The season finale of Under The Dome has been widely criticized by reviewers. We were promised some answers about the dome but instead we got what felt like a bunch of random scenes. After more meaningless butterfly scenes, the big revelation was that Julia is the Monarch, not that we know what that really means. The beings behind the dome spoke in the body of Norrie’s dead mother and declared that the intention was to protect them and apparently we are to believe they are good because they say they are. (They really are intended to be protecting the humans per this interview with executive producer Brian K. Vaughan). There is no indication of what the dome is protecting Chester’s Mill from, and they show a funny way of providing protection when the dome turns black. Of course we don’t have to worry for long because somehow Julia was right in deciding that the way to protect the egg was to dump it at the bottom of the lake, leading to pink stars rising and the dome turning white. There was no explanation as to why the beings behind the dome even require a human to protect the egg.
The interview noted above tells more about the plans for the series but beware that it also spoils aspects of the book if you intend to read it between seasons. That is pleural seasons. There was a limit to how satisfying any revelations about the dome might be with a plan is to continue the series for several years. This would probably work much better as a single season show with a clear ending, but that is not how network television operates. Regardless, the writers knew there would be a break for the season and might have come up with something more sensible.
Ultimately the dome is just a mechanism to drive the conflict between the various human characters. We might have forgiven holes in the mythology if it actually drove good stories, as with Lost and Fringe. I already discussed many of the flaws in the story here. The cliff hanger hardly provides any suspense, knowing that they will not kill off Barbie as they have killed off less important characters. Potentially better writing might have made the plot line more believable. Stephen King will be writing the second season premiere. Hopefully he can get the story back on track, and the show’s regular writers can carry on from there.
With Merlin finishing its run last year, The BBC is starting Atlantis, which reimagines Greek mythology.
The action packed series brings to life the vast store of Greek myths and legends re-imagined for a new generation.
From the creators of the hit show Merlin and the creator of BAFTA award-winning series Misfits comes a thrilling new thirteen part adventure series: ATLANTIS.
When Jason sets out to find his father, he could never have anticipated where his journey would lead…
Far from home and desperate for answers, Jason washes up on the shores of an ancient land. A mysterious place; a world of bull leaping, of snake haired Goddesses and palaces so vast it was said they were built by giants – this is the city of Atlantis.
But under the surface of this enticing place is a dark and simmering past, a complicated web of treachery and deceit, with which Jason himself seems inexplicably bound. He soon finds himself embroiled in a perilous game of politics and power from which there is no escape.
Aided by the studious young Pythagoras and the overweight, overbearing Hercules, Jason embarks on a voyage of discovery and salvation which sees him brush shoulders with Medusa, come face to face with the Minotaur and even do battle with the dead.
As the series’ progress, this unlikely but engaging trio will take us on a journey through the vast store of Greek myths and legends, which provide the bedrock of western literature. A treasure trove of extraordinary tales re-imagined in a thrilling and unexpected way for a new generation.
Atlantis was created by Julian Murphy (Merlin, Hex, Sugar Rush), Johnny Capps (Merlin, Hex, Sugar Rush) and BAFTA award winning Howard Overman (Merlin, Misfits, Dirk Gently). BBC Executive producer is Bethan Jones.
Starring Mark Addy, Jack Donnelly, Robert Emms, Sarah Parish, Juliet Stevenson, Jemima Rooper and Aiysha Hart.
Den of Geek has a spoiler-free review of the first episode.
The Flash is being introduced as a potential DC Comics television spin off of Arrow, and Marvel isn’t far behind. Although the first episode of Agents of S.H.I.E.L.D. doesn’t air for a couple more days, a second Marvel television series is under consideration. The second one is on the career of Agent Carterafter her boyfriend Steve Rogers (Captain America) gets frozen in ice.
AMC is especially interested in spin off shows with two their major shows concluding soon. With Breaking Bad ending next week, they are developing a spin off, Better Call Saul. There had been talk for a while of aMad Man spin off, potentially based upon the California office opened last season, but this plan is off. AMC will at least drag out Mad Men for another year, dividing the final season into two seven episode parts. At least they might extend it to eight as Breaking Bad has done. AMC is also working on a companion series to Walking Dead based upon another group in the same universe.
I do wish they weren’t airing the Emmy Awards opposite the final episode of Dexter and the penultimate episode of Breaking Bad. That was quite an episode last week as Walt lost virtually everything, including his family, Jesse, most of his money, and even his identity. We knew since the start of the fifth season that he would ultimately return with a new identity and lots of weapons (including returning home to retrieve the ricin).
Presumably the major remaining business for Walt is go go after the neo-Nazi’s and possibly save Jesse in the process. I wouldn’t be surprised if he hasn’t found that Jesse is being forced to cook for the neo-Nazis. Perhaps while hiding out in New Hampshire he finds out about pure blue Meth still being produced and realizes that only Jesse could be cooking it. There remain many other questions such as what becomes of his home and family and whether Skylar will follow Walt if he survives in light of how he acted to protect her in that phone conversation. Last week we also saw that there was still some good in Walt as he tried to save Hank along with Skylar. On the other hand, he also turned Jesse over to the neo-Nazis and unnecessarily told Jesse about watching Jane die. Of course if Walt thought more, he wouldn’t have fallen for the fake pictures of the money, and previously wouldn’t have left that Walt Whitman book sitting around where Hank could find it. Considering the nature of the relationship between Walt and Jesse, it wouldn’t surprise me if either the two join together against the neo-Nazis or if one kills the other. I’m also sure we haven’t seen the last of Lydia, and Saul might have some role in how this all ends. Finally, is Huell still sitting in that room, afraid to answer the phone?
Besides Dexter, Breaking Bad, and the Emmy Awards, tonight also marked the season premiere of Downton Abbey. Michelle Dockery (Lady Mary) didn’t look as good on the show as she did in this photo shoot to commemorate the fourth season premiere. I’ll avoid any real spoilers. It should come as no surprised that Lady Mary starts out the episode quite depressed in an era where Prozac has not yet been invented. Very early in the episode viewers also learned about the first major crisis of the season as a servant left without giving notice. At least two of the characters were quite unlikeable.
Orphan Black recently started on BBC Three. Digital Spy asks if it lives up the hype. After seeing the full first season, the answer is yes.
Trailer for the second season of Revolution above.
With James Spader staring, Blacklist is high on the list of new shows to try.
For the last few days I felt a little like a time traveler with information about the future which should not be spread. I binged on both seasons of Continuum over one week, watching the season finale on a download from the original Showcase broadcast last Tuesday. Of course all the Canadian viewers must have felt like this for a few weeks. This is a Canadian show on a network required to include some Canadian shows, so I immediately put aside any skepticism as to Vancouver being the key North American city in 2077. Now that SyFy has also broadcast the finale in the United States, I feel I can to on to discuss the show with some major spoilers.
Until I began watching, I had fears that Continuum might be a police procedural with the gimmick of a future cop and terrorists from the future. It was clear early that the show is much more complex, moving into new territory in the second season, and setting up the show to move in yet more new directions in the upcoming third season. Rachel Nichols plays future City Protective Services (CPS) Protector Kiera Cameron who was sent back in time from 2077 to our present along with a group of terrorists (Liber8) who escaped their death sentence with time travel The world of 2077 is, on the surface, the dream of several libertarian fantasies as governments have collapsed and corporations have taken over. It doesn’t turn out the way in which libertarians fantasize as the corporations have no respect for our concepts of individual liberty or restrictions on the power of the state.
Seeing the future which Liber8 is trying to prevent makes it very hard to decide who to root for in the series, and a factor which keeps the show so interesting. In the season two finale, Liber8 leader Travis claims that he, and not Kiera, is the good guy in this story. Many viewers would probably agree if not for the excessive violence utilized by Travis and others in Liber8. There have also been differences of opinion, and even a civil war, within Liber8, with some taking a less violent approach. Kiera is the protagonist of the story and does what she believes is right based upon her knowledge, but at least so far lacks the knowledge provided to the viewers about the system she defends.
Another major player is Alec Sadler, who as a young man assists Kiera and as an old man in 2077 (played by William B. Davies, the cigarette-smoking man of X-Files), runs the most powerful tech company in the world). Young Sadler connects with Kiera early because her CMR (an implant which, among other things, provides communication for Protectors) works on a frequency which Alec was experimenting on in the lab in his garage. Alec’s step-brother Julian is originally portrayed as being a messed up kid fated to become a mass murderer but by later in the second season it appears he becomes one of the most heroic characters of the series, with far more to the stories of mass murder by his future self than Kiera understands.
While doing repairs, Alec found messages from his future self placed in Kiera’s super-powered body suit which revealed that Liber8 and Kiera were intentionally sent back in time by his future self. This means that old Alec has developed reservations about the system which he was involved in creating as he sent Liber8 back in time to change the future, with Kiera possibly sent along to keep their violence in check. Even after two seasons, all the details of Alec’s plans are not yet clear. The members of Liber8 appear to be successful in creating the roots of a rebellion against Corporate control but cause and effect create a number of questions in this series. The anti-terror task force in the police department becomes CPS with corporate sponsorship in response to the threat from Liber8, being just one situation seen where we question whether the time travelers are actually creating the future of 2077. In an analogous situation, it is Kiera who wound up radicalizing Julian with her threat to kill him.
The ability to change the future on this show is quite unclear and I will return to this question later. In one episode Kiera captures a mass murderer who in her time was known for never having been caught. We do not know which events, if any, would actually change things in her future. A character believed to be another character’s grandmother is even killed, with the character not showing any change.
Not everyone sets out to change the future. Matthew Kelog was a reluctant member of the group all along, dragged into illegal activity by his sister. After arriving in his past he left the terrorists and made a fortune with his knowledge of the future. One nit pick is that he made this fortune far too quickly. Knowledge of which businesses succeeded and other events will certainly help build a successful portfolio but this would take time. It is unrealistic that he would know enough winners of major sporting events from that far back in the past to amass a huge fortune from gambling so quickly either. It would be more plausible if he knew his destination and had time to do research before being sent back.
If time travel is possible, it only makes sense that there might be other time travelers around. Two characters, including one named Jason who happens to share DNA with Alec, were sent back in time from the original breakout but wound up in an earlier time. Jason is kind of nuts. Is this the result of being in the past so long? I suspect it was more the result of being thrown into a mental institution when he went back in time and claimed to be from the future. It is hard to judge this based upon other characters as one other showed signs of mental imbalance but others did not.
Complicating matters further are the Freelancers who are from a different time.
The second season finale answered some question but also set up potential major changes in the show. We learned that one recurring character whose goals were unclear, Escher, is a former Freelancer and Alec’s father while Jason shares his DNA as he is Alec’s son. There already had been the question as to what degree future technology developed by Alec was based upon knowledge he learned of the future as opposed to being his own inventions. Now that we learn that time travel is the family business, we don’t even know if Alec would even be in this time line without time travel.
If the revelation from Escher that he was Alec’s father reminded viewers of Darth Vader telling the same to Luke, the scene with both Kiera and Travis suited up was reminiscent of a fight scene from The Matrix.
With the police being turned into a corporate-controlled unit which violates civil liberties (also presenting a change in the portrayal of Inspector Dillon of the Vancouver Police), Kiera’s partner Carlos left the police and wound up with Julian, who had been an enemy in prior episodes. It is possible that Carlos is going undercover, but I suspect that he really was fleeing from the newly founded City Protective Services, who are now planning to arrest Kiera as a terrorist.
At different times in the finale Alec appeared to be using and double crossing both Escher and Kiera, going for his own trip through time in the finale. Most likely he is going back to save his girlfriend Emily, who was killed during the second season. Emily’s motives were also unclear earlier in the season as it was clear to everyone but Alec that her goal was to get into his lab, and she also turned out to be working for Escher. Will Alec succeed in saving Emily, and if so will this create a cosmic reset making the other events of the last couple of episodes not occur, or will it create a new time line with a living Emily parallel to the one where she was killed? Is Emily Jason’s mother? It is also possible that Alec might wind up at a different time, such as when the characters were first sent back in time, or maybe just a few minutes before the Freelancers attacked.
The show often shifts back between the present and 2077, and key information is often not revealed until subsequent episodes (if at all so far). The second season began with a scene of Kiera being captured and put in a glass cage along with members of Liber8, including one who was brought back from the dead or from a different point in time. Kiera then awoke from a dream (when some of her memories were wiped)in 2077 and it wasn’t clear if this was part of her dream in 2077 or an event from some other point in time. In the second season finale, Kiera is captured by the Freelancers, who claim a goal of defending the time line from time travelers and are as violent as Liber8.While t is hard to trust the motives of the Freelancers, are we actually seeing something like the Temporal Cold War from Star Trek: Enterprise? The season ends with a repeat of the scene with her being placed in the glass cage.
Presumably this imprisonment occurs immediately after what appeared to be her capture, but this is far from certain. If she had been dreaming this in 2077 before she was sent back in time, it could be a suppressed memory from earlier, especially if she has wound up in a temporal loop due to changes in the time line which are not yet clear. It is also possible that she actually escaped at the end of the episode and the imprisonment scene occurs at some other point in time. Alec’s trip through time might wipe out everything we are seeing, or create a new time line in which this does not occur. If the third season does start with her in the glass cage, then what? The cages look more like short term holding cells than a permanent prison. Do the Freelancers plan to move them elsewhere or perhaps take them back to their own time? Does Alec and/or Escher save them, or do still more time travelers get involved?
One of the Freelancers did make a reference to different time lines in the finale, and this might be where the show is headed. It remains unanswered as to whether those sent back in time can change the future for old Alec or, as some incidents suggest, at most can create a different time line where things turn out different. Physics Today did look at the science of time travel in Continuum, but as 1) time travel is not real and 2) this is fiction and the show is going to follow whatever rules are made by its creators. We got some hints as from Simon Berry in this interview with some questions posted below:
The core of the show’s storytelling has always seemed to be the struggle between corporate dominance and the anarchy of Liber8. How do the Freelancers fit into that theme?
You will find out in the first episode of Season 3.
When did you guys decide that the show needed another group of time travelers in the mix?
The notion of Freelancers was introduced early in the writing room of season 1. We were going to bring it in then, but decided to hold back until Season 2.
In one episode, someone shoots Kellog’s grandmother and he’s unharmed. In another episode, Kiera solves a serial killer case that was never solved in her original timeline — and she still remembers seeing it as an unsolved case, back in 2077. Also, in one episode Old Alec tells Young Alec that he’s not Young Alec’s future self, but just a version of Alec that shares some experiences. So is it basically confirmed that you can change the past, but you’ll just create a brand new alternate timeline? Is that definite now?
The final episode of season 2 certainly points to that, but ‘definite’ is a dangerous word. Don’t get too hung up on the defining “multiverse versus closed loop” debate just yet.
We like to think of time in the context of our story: two points, 65 years apart. The belief that one can make small changes to the timeline now and that will upset 100% of the events in 65 years, is too simplistic. We’ve used the Tsunami metaphor in the show and I think it’s an appropriate one in this case. Small changes to that wave are certainly going to have an impact on the damage it does, but that doesn’t mean the wave doesn’t do what it’s supposed to do.
I think because the stories are Kiera-centric, we are tempted to believe that the changes to the timeline will affect her life more than others, but there’s no reason to think this way. Unless Kiera or Liber8 makes changes that are directly related to her family and Greg’s family, then there is still a good chance that she will be born and Greg will be born and they will meet.
The idea of multiple timelines in itself opens the door to connected timelines that could split like tree branches but then wrap around each other like vines, eventually merging again. That’s one of the amazing things about time travel; because it’s not a pure science, there is room for interpretation and the introduction of larger forces at work, be they natural or un-natural.
Even if Kiera is on an alternate timeline, she could theoretically return to a version of 2077 where her life played out 99% as it did. Now it’s true she would run into a version of herself that never went back in time and that would be complicated… But it would be deliciously complicated.
If so, then what does Old Alec have to gain by sending Kiera and the Liber8 gang back in time? Won’t he just create a different timeline that he can’t ever visit? From his viewpoint, how can Old Alec even know what changes happen as a result of that time travel?
Perhaps Old Alec understands more about what’s at stake than we’ve revealed to date. The final episode of season 2 will introduce the first threads of this larger storyline.
One of the big shifts in season two was the Vancouver Police Department coming under the control of Piron, or at least a big part of it. Do the police basically just become another gang in the city’s gang war at some point, and lose their legitimacy as cops? Have the police already crossed too many lines to be able to claim they’re upholding the law?
Well the Piron deal is really only with Dillon’s Liber8 task force so it was never meant to be a complete take-over (yet!) – What we are setting up is the very small moves that might lead towards an eventual corporate controlled police department a-la Robo-cop OCP scenario.
It seems as though the driving force behind the corporate takeover of the police was the arrival of Liber8. Are the Liber8 terrorists basically causing the corporate-controlled future they were trying to prevent, only ahead of schedule?
There’s a timely irony in that, and it’s not an accident.
And finally, it’s seemed as though Kiera isn’t sure what her goal is any more. At times she wants to preserve the timeline she comes from, but at other times, she’s willing to make some pretty big changes. (For example, being willing to shoot Julian, which would cause a pretty big change.) Are we going to see her regaining more of a clear sense of purpose in season three? Is her evolution as a character taking her someplace? And will we be learning more about Alec’s “purpose” for her?
It’s interesting that many comments pop up from time to time about Kiera not doing the ‘right’ thing or the ‘smart’ thing regarding time travel. This suggests she has the knowledge the audience has.
One of the unique aspects of Kiera Cameron in the Time Travel tradition is that she is one of the few characters in the genre who are not travelling by choice. Most Time Travel is driven by a character who understands the stakes and science of Time Travel, therefore their actions are determined based on their self aware role within the time continuum. They are willing adventurers who know the rules and usually have a goal and understanding of how to achieve it in context of their situation.
That is not the story of Continuum.
Kiera is an average person in 2077. She’s not a scientist or engineer. She’s not a theoretical physicist or even a fan of Science Fiction (unlike many of our fans who I believe would know what to do, and what not to do, if they found themselves in her shoes). Kiera is an unwilling victim of another person’s designs… She is us.
Kiera is fumbling her way through this experience using her humanity and experience as a guide, not a set of time travel rules or knowledge of paradoxes and wormholes. On occasion Alec will remind her of the possibilities and pitfalls, but without proof of anything, who’s to say what’s right or wrong. As Kiera evolves, so will her decisions.
For Kiera, this entire adventure is also a learning experience, and the lessons will form a critical path towards her becoming the person she needs to become in this mythology, and illuminate the “purpose” Alec had in mind for her.
This weekend I binged on the entire season of Broadchurch. The story is about the murder of an eleven year old boy and the effects on the town. It stars David Tennant and its excellent cast includes a second actor who has starred on Doctor Who, Arthur Darvill. The third character in this scene, Olivia Coleman, also appeared in an episode of Doctor Who, The Eleventh Hour. As only four of eight episodes have shown so far in the United States on BBC America, I will avoid any meaningful spoilers. Those who want to know absolutely nothing (such as whether Danny’s killer is found) might want to skip the following.
Then I heard that the show had been renewed for a second season before completing the first, I was concerned that maybe they would leave things hanging, as occurs to some degree on another recent British crime drama, The Fall (staring Gillian Anderson). Broadchurch does have a very satisfying ending, showing not only the identity of the killer but answering many questions about other characters raised during the series. The killer might be guessed after a lot of information is provided in the seventh episode, but a big clue is held until the start of the eighth. With the killer apprehended, Broadchurch doesn’t appear to leave much room for a second season like the first, considering it would not be as realistic to have a second murder in the same place. Some of those involved in the show have said that the second season might be completely different:
Speaking at the Edinburgh Television Festival the network’s director of TV Peter Fincham said that viewers would not be subject to ‘a formulaic repeat of series one’ when the show returns in 2014.
He also did not confirm which members of the cast from the first series might – or might not – appear.
The comments mirror those of series creator Chris Chibnall, who confirmed earlier this year he was working on Broadchurch round two – but also stayed silent on whether Tennant and Colman would be back.
‘I would take nothing for granted, I would just wait and see!’ he commented.
Will Mellor, who played psychic phone engineer Steve Connolly, has also hinted that the next series could be a prequel – and may not even feature a whodunnit.
‘I can’t see it being about another murder because it will be a bit too coincidental. All I know is it’s going to be a surprise because the writer always catches you out,’ he said.
‘Maybe it’ll be a prequel, it might go back to the old case that David Tennant’s character [DI Alec Hardy] didn’t finish. Whatever it’ll be, it’ll be fantastic.’
Redshirts by John Scalzi won the 2013 Hugo Award for Best Novel. The novel is an homage to Star Trek, along with a look at what doesn’t completely work in television science fiction, and, continuing with the lead story today, even has some time travel.
The Avengers won for Best Dramatic Presentation, Long Form.
Blackwater, an episode of Game of Thrones won for Best Dramatic Presentation, Short Form. Three episodes of Doctor Who were also nominated in the category: The Angels Take Manhattan, Asylum of the Daleks, and The Snowmen. I wondered whether dividing the vote with three episodes might have prevented Doctor Who from winning again this year but looking at the total numbers Blackwater had more votes than all three episodes of Doctor Who combined. The final nominee in this category was an episode of Fringe, Letters of Transit.
In the entertainment industry in 2077, Benedict Cumberbatch will be famous for being a part of every major movie franchise. Now there are reports that he will have a role in Star Wars VII. It looks like he should have some free time. Filming has completed on the third season of Sherlock.
James Spader has been cast to play Ultron in Avengers: Age of Ultron.
Yet another story on Star Trek science maybe becoming fact. This time, a report on experiments at NASA which might make warp drive a reality. Maybe. Fareed Zacharia also had a segment on Sunday’s show on technologies which are similar to the replicator.
Update: News came in later tonight that Frederik Pohl died over this past weekend.
Every time there is a regeneration, there is speculation that the next Doctor might not someone other than a white male. Neil Gaiman claims that a black actor has turned down the role. Steven Moffat, Matt Smith, and Jenna Coleman discussed the transition in this interview. An excerpt:
Is writing that final story for Matt Smith’s Doctor the biggest pressure you’ve faced, in doing this show?
MOFFAT: The biggest pressure will always be introducing a new Doctor. And I can’t imagine it will ever be tougher than with “The Eleventh Hour” because everything changed. It’s not an ideal way to run television. It really isn’t. That was mad. All the execs left, the producer left, and all the stars left. You think, “Christ, how do you get away with that?!” We’re not in that situation this time, and it’s good that we’re not. People say, “It must have been great and exciting and marvelous that you had all that new stuff,” but not really. But, we got away with it. I just remember thinking, “Are people going to buy that this is the same show, when it clearly is not?”
Do you wish that you could just introduce the new Doctor via the show, when he finally shows up?
MOFFAT: I’d love to, but that’s physically impossible. It was Russell’s plan not to tell anyone that Chris [Eccleston] was going to change in the last episode, but it leaked after one week. I wish it were possible. The fact is that those actors’ agents have to say that they’re available. They have to take jobs. It’s going to leak, so you have to take command of that story. It’s annoying. I’d far rather not tell anybody anything, seriously. If you’re telling a joke, you don’t want anybody telling the punchline before you get to the end. Sadly, I don’t think it’s possible now. Everybody wanders around with cameras now. A few years ago, no one had a camera on them. Now, every little human being goes around with a camera on their phone. How am I going to keep secrets with that?! It’s tough. It can be irritating, but what can you do?
Moffat started with a new cast with both Matt Smith and Karen Gillan. With Jenna Coleman still being relatively new to the series, the show with Peter Capaldi and Jenna Coleman will have a different feel than during most of Moffat’s tenure with Matt Smith and the Ponds.
Now that we know who will play the next Doctor, the next major succession is who will play Batman when he appears in the next Superman movie. Rumor has it that Orlando Bloom is the leading contender.
Joss Whedon discussed synergy between Agents of S.H.I.E.L.D. and the universe of The Avengers:
Speaking at the recent TCAs, Whedon said fans will spot some synergy in the run-up to Captain America: The Winter Soldier and Thor: The Dark World. “There will be as much as we can allow,” he said. “We’re still working that out. It’s a fun opportunity, but it’s not the reason for the show. It’s not an Easter egg farm, we want people to come back.”
The pilot kicks off with Angel alumnus J August Richards as an “unregistered gifted” that the SHIELD agents must track down. Don’t expect a superhero-of-the-week show, though, “There could be a device, a mystery,” Whedon continued.
“There’s so many aspects as to what’s happened since everybody in the world found out there’s a superhero team and aliens invaded New York. We want to be able to change it up every week: spy stuff, hero stuff, heartfelt stuff. We want to make sure the humor is there, but every week, you get something that feels a little bit different.”
Disney has also released a full synopsis for Captain America: The Winter Soldier
After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk.
Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
These Avengers-themed sex toys will definitely never be sold at the many stores around the Disney theme parks, even should the Avengers characters be moved from Universal to WDW in the future.
ABC is in talks to bring another genre show to television–a live action Star Wars show. I really hope this happens, not because I care whether there is a weekly Star Wars show but because maybe this would lead CBS (who appears to own the rights, but it is somewhat murky) to counter by returning Star Trek to television. Star Trek worked far better as a weekly series than intermittent movies which are forced by market demands to be big action movies.
After Disney purchased the rights to Star Wars, there was talk of expanding the Star Wars presence at the Disney’s Hollywood Studios theme park. I expressed skepticism over speculation that they would get rid of Muppet Vision 3D and the Honey I Shrunk the Kids Playground for this expansion. Earlier in the week I was looking at the refurbishment schedule at Walt Disney World and noticed that Muppet Vision 3D is closed August 6 through September 2 for refurbishment. In addition, the Honey, I Shrunk the Kids Playground will be closed September 3 through November 19 for refurbishment. They might not be around forever, but it doesn’t appear likely that they plan to remove them in the near future. As is usually the case at WDW, other areas will also be closed during these times. The most significant is that Spaceship Earth will be closed August 18-24.
On Orange is the New Black, Kate Mulgrew ran the prison kitchen instead of the Starship Voyager. She was interviewed by Vulture, and told about one Star Trek reference thrown into the show:
At one point Natasha Lyonne has a line, “I thought I was your Spock.”
Yes, they threw that in. I’m sure they’ll do some more of that. I think that was intentional and very clever!
Speaking of Star Trek, Blastr describes how the show was saved by Lucille Ball.
In 1965, Roddenberry got a pilot order from NBC and produced the original Star Trek pilot “The Cage.” It was rejected by the network, reportedly because it was “too cerebral,” and for most shows that’s where the story would have ended. Luckily for Roddenberry, he had Ball on his side. The story goes that she still thought the Star Trek idea had legs, and used her considerable influence in television to push for NBC to give Roddenberry a second chance. The network made the exceedingly rare move of ordering a second pilot from Roddenberry, who overhauled almost the entire cast of characters from “The Cage” and eventually produced “Where No Man Has Gone Before.” That pilot was accepted, the show was given a series order, and the rest is history.
Damian Louis interviewed about his role on Homeland in the video above.
Anna Torv returns to television following Fringe in a show expected to air on HBO next year. Torv will play a lesbian yoga instructor.
“This has been the ending that we have talked about for years,” she said. “So to us, it feels right for our show and how we feel about it. I hope fans will think it’s right [too].”
The exec conceded that there is no way to make “everybody happy” with the conclusion of the Michael C Hall series.
“At the end of the day, we know that you’re damned if you do and you’re damned if you don’t,” she said. “There will be people who hate it, but we can’t try to anticipate that or put it through the lens of any other show’s finale – because that was another show.
“This is our show. This is Dexter.”
It is hard to believe that things will end well for Dexter Morgan. Multiple routes to doom have arisen this season. So far this has included Dr. Vogel and Deb when she is in a crazy mood. Last week episode showed two additional threats. He has decided he wants to be a mentor to Zach Hamilton, but Zach appears unhinged enough to turn on Dexter. Then there was the return of Hannah McKay.
Having a hard time waiting until Game of Thrones returns? The White Queen on Starz might help.
Piracy drops when there are legal ways to view shows. It comes as no surprise that piracy has spiked in response to the Time Warner cable blackout of CBS.
Neil Gaiman’s second episode of Doctor Who, Nightmare in Silver, was weaker than his first episode, The Doctor’s Wife. Like so many episodes this half-season, it wasn’t bad but came up short of what it might have been. The good thing about the episode is that Gaiman updated the backstory for the Cybermen which might be used in future episodes. He had less to say about the Doctor’s history than in The Doctor’s Wife except to reveal that it is foolish to try to beat the Doctor at Chess as The Timelords invented chess.
Gaiman accelerated the trend of making the Cybermen more like the Borg. (There has also been speculation that the Borg were originally based upon the Cybermen but I have never seen confirmation of this). Instead of assimilation, they upgrade. They upgrade humans, and now other species, with cybermites, and upgrade themselves to counter attacks. One problem with the episode was that upgrades were only used for dramatic effect in limited circumstances. The Cybermen upgraded to be faster, but in most scenes they continued to move slowly.
These Cybermen were shown to be far more dangerous. They are so dangerous that the standard reaction to finding one a a planet is to destroy the entire planet. Even an entire galaxy was destroyed to prevent the Cybermen from advancing. The problem with making an enemy this powerful is that ending each episode by imploding the planet would be tedious, and having the Doctor repeatedly defeat them in under an hour would be unrealistic–sort of how the Borg gradually changed from an unbeatable force when introduced on Star Trek The Next Generation to a race easily defeated by a lone starship on Voyager.
Warwick Davies stole the show as Porridge, later revealed to be Emperor Ludins Nimrod Kendrick Cord Longstaff the 41st. It was unrealistic for the Emperor to just happen to be hiding on this planet, but now that the Doctor has met him it would be a shame for the two not to meet up again.
The episode has the obligatory (this season) homage to past Doctors with images of them displayed. There’s more to come next week, including a scene with Bessie driving by. There were not any obvious clues to the Clara mystery but Clara did learn that the Doctor considers her to be the impossible girl. We should be getting the answers next week, with this prequel released leading into The Name of the Doctor:
A Radio Times interview with Neil Gaiman is posted here. Gaiman’s interview with the official Doctor Who site is here. Blastr has the story of how Steven Moffat got Neil Gaiman to update the Cybermen and make them scary.
Doctor Who is to be honoured with a special tribute to be shown at Sunday’s BAFTA television award ceremony.
The British Academy of Film and Television Arts will be marking the programme’s 50th Anniversary year by showing a video montage celebrating the long history of the show.
Current companion Jenna-Louise Coleman will also attend the ceremony at the Royal Festival Hall in London and will present one of the night’s awards.
Amanda Berry OBE, Chief Executive of BAFTA, said:
There are only a handful of programmes that have the quality and longevity of Doctor Who and the ability to put the nation on their sofas – or indeed behind them – year after year. BAFTA raises a toast to Doctor Who on its 50th birthday this year.
Steven Moffat, Doctor Who’s Lead Writer and Executive Producer, said the production team would be sending Daleks to patrol the red carpet:
This is a massive and exciting year for Doctor Who, so I’m thrilled that BAFTA are including a special tribute to the show. So thrilled, in fact, we’re sending the Doctor’s best friend, Jenna Coleman, to present an award. We’re also sending the Doctor’s worst enemy, the Daleks, to exterminate lots of innocent people. Sorry, it’s just what they do. Let us know if it’s a Health and Safety issue.
Doctor Who won the main BAFTA award for Best Drama Series in 2006 and has won many BAFTA Craft Awards since the series returned in 2005.
Watch out for spoilers this week. An error was made and some Blu-Ray sets with The Name of the Doctor has been shipped early and some copies of the episode are starting to appear on line. Some people are intentionally spoiling the show on Twitter so be careful in reading messages in response to mentioning Doctor Who.
Speaking of spoilers, John Hurt may have revealed his role in the 50th Anniversary episode:
Mr Hurt, who lives near Cromer, earlier told the EDP he had just finished shooting a Dr Who 3D special in which he plays “part of the Doctor” in a “kind of trinity” which includes David Tennant.
Not surprisingly, ABC has picked up Agents of SHIELD, along with additional genre shows for next season. More on the cast of Agents of SHIELDhere. Defianceand Revolution have both been renewed. In the overkill department, Once Upon A Time is both returning and getting a spin-off. Blastr has a run down of eleven new genre shows.24 might return as a 12 or 13 episode mini-series. Does this mean that the story will take place in real time over a shorter period of time or that the show will move faster than real time?
Community was also picked up for a fifth season and there are some rumors that Dan Harmon might return. (I’m not holding my breath, but hope it is true.) Chevy Chase is gone, and he was not missed in the episodes where he did not appear at all or only had minor roles. The finale showed once again that show runners David Guarascio and Moses Port may be sincere in their desire to continue the creative ideas of Dan Harmon but just do not understand how to carry this out.
Compare the season finale, Advanced Introduction to Finality, with Basic Human Anatomy, the episode written by Jim Rash which most critics consider the best of the season. The finale brought back The Darkest Timeline with a story which was ridiculous on so many levels. It centered around the impossible situation of people crossing over from The Darkest Timeline with the use of paint ball in a story which didn’t make much sense even if you accept this. Then it ended by revealing it all to be Jeff’s daydream. A daydream (if the story was good) would be fine as part of a story. It might have even worked earlier in the season, but the finale should not be almost entirely a day dream (especially when the dream storyline wasn’t all that good).
Dan Harmon would have been more subtle with the use of an alternative time line, as with Jim Rash with the body swaps in Basic Human Anatomy. If there were true body swaps, or if it was all a dream, I doubt the story would have worked. Instead Rash had characters behave as if they had swapped bodies to reveal more about the characters. Troy acted as Abed because he couldn’t cope with a relationship he is too immature to handle. Abed reciprocated by acting as if he was Troy to end the relationship. Of course we know why the Dean pretended to change bodies with Jeff. The flashing lights weren’t magic but just someone flipping the switches. While not plausible, it was all possible.
Next season is expected to pick up with the remaining members of the study group in their final semester. Jeff and Pierce have graduated. Presumably Pierce is gone forever, but they now have a more difficult job of getting Jeff into the episodes when he should no longer be at the study group’s table. Perhaps they will come up with another reason why Jeff needs another class, but that would make last season appear even lamer in retrospect.
Person of Interest concluded the season with a strong two-part episode which more firmly establishes the show as science fiction. In earlier episodes the machine was simply a gimmick to set up a more conventional crime show of the week, but now the machine is an integral part of the show. Plus Amy Acker was back and Sarah Shahi is an excellent addition to the show. In some ways the show reminds me of Fringe, which gradually set up its mythology in earlier stand-alone episodes.
Aaron Sorkin’s show, The Newsroom, returns on July 14, with changes made to hopefully fix some of the problems from the first season. A promo video is below:
Doctor Who returned with The Bells of St. John, picking up with the Doctor having gone to a quiet place as advised by a young Clara Oswald as seen in a web-episode prequel. The bells turn out be from the phone on the TARDIS with Clara having received the Doctor’s number from an unidentified person, saying it was for tech support. I wonder if this is another explained event which sometimes pop up in Moffat’s stories, or if we will find that someone significant (perhaps River Song or another version of Clara) gave it to her.
The plot, as is often the case on Doctor Who, was not terribly compelling but the character interaction more than made up for it. The danger in Moffat’s stories often comes from unexpected, or everyday items. In this case the danger struck over WiFi, so be careful of what you click on. The episode took advantage of the London background to provide a more realistic setting than usual, and a trip in the TARDIS to an out control airplane was more exciting than many of the trips to alien planets in other episodes. It is necessary to watch closely to pick up the many subtle references to other aspects of Doctor Who, such as an old book written by Amelia Williams. Others were more obvious, such as the scene with UNIT.
While this season is primarily made up of stand-alone episodes, The Bells of St. John can be seen as part of at least two arcs: the mystery of Clara Oswald and another attempt by the Great Intelligence to fight the Doctor. We learned very little about Clara, but she did have some similarity to the Clara of The Snowmen as she once again was a governess. She also acquired considerable computer skills in this episode, perhaps foreshadowing her abilities in Asylum of the Daleks. We also saw how the Doctor comes up with money and Moffat got in a dig at Twitter.
There is no longer a Doctor Who Confidential, but the BBC did release this behind the scenes video.
Steven Moffat says we will learn who Clara is this season. More from Moffat in the text of a press conference posted here. Other major news from the past week is that David Tennant and Billie Piper will be returning for the 50th anniversary episode. John Hurt will also be appearing in the episode.
Cult Box has a spoiler-free review of next week’s episode, The Rings of Akhaten.
The week of Doctor Who‘s return was also a big week for awards and nominations, including receiving a Peabody Award: “Doctor Who,” the ever-evolving, ever-clever BBC science fiction series now entering its second half century, was awarded an Institutional Peabody.
Musical composer Murray Gold was nominated in the Original Television Music category for his, as the ninth Doctor would say, ”fantastic” music score featured in the Series 7 episode, Asylum of the Daleks. This is the second time Murray Gold has been nominated for a BAFTA award.
The show was also nominated for a BAFTA in the Visual Effects and Graphic Design category. The Mill, which has recently announced it will be closing, was nominated for the wonderful Craft Visual Effects it has created in their recent episodes.
The Mill has been nominated for a BAFTA every year since 2007. They received a BAFTA in 2009 for their work in TheFires of Pompeii.
Other Doctor Who related BAFTA awards include the Editing Fiction award in 2008, The Television Drama Series in 2005, and the Craft Writer award went to Steven Moffat in 2007.
Throughout its five year run, Fringe was often unrealistic, but fans were willing to forgive this and enjoy the ride. The series finale was made to feel more plausible by multiple references to prior events on the show. It also helped the flow of the episode to have the major revelations and the plan to destroy the Observers revealed the previous week.
The finale began with the need to rescue Michael, the child observer, from a detention cell on Liberty Island. On Fringe the way to get around security was obvious–go to Liberty Island in the alternate universe, which is the location of the Department of Defense, come back to our universe and rescue Michael, return to the alternative universe, and then return to our universe at a safer spot. This meant that Olivia had to receive a new series of injections of Cortexiphan to allow her to cross over and back a total of four times. Sure this was risky, but “Etta died so we could finish the plan,”as Olivia pointed out to a skeptical Peter.
This plan served a couple of purposes. For the fans, it allowed one more glimpse of the alternative universe. While some disagree, I found the alternative universe arc to be the highlight of the entire series. We got to see Fauxlivia and Lincoln again, and find that Walternate is now lecturing at Harvard at age 90. I do wish we had another opportunity to see John Noble play this role. For the purpose of the story plot, it provides a reason for Michael to have allowed himself to be captured in the prior episode, which became important later on. His capture led to Olivia injecting herself with Cortexiphan, providing her with the power to kill Windmark in their final battle and enable Michael to be taken into the future.
Sure, this was somewhat convoluted. Maybe Michael could have come up with another way to defeat the Observers and go into the future. The plan might not have worked at all if he had been taken somewhere else. Perhaps Michael could have told them that it was essential for Olivia to receive the Cortexiphan, but they might not have be willing to take this risk without high stakes such as Michael being captured.
From Michael’s perspective, being captured didn’t seem to be a problem. Windmark’s scientist found that Michael had greater intellectual powers than the Observers and a capacity for emotional responsiveness than normal humans (whatever this means). Michael clearly had more powerful mind powers than Windmark. It is also probable that he could see the future, knowing that Olivia would take the Cortexiphan and rescue him before the Observer surgeons got started on him.
Besides seeing Fauxlivia and Lincoln again, it was good to see Broyles have a major role in this episode. His attempts to mislead the Observers ultimately failed and he was captured. This provided an opportunity to see a wide variety of items saved from the Fringe Unit used in an attack which included his rescue and obtaining another gadget needed for the time machine. Having seen this tactic used earlier this season both made this attack appear more realistic within the framework of the show and eliminated the need for an explanation in this episode.
This was a good episode for Astrid. Highlights of her actions in this episode included her showing Walter another “character” from the past–Gene the cow, frozen in Amber. When they needed an ignition device (because Windmark got this from December before September/Donald could) Astrid came up with the idea to use one of the Observers shipping lanes. Again this was shown in an earlier episode of the season, making it plausible without distracting explanations or pulling something totally out of left field.
The previous episode had foreshadowed two aspects of the finale–resetting time to be with Etta again and sacrifice. I (and probably most viewers) had been expecting all season for the series to end by resetting time and returning to the scene in the park when the invasion began and Etta was taken. The idea of sacrificing Peter has come up so often that this was almost expected, but would contradict the predictions of Olivia, Peter, and Etta being safe in the park.
Once things were hinted at in the previous episode it became obvious that the ending would provide some degree of a surprise and the ending would not be exactly as predicted. A tape was found of Walter explaining that the sacrifice was that, to prevent a paradox, he would have to live in the future and could not be present in the world of 2015 when the Observer invasion (which would be wiped from history) originally occurred. With time being reset in 2015 I am not certain why the reset wouldn’t include Walter being there, but how do we argue with the results of time travel? Then, after we believed that Walter would be sacrificed, Donald decided to go instead of him, feeling greater attachment to his son and having greater understanding of what it meant for Walter and Peter to remain together. It also made more sense for Donald to go on to a life in 2167 considering that otherwise he would cease to exist along with the other Observers. We were misled about this again as Donald was killed and Walter had to take Michael into the future.
The universe was reset to 2015 with Peter and Olivia in the park with Etta. There is one potential problem with this scenario. If there were no Observers, then Peter would not have survived being brought over in the initial timeline of Fringe as he was saved from drowning by September. It is questionable as to whether this was necessary as we already saw the timeline changed so that Peter did not exist, and yet he returned (without a really plausible explanation). On the one hand, his existence in this timeline no longer depended upon him being brought over by Walter as this event did not occur in this timeline. On the other hand, Peter returned to existence in this timeline because of his existence in the initial timeline. His continuing existence in one way is even harder to justify because of the lack of Observers to have led to a timeline where he was here. On the other hand, his existence after the reset would have been more implausible if not for the way he returned in the fourth season, no longer having the history of being brought from the alternate universe with help from September. Peter’s existence, even though he should not exist, has been something we must accept from Fringe in the final two seasons.
The question of Walter’s continued existence after resetting the timeline allowed for a reference back to an episode from 2010, White Tulip, in which a picture of a white tulip had been sent to Walter after an analogous situation involving time travel. Now Peter was the recipient of the letter with a white tulip. It is sad to see this series end, but also tempting to go back and watch earlier episodes which will not have so much more meaning after seeing their role in the big picture painted over five years by this fantastic series.
This week’s episode of Fringe, The Boy Must Live, was the final episode before Friday’s two hour series finale. After enduring years of episodes which offered more questions than answers, this episode did reveal a lot about September/Donald, the Observers, and the child Observer, Michael. September was punished for his assistance to the Bishops by Biological Reinversion–being turned back into a normal human. Donald explained how the Observers became the way they are by generic engineering (in addition to the device seen earlier this season). The key moment comes in 2167 when a scientist in Norway finds that removing jealousy from humans would leave room for greater intelligence. Further emotions were later removed to provide for even greater intelligence. Of course we have seen examples showing that at least some Observers still have some emotions.
Once humans lost emotions, test tubes replaced sex to create future generations. Michael was an anomaly who possessed both advanced intelligence and emotions. His genetic material came from September, who showed emotions himself in forming a bond with this son and saved him, analogous to Walter saving Peter.
September has been keeping a notebook of his observations of humans. This is actually being released as a book on March 12.
For beings of supposedly great intelligence, Observers often appear to have difficulty communicating. When September met Walter after saving Peter, when he said “the boy must live” he was referring not to Peter (the boy present at the time) but to Michael (a boy who Walter had no knowledge of at the time). While September sees time differently, it still makes little sense for him to have said this to Walter at this time without further explanation. September also showed questionable intelligence, even if reinverted to a human, when he wired his apartment to explode but included a warning light allowing other Observers to escape.
Finding the real meaning of “the boy must live” does clear up the question of why the Observers eliminated Peter’s existence in our timeline in a previous season if he was so important. I had previously rationalized this as representing different priorities for September and the other Observers.
Donald’s plan was to send Michael to 2167 to show that it is possible to have advanced intelligence without eliminating emotion. The scavenger hunt of the season to date has been to accumulate supplies needed for a time machine, with Donald conveniently having access to additional material needed. The idea is that, seeing Michael, the scientist would go down a different road and not eliminate emotion. The hope is that this would keep the Observers from coming back in time and waging war against humanity. When in human history have emotions kept a group from going to war?
The episode foreshadows two ideas which have been common in fan discussion of the final season–sacrifice and resetting time. Peter even suggested to Olivia that if they could reset time and prevent the invasion they could have Etta back. However, if the Observers were changed this might mean that Walter might have never succeeded in bringing Peter over from the other earth and he might have never lived and met Olivia. On the other hand, this might not be an issue in the world of Fringe, where Peter already returned once after he ceased to exist in our timeline. Michael also gave Walter memories of Peter from the previous timeline, making it even more tragic if the two do not both remain alive after the Observers are defeated.
I also wonder if raising the need for sacrifice and resetting the timeline in this episode served as misdirection, with one or both points not being true once we see how the dilemma is resolved.
The episode ended with another mystery as Michael voluntarily surrendered himself to the Observers. I wonder if he doesn’t have yet another plan which will allow him to destroy the Observers while he appears to be their prisoner.
Joss Whedon says Avengers 2 will be deeper, not bigger. He also will begin shooting on the pilot for his S.H.I.E.L.D. series in the near future. Reportedly the series takes place after the events of The Avengers, but there also reports that Clark Gregg will reprise his role of Agent Phil Coulson in the pilot, creating some questions.
Person of Interest had another strong episode this week. Prisoner’s Dilemma ties the recent arc in which Reese was captured into has back story. He’s now in the hands of his old partner, Kara Stanton, and I have no idea what she is up to.
Showtime had an awesome Sunday night line up with both Dexter and Homeland. They are moving up Dexter’s’ eight, and probably final, season to June 30 so that the popularity of both Dexter and Homeland can be used to develop other shows.
The Oscar nominations came out without much attention to genre movies. Some genre movies are competing for Visual Effects. The nominees are The Avengers, The Hobbit: An Unexpected Journey, Life of Pi, Prometheus, and Snow White and the Huntsman. Life of Pi also was nominated for Best Picture. There are some additional nominations for genre movies, but only in minor categories. Benedict Cumberbatch is nominated for Best Actor in a Mini-Series or Motion Picture Made for Television for his role on Sherlock at the Golden Globe Awards tonight.
Official White House Response to Secure resources and funding, and begin construction of a Death Star by 2016.
This Isn’t the Petition Response You’re Looking For
By Paul Shawcross
The Administration shares your desire for job creation and a strong national defense, but a Death Star isn’t on the horizon. Here are a few reasons:
The construction of the Death Star has been estimated to cost more than $850,000,000,000,000,000. We’re working hard to reduce the deficit, not expand it.
The Administration does not support blowing up planets.
Why would we spend countless taxpayer dollars on a Death Star with a fundamental flaw that can be exploited by a one-man starship?
However, look carefully (here’s how) and you’ll notice something already floating in the sky — that’s no Moon, it’s a Space Station! Yes, we already have a giant, football field-sized International Space Station in orbit around the Earth that’s helping us learn how humans can live and thrive in space for long durations. The Space Station has six astronauts — American, Russian, and Canadian — living in it right now, conducting research, learning how to live and work in space over long periods of time, routinely welcoming visiting spacecraft and repairing onboard garbage mashers, etc. We’ve also got two robot science labs — one wielding a laser — roving around Mars, looking at whether life ever existed on the Red Planet.
We are living in the future! Enjoy it. Or better yet, help build it by pursuing a career in a science, technology, engineering or math-related field. The President has held the first-ever White House science fairs and Astronomy Night on the South Lawn because he knows these domains are critical to our country’s future, and to ensuring the United States continues leading the world in doing big things.
If you do pursue a career in a science, technology, engineering or math-related field, the Force will be with us! Remember, the Death Star’s power to destroy a planet, or even a whole star system, is insignificant next to the power of the Force.
Paul Shawcross is Chief of the Science and Space Branch at the White House Office of Management and Budget
That’s ok with me if they don’t build the Death Star. I’m far more interested in the more recent proposal to build the Starship Enterprise.
The top stories of the week in genre and cult television were the Christmas episodes of Merlin, Doctor Who, and Downton Abbey, which I previously looked at here.
The Royal Mail will be releasing a set of stamps in March to celebrate the 50th Anniversary of Doctor Who. All eleven Doctors are present. The Tom Baker Matt Smith stamps are above. The full set, along with a Dalek stamp from1999, can be seen here.
Korean interviews with the cast and crew of Star Trek Into Darkness had a few interesting comments, such as this from Benedict Cumberbatch on his character, John Harrison:
He is an extraordinary terrorist of sorts. He uses himself as a warrior with weapons and close hand combat to just reap devastation and havoc wherever he goes and a trail of destruction follows him. What is interesting from an acting point of view — beyond doing the stunts and choreographed fight sequences….was also the psychological warfare that he acts out. He has an incredible ability to control people’s minds to his bidding and make them – well confuse the radar of their loyalties and prerogatives, so that was great fun. So it was a great mixture of intense acting scenes and action scenes.
J.J. Abrams decided against directing the next Star Wars movie:
There were the very early conversations and I quickly said that because of my loyalty to Star Trek, and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
Genre television shows are frequently downloaded or streamed due to different broadcast days and times in the United States and the U.K. There will be no need to download the series finale of Fringe. It will be simulcast by Fox and Sky1.
Wonder what will happen in 2013?I09 reviewed events from 2013 in science fiction books, television shows, and movies.
I’m not sure what the story is behind this picture of Alison Brie as Captain America. Most likely it is Photoshopped, but I wonder if Community is doing their take on The Avengers.
Doctor Who: The Snowmen airs on Christmas Day, introducing a new companion. Some clips and interviews can be seen in the video above.
Another clip from The Snowmen above.
Digital Spy interviewed Steven Moffat, who talked about the upcoming episodes of Doctor Who. He also denies internet rumors that William Shatner might play the Master:
William Shatner being The Master would be too confusing wouldn’t it? He’s Captain Kirk! It’s already confusing that there are now two Captain Kirks. But if I was considering it I wouldn’t tell you. I love William Shatner but John Simm is The Master… John Simm would beat [Shatner] up if he thought he was going to take that part.
Matt Smith and Jenna-Louise Smith discussed how the Doctor met his new companion in the interview above.
What can Coleman do with the role of companion that hasn’t been done before? Does she believe that her character moves it into a new realm? ‘Yes I do!’ she says enthusiastically. ‘The Doctor really wants to find out about her. She is obviously very clever, possibly more clever than he is, so she’s a challenge. I really liked that about the role.’
Has she any idea just how this will change her life? ‘Well,’ she says, ‘on one level it already has! I’ve been filming non-stop since it was announced, so my life has really been taken over by Doctor Who and nothing else.’ When she has had some free time, such as the occasional weekend, she has returned to the flat in London she shares with three of her childhood friends.
‘It’s refreshing,’ she says. ‘We all do different jobs now. I have to work the hardest at maintaining my friendships, though, because I am never around. I suppose my friends are very tolerant.’ She says the same goes for her relationship with her boyfriend, Richard Madden, the Game of Thrones star. ‘We both work hard,’ she says. ‘But he’s coming back from filming soon, so …’ She shrugs. ‘It’s good, work is good.
The Diamond of the Day, the two-part series finale of Merlin, received excellent reviews before it aired and another review can be found here. The series finale will air on Christmas Eve.
Fringe showed the end of Nina’s story, at least until a possible reset which was mentioned in the previews. While she killed herself to avoid interrogation by the Observers while hiding the child Observer, Nina would have been in trouble regardless of the events of this weeks episode as the Observers had already figured out that she was source of the concrete-melting device used in a previous episode. The episode also revealed that Donald and September are the same person, leaving questions as to whether September was once a normal human and how he became an Observer. Perhaps the arc showing Peter place the device in his neck was to set up the possibility of a human becoming an Observer.
J.J. Abramas has said more than he has revealed in the past about the plot of Star Trek Into Darkness and the villain played by Benedict Cumberbatch:
So this movie doesn’t require you have seen the first movie. The characters are a group of people who have recently come together and find themselves up against this incredibly terrifying force. His name is John Harrison and he is sort of an average – that is what makes him so scary – he is just an average guy who works in an organization called Starfleet, and he turns against the group because he has got this back-story and this kind of amazing secret agenda. After two very violent attacks, one in London and one in the US, our characters have to go after this guy and apprehend him. And it is a far more complicated and difficult thing then they ever anticipated. “Into Darkness” is very much about how intense it gets and really what they are up against.
Dexter and Homeland concluded their seasons last week. Dexter is heading toward the end, which probably will not be good for a serial killer. Dexter has killed at least three people who do not meet his code before the season finale: someone he mistook for a killer in Season 4, the guy in the bathroom after Rita’s murder, and Hannah’s father. With LaGuerta, not only is Dexter willing to kill someone who is innocent but Debra pulled the trigger. Hannah (Yvonne Strahovsk) ominously left Dexter a black orchid after escaped policy custody, and the producers are hoping to bring her back for another season.
Homeland left Brody on the run and presumably they will find some way to get him back into the main action next season. Perhaps he will find information on a terrorist plot while on the run, or perhaps it will turn out that he has more knowledge which the CIA needs to obtain from him. As he is using Carrie’s network, it wouldn’t be implausible for Carrie to track him down. Carrie already believes Brody is innocent. Saul should also realize that Brody was set up, knowing that the confession tape had been filmed quite a while previously and was in the hands of others. As Brody’s daughter believes that Brody did not plan a suicide bombing this time, room is left open for reconciliation with his family. It would be harder for Brody to publicly be seen as innocent. They certainly cannot say that the tape was made not now but before a previous planned suicide bombing. Perhaps the most plausible story would be that Brody had been forced to make this tape while still a prisoner, and broken to the extent that he would read anything.
How I Met Your Mother has been renewed for a ninth and final season, dragging out the explanation as to how Ted met his wife for yet another year.
Walking Dead has been renewed for a fourth season but Glen Mazzara, is leaving as show runner.
Homeland concludes the second season tonight. With Abu Nazir and Vice President Walden dead, the biggest question is how (or whether) they will conclude the season and leave it plausible for Brody to survive into a third season. As this is becoming increasingly implausible, many fans are speculating that Brody might get killed in the finale and the series will continue on without him. I doubt it, but it certainly is possible. There is also speculation that Estes might get killed, with Saul in charge next season. Some of the theories floating around can be found here, but we will know how the season ends later this evening. Entertainment Weekly had an interview with executive producer Alex Gansa:
So what can Gansa tease about next week’s season finale? “The final episode is called ‘The Choice,’ and what I can say about it is Walden is dead. Nazir is dead. So we’ve sort of left the thriller aspects of the show behind and now we come to a very personal story about Carrie and Brody and all the obstacles that lie in the way of them being together. That is what the finale is about. It’s a real character study of these two people, where they’ve come from, how they regard each other, and whether or not there’s a future for them.”
Dexter also concludes the season tonight. The previews show him being arrested. That could be the season-ending cliff hanger or possibly even a dream. I suspect that it might be an event taking place earlier in the episode, with Dexter released due to lack of evidence against him. After all, Dexter and Debra have been busy planting false evidence, and we know that there is an entire season to go before seeing Dexter’s ultimate fate.
There is still a little time until the series finale of Fringe, and this week’s episode was a real trip (in Walter’s mind). They didn’t find Donald, but they found Sam Weiss and ultimately the child Observer, who undoubtedly will play a role in however this series does end. (Or perhaps not–I also believed that Peter developing Observer powers would be important, and it no longer looks like that is the case).
I’ve previously posted the BBC trailer for the Doctor Who Christmas Special, The Snowmen. Above is a different version from BBC America. Another BBC trailer can be seen here.
The BBC has announced that the second half of the current season of Doctor Who will begin airing in April.
The BBC commissioned a report on the portrayal of gay characters on television. While faults were found in stereotypes on some shows, other shows such as Doctor Who and Downton Abbeywere praised: “Doctor Who quite often has a gay character in it but it isn’t always an issue or the plotline,” said anti-hate crime charity Galop. “It’s just incidental, which has been quite nice.” One example is more than just incidental–Captain Jack Harkness who has both been a companion to the Doctor and has stared in the spin off Torchwood.
I don’t want to give away too much to those waiting for Merlin to air in the United States, but this week’s episode has drawn the battle lines for the two-part series finale. This won’t come as a surprise to anyone acquainted with the King Arthur legends, but it does represent a change from earlier events of the final season.
TNT will have the funeral of J.R. Ewing on their remake of Dallas on the March 11 episode following the recent death of Larry Hagman while the series was filming. The series is being rewritten to account for the death of J.R.
Before this week’s episode of Fringe, theories about how the series would end fell into two categories. There were the happy endings in which the Observers were defeated, possibly including a cosmic reset going back to the day in the park. There were also predictions of unhappy endings, at least for Peter, after inserting the Observer’s device in his brain stem. This ranged from Peter dying (which has been foreshadowed so many times in the past) in order to defeat the Observers, to the possibility that Peter’s actions led to the eventual development of the Observers. After Walter warned that the effects on Peter were soon to be irreversible, it became clear that this arc would lead to one of two results–either Peter would remove the device or he would soon become bald, and with a changed personality. This week’s episode resolved the issue with a pocket knife and self-performed surgery.
Besides convincing Peter of the importance of human emotions, Olivia stuck a blow for science and math over alternative explanations to those with extraordinary abilities: it’s all just numbers, and the invaders are better at math than we are. After she defeats the Observers, we’ll set her loose on today’s Republicans.
The series finale is to be entitled An Enemy of Fate. Presumably this refers to someone who prevents humanity’s fate of being enslaved to the Observers.
Matt Smith says the Time Lord is “attracted” to all his female companions – and that he’s particularly struck by new partner in time Clara when he meets her in this year’s Doctor Who Christmas special The Snowmen.
“I think, in one way or another, the Doctor is always attracted to his companion and he’s certainly taken by this striking young lady,” Smith tells Radio Times in the new edition of the magazine.
And he says Clara is just what the Doctor ordered after the loss of former travelling companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill).
“The fall of the Ponds had a grave effect on the man,” said Smith. “I think he’s quite lonely and removed from the universe and not really as engaged as he was, at his best with Amy and Rory. “Handily, he meets a jaunty new companion, a hot chick…”
Fans will have to wait until Christmas to see the full effect Clara has on the Doctor but they’ve already glimpsed her snatching a rare kiss from him in a BBC1 Christmas trailer and Smith said “what’s interesting with a new companion is that it changes the way [the Doctor] is and affects his personality.”
The BBC have announced the airtime for the Doctor Who 2012 Christmas Special, The Snowmen. The episode will air on BBC One at 5:15 p.m, December 25. It will air on BBC America and in Canada (SPACE) on December 25. It will air in New Zealand and Australia on December 26. More pictures from the Christmas Special can be seen here.
The Doctor Who series 7 finale finished filming last week. There are rumors that the 50th Anniversary special will start filming in February. Other rumors include a title of The Eleven Doctors with all eleven Doctors appearing in some manner. The manner is not clear as not all former Doctors are living and Christopher Eccleston has said he will not appear in the special.
The trailer forStarhas been released (video above).
The Japanese trailer (above) has additional material. While the villain appears to be Gary Mitchell as opposed to Khan, there is a scene reminiscent of Spock’s death scene in Star Trek II. Hopefully that is not what is actually occurring–we don’t need a remake of The Search For Spock.
Pictures from the Downton Abbey Christmas Special can be seen here. Beware if waiting for the third season to play in the United States–these must be considered spoilers for 3rd season events based upon who is present and who is not present.
The story which must lead over any other entertainment stories this week is the death of Larry Hagman. He is best known for the part of J.R. Ewing. In 1980 Dallas received a remarkable amount of publicity with a cliffhanger in which J.R. was shot (and recovered). The episode which resolved the mystery remains the second highest rated television episode of all time, and with increased fragmentation of the television audience in the age of cable, Dallas might hold onto this position.
Larry Hagman got to reprise the role of J.R. Ewing on a remake of Dallas which began last summer on TNT. Younger stars dominated the series (sometimes making the series feel too much as if it were Dallas 90210), but the presence of Hagman got the series off the ground. J.R. Ewing slipped into the background during part of the first season to open the way for the next generation, including Josh Henderson as John Ross Ewing III and Jesse Metcalfe as Christopher Ewing, to battle each other. Hagman had filmed six of fifteen episodes of the second season, which begins on January 28. There is no doubt that the show will be rewritten to take J.R.’s death into account. A storyline about the death of J.R. Ewing in March is bound to be a ratings success.
This is not the first time that Dallas has had to deal with the loss of a major character, with Jim Davis (Joch Ewing) dying and Barbara Bel Geddes (Miss Ellie Ewing) leaving the series for health reasons. (Donna Reed also played Miss Ellie for one year, with Bel Geddes subsequently returning for an additional season). Bobby Ewing died in the eighth-season cliffhanger, with Bobby returning in Pamela’s shower at the start of season ten, making all of season nine a dream.
While J.R. Ewing could never be replaced, the remake of Dallas does feature other characters from the original series, with Patrick Duffy (Bobby Ewing) and Linda Gray (Sue Ellen Ewing) having regular roles. Ken Kercheval (Cliff Barnes), Steve Kanaly (Ray Krebbs) and Charlene Tilton (Lucy Ewing) have had recurring appearances. Joan Van Ark and Ted Shackelford are returning as Valene and Gary Ewing, roles which were primarily seen in the Dallas spinoff Knots Landing.
Hagman had many other roles, including some which could be classified as genre. The most notable of his other roles was as Major Anthony Nelson, an astronaut who was the owner of a 2000 year-old super being on I Dream of Jeannie. Other genre connections include a role in the first Superman movie and directing a low-budget sequel to The Blob, called Beware! The Blob.
Community will also have to deal with the loss of a leading character. Chevy Chase (Pierce Hawthorne) left the show late in the filming of the fourth season. It was an abrupt departure so it is not known how it will be dealt with on the show. There might not be any need for an explanation unless the series makes it to s fifth season. The episodes were being filmed out of order with Chase present in the finale.
Chevy Chase had highly publicized conflicts with former show runner Dan Harmon, and his problems with the show were obviously not resolved after Harmon was fired. Chase’s character also often had a rocky relationship with other members of his study group, and the remainder of the ensemble cast could easily carry on without him should the show get renewed for a fifth season. #sixseasonsandamovie.
Fringe wrote a character, Peter Bishop, out of existence and brought him back during the fourth season. This was not one of the better arcs on the series. Show runner Joel Wyman agrees that this “didn’t work.”
“I get so much support from the media and from fans [and] I can’t be upset if they don’t like [something],” Wyman explained.
“Like the whole [season four] disappearance of Peter, I learned a great deal from that. It didn’t work. People didn’t like it and felt it was sort of stupid and didn’t get it.”
Wyman admitted that he now “totally” agrees with fan criticisms of the plot, adding: “I look back at it and consider it one of our missteps.”
“It didn’t work as well as we all thought it would,” he confessed. “We liked it and thought it was cool. But no matter how many times we told people, ‘No, Peter is still part of the show…’ everybody was saying, ‘Peter is not on the show so I’m not watching anymore!’ They didn’t get it.”
Revolution had a great scene last week in which Rachel made sure that she will still be needed by Monroe. She did kill a former coworker, but on the other hand he did betray Rachel in telling Monroe that it was a bomb which she was building. In the mid-season finale, all the major characters will be reunited in Philadelphia. TVLine interviewed co-executive producer David Rambo about the mid-season finale. He said that, “The finale will answer some questions, but it will pose even more because it is a really good cliffhanger. One of the big things that will be revealed actually, I believe, is what Monroe’s plans really are.” The second half of the season might also show what is occurring in the other republics.
You might ask Where’s Waldo, but the question with the Doctor is not where but when. Flick Filosopher presented some pictures from this Gallifreyan Where’s Waldo?
Pictures from the Doctor Who Christmas Special have been released and two videos of consequence were presented at Children in Need. First there is a prequel episode, The Great Detective, in which we find that the Doctor has retired. Secondly there is the trailer for the Christmas episode in which the Doctor’s retirement on screen is a brief as we would expect.
‘The Snowmen’ has been revealed as the title for this year’s movie-scale Doctor Who Christmas special, and the episode that will introduce the new companion, a new look for the Doctor and a new monster that will have families shivering behind their sofas.
Starring Matt Smith as the Doctor, and introducing Jenna-Louise Coleman as new companion Clara, The Snowmen will follow their adventures as they embark on a mission to save Christmas from the villainous Doctor Simeon (Richard E Grant) and his army of icy snowmen.
Fans also got a sneak peak at a new costume for the Doctor, revealed in an exclusive trailer on Children in Need, while a special prequel showed the impact of the loss of the Ponds, with old friends Vastra, Strax and Jenny trying to persuade the Doctor not to give up on adventures.
Steven Moffat, Lead Writer and Executive Producer, said: “The Doctor at Christmas is one of my favourite things – but this year it’s different. He’s lost Amy and Rory to the Weeping Angels, and he’s not in a good place: in fact, he’s Scrooge. He’s withdrawn from the world and no longer cares what happens to it. So when all of humanity hangs in the balance, can anyone persuade a tired and heartbroken Doctor that it’s time to return to the good fight? Enter Jenna-Louise Coleman…”
Matt Smith, who plays the Doctor, commented: “For this year’s Christmas special we have the wonderfully villainous Richard E Grant as Doctor Simeon – as well as lizards, Victorian assassins and deranged warriors from the future, who all return to convince the Doctor that he should board the TARDIS again and save the world. Add to that Jenna-Louise Coleman, and so begins the Christmas Special 2012. I hope everyone enjoys it!”
The BBC Cymru Wales produced drama will return to BBC One in December, with a further eight epic episodes in spring next year.
Doctor Who TV previews an episode for the second half of the season, to air this spring:
Writer Stephen Thompson speaks about his upcoming episode for Series 7: Part 2 in the latest issue of Doctor Who Magazine(#454 out today.)
He confirms the story is titled Journey to the Centre of the TARDIS and explains how the episode came to be: “My first meeting was last October. I went along with a pocketful of dream-episodes. (Still trying to work out a way to shoehorn the Krynoids in. Might yet happen.) This initial meeting is fairly predictable. Before I even open my mouth and pitch to the room, Steven goes ‘I want you to do x.’ And his idea is so wonderful, and so much more clever and interesting than anything mere mortals like myself could come up with, you end up saying ‘Yes’ and the meeting’s over in record time. Or at least the same time it took last year. And so it was. ‘Would you do one where we see the centre of the TARDIS?’ ‘Er, yeah. Okay.’ Conversation took nine seconds. And then I’m chained to a laptop on and off for the next six months, basically.”
“Actually Steven had two ancillary reasons for bringing that idea to the table. One: he admits to being haunted by The Invasion of Time – the story from 1978 set on board the TARDIS, where the sets were cobbled together at the last minute. Unfortunately a TV strike meant that studio sets were not built, and as a result our only glimpse of the TARDIS interior has been a disused hospital in Surrey with bin-bags stuck to the windows. Two: Steven knows; that I’m a pure mathematician and anything involving multi-dimensional geometry gets me excited. (There’s my geek credentials.) So – that was the brief. What’s in the middle? Plus the title. And then I’m sent off to fill in all the blanks.”
He adds: “[With The Curse of the Black Spot] my brief from Steven was very different – he said a lot of the [Series 6] episodes were dark and complex, and he needed me to write something light. This year got to indulge my inner fan. (And I got to ask my kids what rooms in the TARDIS they’ve always wanted to find.)
“This episode will be different in many ways, not least because the star won’t necessarily be the usual person. You might not even see the star, it might be the guy at the drawing board. It just might be the designer…”
Fringe is now about putting things into or taking things out of the brainstem and brain, and the consequences of such action. On Fringe, greater intellectual power tends to have dangerous trade offs, if not being outright evil. We continue to see Peter developing his Observer powers after implanting Observer technology in his neck, with Olivia now aware of what Peter has done. There is parallel story going on with Walter and Nina with Walter wanting Nina to remove the parts of his brain which William Bell removed and which were later restored.
There are so many questions leading into the final episodes of the series. I wonder if Peter might wind up being the first Observer, setting everything else in motion, and providing an explanation as to why so much has centered around Peter. Will we be better or worse off with Peter becoming more like the Observers and with Walter more like his old self? Will Peter lose all his hair? Will Walter perform a lobotomy on himself if Nina does not help him? Will the Observers continue to allow pictures of Etta to go up all over as the face of the resistance? Will Peter defeat the Observers and pull a cosmic reset switch, returning to the park with Olivia and Etta? We will have to wait three weeks to find out anything more, with the next episode featuring Peter vs. Windmark.
I have previously presented opinions on the election from people in show business. In case have not seen it, the one which you really should not miss was from Joss Whedon on how Mitt Romney’s policies would set up the conditions needed for a Zombie Apocalypse. The same issues remain even if Romney has become a toxic-asset which even Republicans now want to be rid of. Almost everyone seems to have turned on Mitt Romney for his view on the 47 percent and takers after the election, including Republicans who defended Romney on this view during the campaign. I previously commented on this post-election Romney gaffe when speaking to donors here and here. Bill Prady, creator of Big Bang Theory, weighed in on Romney’s flawed view on his Facebook page. A portion follows:
I number among my friends many who, like myself, voted for the President. Not one of them gets “free stuff” from the government (unless you count Social Security and Medicare, I suppose). My friends are hard working moms and camera operators. They are teachers and gardeners and maids. They are writers and actors. People with jobs. Two jobs, some of them. They didn’t vote to get free stuff.
Me, I created a television show. I didn’t vote to get free stuff.
We voted for the President because we share his vision for America. We believe in a country where people are treated with respect no matter who they are. We believe in the freedom to love whom you love — and to marry the person you love. We believe that no family should go bankrupt because their child becomes sick.
We believe that women can make their healthcare decisions for themselves in consultation with their doctor and their god and that they don’t need a politician to tell them what to do. We also believe they should be paid the same if they do the same work.
We believe that lowering taxes on the wealthy isn’t an economic policy and it doesn’t lead to prosperity and higher employment. The experts believe that, too — it’s in the report the Senate recently suppressed. We also believe that because we lived through it — it lead to the worst economic disaster in our lifetimes.
We believe that the men and women who wear the uniform of our nation deserve our highest respect, and we believe that when we send them to fight unnecessary wars and then don’t care for them when they return we have betrayed that respect. We also believe that if we ask them to leave their jobs and fight for us, we should make sure they can get jobs when they return.
We believe that asking people like me to pay a little more — just what we paid during the Clinton administration (one of the greatest periods of growth in modern history) — isn’t communism. It isn’t socialism. It’s fair.
We believe the infrastructure of this nation is crumbling and that we must invest in the repair of our roads, bridges and schools. And we believe that in those schools, our children — our most precious resource — should be getting the best education whether they live in Chevy Chase or Harlem.
We are hard working people who worked hard for this victory.
The Big Bang Theory get into genre (including recent references to Doctor Who) far more than politics, as would be expected on a network television show seeking to appeal to a mass audience, but there have been a number of amusing swipes at the religious right on past episodes such as here and in the clip below.
Fringe took a look Through the Looking Glass and What Walter Found There. Walter looked at another tape and, in an uncharacteristic move, went off on his own. For a moment I thought he might be crossing over to the alternate universe but instead he wound up in a pocket universe. There are now new elements added to this season’s scavenger hunt–a bald-headed kid adopted by the Observers in a previous season who is now missing, and a radio left in his place. It will be interesting to see what type of message comes over this radio.
This was also an episode which concentrated on development for Olivia and Peter, as they continued to morn the death of Etta. The climax of the episode showed them fighting the Observers, with an Observer telling Peter that he knows what he has done but has made a grave mistake. Whether it turns to be good or bad, it may be analogous to hooking Peter up to the machine with its unexpected results. For now Peter is a better fighter, and more vicious in killing the Observer. His vision then took on a blue tint–yet another effect of the Observer implant in his neck (unless he took Viagra). There are also changes in Walter, who is becoming more like Walternate, or the Walter he was becoming before portions of his brain were removed by William Bell. I would assume this is a consequence of replacing these portions of his brain in Letters of Transit.
Revolution primarily continued its adventure of the week format, this time with a watered-down version of Lord of the Flies. We did learn more about what caused the blackout, leaving more questions. The Mathesons, along with Grace (who was kidnapped earlier this season) were working on a device to generate electricity and instead it did the opposite–stopping electricity completely. Someone from the Department of Defense pressured Rachel into accepting a government contract for this technology, and he turned out to also be the person who kidnapped Grace. It might have made sense for the DOD to be interested in this as a weapon directed against a specific country, but it is harder to see the rational for using this if it also caused the blackout in the United States. It will be interesting to see if we ever get a plausible explanation.
The web series, Battlestar Galactica: Blood and Chrome is now available on line. Episode one is embedded above. An “explosive unrated edition” will be coming out on Blu-ray & DVD February 19, 2013.
It has been confirmed that Neil Gaiman’s episode of Doctor Who will involve the Cyberman, with Gaiman making them scary again:
Speaking to Reviewer.fr he said: “Steven asked me to write a new episode and I said no because I was too busy. And then he wrote and asked if I wanted to make the Cybermen scary again. And I thought back to when I was six or seven years old: ‘The Moonbase’, ‘Tomb of the Cybermen’ … when I saw them when they were first broadcast. The Cybermen were far more frightening than Daleks, because they do not make noise. Daleks move in all directions, shouting ‘Exterminate’, etc.. With Cybermen it’s different. You turned around and bam! There were Cybermen. It’s scary.
“I told [Moffat] that I would revive the Cybermen for the 50th anniversary year and everything that has happened since, and see what I could do. I do not know if it will work, we’ll see.”
He added: “This will be a stand-alone episode, it will be the penultimate episode of Series 7. It has a beginning, a middle and an end.”
Gaiman also stated that the title of the episode, currently believed to be The Last Cyberman, could still change: “‘The Doctor’s Wife’ was’ Bigger on the Inside’, up to two weeks before release. It could be anything,” he said.
Scarlett Johansson is on the cover of V magazine, recreating the Janet Leigh shower scene from Psycho. She found facing Anthony Hopkins to be far scarier than filming a nude scene:
The flick, about the making of Psycho, finds Johansson having to recreate a certain iconic shower scene.
“We only had the luxury to shoot the scene for a day, and everybody was feeling very nervous because it involved water and nobody wants the actor to get wet,” the 27-year-old told V. “They were concerned with modesty and all these things—but I don’t care about any of that stuff and Janet Leigh never did either.”
But Johannsson did admit that it was “terrifying” having costar Anthony Hopkins, who portrays the famed director, point a long kitchen knife in her face.
“Maybe I watched Silence of the Lambs too many times when I was a kid. Maybe I was having some flashbacks. So I didn’t need too much preparation for the scene,” the actress said.