SciFi Weekend: Season Finales and Reboots; Dan Harmon Fired From Community; Moffat Wins Special Bafta; Doctor Who Wins Nebula Award; Karen Gillan At Cannes; Farewell to Kristen Wiig

J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.

Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.

Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.

If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.

As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.

Apparently great show runners are treated better  Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.

An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award.  Among Others by, Jo Walton won the Award for Best Novel.

Someone is demonstrating for time travel in the real world, but is being patient about it.

Besides the recent finales in genre shows. Saturday Night Live concluded its season last night, with quite a farewell to Kristen Wiig–video above.

SciFi Weekend: Claire Returns; 24 Movie; Captain America; Kaley Cuoco; Anna Torv

This was a pretty slow week. Several genre shows are on hiatus until after the Olympics. Caprica took one week off. Not terribly much happened on Lost until the final minute when Claire returned. The cast is out looking for new jobs with Daniel Dae Kim getting the lead role in a Hawaii 5-0 remake.

24 has been disappointing this season with rumors that this might be the last season on television, to be followed by a movie. This gives them two choices–remain in real time and have a two hour story or compress the events of twenty-four hours into a two hour movie. The word is that they are considering the compressed day idea.

There have been a few genre oriented posts out already this week, two involving Captain America. First there was a look at Captain America vs. The Teabaggers which actually is seen in the comic. This was followed by a look at Captain America vs. Iron Man and the Superhuman Registration Act.

Earlier today I had a post which showed a connection between Gilmore Girls and Big Bang Theory. There was more news this week regarding Big Bang Theory with Kaley Cuoco appearing in Maxim (above). In addition, nude scenes of Lucy Lawless in Spartacus have hit the internet and Anna Torv of Fringe appears topless in Esquire:

Big Bang Theory Meets Gilmore Girls

Readers of this blog have undoubtedly picked up on the fact that two television shows I like are Big Bang Theory and Gilmore Girls. An old post on the possibility of a Gilmore Girls movie has by far the longest running thread of comments which has continued into this year.

One concern I’ve had is whether the old sets are available. It just would not work to have a Gilmore Girls reunion without Stars Hollow. Remember how disappointing it was to have the Cheers reunion without the old bar? It turns out not only does the Stars Hollow set still exist (picture above) but that there is a connection between this and Bill Prady, executive producer of Big Bang Theory.

Bill Prady has a tweet saying,  “The walk from my office to the stage is through the Warner back lot (Star’s Hollow)”  He linked to the picture above. That would be a great walk to take on the way to work everyday, and even better if Lorelei and Rory would walk by with their rapid-paced dialogue.

Amy-Sherman Palladino Leaves Door Open on Gilmore Girls Movie

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One of the most heavily visited old posts on the blog is about the possibility of Amy Sherman-Palladino returning to do a movie of The Gilmore Girls and possibly reveal the four final words she intended for the series. Sherman-Palladino had stated long before the end of the show that she already had the final four words in mind but wound up leaving for the final season, leaving the show to go a different route.

For those who have been wondering what the final word were, they were: “Rory, you were adopted.” No, just kidding. Ausiello continues to try to get the final words out of her:

My ongoing mission to get Amy Sherman-Palladino to cough up those elusive final four Gilmore Girl words is finally starting to bear some juicy fruit. Not that particular plum, no, but at least for the first time, she’s revealing details about what the series finale would’ve involved, had she stuck with the show. Hey, it’s a freaking start.

“I wanted different things for Rory,” confesses AS-P. “I wanted her to follow a different sort of path… [go] off on her own adventure, which I guess she sort of did. I haven’t [actually] seen the last season, but I heard about it from other people.”

Although Sherman-Palladino declines to detail her intended journey for Rory, suffice it to say it would not have involved her joining Obama on the campaign trail. And while she’s also mum on what she had in store for the rest of the Gilmore gang, she does hint that she “had planned different paths” for them, too. “I don’t want to totally say [what my ideas were], because if there is a movie in the making, I’m going to be basically delving back into where I left off, and then I’m kind of [screwed].”

Yep, you read that correctly. AS-P, who’s currently hard at work on a new dramedy for HBO, is not giving up on the possibility of a Gilmore movie. “Anything can happen,” she insists. “I’m in touch with [Lauren Graham and Alexis Bledel]. If there’s a story to tell, then absolutely I think we’re all going to want to tell it. That’s the bottom line.

“If I thought it was definitely not going to happen, I would say, ‘No, it’s definitely not going to happen,’” she adds. “I would do that for you, my friend. But I don’t want to say that. Because I think that the beauty of Gilmore, and the beauty of family relationship shows is, you never really run out of story. You’re going to battle your family until you’re all in the ground. Those things never resolve, doesn’t matter how much therapy you get. Ten years later, there’s still going to be [material] there to mine and to delve into.”

Unfortunately there is not much real news here. All he reveals is that Amy Sherman-Palladino had plans for Rory which, not unexpectedly, were different form what was aired by a different writer. The possibility of a movie remains open but this is hardly an announcement. At least they are not closing the door on this and perhaps it is encouraging that Amy S-P does not want to ruin the chances of a movie delving back to where she left off.

Amy Sherman-Palladino To Do Show For HBO

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According to The Hollywood Reporter, Amy-Sherman Palladino creator of Gilmore Girls, will be doing a show for HBO. Like her previous show, it will deal with mother-daughter relations:

Sherman-Palladino will write and executive produce the untitled drama, which chronicles the complicated relationship between three adult sisters, all writers sharing the same upper east side apartment building, and their mother, a domineering literary lioness who reserves most of her affections for their ne’er-do-well brother.

“It’s a story of love, hate, family — and finding the perfect opening line,” Sherman-Palladino said.

I’m glad she is concentrating on opening lines. She reportedly had the final four words to Gilmore Girls in mind for years, and then never had the opportunity to use her closing lines as she left the series in its final season.

While her last series, The Return of Jezebel James, was a flop, I’m hoping that cable allows her to match and possibly surpass her work on Gilmore Girls. The show featured rapid fire dialogue similar to that of Aaron Sorkin with frequent pop culture references. While Palladino’s work was not as overtly political as that of Sorkin, she did throw in political comment from time to time. I previously posted some examples here.

I noted a few days ago that Gilmore Girls star Lauren Graham will be returning to network television this winter in Parenthood, in which she will once again play a single mother. Alexis Bledel appeared in the final episode of E.R. last season and has had several movie roles.

SciFi Weekend: Abrams On The Next Star Trek Movie; Wil Wheton on Big Bang Theory; Shocking Finale for Dexter; Lauren Graham; Olivia Wilde; Kristen Bell; and the PB & J Wedding

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J.J. Abrams has talked more about the sequel to his Star Trek movie in an interview with Cinematical:

Since you were able to wipe the slate clean with your prequel, do you plan to come up with something completely original, or is there a possibility you will reference some of the existing creatures or races in the next installment?

Abrams: The fun of this movie series is that we will have the opportunity, given its alternate timeline, to cross paths with any of the experiences, places and characters that existed in the original series. We have to be really careful, obviously, doing that. I don’t want to do something that is so inside that only die-hard fans will appreciate.

Will the first film’s alternate timeline affect what you can leave in and what can’t be a part of subsequent films?

Abrams: The trick in doing any movie, but especially something like this that involves some weird alternate reality-time travel thing is that you don’t want to not explain it, but you don’t want to explain everything. I think you have as much fun with the missing pieces as you do with the pieces you get. So, for me, not knowing every detail, allows me to get inside of the story and start to fill in the blanks. When everything is spoon-fed, typically I feel like you’re being pandered to, or it’s too expositional. It’s always a balance.

You managed to contemporize what was an aging franchise, with your work on Star Trek, and you talked about including more current events in the sequel. Do you think that Star Trek is evergreen, or is it something that needs to be continuously updated for each generation?

Abrams: It’s hard to give a blanket answer to that question. I do think that, whether it’s Star Trek or anything, whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It’s not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it’s a period piece. You need to consider what context that film, that story and those characters are being seen in. But, having said that, with Star Trek, it’s not like we’re looking to make the second movie some kind of heavy political allegory. I think that it’s important that there is a metaphor to what we know and that there is relevance, and I think allegory is the thing that made shows like The Twilight Zone and Star Trek resonate and still be vital today.

But, because the first movie was so much about introducing these people, and it was very much a premise movie about how to bring these people together, it made it difficult to also have the film go as deep as it could, about certain conflict, certain relationships and the heart of who some of these characters are. I think it was successful in what it needed to do, to introduce these people, but I feel like, now that we’ve done that, it is the job of the next film to go a little bit deeper. It shouldn’t be any less fun or take itself too seriously, but consider who these people are now and grow with them, and just examine them a little more closer, now that we’ve gotten through the pleasantries and introductions.

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Wil Wheton will be guest staring on the October 19 episode of The Big Bang Theory. Sheldon holds the role of Wesley Crusher on Star Trek: The Next Generation against Wheton. TV Fanatic reports:

“As much as Sheldon loves Star Trek, Wil Wheaton is the only person associated with the franchise whom Sheldon has sworn eternal enmity toward,” the actor said when asked about by TV Guide Magazine about his role.

So, why does Sheldon have such animosity for Wheaton? The character apparently did not enjoy an autograph experience with Wil many years ago.

“The Wil I play in the Big Bang universe is not such a nice person,” Wheaton said. “But in real life, I go out of my way to be kind and patient. My motto is: ‘Don’t be a d—!’”

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The BBC has released the new logo for the upcoming season of Doctor Who, including the use of DW in the shape of a Tardis.

Julie Benz Dexter

Julie Benz, in an interview with CinemaBlend, has revealed that a real shock is planned for the season finale of Dexter:

Your character has really developed into a pivotal part of the show. What can we expect from Rita this season?
Wow, this season. Obviously at the beginning of the season we see Rita has it all. I mean, she has everything she’s ever wanted. She has the perfect husband, the great kids, the new baby, the dream house in the suburbs but you know, just like anything, nothing great lasts forever. We have an amazingly shocking ending this season. I mean, it’s so shocking that – it’s just shocking is all I can say. It shocked the whole cast.

So you’ve already filmed the last episode?
We are in the middle of filming it right now.

Any chance Dexter will let her in on his secret?
Oh! I don’t know about that. I don’t want to give away any spoilers but you know, you definitely see worlds collide; everybody’s world collides in this season.

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So far I haven’t been very excited about the new television season. At present the only new shows I’m watching are Flash Forward, Modern Family, and Glee.  There are some new shows to come including remakes of V and The PrisonerParenthood, based upon the Ron Howard movie, has been delayed due to Maura Tierney developing medical problems. She is to be replaced by Lauren Graham, who will play the part of a single mother. She is well prepared for this role after staring in Gilmore Girls. Any chance they can get Alexis Bledel to quest star on an episode and reunite the pair?

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Ausiello reports that “Olivia Wilde and Peter Jacobson’s trailers have not been emptied out” and predicts that they will reappear on House.

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Kristen Bell has been busy since leaving Veronica Mars and Heroes. Couples Retreat has just been released and she has now been signed to star along with Christina Aguilera in Burlesque:

The story follows a young small-town girl (Aguilera) as she ventures into the city in the hopes of becoming a star. Soon she discovers an L.A. burlesque bar, where the men are fast and the women faster. She quickly uses her amazing voice and burlesque dancing to become the joint’s new star.

Bell plays the club’s big-shot dancer who doesn’t take a liking to the new girl’s sudden success. Also starring are Cher, as the nightclub’s experienced owner, and Stanley Tucci as the man who helps Aguilera find her moves.

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Heroes is still struggling to recover, this week resorting to a lesbian kiss between Hayden Panettiere and Madeline Zima. While this has created some buzz for the show, it is doubtful that it will do anything to help the show get back on track. Zima is better known recently for her role along with David Duchovny in Californication.

CALIFORNICATION

The big television event of the season so far has been the wedding of Pam and Jim on The Office. While hour long episodes of The Office have often not worked very well, feeling like two stories merged together, this episode worked very well. The episode included take offs of a couple of popular You Tube videos. I’ve previously posted the video of the JK Wedding Entrance Dance which inspired the entrance at the wedding ceremony. The episode also showed Dwight wearing a Three Wolf Moon t-shirt:

SciFi Weekend: Enterprise; The Plan; Landing in LA; Hugo Awards; Rory Gilmore All Grown Up (with Matt Saracen); and Racy Pics of Doctor Who Companions

TrekMovie.com reports on a panel held by Manny Coto and Brannon Braga at the annual Star Trek Las Vegas Convention. While I think there were far more problems with Enterprise to worry about than this, some fans were upset with the way the show ended. The final episode was intended as an homage to the previous shows involving the Enterprise and ended with Will Ryker and Deanna Troi looking back at the events of  Archer’s Enterprise on the holodeck. Braga took the blame for this:

I will take full blame for that episode, for those that didn’t like it. In retrospect, it was a very cool idea, that in the end was a mistake. The concept was was to have Manny do a final two-part finale, but then have a final final episode send a valentine to all of Star Trek over the last eighteen years. We just thought it would be a cool concept to show the Next Generation’s crew looking back, though the holodeck, at Archer’s crew. It is a high concept, but I am not sure it came together.

While the show had many faults, it was finally staring to show some promise in its fourth season when Coto took over as show runner. The show was at its best when it had episodes foreshadowing events of the earlier Star Trek series (which took place after the events of this prequel series).  There was talk of what was planned if the series had survived for a fifth season:

  • Coto wanted to revisit the Mirror Universe on a regular basis with four or five episodes spread through the season as a “mini-series within a series.” Mike Sussman and Coto had discussed places to go with it and it was “big regret” not getting chance
  • The two main things they wanted to do with S5 was the “origins of the Federation” and the “begin whispers of the Romulan War”, and tying those two together
  • No other major villains were planned to be introduced, the Romulans were going to be the big villain, but would have new ones within new ‘mini-arcs’
  • Rick and Brannon thought Future Guy was “probably going to be a Romulan” and would tie into the Romulan War with a future Romulan trying to “instigate” things
  • They wanted to make Shran a regular character

I think spending so much time in the Mirror Universe would have been a mistake unless they had some really fantastic stories for this, but I do like the idea of tying the show into the Romulan war which has often been mentioned as past history in other Star Trek series.  It would have been best to stay away from the temporal cold war, but a brief arc tying it into the Romulan war would have at least provided some rational for that aspect of the series. Of course we’ve now seen another major Star Trek story involving a Romulan changing history in the latest Star Trek movie.

I always hate it when a few days following a major television event a DVD is released with an expanded version. It’s not that I mind paying for the DVD but that after watching a show once there is far too much to do for me to be likely to watch an expanded version of the same show soon afterward. They are doing it the right way with Battlestar Galactica: The Plan. The episode will premier on DVD and Blu Ray on October 27, 2009 including “some great footage that we are not able to show on TV.” The pilot for Caprica has been released on DVD with scenes which definitely cannot be shown on TV. I’m sure hoping that the scenes from The Plan which cannot be shown on television involve Six (Tricia Helfer). An added plus is that, as I do not receive the SyFy Channel in high definition, I’ll be able to watch the show in Blu Ray without waiting until after it is aired for an HD version.

There has been considerable speculation that the bomb which was detonated in the season finale of Lost did work, changing the timeline. In theory if the bomb did work Oceanic 815 would not have crashed and the flight would have landed in Los Angeles. TV Guide reports that Greg Grunberg (of Heroes), who pilot Seth Norris of Oceanic flight 815 in the first episode, has been asked to return to the show. Grunberg’s character did not survive, but would still be around if the plane did not crash. Grunberg says he was given no information as to what they are planning for his character.

There are also unconfirmed rumors that the title of the two hour season premier is LA X. This presumably refers to landing in Los Angeles, but there also might be significance to placing the space between LA and X.

The 2009 Hugo Award winners have been announced:

  • Best Novel: The Graveyard Book, Neil Gaiman (HarperCollins; Bloomsbury UK)
  • Best Novella: “The Erdmann Nexus”, Nancy Kress (Asimov’s Oct/Nov 2008)
  • Best Novelette: “Shoggoths in Bloom”, Elizabeth Bear (Asimov’s Mar 2008)
  • Best Short Story: “Exhalation”, Ted Chiang (Eclipse Two)
  • Best Related Book: Your Hate Mail Will Be Graded: A Decade of Whatever, 1998-2008, John Scalzi (Subterranean Press)
  • Best Graphic Story: Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
  • Best Dramatic Presentation, Long Form: WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)
  • Best Dramatic Presentation, Short Form: Doctor Horrible’s Sing-Along Blog, Joss Whedon, & Zack Whedon, & Jed Whedon, & Maurissa Tancharoen, writers; Joss Whedon, director (Mutant Enemy)
  • Best Editor Short Form: Ellen Datlow
  • Best Editor Long Form: David G. Hartwell
  • Best Professional Artist: Donato Giancola
  • Best Semiprozine: Weird Tales, edited by Ann VanderMeer & Stephen H. Segal
  • Best Fan Writer: Cheryl Morgan
  • Best Fanzine: Electric Velocipede edited by John Klima
  • Best Fan Artist: Frank Wu

The above trailer is out for Post Grad, which is most notable for combining Alexis Bledel (Gilmore Girls and Sin City) with Zach Gilford (Matt Saracen of Friday Night Lights–what would Julie say?) Rory Gilmore has sure grown up. Besides appearing as a doctor in the series finale of ER, she is on the cover of WWD:

Old posts about Gilmore Girls continue to receive attention, with many wondering what Amy Sherman-Palladino had planned for her final four words to the series if she had not left for the final season.  Here’s one report as to the final four words: “Rory, you were adopted.”

No, don’t freak out. Amy Sherman-Palladino was just joking about this possibility.

Besides the sort of couple of Rory Gilmore and Matt Saracen, there is another couple of interest on television tonight. It took a while to recognize her, but Jemma, Ray’s love interest on Hung, is played by Natalie Zea. She recently played Karen Darling on Dirty Sexy Money. I guess things didn’t work out with Nick (Peter Krause).

Besides Hung, there are two even more significant shows on television tonight. True Blood has been fantastic all season creating a tough choice between this show and Alan Ball’s previous series, Six Feet Under (with cast including Peter Krause) for best show ever on television. The really big even of the night is the start of the third season of Mad Men.

Looking back on the shows mentioned shows how things have changed for broadcast television. It is common for shows on HBO and Showtime to surpass network shows in quality and any list of the best shows in recent years would be dominated by pay cable. Even basic cable is often beating out network television in quality with recent shows including  Mad Men, Battlestar Galactica, the various Star Trek series, and Gilmore Girls. Even Friday Night Lights, often considered the best written network series couple seasons, has had to work out a deal with a satelite network to survive.

Since I posted pictures of Karen Gillan, the next companion on Doctor Who, in a bikini last week more scantily clad pictures of Gillan have surfaced on the internet, such as the almost topless one above. Finding on line pictures of The Doctor’s companions is a way in which following the show has changed from the early days of the show when there was no internet. I guess it is only appropriate that this has become commonplace with Steven Moffat taking over as show runner. Steven Taylor, Moffat’s alter ego on Coupling, has noted how the internet was formed to become the world’s largest repository for porn. If someone had a real Tardis the could really create excitement by posting some of the pictures of Billie Piper (Rose Tylor) in her role as Hannah/Belle on Secret Diary of a Call Girl after she left Doctor Who (especially if going beyond the very tame ones in the examples below).

Aaron Sorkin’s Return to Television

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Entertainment Weekly mentions John Wells’ new television show, Southland, but primarily uses this as an excuse to discuss his old partner Aaron Sorkin:

Privately, though, I wish that NBC was throwing its cash at Wells’ old producing partner, whose long-awaited comeback to television is about a year behind schedule. I speak of Aaron Sorkin, the man behind last year’s fabulously written Charlie Wilson’s War, who’s best remembered by boob-tube-o-philes as the genius who, along with Wells, gave us The West Wing (and, well, the sexy Brad Whitford). I miss Sorkin’s marvelous repartee, even when it came in the form of a blustery, behind-the-scenes look at a late-night variety show called Studio 60 on the Sunset Strip. Since the 2006-07 drama only lasted a season, Sorkin can’t be wanting that show to represent his final contribution to the TV dramas. It’s only a matter of time before he brings us more of that intelligent, rat-a-tat banter — right?

Well, it just so happens that we may be seeing him soon — just not in the way we’d expect. A source close to Sorkin says the uber-writer is in talks with Entourage to guest star on the comedy once it returns to HBO in July. And there may be more good news on the horizon: Although his dance card is filled with must-finish screenplays (a Facebook movie! A courtroom drama for George Clooney called The Challenge!) word is that Sorkin is mulling over the idea of a new TV drama that takes a behind-the-scenes look at a cable news program (think: Keith Olbermann’s show on MSNBC). Though I’m not all that thrilled at the prospect of yet another behind-the-scenes show, I’ll take what I can get if it means Sorkin will (finally!) be back on TV.

Sorkin’s behind the scene look at a late-night variety show failed partially because it wasn’t what Sorkin was really interested in. Sorkin moved the show increasingly into politics as opposed to show business. As I discussed, in response to criticism of Studio 60 when it was on:

The criticisms are largely true, but miss the point. Those looking for a show about a SNL-type show are inevitably going to be disappointed. It fails to capture how such a show is really written, and fails to show its humor. However, Studio 60 is no more about a comedy show than Sports Night was really about a sports show. Studio 60 is really just a way to continue The West Wing in a new venue. The ultimate tip off is having the White House Deputy Chief of Staff as producer of the show within the show…

Studio 60 is about Aaron Sorkin characters speaking Aaron Sorkin dialog about the issues which matter to Aaron Sorkin. It doesn’t matter whether these characters are in the White House or on the set of a television show. Those who want a funny show about making a television show should buy the DVD’s of The Dick Van Dyke Show. Studio 60 is a totally different type of show, but hopefully setting it in an SNL-like television show is enough to get enough people to give it a try and possibly get hooked.

On television it is difficult to build an audience when a show appears to be about one thing but is really aimed at a different audience. Similarly, look at how much trouble Friday Night Lights has had because many potential viewers never gave this excellent drama a chance thinking it was primarily about college football. (Fortunately their arrangement with Direct TV will be keeping it around for at least two more years despite its low ratings.) I don’t know if there is enough of an audience for Sorkin’s planned show, but at least having it about an Olbermann-type show is closer to Sorkin’s real interests than a show like Saturday Night Live and viewers will know what to expect.

Most importantly, I hope to see a return of Sorkin’s “intelligent, rat-a-tat banter” in some form. With both Sorkin and Amy Sherman-Paladino (of Gilmore Girls) being without current shows I do miss this type of dialog which nobody else comes close to matching.

SciFi Weekend Part III: Doctor Who, Torchwood, 24, and the Television Returns of Lorelai and Lizzy

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Part I reviewed the return of Battlestar Galactica and Part II featured information on Lost. I will conclude this expanded version of SciFi Weekend with briefer comments on additional shows, as usual moving beyond science fiction.

There is some information available on the next Doctor Who special, which will air around Easter.Tardis and Torchwood Treasures previously posted this information:

The name of the next special is Planet of the Dead and the episode itself has been written by both Russell T Davies and Gareth Roberts. It is expected to air around Easter and filming for the episode will begin on the nineteenth of January next year. The episode will feature two characters called Malcolm and Christina and U.N.I.T will also be making an appearance. Rumours also suggest that parts of the episode will be filmed abroad in Tunisia.

Additional information was provided by Russell T. Davies, who also says it is time to introduce new monsters after the last two episodes involved Daleks and Cybermen:

“After the events of Journey’s End and The Next Doctor, I think it’s time to get away from the past and have an adventure with lots of new elements. And lots of fun too! The next Special should be a nice antidote to Christmas, with a bit of sunshine if we’re lucky. And with not one but two alien races that you’ve never seen before.”

American viewers of Doctor Who either must wait months after episodes are broadcast on the BBC or illegally download the episodes. The third season of Torchwood will consist of only five episodes to be broadcast this summer on consecutive nights, but they have finally figured out the only way to reduce  illegal downloads. BBC America will broadcast the episodes a few hours after they are broadcast in the U.K.

24 returned but despite the decision to shut down CTU and move the show to Washington, the show rapidly returned to a similar format with Jack teaming up with Tony,  Bill Buchanan, and Chole. The twist is that they are working on their own due to conspiracies in the goverment which have infiltrated the White House and the FBI. There is more question this season as to whether Jack’s use of torture is right or wrong.

Sometimes viewers take the show too seriously, forgetting that it is only a television show. Media Matters notes that some conservatives even have tried to use a fictional show to justify their support for torture. On the other hand, I sometimes receive comments that I should not cover 24 due to its portrayal of torture. While liberals who argue this do have a point, they also must remember this is fiction, and that hopefully most people can still consider the real issues surrounding torture. Not even all conservatives blindly believe everything they see on the show. Conservative blogger Rick Moran has discussed the question of whether this television show increases the use of torture, and of whether torture works:

Jack Bauer may be the first fictional character ever to be accused of inspiring real life war crimes. This charge was not made by some obscure left wing blogger but by U.S. Army Brigadier General Patrick Finnegan, the dean of the United States Military Academy at West Point, along with several senior FBI and CIA agents who have conducted thousands of interrogations in their careers. Their verdict was simple and straightforward; the torture scenes in the show were affecting the way that cadets at West Point as well as troops in the field were approaching the interrogation of prisoners.

Finnegan said that he’d like to see a show “where torture backfired.” All the experts agreed that torture, even when used in the show’s “ticking bomb” context, would never work. They pointed out that the fanatics, knowing that the bomb would go off soon, would simply hold out, secure in the knowledge that their suffering couldn’t last much longer.

They also pointed out that terrorist prisoners actually looked forward to torture as the first step towards martyrdom. An interrogation professional would never use it and would, instead, take the opposite tack of trying to build a relationship with the prisoner, drawing him out gradually by gaining his trust. Besides, the “ticking bomb” scenario itself was totally unrealistic and would never happen in the real world.

It is a dubious proposition that a fictional TV character would cause our soldiers to forget their training and their upbringing just to imitate Jack Bauer. The evidence is purely anecdotal, presented by people with an obvious agenda. But that doesn’t mitigate the fact that they felt compelled to speak out against Bauer’s almost casual approach to violating the law and their concern that people get the wrong idea about the best way to interrogate prisoners.

As the show questions the fantasy of torture being effective, it also might even question the ultimate fantasy of the show–that Jack Bauer is invincible. Kristin reveals that there might only be one additional season of the show, there might be a movie after the eighth season, and that they might even blow up the whole world, and Jack Bauer with it.

dirty-sexy-money

24 might not be the only show which concludes with movies. A movie version of Jericho is in the works, and if it is a success perhaps the show will be brought back once again. Jericho was canceled after the first season but returned for a second season after protests from fans. Moonlighting might be returning as a television movie for its 20th anniversary.  Bryan Fuller is also hoping to have a movie of Pushing Daisies to wrap up the show. Meanwhile, fans of Pushing Daisies, Dirty Sexy Money, and Eli Stone will have to wait until summer to see the final episodes of these canceled series.

Heroes returns with a new chapter, and after problems with the last chapter Tim Kring is hoping viewers will return. The next chapter. Fugitives, was written so as not to require knowledge of previous stories. Fringe is also returning, and Sci FI Wire has some spoilers on the conclusion of the season.

Previously Mad Men had been renewed but series creat0r Matthew Weiner had been holding out on returning. After months of negotiations a deal was reached in which Weiner will return for two seasons for a seven figure deal.

Lauren Graham of Gilmore Girls will be returning to television. Entertainment Weekly reports:

We’re one step closer to getting another weekly TV date with Gilmore Girls‘ Lauren Graham. (Pause for cheers. And… we’re back.) Though we were under the impression NBC was developing a comedy for the actress, Variety reports that ABC has greenlit production on an untitled half-hour pilot in which Graham will play “a self-help guru who teaches women how to live a stress-free life — but struggles to follow her own advice when her boyfriend dumps her.” The show, which features Will & Grace‘s Alex Herschlag and Arrested Development‘s Mitchell Hurwitz among its exec producers, sounds promising, right? I know we can’t let our Gilmore love lead us blindly into TiVo season passes (see: Amy Sherman-Palladino’s ill-fated The Return of Jezebel James), but this set-up could give us Lauren the way we like her: smart, supportive, sarcastic, self-deprecating, slightly neurotic, seriously funny, and above all, at the center of the story. In movies, she’s been “the wife.” On stage, she’ll be “the girlfriend.” (She’s expected to make her Broadway debut as Miss Adelaide in a spring revival of Guys and Dolls.) But on TV, she’ll always be “the star.” Make her self-help guru a fast-talking pop-culture connoisseur, and it’s my favorite show.

Hilary Duff also returns to television in Barely Legal. It sounds like the concept is something along the lines of Lizzy McGuire goes to law school so she can sue Doogey Houser.

Several characters from Veronica Mars are being reunited in Rob Thomas’  new series Party Down, and Kristen Bell might even make an appearance.

SciFi Weekend: David Tennant Leaving Doctor Who; Liz Lemon to Date Don Draper; Weak Economy Helps Weak Shows; Lorelei Gilmore Becomes a Doll; and The Planet Vulcan Discovered

After months of speculation, David Tennant has announced he will leave the role of The Doctor after the upcoming series of four Doctor Who specials are completed. BBC News reports:

Tennant stepped into the Tardis in 2005, and will leave the role after four special episodes are broadcast next year.

He made the announcement after winning the outstanding drama performance prize at the National Television Awards.

“When Doctor Who returns in 2010 it won’t be with me,” he said.

“Now don’t make me cry,” he added. “I love this part, and I love this show so much that if I don’t take a deep breath and move on now I never will, and you’ll be wheeling me out of the Tardis in my bath chair.”

‘I’ll miss it’

Three years was “about the right time” to play the role, he told the BBC in an exclusive interview.

“I think it’s better to go when there’s a chance that people might miss you, rather than to hang around and outstay your welcome,” he said.

His stint in the show had been “the most extraordinary time, it’s been bewildering, life changing, very exciting”, he said.

“And just so much fun, such a great show to work on.

“That’s one of the reasons I think it’s right to take a deep breath and bow out when it’s still fun, when it’s a novelty.

“I don’t ever want it to feel like a job, so I want to move on when it still feels exciting and fresh and that means I’ll miss it.”

Liz Lemon to date Don Draper? Tina Fey and Jon Hamm will have something in common besides both appearing on Saturday Night Live recently. Jon Hamm of Mad Men might appear in a multi-episode arc of 30 Rock as Liz Lemon’s new love interest.Video of two of Hamm’s skits on SNL were posted here.

With all the subplots on Heroes, a lot has happened, including the return of Kristen Bell as Elle. Perhaps the most interesting development was seeing Sylar’s role get even more complex as his father got him to turn on his mother, but he still decided to save  his brother Peter’s life. His character is certainly different from previous years when he was motivated by little more than killing others with super powers in order to obtain their powers. Ultimately we saw him as a pure family man in a possible future shown earlier in the season.

There might be an unexpected benefit from the bad economy. I’ve often felt that, compared to several years ago, television shows are canceled too quickly if they are not doing well in the ratings, not giving them a chance to build an audience. The Hollywood Reporter believes that the bad economy might be responsible for some shows such as Terminator: The Sarah Connor Chronicles being renewed:

Industry observers say the recent cluster of low-rated shows granted full-season orders might have something to do with network executives watching the plunging Dow rather than their shows’ falling Nielsens.

No execs would talk on the record, but the economic crisis, combined with the cost of marketing a new series, the lack of new programming inventory because of the WGA strike and the anticipated difficulty of locking down new advertiser commitments, has networks inclined to play it safe.

“Most years there would be more cancellations than there have been to date,” said John Rash, senior vp/director of media negotiations at Campbell Mithun. “But the dual dynamics of schedule stability keeping ad dollars in place is combining with delayed programming development from last season’s writers strike.”

NBC’s “Knight Rider,” ABC’s “Private Practice” and Fox’s “Terminator: The Sarah Connor Chronicles” recently received orders for an additional nine episodes apiece. Such a move typically indicates a network’s confidence in a show’s performance and signals the inclination to keep a series on the air for the duration of the season.

Life on Mars at least has received well deserved improvements in the ratings. Last week Sam came to the assistance of his mother, learning far more about her than he probably wants to know, and also got the opportunity to meet Jim Croce and Joe Namath (Joe the Quarterback?). In upcoming episodes he gets involved in his father as well as someone who was/will become his mentor.

Bradley Whitford of The West Wing and Studio 60 on The Sunset Strip is producing and staring in a sitcom for NBC named Off Duty about a once-legendary police detective (Whitford) on his way down who complicates the life of his new partner, both on duty and off.

Lauren Graham of Gilmore Girls will be appearong on Broadway as the female lead in a new revival of Guys and Dolls.

J. Michael Straczynski, creator of Babylon 5, is working on a script for a remake of the 1956 classic Forbidden Planet.

And finally, the planet Vulcan might have been discovered.