Heaven Sent was an ambitious episode of Doctor Who, following the death of Clara Oswald. The Doctor is in a castle with moving walls and stalked by a monster who represents his greatest fears. Only confessing his deepest, darkest secrets will slow it down, but he ultimately dies and starts over, like Bull Murray in Groundhog Day. Before dying, he would retreat to a version of the TARDIS in his mind, and discuss his plans with a version of Clara, who also was only in his mind. Sometimes answers were provided on chalk boards. His escape might be in the twelfth room, once again giving more meaning to his artificial designation as the twelfth Doctor. He eventually realizes that every one hundred years a bird pecks on a diamond wall which is preventing his escape. He manages to reverse-teleport allowing a version of himself stuck in the hard drive to start over. (This might raise the question as to whether at the end he is really the same Doctor who we started out with, but considering that the entire universe has already been rebooted and recreated, this hardly matters.) The rooms in the castle all revert to their previous state (automated room service). After billions of years, of doing this, the wall would break down.
You really must see this for it to make any sense, and I would recommend a second viewing.
As the Doctor confesses, we learned that he did not leave Gallifrey because he was bored, but because he was scared. The Timelords knew that the time war was coming. After escaping the castle, the Doctor sees Gallifrey off in the distance. He contradicts what he claimed before and confesses that nothing is half-Dalek. The Daleks would not allow it. He admits, “The Hybrid destined to conquer Gallifrey and stand in its ruins is me.”
The meaning of this remains unclear. Maybe they are returning to the claims in the 1996 movie that the Doctor is half human, but I suspect there will be a different meaning. There are also other questions especially what will happen when he gets to Gallifrey? There are also questions about the recent past, give or take several billion years. Who trapped the Doctor and sent him to Gallifrey? What exactly is the confession dial? How does Ashildr fit in? These question may or may not be answered next week in Hell Bent.
A full length trailer for Legends of Tomorrow has been released, giving a far better idea of what the first season will be about. There are some minor spoilers out for the DC superhero shows. There are rumors that Constantine will be in season two of Heroes of Tomorrow, with a different cast from the first season. Other reports say that this might be a single season show, possibly replaced with a different show next year.
Constantine’s parting gift to Oliver — a magical tattoo? — will come back to play soon. “Basically Constantine says to him that this is insurance against Reiter, and we’re going to deliver on that promise entirely,” EP Wendy Mericle says. “It’s going to help Oliver when he’s in a very dark place and time when he has no other way out. It’s going to be the thing that pulls him out of a very dark spot and literally saves him.” But whether he’ll be able to use it on Damien Darhk is another story. “The mysticism that Reiter is practicing may or may not sync up with what Damien Darhk is doing,” Mericle adds.
Stephen Amel told what he knows about the flash forward to a graveyard scene in Arrow (and it is not very much):
Amell initially joked, “It’s not me.”
He then added, “I don’t. That’s not for me to know. That’s for our producers to know. It’s only for me to know if and when I need to do something if we end up doing another flash forward in the show. I needed to know certain things about the scene without knowing who it actually was when we did the initial flash forward. I just needed to simply know that the person I wanted to kill was a him and that the person that was in the grave was someone I cared a lot about. That’s all I needed to know. I don’t need to know the specifics until if and when we shoot another flash forward scene if there was something else that I had to say.”
When Jay Garrick returns, he may actually find some common ground with Wells for once, though it won’t be easy. “Jay is summoned to S.T.A.R. Labs in an urgent matter from Wells,” Teddy Sears tells EW. “Jay shows up only to find out that Wells wants Jay to be his guinea pig. He is toying with a substance that has its history in the lore of The Flash, so it’s something from the comics. He wants to try it on Jay to see if it works because he wants to use this on Barry in their fight to bring down Zoom. Jay doesn’t react very well to that. He doesn’t want to be a part of Wells’ schemes. There will be some life threatening moments in there and we have to use a combination of science and ingenuity and Wells’ mysterious substance to get to a safe conclusion.”
There are rumors of a meeting between Supergirl and The Flash. They do have a lot in common in their first seasons. Both were mentored by a head of an organization or lab who were keeping secrets. I suspect both were evil, but we don’t know very much yet about Hank Henshaw.
New scenes from Batman v. Superman will be shown during the Gotham season finale on Monday.
Over on the Marvel side,the above trailer was released for Captain America: Civil War, with the movie to be released May 16. Some fans have been disappointed by the lack of Spider-Man in the trailer despite his planned presence in the movie now that Marvel Studies and Sony have come to an agreement. There is also the possibility that Captain America and Iron Man will appear in the next Spider-Man movie.
I finished Jessica Jones on Monday, and it maintained the quality I noted last week. Unlike Daredevil, which did often have distinct stories within its general arc, the episodes flowed together like one long (and highly enjoyable) movie. Jessica Jones has a lot of Easter eggs related to the rest of the Marvel universe. If they ever decide to move beyond the Marvel universe, I recently noted aspects of Donald Trump which would work well to make him the evil supervillian in one of these future shows set in New York.
The other major streaming series to premier the same day, Man In The High Castle, also looks quite promising but I haven’t gotten too far into this one yet. Both of these recent shows to start streaming might be good topics to write more about in December after most of the genre shows have gone on hiatus. Incidentally, TV Line has a handy chart of when shows are ending for the holidays, and when they are returning in 2016.
Fargo has been renewed for a third season by FX, but Fox is moving Sleepy Hollow to Friday nights, where genre shows go to die. While better than last season, Sleepy Hollow still has not recaptured the quality of the first season. Some shows are better suited for more limited runs than is common on network television. I don’t think Fargo is as good as the first season (very few shows ever have been as good as the first season of Fargo, but the second season is still very good. It does benefit from having an entirely different story each year.
Only four companions had previously died in the long history of Doctor Who, with none in the new series. This changed on Face the Raven with the death of Clara Oswald. The episode took place on Trap Street, a hidden street in London like something out of Harry Potter, except in this case Maise Williams’ immortal character returned as mayor, providing sanctuary for aliens. Clara’s friend Rigsy (previously seen inFlatline, when Clara was acting as the Doctor) was sentenced to die, with a Chronolock tattooed on his neck, counting down the minutes until his death. The Doctor tried, unsuccessfully, to turn to his index cards to express his condolences, but Clara pushed him to try to save him.
Unfortunately it turned out to be Clara who saved him by transferring the Chronolock from Rigsy to herself. Maise Williams’ character, Me, had already guaranteed Clara’s safety on Trap Street, so she thought this would buy them time. What Clara did not know is that Me never really intended for Rigsy to die. However, once the Chronlock was transferred from Rigsy to Clara, the terms of Me’s deal with the quantum shade, which controlled the execution, were changed and Me could not save her.
Clara assumed the Doctor could save her once again, but he could not, and the two said their dramatic farewells. It did seem questionable that the Doctor couldn’t at least try to save her. After all, it was already established that there was a stasis machine nearby. If that couldn’t work, there was also a teleport bracelet, not to mention the TARDIS, which might take Clara to safety.
Clara’s death was actually guaranteed by the decision for Jenna Coleman to leave the series. Steven Moffat discussed writing Clara out in an interview with Blogtor Who:
“What we’re gonna do with Clara’s departure was ‘Plan A’. This is what I wanted to with Clara from very, very early on in Clara’s run but Jenna said that she wanted to leave at the end of Series 8. And I sort of knew she didn’t really want to leave, I think she just felt she ought to leave at the end of Series 8, despite my various attempts to tell her what she was thinking – which never goes down well I find with human beings! [Laughs]
She decided to leave so I wrote her out of the end of Death In Heaven, that was her last episode. I was halfway through Christmas [Last Christmas] without Jenna and she said, ‘Actually, I’d like to be in Christmas,’ so I discreetly threw away the script I was writing and started again. [Laughs] Never told her that – should’ve.
I wrote her out of the end of Christmas but this time I sniffed a wind and wrote two endings; one version where she actually is the old lady and we last see her going up the spiral staircase. At the read through we did the big heart-rending departure and she changed her mind.
Peter and I did perform every form of emotional manipulation known to people on the world tour, badly and ineptly I might add. I like to think in the sheer ineptitude of out apparent subterfuge we were charming.
But what we’re doing now is the right way for her to go, in my view.”
There might theoretically be a way in which Clara did not die and could return for some of the final episodes of the season, but now that Jenna Coleman had her big exit scene it would be better to leave her character dead. That does not mean that Jenna Coleman might not show up again. A form of Clara has been involved with all Doctors we have seen so far, and the way in which she was fragmented should mean that she will also be involved with future Doctors, although that does not mean that either the Doctor or the audience will see her
The Doctor has met Clara in different forms. He met Oswin Oswald, the soufflé girl, inAsylum of the Daleks, and met the Victorian barmaid and governess Clara Oswin Oswald in The Snowmen. He also came close to meeting Clara as a child but did not recognize her.
There are still questions left from Face the Raven. The Doctor was teleported off, and is on his own, leading into the final episodes of the season (which will be extended length). Will he return to face Me, after warning her “You’ll find that it’s a very small universe when I’m angry with you”? Who was Me working with? It was apparently someone who knew about the Confession Dial, which might mean Davros, or Missy. Incidentally, it was Missy who put Clara in touch with the Doctor in The Bells of St. John, so it might be fitting that she was also indirectly involved in her death. (Incidentally Michelle Gomez, who plays Missy, also appeared on Gotham last week).
The portion of the season prior to the Christmas episode will end with another two-parter. Heaven Sent will air on November 28th and run fifty-five minutes. Hell Bent will air on December 5th and run sixty-five minutes.
Behind the scenes videos of Face the Raven can be seen here.
It was a tough decision with both Jessica Jones and The Man in The High Castle both becoming available for streaming on Friday night. Ultimately a show staring Krystin Ritter, David Tennant, and Carrie-Ann Moss won out. In addition to these three, Rachel Taylor does an excellent job as Trish Walker and Mike Colter is excellent as Luke Cage. Besides appearing in Jessica Jones prior to appearing in his own show, Luke Cage has been teased in a trailer for the second season of Daredevil.
While I have not finished the series yet, I have seen enough to say that this is excellent. It is possibly the best superhero show ever on television, and possibly the best television show or movie with the Marvel Cinematic Universe. Vulture has a collection of excerpts from the many excellent reviews of the series. I will have no spoilers of the individual episodes in discussing the series.
Jessica Jones has started out even stronger than Daredevil. While set in the same Hell’s Kitchen background, it is not entirely as dark and gritty, with more of New York City seen. There are brief mentions of other events in the Marvel universe, but it is not necessary to have seen any as long as you are just aware that New York City was under attack in The Avengers movie.
Krystin Ritter is excellent as the damaged superhero. She plays a strong female lead, but the tone of the show is entirely different from the other superhero series with a female lead, Supergirl. Ritter’s dramatic acting abilities were clear in Breaking Bad, and she showed she could handle being the lead for a show in Don’t Trust the B—- in Apartment 23. She further shows her acting talent as the lead in this complex dramatic role in which her character underwent a traumatic experience in the past, leading to the season-long arc with the big-bad Killgrave, played by David Tennant.
Unlike a lot of superhero shows, she doesn’t seem to rely on her superpowers that often.
That’s how I always approach the character. Just a woman and a girl first, with her feet on the ground and with real issues. Her struggle is so personal and so relatable and so grounded. I just focused on that and the superpower thing second. I just felt like it was an extension of who she is – because internally, she’s so strong.
What unique issues are being explored in “Jessica Jones”?
I felt like it was groundbreaking material in how it handles some of the darker stuff that happens to her. We never actually see, literally, [her] history with [villain] Kilgrave. But we see the effects of it. Ultimately, this is a story about coming to terms with something internally with yourself. I also enjoyed that she wasn’t sexualized. She’s never putting on high heels and the tight skirt to seduce somebody like your typical P.I. So there were all these things in there that felt a lot bigger. I felt like it was a great conversation starter. It has the potential to be an iconic character.
The Los Angeles Times spoke with Kristin Ritter and showrunner Melissa Rosenberg, who was also head writer on early seasons of Dexter:
“[For Jessica] the superpowers are just a matter of fact. She doesn’t advertise them, but she doesn’t deny them. She doesn’t hide them,” show runner Melissa Rosenberg explains. “What I love about this character is she’s so unapologetically who she is. She’s unapologetic about her sexuality, about her powers, about her drinking, about just about anything. She is who she is.”
Her sexuality, and drinking, along with other aspects of Jessica Jones, are certainly not hidden. While there is no nudity, this is not a superhero series for children.
I have also been bookmarking material on The Man In The High Castle but will wait until I have hopefully had time to start the series.
An extended promo has been released for this season’s crossover episodes of The Flash and Arrow, starting December 1 (video above).
The season finale of The Flash is part of the crossover event with Arrow and introduces Wally West. There has been speculation this season that when Iris’s mother turned up and there was mention of another child, this would be Wally West. The following synopsis has been released.
“Running to Stand Still” — MARK HAMILL, WENTWORTH MILLER AND LIAM MCINTYRE RETURN; KEIYNAN LONSDALE JOINS THE CAST AS WALLY WEST — When Mark Mardon AKA The Weather Wizard (guest star Liam McIntyre) returns to break Leonard Snart AKA Captain Cold (guest star Wentworth Miller) and James Jesse AKA The Trickster (guest star Mark Hamill) out of Iron Heights, Barry (Grant Gustin) must stop these rogues from taking over Central City during Christmas. Meanwhile, Joe (Jesse L. Martin) and Iris (Candice Patton) meet Wally West (Keiynan Lonsdale). Kevin Tancharoen directed the episode written by Andrew Kreisberg (#209). Original airdate 12/8/2015.
We have already seen the first glimpses of Hawkgirl on The Flash, as the various characters for Legends of Tomorrow have been put place on Arrow and The Flash. Legends of Tomorrow will debut on Thursday, January 21. In addition to bringing back old characters on Arrow in preparation for this, Roy will be returning to Arrow in episode 412.
The above teaser has been released from 11/22/63 from J.J. Abrams, based upon the book by Stephen King. It is to be released on Hulu on Presidents Day, 2016.
Danger Will Robinson: Netflix is planning a reboot of Lost in Space.
CBS has signed a deal with Carter Bays and Craig Thomas to produce another comedy set in New York. Deadline reports that the show, named New York Mythological, “centers on a Midwestern girl who moves to Manhattan and experiences firsthand the magic of New York.” It sound like quite a few other shows done over the years but it is the execution which matters. There have also been a lot of shows about friends in New York City, but few did them as well as Bays and Thomas did with How I Met Your Mother.
I don’t want to spend too much time on an episode of Doctor Who which I really did not like very much. Sleep No More did not have the usual intro sequence to the show but did start with a character giving this warning: “You must not watch this! I’m warning you. You can never unsee it.” Viewers should take his advice and apply it to the episode.
It is hard to say exactly what to make out of an episode where the Doctor says he’s confused and that it doesn’t make sense. Perhaps this was written to lead into future events of the season. We know Jenna Coleman is leaving, and we are told that the Morpheus process has already begun in Clara. I hope that this is not the episode which leads into Clara’s departure, especially if it means she dies. A major character deserves to go out better than this. This could be the worst exit for a character (even if not the final episode for her) since Tasha Yar’s death on Star Trek: The Next Generation.
Mark Gattiss warns that a sequel is planned. He should not be judged primarily on this episode after all the great writing he has done. Fans might be more interested in this interview with Tor, released earlier this week
Doctor Who Extra videos can be seen here. (I have not watched them–I have no further interest in this episode).
While the show itself was weak, presumably it inspired the great cover for Doctor Who Magazine. More on the contents of the issue here.
Next week Fear the Raven features the return of Maisie Williams.
The BBC has released the synopsis for the Hell Bent, the final episode of Doctor Who before the Christmas episode:
If you took everything from him, betrayed him, trapped him, and broke both his hearts…how far might the Doctor go?
Returning to Gallifrey, the Doctor faces the Time Lords in a struggle that will take him to the end of time itself. Who is the Hybrid? And what is the Doctor’s confession?
These trailers for Jessica Jones continue to create considerable interest in the show, premiering November 20 on Netflix.
I09 reports that Georgina Haig of Fringe will have a recurring role on Limitless:
Georgina Haig is set for a recurring role as Piper. Per the producers, Piper was once like Brian, naive and sheltered—then she lost everything. Now, self-trained in many forms of combat, she has a mission to stop the man who took it from her—with Brian as either her ally or her enemy.
This TV spot for Star Wars: The Force Awakens has also been released.
NBC has renewed Blindspot for a second season. That is good news, but also means there is no hope for an explanation this year.
The above featurette was released on Syfy’s upcoming adaptation of Arthur C. Clarke’s novel Childhood’s End.
Julian McMahon and Charles Dance, who star in Syfy’s new Childhood’s End talk about what it means to be a part of a utopian society. Childhood’s end looks at a peaceful alien invasion of Earth by the mysterious “Overlords.” The group’s arrival begins decades of apparent utopia under indirect alien rule…but at the cost of human identity and culture.
The Zygon Inversion had a different feel from last week’s episode of Doctor Who, The Zygon Invasion. Both are anti-war stories, but the first built up what appeared to be grave danger for the Doctor and the earth on a worldwide scale. The conclusion was a far more personal story, and eliminated the threats from the previous week rather easily.
The Doctor used the Osgood Box as a means to get both sides to talk, and ultimately think about what they were doing. War was simplified to pushing one of two buttons: “This is a scale model of war. Every war ever fought, right there in front of you.” It was ultimately a trick, with the boxes being empty, but they served their purpose. Apparently this was quite necessary as this was the fifteenth time the Doctor had to use this argument to keep the Zygon peace treaty intact, even if the other occurrences were off screen.
The episode had other moments. The Doctor provided a different answer as to what TARDIS stands for: Totally And Radically Driving In Space. Another top line was “I’m over 2,000 years old. I’m old enough to be your messiah!”
The show also foreshadowed the plans for Jenna Coleman to leave the series. The Doctor refered to the time spent thinking that Clara was dead as the “longest month of my life.” When Clara contradicted him, saying it was only five minutes, the Doctor responded by saying,“I’ll be the judge of time.”
In recent interviews Steven Moffat said “Clara is gone and will never return,” and “I can only say that what will happen will shock, surprise and terrify. Strictly in that order.” We already saw that when Amy Pond left, Moffat left matters so that she also could not return. I wonder if the manner in which Clara leaves will account for her origin. Clara was splintered in time and looked after each regeneration of the Doctor, and presumably should also be present, even if unseen, in each future Doctor.
River Song is reportedly returning for the Christmas episode this year. I wonder if that is to fill a gap with Clara already gone.
From various interviews and articles posted recently, it also appears that Doctor Who is coming back next year at least for twelve plus the Christmas episode, with Moffat hoping to increase this back to thirteen full episodes. There are also no current plans to skip a year or split the season as some reports have stated.
The big news of the past week has been that CBS is planning on another Star Trektelevision series to start in January 2017. The catch is that the plans are to show the first episode on CBS and then have the remaining episodes on CBS All Access, a streaming service from CBS which currently costs $5.99 a month. Currently I have the highest cable tier (which obviously includes CBS along with all the premium channels and their streaming services) and have subscribed to Netflix and Amazon Prime for a while. I have added the commercial free version of Hulu, which contains shows from most of the networks. While not very expensive, with the cost not really being an issue, I cannot help but questioning paying for a streaming service from CBS alone.
CBS is obviously counting on the large number of Star Trek fans to pay for the service. My bet is that most Star Trek fans are tech savvy enough to download the show without paying and will balk at a streaming service which is limited to a single network, which has its other shows available on cable. Realistically I could easily stop my subscriptions to all the premium cable channels I subscribe to, along with the streaming services, and easily download everything I watch. I pay for multiple sources because I believe it is the right thing to do, and sometimes it is even more convenient. While I may or may not subscribe to CBS All Access, my bet is that most people will see this as a rip-off, questioning why CBS doesn’t just use Hulu more like the other networks, and just download the show.
There are many other questions which have not yet been answered. Will the show take place in the Roddenberry universe or the J.J. Abrams universe? When will it take place? We saw that a prequel did not work very well with Enterprise, although it finally figured out how to handle Star Trek in its final season when it was too late. My suggestion would be 20-50 years after Star Trek: The Next Generation. Then, taking into consideration a longer lifespan if necessary, there could be cameos from the old cast.
I also wonder if they will release an entire season at once Netflix style, or have this be a weekly show. A weekly release could result in much more on-line buzz as it is possible to discuss each episode every week. It is harder with a show in which an entire season is released at once as viewers are at all different point. How many episodes will there be a season? The longer seasons of past episodes allowed for a closer look at even the minor characters, along with discussion of ideas, which made the television series much better than the movies.
The second episode of Supergirl seemed almost like a new television event considering how long the pilot has been available on line. Overall it was a good episode (one of only three new network shows I’m still watching), but the story was weakened by having to go through the almost obligatory stories of the superhero learning how to use his/her powers. I’m hoping for stronger individual stories when they are not burdened by such matters. Watching this with Arrow and Flash back on also highlights the degree to which they are using a similar format for all three. All have the hero/heroine who is backed up by a team, with various degrees in which the team coordinates or attempts to control their activities. So far Supergirl faces the most severe issue of attempted control from others. Personally I find the government agency the weakest part of the series so far, and would prefer to see Supergirl standing on her own, with her coworkers (along with boss played by Calista Flockhart) being the major part of the story beyond Supergirl.
Meanwhile, on the other DC shows, we are gradually seeing the team being set up for Legends of Tomorrow with evidence that Ray Palmer is still alive and the resurrection of Sara Lance, with the help of Constantine. Arrow has also done an excellent job with the new big-bad, as has The Flash with Earth 2 and the threat from Z00m. The Marvel-based show is also off to a good start this season with Agents of SHIELD having a few interesting subplots started for the season, including the revelation of Lash’s identity. It looks like the rescue of Will from the alien planet might be stretched out for a while longer.
In case anyone is interested, the other two networks shows I’m watching this season are Blindspot and Limitless. Plus there are several shows which have either started or are coming up on streaming video which I plan to watch. I have only caught the first episode of Aziz Ansari’s new show on Netflix, Master of None, and plan to continue. I have heard that the second episode is even better, and that the show continues to improve.
Netflix has released several pictures from Jessica Jones, including the one above. Originally the show was to be called AKA Jessica Jones, and the have kept the AKA in the episode titles. Following is a listing with brief synopsis of the episodes, which might give a better idea of what the series is about.
AKA Ladies Night: Jessica Jones is hired to find a pretty NYU student who’s vanished, but it turns out to be more than a simple missing persons case.
AKA Crush Syndrome: Jessica vows to prove Hope’s innocence, even though it means tracking down a terrifying figure from her own past.
AKA It’s Called Whiskey: It won’t be easy to acquire or deploy. but Jessica thinks she’s found a weapon to use against Kilgrave. Luke and Jessica bond over their similarities.
AKA: 99 Friends: A new case demands attention as Jessica tries to find out who’s spying on her for Kilgrave. Trish’s radio show yields unexpected consequences.
AKA The Sandwich Saved Me: Despite Jessica’s objections, Trish’s new friend Simpson gets involved in the hunt for Kilgrave. Jessica recalls a pivotal moment in her life.
AKA You’re a Winner: Luke hires Jessica to help him find someone who may have skipped town, but she fears he’ll learn too much about her history in the process.
AKA Top Shelf Perverts: Malcom, Simpson and Trish go rogue to prevent Jessica from carrying out an extreme plan to outwit Kilgrave.
AKA WWJD: Jessica experiences a strange homecoming courtesy of Kilgrave. Hograth’s conflict with her estranged wife reaches a tipping point.
AKA Sin Bin: Just when Jessica has Kilgrave right where she want’s him. Hogarth’s involvement complicates the situation. Details of Kilgrave’s past emerge.
AKA 1,000 Cuts: A discovery has the potential to change the entire game — if Jessica can refuse Kilgrave’s offer.
AKA I’ve Got The Blues: Jessica searches morgues for clues. Trish goes all out to keep Simpson from getting in Jessica’s way. Malcom has an epiphany.
AKA Take a Bloody Number: The hunt for Kilgrave reunites Jessica with Luke. Trish receives some unexpected information about Simpson and Jessica.
AKA Smile: Jessica and Luke get help from someone else in the neighborhood. Kilgrave gears up for a major test of powers against Jessica.
I was rather disappointed by Donald Trump’s appearance as guest host on Saturday Night Live, despite the high ratings which Trump brought in, and the reviewers have agreed. I think that the problem is that Donald Trump is already such an absurd a character that it is difficult to make a parody which is any more amusing.
The best exchange with Trump took place with Larry David, based upon the offer from Deport Racism:
You’re a racist!” he yelled, interrupting Trump.
“Who the hell is – oh, I knew this was going to happen,” Trump responded. “Who is that?”
“Trump’s a racist!” David responded.
“I heard if I did that, they’d give me $5,000,” he added.
“As a businessman, I can fully respect that,” Trump said.
Larry David also had the funniest overall moments of the episode, reprising his impersonation of Bernie Sanders at Friday’s Democratic Forum in the cold open–video above. Variety summarized a couple of portions, but watch the full video.
On raising taxes: “We need to rebuild our nation’s infrastructure. It’s crumbling. That’s why I no longer drive on bridges or through tunnels. It’s too risky. Instead, I keep a kayak strapped to the top of my car.”
On campaign finance: “The other candidates, they’re taking millions of dollars from the Koch brothers and Exxon Mobil. But not me. I only accept coins. And not fancy coins. I only just want nickels and pennies, the coins of the middle class. So America, if you believe in Bernie, I need you to go home, open your vacuum, turn it upside down, and send me all the pennies that fall out of it. I’m Bernie Sanders, and I want your vacuum pennies.”
Larry David’s previous impersonation of Bernie Sanders, along with other humorous clips related to Bernie, can be seen here.
The Zygon Invasion picks up on the Zygon plot of The Day of The Doctor which was left hanging. The episode of Doctor Who included three doctors, and if we include the Zygon version, two Osgoods, allowing for her return after being killed by Missy in Death in Heaven. It was not so simple as a totally separate human and Zygon version, leading to yet another mention of a hybrid this season.
The two presented this message regarding the peace treaty between humans and Zygons:
“Every race is capable of the best and the worst.”
“Everyone is peaceful and warlike.”
“My race is no different.”
“And neither is mine.
Unfortunately the peace has fallen apart, leading to yet another threat of aliens taking over the earth. This led to the return of UNIT, and the Doctor to his role of president of the world:
Clara: I thought you didn’t like being president of the world The Doctor: No but I like poncing about in a big plane
I’m not so hot on continuing the idea of president of the world, and like the idea of “Doctor Disco” even less. Fortunately these moments did not harm an otherwise excellent episode.
The episode was better than the typical alien invasion show by the efforts to maintain peace and to understand the aliens. This included the message above, along with the Doctor trying to prevent further killing:
Kate: You left us with an impossible situation Doctor The Doctor: Yes I know its called peace
There were moments when characters did not act all that wisely. It is debatable whether the soldiers in Turmezistan were showing humanity or acting foolishly when deciding not to kill the Zygons who had taken on the form of members of their family, despite the evidence that they were fakes. It was even more questionable that Kate went to Truth or Consequences alone, without any backup, and failed to suspect that the other woman was actually a Zygon. It was not surprising that Clara had memorized Trivial Pursuits cards, and was therefore aware of this American city named after a television show.
This all led to the cliff hanger with a missile being shot towards the plane carrying the Doctor and the Doctor being told, “Clara Oswald is dead, Kate Stewart is dead.” Most likely they both can be rescued from the pods, but the knowledge that Jenna Coleman is leaving this season leaves just a tiny bit of doubt.
There are a couple of crossovers in genre shows last week and in the upcoming week. Sleepy Hollow has done their cross-over with Bones.If the purpose was to get fans of Sleepy Hollow to watch Bones, it did not impress me. While Sleepy Hollow remains weaker than its first season (but better than last year), the little I saw of Bones did not tempt me at all to watch any more. For that matter, for those who are holding out to determine if it is necessary to watch Bones to follow the plot on Sleepy Hollow, you don’t have to bother. Spoiler: The episode deals with the exhumation of General Howe’s corpse (which is more important on Sleepy Hollow) and basically keeps it in the background until Crane and Abbey are able to take the body at the end of the episode.
Bones showrunner Michael Peterson discussed the cross over with Assignment X. Here is a small portion:
AX: And how is the SLEEPY HOLLOW crossover going to work? There have been hints of ghosts and an afterlife on BONES, but no Headless Horsemen.
PETERSON: I’ve been saying that it’s like X-FILES – we’re the Scully hour, they’re the Mulder hour. We make sense of what seems to be supernatural, but there’s always logic behind it. Our people will not see ghosts, they will not see vampires, they will not see zombies. We’re not that show. We do science-based, but it’s going to be a handoff. There will be one mystery that leads to another, and we think it’s going to work pretty nicely. But it’s going to be very much a BONES show, with elements of SLEEPY HOLLOW.
AX: So the BONES characters are going to step into and out of the more exotic SLEEPY HOLLOW universe without realizing what they’ve been in and out of?
PETERSON: Exactly. And part of the fun is that we get to do it on Halloween. So that leaves it open to a lot of things that are going on. We have costumes, we have superstitions that are going on, but we’re going to handle it in the BONES way. It’s worked for over two hundred episodes, it’ll work for this one.
Meanwhile Arrow has recently had Sara Lance’s resurrection in the Lazarus Pit, but with rather unfavorable results. This leads to the crossover with Constantine next week (and ultimately leads into DC’s Legends of Tomorrow.
Following the series finale of Continuum, (which I discussed in greater detail here), Simon Barry both answered questions from fans (video above) and had an interview with Blastr. In the interview, Barry described the rules of time travel established for the series:
In Season 1, I addressed the writers’ room with a simple set of guidelines.
1. Time travel could not exist in a closed loop, because it would remove stakes from the show if everything was simply preordained to happen and our characters were fighting windmills.
2. We needed to preserve the stakes of guideline #1 for as long as possible to keep the characters and audience wondering what the consequences were of changing history.
3. Kiera was going to be able to change history and return to a better future as a result.
It became obvious once we dispensed with paradoxical time travel that anything was possible with multiple timelines. The only way to not get lost in this was to limit the number of time-travel events in the show. This way you couldn’t just hit reset with your characters to fix things. And even if you thought you could, as Alec did at the end of Season 2, there had to be unforeseen consequences to these choices that made you wish you hadn’t.
By making time travel as rare an event as possible, by making it difficult, we could minimize the impact of this technology. It’s also about perspective. Time travel is a purely relative process. It means nothing to those that aren’t themselves traveling, so we had to ensure that the only characters who would have access to the technology were characters whose perspectives were relevant in the show. Kiera and Alec are therefore the only perspectives we wanted to experience, because it’s really their journey.
I listened to the above Q&A in the above video on an audio podcast in the background soon after it came out and have to rely on notes I took after the fact, so there very well could be other things of interest which I’m leaving out. Regarding time travel, Barry discussed, as he made up his own rules, how incredibly difficult and unlikely actual time travel would be. He pointed out how rapidly the earth is moving around the sun, making it quite difficult to have the earth in the same location when you get back in time. (So, if the goal was to kill Kellogg off at the end, he could have wound up in empty space).
As we know would happen, once the series was canceled and Barry had only six episodes to wrap things up (which were definitely better than ending without even a rushed conclusion), many planned plot threads were left out. “Emily, Julian, the Traveler were all supposed to get larger stories. We had also discussed an entire season set in 2077 to really get to know each member of Liber8 and how they eventually got signed up with the cause.”
In both interviews, Barry talked about a desire to tell more about this universe in other medium. This was also raised in this Reddit AMA which took place before the final six episodes aired. In the podcast, he talked about how difficult this could be to get on television. Stories left to tell ranged from the Traveler to what happened to Kellogg after winding up in the past. Barry had wanted to send him even further back to be among dinosaurs, but the budget did not allow this.
During the podcast, Barry said he had worked on a scene which took place five years from now, which would include Emily, showing what the characters who remained in the present were doing. Unfortunately the scene was never filmed. The story of the Traveler might have done to religion what the show in general did to corporate greed. Barry described the Freelancers as being like religious fanatics, who thought they were following the Traveler, but got the message wrong.
It was necessary to tie up the story of how Alec sent people back into the past way too quickly. This could have included reasons for sending back Kiera beyond young Alec mentioning her name. Among ideas which might have been presented if time permitted was that Alec sent Kiera into the past because of the manner in which she investigated a murder at Sadtech. This both gave Alec reason to see her as an effective cop, along with giving him reason for wanting to get rid of her.
Sometimes the show was affected by the availability of actors. Escher was written out of the show earlier than planned for this reason. The original plan was still to ultimately kill him off, except Kellogg would have been the one to kill Escher. The actor who played Kiera’s husband was not available for the final season, which is why he did not appear. I still think it would have made more sense to have mentioned him. While it is obviously necessary to ignore some scientific implausibilities in a show such as this, I also find it hard to believe that, if Kiera had changed the future, her parents were in the same place at the same time to conceive her, and that the same happened to conceive her son. A more plausible version of the ending might have had Kiera return to her time and find that she had never been born, as opposed to having a duplicate there who never traveled back in time. Instead we will allow Barry to make up his own science, knowing that everything was implausible anyways.
It is unfortunate that such an excellent series could not have been completed as envisioned by Simon Barry. Under the circumstances, he did do an excellent job of tying up as much as possible in the final six episodes.
An extended trailer for the Victorian era episode of Sherlock, The Abominable Bride, has been released (video above). The episode will air in the US and the UK on January 1. They apparently don’t understand about college bowl games in the UK.
If you missed the excellent Supergirl pilot, or want to see it again, it remains widely available on line, as it has now been for several months. Plus you can stream it for free (and legally) from Vudu, iTunes and Amazon (Hat tip to ComicBook.com). These sources will charge for subsequent episodes, so it makes more sense to catch them as they air on CBS.
The recently announced new episodes of Gilmore Girls to be presented on Netflix will each deal with a different season. This leaves room for a lot of Stars Hollow seasonal festivals, and perhaps a June wedding for Lorelei.
Married was much better in its second season, but apparently did not bring in enough new viewers as FX has canceled the show. This is leading to speculation as to whether You’re The Worst might also be in trouble. Both comedies premiered at the same time on FX summer of 2014, with You’re The Worst moving to FXX and currently being shown in the fall. While also not doing well in the ratings. You’re The Worst has received far more critical attention and hopefully will survive because of this.
In joint political and entertainment news, former actor and Senator Fred Thompson has died. From The Tennessean:
Fred Thompson, a former U.S. senator for Tennessee, GOP presidential candidate, Watergate attorney and longtime “Law and Order” star, died on Sunday. He was 73.
Mr. Thompson died after a recurrence of lymphoma, according to a prepared statement issued by the Thompson family.
“It is with a heavy heart and a deep sense of grief that we share the passing of our brother, husband, father, and grandfather who died peacefully in Nashville surrounded by his family,” the statement reads.
“Fred once said that the experiences he had growing up in small-town Tennessee formed the prism through which he viewed the world and shaped the way he dealt with life. Fred stood on principle and common sense, and had a deep love for and connection with the people across Tennessee whom he had the privilege to serve in the United States Senate. He enjoyed a hearty laugh, a strong handshake, a good cigar, and a healthy dose of humility. Fred was the same man on the floor of the Senate, the movie studio, or the town square of Lawrenceburg, his home.
“Fred believed that the greatness of our nation was defined by the hard work, faith, and honesty of its people. He had an enduring belief in the exceptionalism of our country, and that America could provide the opportunity for any boy or girl, in any corner of our country, to succeed in life. “
On his acting career:
In 1977 Mr. Thompson found himself representing the whistle-blower in one of Tennessee’s biggest political scandals. In her role as a parole administrator, Marie Ragghianti refused to release inmates granted pardons after paying then-Gov. Ray Blanton. Mr. Thompson successfully represented Ragghianti in a wrongful termination case, helping her win a settlement and a return to her job in 1978.
That case eventually became the subject of a book and launched Mr. Thompson’s acting career. Mr. Thompson played himself in the 1985 version of the movie “Marie.” Critics praised his performance, and more roles soon followed.
Five years later, Mr. Thompson had roles in three of the biggest films of 1990: “Days of Thunder,” “The Hunt for Red October” and “Die Hard 2.” He also enjoyed a five-year run on NBC’s “Law and Order” as District Attorney Arthur Branch from 2002-2007.
Though he took a break to run for the Republican nomination for president in 2008, acting remained a constant in Mr. Thompson’s life.
He appeared in box office hits as recently as 2012, with a role in the horror film “Sinister,” and had a recurring role on NBC’s short-lived 2015 series “Allegiance.”
The Woman Who Lived works as a stand alone episode of Doctor Who which did not really need to fall directly after last week’s episode, The Girl Who Died. Maise Williams’ character is seen eight hundred years later. It was strange that she remembered the Doctor and Clara and not her own name or village. She also had a colder attitude which can be seen in this exchange:
The Doctor: Anyone is that village would have died for you Ashildr: Well, they’re all dead and here I am. I guess it all worked out
The show described the problems with immortality, and Ashildr’s frustration: “I have waited longer than I should ever have lived. I have lost more than I can even remember. Please Doctor, just get me out of this. I want more than this. I deserve more than this.”
While her life span was increased her memory was not so she had to resort to her journals, tearing out the pages of things she wanted to forget. She did keep the pages about her children dying of the plague, as a reminder to never have children again.
The Doctor did not take her with her, but did tell her , “I travelled with another immortal once. Captain Jack Harkness.” Will she ever meet up with Captain Jack (John Borrowman)? Plus Sam Swift may or may not also be immortal.
Nerdist reports that Maise Williams will return to Doctor Who:
Over the weekend, at London’s MCM Comic-Con, “Face the Raven” writer Sarah Dollard confirmed that Ashildr/Me would be back for her episode. During “The Woman Who Lived,” we find out that the character decided to be there for the people the Doctor leaves following his swoop-in/swoop-out style of day-saving. “Someone has to look out for the people you abandon, who better than me? I’ll be the patron saint of the Doctor’s leftovers,” she told him. She also says, “While you’re busy protecting this world, I’ll get busy protecting it from you.” When the Doctor expresses that he thinks he’s very glad he saved her life, she replies, rather ominously, “I think everyone will be.”
This could make her an interesting recurring character, and provides job security should she be killed off on Game of Thrones. She is present in the background of a picture at Clara’s school shown at the end of the episode. I’ll accept the coincidence that she is present in the first picture that Clara showed him after this encounter, but what about all the companions prior to Clara? While that probably cannot be shown on screen, she could be an interesting addition to books or fan fiction. With Jenna Coleman reportedly leaving after this season, possibly Maise Williams will play a part.
The above trailer announces that the long-awaited Victorian version of Sherlock will air on January 1 in both the UK and the Unites States and will be named The Abominable Bride.
I’m going to post this link without reading the article. I haven’t looked at the deleted scenes on the Blu Ray of Avengers: Age of Ultron yet, and will do so before reading this, but Den of Geek has a detailed description for those who might want to read about them without viewing.
After a bunch of teasers, Netflix has released a full trailer for Jessica Jones (video above).
I avoid watching Amazon pilots until a series is about to be released in full, but I am really looking forward to The Man In The High Castle. Reviews of the pilot have been fantastic. Now Amazon is going to make the first two episodes available, even to non-prime members, here from 12am Pacific on Friday, October 23rd until 11:59pm Pacific on Sunday, October 25th. The first two episodes will remain available to Prime members, with full release on November 20. While I already had an Amazon Prime membership for the free shipping, with streaming becoming a huge player, I now consider Amazon Prime, Hulu (commercial free subscription), and Netflix all essential (with HBO Go and comparable services from the other pay cable networks also available due to cable subscriptions). Many evenings I do not go beyond my Roku box for watching television.
This raised another thought. When traveling I prefer either a Roku box, or my Roku stick to travel more lightly, as it has all the streaming services I use set up conveniently. It includes Amazon Prime, while some competing devices do not. I also do have both a Google Chromecast and an Amazon Fire Stick. (This comes in handy when staying in friends’ condos in Florida which have televisions in the bedroom and living room). I have also found the Amazon Fire Stick essential when traveling to hotels which require a sign on to use their WiFi. Only the Amazon Fire Stick can handle this without resorting to making a hot spot with a travel router.
Danielle Panabaker of The Flash was on The Talk (video above). She discussed her transformation to the villain, Killer Frost.
All of the DC comic based shows have been off to a good start this season. Arrow, which just brought back Sara Lance to lead into Legends of Tomorrow, is much stronger this season, including a much bigger big bad. The flash backs are also more interesting with the return to the island. Plus someone will die in six months. Supergirl officially starts this upcoming week. The pilot, which has been available for months, was excellent and those who like The Flash and Arrow should also like this show. Over at Fox, Gotham has turned much darker, and is showing more potential than in the first season.
Also notable in the past week, You’re The Worst, while it has not been as good as the first season, has had many excellent moments. This included the revelation of what is wrong with Gretchen last week.
Hulu has renewed Casual for a second season. I highly recommend that show. I have not watched The Whispers, but I note that ABC has canceled it. CBS has ordered a full season pick up of Limitless. It is a lighter but entertaining show with a genre element.
I previously posted the video of Bernie Sanders on Jimmy Kimmel Live last week. Christopher Lloyd (Doc Brown) was also a guest, along with Michael J. Fox, for an opening skit for the date he came into the future in Back To The Future 2. Bernie Sanders posted the picture along with this caption on his web page:
“Tell me, future boy, who’s President of the United States in 2017?”
“Bernie Sanders?! From Vermont?”
So this our destiny. I think this is a fixed point in time which cannot be changed. The skit with Christopher Lloyd and Michael J. Fox is below:
Speaking of time travel, Simon Berry has provided some information following the Continuum finale. I will hold off a little longer to discuss the finale a second time to allow more time to see if further material of interest becomes available.
Plus we have something else from the past to look forward to. Netflix is planning a revival of Gilmore Girls. The current plans are for four episodes, ninety minutes each, which take place in real time, eight years after the finale. We will finally see the final four words planned for the show by Amy Sherman Palladino. While not finalized, Lauren Graham, Alexis Bledel, Kelly Bishop and Scott Patterson, along with many of Rory’s suitors, are expected to appear. Edward Herrmann obviously will not appear but perhaps the funeral for Richard Gilmore, taking place after the actor actually died, could be a good point at which to reunite the other characters. The series ended with Rory Gilmore covering Barack Obama’s campaign in Iowa. Might she now be covering Bernie Sanders?
This will not be the only case of Lauren Graham being united with a star from a previous show. She will reunite with Mae Whitman of Parenthood in an adaption of the The Royal We, a book on the courthouse of Prince William and Kate Middleton.
Maureen O’Hara, the spirited Irish-born actress who played strong-willed, tempestuous beauties opposite all manner of adventurers in escapist movies of the 1940s and ’50s, died on Saturday at her home in Boise, Idaho. She was 95…
Ms. O’Hara was called the Queen of Technicolor, because when that film process first came into use, nothing seemed to show off its splendor better than her rich red hair, bright green eyes and flawless peaches-and-cream complexion. One critic praised her in an otherwise negative review of the 1950 film “Comanche Territory” with the sentiment “Framed in Technicolor, Miss O’Hara somehow seems more significant than a setting sun.” Even the creators of the process claimed her as its best advertisement.
Yet many of the films that made the young Ms. O’Hara a star were in black and white. They included her first Hollywood movie, “The Hunchback of Notre Dame” (1939), in which she played the haunted Gypsy girl Esmeralda to Charles Laughton’s Quasimodo; the Oscar-winning “How Green Was My Valley” (1941), in which she was memorable as a Welsh mining family’s beautiful daughter who marries the wrong man; “This Land Is Mine” (1943), a war drama in which she was directed by Jean Renoir; and “Miracle on 34th Street” (1947), the holiday classic in which she played a cynical, modern Macy’s executive who tries to prevent her daughter from believing in Santa Claus…
Continuum had both a happy and sad ending but, even more remarkably, ended with a surprise which was totally consistent with what we have seen. With all the questions among fans, and even some characters on the show, as to whether Kiera could return home, nobody I’m aware of predicted the ending. She was successful and returned home to a better world where the Corporate Congress never took control, and old Alec was much more like young Alec than a futuristic version of the evil cigarette smoking man. However, as in this future there was never a reason for her to be sent back in time, the future included another Kiera who was the mother to Sam. Kiera could see that her son would have a better future, but would not personally be a part of it. Plus Sam grew up with different versions of his parents and in a different culture and might not be anything like the Sam she left. She also has no real role in this timeline with another Kiera being there.
In retrospect, the ending was obvious. We already saw that when Alec went back in time to save Emily there were two Alecs. When Kiera crossed into the other timeline, there were two Kieras, even if one had been killed. If Kiera never went back in time in this timeline, of course there would be another Kiera there. This all assumes that the same people would be born. It is actually more likely that if the timeline was radically changed, there would not be the exact same people born in the future. This, like having all the action taking place in Vancouver, are just things we have to accept for the show.
In this future timeline, Alec grew older and remained good. Kagame was alive, and his role primarily served as a means to momentarily make Kiera think that the future was worse than it actually was. There would presumably be versions of other members of Liber8 who never went back in time, possibly with both an old and a young Garza since she remained in the past.
It was no surprise that the Time Marines were lying about their goals, and their plans failed. Kiera had a mixed ending. The ending was not so good for Kellogg. He killed Vasquez with a corkscrew (fitting for Kellogg) but learned while she was dying that she was his daughter, and not the lover of his future self as assumed. He was momentarily safer, if not for the legal penalties he faced, when the current timeline was tethered to the timeline of the Time Marines. Now if anything happened to him, such as having both kidneys removed, his older self would undergo a 12 Monkeys style fate (movie version). Kellogg tried to go back in time to when everyone first came back to get rid of them (presumably including another version of himself) to try to make things turn out as he wanted, including taking control of that kid in the garage (Alec). Instead Alec outsmarted him, sending him to prehistoric times. I’m not sure if Kellogg will get killed, or manage to be treated as a god. Maybe he does have a happy ending.
The condensed six-episode season did wrap up the series well, but compromises had to be made. It was necessary to quickly have Kiera want to remain in the present at the end of last season and then want to go home this season. Kiera’s husband was totally ignored for the final season.
Presumably there were plans to do far more with The Traveler, but his story had to be wrapped up very quickly. Once Kellogg went back in time, the future with the Time Marines, along with a future with evil Alec and the Corporate Congress, never took place and The Traveler’s future was again present, allowing him to return home.
The flash-forwards of previous seasons were no longer used and until the finale we only saw old Alec in Zero Hour. I still have so many questions which will never be answered. The episode confirmed that Alec sent Liber8 back to prevent the future he created, and that Kiera was assigned to be at the fake execution because young Alec mentioned her name. However, young Alec never told old Alec that Kiera arrived with no idea what was going on. Knowing the little he did know, I would think that old Alec would have instead briefed Kiera and sent her back with a more concrete mission. If there was more time in future scenes, it might have convincingly be shown that Alec considered this but, in recognizing her views at the time, decided it was better to send her back without such a briefing.
It is also unfortunate that there was little time to get into the politics of the show in this condensed final season, especially with the series ending this year. Given more time, Continuum could have been partially a weekly promotion for the views of Bernie Sanders. Maybe there is a timeline where Bernie Sanders gets elected to prevent the corporate excesses shown on the show.
Simon Berry had said he envisioned the final scene from the beginning. This led to the show making more sense than shows which drifted like Lost and The X-Files. However, the other examples which come to mind of a television writer having the end in mind have not worked out as planned. J. Michael Straczynski got the ending he intended for Babylon 5, and then wound up having an extra year to kill. Amy Sherman-Palladino never got to end Gilmore Girls as she planned as she did not remain for the final season. The ending for How I Met Your Mother might have been clever at the time, but no longer was the best ending by the time the story was told.
The Girl Who Died was on one level a light episode of Doctor Who with Vikings versus aliens, but it also included a lot of references to the mythology of the show, and presumably leads into however the season ends. The Doctor was caught by Vikings and tried to pretend to be Odin. That did not work as there was already another alien pretending to be Odin. Plus it was the nearest thing we will probably see to Doctor Who meeting Game of Thrones.
The Doctor helped the Viking village defeat The Mire with clever but improbable strategy including electric eels, mind tricks to make the invaders think they were under attack by a giant serpent, and threats to ruin their reputation with a video of the events. Along the way there were references to previous Doctors along with some seen in videos. The Doctor used the phrase attributed to the third Doctor, even if not really used all that often: “I’m reversing the polarity of the neutron flow. I bet that means something, it sounds great.” The seventh Doctor was also recalled with “Time will tell – it always does.”
There was an explanation for the current Doctor looking so much like Marcus Aurelius from The Fires of Pompeii (beyond both being played by Peter Capaldi). Seeing this face was a reminder that he can sometimes change what might be fixed points in time. In the episode, Donna Noble convinced the Doctor into saving a the volcano which destroyed Pompeii. This tells him: “I’m the Doctor and I save people!” (Will we later get an explanation for Peter Capaldi’s appearance in Torchwood: Children of Earth, or is it just better to pretend that one never existed?)
It is never clear what the rules of time are. Will they necessarily lead to problems, or are they just rules of the Time Lords which can be ignored when they are not around? We received a little guidance: “It’s OK to make ripples, but not tidal waves.”
This all mattered first to get the Doctor to save the village. It was saved but Maise Williams’ character, Ashildre, died during the battle. The Doctor not only made her “functionally immortal,” but also gave her a second dose of the revive-chip for “whoever she wants” so she will not be alone. It is strange that the Doctor did this for her, but never considered it for many other people he saw die, or to make sure he is never alone. I wonder if there will be tragic consequences of this violation of the rules to provide reason for him to never consider it again.
The Doctor did realize that he turned Ashildre into a hybrid. We heard mention of a hybrid earlier in the season in The Witch’s Familiar, but it sounded like a cross between a Time Lord and a Dalek. We will have to wait and see if this is all connected.
Another event of the season was to have the Doctor lose his sonic screwdriver and replace it with the sonic sunglasses. The Vikings broke them, but they also appear in a preview so presumably are returning.
The episode had the second suggestion that Clara might be bisexual when she spoke of fighting the Doctor for Ashildre. In The Magician’s Apprentice she mentioned that Jane Austen is “a brilliant writer and, strictly between ourselves, a phenomenal kisser.”
A couple other memorable lines from the episode:
Doctor: “I’m not actually the police, that’s just what it says on the box.”
Clara: “The universe is full of testosterone. Trust me, it’s unbearable.”
Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching.
Fargo and Manhattan returned for their second seasons. Fargo looks fantastic. I have not seen Manhattan yet but I hear it was also excellent. I would highly recommend watching the first season of each of these shows. Fargo is a different story with slight overlap in characters, and I doubt it will be necessary to have seen the first season to enjoy the second. It would be better to watch the first season of Manhattan before trying to jump in.
Fresh Off The Boat, also in its second season, has been picked up for a full twenty-two episodes.
Syfy has canceled Defiance after three seasons. I thought the third season was much better, but not enough people were watching. Please do not let Manhattan suffer this fate–it is an excellent show despite being seen by so few people as it is only on WGN.
The conclusion to last week’s episode of Doctor Who, Before the Flood, got more timey wimey. Under the Lake, possibly not trusting the audience to realize they were seeing a paradox, began with the Doctor speaking directly to the audience about the Bootstrap Paradox (named after the paradox in Robert A. Heinlein’s classic story By His Bootstraps). The doctor told what he called a fake story about a time traveler who loved the work of Ludwig van Beethoven. He went back in time to meet Beethoven, and even took all his sheet music for Beethoven to autograph. The time traveler found that Beethoven did not exist, so he had the sheet music he brought published under Beethoven’s name. History went on as he remembered it, but who actually composed all the music in the first place?
The Doctor also had to find a way to break the rules of time in this episode–which he wold only do for Clara. When he first found out that he was to become a ghost in the time period where the story began, he assumed that this was part of history, a fixed point in time, and could not be changed. Clara urged the Doctor to try and he did find a way. He created a hologram, so that Clara saw what she told the Doctor she saw, but it was not actually a ghost. He then set up a prerecorded message claiming to be the order of the deaths, motivating the Doctor to take action to prevent Clara’s death (but not O’Donnell’s). There was also a second message, “The chamber will open tonight.” The Doctor then came out of the suspended animation chamber in the future, like his companions and the Pandorica. The messages given by the hologram gave the Doctor the information he needed, but where did the idea for those messages come from in the first place? Maybe the same place as those messages in Blink.
Best line from the show: “You might find you’ve lost a couple other memories too. Like people you went to school with, or previous addresses, or how to drink liquids…”
The early reviews of Jessica Jones have been excellent. The show includes superpowers, hot sex scenes, and the Marvel Cinematic Universe’s first lesbian character. There have now been a few teasers such as above, without Krysten Ritter’s face actually being shown. This makes me wonder if these scenes are not from the show, and possibly filmed with a body double. Jessica Jones premiers on Neflix on November 20.
Manhattan is also starting its second season soon. This show deserves a far bigger audience than it has received. I highly recommend binging on the first season and then watching the second.
CBS has finally canceled Extant, and plans another project with Halle Berry. They should have made this decision at least a year ago.
I held off on watching Minority Report after the first couple of episodes were not received well. Fox has now cut back the order from thirteen to ten episodes, which looks like a poor sign for the show to continue.
AMC has renewed Halt and Catch Fire for a third season. While it has low ratings, I’ve heard that AMC likes the demographics of the viewers. Plus AMC directly owns the show and hopes to make money off of streaming rights in the future.
Blindspot is the first new drama of the season to receive a full season pickup. It is well deserved, so far being my favorite new network drama of the season. Another new drama I’ve watched has been Limitless. I see Blindspot and Limitless as having a lot in common, with Blindspot the better of the two and Limitless as being a lighter version.
Both shows feature protagonists with powers (fighting ability plus her clues in Blindspot, and abilities from the pill in Limitless) who are working with the FBI. The first few episodes of each centered around them gaining trust and getting involved in cases rather than remaining behind in an office. Both have some type of mysterious background stories.
I was surprised to see how quickly Blindspot revealed that Jane Doe is Weller’s missing childhood neighbor Taylor Shaw, but that really does not answer any of the mysteries. (Does star Jaimie Alexander’s Asgardian roots explain anything about her character?) I was also surprised to see the bearded guy get killed so soon. Actors on this show have even less job security than those on Games of Thrones.
When Brian’s new “boss” introduced himself on Limitless, I wondered if this was a way to continue the story without Bradley Cooper, but reportedly he will return in future episodes.
Sleepy Hollow also follows this pattern to some degree with Abbie now being in the FBI and, while not having unusual abilities, Ichibad does have an unusual background in other days. This season feels like an attempt to reboot the series, but so far has not captured the unique entertainment of the first season. It does look promising enough to watch longer.
Other worthwhile shows of the new season include Supergirl, based upon the pilot previously released on line, and Casual. While totally non-genre, Casual (on Hulu) is an excellent family dramedy. The first two episodes were very entertaining, and reviews have been great from those who saw the series at the Toronto Film Festival.
Above are trailers for this season of The Flash and Arrow from New York Comic-Con. Note that characters who have apparently died are present, in preparation for them joining together on Legends of Tomorrow.
The penultimate episode of Continuum has aired in the United States and the series finale aired on Showcase in Canada. The Desperate Hours was mostly all action, including another heroic death, setting up the finale which is obviously named Final Hour. It seems rather pointless now to discuss the questions I have had during the season and after The Desperate Hours considering that they were answered in Final Hour. I will wait to discuss Final Hour to avoid spoiling those who wait for the US presentation of the show.
Zero Hour, the fourth episode of the final season of Continuum, was by far the most significant episode so far this season. After my teasers last week, I will go ahead with a more detailed discussion now that it has aired in the United States. The episode answered some questions going back to the first season, while suggesting where the final episodes are headed. I suspect that a lot was crammed into this episode due to the cancellation of the series and need to compress everything planned into only six episodes. Considering these limitation, they did an excellent job of providing a tremendous amount of information while keeping the story flowing well.
The Traveler was introduced last season and I suspect that little more has been done with the character due to the limited time left. The episode revealed both the role of The Traveler and how Curtis was bought back. The Traveler had apparently meddled in time, causing his future timeline to be eliminated. In some ways The Traveler is much like Kiera, trying to find a way back their own timeline.
The question of whether Kiera can go back to her timeline has not only been raised by fans over the course of the season, but even characters on the show have suggested to her that she cannot go home because her future no longer exists. Knowing about The Traveler provides contradictory arguments. On the on hand, if even the Traveler is having trouble making things right, wouldn’t this suggest that there is nothing which can be done for Kiera unless the timeline is fixed?
This matter changed entirely when The Traveler created a paradox during this episode in which both young and old Alec met together. The original timeline with old Alec must still exist in some form in order for this meeting to occur. While the Freelancers worked to stop time travelers like Liber8 and Kiera, by arranging this meeting it appears that The Traveler was now working to ensure that they were sent back in time by old Alec. Even if he previously objected to meddling in time by others, does this now mean that the presence of the time travelers is necessary for The Traveler to fix the timeline? The contradiction might be another effect of having to speed up the ending of the show. If there was more time, it might have been possible to provide an explanation for The Traveler appearing to change his agenda.
At this meeting we learned that old Alec was considering sending the prisoners from Liber8 back in time but had not yet decided, or put any plan into effect yet. It was young Alec who actually encouraged his older self to proceed. This also excludes the possibility of a single timeline in which this always happened, and old Alec was sending people back in time with memories of having encountered Kiera and Liber8 when young (although this theory had already been contradicted by other events on the show).
Another question raised previously came up when old Alec recognized Kiera’s name in an early flash forward scene taking place before they were sent back in time. We now know that old Alec recognized her name not because sending her was part of his original plan, but because young Alec mentioned Kiera.
When Alec lost Emily in season two, he wound up going back in time to try to save her, causing the destruction of an entire timeline. This time when Emily left him, his actions were not as destructive. After Alec demanded it, Jason took Alec to see his mother (and Alec’s future wife) Annie, but said she had died in Jason’s past. Alec received a different explanation from his future self, who said Annie committed suicide to get away from the monster he became. Young Alec could prevent this by staying away from Annie. I wonder if instead Alec will decide he can still meet Annie, and could change her fate by not becoming that monster. This might also be a storyline which would have a better chance of playing out if there were more episodes left.
In this episode both viewers and Kellogg learned what the Time Marines were up to, and learned he better not trust his future self. As expected, they are building a time portal which more people from the future could use to escape. This includes relatives of Brad, if we can trust Zhorin–a big if. Brad thought the relatives were already dead but Zhorin stated they were on the list to come back. Maybe Brad was mistaken about their deaths, maybe Zhorin is lying, or maybe when Brad came back in time, his actions changed the timeline which led to his relatives not being killed as he remembered. This does complicate any decisions by Brad as to which side to take.
Things are more ominous for Kellogg. Vasquez revealed that future Kellogg has renal failure, which can be cured. Presumably the cure is the transplantation of one or both of young Kellogg’s kidneys. It has already been established that time travel on Continuum is not like time travel in the movie version of 12 Monkeys. The removal of younger Kellogg’s kidneys will not cause them to disappear in old Kellogg, and the death of young Kellogg will not affect old Kellogg. Continuum has always been a show with changing alliances, and this discovery led Kellogg to reach out to Kiera to join forces.
The other question about alliances involves Dillon, who has qualms about acts he is being asked to perform as the new security chief for Piron. Will this lead to him changing sides again, and what exactly would this mean should Kellogg and Kiera wind up on the same side?
I will avoid any spoilers on episode 5, The Desperate Hour but the name does fit the episode. There are not the same sort of major revelations as in Zero Hour, but there are major advances seen in the storyline based upon what we learned the previous week, and some of the questions I raised above are at least partially answered.
Under The Lake is reminiscent of older Doctor Who stories featuring a monster of the week, except that it is a two-part story with a real cliffhanger. The full story, written by Being Human creator Toby Whithouse, cannot be judged yet, but like the first two episodes of this season was enjoyable regardless of whether the full plot ultimately holds up well.
As is usual with many episodes of Doctor Who, it is all the little moments which make the episode enjoyable. After leaving a planet which has been celebrating New Year’s for two centuries (I’m not sure if this is fun or a real horror), the TARDIS brought the Doctor and Clara to an underwater mining facility in Scotland of 2119 where there appear to be real ghosts. The ghosts disturb the TARDIS, and the Doctor wonders why the TARDIS brought them here. This reminds us of The Doctor’s Wife by Neil Gaiman, in which the TARDIS said that while she didn’t always take the Doctor where he wanted to go, she always took him to where he needed to be.
The Doctor saved time by not having to earn the trust of those on the mining facility by saying he was with UNIT. He did continue to have other problems relating with humans, which have been present since his last regeneration. Clara tried to help him by writing out index cards with things for the Doctor to say in certain circumstances, but his delivery was a problem. Some examples:
“I’m very sorry for your loss. I’ll do all I can to solve the death of your friend slash family member slash pet.”
“No one is going to get eaten slash vaporized slash exterminated slash upgraded slash possessed slash mortally wounded slash turned to jelly. We’ll all get out of this unharmed.”
Well, not everybody got out of this unharmed. It was obvious from the moment we met him that Pritchard, the corporate lackey who was looking for ways to profit from the situation, would be one of the first to die.
The index cards also did not prevent the Doctor from saying other things which some might be offensive, even if viewers might have sympathized with the first of these two examples:
“So who’s in charge now? I need to know who to ignore.”
“Surely just being around me makes you cleverer by osmosis”
The episode did address the question of why characters stick around when it is getting dangerous by giving reasons why they couldn’t leave. Before it turned out they could not leave, their options were considered: “You can stay and do the whole Cabin In The Woods thing…”
The episode had a couple of things in common with the initial two parter of the season, The Magician’s Apprentice and The Witches Familiar. Both raised the prospect of the death of the Doctor–in this case seen in the ghost Doctor at the end of the episode. Both also used going back in time as a plot point. It certainly makes sense for the Doctor to use the TARDIS to go back into time to change things or find out information when he is in trouble, but this very rarely occurs. I wonder if this is coincidence or a plan to make this season more timey wimey.
Use of time travel does complicate story telling as it then becomes necessary to create reasons why time travel cannot be used. Otherwise the Doctor could go back in time and rescue himself before he ever gets in trouble. There must be rules which are only understandable to Time Lords. The most notable example in recent years were the rules which prevented him from rescuing Amy and Rory after the Weeping Angels sent them back in time in The Angels Take Manhattan.
In other Doctor Who news, a young adult spin off to Doctor Who taking place in Coal Hill School, entitled Class, has been announced.
Agents of SHIELD was off to a good start this season, turning to concentrating on the Inhumans. There were also references to other aspects of the Marvel universe. Bobbi both mentioned when”Sokavia fell out of the sky” in Age of Ultron and used her PhD which was established in the comics. Coulson mentioned Pym Technologies from Ant-Man. In a recent interview, Marvel Studios president Kevin Feige did also say that events on television shows such as Daredevil will be mentioned in the movies. This is in line with the usual Disney synergy between its various products as television shows, movies, theme parks, and merchandise all help sell each other.
The biggest surprise of the season premiere was to find that Simmons is now on another planet. Jed Whedon discussed this with Entertainment Weekly:
Marvel’s Agents of S.H.I.E.L.D. wasted no time in revealing exactly where Simmons is during Tuesday’s season premiere — but that doesn’t mean she’ll be reuniting with the team anytime soon.
Missing in action for most of the premiere, Simmons was finally revealed to be in the desert … on another planet, that is, and definitely not in our solar system. “It can’t be because of the terrain and what you see,” executive producer Jed Whedon tells EW. “There’s very few planets that have that configuration that she would not be dead if she were there.”
During the season 2 finale, the recently discovered Kree monolith suddenly turned into liquid form, absorbing Simmons before reforming as if nothing ever happened — causing S.H.I.E.L.D. fans to spend the summer pondering what happened to the intrepid scientist. “It was so cool,” Elizabeth Henstridge says of her first reaction to the planet reveal. “I hadn’t thought of that. Everything that happens, I hadn’t thought of that as an option.”
Because she’s been stranded there for six months, executive producer Jeffrey Bell says this is a “profoundly different” Simmons than the one we last saw in the finale. “She’s definitely still her essence — she doesn’t just completely change,” Henstridge says. “But she’s been through so much. She’s hardened. She’s had to face things that she never would’ve imagined, also by herself without Fitz [Iain de Caestecker], so she’s definitely changed, stronger and kind of damaged.”
Finding out how Simmons landed in a galaxy far, far away won’t be revealed right away, though. “There will be some breadcrumbs, and then at some point we will fully explore what’s happened to her in a way that is maybe the craziest thing we’ve done,” Bell says. “We’ve very excited. It’s a different kind of episode for us — to give Elizabeth and Simmons the chance to really show what she went through seems really cool.”
The interview also notes that Simmons is running from something suggesting “She thinks she’s not alone.” There will be more on the planet in future episodes.
The above trailer was released last week for the six episode revival of The X-Files.
The BBC has started filming on season 4 of Orphan Black and have released this summary:
Sarah, reluctantly return home from her Icelandic hideout to track down an elusive and mysterious ally tied to the clone who started it all — Beth Childs. Sarah will follow Beth’s footsteps into a dangerous relationship with a potent new enemy, heading in a horrifying new direction. Under constant pressure to protect the sisterhood and keep everyone safe, Sarah’s old habits begin to resurface. As the close-knit sisters are pulled in disparate directions, Sarah finds herself estranged from the loving relationships that changed her for the better.
Returning this season is Jordan Gavaris as Sarah’s battle-worn foster brother Felix; Maria Doyle Kennedy as Sarah and Felix’s foster mother Mrs. S; Kristian Bruun as Donnie, Alison’s partner-in-crime and husband; Kevin Hanchard as Art, Beth’s detective partner who’s torn between his job and his loyalty to the clones; Skyler Wexler as Sarah’s long-suffering daughter Kira; Ari Millen as a mysterious new Castor clone, the likes of which we’ve never seen before; and Josh Vokey as Scott, Cosima’s lab partner. Also returning this season is James Frain as Ferdinand, an intimidating “cleaner” for shadowy organization, Topside; Allison Steadman as Kendall Malone, “the original”; and Rosemary Dunsmore as Susan Duncan, Rachel’s adoptive mother and one of the leading scientists of Project Leda. Joining the Orphan Black cast this season is Joel Thomas Hynes as Dizzy, an edgy, self-reliant hacker who doesn’t conform to group mentality. Additional casting for the series will be announced in the coming weeks.
Jennifer Lawrence warns that if Donald Trump becomes president, “that will be the end of the world.”
It seems Jennifer Lawrence’s thoughts on Donald Trump echo Katniss Everdeen’s feelings toward President Snow. For the uninitiated, that means she’s not a fan. During a lively conversation with the three leads of the final installment of The Hunger Games franchise, Mockingjay — Part 2, the Republican presidential candidate became the topic of conversation.
“If Donald Trump becomes president, that will be the end of the world,” says Lawrence.
Her co-star Liam Hemsworth feels the same: “I’ll back you up on that,” he adds.
Josh Hutcherson, the third lead in the massive franchise, can’t quite believe Trump’s run for the presidency is legitimate. “It’s a publicity stunt,” he says. “It can’t be real.”
Lawrence doesn’t seem quite sure of his validity either. “I genuinely believe that reality television has reached the ultimate place where now even things like this might just be for entertainment,” she says. “It’s either that or it’s Hillary’s brilliant idea.”
Hillary Clinton appeared on the season premiere of Saturday Night Live opposite Kate McKinnon, doing her Clinton impersonation. The skit made fun of Clinton’s delay in supporting gay rights ( “I could’ve supported it sooner”), and Hillary did an impersonation of Donald Trump.
The Witch’s Familiar, the concluding episode of last week’s episode of Doctor Who, The Magician’s Apprentice, works despite the weakness in its plot due to its dual match-ups. One was the Doctor and a supposedly dying Davro,s and the other pair was Clara and Missy.
Pairing the Doctor and Davros was an idea which Steven Moffat has had since watching Genesis of the Daleks according to an interview at blastar:
“When I was very young, I watched Genesis of the Daleks and began a long plan.”
“I was doing what I do in my spare time which is watch old episodes of Doctor Who – because I really know how to kick back and relax,” he explained. “Davros had already returned within the series…and it occurred to me, and I think this is just true, there isn’t a bad scene between the Doctor and Davros.”
“Whatever you think of the stories – and I think they’re all good – all the time, every time you have the Doctor confronting Davros, in the classic series and in the new series… every time they meet, it’s really quite electric. There’s something about those two characters meeting, so I wanted to have a go at it.”
“What surprised me, looking back at the old stories, was how little screen time they have together. In Genesis of the Daleks they have a couple of scenes, that’s all – brilliant scenes, beautifully written and played, beautifully done. But they’re very short – they’re not long at all. I’d imagined it in my memory as being most of the story, but it wasn’t at all.
“So my notion was to actually stick them in a room together and see what happens after a long while. So that’s, you know, a childhood ambition that hasn’t changed into my 50s.”
The pair spent a considerable part of the episode talking to each other and launching plots against each other. Reminiscent of the question posed by the Doctor last season, Davros even asked the Doctor, “Did I do right Doctor? Tell me, was I right? I need to know before the end. Am I a good man?”
The pairing of Clara and Missy was more amusing. This included Missy’s implied threat to eat Clara if there wasn’t anything else to hunt and Missy’s response when Clara suggested throwing a stone down into the sewers to see how deep they were. “Ah yeah, good idea.” And she pushed Clara in. Plus what is the deal with Missy’s reference to a daughter?
The resolution of the story was weak. Even if we accept that the Doctor can just turn on regeneration energy at will, what was his end-game? He was assisted in escaping by Missy, but at the time the Doctor thought that Missy was dead. His plan might have worked to have the decaying Dalek sewer slime attack the other Daleks, but how was the Doctor planning to escape?
It is also questionable why the Doctor revealed to Davros that Gallifrey still existed. Other questions also came up in the discussion with Davros, such as the idea that the Doctor might have been running from something when he left Gallifrey, and a possible Dalek/Timelord hybrid. Presumably some, if not all, of this will come up in future episodes.
Missy posed an additional threat to Clara when Clara was inside a Dalek. This was actually the third time she was, one way or another, inside a Dalek. We saw Clara’s mind trapped inside a Dalek in Asylum of the Daleks in Jenna Coleman’s first appearance. Last season there was the journey by a team inside a Dalek in Into the Dalek.
This was an amusing sequence in which Clara tried to communicate but there were many words which the Dalek translated differently from what she desired, being limited by what it knew. Then she said “mercy” which was not a concept the Dalek should have known. This led to the other somewhat weak aspect of the conclusion as the Doctor went back in time to show mercy to young Davros, therefore introducing the concept of mercy into the Dalek DNA.
The episode also eliminated the sonic screwdriver for now, with the Doctor moving on to wearable technology. There is still the question of the confession dial, which I bet will play a part later this season in typical Moffat style.
The two-part format did allow for many ideas to be inserted into the story, along with a cliff hanger. As plot holes have always been a part of Doctor Who, being present well before Moffat despite the frequent criticism of him for this, it does make sense to have less stories and include more in each one.
ABC has released the first four minutes of Agents of SHIELD, which is returning on Tuesday. Video above with Daisy and other SHIELD agents helping an Inhuman.
TV Guide has some information on Cisco’s new powers on The Flash.
TV Guide also has some set pictures which might provide spoilers on the fate of John Snow on Game of Thrones.
Fox will have a two part trailer for The X-Files on Monday night on Gotham and Minority Report. Minority Report did premiere last week but I’ve held off on watching until I hear more about how the show is. Starting to follow genre shows on Fox doesn’t always turn out very good. The season premier of Gotham left me with hope for improvements in the second season over the first.
Netflix has released the above teaser for Jessica Jones, providing a glimpse of her super powers.
Netflix has released some interesting information on how many episodes viewers had to watch of certain shows before becoming hooked on them. They found the episode at which seventy percent of those viewing would then go on to finish the season. Viewers were hooked with the second episode of Breaking Bad. Some other shows took longer.
Streaming has become a way to provide a future for television shows, in addition to provide access to old episodes of shows. Netflix has ordered twelve new episodes of Black Mirror.
Steven Spielberg has always been a master of fiction. Reportedly Hillary Clinton turned to Spielberg for acting coaches to help her appear more likable. This comes from the book Unlikable by Edward Klein. I’m not sure how much of this book is fact versus fiction.
Tonight we have the rare super blood moon total eclipse. National Geographic describes how to view it.
The third episode of Continuum, Power Hour, finally started to reveal much more of what is going on (and the reveals are even greater in the fourth episode–but no spoilers for episode four as this has not aired in the United States yet). Kiera and Garza teamed up to find out what the Time Marines are up to. In the process Curtis met a heroic death. After previously warning Alec that his superpower was in computers, not fighting, Curtis himself got drawn into the action.
Julian tried to destroy the Theseus manifesto. Leading a rebellion against the Corporate Congress in which there would be thousands of casualties, followed by failure, just did not seem like a good future for him. He could not escape his fate as, in sort of a time loop, Chen made sure a copy of the manifesto from the future came out, also leading Julian to a toddler Kagami. This leads back to the question of whether the future we know about will still come about, which directly impacts Kiera’s attempts to return home.
After two episodes which were largely setup, the story did progress in the third episode–already half way into the final season. The fourth episode does move the story forward considerably, making it possible to speculate as to the end game of the series. Here are a some teasers which will not spoil the episode, but those who want to go into the episode with zero information might want to look away. Alec responds to Emily being gone, but does not destroy the entire timeline this time. There is an unexpected conversation between characters. A puzzle from the first season is resolved. Keep wondering whether Kellogg should trust his future self.