SciFi Weekend: Star Trek Discovery; F-Bombs In Genre; Mr. Robot; Arrow; Batman In The Arrowverse; Gotham; Doctor Who; Will & Grace

With Choose Your Pain, Star Trek: Discovery revealed more about Captain Lorca, went where Star Trek has never gone before, and raised new questions. Controversies raised included two incidents on which to further question Lorca’s ethics.

We learned that Lorca had destroyed his previous ship and killed the entire crew to keep them from being captured and tortured by the Klingons, while he alone managed to survive. It may have sounded reasonable when explained by Lorca, but Star Trek fans know that Kirk or Picard would have found a way to save their crews, and would have risked death to achieve this. Lorca’s decision to leave Harry Mudd (played by Rainn Wilson) behind as a Klingon prisoner was also morally questionable, and not something Star Fleet captains we are accustomed to would have done.

While Lorca did leave Mudd behind, he did bring Ash Tyler after what seemed like too easy an escape. Was this just yet another example of a show’s protagonists having unrealistic success which has happened very frequently on television, or were they allowed to escape? There is considerable grounds to suspect that this was a trick with Ash Tyler being a Klingon spy. One popular fan theory that he is actually Voq is explained here. Of course if he is a Klingon spy, he is unlikely to get past Lorca’s pet tribble.

Discovery had the first f-bomb ever on Star Trek after Staments told Tilly of his idea to transfer Tardigrade DNA into his body. Tilly responded to the idea by saying, “You guys, this is so fucking cool.” She apologized for her language but Stamets replied, “No, Cadet. It is fucking cool.”

There was no softening of the word such as with changing it to “fraking” as on Battlestar Galactica. This sure goes beyond McCoy saying, “Damn it, Jim.” AV Club has posted a history of swearing on Star Trek.  Of course such language is common on pay cable, with basic cable being more mixed. Syfy has cut the frequent f-bombs from The Magicians in the initial showing, but later showed the first season again uncut. Presumably the second season will be released in an uncut form in the future. On the other hand, I noticed such language being left uncut on Mr. Robot last week.

After Trek also showed a sneak peak of tonight’s episode with Burnham and Tilly wearing Disco t-shirts. Is disco still alive, or (more likely) is this a shortened form for the name of their ship?Possibly the producers are hoping that fans refer to Star Trek: Discovery as Disco as opposed to the abbreviation STD. Last week’s episode also had a very rare (but not the first) scene of a Star Trek bathroom. Plus we learned that they have not yet learned a more modern, futuristic way to fight tooth decay than brushing, and the suspicions about Stamets and Dr. Culber were confirmed.

The DNA transfer done by Stamets might actually not be all that cool based upon what we saw in the mirror at the end of the episode. Does this mean that the spores connect not only throughout the universe, but also into the Mirror universe? If so, this could be yet another reason why the spore drive is not used (or mentioned) on subsequent series.

Besides the introduction to Harry Mudd and telling us more about Lorca, Stamets, and Culber, the episode also revealed more about  Saru, who does have difficulties assuming the role of Captain, even if all worked out in this episode. There was another nod to continuity in the list of decorated captains which came up: Robert April, Jonathan Archer, Matthew Decker, Christopher Pike, and Captain Georgiou.

Besides including f-bombs as I mentioned above, Mr. Robot was notable last week for Elliot getting the cairn terrier back. As for the even more meaningful aspects of the show, Sam Esmail was interviewed by The Guardian.  The article began:

When Mr Robot first aired, two years ago, it was hailed for its timeliness. A serial drama about a nefarious hacking group taking on corporate power felt right for the age of Anonymous and banking failure. Now, in 2017, the existing two seasons can look a little dated; why spend ages plotting to bring down the west when the US president can do it with a tweet?

While a lot has changed in two years, there is a sense of vindication for Mr Robot creator Sam Esmail. The ideas the 40-year-old wanted to explore in this drama – his first TV show, which he wrote, directed, produced and edited himself – are still playing out in reality.

“One thing I’ve noticed about the show is that it feels like a period piece of today,” Esmail says. “The world is so heavily influenced by technology and it has started to feel like it’s not on solid ground. The world has become unreliable, unknowable. Facts are vulnerable and things you have come to rely on are no longer there. It’s an overlap that I’m not going to be so bold as to say I predicted, but that was what I was thinking about when I constructed the character of [protagonist] Elliot [Alderson].”

Included among the unreliable and unknowable elements of Mr Robot are the following: whether Elliot is good or bad; whether he hacked the biggest corporation in the US under instruction from the Chinese government; whether he is living at his mother’s house or in prison; whether his father is alive and, if so, why he wants to kill him; and, finally, whether or not he is really friends with 80s sitcom puppet ALF.

Should we also worry about Flipper the dog after learning about the allegedly Russian run web page full of those puppie pictures?

Oliver Queen made a reference to Bruce Wayne on Arrow last week. Having Bruce Wayne exist in his world does not mean that he is also Batman, but it does raise the question. It is more likely that Batman exists on Supergirl’s earth. After all, if Batman existed in Oliver’s world, there would be no reason for him to spend so much time fighting Batman’s foes.

TV Guide has complied a list of other references to Batman in the CW Arrowverse.

Right now Fox has the television rights to Bruce Wayne, but they have only been able to show him as partially growing into becoming Batman. Gotham is also showing the origins of other Batman characters, sometimes changing the details. Gotham introduced Solomon Grundy last week. Screen Rant reviewed his back story and how Gotham is varying from the comics.

Getting back to Arrow, Entertainment Weekly has spoken with Stephen Amell about the big changes in last week’s episode:

ENTERTAINMENT WEEKLY: Oliver actually gives up the mantle of being the Green Arrow. Game changer! Can you talk about how that might affect him moving forward? Does he still get the urge to go out there? 
STEPHEN AMELL: That’s been the cool thing about this season is that he can’t. You say him giving up the mantle is the game changer, but William is the game changer. The father-son dynamic can’t possibly can’t get any stronger than that. For all of the things that Oliver’s dad did wrong, and for all the things that we have since learned about him, Oliver still reveres him and holds him up to such a high standard, so that relationship is so important. I give it to Diggle; I don’t give it to him with a heavy heart, I give it to him with a full heart. I give it to him expecting him to be able to handle it. I like the idea that I give it to him because the city needs a Green Arrow, right? The Green Arrow can be more than one person. The Green Arrow is a symbol and his team is a symbol. The fact that we are pushing Star City in the right direction is something that is important to me because I don’t want the city to get destroyed every year, because then what’s the point of what we’re doing? We’re a team of vigilantes that are the definition of insanity, because we’re just doing things over and over again and hoping for a different result. Obviously I don’t know what’s going on with Diggle, but I give it up and there’s not a lot of angst.

It’s been a very strange time for me on the show, because we’re talking about going on four episodes now where I’m really out of the mix, and that’s been challenging for me, because I prep myself to work all the time, but we had — without getting into details — a story line last year where in the aftermath of Oliver being tortured by Chase — the big torture, making him reveal his animal instincts and that he enjoyed killing at one point — the producers and I had a lot of back and forth after that about how long that should affect him, because in one iteration, he just jumped right back on the horse. I was like, “Well, if we don’t follow the through line of that affecting him, then what was the point? What was the point of it happening if it doesn’t have consequences?” So I like that he’s given the mantle to Diggle and that’s been the show since then. That, to me, is really cool.

Realistically, do you see Oliver really never suiting up again?
No. Look, I remember one season of 24 when Jack Bauer had been taken prisoner, Jack was in China. They’re like, “Well, how long of this season is Jack going to be in China for?” and the producers were like, “He’s landing like six minutes after it starts. The show is the show.” Our show’s the show, but that doesn’t mean that we can’t surprise people. If he suits back up again, it doesn’t mean that all of a sudden it goes back to the status quo.

In Doctor Who news this week, Matt Lucus has hinted that he might not be done with Doctor Who after the Christmas episode.

Comic Book Resources has accumulated what we know, along with rumors, about upcoming changes on Doctor Who.

Doctor Who has won an Ally Award for LGBT inclusiveness. Pearl Mackie accepted the award and made this statement:

It’s lovely to be able to accept this Award on behalf of Doctor Who. I feel quite honoured to even have been invited, let alone for Doctor Who and the character of Bill.

It’s testament to how well she was received. I met a couple of young girls who were BAME, and talked to me about how watching Bill on Doctor Who enabled them to come out and feel comfortable with their own sexuality. For me, that’s a massive achievement.

The thing that I liked most about Bill was that she wasn’t grappling with her sexuality, she didn’t need to come out, it wasn’t an issue! It was always just about, I’m gay and happy and this is who I am, this is who I like and this is who I’m in love with.

Victoria, staring Jenna Coleman, concluded its second season on ITV last week, with a Christmas episode also announced. Presumably it will be combined with the other episodes into a nine episode series when it shows in the United States. Victoria will premiere on Masterpiece on PBS on January 14, 2018.

Will & Grace had an excellent episode last week dealing with gay conversion camps. A clip is above.

SciFi Weekend: Star Trek Discovery; The Orville; Superhero Shows; Stranger Things; Runaways; Good Omens; The Man In The High Castle; Electric Dreams; Doctor Who: Shada

Episode 4 of Star Trek DiscoveryThe Butcher’s Knife Cares Not For The Lamb’s Cry, continues what will presumably be a redemption arc for Burnham. Her defense of the tardigrade, arguing that it should not be judged entirely for its actions on one particular day, is a clear reference to her own situation. The tardigrade was also reminiscent of the creature in the first season episode of the original show, Devil in the Dark.

Unfortunately Landry was not as wise as Burnham, both in seeing the tardigrade only as a potential weapon to be studied (as did Lorca), and in forgetting how dangerous it was. We now know that the killing of apparent main cast was not limited to the first two episodes.

Last week I noted that Georgiou had filmed more material. I hope this means more than just the message seen in this episode. After my speculation as to how she might reappear on the show last week, I thought of another situation where it might make sense to see her alive–an episode in the Mirror universe.

In yet another interview a writer for Star Trek: Discovery insists that the show will not violate canon and the events of the original series, which takes place ten years later. Seeing the necessity of enslaving a sentient species to operate the spore drive suggest at least two reasons why we might never see this again. After the war, Star Fleet principles might come into play again, leading this to be banned. Or possibly any ship trying this is ultimately destroyed by the tardigrade.

The episode had the feeling of continuity with our world and the Star Trek universe by dropping names such as the Wright Brothers, Elon Musk, Zefram Cochrane, and Zaphod (Beeblebrox)?

Polygon discussed the militarization of science with the cast of Discovery.

TrekMovie.com has the episode titles through November when the show goes on hiatus until January.

Last week’s episode of The Orvill, Krill, showed both the strengths and the weaknesses of the series. Of course some might disagree as to which features are strengths and weaknesses. The episode once again captured the feel of an old episode of Star Trek The Next Generation, and did include a moral dilemma. This was interspersed with a number of jokes, often involving the name of the Krill god, Avis, and the car rental company. While the jokes were somewhat amusing, it is a matter of opinion as to how much they distract from the episode or make it more amusing.

The episode also did subtly mock common tropes seen in Star Trek, such as with Mercer speaking before Alara had a communications channel open.

One nitpick is that they had to take a picture of every page of the book they were seeking. Couldn’t they find an ebook version?

The episode also repeated a common issue in episodes of The Orville with problems being solved in simple and unrealistic ways. If they were elsewhere I could see light being used as a weapon, but I found it less plausible that their ships own lights could easily be turned up so bright as to kill most of the crew. Other episodes had similarly questionable solutions, such as seeing Rudolph The Red Nosed Reindeer being enough to change a character’s long standing views.

This week I will try to catch up with some of the news from New York Comic Con which I couldn’t get to last week, along with genre news from other sources. As there remains too much news to fit in again this week, I will limit to links in many cases. I am also postponing most of the news on the DC superhero shows on CW, which did return last week. One reason to cut back, at least for now, on coverage of them is that interest appears to be declining, with ratings for their return episodes down.

I think that the problems include having too many superhero shows, and that there have been too many episodes of the DC series to maintain quality and interest. This is especially difficult when we have the Netflix series for comparison. I think that CW would be better off reducing these series to a maximum of thirteen episodes a year, both tightening up each series and reducing to two at a time. Guest appearances can keep the other series in the minds of viewers when they are off.

The one additional news item on the CW shows I will mention today is that Victor Garber will be leaving Legends of Tomorrow to return to Broadway. Of course the nature of this show makes it easy for him to return should he become available and interested in the future.

At the moment I like Gotham the best of the network superhero shows, now surpassing the CW series. One reason is that they are continuing where last season left off with the gradual development of Bruce Wayne into Batman. Syfy Wire has information on the Gotham panel at New York Comic Con.

Information on the Agents of SHIELD panel at New York Comic Con here.

Two different X-Men type series have also started. The Gifted appears to show promise after two episodes, teaming up Vampire Bill and Root (aka Stephen Moyer and Amy Acker). I have not watched The Inhumans after reading a number of terrible reviews. As it is only eight episodes, I figure I can binge it later if it improves.

Netflix has done an excellent job of developing their own superhero universe (existing with other Marvel superheroes who are left off screen). After their team up in The Defenders, Iron Fist will be appearing in Luke Cage season 2.

Netflix has posted the final trailer for Stranger Things season 2, which will be released on October 27. The producers are now talking about extending the show beyond four seasons.

Screen Rant discussed the future of the Marvel Cinematic Universe with Kevin Feige.

Dirk Gently has returned for a second season. Review here.

Hulu will be releasing their own Marvel series. Teaser for Runaways above. Engadget has some background information:

For all those unfamiliar with the source material, Runaways follows a dysfunctional group of six teens who band together to fight their evil parents. Judging by the trailer, the show draws its influences from late-nineties genre fare, like The Craft and The Faculty. And, it comes from the creative team behind The O.C. and Gossip Girl, so you can also expect plenty of snappy dialogue, self-deprecating humor, and pop-culture references. The series is reportedly set within the Marvel cinematic universe, but tonally sits closer to the likes of Freeform’s upcoming Cloak and Dagger TV show, and ABC’s The Inhumans. So, don’t go expecting The Punisher to make a cameo.

Amazon’s World of Philip K. Dick panel at New York Comic Con revealed that the third season of The Man In The High Castle will deal more explicitly with parallel universes–and the attempts by the Nazis to conquer them. Trailer above and more information here. Syfy Wire notes how timely the anti-Nazi message of the show is.

More information on Philip K. Dick’s Electric Dreams, another upcoming show from Amazon, was also revealed at the New York Comic Con. Instead of being based upon a single story like The Man In The High Castle, it will be a series of ten movies. IO9 has more information:

…each episode has different writers and directors, and they were given creative freedom to take the short stories and interpret them in whatever way they saw fit. This is in addition to the rotating cast, which includes stars like Steve Buscemi, Bryan Cranston, Janelle Monae, and Liam Cunningham, the only actor who appeared at the panel. Executive producer (and Philip K. Dick’s daughter) Isa Dick Hackett said she felt this was the best way to approach Dick’s short stories, which she called “the gems of his ideas,” in a way that both honored his work but also made the messages relatable to a modern audience.

It was already impressive that Michael Sheen and David Tennant would be staring in Amazon’s upcoming series Good Omens based upon the Neil Gaiman novel. John Hamm has now been added to the cast. Syfy Wire has more on the series, including others who have been cast.

A teaser (video below) has been released for an animated version of Shada, a Doctor Who serial written by Douglas Adams. The serial was never completed due to a BBC strike. The original actors will be returning to do the voices. Shada will be available for digital download from BBC Worldwide on November 24, then released on Blu-ray and DVD on December 4.

SciFi Weekend: Star Trek Discovery; The Orville; Black Mirror Does Star Trek; The Tick; The X-Files; The Punisher; The Magicians; Doctor Who; Gal Gadot On SNL

The third episode of Star Trek Discovery, Context Is For Kings, was like a new pilot, with last week more of a prequel. They finally introduced the Discovery and Captain Lorca. Do Discovery’s call letters, NC1031, mean that this ship falls under Section 31? While James Kirk and Benjamin Sisco have bent the rules at times, Lorca goes far beyond what we have ever seen on Star Trek before. Typically Star Fleet captains who behaved like him have turned out to be the villain, not heroes. Lorca also has that strange menagerie, including an apparently neutered Tribble, while ten years later Kirk will know nothing about them. Perhaps he uses the Tribble as a way to detect any Klingons who might attempt to infiltrate the Discovery.

Lorca claims to have permission from Star Fleet to do whatever it takes to find a way to beat the Klingons. This appears to have included orchestrating the rescue of Michael Burhnam from the shuttle, even if it meant allowing the shuttle pilot to die. Apparently he has enough clout to keep Burnham as part of his crew if he has her on board, but not enough to simply request that she be transferred from prison to his ship. Obviously it was more dramatic this way.

Burnham did appear beaten at the start of the episode. I had expected to see the standard troupe of having her rescue the shuttle, but that did not occur. She did return to her usual self over the course of the episode. Thanks to Burnham, we see why Star Fleet abandoned the ineffective breath detector as a security device. Once on the away team, she was the one to save the rest. Beyond the breath detector dying out as a security system, it makes sense that black alerts didn’t catch on. While dramatic to hear them announced, it would be quite hard to visualize the flashing lights of a black alert.

The first two episodes provided a familiar type of Star Fleet ship, with Burnham having a conventional relationship with her Captain, until the mutiny. Even granting that Burnham was wrong in her actions, she is now being unjustly blamed for the entire war, which the Klingons appeared determined to start regardless of what she did. Lorca, Burnham, and Saru have a relationship somewhat analogous to the Kirk, Spock, McCoy threesome from The Original Show, although with major differences. They apparently have forgotten about sun glasses in the future and it is far too early for Geordi La Forge’s visor, making it difficult for Lorca to go on away missions due to the injury to his eye. With Saru also not appearing to be well suited for away missions, this makes it plausible that Burnham might lead them instead of the  more senior officers which typically (and perhaps foolishly) led them in the other series.

Burnham’s relationship with Lorca is also different from the start with Lorca believing that Burnham is forced to be loyal to her because he is the one giving her a fresh start. On the other hand, it might become significant again that Burnham was willing to defy her captain when felt to be necessary. If Lorca does turn out to be the villain, Burnham might be called on to turn against her captain once again.

There have been some complaints that this does not feel like Star Trek, but we must consider that the series is unique in taking place during wartime. Consider how different everything felt on the episode Yesterday’s Enterprise. Deep Space Nine did not feel like conventional Star Trek, either before or during the Dominion War. If this is a Section 31 vessel, it might also seem different regardless of circumstances.

Being a Section 31 ship would help explain how we are seeing things which are not known on board the Enterprise ten years later. It is also possible that their research turns out to be dead ends, too dangerous to allow many to know about, or perhaps the Discovery is destroyed like its sister ship. It does appear that the writers have considered such continuity issues in various interviews.

Jason Isaacs has discussed some of the questions I raised above in interviews, and discussed other aspects of Captain Lorca. From TV Guide:

Why does Lorca have a room full of animals?
We’re losing this war and I’ve been given license to do whatever the hell is necessary to try and see if I can in any way shift the odds. And so I have in my private study area, anything I want including weapons, gasses, poisons, creatures… Anything that, if examined correctly, might give us an edge because we need something to turn the tide in the war. And that’s why someone like me has been given this ship and given license to go off and — not under the glare of anyone else’s spotlight — see if I can come up with a solution, any kind of creative solutions to this problem of imminent destruction.

So the tardigrade might be one, some of the Klingon weapons I’ve got might be it… The spores might be it. I just need something and I need it fast and I need people to help me, and hence, one of the reasons why I get Michael Burnham to be on my team. She is someone who’s prepared to break the rules… Someone who’s really smart strategically and someone who I think will ultimately be loyal to me since I’ve given her a second chance at life.

From Entertainment Weekly:

You still get the sense that Lorca will do anything, even if it’s off-book, to accomplish the ultimate goal against the Klingons — and possibly other agendas.

He just wants to win the war. This is 10 years before the series that people fell in love with Kirk and Spock, before the Federation directive comes out, before people are exploring peacefully. This is a time when the Federation might not be there tomorrow morning. All of the high-minded ideals will go out the window once everyone around them is incinerated and Lorca thinks he sees that modern man. He thinks he’s going to win this war by any means necessary and they’ve kind of given him license to do it, because they’re terrified and they’re right to be terrified. So he’s on this science ship, which is not the ideal vessel, got some possible breakthrough technology, but there’s a lot of work to be done there, and he’s got a bunch of explorers crewing this thing who are really not battle-hardened at all and he’s going to try and do whatever he has to do to tip the tide of the war. It’s not going to be easy. Certainly, he’s not going to get there by being nice…

At the end of the episode, Lorca has the creature from the USS Glenn — the one that was terrorizing Michael and company — secretly beamed aboard the Discovery into one of his secret rooms with other contraband objects and creatures. What is he doing with all those things that he’s, presumably, illegally accumulated?

He’s got a room, a study room in which he studies war because they’re at war. In different times, he might have books of poetry, he might have an easel in there. He’s an exercise man, so at one point in time he might have been doing interplanetary yoga. Right now, he needs to work out how to defeat enemies and he’s got forbidden material in there. He’s got weapons, he’s got poisons, he’s got creatures. He’s looking for an edge in a war with a superior opponent and he’ll take anything he can get, anywhere he can get it. Sometimes he takes risks to get it.

What is Lorca’s relationship with the women on the Discovery crew, because it seemed like there was something a little extra between the captain and Commander Landry, his head of security?

I think in this tradition of Star Trek captains and these alpha males who rise to the top, he’s got a taste for the good life and he’s got an eye for his female officers. I don’t know that that’s going to work with Burnham very well, frankly. She doesn’t look like she’s up for that kind of thing, but him and Landry certainly have a relationship that goes beyond, I would think, work. But that’s how I played my scenes with all the women on board, whether or not the writers were on board with that. By the way, that’s my tribute to Shatner. I always thought, as much as the original series was born out of the civil rights struggle and the birth of feminism, some of that was [infused with a feeling of] James Bond. It was clear Captain Kirk had his way with any member of the micro-skirted crew members he wanted, so that was my subtle tribute to him. I’m playing that, even if it’s inside my head. (Laughs.)

CBS has announced that they will present episodes through November 12 (instead of November 5 as previously announced), leaving only six episodes after the show resumes in 2018.

It was revealed at New York Comic con that Michelle Yeoh will be returning as Captain Georgiou. Presumably this will be as a flash-back, unless they find a way for her to return after being killed last week.

On rare occasions we have had two different Star Trek series on at once, but the current situation is unique in having two shows inspired by Star Trek but going in such different directions. While Discovery is darker and serialized, The Orville provides stand alone stories which are more similar to those from Star Trek: The Next Generation. The series appears to be moving more towards actual science fiction stories as opposed to parody, while still incorporating humor. The last episode was the most successful to date in incorporating humor while adding to the main story. Being directed by Jonathan Frakes helped make it feel like STTNG. Plus it introduced time travel to this universe.

The episode also benefited by the guest appearance of Charlize Theron. She turned out to be different from what she first seemed to be, but she had time for casual sex with Captain Mercer and to sit around sipping drinks. While the relationship between Mercer and his ex-wife has sometimes seemed to have been used excessively to attempt humor, it worked very well in this episode as Ed initially mistrusted Kelly’s suspicion of Pria as being based upon jealousy.

One thing I always found unrealistic about the Star Trek universe was the limited existence of mass entertainment and popular culture. The Orville has had multiple references to pop culture, although it appears to have ended around our time. Previous references have included Kermit the Frog, Friends, and reality TV. This episode started with a clip from Seinfeld, which propelled the B story line. Teaching Isaac about humor and practical jokes allowed them to use humor without it appearing out of place as in some of the earlier episodes. I could easily imagine a similar story line involving Data. Of course Seth MacFarlane did take it further, with Issac amputating Malloy’s leg as a practical joke. Fortunately the limb was easily regenerated.

The episode also did a good job of incorporating the B story line into the main story, both with Malloy’s leg falling from the ceiling and with Isaac using a reference to the Seinfeld clip to tip off Malloy as to what he was doing to help save the ship.

Besides the two versions of Star Trek discussed above, there was more information at New York Comic Con on the planned Star Trek based episode from the fourth season of Black Mirror:

Titled “USS Callister,” the 74-minute adventure stars Fargo‘s Jesse Plemmons and Cristin Milioti, Jimmi Simpson (Westworld), and Michaela Coel.

While critics were barred from reviewing it, by all accounts from those in attendance it’s one of the most cinematic of Black Mirror installments, thanks to its epic production values — from sprawling desert locations and scenes set on the deck of the titular starship to the out-of-this-world outfits and expensive computer effects.

“The idea came up in conversation, and it struck us. We hadn’t done a space epic before and we thought, how would that work in the Black Mirror universe?” Brooker told The Hollywood Reporter.  “What sort of tone would it have? We ended up in this strange place.”

Naturally, the show tackles themes befitting its signature paranoid style and contains more than a few twists (and reportedly a few lens flares too, in a nod to the J.J. Abrams-helmed reboot).

Rather than releasing all the episodes at once, Amazon released only part of The Tick, hoping that buzz from the first half of the series will increase viewership before the series is completed. They announced at New York Comic Con that the show will return in February and released the above trailer. The show does effectively combine humor with a superhero story.

The above trailer for The X-Files season 11, which will premiere in January 2018, was released at New York Comic Con. More information on the upcoming season here.

Chris Carter said in an interview that he might continue the series even longer, but Gillian Anderson has said that the eleventh season will be her last. There have been attempts at bringing in other cast members, but I am skeptical as to whether the show can survive without Mulder and Scully.

Netflix cancelled promotions for The Punisher at New York Comic Con and a planned Paris event following the recent shootings in Las Vegas. They are also delaying the premiere of the series.

The next season of The Magicians will deal with restoring magic. We got some hints as to what will occur at the New York Comic Con:

“Julia and Quentin almost circle back to who they were as kids,” John McNamara notes that their reunion more or less restores their BFF status. Aside from partying with a god, we get to see them revisit a lifelong friendship and get over past grievances.

Jason Ralph and Stella Maeve spoke enthusiastically about the unexpected nature of Quentin and Julia’s relationship, which started as the tired unrequited love trope but evolved into something much more interesting. Jason Ralph said during the panel, “It’s really gratifying to get back together.”

The quest to revive magic will also lead to some unlikely pairings for the cast. Sure, we get some expected combos like Eliot with Margo or Quentin with Julia, but Sera Gamble teased during The Magicians NYCC panel that we’ll see more scenes with Julia and Alice together in Season 3. Julia’s relationship to the strange new magic she discovered evolves over the season in unexpected ways, and perhaps it’ll take Alice to help her figure it out.

Alice herself will go through the “worst quarter-life crisis ever,” according to Taylor Dudley. Alice died, became a niffin, sort of died again, and when finally reunited with her Shade, she then had magic taken away completely. Alice will be in a weird emotional spot when the season kicks off, especially considering she’s being hunted by an enemy she made while a niffin.

This year’s Doctor Who Christmas special, Twice Upon A Time, will also be shown in movie theaters, along with special features. More information here.

Nerdist reports on how Peter Capaldi learned that a woman was to be cast as the thirteenth Doctor. Capaldi also discussed why he is leaving Doctor Who at New York Comic Con:

In a retrospective session at New York Comic-Con, Peter Capaldi said that playing the title role in British TV juggernaut Doctor Who brought many pleasures but proved all-consuming. After four years, he said he felt it was best to leave before it ever felt like a routine.

 “It fills up your life,” he said. “You don’t have a second where it’s not about Doctor Who. It’s a nice way to live.” And yet, he continued, “I really never wanted to get to a place where I knew how to do this because that’s not what being creative is. The actual amount of time we were spending on the show, I realized I was getting the hang of it. And that made me frightened.”

Asked by a fan whether he would consider returning for a special or in any small role down the road, he said, “I think it’s probably time for me to go.”

The Mirror has some changes they claim will be made to Doctor Who next season under Chris Chibnall and Jodie Whittaker. The reliability of the report is unknown.

This week has marked the 40th anniversary of the introduction of K-9 on Doctor Who and the 50th anniversary of the introduction of the Mirror universe on Star Trek.

Den of Geek talked to Karen Gillan about Nebula’s role in  Avengers: Infinity War.

Gal Gadot was guest host on Saturday Night Live last night and talked about playing Wonder Woman in the opening monologue (video above). She also had the skit below about Wonder Woman:

There was also far more news at New York Comic Con than I can get to today and I will present more of it next week.

SciFi Weekend: Star Trek Discovery; The Orville; Doctor Who

Overall I was very impressed with the premiere of Star Trek: Discovery. While there are some aspects I question, overall it did feel like Star Trek, both modernized by the improved special effect available and the more serialized story telling common on television today.

I do question both whether the Vulcan salute would have been effective in this situation against the Klingons and whether someone, after serving for seven years on a Federation Starship, would disobey the captain in this manner. For now I will accept the premise that an implausible but possible event did occur and give the writers the opportunity to see where they take this. From various interviews (such as here) it does appear that they have given this matter, and sticking with established Star Trek canon, considerable consideration.

Michael Burnham does follow in a long Star Trek tradition of characters with identity issues, including Spock, Data, Seven of Nine, and the Emergency Medical Hologram. Captain Georgiou’s quick recovery from the Vulcan nerve pinch was important to the plot, but also has me wondering what we will see in the future in terms of both Burnham acting as a Vulcan and the limitations of a human doing so. The first two episodes seemed to summarize what could have been another seven year series about the Shenzou, with Burnham showing considerable growth from how she appeared in the flashback at the start of the second episode.

There was a tendency to use special effects because they could, sometimes benefiting the episode, and sometimes being unnecessary. I did question seeing Burnham flying to the Klingon ship in only in her spacesuit. On the other hand, there is no question that they should modernize the look of the bridge from the 1960’s instrument panels of the original show. Despite the modernization of the ship, they had the old style sound effects down perfect. The changing look of Klingons over time has been around since The Next Generation moved beyond the simplistic look from The Original Show and it is best not to question this.

The use of holograms for communication seemed an unnecessary change from the on screen communications we are accustomed to. It is important that this does fit within Star Trek canon, but there are also limits to the degree fans should demand this be true of every detail. Once something is shown on Discovery, by definition it does become canon. As holograms are based upon science already existing this could be explained as Star Fleet experimenting with this, abandoning it for a while, and then trying again in the Deep Space 9 era when it was seen again. (My theory to make this all consistent is that Star Fleet admirals had taken up working with their pants off between the years of Discovery and The Original Show and therefore demanded communications based upon above-the waist view screens as opposed to full body holograms.)

I also had my doubts about the communication between Burnham and Sarek, and unless this becomes important for future episodes, the story could have easily been written without utilizing this.

Despite such nitpicks, the show looks very promising. While I have some doubts about the details of the issue, it is typical Star Trek to raise the question of whether the Federation would shoot first even if more expedient. Even if less extreme, there is also a long history of Star Trek heroes breaking the rules. While some of the scenes with Klingon subtitles did get a little long, I am glad they are showing the Klingons as more than a one dimensional villain.

They did an excellent job both with production values and in keeping the story interesting, including ending each of the first episodes with a cliff hanger which should make viewers want to keep watching. If this was on Netflix instead of CBS All Access and the full season was available, I would have kept watching longer.

Despite small elements which some might argue violate canon, at least they did not destroy Vulcan as J.J. Abrams did with the flimsy excuse that it was s different timeline. Even if we might question Michael’s existence in Sarek’s family, it appears this series will be well tied into other aspects of canon related to Vulcans. This includes the addition of Sarek’s wife Amanda to the series, with Mia Kirshner cast for the role.

I have been rooting for The Orville to succeed, but have also recognized it problems. The show has received considerable criticism, with there being no need to repeat that once again. The show also does have its fans. For balance I’ll link to this reviewSeth MacFarlane’s ‘The Orville’ Is The ‘Star Trek’ Show Fans Have Been Waiting For. Some excerpts follow:

By not having a budget (or requirements) for wall-to-wall spectacle, the hour-long Fox show is forced to focus on character, chemistry, sci-fi plotting and moral debates that have partially defined Gene Roddenberry’s property for generations. Yes, to a certain extent it’s fan fiction, but then so is so much of our current pop culture entertainment. But by being a network television show, it is forced to be the kind of Star Trek that fans claim the recent movies have neglected in favor of four-quadrant blockbuster thrills. The Orville is not a spoof, but rather a straight-faced Trek show with characters who are funny and can laugh at funny events…

Sans the pressure to be bigger, bolder, faster, and free from the budget and expectations that demand big-scale action sequences and “the world is in peril” plotting, The Orville uses its adventure of the week format to explore modern-day social issues and tackle current moral dilemmas in a sci-fi venue. I like its characters, and I like that they are good at what they do and seem to like each other. The show is refreshingly progressive in its politics, and optimistic to its core. It is a Star Trek show for folks who want something a bit old-school.

Again, I haven’t seen the third episode of Star Trek Discovery, and I frankly don’t wish to make it a competition. The best-case scenario is that the CBS show, with a superb lead in Sonequa Martin-Green, offers high-quality, big-scale Star Trek while Fox’s “homage” offers a more traditional Trek which emphasizes cast chemistry and social issues of the day. For those fans who were turned off by the jokey previews and commercials, I’d suggest giving The Orville another shot, starting perhaps with the second episode which begins to spotlight the supporting cast.

The irony is that, by ripping off rather than revamping and by being hamstrung by network television production values and thus putting an emphasis on character and social parable over sci-fi action, The Orville has a pretty good shot at becoming the kind of Star Trek that fans claim to want so badly. I’m hoping this variation indeed lives long and prospers.

The review is rather generous, but I do want to give The Orville the chance to correct its flaws. I do agree with Screen Rant that, No, The Orville Is Not Better Than Star Trek: Discovery. Of course it does not have to be a competition and we can enjoy each series for the different things it tries to accomplish.

While we are now getting two versions of one of the great science fiction franchises which started in the 1960’s, we have to wait until December to see more of Doctor Who. I still plan to try to post Doctor Who news regularly while we wait. This week Pearl Mackie has told Radio Times that the Christmas episode will be an emotional farewell for Peter Capaldi:

The final farewell of Peter Capaldi’s Twelfth Doctor, the departure of well-loved companion Bill Potts, the groundbreaking introduction of the first ever female Doctor – the signs were always there.

But just in case you were in any doubt, Pearl Mackie can confirm that, yes, this is indeed going to be an emotional Doctor Who Christmas special…

“I’d say have a box of tissues close at hand,” Mackie tells RadioTimes.com. “As to be expected: it’s Peter’s last episode as the Doctor and my last episode as well.”

But is it? Given that Mackie’s character Bill had supposedly made her last appearance at the end of series ten – only to be handed a comeback in the special immediately afterwards – should we even trust that this is the last we’ll see of her?

“One of the wonderful things about Doctor Who is that the world of possibilities is endless,” teases Mackie, “so I guess, never say never…”

We can also hope to see the return of others beyond Bill. Radio Times also reports that Alex Kingston would like to see a reunion with Captain Jack:

Both time-travelling lotharios who love conning their way around the galaxy with a vortex manipulator, we can’t help but feel they’d do well in their own Doctor Who spin-off, or even just an episode where they finally meet – and now it turns out that River Song actor Alex Kingston feels the exact same way.

“I think it’d be great if she met with Captain Jack Harkness,” Kingston said at Edmonton Expo in Canada. “It’s funny because John and I, we talk about, we imagine, fantasise about all the possibilities.”

She also said, “Not necessarily a spin-off show, but it kind of would be great if even the Doctor happened upon a bar in the universe where River and Captain Jack happened to be sitting, having a drink or something. I think it’d be cool!”

SciFi Weekend: Star Trek Discovery; The Orville; Twin Peaks; Blade Runner; Sarah Jane Adventures Tenth Anniversary; Emmys By Network; Batman Takes A Knee

CBS has not released any screeners for Star Trek: Discovery, and has placed an embargo on reviews until the show airs. They did release the full title sequence today:

Despite the episode not being available, sites such as IO9 have posted guides like Everything You Need to Know About Star Trek: Discovery Before It Premieres based upon the information which has been released so far.

The first episode will air on CBS at 8:30 pm tonight, with the second episode following on their paid streaming service CBS All Access.  Season 1 will have fifteen episodes with the first eight episodes running September 24 through November 5. The season will return for the remaining episodes in January. CBS All Access is allowing one week free to check out the service. If you are undecided, consider waiting until later tomorrow, which will allow you to watch both the second episode this week and the third episode next week. Some people are thinking about waiting until towards the end, and then binging on each half of the season or the who season while only paying for one to two months.

Discovery will be available outside of the US and Canada on Netflix. I had contemplated using a VPN to stream the UK edition of Netflix, but Netflix has become very aggressive in blocking VPN’s.

A four-part comic will provide further backstory on the Klingons prior to the events of Discovery.

In preparation for tonight’s premiere, CBS arranged to have the U.S.S. Discovery fly above New York City. Video above. (Yes, there have been posts on line about how they staged this, but why ruin the fun?)

In unrelated Star Trek news, TrekMovie.com reports that Quentin Tarantino has expressed interest in directing a Star Trek movie.

The Orville has been difficult to characterize as it is neither straight drama or consistently humorous. While Star Trek: Discovery reportedly will be serialized, The Orville is basically stand-alone episodes heavily modeled after Star Trek: The Next Generation. Like classic Star Trek, The Orville has even made an attempt at looking at contemporary issues.

About A Girl received advanced publicity for tackling gender reassignment surgery. Just as the show has its limitations as both dramatic science fiction and as a parody, the handling of the controversial issue was also somewhat simplistic. Vox looked in more detail at how the issue was handled.

Of course we must keep in mind that Star Trek: The Next Generation was also weak through most of the first two seasons, until it ended the second season with the excellent cliffhanger, Best of Both Worlds. I’m hoping that Seth MacFarlane has the clout to keep the show alive to buy time for them to better figure out what to do with this series.

Kyle MacLachlan and Judi Dench brought the red room from Twin Peaks to The Late Late Show, frustrating host James Corden in the video above.

Wired has a look at Blade Runner 2049.

Bill Clinton is writing political fiction, just like Hillary. Bill is working on a novel with James Patterson entitled The President Is Missing. Hillary wrote a fictional account of the 2016 election in which Bernie Sanders was the villain and a character with her name was a progressive. Showtime has announced a deal to do a television adaptation of Bill’s book.

It is the tenth year anniversary of the release of The Sarah Jane Adventurers. To celebrate, the BBC is rebroadcasting three episodes and has an article posted entitled 5½ Reasons Why EVERYBODY should watch The Sarah Jane Adventures. From the article:

The show’s essential premise was simple. Take one former companion of the Doctor. Add some young sidekicks; season with familiar foes like Sontarans and the Slitheen and for good measure, throw in the Doctor himself for a couple of stories. Then stir them all together in two-part adventures where the planet’s in peril but our heroes still have time for a few one-liners and a group hug at the end.

Except, of course, it’s not as easy as that. SJA worked because it hit just the right blend of alien scares and human drama. The childless Sarah Jane gets a family. Her alien son learns what it means to be human. The cocksure Clyde Langer finds there’s more to this world than he ever imagined… Just like Doctor Who, it was a show that revelled in adventure but always found time to explore and celebrate its characters without patronising its audience.

The article noted appearances by both Matt Smith and David Tennant.

The Handmaid’s Tale was among the big winners at the Emmy Awards last week. I looked at the best political jokes from the awards ceremony earlier in the week. This included a video of the skit with Stephen Colbert and Jeffry Wright based upon Westworld. 

By now I’m sure everyone interested has already seen the full lists of winners and read plenty about the awards so I will not say much more here. I did find these lists interesting, showing the expected superiority of cable and streaming. Here is a list compiled by Deadline of those winning awards at last week’s ceremony:

HBO: 10
NBC: 6
Hulu: 5
Netflix: 4
FX: 2

The second list includes all those who won three or more awards, including the Creative Arts awards which were presented earlier:

HBO: 29
Netflix: 20
NBC: 15
Hulu: 10
ABC: 7
FX Networks: 6
Fox: 5
Adult Swim: 4
CBS: 4
A&E: 3
VH1: 3

Francesco Francavilla has tweeted a picture of Batman taking a knee, showing support for the NFL players who have been protesting racial injustice and police brutality by taking a knee when the National Anthem is played before the start of an NFL game. Donald Trump has demanded that the players be fired or suspended. This statement has been protested by players and owners, but now Trump also has to deal with Batman. Besides Batman, Trump is also opposed by the next best thing, Jim Harbaugh, who said, “No, I don’t agree with the president. That’s ridiculous. Check the Constitution.”

Update: Adding to responses from Michigan football heroes, Tom Brady said, “I certainly disagree with what he said. I thought it was just divisive.”

SciFi Weekend: The Orville; Star Trek Discovery; The Magicians; Saving Dark Matter; Legends of Tomorrow; Game of Thrones; Doctor Who

I probably agree with most of the criticism of The Orville. Although flawed, as a long time Star Trek fan (as Seth MacFarlane is), I intend to give the show longer. The pilot did rely too much on jokes about the Captain and first officer’s divorce, but there were some other amusing moments. The episode introduced the major officers by having most of them being new to the Captain. Here’s one exchange as he met the second officer:

All right, uh, Lieutenant Commander Bortus, our second officer. You know, I’ve never met a single-gender species before. Your entire species is male, isn’t it?
That is correct, sir.
So, there’s probably not a lot of arguments about leaving the toilet seat up and that kind of thing, right?
No. Moclans urinate only once per year.
Really? That’s Me, I’m-I’m up two, three times a night.
That is unfortunate.
It is.

My favorite exchange was this parody of the technobabble often seen on Star Trek as the crew encounters something new. They saw a device which aged a banana a month, causing its destruction:

Janice has been experimenting with temporal fields and has made well, a breakthrough would be an understatement.
So, it’s an anti-banana ray?
It’s really interesting. We need no longer fear the banana.
Does it work on all fruit?
What about salads?

Obviously there are other uses for such a device.

Some previous Star Trek actors are interested and have agreed to cameos, including Wil Wheaton.

TrekMovie.com has interviewed Seth MacFarlane regarding his plans for the show. Information on tonight’s episode here.

Obviously there will also be some cross over between Star Trek: Discovery and previous series. Jonathan Frakes has directed an episode, and revealed that Discovery will be doing a Mirror Universe episode.

Trekmovie.com looks at the latest trailer for the show, giving some of the biggest clues as to what the series will be like one week before its September 24th premiere.

Netflix has listed the ten most rewatched episodes of Star Trek. They are not the ones I would choose, with a heavy concentration on Voyager.

Critics will not be able to review Discovery until after it airs, with no screeners being released. Some shows might suffer from reduced hype by taking such an action, but I don’t imagine this will happen as this is Star Trek. Plus it probably doesn’t matter to CBS whether people watch when first aired as with other shows. Their goal is to get people to subscribe to their streaming service, which will allow them to catch up after the original episode airs.

Netflix has listed the ten most rewatched episodes of Star Trek. While I agree with some choices, such as The Best of Both Worlds, they are not the tenI would choose, with a heavy concentration on Voyager.

Entertainment Weekly has this news on the upcoming season of The Magicians:

EW can exclusively reveal that Candis Cayne will return as the Fairy Queen in season 3 (see the exclusive photo below), which finds magic-free Fillory under full but secret occupation by the fairies. In the new state of affairs, Eliot (Hale Appleman) and Margo (Summer Bishil) are the unwilling pawns of the Fairy Queen, who has her own dark vision for Fillory’s future and whose demands on Margo tend to be particularly baffling and hilariously humiliating — which is what you’d expect from this typically whimsical, mysterious, and at times sadistic species.

I have grown to like Margo, but seeing her tormented by the Fairy Queen could be amusing.

Dark Matter fans continue to push to keep the show alive, including with Twitter storms. Several campaign links here. I wish them luck. This is a show which is well worth continuing for the entire planned story arc.  The Mary Sue gave several good reasons for saving Dark Matter.

Legends of Tomorrow went from a weak series its first season to being the best of the CW DC shows last year. This was partially due to other series weakening with time, but Legends also did become much more fun the second season. Third season premiers on October 10. Promo above.

Game of Thrones will be going to great lengths to avoid spoilers of the ending of the series, including shooting multiple endings

The BBC has released the synopsis for the Christmas episode of Doctor WhoTwice Upon A Time:

Two Doctors stranded in a forbidding snowscape, refusing to face regeneration. And a British army captain seemingly destined to die in the First World War, but taken from the trenches to play his part in the Doctor’s story.

This is the magical last chapter in the Twelfth Doctor’s epic adventure. He must face his past to decide his future. And the Doctor will realise the resilience of humanity, discovering hope in his darkest frozen moment.

It’s the end of an era. But the Doctor’s journey is only just beginning.

Mark Gatiss will be playing the British army captain and David Bradley will play the first Doctor. This episode will also introduce Jodie Whittaker as the thirteenth Doctor.

As I led with Star Trek and related news this week, it is worth noting that it was recently revealed that Peter Capaldi had once auditioned to play Benjamin Sisko on Deep Space Nine. It is hard to see him in the role in place of Avery Brooks. If the audition tape ever is released, it will be interesting to watch.

Pearl Mackie has been cast in her first role for after she leaves Doctor Who following the Christmas episode.  She will play Lulu in Harold Pinter’s 1957 play The Birthday Party. The link includes an interview with Mackie.

Karen Gillan has revealed the disguises she used, along with Matt Smith and Arthur Davill, to blend in at a convention.

Claire Foy, who stars with Matt Smith in The Crown, has been cast as Lizbeth Salander for The Girl in the Spider’s Web. It will be interesting to see her in such a completely different type of role.

SciFi Weekend: Twin Peaks Finale; Star Trek Discovery Tackles The Trump Era; The Orville; Doctor Who News

As Damon Lindelof said during the Twin Peaks panel at Comic-Con, “Without Twin Peaks, there would be no Sopranos, no X-Files, no True Detective, no Fargo, no Lost…” continuing to list the shows which have changed television.  Twin Peaks: The Return went beyond these in being unusual and something we have never seen before on television. We saw exactly what David Lynch would do with eighteen hours in which he could do whatever he desired, unedited. Some who are huge fans of David Lynch had great reviews. Television reviewers, probably along with most viewers, were more negative, expecting something more like television, and seeing a need for at least some boundaries on the imagination of David Lynch.

It is difficult to truly recap what occurred in either the series or two-hour finale last week. The series was slow, and often confusing. It included fake versions of major characters, including three different versions of Dale Cooper (or at least those who looked like him), and time travel. We also saw Diane, the off screen secretary from the original series, but of course things were not as they seemed with her. Perhaps most disappointing was how little there was of Audrey Horne, and with major questions about her left unanswered. An earlier disappointment was that Madeline Zima’s character, who I initially thought might be the Audrey Horne of the revival, was killed shortly after she took her clothes off.  Many things throughout the series seemed to make no sense, but to criticize the show for this would miss the point in a David Lynch creation.

In the finale, Cooper went back in time to prevent the murder of Laura Palmer, and was as almost as confused as the viewers when the series ended with him asking, “What year is this?” This was followed by a scream from Laura Palmer, who perhaps was recalling her murder in another time. If the interpretation at IndieWire is correct, the better question for Cooper to ask might have been whether he was in an entirely new time line (perhaps created when he attempted to save Laura). The episode then ended, leaving many questions open. Kyle MacLachlan has said there have been no discussions related to another season, and I wonder how many of those of us who made it through eighteen episodes of this series would do so again.

We also might ask, as Dale Cooper, did, what year this is when watching television. Just as we recently returned to Twin Peaks, soon we will be watching Star Trek once again. In the original series, produced during the Cold War, the Klingons represented the Soviet Union. Entertainment Weekly reports that Star Trek Discovery will tackle the political divide in the Trump era:

Star Trek: Discovery will continue the venerated sci-fi tradition of using a fantastic setting to tackle real-world issues — only in a bigger way than any Trekseries has done before.

The upcoming CBS All Access drama tells the serialized story of a war between the United Federation of Planets and the Klingon Empire. The show is set a decade before 1966’s original series — which premiered 51 years ago today — during which the Federation and Klingons were in a Cold War standoff that reflected yesteryear’s U.S.-Soviet relations. In Discovery, war breaks out and the Klingons leading the charge have some ideological ideas inspired by the 2016 electoral divide.

“The allegory is that we really started working on the show in earnest around the time the election was happening,” showrunner Aaron Harberts says. “The Klingons are going to help us really look at certain sides of ourselves and our country. Isolationism is a big theme. Racial purity is a big theme. The Klingons are not the enemy, but they do have a different view on things. It raises big questions: Should we let people in? Do we want to change? There’s also the question of just because you reach your hand out to someone, do they have to take it? Sometimes, they don’t want to take it. It’s been interesting to see how the times have become more of a mirror than we even thought they were going to be.”

Of course we have already seen another genre show deal with a Trump presidency–Game of Thrones with King Joffrey.

Discovery only takes place ten years before the events of the original show, meaning that we already know what some of the characters were doing at the time. TrekMovie.com reviewed where the TOS characters were.

There will be another show paying homage to Star Trek premiering tonight, Seth MacFarlane’s The Orville. It was originally billed as a spoof, but many reviews are negative, along with saying it is neither a true drama or comedy. Vox compares it (negatively) to fan fiction. I had planned to summarize some of the other reviews, but now see that The Mary Sue has already posted excerpts from several.

Once I heard that Jodie Whittaker was to become the thirteenth Doctor, I had hoped that River Song would get a chance to meet her. Alex Kingston also expressed interest in returning to Doctor Who for such a meeting a Dragon Con:

…she also mentioned that she was going to “call the BBC and let them know River is ready to meet her second wife.” To which, of course, the audience exploded. “Why not?  She (River) said it!”

Billie Piper also says that Rose would be in love with the thirteenth doctor.

It was previously announced that the Doctor Who spinoff Class would not be renewed for a second season, but the possibility was left open that it might continue if it did well in the United States, where it did not air for several months after on in the UK. The cancellation is now official.

Sian Brooke, who played Eurus in season four of Sherlock, teases the possibility of a fifth season. Hopefully it really is made.

SciFi Weekend: Game Of Thrones Finale (Tear Down This Wall); Dark Matter Cancelled; Killjoys Renewed; Twin Peaks Finale Tonight; Doctor Who News; Walter Becker Dies

The seventh season of Game of Thrones moved far more rapidly than previous seasons despite its shorter length. Plot lines which I suspected might be carried over into the eighth and final season were quickly wrapped up–which made sense when we say just how huge the cliff hanger in the final minutes was. Major spoilers ahead.

Seeing Jon and Daenerys wind up in the cabin together (in an intentionally simple scene) was no surprise, and their incest was not all that shocking considering that, as opposed to Cersei and Jaime, they were not as closely related, didn’t grow up together, and had no idea of their relationship. Targaryens have a strong tradition of incest so this probably won’t bother Dany when she finds out, but it might come as a shock to Jon.

Dany is far more likely to be concerned about the impact the news will have on her claim to the iron throne than the incest, although at this point I question if the revelation that Jon has a stronger claim to the Iron Throne than Daenerys matters all that much. Two dragons might trump lineage. The winner, if there is one, is likely to be whoever can survive as opposed to who has the stronger claim. Besides, we don’t even know for sure if there will be another monarch sitting on the Iron Throne at the end, or if the events of the series will bring about bigger changes.

One thing we can be certain about is that Littlefinger will not  manipulate his way into ruling. The story line of the discord which Littlefinger tried to develop between Sansa and  Arya  concluded rather rapidly, obviously with events occurring off screen beyond the last meeting we saw between the two sisters. Isaac Hempstead Wright, who plans Bran Stark, described a deleted scene which explained how Sansa figured out Littlefinger’s plan:

We actually did a scene that clearly got cut, a short scene with Sansa where she knocks on Bran’s door and says, “I need your help,” or something along those lines. So basically, as far as I know, the story was that it suddenly occurred to Sansa that she had a huge CCTV department at her discretion and it might be a good idea to check with him first before she guts her own sister. So she goes to Bran, and Bran tells her everything she needs to know, and she’s like, “Oh, s—.”

If anyone has any sympathy for Littlefinger, Sophie Turner has been countering their arguments on Twitter.

Many more things happened. Cersei’s betrayal was no surprise, but it did increase the growing rift between her and Jaime. Less importantly, Theon gets his redemption arc.

Plus there were those final moments at the wall.

Of course nothing is perfect, with Game of Thrones getting sloppy about following its rules, which is important for good fantasy to seem believable. The most obvious example this season was the speed in which the raven got the message to Daenerys and she showed up with a dragon. Of course the consequences of this were quite serious, but did anyone really think that the mission beyond the wall was a good idea?

The season three finale of Dark Matter was titled Nowhere to Go and it wound up having an unfortunate meta meaning. Ryo remained alive despite things looking grim in the final moments the previous week, and I wonder if the long term plan was to be another mind wipe. Instead this episode might have been the start of his redemption. Other characters are in serious danger. Many other story lines remained left open for the next season. And then the Black Ships arrived in a moment which, while of a much lower scale, is a bit like the also previously predicted invasion beginning at the end of Game of Thrones. 

This left so much to look forward to, and ultimately be resolved through the conclusion of the planned five year arc for the show. Then there was yet another television shocker this week. The sad news came that Syfy has cancelled Dark Matter after its third season.

The show’s co-creator Joseph Mallozzi commented in a blog post:

It is with great sadness that I confirm the news.  Syfy has cancelled Dark Matter after three seasons.

To say that I’m incredibly disappointed would be an understatement.

I’ll save my comments and field your questions in a future blog entry.  For today, I just want to extend a heartfelt thanks to my amazing crew, my wonderful cast, and to all of you, our incredible fans.

You all deserved better.

In a follow up post, Mallozzi described the economic reasons why the show was not renewed, and concluded with his long term plans, and immediate plans post cancellation. He concluded:

The nature of the show I created and developed over many years wouldn’t allow for a nice, neat wrap up at season’s end.  Dark Matter’s narrative was designed as a series of set-ups, developments, and payoffs, with multiple parallel storylines that would eventually cross and converge.  Season 1 begins with our crew discovering they are criminals and ends with them being hauled off to prison.  Season 2 begins with them inside the Hyperion-8 galactic prison and ends with their failing to head off a corporate war and deny a former ally.  Season 3 begins with the crew facing off against that former ally amidst the backdrop of corporate war and ends with the alien invasion. Season 4 will begin with our crew, and humanity’s, response to the alien threat… The fact that I have a five year plan (rather than just making it up as I go along) means I know exactly where the various stories are headed.  I know all the answers to all of the questions.  And having that foreknowledge allows for a much more satisfying narrative when all of the pieces of the puzzle finally fall into place. It also means that no matter how much I could try to wrap things up in a season finale, many questions would remain unanswered.  Still, I figured as a final alternative, I could try my damnedest and offer fans some degree of closure by pitching SYFY a 6-episode miniseries to wrap it up.  This, unfortunately, was not an option either.

We, on the Dark Matter production team, tried our damnedest.  And you, the fans, tried your damnedest.  We ALL tried our damnedest.  And still we were cancelled.

So, where does that leave us?  Besides cancelled of course?  Well, as many of you have pointed out, there are other options we could pursue, although finding someone to step in and take SYFY’s place is easier said than done (for reasons I’ll save for another blog entry).

For now, know that we’re doing everything possible to save the show.  It may take weeks before we have our answers but I promise to let you know as soon as I hear anything.  In the meantime, do you part by keeping Dark Matter alive.  Tweet, retweet, post and respond!  Let ’em know what they’re missing!

The news was better for fans of Killjoys. The series was renewed for two additional seasons before the series ends.

The finale of the Twin  Peaks revival is on tonight. I’m not even going to attempt to describe where the show is going into the finale, but AV Club has a short video to bring you up to date.

Rolling Stone wrote on the choice of Jodie Whittaker to become the next lead on Doctor Who:

“I’m the type of person that you’d walk past and go, ‘I think I went to school with her,’ or ‘I know her and I can’t quite place it.’” says Jodie Whittaker, calling from the kitchen of her London flat. “It certainly isn’t, ‘I know her full name, and I can tell you who she is.’

For the British actress, that’s probably about to change. On July 16th, it was announced that she would be playing the next Dr. Who – the 13th incarnation of the time-traveling alien, and the first female to ever take on the iconic role since the debuted in 1963. “I remember walking through London after that going, ‘What the fuck?!?'” she says, recalling a coffee date with Dr. Who showrunner Chris Chibnall – the one in which he had asked her if she would consider auditioning for the part. “I was like, ‘I want to audition now!'” she says. “As a young girl, I did not think that ‘Time Lord’ would ever be on my CV.”

Whittaker – who grew up hooked on Eighties movies (“I’m from that Spielberg era of wonderful make-believe”) in Huddersfield, a Yorkshire town in the north of England – had already made a name for herself in a number of feature films (from Venus, opposite Peter O’Toole, to the cult sci-fi flick Attack the Block) and the breakout BBC hits Broadchurch and Black Mirror. Still, she had to fight for the part, going through multiple rounds of auditions. And Whittaker says she was heartened by the fact that the casting search was not a scattershot one. “I have no idea who, but I know I was up against other actresses,” she claims. “It was very much that [Chibnall] was auditioning people for the first female Doctor.”

Since then, she has already been hailed as a feminist icon and become the target of Internet trolls who view her casting as a form of sacrilege (i.e. “Nobody wants a Tardis full of bras”). “I’m playing an alien,” Whittaker scoffs, “and gender is not a part of that.” In fact, to her mind, the genderlessness of the role only makes the iconic part more feminist. “A moment like this of being the first woman cast as something,” she says, “it makes you really think about your sex, whereas actually what you want to do is play a part where your gender is irrelevant. I am a woman, so I don’t need to play that. And so for me, this was the most freeing experience because there’s no right or wrong way to do it. The rules went out the window.'”

Last week I quoted newspaper reports that Bradley Walsh has been picked to be the 13th Doctor’s companion. This has not been officially announced or confirmed by the BBC.

Karen Gillan has put up pictures on Instagram showing her reunion with Matt Smith and Arthur Darvill at Dragon Con.

In other entertainment news, Walter Becker, co-founder of Steely Dan, has died at 67. The New York Times reports:

Walter Becker, the guitarist, bassist and co-founder of the rock duo Steely Dan, one of the most successful and adventurous groups of the 1970s and early ’80s, died on Sunday. He was 67.

His death was announced on his official website, which gave no other details. He lived in Maui, Hawaii.

Mr. Becker had missed performances in Los Angeles and New York earlier this year. Donald Fagen, the band’s other co-founder and lead singer, told Billboard last month that Mr. Becker had been “recovering from a procedure, and hopefully he’ll be fine very soon.” He gave no other details.

Steely Dan had little use for rock’s excesses, creating instead a sophisticated, jazz-inflected sound with tricky harmonies. Mr. Becker was the primary arranger.

Starting in 1972, after Mr. Becker and Mr. Fagen had met at Bard College, the group produced hit singles like “Do It Again,” ‘Reelin’ In the Years,” “Rikki Don’t Lose That Number” and “Deacon Blues,” as well as a raft of critically lauded albums, including “Pretzel Logic,” “The Royal Scam,” “Aja” and “Gaucho,” the latter two widely regarded as their most artistically accomplished.

SciFi Weekend: Doctor Who; Dirk Gently; You’re The Worst; Mr. Robot

After the announcement that Jodie Whittaker has been chosen to be the next lead on Doctor Who, the next question was how they would handle the companion. With a female lead, it came as no surprise that they are switching to a male companion. Bradley Walsh has received the role and, like Whittaker, is someone previously known to Chris Chibnal. The Mirror reports:

The first female Doctor Who will have a male sidekick old enough to be her father, it has been revealed.

Jodie Whittaker, 35, will be accompanied on her travels through space and time by former Coronation Street star and quiz-show host Bradley Walsh, 57…

The actor and writer go back a long way.

In 2008, Chibnall was the lead writer on ITV’s Law & Order UK, which starred Walsh as DS Ronnie Brooks and ran for eight successful series.

More at Metro.

Update: While some newspapers are reporting this as fact, it does not appear to have been verified by the BBC and this might only be speculation.

Arthur Darvill tweeted the above picture which makes it look like he will be facing a Doctor Who villain on Legends of Tomorrow next season.  I doubt they will really be bringing Weeping Angels to LOT. Like the TARDIS, the Waverider can travel through time and space, but I doubt it can cross over to a different franchise.

Geeks Are Sexy looks at Doctor Who business suits. Of course they are soon going to need to add a version for women.

The season two trailer for Dirk Gently’s Holistic Detective Agency has been released (video above). The show returns on BBC America on October 14. About the show:

The vast dangers lurking in the fantasy realm navigate a path to Earth, becoming a threat in reality, and it’s up to Dirk (Samuel Barnett) and the gang to stop them in their tracks. But first – they need to find each other… Everything and everyone continues to be connected… from the sterile chambers of the government organization Blackwing, to the sleepy town of Bergsberg and the magical land of Wendimoor. After a few misfires, Dirk Gently steadily finds his footing on the new case to “find The Boy”, and with the help of his friends, makes the necessary connections to solve the mystery before it’s too late.

You’re The Worst returns on September 6 on FXX. The Mary Sue explains why the show is the best.

Deadline looked at the visual approach to Mr. Robot.

Next week we’ll have the season finales of Game of Thrones (which hasn’t aired yet), and Dark Matter (which aired Friday, but it has been too busy a weekend for me to deal with it today) to discuss.  There are lots of other things going on in the world too. I can’t help but notice that we didn’t see the sun go out, and then disasters of this magnitude in Texas before Donald Trump took office.

SciFi Weekend: The Defenders; David Tennant Returning To Jessica Jones; Krysten Ritter on Season 2 of Jessica Jones; Karen Gillan; Sense8; Dick Gregory And Jerry Lewis Die

The Defenders was the big event of the week. Considering what a major event it was, along with only being eight episodes and being released in the summer without much competition, I am going to assume that most who are interested have already viewed it and will vary from my usual practice of holding off on spoilers about Netflix shows until after they have been out for a while. Before getting into spoilers in the rest of the review, I will say that the series was mixed in terms of plotting and pace, but certainly worthwhile to see all four stars of the Netflix Marvel series together. Just hearing Krysten Ritter’s wise cracks made up for slow moments. I would advise those who held off on watching Iron Fist due to its weak reviews to watch this first. The villains in The Defenders are from the Hand, with this story being largely a continuation of Iron Fist. While it therefore has some of the weaknesses of Iron Fist, it is improved by the character interactions of the other characters.

The Defenders starts with Danny Rand and rapidly makes the final scene at K’un-Lun almost irrelevant, at least for now, as he quickly returned to New York. Even worse, they quickly dispensed with the ending of Luke Cage as he was quickly released from prison. The show had all four leads in New York City, and there were enough connections between the four shows to make it plausible for their paths to begin to cross. Still, it wasn’t until the fourth episode that all four were together as a team.

The series did benefit from cutting down from thirteen to eight episodes, but there were still problems with the plot. Dealing with the Hand did not feel entirely like a rehash of Iron Fist by bringing in Sigourney Weaver along with the other heroes. There was also good use of the supporting characters from the other series, most significantly with a resurrected Electra. It was surprising to see Sigourney Weaver’s character only lasting through the first six episode, similar to the change in villain midway through Luke Cage.

The final fifteen minutes took place after the main event with the apparent death of Matt Murdock becoming the focus. This did not work very well as, even if it wasn’t already know that at third Daredevil series was planned (including news earlier in the week of plans to start shooting in October),they would not be likely to kill off the most well known member of the team. Plus fans of the genre know that if  you don’t see a body, the character is undoubtedly alive–and in this series even being seen as dead is no guarantee that this state will persist. Finally, Matt Murdock was seen in the final seconds, likely setting up matters for the next series.

The belief that Matt Murdock was dead also placed Iron Fist in a situation where he was asked to protect the city, and he did appear like Daredevil in his final scene. We don’t know for sure if the Hand is really destroyed, but this does provide for an alternative type of story line for his second season in a more traditional super hero role.

Being Marvel, there was even a scene after the credits (which I had to search for as my setup of Netflix on a Roku tried to skip past the credits). The scene involved Frank Castle, the Punisher. More on that scene at Screen Rant.

Entertainment Weekly interviewed Defenders showrunner Marco Ramirez:

Let’s start not at the beginning, where Jessica likes to begin her interrogations, but at the ending. Is this the definitive end to the Hand? What can you tell me about the status of everybody in the organization who didn’t get decapitated? That includes Gao, Murakami, and Elektra.
Well, in the Marvel world — and as Jeph Loeb, the Marvel TV head, would say — in the comic-book world, you can always find a way. The story finds a way, so who knows? But we definitely felt like we wanted this to be the end of this specific show, so while I don’t know if it’s the end of the Hand forever — who knows what will happen in the future — it just felt like it’s the end of this story in the lore. Particularly for Iron Fist, we wanted to close that chapter [of the Hand’s story]. I don’t know what the future holds. That’s a Jeph Loeb question [laughs] but for me and for the writers’ room, it felt right to end the story here.

That dragon skeleton — that wasn’t Shou-Lao the Undying’s, is it? It’s just a pile of bones implying that there had been dragons all over the world and one wound up buried under New York?
Yeah, it’s the second one. The idea of that was that there had always been this kind of mystery that the Hand can bring people back from the dead, but we never knew exactly how, and it made sense to connect the life-force idea of the chi in the Iron Fist to the idea of the life force [the Hand members] use for various purposes, so we’re just saying it’s dragon bone that they use, that that’s the substance. That felt like the cleanest way to tie everything in.

And it’s been set up since Daredevil season 1; Gao operates in the background of New York with drugs made from that ground into powder. It felt like we could make back alley drug deals in New York and dragon mythology all part of the same story, so that was my way of trying to tie them all in.

But then, do we know where the city of K’un-Lun went? A part of me thought that was Shou-Lao only because K’un-Lun disappeared, and New York did have a conveniently huge hole in the middle of it.
That’s a question for the Iron Fist showrunner, not me. Honestly, I don’t know where they’re going with that…

I’m running with it. Moving on to Matt’s near-death, why did he find it so important to stay behind to fight Elektra, knowing that he would probably not make it out alive?
To me, Matt and Elektra always felt like Edward Norton’s character and Tyler Durden in Fight Club except with a more overt sexual dynamic. [Laughs] And so, in the end, it felt more like the end of Fight Club…  Emotionally, Matt knows and has to embrace the fact that she’s his burden to deal with, and though he’s fought for three episodes alongside Luke, Jessica, and Danny, Elektra is his problem, his cross to bear. That’s very Matt Murdock to say “Don’t worry about it, I’ll do this. I’m going to die for this.”

How exactly did he make it out alive in the end? Can you tell me?
I can’t. I can’t say anything.

You’re back to keeping secrets!
I know, I know.

Well, can you confirm for me that the Maggie mentioned at the end of the series is Matt’s mom?
[Laughs] I can’t confirm anything! I can say that visually that shot at the end of Daredevil’s story was definitely an homage, as were a couple of other scenes, to the comics. That’s one of my favorite Daredevil images, so regardless of who any of the characters are, I went to the production meeting saying this is the image we’re going for, we’re going to feel like this, and that came from that image that I purposely borrowed from the comics.

Let’s go back to The Defenders. Before the Midland Circle showdown, Elektra brutally murdered Sigourney Weaver’s Alexandra, literally stabbing her in the back with her preferred sai. Why did you kill off who we thought was the Big Bad of the entire series at the end of episode 6?
Well, part of it was just about giving the audience a little something unexpected. Audiences I think sometimes expect that a major storyline or major character is going to end in the ultimate or penultimate episode so they go, “Oh all right, something’s going to happen here at the end of the story,” so it just felt like a jolt, and it was exciting to write. The second part was really in a way we introduced Sigourney’s character a little bit to highlight Elektra’s story. I like to think that we wrote a really fun cool character for Sigourney but really it was also a way for us to say this is the journey that Elektra is going on…

Back when the series was still filming, Jeph Loeb had said this series could end with these characters telling each other they never want to see each other again. So to you, at the end of this season, what would you call the Defenders? Are they teammates? Friends? Acquaintances?
I think of them mostly as like people who were on the same bus when it got in an accident, and then they all filled out paperwork together, and they all went to the hospital together, and now they’re going home. And it’s kind of like, “This was a great adventure to have with you, I’d be okay with seeing you again, I’d also be okay with never seeing you again.” It’s more like a bond that happens in a crisis. People are intimate now, but it’s not like you’ll be inviting them over for dinner every Tuesday. [Laughs] We designed it so they could go back to their individual worlds, but it’s not like they’re apart permanently in any way.

This week’s Doctor Who news overlaps with characters involved in The Defenders. David Tennant was the best of a handful of strong villains in the Netflix shows, and I had wondered if a second season of Jessica Jones will be as strong without him. There was surprise news this week that David Tennant will be returning to the second season, with no word as to the specifics. It is possible it could be as flashbacks or as something in Jessica’s head. I also wonder if perhaps he only made Jessica (and the audience) think he was killed, or if surviving a broken neck is another one of his abilities.

David Tennant is also going to star with Michael Sheen (Masters of Sex) in an adaption of the Neil Gaiman/Terry Pratchett novel Good Omens on Amazon.

As I noted last week, David Tennant has been speaking out in favor of Jodie Whittaker being cast as the thirteenth Doctor. The Sunday Express also looked at that, along with the news on how her father was kept in the dark about the role.

Krysten Ritter discussed the second season of Jessica Jones with Bustle:

Ritter emphasizes that the key topic of the second season will be exploring “more of why Jessica is the way she’s is” (which could also lend itself to some therapy sessions). She argued we shouldn’t assume that the superhero’s personality is just about Kilgrave: “Even in the source material, so much stuff has happened to her. You feel for her … Every time, you’re just like, ‘Ugh, she’s been through so much.’ Yet she still fights. Which is what we love about her.”

And if you’ve been wondering what could have led to the character’s pessimism and cynicism, it sounds like this is going to be the season we’ll get plenty of answers. Which is a lottery win of a plot development, right? But the actor also warns audiences that while she has been hoping to recreate Season 1, that this is a radically different beast, summarizing the evolution in where each installment took place. “The first season was in her head and the second season is in her heart,” offers Ritter.

Karen Gillan already has a character in the Marvel Universe in the Guardians of the Galaxy movies, and she has a definite role which she desires in the DC universe–The Joker. From ComicBook.com:

karen Gillan is best known across the pop culture landscape for her roles as Doctor Who‘s Amy Pond and Guardians of the Galaxy‘s Nebula. But if she had a chance to lend her talents to another corner of geek culture – the live-action DC Comics universe – there’s one character she would like to play.

During a panel at Florida SuperCon, Gillan was asked what character she would be willing to play in another fandom. And to the surprise of comic fans, she had a noteworthy DC Comics antagonist – The Joker – in mind.

“Oh, can I say something DC?” Gillain asked. “Okay, I’m going to say something DC, and I’m going to play the Joker. Maybe a female Joker.”

A fan then informed Gillan that there is comic precedent for a female Joker, with Martha Wayne taking on the mantle in DC’s 2011 event Flashpoint.

“This is my calling!” Gillan said with a gasp. “Somebody make a call for me and let them know I’m available.”

…At the end of the day, Gillan might not end up playing the DCEU’s version of Flashpoint Joker, largely because she’s busy filming Marvel’s Avengers: Infinity WarAvengers 4, and Guardians of the Galaxy Vol. 3. But you have to admit that it’s pretty easy to picture her playing the fan-favorite role in some capacity.

In other cross-genre casting news, Susie Abromeit, who played Jeri Hogarth’s girlfriend Pam in Jessica Jones, has been cast to play Ray Palmer’s mother on Legends of Tomorrow. The episode goes back to Ray’s childhood in the 1980’s

Last week I noted that Lana Wachowski is writing a third season of Sense8 in the hopes that it will be picked up somewhere. The porn site xHamster has made an offer to continue the series in a letter posted here. I have my doubts as to whether having fans go to a porn site will be an acceptable option, but maybe that would mean that the annual orgy scenes would be more explicit.

Two comedians who were otherwise quite different now have one thing in common–having died this weekend. Dick Gregory died yesterday. The Washington Post reports:

The comedian Dick Gregory rose to national prominence in the early 1960s as a black satirist whose audacious style of humor was biting, subversive and topical, mostly centered on current events, politics and above all, racial tensions. His trademark was the searing punchline.

“A Southern liberal?” he once said. “That’s a guy that’ll lynch you from a low tree.” Another: “When I get drunk, I think I’m Polish. One night I got so drunk I moved out of my own neighborhood.” On segregation: “I know the South very well. I spent 20 years there one night.”

Mr. Gregory, 84, died Aug. 19 in Washington. His son, Christian Gregory, announced the death on Mr. Gregory’s official social media accounts. The cause was not reported.

Jerry Lewis died this morning. Variety reports:

Jerry Lewis, the brash slapstick comic who became a pop culture sensation in his partnership with Dean Martin and then transformed himself into an auteur filmmaker of such comedic classics as “The Nutty Professor” and “The Bellboy,” has died in Las Vegas. He was 91.

Lewis died at his home in Las Vegas at about 9:15 a.m. Sunday morning, his agent confirmed.

For most of his career, Lewis was a complicated and sometimes polarizing figure. An undeniable comedic genius, he pursued a singular vision and commanded a rare amount of creative control over his work with Paramount Pictures and other studios. He legacy also includes more than $2.5 billion raised for the Muscular Dystrophy Association through the annual Labor Day telethon that he made an end-of-summer ritual for decades until he was relieved of the hosting job in 2011.

But Lewis’ brand of humor did not always wear well as times and attitudes changed. Over the last 10 years of his life, his reputation soured slightly as he was forced to apologize for making a gay slur on camera during the 2007 telethon, continued to make racist and misogynistic jokes, and didn’t hesitate to share his right-wing political views.