Agent Carter is one of the more eagerly awaited new shows to begin this winter. ABC has released another promotional video, in which Haley Atwell discusses her character’s double life.
Entertainment Weekly has more information on the upcoming Daredevil series on Netflix. Here are just some of the points:
1. Daredevil will be a uniquely localized Marvel story. Unlike the globe-trotting Avengers or SHIELD gang, Matt will stick to his hometown. “Within the Marvel universe there are thousands of heroes of all shapes and sizes, but The Avengers are here to save the universe and Daredevil is here to save the neighborhood,” Loeb said. “It’s a very unique look at Hell’s Kitchen in New York, where Matt Murdoch grew up and continues to defend it from people who would harm the people that live there.”
2. Daredevil will feel like a crime story, not a superhero show. “We really wanted to take our cue from [films like] TheFrench Connection, Dog Day Afternoon, Taxi Driver, and make it very, very grounded, very gritty, very real,” DeKnight said. “We always say we would rather lean toward The Wire than what’s considered a classic superhero television show.” Added Loeb: “There aren’t going to be people flying through the sky. There are no magic hammers.”
The released synopsis by CW of the next episode of Arrow might also be seen as something of a spoiler:
THE TEAM DEALS WITH OLIVER’S DISAPPEARANCE — In the aftermath of Oliver’s (Stephen Amell) fight with Ra’s al Ghul (Matt Nable), Diggle (David Ramsey) and Arsenal (Colton Haynes) continue to protect the city in the Arrow’s absence. However, after three days without hearing from Oliver, they begin to fear the worst may have happened to their friend. Felicity (Emily Bett Rickards) refuses to believe that Oliver could be dead until Merlyn (John Barrowman) pays the team a surprise visit. Thea (Willa Holland) suspects there is something more behind Oliver’s disappearance and asks Merlyn for a favor. Meanwhile, Ray (Brandon Routh) tests a part of his new suit and Laurel (Katie Cassidy) takes up the mantle of the Black Canary. Glen Winter directed the episode written by Marc Guggenheim & Erik Oleson.
Speakeasy looks at the second half of the season of Gotham and interviewed series developer Bruno Heller:
Heller said we can look forward to a bigger, more complex show as stories start to pay off and others take hold. “A lot of the episodes set up for later story. So, certainly, in that way, the story will become much more engaging and much more operatic and suspenseful. It will drag you in because these are characters you have come to know and perhaps love,” he said.
Because it’s such a big show, Heller said it takes a while to get it right, particularly how to pack all that story, character and sense of place into a network show. Now that the series is grooving along, though, Heller and company plan to deliver something even bigger. “On that level, you will see more production value, more action, more drama — you know, more,” he said with a laugh.
Entertainment Weekly described some of the differences between the movie and upcoming television version of 12 Monkeys. Among the differences listed, more will be seen of the future and there will be different factions interested in the time machine which pose a threat. Unlike the movie, in which the 12 Monkeys group turned out not to have a rather trivial goal, the group is more important in the television show.
The synopsis for the pilot, which airs January 16, suggests yet another major difference:
27 years after a virus wipes out most of humanity, scientists send a man (James Cole) back to 2015 to stop the plague from ever happening. Cole’s only lead is a virologist (Dr. Cassandra Railly), who knows the dangerous source of the outbreak
In the movie, Cole was seeking information to help the people in the future find a cure for the virus but the past had happened and could not be changed. The pilot synopsis provides a different mission. I suspect that these differences will make for a stronger television show as the more limited premise of the movie would not provide as much material for an ongoing weekly show. There are more potential stories in trying to change things as opposed to getting information, events in the future present a new avenue for stories, and the title of an ongoing television series should refer to something more significant than in the movie.
Showtime has released a trailer for Penny Dreadful’s second season. The season will be ten episodes, two more than in the first season.
When I gave my list of top new shows last week, I mentioned two shows which I did not rank as I had not seen them, but have heard excellent things about–The 100 and Manhattan. Over the holiday I decided to catch up on The 100 based upon many excellent reviews from both genre bloggers and mainstream television critics. I picked this first since the show is now on hiatus but resumes on January 21, while we have more time until Manhattan returns. I very quickly got hooked on The 100, quickly knocking off the first season this weekend and starting the second season last night. I’ll discuss it more in the future, but wanted to give it a plug while there is still plenty of time for everyone to get caught up.
In order to plan out television binging and viewing for January, Vulture has a list of when television shows are returning.
Io9 has a good list of the top science fiction and fantasy books of 2014.
Edward Herrmann, who played Richard Gilmore on Gilmore Girls, died last week. Alexis Bledel had this to say:
Bledel, who played the granddaughter of Herrmann’s character in the Gilmore Girls, described him as “a wonderful actor and a kind man”.
“He was endlessly knowledgeable about theatre, TV and film, and would generously share his wisdom or tell stories from a long and rewarding career,” Bledel continued.
“I am grateful to him for that, and will miss him tremendously.
“He loved acting and was the head of our Gilmore family with his strong presence and great sense of humor. May he rest in peace.”
I anticipate hearing his voice for a long time to come as he is also the recorded voice giving announcements on Shepler’s Ferry coming into and leaving the docks going to and from Mackinac Island.
In a media world largely devoid of both African-American faces and, especially, African-American vernacular, Scott’s iconic catchphrases — “Boo-Yeah!”, “Cool as the other side of the pillow,” and “Can I get a witness?” chief among them — brought a style that had been absent from sports and media programming straight to ESPN’s most-watched program and, by virtue, to the living rooms of white and black families alike.
Scott’s popularity, and the appeal of his brand of style, made him an icon for other aspiring African-American broadcasters who hadn’t seen anything like him on TV before.
“He was a trailblazer not only because he was black — obviously black — but because of his style, his demeanor, his presentation,” ESPN anchor Stan Verrett, also black, told ABC News for Scott’s obituary. “He did not shy away from the fact that he was a black man, and that allowed the rest of us who came along to just be ourselves.”
“Yes, he brought hip-hop into the conversation,” Jay Harris, another SportsCenter anchor who followed in Scott’s footsteps, said. “But I would go further than that. He brought in the barber shop, the church, R&B, soul music. Soul period.”
He changed ESPN too. Scott’s style wasn’t immediately popular with ESPN’s audience or even its top brass. According to the ABC obituary, Scott and ESPN received regular hate mail over his “hip-hop style,” and at times, ESPN officials asked him to consider dialing it back. Scott refused, and over time that unwillingness to relent proved right.
Listen was an ambitious episode of Doctor Who, even if it does fall short of Blink, which it has been compared to. The episode deals with the character and origin of the Doctor, the further importance of the impossible girl in the development of the Doctor, along with Danny Pink’s (and presumably Clara’s) family tree. The episode begins with the Doctor writing on his chalk board (chalk boards are cool) and seeming to be talking directly to the audience about an idea he has come up with:
Listen! Question, why do we talk out loud when we know we’re alone? Conjecture: because we know we’re not. Evolution perfects survival skills. There are perfect hunters There is perfect defense. Question, why is there no such thing as perfect hiding? Answer: how would you know? Logically, if evolution were to perfect a creature whose primary skill were to hide from view, how would you know it existed? It could be with us every second and we would never know. How would you detect it? Even sense it? Except in those moments when for no clear reason, you choose to speak aloud. What would such a creature want? What would it do? Well? What would you do?
In many ways this is a repeat of previous Moffat ideas. The Weeping Angels, introduced in Blink, are a terror which can be hidden in plain site, only moving when you aren’t looking at them. The Silence took this further, with people losing all memory of seeing them. Now the Doctor postulates a creature which cannot be detected at all. However, while we learned about the nature of the Weeping Angels and the Silence, at the end of the episode it is not clear whether these beings even exist.
If the exist, they could mean that a common nightmare is really about something which has actually occurred:
I think everybody at some point in their lives has the exact same nightmare. You wake up, or you think you do, and there’s someone in the dark, someone close. Or you think there might be. So you sit up, turn on the light, and the room looks different at night. It ticks, creaks, and breathes. And you tell yourself there’s nobody there. Nobody watching, nobody listening, nobody there, naturally. And you very nearly believe it. You really, really try.
For the Doctor it was real, but instead of being a creature whose existence was unknown, it turned out to be Clara, back in time to the Doctor’s childhood on Gallifrey. Seeing the Doctor’s childhood in the barn does provide a connection to The Day of the Doctor, providing a reason as to why the War Doctor chose this place to decide whether to detonate the Moment. The scene also provides background to the Doctor’s antipathy towards soldiers (at this season, ignoring his past work with UNIT) and reused a line from 1963: “Fear makes companions of us all.”
It is questionable whether Clara could really control the TARDIS at all (even putting aside Sexy’s dislike of Clara, as revealed in The Doctor’s Wife), and even more questionable whether she it could have gone to Gallifrey, which was time locked, but whose status is no longer clear after the events of The Time of The Doctor. However these minor questions of continuity are outweighed by the manner in which Moffat ties in the entire history of the Doctor and the show.
Besides Gallifrey, the TARDIS traveled along Danny Pink’s timeline, presumably due to the importance to Clara’s. This included a visit to him as a young child, then called Rupert, to literally the end of the universe where a time-traveling descendant was stranded. If the implications are correct that Orson Pink is a descendant of both Danny and Clara, it looks like time travel is the Pink/Oswald family business on Doctor Who just as it is for Alec’s family on Continuum. Clara also has both influenced Danny’s decision to be a soldier and has made Dan the Soldier Man not only an important part of Danny’s life, but a family heirloom. Clearly, “A soldier so brave, he doesn’t need a gun” also refers to the Doctor.
Listen isn’t limited to other times ranging from the Doctor’s childhood on Gallifrey to the end of the universe. Moffat also took advantage of his experience from Coupling to present Clara and Danny’s first date. Things did not work out very well, but Clara ultimately figured out that she had to make it right.
One of the scenes of the date included an astronaut walking through the restaurant to get Clara. Using the astronaut suit made no sense, but this, along with the minor questions of continuity, can easily be overlooked. A more serious problem with the episode is that the initial question as to whether the creature which the Doctor speculated about does exist is never answered. Learning that Clara was the creature under the Doctor’s bed suggested that there was no need for such a complicated explanation for the nightmare. The noises in Orson’s ship could have been these creatures, or perhaps just noises from the ship. It is harder to explain what wrote on the Doctor’s chalkboard, and what was under Rupert’s sheets.
ICHABOD AND ABBIE TRY TO GET A “HEAD” OF THE COMPETITION ON AN ALL-NEW “SLEEPY HOLLOW” MONDAY, SEPTEMBER 29, ON FOX
Ichabod Crane and Lt. Abbie Mills concoct a daring plan to try to rescue Ichabod’s wife, Katrina, from the Headless Horseman by resurrecting a Frankenstein-like monster created by Benjamin Franklin. Meanwhile, Frank Irving faces new trouble after revealing the true details of his encounter with a demon, and Jenny Mills finds herself at odds with the new sheriff in town in the all-new “The Kindred” episode of SLEEPY HOLLOW airing Monday, Sept. 29 (9:00-10:00 PM ET/PT) on FOX. (SLH-202) (TV-14 L, V)
While sometimes Outlander seems to move too slowly, The Garrison Commander does advance the plot considerably. It seems to be a safe prediction that Jack Randall does not just forget about Claire following her marriage. The Hollywood Reporter interviewed Tobias Menzies, who plays both Jack Randall and, back in the 20th century, Clarie’s husband Frank. The interview does have some major spoilers as to future events from the novels:
Because Outlander is primarily Claire’s story, we don’t get to see Frank’s internal monologue while she’s in 1743 Scotland. Have you filled in the blanks in terms of Frank’s state of mind and what he’s dealing with back in England?
We see Frank still struggling to come to terms with what happened, and be at loggerheads with the authorities and the police. Basically, they tell him to go home and that his wife has eloped with someone else. He won’t believe it. Through the episodes, we see him coming to accept the version of events that people are saying to him. I suppose he does know Claire better than the others, and in a way, he’s right. She isn’t a woman who would run off with someone else, and he’s forced to give up. I think it’s a good episode.
At the end of the episode, Dougal proposes that Claire marry Jamie. How do you think Frank would react to that?
I think he would be pretty understanding. My understanding is that Claire, later on in the novels, reappears and is taken back by Frank, even though she’s pregnant and she tells this story of time travel. And for whatever reason, he chooses to accept it and raise a child together, which I think is a pretty big gesture on his part. What’s interesting about Frank is that he’s thoughtful. It’s not the great, most ostentatious of loves. In that respect, he’s overshadowed by Jamie and Claire. But I think [Frank and Claire’s relationship is] deep and meaningful and speaks volumes.
This was a big episode for Black Jack and Claire. Let’s talk about the interrogation scene.
It’s only a page and half in the book. It was a great decision on the part of the writers to explode that moment. In the book, there’s a lot of Jack being referred to and not a lot of him being there. You need him onscreen. I’m really happy with where it ended up. It gave us the time to go back and understand where the backstory with Jamie and Jack began and also to understand the emotions that are driving Jack, so he isn’t just a two-dimensional thug. Compared to the rest of the season, it’s a change of gear. It’d be interesting to see how people find it.
Here are some great examples of what Star Trek, the original show, could have looked if filmed in wide screen. Here is creator Nick Acosta’s description of this project:
Forty eight years ago this week Star Trek debuted its first episode on NBC. The show, like all other shows at the time, was broadcast in the old style 4×3 aspect ratio. Using HD screen caps from my friends at Trekcore.com, I created this project of what the show would have looked like in Cinerama widescreen. As a kid the show always felt bigger and more epic than it appears to me as an adult. I was able to create these shots by waiting for the camera to pan and then I stitched the separate shots together. The result is pretty epic. It reminds me of the classic science fiction movies of the 50’s and 60’s. Suddenly the show has a “Forbidden Planet” vibe. Other shots remind me of how director Robert Wise would use a camera technique to keep the foreground and background elements in focus.
Major television events of the upcoming week include the season finale of the best new sit-com to come around in a long time, You’re The Worst. Gretchen and Jimmy might be “the worst” but that is what makes them so fun to watch. If the season is a ten episode version of a warped romantic comedy movie, the eighth episode was the required portion in which the couple temporarily break up based upon a misunderstanding. Last week was somewhat of an origin episode with flash backs to before they met, as shown in the pilot. Hopefully this Thursday will end the season with the two back together, and ready for many seasons to come. The other summer sit-com from FX, Married, also ends this week. If it returns I will probably watch it, but it is You’re The Worst which I will really miss if it does not return.
You’re the Worst would also be a great show to binge watch if you haven’t seen it, with only ten episodes for the season and all highly entertaining. Another show to binge watch if you missed it (as I did until binging over the past week) is An Hounorable Woman. Certainly there are unrealistic aspects, but watching it for eight hours was like reading a highly entertaining novel, and the portions which might not be realistic in the real world can easily be ignored while following the events surrounding Nessa Stein and her family.
Binge watchers are also getting excited to hear that the full seven seasons of The Gilmore Girls will be available on Netflix starting October 1. In 2006 I posted some of the political lines from the show. USA Today has listed five top episodes to watch once they are available.
If you want to stick with science fiction, Vulture has listed the best science fiction movies on Netflix.
Nurse Jackie is to end after the upcoming seventh season. It is probably the right decision. We can’t keep going through cycles of Jackie getting off drugs and then relapsing year after year.
Community, on the other hand, deserves at least one more year and a movie–preferably far more. I am glad to hear that Dan Harmon is denying the rumors that Alison Brie is not returning.
Hayley Atwell, star of the upcoming series Agent Carter, will appear on the second season premiere of Agents of SHIELD. I don’t know if this will be a flash-back or Agent Carter at an older age. In other Marvel news, there is talk that the Hulk might return both for a television series and movie. New DC projects being considered include Supergirl and Teen Titans.
While the show has had its ups and downs, The Leftovers did end with a satisfying season finale (far more than I can say for True Blood). While the show will probably never really explain what happened, at least we have the view of some characters as for the reason only some disappeared, along with finally learning what The Guilty Remnant was up to. The show has now caught up with the end of the novel, making next season even more of an unknown.
Matt Smith appeared on Craig Ferguson’s show on July 24. Video above.
Steven Moffat says he will clear up some of the hanging plot threads in Doctor Who this year in an interview with I09:
When we caught up with Moffat last weekend at Comic-Con, we asked him, “Do you feel like you owe viewers some closure on the big questions, like who blew up the TARDIS? Or what the Silence was up to?”
And he responded, “Well, we are going to do it all. It’s going to end at Christmas. Yeah, [there will be closure]. But ‘owe them’? I don’t know about ‘owing.’ But yeah, there’s a plan, and we will end the Eleventh Doctor’s run with the answers to some of those questions.”
And what about the biggest dangling plotline in Doctor Who history? Back in 1986, the Doctor met a dark alternate future version of himself known as the Valeyard, who put him on trial and tried to steal his remaining lives. And the Valeyard was never mentioned again — until the most recent Who story, “The Name of the Doctor,” when his name came up.
How does the mention of the Valeyard tie in with the trend of the Doctor acting more dark? Are we going to see him again? We asked Moffat, and he responded,
Well, I couldn’t resist saying ‘The Valeyard,’ because we haven’t mentioned him in the new series. [Laughs] So I thought, ‘I’ll just put that one in.’ I never quite understood, in ‘Trial of a Time Lord,’ what he was meant to be. I never understood if he was a real Doctor, or [something else]. But in a story where we are hinting that the Doctor has a hidden chapter to his life, it was irresistible to mention the Valeyard. But you know, he’ll only ever get so dark, let’s be honest. He’s the Doctor. I think a man who worries about going bad is never really going to go bad. Maybe not.
As for the Doctor’s wife, River Song, she is not a dangling plot any longer — and in fact Moffat seems pretty happy with how he left her in “The Name of the Doctor.” At this point, he seems to feel as though he’s told the story he wanted to tell about her.
He adds that he’s “not quite sure” if we’ll see her again. We could, because we’re seeing her out of sequence in the past, “and clearly the implication is that she’s met more than two Doctors. But the question is whether or not we should” revisit her. He adds that “it’ll now be story-driven”: If he has the perfect idea for a story that involves River Song, she’ll be back. “But I quite liked where we got to at the end of ‘The Name of the Doctor,’ with him saying goodbye to her. So we’ll see.”
It doesn’t sound from this that the theories of the John Hurt Doctor being the Valeyard are correct, but this could also be misdirection on Moffat’s part. There are also rumors that a scene is being filmed showing the regeneration from Paul McGann’s Doctor to John Hurt’s Doctor, which might be shown as a prequel.
The BBC has figured out how to prevent spoilers from getting out after the initial airing of the 50th anniversary episode. It will be aired worldwide at the same time. (Unfortunately November 23 is a football Saturday and I still might wind up putting off watching until later in the day, depending upon the football schedule.)
Bryan Fuller discussed Hannibal with A.V. Club. Some of the question and answers from the four-part interview follow:
AVC: This is a prequel to stories we’ve already seen, and you’ve been very open about your plan for the series going forward. How do you keep the suspense? How do you keep overriding tension when we know where this is going?
BF: Well, we know that Hannibal is going to get caught and that he’s going to end up in the Baltimore State Hospital For The Criminally Insane, but a lot can happen to get there. I think the big move in there was to frame Will Graham and have him take the fall for a lot of these murders, which, right off the bat, introduced a completely new concept to the backstory, but also gave us a way to hold off incarcerating Hannibal Lecter for a while, because we have such a new twist to the story, where Jack Crawford is going to be bonding more with Hannibal Lecter, which really informs his distrust and disdain for this character when we get to the Silence Of The Lambs or Red Dragon era of the story. So it felt like we have now all of this opportunity to tell the specific details of a story that only existed between the lines of the book.
AVC: This episode really starts the relationship with Will and Hannibal together in therapy. You’re really interested in both presenting Hannibal as a credible therapist and in the process of seeing two people in a room talking together, which is different for a crime procedural. How did those two elements come to enter the show’s world?
BF: Well, there’s a certain amount of budgetary restraints with the show, because we are not a big-budget show. In the path we had gone down initially, we laid out a version of the show for the network, and the network said that it wanted it to be much more case oriented and procedural. So we laid out that version of the show, and it was very, very expensive. And nobody wanted to increase the budget, so it was really a matter of going back to… fortunately the budget was our friend in that way, because I did want to tell a psychological horror story, and I didn’t want to spend a lot of time at crime scenes when I could be finding out what characters are going through. And the best, simplest way for that was for people to sit down and talk about it. We fortunately are dealing with psychiatrists, so [Laughs.] it’s a great platform to have people say what they mean and what they feel and have it feel relatively natural, given the context of where they’re having those conversations. So it was initially a budgetary thing, but I think for the benefit of the show—and the stories I was interested in telling—were much more psychological and could sustain sitting down and talking about them.
Before I was going to be a writer, I was going to be a psychiatrist, so I’m fascinated with psychiatry and how it can go wrong and how it can be incredibly helpful for the patient. So I thought it was a great opportunity to tell a story about psychiatrists. And we have a lot of psychiatrist characters on the show. [Laughs.] It felt like that’s our world and these are our characters, so they are going to be talking about psychiatry. And we tried to get the psychiatry to be as honest as possible, given what we needed to tell, story-wise.
AVC: Will she be able to be in future seasons? She has a new show at midseason on NBC.
BF: We absolutely want her to be. She absolutely wants to be. It’s going to be working out the schedule with the other show, and we know that it’s about the schedule. We were very flexible with her last year. Actually, she was in five episodes, and we filmed all of her material over three days. We got her for three days, got her in, did the five episodes, and got her out, because she has a family in London that she wants to spend time with. She’s very interested in coming back. Right now, she’s in the first episode of the second season, but we have to work out schedules and see if we can actually pull it off.
AVC: This episode brings Abigail’s arc to an end. Was she always going to die?
BF: We made that decision about halfway through the season. She wasn’t always going to die. It was one of those where we were going to kill off one of the regular characters, and the character that we were going to kill off, we felt like it wouldn’t be as devastating for that person to die, because we hadn’t fully serviced that character. Someone had said, “I don’t really care about that character dying, but if you’re going to kill somebody that’s going to make me upset, then Abigail Hobbs,” and I was like, “Yeah, that’s who we have to kill, isn’t it?” [Laughs.] It’s kind of as simple as, “Whose death would mean the most?” and it was Abigail’s.
AVC: Can you reveal who you were originally going to kill?
BF: No. Because we may kill them in the second season.
AVC: How important to you was it that he have that moment of realization somewhere in this season?
BF: Very important. Because the audience knows from the first frame, before Hannibal is even onscreen that we are telling the story of Hannibal Lecter, who is going to be caught by Will Graham and incarcerated, Will had to figure Hannibal out in the first season. Otherwise, it would feel like we were treading water and artificially distending the story to accommodate a television schedule, and I wanted each of these seasons to feel like a novel, as opposed to episodic television. It felt like, what a great way to begin the story and then end the story at that point. And end it iconographically with the Silence Of The Lambs shot of coming down the corridor of the Baltimore State Hospital For The Criminally Insane, to that last cell on the left and finding, not Hannibal Lecter, but Will Graham. And know that we are now taking a turn away from the canon that will somehow get us back into canon. But right now, we are departing from the literature into uncharted territory that will be unique to the television show. Then when we circle back into the timeline of the books and get to Red Dragon again, so much will have happened between these characters that will further inform their uniqueness to this show.
AVC: Will is incarcerated right now, and if you’re able to go on and do the later seasons, Hannibal will be incarcerated. How do you approach that question of writing a character who’s confined to a room, yet has to be one of the protagonists of the series?
BF: That’s the great thing about imagination is that Will’s imagination can transport him out of that room and into places, cinematically, that will allow him to continue being a pivotal part of the story, even though he’s locked up. One of the things that was really interesting in the books, is the concept of Hannibal’s memory palace, the place where he goes to survive incarceration with the virtual-reality system that exists between his ears. We’ll be seeing Will create his own version of the mind palace over the course of the second season.
AVC: How intricately did you think out Hannibal’s framing of Will?
BF: It was pretty meticulously plotted. We knew that there were certain changes along the way, like we were originally going to deal with both the copycat killer and the Chesapeake Ripper in the first season, and then it felt like, as we got further into this season, that the story should be about the copycat killer primarily, and that the Chesapeake Ripper should serve to complicate Jack Crawford’s character. Then we could spike that ball in the second season.
Vulture outlines what we know, and what is being rumored, about the next Avengers movie, Age of Ultron. The story won’t be based upon the recent comic arc with this name, and there will be a new origin story. Quicksilver and the Scarlet Witch will be joining The Avengers. Joss Whedon also says that Black Widow will have a larger role in this movie.
Under the Dome was disappointing last week (with the entire series so far not living up to my hopes for it). Did anyone really doubt that the mother of all bombs would hit the dome and nothing would happen inside? I could see where the inhabitants would be worried, but I would expect them to see the failure of the bomb to affect the dome as a possible outcome. I was not surprised to see Big Jim question whether to release Angie, and not all that surprised to see her back with Junior. The Hollywood Reporter conducted an interview with producer Brian K. Vaughan which answers some minor questions.
I’m glad I stuck with Defiance and finished the first season last week. It is not the best science fiction around, but the show did become more interesting at the end of the season with the lives of so many main characters getting shook up. Amanda is no longer mayor and Nolan is now a free agent, leaving the two characters with fewer limitations and more potential. Bastr has more:
But it sounds like the Tarr Family will be the major source of drama for Season Two. Murphy expressed that they are what he’s looking forward to the most, having left them in a precarious position at the end of season one after Datak was arrested after winning the election, leaving the Tarrs broken. He will be missing in the beginning of the season (as will be Irisa).
“The family is constantly changing because the balance of power keeps changing.” Curran explained. “As the second season starts and progresses, if Datak is to survive, wherever he is, he has to learn not to be such a hot head. He has to be more pliable instead of brittle. Like steel when it’s brittle, it snaps. He needs to be more manipulative in his approach. His attack, kill and ask questions later obviously isn’t working for him. You can’t demand respect, you have to earn it. Unfortunately his way is very demanding and the future is going to get him in trouble again.”
Curran has read a few scripts from the second season and shared his excitement for the interesting stuff within the Tarr family that he found to be especially compelling. “It’s a sci-fi show set within this immigrant drama, and a lot of it puts the mirror up to society in many ways for immigrants around the world. I have a wife who’s Vietnamese, she was an immigrant from French-Bosnia-Serbia. So many ways there’s a lot of similarities in a lot of those aspects that I find compelling in the sci fi world as it pertains to our society. I think we’re going to touch on that with a lot of back story.”
Amy Sherman-Palladino’s show Bunheads has officially been canceled.David Weigel had previously called the best show on television. I wouldn’t go that far, but nobody other than Aaron Sorkin can write better dialog than her when she is hot. Unfortunately the show didn’t last long enough to rival Gilmore Girls.
John Williams is going to score the next three Star Wars movies. They wouldn’t be the same without his music .
Netflix is rapidly turning into a major source for new television material. Arrested Developmentwill return for another season. Netflix has also renewed Orange Is The New Black. It appears that HBO will be renewingThe Newsroom, perhaps with an official announcement coming soon.
It is looking like Rosamund Pike and Ben Affleck will be playing the leads in the movie adaptation of Gone Girl.
J.K. Rowling says a sequel to Cuckoo’s Calling should be out next year.
A prequel has been released for The Bells of Saint John, next week’s episode of Doctor Who (video above). I bet pretty much everyone guessed how it would end pretty early in the clip, remembering how the Doctor also first met Amelia Pond as a young child. The Doctor is searching for Clara but I’ve already found her in a couple places:
As can be seen in the above trailer, the Doctor does find Clara. We still do not know who she is, and are unlikely to guess according to Doctor Who Producer Marcus Wilson:
What’s lovely this year is that we’ve also got a thread running through these eight very different, very exciting stories – the mystery of Clara. She’s the impossible girl. The Doctor has met her twice before and both times she died. This time he’s determined to keep her alive and to discover who or what she really is. It’s a riddle that won’t easily be cracked. I defy anybody to guess it. Steven Moffat has found a way to lead everybody down the garden path and then knock them over with surprise at the end.
Above Jenna-Louise Coleman interviews Matt Smith
There’s also talk of revealing the Doctor’s greatest secret, and of a love triangle involving Clara and River Song.
Jenna-Louise Coleman appeared on Craig Ferguson’s show last week (video above).
Doctor Who first made the cover of Entertainment Weekly in July 2012 in a cover story about cult television. Now he is on the cover twice more with two different versions of the cover for this week’s edition on the 50th anniversary. (I was happy to find that my home and office waiting room copies each had the different cover). Here are the two covers:
But what happens after the anniversary? There’s another round of rumors that Matt Smith will leave the show after the Christmas Special, along with Jenna-Louise Coleman saying there may be a delay until the next season due to Steven Moffat being busy writing the 50th anniversary episode and Sherlock.
Revolution returns on Monday–view the first eight minutes above. Between the action scenes Aaron questions what Elizabeth knows. Now that Elizabeth has been reunited with her family it would not make any sense for her not to explain what is happening. We will see everything revealed in the thirteenth episode, to air April 8. Executive Producer Eric Kripke says this will open the door to new mysteries:
On revealing why the power went out
Kripke: In episode 13 Rachel reveals pretty much every single thing there is to know about why the blackout happened and every time I watch that scene– and she’s brilliant in it — but that scene’s a hard swallow every time because you’re like wow we’re just saying it. And it goes against many of your baked-in sure-weather instincts are not to have the scene that reveals every single thing in three minutes. And so we reveal really why the blackout happened but the card I think we have up our sleeve is I think the explanation really opens the door to much greater story possibility.
On Rachel’s role going forward
So Rachel’s quest is specific and she’s incredibly proactive. She’s making a straight line towards what it is that she needs to do. And the fun part that, you know, Eric had talked about before is that she also unloads everything; the entire secret, the entire history in one crazy conversation in Episode 13.
So I think that people will enjoy the fact that she has a lot to say and that her admonition or her quest is very powerful and proactive which I love in a character. It’s always nice to see women, people, anyone – your protagonist going after what she wants full force. So I think that’s going to be fun.
On what comes after that secret is revealed
Kripke: I don’t think we box ourselves in a corner. I think we open a door to a whole new world. And then we ask more questions. Because for me the story was never about what caused the blackout. I think it’s for me it’s like the show isn’t just based on one particular mystery, it’s based on these characters and this world and this kind of transformed landscape that they have these adventures in.
One of the more disappointing plot lines so far on Revolution was seeing how Aaron left his wife, feeling she would be safer without him. Kripke answered a question on this at PaleyFest2013:
Zac Orth wasn’t in the house, but his character Aaron was a hot topic nonetheless. When an audience member told the panel that he wasn’t a fan of how Aaron abandoned his wife so quickly, Kripke promised that that plotline would be addressed. ”He sees her again, and they’re able to work out their issues, and they do have a face-to-face,” he says. “She’s in the present day and you catch up with what she’s been doing for the past decade or so.”
Mad Men is also returning with a two-hour season premiere on April 7. Promo above.
Last season Vincent Kartheiser (Pete Campbell) and Alexis Bledel (better known as Rory Gilmore) had an affair. Now the two are engaged in real life. With Bledel’s character undergoing the Eternal Sunshine of the Spotless Mind treatment it is doubtful that their affair will resume on the show. Plus Alexis Bledel is in a new pilot based upon the excellent UK sitcom, Gavin and Stacey, in which she will be dating Jason Ritter of The Event. Ritter was dating Lauren Graham (who previously played Rory Gilmore’s mother) last season on Parenthood. Meanwhile Pete Campbell’s wife on Mad Men, played by Alison Brie, is back on Community with an unknown future.
Following a record-breaking year, fan favorite Doctor Whoreturns with a modern day urban thriller, The Bells of St. John, written by lead writer and executive producer Steven Moffat (Sherlock). Set in London against the backdrop of new and old iconic landmarks – The Shard and Westminster Bridge – The Bells of St. John introduces a new nemesis, the Spoonheads, who battle the Doctor as he discovers something sinister is lurking in the Wi-Fi. The premiere will be followed by seven epic episodes written by Steven Moffat, acclaimed writer Neil Gaiman (Coraline, Beowulf), Mark Gatiss (Sherlock), Neil Cross (Luther) and Stephen Thompson (Sherlock).
The Doctor (Matt Smith) is joined by his new companion Clara (Jenna-Louise Coleman) for the latest set of incredible adventures through space and time. The duo finds new adversaries and familiar friends around every corner as they journey from the bottom of the ocean in a submarine to the center of the TARDIS and beyond. The Cybermen make a thunderous return and the Ice Warrior arrives in an unexpected place.
Steven Moffat, executive producer and lead writer, said,“It’s the 50th year of Doctor Who and look what’s going on! We’re up in the sky and under the sea! We’re running round the rings of an alien world and then a haunted house. There’s new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor’s greatest secret will at last be revealed! If this wasn’t already our most exciting year it would be anyway!”
Also appearing this season are guest stars Dougray Scott (Desperate Housewives, Mission: Impossible II), Warwick Davis (Life’s Too Short, Harry Potter), Celia Imrie (The Best Exotic Marigold Hotel), Richard E Grant (Iron Lady, Dracula), Jessica Raine (Call the Midwife) and Tamzin Outhwaite (EastEnders, Law & Order: UK). Additionally, mother and daughter Dame Diana Rigg (Game of Thrones, On Her Majesty’s Secret Service) and Rachael Stirling (Tipping the Velvet) will appear on screen together for the first time. Doctor Who premieres Saturday, March 30, 8:00pm ET as part of Supernatural Saturday.
The Ice Warriors are to return to Doctor Who but two episodes of the original serial The Ice Warriors from 1967 are missing. There are now plans to make animated episodes to complete the story for DVD release.
It looks like John Barrowman might be appearing in the 50th anniversary episode, or maybe not. He also says he has “moved on” from Torchwood.
There is also talk about Arthur Darvill returning for the 50th anniversary, but they would have to be careful with that. Perhaps they could meet up with Rory before he was sent back in time by the Weeping Angels. Otherwise it would be hard to explain bringing back Rory without Amy Pond. Even that might violate some time laws, but those rules have always been inconsistent.
Game of Thrones Season 3 extended trailer above. The series returns on March 31.
Revolution returns on March 25. A five part web series is being posted prior to its return. Series Creator Eric Kripke is comparing his show to Game of Thrones:
“We’ve seen personal relationship struggles and personal revolutions happen, but we haven’t seen how this particular power outage has affected the whole world. We’re about to,” Esposito teases. With the revolution finally beginning, everyone has their own role to play, roles that will take them outside of the Monroe Republic. “We’ll see the Georgia Federation this season, we’ll see the Plains Nation this season — and they’re wildly different nations … We really want this to evolve into kind of an American Game of Thrones.” Kripke says. But with the world expanding, don’t expect our recently reunited gang of misfits to stay together too long.
It would take a considerable about of improvement to see Revolution enter the same league as Game of Thrones but it is not a bad things that Kripke aspires to such quality.
Variety reports that Emma Watson is in early talks to play Cinderella in a Disney live-action adaptation.
Zoe Saldana, taking up the Star Trek/Star Wars crossover of Part I of today’s SciFi Weekend, also wants to be a princess. The actress who plays Uhura wants to be a princess in Star Wars VII.
Gavin and Stacey is one British television series which I would highly recommend watching. It has become easily available in the United States, including on Netflix. However, when I first heard of plans for an American version of the show I was wary as to how well it would work. Some adaptations of British shows have done well, while others have been flops. The flops include Coupling, a fantastic British sit-com written by Steven Moffat. The show was about a group of friends who hung out a a bar and felt like a combination of Seinfeld and Sex and the City, with occasional references to Daleks. NBC tried to use an American adaptation to replace their show about Friends who hung out in a coffee shop, but the adaptation didn’t work in the United States.
Gavin and Stacey also had a couple of connections to Doctor Who. Several years ago the internet went wild over rumors that Joanna Paige (Stacey) was going to appear on Doctor Who as a Time Lady or relative of the Doctor. James Corden, who has appeared in episodes of Doctor Who including The Lodger, was creator and co-writer of Gavin and Stacey and appeared in the show as Gavin’s friend Smithy. Joanna Paige might be best known in the United States for her role in the British romantic comedy Love Actually as the sex-scene body double who spent much of the movie nude and having sex.
I have questioned the change from a relationship between a boy from near London and a girl from Wales to an American story. In the American adaptation, Friends and Family, the role analogous to Stacey is moved from Wales to rural Pennsylvania. I had little interest in this show until the cast for the pilot was released: Alexis Bledel and Jason Ritter.
Alexis Bledel is best known as Rory Gilmore from Gilmore Girls. She also appeared in Sin City and recently appeared on Mad Men. With Alexis Bledel on the show I will definitely check it out. It is also amusing that Jason Ritter recently was involved with Lauren Graham (who played Rory’s mother on Gilmore Girls) on Parenthood. Ritter also stared on The Event.
This impersonation of Lena Dunham auditioning for Zero Dark Thirty really nails her charter from Girls.
This is for female readers who were offended by Seth MacFarlane’s We Saw Your Boobs number at the Oscars (video above) not because it was tasteless and crude but because it only pandered to the prurient interests of male viewers–We Saw Your Junk:
How do you know when a TV show has become a cult phenomenon? When its (often comparatively small) ratings are eclipsed by the wild ardor of its fans. Take the case of the British science fiction show Doctor Who, whose current lead, Matt Smith, is this week’s cover star. The now 49-year-old Who is hugely popular in its homeland but has always enjoyed a more select appeal here — not that you know that from the devotion of U.S.-based “Whovians.” In 1983, 7,000 people attended a Doctor Who convention in Chicago and over the past couple of years the time-traveling “Doctor” has received a bordering-on-the-absurd number of onscreen shout-outs from Community, Criminal Minds, Craig Ferguson’s The Late Late Show, Supernatural, and Grey’s Anatomy, whose creator, Shonda Rhimes, describes herself as a “psychotic” follower of Matt Smith’s time travel adventures in this week’s cover story. “It’s not an obscure show anymore,” says executive producer Steven Moffat. “It’s not even a ‘British import.’ It’s just Doctor Who.”
Has the time finally come for the so-called “Time Lord” to break big in America? Could be. The Doctor Who team has assiduously courted fans here with a succession of publicity appearances, including a panel at this year’s Comic-Con where Whovians paid homage to Smith’s red-haired costar Karen Gillan by donning ginger wigs. (No. 2 way you know a TV show has become a cult favorite? When fans start dressing as characters.) In June 2011, the show’s U.S. broadcaster BBC America enjoyed its best ever ratings with the premiere episode of the sixth season since Doctor Who was revived in 2005, following a 16 year hiatus. The new season, which debuts later this summer, may well be the most eagerly anticipated ever as the Doctor prepares to say goodbye to his two trusty and beloved-by-fans “companions,” Gillan’s Amy Pond and Arthur Darvill’s Rory Williams. In the cover story we track the ups and downs of the show’s remarkable half-century history and preview the new episodes with help from Smith, Gillan, Darvill, and exec producer, Steven Moffat.
Mary Tamm, the first actress to play Romana as companion to Tom Baker on Doctor Who died during the past week at age 62. Regret ably she was not able to regenerate like the character she played. A video tribute to Mary Tamm follows:
BBC America will be broadcasting four documentaries about Doctor Who in August:
The Science of Doctor Who: explores the real life science behind the biggest concepts and most iconic ideas in Doctor Who. The Science of Doctor Who premieres Saturday, August 4, 11:00 pm ET.
The Women of Doctor Who: Behind every great Time Lord there’s a great woman. Whether they’re busting Daleks or the Doctor’s ego, the women of Doctor Who prove that you don’t need testosterone to save the universe. Premieres Saturday, August 11, 9:00pm ET.
The Timey-Wimey Stuff of Doctor Who: When the Doctor’s around, tomorrow is yesterday, yesterday is tomorrow and 18th century France is in your fireplace. Confused yet? You’ve already seen it in the future. The Timey-Wimey Stuff of Doctor Who premieres Saturday, August 18, 11:00pm ET.
The Destinations of Doctor Who: Leave the beach towel at home and take a trip to the end of the Earth – literally. From the Starship UK to one very haunted hotel, you won’t find the destinations of Doctor Who in any guidebook. This final instalment premieres Saturday, August 25, 9:00pm ET.
George R. R. Martin commented on the reaction to the sex in Game of Thrones during an interview with the Daily Star:
Martin, who has a blue collar background in an industrial suburb of New Jersey said he has been surprised with the reaction against explicit sex scenes coming from some American readers.
“I can describe an axe entering a human skull in great explicit detail and no one will blink twice at it. I provide a similar description, just as detailed, of a penis entering a vagina, and I get letters about it and people swearing off,” he said.
“To my mind this is kind of frustrating, it’s madness. Ultimately, in the history of [the] world, penises entering vaginas have given a lot of people a lot of pleasure; axes entering skulls, well, not so much.”
Above is a trailer for the second season of Homeland, which returns on September 30. Showtime has released this press release:
In the wake of Israeli air strikes against Iran, the Middle East threatens to erupt in fresh violence. In Beirut, flags bearing the Star of David, and the Red, White, and Blue, burn in the streets. A woman swims through the chaos towards the American embassy, trying to make contact. The abused wife of a Hezbollah commander, she carries information about an attack – retaliation against Israel’s ally, the United States. But this would-be informant insists she will only speak to her one-time CIA handler: Carrie Mathison.
The problem: Carrie Mathison is no longer with the Agency. The disgraced ex-officer is on the slow path to recovery, after her manic flight in Season One nearly crashed the political career of American hero Nicholas Brody. Months after her expulsion from the CIA, the adventure and turmoil that once defined Carrie’s life is now a dull memory, replaced by regular ECT treatment and her father and sister’s protective cocoon. It’s this fragile new existence that Carrie’s former colleagues Saul Berenson and David Estes threaten to shatter, when they come to her door asking for help.
Meanwhile Nicholas Brody, several months into his inaugural term as a freshman Congressman, finds himself buffeted daily by competing agendas. Everyone has a plan for him – whether it’s Vice President William Walden, fellow Marine Mike Faber, or terrorist mastermind Abu Nazir. While Brody strives to change the face of American foreign policy without bloodshed, he learns that doing so may not be good enough for Nazir. And with every lie he tells, the walls around him close in a little tighter, threatening to bring Brody down, along with his family and everything they’ve achieved since his return.
As the situation at home and abroad escalates, Carrie and Brody’s worlds will collide yet again, deepening a relationship built on lies, suspicion and longing. Will Carrie finally be vindicated for the truth she was so close to uncovering? Can Brody keep his head above water, as opposing powers play him like a pawn? Whoever gains the upper hand in this dangerous pairing, neither Carrie nor Brody will come out of it unscathed.
They also released this press release about the seventh season of Dexter:
Season 7 returns in explosive fashion, as Dexter (Michael C. Hall) is finally forced to confront his greatest fear, as Debra (Jennifer Carpenter) witnesses his insatiable, ritualistic slaying of a killer. Now Deb knows the secret of his Dark Passenger, his undeniable thirst for blood, and the Code that their father Harry (‘James Remar’) instilled in him as a young boy.
But as Deb tries to reconcile the unfathomable idea that her beloved, mild-mannered brother is Miami’s most notorious serial killer, Dexter is still pulled by his natural impulses to seek out the guilty and exact his brand of vigilante justice, which leads him on the trail of a brutal Ukrainian mobster (Ray Stevenson).
Along the way, Dexter meets Hannah McKay (Yvonne Strahovski), a strong, independent woman with a past that she’s struggled to put behind her. As a turn of events leads Miami Metro Homicide to ask for her help in solving some old cases, Dexter works with her and begins to wonder if there’s more to this woman than she’s professed.
The producers of Elementary and Sherlock star Benedict Cumberbatch discussed comparisons with the other show and the choice of a female Watson on Elementary. Elementary‘s executive producers Robert Doherty and Carl Beverly answered these questions at Comic Con:
Can you talk about how it came about that Watson is a woman in this show? Robert: “[In preparation for the show], I read a handful of psychological assessments of [Sherlock] that real doctors have written up over the years. Somebody classified him as bipolar, somebody else said he had a mild form of Asperger’s, and one of them happened to mention that he was classified as a gynophobe – he had just not a terribly healthy relationship with women, he was a little suspicious of them.
“And it just sort of made me laugh when I read it because I was like, ‘Well, what would make him crazier than Watson is a woman? He’s actually living with someone who’s monitoring him who’s also a woman’. All of that said, our Holmes is not a gynophobe, he’s not a misogynist – it’s just sort of what got that ball rolling.
“I also was sort of up for the challenge. I knew it would be inevitable that people would be fascinated by the ‘will-they-won’t-they’ that would come up and I like that the question is there and it exists, but I also don’t feel any rush to… In fact, let me be blunt – I don’t want them to end up in bed together. That’s just not what the show is for.
“I don’t think that would be true to the spirit of the original relationship between the two characters, and that’s important to me. I’d like to show that a man and a woman can be friends and go to work and live together and not end up romantically entangled.”
Carl: “Robert often calls it a bromance, but one of the bros just happens to be a woman.
“I think it’s a really apt description because there’s this idea that a man and woman can’t be together – on a show, especially – without needing to be together sexually or in love or whatever. And this is really just about the evolution of a friendship and how that happens. Watching that should be as much the story of this show as the mystery you see week in, week out about who killed who.
“You know, we love that and those stories will be great, but the mystery of this relationship and how the friendship comes into being, that should be something that draws people in too.”
Obviously there will be comparisons to the BBC’s Sherlock… Carl: “We think it’s fantastic.”
Robert: “It’s an incredible show. I have nothing but the highest regard for that show and Steven as a writer. I think sometimes we catch flak because we are a contemporised Sherlock. Sherlock has been contemporised dating back to the ’40s. There were movies with Basil Rathbone set in the Victorian era and then suddenly there were movies with Basil Rathbone in World War II where they’re fighting Nazis, so the idea’s been around a long time.
“Sherlock has done it extremely well – I think it’s a brilliant show. I’ve only seen the first series but I hear the second series is just as excellent. But as far as taking from the show, I just don’t think that’s true. Because he exists mostly in the public domain, many hands have handled Sherlock over the years.
“He’s been everywhere – he’s been to the future, he’s been to the past, I’ve seen him in comics, I’ve seen him in books, I’ve seen many, many, many different takes and interpretations of the character and the franchise. They’re all great. I don’t think any of them hurt any of the others. Sherlock the character has big shoulders and I think he can carry all of us.”
Answers from additional questions suggested a couple of ways in which Elementary might differ from Sherlock. They do not plan to update original Sherlock Holmes stories as has been done on Sherlock. Mycroft will probably wind up on the show eventually, but not initially. Sherlock’s father will probably appear first.
“If I were the [producer], I’d be frightened of the dynamic of male friendship that you’d lose,” he confesses to TVLine, “because that is obviously the bedrock of the books as well. [Now] there might be sexual tension between Joan [Holmes] and Sherlock, which is [a different dynamic than you’d have] between the two men. So, that’s a new thing to explore.”
And not necessarily a bad thing to explore. Cumberbatch – who is friends with Miller and even appeared opposite him in the UK stage production of Frankenstein – believes the world is big enough for multiple interpretations of Sherlock. (And, having seen the jolly good pilot, I’m inclined to agree.) “I wish them luck, I really do,” the actor insists. “I think it will be great. It will be a different spin on it, because obviously, theirs is modern-day as well, so it needs to be different from ours, and I think the more differences, the better, to be honest.
“I don’t see why they shouldn’t co-exist with us,” he adds, “I don’t think they’ll steal our audience. I think people who are Holmes fans who think they do a good job of it will have a treat in watching ours and the films. So I wish them good luck!”
After scoring huge at the box office with its Avengers movie, Marvel is looking to explore the mythology on the small screen too. I’ve learned that Marvel’s TV division is in conversation with ABC and ABC Studios about doing a drama series in the Avengers world. I hear that the connection to the Avengers franchise would be light as the project is expected to be set in the universe and feature some of its themes and feel, but may not include any characters from Joss Whedon’s blockbuster. I hear the project is in a nascent stage, described as “a kernel of an idea,” with a number of scenarios being explored, including a high-concept cop show. Marvel has already given the Avengers the animated treatment with Disney XD’s The Avengers: Earth’s Mightiest Heroes and the upcoming Avengers Assemble.
Establishing a primetime foothold has been a priority for Disney-owned Marvel. The company has developed several projects for ABC Studios over the last couple of years, one of which, a Hulk series, is still in the works. Search is under way for a new writer to pen the project.
Perhaps they could start with repairing all the damage to New York. Actually I stayed on Park Avenue in New York last weekend for the first time since the damage depicted in the movie and everything seems to have been restored. I did pass a couple of shawarma restaurants, but no sign of any superheroes.
The above trailer has been released for the fifth season of Merlin. The show was originally envisioned as running for five seasons but now there is talk of extending to a sixth season, along with a movie.
William Shatner’s new documentary Get A Life! premiers this weekend on Epix. Trekmovie.com has a review.
A reboot of Blake’s 7 is in the works, directed by Martin Campbell (Casino Royal). A reboot makes the most sense considering how much time has gone by and how the original ended, but I’d love to see them try to continue the series from the point of the finale of the original series. The opening to the original series is above.
Amy Sherman-Palladino was interviewed by Deadline Hollywood about her new show, Bunheads, and inevitably Gilmore Girls came up. No word on her planned final four words for the series and she is quite pessimistic about the chances of a Gilmore Girls movie:
DEADLINE: Well, Gilmore Girls worked — until you left. Right now, Gilmore Girls is back in the news because journalists are comparing your departure to the situation at NBC’s Community, predicting that series won’t survive the ouster of creator Dan Harmon as showrunner. Can a series successfully outlive its creator? SHERMAN-PALLADINO: I think certain shows can. Great shows like Cheers went on and on after the original guys left, but you have to be able to train people in the style. I think procedurals can go on because you are doing cases. When a show is about a singular voice or a singular relationship, I think it’s a lot harder. When you’ve got the guy who basically wasCommunity, and you get rid of him in year four, I don’t understand that position. You either keep the guy for a fourth season, or maybe you just don’t pick it up. I don’t know Dan Harmon; some people say terrible things about him. I don’t know, maybe he is Lucifer. But if we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity. But maybe Community will be a fucking phenomenon this year, who knows? I didn’t watch Community, I don’t have a dog in this race, but all the things I read about it just felt weird.
DEADLINE: Was the end of Gilmore Girls inevitable after you left? SHERMAN-PALLADINO: Gilmore was tough and the cast was tired. It was a hard show, and I think that once I left there were pressures to do it cheaper, to really streamline it, to do things that they could not get me to do. But there are practicalities. If you are new, and they are telling you to do something and you would like to remain in your job, you need to do that. I think Gilmore Girls could have gone on another couple-three years. I was sad the way it went down and I don’t think it had to go down that way. But I don’t control the business, although I would like to. It was a great and wonderful experience, and I was lucky to have it.
DEADLINE: Sounds like that’s TV. SHERMAN-PALLADINO: It is TV. If I had any other transferrable skills, any other way to make a car payment, I would do it. It’s the one thing I can do. You talk to people and they say, the business is changing and it sucks and it’s awful. Well OK, but what’s my option? This is it. It may suck, it may be awful, but you’ve got to just keep going.
DEADLINE: Any chance of a Gilmore Girls movie? SHERMAN-PALLADINO: I thought so for a long time, I was into it, Lauren [star Lauren Graham] was into it, but the studio just does not seem to want to discuss it, so I’m thinking it probably won’t happen. She and I were totally there, we were game, I had stories, I had a way that I thought would have worked for fans and non-fans alike, but Warner Bros right now is not interested in doing that kind of movie.
Caroline John, who played Liz Shaw, died at age 71 last week. Liz Shaw was a companion to the third Doctor, played by Jon Pertwee during the seventh season of Doctor Who in 1970. Here are some clips from her first appearance when she was recruited by U.N.I.T.
Did Matt Smith give away a hint as to Amy Pond’s fate:
There’s something coming up in the final days of the Ponds that was in The Eleventh Hour,” he said. “There’s a shot in that. [Moffat’s] been thinking about it that long. He always knew how she was going to… I’m saying too much already.”
ENTERTAINMENT WEEKLY: Let’s talk about some of your favorites.
JOHN NOBLE: I had some favorites. I loved the “Letters of Transit” episode, which was the one where we went into the future. I thought that was really a beautiful looking episode, beautifully told. I very much liked “Return to Westfield” because it was the first time that really the old team had got back together again — Walter and Olivia (Anna Torv) and Peter (Joshua Jackson). It was a very interesting story for all sorts of reasons. Those two stand out.
Episode 20, where the two worlds were bridged was also a fan favorite.
I loved the final conversation between Walter and Walternate where they’re in the corridor together. I waited a long time to see how that would be handled, and I thought the writers really handled it beautifully and eloquently. I loved doing that scene.
Tell me what it was like filming that.
I think I was so ready for it. For me, I realized there needed to be a payoff between the fellows. And I’ve always seen them as two shades of the one man. You know, he’s the same man, but circumstances took him in a different direction. So it was like a personal reconciliation for Walter, Walternate. I was really touched by the way they were able to be so kind to each other. I found that encouraging, and it was the way that I would have wanted it to happen. There had been plenty of abuse flying around, previously. But it was just like a human being finally coming to some sort of resting point in their life and saying, “OK, let’s stop fighting.Let’s just agree on what we can agree on.” So, on a much larger scale, I thought it was beautiful. The whole sequence was beautiful. Looking back on it now, it was really sad that separation of the two worlds. No one kind of expected it to be because I have to tell you, they’re brutal to film, those doppleganger sequences. They are really demanding, and they take forever and ever and ever and ever. But I loved that scene.
Was it hard for you to say goodbye to that character?
I always had a soft spot for Walternate. I always figured that if my world was in trouble — I mean, really in trouble — he’d be the one I’d want to be in charge. And obviously he was painted as the baddie, initially. But I never personally took it that way. I took it as a man with a job to do and a huge burden and very good reason to be incredibly angry and vengeful should he choose to go that way. But he never did take that these actions; he just wanted to save his world. And then I got the chance — I think it was maybe last season– to humanize him a bit.
Look, Walter…Walternate, I don’t really think he’s gone. I think he’s just one suit away — just put another $2000 dollar suit…
Well, let’s keep you away from suits, then — for the good of the universe.
Peter and Walter had an amazing scene in the finale, right after he shot Olivia and he was working to save her. Did you actually slap Josh?
There is a little story to that. When we were doing it, it was very complicated. What Josh had realized was that his girl was lying there dead — hurt — and then [Walter] had just come trying to reason with him. There was just no way he would have done anything except strangle Walter really. So I said to [Josh], “We need [him] to snap on this one.” And we’d never done it; there’d never been any physical contact between the men. So I said, “How about if I slap you?” And he said, “Yes, that’s what it needs.” So we put that in. And it did; it was very powerful. When a person’s in distress, sometimes they slap them. So we put that in, and it was terrific. It was effective. And it was dramatically right for what we needed to do.
It appeared from the season finale of Once Upon A Time that it only made sense for Emilie de Ravin’s version of Belle to reappear frequently next season. Her pilot for ABC, Americana, didn’t get picked up, leaving the former Lost actress free to become a regular on Once Upon A Time.
While Star Trek‘s greatness really came from the television series, it lives on in the movies. Geek Tyrant notes that with the release of the movie currently in production, Star Trek will tie (with the Friday the 13th movies) for second in number of movies made. Both series will have twelve movies but they have a long way to go to catch up with James Bond who is going on twenty-four. As I pointed out several weeks ago, Bond director Sam Mendes has compared the James Bond franchise to Doctor Who.
What if there were SuperPAC ads in Kings Landing like those we have here? See one example above, and more here.
The Newsroom premiers tonight and most of the ads are negative. It doesn’t matter to me. If it is written by Aaron Sorkin I’ll watch every episode and enjoy them, just like Studio 60. (I probably agree with every criticism of Studio 60 out there, but still enjoyed the show.)
Seeing Rory Gilmore lower herself to having an affair with Pete Campbell on Mad Men before undergoing the Eternal Sunshine of the Spotless Mind treatment makes me nostalgic for Rory before she became corrupted. This is how Rory should be remembered: The Rory Gilmore Reading Challenge. And how did Amy Sherman-Palladino manage to get a young clone of Rory for Bunheads?
I don’t think that the flaws in the science will affect whether audiences enjoy the recently released movie, Seeking a Friend For the End of the World.
Last week was Father’s Day. Here’s a couple of kids out shopping for a card for their famous but evil father.
Or if you are in need for a birthday cake, this recipe can be found here. Extermi-cake?
J.J. Abrams has been highly successful in keeping shows interesting by rebooting them over time so that each season isn’t a rehash of the exact same format as previous seasons, and viewers cannot assume that fundamental changes cannot occur. This worked with Lost and Alias in the past. It worked a little less well on Fringe, with the fourth season failing to maintain the quality of the second and third seasons (with the show still worth watching). If Alcatraz survived, it was clear from the finale that it would also have been a different show. I had concerns as to whether Once Upon A Time could be successful over multiple seasons if left with a situation where Emma must always fail to break the spell. As was rumored before airing, Once Upon A Time had a major reboot, with Emma breaking the spell, followed by Rumpelstiltskin bringing back magic. The highlight of the week was the appearance of Amy Acker on Person of Interest, also shaking up this show.
Amy Acker’s character, who turned out to be the hacker Root, surprised Finch and Reese, and from reviews it appears also fooled most viewers. While this was the second time that the person they were protecting turned out to be far different from what the person seemed, the set up was done so well that we were fooled again. The series began with a simple format of the machine giving Social Security numbers. A simpler show would have continued the format, failing to raise the underlying questions of what it would mean to have such a powerful computer. The episode ended with Finch in danger and a phone call to Reese which just might be the machine, making it likely that the machine will be more significant next season. I hope that Amy Acker’s character also becomes a recurring character next season. Seeing how this show has evolved, it would most likely be as a protagonist to Reese and Finch, but not being sure of Root’s agenda, she could also turn into an ally over time.
Awake is in the midst of a two-part series finale so I will wait until it is completed before saying much about the show, but what is the deal with Britten visiting Britten in the preview? I do hope they end this series with a satisfying explanation as to what has been happening with the two realities.
If seeing Amy Acker on Person of Interest was the network television highlight of the week, the low point was the firing of Dan Harmon as show runner of Community. Producing a season of Community without Dan Harmon as show runner is like doing West Wing without Aaron Sorkin or Gilmore Girls without Amy Sherman-Paladino. Neither show was as good as when their creators ran the show, but in this case the consequences will be far worse. Those who took over West Wing and Gilmore Girls still attempted to do a similar show without breaking from the past. In this case I fear that the goal is to make Community a more traditional sit-com about a group of people going to school together. The show has an excellent cast and might still be an above-average sit-com, but it will not be the same without Harmon’s variations from the normal sit-com formula.
As is usually done in such situations. Harmon was given a title, but it is doubtful he will have any further influence on the show. He explained how he learned about being fired after getting off a plane and turning on his phone, without any previous discussion with Sony.
Apparently great show runners are treated better Great Britain than here. Steven Moffat is to receive as special Bafta award for “outstanding creative writing contribution to television.” One of Moffat’s current shows, Sherlock, is now running in the United States while Doctor Who recently filmed the final scene with Karen Gillan and Arthur Darvill. Gillan is seen in the picture above taken at Cannes, and will soon start filming Not Another Happy Ending, a movie about an eccentric author with writer’s block. She did manage to steal something before leaving the TARDIS for the last time.
An episode of Doctor Who, The Doctor’s Wife, was awarded the Ray Bradbury Award for Outstanding Dramatic Presentation at the Nebula Awards. That was quite a major accomplishment, beating Midnight in Paris, Hugo, Captain America, Source Code, and The Adjustment Bureau for the award. Among Others by, Jo Walton won the Award for Best Novel.
This was a pretty slow week. Several genre shows are on hiatus until after the Olympics. Caprica took one week off. Not terribly much happened on Lost until the final minute when Claire returned. The cast is out looking for new jobs with Daniel Dae Kim getting the lead role in a Hawaii 5-0 remake.
24 has been disappointing this season with rumors that this might be the last season on television, to be followed by a movie. This gives them two choices–remain in real time and have a two hour story or compress the events of twenty-four hours into a two hour movie. The word is that they are considering the compressed day idea.
Earlier today I had a post which showed a connection between Gilmore Girls and Big Bang Theory. There was more news this week regarding Big Bang Theory with Kaley Cuoco appearing in Maxim (above). In addition, nude scenes of Lucy Lawless in Spartacus have hit the internet and Anna Torv of Fringe appears topless in Esquire:
Readers of this blog have undoubtedly picked up on the fact that two television shows I like are Big Bang Theory and Gilmore Girls. An old post on the possibility of a Gilmore Girls movie has by far the longest running thread of comments which has continued into this year.
One concern I’ve had is whether the old sets are available. It just would not work to have a Gilmore Girls reunion without Stars Hollow. Remember how disappointing it was to have the Cheers reunion without the old bar? It turns out not only does the Stars Hollow set still exist (picture above) but that there is a connection between this and Bill Prady, executive producer of Big Bang Theory.
Bill Prady has a tweet saying, “The walk from my office to the stage is through the Warner back lot (Star’s Hollow)” He linked to the picture above. That would be a great walk to take on the way to work everyday, and even better if Lorelei and Rory would walk by with their rapid-paced dialogue.