SciFi Weekend: Orphan Black; Game of Thrones; The Blacklist; 12 Monkeys; Star Wars The Force Awakens; Doctor Who Spinoff Class; Suicide Squad

Beth (TATIANA MASLANY)

We knew from the preview I posted last week that Orphan Black would begin with a flash back, but it was a surprise that almost the entire episode dealt with Beth Childers and other clones prior to when the series began. Seeing Beth gave a better feel for why she jumped in front of a train in the first episode. Beside seeing her drug problem, we saw far more than we previously knew about her troubles with Mark and how close she was to Art. It was also interesting to see some of the other clones in their younger, more innocent days. Beth, whose primary role appears to be to handle the money for the clones and supply Beth with pills, has not yet shot a gun, and Cosima’s biggest concern is finding a place to live while going to school.

The most important aspect of the episode was probably the introduction of another clone, M.K., who was both more knowledgeable than the other clones about the situation, and (probably justifiably) more paranoid. She says she is only alive because they think she is dead. We don’t get until the present until the end of the episode when M.K calls Sarah, now hiding in Iceland, with the warning: “Neolution knows where you are. They’re coming for Kendall Malone….You need to run. Right now.”

Felix even had a cameo, presumably never looking up to see a clone of Sarah in the police station. Buddy TV has an interview with Jordan Gavaris which reveals that Felix’s relationship with Sarah is strained, and he has more time with the other clones.

Game of Thrones enters new territory this season, going beyond the books, and might be wrapping up sooner than many have predicted. Variety reports:

In an exclusive interview with Variety, showrunners David Benioff and D.B. Weiss said they are weighing wrapping up the Emmy-winning saga of Westeros and the battle for the Iron Throne with just 13 more episodes once this sixth season is over: seven episodes for season 7; six for the eighth and potential final season.

“I think we’re down to our final 13 episodes after this season. We’re heading into the final lap,” said Benioff. “That’s the guess, though nothing is yet set in stone, but that’s what we’re looking at.”

Sources later clarified those exact numbers were premature, given that the showrunners are now just beginning to outline their plans, but said that any upcoming seasons may be shorter than the full 10 episodes of seasons past.

Trailer for the upcoming season is also above.

Blacklist wedding day

I’ve looked at a lot of deaths on genre shows the last few weeks, but the most unbelievable was on The Blacklist. (Major spoiler ahead). Even more so than on Sleepy Hollow, the female lead is too important a character to have die without a major change in the series. Possibly they do plan on a major reboot of the series, which is always possible as long as they have James Spader, but I am quite suspicious that in this case they are faking Lizzy’s death as part of a plan to keep her safe. Perhaps they will use a need for Lizzy to appear dead as a means to prevent her from being with Tom and her baby, which might have limited her actions.

12 Monkeys

Blastr has an interview with the cast and crew of 12 Monkeys and their planned 17-season arc. Here is the start of the interview:

You managed to build a layered, compelling story in the first season, which also featured quite a lot of world-building. Now that you’ve laid that creative groundwork, can you talk about what’s it like to really get to play in this sandbox you’ve built for Season 2?

Terry Matalas: It’s a lot more fun. In a lot of ways, it’s almost like Season 1 is the prequel to Season 2. Things really starts to get going, and we’re moving through time in ways we weren’t able to in Season 1. We’re able to mix and match characters and really try new things. The stakes are higher, and it’s a lot more fun. The show really finds itself in Season 2.

In the early parts of Season 2, Cassie really seems to start taking point in regards to the mission that drives the narrative of the show. In a way, she feels more like the Season 1-era Cole than the character of Cole does now. Can you talk about that change in Cassie, and how her time stranded in the future has affected her?

Amanda Schull: I think it was a slow burn to build this person, but you’re right. Her time in 2044 is what solidifies that very dramatic shift. She had only ever heard of this life that Cole was grappling with, then when she’s forced to live in it, herself, she realizes that intelligence doesn’t necessarily accomplish goals in every scenario, and it won’t help you survive every scenario. She really becomes a product of that world.

Star Wars Rey

There has been a lot of speculation that Luke or possibly Leia and Han are Rey’s parents in Star Wars The Force Awakens. I would not entirely trust anything J.J. Abrams says about character identities after he denied that Benedict Cumberbatch would be playing Kahn in Star Trek Into Darkness, but he gave the impression that these theories about Rey might not be true when he said this about Rey: “Rey’s parents are not in Episode VII. So I can’t possibly in this moment tell you who they are. This is all I will say: It’s something that Rey thinks about too.”

Abrams has since clarified the issue saying: “What I meant was that she doesn’t discover them in Episode VII. Not that they may not already be in her world.” In other words, Luke could still be her father, but she doesn’t learn that in the next movie. Or perhaps she does, and he doesn’t want to give it away.

Abrams has also discussed, once again, the similarities between The Force Awakens and A New Hope:

“[‘The Force Awakens’] was a bridge and a kind of reminder; the audience needed to be reminded what ‘Star Wars’ is, but it needed to be established with something familiar, with a sense of where we are going to new lands, which is very much what 8 and 9 do. The weird thing about that movie is that it had been so long since the last one. Obviously the prequels had existed in between and we wanted to, sort of, reclaim the story. So we very consciously — and I know it is derided for this — we very consciously tried to borrow familiar beats so the rest of the movie could hang on something that we knew was ‘Star Wars.’”

Class cast

The BBC has announced the cast of the Doctor Who spinoff, Class, which takes place at Coal Hill School. Stephen Moffat had this to say about the series:

There’s nothing more exciting than meeting stars that nobody’s heard of yet. We had the read through of the first few episodes last week, and there was a whole row of them. Coal Hill School has been part of Doctor Who since the very first shoot in 1963, but this new show is anything but history. Class is dark and sexy and right now. I’ve always wondered if there could be a British Buffy – it’s taken the brilliant Patrick Ness to figure out how to make it happen.

I wonder what he means by a British Buffy. Is it just a matter of having a cast in this age range, or will there be other similarities?

Suicide Squad

The upcoming Suicide Squad movie will apparently have a lot of Batman, which should increase interest in the movie. There are also reports that the sequel might be R-rated. Deadpool has already done well with an R-rating, and the same is planned with Wolverine 3.

Quote Of The Day: Conan O’Brien & Seth Meyers On Donald Trump And The Republican Nomination Battle

Conan Photo

It’s come out that President Obama has been allowed to see special advance episodes of the new season of ‘Game of Thrones.’ Obama says he watches ‘Game of Thrones’ to remember what it’s like to have reasonably sane people compete for leadership –Conan O’Brien

Bonus Quotes:

It’s being reported that the Democrats have a plan to “shatter the Republican Party.” When he heard, Donald Trump said, “Beat you to it!” –Conan O’ Brian

A farm in Ohio has the words “NO TRUMP” written so large in cow manure that it can be seen by overhead planes. The craziest part — no one asked the cow to do that. –Seth Meyers

SciFi Weekend: Arrow; The Americans; Sleepy Hollow; 11/23/63; Orphan Black; The 100; Sherlock; Bruce Springsteen

Arrow Cemetary

It looks like many shows think that they can duplicate the  success of Game of Thrones and The Walking Dead by killing off characters. There are more major spoilers this week. Recent posts have already dealt with character deaths, and there were more to look at this week. Some were handled better than others.

We knew for quite a while that there would be a death on Arrow this season, but none of the discussion I’ve seen predicted that it would be such a major death, even though major characters have been killed on this show since the beginning. It does make sense to kill Laurel as they never really knew what to do with her beyond the first season when the ex-girlfriend role made sense. They have varied so much from the comics that it is not necessary to keep her, especially as it appears, despite their current troubles, that Oliver is fated to wind up with Felicity and not Laurel.

Marc Guggenheim and Wendy Mericle, and Paul Blackthorne (Detective Lance) discussed the episode with Entertainment Weekly. Here are some of the questions:

But seriously, why Laurel?

“Obviously Arrow is always a show that’s evolving,” Guggenheim says. “It’s always a show where every character, arguably except for the Arrow, is fair game. We started off this year with the promise of a death and when we worked our way through our various different creative choices, we realized that the thing that will give us the most pop going into the end of the season and into next season unfortunately would be Laurel.”

Was she killed because some of the fanbase doesn’t like Laurel?

“When I say it gives us a lot of pop I don’t mean on the Internet or publicity, I mean creatively for the show,” Guggenheim says. “Every time we’ve killed off a character on the show, it’s really been for the effect it has on all the characters left behind. I don’t want to spoil the end of season 4 or what we have planned for season 5, which we’re already in the room working on, but the way we always describe it is the creative math. How divisive Laurel is as a character on Twitter is not a factor. Truth be told, Twitter is a very specific sub-segment. The number of people who don’t like Laurel is probably an infinitesimally small group, so it’s not, as they say, statistically relevant.”

But shouldn’t Oliver and Laurel be endgame?

“One of the things we knew people would think was, ‘Oh, well, in the season where Oliver and Felicity get engaged and Laurel dies, that’s clearly making a choice about who’s going to end up with who,” Guggenheim says. “Truth be told, we told the Laurel-Oliver romance story in season 1. We told that story. We never really thought about going back to it. The ‘shipping thing was not an element, it was not a factor to us. We recognize that that upsets a lot of fans, particularly the comic book fans.”

Yeah! Oliver and Laurel end up together in the comics! What gives?

“In the comics, Dinah Lance and Oliver Queen, depending on which version of the character you like, are in a romance together in various iterations,” Guggenheim says. “That, to some people, is considered canonical and iconic, and we respect that, but at the same time we’ve always made no bones about the fact that we are telling our own version of the Green Arrow mythos. The Green Arrow has had so many different interpretations, and Black Canary has had so many different interpretations over the years, that we never felt beholden to one particular interpretation. This is our interpretation, like it or not, and I recognize there are plenty of people up and down my Twitter feed who do not like it. I totally respect that. But it made the most creative sense for us going forward despite the fact that we love Katie, absolutely love Katie.”

So could Laurel come back to life?

“Not getting a chance to work with Katie day in and day out is tempered by the fact that we now live in a universe where there’s resurrection, parallel earths, time travel, flashbacks — we have all these different ways of keeping Katie in the Arrow-verse family,” Guggenheim says. “In fact, you will see her on an episode of Flash playing the Earth-2 version of Laurel Lance. Katie is reprising her role as Laurel of Earth-1 to be in Vixen season 2. Death does not mean goodbye on any of these shows, but we made a creative choice and we’re sticking to it. We’re recognizing that Black Canary and Laurel have an incredibly loyal fanbase, and Katie has an incredibly loyal fanbase, but the show has never been just about the comic book history, it’s never been just about one or two different particular fanbases. We make the creative choices we feel benefit the show as a whole and the story that we’re telling overall.”

But by bringing her back on other shows, doesn’t that cheapen Laurel’s death?

“We definitely recognize across all three shows that when we kill off a character, it means something different now,” Guggenheim says. “I’m not going to put a qualitative judgment on whether it’s more or less impactful. I’ll leave that to the audience, but certainly we acknowledge there’s a difference. Arrow, much more so than Flash or Legends, it traffics in death. We started off the series of the apparent death of Sara Lance and the actual death of Robert Queen and a hero who murdered people. For better or for worse, death is part of the show. What we’re finding is that death now, as it should by the way, when you start to get where we are pushing into season 5, the show has to evolve, it has to change. The concept of death on this show is evolving and changing as we’ve already seen with Sara Lance, and with seeing Laurel in a parallel universe. There’s a world where we do an episode where Oliver Queen meets the Laurel Lance of Earth-2. That’s now on the table. Time travel is now on the table. As the show has evolved, so has death.”

The interview also dealt with reactions from the other characters, and revealed that we will not find out what Laurel said to Oliver before she died until next season, showing that the death of Laurel will be impacting the show for some time. As noted in the interview, Katie Cassidy will appear as an Earth-2 version of Laurel on The Flash. Her sister will also get a chance to react to her death on Legends of Tomorrow. Additional interviews from cast and crew can be seen here.

In other Arrow news, Echo Kellum (Curtis) has been promoted to a series regular for season 5, and presumably will be an active part of Team Arrow. I also would not be surprised to see Felicity getting back with the team, whether or not it takes time for her to get back with Oliver.

THE AMERICANS -- "Dimebag" Episode 304 (Airs Wednesday, February 18, 10:00 PM e/p) Pictured: Annet Mahendru Nina Sergeevna. CR: Ali Goldstein/FX

The Americans had the death of a major character at a strange time. (More spoilers here). It would have made more sense to end Nina’s story at the end of last season rather than continuing it so briefly this year, but many of the plot thread from last season were left to continue this year. It also provided an interesting look at how such executions were handled, with Nina being shot only three seconds after being told her appeal was denied and her death sentence would be carried out shortly.

TV Line discussed the episode with Joe Fields:

TVLINE | When was she originally supposed to die?
JOEL FIELDS | We went back and forth a little bit. There was a point at which we thought she might go at the end of Season 3. Then we fussed around with different episodes in Season 4. So yeah, there was a little bit of elasticity to it.

TVLINE | Why, ultimately, the decision to kill off Nina now?
FIELDS | It was really all about how the story laid out and how it fit in with other stories. … You do get very attached to these characters. As writers, you get very attached to them, and as actors, you fuse with them in a certain way. So it feels like a real loss.

TVLINE | So poor Nina was always doomed?
FIELDS | Well, not from the very beginning. And frankly, you’ve got to define “doomed.” The truth is, this character transformed in a way that has great meaning, and she could have maybe found a way to continue on as somebody who would do anything to survive. But instead, she grew. And she grew into a character who was willing to take a risk to do the right thing for someone else. Although she paid the ultimate price for it, she grew into a much fuller person. Yes, she made her choices, and in all seriousness, we have a lot of respect for her choices.

TVLINE | The method of her death was so brutal and quick. How did you land on that?
WEISBERG | That’s how they actually executed traitors. We learned about it from a book written by our consultant, Sergei Kostin. His book came out after the end of the Cold War, and we tried to follow it beat by beat in our script. Our director followed it beat by beat [and] beautifully shot it. As soon as we read it, we thought, “This is the way to do it.” It was so dramatic and so powerful and, interestingly enough, so humane. Because the reason they came up with that system was to spare the person being shot any foreknowledge about what was going to happen so they wouldn’t suffer and be afraid.

TVLINE | Nina has been separated from much of the main cast for a while now. Will her death reverberate for the rest of the characters somehow?
WEISBERG | I think it’s safe to say that Oleg’s father is very highly placed in the Soviet government, so he could easily find out what happened. I don’t think we ever saw that story as separated as maybe some people did. Even though the role was not as interconnected in the way that things are interconnected today with the internet and communications, it was still an interconnected role at the heart.

TVLINE | Did Oleg’s dad try to reach out to help her?
WEISBERG | He did try, but he just wasn’t successful.

The Americans Nina Execution

Spoiler TV has an interview with Annet Mahendru who played Nina, and also appeared in The X-Files revival this year:

Could you talk a bit about Nina’s motivations for helping Anton [Baklanov], what her mindset is and how you dealt with the change in her this season?

Annet Mahendru: I think last season we see it goes on for a while, she’s figuring him out, she’s always about the other – she’s kind of a reactor to things – and she doesn’t quite know what to do with Anton and she sees a human being for the first time and it brings that out of her. And she’s exhausted, she’s been in this hamster wheel over and over buying her life out, walking this thin line and you know, every decision, every step, it’s life or death for her and she’s exhausted and she’s falling and she can’t do this anymore. And he moves something in her. For the first time it’s something very direct: he has a son, and she’s given all that up when she entered this profession and she finds joy in his world and his letters and love and for the first time I think we see her happy and she literally gives up everything for that moment of happiness and that’s her freedom from that tragic life that she has chosen and has been dealing with [since we met] her. So I think for joy and for just she lives for the first time and that’s what she needs to do to live and sometimes you need to change in order to survive and that’s what she does.

Nina seemed quite resigned when reading the statement from Baklanov. Do you think she’s at peace with her fate now?

Annet Mahendru: I think she’s content, she is, she’s very much settled and she’s ok now because she did something for the first time that allowed her to be who she is and something that she saw, you know she has done everything to secure the future of the Soviet Union, this cause, this great cause that is so far-fetched and to hear something so direct – there’s a boy that needs to know that his dad loves him and she did that and that’s the greatest thing she’s ever done.

What was your reaction like when you got the script for this episode? Did [creators] Joel [Fields] and Joe [Weisberg] give you some heads up or did you find out as you were reading?

Annet Mahendru: (Laughs) Goodness no, I got the first script and then I got a phone call and you kind of wait for that phone call from the get-go – everytime they call you, that might be the phone call. It finally came and I played it really cool because you’d think you’d be prepared for it but you absolutely are not. I was angry at them, I loved them, I felt every single thing you could possibly feel and I remember my mom was like “it’s not you dying, it’s Nina, it’s Nina” because it just felt like a part of me that I was so lucky to be able to tap into and that I had to also say goodbye to. And the weird thing is I felt like in the 2nd episode I’m getting to know Nina, she’s meeting her husband, she finally has her own mission, her transformation that she desperately needed and I felt like I had just gotten a taste of her and that’s it and then like an episode later she’s dead. So that little bit of joy, that little bit of her that I finally got, it was so fleeting and it was over before I could really embrace it and it was really sad. We’ve all been, since the beginning, treasuring her and fighting for her – it’s really been a fight – and it just made me realise that it’s just such a tragic life and that it’s real, you know, this happens out there and it made me really angry.

Could you compare working on a show like this to working on a show like The X-Files?

Annet Mahendru: You know, it was really ironic, it was like a double death for my characters this year. It was a lot of death but Sveta died for the reopening of the X-Files and Nina died for starting something very important for an individual. It was a really difficult season and also the greatest season at the same time. The X-Files was a real treat and it was another special story that I got to tell.

Sleepy Hollow

From a mass audience perspective the death on the season (and perhaps series) finale of Sleepy Hollow was the biggest, but as I was also giving up on the show it mattered the least to me. (More spoilers ahead). The she had already lost its way after the first season, when it centered around the relationship between Ichabod and Abbie. There is no news yet as to whether the series will be renewed. While this was also not a very satisfactory way to end the series, it would probably be best to end it now, unless someone can go back in time and end it after the first season.

TV Line discussed the episode with showrunner Clifton Campbell:

TVLINE | I’m going to jump in with the big question first: Is Abbie really dead? Is this the last we’ll see of her?
The character of Abbie Mills makes the supreme sacrifice to save the world, and her character dies in the season finale, yes. To answer the second part of that question, she will not return to the show as Abbie Mills. There’s certainly the possibility, given our really good relationship with Nicole and how much she’s help build us these past three seasons, that reflections of her will be around and that the idea of her will be around is certainly something we’ve all talked about, but not as the character of Abbie Mills.

TVLINE | So is Nicole Beharie no longer with the show?
Nicole Beharie as Abbie Mills is no longer with the show. The character is dead. But we’ve had a terrific run with her. She’s been an absolute delight. She helped build out the mythology of the show, and we’ve had a tremendous run with her. The character is gone and, like I said, in Sleepy Hollow it’s always surprising to see how the reflections of one character or another can influence the show moving forward.

TVLINE | Ichabod’s grief over what happens is palpable, but I was struck by how Tom Mison played it contained. Did you think about Ichabod having a big emotional moment after he realizes she’s gone? Did you shoot any takes like that?
Listen, Tom has really created this character from the bottom up. His instincts are without parallel. His fearless creation of this character in all of these moments, particularly as they pertain to his relationship with Abbie Mills, is not something any of us would second guess. You picked up on that contained emotion — I think this is such a big moment, and a huge loss in his life and his world that he needs to process. At a point where we have that opportunity in the finale, he hasn’t quite reached that point yet.

TVLINE | Having Abbie sacrifice herself twice in the same season — fans might think, “Well, you brought her back last time…” What’s the fundamental difference between her going into the tree and her willingly entering Pandora’s box?
Well, she knew she wasn’t coming out of the box in the finale. She knew, because of what they learned in the catacombs, that the box was missing its hope, which is at the center of darkness and gave it context, gave it form. She knew she was giving herself to the box… that that meant she would not be coming back.

At the midseason break this year, it was more immediate. The Shard of Anubis was going to blow; her sister and Crane and everybody in close proximity could suffer catastrophic loss. Abbie knows she’s giving her life up at the end of Season 3 to save the world. The difference is, from the audience’s perspective, is [at the midseason break] she had fallen into a realm that we didn’t know about. She didn’t die.

112263 Finale

Hulu completed 11.23.63 last week with the series clearly being about whether one person, John Kennedy, would die. While I noted some negative reviews when the show first started, with some suggesting that viewers skip ahead to the final episode, I did find it enjoyable throughout the entire season. The finale did flow well from what was shown before.  (More spoilers ahead).

The series began by including a cosmic reset switch when introducing its rules for time travel. Whenever anyone went back in time, everything they did in a previous visit was reset and they could start all over again. Knowing about this reset switch from the start, the most obvious outcome was that Jake would be successful in preventing the assassination of John F. Kennedy, but things would be worse because of him doing so and he would have to go back in time to reset this.

The show was not very clear as to why things were so awful when Jake returned to the present, leading me to quickly skim the ending of the book. In the book the issue comes down to matters of destruction because of making changes in time itself, as opposed to a result of Kennedy’s actions after remaining alive.

It was clear several episodes before the end that the real story was about what would happen between Jake and Sadie, a woman Jake fell in love with after going back in time. When he spoke about bringing her back to the present with him, my first thought was that we have seen people go back in time, but never forward in time from their timeline. Whether or not it was possible for Sadie to go forward in time, Jake had to sacrifice the relationship in order for her to live to have a  happy life. Over the course of the finale, John Kennedy and Sadie were both killed and not killed on different trips back in time.

Orphan Black returns on April 14 on BBC America. The first four minutes are above. Here is the synopsis, which does not even mention the events of the flashback with Beth Childs.

After two months of respite, Sarah’s hard-won refuge in Iceland is shattered by a Neolution attack. Once again forced to flee, she realizes no matter how far her family runs it will never be far enough.

Ricky Whittle is isn’t happy with how his character was handled on The 100 last week. This follows the controversy over the death of Lexa earlier in the season.

For those interested in still more television deaths, Geeks of Doom reviews the season finale of The Walking Dead.

Filming has begun on Season 4 of Sherlock, with Steven Moffat being vague in his comments on where the season goes.

Last week I noted how economic considerations, including pressure from Disney and other studios, led to a veto of a “religious liberties” law in Georgia. North Carolina has passed a similar discriminatory law, and now they have seen the first economic consequences of this:

Bruce Springsteen canceled Sunday’s concert at the Greensboro Coliseum because of House Bill 2, saying in a statement that he and his band would show solidarity for North Carolinians working to oppose the law.

“Some things are more important than a rock show and this fight against prejudice and bigotry — which is happening as I write — is one of them,” the singer wrote on his website. “It is the strongest means I have for raising my voice in opposition to those who continue to push us backwards instead of forwards.”

…HB 2, passed quickly by the General Assembly in a one-day special session last month, prevents cities and counties from passing anti-discrimination ordinances to protect lesbian, gay and transgender residents. Legislators passed the bill in response to an ordinance adopted in Charlotte that would have allowed transgender people to use the bathroom of the gender they identify with, a provision overturned by the new law.

Dozens of businesses, including American Airlines, Dow Chemical, BioGen and Labcorp, have spoken out against the law. PayPal canceled a planned $3.6 million expansion in Charlotte that would have created 400 jobs, and dozens of people have canceled attendance at the semiannual furniture market in High Point that starts next weekend.

Cancellation of the Springsteen concert is the first major economic blow to Greensboro as a result of the law.

John Kasich said that he would not have signed the law:

“I believe that religious institutions ought to be protected and be able to be in a position of where they can live out their deeply held religious purposes,” Kasich, who’s running for the Republican presidential nomination, told host John Dickerson in an interview for Sunday’s “Face the Nation.” “But when you get beyond that it gets to be a tricky issue. And tricky is not the right word, but it can become a contentious issue.”

SciFi Weekend: Doctor Who; Sherlock; Age of Ultron; Jessica Jones; The Flash; Arrow; Supergirl; Back To The Future (Bernie Sanders Meets Doc Brown); Gilmore Girls; Maureen O’Hara

Doctor Who The Woman Who Lived

The Woman Who Lived works as a stand alone episode of Doctor Who which did not really need to fall directly after last week’s episode, The Girl Who Died. Maise Williams’ character is seen eight hundred years later. It was strange that she remembered the Doctor and Clara and not her own name or village. She also had a colder attitude which can be seen in this exchange:

The Doctor: Anyone is that village would have died for you
Ashildr: Well, they’re all dead and here I am. I guess it all worked out

The show described the problems with immortality, and Ashildr’s frustration: “I have waited longer than I should ever have lived. I have lost more than I can even remember. Please Doctor, just get me out of this. I want more than this. I deserve more than this.”

While her life span was increased her memory was not so she had to resort to her journals, tearing out the pages of things she wanted to forget. She did keep the pages about her children dying of the plague, as a reminder to never have children again.

The Doctor did not take her with her, but did tell her , “I travelled with another immortal once. Captain Jack Harkness.” Will she ever meet up with Captain Jack (John Borrowman)? Plus Sam Swift may or may not also be immortal.

Nerdist reports that Maise Williams will return to Doctor Who:

Over the weekend, at London’s MCM Comic-Con, “Face the Raven” writer Sarah Dollard confirmed that Ashildr/Me would be back for her episode. During “The Woman Who Lived,” we find out that the character decided to be there for the people the Doctor leaves following his swoop-in/swoop-out style of day-saving. “Someone has to look out for the people you abandon, who better than me? I’ll be the patron saint of the Doctor’s leftovers,” she told him. She also says, “While you’re busy protecting this world, I’ll get busy protecting it from you.” When the Doctor expresses that he thinks he’s very glad he saved her life, she replies, rather ominously, “I think everyone will be.”

This could make her an interesting recurring character, and provides job security should she be killed off on Game of Thrones.  She is present in the background of a picture at Clara’s school shown at the end of the episode. I’ll accept the coincidence that she is present in the first picture that Clara showed him after this encounter, but what about all the companions prior to Clara? While that probably cannot be shown on screen, she could be an interesting addition to books or fan fiction. With Jenna Coleman reportedly leaving after this season, possibly Maise Williams will play a part.

The above trailer announces that the long-awaited Victorian version of Sherlock will air on January 1 in both the UK and the Unites States and will be named The Abominable Bride.

I’m going to post this link without reading the article. I haven’t looked at the deleted scenes on the Blu Ray of Avengers: Age of Ultron yet, and will do so before reading this, but Den of Geek has a detailed description for those who might want to read about them without viewing.

After a bunch of teasers, Netflix has released a full trailer for Jessica Jones (video above).

I avoid watching Amazon pilots until a series is about to be released in full, but I am really looking forward to The Man In The High Castle. Reviews of the pilot have been fantastic. Now Amazon is going to make the first two episodes available, even to non-prime members, here  from 12am Pacific on Friday, October 23rd until 11:59pm Pacific on Sunday, October 25th. The first two episodes will remain available to Prime members, with full release on November 20. While I already had an Amazon Prime membership for the free shipping, with streaming becoming a huge player, I now consider Amazon Prime, Hulu (commercial free subscription), and Netflix all essential (with HBO Go and comparable services from the other pay cable networks  also available due to cable subscriptions). Many evenings I do not go beyond my Roku box for watching television.

This raised another thought. When traveling I prefer either a Roku box, or my Roku stick to travel more lightly, as it has all the streaming services I use set up conveniently. It includes Amazon Prime, while some competing devices do not. I also do have both a Google Chromecast and an Amazon Fire Stick. (This comes in handy when staying in friends’ condos in Florida which have televisions in the bedroom and living room).  I have also found the Amazon Fire Stick essential when traveling to hotels which require a sign on to use their WiFi. Only the Amazon Fire Stick can handle this without resorting to making a hot spot with a travel router.

Danielle Panabaker of The Flash was on The Talk (video above). She discussed her transformation to the villain, Killer Frost.

All of the DC comic based shows have been off to a good start this season. Arrow, which just brought back Sara Lance to lead into Legends of Tomorrow, is much stronger this season, including a much bigger big bad. The flash backs are also more interesting with the return to the island. Plus someone will die in six months. Supergirl officially starts this upcoming week. The pilot, which has been available for months, was excellent and those who like The Flash and Arrow should also like this show. Over at Fox, Gotham has turned much darker, and is showing more potential than in the first season.

Also notable in the past week, You’re The Worst, while it has not been as  good as the first season, has had many excellent moments. This included the revelation of  what is wrong with Gretchen last week.

Hulu has renewed Casual for a second season. I highly recommend that show. I have not watched The Whispers, but I note that ABC has canceled it. CBS has ordered a full season pick up of Limitless. It is a lighter but entertaining show with a genre element.

Bernie Sanders Back To The Future

I previously posted the video of Bernie Sanders on Jimmy Kimmel Live last week. Christopher Lloyd (Doc Brown) was also a guest, along with Michael J. Fox,  for an opening skit for the date he came into the future in Back To The Future 2. Bernie Sanders posted the picture along with this caption on his web page:

“Tell me, future boy, who’s President of the United States in 2017?”
Bernie Sanders.
“Bernie Sanders?! From Vermont?”

So this our destiny. I think this is a fixed point in time which cannot be changed.  The skit with Christopher Lloyd and Michael J. Fox is below:

Speaking of time travel, Simon Berry has provided some information following the  Continuum finale. I will hold off a little longer to discuss the finale a second time to allow more time to see if further material of interest becomes available.

Gilmore Girls revival

Plus we have something else from the past to look forward to. Netflix is planning a revival of Gilmore Girls. The current plans are for four episodes, ninety minutes each, which take place in real time, eight years after the finale. We will finally see the final four words planned for the show by Amy Sherman Palladino.  While not finalized, Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson, along with many of Rory’s suitors, are expected to appear. Edward Herrmann obviously will not appear but perhaps the funeral for Richard Gilmore, taking place after the actor actually died, could be a good point at which to reunite the other characters. The series ended with Rory Gilmore covering Barack Obama’s campaign in Iowa. Might she now be covering  Bernie Sanders?

This will not be the only case of Lauren Graham being united with a star from a previous show. She will reunite with Mae Whitman of Parenthood in an adaption of the The Royal We, a book on the courthouse of Prince William and Kate Middleton.

Maureen O’Hara died at age 95. From The New York Times:

Maureen O’Hara, the spirited Irish-born actress who played strong-willed, tempestuous beauties opposite all manner of adventurers in escapist movies of the 1940s and ’50s, died on Saturday at her home in Boise, Idaho. She was 95…

Ms. O’Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film “Comanche Territory” with the sentiment “Framed in Technicolor, Miss O’Hara somehow seems more significant than a setting sun.” Even the creators of the process claimed her as its best advertisement.

Yet many of the films that made the young Ms. O’Hara a star were in black and white. They included her first Hollywood movie, “The Hunchback of Notre Dame” (1939), in which she played the haunted Gypsy girl Esmeralda to Charles Laughton’s Quasimodo; the Oscar-winning “How Green Was My Valley” (1941), in which she was memorable as a Welsh mining family’s beautiful daughter who marries the wrong man; “This Land Is Mine” (1943), a war drama in which she was directed by Jean Renoir; and “Miracle on 34th Street” (1947), the holiday classic in which she played a cynical, modern Macy’s executive who tries to prevent her daughter from believing in Santa Claus…

SciFi Weekend: Continuum Series Finale; Doctor Who; Fargo & Manhattan Return; Defiance Canceled

Continuum Finale 2

Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the  questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.

In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.

In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.

It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.

Continuum Finale

The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.

Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.

The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.

It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.

Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.

Doctor Who The Girl Who Died2

The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.

The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”

There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time.  In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)

It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”

This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.

The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.

Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.

The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”

A couple other memorable lines from the episode:

Doctor: “I’m not actually the police, that’s just what it says on the box.”

Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”

Behind the scenes videos with Maisie Williams can be seen here.

fargo-season-2-header

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.

Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.

Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not  let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.

SciFi Weekend: Doctor Who; Jessica Jones; Fargo; Extant Canceled & Minority Report Unlikely To Survive; Blindspot; Limitless; Casual; The Flash; Arrow; Continuum

Doctor Who Before-the-Flood-3

The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?

The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time  period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in  the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.

Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”

The early reviews of Jessica Jones have been excellent. The show includes superpowers,  hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on  November 20.

Fargo returns on Monday and sounds quite promising. Reviews herehere, here, here, and here.

Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.

CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.

I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.

AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.

Blindspot

Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.

Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious  background stories.

I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.

When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.

Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.

Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.

Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.

The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.

SciFi Weekend: Doctor Who; SHIELD; The Flash; John Snow; Jessica Jones; Getting Hooked on Netflix; Black Mirror; Continuum

Doctor Who s09e02

The Witch’s Familiar, the concluding episode of last week’s episode of Doctor Who, The Magician’s Apprentice, works despite the weakness in its plot due to its dual match-ups. One was the Doctor and a supposedly dying Davro,s and the other pair was Clara and Missy.

Pairing the Doctor and Davros was an idea which Steven Moffat has had since watching Genesis of the Daleks according to an interview at blastar:

“When I was very young, I watched Genesis of the Daleks and began a long plan.”

“I was doing what I do in my spare time which is watch old episodes of Doctor Who – because I really know how to kick back and relax,” he explained. “Davros had already returned within the series…and it occurred to me, and I think this is just true, there isn’t a bad scene between the Doctor and Davros.”

“Whatever you think of the stories – and I think they’re all good – all the time, every time you have the Doctor confronting Davros, in the classic series and in the new series… every time they meet, it’s really quite electric. There’s something about those two characters meeting, so I wanted to have a go at it.”

“What surprised me, looking back at the old stories, was how little screen time they have together. In Genesis of the Daleks they have a couple of scenes, that’s all – brilliant scenes, beautifully written and played, beautifully done. But they’re very short – they’re not long at all. I’d imagined it in my memory as being most of the story, but it wasn’t at all.

“So my notion was to actually stick them in a room together and see what happens after a long while. So that’s, you know, a childhood ambition that hasn’t changed into my 50s.”

Doctor Who s09e02a

The pair spent a considerable part of the episode talking to each other and launching plots against each other. Reminiscent of the question posed by the Doctor last season, Davros even asked the Doctor, “Did I do right Doctor? Tell me, was I right? I need to know before the end. Am I a good man?”

The pairing of Clara and Missy was more amusing. This included Missy’s implied threat to eat Clara if there wasn’t anything else to hunt and Missy’s response when Clara suggested throwing a stone down into the sewers to see how deep they were. “Ah yeah, good idea.” And she pushed Clara in. Plus what is the deal with Missy’s reference to a daughter?

The resolution of the story was weak. Even if we accept that the Doctor can just turn on regeneration energy at will, what was his end-game? He was assisted in escaping by Missy, but at the time the Doctor thought that Missy was dead. His plan might have worked to have the decaying Dalek sewer slime attack the other Daleks, but how was the Doctor planning to escape?

It is also questionable why the Doctor revealed to Davros that Gallifrey still existed. Other questions also came up in the discussion with Davros, such as the idea that the Doctor might have been running from something when he left Gallifrey, and a possible Dalek/Timelord hybrid. Presumably some, if not all, of this will come up in future episodes.

Missy posed an additional threat to Clara when Clara was inside a Dalek. This was actually the third time she was, one way or another, inside a Dalek. We  saw Clara’s mind trapped inside a Dalek in Asylum of the Daleks in Jenna Coleman’s first appearance. Last season there was the journey by a team inside a Dalek in Into the Dalek.

This was an amusing sequence in which Clara tried to communicate but there were many words which the Dalek  translated differently from what she desired, being limited by what it knew. Then she said “mercy” which was not a concept the Dalek should have known. This led to the other somewhat weak aspect of the conclusion as the Doctor went back in time to show mercy to young Davros, therefore introducing the concept of mercy into the Dalek DNA.

The episode also eliminated the sonic screwdriver for now, with the Doctor moving on to wearable technology. There is still the question of the confession dial, which I bet will play a part later this season in typical Moffat style.

The two-part format did allow for many ideas to be inserted into the story, along with a cliff hanger. As plot holes have always been a part of Doctor Who, being present well before Moffat despite the frequent criticism of him for this, it does make sense to have less stories and include more in each one.

ABC has released the first four minutes of Agents of SHIELD, which is returning on Tuesday. Video above with Daisy and other SHIELD agents helping an Inhuman.

TV Guide has some information on Cisco’s new powers on The Flash.

TV Guide also has some set pictures which might provide spoilers on the fate of John Snow on Game of Thrones.

Fox will have a two part trailer for The X-Files on Monday night on Gotham and Minority Report. Minority Report did premiere last week but I’ve held off on watching until I hear more about how the show is. Starting to follow genre shows on Fox doesn’t always turn out very good. The season premier of Gotham left me with hope for improvements in the second season over the first.

Netflix has released the above teaser for Jessica Jones, providing a glimpse of her super powers.

Netflix has released some interesting information on how many episodes viewers had to watch of certain shows before becoming hooked on them. They found the episode at which seventy percent of those viewing would then go on to finish the season. Viewers were hooked with the second episode of Breaking Bad. Some other shows took longer.

Streaming has become a way to provide a future for television shows, in addition to provide access to old episodes of shows. Netflix has ordered twelve new episodes of Black Mirror.

Steven Spielberg has always been a master of fiction. Reportedly Hillary Clinton turned to Spielberg for acting coaches to help her appear more likable. This comes from the book Unlikable by Edward Klein. I’m not sure how much of this book is fact versus fiction.

Tonight we have the rare super blood moon total eclipse. National Geographic describes how to view it.

Continuum Power Hour

The third episode of Continuum, Power Hour, finally started to reveal much more of what is going on (and the reveals are even greater in the fourth episode–but no spoilers for episode four as this has not aired in the United States yet). Kiera and Garza teamed up to find out what the Time Marines are up to. In the process Curtis met a heroic death. After previously warning Alec that his superpower was in computers, not fighting, Curtis himself got drawn into the action.

Julian tried to destroy the Theseus manifesto. Leading a rebellion against the Corporate Congress in which there would be thousands of casualties, followed by failure, just did not seem like a good future for him. He could not escape his fate as, in sort of a time loop, Chen made sure a copy of the manifesto from the future came out, also leading Julian to a toddler Kagami. This leads back to the question of whether the future we know about will still come about, which directly impacts Kiera’s attempts to return home.

After two episodes which were largely setup, the story did progress in the third episode–already half way into the final season. The fourth episode does move the story forward considerably, making it possible to speculate as to the end game of the series. Here are a some teasers which will not spoil the episode, but those who want to go into the episode with zero information might want to look away. Alec responds to Emily being gone, but does not destroy the entire timeline this time. There is an unexpected conversation between characters. A puzzle from the first season is resolved. Keep wondering whether Kellogg should trust his future self.

SciFi Weekend: Hannibal Finale; Defiance; Mr Robot; Humans; Agents of SHIELD; Outlander and Game of Thrones Spoilers; Galaxy Guest; Russel T Davies Doing Shakespeare; Olive Sacks Dies At 82

Hannibal-Season-3-Finale-Review-e1440932136954

The Wrath of the Lamb, the series finale for Hannibal on NBC, contained a lot of material to provide a satisfactory ending should this be the last we see of these versions of the Hannibal Lecter characters. First there was the dramatic sequence in which Francis Dolarhyde pretended to kill himself, which certainly would have been an unsatisfactory ending if it was real. This led to something we have seen various versions of throughout the series–a plan to capture a serial killer which was doomed to fail.

The episode did finally end with the probable death of Dolarhyde, but the Red Dragon arc as part of the entire series was more about the transformation of Will Graham than it was about Dolarhyde’s transformation into the Red Dragon, or his ultimate fate. The series also provided a sense of closure for Alana and for Chilton should this be the last we see of these characters.

The climax of the episode took place in Hannibal’s home on a cliff where he previously kept some of his victims. Yes, an actual cliff was involved in the series cliff hanger, or at least ambiguous scenes. The scenes there primarily involved Hannibal and Will, until interrupted by Dolarhyde and culminating in as many as three deaths. There are a couple of questions raised by the cliff scene, perhaps foreshadowed by Hannibal’s admission, “My compassion towards you is inconvenient.”

The first question is what was on Will’s mind. Most likely he knew he was becoming a monster like Hannibal, unable to simply return to his new family, and saw the death of both of them to be the best outcome. It remains uncertain as to their actual fate. If watching this episode alone, the assumption would be that they died, but we know much more. We know that the previous season also ended with the apparent deaths of characters who survived. It was not known at the time the episode was written that this would be the series finale, and Bryan Fuller is still trying to keep the show alive in some form. Fans would be no more surprised to see Hannibal and Will survive the fall than they were that Sherlock survived his fall, or that Moriarty might still be alive. We also know from the novels that Hannibal did not die then, but Fuller has already changed elements of the novel so this in itself does not provide an answer.

Then there was that post-credits scene with Bedelia,  foreshadowed both by earlier events of the season and possibly by a comment earlier in the episode that “Meat’s back on the menu.”  Was she off screen the entire time, waiting for Hannibal to return to attempt start eating her? Is the third chair set for Will, who is now a willing party to Hannibal’s cannibalism? Or does the scene take place in the future, indicating that Hannibal, and perhaps Will, survived?

Fortunately after I started to wonder about these questions Bryan Fuller gave several interviews. While he does not completely answer all of these questions, there is major insight into the season finale and the questions raised.

Hannibal Finale Cliff

Bryan Fuller’s interview at TV Guide has more on the relationship between Hannibal and Will which led to that climatic scene:

Hannibal is usually the smartest person in the room. He guessed Will had sold him out to Dolarhyde, so did he not suspect Will might push them off the cliff?
I think he is surprised as he’s tipping back over the edge, but the center of gravity has already betrayed him. He’s falling, and there’s a certain surrender to that. At the same time, he probably acknowledges a certain beauty that Will is falling with him to his death and they’re holding on to each other until impact.

So even in “death,” Hannibal feels like he won the battle?
Absoutely. In that final moment, the murder of Francis Dolarhyde, Hannibal proved himself right about Will. And there’s something very antagonistic about Will saying I’m not going to give you that for very long.

A romantic love between Will and Hannibal was always more of a subtext in earlier seasons, but became actual text in certain conversations this season. Do you think of this ultimately as a love story?
It was a love story from the very beginning – it was romantic horror. One of the reasons that I really wanted to do the project is I really wanted to investigate the depths of male friendships — the intimacy and the power and the loss of self you experience in a brotherhood camaraderie. That was the thing that fascinated me the most and was the root of the story that I wanted to tell.

And yet Hannibal’s love for Will was his fatal flaw.
His compassion for Will always hinged on Will’s ability to understand him in a way that he feels like he has never been understood. I think that is the same gift that Will has received from Hannibal. The core of their attraction to each other is that they truly see other for who they are. Hannibal is glamoured by that. If he wasn’t, he probably would have killed and eaten Will a long time ago.

More on the final scene at Vulture, along with how his version of Hannibal Lecter might be remembered:

How should the viewer read Will and Hannibal falling off the cliff together? Is it a double suicide?
No, I think it’s a murder/suicide. And then of course coming back in and seeing that someone has cut off Bedelia’s leg and is serving it, and she grabs a fork and hides it under her napkin to stab the neck of the person who’s going to come into the room next suggests that either Uncle Robertus and Lady Murasaki are going down Hannibal’s enemies list and checking them off, or that Hannibal may have survived that fall.

Some people have told me that their interpretation of it is that she sawed it off herself, cooked it up, and is waiting for him to come home like, “Honey, I made dinner!” [laughs], which is hilarious…

You’ve said that you wanted Mads Mikkelsen’s Hannibal to be the definitive one. Do you feel like he accomplished that?
I think for certain portions of the audience, he did. And for those who watch the show regularly, there’s 39 hours of Mads Mikkelsen as Hannibal Lecter as opposed to six of Anthony Hopkins. But it all depends on who’s speaking to you generationally as that character. Who would you say is your definitive Hannibal Lecter? Still Anthony Hopkins?

Not anymore.

It remains to be seen whether Mads Mikkelsen can surpass Anthony Hopkins as the definitive Hannibal Lecter, but he will also have additional roles to shape his career. He is currently in talks to play the villain in Doctor Strange.

Hannibal Finale Bedelia

TV Line discussed Dolarhyde, and then Bedelia:

TVLINE | Circling back to the Will/Hannibal/Dolarhyde showdown — I felt like we didn’t really know 100 percent what way it was going to go. Will actually says to Hannibal that he intends to see him “changed” by Dolarhyde. And then, at one point, when Hannibal is looking at Will pulling out the knife, I wondered, is he signaling to Dolarhyde with his eyes or is he signaling Will? How did you view the scene? Do you feel like Will and Hannibal were always planning to end the Red Dragon, or was it unclear even to them?
I feel like Will was going there knowing that he very likely would not be able to finish Hannibal himself, because of his feelings for him, and that he needed Francis Dolarhyde to do it for him. And he knew that he may not survive it; it’s something he says several times through the episode. Bedelia says early in the scene with Will, “You can’t live with him, you can’t live without him.” That’s exactly what this is about. Will can’t live without Hannibal, and he knows that in that moment, once they’d experienced a murder together — a vicious, brutal murder where they hack a guy up with a knife and a hatchet — he’s like, “That was kind of fun. That was a good time. In fact, it was beautiful.” There’s a realization of his mind being able to process that experience as a thing of beauty. With that, he knows there is very little chance of him being able to return to humanity, so off they go.

Later in the interview regarding Bedelia:

TVLINE | You gave Bedelia resolution, of sorts, at the dinner table — where her leg is what’s for dinner. Knowing while you edited the hour that it was a real possibility this might be the series finale, was that absolutely where you wanted to end? And why put it after the credits?
Well, you know, I love post-credits sequence. I mean, you see Sherlock and Moriarty go over Reichenbach Falls, and you don’t know what fate befell those characters. By coming back in and seeing Bedelia at a dinner table being served her own leg, grabbing a fork and hiding it under the table and preparing to stab it in the neck of the next person who comes into the room, that’s a great way to tell the audience, “Yes, we have told you completion to this story, but who is serving Bedelia that leg? Is it Hannibal? Did he survive? Is it Uncle Robert is, and is David Bowie behind that curtain? Who’s serving her the leg?”

The longest interview was at Hitflix.com. Here are some highlights:

At what point in the season did you realize that this is how you were going to end it?

Bryan Fuller: Probably about halfway through the season. We’re always looking for a way to end a season in a way we could end the series. We never knew we were coming back. At the beginning of season 3, NBC was talking to me about new development, and that was a pretty big indicator to me that they weren’t planning on picking up a season 4. So I wanted to be sure we had an ending for the story we were telling, but also leave room for a continuation of the tale of Hannibal Lecter and Will Graham should we get the option to tell more of it.

So you have an idea in mind in the event of something more where this is not the end of the story?

Bryan Fuller: Right. In my mind, the most interesting chapter of Will Graham’s story has yet to be told.

Once NBC made their decision official and you couldn’t find a buyer elsewhere for a fourth season, were you at peace with the idea that this is it?

Bryan Fuller: I knew the writing was on the wall. I knew that we had gotten ridiculously preferential treatment on this show by the network. The fact that they allowed us to tell the tales we were telling, and in a manner that was much more suited to a cable audience than a broadcast network audience. They were bending over backwards to accommodate us, and I knew they could only bend so far with ratings as bad as we had! (laughs)

Where do things stand now? What are the options?

Bryan Fuller: Martha De Laurentiis is looking into financing for a feature film. The season 4 that we were going to tell is such a restart and reimagining that I still hope in some way that we get to tell a version of that, if not “Silence of the Lambs” itself, as a miniseries. I would love to return this cast to the big screen from whence they came, and Hannibal Lecter to the big screen, from whence he came. It seems perfectly symmetrical.

Last time we talked, you put the odds on a fourth season at 50-50. What would you say the odds are now for any kind of filmed continuation?

Bryan Fuller: Oh, God. I have no idea. I think they’re less than 50/50, and not in our favor. But I’m curious to see how folks respond to the finale, and then also if that satisfies them? If that feels like “We got a conclusion to our story and it’s wrapped up in a bow, and we don’t need anymore,” then the audience will dictate. But if the audience is still there for the show and still wants a continuation of that story, I’ll continue looking for ways to give it to them.

Why does Will, to your mind, pull Hannibal off the cliff. Is it what Bedelia said about how he can’t live with him or without him, so they have to go down together?

Bryan Fuller: Essentially, the conclusion of the season really started very early in the Italian chapter of the story, where Will is admitting if he doesn’t kill Hannibal Lecter, he has the potential to become him. Then he escapes that trajectory with Hannibal being institutionalized, and finding a family, and once being exposed to the heroin needle again, as it were, he’s realizing how much of an addict he actually is, but is aware enough to know, and to start making moves toward his previous goal of ending Hannibal. And he’s willing to do what it takes. Bedelia says, “Can’t live with him, can’t live without him.” It’s not necessary for him to survive this, in order to accomplish what he needs to accomplish. There’s something so fated about that final act of Will’s. And also, the awareness of this is perhaps the best solution for both of them.

Hannibal looks so happy when Will is embracing him. Does he know what’s going to happen next, or is he thrown for a loop when they go over the cliff?

Bryan Fuller: I think Hannibal is thrown for a loop when they go over. In that final scene between them, it was Hugh Dancy and I talking about what those last moments that we see of Hannibal and Will in the series on NBC, how they need to connect, and yet Will can’t totally surrender to Hannibal, because he’s still Will Graham and still a human being, but he also knows that it’s going to be very difficult to go back to his family life, seeing his wife murdered over and over again in his mind every time that he looks at her. Any possibility of a relationship that could save him from Hannibal Lecter seems dimmer and dimmer in his mind, that it is acceptable to him that he not survive…

She seems as if she is throwing a dinner party.

Bryan Fuller: (laughs) No, that’s our little nod to the audience that perhaps Hanibal could have survived that cliff dive. She’s sitting at the table with her leg on the table and she’s looking absolutely terrified, and she grabs the fork and hides it under her napkin and waits for whoever’s going to return. This woman still has some fight in her. We don’t know if Hannibal is indeed serving her her leg, or is it Hannibal’s uncle Robertus, or Lady Murasaki, or is it Will Graham?…

Bryan Fuller: That was the original intention. No, somebody has got her, and will she or will she not survive. And what’s so fun is that on the song that Siouxsie Sioux wrote, we hear her say, “I will survive, I will survive,” as we’re pushing in on Bedelia, and that could mean she’s singing from Hannibal’s perspective and it means he has survived and will eat this woman now, or Bedelia’s point of view that it’s like, “You may have cut off this leg, but I’ve got this fork and I’m gonna do some damage before it’s done.”
“The previously filmed season finale of ‘Mr. Robot’ contains a graphic scene similar in nature to today’s tragic events in Virginia. Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time.”

DEFIANCE -- "Upon the March We Fittest Die" Episode 313 -- Pictured: (l-r) Julie Benz as Amanda Rosewater, Grant Bowler as Joshua Nolan, Trenna Keating as Doc Yewll -- (Photo by: David Lee/Syfy)

Defiance ended its third, and strongest, season on Friday. After wrapping up the arc which dominated the season, the Omec arc, which had also been simmering all season, became the focus of the show. The Omec threat might have been handled too easily, but it brought about what might be the most exciting moment of the series. There is little doubt that Nolan and Doc Yewll will ultimately return to earth, but we can wonder upon the circumstances, and what will occur out in space before this happens.

The scheduled season finale of Mr. Robot was postponed a week due to similarities to killings taking place in Virginia earlier the same day. Considering how much other violence takes place both in the real world and on television, I’m not sure how much this matters. If nothing else, this gave more people a chance to get caught up with the series before its finale. For those who missed it, it is definitely a show worth catching up on.

Two other new shows from this summer which I recommend are Humans and Sense8 (which I reviewed here). As I was watching the uncut British episodes before episodes aired in the US, I did not review episodes of Humans as they aired here. The show typically moved at a fast pace with major revelations every week, slowing down a bit in the finale after resolving the problem of everyone being captured the week before. The finale resolved this, in case the show was not renewed, and then ended with a major revelation in the final moments which will probably drive season 2.

agents_of_shield season 3

A description was released for the third season of Agents of SHIELD which does tell quite a lot about the plans for the upcoming season. A new poster is also above, complete with Coulson’s robot hand. The show returns on Tuesday September 29.

“Marvel’s Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil Coulson (Clark Gregg) and Agent Daisy Johnson (Chloe Bennet) leading the charge as S.H.I.E.L.D. searches the world for more powered people in the aftermath of their epic battle with Jiaying and her army of Inhumans. However, Coulson and the team soon find out that they are not the only group looking for these new Inhumans.

Many months after their war with a rogue group of Inhumans, the team is still reeling. Coulson is again trying to put the pieces of his once revered organization back together while also dealing with the loss of his hand. His confidante and second in command, Agent Melinda May (Ming-Na Wen), has yet to return from an impromptu vacation with ex-husband Andrew (Blair Underwood); deadly superspy Agent Bobbi Morse (Adrianne Palicki) is recovering from her traumatic torture at the hands of Grant Ward (Brett Dalton); Fitz (Iain De Caestecker) is obsessed with discovering the truth behind the mysterious disappearance of Simmons (Elizabeth Henstridge); and all are on high-alert for the next move from Ward and Hydra.

Ever since the existence of Super Heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Coulson assembled a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But bigger threats loom ahead, setting the stakes even higher for the Agents, including the spread of Terrigen, an alien substance that unlocks superhuman abilities in select individuals; the emergence of new Inhumans who cannot yet control nor understand their powers; the rise of a new government organization that will go toe-to-toe with S.H.I.E.L.D.; the unknown properties of the massive alien Kree monolith, which has taken one of their own; and the constant threat of a rebuilt Hydra terrorist organization under S.H.I.E.L.D. traitor Grant Ward, who is making it his personal mission to take down Coulson and S.H.I.E.L.D.

New faces, both friend and foe, will join the series, including the no-nonsense, highly-skilled and somewhat mysterious leader (Constance Zimmer) of the ATCU (Advanced Threat Containment Unit), her intimidating partner, Banks (Andrew Howard), Lash (Matthew Willig), a monstrous Inhuman whose loyalties remain ambiguous, and new Inhuman Joey (Juan Pablo Raba), who is struggling to harness his newfound abilities, among other surprising characters.

Coulson, with the help of Daisy and Mack (Henry Simmons), will work to slowly assemble a team that is stronger than ever before, combining the highly skilled Agents of S.H.I.E.L.D. with powered individuals in the hopes of protecting the innocent in a world where the balance of power is ever-shifting, and new dangers are constantly emerging.”

Amazon is working on a television series based upon Galaxy Quest.

Entertainment Weekly has some news (spoilers) about season two of Outlander, including how it might vary from the second book.

George R.R. Martin might have provided a spoiler for season six of Game of Thrones regarding whether Stannis survived. As we didn’t see him actually get killed, I would assume even without looking at spoilers that this remains a strong possibility.

Variety reports that a web series will bridge the gap between The Walking Dead and Fear The Walking Dead

We have already seen Joss Whedon turn to Shakespeare, using many of his frequent stars in Much Ado About Nothing. Now Russel T. Davies is turning to Shakespeare with a production of A Midsummer’s Night Dream with the Doctor Who team.

Olive Sacks Book

Oliver Sacks, a neurologist who wrote about the brain in a way that showed that science fact can sometimes be stranger than science fiction, died at age 82. From The New York Times:

Oliver Sacks, the neurologist and acclaimed author who explored some of the brain’s strangest pathways in best-selling case histories like “The Man Who Mistook His Wife for a Hat,” using his patients’ disorders as starting points for eloquent meditations on consciousness and the human condition, died on Sunday at his home in Manhattan. He was 82.

The cause was cancer, said Kate Edgar, his longtime personal assistant.

Dr. Sacks announced in February, in an Op-Ed essay in The New York Times, that an earlier melanoma in his eye had spread to his liver and that he was in the late stages of terminal cancer.

As a medical doctor and a writer, Dr. Sacks achieved a level of popular renown rare among scientists. More than a million copies of his books are in print in the United States, his work was adapted for film and stage, and he received about 10,000 letters a year. (“I invariably reply to people under 10, over 90 or in prison,” he once said.)

Dr. Sacks variously described his books and essays as case histories, pathographies, clinical tales or “neurological novels.” His subjects included Madeleine J., a blind woman who perceived her hands only as useless “lumps of dough”; Jimmie G., a submarine radio operator whose amnesia stranded him for more than three decades in 1945; and Dr. P. — the man who mistook his wife for a hat — whose brain lost the ability to decipher what his eyes were seeing.

Update: Wes Craven has died at 76.  From The Hollywood Reporter:

Wes Craven, the famed maestro of horror known for the Nightmare on Elm Street and Scream franchises, died Sunday after a battle with brain cancer. He was 76…

Craven claimed to have gotten the idea for Elm Street from living next to a cemetery on a street of that name in the suburbs of Cleveland. The five Nightmare on Elm Street films were released from 1984-89 and drew big crowds.

Similarly, Craven’s Scream series was a box-office sensation. In those scare-’em-ups, he spoofed the teen horror genre and frequently referenced other horror movies. 

Craven’s first feature film was The Last House on the Left, which he wrote, directed and edited in 1972. A rape-revenge movie, it appalled some viewers but generated big box office. Next came another film he wrote and helmed, The Hills Have Eyes (1977).

SciFi Weekend: Daredevil; Hannibal; X-Files; Twin Peaks; Mr. Robot; Doctor Who

Daredevil elodie yung

Season two of Daredevil has started filming and will be available in April, 2016 Elodie Yung, who preciously appeared in GI Joe: Retaliation and The Girl With The Dragon Tattoo, has been cast to play Elektra (played by Jennifer Garner in the movies). Her appearance was foreshadowed by Foggy during the first season with a reference to a “smokin” Greek girl from Matt’s  past.

Marvel’s description of the character;

Yung will play Elektra, a mysterious woman from Matt Murdock’s past whose dangerous and exotic ways may be more than he can handle.

Jeph Loeb, Executive Producer and Head of Marvel Television, said:

“After a worldwide search, we found in Elodie the perfect actress to embody both Elektra’s impressive and deadly physicality, as well as her psychological complexity. Paired with Charlie as Matt Murdock, the two will bring one of the most beloved and tumultuous comic book relationships to life with all the accompanying sparks and spectacular action sequences the show is known for.”
Being released on Netflix makes it much harder to cover shows such as Daredevil in blog posts such as this, with everyone watching at different times, but the first season is highly recommended. While technically taking place in the Marvel cinematic universe, it is a much darker and grittier show, providing more variety in superhero styles.

HANNIBAL -- "Dolce" Episode 306 -- Pictured: (l-r) Mads Mikkelsen as Hannibal Lecter, Gillian Anderson as Bedelia Du Maurier -- (Photo by: Ian Watson/NBC)

This week’s episode of Hannibal, Dolce, got into Will’s head and ended Hannibal’s stay in Florence. Bedelia told Hannibal, “I knew that you intended to eat me. And I knew that you had no intention of eating me hastily.” She added, “I have not marinated long enough for your tastes,”but also acknowledged, “You may make a meal of me yet.” But the episode ended with both Hannibal and Will slowly being turned into a series of meals for Mason Verger.

Both Amazon and Netflix have passed on picking up a fourth season of Hannibal. Amazon was considered the best hope as they have rights to the previous seasons ,which also decreased the likelihood that Netflix would be interested. Besides the relatively low ratings, selling the show elsewhere is now complicated by the cast being released from their contracts and Bryan Fuller being committed to work on American Gods. Perhaps they could do periodic episodes when Fuller and key cast members are available similar to what is being done with Sherlock. There is also speculation that Hulu, Yahoo, or a cable network might consider the show. I still think the show belongs on The Food Network.

Trailer for the return of The X-Files in January, 2016.

The reboot of Twin Peaks is now being delayed until 2017.

Entertainment Weekly has teaser promos for season two of Fargo.

Mr Robot s01e03

The third episode of Mr. Robot helped alleviate any fears I had that they might not be able to sustain the quality of the pilot. The episode helped to make some of the characters more rounded characters. Elliot, briefly thinking he was free of FSociety, tried to act more normal. Gideon summed it up with the puzzled question, “Was he drinking Starbucks?” Angela, who previously was “too good for this world” was ready to infect her company’s computers with a virus when threatened by hackers. Shayla moved from drug dealer to girl friend. Tyrell Wellick and his wife are a very bizarre couple.

Doctor Who Arya Stark

The BBC has summarized what is known about next season’s episodes of Doctor Who. Guest stars include Maisie Williams, who plays Arya Stark on Game of Thrones. She will appear in Episode 5, entitled The Girl Who Died. The  trailer for the season was released at Comic Con and it was announced that the season will begin September 19.

More news from Comic Con to follow in another post.

SciFi Weekend: Season Finales of Orphan Black, Game of Thrones, and Veep; Hannibal And Creating Monsters; Breaking Bad Cast News

Orphan Black Season 3 finale

Orphan Black concluded its third season with more answers, bigger questions, a cliff hanger, and several clones together. Last season ended with the clone dance party, and this season began with Helena’s dream baby shower. In the third season finale, History Yet To Be Written, several clones were together, seemingly out of danger for the moment, at Alison’s victory dinner. Afterwards Sarah was reunited with Kira.

The convoluted storyline has often had characters seem to change sides. For much of the finale it appeared there might be a peace between Dyad, Topside, and the Leda clones which included an agreement to share genetic material from Kendall Malone. Then the show suddenly reverted back to the conspiracies of the first season with the return of the Neolutionists, who are far scarier than when Dr. Leekie was around, with Susan Duncan apparently in charge.

This news ended any idea of sharing genetic material, and upset Ferdinand, who really hates “those genetically obsessed zealots.” He said they’re like ticks, quickly decided that his henchman accompanying him was one, and gave him a bath in sulfuric acid. Ferdinand, incidentally was finally informed that the “dirty clone” he was involved with earlier in the season really was Sarah pretending to be Rachel.

Rachel, meanwhile, spent most of the episode wondering where she was, until Charlotte (the younger clone with a leg brace) showed up, who for unexplained reasons is now with Susan Duncan with no evidence that  Marian is around. Rachel’s new eye appears robotic, while surprisingly Krystal not only came out of the coma, but still had two eyes. Most likely we will still see her next season but it remains to be seen how she will escape from Dyad, especially if Delphine is really dead.

Delphine was told she would be dead by morning, and spent the rest of the episode apparently saying her goodbyes, suggesting that she might really be leaving the show. In the episode’s cliff hanger, she was shot by an off-screen assailant. The episode was written as if it was a final one for Delphine, but on a show such as this we can never be certain a character is really dead.

For the moment it appear that obstacles between Shay and Cosima have been removed and Shay might very well be innocent. She does have a point that Cosima has not been all that honest with her either. Of course on Orphan Black, a person who seems innocent at one moment might be shown to have a connection to one of the conspiracies at any point in the future.

Helena got to both see her old boyfriend and fight Rudy under prison rules, “only one of us leaves alive.” Needless to say, Helena won.

The finale left many questions, including who shot Delphine, what the Neolutionists are up to, and what the robotic worm in Dr. Nealon’s mouth was.

Orphan-Black-season-3-finale-3

An interview with Graeme Manson at AV Club leaves the door open for Delphine to return at some point:

The A.V. Club: A lot happens in this finale. There are so many questions, but the first one has to be: Is Delphine really dead? It looks like yes, but there’s no body, and yours is a twisty show…

Graeme Manson: Um… yes. Yes, but. Orphan Black is a cliffhanger. For all intents and purposes, Evelyne [Brochu’s character] is dead. But there’s always a crack of hope in an actor’s busy schedule. They can reappear somehow. But we had to make a bold story choice, and it was a story choice that was very collaborative with Evelyne. It’s a role that we wrote for her. It’s hard to make those big story choices with co-workers that have become your friends, but you got to do it. You got to do it for the good of the show. It’s about the whole story; it’s not about anything else. I mean, we really went for the strongest choice. And Evelyne was up for dying! [Laughs.] Actors really respond to the strong choices. We had made this decision early on that this was the arc of this season, and that we would go for it with the character as an individual. Go out with a bang.

AVC: Speaking of significant deaths: There was Paul’s sacrifice earlier this season, and by the end of this season, every male clone but Mark is dead. You spent a large chunk of this season shading in the male clones’ background with Castor… so how finished do we think Castor is at this point? Does this mean Ari Millen won’t be back in as significant way next season?

GM: Well, it’s every male clone but Mark that we know of. It’s a big-picture story, and so obviously we left the door open for Mark to come back. I think we can all look forward to Ari Millen next year…

AVC: This season alone several factions were fighting for and against the clones: Dyad, Proletheans, Topside, Castor, and apparently, the Neolutionists behind all of it, as we found out in the finale. Do you ever feel penned in by the ever-complicating mythology?

GM: Well, I think this year was a lot about Sarah fighting her way toward an understanding through a conspiracy with a lot of factions. At the end of the season, she’s cut through that, and she’s got one main foe or focus now moving forward. We met Neolution in the beginning with the sort of “pop science” of Leekie. It’s been the fifth column this whole time. I think Sarah can move forward next year with a new understanding, and a new focus on a many-layered but single foe.

Manson was also interviewed by The Hollywood Reporter.

Kira (SKYLER WEXLER) and Sarah (TATIANA MASLANY)

Variety interviewed the co-creator John Fawcett:

First you killed Paul, then you shot Delphine — do you just hate happiness?

[Laughs.] I like happiness as much as the next person, but happiness sometimes isn’t as dramatic as tragic love stories.

Can you definitively confirm that Delphine is dead, or is there still hope?

I would love to say yes or no, but this is “Orphan Black” and I don’t want to say one way or the other … We wanted to leave it in a hanging cliffhanger, so is she dead? Is she alive? I want the audience asking those questions.

Aside from Delphine’s shooting, the season finale ended on an uncommonly hopeful note. Why did you want to go that route instead of ending with a cliffhanger this year?

It was really important for us in one of our most complex seasons to end with a lot of answers and feel like we’ve had some triumph and victory, and be in a place at the end of season three where we could go “now we can take a breather, we can reset.” We didn’t want to end the season in some giant cliffhanger that meant we were gonna have to start exactly where we left off. We wanted to feel resolution and have more of an emotional ending to season three, so that it gave us a chance to reset for the beginning of season four. We just wanted a very different feel.

On a related note, it’s been awesome to see Alison’s suburban subplot add some levity this season — how important was it for you to have that balance when the ongoing mythology has been so dark and complex?

One of the things that was fun about season three was the fact that Alison and Donnie became “Team Hendrix” and had their own storyline. It was a different way to approach Alison this season for us, and it was nice, just from a writing standpoint, having a clone character that we love have a very different story to tell that wasn’t necessarily linked to the main plot where everything has to be interwoven super intricately. It was nice to be able to use that as a breather and a little bit of lightness. Moving forward, most of the time, we’re using elements to set up things that we want to do, that we know are in our plan for season four and five, so that’s all I’ll say [about Alison’s storyline].

Was it always the plan to have the Neolutionists as the ultimate antagonist, or something you decided over the course of making the show?

When we put Neolution in season one, it was to pave the way for this later season. It was definitely part of the big picture. That was definitely premeditated.

What about Susan Duncan still being alive?

That was something that we always intended. That was part of the mystery of the past: the explosion in the lab, Dr. Leekie and the Duncans and young Rachel…

here’s been criticism from some viewers over the past couple of seasons that the show’s mythology is getting too convoluted, which I suppose depends on how much you appreciate serialized storytelling. Is that kind of critique something you pay attention to?

It always is — we don’t wanna confuse people but the deeper you go into a mystery, the more balls you’ve got to juggle. It’s a complicated story. I felt like it wasn’t that complicated, but I think the point of this conclusion, coming to the end of this season, was always to be able to go “okay, we got all these answers, so what’s next?” and leave the audience peeking into a brand new rabbit hole, and the nice thing about looking into a new rabbit hole is that you get a chance to begin again a little. There’s elements that I miss from season one too — Sarah not knowing, at all, what she’s facing or what any of this is about, and I think that’s a place we always intended to go at the beginning of season four.

How cognizant are you of the need to maintain the mystery but not withhold answers for too long? It seems like a lot of serialized shows have struggled with that ratio after “Lost,” where viewers become frustrated that mysteries are just piling on top of mysteries with no resolution in sight.

It was a real issue with “Lost” because it made people very grumpy, and it made me wonder whether the creators knew where the show was going or not. When Graeme and I first started on the show, it was like “let’s map out where we want to get to. What’s the endgame? What are the tentpoles for however many seasons we want to tell this story for?” And make sure that every step along the way, we’re giving enough answers. We may get more questions as we go, but we’re giving enough answers to the audience to keep them satisfied that they’re not just watching something that doesn’t have any conclusion.

Fawcett was also interviewed by Entertainment Weekly.

Game of Thrones Walk of Shame

Game of Thrones also ended its season with questions over the fate of major characters. Unlike previous seasons, the show has now caught up with the published books, so while the books might provide additional clues, there are no definite answers.

The biggest question is whether Jon Snow is dead, or whether he will come back from the dead. Many of the interviews suggest he is really dead, but they are not accepted as final. If something major happens to a character and then an excuse to return them to life is brought about later, it will often feel like a cheat. This can plausibly be done with Jon Snow based upon the world we have seen. There has been speculation from fans about multiple ways in which Snow could have survived, or be brought back by life, with many of them already foreshadowed in previous episodes. Going more meta, I wonder if he will return primarily because he has provided the major point of view of events at the wall. Some of the stories taking place there have been among the weaker story lines, but they would be even weaker without Jon Snow. It is hard to believe that events at the wall will not continue to be of major significance with winter coming.

Stannis Baratheon was not shown to actually be killed making it very plausible that he survived. Going meta with him, it sure looks like his storyline has been concluded. On the other hand, he does have one of the stronger claims to the Iron Throne, and he might still have a role in whatever end game is planned. Maybe he will wind up returning to the wall, although I don’t see replacing Jon Snow with Stannis as an improvement to the story.

Arya got to kill a  henchman for the Lanisters, but wound up going blind. Either she will have to regain her sight, or become like Daredevil. Otherwise it is questionable how significant her character can be.

Daenerys, after flying away on a dragon, wound up surrounded by a Dothraki horde. Depending on how they respond to her, and whether her dragon quickly recovers, she could either be in grave danger or have a new army at her disposal.

Cersci went from a hated villain to now having an opportunity to be cheered by fans when she inevitably takes revenge. She puts a whole new meaning on “walk of shame.” Those who filmed the scene apparently overlooked the problem of different lighting and on Lena Headey’s’s face and the  length of the neck and on her body double’s (Rebecca van Cleave) nude body, or else they assumed that nobody would be paying much attention to her neck and above. Margaery continues to be held by the religious fanatics. Natalie Dormer would probably have no qualms about filming her walk of shame, even if it also involved full frontal nudity, without a body double.

Veep finale

HBO’s also had two comedies end their current seasons last weekend. Silicon Valley’s second season was better than the first. The ending of Veep suggested where they are going next season, probably eliminating the minor issue that the show is named Veep but this season Julie Louis Dreyfus’ character played the president. The election ended with an electoral college tie and the characters desperately tried to figure out what that meant. One even questioned if they could look it up in a book. One scenario would be having the House also be tied, with the Senate picking Tom James as president. Presumably he would then chose Selina as his vice president, bringing the character back in line with the show’s title.

This would bring things partially back to how the show was first season, with some potential differences. First season the president was rarely seen, especially by his vice president, and Selena had no power or influence. Depending upon how much Hugh Laurie will be in next season, there could be an unseen president or a president with a major role. It would be plausible to have a President Tom James either ignore Selena or make use of her.

Jonah wound up the season looking more respectable, even if as the Testicle Man. It worked out well to temporarily have Dan and Amy play lobbyists and television talking heads (along with a Nate Silver type character), but I wonder if they will be brought back in to the administration next season. At least it certainly looked like Amy would return to the inner circle by the end of the finale.

HANNIBAL -- "Secondo" Episode 303 -- Pictured: -- (Photo by: Brooke Palmer/NBC)

This week’s episode of Hannibal, Secundo, dealt with the making of monsters. This might winding up summing up Will Grahams’s entire story. This does not apply to Hannibal as we were told, “Nothing happened to me. I happened.” Will traveled to Hannibal’s family home in Lithuania where he encountered Chiyoh who is holding in a dungeon the man who apparently killed Hannibal’s sister Mischa and fed her to him. Conversations between Hannibal and Bedelia suggest that Hannibal was really to blame. Chiyoh was left to guard him when she would not allow Hannibal to kill him, but ultimately wound up killing him after Will set him free.

Chiyoh was not the only person manipulated into being a killer this episode. After Hannibal stuck an ice pick in a dinner guest’s head, Bedelia pulled out the ice pick to put him out of his misery. Hannibal made a point of stating, “Let the record show, you technically killed him.”  The two are definitely playing a dangerous game with each other, but their ultimate motivations are not clear. Bedelia noted how Hannibal is bringing everyone back together. This episode showed Jack also alive and  hunting Hannibal, and soon they will be joined by Chilton, Alana, and the Vergers. Bedelia warned Hannibal that he would be captured, and the two discussed how Hannibal must react when he encounters Will in order to forgive him: “I have to eat him.”

Besides playing Dr. Bedelia, Gillian Anderson is also reprising her role as Scully on the X-Files revival. Speakeasy interviewd Anderson about these roles:

It’s hard to tell whether Bedelia is Hannibal’s prisoner or if she’s actually playing him in a way. Where do you think his head is at once they settle into Florence and Hannibal has begun to kill again?

The trouble that I have in doing interviews about Bedelia is that part of what is interesting about her is what we don’t know and is about the lingering question marks. If I were to answer [about] my thought my process in it or what I feel is motivating her, where I think she’s standing or what Bryan has told me, it completely takes the joy out of it for the viewers. So, I often struggle in interviews to have anything of value to say … because I’m trying to protect the viewer in having a real-time and organic experience rather than being told what’s going on.

Everybody wants to know, but it’s almost better in not knowing, I think. I’ll say that she’s intrigued and she’s scared and she’s in way over her head. But I think where the question mark lies is still within that. Where lies her complicity? Where lies her power? Does she actually have the upper hand without him realizing it? Those are the multi-leveled question marks.

At the end of episode one, which everyone has seen already, Hannibal tells Bedelia she isn’t just observing, she’s participating. Do you think that’s true? How culpable is she especially in that instance?

I think it changes halfway through. Not that she would be able to do anything about the current moment and what is transpiring in front of her, but she recognizes, legally, in that moment, if she continues to live there that the longer she stays, the more she will seem to be complicit in what’s going on. I think that is partly why she then starts to do what she starts to do, which I can’t talk about. The question that he poses in that moment is a question she works out for herself in that moment. Her reaction to it is what then moves her storyline through the rest of the episodes. That’s potentially quite a big turning point...

Duchovny recently said the script for the new “X-Files” made him cry. How did it make you feel?

I think since I’ve come up to Vancouver [to shoot “The X-Files”], I’ve become more excited, emotional and embraced the journey we’re about to go on. I’m actually really excited. I don’t think it initially hit me in the first read, but it was more to do with my needing to compartmentalize and not really address the fact that it was all about to happen until I actually got up here because there were too many other things I have to think about.

Breaking Bad

We will be seeing more of the cast of Breaking Bad. Vince Gilligan has said that Bryan Cranston will appearing on Better Call Saul, but not until after the second season. There are also reports that Cranston will be directing some episodes.

Aaron Paul will be returning to a regular episodic television in The Way which will appear on Hulu. It is a family drama about a a family involved in a controversial religious movement, produced by Jason Katims and written by Jessica Goldberg. Their past work on Friday Night Lights and Parentood provide promise for this show.