SciFi Weekend: Doctor Who; Sherlock; Age of Ultron; Jessica Jones; The Flash; Arrow; Supergirl; Back To The Future (Bernie Sanders Meets Doc Brown); Gilmore Girls; Maureen O’Hara

Doctor Who The Woman Who Lived

The Woman Who Lived works as a stand alone episode of Doctor Who which did not really need to fall directly after last week’s episode, The Girl Who Died. Maise Williams’ character is seen eight hundred years later. It was strange that she remembered the Doctor and Clara and not her own name or village. She also had a colder attitude which can be seen in this exchange:

The Doctor: Anyone is that village would have died for you
Ashildr: Well, they’re all dead and here I am. I guess it all worked out

The show described the problems with immortality, and Ashildr’s frustration: “I have waited longer than I should ever have lived. I have lost more than I can even remember. Please Doctor, just get me out of this. I want more than this. I deserve more than this.”

While her life span was increased her memory was not so she had to resort to her journals, tearing out the pages of things she wanted to forget. She did keep the pages about her children dying of the plague, as a reminder to never have children again.

The Doctor did not take her with her, but did tell her , “I travelled with another immortal once. Captain Jack Harkness.” Will she ever meet up with Captain Jack (John Borrowman)? Plus Sam Swift may or may not also be immortal.

Nerdist reports that Maise Williams will return to Doctor Who:

Over the weekend, at London’s MCM Comic-Con, “Face the Raven” writer Sarah Dollard confirmed that Ashildr/Me would be back for her episode. During “The Woman Who Lived,” we find out that the character decided to be there for the people the Doctor leaves following his swoop-in/swoop-out style of day-saving. “Someone has to look out for the people you abandon, who better than me? I’ll be the patron saint of the Doctor’s leftovers,” she told him. She also says, “While you’re busy protecting this world, I’ll get busy protecting it from you.” When the Doctor expresses that he thinks he’s very glad he saved her life, she replies, rather ominously, “I think everyone will be.”

This could make her an interesting recurring character, and provides job security should she be killed off on Game of Thrones.  She is present in the background of a picture at Clara’s school shown at the end of the episode. I’ll accept the coincidence that she is present in the first picture that Clara showed him after this encounter, but what about all the companions prior to Clara? While that probably cannot be shown on screen, she could be an interesting addition to books or fan fiction. With Jenna Coleman reportedly leaving after this season, possibly Maise Williams will play a part.

The above trailer announces that the long-awaited Victorian version of Sherlock will air on January 1 in both the UK and the Unites States and will be named The Abominable Bride.

I’m going to post this link without reading the article. I haven’t looked at the deleted scenes on the Blu Ray of Avengers: Age of Ultron yet, and will do so before reading this, but Den of Geek has a detailed description for those who might want to read about them without viewing.

After a bunch of teasers, Netflix has released a full trailer for Jessica Jones (video above).

I avoid watching Amazon pilots until a series is about to be released in full, but I am really looking forward to The Man In The High Castle. Reviews of the pilot have been fantastic. Now Amazon is going to make the first two episodes available, even to non-prime members, here  from 12am Pacific on Friday, October 23rd until 11:59pm Pacific on Sunday, October 25th. The first two episodes will remain available to Prime members, with full release on November 20. While I already had an Amazon Prime membership for the free shipping, with streaming becoming a huge player, I now consider Amazon Prime, Hulu (commercial free subscription), and Netflix all essential (with HBO Go and comparable services from the other pay cable networks  also available due to cable subscriptions). Many evenings I do not go beyond my Roku box for watching television.

This raised another thought. When traveling I prefer either a Roku box, or my Roku stick to travel more lightly, as it has all the streaming services I use set up conveniently. It includes Amazon Prime, while some competing devices do not. I also do have both a Google Chromecast and an Amazon Fire Stick. (This comes in handy when staying in friends’ condos in Florida which have televisions in the bedroom and living room).  I have also found the Amazon Fire Stick essential when traveling to hotels which require a sign on to use their WiFi. Only the Amazon Fire Stick can handle this without resorting to making a hot spot with a travel router.

Danielle Panabaker of The Flash was on The Talk (video above). She discussed her transformation to the villain, Killer Frost.

All of the DC comic based shows have been off to a good start this season. Arrow, which just brought back Sara Lance to lead into Legends of Tomorrow, is much stronger this season, including a much bigger big bad. The flash backs are also more interesting with the return to the island. Plus someone will die in six months. Supergirl officially starts this upcoming week. The pilot, which has been available for months, was excellent and those who like The Flash and Arrow should also like this show. Over at Fox, Gotham has turned much darker, and is showing more potential than in the first season.

Also notable in the past week, You’re The Worst, while it has not been as  good as the first season, has had many excellent moments. This included the revelation of  what is wrong with Gretchen last week.

Hulu has renewed Casual for a second season. I highly recommend that show. I have not watched The Whispers, but I note that ABC has canceled it. CBS has ordered a full season pick up of Limitless. It is a lighter but entertaining show with a genre element.

Bernie Sanders Back To The Future

I previously posted the video of Bernie Sanders on Jimmy Kimmel Live last week. Christopher Lloyd (Doc Brown) was also a guest, along with Michael J. Fox,  for an opening skit for the date he came into the future in Back To The Future 2. Bernie Sanders posted the picture along with this caption on his web page:

“Tell me, future boy, who’s President of the United States in 2017?”
Bernie Sanders.
“Bernie Sanders?! From Vermont?”

So this our destiny. I think this is a fixed point in time which cannot be changed.  The skit with Christopher Lloyd and Michael J. Fox is below:

Speaking of time travel, Simon Berry has provided some information following the  Continuum finale. I will hold off a little longer to discuss the finale a second time to allow more time to see if further material of interest becomes available.

Gilmore Girls revival

Plus we have something else from the past to look forward to. Netflix is planning a revival of Gilmore Girls. The current plans are for four episodes, ninety minutes each, which take place in real time, eight years after the finale. We will finally see the final four words planned for the show by Amy Sherman Palladino.  While not finalized, Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson, along with many of Rory’s suitors, are expected to appear. Edward Herrmann obviously will not appear but perhaps the funeral for Richard Gilmore, taking place after the actor actually died, could be a good point at which to reunite the other characters. The series ended with Rory Gilmore covering Barack Obama’s campaign in Iowa. Might she now be covering  Bernie Sanders?

This will not be the only case of Lauren Graham being united with a star from a previous show. She will reunite with Mae Whitman of Parenthood in an adaption of the The Royal We, a book on the courthouse of Prince William and Kate Middleton.

Maureen O’Hara died at age 95. From The New York Times:

Maureen O’Hara, the spirited Irish-born actress who played strong-willed, tempestuous beauties opposite all manner of adventurers in escapist movies of the 1940s and ’50s, died on Saturday at her home in Boise, Idaho. She was 95…

Ms. O’Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film “Comanche Territory” with the sentiment “Framed in Technicolor, Miss O’Hara somehow seems more significant than a setting sun.” Even the creators of the process claimed her as its best advertisement.

Yet many of the films that made the young Ms. O’Hara a star were in black and white. They included her first Hollywood movie, “The Hunchback of Notre Dame” (1939), in which she played the haunted Gypsy girl Esmeralda to Charles Laughton’s Quasimodo; the Oscar-winning “How Green Was My Valley” (1941), in which she was memorable as a Welsh mining family’s beautiful daughter who marries the wrong man; “This Land Is Mine” (1943), a war drama in which she was directed by Jean Renoir; and “Miracle on 34th Street” (1947), the holiday classic in which she played a cynical, modern Macy’s executive who tries to prevent her daughter from believing in Santa Claus…

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SciFi Weekend: Continuum Series Finale; Doctor Who; Fargo & Manhattan Return; Defiance Canceled

Continuum Finale 2

Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the  questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.

In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.

In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.

It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.

Continuum Finale

The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.

Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.

The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.

It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.

Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.

Doctor Who The Girl Who Died2

The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.

The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”

There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time.  In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)

It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”

This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.

The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.

Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.

The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”

A couple other memorable lines from the episode:

Doctor: “I’m not actually the police, that’s just what it says on the box.”

Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”

Behind the scenes videos with Maisie Williams can be seen here.


Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.

Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.

Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.

Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not  let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.

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SciFi Weekend: Doctor Who; Jessica Jones; Fargo; Extant Canceled & Minority Report Unlikely To Survive; Blindspot; Limitless; Casual; The Flash; Arrow; Continuum

Doctor Who Before-the-Flood-3

The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?

The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time  period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in  the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.

Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”

The early reviews of Jessica Jones have been excellent. The show includes superpowers,  hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on  November 20.

Fargo returns on Monday and sounds quite promising. Reviews herehere, here, here, and here.

Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.

CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.

I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.

AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.


Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.

Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious  background stories.

I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.

When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.

Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.

Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.

Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.

The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.

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SciFi Weekend: Doctor Who; SHIELD; The Flash; John Snow; Jessica Jones; Getting Hooked on Netflix; Black Mirror; Continuum

Doctor Who s09e02

The Witch’s Familiar, the concluding episode of last week’s episode of Doctor Who, The Magician’s Apprentice, works despite the weakness in its plot due to its dual match-ups. One was the Doctor and a supposedly dying Davro,s and the other pair was Clara and Missy.

Pairing the Doctor and Davros was an idea which Steven Moffat has had since watching Genesis of the Daleks according to an interview at blastar:

“When I was very young, I watched Genesis of the Daleks and began a long plan.”

“I was doing what I do in my spare time which is watch old episodes of Doctor Who – because I really know how to kick back and relax,” he explained. “Davros had already returned within the series…and it occurred to me, and I think this is just true, there isn’t a bad scene between the Doctor and Davros.”

“Whatever you think of the stories – and I think they’re all good – all the time, every time you have the Doctor confronting Davros, in the classic series and in the new series… every time they meet, it’s really quite electric. There’s something about those two characters meeting, so I wanted to have a go at it.”

“What surprised me, looking back at the old stories, was how little screen time they have together. In Genesis of the Daleks they have a couple of scenes, that’s all – brilliant scenes, beautifully written and played, beautifully done. But they’re very short – they’re not long at all. I’d imagined it in my memory as being most of the story, but it wasn’t at all.

“So my notion was to actually stick them in a room together and see what happens after a long while. So that’s, you know, a childhood ambition that hasn’t changed into my 50s.”

Doctor Who s09e02a

The pair spent a considerable part of the episode talking to each other and launching plots against each other. Reminiscent of the question posed by the Doctor last season, Davros even asked the Doctor, “Did I do right Doctor? Tell me, was I right? I need to know before the end. Am I a good man?”

The pairing of Clara and Missy was more amusing. This included Missy’s implied threat to eat Clara if there wasn’t anything else to hunt and Missy’s response when Clara suggested throwing a stone down into the sewers to see how deep they were. “Ah yeah, good idea.” And she pushed Clara in. Plus what is the deal with Missy’s reference to a daughter?

The resolution of the story was weak. Even if we accept that the Doctor can just turn on regeneration energy at will, what was his end-game? He was assisted in escaping by Missy, but at the time the Doctor thought that Missy was dead. His plan might have worked to have the decaying Dalek sewer slime attack the other Daleks, but how was the Doctor planning to escape?

It is also questionable why the Doctor revealed to Davros that Gallifrey still existed. Other questions also came up in the discussion with Davros, such as the idea that the Doctor might have been running from something when he left Gallifrey, and a possible Dalek/Timelord hybrid. Presumably some, if not all, of this will come up in future episodes.

Missy posed an additional threat to Clara when Clara was inside a Dalek. This was actually the third time she was, one way or another, inside a Dalek. We  saw Clara’s mind trapped inside a Dalek in Asylum of the Daleks in Jenna Coleman’s first appearance. Last season there was the journey by a team inside a Dalek in Into the Dalek.

This was an amusing sequence in which Clara tried to communicate but there were many words which the Dalek  translated differently from what she desired, being limited by what it knew. Then she said “mercy” which was not a concept the Dalek should have known. This led to the other somewhat weak aspect of the conclusion as the Doctor went back in time to show mercy to young Davros, therefore introducing the concept of mercy into the Dalek DNA.

The episode also eliminated the sonic screwdriver for now, with the Doctor moving on to wearable technology. There is still the question of the confession dial, which I bet will play a part later this season in typical Moffat style.

The two-part format did allow for many ideas to be inserted into the story, along with a cliff hanger. As plot holes have always been a part of Doctor Who, being present well before Moffat despite the frequent criticism of him for this, it does make sense to have less stories and include more in each one.

ABC has released the first four minutes of Agents of SHIELD, which is returning on Tuesday. Video above with Daisy and other SHIELD agents helping an Inhuman.

TV Guide has some information on Cisco’s new powers on The Flash.

TV Guide also has some set pictures which might provide spoilers on the fate of John Snow on Game of Thrones.

Fox will have a two part trailer for The X-Files on Monday night on Gotham and Minority Report. Minority Report did premiere last week but I’ve held off on watching until I hear more about how the show is. Starting to follow genre shows on Fox doesn’t always turn out very good. The season premier of Gotham left me with hope for improvements in the second season over the first.

Netflix has released the above teaser for Jessica Jones, providing a glimpse of her super powers.

Netflix has released some interesting information on how many episodes viewers had to watch of certain shows before becoming hooked on them. They found the episode at which seventy percent of those viewing would then go on to finish the season. Viewers were hooked with the second episode of Breaking Bad. Some other shows took longer.

Streaming has become a way to provide a future for television shows, in addition to provide access to old episodes of shows. Netflix has ordered twelve new episodes of Black Mirror.

Steven Spielberg has always been a master of fiction. Reportedly Hillary Clinton turned to Spielberg for acting coaches to help her appear more likable. This comes from the book Unlikable by Edward Klein. I’m not sure how much of this book is fact versus fiction.

Tonight we have the rare super blood moon total eclipse. National Geographic describes how to view it.

Continuum Power Hour

The third episode of Continuum, Power Hour, finally started to reveal much more of what is going on (and the reveals are even greater in the fourth episode–but no spoilers for episode four as this has not aired in the United States yet). Kiera and Garza teamed up to find out what the Time Marines are up to. In the process Curtis met a heroic death. After previously warning Alec that his superpower was in computers, not fighting, Curtis himself got drawn into the action.

Julian tried to destroy the Theseus manifesto. Leading a rebellion against the Corporate Congress in which there would be thousands of casualties, followed by failure, just did not seem like a good future for him. He could not escape his fate as, in sort of a time loop, Chen made sure a copy of the manifesto from the future came out, also leading Julian to a toddler Kagami. This leads back to the question of whether the future we know about will still come about, which directly impacts Kiera’s attempts to return home.

After two episodes which were largely setup, the story did progress in the third episode–already half way into the final season. The fourth episode does move the story forward considerably, making it possible to speculate as to the end game of the series. Here are a some teasers which will not spoil the episode, but those who want to go into the episode with zero information might want to look away. Alec responds to Emily being gone, but does not destroy the entire timeline this time. There is an unexpected conversation between characters. A puzzle from the first season is resolved. Keep wondering whether Kellogg should trust his future self.

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SciFi Weekend: Hannibal Finale; Defiance; Mr Robot; Humans; Agents of SHIELD; Outlander and Game of Thrones Spoilers; Galaxy Guest; Russel T Davies Doing Shakespeare; Olive Sacks Dies At 82


The Wrath of the Lamb, the series finale for Hannibal on NBC, contained a lot of material to provide a satisfactory ending should this be the last we see of these versions of the Hannibal Lecter characters. First there was the dramatic sequence in which Francis Dolarhyde pretended to kill himself, which certainly would have been an unsatisfactory ending if it was real. This led to something we have seen various versions of throughout the series–a plan to capture a serial killer which was doomed to fail.

The episode did finally end with the probable death of Dolarhyde, but the Red Dragon arc as part of the entire series was more about the transformation of Will Graham than it was about Dolarhyde’s transformation into the Red Dragon, or his ultimate fate. The series also provided a sense of closure for Alana and for Chilton should this be the last we see of these characters.

The climax of the episode took place in Hannibal’s home on a cliff where he previously kept some of his victims. Yes, an actual cliff was involved in the series cliff hanger, or at least ambiguous scenes. The scenes there primarily involved Hannibal and Will, until interrupted by Dolarhyde and culminating in as many as three deaths. There are a couple of questions raised by the cliff scene, perhaps foreshadowed by Hannibal’s admission, “My compassion towards you is inconvenient.”

The first question is what was on Will’s mind. Most likely he knew he was becoming a monster like Hannibal, unable to simply return to his new family, and saw the death of both of them to be the best outcome. It remains uncertain as to their actual fate. If watching this episode alone, the assumption would be that they died, but we know much more. We know that the previous season also ended with the apparent deaths of characters who survived. It was not known at the time the episode was written that this would be the series finale, and Bryan Fuller is still trying to keep the show alive in some form. Fans would be no more surprised to see Hannibal and Will survive the fall than they were that Sherlock survived his fall, or that Moriarty might still be alive. We also know from the novels that Hannibal did not die then, but Fuller has already changed elements of the novel so this in itself does not provide an answer.

Then there was that post-credits scene with Bedelia,  foreshadowed both by earlier events of the season and possibly by a comment earlier in the episode that “Meat’s back on the menu.”  Was she off screen the entire time, waiting for Hannibal to return to attempt start eating her? Is the third chair set for Will, who is now a willing party to Hannibal’s cannibalism? Or does the scene take place in the future, indicating that Hannibal, and perhaps Will, survived?

Fortunately after I started to wonder about these questions Bryan Fuller gave several interviews. While he does not completely answer all of these questions, there is major insight into the season finale and the questions raised.

Hannibal Finale Cliff

Bryan Fuller’s interview at TV Guide has more on the relationship between Hannibal and Will which led to that climatic scene:

Hannibal is usually the smartest person in the room. He guessed Will had sold him out to Dolarhyde, so did he not suspect Will might push them off the cliff?
I think he is surprised as he’s tipping back over the edge, but the center of gravity has already betrayed him. He’s falling, and there’s a certain surrender to that. At the same time, he probably acknowledges a certain beauty that Will is falling with him to his death and they’re holding on to each other until impact.

So even in “death,” Hannibal feels like he won the battle?
Absoutely. In that final moment, the murder of Francis Dolarhyde, Hannibal proved himself right about Will. And there’s something very antagonistic about Will saying I’m not going to give you that for very long.

A romantic love between Will and Hannibal was always more of a subtext in earlier seasons, but became actual text in certain conversations this season. Do you think of this ultimately as a love story?
It was a love story from the very beginning – it was romantic horror. One of the reasons that I really wanted to do the project is I really wanted to investigate the depths of male friendships — the intimacy and the power and the loss of self you experience in a brotherhood camaraderie. That was the thing that fascinated me the most and was the root of the story that I wanted to tell.

And yet Hannibal’s love for Will was his fatal flaw.
His compassion for Will always hinged on Will’s ability to understand him in a way that he feels like he has never been understood. I think that is the same gift that Will has received from Hannibal. The core of their attraction to each other is that they truly see other for who they are. Hannibal is glamoured by that. If he wasn’t, he probably would have killed and eaten Will a long time ago.

More on the final scene at Vulture, along with how his version of Hannibal Lecter might be remembered:

How should the viewer read Will and Hannibal falling off the cliff together? Is it a double suicide?
No, I think it’s a murder/suicide. And then of course coming back in and seeing that someone has cut off Bedelia’s leg and is serving it, and she grabs a fork and hides it under her napkin to stab the neck of the person who’s going to come into the room next suggests that either Uncle Robertus and Lady Murasaki are going down Hannibal’s enemies list and checking them off, or that Hannibal may have survived that fall.

Some people have told me that their interpretation of it is that she sawed it off herself, cooked it up, and is waiting for him to come home like, “Honey, I made dinner!” [laughs], which is hilarious…

You’ve said that you wanted Mads Mikkelsen’s Hannibal to be the definitive one. Do you feel like he accomplished that?
I think for certain portions of the audience, he did. And for those who watch the show regularly, there’s 39 hours of Mads Mikkelsen as Hannibal Lecter as opposed to six of Anthony Hopkins. But it all depends on who’s speaking to you generationally as that character. Who would you say is your definitive Hannibal Lecter? Still Anthony Hopkins?

Not anymore.

It remains to be seen whether Mads Mikkelsen can surpass Anthony Hopkins as the definitive Hannibal Lecter, but he will also have additional roles to shape his career. He is currently in talks to play the villain in Doctor Strange.

Hannibal Finale Bedelia

TV Line discussed Dolarhyde, and then Bedelia:

TVLINE | Circling back to the Will/Hannibal/Dolarhyde showdown — I felt like we didn’t really know 100 percent what way it was going to go. Will actually says to Hannibal that he intends to see him “changed” by Dolarhyde. And then, at one point, when Hannibal is looking at Will pulling out the knife, I wondered, is he signaling to Dolarhyde with his eyes or is he signaling Will? How did you view the scene? Do you feel like Will and Hannibal were always planning to end the Red Dragon, or was it unclear even to them?
I feel like Will was going there knowing that he very likely would not be able to finish Hannibal himself, because of his feelings for him, and that he needed Francis Dolarhyde to do it for him. And he knew that he may not survive it; it’s something he says several times through the episode. Bedelia says early in the scene with Will, “You can’t live with him, you can’t live without him.” That’s exactly what this is about. Will can’t live without Hannibal, and he knows that in that moment, once they’d experienced a murder together — a vicious, brutal murder where they hack a guy up with a knife and a hatchet — he’s like, “That was kind of fun. That was a good time. In fact, it was beautiful.” There’s a realization of his mind being able to process that experience as a thing of beauty. With that, he knows there is very little chance of him being able to return to humanity, so off they go.

Later in the interview regarding Bedelia:

TVLINE | You gave Bedelia resolution, of sorts, at the dinner table — where her leg is what’s for dinner. Knowing while you edited the hour that it was a real possibility this might be the series finale, was that absolutely where you wanted to end? And why put it after the credits?
Well, you know, I love post-credits sequence. I mean, you see Sherlock and Moriarty go over Reichenbach Falls, and you don’t know what fate befell those characters. By coming back in and seeing Bedelia at a dinner table being served her own leg, grabbing a fork and hiding it under the table and preparing to stab it in the neck of the next person who comes into the room, that’s a great way to tell the audience, “Yes, we have told you completion to this story, but who is serving Bedelia that leg? Is it Hannibal? Did he survive? Is it Uncle Robert is, and is David Bowie behind that curtain? Who’s serving her the leg?”

The longest interview was at Here are some highlights:

At what point in the season did you realize that this is how you were going to end it?

Bryan Fuller: Probably about halfway through the season. We’re always looking for a way to end a season in a way we could end the series. We never knew we were coming back. At the beginning of season 3, NBC was talking to me about new development, and that was a pretty big indicator to me that they weren’t planning on picking up a season 4. So I wanted to be sure we had an ending for the story we were telling, but also leave room for a continuation of the tale of Hannibal Lecter and Will Graham should we get the option to tell more of it.

So you have an idea in mind in the event of something more where this is not the end of the story?

Bryan Fuller: Right. In my mind, the most interesting chapter of Will Graham’s story has yet to be told.

Once NBC made their decision official and you couldn’t find a buyer elsewhere for a fourth season, were you at peace with the idea that this is it?

Bryan Fuller: I knew the writing was on the wall. I knew that we had gotten ridiculously preferential treatment on this show by the network. The fact that they allowed us to tell the tales we were telling, and in a manner that was much more suited to a cable audience than a broadcast network audience. They were bending over backwards to accommodate us, and I knew they could only bend so far with ratings as bad as we had! (laughs)

Where do things stand now? What are the options?

Bryan Fuller: Martha De Laurentiis is looking into financing for a feature film. The season 4 that we were going to tell is such a restart and reimagining that I still hope in some way that we get to tell a version of that, if not “Silence of the Lambs” itself, as a miniseries. I would love to return this cast to the big screen from whence they came, and Hannibal Lecter to the big screen, from whence he came. It seems perfectly symmetrical.

Last time we talked, you put the odds on a fourth season at 50-50. What would you say the odds are now for any kind of filmed continuation?

Bryan Fuller: Oh, God. I have no idea. I think they’re less than 50/50, and not in our favor. But I’m curious to see how folks respond to the finale, and then also if that satisfies them? If that feels like “We got a conclusion to our story and it’s wrapped up in a bow, and we don’t need anymore,” then the audience will dictate. But if the audience is still there for the show and still wants a continuation of that story, I’ll continue looking for ways to give it to them.

Why does Will, to your mind, pull Hannibal off the cliff. Is it what Bedelia said about how he can’t live with him or without him, so they have to go down together?

Bryan Fuller: Essentially, the conclusion of the season really started very early in the Italian chapter of the story, where Will is admitting if he doesn’t kill Hannibal Lecter, he has the potential to become him. Then he escapes that trajectory with Hannibal being institutionalized, and finding a family, and once being exposed to the heroin needle again, as it were, he’s realizing how much of an addict he actually is, but is aware enough to know, and to start making moves toward his previous goal of ending Hannibal. And he’s willing to do what it takes. Bedelia says, “Can’t live with him, can’t live without him.” It’s not necessary for him to survive this, in order to accomplish what he needs to accomplish. There’s something so fated about that final act of Will’s. And also, the awareness of this is perhaps the best solution for both of them.

Hannibal looks so happy when Will is embracing him. Does he know what’s going to happen next, or is he thrown for a loop when they go over the cliff?

Bryan Fuller: I think Hannibal is thrown for a loop when they go over. In that final scene between them, it was Hugh Dancy and I talking about what those last moments that we see of Hannibal and Will in the series on NBC, how they need to connect, and yet Will can’t totally surrender to Hannibal, because he’s still Will Graham and still a human being, but he also knows that it’s going to be very difficult to go back to his family life, seeing his wife murdered over and over again in his mind every time that he looks at her. Any possibility of a relationship that could save him from Hannibal Lecter seems dimmer and dimmer in his mind, that it is acceptable to him that he not survive…

She seems as if she is throwing a dinner party.

Bryan Fuller: (laughs) No, that’s our little nod to the audience that perhaps Hanibal could have survived that cliff dive. She’s sitting at the table with her leg on the table and she’s looking absolutely terrified, and she grabs the fork and hides it under her napkin and waits for whoever’s going to return. This woman still has some fight in her. We don’t know if Hannibal is indeed serving her her leg, or is it Hannibal’s uncle Robertus, or Lady Murasaki, or is it Will Graham?…

Bryan Fuller: That was the original intention. No, somebody has got her, and will she or will she not survive. And what’s so fun is that on the song that Siouxsie Sioux wrote, we hear her say, “I will survive, I will survive,” as we’re pushing in on Bedelia, and that could mean she’s singing from Hannibal’s perspective and it means he has survived and will eat this woman now, or Bedelia’s point of view that it’s like, “You may have cut off this leg, but I’ve got this fork and I’m gonna do some damage before it’s done.”
“The previously filmed season finale of ‘Mr. Robot’ contains a graphic scene similar in nature to today’s tragic events in Virginia. Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time.”

DEFIANCE -- "Upon the March We Fittest Die" Episode 313 -- Pictured: (l-r) Julie Benz as Amanda Rosewater, Grant Bowler as Joshua Nolan, Trenna Keating as Doc Yewll -- (Photo by: David Lee/Syfy)

Defiance ended its third, and strongest, season on Friday. After wrapping up the arc which dominated the season, the Omec arc, which had also been simmering all season, became the focus of the show. The Omec threat might have been handled too easily, but it brought about what might be the most exciting moment of the series. There is little doubt that Nolan and Doc Yewll will ultimately return to earth, but we can wonder upon the circumstances, and what will occur out in space before this happens.

The scheduled season finale of Mr. Robot was postponed a week due to similarities to killings taking place in Virginia earlier the same day. Considering how much other violence takes place both in the real world and on television, I’m not sure how much this matters. If nothing else, this gave more people a chance to get caught up with the series before its finale. For those who missed it, it is definitely a show worth catching up on.

Two other new shows from this summer which I recommend are Humans and Sense8 (which I reviewed here). As I was watching the uncut British episodes before episodes aired in the US, I did not review episodes of Humans as they aired here. The show typically moved at a fast pace with major revelations every week, slowing down a bit in the finale after resolving the problem of everyone being captured the week before. The finale resolved this, in case the show was not renewed, and then ended with a major revelation in the final moments which will probably drive season 2.

agents_of_shield season 3

A description was released for the third season of Agents of SHIELD which does tell quite a lot about the plans for the upcoming season. A new poster is also above, complete with Coulson’s robot hand. The show returns on Tuesday September 29.

“Marvel’s Agents of S.H.I.E.L.D.” returns for an action-packed third season, with Director Phil Coulson (Clark Gregg) and Agent Daisy Johnson (Chloe Bennet) leading the charge as S.H.I.E.L.D. searches the world for more powered people in the aftermath of their epic battle with Jiaying and her army of Inhumans. However, Coulson and the team soon find out that they are not the only group looking for these new Inhumans.

Many months after their war with a rogue group of Inhumans, the team is still reeling. Coulson is again trying to put the pieces of his once revered organization back together while also dealing with the loss of his hand. His confidante and second in command, Agent Melinda May (Ming-Na Wen), has yet to return from an impromptu vacation with ex-husband Andrew (Blair Underwood); deadly superspy Agent Bobbi Morse (Adrianne Palicki) is recovering from her traumatic torture at the hands of Grant Ward (Brett Dalton); Fitz (Iain De Caestecker) is obsessed with discovering the truth behind the mysterious disappearance of Simmons (Elizabeth Henstridge); and all are on high-alert for the next move from Ward and Hydra.

Ever since the existence of Super Heroes and aliens became public knowledge after the Battle of New York, the world has been trying to come to grips with this new reality. Coulson assembled a small, highly select group of Agents from the worldwide law-enforcement organization known as S.H.I.E.L.D. (Strategic Homeland Intervention Enforcement and Logistics Division). S.H.I.E.L.D.’s mission: to protect those who cannot protect themselves from threats they cannot conceive.

But bigger threats loom ahead, setting the stakes even higher for the Agents, including the spread of Terrigen, an alien substance that unlocks superhuman abilities in select individuals; the emergence of new Inhumans who cannot yet control nor understand their powers; the rise of a new government organization that will go toe-to-toe with S.H.I.E.L.D.; the unknown properties of the massive alien Kree monolith, which has taken one of their own; and the constant threat of a rebuilt Hydra terrorist organization under S.H.I.E.L.D. traitor Grant Ward, who is making it his personal mission to take down Coulson and S.H.I.E.L.D.

New faces, both friend and foe, will join the series, including the no-nonsense, highly-skilled and somewhat mysterious leader (Constance Zimmer) of the ATCU (Advanced Threat Containment Unit), her intimidating partner, Banks (Andrew Howard), Lash (Matthew Willig), a monstrous Inhuman whose loyalties remain ambiguous, and new Inhuman Joey (Juan Pablo Raba), who is struggling to harness his newfound abilities, among other surprising characters.

Coulson, with the help of Daisy and Mack (Henry Simmons), will work to slowly assemble a team that is stronger than ever before, combining the highly skilled Agents of S.H.I.E.L.D. with powered individuals in the hopes of protecting the innocent in a world where the balance of power is ever-shifting, and new dangers are constantly emerging.”

Amazon is working on a television series based upon Galaxy Quest.

Entertainment Weekly has some news (spoilers) about season two of Outlander, including how it might vary from the second book.

George R.R. Martin might have provided a spoiler for season six of Game of Thrones regarding whether Stannis survived. As we didn’t see him actually get killed, I would assume even without looking at spoilers that this remains a strong possibility.

Variety reports that a web series will bridge the gap between The Walking Dead and Fear The Walking Dead

We have already seen Joss Whedon turn to Shakespeare, using many of his frequent stars in Much Ado About Nothing. Now Russel T. Davies is turning to Shakespeare with a production of A Midsummer’s Night Dream with the Doctor Who team.

Olive Sacks Book

Oliver Sacks, a neurologist who wrote about the brain in a way that showed that science fact can sometimes be stranger than science fiction, died at age 82. From The New York Times:

Oliver Sacks, the neurologist and acclaimed author who explored some of the brain’s strangest pathways in best-selling case histories like “The Man Who Mistook His Wife for a Hat,” using his patients’ disorders as starting points for eloquent meditations on consciousness and the human condition, died on Sunday at his home in Manhattan. He was 82.

The cause was cancer, said Kate Edgar, his longtime personal assistant.

Dr. Sacks announced in February, in an Op-Ed essay in The New York Times, that an earlier melanoma in his eye had spread to his liver and that he was in the late stages of terminal cancer.

As a medical doctor and a writer, Dr. Sacks achieved a level of popular renown rare among scientists. More than a million copies of his books are in print in the United States, his work was adapted for film and stage, and he received about 10,000 letters a year. (“I invariably reply to people under 10, over 90 or in prison,” he once said.)

Dr. Sacks variously described his books and essays as case histories, pathographies, clinical tales or “neurological novels.” His subjects included Madeleine J., a blind woman who perceived her hands only as useless “lumps of dough”; Jimmie G., a submarine radio operator whose amnesia stranded him for more than three decades in 1945; and Dr. P. — the man who mistook his wife for a hat — whose brain lost the ability to decipher what his eyes were seeing.

Update: Wes Craven has died at 76.  From The Hollywood Reporter:

Wes Craven, the famed maestro of horror known for the Nightmare on Elm Street and Scream franchises, died Sunday after a battle with brain cancer. He was 76…

Craven claimed to have gotten the idea for Elm Street from living next to a cemetery on a street of that name in the suburbs of Cleveland. The five Nightmare on Elm Street films were released from 1984-89 and drew big crowds.

Similarly, Craven’s Scream series was a box-office sensation. In those scare-’em-ups, he spoofed the teen horror genre and frequently referenced other horror movies. 

Craven’s first feature film was The Last House on the Left, which he wrote, directed and edited in 1972. A rape-revenge movie, it appalled some viewers but generated big box office. Next came another film he wrote and helmed, The Hills Have Eyes (1977).

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SciFi Weekend: Daredevil; Hannibal; X-Files; Twin Peaks; Mr. Robot; Doctor Who

Daredevil elodie yung

Season two of Daredevil has started filming and will be available in April, 2016 Elodie Yung, who preciously appeared in GI Joe: Retaliation and The Girl With The Dragon Tattoo, has been cast to play Elektra (played by Jennifer Garner in the movies). Her appearance was foreshadowed by Foggy during the first season with a reference to a “smokin” Greek girl from Matt’s  past.

Marvel’s description of the character;

Yung will play Elektra, a mysterious woman from Matt Murdock’s past whose dangerous and exotic ways may be more than he can handle.

Jeph Loeb, Executive Producer and Head of Marvel Television, said:

“After a worldwide search, we found in Elodie the perfect actress to embody both Elektra’s impressive and deadly physicality, as well as her psychological complexity. Paired with Charlie as Matt Murdock, the two will bring one of the most beloved and tumultuous comic book relationships to life with all the accompanying sparks and spectacular action sequences the show is known for.”
Being released on Netflix makes it much harder to cover shows such as Daredevil in blog posts such as this, with everyone watching at different times, but the first season is highly recommended. While technically taking place in the Marvel cinematic universe, it is a much darker and grittier show, providing more variety in superhero styles.

HANNIBAL -- "Dolce" Episode 306 -- Pictured: (l-r) Mads Mikkelsen as Hannibal Lecter, Gillian Anderson as Bedelia Du Maurier -- (Photo by: Ian Watson/NBC)

This week’s episode of Hannibal, Dolce, got into Will’s head and ended Hannibal’s stay in Florence. Bedelia told Hannibal, “I knew that you intended to eat me. And I knew that you had no intention of eating me hastily.” She added, “I have not marinated long enough for your tastes,”but also acknowledged, “You may make a meal of me yet.” But the episode ended with both Hannibal and Will slowly being turned into a series of meals for Mason Verger.

Both Amazon and Netflix have passed on picking up a fourth season of Hannibal. Amazon was considered the best hope as they have rights to the previous seasons ,which also decreased the likelihood that Netflix would be interested. Besides the relatively low ratings, selling the show elsewhere is now complicated by the cast being released from their contracts and Bryan Fuller being committed to work on American Gods. Perhaps they could do periodic episodes when Fuller and key cast members are available similar to what is being done with Sherlock. There is also speculation that Hulu, Yahoo, or a cable network might consider the show. I still think the show belongs on The Food Network.

Trailer for the return of The X-Files in January, 2016.

The reboot of Twin Peaks is now being delayed until 2017.

Entertainment Weekly has teaser promos for season two of Fargo.

Mr Robot s01e03

The third episode of Mr. Robot helped alleviate any fears I had that they might not be able to sustain the quality of the pilot. The episode helped to make some of the characters more rounded characters. Elliot, briefly thinking he was free of FSociety, tried to act more normal. Gideon summed it up with the puzzled question, “Was he drinking Starbucks?” Angela, who previously was “too good for this world” was ready to infect her company’s computers with a virus when threatened by hackers. Shayla moved from drug dealer to girl friend. Tyrell Wellick and his wife are a very bizarre couple.

Doctor Who Arya Stark

The BBC has summarized what is known about next season’s episodes of Doctor Who. Guest stars include Maisie Williams, who plays Arya Stark on Game of Thrones. She will appear in Episode 5, entitled The Girl Who Died. The  trailer for the season was released at Comic Con and it was announced that the season will begin September 19.

More news from Comic Con to follow in another post.

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SciFi Weekend: Season Finales of Orphan Black, Game of Thrones, and Veep; Hannibal And Creating Monsters; Breaking Bad Cast News

Orphan Black Season 3 finale

Orphan Black concluded its third season with more answers, bigger questions, a cliff hanger, and several clones together. Last season ended with the clone dance party, and this season began with Helena’s dream baby shower. In the third season finale, History Yet To Be Written, several clones were together, seemingly out of danger for the moment, at Alison’s victory dinner. Afterwards Sarah was reunited with Kira.

The convoluted storyline has often had characters seem to change sides. For much of the finale it appeared there might be a peace between Dyad, Topside, and the Leda clones which included an agreement to share genetic material from Kendall Malone. Then the show suddenly reverted back to the conspiracies of the first season with the return of the Neolutionists, who are far scarier than when Dr. Leekie was around, with Susan Duncan apparently in charge.

This news ended any idea of sharing genetic material, and upset Ferdinand, who really hates “those genetically obsessed zealots.” He said they’re like ticks, quickly decided that his henchman accompanying him was one, and gave him a bath in sulfuric acid. Ferdinand, incidentally was finally informed that the “dirty clone” he was involved with earlier in the season really was Sarah pretending to be Rachel.

Rachel, meanwhile, spent most of the episode wondering where she was, until Charlotte (the younger clone with a leg brace) showed up, who for unexplained reasons is now with Susan Duncan with no evidence that  Marian is around. Rachel’s new eye appears robotic, while surprisingly Krystal not only came out of the coma, but still had two eyes. Most likely we will still see her next season but it remains to be seen how she will escape from Dyad, especially if Delphine is really dead.

Delphine was told she would be dead by morning, and spent the rest of the episode apparently saying her goodbyes, suggesting that she might really be leaving the show. In the episode’s cliff hanger, she was shot by an off-screen assailant. The episode was written as if it was a final one for Delphine, but on a show such as this we can never be certain a character is really dead.

For the moment it appear that obstacles between Shay and Cosima have been removed and Shay might very well be innocent. She does have a point that Cosima has not been all that honest with her either. Of course on Orphan Black, a person who seems innocent at one moment might be shown to have a connection to one of the conspiracies at any point in the future.

Helena got to both see her old boyfriend and fight Rudy under prison rules, “only one of us leaves alive.” Needless to say, Helena won.

The finale left many questions, including who shot Delphine, what the Neolutionists are up to, and what the robotic worm in Dr. Nealon’s mouth was.


An interview with Graeme Manson at AV Club leaves the door open for Delphine to return at some point:

The A.V. Club: A lot happens in this finale. There are so many questions, but the first one has to be: Is Delphine really dead? It looks like yes, but there’s no body, and yours is a twisty show…

Graeme Manson: Um… yes. Yes, but. Orphan Black is a cliffhanger. For all intents and purposes, Evelyne [Brochu’s character] is dead. But there’s always a crack of hope in an actor’s busy schedule. They can reappear somehow. But we had to make a bold story choice, and it was a story choice that was very collaborative with Evelyne. It’s a role that we wrote for her. It’s hard to make those big story choices with co-workers that have become your friends, but you got to do it. You got to do it for the good of the show. It’s about the whole story; it’s not about anything else. I mean, we really went for the strongest choice. And Evelyne was up for dying! [Laughs.] Actors really respond to the strong choices. We had made this decision early on that this was the arc of this season, and that we would go for it with the character as an individual. Go out with a bang.

AVC: Speaking of significant deaths: There was Paul’s sacrifice earlier this season, and by the end of this season, every male clone but Mark is dead. You spent a large chunk of this season shading in the male clones’ background with Castor… so how finished do we think Castor is at this point? Does this mean Ari Millen won’t be back in as significant way next season?

GM: Well, it’s every male clone but Mark that we know of. It’s a big-picture story, and so obviously we left the door open for Mark to come back. I think we can all look forward to Ari Millen next year…

AVC: This season alone several factions were fighting for and against the clones: Dyad, Proletheans, Topside, Castor, and apparently, the Neolutionists behind all of it, as we found out in the finale. Do you ever feel penned in by the ever-complicating mythology?

GM: Well, I think this year was a lot about Sarah fighting her way toward an understanding through a conspiracy with a lot of factions. At the end of the season, she’s cut through that, and she’s got one main foe or focus now moving forward. We met Neolution in the beginning with the sort of “pop science” of Leekie. It’s been the fifth column this whole time. I think Sarah can move forward next year with a new understanding, and a new focus on a many-layered but single foe.

Manson was also interviewed by The Hollywood Reporter.


Variety interviewed the co-creator John Fawcett:

First you killed Paul, then you shot Delphine — do you just hate happiness?

[Laughs.] I like happiness as much as the next person, but happiness sometimes isn’t as dramatic as tragic love stories.

Can you definitively confirm that Delphine is dead, or is there still hope?

I would love to say yes or no, but this is “Orphan Black” and I don’t want to say one way or the other … We wanted to leave it in a hanging cliffhanger, so is she dead? Is she alive? I want the audience asking those questions.

Aside from Delphine’s shooting, the season finale ended on an uncommonly hopeful note. Why did you want to go that route instead of ending with a cliffhanger this year?

It was really important for us in one of our most complex seasons to end with a lot of answers and feel like we’ve had some triumph and victory, and be in a place at the end of season three where we could go “now we can take a breather, we can reset.” We didn’t want to end the season in some giant cliffhanger that meant we were gonna have to start exactly where we left off. We wanted to feel resolution and have more of an emotional ending to season three, so that it gave us a chance to reset for the beginning of season four. We just wanted a very different feel.

On a related note, it’s been awesome to see Alison’s suburban subplot add some levity this season — how important was it for you to have that balance when the ongoing mythology has been so dark and complex?

One of the things that was fun about season three was the fact that Alison and Donnie became “Team Hendrix” and had their own storyline. It was a different way to approach Alison this season for us, and it was nice, just from a writing standpoint, having a clone character that we love have a very different story to tell that wasn’t necessarily linked to the main plot where everything has to be interwoven super intricately. It was nice to be able to use that as a breather and a little bit of lightness. Moving forward, most of the time, we’re using elements to set up things that we want to do, that we know are in our plan for season four and five, so that’s all I’ll say [about Alison’s storyline].

Was it always the plan to have the Neolutionists as the ultimate antagonist, or something you decided over the course of making the show?

When we put Neolution in season one, it was to pave the way for this later season. It was definitely part of the big picture. That was definitely premeditated.

What about Susan Duncan still being alive?

That was something that we always intended. That was part of the mystery of the past: the explosion in the lab, Dr. Leekie and the Duncans and young Rachel…

here’s been criticism from some viewers over the past couple of seasons that the show’s mythology is getting too convoluted, which I suppose depends on how much you appreciate serialized storytelling. Is that kind of critique something you pay attention to?

It always is — we don’t wanna confuse people but the deeper you go into a mystery, the more balls you’ve got to juggle. It’s a complicated story. I felt like it wasn’t that complicated, but I think the point of this conclusion, coming to the end of this season, was always to be able to go “okay, we got all these answers, so what’s next?” and leave the audience peeking into a brand new rabbit hole, and the nice thing about looking into a new rabbit hole is that you get a chance to begin again a little. There’s elements that I miss from season one too — Sarah not knowing, at all, what she’s facing or what any of this is about, and I think that’s a place we always intended to go at the beginning of season four.

How cognizant are you of the need to maintain the mystery but not withhold answers for too long? It seems like a lot of serialized shows have struggled with that ratio after “Lost,” where viewers become frustrated that mysteries are just piling on top of mysteries with no resolution in sight.

It was a real issue with “Lost” because it made people very grumpy, and it made me wonder whether the creators knew where the show was going or not. When Graeme and I first started on the show, it was like “let’s map out where we want to get to. What’s the endgame? What are the tentpoles for however many seasons we want to tell this story for?” And make sure that every step along the way, we’re giving enough answers. We may get more questions as we go, but we’re giving enough answers to the audience to keep them satisfied that they’re not just watching something that doesn’t have any conclusion.

Fawcett was also interviewed by Entertainment Weekly.

Game of Thrones Walk of Shame

Game of Thrones also ended its season with questions over the fate of major characters. Unlike previous seasons, the show has now caught up with the published books, so while the books might provide additional clues, there are no definite answers.

The biggest question is whether Jon Snow is dead, or whether he will come back from the dead. Many of the interviews suggest he is really dead, but they are not accepted as final. If something major happens to a character and then an excuse to return them to life is brought about later, it will often feel like a cheat. This can plausibly be done with Jon Snow based upon the world we have seen. There has been speculation from fans about multiple ways in which Snow could have survived, or be brought back by life, with many of them already foreshadowed in previous episodes. Going more meta, I wonder if he will return primarily because he has provided the major point of view of events at the wall. Some of the stories taking place there have been among the weaker story lines, but they would be even weaker without Jon Snow. It is hard to believe that events at the wall will not continue to be of major significance with winter coming.

Stannis Baratheon was not shown to actually be killed making it very plausible that he survived. Going meta with him, it sure looks like his storyline has been concluded. On the other hand, he does have one of the stronger claims to the Iron Throne, and he might still have a role in whatever end game is planned. Maybe he will wind up returning to the wall, although I don’t see replacing Jon Snow with Stannis as an improvement to the story.

Arya got to kill a  henchman for the Lanisters, but wound up going blind. Either she will have to regain her sight, or become like Daredevil. Otherwise it is questionable how significant her character can be.

Daenerys, after flying away on a dragon, wound up surrounded by a Dothraki horde. Depending on how they respond to her, and whether her dragon quickly recovers, she could either be in grave danger or have a new army at her disposal.

Cersci went from a hated villain to now having an opportunity to be cheered by fans when she inevitably takes revenge. She puts a whole new meaning on “walk of shame.” Those who filmed the scene apparently overlooked the problem of different lighting and on Lena Headey’s’s face and the  length of the neck and on her body double’s (Rebecca van Cleave) nude body, or else they assumed that nobody would be paying much attention to her neck and above. Margaery continues to be held by the religious fanatics. Natalie Dormer would probably have no qualms about filming her walk of shame, even if it also involved full frontal nudity, without a body double.

Veep finale

HBO’s also had two comedies end their current seasons last weekend. Silicon Valley’s second season was better than the first. The ending of Veep suggested where they are going next season, probably eliminating the minor issue that the show is named Veep but this season Julie Louis Dreyfus’ character played the president. The election ended with an electoral college tie and the characters desperately tried to figure out what that meant. One even questioned if they could look it up in a book. One scenario would be having the House also be tied, with the Senate picking Tom James as president. Presumably he would then chose Selina as his vice president, bringing the character back in line with the show’s title.

This would bring things partially back to how the show was first season, with some potential differences. First season the president was rarely seen, especially by his vice president, and Selena had no power or influence. Depending upon how much Hugh Laurie will be in next season, there could be an unseen president or a president with a major role. It would be plausible to have a President Tom James either ignore Selena or make use of her.

Jonah wound up the season looking more respectable, even if as the Testicle Man. It worked out well to temporarily have Dan and Amy play lobbyists and television talking heads (along with a Nate Silver type character), but I wonder if they will be brought back in to the administration next season. At least it certainly looked like Amy would return to the inner circle by the end of the finale.

HANNIBAL -- "Secondo" Episode 303 -- Pictured: -- (Photo by: Brooke Palmer/NBC)

This week’s episode of Hannibal, Secundo, dealt with the making of monsters. This might winding up summing up Will Grahams’s entire story. This does not apply to Hannibal as we were told, “Nothing happened to me. I happened.” Will traveled to Hannibal’s family home in Lithuania where he encountered Chiyoh who is holding in a dungeon the man who apparently killed Hannibal’s sister Mischa and fed her to him. Conversations between Hannibal and Bedelia suggest that Hannibal was really to blame. Chiyoh was left to guard him when she would not allow Hannibal to kill him, but ultimately wound up killing him after Will set him free.

Chiyoh was not the only person manipulated into being a killer this episode. After Hannibal stuck an ice pick in a dinner guest’s head, Bedelia pulled out the ice pick to put him out of his misery. Hannibal made a point of stating, “Let the record show, you technically killed him.”  The two are definitely playing a dangerous game with each other, but their ultimate motivations are not clear. Bedelia noted how Hannibal is bringing everyone back together. This episode showed Jack also alive and  hunting Hannibal, and soon they will be joined by Chilton, Alana, and the Vergers. Bedelia warned Hannibal that he would be captured, and the two discussed how Hannibal must react when he encounters Will in order to forgive him: “I have to eat him.”

Besides playing Dr. Bedelia, Gillian Anderson is also reprising her role as Scully on the X-Files revival. Speakeasy interviewd Anderson about these roles:

It’s hard to tell whether Bedelia is Hannibal’s prisoner or if she’s actually playing him in a way. Where do you think his head is at once they settle into Florence and Hannibal has begun to kill again?

The trouble that I have in doing interviews about Bedelia is that part of what is interesting about her is what we don’t know and is about the lingering question marks. If I were to answer [about] my thought my process in it or what I feel is motivating her, where I think she’s standing or what Bryan has told me, it completely takes the joy out of it for the viewers. So, I often struggle in interviews to have anything of value to say … because I’m trying to protect the viewer in having a real-time and organic experience rather than being told what’s going on.

Everybody wants to know, but it’s almost better in not knowing, I think. I’ll say that she’s intrigued and she’s scared and she’s in way over her head. But I think where the question mark lies is still within that. Where lies her complicity? Where lies her power? Does she actually have the upper hand without him realizing it? Those are the multi-leveled question marks.

At the end of episode one, which everyone has seen already, Hannibal tells Bedelia she isn’t just observing, she’s participating. Do you think that’s true? How culpable is she especially in that instance?

I think it changes halfway through. Not that she would be able to do anything about the current moment and what is transpiring in front of her, but she recognizes, legally, in that moment, if she continues to live there that the longer she stays, the more she will seem to be complicit in what’s going on. I think that is partly why she then starts to do what she starts to do, which I can’t talk about. The question that he poses in that moment is a question she works out for herself in that moment. Her reaction to it is what then moves her storyline through the rest of the episodes. That’s potentially quite a big turning point...

Duchovny recently said the script for the new “X-Files” made him cry. How did it make you feel?

I think since I’ve come up to Vancouver [to shoot “The X-Files”], I’ve become more excited, emotional and embraced the journey we’re about to go on. I’m actually really excited. I don’t think it initially hit me in the first read, but it was more to do with my needing to compartmentalize and not really address the fact that it was all about to happen until I actually got up here because there were too many other things I have to think about.

Breaking Bad

We will be seeing more of the cast of Breaking Bad. Vince Gilligan has said that Bryan Cranston will appearing on Better Call Saul, but not until after the second season. There are also reports that Cranston will be directing some episodes.

Aaron Paul will be returning to a regular episodic television in The Way which will appear on Hulu. It is a family drama about a a family involved in a controversial religious movement, produced by Jason Katims and written by Jessica Goldberg. Their past work on Friday Night Lights and Parentood provide promise for this show.

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SciFi Weekend: Hannibal; Orphan Black; iZombie Season One Finale; The Flash; The Leftovers; The Man From UNCLE


While last week’s episode of Hannibal jumped ahead and left open the fates of those left for dead in the season two finale, Primavera centered on Will and flashed back to the aftermath of the bloodbath. There was no indication on screen as to the fate of Jack Crawford and Alana Bloom but I was surprised to see Abigail walk into Will’s hospital room early in the episode. I was surprised a second time when it was revealed that Abigail was only in Will’s head, most likely representing the part of Will which still wanted to be with Hannibal.

The other key character of the episode was a police officer named Rinaldo Pazzi who had history with Hannibal. Years ago he investigated the murder of a couple who were arranged like a painting. Will explained how Hannibal operated, including how he doesn’t leave evidence– as he eats it. The climax of the episode was a search through catacombs. When Will warned Pazzi that he shouldn’t be be down there alone, with the warning that Hannibal will kill him (which will probably happen at some point), Pazzi pointed out that he had Will with him.

Will’s response summed up the episode: “You don’t know whose side I’m on.” The problem is that that Will himself doesn’t know, and if he was smart he would followed the advice he gave Pazzi and remain home with his dogs (and Alana if she survived). There was another clue as to Will’s state of mind when he said at the end of the episode, directed towards Hannibal,  “I forgive you.”

This still leaves open how each will respond when they actually meet again.


The penultimate episode of the season of Orphan Black, Insolvent Phantom Of Tomorrow, gave more answers, regardless of whether plausible. Allison’s days as a drug dealer appear to be coming to an end, but the storyline provided for an unexpected pairing of Donnie and Helena. Helena was disguised as Allison, but under the circumstances it was more useful for Donnie to have the psychopathic killer clone along. The big mistake at Pouch’s warehouse was for the drug dealers to first take Helena’s tank with her embryos, and then threaten Donny and who they believed to be Allison’s children. Helena told them, “You should not threaten babies.” She then made them pay for the threat, and then rejoin Donny with the money he had lost, and more. “I got refund, we should go now.”

Delphine again showed how terrifying she can be, threatening Shay’s life believing that she had given the information about the book to the Castor group. It really didn’t come as a surprise when it turned out that Gracie and not Shay had sold them out to please her guy-clone. Seeing Delphine hold that razor blade after Cosima phoned her about Gracie, I half expected Delphine to tell Cosima that it was too late and then proceed to kill, or at least torture Shay.  The previews revealed that Shay remains alive, although I wouldn’t be at all surprised to find out that there is still more to her than appears.

The biggest revelation took place in London when Kendall Malone turned out to be Sirobhan’s mother, who had absorbed a male twin in the womb s0 that she has two cell lines. She was the original cell line for Castor, but they couldn’t kill her as planned  because she also was the original cell line for Leda, having both male and female cells. Not only are Castor and Leda brother and sister as we learned earlier this season, this would also mean that Sarah along with the rest of the clones and Siobhan actually are biologically related.

If this didn’t set up enough for the season finale, Ferdinand and Topside are also back.

izombie Season one finale

Like Veronica Mars, the previous hit from Rob Thomas, iZombie was enjoyable more for its season-long arc and the characters than for the case of the week. By the season finale much has changed, including more people knowing that Liv is a Zombie. David Anders, as usual, made a fantastic villain, this time as Blaine. He had a great racket going, turning people into zombies, and then selling them brains. As opposed to the typical zombie show, the zombies on iZombie kept their human memories as long as they had a steady supply of brains to eat. Now that Blaine is no longer a zombie, will he keep his racket going? If not, where do the zombies he created get their brains, and do we  wind up with a zombie apocalypse?

Rob Thomas discussed the finale and second season with E!:

E! News: Blaine and Major have both been cured—are there going to be any complications with becoming human again?
Rob Thomas: Yeah, there will be. Ravi would not have wanted to put that cure on the market yet, and for good reason. There will be side effects. There will be fallout from that. It won’t be as easy as boom, you’re human again, go enjoy the rest of your life. Blaine will have to try to maintain his zombie world while being human so we’re going to have some fun in season two with him trying to pass as a zombie. Imagine him trying to put on white face to convince his clients that he’s still a badass who they should be afraid of.

Liv’s brother is in critical condition by the end of the finale—how is this going to shake up their family dynamic especially since Liv can’t give her blood to save him?
It will have real repercussions next year. We know that the season two opening scene is going to be a really rough scene with her family. They do not understand the decision she made and it’s kind of impossible for her to tell them.

iZombie -- "Dead Rat, Live Rat, Brown Rat, White Rat" -- Image Number: ZMB112B_0203 -- Pictured (L-R): David Anders as Blaine DeBeers, Aleks Paunovic as Julien, and Robert Buckley as Major Lilywhite -- Photo: Liane Hentscher/The CW -- © 2015 The CW Network, LLC. All rights reserved.

More in an interview at TVLine:

TVLINE | There’s not one, but at least three major cliffhangers in the finale. Was that always the plan, even before the show was renewed?
Yes. In fact, it’s been the plan for a long time. When we offered [Robert Buckley] the role of Major, he called me and said, “Listen, I just want to make sure that I’m not just going to be the boy that Liv pines for, that I’m going to have something to do,” and I pitched him the exact ending of the show. I said, “It’s going to end like Taxi Driver. You going into the zombie headquarters and mowing people down. You will have gone through this horrible journey. You will have this moment where you get to take out all these enemies.” So we were always building to that.

And probably around midseason, we had some ideas on how we wanted to reset for Season 2. We announce our big Season 2 storyline right there in the finale. Vaughan, the head of Max Rager, says, “We’re going to take out all the zombies.” So that will be a big part of Season 2, and it will make Liv and Blaine strange bedfellows. One of the things that was rough in Season 1 was we loved those two actors on screen together, but part of the season arc was Liv searching for Blaine. We couldn’t play them on screen. Next season, you’ll see a lot more of them on screen, at the same time, with a common enemy.

TVLINE | Is it safe to say that Blaine as a human, even without his zombie strength and rage, is still not a nice person and a dangerous threat to Liv and Major?
Yeah. We’re not going to make him cuddly next year. If you talked to me a few years ago, I would have thought, “Well, how in the world, after him spending Season 1 murdering homeless teenagers, could we ever believe him as anything but evil?” Then you watch Game of Thrones. Somehow, Jaime Lannister has become a sympathetic character even though he threw a young boy out a window in Episode 1. So it can be done, and maybe someday, we will attempt that. But for the immediate future, Blaine is bad.

TVLINE | Can he keep his business going as a human?
That’s going to be part of the fun of Season 2. He will need to trick his clientele. Next season, he may be passing as zombie in order to maintain the fear, which I think we’ll have fun with.

TVLINE | So instead of tanning, he’ll be putting on powder.
It’s funny you say that because we already have a scene up on our writers’ board in which we will see him getting powdered up in order to appear as a full-blooded zombie.

TVLINE | Major now knows the whole truth. What does that allow you to do that you couldn’t before with Major and his relationship with Liv?
Now that they both know, and Major knows what he’d be getting into, we’re toying with, could they try a romantic relationship in which no bodily fluids were exchanged? It’s sort of a great existential question of, could you have a romantic partner with whom the sexual limits were very, very strict? How would that go? We may explore that.


The Flash is casting a Felicity-like love interest for Barry Allen for season two. Of course we know from those future newspapers who he winds up with, assuming they are from the same timeline.

There were at least two huge scenes on The Game of Thrones last Sunday, with one of the most disturbing deaths of the series and flight on dragons. With the season finale airing tonight I will wait for that before saying more about the show.

Defiance returned on Friday with two more alien threats. Fans of the show probably enjoyed the two hour season premiere. I remain lukewarm, but see more promise this season than in the second season. Knowing the characters after two seasons did make me more interested in the events than I had been at points in the  past.

The HBO version of The Leftovers completed the material from the novel in its first season. The above trailer has been released for the second season which moves to a new location, with major changes in the cast. The story moves to Jarden, Texas where, unlike the rest of the world where two percent of the people vanished in a rapture-like event, nobody disappeared in Jarden. I wonder if they play Dillon, Texas in football.

The BBC adaption of Jonathan Strange and Mr. Norell, about half way through in the UK, premiered in the US on BBC America. Reading reviews of the mini-series I found that they all agree that some aspects of the novel did not make it into the television show. The reviewers disagreed as to whether this means that important aspects of the novel were left out, or if this means that what they saw as flaws in the novel were fixed.

The Man From UNCLE will be released in theaters on August 14, 2015. The trailer is above and the synopsis, based upon the 1960’s television show, follows:

Set against the backdrop of the early 1960s, at the height of the Cold War, The Man from U.N.C.L.E. centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo’s only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe.

Streaming video has greatly changed how many of us watch television. Netflix has dominated this market, but there are additional options including Hulu, Amazon, Yahoo! (primarily notable for carrying the sixth season of Community) and now stand alone subscriptions for HBO and Showtime. Netflix has been expanding worldwide, but they will have new competition when they move ahead with plans to expand to China. Alibaba plans to launch a Netflix-like streaming service in China. About ninety percent of its content will be paid for, either by subscription or payment for individual shows. with the remaining ten percent available for free.

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SciFi Weekend: Outlander Finale; Game of Thrones Diverging From The Books; Legends of Tomorrow; Tron; Community; Orphan Black; Twin Peaks; Jon Hamm; Netflix; Serial

Outlander Season 1 Finale

Outlander ended the first season like ending a book, moving on to new things but without a television cliff hanger.  Note that even though it was divided, everything which aired so far is considered the first season, based upon the first book in the series. The episode concluded the arc with Jaime’s capture and rape by Jack. Jack even demanded that Jaime “Say my name!” I half expected Jaime to respond with “Heisenberg.” The topic of changing time did come up in the finale, and it will be interesting to see how this plays out as Outlander is a totally different type of time travel story compared to shows such as 12 Monkeys.

Ron Moore spoke with Deadline about the season finale of Outlander and the plans for next season. The comparison to the recent rape scene on Game of Thrones was also noted:

DEADLINE: The May 17 episode of HBO’s Game of Thrones featured a rape of the Sansa Stark character that erupted into controversy for a show already drenched in sex and violence. Airing so close to that, how do you think what happened there will impact reaction to the Outlander finale?

MOORE: Obviously we wrote the finale, shoot it, and put in the can a long time ago and the rape of Jamie by Jack Randall was always a part of this story. Suddenly I’m talking about our show and we’re stepping into a cultural moment where that Game of Thrones scene has suddenly grabbed everybody’s attention.

To be honest, I still haven’t even seen it. I’m behind in my Game of Thrones and I have yet to catch up on it so I keep sort of defying comparisons as a result. But I will say, it’s just one of those things you can’t control. You never know exactly what pop cultural moment a show is going to step into. Sometimes it happens and there’s nothing else around it, sometimes you’re sort of moving into the stream where something has caused a wake and that’s kind of where we are at this moment.

DEADLINE: While you haven’t seen the Unbowed, Unbent, Unbroken episode of Game Of Thrones with the rape, having seen the sandstorm of a controversy it blew up into, did you think of toning down the finale?

MOORE: I’ve never even thought that for a second. This is our show. We stand by it. I stand by it. We made our decision. We’re ready to show it to the audience and we’ll see what happens, but no I never even thought about that…

DEADLINE: The season ended on what is basically the end of the first book in Diana Gabaldon’s series – is that going to be the strategy for each season going forward?

MOORE: The general plan is probably to try to do a book a season. Some of the books are bigger than others so we’ve definitely had conversations about, “well, you know, at some point we made need to split a book into two seasons,” but right now we’re not there yet so the plan is to do Dragonfly In Amber for Season 2.

DEADLINE: Are we going to see more changes from that book for Season 2 of the show?

MOORE: There will be twists and turns that aren’t in the book. The second book is more complex than the first book is. It’s a little tougher challenge to adapt it. It takes place in France and it deals with the Jacobite Rebellion. It’s much more political, it weaves in and out of actual historical events. There’s more complexity, just in terms of how Diana structured the story in Paris, in particular, as Jamie and Claire try to change history.

DEADLINE: What’s going to be different?

MOORE: It’s an urban setting and you’re dealing with aristocracy and the court of Louis XV so it’s a whole different thing. It’s not going to look anything like Season 1, so you’re really kind of prepping and shooting a whole new TV show into the second year. It has a lot of, you know, “oh my God, what can we do,” those kind of moments to it…

DEADLINE: You’ve worked on and led a number of shows, now that the first season is over on this one, how has Outlander been different for you from a creative standpoint?

MOORE: Well, it’s a very different experience, you know? Galactica was something where I took the old show and then decided to revamp it and reinvent it. But it was kind of something that I was making up in the writers room as we went along and I literally didn’t know where it was going season to season. It was a process of invention and discovery all the way along the road right up until the end. This project is different, it’s an adaptation so there is a roadmap – this is where we’re going. The challenges are very different. It’s the first time I’ve done an adaptation like this.

Just from a strictly producing standpoint, it’s been the most challenging thing I’ve ever done. The story aspect and the writing aspect has just been a very different game from what I’ve done before. It’s trying to maintain the spirit of the book, it’s trying to keep these characters, trying to maintain this story and making changes along the way because you have to make changes along the way. It’s trying to get back to that, and hopefully you’re able to serve two masters, the fans of the books and those who’ve discovered the story through the show.

Outlander Finale Rape

More on next season at TVLINE:

TVLINE | Claire and Jamie are off to France for Season 2. Talk to me about how the show will look next season.
They’re going to Paris, and they’re going to be dealing with the French aristocracy. So you’re already in a completely different planet than where we were with Season 1. Scotland is about heavy stone, rough wood, dark tabletops, smoke and candlelit rooms, and now you’re in world of gilt, fine China, glassware and costumes that are made of silks and bright colors.

It’s going to be a whole different tone, a whole different…playing the story as much more political. We’re dealing with the Jacobite Rebellion. It’s much more about deception, and lies within lies, and the gossips and the surroundings of Paris. And dinner parties, and going to the court of Louis the XV — and if you know those books, there’s St. Germain, and there’s Master Raymond, and there’s more of an occult feeling to a lot of that stuff. [Plus], she’s pregnant, and he’s got the aftermath of Jack Randall.

In probably every which way you can think of, it’s going to be different than Season 1 was, which I think is one of the strengths of the series overall: its continuing evolution.

TVLINE | What can you tell me about how Jamie and Claire will navigate that world?
In a lot of ways, [Parisian society] is more familiar to him in certain ways than you would anticipate, because he is a laird in his own life, and he has lived in France, and he speaks the French language. It is a somewhat familiar culture to him. He does know his cousin, Jared, who runs a wine business, and he’s been to this place. Claire also speaks French, and she’s adapting in a different way, but she still struggles with the roles woman in these times, even in French society.

TVLINE | Do Caitriona Balfe and Sam Heughan speak French?
Caitriona definitely does, because she spent quite a bit of time in Paris, and Sam is learning French. I just heard him at the table read the other day, and I was pretty surprised. He did quite well.

TVLINE | Can you speak to whether Season 2 won’t be quite as true to the structure of the novel Dragonfly in Amber as Season 1 was to its source material?
It’s just a complicated process of adaptation… The Paris section [of Dragonfly in Amber], the plot is not as clean and simple as the plot was in Book 1. Book 1, for a big chunk of it, is Claire going back in time and trying to get home, and then she’s trying to find Jamie, and those are very clean narratives.

The Paris section of Book 2 is just more complex. It’s about many more ideas, other characters coming and going. They’re involved in something that’s more complex Diana [Gabaldon] shifted points of view, herself, in Book 2. So that alone just makes it a more complicated task to make the adaptation. So, yeah, we’re still struggling with the same things, with trying to be as true to the book as we possibly can while making it a television series. We always just try to do our best.

Game of Thrones Sparrows

Last week’s episode of Games of Thrones had a couple of major events, including Cersei finding that a religious movement now has more power than she does. George R.R. Martin discussed his inspiration for The Sparrows in The Game of Thrones with Entertainment Weekly:

“The Sparrows are my version of the medieval Catholic Church, with its own fantasy twist,” Martin told EW. “If you look at the history of the church in the Middle Ages, you had periods where you had very worldly and corrupt popes and bishops. People who were not spiritual, but were politicians. They were playing their own version of the game of thrones, and they were in bed with the kings and the lords. But you also had periods of religious revival or reform—the greatest of them being the Protestant Reformation, which led to the splitting of the church—where there were two or three rival popes each denouncing the other as legitimate. That’s what you’re seeing here in Westeros. The two previous High Septons we’ve seen, the first was very corrupt in his own way, and he was torn apart by the mob during the food riots [in season 2]. The one Tyrion appoints in his stead is less corrupt but is ineffectual and doesn’t make any waves. Cersei distrusts him because Tyrion appointed him. So now she has to deal with a militant and aggressive Protestant Reformation, if you will, that’s determined to resurrect a faith that was destroyed centuries ago by the Targaryens.”

And there are other, more direct influences as well between Catholic Church and the Faith of the Seven as well, Martin pointed out. “Instead of the Trinity of the Catholic Church, you have the Seven, where there is one god with seven aspects. In Catholicism, you have three aspects—the Father, the Son and the Holy Ghost. I remember as a kid, I was always confused by that. ‘So there are three gods?’ No, one god, but with three aspects. I was still confused: ‘So he’s his own father and own son?’”

Game of Thrones has diverged from the books this season. The show runners discussed one of the changes seen in last week’s episode  which I think makes a lot of sense to move the story along–moving up the meeting between Tyrion Lannister and Daenerys Targaryen:

Showrunner David Benioff said pairing these two characters—played by Emmy winner Peter Dinklage and Emmy nominee Emilia Clarke—was one of the twists the producers most eagerly anticipated this season. “We’re really excited to see these two characters we love so much finally set eyes on each other,” Benioff said. “Creatively it made sense to us, because we wanted it to happen. They’re two of the best characters of the show. To have them come so close together this season then have them not meet felt incredibly frustrating. Also, we’re on a relatively fast pace. We don’t want to do a 10-year adaptation of the books, we don’t want to do a nine-year adaptation. We’re not going to spend four seasons in Meereen. It’s time for these two to get together. It’s hard to come up with a more eloquent explanation, but this just felt right. [Varys] puts Tyrion’s mission out there [in the season premiere] and the mission ends in Meereen.”

Tyrion and Daenerys have not yet met in George R.R. Martin’s novels upon which the series is based. But as is increasingly the case on the show, the producers opted to progress the story beyond the characters’ stopping point in Martin’s most recent book, A Dance with Dragons, in order to maintain an intense TV-friendly pace. Benioff and his fellow showrunner Dan Weiss have previously pointed out they prefer to cap the series around seven seasons.

“There will always be some fans who will think it’s blasphemy,” Benioff noted. “But we can’t not do something because we’re afraid of the reaction. I like to think we’ve always done what’s in the best interest of the show and we hope most people agree.”

The first real conversation between Daenerys and Tyrion, which occurs on tonight’s episode, should be interesting.

Game of Thrones The Gift

Both Ron Moore and George R.R. Martin have dealt with questions of the television works they are involved with differing from the books. Martin recently addressed fans who have been upset with events on the television show which differ from the books, such as the rape of Sansa, on his blog:

How many children did Scarlett O’Hara have? Three, in the novel. One, in the movie. None, in real life: she was a fictional character, she never existed. The show is the show, the books are the books; two different tellings of the same story.

There have been differences between the novels and the television show since the first episode of season one. And for just as long, I have been talking about the butterfly effect. Small changes lead to larger changes lead to huge changes. HBO is more than forty hours into the impossible and demanding task of adapting my lengthy (extremely) and complex (exceedingly) novels, with their layers of plots and subplots, their twists and contradictions and unreliable narrators, viewpoint shifts and ambiguities, and a cast of characters in the hundreds.

There has seldom been any TV series as faithful to its source material, by and large (if you doubt that, talk to the Harry Dresden fans, or readers of the Sookie Stackhouse novels, or the fans of the original WALKING DEAD comic books)… but the longer the show goes on, the bigger the butterflies become. And now we have reached the point where the beat of butterfly wings is stirring up storms, like the one presently engulfing my email.

Prose and television have different strengths, different weaknesses, different requirements.

David and Dan and Bryan and HBO are trying to make the best television series that they can.

And over here I am trying to write the best novels that I can.

And yes, more and more, they differ. Two roads diverging in the dark of the woods, I suppose… but all of us are still intending that at the end we will arrive at the same place.S

The video above has interviews with the cast of Legends of Tomorrow, and the first few seconds shows them in uniform. This includes Caity Lotz returning as The White Canary, and a scene showing The Atom shrinking.

Disney has announced they have discontinued plans for Tron 3. While some fans are complaining, I don’t mind. I see the Tron series as something out of the past which which we have moved beyond and no longer need–like another Clinton or Bush running for president. Besides, with Disney owning the movie rights to Marvel and Star Wars they have much better genre properties to develop into movies, such as we have much better politicians to consider for the presidency.

The Community sixth season finale will be on Yahoo this upcoming week. Yvette Nicole Brown will return to reprise her role as Shirley. Then is is six seasons and a movie?

Orphan Black Mexico

Orphan Black did not advance the overall story very much this week. We don’t even know if anyone survived Paul’s grenade, but it was confirmed that the military installation was in Mexico. The highlight was another case of one clone impersonating another, in this case Cosima as Alison. Next it is the time for the suburban drug deals to play host family for Helena.

Showtime has doubled the length of the planned Twin Peaks reboot from nine to eighteen episodes.

Jon Hamm should walk away with the Emmy this year for his work on Mad Men.  Hamm has also showed other acting talent doing comedy work such  as on 30 Rock and Unbreakable Kimmy Schmidt. Next he has a more dramatic movie role, string in a political thriller, High Wire Act. From The Hollywood Reporter:

Jon Hamm has signed on to star in the Tony Gilroy-penned political action-thriller High Wire Act. Brad Anderson is directing the film for Radar Pictures.

Set in 1980s Beirut, Hamm plays a former U.S. diplomat who is called back into service to save a former colleague from the group possibly responsible for his own family’s death.

Netflix has renewed another show well worth watching, Grace and Frankie, for a second season. Netflix, incidentally, accounted for 37 percent of internet bandwidth during peak hours in North America in March. According to  Variety, “YouTube accounted for 15.6% of downstream Internet traffic, web browsing was 6%, Facebook was 2.7%, Amazon Instant Video was 2.0% and Hulu was 1.9%.”

In addition to increased viewing of television from streaming sources. podcasts are becoming more popular, with Serial one of the biggest. It has been announced that Serial will have at least three seasons, with the second season coming this fall.

Halt and Catch Fire starts its second season on AMC tonight. Reviewers are saying it has fixed many of its first season problems and the second season sounds worth watching.

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SciFi Weekend: Orphan Black; Outlander; Roy Leaving Arrow; Oliva Munn, Super Hero; Gotham; Veep; Daredevil; The Americans; Sopranos Ending Explained; Jon Stewart On Why He Is Leaving The Daily Show

Orphan Black Helena Dream The Weight Of The Combination

Orphan Black returned on Saturday, beginning with a fun scene for the fans. It was another scene with Tatiana Maslany playing multiple seestas at once in Helena’s dream of perfect baby shower, reminiscent of  the clone dance party scene last season. The theme for the season is girl clones vs. boy clones, which sort of sounds like a season of Survivor. So far I have far less interest in the male clones. They didn’t get the chance to be introduced gradually as the girl clones were and, as most were raised in the military, there also probably is not as much difference these clones. One does have a mustache and one does have a scar to help tell them apart.

The conspiracy aspect continues to grow as once we learn about one group another turns out to be above them. Now we are dealing with Topside, who sent a “cleaner” named Ferdinand, who was secretly plotting with Rachel in a plan called Helsinki to kill all the female Project Leda clones.  After finding out about this I didn’t feel sorry at all for Rachel, who wasn’t recovering very well after Sarah poked a pencil through her eye and into her brain. She was also at the Mercy of Delphine, who is the new Rachel at Dyad, and can also be rather evil when necessary. Ferdinand’s arrival set up scenes where Sarah pretended to be Rachel, requiring Alison to pretend to be Sarah.

The New York Times Magazine looked at the filming of Orphan Black recently.

Outlander Devils Mark

The Devil’s Mark had major revelations on Outlander. Geillis revealed that she is a time traveler and this was the third show recently (besides The Americans and Game of Thrones) where someone apparently died by burning to death, although her death was not actually shown. I fear that this is an exception to the television rule that if you don’t see the body the character most likely didn’t really die, but maybe we will see her again. Hopefully Geillis’s confession won’t come back to harm Claire, and any other time travelers who might show up from the 20th century, after she claimed that her smallpox vaccine is the Devil’s mark.

Claire was saved by a combination of Jaime showing up and Gellis claiming to be true witch, followed by her telling Jaime. Surprisingly Jaime accepted it all, and even took her to the stones to make the decision as to which husband to be with. It appears she chose Jaime, although I imagine it is possible she tried to return home and failed. The possibility didn’t seem to come up that if she did travel in time again by touching the stones, there was no guarantee she would return to her original time. (It would have really been awesome if she turned up in the splinter facility on 12 Monkeys.)

Arrow Broken Arrow

On Arrow we learned that Roy’s sacrifice to save Oliver was part of a plan which left everyone alive and out of prison, but left with Roy needing to leave town to keep anyone else from realizing he is still alive.  While this leaves Oliver free, I still wonder how they are going to get the Arrow back openly in action. The moment the Arrow is spotted Detective Lance has new justification for following up on his knowledge that Oliver is really the Arrow.

Deadline spoke with  co-creators/executive producers Greg Berlanti and Marc Guggenheim on Colton Haynes leaving the show as a regular (but will already be returning for an episode later this season).

DEADLINE: When did you know that Colton Haynes was leaving after Season 3?
BERLANTI: When we made the deal. We made a two-season deal that had a clock on it, we always knew that. When he was coming off Teen Wolf, we described the role to him, and we agreed to do it for a couple of years. At that particular moment, he had a lot of opportunities to do things, and we’re lucky he chose us. He brought a lot of notoriety and viewership to Arrow when we were growing, and the show wouldn’t be the show it is without him. He is such a talent and such a nice guy, everybody from the crew to the writers were so enthusiastic to have him for the time we had him. We are sad to see him go but excited to see what he does next.

DEADLINE: How and when did Roy’s Season 3 storyline came about?
BERLANTI: We knew based on what had happened last season. Roy has struggled with guilt after killing a policeman. In saving Oliver, he sees a chance to absolve himself. Hopefully it was surprising for the audience as some thought for a moment that he might die.
GUGGENHEIM: We were able to deign his arc for the season with the end point in mind. We always knew he would take a heroic stance and redeem himself for his actions. It’s always a blessing when you know where exactly you are going to end up.

DEADLINE: Did you consider killing off Roy?
BERLANTI: We wanted to do something different. These characters are so young, they represent the next generation of superheroes, and we love the idea of having them just out there. And as a person we like Colton so much, we all would love to see him back. Such a talented, great guy.
GUGGENHEIM: The hope is that he’ll continue to be part of the universe we are building. We love working with his so much. We’ve talked to him about returning to one of the three shows, and if available, he has expressed interest. He is gone but definitely not forever.

DEADLINE: What will the impact of Roy’s departure be on Team Arrow?
BERLANTI: It’s always affecting the show when one character is moving on to the great beyond. That allows the show to grow and change, with the state of loss providing high stakes. The end of this season is very much a punctuation mark on the first three seasons. Third season will feel like the end of a trilogy, with elements and pieces coming together. We are heading into a big, epic, climactic battle, and I’m not not going to give away who is going to make it. Everything will be changed after this season.
GUGGENHEIM: The third season finale is among our best episodes, with each twist more shocking and surprising than the next.

Olivia Munn Suck It Wonder Woman

Geek Olivia Munn finally gets to become a super hero character. She will play Psylocke in X-Men: Apocalypse

Jada Pinkett Smith’s charter, Fish Mooney, was a good addition to the Batman back story on Gotham, but they don’t seem to know what to do with her since Oswald Cobblepot got control of her nightclub. I am glad that they seem to have ended her recent storyline on the island, which seems pointless as it was totally unconnected to anything else going on. It doesn’t help matters that she escaped so easily (once setting up a distraction) thanks to a helicopter being unguarded and ready to go. Jada Pinkett Smith has said she will be leaving the show after her contract runs out this season but the producers have hinted that they might find reason to keep her around. It better be a better story line if they do.

HBO has renewed Veep and Silicon Valley just after their current seasons began and Netflix has renewed Orange Is The New Black for a fourth season before the third season has become available. Selina Meyer in now President on Veep and Hugh Laurie will be guest staring later this season. The Hollywood Reporter has interviewed Veep series creator Armando Iannucci about the current season.

There were complaints previously that blind people could not appreciate Daredevil, a show with a blind hero, because Netflix did not use audio description as some networks do. Netflix has  remedied the problem to make the show more accessible to the visually impaired.


The penultimate episode of The Americans, I Am Abassin Zadran, may have concluded one story line but leaves many story lines open. The producers have said they plan to carry some over to next season. The situation with Paige is pretty obviously ongoing. It is hard to believe they will wrap up Nina’s storyline in Russia. There has been very little of Kimmy recently and, while this conceivably could be wrapped up in the final episode, I suspect they are intentionally moving slowly on this to wait until next season.

Of course the big cliff hanger of the episode occurred when Phillip slowly removed his wig and revealed how he really looks to Martha, who was sitting on the bed with a suitcase, on the verge of leaving town. At least two quite different interpretations for this come to mind. Maybe he is revealing himself to her prior to giving her the Annelise treatment and packing her up in her own suitcase. Maybe he is thinking of how he came clean with Paige, and is also planning to tell Martha a variation of the truth in a last attempt to get her to trust him. This could be either to continue spying for him, or to get her to safety before the FBI figures out that she was the one to plant the bug. If that is his plan, he is taking a bigger risk. Previously if she was arrested she might have given the FBI a description of Phillip in disguise. Now there is the risk she will give a description of how he really looks, and just maybe Stan will recognize him.

It was also good to see Margo Martindale return in her scene in the diner with Gabriel as they discussed background information going back to last season when Jared killed his parents, along with how Americans have too many choices for their tastes. I was surprised to see that Gabriel was so sympathetic to Phillip’s desire to protect Paige.

Tony Soprano Finale

David Chase gave a fascinating description of what he planned scene by scene in the finale of The Soprano’s. Here are the descriptions of the final scene, but check out the full article for his description of the scenes leading up to this:

This is the last shot of the family, or the three of them anyway. Framing is extremely important. I think it makes you feel so much below the level of verbiage and words. What they’re talking about is how good those onion rings are. For me, food is always central to a feeling of family and to a feeling of security and happiness. A.J. had remembered a moment at the end of the final show of the first season when they were all sitting down, eating in Vesuvio’s Italian restaurant and Tony said, ‘Just remember … value the good times,’ the moments, there really aren’t that many of them. And this is one of the very good times. And yet there’s something wrong with it because Meadow is not there. So the family isn’t really together. I think on some subliminal level that raises the tension. We know the family should be together and they’re not.

I said to Gandolfini, the bell rings and you look up. That last shot of Tony ends on ‘don’t stop,’ it’s mid-song. I’m not going to go into [if that’s Tony’s POV]. I thought the possibility would go through a lot of people’s minds or maybe everybody’s mind that he was killed. He might have gotten shot three years ago in that situation. But he didn’t. Whether this is the end here, or not, it’s going to come at some point for the rest of us. Hopefully we’re not going to get shot by some rival gang mob or anything like that. I’m not saying that [happened]. But obviously he stood more of a chance of getting shot by a rival gang mob than you or I do because he put himself in that situation. All I know is the end is coming for all of us.

I thought the ending would be somewhat jarring, sure. But not to the extent it was, and not a subject of such discussion. I really had no idea about that. I never considered the black a shot. I just thought what we see is black. The ceiling I was going for at that point, the biggest feeling I was going for, honestly, was don’t stop believing. It was very simple and much more on the nose than people think. That’s what I wanted people to believe. That life ends and death comes, but don’t stop believing. There are attachments we make in life, even though it’s all going to come to an end, that are worth so much, and we’re so lucky to have been able to experience them. Life is short. Either it ends here for Tony or some other time. But in spite of that, it’s really worth it. So don’t stop believing.

So apparently when Chase has said in some interviews that the final scene had a definite meaning, the meaning was more along the lines of “don’t stop believing” than whether Tony was killed here or at some other time.

Jon Stewart

Jon Stewart spoke with The Guardian about why he is leaving The Daily Show:

“Honestly, it was a combination of the limitations of my brain and a format that is geared towards following an increasingly redundant process, which is our political process. I was just thinking, ‘Are there other ways to skin this cat?’ And, beyond that, it would be nice to be home when my little elves get home from school, occasionally.”

He has a 10-year-old son, Nathan, and a nine-year-old daughter, Maggie; Stewart and his wife, Tracey, have been married for almost as long as he’s been doing the show, after Stewart proposed to her via a crossword puzzle.

If anything, it was the prospect of the upcoming US election that pushed him to leave the show. “I’d covered an election four times, and it didn’t appear that there was going to be anything wildly different about this one,” he says.

Ah, but who could have anticipated the excitement over Hillary Clinton’s deleted emails?

“Anyone could, because that story is absolutely everything that it’s supposed to be about,” he says, with a groan; as a revelation, it managed to be at once depressing and completely unsurprising. “I also felt that, for the show, you don’t want to leave when the cupboard’s bare. So I think it’s a better introduction when you have something providing you with assisted fuel, like a presidential campaign. But really, the value of this show is so much deeper than my contribution,” he says.

This means he will no longer have to watch Fox, but he did answer a hypothetical question as to a situation in which he might watch again:

Now that he is leaving The Daily Show, is there any circumstance in which he would watch Fox News again? He takes a few seconds to ponder the question. “Umm… All right, let’s say that it’s a nuclear winter, and I have been wandering, and there appears to be a flickering light through what appears to be a radioactive cloud and I think that light might be a food source that could help my family. I might glance at it for a moment until I realise, that’s Fox News, and then I shut it off. That’s the circumstance.”

Dan Aykroyd told The Huffington Post that “America is flat-out gun crazy.”

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