The Last Man on Earth returned with an episode which barely involved the regular cast. The, staring Kristen Wiig and Laura Dern. goes back to before the virus killed off virtually everyone. In a news report Mike Pence was referred to as the president. Wiig’s character was shocked that there was no vaccine for the virus, arguing that the president must have a vaccine. That led clips from news reports showing a series of funerals for President Pence, followed by President Paul Ryan, President Rex Tillerson, President Jefferson Beauregard Sessions, and finally President Betsy DeVos:
There was no explanation as to why Donald Trump was not mentioned, with Mike Pence president at the time. This might suggest that Trump was impeached before the virus struck.
The episode progressed to having Kristen Wiig move to a bunker with only her dog for company. She gradually went crazy, including trying to get the dog to say “milk.” She turned out to be the person who sent out the drone shot down by Melissa (January Jones) in a previous episode. Kristen Wiig might be interacting with the regular cast as she left the bunker to search out the people she saw via the drone. Of course they have all moved on from the home where they were spotted by the drone, and we don’t know if she is immune to the virus.
While Donald Trump was not recognized as president on Last Man On Earth, he was portrayed once again by Alec Baldwin on a science fiction themed cold open on Saturday Night Live (video above). The New York Times recapped this and other political skits on the show:
Sure, “Saturday Night Live” has offered ample criticism of President Trump and his young administration. But in its latest episode, the program expressed confidence that he’ll be in office until at least 2018, long enough to see America decimated by an alien invasion force from the planet Zorblatt 9…
A military officer played by the cast member Kenan Thompson told him, “The aliens are killing us, sir. They have the most advanced weaponized technology we’ve ever seen. What should we do?”
The Trump character responded, “Here’s what we’re going to do. We are going to bring coal back, O.K.? We’re going to have so much coal, you’re going to say, ‘Where did all this coal come from? I never knew there could be so much coal.’”
Informed that the aliens had already vaporized the state of California, Mr. Baldwin answered, “So then I won the popular vote?”
As Mr. Trump, he explained that the aliens had already been secretly living in the United States for hundreds of years. “Look, there’s one right there,” he said, indicating Leslie Jones. “And so is the woman next to her, right there,” he said, pointing at Sasheer Zamata.
Asked where he was getting his information, Mr. Baldwin replied, “From a very reputable source, Infowars. It’s a radio show hosted by Alex Jones. You know he’s legit because he’s always taking off his shirt.”
When the aliens at last overrun the base and learn that Mr. Trump is president, one creature (played by Bobby Moynihan) declares, “Really? This is going to be so easy.”
Riverdalehas been renewed for a second season. I wonder if the season finale is already set, or if knowing that there is a second season will affect when we find out who killed Jason Blossom. Screener looks at the major suspects. On the one hand, viewers might be disappointed if there is not some answer in the foreseeable future after following the show. On the other hand, ending the mystery requires them to come up with something new to hook the viewers.
The series is sort of a Twin Peaks light with its murder mystery in a small town. Twin Peaks quickly went down hill after it revealed who killed Laura Palmer, and we found that they didn’t have much more story to tell. (Hopefully they have come up with more story for the upcoming Showtime revival). There certainly is plenty of potential in Riverdale for additional stories, and not everything going on this season is centered around the murder of Jason Blossom. Perhaps it will be more like Veronica Mars in having a different mystery each season.
The CW Network has also renewed The 100 for a fifth season.
We are down to less than a month until the start of series ten of Doctor Who. The Gallifrey Times has an updated episode guide with what is known so far about every episode. The final two episodes feature the original Mondasian Cybermen seen on The Tenth Planet in 1966. New Who created an alternative time line in which the Cybermen were created on earth.
In other Doctor Who news, Radio Times looks at the question of Time Lords aging, or “why did Matt Smith’s Doctor look so young on his ‘farewell tour’ (the 200 years he lives through in series 6), but become an old man while defending the town of Christmas on Trenzalore for 300 years in The Time of the Doctor?” Plus we learned last week that a CIA hacking tool revealed by Wikileaks is called the Weeping Angels.
Broadchurch was of special interest to Doctor Who fans from the start with a cast which includes David Tennant and Arthur Darvill. It became even more significant when show runner Chris Chibnall was picked to replace Steven Moffat. After two episodes of Broadchurch, it is showing promise to surpass the second season and be more like the first. While the murder of the first season still is having an impact, the second season is concentrating on a different crime, a rape. There are already multiple suspects, and more are likely to be added. Beth Lattimer, a key character from the first season, remains a significant part of the story, having become a rape counselor.
It looks like, as usual, the story is as much about the effect on the town as the crime itself, plus the show has already gotten into other topics including the challenges to the small town newspaper. I would suggest that even those who gave up the show in its second season give it another chance. Broadchurch is currently on Mondays on ITV. BBC America will be carrying the show in the future but has not posted a date yet.
Similarly I would recommend that those who gave up on Homeland give the current season a chance, but beware it does start out slow. The payoff the last few episodes makes it worthwhile.
Nerdist looks at the Easter eggs in the Deadpool 2 trailer (video above). This includes posters for Firefly, presumably due to Morena Baccarin being in both Firefly and Deadpool.
A premiere date for season seven of Game of Thrones has been announced. The seven-episode season will start on July 16.
Passengers will never become a classic science fiction movie, despite a cast led by Jennifer Lawrence and Chris Pratt. It is best to go into in looking for mindless escape and ignore how creepy the actions of the male lead were. Despite its flaws, the movie was actually enjoyable and even good for some unintentional laughs, such as with the resuscitation scene. Look at it more as a rom-com about the dangers of waking up a woman too soon in order to have sex with her. Or, if you are looking for comedy, you could just watch the blooper reel above (which some are arguing is far better than the actual movie).
The Night Manager was one of the top shows of 2016, but the miniseries completed the events of the John le Carré novel. A second season is being written, but has not yet been picked up. There is no information on what it will be about. It might take other elements from le Carré’s books, especially as some of the characters do appear in other novels. I imagine they could also come up with an original story based on elements and characters from the first miniseries. As I posted previously, the producers of The Night Manager are also working on a miniseries based on The Spy Who Came In From The Cold.
The Americans returned last week and is receiving additional media attention due to Russia being in the news recently. This includes articles in USA Today and Entertainment Weekly. The Americans has consistently been one of the best shows on television since it premiered.
Timeless started out the season as an entertaining time travel series, even if not the most significant genre show on at present. As it approaches its season (and possibly series) finale, the show has gotten even better as the Rittenhouse backstory progressed, and the series moved on from its initial formula. Screenrant looked at Why Everyone Needs To Be Watching This Time Travel Show.
TV Line spoke with producers Eric Kripke and Shawn Ryan about Timeless:
TVLINE | How would you preview the finale? SHAWN RYAN | I’m proud of the finale. It answers a ton of the questions that we’ve raised. We’ve had a pretty good plan from the beginning of the season. There are things that happen in the finale that we had plotted out in our first couple weeks in the writers’ room back in June. We’ve known for a while that we were going to make 16 episodes this season, so we were able to plan for that and build to this…
TVLINE | The last episode left off on quite a cliffhanger, with Rufus in very dire straits. How that will play out in the finale? ERIC KRIPKE | It’s not so much about whether Rufus will live or die, because — spoiler alert! — he lives. He’s one of our main characters and a popular one, and we’re not going to kill him. So as long as there’s a Timeless, Malcolm [Barrett] has a reasonable amount of job security. It’s more about the storyline that it leads to. Rufus is unable to pilot the lifeboat alone because he’s wounded, and so he needs some help, which comes from some unexpected places, and it kind of turns the story into a new direction, and then turns again.
I think the show’s gotten better and better the more we’ve focused in on and doubled down on the characters. The thing I’m most proud about in the finale is that it’s really a character piece. So many finales, especially the genre shows, are just about people running around and fighting, and ours really digs down to the thematics and the character issues that our people have been facing all year. It’s a uniquely thoughtful and emotional finale, and I’m really proud of it because of that.
TVLINE | How much did not knowing whether the show was renewed or not impact the finale and how you chose to end it? RYAN | It did not have a great impact. We had a story that we wanted to tell from the beginning. We’re moving forward optimistically. We think there will be a Season 2. I’ve been in a situation before on Last Resort, where it was clear as we were making Episodes 10 and 11 that the show wasn’t going to continue, and we chose at that point to write what was essentially a series finale for Episode 13 to give closure. I think there are a lot of reasons for optimism for a Season 2. We’ll find out in two or three months. We’ve always set out to tell this one-season story that then would provide a launching point for a Season 2, but that would answer a lot of things, and I think we did it. We didn’t have any conversations where we were pulling out ratings and trying to do the math. We’re just writers, and we told the best story we could. So we’ll let the chips fall where they may. KRIPKE | When you write these things, you plan for success. You just sort of have to, and whatever happens happens. But you write it as if the show’s coming back, because I think doing it any other way, you’re compromising the story you set out to tell.
Legion remains one of the more intriguing shows of the last couple of years, and is already being compared to recent greats like Mr. Robot and West World. It deals with mental illness and an unreliable narrator as in Mr. Robot. While it might not be a major feature of the show after the premise is established, it handled time jumps far better than West World. While the themes are quite different, it also raises comparisons to Noah Hawley’s recent work on Fargo, in which Hawley adapted another universe in his own way. Uproxx interviewed Noah Hawley:
When you first got the material, what was going in your head in terms of how you wanted this to look?
When I sat down to write it, there was nothing specifically contemporary about it, but I don’t think I assumed it wasn’t a contemporary story. Then, I guess we talked about, since the movies jump from decade to decade, should we be in there somewhere? Then it just seemed to me like the subjectivity of the show gave us this opportunity to create a reality and I don’t know why, I just found myself drawn to these ’60s movies, British ’60s movies; Terence Stamp movies and Quadrophenia. There was a sense of the young punks and these are a band of outsiders and there is that sense of teenage rebellion that exists in this thing. In a modern day sense I think we’re over that and yet there’s something about that period in us that makes something familiar unfamiliar.
It started with just thinking like, “Well, let’s embrace the brutalist architecture and let’s not have any cars, because cars date something, so then if you’re in a reality without cars, where are you when you’re outdoors?” We shot on this University of British Columbia campus where there were no cars allowed. Then the hair and the costumes, this idea of the track suits that they’re in and all of that was a process of figuring out what it was and then the music plays into that as well. This idea, as I said to our composer Jeff Russo, that the show should sound like Dark Side of the Moon, so he went out and he bought the patch cord synthesizer they use in the show.
It is this mixture of visuals and the sound and music of it that’s trying to create something that’s not about information but that’s about experience.
Yeah. It’s almost a ‘60s vision of what the future would look like.
Right. Some of the elements seem futuristic and some of them seem dated, but I wanted there to be a certain whimsy to it as well, and a playfulness. I always loved about that genre and genre in general was the pure inventiveness of it and the way like a science fiction story. The example I give is Battlestar Galactica, the remake. It’s the Cylons who have God. It takes God and it takes robots and it creates something completely new. It’s not something that you would do in a drama. It’s something you would only do in a genre and so what are the genre elements that will allow us to take a show that would work as a dramatic story, two people in love, trying to define themselves rather than being defined by society and it turns it into something that I hope every week there’s something that blows your mind a little…
David alone has, in theory, an infinite number of powers. You get a bunch of these other characters with their own abilities that seem to, for the most part, be your own creations, so you can give them the powers to do whatever you want. What was that process like of figuring out, for instance, what Syd can do?
For me it was about creating characters and saying, what makes a tragic love story? A tragic love story is about people who want to be together but can’t be together for one reason. If they physically can’t touch then that creates this seemingly unleapable obstacle. Then it became about her having a power where she couldn’t be touched, and obviously I think there are characters in comic book lore who have different versions of, “If you touch me, something happens.” I took the creative license to say, “Well this is my version of that.” The danger with a character with a hundred issues of mythology is you’re always turning around and realizing you can’t do something because someone’s going to get mad or it’s going to conflict with what they know and it’s going to be confusing.
It just seemed more and more that I could take David and take this multiple personality disorder that he has in the comic and I could create a sort of metaphorical version of that, which is not to say we won’t ultimately realize that’s what he has, but it’s to say that that’s not what he’s diagnosed with in the show. Then to surround him with characters of my own invention so that I’m not hamstrung about what stories I can tell.
There has been a recent TV trend of unreliable narrators. How do you keep the audience from looking at the show as a puzzle to solve?
You have to solve the mystery. The narrator has to become reliable. It’s a lot to ask an audience to take a perpetually unsatisfying journey where it’s like you’re never going to know for sure. It’s another thing to say, “We’re going to take a character out of confusion into clarity and an audience out of mystery into clarity.” That’s the goal of it which is to say, there’s a contract and you watch that first hour and you like, “I don’t know. There’s a devil with yellow eyes and there are these other elements that I’m not sure what they mean, but I trust the filmmaker and I know that I’m going to understand it eventually.” You do. It becomes clear by the end of the first year what’s going on.
Before this era of peak TV, The 100 might have been the top genre show on of the night. Now it shares the night with Legion, The Magicians, The Expanse, and Arrow. The 100 really deserves more attention than I’ve been paying to it, but TV Line does have some comments on the revelations in Wednesday’s episode.
Spoiler TV reviewed last week’s episode of The Magicians in the aftermath of Alice’s death.
Plus information from the producers on Arrow here and here.
Although they have no inside information, and the decision probably won’t be made for several months, the odds makers seem to like Tilda Swinton as the favorite to replace Peter Capaldi on Doctor Who. Chris Chibnall will be making the actual decision, and says it will be made in the traditional way:
We’ll cast the role in the traditional way: write the script, then go and find the best person for that part in that script. You couldn’t go out and cast an abstract idea.”
He adds: “The creative possibilities are endless, but I have a very clear sense of what we’re going to do, without even knowing who’s going to play the part.”
Steven Moffat says that Chibnall did try to convince Peter Capaldi to stay. He also says he does not plan to write further episodes of Doctor Who for a while after he leaves as show runner. He seems to have thrown all his ideas into Doctor Who the last several years, but perhaps he will come up with something new down the road.
Fox is considering a reboot of Firefly, but only if Joss Whedon is on board. That makes perfect sense. I question if there is any point in rebooting the show, as opposed to leaving it as a brief , but excellent, old series. I really see no point in having someone else do a reboot.
Netflix has announced that Unbreakable Kimmy Schmidt returns on May 19.
Outlander returns in September. The production is moving to South Africa, which might be a stand-in for Jamaica.
The Flash deals in multiple parallel universes, including the one in which Supergirl takes place. Screen Rant explains the most important Earths in the CW multiverse. This got me thinking after hearing Donald Trump’s comments on what appears to be an alternative Sweden…
It increasingly looks like the best explanation is that Donald Trump and his top aides have been replaced by their counterparts from an alternate universe in which there have been terrorist attacks in Bowling Green, Atlanta and Sweden. Also, in their universe, Barack Obama really was a Muslim born in Kenya, and scientists never did figure out the connection between human action and climate change. Presumably orange skin and that hair are also commonplace there too.
I’m still racing to catch as many of the top Academy Award nominees as possible by next Sunday. Looking at the favorites, at this point I enjoyed La La Land and am okay with Emma Stone as Best Actress, but I would not pick it as Best Picture. Based upon what I’ve seen so far I’d go with Arrival, but not expecting a science fiction movie to win, I’d also pick Lion above La La Land. It would be a toss up with Manchester by the Sea, depending upon whether I want a more upbeat or downbeat movie. Casey Afflect is justifiably a strong contender for Best Actor.
This could change by next week. My immediate goal is to at try to get in Hidden Figures, Fences, and Moonlight before the awards.
One of the things which makes The Americans one of the top television shows now on is the manner in which several story lines involving different characters are carried out so well. Whether or not the different story lines become intertwined, one storyline often has lessons for another. On Dimebag, while Elizabeth and Phillip fought over whether Paige should become a spy, neither seemed to have thought that if Paige had been trained they could have used her to get information from Kimberly, the young daughter of the CIA’s Afghan group, instead of Phillip seducing her. Neither realized initially the degree to which they were in danger of losing Paige to her church–hardly acceptable if she were to be a good Communist. There is some similarity to how Pastor Tim is “recruiting” Paige to how Phillip is using Kimberly and the Russians want them to recruit Paige. Meanwhile in Russian, Nina might be saved due to Oleg’s family relationship to the future Russian oligarchs, and she went to work on her cell mate as Elizabeth would work on getting information. On top of this, the episode included a defector who might be double crossing them, an EST meeting, and a visit with an AA sponsor.
Keri Russell discussed the relationships with her character’s daughter and mother this season, and described the scene earlier this season in which Annelise’s body was packed into a suitcase:
IGN: I have to ask about that second episode and the scene of having to get rid of the body in that hotel room. First of all, there’s the “Oh my god!” of it all. And then also is it interesting for you to play a character who already had to compartmentalize everything, but this is a woman that her husband was sleeping with as a part of the job, and now she has the reality of that in front of her?
Russell: All I have to say is so many naked girls! Naked, beautiful actress, naked beautiful contortionist, yeah. Then on a second unit day of reshoots, a second naked beautiful girl. I was like, “There’s a lot of pretty, naked girls on this show!” Yeah, so bizarre! Really gruesome. I haven’t seen it. Does it play?
IGN: Oh yeah, it plays.
Last week The Flash was both a back door pilot for Firestorm and further advanced the idea of time travel for Barry Allen. We saw once again how far Harrison Wells is willing to go, and his motives remain unclear. We should be learning more when the show returns in March.
Also on CW, we saw a reversal on Arrow, as the flashback took place in Starling City while the present day action took place back on the island. It was strange to see Oliver from the period when he was missing back around his home. Seeing Oliver snooping around Queen Consolidated gave the feeling of a time travel story in which a character is in their past but cannot risk being seen. Meanwhile, on the island, there was a deliberate reference to Star Trek II, The Wrath of Kahn with Slade’s comment, “I’m going to leave you as you left me.”
Agents of SHIELD returns March 3. Marvel has released this synopsis of the episode:
After discovering an alien city with ties to his resurrection, Coulson and his team destroyed it before the forces of Hydra could claim its secrets, eliminating the villainous Whitehall (Reed Diamond) in the process. But new threats to the world have arisen, including Skye’s father, Cal (Kyle McLachlan), who now seeks retribution against Coulson for stealing his revenge against Whitehall; a disturbing alliance between former S.H.I.E.L.D. agent Ward (Brett Dalton) and Agent 33; the enigmatic Raina (Ruth Negga), who struggles with her transformation into something inhuman by the alien Obelisk and seeks vengeance; and Skye (Chloe Bennet), who developed mysterious new powers from the Obelisk but whose lack of experience with her new abilities may threaten the safety of those she loves.
Meanwhile, Bobbi (Adrianne Palicki) and Mack (Henry Simmons) begin the next phase of a plan which seems to have grave repercussions for Coulson and his team, who are unaware that there’s another mysterious force moving against them. And as Hunter (Nick Blood) is forced to make the biggest choice of his life, Coulson will find his mission threatened by this shocking endgame.
In the midseason premiere, “Aftershocks,” Coulson’s team must deal with the consequences of their war with Hydra as shocking revelations threaten to tear them apart, and Hydra makes a dangerous move that may involve a traitor in S.H.I.E.L.D.’s midst.
Adrianne Palicki has been promoted to a series regular on Agents of SHIELD, which probably means that Will will not be getting back together with Doctor Sam on About a Boy anytime soon.
The Doctor is dating Cinderella–Matt Smith has confirmed that he is dating Lily James. I don’t know if it has occurred yet in the US broadcasts of Downton Abbey so I won’t give any specifics, but I did like her character’s triumph in a late season episode. Of course anything is better than revisiting certain past events yet once again.
In other Doctor Who and related news, The BBC has announced that Michelle Gomez will return as Missy in a two part episode to open the next season of Doctor Who. Add Eve Myles to the list of those interested in another season of Torchwood.
Speaking of Lily James in Cinderella, Ellen DeGeneres has presented a mash-up of Cinderella and Fifty Shades of Grey. Video above.
I thought there was a chance that 12 Monkeys might be able to make it into the upper tier of genre shows with The Night Room last week but The Red Forest couldn’t keep up the same quality this week. Not that it was a bad episode, but it was too easy to fix the timeline when it simply came down to Cassie getting captured in our present, and saving her would fix things. There are still a number of questions raised last week which could provide interesting episodes. Plus they now know how important Cassie’s role is and will make sure that they do not change history involving her, ensuring that she can deliver the message for Cole before she dies.
Amazon has renewed Mozart in the Jungle (which I recommend watching, now about half way through the first season) and is going ahead with the adaptation of Philip K. Dick’s The Man in the High Castle. I have intentionally held off on watching the pilot, preferring to wait until Amazon shows are released in full as opposed to watching the pilot months earlier, but reviews have been excellent for the pilot.
Last week’s episode of The Big Bang Theory seemed to throw far too much into a single episode, including the reopening of Stuart’s comic book store, a cameo by Nathan Fillion, and (the most amusing part of the show), Sheldon telling Penny how Amy was doing experiments on her. Then we learned what the episode was really about–a tribute to Carol Ann Susi, the voice of Mrs. Wolowitz, who died in November. There is a toast to her in the video above, and there is an unseen tribute to her in every episode:
After we had that impromptu memorial the morning she passed away, Johnny and I were hugging—like everybody was—and right then we found our prop person and asked to get a little picture of Carol Ann and we put it on the refrigerator [in Leonard and Sheldon’s kitchen] so she’s there in every episode now. It’s so small you wouldn’t even see it, but on the fridge is this tiny little wallet-size picture of Carol Ann that’s been there since the day she passed away.
We are going into the final week of one of the best network sit-coms in recent years, Parks and Recreation. Last week we had the finale of Two And A Half Men, a multi-cam sit-com which over the last twelve years has shown everything wrong with the format. If anyone cares, Chuck Lorre explained his intentions for the finale. There were no apologies to the nation, but at least our great national nightmare is over.
Mad Men enters the 1970’s for its final half-season, and from the music playing in the trailer it might even be doing a time jump to the mid 70’s. After that, I’m looking forward to the inevitable spin-off. Better Call Sally. Just kidding but considering how good Better Call Saul has been so far as a spin-off of Breaking Bad, it wouldn’t surprise me a bit if AMC went that route again.
AMC purchased 49 percent of BBC America, and this has implications for the promotion of the third season of Orphan Black. The show probably has many less viewers than a show of this quality might otherwise have due to not being seen on BBC America. In the hopes of increasing exposure, the third season premiere will be shown on all of AMC’s channels, including AMC, Sundance TV, IFC and We TV. The one problem with this strategy is that Orphan Black is not a good show to come into late. Perhaps they should have been rerunning the first two seasons on some other channels prior to the start of the third season.
Forget any thoughts of John Oliver taking over for Jon Stewart. HBO, perhaps thinking along those lines and wanting to lock him in, has signed Oliver for two more seasons of This Week Tonight, with 35 episodes a year. Meanwhile Jon Stewart, after having to put out new shows daily, near year round, might envy Oliver’s deal.
Kristen Bell has no tolerance for anti-vaxxers, and won’t let them around her children. “It’s a very simple logic: I believe in trusting doctors, not know-it-alls.”
Morena Baccarin (of Gotham, Firefly, V, and Homeland) has been cast as the female lead in another superhero adaptation, this time the movie version of Deadpool. I don’t know if this will impact her work on Gotham, but we know that sooner or later Jim Gordon has to get back with Barbara, or else Batgirl will never be born.
BoingBoing has pointed out an example of Harry Potter fan fiction by Mallory Ortberg, written as if it was written by Ayn Rand. Thus there are passages such as, “It’s also why I never water my plants in Herbology. They must learn to survive with or without me. Self-sufficiency is not just a human virtue. It is the highest virtue.” Plus don’t miss the link to Mallory Ortberg’s reviews of children’s movies as if they were written by Ayn Rand. For example:
“Snow White and the Seven Dwarfs”
An industrious young woman neglects to charge for her housekeeping services and is rightly exploited for her naïveté. She dies without ever having sought her own happiness as the highest moral aim. I did not finish watching this movie, finding it impossible to sympathize with the main character. —No stars.
The biggest and the strongest are the fittest to rule. This is the way things have always been. —Four stars.
“101 Dalmatians”A wealthy woman attempts to do her impoverished school friend Anita a favor by purchasing some of her many dogs and putting them to sensible use. Her generosity is repulsed at every turn, and Anita foolishly and irresponsibly begins acquiring even more animals, none of which are used to make a practical winter coat. Altruism is pointless. So are dogs. A cat is a far more sensible pet. A cat is objectively valuable. —No stars.
Big Bird meets Birdman in the video spoof above. Birdman is considered a heavy favorite to win an Oscar for best movie.
When actors go on stage to accept Oscars tonight, many of them are contributing to the Democrats, and some to the Republicans. The Hill reports:
Democrats are the biggest winners when it comes to raking in political donations from Academy Award nominees.
Some of the Oscars’ most famous contenders — including this year’s hopefuls Reese Witherspoon, Edward Norton, Mark Ruffalo, Bradley Cooper, and Meryl Streep — are delivering big bucks for the left.
Norton plays an egotistical movie star in “Birdman,” — which snagged him a Best Supporting Actor nomination at Sunday’s awards — but the real-life film star is one of Hollywood’s biggest Democratic donor…
Witherspoon, who earned her second Best Actress nomination this year for “Wild,” has also donated generously to Democrats, according to Federal Election Commission records. The 2005 Oscar winner gave $1,500 to Warren’s camp in 2012. She’s also given in excess of $6,000 to Sen. Kirsten Gillibrand (D-N.Y.), and $1,500 to then-Sen. Hillary Clinton (D-N.Y.).
While Clint Eastwood, the director behind Best Picture nominee “American Sniper,” is known for his support of Republican candidates — famously delivering his “empty chair speech” at the 2012 Republican National Convention — the film’s star, Bradley Cooper, gave $750 to Hillary Clinton’s 2008 presidential bid. Cooper is vying for Best Actor for his portrayal of real-life Navy SEAL Chris Kyle in the record-breaking movie.
The article later discusses how Democrats often use celebrities in fund raising campaigns while “Republicans have capitalized on conservative celebrity activists by encouraging them to run for office.”
Agents of SHIELD has come a long way from the first season. While they always hinted there was something special about Skye, they didn’t have the payoff on this plotline until the midseason finale with her conversion to an Inhuman. This might have major ramifications for her relationship with Coulson:
Executive producer Jeph Loeb says that the current Inhumans plotline has always been the plan for “Agents of SHIELD.” Like they always knew that Grant Ward was going to be HYDRA in Season 1, the seeds of Skye being something other were planned in the pilot.
“Once we started down that road hopefully you were coming along for the adventure, and now that you’ve come along for the adventure one of the things that’s so amazing about what’s happening on that show is so now we know she has gone through a transformation,” he says. “How is everyone going to react to that? And in the same kind of way you’re asking as an audience member, one of the things that I think is really valuable and one of the things that I think Jed [Whedon] and Maurissa [Tancharoen] and Jeff Bell and the writing staff really do have a great feeling for is they are audience members. The writers room sits around and tries to come up with, ‘What is it that you think we’re going to do and how can we then turn that on its ear in a way that makes it feel like it’s fun and valuable?'”
Blood says “SHIELD” has often gone in a different ways from what he expected. He says the latest script he read “just turned another corner,” and that audiences will “be surprised of a lot of stuff that’s coming up.” Because the SHIELD team doesn’t know about the term “Inhumans” like audiences do, Blood says “it’s going to be something that is unraveled.” He has yet to find out where the storyline is going.
The obvious turn would be that Coulson helps Skye — someone Gregg says is the “the person he cares about most” — through her transformation into an Inhuman. But what if he views her as a threat instead of an ally because of her new powers?
“His no. 1 job is to be responsible for SHIELD, which he views as being responsible for the safety of billions of people from things they don’t know about. That’s what SHIELD is. No matter how much he loves Skye — and it’s as much as you can love somebody — it’s the closest thing to a daughter he has. That’s a sacred trust,” Gregg says. “I hope he doesn’t get put in that situation [where she is a threat] because it would mess him up.”
He teases there will be trouble within SHIELD in the aftermath of Trip’s death and Skye’s transformation. “I don’t think the whole team is going to be unified behind what just went on, and it’s hard to blame them. He’s got a couple of people that he’s come to really trust,” Gregg says. “One of my favorite things about this season is that everybody comes up to me on the street really worried about Fitz and these new characters we introduced this year. Coulson also has these new people … he doesn’t have the same type of history with those people. It’s going to be hard to hold the baby brand new, on the run SHIELD together in the wake of what just happened.”
There’s also the question of Bobbi’s secret, which Blood says is as big a mystery in the second half of Season 2 as who the man with no eyes is. “I honestly think people are going to freak when they see some of the stuff we’ve been filming recently,” he says.
The 100 returned last week and the events of the fall finale continued to have a major impact on the characters. While I originally did not watch this show, thinking it was another CW show putting attractive young people in a sci-fi scenario which has been done before, I found that this was far better done than I anticipated.
Yes, it does have its attractive young cast members, led by Eliza Taylor as Clarke Griffin, who does an excellent job in the role. (Having binged on the first one and one-half seasons over a weekend, I did notice that Eliza Taylor does show less cleavage in the second season, which must have been a conscious decision by the producers considering that the characters couldn’t just run out to clothing stores in this post-apocalyptic world to change their wardrobe). There are also the CW love triangles, but they do not distract from the stories. Both the characterization and plot lines have been strong, even when going where other shows have gone before. Bustle and The Mary Sue both have posts on why you should watch the show.
CBS has chosen Melissa Benoist to play the lead role on Supergirl. Previous reports on the show have described it as more of a CBS procedural with Supergirl as a feminist investigating crimes, but with cross overs possible with the CW shows Arrow and The Flash.
CBS is showing success with another mixture between procedural and genre with Person of Interest. The show started out as a procedural show with a science fiction gimmick to propel it, and has evolved to what might be seen in the future as “a modern sci-fi epic that is considered a must-see show along the lines of Firefly or Battlestar Galactica…”
Many blogs and podcasts, along with this thread on Reddit, have looked at the question of how someone could get caught up with the show without watching all the old episodes. The purely procedural episodes of the first two seasons are mostly unnecessary to appreciate the more recent episodes since the show evolved into a more significant science fiction series, but it is hard to say exactly what can be skipped and must be watched as often early episodes would have a few minute segment towards the end to slowly develop the mythology in addition to the number of the week story.
There have been some posts, such as here and here, which might help in listing some of the more essential episodes. It would really be helpful if some of the other mythology segments which are only small parts of other episodes could be accumulated in a video.
Time looked at the politics of Parks and Recreation, which is concluding its run on NBC.
But there’s a big idea in Parks’ small-scale vision. In the frame of today’s politics, it might be a liberal notion, but it’s one that for much of the 20th century was centrist, and even championed by Republicans like park lover Teddy Roosevelt: that we need government to do things the private sector can’t or won’t, like preserving public spaces.
Shockingly, Parks has dared to suggest that while some civil servants might be bumbling–sorry, Jerry!–they can also be well-intentioned and competent. (This too wasn’t considered a liberal notion before the era when Ronald Reagan joked that “the nine most terrifying words in the English language are ‘I’m from the government and I’m here to help.’”) Leslie is comically tenacious–Poehler plays her as a cheerfully overprepared super-wonk–but she’s good at what she does and is driven by a fierce love for her hometown as well as its famous waffles…
Leslie can’t do it alone, though: she’s assisted by a network of co-workers and friends (played by a comedy-powerhouse cast, many of whom–like Chris Pratt, Aubrey Plaza and Aziz Ansari–have deservingly become stars). Even her former supervisor Ron Swanson (Nick Offerman) admires Leslie’s commitment, even though he’s so libertarian, he once illustrated the evils of taxation to a fourth grader by eating 40% of her lunch. Parks argues not only that we need our neighbors’ help but that helping makes us better ourselves; it’s in the small-town, populist tradition of Friday Night Lights and It’s a Wonderful Life.
When I recently posted my list of top television shows of the year, I noted how little representation the major broadcast networks had on the list. Perhaps the biggest decline is being seen at NBC. They will soon be without two of their highest quality returning shows. Besides trying to run through Parks and Recreation as quickly as possible, Parenthood concludes this week, apparently with Lorelei Gilmore marrying Ray Romano. If it ends with Zeke dying, I’m imaging angry mobs storming Rockefeller Center. After these are gone they will still have some shows worth watching, most notably Hannibal, which I’m amazed a network is broadcasting, but the lineup of quality shows will sure be thin. Their announcements of upcoming shows is being greeted with far more snark than interest.
In the past NBC would often be the home of some of the highest quality drama shows on television, such as The West Wing, Friday Night Lights, I’ll Fly Away, and St. Elsewhere. They probably had better ratings success with some, but not all of their sitcoms, which included shows such as Cheers, Frasier, Friends, Community, 30 Rock, and Will and Grace. Going further back, it was also the home of some classic genre shows such as the original Star Trek and The Man From UNCLE. (We won’t talk about some of their more recent attempts at genre such as Revolution,The Cape and Heroes after the first season.)
So, what happened to NBC? I suspect that that it is a victim of otherwise good changes in television. Writers and producers for many high quality shows are now going to cable and streaming networks, where they can develop an audience without the need for netw0rk-level ratings. (In the case of Community, it is moving directly from NBC following cancellation by NBC, with the first two episodes to be streamed by Yahoo! on March 17.) It will be a challenge for NBC to attract this type of quality show in the future, and it is questionable as to whether they even care considering that lower quality shows will probably deliver higher ratings.
Increasingly cable or smaller networks owned by the major networks are offering higher quality shows than the major networks. FX and FXX are offering some of the best shows on basic cable. CBS has Showtime and CW, with The CW Network turning into one of the strongest networks, especially for genre, as it attracts a totally different audience than CBS. NBC/Universal have even lagged behind other cable networks which have produced better science fiction than its Syfy Network.
Syfy is finally trying to compete with hard science fiction. 12 Monkeys remains promising after the second episode, which aired Friday and was available for streaming last week. With Leland Goines dead, his daughter Jennifer becomes a major character. Her character in an insane asylum serves as an alternate version of the Brad Pitt character in the movie. As discussed previously, the television show can cover far more ground with changes such as having the ability to change time and with the Army of the 12 Monkeys playing a more significant role.
I saw a posted link here which supposedly allows streaming of the third episode for cable subscribers in the United States but it would not allow viewing through either my Charter or Xfinity account. I’m posting the link in case it works for other cable systems, or if it becomes active later. The first two episodes are available for streaming there.
Netflix has released a brief synopsis for their upcoming Marvel shows. While previous reports suggested that we might have to wait a year between shows, it looks like the Jessica Jones show (staring Krysten Ritter) will be out sometime later this year.
“Marvel’s Daredevil” is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up practice in his old neighborhood of Hell’s Kitchen, New York where he now fights against injustice as a respected lawyer by day and masked vigilante at night. Coming April 10
A.K.A. Jessica Jones
Working as a private investigator in New York’s Hell’s Kitchen, a troubled ex-superhero’s past comes back to haunt her in the live-action series, “Marvel’s A.K.A. Jessica Jones.” Coming 2015
“Marvel’s Iron Fist” follows superhero and martial arts master Danny Rand in the upcoming live-action series. Coming soon
In this Marvel live-action series, a street-fighting ex-con battles crime in New York’s Hell’s Kitchen as the superhero Luke Cage. Coming soon
“Marvel’s The Defenders” brings together Daredevil, Jessica Jones, Iron Fist and Luke Cage in an epic superhero team-up in New York City. Coming soon
The Americans returns this week. Unreality Primetime has a couple spoilers on upcoming episodes. The season three trailer is above.
Can Henry be redeemed? The cast of Sleepy Hollow answer questions such as this in videos available here.
Melissa Raunch of The Big Bang Theory has received a lot of attention at Sundance for her raunchy sex scene in The Bronze.
“The Bronze” kicked off the 2015 edition of the Sundance Film Festival on a foul-mouthed note Thursday, sticking a dagger through the concept of hometown heroes and providing one of the raunchiest sex sequences in movie history.
The scene in question, one that involves pole vaults, cartwheels and pirouettes, was a constant source of amusement during a question and answer period immediately following the film’s premiere at the Eccles Theater.
“Right after this there’s going to be an audition for the sex scene in the sequel,” joked director Bryan Buckley.
Melissa Rauch, the star of the film and its cowriter along with husband Winston Rauch, said, “As for the sex scene, you write what you know.”
Her husband added that it gave the couple a chance to “show you what we do in our bedroom.”
Black Water is so far likely to be the most memorable episode of this season of Doctor Who, but any such judgment will be influenced by the second part of the story, Death in Heaven. It is difficult to review the first episode of a two-part story as when an interesting idea in genre is raised we never know how well the story will play out. Of course this could also be said of both individual stories and entire series (such as Lost and The X-Files.)
The episode demonstrated how much the Doctor cared for Clara: “Do you think I care for you so little that betraying me would make a difference?” Fortunately the betrayal was in a dream sequence. Before realizing it was a dream I expected that the Doctor would either pull out a spare key or show that he can still get into his TARDIS even without a key. Clara pointed out a common issue on the the series in which the Doctor is inconsistent as to whether he can change time. Such inconsistencies are unavoidable on a long running time travel series and actually seem less objectionable when openly acknowledged by a character.
Danny Pink appears to have died, but it isn’t clear if it is final. After all, the idea of the episode is that death is not what we think it is, although it is not clear if we were told the truth or if it was entirely lies coming from Missy. We were told, “This isn’t really an afterlife. It’s just more life than you were ever expecting.” With rumors that Jenna Coleman might be leaving the series, it is possible that he really is dead, but also possible that he can be rescued from the Nethersphere for further adventures. The previews of Death in Heaven suggest that Clara might have never existed, but previews are often misleading.
The biggest danger to Danny might not be that he appears to be dead, but that he might delete his emotions and voluntarily become what was hidden away in the black water, which hides all not-organic material. Even though it was well known that the finale involved the Cybermen, and it might not have made sense keeping all of them stored in water, the scene revealing what they were as the water drained away still had considerable impact.
If we can believe what we heard, the dead are still conscious and feel what their body feels–making “don’t cremate me” a crucial plea and avoiding being studied for science also an important goal. One reason we cannot be certain of anything we were told was the reveal as to the identity of Missy: “Try to keep up. I’m Missy. Short for Mistress. Well, couldn’t very well keep calling myself the Master, could I?”
Although there was widespread speculation that Missy was the Master, we were kept guessing until the end, including with a claim earlier in the episode that she was just a droid. Now that we know that Missy is the Master, the question remains as to whether she really was the one who gave Clara the Doctor’s phone number in The Bells of St. John, and if so what the purpose was. We can be certain that her use of the Cybermen is not a good thing,
Having the Master regenerate as a woman has been received with excitement by a lot of fans who have been hoping for a female doctor. While this establishes that it is possible for a Time Lord to regenerate in the opposite sex, having this be possible and actually doing it are quite different things. I suspect that for now this might have been done to placate fans calling for a female doctor with no current plans to actually do so.
The Doctor Who Extra for Black Water is above.
Benedict Cumberbatch discussed Sherlock and sex in an interview with the UK edition of Elle.
ELLE UK: What do you think Sherlock would be like in bed? How would you play a love scene as Sherlock?
BC: Oooh… You know I’d get the, I’d probably test the latex, if it involved prophylactics, beforehand.
BC: I’d do a little experiment to do with durability, length, girth, and um, strength. And um, I would probably take a lot of vitamin supplements to make sure that I could perform, and had had my sleep, and probably not had many cigarettes. Or drink, for that matter. Not that he does drink.
ELLE UK: You see. Proficient, but lacking enthusiasm.
BC: Yeah, no wait for it. I would probably watch a lot of porn…
Cumberbatch is currently in negotiations to star in Doctor Strange but perhaps he should also be signed for a guest appearance on Masters of Sex.
SHIELD could really use better security. We figured that Ward wasn’t going to spend the entire season in Coulson’s basement, but I would think that they would have taken even more precautions to transport him. Brett Dalton discussed his character with Entertainment Weekly.
It is too early to judge Gotham as they are busy building their pre-Batman universe. Screen Rant looks at Arkham Asylum. Of course any discussion of Arkham leads to the Joker, and the post also mentions the fan theory that Oswald Cobblepot actually turns out to be the Joker, not the Penguin.
It has been announced that Morena Baccarin (Homeland, Firefly, V) will be playing Dr. Leslie Thompkins:
She will play Dr. Leslie Thompkins, a gifted and dedicated physician who was a friend of Bruce Wayne’s parents, Thomas and Martha. She is determined to use her skills to aid Gotham’s most in need, which currently means working at the newly opened Arkham Asylum’s Home for the Criminally Insane. In addition to her medical skills, her coolness under pressure will serve her well as she finds herself drawn close to James Gordon and into more and more dangerous waters.
Blastr looked at Christopher Nolan’s original ideas for the Dark Knight trilogy, which were changed with the death of Heath Ledger (the Joker).
At this point CW is doing the better job of bringing the DC universe to television, and Gotham has a long way to go to compete with Arrow as the best television adaptation of Batman. Last week Felicity visited The Flash and the next episode of Arrow features her in The Secret Origin of Felicity Smoak. The synopsis for the episode reads:
When a cyber attack brings Starling City to its knees, Oliver and Felicity are pushed to their limits to contain the destruction. Life gets even more complicated for Felicity when her mother, Donna (guest star Charlotte Ross), stops by for a surprise visit. Meanwhile, Ted Grant (guest star JR Ramirez) questions Laurel’s motives, and Thea buys an apartment with Malcolm’s “estate””money, which infuriates Oliver.
We’ve heard so much in recent weeks about Marvel and DC announcing so many comic book movies over the next few years. Are you ready for a Green Arrow movie? I am completely indifferent. First of all, wanting a movie undersells the idea that making 23 episodes a year isn’t a huge achievement. It is and I would put that degree of difficulty up against any feature film that has ever been made… except “Lord of the Rings” and that gigantic Peter Jackson-led undertaking… and maybe “Titanic.” But, other than those two movies, I’d put making 23 hours of interesting content in a TV season up against anything on the film side. It is difficult to me to want or envision an “Arrow” movie when we are shooting the 10th episode of our third season with 13 more episodes to go and in all likelihood 3 more seasons on the other side of that. I’m interested in keeping that content fresh. Once we get to the end of that road, maybe then I’ll shift my focus. There was some talk and controversy about the fact that Grant Gustin is doing the “Flash” TV show but was not named the Flash for the “Flash” movie. If Green Arrow was going to be on screen, do you feel like it should be you? Yeah. Of course. And I feel like it should be Grant doing the movie. But the important thing to remember is just because Grant Gustin plays the part of Barry Allen doesn’t mean Ezra Miller can’t also play Barry Allen. There can be different interpretations of the character. Anyone who is a fan of the comics knows the Flash character is one of the forces that leads to parallel universes. And who knows, they might find a fantastic actor to play Oliver Queen on the feature side who has a different take on the character. I’m certainly a departure from the typical Oliver Queen from the comic books. I just think that everybody needs to be patient with the whole thing. The fact that DC and Warner have announced all these comic book features is nothing but good for business.
Syfy has released the above extended footage for their upcoming series (based on the movie) 12 Monkeys.
Last season CBS killed Cristin Milioti in the series finale of How I Met Your Mother. Now NBC has killed her on A to Z, or for now turned her into a zombie. She is currently walking dead, not unlike Brady Hoke as Michigan’s football coach. The series will complete its initial thirteen episodes but end at that point. Unless the thirteenth episode is rewritten we will never learn about what happens in that final hour of her eight-month, three-week, five-day, and one-hour relationship. I would expect that viewership will fall even further now that we know the show will not be on much longer. I have already deleted it from my DVR’s schedule.
NBC also canceled Bad Judge along with A to Z. NBC still has Marry Me for now but, having watched the pilot only, it hardly seems worth watching. Seeing these shows leads to the inevitable question–why did NBC cancel Community to make room for these? (Fortunately it has been saved by Yahoo!)
It has not been a good year for romantic comedies, with ABC having already canceled Manhattan Love Story. At the moment, the only new network sitcoms I’m watching are Blackish and Selfie. Weak romantic comedies seem even lamer than most years after watching You’re The Worstwhich premiered last summer.
Billy Bob Thornton was largely responsible for the success of Fargo. Late in the series he impersonated a dentist, and last week he went on to portray a doctor on The Big Bang Theory. The Hollywood Reporter interviewed showrunner Steve Molaro about his memorable appearance (which hopefully will be repeated). Billy Bob Thornton is a big fan of the show, and he is the one who pitched the idea of playing a doctor who tries to steal Penny away from Leonard. Molaro also states that “a major move forward in the Sheldon-Amy relationship occurs” in next week’s episode.
It was a real tragedy when Virgin Galactic’s SpaceShipTwo experimental space plane crashed on Friday. While a huge setback, hopefully this is not the end of the idea of commercial spaceflight:
For now, the future of the New Mexico spaceport intended as the hub and central customer for Virgin Galactic’s operations seems uncertain.
And for Scaled Composites and Virgin Galactic, Messier says, “it’s obviously a massive setback.
“I’m hesitant to try to make predictions this soon after the accident,” he says. “They’ve been working on SpaceShipTwo for ten years now. If the engine blew, they may have to go back to the drawing board.”
Peter Capaldi’s second episode of Doctor Who was much better than the first. Into the Dalek was literally about going into a Dalek, Fantastic Voyage style. Once the reference was made, and we saw antibodies within the Dalek (for an unclear reason), I was surprised that Steven Moffat didn’t take the opportunity to recreate the attack of antibodies on Rachel Welch’s body with Jenna Coleman. Despite the Doctor’s strange criticism of Clara’s body at one point in the episode, Clara did serve an important role as the Doctor’s moral compass, which was disrupted by the shock of seeing a good Dalek. The episode also served as the introduction of the next companion, and romantic interest for Clara, Danny Pink. There is no doubt that Clara and Danny will overcome the Doctor’s newfound objection to having a soldier join him, which certainly contradicts all the time he spent with UNIT.
While I knew the phrase was coming from advanced review, I was surprised by the context in which Resistance is Futile was used by the Dalek. There are certainly many comparisons to be made to the Borg, and I think Doctor Who did a better job than Star Trek The Next Generation with an episode about a good Dalek or Borg. Into the Dalek was a strong stand-alone episode, and now there is no doubt that Missy and “Heaven” will be a recurring storyline for the season. This time, instead of the person who the Doctor was fighting (and possibly pushed to his death), it was someone fighting with the Doctor who was seen in “Heaven.” My suspicion is that this will turn out to be something such as Missy saving people just before imminent death who are in the vicinity of the Doctor as opposed to actual “Heaven,” but even if I am right on this a lot of questions remain.
Doctor Who Extra (video above) gives behind the scenes information on the filming of Into The Dalek.
There have been two major sets of awards in the past couple of weeks, the Hugo Awards and the Emmy Awards. Doctor Who had five nominees for Best Dramatic Presentation (Short Form) but an episode of Game of Thrones won the award:
Best Dramatic Presentation, Short Form
Game of Thrones: “The Rains of Castamere”, written by David Benioff & D.B. Weiss, directed by David Nutter (HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions)
Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)
Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
An Adventure in Space and Time, written by Mark Gatiss, directed by Terry McDonough (BBC Television)
The Five(ish) Doctors Reboot, written & directed by Peter Davison (BBC Television)
Doctor Who: “The Name of the Doctor”, written by Steven Moffat, directed by Saul Metzstein (BBC Televison)
Gravity won for long form among these nominees:
Best Dramatic Presentation, Long Form
Gravity, written by Alfonso Cuarón & Jonás Cuarón, directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
The Hunger Games: Catching Fire, screenplay by Simon Beaufoy & Michael Arndt, directed by Francis Lawrence (Color Force; Lionsgate)
The full list of nominees can be found here, with the winners listed here.
While the Emmy Awards generally goes with the safe bet, such as repeatedly giving the award for best comedy to Modern Family, there is at least some realization that genre is ignored. While Tatiana Maslany was snubbed for a second year for her work on Orphan Black, the snub was at least acknowledged in a skit. They finally discovered Sherlock, even if it meant awarding Emmys for the weakest of its three seasons. It was a pleasant surprise to see Steven Moffat up on stage, and he also provided some vague hints about season four in post-award interviews:
Sherlock was a big winner at the 66th Primetime Emmys, taking home three awards (to go with the four the show earned at last week’s Creative Arts ceremony), including trophies for stars Benedict Cumberbatch and Martin Freeman.
In celebrating his win for writing for a miniseries/movie or dramatic special, executive producer Steven Moffat dropped some hints backstage about the British drama’s anticipated fourth season, which begins production in January 2015 — the same time Doctor Who will also start filming.
Moffat was confident that the new season would be even more gasp-inducing than the previous year, which ended with an unexpected resurrection of a character presumed dead.
“We have a plan to top it — and actually I do think our plan is devastating,” he teased. “We practically reduced our cast to tears by telling them the plan. Honestly, Mark [Gatiss] and myself are so excited with what we’ve got coming up, probably more excited than we’ve ever been about Sherlock. … Honestly I think we can [top the last season].”
Moffat spoke of the surge of Emmy recognition the show has received in its third year.
“We’ve won outside of America, which is a place,” Moffat deadpanned. “We were just starting to think that that phase of our lives was dying down because as shows get older they don’t win as often — just like people. We’re delighted that we’ve made it here and hopefully this gets more people watching. That’d be great.”
He remained mum on when the new episodes would be premiering. “When they go out is up to the BBC,” he said. “And I am their loyal servant. I simply do what they ask me.”
Moffat reassured that the creative team behind the show will continue returning to Sherlock, no matter how busy they may be with other projects. “What’s happening with Sherlock is unusual,” he admitted. “We will keep coming back to it.”
I am thankful to Vox for finally settling in my mind how The Sopranos ended, even if they totally botched the story. When the finale first aired, after I realized that my cable hadn’t gone out, I interpreted it as an intentionally ambiguous ending. Sure, going to black could be what happens to Tony if shot, but I didn’t accept this interpretation as the scene was not from Tony’s perspective. The scene concentrated on many things Tony did not see, from the actions of others in in the coffee shop to Meadow attempting to park the car outside. If I wanted to think that they finished the meal and then Tony showed Meadow how to parallel park, this interpretation was as valid as any other. I saw the real meaning as that Tony would always face threats to his life. One of the people in the coffee shop might have shot him, or he could have been suddenly killed at some other time in the future. There was even a chance he could remain alive despite all the threats.
I was satisfied with this interpretation until I heard a report that David Chase had said that there was a definitive meaning to the finale. Perhaps, as happened again this week, the person reporting put too much meaning into what he said during an interview. However, if there was an answer to the question as to whether Tony Soprano lived in the ending, then I could only see this as meaning I was wrong. If limited to Tony living or dying, I thought it would be easier to making an argument that the ending meant that Tony had died.
Then Vox had an interview with David Chase last week in which it reported that Chase said that Tony had lived. I actually found this to be very unsatisfying as it lacked any further explanation. Soon afterwards, David Chase issued a statement that what he said in the interview was misconstrued:
A statement issued by Mr. Chase’s publicist, Leslee Dart, said that the Vox.com writer “misconstrued what David Chase said in their interview.”
“To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate,” the statement continued. “There is a much larger context for that statement and as such, it is not true.”
The statement added that Mr. Chase had said “numerous times on the record” that answering the question of whether “Tony Soprano is alive or dead is not the point.”
“To continue to search for this answer is fruitless,” the statement said. “The final scene of ‘The Sopranos’ raises a spiritual question that has no right or wrong answer.”
This leaves me comfortable in returning to my original interpretation, more confident than in the past that I’m just not in denial over a scene intended to show Tony Soprano as getting killed.
The new promo for season three of Arrow above will make Oliver/Felicity fans happy. A digital comic will fill the gap between the second and third seasons.
Falling Skies showrunner David Eick answered questions on the season four finale.
The series finale of True Blood really isn’t worth talking about. It is a shame that they couldn’t put together something more meaningful to end the series with.
The writers on Defiance did try harder. They used a formula which often works in combining elements of a season-long story in each individual stand-alone stories. Unfortunately it didn’t work very well. It just didn’t work for me to have an alien girl being used by a supercomputer intelligence to destroy New York City and the rest of the planet, and then end the crisis by having her kiss a boy who was a minor character during the season. When the show runners previously talked about expanding the show to New York and space I expected something more sensible, and more than a quick scene at the end of the season.
I was more impressed with The Last Ship. While not an A-list, must-see show, they did a good job of keeping the show entertaining. When I heard that they had renewed the show for a second season, my immediate impression was that this would mean they would not find a cure no matter how many episodes gave them a lead. I am glad I was wrong on that. If the first few episodes reminded me of Battlestar Galactica at sea, the return home to a country destroyed by plague now makes me see the show more like Revolution or Jericho (hopefully doing a better job than Revolution). So far there is nothing ground breaking. Who didn’t see the remnants of the Unites States government as being the enemy and realize they were walking into a trap? Still the show does provide solid entertainment.
Last week’s episode made my happy I stuck with The Leftovers. The episode was a flashback which explained key points, such as why a family which did not appear to have lost anyone was affected so much by the rapture-like event.
Karen Gillan filmed the shaving of her hair for Guardians of the Galaxy (video above)
Joe and Anthony Russo will be directing the sixth season premiere of Community. The Russo brothers are also working on Captain America and say the third movie will be more like Winter Soldier than the first installment (which is a good thing).
What Culture gives five reasons Sin City 2: A Dame To Kill For was a huge flop.
The video above provides a synopsis of last season of Person of Interest.
I’m not sure why, but Fox plans to reboot The Greatest American Hero. Amazon plans to return Patrick Warburton as The Tick. Fox provides plenty of material for anyone who desires to bring back a genre show canceled on the network. How about Firefly? I also wouldn’t mind seeing what happened after the cliff hanger on the final episode of Terminator: The Sarah Connor Chronicles.
…it’s a comic book adaptation that stars Katie Cassidy, Michelle Trachtenberg, Eliza Dushku, Gina Gershon, Sasha Grey, Garret Dillahunt, Michael Imperioli and Billy Campbell, which is to say director John Suits has compiled an ensemble filled of “been there, done that” names, but they are recognizable names at least.
The film follows Suki (Cassidy), a young woman confronting her destructive mental illness using “The Siamese Burn,” an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being “cured,” she’s haunted by a thought… what if the last unwanted identity turns out to be her?
Assignment X has an interview with Caitlin FitzGerald, who plays Libby Masters on Masters of Sex. I’ve always been impressed with FitzGerald, who has done a lot of work in indy films. In her role as a late 50’s housewife she faces many of the same problems as Betty Draper on Mad Men. I wonder how much better Betty Draper’s role could have been if cast with someone with FitzGerald’s talent as opposed to January Jones. On the other hand, perhaps a less talented but more beautiful model is exactly who Don Draper would have married.
Hannibal has now become a courtroom drama, with Will Graham on trial for the murders committed by Hannibal. We appear to have another murderer out there, but without Will investigating we never get into the new murderer’s head and do not even know their identity. Is Hannibal also committing these murders in an attempt to free Will and regain him as a (manipulated) friend? Hannibal was forced to admit that there were some differences in how the murderer was operating. Hannibal would know better, unless this was part of a bigger plan.
Another favorite scene in the trial was the return of Freddie. She first seemed to bury Will by saying that Abigail had confided in her that she was afraid Will might kill and cannibalize her. The defense then asked Freddie how many times she was accused of libel (six) and how many times she settled (six), quickly discrediting her testimony.
AX: Did you watch any of the earlier incarnations of Hannibal?
MADS MIKKELSEN: I think we all watched that, growing up, right? We were certain from the beginning that we could not detach ourselves from the character. Obviously, he’s a man who loves anything beautiful – beautiful music, beautiful people, beautiful wine – so we had to address that, but we had to detach it from what Anthony did. Obviously, it would be creative suicide to go down his path. He was so wonderful, and if you try to copy something like that – but I think any actor would make it his own, regardless of if it’s me or somebody else, but it was a conscious choice that detached us.
AX: Can you say what you’re bringing to Hannibal?
MIKKELSEN: A lot of it is already in Bryan’s scripts. He’s already given life to the character to a certain degree, and then it’s up to me to step into those shoes. As I said before, any actor would color it somehow, and I’m coloring it – I’m trying, to a degree, to make him human. What he does is absolutely not human, but his emotions are true and honest.
AX: You’ve compared Hannibal to Lucifer. Is he becoming more Luciferian or less Luciferian as you go along?
MIKKELSEN: He is Lucifer. He is the fallen angel. The thing about him is that he’s honest – he’s honest with his emotions regarding Will. He’s having a hard time here trying to regain his friendship. That’s uphill, of course. But that’s his main target in this season.
AX: Do you think Hannibal qualifies as a psychopath by regular psychiatrist standards, or is he something else?
MIKKELSEN: I don’t think he is a psychopath. I mean, reading about psychopaths, they normally have a traumatized childhood or something they’re struggling with. He doesn’t have that. He’s as happy as you can get. He’s a happy man. I have rarely given life to a character that is as happy as him, I must say.
AX: What would you say Hannibal’s relationship is like with his erstwhile psychiatrist Dr. Bedelia du Maurier, played by Gillian Anderson?
MIKKELSEN: That’s obviously a very unique and kinky relationship that they have, and we will address it a little more in this season. I think she has been a very important partner for him, in a sense that we will see a different side of Hannibal, and he will be quite emotional with her to a degree. Why he’s doing that, we don’t know. And I think that’s just his little space of freedom where he can be what he is.
Gillian Anderson is gone from the series for now, busy with two other series. She has begun filming the second season of The Fall for BBC2, a series well worth watching (and available in the United States on Netflix). Another series, Crisis, begins on NBC tonight with some initial reviews being very favorable. Entertainment Weekly has more on the show.
Gillian Anderson had a great response to a question posed on Reddit:
Question: My question is assuming your character is made into a gourmet meal by Hannibal what type of food would you want to be made into?
Gillian Anderson: Something so rich that he’d choke on it and die.
Orphan Black has put BBC America on the map (and cover of Entertainment Weekly) with one of the top genre shows of all time.Tatiana Maslany spoke about one of her clones being gay:
Even while Orphan Black received praise for the diversity of its characters, there was some debate online about the decision to have Cosima be gay, because If she has the same genetic code as her clone sisters, does that mean the show is implying that she chose to be gay as opposed to being born that way (since other clones like Sarah and Alison appear to be heterosexual)? Absolutely not, says the woman who plays her. “By no means are we saying that Cosima chooses to be gay,” says Maslany. “It’s by no means that. It’s just that there are so many biological factors into the mother’s womb, into the conditions of the womb. So much of the research I was doing about clones was about identical twins, right? Identical twins would actually be closer in expression than clones because clones are birthed from different wombs. And there’s so much information that gets fed through the mother. I think we’re not saying anything about that in terms of choice and biology or whatever. We’re saying more that everyone could be anything.”
I think we have to give the show some leeway being fiction and not try to use it as actually revealing anything about the genetics of sexual preference. More from the interviews at Screen Rant.
Spoiler TV has information (and video) on a new clone to be introduced in the second season:
A brand new season of Orphan Black means a brand new clone. And we have all the intel on said clone right here! Meet Jennifer Fitzsimmons, a 28-year old teacher and swim coach. And you are about to meet Jennifer the same way Cosima does, through a series of video diaries that Cosima discovers while researching her own respiratory illness.
Amazon has obtained exclusive streaming rights to Orphan Black, along with Hannibal, and the first season is available if you missed it.
Besides their science fiction drama, BBC America will also be airing a show on The Real History of Science Fiction beginning April 19:
From Star Wars to 2001: A Space Odyssey, and from Jurassic Park to Doctor Who, each program is packed with contributors behind these creations and traces the developments of Robots, Space, Invasion and Time. Narrated by Mark Gatiss, Doctor Who writer, actor, and co-creator of the BBC’s Sherlock, the series determines why science fiction is not merely a genre… for its audience it’s a portal to a multi-verse – one that is all too easy to get lost in.
Among those taking part are: William Shatner (Star Trek), Nathan Fillion (Firefly), Zoe Saldana (Avatar, Star Trek), Steven Moffat (Doctor Who), Richard Dreyfuss (Close Encounters of the Third Kind), Chris Carter (The X-Files), Ronald D Moore (Battlestar Galactica), John Landis (An American Werewolf in London, Schlock), David Tennant (Doctor Who), Christopher Lloyd (Back to the Future), Rutger Hauer (Blade Runner), John Carpenter (Dark Star, The Thing), Karen Gillan (Doctor Who), Neil Gaiman (The Sandman, Stardust), Kim Stanley Robinson (Mars Trilogy), Scott Bakula (Quantum Leap, Star Trek: Enterprise), Ursula K Le Guin (The Left Hand of Darkness), Syd Mead (Blade Runner), Kenny Baker (Star Wars), Anthony Daniels (Star Wars), Nichelle Nichols (Star Trek), Peter Weller (Robocop), Edward James Olmos (Blade Runner, Battlestar Galactica), and many more.
The four part series will be divided into episodes on Robots, Space, Invasion, and Time.
Continuum returns tonight on Showcase, but American audiences who resist the temptation to download the episode will have to wait until April 4. I certainly intend to get a hold of the earlier (and uncut) episodes after aired on Showcase. I will warn of any spoilers before the American showing. Some Spoilers have already been released prior to the first episode of the season, but presumably nothing which truly spoils the episode. Those who want to know nothing might want to skip the rest of this section which discusses what I have already heard.
The first episode, Minute By Minute reportedly reveals who the Freelancers really are, and someone new joins up with them and gets the tattoos. Kira teams up with Garza, which comes as little surprise considering the changing alliances we have seen. As suggested in the second season finale, Alec goes back in time to try to save Emily, and reportedly there is a lot of timey wimey stuff with potential end of the world consequences. With time travel involved, other dead characters do return. The first ten minutes have already been released in this video:
The Marvel vs. DC feud will heat up next year, this time in the movie theaters. Both Captain America 2 and the next Superman vs Batman movie will be released the weekend of May 6, 2016.
Fox has released more information on their upcoming series, Gotham:
Everyone knows the name Commissioner Gordon. He is one of the crime world’s greatest foes, a man whose reputation is synonymous with law and order. But what is known of Gordon’s story and his rise from rookie detective to Police Commissioner? What did it take to navigate the multiple layers of corruption that secretly ruled Gotham City, the spawning ground of the world’s most iconic villains? And what circumstances created them – the larger-than-life personas who would become Catwoman, The Penguin, The Riddler, Two-Face and The Joker?
“Gotham” is an origin story of the great DC Comics super villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”), “Gotham” follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.
Growing up in Gotham City’s surrounding suburbs, James Gordon (Ben McKenzie, “Southland,” “The O.C.”) romanticized the city as a glamorous and exciting metropolis where his late father once served as a successful district attorney. Now, two weeks into his new job as a Gotham City detective and engaged to his beloved fiancée, Barbara Kean (Erin Richards, Open Grave, “Breaking In”), Gordon is living his dream – even as he hopes to restore the city back to the pure version he remembers it was as a kid.
Brave, honest and ready to prove himself, the newly-minted detective is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue, “Sons of Anarchy,” “Terriers,” “Vikings,” “Copper”), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne. At the scene of the crime, Gordon meets the sole survivor: the Waynes’ hauntingly intense 12-year-old son, Bruce (David Mazouz, “Touch”), toward whom the young detective feels an inexplicable kinship. Moved by the boy’s profound loss, Gordon vows to catch the killer.
As he navigates the often-underhanded politics of Gotham’s criminal justice system, Gordon will confront imposing gang boss Fish Mooney (Jada Pinkett Smith, The Matrix films, “HawthoRNe,” Collateral), and many of the characters who will become some of fiction’s most renowned, enduring villains, including a teenaged Selina Kyle/the future Catwoman (acting newcomer Camren Bicondova) and Oswald Cobblepot/The Penguin (Robin Lord Taylor, “The Walking Dead,” Another Earth).
Although the crime drama will follow Gordon’s turbulent and singular rise through the Gotham City police department, led by Police Captain Sarah Essen (Zabryna Guevara, “Burn Notice”), it also will focus on the unlikely friendship Gordon forms with the young heir to the Wayne fortune, who is being raised by his unflappable butler, Alfred (Sean Pertwee, “Camelot,” “Elementary”). It is a friendship that will last them all of their lives, playing a crucial role in helping the young boy eventually become the crusader he’s destined to be.
Collider has spoken with Captain America screenwriters Christopher Markus and Stephen McFeel about how they envision the planned Agent Carter series. From this description, I’m more hopeful about this show than Agents of S.H.I.E.L.D. Here are the key points reported:
ABC has the script for the pilot but nothing is greenlit yet.
Markus and McFeely have recently spoken to Hayley Atwell and she is very interested in doing the show.
Howard Stark would be a recurring character, not a series regular. This is assuming Dominic Cooper would be willing to continue to play the role. I’ve spoken to him about this and he seemed very interested. But this was a few months ago and things change.
The show would start in 1946, sort of in the middle of the timeline of the One Shot. McFeely said, “We can’t get her to the end of S.H.I.E.L.D. that fast. We wanna stay in that world longer where people are disrespecting her and she’s proving herself and going on missions and things like that.”
Unlike most network shows that are 22 or 23-episode seasons, Markus and McFeely think Agent Carter should be a limited series with a maximum of 13 episodes per season. McFeely said, “[13 episodes] is how this is envisioned, maybe even less… That’s my hope, is that it would be something like [Under the Dome]. Our case would be that it would be a limited series and you would wrap up that one bad guy and that one case, and then if you like it we’ll do it again next year and it’s 1947.”
Agents of S.H.I.E.L.D. did have one of its better episodes of the season with the Thor crossover, guest staring Jaimie Alexander as Lady Sif. While both a big event for the show and entertaining, the storyline still showed the weakness of the show. If they knew that Lorelei had the ability to control men, why would they have not one but two of their male agents wind up in a position where she could so easily take them over. Plus that plane of theirs has to be the least secure government facility in existence. Last week’s episode did also advance the storyline of Coulson’s return from the dead and this continuing storyline is a plus for the show.
While entertaining, S.H.I.E.L.D looks like a bunch of armatures compared to the KGB in 1982. The Americans had another solid episode. Elizabeth showed she can be far more threatening than any S.H.I.E.L.D. agent as she terrified a janitor into getting her some information. Luckily for him, he stumbled upon Elizabeth’s weak spot when he showed her pictures of his children. It saved his life, but I doubt he will ever talk. Paige went do track down “Aunt Helen,” who Elizabeth was supposedly with while recovering from her gunshot wound. While the KGB was ready for this with a fake Aunt Helen complete with a picture of Elizabeth and Paige on the wall, I wouldn’t put it past Paige to ultimately bring down their entire spy operation. The episode also had a satisfying answer to my question last week as to why Nina told Stan about the walk-in by Bruce Dameran. Building up Stan by allowing him to kill Dameran is expected to be of more value to the KGB than any information they might have obtained from Dameran.
The episode also showed why the series works despite having KGB agents as the protagonists. Much of the episode dealt with family matters, including a letter from Leanne to Jared written years earlier in the event that she and Emmett were killed, so it didn’t matter that it was dealing with Russians. The subplot with Stan and Dameran, while a victory for the KGB, also involved Stan preventing an assassination, something which American viewers could root for. The scenes with Elizabeth and the poor janitor were so dramatic that it was easy to ignore the fact that they also involved American secrets falling into KGB hands.
The Guardian has an interview with Scarlett Johansson about her role in Under the Skin. In this portion she discussed why she wanted to take the role:
It’s one reason, presumably, that she took the part, though I’m curious to know the details. There’s only about three lines of dialogue in the entire film, so it can hardly have been the standout script. The main point of her character is that she doesn’t actually have a character. She’s an alien. She doesn’t do emotion. And it was filmed in Scotland. In winter. And most of the film consists of her standing around in wet boots and a too-thin coat. Or stripping off her clothes in a derelict squat and luring men into a vat of black ectoplasm. (At one point, she appears naked. Johansson fans, of which there are many, most especially the male variety, have been lighting up message boards for months with discussion of this particular fact.)
So why, of all the scripts she must get sent, did she decide to do this one? “I heard Jonathan was making a film and originally it was a very different story. But I met him, and it was very clear that he was struggling to figure out what he was doing with it, and what had attracted him to it. It wasn’t his passion project but there was something in the idea of having a character that was an alien that could give him the freedom to be completely observant without any judgment. I think we were both interested in that. I thought it would be incredibly challenging to play a character that’s free of judgment, that has no relationship to any emotion I could relate to.
“And for me, at this point, I think it much more interesting for me to look at something and know that I can play it, but not know how, rather than to look at something and go, ‘Ah, I can do that.’ And then just do it.”
The story also touched on other roles, including genre movies such as Captain America and Her.
The above trailer has been released for the second season of Under the Dome. The first episode will be written by Stephen King–hopefully he can get the show back on track. Executive producer Brian K. Vaughan says “The second season is going to take us to places where the book never got to go . Stephen King gave us some ideas we never imagined.” Two new characters will be introduced, Junior’s uncle who had been hiding out and a young school teacher. Two characters from the first season will be killed in an apparent law of conservation of characters. Early opinion from fans is that killing off just two characters is not enough. Maybe they could do this every week.
John Cho of the two Star Trek remakes and Sleepy Hollow has been cast as the male lead in Selfie, the upcoming sit-com staring Karen Gillan of Doctor Who.
Selfie, a modern take on My Fair Lady and inspired by the musical, centers on a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
Cho will play self-assured, successful marketing expert Henry, who is a different breed from today’s social media-addicted society. As a challenge, he decides to “remarket” his coworker Eliza. He joins an ensemble that already includes Allyn Rachel, Tim Peper, Da’Vine Joy Randolph and David Harewood. Casting for the regular roles is now complete.
With the Olympics over many weekly series have returned and two of the best shows from last season which aired in the spring or winter have started their second seasons. Hannibal and The Americans both began their second seasons. Hannibal began with an extended fight scene between Hannibal and Jack Crawford which foreshadows what we know must eventually occur before moving backwards twelve weeks in the narrative. The brutality of the fight indicates it is not a simple temporary falling out between friends, such as Watson being angry at Sherlock for pretending to be dead. Jack must have found out the truth about Hannibal. As the series is part of a seven year plan (should it last that long) to retell the Hannibal novels (with some variations), we know that eventually everyone will know that Hannibal, and not Will, is the serial killer. (More on Bryan Fuller’s seven year plan for Hannibalhere.)
After the fight scene we go back to just after the first season ended, with Will in jail for the murders committed by Hannibal. So far only Will, and some of Hannibal’s victims who did not live to tell what they know, really suspected the truth about Hannibal. Now that Will is healthy and no longer suffering from encephalitis, he can begin what will probably be a season-long cat and mouse game with Hannibal to reveal the truth. Hannibal has essentially taken over Will’s role in advising the FBI in serial murder cases, but we know he will not be able to resist Will’s request for Hannibal’s therapeutic help. Hannibal might even realize what Will is up to, but based upon his relationship with Will in the first season, this will be irresistible for Hannibal. We know where everything is leading and have already seen how the season ends. The suspense will be in seeing how we reach that point.
The Americans returns to 1982 with two Soviet spies living undercover as an American couple. Elizabeth has returned home two months after she was shot in the first season finale, claiming to have been caring for a sick aunt. We immediately see that 1) not everything works out perfectly for spies and 2) even the spy we have been led to root for (even if from an enemy nation) can be a cold blooded killer when there is an innocent witness around. While the first season centered around the relationship between Philip and Elizabeth, the second season will deal more with the entire family.
Elizabeth and Philip have tried to keep their children safe from their activities and we saw how important this is as another undercover couple were killed, along with their daughter. We know Paige is suspicious, but so far instead of learning the truth about her parents she caught them having sex. It is not certain which revelation will ultimately be more shocking.
The Americans did an excellent job of working all of this into the season premiere, along with returning to other subplots. We saw the fake marriage between Martha and Phillip (or Clarke as she knows him) in order to spy on the Americans. Their FBI agent neighbor Stan continues to use Nina, unaware that she is now really using him. The nature of Stan’s relationship with Nina came up as they watched a pirated copy of The French Lieutenant’s Woman before Stan went to see the same movie with his wife and a friend. We also learned that Claudia has remained in the United States and she will have an influence on the season.
Arrow, yet another excellent genre show in its second season, returned after the Olympic hiatus with Time of Death. With Sara now making out with Oliver in the Arrow-Cave, it was time for Felicity to more firmly establish her importance. (“You’ll always be my girl, Felicity.”) The episode introduced another worthy opponent, The Clock King. It also brought the present day and island stories together further in the final scene where Moira brought Oliver in to introduce her son to the man she was meeting with–Slade. The first photo has also been released of Barry Allen in costume as The Flash in the planned spin off.
Yet another sophomore show, Revolution, is well below the quality of the other shows discussed above. They do try to keep coming up with new things to keep the show fresh, but in the end they just wind up without anything really compelling happening. The supposedly upcoming battle to the death between Monroe and his son sounds guaranteed to disappoint. Having Aaron wake up in an alternative reality in 2014 with the power on after trying tying to upload a virus into his nano-bot children (or are they now Gods?) made for a good final scene, but will anything significant really come from this? At least it sounds it might make for a good episode. In this alternate reality, Giancarlo Esposito will be back in his old life as a sleazy insurance salesman. If they were really creative, the episode would take place in a different alternative universe where instead he runs the Los Pollos Hermanos restaurant chain.
Hannibal, The Americans, and Arrow were all excellent new series which began last year, but the best of all the series to premiere last year was Orphan Black. BBC America has released the above sneak peaks, with the show returning on April 19. More news on season two here.
Aaron Paul has again expressed interest in appearing in the Breaking Bad spin off, Better Call Saul. Bryan Cranston and Jonathan Banks have also expressed interest. Dean Norris is not interested, failing to understand that one episode of anything by Vince Gilligan is far more significant than an entire season of Under the Dome. (The series finale of Breaking Bad was reviewed here.)
Disney has always excelled at their synergy in using each of their holdings to make money for others. ABC will be running a documentary (extended commercial?) March 18 on Marvel Studios: Assembling a Universe.
“The enormous impact ‘Heroes’ had on the television landscape when it first launched in 2006 was eye-opening,” said NBC Entertainment President Jennifer Salke. “Shows with that kind of resonance don’t come around often and we thought it was time for another installment. We’re thrilled that visionary creator Tim Kring was as excited about jumping back into this show as we were and we look forward to all the new textures and layers Tim plans to add to his original concept. Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.”
I don’t care either way about Heroes but am happy to see that an American network is getting away from the usual season format. Heroes itself would have been much better as a miniseries rather than continuing it beyond the point where Tim Kring seemed to know what to do with the show. Note that almost all of the shows I mentioned above were aired for short seasons, generally on cable, which I think helps make a better quality show. Fox is also doing something similar with 24.
While I don’t care whether Heroes returns, I am looking forward to the return of Farscape. A movie is planned:
Set to follow the awesome comics written by our favorite Keith R.A. DeCandido, the film would follow John and Aeryn’s son, D’Argo (or Little D, as we will always refer to him). Because their baby was exhibiting a set of interesting powers that made him a magnet for galactic villains, we find that John and Aeryn hide their son on Earth to grow up. Now the kid is 19 and ready to go into space with his parents.
Last week I questioned making US versions of British shows as opposed to airing the same shows here. Steven Moffat has had experience with cases where that did not work. His excellent sit-com Coupling flopped when an American version was aired, but I would highly recommend watching the original on Netflix. It is sort of a combination of Seinfeld, Friends, and Sex in the City with just a little bit of The Big Bang Theory thrown in. Moffat wisely says it would be insane to make an American version of his current shows, Sherlock and Doctor Who:
Not just popular on a worldwide level, it’s so distinctively local in outlook that a remake of any sort would destroy what makes it work in the first place.
“Doctor Who’s everywhere,” he said. “You can bump in to the Doctor anywhere,” adding that the series has, “probably penetrated enough that it’s no longer regarded as an import, it’s just that show.”
“Sherlock and Doctor Who are both doing rather well but they couldn’t be more definitively British. They’re obtusely British. They’re about as British as it gets. You shouldn’t be afraid of being British because that’s what you’re selling.”
And of course, if a remake were to be proposed and the Doctor were no longer British in demeanor (albeit British via Gallifrey), would he even be the Doctor?
“If anyone were to ask me, I’d say it’s an absolutely insane idea. You couldn’t have more than one Doctor Who in the world. It would just be dreadful.”
This has not been a good season for new sit-coms, especially for NBC but last week’s episode of The Crazy Ones (on CBS) was its best episode of the season. The cast put on both a Bar Mitzvah and a musical. While far from a great series, Robin Williams has kept the show amusing through a lot of otherwise weak scripts. I actually don’t mind that the new NBC sit-coms were flops. It just increases the chances that Community will be renewed.
Mixology premiered last week, showing some promise even if the premise is far-fetched. Personally I’ve always found the prospect of successfully meeting anyone in that type of bar to be less realistic than most of the shows discussed in this post. Besides, if I can spend the entire final season of How I Met Your Mother showing a weekend at the inn where Robin and Barney’s wedding is taking place, I can try a series taking place all in one night in this bar. It will be interesting to watch to see if the idea works or turns into a flop.
Variety reports that Black Widow will continue to have a major role in upcoming Marvel movies and then Scarlett Johansson will star in her own stand-alone movie:
According to Chris Evans, who plays Captain America, Black Widow’s storyline in “The Winter Soldier” revolves around “her coming to terms with her history, that she’s been a spy, and spies aren’t necessarily trustworthy,” he told Total Film.
That will be further explored in “The Avengers: Age of Ultron,” out in 2015. Film starts production in March.
“(Black) Widow’s part in that is very big,” Feige said. “We learn more about her past and learn more about where she came from and how she became in that film. The notion of exploring that even further in her own film would be great, and we have some development work with that. When we meet the Avengers at the top of ‘Age of Ultron,’ it’s a very different landscape than we left them at the end of the first film. Partially, that’s because we love the rhythm that the comicbooks have developed — each of the characters appear in their runs, occasionally they get together for a big event or crossover series, they part again, and then they come back together again.”
It’s unclear whether Marvel hopes to have a Black Widow movie become part of its third phase of films, which so far includes “Ant-Man,” “Doctor Strange” and the third installments of “The Avengers” and “Captain America.”
Phase two includes “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy” and “The Avengers: Age of Ultron.”
Bringing Sarah into Team Arrow raises questions as to Felicity’s role. That is answered with a Felicity-centered episode. Preview above. More about Arrowhere.
The CW has given pilot orders to dramas Identity, from Alex Kurtzman and Roberto Orci, Jane the Virgin, from Jennie Snyder Urman, and iZombie from Rob Thomas, TVGuide.com has learned.
In Identity, when a young woman in need of a transplant learns she is related to a powerful family whose son is her only hope for a donor organ, the CIA approaches her to investigate the family’s involvement in domestic terrorism and to infiltrate their rarified world. Her loyalty, morality and ethics are tested as she’s forced to slowly build a case against the family who saved her life. Sleepy Hollow‘s Kurtzman and Orci will executive-produce with The Good Wife‘s Corinne Brinkerhoff, who will also write. Heather Kadin, Rob Golenberg and Alon Aranya are also attached as executive producers…
Based on DC Comics’ series, iZombie is a supernatural crime procedural about a med student-turned-zombie who takes a job in the coroner’s office to obtain the brains she must eat to maintain her humanity. However, with every brain she consumes, she also inherits the corpse’s memories. In order to silence those disturbing voices in her head, she solves homicide cases along with her medical examiner boss and a police detective. Veronica Mars‘ Thomas and Diane Ruggiero will write and executive-produce with Danielle Stokdyk and Dan Etheridge.
Showcase has released another trailer for the third season of Continuum. It returns on March 16 or you can wait until April 4 and see cut episodes on SyFy. Guess which version I plan to watch.
If you haven’t seen the first episode of season two of House of Cards yet, you just better get off the Internet if you don’t want to see spoilers. It turns out that the shocking event from the first episode was planned from the start with a similar event in the season finale of the first season of the U.K. version. How realistic is the show? A star such as Robin Wright may or may not know very much about actual political life, but it is easy to have their opinion covered by being a bit titillating:
During a Q&A in the upcoming issue of Capitol File magazine, a reporter asked whether Wright’s White House source thought the fictional events depicted in the Netflix series were close to the mark.
“Did she think reporters sleeping with sources and members of Congress was factual?” the reporter asked.
“Oh, yeah,” the actress replied. “D.C. is more corrupt than Hollywood. It really is. It’s more sleazy than Hollywood… how much infidelity goes on.”
Kate Mara might soon become better known for another genre role. The cast has been announced for the Fantastic Four reboot, with Mara playing Sue Storm. Think how House of Cards might have turned out differently if Zoe Barnes also had Sue Storm’s power to turn invisible.
Orange Is The New Black returns on Netflix on June 6. No relation to Black Widow, Black Canary, or Orphan Black.
Hannibal returns on February 28, with the first season available to binge on Netflix and Amazon. Here is some more information on the second season.
Open Channel D. The Man From UNCLE movie opens on January 16, 2015. The movie stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant and Luca Calvani. One of the key things I remember from the original show was the use of cigarette cases and pens as communication devices. Is there any point in this with smart phones? But if these are not used, will the movie really feel like UNCLE? It might be fun to go back and look at some of the old episodes to see how they stand up today. My guess is that they would be better than SHIELD.
Actually Agents of SHIELD has improved. They did try experimenting with storytelling a little in the last episode, TRACKS, telling the same story from the perspective of different characters. I also enjoyed seeing a train heist as it reminded me of one of the first Joss Whedon shows I had ever seen, The Train Job episode of Firefly. (Yes, I have never seen Buffy). The episode ended with a cliff hanger but I doubt Skye is really dead considering how they appear in the midst of developing her back story. Besides, people on comic-based shows are rarely ever dead. A clue to this is that the next episode when SHIELD returns from hiatus will be entitled TAHITI. Bill Paxton will be joining to assist in saving Skye.
Producer Joel Fields answered questions about the second season of The Americans, which returns this week. One of my favorite moments from the first season was when Reagan was shot and the Russians saw it as a coupe attempt by Alexander (“I am in control here”) Haig. Fields was asked if any real life events will be included in the second season:
Season two will begin in early 1982 and, as our show was last season, it will be informed – but not shaped – by real life events. Philip and Elizabeth will deal with threats ranging from the Soviet invasion of Afghanistan to the covert American assistance taking place in Nicaragua, and everything they do will happen under the specter of constant brinkmanship that was a hallmark of US-Soviet relations at that time.
Last year it was discovered that Robert Galbraith was really a pseudonym for J.K. Rowling. She has a second novel about Cormoran Strike coming out on June 19. With character names such as Cormoran Strike, we should have guessed who the author was.
Joel McHale of Community will be hosting the White House Correspondents Dinner on May 3.
The first pictures have been released from filming of Gracepoint, the US remake of Broadchurch. David Tennant reprises his staring role from the ITV version, along with Anna Gunn of Breaking Bad.
An American adaptation of Utopia is being planned by HBO and is to be written by Gone Girl author Gillian Flynn.
Both Broadchurch and Utopia have completed their first season in the U.K. and will be returning for a second season. The first season of each was excellent, but as accustomed as I have become to downloading shows from the U.K. I can’t help but wonder why they don’t just show the original versions here. Yes, there are references which Americans might not understand, and David Tennant’s accent was a bit thick in the ITV version, but I think American audiences can cope. Look how popular Downton Abbey and Call the Midwife are becoming here without need to remake them for American audiences.
Doctor Who and Guardians of the Galaxy star Karen Gillan has been cast in an American sit-com, Selfie:
The actress, who next appears in Marvel’s Guardians of the Galaxy and Oculus, has been tapped to star in ABC’s Emily Kapnek comedy Selfie, The Hollywood Reporter has learned.
The modern take on My Fair Lady is inspired by the musical and tells the story of a self-obsessed 20-something woman named Eliza Dooley (Gillan) who is more concerned with “likes” than being liked. After suffering a public and humiliating breakup, she becomes the subject of a viral video and suddenly has more social media “followers” than she ever imagined — but for all the wrong reasons. She then enlists the help of a marketing expert at her company to help repair her tarnished image.
The casting marks the Scotland native’s return to TV following Doctor Who — where she played the Doctor’s companion, Amy Pond, for more than 30 episodes on the show’s fifth through seventh seasons — and Adult Swim’s NTSF: SD: SUV
Vince Gilligan ended Breaking Bad just as most would have predicted if not for feeling that this was too obvious and trying to throw in a twist. In the end, Walt killed the Nazis, rescued Jesse and then died. Jesse escaped, Lydia was killed, and plans were made to get money to Walt’s family. Realistically Walt’s death was the most probable end-point for the series since the first episode. Initially it might have been from the cancer. Events since then changed how it most likely to occur. It became inevitable that he would face a violent death, but also achieve some measure of victory.
The only surprises in the finale were the details in how everything would be accomplished, such as threatening Elliott and Gretchen with assassination by “the two best hitmen west of the Mississippi” who were really Skinny Pete and Badger armed only with laser pointers. There was no need for a surprise ending, and certainly not a gimmick such as a dream or fading to black. Breaking Bad feels more like a continuous story in a novel, leading to the most likely conclusion. The finale has received universal praise, showing that no gimmicks were needed. Hopefully writers of future series will learn from this.
The success of the finale of Breaking Bad led to inevitable comparisons to other finales. To be fair to other show runners who fell short, the structure of Breaking Bad lent itself to coming to such a definite and obvious conclusion. While I was not satisfied with the ending to The Sopranos, an ambiguous ending was more in line with that show than Breaking Bad. After the full run of the series, it was realistic that Tony Soprano had made enough enemies that one would just walk up to him and shoot him in a diner. It would similarly be realistic to interpret this otherwise and see Tony Soprano continuing as he had for years, as with Sam Malone on Cheers. Breaking Bad had a clear storyline leading to an inevitable conclusion.
Damon Lindelof was blasted on Twitter during the Breaking Bad finale for not providing such a satisfactory conclusion to Lost. While I think they could have done better with Lost, a key difference here is that Lost had developed such a complex mythology that there was no realistic way to end the series. Lindelof defended his ending in The Hollywood Reporter, which was more a plea for everyone to stop talking about it.
The remaining questions are trivial compared to the questions raised by Lost. There was no question to the motivations of the main character. Walt revealed to Skyler that he was doing this all for himself. Did Walt initially plan to kill Jesse, and then change his mind when he saw how he was enslaved? That change in motivation is suggested in several interviews where Vince Gilligan compared the ending to The Searchers:
On the story inspiration for Walt, who was hellbent on killing Jesse, saving his ex-partner out of sudden instinct
“A lot of astute viewers who know their film history are going to say, ‘It’s the ending to The Searchers.’ And indeed it is. The wonderful western The Searchers has John Wayne looking for Natalie Wood for the entire three-hour length of the movie. She’s been kidnapped by Indians and raised as one of their own, and throughout the whole movie, John Wayne says, ‘I need to put her out of her misery. As soon as I find her, I’m going to kill her.’ The whole movie Jeffrey Hunter is saying, ‘No, we’re not — she’s my blood kin, we’re saving her,’ and he says, ‘We’re killing her.’ And you’re like, ‘Oh my god, John Wayne is a monster and he’s going to do it. You know for the whole movie that this is the major drama between these two characters looking for Natalie Wood. And then at the end of the movie, on impulse, you think he’s riding toward her to shoot her, and instead he sweeps her up off her feet and he carries her away and he says, ‘Let’s go home.’ It just gets me every time — the ending of that movie just chokes you up, it’s wonderful. In the writers room, we said, ‘Hey, what about the Searchers ending?’ So, it’s always a matter of stealing from the best. [Laughs]“
Did Walt have any plan for after he killed the neo-Nazis if he survived? It did not appear that he did. If not for the last-second decision to save Jesse, I wonder if he had planned to jump to the floor, or remain standing and die with everyone else in the room.
We know Jesse is free but from there it is all speculation:
“We always felt like the viewers desired Jesse to get away. And it’s up to the individual viewer to decide what happens next for Jesse. Some people might think, ‘Well, he probably got two miles down the road before the cops nailed him.’ But I prefer to believe that he got away, and he’s got a long road to recovery ahead, in a sense of being held prisoner in a dungeon for the last six months and being beaten to within an inch of his life and watching Andrea be shot. All these terrible things he’s witnessed are going to scar him as well, but the romantic in me wants to believe that he gets away with it and moves to Alaska and has a peaceful life communing with nature.”
Unfortunately it wasn’t realistic to have Jesse wind up raising Brock, providing him with a true happy ending.
What was going through Jesse’s mind when he didn’t shoot Walt? Was this the outcome of Jesse previously saying he would never do what Walt told him to do again, a desire to be done with killing, or did a remnant of his old respect for Walt prevent him from pulling the trigger? Would he have shot Walt if he didn’t see that Walt already had a gunshot wound?
Will Walt’s scheme work and will Gretchen and Elliott really get the money to Walt, Jr.? There’s no way to know. On this show many elaborate schemes have worked well. It was quite fortunate for Walt that Lydia kept to her old schedule and was the one to take the pack of poisoned Stevia. Everything also had to go right for his plan to kill the neo-Nazis to succeed. While throughout the series many elaborate plans were successful, not everything went right for Walt. Most notably, Walt ruined his plans by leaving the Walt Whitman book out in his bathroom, and easily fell for Jesse’s plan to lead the DEA to the money. We also do not know if his plan for Skyler to negotiate with the coordinates of Hank and Gomez’s bodies will save her, with his previous phone call not appearing to have helped her very much.
In comparing the recent finales of Breaking Bad and Dexter, it seems like the Breaking Bad finale was planned from the start while Dexter‘s finale decided late in the series. The opposite turns out to be true. Vince Gilligan had no idea about some major aspects of the ending, and has revealed other endings under consideration.
It was the opposite for Dexter. While Clyde Phillips, the original show runner, had a different idea, current show runner Scott Buck and longtime executive producer Sara Colleton told Entertainment Weekly that this ending had been planned for years:
Before the season started, you said the core idea behind this finale has been in the works for years. What was the original concept? BUCK: The kernel idea were the last few scenes. They were what I pitched a few years ago. The main idea was Dexter is forced to kill Debra. And there are many ways that could happen. But those final scenes were pretty much unchanged. SARA COLLETON: From the very beginning the paradox was here’s a guy who doesn’t feel he’s a human being, who has to fake it. But in faking it, he’s a better brother, boyfriend, colleague that most real people. People think of him as a monster, but he yearns to be human. We’ve seen him go forward on this journey every year. Now we found out what the final price was. What sums up the entire journey was the scene on balcony of his apartment before going on the boat to put Deb down — that’s horrible to say aloud. The voiceover: “For so long all I wanted was to feel like other people … now that I do just want it to stop.” It’s the horrible awareness of what it was to be a human being and how overwhelming that is for him. His punishment is banishment. He sends himself into exile. Killing himself is too easy. When he turns and looks into the camera at the end he’s stripped everything away.
Were there any other versions of the ending that you rejected? BUCK: The only real variation was what he would be doing. I knew he would be in a self-imposed prison that would be as far from Miami as possible. We’d find him working in some solitary environment where even if other people were around he would make no contact and not talk to anyone. We would follow him home and he would have no human contact.
In a way that’s his new code — avoiding human contact. BUCK: Yes. For us, that’s the tragedy. The one thing we felt Dexter wanted more than anything was human connections. Even in the first season we see him trying to get with Rudy. Now that he’s finally made that journey and he’s almost poised to have a real human life, he has to give all that up to save Harrison and Hannah. COLLETON: He went into an absolute shutdown. He no longer has even his voiceover.
The above poster was released for the second season of Hannibal. Bryan Fuller explains: “After a horrifying descent into madness in season 1, this image ironically represents the perspective of a scrappier, clearer-minded Will Graham in season 2. The scales have fallen from his eyes and he finally sees Hannibal Lecter for the monster he is.”
The Blacklist remains the best new network show so far, and has become the first to receive a full 22-episode pick-up.
Sleepy Hollow will remain with a thirteen episode run this year, and has been renewed for a second 13-episode season.
The Americans was one of the best new shows last year. Creator/executive Joe Weisberg and executive producer Joel Fields discussed the show at PaleyFest.
Nathan Fillion will guest star on Community, making Firefly references inevitable.
Rob Kazinsky says True Blood “kind of ran out of ideas and now they’ve got an idea again and they’re trying to finish stronger than ever… which they’re going to do next season!”
David Tennant will reprise his role as star of Broadchurch for a US adaptation from Fox. It was an excellent show, but I’m not sure why we need a second version. I imagine that many US viewers neither have a way to pick up British shows and don’t watch BBC America, leaving an untapped audience for Fox.
David Tennant will also be staring in Day of the Doctor, the 50th Anniversary episode of Doctor Who. Current plans include simulcasting the show in 75 countries. Steven Moffat has also discussed the upcoming regeneration from Matt Smith to Peter Capaldi:
If you haven’t seen it, there is a particularly fine interview Steven Moffat has given to Nerd3 in which he discusses, well, a lot of things you don’t often hear Steven Moffat discuss.
One section is devoted to regeneration, and the fact that it would not be a break with Whovian tradition for the Twelfth Doctor to look a lot like someone the Doctor has already met. In fact Peter Capaldi has been in Doctor Who (as Lucius Caecilius Iucundus in “The Fires of Pompeii”) and Torchwood: Children of Earth, and Steven has already had a chat with Russell T Davies over how this will all work.
He said: “We are aware that Peter Capaldi’s played a part in Doctor Who before and we’re not going to ignore the fact. I’ll let you in on this. I remember Russell told me he had a big old plan as to why there were two Peter Capaldis in the Who universe, one in Pompeii and one in Torchwood. When I cast Peter, [Russell] got in touch to say how pleased he was, I said ‘Okay, what was your theory and does it still work?’ and he said ‘Yes it does, here it is’. So I don’t know if we’ll get to it… we’ll play that one out over time. It’s actually quite neat.”
If they try to be too clever I suspect they might run into problems analogous to explaining why the Klingons look different in different versions of Star Trek. There’s a simple explanation–the same actor played three different roles. Sure, you could come up with an explanation which includes the Doctor taking the form of people he encountered in the past when regenerating. Then how do we explain Karen Gillan’s appearance, as she also appeared in The Fires of Pompeii as a different character before playing Amy Pond?
J.J. Abrams has apologized for all the lens flairs in Star Trek Into Darkness.
And finally, this video on the finale and a farewell video from the cast of Breaking Bad: