor, with reports that incoming show runner  Chris Chibnall will be waiting until next fall to chose a replacement as he is currently busy with completing the third and final season of Broadchurch, and then plans a vacation. There are also reports that he will not start filming Doctor Who until early 2018, with the show not airing until fall, giving us another long gap between seasons.

The speculation regarding the next actor to play the Doctor appears to be concentrating even more on having the first woman or non-white Doctor than in the past. Digital Spy looked at some of the top female contenders for the part.  David Tennant backs his costar on Broadchurch, Olivia Coleman. Peter Capaldi suggests Frances de la Tour. Billie Piper is also calling for a woman to receive the role (but has no interest in doing it herself).

Just to be clear, my opposition to Hillary Clinton replacing Peter Capaldi is not sexist and does not indicate an opposition to having the first female Doctor. My opposition is just to that woman. Hillary Clinton is terrible at acting. Look at what happened when she tried to act like a progressive. There are plenty of far more qualified choices being discussed, such as Hayley Atwell or Lara Pulver, along with those mentioned above. Jill Stein would be a far better choice, and is even a real doctor. I would chose to have Barack Obama be the first black Doctor before picking Clinton. Joe Biden would also be an excellent choice, having a similar look to Jon Pertwee. I disagree with those who say that Bernie Sanders would be too old or too far left for the role, although I see him more as a Jedi Knight than a Time Lord. Of course, #NeverTrump. However, if they decide to have a regeneration of the War Doctor after the recent death of John Hurt, then Hillary Clinton (aka The Queen of Chaos) should be a top choice.

Season 4 of The 100 began just after where season 3 left off. If anyone hoped that ALIE was lying about the nuclear reactors melting down, the episode graphically demonstrated that the survivors of the first apocalypse are now facing a second one. Eliza Taylor discussed Clarke’s role in the upcoming season:

“We’re picking up directly where we left off,” Taylor told us on set in Vancouver. “We’ve just discovered that the world’s going to end, again. Just another day on the ground. This whole season’s mostly based around how we’re going to deal with fighting an enemy that we can’t go to war with, so it’s going to prove very interesting.”

As of now, Clarke is the only one with the knowledge that the world is going to end … again. The rest of Skaikru and the Grounders have no idea, and as season four begins they’re all going to have their hands full with picking up the pieces of their respective civilizations after ALIE took over their minds and convinced so many people, both Skaikru and Grounders alike, to kill themselves and their loved ones all in the name of the now-destroyed “City of Light.” Will Clarke tell everyone about ALIE’s warning, or will she keep this revelation to herself?

“It’s something that she has to be really careful about because she’s just taken all these people out of a beautiful city that they were happy [in] and brought them back into a world that’s about to end,” Taylor said. “She has to be very careful about how she goes about telling people without starting a riot. You will see more of her relying on her friends and family, which is good because it’s kind of like the old crew being back together again. It feels like season one again, which is awesome.”

While Clarke has always been the de facto leader of the 100 juvenile delinquents sent down to Earth, with help from Bellamy (Bob Morley), when the rest of the Ark came down from space, the adults didn’t listen to Clarke’s guidance. They thought they knew how to lead better, and they’ve been proven wrong time and time again. With Chancellor Pike (Mike Beach) murdered by Octavia (Marie Avgeropolous) and Jaha (Isaiah Washington) officially fallen from grace after he helped ALIE take over, Clarke will finally take the leadership position that is rightfully hers.

“She’s definitely stepping up more and accepting herself as the leader, which is really great,” Taylor said with a smile. “It’s really fun to feel like she’s asserting herself and not taking any s-t from people who don’t know as much as she does exactly what’s going on.”

Jason Rothenberg also discussed plans for Clarke, plus other characters, in an interview with Nerdist.

Gotham is going on hiatus and (spoiler alert), having left with Jerome being pushed in the river after being shot. He has already returned from the dead once, and it seems commonplace for characters to survive being dropped in that river. The original plan was for Jerome to just be a precursor of the Joker, but it now appears that he is actually being considered as the Joker. Cameron Monaghan, who plays Jerome, discussed how the original plan was to kill him off even earlier in the season:

But according to Monaghan, that wasn’t the original ending the Gotham showrunners had planned for this episode and his character—in fact, Jerome wasn’t supposed to survive the winter finale at all.

“I don’t think the producers will mind me saying that initially Jerome wasn’t going to live,” Monaghan told Nerdist. “He wasn’t originally going to make it through this confrontation. He was going to be beheaded and that was going to be it for him. Ultimately they decided that instead, we’ll go the opposite way and really embrace the idea of the character being involved in the Joker mythos. They decided not to dance around it but instead embrace it and bring the audience on the roller coaster ride of the episode, allowing it to be open-ended, playing into whatever they decide to do with that stuff later down the line.”

He continued, “The first time I read that final scene, I didn’t even really know about that or think about it or care about it because I was just so excited about everything else that was going on in the script. But now the fact that I am able to return in the fourth season or whenever they want to bring me back is really exciting.”

When Monaghan first debuted on Gotham back in season one, the showrunners didn’t officially call him the Joker, explaining instead that his character was the earliest inspiration for the Joker, who would come later. But now, it looks like the show is finally coming out and saying that Jerome is the Joker, at least for the DC Comics TV universe.

CBS announced that Star Trek: Discovery has started production. Air date is still unknown, with the previously announced date already having been moved back twice. There was also additional casting news, with Emily Coutts as the helmsman.

I recently noted that, following the inauguration of Donald Trump, 1984 had moved up to be the number six best selling book on Amazon. It is currently at number two, and had made it up to number one recently. As it was sold out for a while, this might possibly account for its slip to number two. Some other books to consider following the inauguration of Donald Trump, both alternate histories, were discussed here.

We will see the outcome of that huge plot twist on The Good Place, as the show has been renewed for a second season. Mozart in the Jungle has been renewed for a fourth season by Amazon. TNT has renewed The Librarians.

Supergirl has already used a number of actors who have played characters in the Superman universe. Teri Hatcher, who played Lois Lane in Lois & Clark, has been cast to play a villain later this season. Aftermath has been cancelled.

Over in another corner of the DC universe, Powerless debuted. It is too early to evaluate the show and I want to see more of it. Screen Rant lists sixteen DC Easter eggs and other references.

12 Monkeys will have its cast reunite in the 1980’s when it returns.

SciFi Weekend: Star Trek Discovery; Sherlock; Doctor Who; DC Shows; Gilmore Girls

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Variety reports that Bryan Fuller has stepped down as show runner of Star Trek Discovery.

The decision was made late last week to hand the day-to-day showrunning reins to “Star Trek” exec producers Gretchen Berg and Aaron Harberts as “Discovery” gears up for the start of filming next month and a May 2017 premiere date. Fuller, who will remain an executive producer, will still be involved in breaking stories, and the show will continue to follow his vision for the universe that this latest “Trek” series will inhabit. Writer-director Akiva Goldsman is also expected to join “Discovery” in a top creative role…

Sources said there had been some strain between “Star Trek” producer CBS Television Studios and Fuller over the progress of production on the show, as Fuller is also juggling the final weeks of shooting and post-production duties on Starz’s upcoming drama “American Gods” and prepping a reboot of “Amazing Stories” for NBC. Fuller has penned the first two scripts for “Discovery” and has hammered out the broader story arc and mythology for the new “Trek” realm

It was previously announced that the show will have a female lead. The Hollywood Reporter has information on the rest of the crew: “the rest of the cast also will feature an openly gay actor as one of the male leads (which Fuller confirmed), a female admiral, a male Klingon captain, a male admiral, a male adviser and a British male doctor.”

It is now official that Sherlock will return in the US and the UK on January 1. Trailer above.

Saturday marked the 50th anniversary of the first regeneration of Doctor Who when William Hartnell was replaced by Patrick Troughton. Now we anticipate such changes, but it sure must have been a surprise to viewers to see the lead in the show change in such a unique manner.

Inverse looks at what we know so far about the upcoming superhero-themed Doctor Who Christmas Special (sneak peak video above):

“The Christmas specials generally always have a kind of warmer feel … this Christmas special that we’ve done … has caught the feeling of that kind of superhero movie,” Capaldi said in new sneak-peak from BBC America. He also called this superhero “ironic” and “funny,” but made it clear that this would be a legit superhero story in that it would be “quite exciting.”

The new clip from BBC America isn’t a full trailer, so we don’t have much new information about the superhero, still only mysteriously known as “Grant.” Reiterating his previous comments from New York Comic Con, Who showrunner Steven Moffat said that he feels the best superhero story is still “Clark Kent,” which doubles-down on the idea that this story and “Grant” in particular will be more focused on a secret identity than a story about superpowers.

Humans returns on Channel 4 this week. Den of Geek has interviews with members of the the cast.

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The Hollywood Reporter looks at what happened on the DC shows on Fox and The CW Network last week. This includes the revelation on Gotham that Penguin is gay, and speculation that Alex Danvers on Supergirl is also gay. We have a new version of Harrison Wells (who presumably will turn out to be evil) and the return of Killer Frost on The Flash. We are going to get yet another superhero on Arrow with District Attorney Adrian Chase becoming Vigilante. Legends of Tomorrow potentially has major changes for Ray Palmer (unless he just rebuilds his A.T.O.M. suit) and a mysterious warning from Barry Allen of 2056.

Movie Fone has additional news on the CW shows.

If there wasn’t already far too many genre related shows to keep up with, Greg Berlanti of CW’s DC superhero shows and Jason Rothenberg, show runner of The 100, are working together on a new show for The CW Network. Deadline reports:

Written by Rothenberg, Searchers is about a group of unlikely heroes who find themselves on the journey of a lifetime. Ten years after the death of their parents, a pragmatic brother and free spirited sister are forced to team up when they learn that their mother’s terrifying and bizarre stories may be a road map to discovering the great legends, myths, and unexplainable mysteries of the world.

Girlmore Girls returns on Friday, November 25. Perfect for an all-nighter after Thanksgiving dinner, and can be completed with plenty of time to spare before the Michigan-Ohio State game. Netflix released the official trailer above, complete with Wonder Woman and mention of Superman.

Gilmore girls makes its much-anticipated return with four memorable chapters from the lives of Lorelai, Emily, Rory and countless more Stars Hollow stalwarts. Picking up nine years after we last dropped in on the whimsical Connecticut town, Gilmore girls: A Year in the Life finds each of our leading ladies at a major crossroad: Lorelai’s relationship with Luke is at an unnerving standstill; Rory’s budding journalism career in New York has stalled before it’s even begun; and Emily’s world is turned upside down following the untimely passing of her beloved husband, Richard.

Gilmore girls: A Year in the Life is told through four 90-minute chapters — each spanning one season: Winter, Spring, Summer, Fall — and brings back to life everything from the quaint corner diner to the dreamy Dragonfly Inn to a fast-talking, quick-witted mother-daughter love story unlike any other. Gilmore girls: A Year in the Life launches Friday, November 25, everywhere that Netflix is available.

Talks are underway for a possible new season of Will and Grace.

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SciFi Weekend: The Flash; Supergirl; Arrow; Legends of Tomorrow; Gotham; Dark Mirror; Westworld; Outlander; Falling Water; Doctor Who; SNL On The Second Presidential Debate

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All four shows in the Berlantiverse have premiered on the CW Network for this season. (Spoilers ahead for those who are not up to date). The Flash returned with the long-anticipated Flashpoint story, and couldn’t keep up with the hype. Unfortunately it was all predictable that after saving his mother, some reason would come up which would force Barry to restore the time line. This combined both disasters for some of his friends with him developing the problem of losing his original memories. It was mostly resolved in the first episode, but the restored timeline did have some changes, such as Iris not speaking to her father. Almost everything was fixed by the end of the second episode. There is one change which does extend to Arrow–Diggle now has a son rather than a daughter (with the son seen in an episode of Legends of Tomorrow last season).

While The Flash got off to a mixed opening, Supergirl started the season strong with the introduction of Superman–now putting these two series out in front of the Berlantiverse shows. It was the perfect view of Superman for this series–the version from the latest movies certainly would not have fit in.

I bet nobody was surprised that Kara decided to become a reporter. The move of Winn from CatCo to the DEO is exactly the type of change which might be farfetched in the real world, but which fits into television reality. They hinted at changes for Cat Grant, which is probably a cover for Calista Flockart not going to appear as often due to the move of the show to Vancouver. It does make sense that Kara will not see her as much with the change from her personal assistant to reporter. She will have a new boss, with some information from Entertainment Weekly:

Kara’s working relationship with her new boss, Snapper Carr, is very different from the one she had with Cat Grant. “Cat — both with Kara and I think with others — is actually devoted to mentoring people,” EP Andrew Kreisberg says. “She challenges them hard, but she does that with the idea that she’s forging them and they’re going to come out the other side as stronger, better people. Snapper Carr doesn’t give a crap. He believes in the written word, in facts and ‘Are you good at your job or are you not? If you’re not good at your job, I don’t have time for you.’”

A clip from next week’s episode in which Kara meets Snapper Carr is above.

While The Flash was about Barry and Iris getting together regardless of the time line, Kreisberg has decided that Kara and Jimmy Olsen should just be friends. I just hope they stick with this decision. We have seen far too many Ross and Rachel situations on television.

Arrow has been on a downward trajectory since its superb second season, and it is too early to say whether it can move out of third place among the Berlantiverse shows. The first two episodes of the season have concentrated on building a new team, and have been rather unremarkable. Maybe once this is established the show will improve. At least the flash backs in Russia look more interesting than the flash backs from last season.

Legends of Tomorrow has been largely rebooted, but I’d still rank it as the weakest of the four seasons based upon the single episode available so far.  It appears that the team has a new leader in place of Arthur Darvill’s character Rip Hunter, but I’m not certain that he is really gone for good. On the one hand the mission first season was more personal for Rip Hunter and it might make sense to reduce the emphasis on him. On the other hand, it is Arthur Darvill who has the direct connection to the Time Masters they are replacing (along with a certain Time Lord). So far we have only had a glimpse of the Justice Society of America, but we should be seeing a lot of them next week.

Geek and Sundry has a guide to the Justice Society

Before the Justice League… Who’s the Justice Society?

So, the Justice Society of America, or JSA, was DC comics’ first all-star super group, debuting in the 1940s. Its initial roster consisted of names who should sound very familiar to followers of recent movies and shows. There was the Atom, Green Lantern, Hawkman, and the Flash, among others. Only these weren’t the same characters which viewers are familiar with today. A key aspect of DC lore is the notion of masked personas being passed down through generations, so when the company dusted off the super group concept in the 60’s with the Justice League of America, it didn’t take long for the creators to retcon the two teams as being part of a lineage.

Judging by the trailer, it seems this JSA might be the only official super group in the “Arrowverse,” and its line-up will be cherry picked from various incarnations of the team. It’ll also apparently live up to its name more by operating as a clandestine secret society. Who are the members, though?

Hourman

The first wearer of this cowl, Rex Tyler, takes his name from the Miralco Pill which grants superhuman physical prowess for an hour once ingested. As soon as time’s up, though, Hourman’s reverts back to being a normal human being. The chronal chaos seen in the trailer suggests, however, that this guy will be an amalgamation of all three heroes in the tradition, having the time-travel capability of the second Hourman, along with the black costume of the third.

Stargirl

She’s a more light-hearted heroine with ties to two superhero dynasties. Stargirl wields the powerful “cosmic staff,” which absorbs and re-directs energy, allowing her to fly, fire bolts, create forcefields, and also levitate objects.

Dr. Mid-Nite

Imagine a character somewhere between Daredevil and Riddick. All three Doctors have been actual medical doctors who turned to crime-fighting after accidents granted them night vision at the cost of near-blindness in normal light conditions. Hence, the goggles. For all doctors, the preferred tool is the noxious “black out” smoke bomb, and the preferred assistant is a deadly, trained owl.

Obsidian

The mutant son of the first Green Lantern (not Hal Jordan!), he’s born with powers that ironically invert the mighty light of his father. Obsidian can turn into a living shadow and gain all the associated qualities, like flight and intangibility. He can even sometimes build objects out of darkness, much like GL’s constructs.

Vixen

A bit like the Beastmaster, this heroine can tap into a primordial force called “the Red” which allows her to possess the abilities of any animal. This power comes from the mystical Tantu Totem, which is passed down through generations. And in fact, this Vixen is not the same one who’s previously been seen on Arrow. She’s her grandmother.

Commander Steel

A bit like Captain America, this star-spangled hero is a military man who’s granted super strength and invulnerability after a top secret experiment. (In this case, it’s meant to restore his damaged body.) Steel fights in World War II, and he makes life-long enemies with Nazi super-villains who come back to bedevil the grandsons who eventually take up his mantle.

There was even a reference to Gotham on Supergirl last week, even if not the Gotham of the Fox television show. This DC-based show also got off to a good start this season. Their election for mayor was settled far more quickly than our presidential election. Oswald Cobblepot might be as disgusting a figure in many ways as Donald Trump, and as crooked as Hillary Clinton, but if he was in a three-way race for president, I would be tempted to vote for him over our current awful choices.

Black Mirror

Just after I finished one show dropped on Netflix (Luke Cage), they are releasing another genre series on Friday. After two seasons of Dark Mirror on Channel 4 in the U.K., Netflix will be releasing a third season. TV Guide looks at the previous episodes to watch before the third season begins. The first two seasons are also available on Netflix. The New York Times spoke with the show’s creator, Charlie Brooker, and his collaborator Annabel Jones.

While I will hold off on discussing Luke Cage until a later date, of the Netflix Marvel series, I’d rank it just a bit behind Daredevil season 1, and above Daredevil season 2. Jessica Jones remains the best of the series. While there are some overlaps, and Luke Cage did have a role in Jessica Jones, each series can be watched independently without having seen the others.

Nerdist looks at how Doctor Strange fits into the Marvel Cinematic Universe.

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I was disappointed when I found that HBO was not streaming the third episode of Westworld early like they did with the first two, and I will have to wait until later tonight to watch. While I have not seen all of the new series which have premiered this season, so far it is the one I am most interested in. Assignment X has an interview with Jonathan Nolan. Here is a portion, which also compares it to Nolan’s previous series, Person of  Interest:

AX: You spent five years dealing with A.I. on PERSON OF INTEREST …

NOLAN: I think I found my subject.

AX: Did you come to any conclusions about artificial intelligence while doing PERSON OF INTEREST that have been useful in WESTWORLD?

NOLAN: It’s funny, because it’s really looking at the subject from a different perspective. PERSON OF INTEREST was relentlessly non-anthropomorphic A.I. was really the godhead, it was A.I. as a pure intelligence, not tethered to the mortal coil, an A.I. that was developed in secret. With WESTWORLD, you have really the opposite. You have A.I. that, if you consider the consciousness aspect of it, it’s almost an accident that these creatures – they’ve been programmed merely to be as lifelike as necessary for their job, and their job is to satisfy, as Lisa said, our most noble or most base desires. So they’re not supposed to be smarter than us. That’s the last thing [their makers] want.

AX: What are the WESTWORLD park’s customers like?

NOLAN: Well, the guest experience is the third point of view of the show, but it’s very much unlike the original film. We really wanted to start with the hosts, start with their limited understanding of what this world is. But there is that great point of entry. You want to know, how does this place work? As Lisa said earlier, the show is really an examination of human nature, from two different directions. From the perspective of synthetic humans, or synthetic beings, who have been coded to resemble human nature as closely as possible, and who are beginning the question, in the first season, just how worthy a model that is to follow. Every perspective of human beings, and this is the delicious part of the premise, who have been invited or made their way into a space in which they’ve been told that they have free rein. They can take their id on vacation. They can indulge in any whim, no matter how noble or dark that they want, and apparently without consequence. And so that’s a fascinating premise as well. You know, who are we when the lights are off? Who are we when we don’t think anyone’s keeping score? And then in between these worlds [of the synthetic hosts and the human guests], you have the programmers, writers, technicians, the Promethean characters who are responsible for mediating those two worlds.

AX: It seems like Ed Harris’ Man in Black gunslinger/marauder character is a guest who is indulging real darkness in himself …

NOLAN: Ed’s character features as the “ne plus ultra” guest. This is an expert-level player, someone who has been coming to the park, as he says in the second episode, for thirty years. He knows everything about [the park].

When Crichton wrote the original film, the state of the videogame business was Pong. In the forty years since then, that entire industry has grown up and evolved into this monster that’s bigger than the film business, bigger than the TV business. So our narrative had to account for that more sophisticated understanding that we have of gaming. We call them “guests,” but there is also a gaming aspect to what they do in the park. It is not just a leisurely resort. They’re here to engage in the narratives, and the narratives are increasingly sophisticated.

AX: We see that the guests can shoot the android hosts, and the hosts can’t shoot each other, but theoretically, the guests can’t shoot each other and the hosts can’t shoot the guests. Are the guns built so that they can detect human physiology as opposed to android physiology, or how does that work?

NOLAN: It’s not the guns. It’s the bullets. We thought a lot about this. In the original film, the guns won’t operate guest on guest. But we felt like the guests would want to have a more visceral experience here. So when they’re shot and it has an impact, they’re called “simunitions.” The U.S. military trains with rounds like the ones we’re talking about. There’s a bit of an impact, a bit of a sting. So it’s not entirely consequence-free for the guests.

There has been a steady stream of news, such as this casting news, to keep alive interest in Outlander until it returns, probably in April. The season two gag real was also released–audio not safe for work.

I haven’t had a chance to watch Falling Water yet, but have a few links for those who are interested. The New York Times has a review. Buddy TV has videos of interviews with cast and crew, followed by summaries of key points, here and here.

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Den of Geek looks at the possibility of Jenna Coleman returning to Doctor Who.

While there are no firm plans yet, Steven Moffat has stated that Benedict Cumberbatch is interested in continuing with Sherlock after the fourth season. He is obviously quite busy on other projects, including Doctor Strange. Moffat also states that Peter Capaldi will be remaining on Doctor Who after he leaves as show runner.

Donald Trump is not happy with how Saturday Night Live has portrayed him. Video of their parody of the second presidential debate above, with Alec Baldwin portraying Donald Trump. Trump says that the media is rigging the election that Baldwin’s portrayal stinks. He also tweeted that it is “Time to retire the boring and unfunny show.”

SciFi Weekend: Agents of SHIELD; Suicide Squad; Star Trek; Gotham; Stranger Things; Doctor Who

SHIELD Daisy season 4

Agents of SHIELD concluded the third season with a jump ahead showing that someone other than Coulson will be Director of SHIELD. Marvel has revealed that Jason O’Mara will play the Director. While vague, the release did say that he will be “playing a character whose Marvel roots go back to the 1940s.” The synopsis for the upcoming season explains the reason for the change, as well as the changes in the role of some of the other characters:

In light of the Sokovia Accords, and with Hydra obliterated, S.H.I.E.L.D. has been legitimatized again and no longer needs to operate in the shadows. Since the world presumes that Coulson is dead, the organization needed a new Director (Jason O’Mara) to be the face of the organization.

Coulson finds himself back in the role as an agent and teamed with Mack (Henry Simmons), and together they are tasked with tracking down and confirming the presence of Enhanced people, aka Inhumans. They have been trying to track down and capture Daisy (Chloe Bennet), aka Quake, who has gone rogue in an attempt to atone for sins from the past. But with the world believing that Daisy is a dangerous outlaw who has taken down banks and bridges, the new Director has no qualms about taking her down for good.

Agent May (Ming-Na Wen) is tasked with training specialist strike teams, and Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge) have taken a big step forward in their relationship. But with Simmons’ new promotion as Special Advisor to the Director in Science and Technology, Fitz, as well as her former team members, finds it hard to confide in or trust her since she’s now the Director’s confidant.

Robbie Reyes (Gabriel Luna) will roar into the lives of Agent Coulson and the team as a junkyard mechanic who can turn on a dime into the terrifying Ghost Rider. Will Robbie be a friend or foe to S.H.I.E.L.D. – as well as the world, itself? Meanwhile, Fitz discovers that socially awkward genius and friend Dr. Radcliffe (John Hannah) has started putting the finishing touches on a new, secret invention.

Chloe Bennet talked with TVLine about Daisy going rogue and her agenda.

In other news about Agents of SHIELD, ABC Entertainment President Channing Dungey said at the Television Critics Association press tour that Adrianne Palicki and Nick Blood could possibly return. As I noted last week, the return as a regular would be complicated by Palicki being cast in another role.

Suicide Squad2

Suicide Squad has opened to a large box office but has received very poor reviews. It does sound like studio interference played a role in any problems the movie has. The Hollywood Reporter‘s account begins:

“Better late than never.” That was one Warner Bros. executive’s reaction to the excitement at Suicide Squad‘s splashy Aug. 1 premiere in New York. Tracking indicates the film could open to more than $140 million domestically and potentially hand the studio its first unequivocal megahit since American Sniper‘s $547.4 million in December 2014. With March’s Batman v. Superman: Dawn of Justice grossing $873 million worldwide but failing to impress audiences or reach the hoped-for $1 billion mark, Warners still urgently needs to jump-start its critical DC Comics universe, raising the stakes for Suicide Squad, which cost at least $175 million to make.

Yet if the villain team-up ultimately works — and it has drawn some harsh early reviews  — it will be in spite of the kind of behind-the-scenes drama that is becoming typical for giant franchise movies that now are the main focus of the studio business: a production schedule engineered to meet an ambitious release date; a director, David Ayer (Fury), untested in making tentpole movies; and studio executives, brimming with anxiety, who are ready to intercede forcefully as they attempt to protect a branded asset. Often, efforts to fix perceived problems ratchet up costs, which drive anxiety ever higher. In extreme cases, such as Fox’s troubled Fantastic Four, the intervention is so aggressive that it becomes unclear what it means to be the director. (In each such case, studios are careful to stress that the credited director is on-scene and in charge, which is essential to avoid DGA issues. And the wise director plays along.)

The video above is a tribute to Star Trek with clips from ever show and movie.

Star Trek Into Darkness ended with Carol Marcus appearing to be a new crew member but she was not seen in Star Trek Beyond. Simon Pegg, who c0-wrote the movie responded to questions about this by explaining they didn’t have a role for her which made fit into this movie and,“We thought rather than have Carol Marcus be not used to a reasonable capacity, let’s just not include her, have her be alive, in canon, and be ready to come back at any time.” As Star Trek Beyond took place three years later, it is quite plausible that she spent some time as a part of the Enterprise crew and then either left or was not present for some other reason in Star Trek Into Darkness.Nerdophiles has information from the cast on the third season of Gotham.

Stranger Things

I’m sure that by now pretty much everyone has heard the hype about Stranger Things. It deserves all the hype, and more. Some compare it to E.T. and to Super 8. It is very rare to see a television show which is as immediately captivating as Stranger Things. The show brings three television series to my mind with their ability to also do this: Twin Peaks, Lost, and The X-Files. One other thing that all three have in common is that they went downhill. The mythology on Lost and X-Files got too convoluted, and they didn’t know where to go beyond the initial story on Twin Peaks.

The format on Netflix should reduce the risk of the show deteriorating over time. Eight episodes allowed them to tell a complete story, while leaving some things open for future seasons. There was no need for filler episodes, and there won’t be the same push as on network television to continue too long. Matt and Ross Duffer have hinted at a second season and it would be quite a shock if Netflix didn’t go with it.

The BBC has a round up of news since series ten of Doctor Who went into production here. More pictures at DoctorWhoTV.

I’ll conclude with commentary on this year’s election from The IT Crowd:

IT Crowd

SciFi Weekend: Orphan Black Season Finale; Mr. Robot; Batman v. Donald Trump; Doctor Who Emmy Nominations; CW Network Announces Fall Premiere Dates; Star Trek Actor Killed In Auto Accident

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Orphan Black concluded its fourth season and has been renewed for one final season. The finale did feel like the midst of a two season arc, with cliff hangers for multiple characters, along with the end for Evie. The simplification of the season (at least by the standards of previous seasons) did work, with this season a big improvement over the third season. While they continued with the overall mythology of the show, including showing much more about Beth, there were far fewer organizations to keep straight.

Previously we went through what could have been a never-ending sequence of having a season deal with one shadowy organization, only to find that there was another one behind it. Ending next season probably means that the Neolutionists will be the final one we have to deal with, and P.T. Westmoreland just might actually be the person behind it. For now we know he built Rachel’s eye and is “the man behind the curtain. The man who wrote the book over a century ago.” Of course, as Mrs. S explained to Sarah, “There’s always a bloody board.” There was little talk of Proletheans, Topside or Dyad this season, and we were down to just one Castor clone.

There was an increase in Leda clones. with a lot of Beth being seen in flashbacks, the introduction of MK, and an expanded role for Krystal Goderitch. In the finale, Tatiana Maslany even played Sarah impersonating Krystal, impersonating a reporter for  TMZ. Krystal both understands little and has figured out key points during her independent investigations. She is oblivious to being a clone, even denying that Sarah looks the same as her: “Even if you could drag a comb through that hair, she’s like a seven on a good day and I’ve been told I’m a 10.”

Krystal’s theory of the conspiracy is surprisingly close to the truth, if not for her confused view that it involves the cosmetics industry: “Hold on tight, cause this is very confusing. This is about human experiments and two factions fighting to control them. So we have Estee Lauder, okay, and then we have this Swedish company called Neolution.” She had the important information that Delphine is alive and that Van Lier was involved:

So, Dr. Van Lier is absolutely Neolution because he, like, showed up out nowhere with all this medical gear right after that French doctor was shot, okay, and then they, like, took her off in a van. So Van Lier, like knew my name, which was super freaky and I will never forget his face because he was so pissed at me for being there. And because he definitely had teenage acne. I could tell. No question.

Other highlights of the later episodes in the season was Helena returning in time to rescue Alison and Donnie, shooting their captor in the neck with an arrow. Rachel has once again become purely evil, plotting to take over everything, but did take a break with Ferdinand. Ira, the sole Castor clone of the season, got a good line:

Ira: Who is this?
Ferdinand: Hello.
Rachel: He’s just a toy.
Ira: He has his socks on.
Rachel: What do you want, Ira?

Plus the season ended with Cosima appearing to finally having the cure.

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TV line discussed the finale with executive producer Graeme Manson. Here is a portion:

TVLINE | This felt like one of the show’s darkest and most twisted episodes to date. Was that the intention going into the finale?
It was probably our darkest season, certainly since the first. Obviously, we had Krystal. We’re never all dark. But what Sarah was going through this year was a dark journey. We thought it really had to pay off, and we knew it wasn’t going to be a pleasant climax to the season – but is it ever?

TVLINE | What note do you hope the finale leaves viewers on heading into Season 5, then?
We love a nice note of, “WTF?” with a smattering of, “How the hell are we going to get out of that?” We’ve thrown open this door of P.T. Westmoreland, and we’ve spent some time on this island. We’re very excited to explore that world. Sarah and all the clones, including Rachel, they’ve really done a lot to climb that pyramid. Now, what are we going to find at the top?

TVLINE | Quite a few characters were left in jeopardy at the end of the finale: Cosima, Sarah, Susan Duncan, even Mrs. S and Kira. Who should we be most worried about?
We have to be worried about everyone equally. But Sarah’s got two main issues: She came to the island to rescue Cosima, and now Kira is a hostage back with Mrs. S. So Sarah’s got two huge concerns, not to mention she’s pretty beat up and bleeding.

TVLINE | That confrontation between Sarah and Rachel was so intense, almost like a horror-movie thriller with the monster getting loose.
[Co-creator/director] John [Fawcett] and myself – particularly John – really love the horror and the visceral horror. It’s part of what we do. We love mashups on the show. We love mixing tones. That horror element that you’re talking about is really one that we can pull off well with everything that Tatiana [Maslany] does. Sarah vs. Rachel, too, is bringing us back to our earlier seasons, where Rachel came out of the woodwork and was Sarah’s real nemesis. Moving forward, we have narrowed it back down to clone vs. clone. I’m very interested in exploring that nemesis relationship.

TVLINE | Rachel has never been the warmest or sanest person. But it really felt like she cracked in this episode. What sent her over the edge?
On a deep psychological level, her hatred of Sarah is because Sarah has had so many of the things that Rachel has not had. Sarah has freedom, whereas Rachel has been ordained to be who she is more than any of the other clones. Sarah has perhaps a slightly dysfunctional but certainly a nurturing family, a chosen family. And Sarah has the love of her sisters. This is the root of Rachel’s jealousy and bitterness and true hatred. It’s a self-hatred at its core.

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Mr. Robot, the surprise hit from last summer, returns on July 13. If I wasn’t behind on so many other shows, this is one series which I would really like to re-watch before going into the second season. Definitely watch it if you haven’t. It is now available for streaming on Amazon Prime and with the USA Network app.

Collider interviewed the stars. Here is the start of the interview, with major spoilers present (which will probably not sound very coherent) for those who have not seen the first season:

Collider: Christian, now that everybody is in on what’s going on . . .

CHRISTIAN SLATER: I love that you think that.

. . . at least as far as who your character is, does that chance your approach to things?

SLATER: I always looked at it as though I was as real as Elliot imagined me to be, and that was pretty real. I am there as his partner, as his protector, and as his enemy. I’m there sometimes for the right reasons and sometimes for the wrong reasons. It’s a continual struggle between the two of us. It turns into a real psychological journey for Elliot.

Rami, things must be a bit different in Season 2, now that Elliot is more aware of what’s actually going on in his life. Does it feel different for you, as an actor?

RAMI MALEK: It changes him, entirely. It gave me heart palpitations because when you do something that people respond to, and then you start altering the blueprint for what worked, it’s pretty fear-inducing. But sometimes, you have to do that, in order to push the boundaries. For this character and story to be as provocative as it was in the first season, we can’t rest on our laurels. You really have to just take some more risks and chances that I don’t think are for the sake of just taking risks and being different. They’re grounded in the story that Sam [Esmail] has created, with the trajectory and arc of all of these characters. I happened to know where he was headed this season, so I took some big changes and I think the audience will be rewarded by them. Maybe they’ll end up on the editing floor, but that remains to be seen.

As an actor who’s been in this business a long time, and had ups and downs, what’s it like to get such great scripts, every week?

SLATER: It’s great, getting the scripts and working with somebody like Sam Esmail, who is such a great leader. He’s just so prepared and there’s so much attention to detail. And then, you add Rami Malek to the mix, and Carly Chaikin and Portia Doubleday. And in Season 2, we have Joey Badass and Craig Robinson, who are amazing. To get to play a character like this, there’s so much freedom and fun with it that it’s very exciting.

You’ve known what the twists and turns were with this, from the very beginning. Were you ever bummed that you were in on it?

SLATER: No, I liked being in on it. I felt in on it, from the get-go. When I read the pilot, there was something so mysterious about the guy that it made me very suspicious. And then, when I went and met with Sam and asked him about it, he asked me if I really wanted to know. I said, “Yes,” so he told me. And then, he told me more details and revealed the relationship that I have with Elliot. I think that helped to add a deeper layer, across the board, throughout the whole season. So, it was great to know.

Gotham Enigma

The 2016 presidential election already looks like it should be an unusual one, with the Republicans likely to nominate a racist and xenophobic reality host star with shocking lack of understanding of the issues, and the Democrats breaking pattern in probably nominating a candidate who is both ultra-hawkish and quite conservative on First Amendment issues. It might get even weirder, with Cory Michael Smith who plays Edward Nigma, on Gotham, saying next season will parallel the election:

Gotham, like many superhero stories, is a parallel of today’s society, of what happens every day. And in the third season, in the fall, when the United States will stand preparing to face one of the most important presidential elections in their history, even Gotham will address in parallel the issue.

I certainly could see Donald Trump as a super-villain. Sample trailer above. If only we had Batman, or at least Jim Gordon, to save us from the real candidates.

Doctor Who now qualifies to be nominated for Emmy Award now that BBC America has joined the BBC as a co-producer. Variety reports:

BBC America’s “Doctor Who” has been submitted for Emmy consideration for the first time ever. Now that the American cabler has come aboard as a co-producer, the venerable Brit series is finally eligible for consideration. Although it was not submitted as a drama series, star Peter Capaldi is on the lead actor ballot, showrunner Steven Moffat and director Rachel Talalay are on the writing and directing ballots for the episode “Heaven Sent” and the series is a possible nominee for costumes, production design, prosthetic makeup, and visual effects.

The show has not been nominated in the best dramatic series category, where it would be up against quite strong competition in a category where genre shows do not do well.

The CW network has released the premier dates for their shows, which continues to be dominated by genre next fall:

October 4 (Tuesday)
The Flash
No Tomorrow

October 5 (Wednesday)
Arrow
Frequency

October 10 (Monday)
Supergirl

October 13 (Thursday)
DC’s Legends of Tomorrow
Supernatural

October 17 (Monday)
Jane the Virgin

October 21 (Friday)
The Vampire Diaries
Crazy Ex-Girlfriend

The 100 and iZombie will be starting in the winter.

Yelchin

Anton Yelchin, who played Chekov in the new Star Trek movies, was killed in a freak auto accident today. The New York Times reports:

Anton Yelchin, a charismatic actor best known for playing Chekov in the new “Star Trek” films, died early on Sunday in a car accident in Los Angeles. He was 27.

His death was confirmed by his publicist, Jennifer Allen.

Mr. Yelchin was struck by his own car as it rolled backward down his driveway in Studio City, the police said. The car pinned Mr. Yelchin against a brick mailbox pillar and a security fence.

He had left the car momentarily, but the police did not say why he was behind it when it started rolling.

He was on his way to meet friends for a rehearsal, the police said. When he didn’t show up, the group came to his home and found him dead.

Mr. Yelchin began his career as a child with roles in independent films and on television before breaking out in films like the crime thriller “Alpha Dog” and the teenage comedy “Charlie Bartlett.” His biggest role had been as Pavel Chekov, navigator of the Starship Enterprise, in the rebooted “Star Trek” films, the third of which, “Star Trek Beyond,” is to be released in July.

More at TMZ , which also linked to this video of the Best of Chekov:

SciFi Weekend: The Americans Season 4 Finale; New Director At SHIELD; The Flash; Supergirl; Gotham; You’re The Worst; Peter Capaldi Teases Reunion With Clara Oswald;

The Americans Season 4 Finale

The Americans concluded its fourth season  (spoilers ahead) with the death of another charter, and presumably the end of the biological weapons story line. Technically William had not died by the end of the episode, but if he should survive into the next season it will only be briefly. This was a season which included the deaths of some characters, and the possible loss of others to the show. Notable deaths include Nina and Gantt, dying in quite different manners. Plus the finale introduced another character which was mentioned previously–Philip’s long lost son from before he began working with Elizabeth.

With The Americans renewed for two more seasons, we can safely predict that Elizabeth and Philip will not be discovered in the near future, but this has been a major theme since Paige revealed their secret to Pastor Tim. Over the course of the season, Paige has developed into a reluctant but effective junior spy. The risk from Pastor Tim and his wife now seems much lower, but it will always hang in the background.

While William didn’t seek to betray Elizabeth and Philip, he did provide Stan with a small amount of information: “couple of kids…American dream. You’d never suspect them. She’s pretty. He’s lucky.” This fits far too many people for Stan to suddenly think of his neighbors across the street, but if he is ever given stronger reason to suspect them, he is bound to remember this.

Gabriel did strongly advise Elizabeth and Philip to leave the country, but left the ultimate decision up to them. If they are at risk, I think the greater risk would be that Philip might reach the point where he cannot go on. EST might help him, or it might lead him to question  what he is doing even more. Of course he couldn’t fully explain his difficulties in leaving his job when he had to go with the travel agent cover. Plus the world will change for him with the Soviet Union heading closer to its collapse and the introduction of his son.

Instead of Elizabeth and Philip deciding to leave, Oleg made that decision to help his mother. Arkady appears to be leaving involuntarily. Martha has been in the Soviet Union for months. We may or may not see these characters again.

The Americans William Palm

Joe Weisberg and Joel Fields were interviewed at Speakeasy:

The finale seemed to set a lot up for the fifth season, but at the same time, a lot of stories were left in a cliffhanger-y spot. So did you know when you wrote and shot the finale that the show had been renewed?

Joel Fields: Yes. FX is very generous and communicative about that stuff. They really helped us as we were turning a corner from the end of this season toward the last couple of seasons by putting the creative choice of how to end the show in our hands. And I think in a lot of ways we were able to be thinking through that as we were finishing up Season 4.

Was any of what happened to William in the finale based on a true story, the way he infected himself with the lethal Lassa virus to get out of the mission (and to get out of spending the rest of his life in jail)? There’s got to be tons of stories about spies like William getting disgruntled after all those years.

JF: We did a lot of research into disgruntled spies, into biological weapons. We never saw a story of someone intentionally infecting himself, but, there are stories of people who actually worked on these biological-weapons programs getting accidentally infected, and the horrible, horrible way that they died. So I think that that would be the closest thing to it being based on something real.

How long had you been planning to introduce the Philip’s son plotline?  

Joe Weisberg: It’s funny, because we were reminiscing about season 1, when, in fact, [you didn’t know] whether or not Philip actually had a son. It was ambiguous. Was Irina making that up? Or was it true? And we didn’t have an answer to that, ourselves. We liked that ambiguity. We thought that was really interesting. So, introducing that plotline meant making a final decision that that was a real person and a real character, which is probably more satisfying.

JF: Yeah, and that’s that case where much of the time you really plan these things out years in advance, seasons in advance. But this part of the story unfolded organically, as the story was told, like in that first episode with Irina when she mentioned the son? That was something that blossomed out of the script, and these other pieces fell into place over the course of the seasons.

The Americans Finale

More at Vulture:

The most surprising development in the entire season for me was the relationship between the family and Pastor Tim. I’m surprised that he made it out of the season alive. But I’m even more surprised that he seems to actually be their friend now!
JF: I don’t think we ever considered killing him off. As much as everybody was speculating that he was about to go, we were really exploring the question of how these characters would deal with being in this box, and how would that [situation] unfold?

Also, Tim is a character with whom we had a lot of sympathy. He really does, on some level, want to do the right thing — that’s been his whole problem all along. And the Pastor Tim thing also was an opportunity to explore a lot in terms of these character dynamics.

JW: It was pretty apparent to us early on that [the Soviets] couldn’t kill Tim because of the effect it would have on Paige. It would destroy her parents’ relationship with her. And that was it. The question then became, with that constraint of not being able to kill him off, what else could we do? The fact that he ends up being actual friends with them did take us a little bit by surprise, but [once we figured that out], that changed our sense of who this guy was, and how we would always see him from the moment we got to know him. And so we followed that through the season, and throughout the story, he just could not open his heart up to them.

JF: But it also led to one of my favorite lines in the season, which was in episode ten, when Paige was convinced that her parents had something to do with his disappearance, and Elizabeth says, “God, why would we do something as stupid as leave Allison, and, God, she thinks we would do that? If she only knew everything we did to not kill him!”

Are we ever going to see Martha again?
JW: We’re not going to answer that!

JF: What kind of a spoiler-y question is that, Matt?

I’m sorry I disappointed you with that question, guys! I have no idea why I asked that.
JW: Come on! Why don’t you just go ahead and ask us what the last scene of the show is going to be?  [Laughs.]

Okay: So you have two more seasons to go after this one. Is two a number that FX gave you, a number that you asked for? And are you happy with it?
JF: We’re thrilled with it. They came to us some time ago and said, “As you start thinking about the end of season four, we’re all thinking about how the show’s going to wrap up. What do you need? How do you want to tell the story?” That was something they really put on our end, which was generous and allowed us creatively to figure out what we thought would be best.

The Americans William

At TV Line:

TVLINE | We’ve seen Elizabeth have some hesitation this season about the things she has to do, specifically with regards to Young-Hee. Is she starting to understand Philip’s point of view about the job?
JOEL FIELDS | Philip has gone through a major personal transformation over the course of the show, [which] on a deep level is about marriage. When you’re in a marriage with somebody, you can’t help but be affected if your partner changes. She’s started to go through her own changes, although much smaller and at a much different pace than Philip. We’ll see how all of that plays out for them as a couple, her as a mother and her as an individual.

TVLINE | We’ve said goodbye to a lot of characters recently —Nina, Martha, Gaad, Arkady and possibly Oleg now. All the departures almost made it feel like you were reaching the end of the series. But then there was a two-season renewal.
WEISBERG | We did not have any particular intention or idea [like], “Oh, let’s gets rid of a lot of characters. Oh, it’s supposed to end. Oh, let’s start over.” There was no thinking like that at all. Every bit of this is just following stories where they were going. The two major storylines of Nina and Martha were coming to their end, and they happened to be coming to their end at the same time, which is fundamentally coincidental. There is no reason one of them might not have come to an end in a different season, [but] they happened to come to an end in the same season. It is probably less coincidental, in terms of storytelling, that the Gaad storyline ended soon after the Martha storyline, but there’s certainly a world where we could have kept Gaad or not killed Gaad. But ultimately, after what happened with Martha, he just wasn’t going to survive any longer in that job. The choice to have him die and how that was going to impact other people and other elements in the story seemed like a better choice to us.

TVLINE | Martha wasn’t killed off, and you’ve had scenes in Russia with Nina and various other characters. Will we see her in that setting at some point?
FIELDS | She’s not dead. So on The Americans, that’s something to hold on to.

TVLINE | What about Oleg? What can you say about his status?
FIELDS | Also not dead.

TVLINE | But he’s leaving America? He hasn’t changed his mind?
FIELDS | We’ll see. He was pretty clear on that

agents-of-shield-tv-show-teaser
Clark Gregg has discussed his thoughts on the next Director of SHIELD, but does not seem to know very much about this and how it will play into the Marvel Cinematic Universe. From Entertainment Weekly:

“Since it’s clear that Coulson is Team Cap, Jed [Whedon] and Maurissa [Tancharoen] have fiendishly put Coulson on the spot, because Hive [Brett Dalton] turned out to be the living embodiment of all the reasons why you would be afraid of Inhumans,” Gregg says. “He was the greatest argument that the people who support the Sokovia Accords could ever have for locking them all up. Coulson had to ride the line where he was trying to respect these new iterations of humanity as friends and allies, and at the same time stop Hive at all costs.” Fortunately, S.H.I.E.L.D. was able to stop Hive, but it certainly came at a steep price with Lincoln’s death, Daisy’s disappearance and Coulson’s demotion.

So, who is the new director of S.H.I.E.L.D.? The executive producers played coy ahead of the finale, which means Gregg is in the dark, too. “I was not given a clear answer,” he says. “I don’t know that it’s been determined. I thought I was going to find out when I saw Civil War, but it’s not at all clear. It all depends when the glorious Nick Fury [Samuel L. Jackson] returns from the cold and the shadows. I suspect, in the wake of the Sokovia Accords and the end of Civil War, the people involved in choosing who the director of S.H.I.E.L.D. will be are other than in-house S.H.I.E.L.D. people. If I know my government bureaucracies, I have a feeling it will be someone somewhat less qualified than Coulson to run S.H.I.E.L.D.”

Screen Rant has information on a new character being added on The Flash. Supergirl has had a casting call for five new characters including Lex Luthor’s sister, plus they are finally going to show Superman. Vicki Vale is being added on Gotham. As for the comics, Bleeding Cool looks at the relationship between Batwoman and Rachel Madow (who once discussed the character on Seth Meyers’ show).

FXX has announced that You’re The Worst will return on Wednesday, August 31.

The CMT has picked up Nashville following its cancellation by ABC. It sounds like a good fit. Cable and streaming services have provided multiple ways for canceled shows to return. I still haven’t given up hope that The Food Network will revive Hannibal.

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Screen Rant reports that Peter Capaldi has teased the possibility of the Doctor and Clara meeting again:

Speaking at a Doctor Who panel at Awesome Con in Washington, D.C., Capaldi hinted that there might be more to the Clara situation than what we saw at the end of season 9. While Clara won’t be returning as the Doctor’s companion, she may not be completely forgotten either. Capaldi stopped himself before he revealed too much, however:

“I think that the thing about the Doctor is that he’s quite mysterious – hence the name, Doctor Who – um, and I’m not sure how successfully Clara was able to wipe his mind. And in fact, I just did a… I was about to tell you something I can’t tell you yet.”

While Amy Sherman-Paladino is finishing up work on the Netflix revival of Gilmore Girls, Amazon has picked up a new pilot from her:

Sherman-Palladino’s dramedy The Marvelous Mrs. Maisel, which she wrote and executive produces, is about a 1950s housewife who decides to be one of the first female standup comics. Sherman-Palladino is currently in post-production on the four Gilmore Girls movies for Netflix, which serve as a sequel to her signature dramedy series.

Related genre post from earlier in the week: A Lanister Always Pays His Debts–But Not Donald Trump. Plus chart of which Game of Thrones character is most like 2016 candidates.

SciFi Weekend: Season Finales For Arrow, The Flash, and Gotham; The Americans, Limitless, Doctor Who

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Both The Flash and Arrow concluded their seasons with the hero defeating the big-bad of the season. The ending of Arrow was rather disappointing, with Damien Darhk being defeated far too easily after previously looking unbeatable. Team Arrow was broken up, but it would be an easy matter to reunite some or all of them.

It was gimmicky to have The Flash end the season with a race, but it does fit into the series. There was a little trickery involved in defeating Zoom, but it was far better than how the Arrow defeated Darhk. (Major spoilers ahead). We learned the identity of the main in the iron mask–Jay Garrick of Earth 3, played by John Wesley Shipp who played the Barry Allen Flash in the 1990’s series. I assume we will see  him again, possibly playing into the plans to tie the Justice Society of America into Legends of Tomorrow. It will also be interesting for Barry to have a copy of his dead father–assuming his father remains dead.

The ending of the episode had major ramifications (and more spoilers ahead) for the future of the series as Barry went back in time to save his mother, and saw another remnant of himself disappear. Possibly this means that he never becomes the Flash. On the one hand, this would change the scene between Barry and Iris before he went back in time. On the other hand, if Barry never lived with the Wests, there would no longer be the feeling of incest (even if not biological) in their relationship.

There are reports that Tom Cavanagh will be returning to the third season of The Flash. His first season character was killed at the end of the season and his Earth 2 character returned home at the end of this season. One logical explanation for Cavanagh being present seems to be that if Barry’s mother remained alive things were changed so that the original Harrison Wells was not killed by Eobard Thawne.

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There is further speculation that the third season will start with a version of the Flashpoint storyline from the comics. Screenrant has further discussion of the finale. There is more at Den of Geek, including this summary of the Flashpoint story:

All signs point to Flashpoint, a Geoff Johns-penned comic book arc from 2011 that saw Barry waking up in a present day that he didn’t recognise. His mother was still alive, Captain Cold was the big shot hero of Central City and The Flash did not exist (neither does Superman or The Justice League, and Thomas Wayne is Batman instead of Bruce).

Barry does not have his powers. America is at war with Aquaman and Wonder Woman. Cyborg is the world’s biggest superhero, and is failing to unite a strong enough defence. Essentially, the whole world has gone to hell.

This timeline was spawned – you guessed it! – by Barry going back in time to save his mum. It’s the ultimate worst-case scenario, when Barry thought he’d been doing a good thing. For season 3 of The Flash, it seems logical to expect a similar chain of events.

Obviously there would need to be a scaled-down version for television, but it is easy to see Barry returning home to an entirely different world. They could possibly also use this to bring about the collapse of other Earths into Earth 1, bringing Supergirl into the same earth to facilitate the planned cross over after the show moves to the CW Network next season.

Gotham Finale

The second season finale of Gotham left the city an even stranger place than it has been. Comic Book Resources interviewed executive producer John Stevens. While the interview took place before the finale, it still provides information leading into season three:

CBR News: Throughout the season, Hugo Strange has been playing Dr. Frankenstein. What exactly is his endgame?

John Stephens: We’re going to understand his endgame in the finale. We’re going to understand that he received a directive from his employers, who gave him a very specific directive, specifically about reanimation. That is something which his employers, who we know are the Court of Owls, is going to be paid off in Season 3 when we understand why they wanted him to do this thing. We will understand in this season what exactly he was supposed to achieve, although part of that we will pay off next year, too. It plays into our overarcing Court of Owls’ mythology.

Strange refers to his employers as “masters.” Who are the Court of Owls, and how much are we going to learn about them in the finale?

The Court of Owls is like an Illuminati. They are a shadowy group of powerful people who have controlled Gotham for centuries. They might, or might not, be behind the Wayne murders. They have financed and directed Indian Hill and Hugo Strange’s research. We will not learn all that much about them in the finale, save for the fact they are the people behind Hugo Strange and are most likely the culprits behind Martha and Thomas Wayne’s murders. Bruce will learn of their existence, but not necessarily their name. That will obviously push him forward.

As part of Strange’s experiments, he brought Fish Mooney back to life. What makes the resurrected Fish deadlier than before?

Hugo Strange had to modify Fish’s DNA in order to being her back to life, and it had the side effect of giving her certain abilities. Those abilities are going to manifest in the finale. She goes from the real of reality to grounded sci-fi, becoming a quasi-supernatural character in the finale.

THE AMERICANS -- "Dinner for Seven" Episode 411 (Airs, Wednesday, May 25, 10:00 pm/ep) -- Pictured: (l-r) Marceline Hugot as Theresa, Frank Langella as Gabriel, Matthew Rhys as Philip Jennings, Rob Yang as Don. CR: Eric Liebowitz/FX

The Americans has been one of the best written shows on television in recent years. The writers have taken a long view, with situations often not playing out for many episodes, or sometimes seasons later. Joe Weisberg and Joel Fields, the co-showrunners, have indicated in various interview that they have about two more years of story left. Now that is official. FX has renewed The Americans for two additional seasons beyond the current season. While I hate to see it end, it is quite satisfying to know that the show will be ending based upon the ideas of the writers, and the story will be allowed to continue until it is completed.

Limitless has been officially canceled by CBS. While not at the level of The Americans (few shows are), it is entertaining and there is certainly more story to tell. There is still the possibility of it being picked up elsewhere.

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Steven Moffat responded to a question about the lady in the barn in the season 9 finale of Doctor Who, Hell Bent:

Responding to a fan question in issue 496 of Doctor Who Magazine as to whether the old barn lady was the Doctor’s mother, Moffat answered:

“We’ve no idea who she is, nor should we. But a quick glance at the evidence, would remind you that the Doctor is a ‘high born Gallifreyan’ so that would seem unlikely. So what was he doing in that barn, and who were those people? The Doctor won’t tell me. It’s almost like that nameless wanderer in time and space likes a bit of mystery…”

The showrunner added:

“Oh, it’s funny, writing stuff about the Doctor’s past. You always have to leave options – you can’t be definitive. Or at least that’s how I feel about it. I like the audience to have a choice. If, in ‘Listen,’ you’re happy that the little boy in the bed is the Doctor, then great. But if you’re not, that’s fine too. I keep saying, Head Canon is important, because that’s where the show really happens: in the hearts and minds of all the people watching.”

When I saw her on Hell Bent, and previously on The End of Time, I saw this more as a Gallifreyan version of a boarding school, as opposed to showing his home and mother.

In other Doctor Who news, John Barrowman has shot down rumors that he will be returning to play Captain Jack Harkness in the Christmas special.

SciFi Weekend: Network Renewals and Cancellations; New Shows; John Barrowman on Doctor Who Christmas Special?; Nebula Award Winners

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Announcements came out last week regarding the fates of network shows. With most of the shows worth watching now being on cable and streaming, this news is not as major as it once was, but there is still some news which impact genre shows. A list of renewals and cancellations from all the networks can be seen here.

As discussed last week, CBS did go ahead and cancel Supergirl, but it will be continuing on the CW Network (which CBS partially owns). This does seem where it belongs anyways. CW will most likely wind up paying less for the show than what studios charge CBS. It will also save money in moving production to Vancouver. Besides the lower costs involved in filming there, they can probably save additional money by sharing costs with the other Berlantiverse shows.

The move to Vancouver might also affect the cast if not everyone agrees to go. Most likely they did make it worthwhile for Calista Flockhart to come to Vancouver periodically. With the vast majority of her scenes occurring in her office, it might be possible to have her come out to film for a few episodes at a time, and then return home. This would also make it easier to have more cross over episodes with the other Berlantiverse series, with the casts of all four shows working in Vancouver. Supergirl takes place on a different earth, but we have already seen The Flash make it to her earth, Supergirl should be able to replicate what Barry Allen did to cross over, and the Waverider on Legends of Tomorrow can travel between the multiple earths.

In other genre series on CBS, we’ve already knew that Person of Interest has been canceled, and Limitless remains on the bubble.

Yet another series in the DC universe has made it to network television. NBC has picked up Powerless. From Entertainment Weekly:

The network has given a series order to Powerless, which stars Vanessa Hudgens (Grease Live) as a “spunky young insurance adjuster specializing in regular-people coverage against damage caused by the crime-fighting superheroes.” (Think The Office meets Agents of S.H.I.E.L.D. minus Marvel).

More details about the pilot storyline: “It’s when [Hudgens’ character] stands up to one of these larger-than-life figures (after an epic battle messes with her commute) that she accidentally becomes a cult ‘hero’ in her own right … even if it’s just to her group of lovably quirky co-workers. Now, while she navigates her normal, everyday life against an explosive backdrop, Emily might just discover that being a hero doesn’t always require superpowers.”

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Marvel series have not done as well as DC on network television. While Agents of SHIELD returns on ABC, ABC has both canceled Agent Carter and decided not to pick up Marvel’s Most Wanted. The good news is that, along with cancellations of Nashville and Castle, Adrianne Palicki, Connie Britton, and Nathan Fillion are all available for new shows.

ABC did pick up Conviction staring Haley Atwell. Maybe Netflix, which has been the strongest television outlet for Marvel, will also bring back Agent Carter when Atwell’s schedule permits. Before Agent Carter was canceled, there was talk of still continuing the show and work around Atwell’s schedule. A grittier version should do well on Netflix.

Fox, where many other genre shows have died too early, didn’t have the sense that ABC did in ending Castle when with the loss of a star. For reasons nobody understands, they have renewed Sleepy Hollow. In good news from the network, Fox is also renewing Gotham.

The new genre shows appear to be primarily based upon time travel next season. The trailer for Timeless from NBC is above. The TV Addict has this description of the series

Lucy is one of the most history popular professors at her university when TIMELESS begins, but her modern teaching styles don’t really appeal to the school’s tenure committee. And while she seems very unappreciated in the world of academia, Lucy is about to get a big opportunity that perfectly fits her skills.

One night, a mysterious criminal and his henchmen steal a secret state-of-the-art time machine and they’re looking to destroy the country as people know it by changing the past. Lucy is soon recruited by Homeland Security — along with soldier Wyatt and scientist Rufus — to help retrieve the machine and stop the criminal from changing the past. To do that, they’re going to use the machine’s original prototype. Their first stop is to 1937 and the site of the Hindenburg disaster.

But in addition to preventing the past from being destroyed by this criminal, they also have to make every effort not to affect the past themselves.

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Other new shows on NBC include Blacklist: Redemption. TV Line described the series:

In the new venture, undercover operative Tom Keen teams up with Susan “Scottie” Hargrave (played by Famke Janssen), “the brilliant and cunning chief of Grey Matters, a covert mercenary organization that solves problems governments don’t dare touch,” per the series’ official description.

This suggests that if Lizzie returns from the dead on The Blacklist after Megan Boone’s maternity leave is completed, she will probably not be with Tom.

Other networks are joining NBC in premiering time travel series next season, including ABC with Time After Time. This is based upon the 1979 movie about H.G. Wells chasing Jack the Ripper through time. Teaser above. Fox will have a time travel comedy, Making History. A list of the new network shows can be seen here.

John Barrowman made a statement on Facebook which has attracted a lot of attention: “I will be back in Cardiff in about a week and a half. But I’m not telling you what for…sssh!” This has led to speculation that he is returning to Doctor Who, possibly for the Christmas episode. The spin-off Class also films in Cardiff.

Nebula Awards

The Nebula Awards have been announced.  Uprooted by  Naomi Novik has won as best novel. The winner of the Ray Bradbury Award for Outstanding Dramatic Presentation Winner was Mad Max: Fury Road.

SciFi Weekend: New Companion Announced For Doctor Who; Supergirl Finale; Krypton; The Girl On The Train; Person of Interest; Mr Robot; The Blacklist; The Night Manager; Catastrophe; Mick Jagger

The next companion has been introduced in the video above to replace Jenna Coleman on Doctor Who. Pearl Mackie will play a character named Bill, who clearly has not encountered the Daleks in the past. The Guardian has a little more information on her:

Capaldi said it was “a genuine delight” to welcome Mackie to Doctor Who. “A fine, fine actress with a wonderful zest and charm, she’s a refreshing addition to the Tardis and will bring a universe of exciting new possibilities to the Doctor’s adventures.”
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Steven Moffat, outgoing lead writer and executive producer, said: “A new face in the Tardis, a new voyage about to begin: welcome aboard, the amazing Pearl Mackie! This is where the story really starts.”

Mackie trained as an actor at Bristol Old Vic Theatre School, graduating in 2010. Since drama school, she has worked across theatre, film, radio and television. Her acting credits include Svengali, a British film released in 2013, and she is currently appearing in the stage production of The Curious Incident of the Dog in the Night-Time at the Gielgud Theatre in London.

Among other actors who had been thought to be in the running for the role were Coronation Street’s Michelle Keegan, Rakhee Thakrar, who impressed many with her performance as Shabnam Masood in EastEnders, and Maisie Williams, who plays Arya Stark in Game of Thrones and guest-starred in the last season of the sci-fi show.

Supergirl finale

Supergirl ended the season well. While the two part season finale had its plot holes, they did end many of the plot thread of the season, while leaving one major one for next season (the search for Jeremiah Danvers) and ended the episode with a cliff hanger. Prior to the last second cliff hanger, there was a feel-good moment for the cast. Plus there is the question (as of now undecided by the writers) as to exactly Kara’s new job will be.

Entertainment Weekly interviewed Andrew Kreisberg about the finale. Here are a couple of excerpts:

ENTERTAINMENT WEEKLY: Let’s start off with the reveal that someone else has landed on Earth. What can you tease of who this is? Are they friend or foe?
ANDREW KREISBERG:
Obviously it’s our big cliffhanger of the season, so I’m not fully inclined to let everyone know who shot J.R. It’s an important character, and they’ll play an important role in season 2.

Is this a character we may have seen in the comics before?
Again, I don’t want to give too much away, but it’ll be cool. The fans are going to be excited. It’s going to definitely shake things up for season 2.

Especially with something like Project Cadmus in the ether, the first person I think of is Superboy.
[Crickets.]

Moving on, Kara was willing to risk her life for the world. How does that change her in season 2?
This whole season has been about her embracing being Supergirl. In a way, this was her graduation episode. She hadn’t fully figured out how to integrate being Supergirl into her life. This whole season has been a learning experience for her. At the end of this episode, she’s fully Supergirl. Next season, you’re going to see a Supergirl who is more mature, and a bit more of a cohesive character. She’s taken the identity of Kara and the identity of Supergirl and merged them in a better way. You’re just going to see a more confident, stronger Supergirl than we’ve ever seen before.

Is it safe to say the world is now on her side?
Oh yeah. You don’t save the world without dispelling all doubters…

Even though Fort Rozz is gone, are the prisoners who were once inside it still an ever-present threat?
I think so.

What can you say of the fates of Non and Brainiac?
If you’re a fan of the comic books, you know that Kara’s heat vision took away Non’s — lobotomized Non. How and when we see him again, he’ll probably be very different. I think Indigo is probably the hardest person in the world to kill given that she’s a living computer, so I wouldn’t be surprised if she pops up again.

What would you say was your point of pride for the first season?
I’m so proud of the show. As much expectation there was for the show, there was also a lot of like, “Yeah, prove it!” [Laughs.] I think the show really works. Melissa is a star. Like any first season show, there were missteps and not every episode was as strong as the others, but I can point to a whole bunch of episodes, like “Red Faced,” like “Human for a Day,” like the crossover, like “Falling” as being some of my favorite episodes that I’ve gotten to do over the course of all the series that Greg [Berlanti] and I work on together. I’m just super proud of the show. We’ve proven that there’s an audience for a female superhero. Hopefully there will be many more years to come.

Syfy has ordered a pilot for a Superman prequel Krypton, set on the planet two generations before its destruction. The idea reminds me of Gotham, and even more of Caprica. Hopefully it is more successful than the later.

The trailer is out for The Girl On The Train. The mystery novel, often compared to Gone Girl, should make a good movie, and does have a strong cast.

The cast and crew of Person of Interest haven’t given up on saving the show, which CBS is ending after the upcoming season which will air this spring. From TV Guide:

A potential reboot doesn’t mean, however, that the June 21 series finale will lack closure. “We had to hurry up and end it. They had 13 episodes to turn a very large, slow-moving boat,” Emerson says. “But I think the idea that we had to do it in 13 was actually a plus rather than a minus. I think it allowed the writers’ room to set aside their need to create palatable side stories or a murder-of-the-week or whatever, and really just get focused on wrapping up the loose ends of this thing.”

Adds executive producer Jonathan Nolan: “I would have loved to have kept making this thing for a long, long time, but you don’t want the show to become creatively moribund. We saw the writing on the wall before this season started, but we had the incredible luxury of having 13 episodes to really finish our story. And so, as much as I would have loved to have kept working on the show … I’m very proud of what we’ve made here for the final season, and I’m very glad that we had a chance to finish telling our story, an opportunity that’s denied to so many great network TV shows. So I’m very satisfied with the way we’ve told our story, and I certainly hope our fans are.”

After evolving from a CBS procedural to a true genre show, I certainly can see reason to keep it going if any other networks are interested.

MR. ROBOT -- "Pilot" Episode 101 -- Pictured: (l-r) Rami Malek as Elliot, Christian Slater as Mr. Robot -- (Photo by: David Giesbrecht/USA Network)

Mr. Robot will be returning on July 13. Presumably we will be seeing the aftermath of the first season finale, unless Elliot just imagined it all.

Some additional brief thoughts on the past week which will be kept brief due to limited time this week:

Better Call Saul had a great second season, but certainly left a lot hanging in its season finale.

Cape May was an unusual episode of The Blacklist. I’m still not certain if Lizzie is really dead, but it is looking less likely that Reddington faked her death. If she is alive, Reddington does not appear to be aware of it.

The Night Manager’s premier was excellent. As soon as time permits I will probably be downloading the remainder of the season rather than waiting for it to finish its run here.

Speaking of shows from the UK, Amazon recently released the second season of Catastrophe, which is well worth watching. The show is much like You’re The Worst in tone with a somewhat older couple. Like You’re The Worst, Catastrophe got a little more serious in its second season, but it did so without any drop in quality or humor.

In other entertainment news, Mick Jagger is not portrayed very well in a new book:

Rich Cohen delivers the unflattering portrayal of Jagger in “The Sun & the Moon & the Rolling Stones.”

“There’s something monstrous about Mick Jagger,” Cohen writes after exhuming details from the band’s dark past.

“The Stones had been shedding people from the start. Use ’em up, toss ’em aside,” Cohen continues. “It’s a machine that runs on bodies.”

Prince was honored in this week’s Saturday Night Live, hosted by Jimmy Fallon.